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|---|---|---|---|
3,500
| 3,500
|
terrible
| 0
|
3,501
| 3,501
|
mib ii is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything .
| 0
|
3,502
| 3,502
|
's sharply comic and surprisingly touching , so hold the gong
| 1
|
3,503
| 3,503
|
the best espionage picture
| 1
|
3,504
| 3,504
|
lan yu never catches dramatic fire .
| 0
|
3,505
| 3,505
|
tens of thousands of german jewish refugees
| 0
|
3,506
| 3,506
|
some startling , surrealistic moments
| 1
|
3,507
| 3,507
|
annoying rather than charming
| 0
|
3,508
| 3,508
|
is one of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right .
| 1
|
3,509
| 3,509
|
impeccable comic timing
| 1
|
3,510
| 3,510
|
do well to cram earplugs in their ears and
| 0
|
3,511
| 3,511
|
is paced at a speed that is slow to those of us in middle age and deathly slow to any teen
| 0
|
3,512
| 3,512
|
takes a stand in favor of tradition and warmth
| 1
|
3,513
| 3,513
|
lacks the spirit of the previous two , and makes all those jokes about hos and even more unmentionable subjects seem like mere splashing around in the muck
| 0
|
3,514
| 3,514
|
for its excellent storytelling , its economical
| 1
|
3,515
| 3,515
|
is generous and deep
| 1
|
3,516
| 3,516
|
failed
| 0
|
3,517
| 3,517
|
most of what passes for sex in the movies look like cheap hysterics
| 0
|
3,518
| 3,518
|
it 's an experience in understanding a unique culture that is presented with universal appeal .
| 1
|
3,519
| 3,519
|
the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success
| 1
|
3,520
| 3,520
|
the year 's ( unintentionally ) funniest moments
| 1
|
3,521
| 3,521
|
superbly
| 1
|
3,522
| 3,522
|
french coming-of-age import
| 1
|
3,523
| 3,523
|
capable of anteing up some movie star charisma
| 1
|
3,524
| 3,524
|
a cute alien creature who mimics everyone and everything around
| 1
|
3,525
| 3,525
|
sad but
| 0
|
3,526
| 3,526
|
esteemed
| 1
|
3,527
| 3,527
|
the story is -- forgive me -- a little thin , and the filmmaking clumsy and rushed .
| 0
|
3,528
| 3,528
|
problematic quest
| 0
|
3,529
| 3,529
|
substantial or fresh
| 1
|
3,530
| 3,530
|
watchable by a bravura performance
| 1
|
3,531
| 3,531
|
labute 's careful handling makes the material seem genuine rather than pandering .
| 1
|
3,532
| 3,532
|
misdemeanor
| 0
|
3,533
| 3,533
|
, has solid acting and a neat premise
| 1
|
3,534
| 3,534
|
is infectious
| 1
|
3,535
| 3,535
|
it cooks conduct in a low , smoky and inviting sizzle .
| 1
|
3,536
| 3,536
|
i must report that the children of varying ages in my audience never coughed , fidgeted or romped up and down the aisles for bathroom breaks .
| 1
|
3,537
| 3,537
|
sad schlock merchant
| 0
|
3,538
| 3,538
|
its poignancy hooks us completely
| 1
|
3,539
| 3,539
|
less bling-bling
| 0
|
3,540
| 3,540
|
slickly staged
| 1
|
3,541
| 3,541
|
sluggish pace and lack
| 0
|
3,542
| 3,542
|
relies on subtle ironies and visual devices
| 1
|
3,543
| 3,543
|
exaggerated action
| 0
|
3,544
| 3,544
|
are pitted against shimmering cinematography that lends the setting the ethereal beauty of an asian landscape painting
| 1
|
3,545
| 3,545
|
a movie to forget
| 0
|
3,546
| 3,546
|
's fun ,
| 1
|
3,547
| 3,547
|
the central flaw of the film
| 0
|
3,548
| 3,548
|
's too loud
| 0
|
3,549
| 3,549
|
wallowing in its characters ' frustrations
| 0
|
3,550
| 3,550
|
the men and machines behind the curtains of our planet
| 1
|
3,551
| 3,551
|
a woefully dull , redundant concept that bears more than a whiff of exploitation , despite iwai 's vaunted empathy
| 0
|
3,552
| 3,552
|
makes the journey feel like a party
| 1
|
3,553
| 3,553
|
a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh .
| 1
|
3,554
| 3,554
|
truly , truly bad
| 0
|
3,555
| 3,555
|
on , well , love in the time of money
| 1
|
3,556
| 3,556
|
the story 's scope and pageantry
| 1
|
3,557
| 3,557
|
uses the damage of war -- far more often than the warfare itself -- to create the kind of art shots that fill gallery shows
| 1
|
3,558
| 3,558
|
a quaint , romanticized rendering
| 1
|
3,559
| 3,559
|
be glued to the screen
| 1
|
3,560
| 3,560
|
warmth and
| 1
|
3,561
| 3,561
|
the plot has a number of holes ,
| 0
|
3,562
| 3,562
|
a thriller without thrills and a mystery devoid
| 0
|
3,563
| 3,563
|
oliver stone 's conspiracy thriller jfk
| 1
|
3,564
| 3,564
|
clever , amusing and unpredictable
| 1
|
3,565
| 3,565
|
none of this sounds promising and , indeed , the first half of sorority boys is as appalling as any ` comedy ' to ever spill from a projector 's lens
| 0
|
3,566
| 3,566
|
rambling incoherence
| 0
|
3,567
| 3,567
|
has dressed up this little parable in a fairly irresistible package full of privileged moments and memorable performances
| 1
|
3,568
| 3,568
|
, intelligent eyes
| 1
|
3,569
| 3,569
|
scruffy , dopey old hanna-barbera charm
| 1
|
3,570
| 3,570
|
france 's most inventive directors
| 1
|
3,571
| 3,571
|
the ideal outlet
| 1
|
3,572
| 3,572
|
were convinced to waste their time
| 0
|
3,573
| 3,573
|
's an adventure story and history lesson all in one .
| 1
|
3,574
| 3,574
|
created a masterful work of art of their own
| 1
|
3,575
| 3,575
|
linklater
| 0
|
3,576
| 3,576
|
( green is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike .
| 0
|
3,577
| 3,577
|
no . .
| 0
|
3,578
| 3,578
|
just about the best straight-up , old-school horror film of the last 15 years .
| 1
|
3,579
| 3,579
|
bad '' is the operative word for `` bad company
| 0
|
3,580
| 3,580
|
, you still have to see this !
| 1
|
3,581
| 3,581
|
it stars schticky chris rock and stolid anthony hopkins , who seem barely in the same movie .
| 0
|
3,582
| 3,582
|
proves a servicable world war ii drama that ca n't totally hide its contrivances , but it at least calls attention to a problem hollywood too long has ignored .
| 1
|
3,583
| 3,583
|
get a cinematic postcard that 's superficial and unrealized
| 0
|
3,584
| 3,584
|
display greatness
| 1
|
3,585
| 3,585
|
it is about irrational , unexplainable life and it seems so real because it does not attempt to filter out the complexity .
| 1
|
3,586
| 3,586
|
the gentle comic treatment
| 1
|
3,587
| 3,587
|
is what it is -- a nice , harmless date film ...
| 1
|
3,588
| 3,588
|
grounded in an undeniable social realism
| 1
|
3,589
| 3,589
|
feel my eyelids ... getting ... very ... heavy
| 0
|
3,590
| 3,590
|
, ghost ship is pretty landbound , with its leaden acting , dull exposition and telegraphed ` surprises . '
| 0
|
3,591
| 3,591
|
none of this sounds promising and
| 0
|
3,592
| 3,592
|
the film is well worthwhile .
| 1
|
3,593
| 3,593
|
patience , respect and affection
| 1
|
3,594
| 3,594
|
every cliche in the war movie compendium across its indulgent two-hour-and-fifteen-minute length
| 0
|
3,595
| 3,595
|
uncomfortably close to losing my lunch
| 0
|
3,596
| 3,596
|
to give them credit for : the message of the movie
| 1
|
3,597
| 3,597
|
remotely new or interesting
| 0
|
3,598
| 3,598
|
can hear you snore
| 0
|
3,599
| 3,599
|
says far less about the horrifying historical reality than about the filmmaker 's characteristic style
| 0
|
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