Add files using upload-large-folder tool

1930/mw96cSYo9dU.mp4

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+version https://git-lfs.github.com/spec/v1
+oid sha256:eb64068949c3be4bb9f26e64d5ab07654eb07379736684e369b01ef5be4cc62e
+size 5298429

1963/kbGvnI1qIz8.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:00,060 --> 00:00:04,100
+
+she drinks you know really I keep
+
+2
+00:00:04,100 --> 00:00:04,110
+she drinks you know really I keep
+ 
+
+3
+00:00:04,110 --> 00:00:07,810
+she drinks you know really I keep
+finding empty bottles under the bed
+
+4
+00:00:07,810 --> 00:00:07,820
+
+ 
+
+5
+00:00:07,820 --> 00:00:10,549
+
+love's invite you to the cash were at
+
+6
+00:00:10,549 --> 00:00:10,559
+love's invite you to the cash were at
+ 
+
+7
+00:00:10,559 --> 00:00:13,700
+love's invite you to the cash were at
+both of you but I'm sure you wouldn't
+
+8
+00:00:13,700 --> 00:00:13,710
+both of you but I'm sure you wouldn't
+ 
+
+9
+00:00:13,710 --> 00:00:18,439
+both of you but I'm sure you wouldn't
+dream of leaving your young man no I
+
+10
+00:00:18,439 --> 00:00:18,449
+dream of leaving your young man no I
+ 
+
+11
+00:00:18,449 --> 00:00:19,570
+dream of leaving your young man no I
+guess not
+
+12
+00:00:19,570 --> 00:00:19,580
+guess not
+ 
+
+13
+00:00:19,580 --> 00:00:22,849
+guess not
+although sometimes I wonder about what
+
+14
+00:00:22,849 --> 00:00:22,859
+although sometimes I wonder about what
+ 
+
+15
+00:00:22,859 --> 00:00:25,730
+although sometimes I wonder about what
+did something troubling it was suddenly
+
+16
+00:00:25,730 --> 00:00:25,740
+did something troubling it was suddenly
+ 
+
+17
+00:00:25,740 --> 00:00:27,920
+did something troubling it was suddenly
+he seems so different I mean so
+
+18
+00:00:27,920 --> 00:00:27,930
+he seems so different I mean so
+ 
+
+19
+00:00:27,930 --> 00:00:30,140
+he seems so different I mean so
+indifferent he's tired all the time not
+
+20
+00:00:30,140 --> 00:00:30,150
+indifferent he's tired all the time not
+ 
+
+21
+00:00:30,150 --> 00:00:33,470
+indifferent he's tired all the time not
+interested in me at all I'm sure there
+
+22
+00:00:33,470 --> 00:00:33,480
+interested in me at all I'm sure there
+ 
+
+23
+00:00:33,480 --> 00:00:36,170
+interested in me at all I'm sure there
+must be some explanation I'm beginning
+
+24
+00:00:36,170 --> 00:00:36,180
+must be some explanation I'm beginning
+ 
+
+25
+00:00:36,180 --> 00:00:38,150
+must be some explanation I'm beginning
+to think he's got another girl that's
+
+26
+00:00:38,150 --> 00:00:38,160
+to think he's got another girl that's
+ 
+
+27
+00:00:38,160 --> 00:00:40,639
+to think he's got another girl that's
+ridiculous why would anybody with a girl
+
+28
+00:00:40,639 --> 00:00:40,649
+ridiculous why would anybody with a girl
+ 
+
+29
+00:00:40,649 --> 00:00:41,569
+ridiculous why would anybody with a girl
+like you
+
+30
+00:00:41,569 --> 00:00:41,579
+like you
+ 
+
+31
+00:00:41,579 --> 00:00:43,430
+like you
+it's how buddy order get that young man
+
+32
+00:00:43,430 --> 00:00:43,440
