Add files using upload-large-folder tool

1930/nMlDPsRwZE4.mp4

@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:0fc10349bca2d9c59e996fee5b593f127339145b154492472608776fff17b048
+size 5520322

1951/Napj_I8kdHY.en.srt

@@ -0,0 +1,515 @@
+1
+00:00:00,839 --> 00:00:04,070
+
+Sally Sally tell is a joke tell is a
+
+2
+00:00:04,070 --> 00:00:04,080
+Sally Sally tell is a joke tell is a
+ 
+
+3
+00:00:04,080 --> 00:00:06,269
+Sally Sally tell is a joke tell is a
+funny little story to make us all laugh
+
+4
+00:00:06,269 --> 00:00:06,279
+funny little story to make us all laugh
+ 
+
+5
+00:00:06,279 --> 00:00:07,429
+funny little story to make us all laugh
+I don't know what's the matter we're all
+
+6
+00:00:07,429 --> 00:00:07,439
+I don't know what's the matter we're all
+ 
+
+7
+00:00:07,439 --> 00:00:09,430
+I don't know what's the matter we're all
+so solemn is it because I've been stood
+
+8
+00:00:09,430 --> 00:00:09,440
+so solemn is it because I've been stood
+ 
+
+9
+00:00:09,440 --> 00:00:11,430
+so solemn is it because I've been stood
+up by my B it's the first time in my
+
+10
+00:00:11,430 --> 00:00:11,440
+up by my B it's the first time in my
+ 
+
+11
+00:00:11,440 --> 00:00:13,230
+up by my B it's the first time in my
+entire experience with man and I've had
+
+12
+00:00:13,230 --> 00:00:13,240
+entire experience with man and I've had
+ 
+
+13
+00:00:13,240 --> 00:00:14,509
+entire experience with man and I've had
+a good deal of All Sorts that I've
+
+14
+00:00:14,509 --> 00:00:14,519
+a good deal of All Sorts that I've
+ 
+
+15
+00:00:14,519 --> 00:00:16,750
+a good deal of All Sorts that I've
+actually been stood up by anyone I don't
+
+16
+00:00:16,750 --> 00:00:16,760
+actually been stood up by anyone I don't
+ 
+
+17
+00:00:16,760 --> 00:00:18,750
+actually been stood up by anyone I don't
+know how to take
+
+18
+00:00:18,750 --> 00:00:18,760
+know how to take
+ 
+
+19
+00:00:18,760 --> 00:00:21,910
+know how to take
+it tell us a funny little story Stanley
+
+20
+00:00:21,910 --> 00:00:21,920
+it tell us a funny little story Stanley
+ 
+
+21
+00:00:21,920 --> 00:00:24,910
+it tell us a funny little story Stanley
+something to help us out I didn't think
+
+22
+00:00:24,910 --> 00:00:24,920
+something to help us out I didn't think
+ 
+
+23
+00:00:24,920 --> 00:00:27,509
+something to help us out I didn't think
+you like my stories BL I like them when
+
+24
+00:00:27,509 --> 00:00:27,519
+you like my stories BL I like them when
+ 
+
+25
+00:00:27,519 --> 00:00:30,109
+you like my stories BL I like them when
+they're amusing but not indecent I don't
+
+26
+00:00:30,109 --> 00:00:30,119
+they're amusing but not indecent I don't
+ 
+
+27
+00:00:30,119 --> 00:00:33,510
+they're amusing but not indecent I don't
+know what refined enough for your
+
+28
+00:00:33,510 --> 00:00:33,520
+know what refined enough for your
+ 
+
+29
+00:00:33,520 --> 00:00:37,430
+know what refined enough for your
+taste well let me tell one yes you tell
+
+30
+00:00:37,430 --> 00:00:37,440
+taste well let me tell one yes you tell
+ 
+
+31
+00:00:37,440 --> 00:00:39,270
+taste well let me tell one yes you tell
+one blank you used to know a lot of good
+
+32
+00:00:39,270 --> 00:00:39,280
+one blank you used to know a lot of good
+ 
+
+33
+00:00:39,280 --> 00:00:41,549
+one blank you used to know a lot of good
+stories now let me see I had to run
+
+34
+00:00:41,549 --> 00:00:41,559
+stories now let me see I had to run
+ 
+
+35
+00:00:41,559 --> 00:00:44,190
+stories now let me see I had to run
+through my repertoire oh yes I love
+
+36
+00:00:44,190 --> 00:00:44,200
+through my repertoire oh yes I love
+ 
+
+37
+00:00:44,200 --> 00:00:45,950
+through my repertoire oh yes I love
+parrot stories do you all like parrot
+
+38
+00:00:45,950 --> 00:00:45,960
+parrot stories do you all like parrot
+ 
+
+39
+00:00:45,960 --> 00:00:47,510
+parrot stories do you all like parrot
+stories well this one's about the old
+
+40
+00:00:47,510 --> 00:00:47,520
+stories well this one's about the old
+ 
+
+41
+00:00:47,520 --> 00:00:49,430
+stories well this one's about the old
+maid in the parot this old ma she had a
+
+42
+00:00:49,430 --> 00:00:49,440
+maid in the parot this old ma she had a
+ 
+
+43
+00:00:49,440 --> 00:00:51,350
+maid in the parot this old ma she had a
+parrot that cursed a Blue Streak and
+
+44
+00:00:51,350 --> 00:00:51,360
+parrot that cursed a Blue Streak and
+ 
+
+45
+00:00:51,360 --> 00:00:54,510
+parrot that cursed a Blue Streak and
+knew more vulgar Expressions than Mr
+
+46
+00:00:54,510 --> 00:00:54,520
+knew more vulgar Expressions than Mr
+ 
+
+47
+00:00:54,520 --> 00:00:56,830
+knew more vulgar Expressions than Mr
+Kowalski the only way to Har the PA up
+
+48
+00:00:56,830 --> 00:00:56,840
+Kowalski the only way to Har the PA up
+ 
+
+49
+00:00:56,840 --> 00:01:06,190
+Kowalski the only way to Har the PA up
+was to put the cover
+
+50
+00:01:06,190 --> 00:01:06,200
+
+ 
+
+51
+00:01:06,200 --> 00:01:08,390
+
+must be
+
+52
+00:01:08,390 --> 00:01:08,400
+must be
+ 
+
+53
+00:01:08,400 --> 00:01:10,510
+must be
+upstairs well the only way to H the bar
+
+54
+00:01:10,510 --> 00:01:10,520
+upstairs well the only way to H the bar
+ 
+
+55
+00:01:10,520 --> 00:01:12,190
+upstairs well the only way to H the bar
+up with with the
+
+56
+00:01:12,190 --> 00:01:12,200
+up with with the
+ 
+
+57
+00:01:12,200 --> 00:01:14,870
+up with with the
+put go on
+
+58
+00:01:14,870 --> 00:01:14,880
+put go on
+ 
+
+59
+00:01:14,880 --> 00:01:16,510
+put go on
+pledge
+
+60
+00:01:16,510 --> 00:01:16,520
+pledge
+ 
+
+61
+00:01:16,520 --> 00:01:19,149
+pledge
+know I don't think Mr Kowalski will be
+
+62
+00:01:19,149 --> 00:01:19,159
+know I don't think Mr Kowalski will be
+ 
+
+63
+00:01:19,159 --> 00:01:21,789
+know I don't think Mr Kowalski will be
+intr
+
+64
+00:01:21,789 --> 00:01:21,799
+
+ 
+
+65
+00:01:21,799 --> 00:01:24,990
+
+used Mr Kowalski is too busy making a
+
+66
+00:01:24,990 --> 00:01:25,000
+used Mr Kowalski is too busy making a
+ 
+
+67
+00:01:25,000 --> 00:01:27,469
+used Mr Kowalski is too busy making a
+pig of himself to think of anything else
+
+68
+00:01:27,469 --> 00:01:27,479
+pig of himself to think of anything else
+ 
+
+69
+00:01:27,479 --> 00:01:29,270
+pig of himself to think of anything else
+face and your fingers are disgustingly
+
+70
+00:01:29,270 --> 00:01:29,280
+face and your fingers are disgustingly
+ 
+
+71
+00:01:29,280 --> 00:01:31,390
+face and your fingers are disgustingly
+greasy go wash up and then help me clear
+
+72
+00:01:31,390 --> 00:01:31,400
+greasy go wash up and then help me clear
+ 
+
+73
+00:01:31,400 --> 00:01:34,570
+greasy go wash up and then help me clear
+the
+
+74
+00:01:34,570 --> 00:01:34,580
+
+ 
+
+75
+00:01:34,580 --> 00:01:41,149
+
+[Music]
+
+76
+00:01:41,149 --> 00:01:41,159
+
+ 
+
+77
+00:01:41,159 --> 00:01:43,510
+
+table now that's how I'm going to clear
+
+78
+00:01:43,510 --> 00:01:43,520
+table now that's how I'm going to clear
+ 
+
+79
+00:01:43,520 --> 00:01:45,230
+table now that's how I'm going to clear
+the
+
+80
+00:01:45,230 --> 00:01:45,240
+the
+ 
+
+81
+00:01:45,240 --> 00:01:50,550
+the
+table don't you ever talk that way to
+
+82
+00:01:50,550 --> 00:01:50,560
+
+ 
+
+83
+00:01:50,560 --> 00:01:55,429
+
+me pig poock disgusting bger
+
+84
+00:01:55,429 --> 00:01:55,439
+me pig poock disgusting bger
+ 
+
+85
+00:01:55,439 --> 00:01:57,590
+me pig poock disgusting bger
+greasy those kind of words have been on
+
+86
+00:01:57,590 --> 00:01:57,600
+greasy those kind of words have been on
+ 
+
+87
+00:01:57,600 --> 00:01:59,109
+greasy those kind of words have been on
+your tongue and your sister's tongue is
+
+88
+00:01:59,109 --> 00:01:59,119
+your tongue and your sister's tongue is
+ 
+
+89
+00:01:59,119 --> 00:02:01,870
+your tongue and your sister's tongue is
+too much around
+
+90
+00:02:01,870 --> 00:02:01,880
+
+ 
+
+91
+00:02:01,880 --> 00:02:04,550
+
+here who do you think you are PIR
+
+92
+00:02:04,550 --> 00:02:04,560
+here who do you think you are PIR
+ 
+
+93
+00:02:04,560 --> 00:02:07,069
+here who do you think you are PIR
+Queens I just remember what H long said
+
+94
+00:02:07,069 --> 00:02:07,079
+Queens I just remember what H long said
+ 
+
+95
+00:02:07,079 --> 00:02:08,630
+Queens I just remember what H long said
+that every man's a king and I'm the king
+
+96
+00:02:08,630 --> 00:02:08,640
+that every man's a king and I'm the king
+ 
+
+97
+00:02:08,640 --> 00:02:18,390
+that every man's a king and I'm the king
+around here and don't you forget
+
+98
+00:02:18,390 --> 00:02:18,400
+
+ 
+
+99
+00:02:18,400 --> 00:02:20,710
+
+it my place is all cleared up now you
+
+100
+00:02:20,710 --> 00:02:20,720
+it my place is all cleared up now you
+ 
+
+101
+00:02:20,720 --> 00:02:32,130
+it my place is all cleared up now you
+want me to clear yours
+
+102
+00:02:32,130 --> 00:02:32,140
+
+ 
+
+103
+00:02:32,140 --> 00:02:59,069
+
+[Music]
+

1951/S04ArwiZwjE.en.srt

@@ -0,0 +1,185 @@
+1
+00:00:00,110 --> 00:00:20,750
+
+[Music]
+
+2
+00:00:20,750 --> 00:00:20,760
+
+ 
+
+3
+00:00:20,760 --> 00:00:23,230
+
+he hey what's that what are you
+
+4
+00:00:23,230 --> 00:00:23,240
+he hey what's that what are you
+ 
+
+5
+00:00:23,240 --> 00:00:33,070
+he hey what's that what are you
+doing come
+
+6
+00:00:33,070 --> 00:00:33,080
+
+ 
+
+7
+00:00:33,080 --> 00:00:54,510
+
+[Music]
+
+8
+00:00:54,510 --> 00:00:54,520
+
+ 
+
+9
+00:00:54,520 --> 00:00:56,670
+
+I don't think I feel too much
+
+10
+00:00:56,670 --> 00:00:56,680
+I don't think I feel too much
+ 
+
+11
+00:00:56,680 --> 00:01:05,610
+I don't think I feel too much
+like let's not break a leg got you
+
+12
+00:01:05,610 --> 00:01:05,620
+
+ 
+
+13
+00:01:05,620 --> 00:01:18,590
+
+[Music]
+
+14
+00:01:18,590 --> 00:01:18,600
+
+ 
+
+15
+00:01:18,600 --> 00:01:20,470
+
+later
+
+16
+00:01:20,470 --> 00:01:20,480
+later
+ 
+
+17
+00:01:20,480 --> 00:01:26,950
+later
+[Laughter]
+
+18
+00:01:26,950 --> 00:01:26,960
+
+ 
+
+19
+00:01:26,960 --> 00:01:30,950
+
+heyam is your name maram
+
+20
+00:01:30,950 --> 00:01:30,960
+heyam is your name maram
+ 
+
+21
+00:01:30,960 --> 00:01:38,230
+heyam is your name maram
+what did
+
+22
+00:01:38,230 --> 00:01:38,240
+
+ 
+
+23
+00:01:38,240 --> 00:01:57,069
+
+[Music]
+
+24
+00:01:57,069 --> 00:01:57,079
+[Music]
+ 
+
+25
+00:01:57,079 --> 00:02:00,510
+[Music]
+you where are you
+
+26
+00:02:00,510 --> 00:02:00,520
+you where are you
+ 
+
+27
+00:02:00,520 --> 00:02:03,830
+you where are you
+Mar hey Mar come on stop fooling think
+
+28
+00:02:03,830 --> 00:02:03,840
+Mar hey Mar come on stop fooling think
+ 
+
+29
+00:02:03,840 --> 00:02:07,270
+Mar hey Mar come on stop fooling think
+you can give us a slip huh come on stop
+
+30
+00:02:07,270 --> 00:02:07,280
+you can give us a slip huh come on stop
+ 
+
+31
+00:02:07,280 --> 00:02:08,370
+you can give us a slip huh come on stop
+hiding
+
+32
+00:02:08,370 --> 00:02:08,380
+hiding
+ 
+
+33
+00:02:08,380 --> 00:02:31,750
+hiding
+[Music]
+
+34
+00:02:31,750 --> 00:02:31,760
+
+ 
+
+35
+00:02:31,760 --> 00:02:35,520
+
+St
+
+36
+00:02:35,520 --> 00:02:35,530
+
+ 
+
+37
+00:02:35,530 --> 00:02:41,479
+
+[Music]
+

