HumMusQA: A Human-written Music Understanding QA Benchmark Dataset
Paper • 2603.27877 • Published
identifier stringlengths 8 12 | audio audioduration (s) 30 90 | question stringlengths 24 132 | answer stringlengths 1 102 | distractor_1 stringlengths 1 62 | distractor_2 stringlengths 1 70 | distractor_3 stringlengths 1 63 | main_category stringclasses 13
values | secondary_categories stringlengths 0 64 | difficulty stringclasses 3
values | excerpt_start_time stringclasses 41
values | excerpt_end_time stringclasses 40
values | song_link stringlengths 33 37 | jamendo_id stringlengths 3 7 | song_name stringlengths 4 61 | artist_name stringlengths 4 29 | album_name stringlengths 3 54 | song_license_url stringclasses 21
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q1_1204663 | Which of the following best fits the guitar pattern heard at the beginning of this excerpt? | riff | glissando | Alberti | walking bass | Melody | Musical Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1204663 | 1204663 | Madly, Deeply | Melanie Ungar | What Is Love | http://creativecommons.org/licenses/by/3.0/ | |
q2_1204663 | Which section of the song follows this harmonic progression: vi, IV, I, V? | chorus | verse | bridge | outro | Structure | Harmony | High | 00:45 | 01:45 | https://www.jamendo.com/track/1204663 | 1204663 | Madly, Deeply | Melanie Ungar | What Is Love | http://creativecommons.org/licenses/by/3.0/ | |
q3_1204663 | What type of beat do you hear in the drums? | rock | funk | soul | jazz | Metre and Rhythm | Genre and Style | Low | 00:45 | 01:45 | https://www.jamendo.com/track/1204663 | 1204663 | Madly, Deeply | Melanie Ungar | What Is Love | http://creativecommons.org/licenses/by/3.0/ | |
q4_196219 | What kind of accompaniment best defines the beginning of the song? | arpeggios | block chords | broken chords | counterpoint | Musical Texture | Harmony | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/196219 | 196219 | Stories from Emona I | Maya Filipič | Between two worlds | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q5_196219 | What type of articulation best defines the melody of this song? | legato | marcato | sforzando | staccato | Performance | Mood and Expression | Low | 00:00 | 01:00 | https://www.jamendo.com/track/196219 | 196219 | Stories from Emona I | Maya Filipič | Between two worlds | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q6_196219 | What level of ornamentation is present in the melody? | high | low | medium-low | none | Melody | Performance | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/196219 | 196219 | Stories from Emona I | Maya Filipič | Between two worlds | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q7_171574 | What type of beat do you hear in the drums? | four on the floor | swing | eighth note groove | shuffle groove | Metre and Rhythm | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/171574 | 171574 | One Nice Thing Once a Day | UltraCat | Disco High | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q8_171574 | How many chords are played in the song? | two | one | three | four | Harmony | Medium | 01:00 | 02:00 | https://www.jamendo.com/track/171574 | 171574 | One Nice Thing Once a Day | UltraCat | Disco High | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q9_171574 | What type of filter is applied to the melodic instruments at the beginning of the song? | Low Pass Filter | High Pass Filter | Band Pass Filter | Band Stop Filter (Notch) | Sound Texture | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/171574 | 171574 | One Nice Thing Once a Day | UltraCat | Disco High | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q10_1093606 | What effect is applied to the vocals in this track? | pitch correction | Bitcrush | Ring modulation | gated reverb | Sound Texture | Performance | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1093606 | 1093606 | Dollhouse | Lilly Wolf | This Painted Life | http://creativecommons.org/licenses/by/3.0/ | |
q11_1093606 | What note of the chords does the bass play during the verse? | 1st (fundamental) | 3rd | 5th | 7th | Harmony | Instrumentation;Musical Texture | High | 00:00 | 01:00 | https://www.jamendo.com/track/1093606 | 1093606 | Dollhouse | Lilly Wolf | This Painted Life | http://creativecommons.org/licenses/by/3.0/ | |
q12_1093606 | What instrument plays the lead sound in the introduction? | Synthesizer | Bass guitar | Piano | Ukulele | Instrumentation | Sound Texture;Structure | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1093606 | 1093606 | Dollhouse | Lilly Wolf | This Painted Life | http://creativecommons.org/licenses/by/3.0/ | |