+it's how buddy order get that young man
+ 
+
+33
+00:00:43,440 --> 00:00:45,709
+it's how buddy order get that young man
+a good talking to him would you like to
+
+34
+00:00:45,709 --> 00:00:45,719
+a good talking to him would you like to
+ 
+
+35
+00:00:45,719 --> 00:00:49,100
+a good talking to him would you like to
+meet him meet him he's waiting for me in
+
+36
+00:00:49,100 --> 00:00:49,110
+meet him meet him he's waiting for me in
+ 
+
+37
+00:00:49,110 --> 00:00:52,069
+meet him meet him he's waiting for me in
+the bee store across the street I really
+
+38
+00:00:52,069 --> 00:00:52,079
+the bee store across the street I really
+ 
+
+39
+00:00:52,079 --> 00:00:53,720
+the bee store across the street I really
+ought to be getting to the airport
+
+40
+00:00:53,720 --> 00:00:53,730
+ought to be getting to the airport
+ 
+
+41
+00:00:53,730 --> 00:00:56,270
+ought to be getting to the airport
+it'll only take a minute come on but buy
+
+42
+00:00:56,270 --> 00:00:56,280
+it'll only take a minute come on but buy
+ 
+
+43
+00:00:56,280 --> 00:00:56,840
+it'll only take a minute come on but buy
+you a drink
+
+44
+00:00:56,840 --> 00:00:56,850
+you a drink
+ 
+
+45
+00:00:56,850 --> 00:00:59,510
+you a drink
+thank you but no thank you I mean while
+
+46
+00:00:59,510 --> 00:00:59,520
+thank you but no thank you I mean while
+ 
+
+47
+00:00:59,520 --> 00:01:01,880
+thank you but no thank you I mean while
+I'm getting my divorce we really
+
+48
+00:01:01,880 --> 00:01:01,890
+I'm getting my divorce we really
+ 
+
+49
+00:01:01,890 --> 00:01:04,189
+I'm getting my divorce we really
+shouldn't be seen with each other yes
+
+50
+00:01:04,189 --> 00:01:04,199
+shouldn't be seen with each other yes
+ 
+
+51
+00:01:04,199 --> 00:01:05,899
+shouldn't be seen with each other yes
+yes you must be careful
+
+52
+00:01:05,899 --> 00:01:05,909
+yes you must be careful
+ 
+
+53
+00:01:05,909 --> 00:01:08,060
+yes you must be careful
+maybe we shouldn't even leave the hotel
+
+54
+00:01:08,060 --> 00:01:08,070
+maybe we shouldn't even leave the hotel
+ 
+
+55
+00:01:08,070 --> 00:01:11,929
+maybe we shouldn't even leave the hotel
+together capital suggestion sorry Rhonda
+
+56
+00:01:11,929 --> 00:01:11,939
+together capital suggestion sorry Rhonda
+ 
+
+57
+00:01:11,939 --> 00:01:17,539
+together capital suggestion sorry Rhonda
+boy again next bad day mmm-hmm I don't
+
+58
+00:01:17,539 --> 00:01:17,549
+boy again next bad day mmm-hmm I don't
+ 
+
+59
+00:01:17,549 --> 00:01:22,429
+boy again next bad day mmm-hmm I don't
+feel right about this it's taking money
+
+60
+00:01:22,429 --> 00:01:22,439
+feel right about this it's taking money
+ 
+
+61
+00:01:22,439 --> 00:01:25,070
+feel right about this it's taking money
+under false pretenses after all I don't
+
+62
+00:01:25,070 --> 00:01:25,080
+under false pretenses after all I don't
+ 
+
+63
+00:01:25,080 --> 00:01:28,310
+under false pretenses after all I don't
+do anything for you so ordered - right
+
+64
+00:01:28,310 --> 00:01:28,320
+do anything for you so ordered - right
+ 
+
+65