1951/Sp_ZkjTIRiI.en.srt

@@ -0,0 +1,705 @@
+1
+00:00:00,240 --> 00:00:02,790
+
+what am I looking for on here oh yes
+
+2
+00:00:02,790 --> 00:00:02,800
+what am I looking for on here oh yes
+ 
+
+3
+00:00:02,800 --> 00:00:04,430
+what am I looking for on here oh yes
+liquor you've had so much excitement I
+
+4
+00:00:04,430 --> 00:00:04,440
+liquor you've had so much excitement I
+ 
+
+5
+00:00:04,440 --> 00:00:07,310
+liquor you've had so much excitement I
+am buged out of my mind oh here's
+
+6
+00:00:07,310 --> 00:00:07,320
+am buged out of my mind oh here's
+ 
+
+7
+00:00:07,320 --> 00:00:09,749
+am buged out of my mind oh here's
+something Southern
+
+8
+00:00:09,749 --> 00:00:09,759
+something Southern
+ 
+
+9
+00:00:09,759 --> 00:00:12,350
+something Southern
+Chia what can that be I
+
+10
+00:00:12,350 --> 00:00:12,360
+Chia what can that be I
+ 
+
+11
+00:00:12,360 --> 00:00:14,549
+Chia what can that be I
+wonder take your foot off the bed it has
+
+12
+00:00:14,549 --> 00:00:14,559
+wonder take your foot off the bed it has
+ 
+
+13
+00:00:14,559 --> 00:00:16,510
+wonder take your foot off the bed it has
+a clean cover on it of course you boys
+
+14
+00:00:16,510 --> 00:00:16,520
+a clean cover on it of course you boys
+ 
+
+15
+00:00:16,520 --> 00:00:18,310
+a clean cover on it of course you boys
+would notice a thing like that I've done
+
+16
+00:00:18,310 --> 00:00:18,320
+would notice a thing like that I've done
+ 
+
+17
+00:00:18,320 --> 00:00:19,950
+would notice a thing like that I've done
+so much to this place since I aren't you
+
+18
+00:00:19,950 --> 00:00:19,960
+so much to this place since I aren't you
+ 
+
+19
+00:00:19,960 --> 00:00:22,670
+so much to this place since I aren't you
+leaving here pretty soon now what I
+
+20
+00:00:22,670 --> 00:00:22,680
+leaving here pretty soon now what I
+ 
+
+21
+00:00:22,680 --> 00:00:25,750
+leaving here pretty soon now what I
+wonder if this ought been mixed with
+
+22
+00:00:25,750 --> 00:00:25,760
+
+ 
+
+23
+00:00:25,760 --> 00:00:29,109
+
+something it's sweet terribly sweet why
+
+24
+00:00:29,109 --> 00:00:29,119
+something it's sweet terribly sweet why
+ 
+
+25
+00:00:29,119 --> 00:00:31,390
+something it's sweet terribly sweet why
+believe this yes that's what it is a
+
+26
+00:00:31,390 --> 00:00:31,400
+believe this yes that's what it is a
+ 
+
+27
+00:00:31,400 --> 00:00:33,110
+believe this yes that's what it is a
+liquor I don't think you'll like it but
+
+28
+00:00:33,110 --> 00:00:33,120
+liquor I don't think you'll like it but
+ 
+
+29
+00:00:33,120 --> 00:00:35,069
+liquor I don't think you'll like it but
+try it maybe you will I told you before
+
+30
+00:00:35,069 --> 00:00:35,079
+try it maybe you will I told you before
+ 
+
+31
+00:00:35,079 --> 00:00:36,830
+try it maybe you will I told you before
+I don't want any of his liquor and I
+
+32
+00:00:36,830 --> 00:00:36,840
+I don't want any of his liquor and I
+ 
+
+33
+00:00:36,840 --> 00:00:38,590
+I don't want any of his liquor and I
+mean it he says you've been lapping it
+
+34
+00:00:38,590 --> 00:00:38,600
+mean it he says you've been lapping it
+ 
+
+35
+00:00:38,600 --> 00:00:40,790
+mean it he says you've been lapping it
+up all Sumer like a wild cat just end
+
+36
+00:00:40,790 --> 00:00:40,800
+up all Sumer like a wild cat just end
+ 
+
+37
+00:00:40,800 --> 00:00:43,029
+up all Sumer like a wild cat just end
+the level of such cheap accusations to
+
+38
+00:00:43,029 --> 00:00:43,039
+the level of such cheap accusations to
+ 
+
+39
+00:00:43,039 --> 00:00:45,389
+the level of such cheap accusations to
+an what's in your
+
+40
+00:00:45,389 --> 00:00:45,399
+an what's in your
+ 
+
+41
+00:00:45,399 --> 00:00:48,029
+an what's in your
+mind see something in your eyes it's
+
+42
+00:00:48,029 --> 00:00:48,039
+mind see something in your eyes it's
+ 
+
+43
+00:00:48,039 --> 00:00:51,069
+mind see something in your eyes it's
+dark in here I like the dark the dark is
+
+44
+00:00:51,069 --> 00:00:51,079
+dark in here I like the dark the dark is
+ 
+
+45
+00:00:51,079 --> 00:00:52,950
+dark in here I like the dark the dark is
+comforting to me I've never seen you in
+
+46
+00:00:52,950 --> 00:00:52,960
+comforting to me I've never seen you in
+ 
+
+47
+00:00:52,960 --> 00:00:55,470
+comforting to me I've never seen you in
+the light that's a fact I've never seen
+
+48
+00:00:55,470 --> 00:00:55,480
+the light that's a fact I've never seen
+ 
+
+49
+00:00:55,480 --> 00:00:56,630
+the light that's a fact I've never seen
+you in the
+
+50
+00:00:56,630 --> 00:00:56,640
+you in the
+ 
+
+51
+00:00:56,640 --> 00:00:58,830
+you in the
+afternoon I met you at the plan in the
+
+52
+00:00:58,830 --> 00:00:58,840
+afternoon I met you at the plan in the
+ 
+
+53
+00:00:58,840 --> 00:01:02,229
+afternoon I met you at the plan in the
+afternoon no Sunday afternoon you never
+
+54
+00:01:02,229 --> 00:01:02,239
+afternoon no Sunday afternoon you never
+ 
+
+55
+00:01:02,239 --> 00:01:03,790
+afternoon no Sunday afternoon you never
+want to go out till after 6: and it's
+
+56
+00:01:03,790 --> 00:01:03,800
+want to go out till after 6: and it's
+ 
+
+57
+00:01:03,800 --> 00:01:05,630
+want to go out till after 6: and it's
+always someplace that's not lighted much
+
+58
+00:01:05,630 --> 00:01:05,640
+always someplace that's not lighted much
+ 
+
+59
+00:01:05,640 --> 00:01:07,230
+always someplace that's not lighted much
+there's some obscure meaning in this but
+
+60
+00:01:07,230 --> 00:01:07,240
+there's some obscure meaning in this but
+ 
+
+61
+00:01:07,240 --> 00:01:08,870
+there's some obscure meaning in this but
+I fail to keep that means is I've never
+
+62
+00:01:08,870 --> 00:01:08,880
+I fail to keep that means is I've never
+ 
+
+63
+00:01:08,880 --> 00:01:10,749
+I fail to keep that means is I've never
+had a real good look at you blanch let's
+
+64
+00:01:10,749 --> 00:01:10,759
+had a real good look at you blanch let's
+ 
+
+65
+00:01:10,759 --> 00:01:12,429
+had a real good look at you blanch let's
+turn the light on in here which light
+
+66
+00:01:12,429 --> 00:01:12,439
+turn the light on in here which light
+ 
+
+67
+00:01:12,439 --> 00:01:15,149
+turn the light on in here which light
+what for this one here with this paper
+
+68
+00:01:15,149 --> 00:01:15,159
+what for this one here with this paper
+ 
+
+69
+00:01:15,159 --> 00:01:17,789
+what for this one here with this paper
+thing what did you want to do that for
+
+70
+00:01:17,789 --> 00:01:17,799
+thing what did you want to do that for
+ 
+
+71
+00:01:17,799 --> 00:01:19,109
+thing what did you want to do that for
+so that I can take a look at you good
+
+72
+00:01:19,109 --> 00:01:19,119
+so that I can take a look at you good
+ 
+
+73
+00:01:19,119 --> 00:01:20,870
+so that I can take a look at you good
+and plain of course you don't really
+
+74
+00:01:20,870 --> 00:01:20,880
+and plain of course you don't really
+ 
+
+75
+00:01:20,880 --> 00:01:23,789
+and plain of course you don't really
+mean to be insulting no just realistic I
+
+76
+00:01:23,789 --> 00:01:23,799
+mean to be insulting no just realistic I
+ 
+
+77
+00:01:23,799 --> 00:01:26,469
+mean to be insulting no just realistic I
+don't want realism I want magic magic
+
+78
+00:01:26,469 --> 00:01:26,479
+don't want realism I want magic magic
+ 
+
+79
+00:01:26,479 --> 00:01:30,069
+don't want realism I want magic magic
+yes yes Magic I try to give there to I
+
+80
+00:01:30,069 --> 00:01:30,079
+yes yes Magic I try to give there to I
+ 
+
+81
+00:01:30,079 --> 00:01:31,870
+yes yes Magic I try to give there to I
+do misrepresent things I don't tell
+
+82
+00:01:31,870 --> 00:01:31,880
+do misrepresent things I don't tell
+ 
+
+83
+00:01:31,880 --> 00:01:33,910
+do misrepresent things I don't tell
+truth I tell what ought to be truth and
+
+84
+00:01:33,910 --> 00:01:33,920
+truth I tell what ought to be truth and
+ 
+
+85
+00:01:33,920 --> 00:01:35,230
+truth I tell what ought to be truth and
+if that is sinful then let me be
+
+86
+00:01:35,230 --> 00:01:35,240
+if that is sinful then let me be
+ 
+
+87
+00:01:35,240 --> 00:01:46,230
+if that is sinful then let me be
+punished for it don't turn the light
+
+88
+00:01:46,230 --> 00:01:46,240
+
+ 
+
+89
+00:01:46,240 --> 00:01:49,069
+
+on oh I don't mind you being older than
+
+90
+00:01:49,069 --> 00:01:49,079
+on oh I don't mind you being older than
+ 
+
+91
+00:01:49,079 --> 00:01:51,190
+on oh I don't mind you being older than
+what I thought
+
+92
+00:01:51,190 --> 00:01:51,200
+what I thought
+ 
+
+93
+00:01:51,200 --> 00:01:54,030
+what I thought
+but but all the
+
+94
+00:01:54,030 --> 00:01:54,040
+but but all the
+ 
+
+95
+00:01:54,040 --> 00:01:55,350
+but but all the
+[Music]
+
+96
+00:01:55,350 --> 00:01:55,360
+[Music]
+ 
+
+97
+00:01:55,360 --> 00:01:58,709
+[Music]
+rest why that that pitch about your
+
+98
+00:01:58,709 --> 00:01:58,719
+rest why that that pitch about your
+ 
+
+99
+00:01:58,719 --> 00:02:01,149
+rest why that that pitch about your
+ideals being so old fashionate and all
+
+100
+00:02:01,149 --> 00:02:01,159
+ideals being so old fashionate and all
+ 
+
+101
+00:02:01,159 --> 00:02:03,069
+ideals being so old fashionate and all
+the Mal that you've been dishing out all
+
+102
+00:02:03,069 --> 00:02:03,079
+the Mal that you've been dishing out all
+ 
+
+103
+00:02:03,079 --> 00:02:05,469
+the Mal that you've been dishing out all
+some more oh I knew you weren't 16
+
+104
+00:02:05,469 --> 00:02:05,479
+some more oh I knew you weren't 16
+ 
+
+105
+00:02:05,479 --> 00:02:06,990
+some more oh I knew you weren't 16
+anymore but I was full enough to believe
+
+106
+00:02:06,990 --> 00:02:07,000
+anymore but I was full enough to believe
+ 
+
+107
+00:02:07,000 --> 00:02:09,510
+anymore but I was full enough to believe
+you were straight who told you I wasn't
+
+108
+00:02:09,510 --> 00:02:09,520
+you were straight who told you I wasn't
+ 
+
+109
+00:02:09,520 --> 00:02:11,270
+you were straight who told you I wasn't
+straight my loving brother-in-law and
+
+110
+00:02:11,270 --> 00:02:11,280
+straight my loving brother-in-law and
+ 
+
+111
+00:02:11,280 --> 00:02:14,589
+straight my loving brother-in-law and
+you believed him no no I call him a liar
+
+112
+00:02:14,589 --> 00:02:14,599
+you believed him no no I call him a liar
+ 
+
+113
+00:02:14,599 --> 00:02:16,589
+you believed him no no I call him a liar
+at first and then I checked on the
+
+114
+00:02:16,589 --> 00:02:16,599
+at first and then I checked on the
+ 
+
+115
+00:02:16,599 --> 00:02:19,070
+at first and then I checked on the
+store I talk directly over long distance
+
+116
+00:02:19,070 --> 00:02:19,080
+store I talk directly over long distance
+ 
+
+117
+00:02:19,080 --> 00:02:20,869
+store I talk directly over long distance
+to this Merchant noral who is this
+
+118
+00:02:20,869 --> 00:02:20,879
+to this Merchant noral who is this
+ 
+
+119
+00:02:20,879 --> 00:02:23,790
+to this Merchant noral who is this
+Merchant ke fob the merchant ke fob of
+
+120
+00:02:23,790 --> 00:02:23,800
+Merchant ke fob the merchant ke fob of
+ 
+
+121
+00:02:23,800 --> 00:02:25,869
+Merchant ke fob the merchant ke fob of
+Orel I know the man he whistled at me I
+
+122
+00:02:25,869 --> 00:02:25,879
+Orel I know the man he whistled at me I
+ 
+
+123
+00:02:25,879 --> 00:02:27,190
+Orel I know the man he whistled at me I
+put him in his place and now for Revenge
+
+124
+00:02:27,190 --> 00:02:27,200
+put him in his place and now for Revenge
+ 
+
+125
+00:02:27,200 --> 00:02:28,830
+put him in his place and now for Revenge
+he makes up stories about me didn't you
+
+126
+00:02:28,830 --> 00:02:28,840
+he makes up stories about me didn't you
+ 
+
+127
+00:02:28,840 --> 00:02:31,630
+he makes up stories about me didn't you
+stay in a hotel call the Flingo
+
+128
+00:02:31,630 --> 00:02:31,640
+stay in a hotel call the Flingo
+ 
+
+129
+00:02:31,640 --> 00:02:36,309
+stay in a hotel call the Flingo
+Flamingo no tarantula was the name of it
+
+130
+00:02:36,309 --> 00:02:36,319
+Flamingo no tarantula was the name of it
+ 
+
+131
+00:02:36,319 --> 00:02:38,790
+Flamingo no tarantula was the name of it
+I stayed at a hotel called a tarantula
+
+132
+00:02:38,790 --> 00:02:38,800
+I stayed at a hotel called a tarantula
+ 
+
+133
+00:02:38,800 --> 00:02:41,910
+I stayed at a hotel called a tarantula
+arms tarantula arms yes a big spider
+
+134
+00:02:41,910 --> 00:02:41,920
+arms tarantula arms yes a big spider
+ 
+
+135
+00:02:41,920 --> 00:02:43,710
+arms tarantula arms yes a big spider
+that's why I brought my
+
+136
+00:02:43,710 --> 00:02:43,720
+that's why I brought my
+ 
+
+137
+00:02:43,720 --> 00:02:47,750
+that's why I brought my
+victims yes I have had many meetings
+
+138
+00:02:47,750 --> 00:02:47,760
+victims yes I have had many meetings
+ 
+
+139
+00:02:47,760 --> 00:02:53,820
+victims yes I have had many meetings
+with strangers
+
+140
+00:02:53,820 --> 00:02:53,830
+
+ 
+
+141
+00:02:53,830 --> 00:03:20,919
+
+[Music]
+

1951/_tVFwhoeQVM.description

@@ -0,0 +1,38 @@
+Strangers on a Train movie clips: http://j.mp/1yz9FQe
+BUY THE MOVIE: http://j.mp/Uinqke
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Guy (Farley Granger) notices a sinister face watching him from the crowd.
+
+FILM DESCRIPTION:
+In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). As Guy listens with detached amusement, Bruno discusses the theory of "exchange murders." Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? With no known link between the two men, the police would be none the wiser, would they? When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. And then, Guy's wife turns up strangled to death. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.
+
+CREDITS:
+TM & © Warner Bros. (1951)
+Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth Roman
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi Ormonde
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
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+Tumblr: http://bit.ly/1vUwhH7

1951/_tVFwhoeQVM.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:06,759 --> 00:00:28,950
+
+hi hi hello
+
+2
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+3
+00:00:28,960 --> 00:00:44,150
+
+guys
+
+4
+00:00:44,150 --> 00:00:44,160
+
+ 
+
+5
+00:00:44,160 --> 00:00:46,590
+
+okay you ready
+
+6
+00:00:46,590 --> 00:00:46,600
+okay you ready
+ 
+
+7
+00:00:46,600 --> 00:00:58,590
+okay you ready
+guy oh
+
+8
+00:00:58,590 --> 00:00:58,600
+
+ 
+
+9
+00:00:58,600 --> 00:01:08,190
+
+yeah also
+
+10
+00:01:08,190 --> 00:01:08,200
+
+ 
+
+11
+00:01:08,200 --> 00:01:10,789
+
+this is Mr Anthony friend of m madame
+
+12
+00:01:10,789 --> 00:01:10,799
+this is Mr Anthony friend of m madame
+ 
+
+13
+00:01:10,799 --> 00:01:14,030
+this is Mr Anthony friend of m madame
+Dar guy haes I've been a fan of yours
+
+14
+00:01:14,030 --> 00:01:14,040
+Dar guy haes I've been a fan of yours
+ 
+
+15
+00:01:14,040 --> 00:01:16,429
+Dar guy haes I've been a fan of yours
+for a long time Mr Haynes in fact I
+
+16
+00:01:16,429 --> 00:01:16,439
+for a long time Mr Haynes in fact I
+ 
+
+17
+00:01:16,439 --> 00:01:18,550
+for a long time Mr Haynes in fact I
+follow everything you do Mr Anthony has
+
+18
+00:01:18,550 --> 00:01:18,560
+follow everything you do Mr Anthony has
+ 
+
+19
+00:01:18,560 --> 00:01:21,109
+follow everything you do Mr Anthony has
+been telling us some charming stories
+
+20
+00:01:21,109 --> 00:01:21,119
+been telling us some charming stories
+ 
+
+21
+00:01:21,119 --> 00:01:27,550
+been telling us some charming stories
+very
+
+22
+00:01:27,550 --> 00:01:27,560
+
+ 
+
+23
+00:01:27,560 --> 00:01:37,540
+
+funny oh we shall con
+
+24
+00:01:37,540 --> 00:01:37,550
+
+ 
+
+25
+00:01:37,550 --> 00:01:49,069
+
+[Music]
+
+26
+00:01:49,069 --> 00:01:49,079
+
+ 
+
+27
+00:01:49,079 --> 00:01:50,830
+
+I've just been talking to your shadow
+
+28
+00:01:50,830 --> 00:01:50,840
+I've just been talking to your shadow
+ 
+
+29
+00:01:50,840 --> 00:01:52,190
+I've just been talking to your shadow
+guy did you know Mr Hennessy helped
+
+30
+00:01:52,190 --> 00:01:52,200
+guy did you know Mr Hennessy helped
+ 
+
+31
+00:01:52,200 --> 00:01:53,590
+guy did you know Mr Hennessy helped
+crack that Axe Murder I was reading
+
+32
+00:01:53,590 --> 00:01:53,600
+crack that Axe Murder I was reading
+ 
+
+33
+00:01:53,600 --> 00:01:55,109
+crack that Axe Murder I was reading
+about you know the one where the body
+
+34
+00:01:55,109 --> 00:01:55,119
+about you know the one where the body
+ 
+
+35
+00:01:55,119 --> 00:01:56,590
+about you know the one where the body
+was cut up and hidden in the butcher
+
+36
+00:01:56,590 --> 00:01:56,600
+was cut up and hidden in the butcher
+ 
+
+37
+00:01:56,600 --> 00:01:58,749
+was cut up and hidden in the butcher
+shop he was locked in the ice box with
+
+38
+00:01:58,749 --> 00:01:58,759
+shop he was locked in the ice box with
+ 
+
+39
+00:01:58,759 --> 00:02:01,910
+shop he was locked in the ice box with
+the left leg for six hours oh Babs he
+
+40
+00:02:01,910 --> 00:02:01,920
+the left leg for six hours oh Babs he
+ 
+
+41
+00:02:01,920 --> 00:02:03,749
+the left leg for six hours oh Babs he
+pulls those things out of his head who's
+
+42
+00:02:03,749 --> 00:02:03,759
+pulls those things out of his head who's
+ 
+
+43
+00:02:03,759 --> 00:02:05,429
+pulls those things out of his head who's
+the interesting looking Frenchman with
+
+44
+00:02:05,429 --> 00:02:05,439
+the interesting looking Frenchman with
+ 
+
+45
+00:02:05,439 --> 00:02:06,950
+the interesting looking Frenchman with
+the
+
+46
+00:02:06,950 --> 00:02:06,960
+the
+ 
+
+47
+00:02:06,960 --> 00:02:08,949
+the
+daring his name is
+
+48
+00:02:08,949 --> 00:02:08,959
+daring his name is
+ 
+
+49
+00:02:08,959 --> 00:02:12,710
+daring his name is
+Anthony he's not
+
+50
+00:02:12,710 --> 00:02:12,720
+
+ 
+
+51
+00:02:12,720 --> 00:02:16,390
+
+French was you Madame Miss how are you
+
+52
+00:02:16,390 --> 00:02:16,400
+French was you Madame Miss how are you
+ 
+
+53
+00:02:16,400 --> 00:02:18,030
+French was you Madame Miss how are you
+delightful to see you miss barara how
+
+54
+00:02:18,030 --> 00:02:18,040
+delightful to see you miss barara how
+ 
+
+55
+00:02:18,040 --> 00:02:19,790
+delightful to see you miss barara how
+sweet you look I hope you aren't
+
+56
+00:02:19,790 --> 00:02:19,800
+sweet you look I hope you aren't
+ 
+
+57
+00:02:19,800 --> 00:02:21,550
+sweet you look I hope you aren't
+forgetting our little party on Thursday
+
+58
+00:02:21,550 --> 00:02:21,560
+forgetting our little party on Thursday
+ 
+
+59
+00:02:21,560 --> 00:02:23,869
+forgetting our little party on Thursday
+Madame we're planning on it but of
+
+60
+00:02:23,869 --> 00:02:23,879
+Madame we're planning on it but of
+ 
+
+61
+00:02:23,879 --> 00:02:26,750
+Madame we're planning on it but of
+course this is my sister Barbara Barbara
+
+62
+00:02:26,750 --> 00:02:26,760
+course this is my sister Barbara Barbara
+ 
+
+63
+00:02:26,760 --> 00:02:35,410
+course this is my sister Barbara Barbara
+this is Mr Anthony how do you do
+
+64
+00:02:35,410 --> 00:02:35,420
+
+ 
+
+65
+00:02:35,420 --> 00:02:36,670
+
+[Music]
+
+66
+00:02:36,670 --> 00:02:36,680
+[Music]
+ 
+
+67
+00:02:36,680 --> 00:02:38,390
+[Music]
+is your name
+
+68
+00:02:38,390 --> 00:02:38,400
+is your name
+ 
+
+69
+00:02:38,400 --> 00:02:58,750
+is your name
+[Music]
+
+70
+00:02:58,750 --> 00:02:58,760
+
+ 
+
+71
+00:02:58,760 --> 00:03:07,560
+
+Miriam
+
+72
+00:03:07,560 --> 00:03:07,570
+
+ 
+
+73
+00:03:07,570 --> 00:03:13,530
+
+[Music]
+

1951/jVxyX7FcS4Q.description

@@ -0,0 +1,38 @@
+Strangers on a Train movie clips: http://j.mp/1yz9FQe
+BUY THE MOVIE: http://j.mp/Uinqke
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Even with his dying breath, Bruno (Robert Walker) maintains his ruse to take Guy (Farley Granger) down with him by lying about the missing lighter.
+
+FILM DESCRIPTION:
+In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). As Guy listens with detached amusement, Bruno discusses the theory of "exchange murders." Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? With no known link between the two men, the police would be none the wiser, would they? When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. And then, Guy's wife turns up strangled to death. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.
+
+CREDITS:
+TM & © Warner Bros. (1951)
+Cast: Farley Granger, Howard St. John, Robert Walker
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi Ormonde
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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1951/jVxyX7FcS4Q.en.srt