q13_1045016 | What time signature do you hear in this song? | 4/4 | 3/4 | 6/8 | 12/16 | Metre and Rhythm | Medium | 00:30 | 01:30 | https://www.jamendo.com/track/1045016 | 1045016 | Don't Lose Your Way | Olga Zhilkova | Don't Lose Your Way | http://creativecommons.org/licenses/by-sa/3.0/ | ||
q14_1045016 | Which instrument is introduced in the chorus? | shaker | bass guitar | electric piano | trumpet | Instrumentation | Structure | Low | 01:00 | 02:00 | https://www.jamendo.com/track/1045016 | 1045016 | Don't Lose Your Way | Olga Zhilkova | Don't Lose Your Way | http://creativecommons.org/licenses/by-sa/3.0/ | |
q15_1045016 | Where is the shaker positioned in the stereo field? | left | centre | down | up | Sound Texture | Instrumentation | Low | 01:00 | 02:00 | https://www.jamendo.com/track/1045016 | 1045016 | Don't Lose Your Way | Olga Zhilkova | Don't Lose Your Way | http://creativecommons.org/licenses/by-sa/3.0/ | |
q16_1100505 | What type of synthesizer sound predominates in the chorus behind the vocals? | pad | lead | pluck | sequenced | Sound Texture | Instrumentation | Medium | 00:50 | 02:00 | https://www.jamendo.com/track/1100505 | 1100505 | Anyway - Produced by J. Glaze | Kellee Maize | The 5th Element (2014) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q17_1100505 | How are the hi-hats played in this song? | closed | open | half open | there are no hi hats | Performance | Instrumentation;Metre and Rhythm | Medium | 01:20 | 02:20 | https://www.jamendo.com/track/1100505 | 1100505 | Anyway - Produced by J. Glaze | Kellee Maize | The 5th Element (2014) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q18_1100505 | During the introduction, there is a low-pass filter that is changing its frequency. Could you say in which direction it is shifting? | up | down | down-up | up-down | Sound Texture | Structure | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/1100505 | 1100505 | Anyway - Produced by J. Glaze | Kellee Maize | The 5th Element (2014) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q19_435883 | During the introduction, the kick is played twice in each bar. On which beats? | one and between the second and the third beat | two and four | one and three | two and three | Metre and Rhythm | Instrumentation | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/435883 | 435883 | I dont need you | Ay - 14ice | First Step - I Don´t Need You | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q20_435883 | During the sax solo, what scale is the electric piano using? | blues | major pentatonic | minor pentatonic | hexatonic | Melody | Harmony | High | 02:03 | 02:47 | https://www.jamendo.com/track/435883 | 435883 | I dont need you | Ay - 14ice | First Step - I Don´t Need You | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q21_435883 | In the introduction, the snare is played on the... | rim (rimshot) | edge | center | side | Performance | Instrumentation;Sound Texture | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/435883 | 435883 | I dont need you | Ay - 14ice | First Step - I Don´t Need You | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q22_1215874 | During the introduction, the bass and the lead play their melodies in a... | parallel motion | contrary motion | oblique | random | Melody | Musical Texture | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/1215874 | 1215874 | Dance tonight | Lollita | Lollita Dance Tonight | http://creativecommons.org/licenses/by-sa/3.0/ | |
q23_1215874 | During the chorus, we can hear a very popular type of synthesizer sound. Can you guess its name? | supersaw | square wave | triangle wave | sine wave | Sound Texture | Instrumentation | Medium | 00:46 | 01:18 | https://www.jamendo.com/track/1215874 | 1215874 | Dance tonight | Lollita | Lollita Dance Tonight | http://creativecommons.org/licenses/by-sa/3.0/ | |
q24_1215874 | Which of these tempos is most accurate for the song? | 125 bpm | 115 bpm | 140 bpm | 150 bpm | Metre and Rhythm | Performance | Medium | 01:00 | 02:00 | https://www.jamendo.com/track/1215874 | 1215874 | Dance tonight | Lollita | Lollita Dance Tonight | http://creativecommons.org/licenses/by-sa/3.0/ | |
q25_135660 | When the drums start playing, we can hear something known as... | metric modulation | time signature change | swing | double-time | Metre and Rhythm | High | 00:04 | 01:00 | https://www.jamendo.com/track/135660 | 135660 | Over Me | Jemex | From There to Here | http://creativecommons.org/licenses/by-sa/3.0/ | ||
