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a strangely stirring experience that finds warmth in the coldest environment and makes each crumb of emotional comfort feel like a 10-course banquet .
1pos
sometimes this 'blood' seems as tired as its protagonist . . . still , the pulse never disappears entirely , and the picture crosses the finish line winded but still game .
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the stripped-down dramatic constructs , austere imagery and abstract characters are equal parts poetry and politics , obvious at times but evocative and heartfelt .
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dogtown and z-boys more than exposes the roots of the skateboarding boom that would become " the punk kids' revolution . "
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. . . plenty of warmth to go around , with music and laughter and the love of family .
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it'll keep you wide awake and . . . very tense .
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could use a little more humanity , but it never lacks in eye-popping visuals .
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( danny huston gives ) an astounding performance that deftly , gradually reveals a real human soul buried beneath a spellbinding serpent's smirk .
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these three films form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people .
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a funny and well-contructed black comedy where the old adage " be careful what you wish for " is given a full workout .
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it reaffirms life as it looks in the face of death .
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the film is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy .
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this is more fascinating -- being real -- than anything seen on jerry springer .
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a different movie -- sometimes tedious -- by a director many viewers would like to skip but film buffs should get to know .
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williams plays sy , another of his open-faced , smiling madmen , like the killer in insomnia . he does this so well you don't have the slightest difficulty accepting him in the role .
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twist open the ouzo ! it's time to let your hair down – greek style . a vibrant whirlwind of love , family and all that goes with it , my big fat greek wedding is a non-stop funny feast of warmth , colour and cringe .
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thought-provoking and stylish , if also somewhat hermetic .
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broomfield is energized by volletta wallace's maternal fury , her fearlessness , and because of that , his film crackles .
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while it has definite weaknesses -- like a rather unbelievable love interest and a meandering ending -- this '60s caper film is a riveting , brisk delight .
1pos
funny in a sick , twisted sort of way .
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if cinema had been around to capture the chaos of france in the 1790's , one imagines the result would look like something like this .
1pos
it's a talking head documentary , but a great one .
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the fast runner' transports the viewer into an unusual space
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ultimately engages less for its story of actorly existential despair than for its boundary-hopping formal innovations and glimpse into another kind of chinese 'cultural revolution . '
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. . . a solid , well-formed satire .
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as part of mr . dong's continuing exploration of homosexuality in america , family fundamentals is an earnest study in despair .
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most consumers of lo mein and general tso's chicken barely give a thought to the folks who prepare and deliver it , so , hopefully , this film will attach a human face to all those little steaming cartons .
1pos
hatosy . . . portrays young brendan with his usual intelligence and subtlety , not to mention a convincing brogue .
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the filmmakers' eye for detail and the high standards of performance convey a strong sense of the girls' environment .
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uneven , self-conscious but often hilarious spoof .
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even bigger and more ambitious than the first installment , spy kids 2 looks as if it were made by a highly gifted 12-year-old instead of a grown man .
1pos
thanks to the château's balance of whimsicality , narrative discipline and serious improvisation , almost every relationship and personality in the film yields surprises .
1pos
alan and his fellow survivors are idiosyncratic enough to lift the movie above its playwriting 101 premise .
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fresh and raw like a blown-out vein , narc takes a walking-dead , cop-flick subgenre and beats new life into it .
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the premise of jason x is silly but strangely believable .
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it's a wise and powerful tale of race and culture forcefully told , with superb performances throughout .
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an awfully good , achingly human picture .
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the cast comes through even when the movie doesn't .
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you'll laugh at either the obviousness of it all or its stupidity or maybe even its inventiveness , but the point is , you'll laugh .
1pos
definitely worth 95 minutes of your time .
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the film jolts the laughs from the audience--as if by cattle prod .
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a sexy , surprising romance . . . idemoto and kim make a gorgeous pair . . . their scenes brim with sexual possibility and emotional danger .
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toes the fine line between cheese and earnestness remarkably well ; everything is delivered with such conviction that it's hard not to be carried away .
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whereas oliver stone's conspiracy thriller jfk was long , intricate , star-studded and visually flashy , interview with the assassin draws its considerable power from simplicity .
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funny , sexy , devastating and incurably romantic .
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triple x is a double agent , and he's one bad dude . when you've got the wildly popular vin diesel in the equation , it adds up to big box office bucks all but guaranteed .
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very well-written and very well-acted .
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a powerful and telling story that examines forbidden love , racial tension , and other issues that are as valid today as they were in the 1950s .
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you emerge dazed , confused as to whether you've seen pornography or documentary .
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it ain't art , by a long shot , but unlike last year's lame musketeer , this dumas adaptation entertains .
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likeable thanks to its cast , its cuisine and its quirky tunes .