@@ -0,0 +1,385 @@
+1
+00:00:00,280 --> 00:00:01,870
+
+can't you get that stuff off of him all
+
+2
+00:00:01,870 --> 00:00:01,880
+can't you get that stuff off of him all
+ 
+
+3
+00:00:01,880 --> 00:00:04,470
+can't you get that stuff off of him all
+theyve don't they can all the crane
+
+4
+00:00:04,470 --> 00:00:04,480
+theyve don't they can all the crane
+ 
+
+5
+00:00:04,480 --> 00:00:08,070
+theyve don't they can all the crane
+comes hello
+
+6
+00:00:08,070 --> 00:00:08,080
+comes hello
+ 
+
+7
+00:00:08,080 --> 00:00:12,350
+comes hello
+guy who's this this is Mr Turley the
+
+8
+00:00:12,350 --> 00:00:12,360
+guy who's this this is Mr Turley the
+ 
+
+9
+00:00:12,360 --> 00:00:18,230
+guy who's this this is Mr Turley the
+chief of
+
+10
+00:00:18,230 --> 00:00:18,240
+
+ 
+
+11
+00:00:18,240 --> 00:00:22,589
+
+police they they got you at last on
+
+12
+00:00:22,589 --> 00:00:22,599
+police they they got you at last on
+ 
+
+13
+00:00:22,599 --> 00:00:24,269
+police they they got you at last on
+guy
+
+14
+00:00:24,269 --> 00:00:24,279
+guy
+ 
+
+15
+00:00:24,279 --> 00:00:27,029
+guy
+Bruno can you talk a
+
+16
+00:00:27,029 --> 00:00:27,039
+Bruno can you talk a
+ 
+
+17
+00:00:27,039 --> 00:00:30,630
+Bruno can you talk a
+little can you tell the chief you have
+
+18
+00:00:30,630 --> 00:00:30,640
+little can you tell the chief you have
+ 
+
+19
+00:00:30,640 --> 00:00:33,670
+little can you tell the chief you have
+my
+
+20
+00:00:33,670 --> 00:00:33,680
+
+ 
+
+21
+00:00:33,680 --> 00:00:36,630
+
+lighter I haven't got
+
+22
+00:00:36,630 --> 00:00:36,640
+lighter I haven't got
+ 
+
+23
+00:00:36,640 --> 00:00:40,350
+lighter I haven't got
+it it's on the island where you left
+
+24
+00:00:40,350 --> 00:00:40,360
+it it's on the island where you left
+ 
+
+25
+00:00:40,360 --> 00:00:43,549
+it it's on the island where you left
+it Bruno don't keep it up not at a time
+
+26
+00:00:43,549 --> 00:00:43,559
+it Bruno don't keep it up not at a time
+ 
+
+27
+00:00:43,559 --> 00:00:47,630
+it Bruno don't keep it up not at a time
+like this you know that I'm sorry guy I
+
+28
+00:00:47,630 --> 00:00:47,640
+like this you know that I'm sorry guy I
+ 
+
+29
+00:00:47,640 --> 00:00:50,549
+like this you know that I'm sorry guy I
+I I want to help you but I I don't know
+
+30
+00:00:50,549 --> 00:00:50,559
+I I want to help you but I I don't know
+ 
+
+31
+00:00:50,559 --> 00:00:52,430
+I I want to help you but I I don't know
+what I can
+
+32
+00:00:52,430 --> 00:00:52,440
+what I can
+ 
+
+33
+00:00:52,440 --> 00:00:55,830
+what I can
+do Captain Turley look can I go through
+
+34
+00:00:55,830 --> 00:00:55,840
+do Captain Turley look can I go through
+ 
+
+35
+00:00:55,840 --> 00:00:58,270
+do Captain Turley look can I go through
+his pockets no h of course you can
+
+36
+00:00:58,270 --> 00:00:58,280
+his pockets no h of course you can
+ 
+
+37
+00:00:58,280 --> 00:01:00,150
+his pockets no h of course you can
+besides he says he hasn't got it I think
+
+38
+00:01:00,150 --> 00:01:00,160
+besides he says he hasn't got it I think
+ 
+
+39
+00:01:00,160 --> 00:01:01,070
+besides he says he hasn't got it I think
+he's
+
+40
+00:01:01,070 --> 00:01:01,080
+he's
+ 
+
+41
+00:01:01,080 --> 00:01:05,950
+he's
+[Music]
+
+42
+00:01:05,950 --> 00:01:05,960
+
+ 
+
+43
+00:01:05,960 --> 00:01:10,810
+
+going he's
+
+44
+00:01:10,810 --> 00:01:10,820
+
+ 
+
+45
+00:01:10,820 --> 00:01:16,950
+
+[Music]
+
+46
+00:01:16,950 --> 00:01:16,960
+
+ 
+
+47
+00:01:16,960 --> 00:01:19,630
+
+finished is this
+
+48
+00:01:19,630 --> 00:01:19,640
+finished is this
+ 
+
+49
+00:01:19,640 --> 00:01:23,109
+finished is this
+it well you were right better keep this
+
+50
+00:01:23,109 --> 00:01:23,119
+it well you were right better keep this
+ 
+
+51
+00:01:23,119 --> 00:01:25,469
+it well you were right better keep this
+for the time being we'll clear the whole
+
+52
+00:01:25,469 --> 00:01:25,479
+for the time being we'll clear the whole
+ 
+
+53
+00:01:25,479 --> 00:01:26,990
+for the time being we'll clear the whole
+thing up in the morning how about
+
+54
+00:01:26,990 --> 00:01:27,000
+thing up in the morning how about
+ 
+
+55
+00:01:27,000 --> 00:01:29,630
+thing up in the morning how about
+staying in town overnight ases I imagine
+
+56
+00:01:29,630 --> 00:01:29,640
+staying in town overnight ases I imagine
+ 
+
+57
+00:01:29,640 --> 00:01:32,389
+staying in town overnight ases I imagine
+there's lot you want to tell me 9:00 all
+
+58
+00:01:32,389 --> 00:01:32,399
+there's lot you want to tell me 9:00 all
+ 
+
+59
+00:01:32,399 --> 00:01:34,270
+there's lot you want to tell me 9:00 all
+right okay Captain
+
+60
+00:01:34,270 --> 00:01:34,280
+right okay Captain
+ 
+
+61
+00:01:34,280 --> 00:01:37,990
+right okay Captain
+T
+
+62
+00:01:37,990 --> 00:01:38,000
+
+ 
+
+63
+00:01:38,000 --> 00:01:39,950
+
+thanks can you tell me where there's a
+
+64
+00:01:39,950 --> 00:01:39,960
+thanks can you tell me where there's a
+ 
+
+65
+00:01:39,960 --> 00:01:41,190
+thanks can you tell me where there's a
+telephone there's one up near the
+
+66
+00:01:41,190 --> 00:01:41,200
+telephone there's one up near the
+ 
+
+67
+00:01:41,200 --> 00:01:43,630
+telephone there's one up near the
+entrance who was he
+
+68
+00:01:43,630 --> 00:01:43,640
+entrance who was he
+ 
+
+69
+00:01:43,640 --> 00:01:45,350
+entrance who was he
+Bud
+
+70
+00:01:45,350 --> 00:01:45,360
+Bud
+ 
+
+71
+00:01:45,360 --> 00:01:57,880
+Bud
+Bruno Bruno Anthony very clever
+
+72
+00:01:57,880 --> 00:01:57,890
+
+ 
+
+73
+00:01:57,890 --> 00:02:00,550
+
+[Music]
+
+74
+00:02:00,550 --> 00:02:00,560
+[Music]
+ 
+
+75
+00:02:00,560 --> 00:02:06,410
+[Music]
+sh
+
+76
+00:02:06,410 --> 00:02:06,420
+
+ 
+
+77
+00:02:06,420 --> 00:02:20,460
+
+[Music]
+

1957/H-xjMjmrdl0.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:00,560 --> 00:00:02,230
+
+me looks like we'll be here for dinner
+
+2
+00:00:02,230 --> 00:00:02,240
+me looks like we'll be here for dinner
+ 
+
+3
+00:00:02,240 --> 00:00:04,990
+me looks like we'll be here for dinner
+huh okay now let's let's get down to
+
+4
+00:00:04,990 --> 00:00:05,000
+huh okay now let's let's get down to
+ 
+
+5
+00:00:05,000 --> 00:00:06,990
+huh okay now let's let's get down to
+business now who wants to start it off I
+
+6
+00:00:06,990 --> 00:00:07,000
+business now who wants to start it off I
+ 
+
+7
+00:00:07,000 --> 00:00:10,950
+business now who wants to start it off I
+would okay go you down there the old man
+
+8
+00:00:10,950 --> 00:00:10,960
+would okay go you down there the old man
+ 
+
+9
+00:00:10,960 --> 00:00:12,830
+would okay go you down there the old man
+who lived downstairs says he heard the
+
+10
+00:00:12,830 --> 00:00:12,840
+who lived downstairs says he heard the
+ 
+
+11
+00:00:12,840 --> 00:00:14,430
+who lived downstairs says he heard the
+kid yell out I'm going to kill you
+
+12
+00:00:14,430 --> 00:00:14,440
+kid yell out I'm going to kill you
+ 
+
+13
+00:00:14,440 --> 00:00:16,189
+kid yell out I'm going to kill you
+second later he heard the Body Hit the
+
+14
+00:00:16,189 --> 00:00:16,199
+second later he heard the Body Hit the
+ 
+
+15
+00:00:16,199 --> 00:00:19,150
+second later he heard the Body Hit the
+Floor now he ran to the door and he saw
+
+16
+00:00:19,150 --> 00:00:19,160
+Floor now he ran to the door and he saw
+ 
+
+17
+00:00:19,160 --> 00:00:20,710
+Floor now he ran to the door and he saw
+the kid running down the stairs and out
+
+18
+00:00:20,710 --> 00:00:20,720
+the kid running down the stairs and out
+ 
+
+19
+00:00:20,720 --> 00:00:22,550
+the kid running down the stairs and out
+of the house what does that mean to you
+
+20
+00:00:22,550 --> 00:00:22,560
+of the house what does that mean to you
+ 
+
+21
+00:00:22,560 --> 00:00:24,230
+of the house what does that mean to you
+well I was wondering how clearly the old
+
+22
+00:00:24,230 --> 00:00:24,240
+well I was wondering how clearly the old
+ 
+
+23
+00:00:24,240 --> 00:00:25,349
+well I was wondering how clearly the old
+man could have heard the boy's voice
+
+24
+00:00:25,349 --> 00:00:25,359
+man could have heard the boy's voice
+ 
+
+25
+00:00:25,359 --> 00:00:26,550
+man could have heard the boy's voice
+through the ceiling didn't hear it
+
+26
+00:00:26,550 --> 00:00:26,560
+through the ceiling didn't hear it
+ 
+
+27
+00:00:26,560 --> 00:00:27,990
+through the ceiling didn't hear it
+through the ceiling the window was open
+
+28
+00:00:27,990 --> 00:00:28,000
+through the ceiling the window was open
+ 
+
+29
+00:00:28,000 --> 00:00:29,470
+through the ceiling the window was open
+so was the one upstairs it was a hot
+
+30
+00:00:29,470 --> 00:00:29,480
+so was the one upstairs it was a hot
+ 
+
+31
+00:00:29,480 --> 00:00:31,150
+so was the one upstairs it was a hot
+night remember it was another apartment
+
+32
+00:00:31,150 --> 00:00:31,160
+night remember it was another apartment
+ 
+
+33
+00:00:31,160 --> 00:00:33,069
+night remember it was another apartment
+it's not that easy to identify a voice
+
+34
+00:00:33,069 --> 00:00:33,079
+it's not that easy to identify a voice
+ 
+
+35
+00:00:33,079 --> 00:00:34,990
+it's not that easy to identify a voice
+particularly a shouting voice to find it
+
+36
+00:00:34,990 --> 00:00:35,000
+particularly a shouting voice to find it
+ 
+
+37
+00:00:35,000 --> 00:00:36,430
+particularly a shouting voice to find it
+in course that's right and don't forget
+
+38
+00:00:36,430 --> 00:00:36,440
+in course that's right and don't forget
+ 
+
+39
+00:00:36,440 --> 00:00:37,869
+in course that's right and don't forget
+the lady across the street she looked
+
+40
+00:00:37,869 --> 00:00:37,879
+the lady across the street she looked
+ 
+
+41
+00:00:37,879 --> 00:00:39,590
+the lady across the street she looked
+right in the open window and saw the boy
+
+42
+00:00:39,590 --> 00:00:39,600
+right in the open window and saw the boy
+ 
+
+43
+00:00:39,600 --> 00:00:41,229
+right in the open window and saw the boy
+stab's father now I mean isn't that
+
+44
+00:00:41,229 --> 00:00:41,239
+stab's father now I mean isn't that
+ 
+
+45
+00:00:41,239 --> 00:00:43,430
+stab's father now I mean isn't that
+enough for you no it isn't boy how do
+
+46
+00:00:43,430 --> 00:00:43,440
+enough for you no it isn't boy how do
+ 
+
+47
+00:00:43,440 --> 00:00:45,229
+enough for you no it isn't boy how do
+you like this guy huh it's like talking
+
+48
+00:00:45,229 --> 00:00:45,239
+you like this guy huh it's like talking
+ 
+
+49
+00:00:45,239 --> 00:00:47,830
+you like this guy huh it's like talking
+into a dead phone she said she saw the
+
+50
+00:00:47,830 --> 00:00:47,840
+into a dead phone she said she saw the
+ 
+
+51
+00:00:47,840 --> 00:00:49,110
+into a dead phone she said she saw the
+killing Through the Windows of a moving
+
+52
+00:00:49,110 --> 00:00:49,120
+killing Through the Windows of a moving
+ 
+
+53
+00:00:49,120 --> 00:00:50,869
+killing Through the Windows of a moving
+elevated train there were six cars on
+
+54
+00:00:50,869 --> 00:00:50,879
+elevated train there were six cars on
+ 
+
+55
+00:00:50,879 --> 00:00:52,150
+elevated train there were six cars on
+the train she saw the killing through
+
+56
+00:00:52,150 --> 00:00:52,160
+the train she saw the killing through
+ 
+
+57
+00:00:52,160 --> 00:00:54,389
+the train she saw the killing through
+the last two cars she remember the most
+
+58
+00:00:54,389 --> 00:00:54,399
+the last two cars she remember the most
+ 
+
+59
+00:00:54,399 --> 00:00:55,910
+the last two cars she remember the most
+insignificant details I don't see how
+
+60
+00:00:55,910 --> 00:00:55,920
+insignificant details I don't see how
+ 
+
+61
+00:00:55,920 --> 00:00:58,709
+insignificant details I don't see how
+you can argue with that has anybody here
+
+62
+00:00:58,709 --> 00:00:58,719
+you can argue with that has anybody here
+ 
+
+63
+00:00:58,719 --> 00:01:00,549
+you can argue with that has anybody here
+any idea
+
+64
+00:01:00,549 --> 00:01:00,559
+any idea
+ 
+
+65
+00:01:00,559 --> 00:01:11,469
+any idea
+how long it would take
+
+66
+00:01:11,469 --> 00:01:11,479
+
+ 
+
+67
+00:01:11,479 --> 00:01:17,230
+
+anel this isn't a
+
+68
+00:01:17,230 --> 00:01:17,240
+
+ 
+
+69
+00:01:17,240 --> 00:01:21,870
+
+game did you see him hey a nerve all
+
+70
+00:01:21,870 --> 00:01:21,880
+game did you see him hey a nerve all
+ 
+
+71
+00:01:21,880 --> 00:01:24,390
+game did you see him hey a nerve all
+right listen absolute nerve all right
+
+72
+00:01:24,390 --> 00:01:24,400
+right listen absolute nerve all right
+ 
+
+73
+00:01:24,400 --> 00:01:25,950
+right listen absolute nerve all right
+forget it it's not important you know
+
+74
+00:01:25,950 --> 00:01:25,960
+forget it it's not important you know
+ 
+
+75
+00:01:25,960 --> 00:01:28,749
+forget it it's not important you know
+what I mean no no who does he think he
+
+76
+00:01:28,749 --> 00:01:28,759
+what I mean no no who does he think he
+ 
+
+77
+00:01:28,759 --> 00:01:31,430
+what I mean no no who does he think he
+is all right I'm you don't
+
+78
+00:01:31,430 --> 00:01:31,440
+is all right I'm you don't
+ 
+
+79
+00:01:31,440 --> 00:02:00,640
+is all right I'm you don't
+[Music]
+

1957/Hp7zxA4BsKg.en.srt

@@ -0,0 +1,175 @@
+1
+00:00:00,280 --> 00:00:04,030
+
+frankly dear your modesty reveals to me
+
+2
+00:00:04,030 --> 00:00:04,040
+frankly dear your modesty reveals to me
+ 
+
+3
+00:00:04,040 --> 00:00:06,670
+frankly dear your modesty reveals to me
+self appraisal often makes us
+
+4
+00:00:06,670 --> 00:00:06,680
+self appraisal often makes us
+ 
+
+5
+00:00:06,680 --> 00:00:10,190
+self appraisal often makes us
+sad and if I add your funny face appeals
+
+6
+00:00:10,190 --> 00:00:10,200
+sad and if I add your funny face appeals
+ 
+
+7
+00:00:10,200 --> 00:00:13,589
+sad and if I add your funny face appeals
+to me please don't think I've suddenly
+
+8
+00:00:13,589 --> 00:00:13,599
+to me please don't think I've suddenly
+ 
+
+9
+00:00:13,599 --> 00:00:15,150
+to me please don't think I've suddenly
+gone
+
+10
+00:00:15,150 --> 00:00:15,160
+gone
+ 
+
+11
+00:00:15,160 --> 00:00:19,630
+gone
+mad you have all the qualities of Peter
+
+12
+00:00:19,630 --> 00:00:19,640
+mad you have all the qualities of Peter
+ 
+
+13
+00:00:19,640 --> 00:00:25,830
+mad you have all the qualities of Peter
+Pan I'd go far before I'd find a sweeter
+
+14
+00:00:25,830 --> 00:00:25,840
+Pan I'd go far before I'd find a sweeter
+ 
+
+15
+00:00:25,840 --> 00:00:31,910
+Pan I'd go far before I'd find a sweeter
+pen I love your funny
+
+16
+00:00:31,910 --> 00:00:31,920
+
+ 
+
+17
+00:00:31,920 --> 00:00:33,950
+
+face your
+
+18
+00:00:33,950 --> 00:00:33,960
+face your
+ 
+
+19
+00:00:33,960 --> 00:00:37,910
+face your
+Sunny Funny
+
+20
+00:00:37,910 --> 00:00:37,920
+Sunny Funny
+ 
+
+21
+00:00:37,920 --> 00:00:44,229
+Sunny Funny
+Face for you're a cutie with more than
+
+22
+00:00:44,229 --> 00:00:44,239
+Face for you're a cutie with more than
+ 
+
+23
+00:00:44,239 --> 00:00:49,590
+Face for you're a cutie with more than
+Beauty you've got a lot of
+
+24
+00:00:49,590 --> 00:00:49,600
+Beauty you've got a lot of
+ 
+
+25
+00:00:49,600 --> 00:00:56,549
+Beauty you've got a lot of
+Personality for me you fill the air with
+
+26
+00:00:56,549 --> 00:00:56,559
+Personality for me you fill the air with
+ 
+
+27
+00:00:56,559 --> 00:01:02,750
+Personality for me you fill the air with
+Smiles for Miles and Miles Miles and
+
+28
+00:01:02,750 --> 00:01:02,760
+Smiles for Miles and Miles Miles and
+ 
+
+29
+00:01:02,760 --> 00:01:05,830
+Smiles for Miles and Miles Miles and
+Miles though you're no
+
+30
+00:01:05,830 --> 00:01:05,840
+Miles though you're no
+ 
+
+31
+00:01:05,840 --> 00:01:11,390
+Miles though you're no
+moisa for worlds I'd not replace your
+
+32
+00:01:11,390 --> 00:01:11,400
+moisa for worlds I'd not replace your
+ 
+
+33
+00:01:11,400 --> 00:01:16,310
+moisa for worlds I'd not replace your
+Sunny Funny Face
+
+34
+00:01:16,310 --> 00:01:16,320
+
+ 
+
+35
+00:01:16,320 --> 00:02:43,500
+
+[Music]
+