q26_135660 | What kind of pattern is the bass following in the verse? | minor pentatonic | Root - 8va | Dominant 7th arpeggio | Root - 5th - 8va | Melody | Instrumentation | High | 00:28 | 01:00 | https://www.jamendo.com/track/135660 | 135660 | Over Me | Jemex | From There to Here | http://creativecommons.org/licenses/by-sa/3.0/ | |
q27_135660 | What effect predominates in the electric guitar's sound? | Distortion | Delay | Gated Reverb | Flanger | Sound Texture | Instrumentation | Low | 00:56 | 01:30 | https://www.jamendo.com/track/135660 | 135660 | Over Me | Jemex | From There to Here | http://creativecommons.org/licenses/by-sa/3.0/ | |
q28_14013 | The beginning of the song starts with a change in dynamics. What is this called? | crescendo | diminuendo | sforzando | fortepiano | Performance | Mood and Expression | Low | 00:00 | 01:00 | https://www.jamendo.com/track/14013 | 14013 | Roots | Galdson | Roots | http://creativecommons.org/licenses/by-nc-nd/2.5/ | |
q29_14013 | What is the interval between the two voices that play the melody? | octave | unison | 3rd | 5th | Melody | Musical Texture;Harmony | Medium | 00:10 | 01:00 | https://www.jamendo.com/track/14013 | 14013 | Roots | Galdson | Roots | http://creativecommons.org/licenses/by-nc-nd/2.5/ | |
q30_14013 | What is the name of the ornament played by the piano in the melody? | up arpeggio | straight glissando | wavy glissando | down arpeggio | Melody | Performance | Medium | 01:15 | 02:00 | https://www.jamendo.com/track/14013 | 14013 | Roots | Galdson | Roots | http://creativecommons.org/licenses/by-nc-nd/2.5/ | |
q31_644172 | The melody starts with four notes on D. Can you guess which note is played after? | C# | C | G | E | Melody | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/644172 | 644172 | Una Bugia | Millionaire Blonde | Una Bugia - SIngle Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q32_644172 | This verse of the tune is written... | In a major key | In a minor key | Neither of the two | It is not a tonal tune | Harmony | Melody | Low | 00:13 | 01:00 | https://www.jamendo.com/track/644172 | 644172 | Una Bugia | Millionaire Blonde | Una Bugia - SIngle Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q33_644172 | What is the time signature of the tune? | 4/4 | 3/4 | 6/8 | 9/8 | Metre and Rhythm | Medium | 00:30 | 01:30 | https://www.jamendo.com/track/644172 | 644172 | Una Bugia | Millionaire Blonde | Una Bugia - SIngle Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q34_355486 | What compositional technique do the piano and the drums use in the introduction? | call and response (also known as question and answer) | homophonically | There is only a piano in this excerpt. | counterpoint | Musical Texture | Instrumentation | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/355486 | 355486 | Casa Noir | Quantum Jazz | Hand In Space | http://creativecommons.org/licenses/by-sa/3.0/ | |
q35_355486 | In the verse there is a dissonance that doesn't belong the key and mode of the tune. Do you know which one is it? | Ab | G | F | B | Melody | Harmony | High | 00:00 | 01:00 | https://www.jamendo.com/track/355486 | 355486 | Casa Noir | Quantum Jazz | Hand In Space | http://creativecommons.org/licenses/by-sa/3.0/ | |
q36_355486 | What element does the piano player introduce in the piano solo? | Block chord voicing solo | Bebop scales | Polytonality | Atonality | Harmony | Musical Texture;Performance | High | 03:20 | 04:10 | https://www.jamendo.com/track/355486 | 355486 | Casa Noir | Quantum Jazz | Hand In Space | http://creativecommons.org/licenses/by-sa/3.0/ | |
q37_337998 | Which percussion instrument plays during the verse? | conga | djembe | cabasa | timpani | Instrumentation | Structure | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/337998 | 337998 | beautiful | Hiroumi | Kokoro No Furyoku | http://creativecommons.org/licenses/by-sa/3.0/ | |
q38_337998 | Here, the singer uses a specific vocal technique. Do you know what it's called? | Falsetto | Chest voice | Middle voice | None of the above | Performance | Sound Texture | Low | 02:30 | 03:30 | https://www.jamendo.com/track/337998 | 337998 | beautiful | Hiroumi | Kokoro No Furyoku | http://creativecommons.org/licenses/by-sa/3.0/ | |
q39_337998 | What type of instruments predominate in the song? | Acoustic | electronic (analog) | electronic (digital) | None of the above | Instrumentation | Sound Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/337998 | 337998 | beautiful | Hiroumi | Kokoro No Furyoku | http://creativecommons.org/licenses/by-sa/3.0/ | |