+00:01:28,320 --> 00:01:30,230
+do anything for you so ordered - right
+this little arrangement of ours I did
+
+66
+00:01:30,230 --> 00:01:30,240
+this little arrangement of ours I did
+ 
+
+67
+00:01:30,240 --> 00:01:33,230
+this little arrangement of ours I did
+initiate with the ceiling of course it
+
+68
+00:01:33,230 --> 00:01:33,240
+initiate with the ceiling of course it
+ 
+
+69
+00:01:33,240 --> 00:01:36,380
+initiate with the ceiling of course it
+must be very boring for you not at all
+
+70
+00:01:36,380 --> 00:01:36,390
+must be very boring for you not at all
+ 
+
+71
+00:01:36,390 --> 00:01:40,850
+must be very boring for you not at all
+I enjoy it all you made me a very happy
+
+72
+00:01:40,850 --> 00:01:40,860
+I enjoy it all you made me a very happy
+ 
+
+73
+00:01:40,860 --> 00:01:50,469
+I enjoy it all you made me a very happy
+man off man I should say tada
+
+74
+00:01:50,469 --> 00:01:50,479
+
+ 
+
+75
+00:01:50,479 --> 00:02:01,330
+
+Lou I'm telling her
+
+76
+00:02:01,330 --> 00:02:01,340
+
+ 
+
+77
+00:02:01,340 --> 00:02:07,910
+
+no up get up you lush look at those
+
+78
+00:02:07,910 --> 00:02:07,920
+no up get up you lush look at those
+ 
+
+79
+00:02:07,920 --> 00:02:10,580
+no up get up you lush look at those
+circles under your eyes carry on like
+
+80
+00:02:10,580 --> 00:02:10,590
+circles under your eyes carry on like
+ 
+
+81
+00:02:10,590 --> 00:02:11,780
+circles under your eyes carry on like
+this and we'll have to have your face
+
+82
+00:02:11,780 --> 00:02:11,790
+this and we'll have to have your face
+ 
+
+83
+00:02:11,790 --> 00:02:13,480
+this and we'll have to have your face
+lifted
+
+84
+00:02:13,480 --> 00:02:13,490
+lifted
+ 
+
+85
+00:02:13,490 --> 00:02:38,080
+lifted
+[Music]
+

1963/lLbWBsRVUAU.en.srt

@@ -0,0 +1,575 @@
+1
+00:00:04,640 --> 00:00:07,230
+
+what'll it be officer cognac no no no no
+
+2
+00:00:07,230 --> 00:00:07,240
+what'll it be officer cognac no no no no
+ 
+
+3
+00:00:07,240 --> 00:00:09,350
+what'll it be officer cognac no no no no
+I never drink when I'm on duty matter of
+
+4
+00:00:09,350 --> 00:00:09,360
+I never drink when I'm on duty matter of
+ 
+
+5
+00:00:09,360 --> 00:00:11,190
+I never drink when I'm on duty matter of
+fact I never drink when I'm off duty
+
+6
+00:00:11,190 --> 00:00:11,200
+fact I never drink when I'm off duty
+ 
+
+7
+00:00:11,200 --> 00:00:18,590
+fact I never drink when I'm off duty
+maybe this little glass of Vichy
+
+8
+00:00:18,590 --> 00:00:18,600
+
+ 
+
+9
+00:00:18,600 --> 00:00:23,070
+
+water looking for something
+
+10
+00:00:23,070 --> 00:00:23,080
+
+ 
+
+11
+00:00:23,080 --> 00:00:25,349
+
+officer what do you know about that
+
+12
+00:00:25,349 --> 00:00:25,359
+officer what do you know about that
+ 
+
+13
+00:00:25,359 --> 00:00:28,669
+officer what do you know about that
+hotel CAD over slept there 1763 I'm not
+
+14
+00:00:28,669 --> 00:00:28,679
+hotel CAD over slept there 1763 I'm not
+ 
+
+15
+00:00:28,679 --> 00:00:30,550
+hotel CAD over slept there 1763 I'm not
+talking about 1763 just since I've been
+
+16