1957/IXdycEK_38Y.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:00,199 --> 00:00:03,709
+
+I must carry out my orders oh Qui Qui my
+
+2
+00:00:03,709 --> 00:00:03,719
+I must carry out my orders oh Qui Qui my
+ 
+
+3
+00:00:03,719 --> 00:00:06,389
+I must carry out my orders oh Qui Qui my
+orders are to complete the bridge by the
+
+4
+00:00:06,389 --> 00:00:06,399
+orders are to complete the bridge by the
+ 
+
+5
+00:00:06,399 --> 00:00:09,150
+orders are to complete the bridge by the
+12th day of May time is short I have
+
+6
+00:00:09,150 --> 00:00:09,160
+12th day of May time is short I have
+ 
+
+7
+00:00:09,160 --> 00:00:11,430
+12th day of May time is short I have
+only three small no doubt
+
+8
+00:00:11,430 --> 00:00:11,440
+only three small no doubt
+ 
+
+9
+00:00:11,440 --> 00:00:14,350
+only three small no doubt
+therefore I am compelled to use all
+
+10
+00:00:14,350 --> 00:00:14,360
+therefore I am compelled to use all
+ 
+
+11
+00:00:14,360 --> 00:00:16,710
+therefore I am compelled to use all
+available Personnel but no officers
+
+12
+00:00:16,710 --> 00:00:16,720
+available Personnel but no officers
+ 
+
+13
+00:00:16,720 --> 00:00:19,029
+available Personnel but no officers
+except in an administrative capacity but
+
+14
+00:00:19,029 --> 00:00:19,039
+except in an administrative capacity but
+ 
+
+15
+00:00:19,039 --> 00:00:22,189
+except in an administrative capacity but
+officers are working along the entire
+
+16
+00:00:22,189 --> 00:00:22,199
+officers are working along the entire
+ 
+
+17
+00:00:22,199 --> 00:00:25,429
+officers are working along the entire
+Railway you know it I know it I'm not
+
+18
+00:00:25,429 --> 00:00:25,439
+Railway you know it I know it I'm not
+ 
+
+19
+00:00:25,439 --> 00:00:26,870
+Railway you know it I know it I'm not
+responsible for the actions of other
+
+20
+00:00:26,870 --> 00:00:26,880
+responsible for the actions of other
+ 
+
+21
+00:00:26,880 --> 00:00:28,950
+responsible for the actions of other
+commanding officers personally I'm
+
+22
+00:00:28,950 --> 00:00:28,960
+commanding officers personally I'm
+ 
+
+23
+00:00:28,960 --> 00:00:38,750
+commanding officers personally I'm
+appalled let not get
+
+24
+00:00:38,750 --> 00:00:38,760
+
+ 
+
+25
+00:00:38,760 --> 00:00:42,590
+
+excited no thank
+
+26
+00:00:42,590 --> 00:00:42,600
+
+ 
+
+27
+00:00:42,600 --> 00:00:47,350
+
+you when I said all officers must work
+
+28
+00:00:47,350 --> 00:00:47,360
+you when I said all officers must work
+ 
+
+29
+00:00:47,360 --> 00:00:49,270
+you when I said all officers must work
+naturally I never meant you the
+
+30
+00:00:49,270 --> 00:00:49,280
+naturally I never meant you the
+ 
+
+31
+00:00:49,280 --> 00:00:52,470
+naturally I never meant you the
+commanding officer my orders were only
+
+32
+00:00:52,470 --> 00:00:52,480
+commanding officer my orders were only
+ 
+
+33
+00:00:52,480 --> 00:00:56,270
+commanding officer my orders were only
+intended for officers below none of my
+
+34
+00:00:56,270 --> 00:00:56,280
+intended for officers below none of my
+ 
+
+35
+00:00:56,280 --> 00:00:59,590
+intended for officers below none of my
+officers will do manual labor pleas I
+
+36
+00:00:59,590 --> 00:00:59,600
+officers will do manual labor pleas I
+ 
+
+37
+00:00:59,600 --> 00:01:02,069
+officers will do manual labor pleas I
+was about to say I have been thinking
+
+38
+00:01:02,069 --> 00:01:02,079
+was about to say I have been thinking
+ 
+
+39
+00:01:02,079 --> 00:01:05,310
+was about to say I have been thinking
+the matter over and decided to put
+
+40
+00:01:05,310 --> 00:01:05,320
+the matter over and decided to put
+ 
+
+41
+00:01:05,320 --> 00:01:08,630
+the matter over and decided to put
+measures in the above administrative
+
+42
+00:01:08,630 --> 00:01:08,640
+measures in the above administrative
+ 
+
+43
+00:01:08,640 --> 00:01:11,710
+measures in the above administrative
+duties leaving only the junior officers
+
+44
+00:01:11,710 --> 00:01:11,720
+duties leaving only the junior officers
+ 
+
+45
+00:01:11,720 --> 00:01:13,789
+duties leaving only the junior officers
+to L hand I'm afraid not the
+
+46
+00:01:13,789 --> 00:01:13,799
+to L hand I'm afraid not the
+ 
+
+47
+00:01:13,799 --> 00:01:28,910
+to L hand I'm afraid not the
+convention's quite clear on that
+
+48
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+49
+00:01:28,920 --> 00:01:32,749
+
+point do you know what will happen to me
+
+50
+00:01:32,749 --> 00:01:32,759
+point do you know what will happen to me
+ 
+
+51
+00:01:32,759 --> 00:01:34,990
+point do you know what will happen to me
+if the bread is not ready in time I
+
+52
+00:01:34,990 --> 00:01:35,000
+if the bread is not ready in time I
+ 
+
+53
+00:01:35,000 --> 00:01:38,749
+if the bread is not ready in time I
+Haven the Fest I'll have to kill
+
+54
+00:01:38,749 --> 00:01:38,759
+Haven the Fest I'll have to kill
+ 
+
+55
+00:01:38,759 --> 00:01:42,190
+Haven the Fest I'll have to kill
+myself what would you do if you are
+
+56
+00:01:42,190 --> 00:01:42,200
+myself what would you do if you are
+ 
+
+57
+00:01:42,200 --> 00:01:45,190
+myself what would you do if you are
+me I suppose if I were
+
+58
+00:01:45,190 --> 00:01:45,200
+me I suppose if I were
+ 
+
+59
+00:01:45,200 --> 00:01:49,550
+me I suppose if I were
+you I'd have to kill
+
+60
+00:01:49,550 --> 00:01:49,560
+
+ 
+
+61
+00:01:49,560 --> 00:01:52,230
+
+myself
+
+62
+00:01:52,230 --> 00:01:52,240
+myself
+ 
+
+63
+00:01:52,240 --> 00:01:54,950
+myself
+cheers I warn you
+
+64
+00:01:54,950 --> 00:01:54,960
+cheers I warn you
+ 
+
+65
+00:01:54,960 --> 00:01:59,069
+cheers I warn you
+con if I am to die others will die
+
+66
+00:01:59,069 --> 00:01:59,079
+con if I am to die others will die
+ 
+
+67
+00:01:59,079 --> 00:02:00,789
+con if I am to die others will die
+before me
+
+68
+00:02:00,789 --> 00:02:00,799
+before me
+ 
+
+69
+00:02:00,799 --> 00:02:02,950
+before me
+do you understand that major clipton did
+
+70
+00:02:02,950 --> 00:02:02,960
+do you understand that major clipton did
+ 
+
+71
+00:02:02,960 --> 00:02:05,310
+do you understand that major clipton did
+mention something to that that won't
+
+72
+00:02:05,310 --> 00:02:05,320
+mention something to that that won't
+ 
+
+73
+00:02:05,320 --> 00:02:06,709
+mention something to that that won't
+solve your
+
+74
+00:02:06,709 --> 00:02:06,719
+solve your
+ 
+
+75
+00:02:06,719 --> 00:02:09,029
+solve your
+problem but I'm sure we can arrive at a
+
+76
+00:02:09,029 --> 00:02:09,039
+problem but I'm sure we can arrive at a
+ 
+
+77
+00:02:09,039 --> 00:02:13,430
+problem but I'm sure we can arrive at a
+proper Solution please sit down
+
+78
+00:02:13,430 --> 00:02:13,440
+proper Solution please sit down
+ 
+
+79
+00:02:13,440 --> 00:02:44,490
+proper Solution please sit down
+[Music]
+

1964/Z3yR0aNriPM.description

@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Labiche (Burt Lancaster) races to safety inside a tunnel when a Spitfire aircraft attacks.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Lancaster, Charles Millot, Albert Rémy
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Tumblr: http://bit.ly/1vUwhH7

1964/ZhGme4W06Kk.description

@@ -0,0 +1,32 @@
+Topkapi - Wrestling Match: The gang arranges to lose the police at a wrestling match, but Elizabeth (Melina Mercouri) gets distracted by the hot Turkish wrestlers.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Jess Hahn, Maximilian Schell, Melina Mercouri, Peter Ustinov, Robert Morley
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/hAxEEf5p3Bw.description

@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Von Waldheim (Paul Scofield) surveys the damage of the train wreck and vows to find the man responsible.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Charles Millot, Paul Scofield
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Tumblr: http://bit.ly/1vUwhH7

1964/hON2sYpnJoQ.description

@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bond (Sean Connery) gets a little more than he bargained for when he visits Bonita (Nadja Regin) for a good time.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Sean Connery, Alf Joint, Nadja Regin
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/jM8cy3uB5N8.description

@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Clint Eastwood) kills a room of Rojo's gunmen and rescues Marisol (Marianne Koch) and her family.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Clint Eastwood, Marianne Koch
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Víctor Andrés Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Tumblr: http://bit.ly/1vUwhH7

1964/jM8cy3uB5N8.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:10,000 --> 00:00:31,470
+
+hello
+
+2
+00:00:31,470 --> 00:00:31,480
+
+ 
+
+3
+00:00:31,480 --> 00:00:32,870
+
+there's somebody shooting up at this
+
+4
+00:00:32,870 --> 00:00:32,880
+there's somebody shooting up at this
+ 
+
+5
+00:00:32,880 --> 00:00:34,190
+there's somebody shooting up at this
+small house settle the horses
+
+6
+00:00:34,190 --> 00:00:34,200
+small house settle the horses
+ 
+
+7
+00:00:34,200 --> 00:01:02,450
+small house settle the horses
+immediately come on let's go
+
+8
+00:01:02,450 --> 00:01:02,460
+
+ 
+
+9
+00:01:02,460 --> 00:01:05,789
+
+[Music]
+
+10
+00:01:05,789 --> 00:01:05,799
+
+ 
+
+11
+00:01:05,799 --> 00:01:07,090
+
+out
+
+12
+00:01:07,090 --> 00:01:07,100
+out
+ 
+
+13
+00:01:07,100 --> 00:01:36,510
+out
+[Music]
+
+14
+00:01:36,510 --> 00:01:36,520
+
+ 
+
+15
+00:01:36,520 --> 00:01:50,710
+
+[Music]
+
+16
+00:01:50,710 --> 00:01:50,720
+
+ 
+
+17
+00:01:50,720 --> 00:01:54,069
+
+[Music]
+
+18
+00:01:54,069 --> 00:01:54,079
+
+ 
+
+19
+00:01:54,079 --> 00:01:56,830
+
+here you are now take this money it's
+
+20
+00:01:56,830 --> 00:01:56,840
+here you are now take this money it's
+ 
+
+21
+00:01:56,840 --> 00:01:58,590
+here you are now take this money it's
+enough to live on for a while now get
+
+22
+00:01:58,590 --> 00:01:58,600
+enough to live on for a while now get
+ 
+
+23
+00:01:58,600 --> 00:02:01,069
+enough to live on for a while now get
+across the border much distance between
+
+24
+00:02:01,069 --> 00:02:01,079
+across the border much distance between
+ 
+
+25
+00:02:01,079 --> 00:02:03,029
+across the border much distance between
+yourselves and Sam Mel as possible how
+
+26
+00:02:03,029 --> 00:02:03,039
+yourselves and Sam Mel as possible how
+ 
+
+27
+00:02:03,039 --> 00:02:05,029
+yourselves and Sam Mel as possible how
+may we thank you for what you are
+
+28
+00:02:05,029 --> 00:02:05,039
+may we thank you for what you are
+ 
+
+29
+00:02:05,039 --> 00:02:07,630
+may we thank you for what you are
+doing don't try just get going before
+
+30
+00:02:07,630 --> 00:02:07,640
+doing don't try just get going before
+ 
+
+31
+00:02:07,640 --> 00:02:12,430
+doing don't try just get going before
+the Ros get
+
+32
+00:02:12,430 --> 00:02:12,440
+
+ 
+
+33
+00:02:12,440 --> 00:02:15,750
+
+here why do you do this for
+
+34
+00:02:15,750 --> 00:02:15,760
+here why do you do this for
+ 
+
+35
+00:02:15,760 --> 00:02:19,710
+here why do you do this for
+us why I knew someone like you once
+
+36
+00:02:19,710 --> 00:02:19,720
+us why I knew someone like you once
+ 
+
+37
+00:02:19,720 --> 00:02:24,470
+us why I knew someone like you once
+there was no one there to help now get
+
+38
+00:02:24,470 --> 00:02:24,480
+
+ 
+
+39
+00:02:24,480 --> 00:02:27,070
+
+moving get
+
+40
+00:02:27,070 --> 00:02:27,080
+moving get
+ 
+
+41
+00:02:27,080 --> 00:02:30,130
+moving get
+moving get out of here
+
+42
+00:02:30,130 --> 00:02:30,140
+moving get out of here
+ 
+
+43
+00:02:30,140 --> 00:03:16,860
+moving get out of here
+[Music]
+

1964/jQPhLeyzkLY.description

@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Clint Eastwood) faces down Rojo (Gian Maria Volonte) and they test Rojo's statement that a rifle will always beat a pistol.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Clint Eastwood, Gian Maria Volont
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Vctor Andrs Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/k1Xv18Vy-q0.description

@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Christine (Jeanne Moreau) berates Labiche (Burt Lancaster) for returning to her inn, and he explains the purpose of the mission.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Lancaster, Jeanne Moreau
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/k1Xv18Vy-q0.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:06,600 --> 00:00:11,480
+
+at the you can mouth here just child are
+
+2
+00:00:11,480 --> 00:00:11,490
+at the you can mouth here just child are
+ 
+
+3
+00:00:11,490 --> 00:00:13,459
+at the you can mouth here just child are
+you think you here have you then turn I your
+
+4
+00:00:13,459 --> 00:00:13,469
+you think you here have you then turn I your
+ 
+
+5
+00:00:13,469 --> 00:00:16,970
+you think you here have you then turn I your
+love for five have you tattoo close in the
+
+6
+00:00:16,970 --> 00:00:16,980
+love for five have you tattoo close in the
+ 
+
+7
+00:00:16,980 --> 00:00:25,340
+love for five have you tattoo close in the
+as long as he musical me and them is where
+
+8
+00:00:25,340 --> 00:00:25,350
+as long as he musical me and them is where
+ 
+
+9
+00:00:25,350 --> 00:00:28,970
+as long as he musical me and them is where
+they public and but my skill
+
+10
+00:00:28,970 --> 00:00:28,980
+they public and but my skill
+ 
+
+11
+00:00:28,980 --> 00:00:35,090
+they public and but my skill
+sent hear and now it is good right
+
+12
+00:00:35,090 --> 00:00:35,100
+
+ 
+
+13
+00:00:35,100 --> 00:00:39,889
+
+and there is good am to your head and the we
+
+14
+00:00:39,889 --> 00:00:39,899
+and there is good am to your head and the we
+ 
+
+15
+00:00:39,899 --> 00:00:48,700
+and there is good am to your head and the we
+des monts
+
+16
+00:00:48,700 --> 00:00:48,710
+
+ 
+
+17
+00:00:48,710 --> 00:00:54,560
+
+p'raps my cools down
+
+18
+00:00:54,560 --> 00:00:54,570
+
+ 
+
+19
+00:00:54,570 --> 00:00:57,979
+
+rover hybrid well a stack edgy
+
+20
+00:00:57,979 --> 00:00:57,989
+rover hybrid well a stack edgy
+ 
+
+21
+00:00:57,989 --> 00:01:01,369
+rover hybrid well a stack edgy
+switch my I yes d
+
+22
+00:01:01,369 --> 00:01:01,379
+switch my I yes d
+ 
+
+23
+00:01:01,379 --> 00:01:09,630
+switch my I yes d
+stacy with gifts harmony mischa esha
+
+24
+00:01:09,630 --> 00:01:09,640
+
+ 
+
+25
+00:01:09,640 --> 00:01:14,219
+
+you never without two printy
+
+26
+00:01:14,219 --> 00:01:14,229
+you never without two printy
+ 
+
+27
+00:01:14,229 --> 00:01:17,660
+you never without two printy
+the train 1010
+
+28
+00:01:17,660 --> 00:01:17,670
+
+ 
+
+29
+00:01:17,670 --> 00:01:26,280
+
+a national harry potter frame
+
+30
+00:01:26,280 --> 00:01:26,290
+
+ 
+
+31
+00:01:26,290 --> 00:01:39,149
+
+crazy
+
+32
+00:01:39,149 --> 00:01:39,159
+
+ 
+
+33
+00:01:39,159 --> 00:01:43,789
+
+but the
+
+34
+00:01:43,789 --> 00:01:43,799
+
+ 
+
+35
+00:01:43,799 --> 00:01:45,980
+
+bryan roy
+
+36
+00:01:45,980 --> 00:01:45,990
+bryan roy
+ 
+
+37
+00:01:45,990 --> 00:01:48,740
+bryan roy
+bakzakken nieuwbouw you can't take two
+
+38
+00:01:48,740 --> 00:01:48,750
+bakzakken nieuwbouw you can't take two
+ 
+
+39
+00:01:48,750 --> 00:01:50,300
+bakzakken nieuwbouw you can't take two
+steps there are looking for you ever
+
+40
+00:01:50,300 --> 00:01:50,310
+steps there are looking for you ever
+ 
+
+41
+00:01:50,310 --> 00:01:51,349
+steps there are looking for you ever
+wear
+
+42
+00:01:51,349 --> 00:01:51,359
+wear
+ 
+
+43
+00:01:51,359 --> 00:01:52,609
+wear
+my friends was with along to the client
+
+44
+00:01:52,609 --> 00:01:52,619
+my friends was with along to the client
+ 
+
+45
+00:01:52,619 --> 00:01:54,559
+my friends was with along to the client
+and family
+
+46
+00:01:54,559 --> 00:01:54,569
+and family
+ 
+
+47
+00:01:54,569 --> 00:01:56,450
+and family
+I am arie bio where I have to help with
+
+48
+00:01:56,450 --> 00:01:56,460
+I am arie bio where I have to help with
+ 
+
+49
+00:01:56,460 --> 00:02:04,100
+I am arie bio where I have to help with
+your money wait until it beam
+
+50
+00:02:04,100 --> 00:02:04,110
+
+ 
+
+51
+00:02:04,110 --> 00:02:08,290
+
+eat your foot
+
+52
+00:02:08,290 --> 00:02:08,300
+
+ 
+
+53
+00:02:08,300 --> 00:02:11,560
+
+it is a tour is brad
+

1964/moYhss9sP94.description

@@ -0,0 +1,38 @@
+The Pawnbroker movie clips: http://j.mp/1BcUz2x
+BUY THE MOVIE: http://amzn.to/AltU5L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+A crowded subway unearths Sol Nazerman's (Rod Steiger) haunting memory of his son's death on the train ride to the concentration camps.
+
+FILM DESCRIPTION:
+Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz.
+
+CREDITS:
+TM & © Paramount (1964)
+Cast: Donnie Melvin, Rod Steiger, Linda Geiser
+Director: Sidney Lumet
+Producers: Worthington Miner, Joseph Manduke, Philip Langner, Roger Lewis
+Screenwriters: David Friedkin, Morton S. Fine, Edward Lewis Wallant
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/mzddAYYDZkk.description