q40_457120 | The piano introduction features a typical accompaniment style from a specific country. Which country is it? | Cuba | Brazil | Argentina | Venezuela | Genre and Style | Historical and Cultural Context;Instrumentation;Metre and Rhythm | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/457120 | 457120 | Sofa | Dazie Mae | Velvet Dress & Stockings | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q41_457120 | The guitar is a typical accompaniment from a specific country. Which country is it? | Brazil | Cuba | Argentina | Venezuela | Instrumentation | Historical and Cultural Context;Genre and Style | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/457120 | 457120 | Sofa | Dazie Mae | Velvet Dress & Stockings | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q42_457120 | What is the singer pursuing with her tone? | Sensuality | Power | Loudness | Detachment | Mood and Expression | Performance;Sound Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/457120 | 457120 | Sofa | Dazie Mae | Velvet Dress & Stockings | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q43_1235672 | How would you define the harmonic rhythm of this tune? | Steady | unstable | hemiolic | chaotic | Harmony | Metre and Rhythm | Medium | 00:20 | 01:20 | https://www.jamendo.com/track/1235672 | 1235672 | First Time | Matty | The Elements | http://creativecommons.org/licenses/by-nd/3.0/ | |
q44_1235672 | How could you call the section after the second verse? | C section or bridge | Verse | Chorus | Outro | Structure | Medium | 01:50 | 02:50 | https://www.jamendo.com/track/1235672 | 1235672 | First Time | Matty | The Elements | http://creativecommons.org/licenses/by-nd/3.0/ | ||
q45_1235672 | In what decade could this song be created? | 2010 | 1990 | 1980 | 1970 | Historical and Cultural Context | Genre and Style;Sound Texture;Performance;Instrumentation | Low | 01:00 | 02:00 | https://www.jamendo.com/track/1235672 | 1235672 | First Time | Matty | The Elements | http://creativecommons.org/licenses/by-nd/3.0/ | |
q46_510027 | What level of musicianship is required for a synth bass player to perform this song? | Beginner | Advanced | Expert | Professional | Performance | Instrumentation | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/510027 | 510027 | Dance Till Day | Jemex | Square 1 | http://creativecommons.org/licenses/by-sa/3.0/ | |
q47_510027 | What is the intention behind adding new voices in the last section? | Increase energy | Decrease the energy | Maintain the same energy level | Introduce new energy | Musical Texture | Mood and Expression;Structure;Instrumentation | Low | 02:41 | 03:41 | https://www.jamendo.com/track/510027 | 510027 | Dance Till Day | Jemex | Square 1 | http://creativecommons.org/licenses/by-sa/3.0/ | |
q48_510027 | Does this song have a differentiated chorus section? | No, it is very similar to the verse | Yes, it is different from the verse | Yes, but it is more of a C section | No, it is exactly the same as the verse | Structure | Medium | 01:10 | 01:56 | https://www.jamendo.com/track/510027 | 510027 | Dance Till Day | Jemex | Square 1 | http://creativecommons.org/licenses/by-sa/3.0/ | ||
q49_1149194 | What is the most obvious digital music techniques used in this tune? | Vocal sampling techniques | Arpeggiating | pitch blending | resynthesizing | Sound Texture | Instrumentation | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1149194 | 1149194 | Fragment (Radio Edit) | The.madpix.project | Fragment | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q50_1149194 | Where would you imagine this song being played? | In a night club | At a children's party | During a romantic dinner | After exercising | Functional Context | Mood and Expression;Genre and Style | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1149194 | 1149194 | Fragment (Radio Edit) | The.madpix.project | Fragment | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q51_1149194 | What would you expect a professional jazz musician to say about this tune? | It is very monotonous | It would be great to play a cover of it. | I would like to sing it. | It would be the first song I would listen to after a gig. | Mood and Expression | Melody;Musical Texture;Structure | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1149194 | 1149194 | Fragment (Radio Edit) | The.madpix.project | Fragment | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q52_1107251 | How would you describe the electric guitar motif? | repetitive | varied | diverse | unstable | Melody | Instrumentation | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1107251 | 1107251 | On The Beach | Jonay | On The Beach | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q53_1107251 | Does this tune explore any themes other than love? | No | Yes, it talks about professional life. | It depends on the listener's age. | Yes, it talks about aspirations. | Lyrics | Mood and Expression | Low | 00:30 | 01:30 | https://www.jamendo.com/track/1107251 | 1107251 | On The Beach | Jonay | On The Beach | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q54_1107251 | What level of humor does this song display? | It is a serious tune | It has some humor | It has a lot of humor | It is serious, but it has some hilarious parts | Mood and Expression | Low | 00:30 | 01:30 | https://www.jamendo.com/track/1107251 | 1107251 | On The Beach | Jonay | On The Beach | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q55_189585 | What is the harmonic interval between the voices in the first two notes of the verse? | 4th | 5th | octave | 6th | Harmony | Melody;Musical Texture | High | 01:30 | 02:30 | https://www.jamendo.com/track/189585 | 189585 | Triplexity - Lise (with LucB) | Triplexity | Live in Triplex City | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q56_189585 | What harmonic technique is used during the chorus? | Secondary dominants | slash chords | Polytonality | Atonality | Harmony | Structure | High | 02:12 | 03:00 | https://www.jamendo.com/track/189585 | 189585 | Triplexity - Lise (with LucB) | Triplexity | Live in Triplex City | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q57_189585 | Which guitar comping style can we here in the tune? | bossa nova | manouche guitar | flamenco guitar | hard bop | Genre and Style | Instrumentation;Performance;Historical and Cultural Context | Low | 03:00 | 04:00 | https://www.jamendo.com/track/189585 | 189585 | Triplexity - Lise (with LucB) | Triplexity | Live in Triplex City | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q58_170946 | Which country does this tune remind you of? | Brazil | Uruguay | Colombia | Cuba | Historical and Cultural Context | Genre and Style | Low | 02:00 | 03:00 | https://www.jamendo.com/track/170946 | 170946 | 01-Manila | Luc Bartoli | Manila | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q59_170946 | What effect do the brushes have on the song? | More intimacy | More precision in rhythm | Less precision | Less intimacy | Sound Texture | Mood and Expression;Performance;Instrumentation | Low | 02:00 | 03:00 | https://www.jamendo.com/track/170946 | 170946 | 01-Manila | Luc Bartoli | Manila | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q60_170946 | Which instrumentalist do you think is the leader of the band? | pianist | bassist | saxophonist | drummer | Instrumentation | Performance | Low | 03:15 | 04:00 | https://www.jamendo.com/track/170946 | 170946 | 01-Manila | Luc Bartoli | Manila | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q61_1278743 | What music genre does the introduction remind you of? | Bolero | copla | bossa nova | tumbao | Genre and Style | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/1278743 | 1278743 | Dont Beg | The.madpix.project | Dont Beg | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q62_1278743 | How much fusion between genres and countries is there in this song? | high | intermediate | low | no fusion | Genre and Style | Historical and Cultural Context | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1278743 | 1278743 | Dont Beg | The.madpix.project | Dont Beg | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q63_1278743 | What effect introduces the kick in the song? | It creates an electronic vive | It creates a rock vibe | It changes the time signature | It masks the congo rhythm | Sound Texture | Metre and Rhythm;Genre and Style | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1278743 | 1278743 | Dont Beg | The.madpix.project | Dont Beg | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q64_261271 | What surprises you about the harmony in this song? | It has many second dominants | It uses chords with tensions | It uses polychords | Nothing is surprising | Harmony | High | 00:00 | 01:00 | https://www.jamendo.com/track/261271 | 261271 | Misbehaved | Dazie Mae | Dazie Mae (demo) | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q65_261271 | Which music genre does the introduction remind you of? | Ragtime | bebop | hard bop | gypsy jazz | Genre and Style | Low | 00:00 | 01:00 | https://www.jamendo.com/track/261271 | 261271 | Misbehaved | Dazie Mae | Dazie Mae (demo) | http://creativecommons.org/licenses/by-nc-nd/3.0/ | ||