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chilling in its objective portrait of dreary , lost twenty-first century america .
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highly recommended as an engrossing story about a horrifying historical event and the elements which contributed to it .
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. . . there's enough cool fun here to warm the hearts of animation enthusiasts of all ages .
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it manages to squeeze by on angelina jolie's surprising flair for self-deprecating comedy .
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secretary manages a neat trick , bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie .
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judith and zaza's extended bedroom sequence . . . is so intimate and sensual and funny and psychologically self-revealing that it makes most of what passes for sex in the movies look like cheap hysterics .
1pos
photographed with melancholy richness and eloquently performed yet also decidedly uncinematic .
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a knowing look at female friendship , spiked with raw urban humor .
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as i settled into my world war ii memories , i found myself strangely moved by even the corniest and most hackneyed contrivances .
1pos
the overall effect is awe and affection -- and a strange urge to get on a board and , uh , shred , dude .
1pos
it's that rare family movie -- genuine and sweet without relying on animation or dumb humor .
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the trinity assembly approaches the endeavor with a shocking lack of irony , and george ratliff's documentary , hell house , reflects their earnestness — which makes for a terrifying film .
1pos
confessions may not be a straightforward bio , nor does it offer much in the way of barris' motivations , but the film is an oddly fascinating depiction of an architect of pop culture .
1pos
an intoxicating experience .
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a special kind of movie , this melancholic film noir reminded me a lot of memento . . .
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simple , poignant and leavened with humor , it's a film that affirms the nourishing aspects of love and companionship .
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together , miller , kuras and the actresses make personal velocity into an intricate , intimate and intelligent journey .
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the wonder of mostly martha is the performance of gedeck , who makes martha enormously endearing .
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with notorious c . h . o . cho proves she has the stuff to stand tall with pryor , carlin and murphy .
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less front-loaded and more shapely than the two-hour version released here in 1990 .
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watching war photographer , you come to believe that nachtwey hates the wars he shows and empathizes with the victims he reveals .
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[a] real pleasure in its laid-back way .
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some may choose to interpret the film's end as hopeful or optimistic but i think payne is after something darker .
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though it runs 163 minutes , safe conduct is anything but languorous . it's packed to bursting with incident , and with scores of characters , some fictional , some from history .
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a much better documentary -- more revealing , more emotional and more surprising -- than its pedestrian english title would have you believe .
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notwithstanding my problem with the movie's final half hour , i'm going to recommend secretary , based on the wonderful acting clinic put on by spader and gyllenhaal , and also the unique way shainberg goes about telling what at heart is a sweet little girl-
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a well-crafted film that is all the more remarkable because it achieves its emotional power and moments of revelation with restraint and a delicate ambiguity .
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the film has the uncanny ability to right itself precisely when you think it's in danger of going wrong .
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my big fat greek wedding is that rare animal known as 'a perfect family film , ' because it's about family .
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would make an excellent companion piece to the similarly themed 'the french lieutenant's woman . '
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. . . with the gifted pearce on hand to keep things on semi-stable ground dramatically , this retooled machine is ultimately effective enough at achieving the modest , crowd-pleasing goals it sets for itself .
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a movie that's just plain awful but still manages to entertain on a guilty-pleasure , so-bad-it's-funny level .
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a disoriented but occasionally disarming saga packed with moments out of an alice in wonderland adventure , a stalker thriller , and a condensed season of tv's big brother .
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functions as both a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing .
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with a confrontational stance , todd solondz takes aim on political correctness and suburban families .
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a mess , but it's a sincere mess .
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this odd , distant portuguese import more or less borrows from bad lieutenant and les vampires , and comes up with a kind of art-house gay porn film .
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for a debut film , skin of man , heart of beast feels unusually assured .
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a photographic marvel of sorts , and it's certainly an invaluable record of that special fishy community .
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it's soulful and unslick , and that's apparently just what [aniston] has always needed to grow into a movie career .
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although olivier assayas' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation . . . its three-hour running time plays closer to two .
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a jaw-droppingly beautiful work that upends nearly every cliché of japanese animation while delivering a more than satisfactory amount of carnage .
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terry is a sort of geriatric dirty harry , which will please eastwood's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man .
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parts seem like they were lifted from terry gilliam's subconscious , pressed through kafka's meat grinder and into buñuel's casings
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'like a child with an important message to tell . . . [skins'] faults are easy to forgive because the intentions are lofty . '
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a delightful entree in the tradition of food movies .
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an escapist confection that's pure entertainment .
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the ring is worth a look , if you don't demand much more than a few cheap thrills from your halloween entertainment .
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the movie ultimately relies a bit too heavily on grandstanding , emotional , rocky-like moments . . . but it's such a warm and charming package that you'll feel too happy to argue much .
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