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an unflinching look at the world's dispossessed .
1pos
if the film fails to fulfill its own ambitious goals , it nonetheless sustains interest during the long build-up of expository material .
1pos
polanski has found the perfect material with which to address his own world war ii experience in his signature style .
1pos
it is life affirming and heartbreaking , sweet without the decay factor , funny and sad .
1pos
an off-beat and fanciful film about the human need for monsters to blame for all that is amiss in the world .
1pos
a colorful , joyous celebration of life ; a tapestry woven of romance , dancing , singing , and unforgettable characters .
1pos
frei assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him .
1pos
nicely combines the enigmatic features of 'memento' with the hallucinatory drug culture of 'requiem for a dream . '
1pos
a well paced and satisfying little drama that deserved better than a ‘direct-to-video' release .
1pos
the best part about " gangs " was daniel day-lewis .
1pos
a treat for its depiction on not giving up on dreams when you're a struggling nobody .
1pos
one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them .
1pos
a gripping documentary that reveals how deep the antagonism lies in war-torn jerusalem .
1pos
director chris wedge and screenwriters michael berg , michael j . wilson and peter ackerman create some episodes that rival vintage looney tunes for the most creative mayhem in a brief amount of time .
1pos
one of the film's most effective aspects is its tchaikovsky soundtrack of neurasthenic regret .
1pos
solondz creates some effective moments of discomfort for character and viewer alike .
1pos
the film's appeal has a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth .
1pos
i was amused and entertained by the unfolding of bielinsky's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise .
1pos
somehow ms . griffiths and mr . pryce bring off this wild welsh whimsy .
1pos
more mature than fatal attraction , more complete than indecent proposal and more relevant than 9 ½ weeks , unfaithful is at once intimate and universal cinema .
1pos
for all the dolorous trim , secretary is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers' sporadic dips into pop freudianism .
1pos
a fanciful drama about napoleon's last years and his surprising discovery of love and humility .
1pos
a highly personal look at the effects of living a dysfunctionally privileged lifestyle , and by the end , we only wish we could have spent more time in its world .
1pos
eric schweig and graham greene both exude an air of dignity that's perfect for the proud warrior that still lingers in the souls of these characters .
1pos
lovely and amazing is holofcener's deep , uncompromising curtsy to women she knows , and very likely is . when all is said and done , she loves them to pieces -- and so , i trust , will you .
1pos
campbell scott finds the ideal outlet for his flick-knife diction in the role of roger swanson .
1pos
[fiji diver rusi vulakoro and the married couple howard and michelle hall] show us the world they love and make us love it , too .
1pos
russian ark is a new treasure of the hermitage .
1pos
the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and creating adventure out of angst .
1pos
it's definitely a step in the right direction .
1pos
as the princess , sorvino glides gracefully from male persona to female without missing a beat . ben kingsley is truly funny , playing a kind of ghandi gone bad .
1pos
ourside the theatre roger might be intolerable company , but inside it he's well worth spending some time with .
1pos
a gem , captured in the unhurried , low-key style favored by many directors of the iranian new wave .
1pos
in an era where big stars and high production values are standard procedure , narc strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve .
1pos
almost peerlessly unsettling .
1pos
ranges from laugh-out-loud hilarious to wonder-what- time-it-is tedious .
1pos
the film's gamble to occasionally break up the live-action scenes with animated sequences pays off , as does its sensitive handling of some delicate subject matter .
1pos
talk to her is not the perfect movie many have made it out to be , but it's still quite worth seeing .
1pos
beating the austin powers films at their own game , this blaxploitation spoof downplays the raunch in favor of gags that rely on the strength of their own cleverness as opposed to the extent of their outrageousness .
1pos
this is a dark , gritty , sometimes funny little gem .
1pos
for all its visual panache and compelling supporting characters , the heart of the film rests in the relationship between sullivan and his son .
1pos
what makes salton sea surprisingly engrossing is that caruso takes an atypically hypnotic approach to a world that's often handled in fast-edit , hopped-up fashion .
1pos
a hidden-agenda drama that shouts classic french nuance .
1pos
with spy kids 2 : the island of lost dreams , the spy kids franchise establishes itself as a durable part of the movie landscape : a james bond series for kids .
1pos
an invaluable historical document thanks to the filmmaker's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent .
1pos
the performances of the four main actresses bring their characters to life . a little melodramatic , but with enough hope to keep you engaged .
1pos
lan yu seems altogether too slight to be called any kind of masterpiece . it is , however , a completely honest , open-hearted film that should appeal to anyone willing to succumb to it .
1pos
everyone should be able to appreciate the wonderful cinematography and naturalistic acting .
1pos
this often-hilarious farce manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal .
1pos
stock up on silver bullets for director neil marshall's intense freight train of a film .
1pos
expands the limits of what a film can be , taking us into the lives of women to whom we might not give a second look if we passed them on the street .
