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Dataset card Data Studio Files
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the weird thing
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the filmmaker 's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent
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damn funny stuff
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, the film ( at 80 minutes ) is actually quite entertaining .
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despite its visual virtuosity , ` naqoyqatsi ' is banal in its message and the choice of material to convey it .
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so low in a poorly
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is unconvincing soap opera that tornatore was right to cut
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we do n't get paid enough to sit through crap like this .
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this version is raised a few notches above kiddie fantasy pablum by allen 's astringent wit .
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godfrey reggio 's career shines like a lonely beacon .
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because it overstays its natural running time
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are clinically depressed and have abandoned their slim hopes and dreams
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, compelling story
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turns fanciful , grisly and engagingly quixotic .
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a finale that is impenetrable and dull
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a text to ` lick ,
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like an extended dialogue exercise in retard 101
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introducing an intriguing and alluring premise
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charm , cultivation and devotion
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as though you rode the zipper after eating a corn dog and an extra-large cotton candy
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feels like three hours
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very well-written
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parents beware ; this is downright movie penance
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very choppy and monosyllabic despite the fact
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potential success
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pale xerox of other , better crime movies
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reflective and beautifully
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leaving the theater with a smile on your face
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is blazingly alive and admirable on many levels .
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one baaaaaaaaad movie
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unfunny
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we get the comedy we settle for .
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hoary
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be ( assayas ' ) homage to the gallic ` tradition of quality ,
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'll be as bored watching morvern callar as the characters are in it
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, as blood work proves , that was a long , long time ago .
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an american
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an unimaginative screenwriter 's
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i liked the original short story but this movie , even at an hour and twenty-some minutes
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even when it drags , we are forced to reflect that its visual imagination is breathtaking
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stylishly
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a mess as this one
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essentially ruined -- or , rather ,
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a work of extraordinary journalism , but it is also a work of deft and subtle poetry
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a promise nor a threat so much as wishful thinking
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fessenden has nurtured his metaphors at the expense of his narrative ,
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... a hokey piece of nonsense that tries too hard to be emotional .
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the rope snaps
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the tuxedo miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life .
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fanciful drama
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that delivers on the promise of excitement
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deeply moving french drama
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big-hearted and
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, longley 's film lacks balance ... and fails to put the struggle into meaningful historical context .
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sad ending
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tsai has a well-deserved reputation as one of the cinema world 's great visual stylists , and in this film , every shot enhances the excellent performances .
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adorable italian guys
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critical
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no doubt the star and everyone else involved had their hearts in the right place .
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with exquisite craftsmanship
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here is how so many talented people were convinced to waste their time
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tens
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maybe you 'll be lucky , and there 'll be a power outage during your screening so you can get your money back .
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what they 're doing is a matter of plumbing arrangements and mind games , of no erotic or sensuous charge .
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... silly humbuggery ...
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may prove to be ( tsai 's ) masterpiece
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typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine
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might just be the movie you 're looking for
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an affection
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love to come from an american director in years
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most resonant film since the killer .
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works out
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in the name of an allegedly inspiring and easily marketable flick , the emperor 's club turns a blind eye to the very history it pretends to teach .
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the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining .
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, ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot .
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is great
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spirit 's visual imagination reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world .
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judging by those standards , ` scratch ' is a pretty decent little documentary .
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engaging , surprisingly touching british comedy
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, energy and geniality to please not only the fanatical adherents on either side , but also people who know nothing about the subject and think they 're not interested .
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confident filmmaking and a pair of fascinating performances
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avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style
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in one scene , we get a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and meat loaf explodes .
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a sugar-coated rocky whose valuable messages are forgotten 10 minutes after the last trombone honks .
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death , especially
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by the dynamic first act
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fails so fundamentally on every conventional level
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too daft by half ... but supremely good natured .
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the worst sin of attributable to a movie like this
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i have always appreciated a smartly written motion picture , and , whatever flaws igby goes down may possess , it is undeniably that .
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the film 's plot may be shallow
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rotten in almost every single facet of production that you 'll want to crawl up your own *** in embarrassment .
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` epic
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easy to like
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steers , in his feature film debut , has created a brilliant motion picture .
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an inelegant combination of two unrelated shorts that falls far short of the director 's previous work
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it 's rare to find a film to which the adjective ` gentle ' applies ,
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a director beginning to resemble someone 's crazy french grandfather
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`` frailty '' has been written so well , that even a simple `` goddammit ! ''
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are uncomfortably strained .
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