@@ -0,0 +1,38 @@
+Dr. Strangelove movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqofD2-h3xInLvQuYcFUHvTB
+BUY THE MOVIE: http://amzn.to/sfVV1y
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+While trying to control his nervous tics," Dr. Strangelove ("Peter Sellers) informs the President (Peter Sellers) how America can survive underground.
+
+FILM DESCRIPTION:
+In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked.
+
+CREDITS:
+TM & © Sony (1964)
+Cast: Peter Bull, George C. Scott, Peter Sellers
+Director: Stanley Kubrick
+Producers: Victor Lyndon, Stanley Kubrick
+Screenwriters: Stanley Kubrick, Terry Southern, Peter George
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/mzddAYYDZkk.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:00,199 --> 00:00:04,030
+
+I would guess that a dwelling space for
+
+2
+00:00:04,030 --> 00:00:04,040
+I would guess that a dwelling space for
+ 
+
+3
+00:00:04,040 --> 00:00:05,829
+I would guess that a dwelling space for
+several hundred thousand of our people
+
+4
+00:00:05,829 --> 00:00:05,839
+several hundred thousand of our people
+ 
+
+5
+00:00:05,839 --> 00:00:09,310
+several hundred thousand of our people
+could easily be provided well I I would
+
+6
+00:00:09,310 --> 00:00:09,320
+could easily be provided well I I would
+ 
+
+7
+00:00:09,320 --> 00:00:12,150
+could easily be provided well I I would
+hate to have to decide who stays up and
+
+8
+00:00:12,150 --> 00:00:12,160
+hate to have to decide who stays up and
+ 
+
+9
+00:00:12,160 --> 00:00:14,749
+hate to have to decide who stays up and
+who goes down well it would not be
+
+10
+00:00:14,749 --> 00:00:14,759
+who goes down well it would not be
+ 
+
+11
+00:00:14,759 --> 00:00:16,670
+who goes down well it would not be
+necessary Mr
+
+12
+00:00:16,670 --> 00:00:16,680
+necessary Mr
+ 
+
+13
+00:00:16,680 --> 00:00:18,870
+necessary Mr
+President could easily be accomplished
+
+14
+00:00:18,870 --> 00:00:18,880
+President could easily be accomplished
+ 
+
+15
+00:00:18,880 --> 00:00:21,429
+President could easily be accomplished
+with a computer and the computer could
+
+16
+00:00:21,429 --> 00:00:21,439
+with a computer and the computer could
+ 
+
+17
+00:00:21,439 --> 00:00:23,790
+with a computer and the computer could
+be set and programmed to accept factors
+
+18
+00:00:23,790 --> 00:00:23,800
+be set and programmed to accept factors
+ 
+
+19
+00:00:23,800 --> 00:00:28,230
+be set and programmed to accept factors
+from youth Health sexual fertility
+
+20
+00:00:28,230 --> 00:00:28,240
+from youth Health sexual fertility
+ 
+
+21
+00:00:28,240 --> 00:00:30,390
+from youth Health sexual fertility
+intelligence and the cross ction of
+
+22
+00:00:30,390 --> 00:00:30,400
+intelligence and the cross ction of
+ 
+
+23
+00:00:30,400 --> 00:00:33,069
+intelligence and the cross ction of
+necessary skills of course it would be
+
+24
+00:00:33,069 --> 00:00:33,079
+necessary skills of course it would be
+ 
+
+25
+00:00:33,079 --> 00:00:35,709
+necessary skills of course it would be
+absolutely vital that our top government
+
+26
+00:00:35,709 --> 00:00:35,719
+absolutely vital that our top government
+ 
+
+27
+00:00:35,719 --> 00:00:38,950
+absolutely vital that our top government
+and military men be included to Foster
+
+28
+00:00:38,950 --> 00:00:38,960
+and military men be included to Foster
+ 
+
+29
+00:00:38,960 --> 00:00:41,190
+and military men be included to Foster
+and impulse the required principles of
+
+30
+00:00:41,190 --> 00:00:41,200
+and impulse the required principles of
+ 
+
+31
+00:00:41,200 --> 00:00:43,620
+and impulse the required principles of
+leadership and
+
+32
+00:00:43,620 --> 00:00:43,630
+leadership and
+ 
+
+33
+00:00:43,630 --> 00:00:48,150
+leadership and
+[Applause]
+
+34
+00:00:48,150 --> 00:00:48,160
+
+ 
+
+35
+00:00:48,160 --> 00:00:50,549
+
+tradition actually they would breed
+
+36
+00:00:50,549 --> 00:00:50,559
+tradition actually they would breed
+ 
+
+37
+00:00:50,559 --> 00:00:53,790
+tradition actually they would breed
+prodigiously eh there would be much time
+
+38
+00:00:53,790 --> 00:00:53,800
+prodigiously eh there would be much time
+ 
+
+39
+00:00:53,800 --> 00:00:55,590
+prodigiously eh there would be much time
+and little to
+
+40
+00:00:55,590 --> 00:00:55,600
+and little to
+ 
+
+41
+00:00:55,600 --> 00:00:58,110
+and little to
+do but with the proper breeding
+
+42
+00:00:58,110 --> 00:00:58,120
+do but with the proper breeding
+ 
+
+43
+00:00:58,120 --> 00:01:01,950
+do but with the proper breeding
+techniques and the ratio of say 10
+
+44
+00:01:01,950 --> 00:01:01,960
+techniques and the ratio of say 10
+ 
+
+45
+00:01:01,960 --> 00:01:05,149
+techniques and the ratio of say 10
+females to each male I would guess that
+
+46
+00:01:05,149 --> 00:01:05,159
+females to each male I would guess that
+ 
+
+47
+00:01:05,159 --> 00:01:06,750
+females to each male I would guess that
+they could then work their way back to
+
+48
+00:01:06,750 --> 00:01:06,760
+they could then work their way back to
+ 
+
+49
+00:01:06,760 --> 00:01:09,270
+they could then work their way back to
+the present gross national product if he
+
+50
+00:01:09,270 --> 00:01:09,280
+the present gross national product if he
+ 
+
+51
+00:01:09,280 --> 00:01:10,910
+the present gross national product if he
+didn't say 20
+
+52
+00:01:10,910 --> 00:01:10,920
+didn't say 20
+ 
+
+53
+00:01:10,920 --> 00:01:13,830
+didn't say 20
+years but look here doctor wouldn't this
+
+54
+00:01:13,830 --> 00:01:13,840
+years but look here doctor wouldn't this
+ 
+
+55
+00:01:13,840 --> 00:01:17,070
+years but look here doctor wouldn't this
+nucleus of survivors be so grief
+
+56
+00:01:17,070 --> 00:01:17,080
+nucleus of survivors be so grief
+ 
+
+57
+00:01:17,080 --> 00:01:19,069
+nucleus of survivors be so grief
+stricken and anguish that
+
+58
+00:01:19,069 --> 00:01:19,079
+stricken and anguish that
+ 
+
+59
+00:01:19,079 --> 00:01:22,030
+stricken and anguish that
+they well Envy the dead and not want to
+
+60
+00:01:22,030 --> 00:01:22,040
+they well Envy the dead and not want to
+ 
+
+61
+00:01:22,040 --> 00:01:35,670
+they well Envy the dead and not want to
+go on living no excuse
+
+62
+00:01:35,670 --> 00:01:35,680
+
+ 
+
+63
+00:01:35,680 --> 00:01:38,149
+
+also when when they go down into the M
+
+64
+00:01:38,149 --> 00:01:38,159
+also when when they go down into the M
+ 
+
+65
+00:01:38,159 --> 00:01:39,870
+also when when they go down into the M
+everyone would still be alive there
+
+66
+00:01:39,870 --> 00:01:39,880
+everyone would still be alive there
+ 
+
+67
+00:01:39,880 --> 00:01:42,710
+everyone would still be alive there
+would be no shocking memories and the
+
+68
+00:01:42,710 --> 00:01:42,720
+would be no shocking memories and the
+ 
+
+69
+00:01:42,720 --> 00:01:44,389
+would be no shocking memories and the
+prevailing motion will be one of
+
+70
+00:01:44,389 --> 00:01:44,399
+prevailing motion will be one of
+ 
+
+71
+00:01:44,399 --> 00:01:48,069
+prevailing motion will be one of
+nostalgia for those Left Behind combined
+
+72
+00:01:48,069 --> 00:01:48,079
+nostalgia for those Left Behind combined
+ 
+
+73
+00:01:48,079 --> 00:01:51,030
+nostalgia for those Left Behind combined
+with a spirit of bold curiosity for the
+
+74
+00:01:51,030 --> 00:01:51,040
+with a spirit of bold curiosity for the
+ 
+
+75
+00:01:51,040 --> 00:02:00,190
+with a spirit of bold curiosity for the
+adventure ahead
+
+76
+00:02:00,190 --> 00:02:00,200
+
+ 
+
+77
+00:02:00,200 --> 00:02:09,430
+
+a
+
+78
+00:02:09,430 --> 00:02:09,440
+
+ 
+
+79
+00:02:09,440 --> 00:02:30,869
+
+[Music]
+
+80
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+81
+00:02:30,879 --> 00:02:34,520
+
+to
+
+82
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+83
+00:02:34,530 --> 00:02:40,490
+
+[Music]
+

1964/oJ_2e3gdfNQ.description

@@ -0,0 +1,38 @@
+The Pawnbroker movie clips: http://j.mp/1BcUz2x
+BUY THE MOVIE: http://amzn.to/AltU5L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jesus Ortiz (Jaime Sánchez) asks Sol Nazerman (Rod Steiger) if there's anything in life he does believe.
+
+FILM DESCRIPTION:
+Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz.
+
+CREDITS:
+TM & © Paramount (1964)
+Cast: Rod Steiger, Jaime Sánchez
+Director: Sidney Lumet
+Producers: Worthington Miner, Joseph Manduke, Philip Langner, Roger Lewis
+Screenwriters: David Friedkin, Morton S. Fine, Edward Lewis Wallant
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/oJ_2e3gdfNQ.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,080 --> 00:00:01,909
+
+why did you call him
+
+2
+00:00:01,909 --> 00:00:01,919
+why did you call him
+ 
+
+3
+00:00:01,919 --> 00:00:03,830
+why did you call him
+creature because he's
+
+4
+00:00:03,830 --> 00:00:03,840
+creature because he's
+ 
+
+5
+00:00:03,840 --> 00:00:10,629
+creature because he's
+[Music]
+
+6
+00:00:10,629 --> 00:00:10,639
+
+ 
+
+7
+00:00:10,639 --> 00:00:13,150
+
+black no not because he's black I don't
+
+8
+00:00:13,150 --> 00:00:13,160
+black no not because he's black I don't
+ 
+
+9
+00:00:13,160 --> 00:00:14,709
+black no not because he's black I don't
+care what he is I'm non-discriminatory
+
+10
+00:00:14,709 --> 00:00:14,719
+care what he is I'm non-discriminatory
+ 
+
+11
+00:00:14,719 --> 00:00:17,790
+care what he is I'm non-discriminatory
+non sectarian black white or yellow
+
+12
+00:00:17,790 --> 00:00:17,800
+non sectarian black white or yellow
+ 
+
+13
+00:00:17,800 --> 00:00:22,210
+non sectarian black white or yellow
+they're all equally equally what scum
+
+14
+00:00:22,210 --> 00:00:22,220
+they're all equally equally what scum
+ 
+
+15
+00:00:22,220 --> 00:00:24,589
+they're all equally equally what scum
+[Music]
+
+16
+00:00:24,589 --> 00:00:24,599
+[Music]
+ 
+
+17
+00:00:24,599 --> 00:00:27,189
+[Music]
+rejects you're a mighty hard man Mr
+
+18
+00:00:27,189 --> 00:00:27,199
+rejects you're a mighty hard man Mr
+ 
+
+19
+00:00:27,199 --> 00:00:31,189
+rejects you're a mighty hard man Mr
+nasman
+
+20
+00:00:31,189 --> 00:00:31,199
+
+ 
+
+21
+00:00:31,199 --> 00:00:33,190
+
+I mean after all they they are children
+
+22
+00:00:33,190 --> 00:00:33,200
+I mean after all they they are children
+ 
+
+23
+00:00:33,200 --> 00:00:35,950
+I mean after all they they are children
+of God a't
+
+24
+00:00:35,950 --> 00:00:35,960
+of God a't
+ 
+
+25
+00:00:35,960 --> 00:00:39,389
+of God a't
+they you believe in God or
+
+26
+00:00:39,389 --> 00:00:39,399
+they you believe in God or
+ 
+
+27
+00:00:39,399 --> 00:00:42,950
+they you believe in God or
+T I don't know Miss
+
+28
+00:00:42,950 --> 00:00:42,960
+T I don't know Miss
+ 
+
+29
+00:00:42,960 --> 00:00:45,590
+T I don't know Miss
+Nason but you believe in
+
+30
+00:00:45,590 --> 00:00:45,600
+Nason but you believe in
+ 
+
+31
+00:00:45,600 --> 00:00:48,510
+Nason but you believe in
+God and I make book on them I do not
+
+32
+00:00:48,510 --> 00:00:48,520
+God and I make book on them I do not
+ 
+
+33
+00:00:48,520 --> 00:00:52,830
+God and I make book on them I do not
+believe in God or art or science or
+
+34
+00:00:52,830 --> 00:00:52,840
+believe in God or art or science or
+ 
+
+35
+00:00:52,840 --> 00:00:56,709
+believe in God or art or science or
+newspapers or politics or philosophy
+
+36
+00:00:56,709 --> 00:00:56,719
+newspapers or politics or philosophy
+ 
+
+37
+00:00:56,719 --> 00:01:01,670
+newspapers or politics or philosophy
+well then Mr teacher
+
+38
+00:01:01,670 --> 00:01:01,680
+well then Mr teacher
+ 
+
+39
+00:01:01,680 --> 00:01:06,109
+well then Mr teacher
+a ain't there nothing you do believe
+
+40
+00:01:06,109 --> 00:01:06,119
+a ain't there nothing you do believe
+ 
+
+41
+00:01:06,119 --> 00:01:08,390
+a ain't there nothing you do believe
+money all
+
+42
+00:01:08,390 --> 00:01:08,400
+money all
+ 
+
+43
+00:01:08,400 --> 00:01:12,230
+money all
+right then you teach me about money then
+
+44
+00:01:12,230 --> 00:01:12,240
+right then you teach me about money then
+ 
+
+45
+00:01:12,240 --> 00:01:15,230
+right then you teach me about money then
+Mr nasman all right Mr
+
+46
+00:01:15,230 --> 00:01:15,240
+Mr nasman all right Mr
+ 
+
+47
+00:01:15,240 --> 00:01:21,990
+Mr nasman all right Mr
+ales now come
+
+48
+00:01:21,990 --> 00:01:22,000
+
+ 
+
+49
+00:01:22,000 --> 00:01:24,469
+
+here firstly money can increase or
+
+50
+00:01:24,469 --> 00:01:24,479
+here firstly money can increase or
+ 
+
+51
+00:01:24,479 --> 00:01:27,350
+here firstly money can increase or
+decrease in value secondly money is
+
+52
+00:01:27,350 --> 00:01:27,360
+decrease in value secondly money is
+ 
+
+53
+00:01:27,360 --> 00:01:29,270
+decrease in value secondly money is
+risky but at a given moment one has some
+
+54
+00:01:29,270 --> 00:01:29,280
+risky but at a given moment one has some
+ 
+
+55
+00:01:29,280 --> 00:01:32,550
+risky but at a given moment one has some
+idea of its wor thirdly money can buy
+
+56
+00:01:32,550 --> 00:01:32,560
+idea of its wor thirdly money can buy
+ 
+
+57
+00:01:32,560 --> 00:01:34,749
+idea of its wor thirdly money can buy
+you many things Comfort luxury relief
+
+58
+00:01:34,749 --> 00:01:34,759
+you many things Comfort luxury relief
+ 
+
+59
+00:01:34,759 --> 00:01:37,590
+you many things Comfort luxury relief
+from pain sometimes even life itself and
+
+60
+00:01:37,590 --> 00:01:37,600
+from pain sometimes even life itself and
+ 
+
+61
+00:01:37,600 --> 00:01:39,550
+from pain sometimes even life itself and
+now you listen to
+
+62
+00:01:39,550 --> 00:01:39,560
+now you listen to
+ 
+
+63
+00:01:39,560 --> 00:01:43,109
+now you listen to
+me and you listen very carefully next to
+
+64
+00:01:43,109 --> 00:01:43,119
+me and you listen very carefully next to
+ 
+
+65
+00:01:43,119 --> 00:01:44,789
+me and you listen very carefully next to
+the speed of light which Einstein says
+
+66
+00:01:44,789 --> 00:01:44,799
+the speed of light which Einstein says
+ 
+
+67
+00:01:44,799 --> 00:01:46,910
+the speed of light which Einstein says
+is the only absolute in the universe
+
+68
+00:01:46,910 --> 00:01:46,920
+is the only absolute in the universe
+ 
+
+69
+00:01:46,920 --> 00:01:52,550
+is the only absolute in the universe
+second only to that I rank
+
+70
+00:01:52,550 --> 00:01:52,560
+
+ 
+
+71
+00:01:52,560 --> 00:01:55,350
+
+money
+
+72
+00:01:55,350 --> 00:01:55,360
+money
+ 
+
+73
+00:01:55,360 --> 00:01:57,789
+money
+well you believe me that's all you need
+
+74
+00:01:57,789 --> 00:01:57,799
+well you believe me that's all you need
+ 
+
+75
+00:01:57,799 --> 00:02:02,029
+well you believe me that's all you need
+to know
+
+76
+00:02:02,029 --> 00:02:02,039
+
+ 
+
+77
+00:02:02,039 --> 00:02:03,469
+
+that's what life is all about that's
+
+78
+00:02:03,469 --> 00:02:03,479
+that's what life is all about that's
+ 
+
+79
+00:02:03,479 --> 00:02:05,069
+that's what life is all about that's
+what life is all
+
+80
+00:02:05,069 --> 00:02:05,079
+what life is all
+ 
+
+81
+00:02:05,079 --> 00:02:06,990
+what life is all
+about you
+
+82
+00:02:06,990 --> 00:02:07,000
+about you
+ 
+
+83
+00:02:07,000 --> 00:02:10,630
+about you
+mean money is the whole thing money is
+
+84
+00:02:10,630 --> 00:02:10,640
+mean money is the whole thing money is
+ 
+
+85
+00:02:10,640 --> 00:02:12,430
+mean money is the whole thing money is
+the whole thing
+
+86
+00:02:12,430 --> 00:02:12,440
+the whole thing
+ 
+
+87
+00:02:12,440 --> 00:02:43,500
+the whole thing
+[Music]
+

1964/r449aYwQvE8.description

@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bond (Sean Connery) finds himself chained to a bomb and locked inside the vault of Fort Knox with Oddjob and his deadly hats.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frobe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Harold Sakata, Sean Connery
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/sSRmhI94MUs.description

@@ -0,0 +1,32 @@
+A Shot in the Dark - Right Off Cue: Before leaving the Ballon residence, Clouseau (Peter Sellers) attempts to return a pool cue to its rack.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: David Lodge, Martin Benson, Peter Sellers
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/sSRmhI94MUs.en.srt

