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|---|---|---|---|
1,300
| 1,300
|
( allen ) manages to breathe life into this somewhat tired premise .
| 1
|
1,301
| 1,301
|
the writing and direction to the soggy performances
| 0
|
1,302
| 1,302
|
went back
| 1
|
1,303
| 1,303
|
unfunny
| 0
|
1,304
| 1,304
|
good film
| 1
|
1,305
| 1,305
|
a simplistic narrative and
| 1
|
1,306
| 1,306
|
plodding , peevish and gimmicky .
| 0
|
1,307
| 1,307
|
finely written
| 1
|
1,308
| 1,308
|
attentive
| 1
|
1,309
| 1,309
|
a canny crowd pleaser ,
| 1
|
1,310
| 1,310
|
real and amusing
| 1
|
1,311
| 1,311
|
a dependable concept
| 1
|
1,312
| 1,312
|
straight from the saturday morning cartoons
| 0
|
1,313
| 1,313
|
least
| 0
|
1,314
| 1,314
|
very light
| 1
|
1,315
| 1,315
|
thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except
| 0
|
1,316
| 1,316
|
dying a slow death
| 0
|
1,317
| 1,317
|
some good material in their story about a retail clerk wanting more out of life
| 1
|
1,318
| 1,318
|
lack contrast , are murky and are frequently too dark to be decipherable .
| 0
|
1,319
| 1,319
|
under the skin of a man we only know as an evil , monstrous lunatic
| 0
|
1,320
| 1,320
|
transporting is that it 's also one of the smartest
| 1
|
1,321
| 1,321
|
reminiscent of gong li and a vivid personality
| 1
|
1,322
| 1,322
|
to convince almost everyone that it was put on the screen , just for them
| 1
|
1,323
| 1,323
|
downright intoxicating
| 1
|
1,324
| 1,324
|
with ` bowling for columbine , ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear .
| 1
|
1,325
| 1,325
|
especially the pseudo-educational stuff we all ca n't stand
| 0
|
1,326
| 1,326
|
vaporize from your memory minutes
| 0
|
1,327
| 1,327
|
energetic
| 1
|
1,328
| 1,328
|
's the inimitable diaz , holding it all together .
| 1
|
1,329
| 1,329
|
decrepit
| 0
|
1,330
| 1,330
|
two guys yelling in your face for two hours
| 0
|
1,331
| 1,331
|
bloody beauty as vivid
| 1
|
1,332
| 1,332
|
cold , sterile and lacking any color or warmth
| 0
|
1,333
| 1,333
|
is not handled well
| 0
|
1,334
| 1,334
|
long and eventful
| 1
|
1,335
| 1,335
|
, after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers
| 1
|
1,336
| 1,336
|
suffocating
| 0
|
1,337
| 1,337
|
has considerable charm
| 1
|
1,338
| 1,338
|
for its extraordinary intelligence and originality
| 1
|
1,339
| 1,339
|
stink
| 0
|
1,340
| 1,340
|
good-bad that makes eight legged freaks a perfectly entertaining summer diversion
| 1
|
1,341
| 1,341
|
the milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch
| 0
|
1,342
| 1,342
|
kids will love its fantasy and adventure
| 1
|
1,343
| 1,343
|
( or role , or edit , or score , or anything , really
| 0
|
1,344
| 1,344
|
, to my great pleasure ,
| 1
|
1,345
| 1,345
|
one of the most entertaining bonds in years
| 1
|
1,346
| 1,346
|
in a standard plot
| 0
|
1,347
| 1,347
|
the moral shrapnel and mental shellshock will linger long after this film has ended .
| 1
|
1,348
| 1,348
|
been written so well , that even a simple `` goddammit
| 1
|
1,349
| 1,349
|
b movies
| 0
|
1,350
| 1,350
|
to address his own world war ii experience in his signature style
| 1
|
1,351
| 1,351
|
from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches
| 1
|
1,352
| 1,352
|
draws on an elegant visual sense and a talent
| 1
|
1,353
| 1,353
|
be one of those movies barely registering a blip on the radar screen of 2002
| 0
|
1,354
| 1,354
|
for pretentious arts majors
| 0
|
1,355
| 1,355
|
see a movie with its heart
| 1
|
1,356
| 1,356
|
reek of a script
| 0
|
1,357
| 1,357
|
bottom tier
| 0
|
1,358
| 1,358
|
delivers a powerful commentary on how governments lie , no matter who runs them
| 1
|
1,359
| 1,359
|
an admirable reconstruction of terrible events
| 1
|
1,360
| 1,360
|
's a tribute to the actress , and to her inventive director
| 1
|
1,361
| 1,361
|
as john ritter 's glory days
| 1
|
1,362
| 1,362
|
fights a good fight
| 1
|
1,363
| 1,363
|
is god
| 1
|
1,364
| 1,364
|
floating narrative
| 1
|
1,365
| 1,365
|
stand in future years as an eloquent memorial to the world trade center tragedy
| 1
|
1,366
| 1,366
|
a screenplay that forces them into bizarre , implausible behavior
| 0
|
1,367
| 1,367
|
of this dog of a movie
| 0
|
1,368
| 1,368
|
too bad kramer could n't make a guest appearance to liven things up .
| 0
|
1,369
| 1,369
|
plays like a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story .
| 0
|
1,370
| 1,370
|
yet depressing film
| 0
|
1,371
| 1,371
|
does pack some serious suspense .
| 1
|
1,372
| 1,372
|
descends into such message-mongering moralism
| 0
|
1,373
| 1,373
|
gripping humanity
| 1
|
1,374
| 1,374
|
fall fast asleep
| 0
|
1,375
| 1,375
|
virtually no aftertaste
| 0
|
1,376
| 1,376
|
inane and unimaginative
| 0
|
1,377
| 1,377
|
's no surprise that as a director washington demands and receives excellent performances ,
| 1
|
1,378
| 1,378
|
bound
| 1
|
1,379
| 1,379
|
self-absorbed
| 0
|
1,380
| 1,380
|
see the forest for the trees
| 1
|
1,381
| 1,381
|
's a feel-good movie about which you can actually feel good
| 1
|
1,382
| 1,382
|
intolerable company
| 0
|
1,383
| 1,383
|
talky , artificial and opaque
| 0
|
1,384
| 1,384
|
for one splendidly cast pair
| 1
|
1,385
| 1,385
|
underneath such a mountain of clichés and borrowed images
| 0
|
1,386
| 1,386
|
falsehoods pile up , undermining the movie 's reality and stifling its creator 's comic voice .
| 0
|
1,387
| 1,387
|
convincing as this bland blank of a man with unimaginable demons
| 0
|
1,388
| 1,388
|
are ... impeccable throughout .
| 1
|
1,389
| 1,389
|
driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs
| 1
|
1,390
| 1,390
|
horror/action hybrid
| 1
|
1,391
| 1,391
|
of the finest films of the year
| 1
|
1,392
| 1,392
|
lives up to the stories and faces and music of the men who are its subject .
| 1
|
1,393
| 1,393
|
that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch
| 1
|
1,394
| 1,394
|
director paul cox 's unorthodox , abstract approach to visualizing nijinsky 's diaries is both stimulating and demanding .
| 1
|
1,395
| 1,395
|
is too long with too little going on
| 0
|
1,396
| 1,396
|
much needed
| 1
|
1,397
| 1,397
|
jones and snipes are enthralling
| 1
|
1,398
| 1,398
|
that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out
| 1
|
1,399
| 1,399
|
participation
| 1
|
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