1pos
the farcical elements seemed too pat and familiar to hold my interest , yet its diverting grim message is a good one .
1pos
shanghai ghetto may not be as dramatic as roman polanski's the pianist , but its compassionate spirit soars every bit as high .
1pos
despite these annoyances , the capable clayburgh and tambor really do a great job of anchoring the characters in the emotional realities of middle age .
1pos
the underworld urban angst is derivative of martin scorsese's taxi driver and goodfellas , but this film speaks for itself .
1pos
the film's heady yet far from impenetrable theory suggests that russians take comfort in their closed-off nationalist reality .
1pos
despite modest aspirations its occasional charms are not to be dismissed .
1pos
constantly touching , surprisingly funny , semi-surrealist exploration of the creative act .
1pos
the journey is worth your time , especially if you have ellen pompeo sitting next to you for the ride .
1pos
merci pour le movie .
1pos
for every cheesy scene , though , there is a really cool bit -- the movie's conception of a future-world holographic librarian ( orlando jones ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized .
1pos
what sets ms . birot's film apart from others in the genre is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents .
1pos
all three women deliver remarkable performances .
1pos
claire is a terrific role for someone like judd , who really ought to be playing villains .
1pos
it's clear that mehta simply wanted to update her beloved genre for the thousands of indians who fancy themselves too sophisticated for the cheese-laced spectacles that pack 'em in on the subcontinent .
1pos
simplistic , silly and tedious .
0neg
it's so laddish and juvenile , only teenage boys could possibly find it funny .
0neg
exploitative and largely devoid of the depth or sophistication that would make watching such a graphic treatment of the crimes bearable .
0neg
[garbus] discards the potential for pathological study , exhuming instead , the skewed melodrama of the circumstantial situation .
0neg
a visually flashy but narratively opaque and emotionally vapid exercise in style and mystification .
0neg
the story is also as unoriginal as they come , already having been recycled more times than i'd care to count .
0neg
about the only thing to give the movie points for is bravado -- to take an entirely stale concept and push it through the audience's meat grinder one more time .
0neg
not so much farcical as sour .
0neg
unfortunately the story and the actors are served with a hack script .
0neg
all the more disquieting for its relatively gore-free allusions to the serial murders , but it falls down in its attempts to humanize its subject .
0neg
a sentimental mess that never rings true .
0neg
while the performances are often engaging , this loose collection of largely improvised numbers would probably have worked better as a one-hour tv documentary .
0neg
interesting , but not compelling .
0neg
on a cutting room floor somewhere lies . . . footage that might have made no such thing a trenchant , ironic cultural satire instead of a frustrating misfire .
0neg
while the ensemble player who gained notice in guy ritchie's lock , stock and two smoking barrels and snatch has the bod , he's unlikely to become a household name on the basis of his first starring vehicle .
0neg
there is a difference between movies with the courage to go over the top and movies that don't care about being stupid
0neg
nothing here seems as funny as it did in analyze this , not even joe viterelli as de niro's right-hand goombah .
0neg
such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us " the skulls " and last year's " rollerball . " enough said , except : film overboard !
0neg
here , common sense flies out the window , along with the hail of bullets , none of which ever seem to hit sascha .
0neg
this 100-minute movie only has about 25 minutes of decent material .
0neg
the execution is so pedestrian that the most positive comment we can make is that rob schneider actually turns in a pretty convincing performance as a prissy teenage girl .
0neg
on its own , it's not very interesting . as a remake , it's a pale imitation .
0neg
it shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there's a little girl-on-girl action .
0neg
a farce of a parody of a comedy of a premise , it isn't a comparison to reality so much as it is a commentary about our knowledge of films .
0neg
as exciting as all this exoticism might sound to the typical pax viewer , the rest of us will be lulled into a coma .
0neg
the party scenes deliver some tawdry kicks . the rest of the film . . . is dudsville .
0neg
our culture is headed down the toilet with the ferocity of a frozen burrito after an all-night tequila bender — and i know this because i've seen 'jackass : the movie . '
0neg
the criticism never rises above easy , cynical potshots at morally bankrupt characters . . .
0neg
the movie's something-borrowed construction feels less the product of loving , well integrated homage and more like a mere excuse for the wan , thinly sketched story . killing time , that's all that's going on here .
0neg
stupid , infantile , redundant , sloppy , over-the-top , and amateurish . yep , it's " waking up in reno . " go back to sleep .
0neg
somewhere in the middle , the film compels , as demme experiments he harvests a few movie moment gems , but the field of roughage dominates .
0neg
the action clichés just pile up .
0neg
payami tries to raise some serious issues about iran's electoral process , but the result is a film that's about as subtle as a party political broadcast .
0neg
the only surprise is that heavyweights joel silver and robert zemeckis agreed to produce this ; i assume the director has pictures of them cavorting in ladies' underwear .
0neg
another useless recycling of a brutal mid-'70s american sports movie .
0neg