@@ -0,0 +1,165 @@
+1
+00:00:19,330 --> 00:00:23,429
+
+I'm dreadfully sorry mrs. Bello I appear
+
+2
+00:00:23,429 --> 00:00:23,439
+I'm dreadfully sorry mrs. Bello I appear
+ 
+
+3
+00:00:23,439 --> 00:00:27,589
+I'm dreadfully sorry mrs. Bello I appear
+to have grazed your billiard table
+
+4
+00:00:27,589 --> 00:00:27,599
+
+ 
+
+5
+00:00:27,599 --> 00:00:30,300
+
+telephone this year for Inspector
+
+6
+00:00:30,300 --> 00:00:30,310
+telephone this year for Inspector
+ 
+
+7
+00:00:30,310 --> 00:00:42,390
+telephone this year for Inspector
+Clouseau that would be for me yes this
+
+8
+00:00:42,390 --> 00:00:42,400
+Clouseau that would be for me yes this
+ 
+
+9
+00:00:42,400 --> 00:00:56,220
+Clouseau that would be for me yes this
+is inspector 2-0 all right you stay
+
+10
+00:00:56,220 --> 00:00:56,230
+is inspector 2-0 all right you stay
+ 
+
+11
+00:00:56,230 --> 00:01:00,810
+is inspector 2-0 all right you stay
+there I will come up immediately miss
+
+12
+00:01:00,810 --> 00:01:00,820
+there I will come up immediately miss
+ 
+
+13
+00:01:00,820 --> 00:01:03,209
+there I will come up immediately miss
+you Bella I wonder if you could oblige I
+
+14
+00:01:03,209 --> 00:01:03,219
+you Bella I wonder if you could oblige I
+ 
+
+15
+00:01:03,219 --> 00:01:05,100
+you Bella I wonder if you could oblige I
+have to meet my assistant and I am
+
+16
+00:01:05,100 --> 00:01:05,110
+have to meet my assistant and I am
+ 
+
+17
+00:01:05,110 --> 00:01:07,320
+have to meet my assistant and I am
+without a car oh well I have pure
+
+18
+00:01:07,320 --> 00:01:07,330
+without a car oh well I have pure
+ 
+
+19
+00:01:07,330 --> 00:01:09,810
+without a car oh well I have pure
+driving incident well I suppose it's the
+
+20
+00:01:09,810 --> 00:01:09,820
+driving incident well I suppose it's the
+ 
+
+21
+00:01:09,820 --> 00:02:04,140
+driving incident well I suppose it's the
+end of our game you might put it
+
+22
+00:02:04,140 --> 00:02:04,150
+
+ 
+
+23
+00:02:04,150 --> 00:02:10,120
+
+thank you whoever invented that wreck
+
+24
+00:02:10,120 --> 00:02:10,130
+thank you whoever invented that wreck
+ 
+
+25
+00:02:10,130 --> 00:02:12,130
+thank you whoever invented that wreck
+should have its head examined
+
+26
+00:02:12,130 --> 00:02:12,140
+should have its head examined
+ 
+
+27
+00:02:12,140 --> 00:02:17,100
+should have its head examined
+well we will continue at another time
+
+28
+00:02:17,100 --> 00:02:17,110
+well we will continue at another time
+ 
+
+29
+00:02:17,110 --> 00:02:23,290
+well we will continue at another time
+pleasure at any time I suggest you have
+
+30
+00:02:23,290 --> 00:02:23,300
+pleasure at any time I suggest you have
+ 
+
+31
+00:02:23,300 --> 00:02:27,400
+pleasure at any time I suggest you have
+your architect investigated as well
+
+32
+00:02:27,400 --> 00:02:27,410
+
+ 
+
+33
+00:02:27,410 --> 00:02:38,750
+
+[Music]
+

1964/snTaSJk0n_Y.description

@@ -0,0 +1,38 @@
+Dr. Strangelove movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqofD2-h3xInLvQuYcFUHvTB
+BUY THE MOVIE: http://amzn.to/sfVV1y
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Kong (Slim Pickens) tries to fix the bomb door, he accidentally opens it and ends up riding it all the way down.
+
+FILM DESCRIPTION:
+In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked.
+
+CREDITS:
+TM & © Sony (1964)
+Cast: James Earl Jones, Slim Pickens
+Director: Stanley Kubrick
+Producers: Victor Lyndon, Stanley Kubrick
+Screenwriters: Stanley Kubrick, Terry Southern, Peter George
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+
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1964/snTaSJk0n_Y.en.srt

@@ -0,0 +1,175 @@
+1
+00:00:08,090 --> 00:00:11,810
+
+target distance seven miles correct
+
+2
+00:00:11,810 --> 00:00:11,820
+target distance seven miles correct
+ 
+
+3
+00:00:11,820 --> 00:00:26,870
+target distance seven miles correct
+track indicator - seven six miles Roger
+
+4
+00:00:26,870 --> 00:00:26,880
+track indicator - seven six miles Roger
+ 
+
+5
+00:00:26,880 --> 00:00:30,980
+track indicator - seven six miles Roger
+six miles added transponder active force
+
+6
+00:00:30,980 --> 00:00:30,990
+six miles added transponder active force
+ 
+
+7
+00:00:30,990 --> 00:00:39,010
+six miles added transponder active force
+against Iraq
+
+8
+00:00:39,010 --> 00:00:39,020
+
+ 
+
+9
+00:00:39,020 --> 00:00:52,790
+
+target distance five miles target
+
+10
+00:00:52,790 --> 00:00:52,800
+target distance five miles target
+ 
+
+11
+00:00:52,800 --> 00:00:54,830
+target distance five miles target
+distance for miles
+
+12
+00:00:54,830 --> 00:00:54,840
+distance for miles
+ 
+
+13
+00:00:54,840 --> 00:00:58,160
+distance for miles
+Roger normal auto CDC and Emanuel
+
+14
+00:00:58,160 --> 00:00:58,170
+Roger normal auto CDC and Emanuel
+ 
+
+15
+00:00:58,170 --> 00:01:01,250
+Roger normal auto CDC and Emanuel
+telefax right motto CDC is the manual
+
+16
+00:01:01,250 --> 00:01:01,260
+telefax right motto CDC is the manual
+ 
+
+17
+00:01:01,260 --> 00:01:11,860
+telefax right motto CDC is the manual
+effects link
+
+18
+00:01:11,860 --> 00:01:11,870
+
+ 
+
+19
+00:01:11,870 --> 00:01:15,140
+
+target distance three files
+
+20
+00:01:15,140 --> 00:01:15,150
+target distance three files
+ 
+
+21
+00:01:15,150 --> 00:01:18,740
+target distance three files
+Roger female target in sight
+
+22
+00:01:18,740 --> 00:01:18,750
+Roger female target in sight
+ 
+
+23
+00:01:18,750 --> 00:01:20,750
+Roger female target in sight
+Brian Hellas major Kong
+
+24
+00:01:20,750 --> 00:01:20,760
+Brian Hellas major Kong
+ 
+
+25
+00:01:20,760 --> 00:01:40,280
+Brian Hellas major Kong
+[Music]
+
+26
+00:01:40,280 --> 00:01:40,290
+
+ 
+
+27
+00:01:40,290 --> 00:01:44,399
+
+[Music]
+
+28
+00:01:44,399 --> 00:01:44,409
+
+ 
+
+29
+00:01:44,409 --> 00:01:47,130
+
+hey what made you come
+
+30
+00:01:47,130 --> 00:01:47,140
+hey what made you come
+ 
+
+31
+00:01:47,140 --> 00:01:52,510
+hey what made you come
+[Applause]
+
+32
+00:01:52,510 --> 00:01:52,520
+
+ 
+
+33
+00:01:52,520 --> 00:02:01,140
+
+[Applause]
+
+34
+00:02:01,140 --> 00:02:01,150
+
+ 
+
+35
+00:02:01,150 --> 00:02:44,509
+
+[Music]
+

1964/uSuoZcrKq0I.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:00,350 --> 00:00:17,929
+
+turn off your pants puppets
+
+2
+00:00:17,929 --> 00:00:17,939
+
+ 
+
+3
+00:00:17,939 --> 00:00:22,890
+
+flick this oil the blue toshko it's a no
+
+4
+00:00:22,890 --> 00:00:22,900
+flick this oil the blue toshko it's a no
+ 
+
+5
+00:00:22,900 --> 00:00:25,440
+flick this oil the blue toshko it's a no
+trigger round here they sleep in Frank
+
+6
+00:00:25,440 --> 00:00:25,450
+trigger round here they sleep in Frank
+ 
+
+7
+00:00:25,450 --> 00:00:31,780
+trigger round here they sleep in Frank
+pieces and cut off the air supply
+
+8
+00:00:31,780 --> 00:00:31,790
+
+ 
+
+9
+00:00:31,790 --> 00:00:34,220
+
+old fool you should epsilon time arrange
+
+10
+00:00:34,220 --> 00:00:34,230
+old fool you should epsilon time arrange
+ 
+
+11
+00:00:34,230 --> 00:00:44,840
+old fool you should epsilon time arrange
+for Frank support Frank
+
+12
+00:00:44,840 --> 00:00:44,850
+
+ 
+
+13
+00:00:44,850 --> 00:00:47,180
+
+major please it's not important I'll
+
+14
+00:00:47,180 --> 00:00:47,190
+major please it's not important I'll
+ 
+
+15
+00:00:47,190 --> 00:00:48,830
+major please it's not important I'll
+have the engine fixed overnight I'll
+
+16
+00:00:48,830 --> 00:00:48,840
+have the engine fixed overnight I'll
+ 
+
+17
+00:00:48,840 --> 00:00:55,880
+have the engine fixed overnight I'll
+work out of myself take him away
+
+18
+00:00:55,880 --> 00:00:55,890
+
+ 
+
+19
+00:00:55,890 --> 00:01:05,179
+
+colonel stop them wait
+
+20
+00:01:05,179 --> 00:01:05,189
+
+ 
+
+21
+00:01:05,189 --> 00:01:06,830
+
+he stood up your train for a few hours
+
+22
+00:01:06,830 --> 00:01:06,840
+he stood up your train for a few hours
+ 
+
+23
+00:01:06,840 --> 00:01:09,139
+he stood up your train for a few hours
+but he's safe he took her through the
+
+24
+00:01:09,139 --> 00:01:09,149
+but he's safe he took her through the
+ 
+
+25
+00:01:09,149 --> 00:01:11,719
+but he's safe he took her through the
+bombs at the risk of his own life is it
+
+26
+00:01:11,719 --> 00:01:11,729
+bombs at the risk of his own life is it
+ 
+
+27
+00:01:11,729 --> 00:01:13,719
+bombs at the risk of his own life is it
+old man he doesn't know what he's doing
+
+28
+00:01:13,719 --> 00:01:13,729
+old man he doesn't know what he's doing
+ 
+
+29
+00:01:13,729 --> 00:01:16,380
+old man he doesn't know what he's doing
+I'll get your train
+
+30
+00:01:16,380 --> 00:01:16,390
+I'll get your train
+ 
+
+31
+00:01:16,390 --> 00:01:19,710
+I'll get your train
+it's at the fulfillment yes time yes
+
+32
+00:01:19,710 --> 00:01:19,720
+it's at the fulfillment yes time yes
+ 
+
+33
+00:01:19,720 --> 00:01:24,960
+it's at the fulfillment yes time yes
+it's my train I know what I'm doing you
+
+34
+00:01:24,960 --> 00:01:24,970
+it's my train I know what I'm doing you
+ 
+
+35
+00:01:24,970 --> 00:01:28,890
+it's my train I know what I'm doing you
+and you'll help them I practically
+
+36
+00:01:28,890 --> 00:01:28,900
+and you'll help them I practically
+ 
+
+37
+00:01:28,900 --> 00:01:31,380
+and you'll help them I practically
+raised you but you're no better than
+
+38
+00:01:31,380 --> 00:01:31,390
+raised you but you're no better than
+ 
+
+39
+00:01:31,390 --> 00:01:48,550
+raised you but you're no better than
+they are swine
+
+40
+00:01:48,550 --> 00:01:48,560
+
+ 
+
+41
+00:01:48,560 --> 00:01:50,560
+
+what can you gain by the death of one
+
+42
+00:01:50,560 --> 00:01:50,570
+what can you gain by the death of one
+ 
+
+43
+00:01:50,570 --> 00:01:52,000
+what can you gain by the death of one
+old man what he did can make no
+
+44
+00:01:52,000 --> 00:01:52,010
+old man what he did can make no
+ 
+
+45
+00:01:52,010 --> 00:01:53,800
+old man what he did can make no
+difference the Train move along you are
+
+46
+00:01:53,800 --> 00:01:53,810
+difference the Train move along you are
+ 
+
+47
+00:01:53,810 --> 00:01:59,800
+difference the Train move along you are
+the authority you can stop you will
+
+48
+00:01:59,800 --> 00:01:59,810
+the authority you can stop you will
+ 
+
+49
+00:01:59,810 --> 00:02:04,000
+the authority you can stop you will
+deliver that engine to me personally
+
+50
+00:02:04,000 --> 00:02:04,010
+
+ 
+
+51
+00:02:04,010 --> 00:02:07,600
+
+I'm holding a responsible
+

1964/vITX2N0hpYE.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:16,420 --> 00:00:25,330
+
+give it to em Julia Simpson I've just
+
+2
+00:00:25,330 --> 00:00:25,340
+give it to em Julia Simpson I've just
+ 
+
+3
+00:00:25,340 --> 00:00:28,480
+give it to em Julia Simpson I've just
+spent $100 you can pull this so far six
+
+4
+00:00:28,480 --> 00:00:28,490
+spent $100 you can pull this so far six
+ 
+
+5
+00:00:28,490 --> 00:00:32,130
+spent $100 you can pull this so far six
+feet with just the strength of your arms
+
+6
+00:00:32,130 --> 00:00:32,140
+feet with just the strength of your arms
+ 
+
+7
+00:00:32,140 --> 00:00:35,979
+feet with just the strength of your arms
+you win you'll get half Oh nobody good
+
+8
+00:00:35,979 --> 00:00:35,989
+you win you'll get half Oh nobody good
+ 
+
+9
+00:00:35,989 --> 00:00:38,319
+you win you'll get half Oh nobody good
+at this kind of thing sir try it as you
+
+10
+00:00:38,319 --> 00:00:38,329
+at this kind of thing sir try it as you
+ 
+
+11
+00:00:38,329 --> 00:00:40,869
+at this kind of thing sir try it as you
+wish but you're not asking me to do this
+
+12
+00:00:40,869 --> 00:00:40,879
+wish but you're not asking me to do this
+ 
+
+13
+00:00:40,879 --> 00:00:42,700
+wish but you're not asking me to do this
+just in order to settle some bait Bravo
+
+14
+00:00:42,700 --> 00:00:42,710
+just in order to settle some bait Bravo
+ 
+
+15
+00:00:42,710 --> 00:00:45,970
+just in order to settle some bait Bravo
+mr. Simpson but you would still get your
+
+16
+00:00:45,970 --> 00:00:45,980
+mr. Simpson but you would still get your
+ 
+
+17
+00:00:45,980 --> 00:00:52,060
+mr. Simpson but you would still get your
+$50 do it mr. Simpson do it prove that
+
+18
+00:00:52,060 --> 00:00:52,070
+$50 do it mr. Simpson do it prove that
+ 
+
+19
+00:00:52,070 --> 00:00:55,030
+$50 do it mr. Simpson do it prove that
+you're a man not to jelly feet together
+
+20
+00:00:55,030 --> 00:00:55,040
+you're a man not to jelly feet together
+ 
+
+21
+00:00:55,040 --> 00:01:03,950
+you're a man not to jelly feet together
+just a stretch of your arms
+
+22
+00:01:03,950 --> 00:01:03,960
+
+ 
+
+23
+00:01:03,960 --> 00:01:10,110
+
+[Applause]
+
+24
+00:01:10,110 --> 00:01:10,120
+
+ 
+
+25
+00:01:10,120 --> 00:01:12,310
+
+you can't do it harder
+
+26
+00:01:12,310 --> 00:01:12,320
+you can't do it harder
+ 
+
+27
+00:01:12,320 --> 00:01:14,820
+you can't do it harder
+I didn't mean to talk to you like that
+
+28
+00:01:14,820 --> 00:01:14,830
+I didn't mean to talk to you like that
+ 
+
+29
+00:01:14,830 --> 00:01:24,330
+I didn't mean to talk to you like that
+I'm very fond of you try it again please
+
+30
+00:01:24,330 --> 00:01:24,340
+
+ 
+
+31
+00:01:24,340 --> 00:01:28,270
+
+Yanks are cold just pull steadily handle
+
+32
+00:01:28,270 --> 00:01:28,280
+Yanks are cold just pull steadily handle
+ 
+
+33
+00:01:28,280 --> 00:01:29,580
+Yanks are cold just pull steadily handle
+her hand
+
+34
+00:01:29,580 --> 00:01:29,590
+her hand
+ 
+
+35
+00:01:29,590 --> 00:01:36,820
+her hand
+you can delete quiet feet together
+
+36
+00:01:36,820 --> 00:01:36,830
+
+ 
+
+37
+00:01:36,830 --> 00:02:02,650
+
+[Applause]
+
+38
+00:02:02,650 --> 00:02:02,660
+
+ 
+
+39
+00:02:02,660 --> 00:02:24,930
+
+[Applause]
+
+40
+00:02:24,930 --> 00:02:24,940
+
+ 
+
+41
+00:02:24,940 --> 00:02:36,280
+
+[Music]
+

1964/vsPVyvwwVns.en.srt

@@ -0,0 +1,95 @@
+1
+00:00:10,920 --> 00:00:21,060
+
+it's like playing cowboys and Indians
+
+2
+00:00:21,060 --> 00:00:21,070
+
+ 
+
+3
+00:00:21,070 --> 00:00:24,450
+
+there's your goal is promised I hope the
+
+4
+00:00:24,450 --> 00:00:24,460
+there's your goal is promised I hope the
+ 
+
+5
+00:00:24,460 --> 00:00:25,979
+there's your goal is promised I hope the
+guns will be giving us will be equally
+
+6
+00:00:25,979 --> 00:00:25,989
+guns will be giving us will be equally
+ 
+
+7
+00:00:25,989 --> 00:00:27,210
+guns will be giving us will be equally
+useful to our army
+
+8
+00:00:27,210 --> 00:00:27,220
+useful to our army
+ 
+
+9
+00:00:27,220 --> 00:00:29,370
+useful to our army
+rest assured captain we'll check them
+
+10
+00:00:29,370 --> 00:00:29,380
+rest assured captain we'll check them
+ 
+
+11
+00:00:29,380 --> 00:02:03,950
+rest assured captain we'll check them
+over together
+
+12
+00:02:03,950 --> 00:02:03,960
+
+ 
+
+13
+00:02:03,960 --> 00:02:09,570
+
+here they're closing again and hari be
+
+14
+00:02:09,570 --> 00:02:09,580
+here they're closing again and hari be
+ 
+
+15
+00:02:09,580 --> 00:02:11,010
+here they're closing again and hari be
+sure to place them around right
+
+16
+00:02:11,010 --> 00:02:11,020
+sure to place them around right
+ 
+
+17
+00:02:11,020 --> 00:02:12,600
+sure to place them around right
+remember they died fighting among
+
+18
+00:02:12,600 --> 00:02:12,610
+remember they died fighting among
+ 
+
+19
+00:02:12,610 --> 00:02:14,640
+remember they died fighting among
+themselves
+

1964/xYfxboRtKJE.description

@@ -0,0 +1,32 @@
+A Shot in the Dark - Dead Dudu: While exploring a nudist colony, Clouseau (Peter Sellers) encounters a corpse.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Ann Lynn, David Lodge, Elke Sommer, Peter Sellers, Reginald Beckwith
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/xYfxboRtKJE.en-GB.srt

@@ -0,0 +1,67 @@
+1
+00:00:57,160 --> 00:00:59,200
+- Did you call the police?
+- I?
+
+2
+00:00:59,360 --> 00:01:02,340
+- Someone called and reported a murder.
+- Murder?
+
+3
+00:01:02,740 --> 00:01:06,740
+- Tell the men to search the camp.
+- One of your men is already here.
+
+4
+00:01:06,860 --> 00:01:09,940
+- One of my men?
+- Yes. Inspector Clouseau.
+
+5
+00:01:10,160 --> 00:01:11,020
+Hm.
+
+6
+00:01:12,060 --> 00:01:13,840
+- Ah!
+- I can't understand.
+
+7
+00:01:14,000 --> 00:01:14,840
+Murder?
+
+8
+00:01:15,140 --> 00:01:15,900
+Oh!
+
+9
+00:01:47,000 --> 00:01:48,360
+Pssst!
+
+10
+00:01:48,580 --> 00:01:51,620
+- Beg your pardon.
+- Clouseau.
+
+11
+00:01:54,560 --> 00:01:56,560
+Over here.
+
+12
+00:02:02,980 --> 00:02:04,080
+Quick.
+
+13
+00:02:06,580 --> 00:02:09,500
+Listen, that's Dudu.
+
+14
+00:02:09,840 --> 00:02:12,060
+- Dudu?
+- She's dead.
+
+15
+00:02:13,160 --> 00:02:15,640
+Dead? Dudu?
+