+00:00:30,550 --> 00:00:30,560
+talking about 1763 just since I've been
+ 
+
+17
+00:00:30,560 --> 00:00:31,910
+talking about 1763 just since I've been
+standing here four couples walked in
+
+18
+00:00:31,910 --> 00:00:31,920
+standing here four couples walked in
+ 
+
+19
+00:00:31,920 --> 00:00:35,150
+standing here four couples walked in
+there Monday is always a slow
+
+20
+00:00:35,150 --> 00:00:35,160
+there Monday is always a slow
+ 
+
+21
+00:00:35,160 --> 00:00:37,950
+there Monday is always a slow
+night just between us would you have
+
+22
+00:00:37,950 --> 00:00:37,960
+night just between us would you have
+ 
+
+23
+00:00:37,960 --> 00:00:39,830
+night just between us would you have
+even a vague idea what they're doing in
+
+24
+00:00:39,830 --> 00:00:39,840
+even a vague idea what they're doing in
+ 
+
+25
+00:00:39,840 --> 00:00:41,869
+even a vague idea what they're doing in
+there I have a very definite idea
+
+26
+00:00:41,869 --> 00:00:41,879
+there I have a very definite idea
+ 
+
+27
+00:00:41,879 --> 00:00:45,350
+there I have a very definite idea
+they're making love that's illegal shows
+
+28
+00:00:45,350 --> 00:00:45,360
+they're making love that's illegal shows
+ 
+
+29
+00:00:45,360 --> 00:00:47,470
+they're making love that's illegal shows
+you the kind of world we live in love is
+
+30
+00:00:47,470 --> 00:00:47,480
+you the kind of world we live in love is
+ 
+
+31
+00:00:47,480 --> 00:00:49,950
+you the kind of world we live in love is
+illegal but not hate that you can do
+
+32
+00:00:49,950 --> 00:00:49,960
+illegal but not hate that you can do
+ 
+
+33
+00:00:49,960 --> 00:00:52,189
+illegal but not hate that you can do
+anywhere anytime to anybody but if you
+
+34
+00:00:52,189 --> 00:00:52,199
+anywhere anytime to anybody but if you
+ 
+
+35
+00:00:52,199 --> 00:00:53,670
+anywhere anytime to anybody but if you
+want a little warmth A Little Tenderness
+
+36
+00:00:53,670 --> 00:00:53,680
+want a little warmth A Little Tenderness
+ 
+
+37
+00:00:53,680 --> 00:00:55,510
+want a little warmth A Little Tenderness
+a shoulder to cry on a smile to cuddle
+
+38
+00:00:55,510 --> 00:00:55,520
+a shoulder to cry on a smile to cuddle
+ 
+
+39
+00:00:55,520 --> 00:00:58,189
+a shoulder to cry on a smile to cuddle
+up with you have to hide in dark Corners
+
+40
+00:00:58,189 --> 00:00:58,199
+up with you have to hide in dark Corners
+ 
+
+41
+00:00:58,199 --> 00:01:00,910
+up with you have to hide in dark Corners
+like a criminal free I wouldn't call
+
+42
+00:01:00,910 --> 00:01:00,920
+like a criminal free I wouldn't call
+ 
+
+43
+00:01:00,920 --> 00:01:05,229
+like a criminal free I wouldn't call
+that love spoken like a petty Bourgeois
+
+44
+00:01:05,229 --> 00:01:05,239
+that love spoken like a petty Bourgeois
+ 
+
+45
+00:01:05,239 --> 00:01:07,190
+that love spoken like a petty Bourgeois
+it's flagrant Vice and must be Stamped
+
+46
+00:01:07,190 --> 00:01:07,200
+it's flagrant Vice and must be Stamped
+ 
+
+47
+00:01:07,200 --> 00:01:09,950
+it's flagrant Vice and must be Stamped
+Out My Dear Boy your thinking is not
