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expect no major discoveries , nor any stylish sizzle , but the film sits with square conviction and touching good sense on the experience of its women .
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the success of undercover brother is found in its ability to spoof both black and white stereotypes equally .
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this is the kind of subject matter that could so easily have been fumbled by a lesser filmmaker , but ayres makes the right choices at every turn .
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cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky's diaries .
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what bloody sunday lacks in clarity , it makes up for with a great , fiery passion .
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its adult themes of familial separation and societal betrayal are head and shoulders above much of the director's previous popcorn work .
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director nancy savoca's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could .
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the film grows on you . and how .
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one thing you have to give them credit for : the message of the movie is consistent with the messages espoused in the company's previous video work .
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halloween : resurrection isn't exactly quality cinema , but it isn't nearly as terrible as it cold have been .
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as banal as the telling may be -- and at times , all my loved ones more than flirts with kitsch -- the tale commands attention .
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romantic comedy and dogme 95 filmmaking may seem odd bedfellows , but they turn out to be delightfully compatible here .
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the most wondrous love story in years , it is a great film .
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some movies suck you in despite their flaws , and heaven is one such beast .
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my wife is an actress works as well as it does because [the leads] are such a companionable couple .
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with spy kids 2 : the island of lost dreams , however , robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .
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based on dave barry's popular book of the same name , the movie benefits from having a real writer plot out all of the characters' moves and overlapping story .
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bouquet gives a performance that is masterly .
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a poignant comedy that offers food for thought .
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. . . a series of tales told with the intricate preciseness of the best short story writing .
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if you're content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director's life , eisenstein delivers .
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this filmed tosca -- not the first , by the way -- is a pretty good job , if it's filmed tosca that you want . i'll stay with the stage versions , however , which bite cleaner , and deeper .
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while the path may be familiar , first-time director denzel washington and a top-notch cast manage to keep things interesting .
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an engaging criminal romp that will have viewers guessing just who's being conned right up to the finale .
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the picture runs a mere 84 minutes , but it's no glance . it's a head-turner -- thoughtfully written , beautifully read and , finally , deeply humanizing .
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it asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up .
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it is as uncompromising as it is nonjudgmental , and makes clear that a prostitute can be as lonely and needy as any of the clients .
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'barbershop " is a good-hearted ensemble comedy with a variety of quirky characters and an engaging story .
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a good thriller .
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tully is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that appeals to the storytelling instincts of a slightly more literate filmgoing audience .
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i like this movie a lot . i like that smith , he's not making fun of these people , he's not laughing at them .
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a glorious mess .
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. . . the implication is kissinger may have decided that — when it comes to truncheoning — it's better to give than to receive .
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'what's the russian word for wow ! ? '
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kiarostami has crafted a deceptively casual ode to children and managed to convey a tiny sense of hope .
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i had more fun watching spy than i had with most of the big summer movies .
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what lee does so marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america . . . sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight
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murder by numbers' isn't a great movie , but it's a perfectly acceptable widget .
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for those of an indulgent , slightly sunbaked and summery mind , sex and lucia may well prove diverting enough .
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what [denis] accomplishes in his chilling , unnerving film is a double portrait of two young women whose lives were as claustrophic , suffocating and chilly as the attics to which they were inevitably consigned .
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a well-done film of a self-reflexive , philosophical nature .
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texan director george ratliff had unlimited access to families and church meetings , and he delivers fascinating psychological fare .
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the rich performances by friel -- and especially williams , an american actress who becomes fully english -- round out the square edges .
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the new insomnia is a surprisingly faithful remake of its chilly predecessor , and when it does elect to head off in its own direction , it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities .
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a film in a class with spike lee's masterful do the right thing .
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jagger , stoppard and director michael apted . . . deliver a riveting and surprisingly romantic ride .
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greengrass ( working from don mullan's script ) forgoes the larger socio-political picture of the situation in northern ireland in favour of an approach that throws one in the pulsating thick of a truly frightening situation .
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a thought-provoking and often-funny drama about isolation .
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whatever one makes of its political edge , this is beautiful filmmaking from one of french cinema's master craftsmen .