1964/y5wsjMSXolU.en.srt

@@ -0,0 +1,145 @@
+1
+00:00:00,680 --> 00:00:04,110
+
+dri what the hell is going on up here
+
+2
+00:00:04,110 --> 00:00:04,120
+dri what the hell is going on up here
+ 
+
+3
+00:00:04,120 --> 00:00:06,030
+dri what the hell is going on up here
+dri you idiot you get those switches
+
+4
+00:00:06,030 --> 00:00:06,040
+dri you idiot you get those switches
+ 
+
+5
+00:00:06,040 --> 00:00:08,350
+dri you idiot you get those switches
+working we have got to get this train
+
+6
+00:00:08,350 --> 00:00:08,360
+working we have got to get this train
+ 
+
+7
+00:00:08,360 --> 00:00:10,870
+working we have got to get this train
+out of here I'm tired of your
+
+8
+00:00:10,870 --> 00:00:10,880
+out of here I'm tired of your
+ 
+
+9
+00:00:10,880 --> 00:00:56,790
+out of here I'm tired of your
+inefficiency D
+
+10
+00:00:56,790 --> 00:00:56,800
+
+ 
+
+11
+00:00:56,800 --> 00:00:59,750
+
+you can't ride through an air raid watch
+
+12
+00:00:59,750 --> 00:00:59,760
+you can't ride through an air raid watch
+ 
+
+13
+00:00:59,760 --> 00:01:23,310
+you can't ride through an air raid watch
+me
+
+14
+00:01:23,310 --> 00:01:23,320
+
+ 
+
+15
+00:01:23,320 --> 00:01:26,270
+
+fire you D you Old Goat get out of there
+
+16
+00:01:26,270 --> 00:01:26,280
+fire you D you Old Goat get out of there
+ 
+
+17
+00:01:26,280 --> 00:01:28,310
+fire you D you Old Goat get out of there
+and get out the cover get off my train
+
+18
+00:01:28,310 --> 00:01:28,320
+and get out the cover get off my train
+ 
+
+19
+00:01:28,320 --> 00:01:30,950
+and get out the cover get off my train
+you damn fool if ready bars seconds get
+
+20
+00:01:30,950 --> 00:01:30,960
+you damn fool if ready bars seconds get
+ 
+
+21
+00:01:30,960 --> 00:01:35,270
+you damn fool if ready bars seconds get
+off my
+
+22
+00:01:35,270 --> 00:01:35,280
+
+ 
+
+23
+00:01:35,280 --> 00:01:37,710
+
+gra you can't get through the switch is
+
+24
+00:01:37,710 --> 00:01:37,720
+gra you can't get through the switch is
+ 
+
+25
+00:01:37,720 --> 00:02:16,910
+gra you can't get through the switch is
+close open it
+
+26
+00:02:16,910 --> 00:02:16,920
+
+ 
+
+27
+00:02:16,920 --> 00:02:30,030
+
+w
+
+28
+00:02:30,030 --> 00:02:30,040
+
+ 
+
+29
+00:02:30,040 --> 00:02:33,040
+
+hey
+

1965/18QXG4aUP60.description

@@ -0,0 +1,38 @@
+For a Few Dollars More movie clips: http://j.mp/1EyJE46
+BUY THE MOVIE: http://j.mp/1AUTWhq
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Monco (Clint Eastwood) adds up the dead, then rides off to collect his bounty.
+
+FILM DESCRIPTION:
+This pulse-pounding follow-up to Sergio Leone's A Fistful of Dollars brings back Clint Eastwood as the serape-clad, cigar-chewing "Man With No Name." Engaged in an ongoing battle with bounty hunter Col. Douglas Mortimer (Lee Van Cleef), the Man joins forces with his enemy to capture homicidal bandit Indio (Gian Maria Volont). Both the Eastwood and Van Cleef characters are given understandable motivations for their bloodletting tendencies, something that was lacking in A Fistful of Dollars. In both films, however, the violence is raw and uninhibited -- and in many ways, curiously poetic. Leone's tense, tight close-ups, pregnant pauses, and significant silences have since been absorbed into the standard spaghetti Western lexicon; likewise, Ennio Morricone's haunting musical score has been endlessly imitated and parodied. For a Few Dollars More was originally titled Per Qualche Dollaro in Pi; it would be followed by the last and best of the Man with No Name trilogy, The Good, The Bad and the Ugly.
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Clint Eastwood, Luigi Pistilli, Lee Van Cleef, Gian Maria Volont
+Director: Sergio Leone
+Producers: Arturo Gonzlez, Alfredo Fraile, Alberto Grimaldi
+Screenwriters: Sergio Leone, Fulvio Morsella, Luciano Vincenzoni, Fernando Di Leo, Sergio Donati
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Tumblr: http://bit.ly/1vUwhH7

1965/2EKDKks9qtA.description

@@ -0,0 +1,38 @@
+Doctor Zhivago movie clips: http://j.mp/1LmAQ6e
+BUY THE MOVIE: http://j.mp/12OmBON
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Yuri Zhivago (Omar Sharif) and Lara (Julie Christie) get ready to escape with Komarovsky (Rod Steiger), but Zhivago stays behind.
+
+FILM DESCRIPTION:
+Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music.
+
+CREDITS:
+TM & © Warner Bros. (1965)
+Cast: Omar Sharif, Rod Steiger, Julie Christie
+Director: David Lean
+Producers: Arvid Griffen, Carlo Ponti
+Screenwriters: Robert Bolt, Boris Pasternak
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
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+Tumblr: http://bit.ly/1vUwhH7

1965/2JA3UQCYkQs.description

@@ -0,0 +1,38 @@
+Dr. Goldfoot and the Bikini Machine movie clips: http://j.mp/11MzzSy
+BUY THE MOVIE: http://j.mp/12MAa1c
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Goldfoot (Vincent Price) prepares another batch of robots for world domination, but his bikini machine produces a defective robot that beats up Igor (Jack Mullaney).
+
+FILM DESCRIPTION:
+The great Vincent Price obviously had fun with his characterization of Dr. Goldfoot in this campy spy spoof directed by Norman Taurog. With his henchman Igor (Jack Mullaney), the demented doctor builds a machine that mass-produces an army bikini-clad babes. Goldfoot programs his vixens to seduce the wealthiest men alive and convince them to sign their fortunes over to him - thus enabling the fiendish doctor to amass tremendous wealth and take over the world. Frankie Avalon co-stars as Secret Agent Craig Gamble, who sets out to destroy the women and bring Goldfoot's plan to a screeching halt. Annette Funicello and Harvey Lembeck provide cameo appearances. Strictly for fans who loved those 1960s drive-in quickies.
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Jack Mullaney, Vincent Price, Alberta Nelson
+Director: Norman Taurog
+Producers: Samuel Z. Arkoff, Anthony Carras, James H. Nicholson
+Screenwriters: Louis M. Heyward, Robert Kaufman, James H. Nicholson, Elwood Ullman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/3ucBVz_IFGk.description

@@ -0,0 +1,38 @@
+For a Few Dollars More movie clips: http://j.mp/1EyJE46
+BUY THE MOVIE: http://j.mp/1AUTWhq
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Monco (Clint Eastwood) and Mortimer (Lee Van Cleef) shoot each other's hats.
+
+FILM DESCRIPTION:
+This pulse-pounding follow-up to Sergio Leone's A Fistful of Dollars brings back Clint Eastwood as the serape-clad, cigar-chewing "Man With No Name." Engaged in an ongoing battle with bounty hunter Col. Douglas Mortimer (Lee Van Cleef), the Man joins forces with his enemy to capture homicidal bandit Indio (Gian Maria Volont). Both the Eastwood and Van Cleef characters are given understandable motivations for their bloodletting tendencies, something that was lacking in A Fistful of Dollars. In both films, however, the violence is raw and uninhibited -- and in many ways, curiously poetic. Leone's tense, tight close-ups, pregnant pauses, and significant silences have since been absorbed into the standard spaghetti Western lexicon; likewise, Ennio Morricone's haunting musical score has been endlessly imitated and parodied. For a Few Dollars More was originally titled Per Qualche Dollaro in Pi; it would be followed by the last and best of the Man with No Name trilogy, The Good, The Bad and the Ugly.
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Clint Eastwood, Antonio Ruiz, Lee Van Cleef
+Director: Sergio Leone
+Producers: Arturo Gonzlez, Alfredo Fraile, Alberto Grimaldi
+Screenwriters: Sergio Leone, Fulvio Morsella, Luciano Vincenzoni, Fernando Di Leo, Sergio Donati
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/4Tb7SrDUXWo.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:00,030 --> 00:00:01,670
+
+he is Ruth
+
+2
+00:00:01,670 --> 00:00:01,680
+he is Ruth
+ 
+
+3
+00:00:01,680 --> 00:00:22,730
+he is Ruth
+[Music]
+
+4
+00:00:22,730 --> 00:00:22,740
+
+ 
+
+5
+00:00:22,740 --> 00:00:26,249
+
+he's gone body disappeared tonight
+
+6
+00:00:26,249 --> 00:00:26,259
+he's gone body disappeared tonight
+ 
+
+7
+00:00:26,259 --> 00:00:28,139
+he's gone body disappeared tonight
+are you sure I went to see for myself
+
+8
+00:00:28,139 --> 00:00:28,149
+are you sure I went to see for myself
+ 
+
+9
+00:00:28,149 --> 00:00:29,939
+are you sure I went to see for myself
+the tomb is empty the soldiers did you
+
+10
+00:00:29,939 --> 00:00:29,949
+the tomb is empty the soldiers did you
+ 
+
+11
+00:00:29,949 --> 00:00:32,159
+the tomb is empty the soldiers did you
+question him yes he saw nothing at all
+
+12
+00:00:32,159 --> 00:00:32,169
+question him yes he saw nothing at all
+ 
+
+13
+00:00:32,169 --> 00:00:34,799
+question him yes he saw nothing at all
+obviously they swear they were not of
+
+14
+00:00:34,799 --> 00:00:34,809
+obviously they swear they were not of
+ 
+
+15
+00:00:34,809 --> 00:00:37,200
+obviously they swear they were not of
+course they do the Roman punishment for
+
+16
+00:00:37,200 --> 00:00:37,210
+course they do the Roman punishment for
+ 
+
+17
+00:00:37,210 --> 00:00:41,130
+course they do the Roman punishment for
+sleeping on duty is dead incredible any
+
+18
+00:00:41,130 --> 00:00:41,140
+sleeping on duty is dead incredible any
+ 
+
+19
+00:00:41,140 --> 00:00:42,780
+sleeping on duty is dead incredible any
+case the whole thing will be forgotten
+
+20
+00:00:42,780 --> 00:00:42,790
+case the whole thing will be forgotten
+ 
+
+21
+00:00:42,790 --> 00:00:46,950
+case the whole thing will be forgotten
+in a week I wonder
+
+22
+00:00:46,950 --> 00:00:46,960
+in a week I wonder
+ 
+
+23
+00:00:46,960 --> 00:00:47,730
+in a week I wonder
+[Applause]
+
+24
+00:00:47,730 --> 00:00:47,740
+[Applause]
+ 
+
+25
+00:00:47,740 --> 00:00:48,990
+[Applause]
+[Music]
+
+26
+00:00:48,990 --> 00:00:49,000
+[Music]
+ 
+
+27
+00:00:49,000 --> 00:00:50,390
+[Music]
+[Applause]
+
+28
+00:00:50,390 --> 00:00:50,400
+[Applause]
+ 
+
+29
+00:00:50,400 --> 00:00:56,520
+[Applause]
+[Music]
+
+30
+00:00:56,520 --> 00:00:56,530
+
+ 
+
+31
+00:00:56,530 --> 00:01:08,600
+
+oh now and teach all nations
+
+32
+00:01:08,600 --> 00:01:08,610
+
+ 
+
+33
+00:01:08,610 --> 00:01:11,330
+
+make it your first care to love one
+
+34
+00:01:11,330 --> 00:01:11,340
+make it your first care to love one
+ 
+
+35
+00:01:11,340 --> 00:01:15,010
+make it your first care to love one
+another and to find the kingdom of God
+
+36
+00:01:15,010 --> 00:01:15,020
+another and to find the kingdom of God
+ 
+
+37
+00:01:15,020 --> 00:01:21,350
+another and to find the kingdom of God
+and all things shall be yours without
+
+38
+00:01:21,350 --> 00:01:21,360
+and all things shall be yours without
+ 
+
+39
+00:01:21,360 --> 00:01:23,770
+and all things shall be yours without
+the asking
+
+40
+00:01:23,770 --> 00:01:23,780
+the asking
+ 
+
+41
+00:01:23,780 --> 00:01:29,170
+the asking
+do not fret then over tomorrow leave
+
+42
+00:01:29,170 --> 00:01:29,180
+do not fret then over tomorrow leave
+ 
+
+43
+00:01:29,180 --> 00:01:32,980
+do not fret then over tomorrow leave
+tomorrow to fret over it so needs for
+
+44
+00:01:32,980 --> 00:01:32,990
+tomorrow to fret over it so needs for
+ 
+
+45
+00:01:32,990 --> 00:01:37,850
+tomorrow to fret over it so needs for
+today today's troubles
+
+46
+00:01:37,850 --> 00:01:37,860
+today today's troubles
+ 
+
+47
+00:01:37,860 --> 00:01:42,260
+today today's troubles
+are enough
+
+48
+00:01:42,260 --> 00:01:42,270
+
+ 
+
+49
+00:01:42,270 --> 00:01:45,320
+
+[Music]
+
+50
+00:01:45,320 --> 00:01:45,330
+[Music]
+ 
+
+51
+00:01:45,330 --> 00:01:53,080
+[Music]
+and lo I am with you always even unto
+
+52
+00:01:53,080 --> 00:01:53,090
+and lo I am with you always even unto
+ 
+
+53
+00:01:53,090 --> 00:01:58,730
+and lo I am with you always even unto
+the end of the world
+
+54
+00:01:58,730 --> 00:01:58,740
+
+ 
+
+55
+00:01:58,740 --> 00:01:59,180
+
+[Applause]
+
+56
+00:01:59,180 --> 00:01:59,190
+[Applause]
+ 
+
+57
+00:01:59,190 --> 00:01:59,840
+[Applause]
+[Music]
+
+58
+00:01:59,840 --> 00:01:59,850
+[Music]
+ 
+
+59
+00:01:59,850 --> 00:02:02,860
+[Music]
+[Applause]
+
+60
+00:02:02,860 --> 00:02:02,870
+[Applause]
+ 
+
+61
+00:02:02,870 --> 00:02:10,770
+[Applause]
+[Music]
+
+62
+00:02:10,770 --> 00:02:10,780
+
+ 
+
+63
+00:02:10,780 --> 00:02:31,520
+
+[Music]
+

1965/4ipKK450XwM.description

@@ -0,0 +1,38 @@
+Doctor Zhivago movie clips: http://j.mp/1LmAQ6e
+BUY THE MOVIE: http://j.mp/12OmBON
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After years of separation, Lara (Julie Christie) and Dr. Yuri Zhivago (Omar Sharif) meet again, and Lara shows him her house.
+
+FILM DESCRIPTION:
+Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music.
+
+CREDITS:
+TM & © Warner Bros. (1965)
+Cast: Omar Sharif, Julie Christie
+Director: David Lean
+Producers: Arvid Griffen, Carlo Ponti
+Screenwriters: Robert Bolt, Boris Pasternak
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/4pUeurfZ5n8.description

@@ -0,0 +1,65 @@
+Thunderball movie clips: http://j.mp/1O8BaJn
+BUY THE MOVIE: http://j.mp/1MURFmo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After taking out a SPECTRE operative, James Bond (Sean Connery) escapes via jet pack.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi).
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Sean Connery
+Director: Terence Young
+Producers: Albert R. Broccoli, Kevin McClory, Harry Saltzman, Stanley Sopel
+Screenwriters: John Hopkins, Richard Maibaum, Kevin McClory, Jack Whittingham, Ian Fleming
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/61_aprVh2FQ.description