+
+48
+00:01:09,950 --> 00:01:09,960
+Out My Dear Boy your thinking is not
+ 
+
+49
+00:01:09,960 --> 00:01:12,789
+Out My Dear Boy your thinking is not
+only fuzzy it's economically unsound and
+
+50
+00:01:12,789 --> 00:01:12,799
+only fuzzy it's economically unsound and
+ 
+
+51
+00:01:12,799 --> 00:01:15,270
+only fuzzy it's economically unsound and
+I know what I'm talking about I used to
+
+52
+00:01:15,270 --> 00:01:15,280
+I know what I'm talking about I used to
+ 
+
+53
+00:01:15,280 --> 00:01:17,550
+I know what I'm talking about I used to
+be professor of Economics at the saon
+
+54
+00:01:17,550 --> 00:01:17,560
+be professor of Economics at the saon
+ 
+
+55
+00:01:17,560 --> 00:01:19,469
+be professor of Economics at the saon
+for Professor for six years but that's
+
+56
+00:01:19,469 --> 00:01:19,479
+for Professor for six years but that's
+ 
+
+57
+00:01:19,479 --> 00:01:21,550
+for Professor for six years but that's
+another story then you should agree with
+
+58
+00:01:21,550 --> 00:01:21,560
+another story then you should agree with
+ 
+
+59
+00:01:21,560 --> 00:01:22,990
+another story then you should agree with
+me that decent citizens have a right to
+
+60
+00:01:22,990 --> 00:01:23,000
+me that decent citizens have a right to
+ 
+
+61
+00:01:23,000 --> 00:01:24,870
+me that decent citizens have a right to
+be protected from this all right let's
+
+62
+00:01:24,870 --> 00:01:24,880
+be protected from this all right let's
+ 
+
+63
+00:01:24,880 --> 00:01:26,710
+be protected from this all right let's
+take a decent citizen married for 20
+
+64
+00:01:26,710 --> 00:01:26,720
+take a decent citizen married for 20
+ 
+
+65
+00:01:26,720 --> 00:01:28,510
+take a decent citizen married for 20
+years works hard all day selling baby
+
+66
+00:01:28,510 --> 00:01:28,520
+years works hard all day selling baby
+ 
+
+67
+00:01:28,520 --> 00:01:30,550
+years works hard all day selling baby
+cages in the evening he wants a little
+
+68
+00:01:30,550 --> 00:01:30,560
+cages in the evening he wants a little
+ 
+
+69
+00:01:30,560 --> 00:01:32,670
+cages in the evening he wants a little
+fun a little companionship so he comes
+
+70
+00:01:32,670 --> 00:01:32,680
+fun a little companionship so he comes
+ 
+
+71
+00:01:32,680 --> 00:01:35,389
+fun a little companionship so he comes
+to R cinova he meets a girl she gives
+
+72
+00:01:35,389 --> 00:01:35,399
+to R cinova he meets a girl she gives
+ 
+
+73
+00:01:35,399 --> 00:01:37,190
+to R cinova he meets a girl she gives
+him a little companionship he gives her
+
+74
+00:01:37,190 --> 00:01:37,200
+him a little companionship he gives her
+ 
+
+75
+00:01:37,200 --> 00:01:38,950
+him a little companionship he gives her
+a little money the girl gives the money
+
+76
+00:01:38,950 --> 00:01:38,960
+a little money the girl gives the money
+ 
+
+77
+00:01:38,960 --> 00:01:40,510
+a little money the girl gives the money
+to her boyfriend the boyfriend spends it
+
+78
+00:01:40,510 --> 00:01:40,520
+to her boyfriend the boyfriend spends it
+ 
+
+79
+00:01:40,520 --> 00:01:43,350