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mama africa pretty much delivers on that promise . it does give you a peek . the main problem being that it's only a peek .
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roman polanski's autobiographical gesture at redemption is better than 'shindler's list' - it is more than merely a holocaust movie .
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a perfectly respectable , perfectly inoffensive , easily forgettable film .
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romanek's themes are every bit as distinctive as his visuals . beyond the cleverness , the weirdness and the pristine camerawork , one hour photo is a sobering meditation on why we take pictures .
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seeing seinfeld at home as he watches his own appearance on letterman with a clinical eye reminds you that the key to stand-up is to always make it look easy , even though the reality is anything but .
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speaks eloquently about the symbiotic relationship between art and life .
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the work of an artist tormented by his heritage , using his storytelling ability to honor the many faceless victims .
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the audacity to view one of shakespeare's better known tragedies as a dark comedy is , by itself , deserving of discussion .
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this is an exercise in chilling style , and twohy films the sub , inside and out , with an eye on preserving a sense of mystery .
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an uncomfortable experience , but one as brave and challenging as you could possibly expect these days from american cinema .
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hailed as a clever exercise in neo-hitchcockianism , this clever and very satisfying picture is more accurately chabrolian .
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funny and also heartwarming without stooping to gooeyness .
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at the film's centre is a precisely layered performance by an actor in his mid-seventies , michel piccoli .
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the viewer takes great pleasure in watching the resourceful molly stay a step ahead of her pursuers .
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with amazing finesse , the film shadows heidi's trip back to vietnam and the city where her mother , mai thi kim , still lives .
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director charles stone iii applies more detail to the film's music than to the story line ; what's best about drumline is its energy .
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a heroic tale of persistence that is sure to win viewers' hearts .
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it's all a rather shapeless good time . . .
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has far more energy , wit and warmth than should be expected from any movie with a " 2 " at the end of its title .
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a little better than sorcerer's stone .
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a chilling movie without oppressive gore .
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a uniquely sensual metaphorical dramatization of sexual obsession that spends a bit too much time on its fairly ludicrous plot .
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if you like peace , you'll like promises .
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be prepared to cling to the edge of your seat , tense with suspense . the ring never lets you off the hook .
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thumbs up to paxton for not falling into the hollywood trap and making a vanity project with nothing new to offer .
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at once disarmingly straightforward and strikingly devious .
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if you like quirky , odd movies and/or the ironic , here's a fun one .
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sensitive ensemble performances and good period reconstruction add up to a moving tragedy with some buoyant human moments .
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it's not the least of afghan tragedies that this noble warlord would be consigned to the dustbin of history .
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it's a lovely , sad dance highlighted by kwan's unique directing style .
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the script by david koepp is perfectly serviceable and because he gives the story some soul . . . he elevates the experience to a more mythic level .
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this is a visually stunning rumination on love , memory , history and the war between art and commerce .
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short-story quaint , touchingly mending a child's pain for his dead mother via communication with an old woman straight out of eudora welty .
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it's always fascinating to watch marker the essayist at work .
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a quiet family drama with a little bit of romance and a dose of darkness .
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the tasteful little revision works wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story's morals .
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kosminsky . . . puts enough salt into the wounds of the tortured and self-conscious material to make it sting .
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one of the greatest films i've ever seen .
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its gentle , touching story creeps into your heart .
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about as big a crowdpleaser as they possibly come .
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bound to appeal to women looking for a howlingly trashy time .
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even these tales of just seven children seem at times too many , although in reality they are not enough . every child's story is what matters . this film can only point the way -- but thank goodness for this signpost .
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a poignant and gently humorous parable that loves its characters and communicates something rather beautiful about human nature .
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real women have curves doesn't offer any easy answers .
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vampire epic succeeds as spooky action-packed trash of the highest order .
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one of the funniest motion pictures of the year , but . . . also one of the most curiously depressing .
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while somewhat less than it might have been , the film is a good one , and you've got to hand it to director george clooney for biting off such a big job the first time out .
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like the chilled breath of oral storytelling frozen onto film .
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a charmer from belgium .
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a wild , endearing , masterful documentary .
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jackie chan movies are a guilty pleasure - he's easy to like and always leaves us laughing .
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