@@ -0,0 +1,38 @@
+How to Stuff a Wild Bikini movie clips: http://j.mp/1BcP9EX
+BUY THE MOVIE: http://j.mp/1dCUBD9
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ricky (Dwayne Hickman) rebuffs Von Zipper's (Harvey Lembeck) intimidation tactic and makes a fool out of him.
+
+FILM DESCRIPTION:
+How to Stuff a Wild Bikini is considered to be the strangest of the "Beach Party" movies. Frankie (Frankie Avalon) is off in the navy, serving in the South Pacific, and nervous about all of the guys that will be hitting on Dee Dee (Annette Funicello) back at the beach. He makes a deal with an eccentric white witch doctor (Buster Keaton), who conjures up a woman named Cassandra (Beverly Adam) who is irresistible to all men, and she attracts all of the guys on the beach. But complications ensue when lunatic advertising man Mickey Rooney decides to try and make Cassandra a new national sex symbol, and she gets noticed by nutsy bike gang leader Erik Von Zipper (Harvey Lembeck), who vows to have her. With enough plot complications to rival A Midsummer Night's Dream, Wild Bikini is laced with satire and some surprisingly good music.
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Dwayne Hickman, Harvey Lembeck, Mickey Rooney, Beverly Adams, Annette Funicello
+Director: William Asher
+Producers: Samuel Z. Arkoff, Anthony Carras, James H. Nicholson
+Screenwriters: William Asher, Leo Townsend
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1965/61_aprVh2FQ.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:00,000 --> 00:00:03,429
+
+[Music]
+
+2
+00:00:03,429 --> 00:00:03,439
+
+ 
+
+3
+00:00:03,439 --> 00:00:05,670
+
+stop the music stop the
+
+4
+00:00:05,670 --> 00:00:05,680
+stop the music stop the
+ 
+
+5
+00:00:05,680 --> 00:00:09,270
+stop the music stop the
+music that's enough for the face time
+
+6
+00:00:09,270 --> 00:00:09,280
+music that's enough for the face time
+ 
+
+7
+00:00:09,280 --> 00:00:10,910
+music that's enough for the face time
+it's funny when I dance with boys I
+
+8
+00:00:10,910 --> 00:00:10,920
+it's funny when I dance with boys I
+ 
+
+9
+00:00:10,920 --> 00:00:12,470
+it's funny when I dance with boys I
+usually stumble but with you it's
+
+10
+00:00:12,470 --> 00:00:12,480
+usually stumble but with you it's
+ 
+
+11
+00:00:12,480 --> 00:00:14,869
+usually stumble but with you it's
+different yeah well I'm Different I'd
+
+12
+00:00:14,869 --> 00:00:14,879
+different yeah well I'm Different I'd
+ 
+
+13
+00:00:14,879 --> 00:00:17,310
+different yeah well I'm Different I'd
+worry about that boss Eric Von Zea never
+
+14
+00:00:17,310 --> 00:00:17,320
+worry about that boss Eric Von Zea never
+ 
+
+15
+00:00:17,320 --> 00:00:19,510
+worry about that boss Eric Von Zea never
+worries p i was perfect yes you were
+
+16
+00:00:19,510 --> 00:00:19,520
+worries p i was perfect yes you were
+ 
+
+17
+00:00:19,520 --> 00:00:21,790
+worries p i was perfect yes you were
+wonderful thanks to Eric Von Zea and now
+
+18
+00:00:21,790 --> 00:00:21,800
+wonderful thanks to Eric Von Zea and now
+ 
+
+19
+00:00:21,800 --> 00:00:23,150
+wonderful thanks to Eric Von Zea and now
+I'm going to let you ride with me
+
+20
+00:00:23,150 --> 00:00:23,160
+I'm going to let you ride with me
+ 
+
+21
+00:00:23,160 --> 00:00:24,910
+I'm going to let you ride with me
+partner in the CLE criss cross country
+
+22
+00:00:24,910 --> 00:00:24,920
+partner in the CLE criss cross country
+ 
+
+23
+00:00:24,920 --> 00:00:28,950
+partner in the CLE criss cross country
+race you're a little late she rides with
+
+24
+00:00:28,950 --> 00:00:28,960
+race you're a little late she rides with
+ 
+
+25
+00:00:28,960 --> 00:00:30,550
+race you're a little late she rides with
+Ricky
+
+26
+00:00:30,550 --> 00:00:30,560
+Ricky
+ 
+
+27
+00:00:30,560 --> 00:00:34,030
+Ricky
+she don't ride with nobody but
+
+28
+00:00:34,030 --> 00:00:34,040
+she don't ride with nobody but
+ 
+
+29
+00:00:34,040 --> 00:00:40,229
+she don't ride with nobody but
+me the Hat get the
+
+30
+00:00:40,229 --> 00:00:40,239
+
+ 
+
+31
+00:00:40,239 --> 00:00:42,670
+
+Hat strange
+
+32
+00:00:42,670 --> 00:00:42,680
+Hat strange
+ 
+
+33
+00:00:42,680 --> 00:00:46,869
+Hat strange
+fellow you I don't like you you he don't
+
+34
+00:00:46,869 --> 00:00:46,879
+fellow you I don't like you you he don't
+ 
+
+35
+00:00:46,879 --> 00:00:49,270
+fellow you I don't like you you he don't
+like and when Eric vonzipper don't like
+
+36
+00:00:49,270 --> 00:00:49,280
+like and when Eric vonzipper don't like
+ 
+
+37
+00:00:49,280 --> 00:00:52,349
+like and when Eric vonzipper don't like
+somebody they stay don't likeed in fact
+
+38
+00:00:52,349 --> 00:00:52,359
+somebody they stay don't likeed in fact
+ 
+
+39
+00:00:52,359 --> 00:00:54,549
+somebody they stay don't likeed in fact
+I'm thinking of giving you the sickest
+
+40
+00:00:54,549 --> 00:00:54,559
+I'm thinking of giving you the sickest
+ 
+
+41
+00:00:54,559 --> 00:00:58,910
+I'm thinking of giving you the sickest
+K what is all this the carbon monoxide
+
+42
+00:00:58,910 --> 00:00:58,920
+K what is all this the carbon monoxide
+ 
+
+43
+00:00:58,920 --> 00:01:02,110
+K what is all this the carbon monoxide
+Commandos stand
+
+44
+00:01:02,110 --> 00:01:02,120
+Commandos stand
+ 
+
+45
+00:01:02,120 --> 00:01:06,270
+Commandos stand
+up grab my wrist don't do it boss now
+
+46
+00:01:06,270 --> 00:01:06,280
+up grab my wrist don't do it boss now
+ 
+
+47
+00:01:06,280 --> 00:01:08,630
+up grab my wrist don't do it boss now
+you try to stop me but you won't be able
+
+48
+00:01:08,630 --> 00:01:08,640
+you try to stop me but you won't be able
+ 
+
+49
+00:01:08,640 --> 00:01:10,710
+you try to stop me but you won't be able
+to cuz Eric vonzipper has muscles of
+
+50
+00:01:10,710 --> 00:01:10,720
+to cuz Eric vonzipper has muscles of
+ 
+
+51
+00:01:10,720 --> 00:01:12,830
+to cuz Eric vonzipper has muscles of
+Steel from cin now I'm just going to
+
+52
+00:01:12,830 --> 00:01:12,840
+Steel from cin now I'm just going to
+ 
+
+53
+00:01:12,840 --> 00:01:14,590
+Steel from cin now I'm just going to
+point this finger at your temple I'm
+
+54
+00:01:14,590 --> 00:01:14,600
+point this finger at your temple I'm
+ 
+
+55
+00:01:14,600 --> 00:01:16,510
+point this finger at your temple I'm
+going to give you
+
+56
+00:01:16,510 --> 00:01:16,520
+going to give you
+ 
+
+57
+00:01:16,520 --> 00:01:19,070
+going to give you
+out my money's on you
+
+58
+00:01:19,070 --> 00:01:19,080
+out my money's on you
+ 
+
+59
+00:01:19,080 --> 00:01:24,550
+out my money's on you
+[Music]
+
+60
+00:01:24,550 --> 00:01:24,560
+
+ 
+
+61
+00:01:24,560 --> 00:01:26,790
+
+Rick like
+
+62
+00:01:26,790 --> 00:01:26,800
+Rick like
+ 
+
+63
+00:01:26,800 --> 00:01:28,910
+Rick like
+[Applause]
+
+64
+00:01:28,910 --> 00:01:28,920
+[Applause]
+ 
+
+65
+00:01:28,920 --> 00:01:32,469
+[Applause]
+this
+
+66
+00:01:32,469 --> 00:01:32,479
+
+ 
+
+67
+00:01:32,479 --> 00:01:34,870
+
+the boss done it again give himself the
+
+68
+00:01:34,870 --> 00:01:34,880
+the boss done it again give himself the
+ 
+
+69
+00:01:34,880 --> 00:01:37,190
+the boss done it again give himself the
+finger let's get him out of here he
+
+70
+00:01:37,190 --> 00:01:37,200
+finger let's get him out of here he
+ 
+
+71
+00:01:37,200 --> 00:01:39,550
+finger let's get him out of here he
+fragile don't break them come on you
+
+72
+00:01:39,550 --> 00:01:39,560
+fragile don't break them come on you
+ 
+
+73
+00:01:39,560 --> 00:01:41,890
+fragile don't break them come on you
+guys Eric Bon Zippo will
+
+74
+00:01:41,890 --> 00:01:41,900
+guys Eric Bon Zippo will
+ 
+
+75
+00:01:41,900 --> 00:01:58,830
+guys Eric Bon Zippo will
+[Music]
+
+76
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+77
+00:01:58,840 --> 00:02:04,530
+
+return
+
+78
+00:02:04,530 --> 00:02:04,540
+
+ 
+
+79
+00:02:04,540 --> 00:02:18,449
+
+[Music]
+

1965/9MdivySyCng.description

@@ -0,0 +1,65 @@
+Thunderball movie clips: http://j.mp/1O8BaJn
+BUY THE MOVIE: http://j.mp/1MURFmo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bond (Sean Connery) joins and finishes the underwater battle with Largo (Adolfo Celi) and his men.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi).
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Adolfo Celi, Sean Connery
+Director: Terence Young
+Producers: Albert R. Broccoli, Kevin McClory, Harry Saltzman, Stanley Sopel
+Screenwriters: John Hopkins, Richard Maibaum, Kevin McClory, Jack Whittingham, Ian Fleming
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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1965/AB7mSGjpn8c.description

@@ -0,0 +1,38 @@
+Dr. Goldfoot and the Bikini Machine movie clips: http://j.mp/11MzzSy
+BUY THE MOVIE: http://j.mp/12MAa1c
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Diane (Susan Hart) seems strangely impervious to bullets, until Craig (Frankie Avalon) watches her drink a glass of milk.
+
+FILM DESCRIPTION:
+The great Vincent Price obviously had fun with his characterization of Dr. Goldfoot in this campy spy spoof directed by Norman Taurog. With his henchman Igor (Jack Mullaney), the demented doctor builds a machine that mass-produces an army bikini-clad babes. Goldfoot programs his vixens to seduce the wealthiest men alive and convince them to sign their fortunes over to him - thus enabling the fiendish doctor to amass tremendous wealth and take over the world. Frankie Avalon co-stars as Secret Agent Craig Gamble, who sets out to destroy the women and bring Goldfoot's plan to a screeching halt. Annette Funicello and Harvey Lembeck provide cameo appearances. Strictly for fans who loved those 1960s drive-in quickies.
+
+CREDITS:
+TM & © MGM (1965)
+Cast: Frankie Avalon, Aron Kincaid, Susan Hart, Deborah Walley
+Director: Norman Taurog
+Producers: Samuel Z. Arkoff, Anthony Carras, James H. Nicholson
+Screenwriters: Louis M. Heyward, Robert Kaufman, James H. Nicholson, Elwood Ullman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Tumblr: http://bit.ly/1vUwhH7

1965/AB7mSGjpn8c.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:15,679 --> 00:00:40,709
+
+are you all right
+
+2
+00:00:40,709 --> 00:00:40,719
+
+ 
+
+3
+00:00:40,719 --> 00:00:46,709
+
+foreign
+
+4
+00:00:46,709 --> 00:00:46,719
+
+ 
+
+5
+00:00:46,719 --> 00:01:00,310
+
+so
+
+6
+00:01:00,310 --> 00:01:00,320
+
+ 
+
+7
+00:01:00,320 --> 00:01:02,869
+
+here we are
+
+8
+00:01:02,869 --> 00:01:02,879
+here we are
+ 
+
+9
+00:01:02,879 --> 00:01:05,990
+here we are
+my specialty cheese sandwiches boy am i
+
+10
+00:01:05,990 --> 00:01:06,000
+my specialty cheese sandwiches boy am i
+ 
+
+11
+00:01:06,000 --> 00:01:13,190
+my specialty cheese sandwiches boy am i
+hungry i hope you are
+
+12
+00:01:13,190 --> 00:01:13,200
+
+ 
+
+13
+00:01:13,200 --> 00:01:15,510
+
+banquet fit for a queen
+
+14
+00:01:15,510 --> 00:01:15,520
+banquet fit for a queen
+ 
+
+15
+00:01:15,520 --> 00:01:17,190
+banquet fit for a queen
+your majesty
+
+16
+00:01:17,190 --> 00:01:17,200
+your majesty
+ 
+
+17
+00:01:17,200 --> 00:01:20,870
+your majesty
+her majesty isn't amused you miserable
+
+18
+00:01:20,870 --> 00:01:20,880
+her majesty isn't amused you miserable
+ 
+
+19
+00:01:20,880 --> 00:01:22,870
+her majesty isn't amused you miserable
+chiefs get a cheese sandwich in a
+
+20
+00:01:22,870 --> 00:01:22,880
+chiefs get a cheese sandwich in a
+ 
+
+21
+00:01:22,880 --> 00:01:26,149
+chiefs get a cheese sandwich in a
+cafeteria you call that a banquet but
+
+22
+00:01:26,149 --> 00:01:26,159
+cafeteria you call that a banquet but
+ 
+
+23
+00:01:26,159 --> 00:01:28,550
+cafeteria you call that a banquet but
+louise this is imported geez this is the
+
+24
+00:01:28,550 --> 00:01:28,560
+louise this is imported geez this is the
+ 
+
+25
+00:01:28,560 --> 00:01:32,310
+louise this is imported geez this is the
+birth
+
+26
+00:01:32,310 --> 00:01:32,320
+
+ 
+
+27
+00:01:32,320 --> 00:01:33,830
+
+louise tomorrow's payday we'll go out
+
+28
+00:01:33,830 --> 00:01:33,840
+louise tomorrow's payday we'll go out
+ 
+
+29
+00:01:33,840 --> 00:02:28,710
+louise tomorrow's payday we'll go out
+and have a ball come back louise oh
+
+30
+00:02:28,710 --> 00:02:28,720
+
+ 
+
+31
+00:02:28,720 --> 00:02:30,800
+
+you
+

1965/AePRD1Ud3Lw.description

@@ -0,0 +1,44 @@
+The Sound of Music movie clips: http://j.mp/1EgqF2W
+BUY THE MOVIE:
+FandangoNOW - https://www.fandangonow.com/details/movie/the-sound-of-music-1965/1MVa0ce174344701636fee65a599c17c1f7?cmp=Movieclips_YT_Description
+iTunes - http://apple.co/1RNloSX
+Google Play - http://bit.ly/1HNX2Bp
+Amazon - http://amzn.to/1FwWPC4
+Fox Movies - http://fox.co/2hyWegg
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Maria (Julie Andrews) sings out "The Sound of Music" to the mountains of Austria.
+
+FILM DESCRIPTION:
+One of the most popular movie musicals of all time, The Sound of Music is based on the true story of the Trapp Family Singers. Julie Andrews stars as Maria, a young nun in an Austrian convent who regularly misses her morning prayers because she enjoys going to the hills to sing the title song. Deciding that Maria needs to learn something about the real world before she can take her vows, the Mother Superior (Peggy Wood) sends her off to be governess for the children of the widowed Captain Von Trapp (Christopher Plummer). Arriving at the Trapp home, Maria discovers that her new boss is cold and aloof, and his seven children virtual automatons-at least, whenever the Captain is around. Otherwise, the kids are holy terrors, as evidenced by the fact that Maria is the latest in a long line of governesses. But Maria soon ingratiates herself with the children, especially oldest daughter Liesl (Charmian Carr), who is in love with teenaged messenger boy Rolf. As Maria herself begins to fall in love with the Captain, she rushes back to the Abbey so as not to complicate his impending marriage to a glamorous baroness (Eleanor Parker). But the children insist that Maria return, the Baroness steps out of the picture, and Maria and the Captain confirm their love in the song "Something Good." Unhappily, they return home from their honeymoon shortly after the Nazis march into Austria. Already, swastikas have been hung on the Von Trapp ancestral home, and Liesl's boyfriend Rolf has been indoctrinated in the "glories" of the Third Reich. The biggest blow occurs when Von Trapp is called back to active duty in the service of the Fuhrer. The Captain wants nothing to do with Nazism, and he begins making plans to take himself and his family out of Austria.
+
+CREDITS:
+TM & © Fox (1965)
+Courtesy of Twentieth Century Fox Film Corporation
+Cast: Julie Andrews
+Director: Robert Wise
+Producers: Saul Chaplin, Robert Wise, Peter Levathes, Richard D. Zanuck
+Screenwriters: Howard Lindsay, Russel Crouse, Ernest Lehman, Maria von Trapp
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1965/AePRD1Ud3Lw.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:00,000 --> 00:00:05,630
+
+[Music]
+
+2
+00:00:05,630 --> 00:00:05,640
+
+ 
+
+3
+00:00:05,640 --> 00:00:07,549
+
+the H are
+
+4
+00:00:07,549 --> 00:00:07,559
+the H are
+ 
+
+5
+00:00:07,559 --> 00:00:10,750
+the H are
+alive with the sound of
+
+6
+00:00:10,750 --> 00:00:10,760
+alive with the sound of
+ 
+
+7
+00:00:10,760 --> 00:00:12,230
+alive with the sound of
+[Music]
+
+8
+00:00:12,230 --> 00:00:12,240
+[Music]
+ 
+
+9
+00:00:12,240 --> 00:00:16,390
+[Music]
+music with songs they have sung for a
+
+10
+00:00:16,390 --> 00:00:16,400
+music with songs they have sung for a
+ 
+
+11
+00:00:16,400 --> 00:00:20,070
+music with songs they have sung for a
+thousand
+
+12
+00:00:20,070 --> 00:00:20,080
+
+ 
+
+13
+00:00:20,080 --> 00:00:24,830
+
+years the hills fill my heart with the
+
+14
+00:00:24,830 --> 00:00:24,840
+years the hills fill my heart with the
+ 
+
+15
+00:00:24,840 --> 00:00:26,410
+years the hills fill my heart with the
+sound of
+
+16
+00:00:26,410 --> 00:00:26,420
+sound of
+ 
+
+17
+00:00:26,420 --> 00:00:28,269
+sound of
+[Music]
+
+18
+00:00:28,269 --> 00:00:28,279
+[Music]
+ 
+
+19
+00:00:28,279 --> 00:00:33,270
+[Music]
+music My Heart wants to sing every song
+
+20
+00:00:33,270 --> 00:00:33,280
+music My Heart wants to sing every song
+ 
+
+21
+00:00:33,280 --> 00:00:35,990
+music My Heart wants to sing every song
+it
+
+22
+00:00:35,990 --> 00:00:36,000
+
+ 
+
+23
+00:00:36,000 --> 00:00:39,470
+
+hears my heart wants to beat like the
+
+24
+00:00:39,470 --> 00:00:39,480
+hears my heart wants to beat like the
+ 
+
+25
+00:00:39,480 --> 00:00:42,229
+hears my heart wants to beat like the
+wings of the birds that rise from the
+
+26
+00:00:42,229 --> 00:00:42,239
+wings of the birds that rise from the
+ 
+
+27
+00:00:42,239 --> 00:00:44,389
+wings of the birds that rise from the
+lake to the
+
+28
+00:00:44,389 --> 00:00:44,399
+lake to the
+ 
+
+29
+00:00:44,399 --> 00:00:47,350
+lake to the
+trees my heart wants to sigh like a
+
+30
+00:00:47,350 --> 00:00:47,360
+trees my heart wants to sigh like a
+ 
+
+31
+00:00:47,360 --> 00:00:48,790
+trees my heart wants to sigh like a
+chime that
+
+32
+00:00:48,790 --> 00:00:48,800
+chime that
+ 
+
+33
+00:00:48,800 --> 00:00:53,069
+chime that
+flies from a church on a
+
+34
+00:00:53,069 --> 00:00:53,079
+flies from a church on a
+ 
+
+35
+00:00:53,079 --> 00:00:56,229
+flies from a church on a
+breeze to laugh like a brook when it
+
+36
+00:00:56,229 --> 00:00:56,239
+breeze to laugh like a brook when it
+ 
+
+37
+00:00:56,239 --> 00:01:00,000
+breeze to laugh like a brook when it
+trips and falls over stones on its way
+
+38
+00:01:00,000 --> 00:01:00,010
+trips and falls over stones on its way
+ 
+
+39
+00:01:00,010 --> 00:01:01,470
+trips and falls over stones on its way
+[Applause]
+
+40
+00:01:01,470 --> 00:01:01,480
+[Applause]
+ 
+
+41
+00:01:01,480 --> 00:01:04,429
+[Applause]
+to sing through the
+
+42
+00:01:04,429 --> 00:01:04,439
+to sing through the
+ 
+
+43
+00:01:04,439 --> 00:01:08,910
+to sing through the
+night like a lock who is learning to
+
+44
+00:01:08,910 --> 00:01:08,920
+night like a lock who is learning to
+ 
+
+45
+00:01:08,920 --> 00:01:10,830
+night like a lock who is learning to
+pray
+
+46
+00:01:10,830 --> 00:01:10,840
+pray
+ 
+
+47
+00:01:10,840 --> 00:01:14,749
+pray
+I go to the
+
+48
+00:01:14,749 --> 00:01:14,759
+I go to the
+ 
+
+49
+00:01:14,759 --> 00:01:18,300
+I go to the
+hills when my heart is
+
+50
+00:01:18,300 --> 00:01:18,310
+hills when my heart is
+ 
+
+51
+00:01:18,310 --> 00:01:21,190
+hills when my heart is
+[Music]
+
+52
+00:01:21,190 --> 00:01:21,200
+[Music]
+ 
+
+53
+00:01:21,200 --> 00:01:24,350
+[Music]
+lonely I know I will
+
+54
+00:01:24,350 --> 00:01:24,360
+lonely I know I will
+ 
+
+55
+00:01:24,360 --> 00:01:31,109
+lonely I know I will
+hear what I've heard before
+
+56
+00:01:31,109 --> 00:01:31,119
+
+ 
+
+57
+00:01:31,119 --> 00:01:34,910
+
+my heart will be
+
+58
+00:01:34,910 --> 00:01:34,920
+my heart will be
+ 
+
+59
+00:01:34,920 --> 00:01:39,490
+my heart will be
+blessed with the sound of
+
+60
+00:01:39,490 --> 00:01:39,500
+blessed with the sound of
+ 
+
+61
+00:01:39,500 --> 00:01:44,030
+blessed with the sound of
+[Music]
+
+62
+00:01:44,030 --> 00:01:44,040
+[Music]
+ 
+
+63
+00:01:44,040 --> 00:01:47,470
+[Music]
+music and I
+
+64
+00:01:47,470 --> 00:01:47,480
+music and I
+ 
+
+65
+00:01:47,480 --> 00:01:49,109
+music and I
+[Music]
+
+66
+00:01:49,109 --> 00:01:49,119
+[Music]
+ 
+
+67
+00:01:49,119 --> 00:01:52,190
+[Music]
+sing
+
+68
+00:01:52,190 --> 00:01:52,200
+
+ 
+
+69
+00:01:52,200 --> 00:01:55,830
+
+once more
+
+70
+00:01:55,830 --> 00:01:55,840
+once more
+ 
+
+71
+00:01:55,840 --> 00:02:30,240
+once more
+[Music]
+