q66_261271 | What could this music be used for? | A movie | A funeral | A soundscape installation | During an English test | Functional Context | Mood and Expression | Low | 00:00 | 01:00 | https://www.jamendo.com/track/261271 | 261271 | Misbehaved | Dazie Mae | Dazie Mae (demo) | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q67_1051201 | What are your thoughts on the piano bass voice of the outro? | It creates an old-fashioned feeling | It is elaborated | It sounds perfectly consonant | It is too low in pitch | Mood and Expression | Instrumentation;Sound Texture;Musical Texture | Low | 03:23 | 04:23 | https://www.jamendo.com/track/1051201 | 1051201 | Show Me | Jill Zimmerman | Earthbound | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q68_1051201 | What feeling does the music aim to create? | melancholy | excitement | joy | power | Mood and Expression | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1051201 | 1051201 | Show Me | Jill Zimmerman | Earthbound | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q69_1051201 | What level of musicianship do the instrumentalists display in this song? | beginner | advanced | professional | expert | Performance | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1051201 | 1051201 | Show Me | Jill Zimmerman | Earthbound | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q70_1247308 | What stands out when you listen the beginning of this song? | The poor rhythm skills of some musicians | the musicians' good sense of rhythm | the song's great originality | the harmonic progression | Metre and Rhythm | Performance | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1247308 | 1247308 | To Be a Master P. | Boom Boom Beckett | Boom Boom Baby | http://creativecommons.org/licenses/by-nc/3.0/ | |
q71_1247308 | What harmonic interval does the electric guitar use during its solo? | 8va | 5th | 3rd | 6th | Harmony | Melody;Instrumentation | Medium | 01:30 | 02:30 | https://www.jamendo.com/track/1247308 | 1247308 | To Be a Master P. | Boom Boom Beckett | Boom Boom Baby | http://creativecommons.org/licenses/by-nc/3.0/ | |
q72_1247308 | What is the longest section of the tune? | Solos | Verse | Chorus | Introduction | Structure | Performance | Medium | 02:00 | 03:20 | https://www.jamendo.com/track/1247308 | 1247308 | To Be a Master P. | Boom Boom Beckett | Boom Boom Baby | http://creativecommons.org/licenses/by-nc/3.0/ | |
q73_26738 | Which instrument plays the lead sounds in the intro? | Synth | Guitar | Piano | Bass | Instrumentation | Sound Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/26738 | 26738 | Alone | Tryad | Listen | http://creativecommons.org/licenses/by-sa/2.5/ | |
q74_26738 | What type of synths are firstly introduced in the intro? | Sequenced | Pads | Pluck | Lead | Instrumentation | Sound Texture | Medium | 00:00 | 01:00 | https://www.jamendo.com/track/26738 | 26738 | Alone | Tryad | Listen | http://creativecommons.org/licenses/by-sa/2.5/ | |
q75_26738 | What type of choral music does the intro remind you of? | Gregorian chant | Gospel | Contemporary choirs | Vocal Jazz | Genre and Style | Historical and Cultural Context | Low | 00:00 | 01:00 | https://www.jamendo.com/track/26738 | 26738 | Alone | Tryad | Listen | http://creativecommons.org/licenses/by-sa/2.5/ | |
q76_1087890 | Which guitar technique is used at the beginning of the song? | Riff | Walking bass | Tremolo picking | Banjo roll | Performance | Instrumentation | Low | 00:00 | 01:00 | https://www.jamendo.com/track/1087890 | 1087890 | Shine | Ralf G. | Shine | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q77_1087890 | What kind of instruments are used during the song? | Digital electronic | Acoustic | Analog acoustic | Brass instruments | Instrumentation | Sound Texture | Low | 00:30 | 02:00 | https://www.jamendo.com/track/1087890 | 1087890 | Shine | Ralf G. | Shine | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q78_1087890 | What is the predominant tempo of the song? | 136bpm | 180bpm | 90bpm | 100bpm | Metre and Rhythm | Medium | 00:30 | 02:00 | https://www.jamendo.com/track/1087890 | 1087890 | Shine | Ralf G. | Shine | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q79_467850 | What kind of string instrument is heard at the beginning? | Banjo | Electric guitar | Jarana | Ukulele | Instrumentation | Sound Texture | Low | 00:00 | 01:00 | https://www.jamendo.com/track/467850 | 467850 | Analcolico | Millionaire Blonde | Analcolico - Single Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q80_467850 | What genre does the song evoke? | Latin music | Rock | Flamenco | Funk | Genre and Style | Low | 00:30 | 02:00 | https://www.jamendo.com/track/467850 | 467850 | Analcolico | Millionaire Blonde | Analcolico - Single Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q81_467850 | Which continent does the rhythm of the song remind you of? | South America | Europe | Africa | Asia | Metre and Rhythm | Genre and Style;Historical and Cultural Context | Low | 00:30 | 02:00 | https://www.jamendo.com/track/467850 | 467850 | Analcolico | Millionaire Blonde | Analcolico - Single Edition | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q82_875005 | What is the tempo of the intro? | Adagio | Andante | Allegro | Moderato | Metre and Rhythm | Performance;Structure | Medium | 00:00 | 00:35 | https://www.jamendo.com/track/875005 | 875005 | look up | This Public Life | The Banquet | http://creativecommons.org/licenses/by-sa/3.0/ | |
q83_875005 | How many chords are played in the intro? | 2 | 1 | 3 | 4 | Harmony | Structure | Medium | 00:00 | 00:40 | https://www.jamendo.com/track/875005 | 875005 | look up | This Public Life | The Banquet | http://creativecommons.org/licenses/by-sa/3.0/ | |
q84_875005 | What kind of chord does the guitar play right at the beginning of the song? | Major 7 | Minor | Dominant 7 | Major 7#4 | Harmony | Instrumentation | High | 00:00 | 00:30 | https://www.jamendo.com/track/875005 | 875005 | look up | This Public Life | The Banquet | http://creativecommons.org/licenses/by-sa/3.0/ | |
q85_1215807 | What kind of accompaniment does the guitar play? | Arpeggios | Counterpoints | Riffs | Broken chords | Musical Texture | Harmony;Instrumentation | Medium | 00:00 | 00:30 | https://www.jamendo.com/track/1215807 | 1215807 | Fine | Manhat10 | Take It (EP) | http://creativecommons.org/licenses/by/3.0/ | |
q86_1215807 | What human sound does the lead instrument resemble in the introduction? | Whistle | Vibrato | Scat | Falsetto | Sound Texture | Instrumentation | Low | 00:00 | 00:30 | https://www.jamendo.com/track/1215807 | 1215807 | Fine | Manhat10 | Take It (EP) | http://creativecommons.org/licenses/by/3.0/ | |
q87_1215807 | Which instrument creates a mood of excitement in the song? | Digital Pads | Drums | Electric guitar | Piano | Instrumentation | Mood and Expression | Medium | 00:30 | 02:00 | https://www.jamendo.com/track/1215807 | 1215807 | Fine | Manhat10 | Take It (EP) | http://creativecommons.org/licenses/by/3.0/ | |
q88_306166 | What kind of chord does the guitar play right at the beginning of the song? | Minor | Augmented | Major | Block chord | Harmony | Instrumentation | Low | 00:00 | 00:30 | https://www.jamendo.com/track/306166 | 306166 | See The Ghosts | Stephane TV | s/t (ep) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q89_306166 | Which is the first interval sung by the lead voice? | perfect 5th | minor 2nd | unison | major 2nd | Melody | Medium | 00:00 | 00:30 | https://www.jamendo.com/track/306166 | 306166 | See The Ghosts | Stephane TV | s/t (ep) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | ||
q90_306166 | How does the drummer create anticipation for the final verse? | Toms and snare fill | Cymbal fill | Hi Hat fill | Kick drum fill | Performance | Metre and Rhythm;Instrumentation | Medium | 02:28 | 03:00 | https://www.jamendo.com/track/306166 | 306166 | See The Ghosts | Stephane TV | s/t (ep) | http://creativecommons.org/licenses/by-nc-sa/3.0/ | |
q91_8559 | Which country does the song evoke? | Spain | Mexico | Russia | United Kingdom | Historical and Cultural Context | Genre and Style;Instrumentation;Mood and Expression | Low | 00:00 | 01:30 | https://www.jamendo.com/track/8559 | 8559 | Silk Road | Manu Cornet | Distance & Temps | http://creativecommons.org/licenses/by-nc-sa/2.5/ | |
q92_8559 | Which guitar instrumental technique is used in the song? | Flamenco Strum | Pull Off | Slide | Palm Mute | Performance | Instrumentation;Genre and Style | Low | 00:00 | 01:30 | https://www.jamendo.com/track/8559 | 8559 | Silk Road | Manu Cornet | Distance & Temps | http://creativecommons.org/licenses/by-nc-sa/2.5/ | |
