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| label
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1
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|---|---|---|---|
700
| 700
|
flat as the scruffy sands of its titular community
| 0
|
701
| 701
|
liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances
| 1
|
702
| 702
|
is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
| 0
|
703
| 703
|
works smoothly
| 1
|
704
| 704
|
with a creepy and dead-on performance
| 1
|
705
| 705
|
might want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead .
| 0
|
706
| 706
|
placed in the pantheon of the best of the swashbucklers
| 1
|
707
| 707
|
a satisfyingly unsettling ride
| 1
|
708
| 708
|
good a job as anyone
| 1
|
709
| 709
|
, smart and complicated
| 1
|
710
| 710
|
the intimate , unguarded moments of folks who live in unusual homes --
| 0
|
711
| 711
|
are pretty valuable these days
| 1
|
712
| 712
|
( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context , but barbershop is n't as funny as it should be .
| 0
|
713
| 713
|
that the only rip off that we were aware of
| 0
|
714
| 714
|
beautiful to watch and
| 1
|
715
| 715
|
accentuating
| 1
|
716
| 716
|
no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time
| 0
|
717
| 717
|
a wonderful ensemble cast
| 1
|
718
| 718
|
endear
| 1
|
719
| 719
|
the truly funny bits
| 1
|
720
| 720
|
's that painful .
| 0
|
721
| 721
|
american beauty reeks
| 0
|
722
| 722
|
clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long
| 0
|
723
| 723
|
without any of its sense of fun or energy
| 0
|
724
| 724
|
be the cat 's meow
| 1
|
725
| 725
|
's simply stupid , irrelevant and deeply
| 0
|
726
| 726
|
wonderland adventure , a stalker thriller , and
| 1
|
727
| 727
|
be part of
| 1
|
728
| 728
|
cinema history as the only movie ever
| 1
|
729
| 729
|
comes from a renowned indian film culture that allows americans to finally revel in its splendor
| 1
|
730
| 730
|
accomplished oscar winners
| 1
|
731
| 731
|
of those underrated professionals who deserve but rarely receive it
| 1
|
732
| 732
|
we find ourselves surprised at how much we care about the story
| 1
|
733
| 733
|
an all-time low
| 0
|
734
| 734
|
enjoyed it just
| 1
|
735
| 735
|
reacting to it - feeling a part of its grand locations ,
| 1
|
736
| 736
|
delivered with such conviction that it 's hard not to be carried away
| 1
|
737
| 737
|
colorful , vibrant introduction
| 1
|
738
| 738
|
the slow parade of human frailty fascinates you
| 1
|
739
| 739
|
famuyiwa 's feature deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer .
| 1
|
740
| 740
|
a laugh between them
| 1
|
741
| 741
|
that gradually sneaks up on the audience
| 1
|
742
| 742
|
photographic marvel
| 1
|
743
| 743
|
is shockingly bad and absolutely unnecessary .
| 0
|
744
| 744
|
gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences .
| 1
|
745
| 745
|
the result , however well-intentioned , is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood .
| 0
|
746
| 746
|
while not for every taste , this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy .
| 1
|
747
| 747
|
wow ' factor
| 1
|
748
| 748
|
hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- a major director is emerging in world cinema .
| 1
|
749
| 749
|
brazil-like , hyper-real satire
| 1
|
750
| 750
|
low on both suspense and payoff
| 0
|
751
| 751
|
find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most
| 1
|
752
| 752
|
an absolute delight for all audiences
| 1
|
753
| 753
|
would tax einstein 's brain .
| 0
|
754
| 754
|
's its first sign of trouble
| 0
|
755
| 755
|
ca n't believe anyone would really buy this stuff
| 0
|
756
| 756
|
moonlight mile should strike a nerve in many .
| 1
|
757
| 757
|
if ever such a dependable concept was botched in execution
| 0
|
758
| 758
|
wedding feels a bit anachronistic .
| 0
|
759
| 759
|
been lost in the translation this time
| 0
|
760
| 760
|
revelatory performance
| 1
|
761
| 761
|
the pianist like a surgeon mends a broken heart ; very meticulously but without any passion
| 0
|
762
| 762
|
remains oddly detached
| 0
|
763
| 763
|
that is more complex and honest than anything represented in a hollywood film
| 1
|
764
| 764
|
nifty premise
| 1
|
765
| 765
|
vein
| 1
|
766
| 766
|
the wonderfully lush morvern callar is pure punk existentialism , and
| 1
|
767
| 767
|
go down with a ship as leaky
| 0
|
768
| 768
|
earnest movie
| 1
|
769
| 769
|
effective enough
| 1
|
770
| 770
|
showing us well-thought stunts or a car chase that we have n't seen 10,000 times
| 1
|
771
| 771
|
make the film more silly than scary , like some sort of martha stewart decorating program run amok
| 0
|
772
| 772
|
going at a rapid pace ,
| 1
|
773
| 773
|
still fun and enjoyable and
| 1
|
774
| 774
|
a lazy exercise in bad filmmaking
| 0
|
775
| 775
|
this thing is virtually unwatchable .
| 0
|
776
| 776
|
's also undeniably exceedingly clever
| 1
|
777
| 777
|
would ever work in a mcculloch production again if they looked at how this movie turned out
| 0
|
778
| 778
|
an entertainment destination for the general public
| 1
|
779
| 779
|
i have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense .
| 1
|
780
| 780
|
england 's roger mitchell , who handily makes the move from pleasing
| 1
|
781
| 781
|
to the enduring strengths of women
| 1
|
782
| 782
|
surprisingly faithful
| 1
|
783
| 783
|
the numerous scenes
| 1
|
784
| 784
|
exaggerated and
| 0
|
785
| 785
|
takes a really long , slow and dreary time
| 0
|
786
| 786
|
improved upon the first
| 1
|
787
| 787
|
that might have made it an exhilarating
| 1
|
788
| 788
|
k-19 : the widowmaker is a great yarn .
| 1
|
789
| 789
|
humorless
| 0
|
790
| 790
|
thank
| 1
|
791
| 791
|
just because a walk to remember
| 1
|
792
| 792
|
bite
| 0
|
793
| 793
|
amounts to little more than punishment .
| 0
|
794
| 794
|
the humor is recognizably plympton
| 1
|
795
| 795
|
likeable thanks to its cast , its cuisine and its quirky tunes .
| 1
|
796
| 796
|
makes piecing the story together frustrating difficult
| 0
|
797
| 797
|
a fascinating , compelling story
| 1
|
798
| 798
|
the film 's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence
| 0
|
799
| 799
|
a fascinating , dark thriller that keeps you hooked on the delicious pulpiness of its lurid fiction .
| 1
|
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