q93_8559 | What kind of bass is used in the song? | Double Bass | Acoustic Bass | Electric Bass | Baby Bass | Instrumentation | Medium | 00:00 | 01:30 | https://www.jamendo.com/track/8559 | 8559 | Silk Road | Manu Cornet | Distance & Temps | http://creativecommons.org/licenses/by-nc-sa/2.5/ | ||
q94_1420928 | What kinds of string instruments are used in the intro? | Digital Synth Strings | Acoustic Strings | Baroque Strings | Sitar | Instrumentation | Sound Texture | Low | 00:00 | 00:30 | https://www.jamendo.com/track/1420928 | 1420928 | Free forever - James Stefano | Monkeyman | Monkeyman-Music presents | http://creativecommons.org/licenses/by/3.0/ | |
q95_1420928 | What emotions does the song create? | Joyful | Dreamy | Amusing | Sad | Mood and Expression | Low | 00:00 | 01:30 | https://www.jamendo.com/track/1420928 | 1420928 | Free forever - James Stefano | Monkeyman | Monkeyman-Music presents | http://creativecommons.org/licenses/by/3.0/ | ||
q96_1420928 | How many chords does the song use? | 4 | 3 | 2 | 1 | Harmony | Medium | 00:00 | 00:30 | https://www.jamendo.com/track/1420928 | 1420928 | Free forever - James Stefano | Monkeyman | Monkeyman-Music presents | http://creativecommons.org/licenses/by/3.0/ | ||
q97_1319502 | In what style is the acoustic guitar accompanying? | Flamenco | Pop | Jazz | Soul | Genre and Style | Instrumentation | Low | 00:00 | 01:30 | https://www.jamendo.com/track/1319502 | 1319502 | Wanna See You | Niki J Crawford | nan | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q98_1319502 | What kind of drums are used in the song? | Digital pads | There is no drums | Acoustic drums | Other type | Instrumentation | Sound Texture | Medium | 00:00 | 01:30 | https://www.jamendo.com/track/1319502 | 1319502 | Wanna See You | Niki J Crawford | nan | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q99_1319502 | Which country do you imagine this song is from? | USA | United Kingdom | France | Russia | Historical and Cultural Context | Genre and Style | Low | 00:30 | 2:00 | https://www.jamendo.com/track/1319502 | 1319502 | Wanna See You | Niki J Crawford | nan | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
q100_1247352 | Which instrument plays the lead sound in the introduction? | Muted trombone | Trumpet | Tuba | Saxophone | Instrumentation | Sound Texture | High | 00:00 | 00:30 | https://www.jamendo.com/track/1247352 | 1247352 | Talk Samba (Parliamo un pò) | Boom Boom Beckett | Boom Boom Baby | http://creativecommons.org/licenses/by-nc/3.0/ |
Authors: Benno Weck, Pablo Puentes, Andrea Poltronieri, Satyajeet Prabhu, Dmitry Bogdanov
HumMusQA is a multiple-choice question answering dataset designed to test music understanding in Large Audio-Language Models (LALMs).
from datasets import load_dataset
dataset = load_dataset("mtg-upf/HumMusQA", split="test")
Users are responsible for complying with the license terms of each individual audio track.
If you use this dataset, please cite our paper:
Benno Weck, Pablo Puentes, Andrea Poltronieri, Satyajeet Prabhu, and Dmitry Bogdanov. 2026. HumMusQA: A Human-written Music Understanding QA Benchmark Dataset. In Proceedings of the 4th Workshop on NLP for Music and Audio (NLP4MusA 2026), pages 58–67, Rabat, Morocco. Association for Computational Linguistics.
@inproceedings{weck-etal-2026-hummusqa,
title = "{H}um{M}us{QA}: A Human-written Music Understanding {QA} Benchmark Dataset",
author = "Weck, Benno and
Puentes, Pablo and
Poltronieri, Andrea and
Prabhu, Satyajeet and
Bogdanov, Dmitry",
editor = "Epure, Elena V. and
Oramas, Sergio and
Doh, SeungHeon and
Ramoneda, Pedro and
Kruspe, Anna and
Sordo, Mohamed",
booktitle = "Proceedings of the 4th Workshop on {NLP} for Music and Audio ({NLP}4{M}us{A} 2026)",
month = mar,
year = "2026",
address = "Rabat, Morocco",
publisher = "Association for Computational Linguistics",
url = "https://aclanthology.org/2026.nlp4musa-1.9/",
doi = "10.18653/v1/2026.nlp4musa-1.9",
pages = "58--67",
ISBN = "979-8-89176-369-2",
abstract = "The evaluation of music understanding in Large Audio-Language Models (LALMs) requires a rigorously defined benchmark that truly tests whether models can perceive and interpret music, a standard that current data methodologies frequently fail to meet.This paper introduces a meticulously structured approach to music evaluation, proposing a new dataset of 320 hand-written questions curated and validated by experts with musical training, arguing that such focused, manual curation is superior for probing complex audio comprehension.To demonstrate the use of the dataset, we benchmark six state-of-the-art LALMs and additionally test their robustness to uni-modal shortcuts."
}