+to her boyfriend the boyfriend spends it
+on drinks on cufflinks at the
+
+80
+00:01:43,350 --> 00:01:43,360
+on drinks on cufflinks at the
+ 
+
+81
+00:01:43,360 --> 00:01:46,510
+on drinks on cufflinks at the
+racetrack sometimes he even pays a
+
+82
+00:01:46,510 --> 00:01:46,520
+racetrack sometimes he even pays a
+ 
+
+83
+00:01:46,520 --> 00:01:49,030
+racetrack sometimes he even pays a
+little money to a policeman bribe a
+
+84
+00:01:49,030 --> 00:01:49,040
+little money to a policeman bribe a
+ 
+
+85
+00:01:49,040 --> 00:01:51,190
+little money to a policeman bribe a
+policeman that's the beauty of it
+
+86
+00:01:51,190 --> 00:01:51,200
+policeman that's the beauty of it
+ 
+
+87
+00:01:51,200 --> 00:01:52,469
+policeman that's the beauty of it
+because the policeman takes the money
+
+88
+00:01:52,469 --> 00:01:52,479
+because the policeman takes the money
+ 
+
+89
+00:01:52,479 --> 00:01:54,190
+because the policeman takes the money
+and buys a baby cage from the decent
+
+90
+00:01:54,190 --> 00:01:54,200
+and buys a baby cage from the decent
+ 
+
+91
+00:01:54,200 --> 00:01:56,310
+and buys a baby cage from the decent
+citizen thus the money is kept in
+
+92
+00:01:56,310 --> 00:01:56,320
+citizen thus the money is kept in
+ 
+
+93
+00:01:56,320 --> 00:01:58,749
+citizen thus the money is kept in
+circulation everybody's prosperous
+
+94
+00:01:58,749 --> 00:01:58,759
+circulation everybody's prosperous
+ 
+
+95
+00:01:58,759 --> 00:02:01,149
+circulation everybody's prosperous
+everybody's happy don't believe it it's
+
+96
+00:02:01,149 --> 00:02:01,159
+everybody's happy don't believe it it's
+ 
+
+97
+00:02:01,159 --> 00:02:03,429
+everybody's happy don't believe it it's
+Elementary I don't I don't believe there
+
+98
+00:02:03,429 --> 00:02:03,439
+Elementary I don't I don't believe there
+ 
+
+99
+00:02:03,439 --> 00:02:05,830
+Elementary I don't I don't believe there
+are policemen who take money oh not all
+
+100
+00:02:05,830 --> 00:02:05,840
+are policemen who take money oh not all
+ 
+
+101
+00:02:05,840 --> 00:02:08,350
+are policemen who take money oh not all
+policemen take money some of the hups
+
+102
+00:02:08,350 --> 00:02:08,360
+policemen take money some of the hups
+ 
+
+103
+00:02:08,360 --> 00:02:09,830
+policemen take money some of the hups
+have a more intimate arrangement with
+
+104
+00:02:09,830 --> 00:02:09,840
+have a more intimate arrangement with
+ 
+
+105
+00:02:09,840 --> 00:02:10,750
+have a more intimate arrangement with
+the
+
+106
+00:02:10,750 --> 00:02:10,760
+the
+ 
+
+107
+00:02:10,760 --> 00:02:13,070
+the
+girls well there's one policeman around
+
+108
+00:02:13,070 --> 00:02:13,080
+girls well there's one policeman around
+ 
+
+109
+00:02:13,080 --> 00:02:24,030
+girls well there's one policeman around
+here who isn't
+
+110
+00:02:24,030 --> 00:02:24,040
+
+ 
+
+111
+00:02:24,040 --> 00:02:25,990
+
+corrupt you wouldn't know the number of
+
+112
+00:02:25,990 --> 00:02:26,000
+corrupt you wouldn't know the number of
+ 
+
+113
+00:02:26,000 --> 00:02:29,870
+corrupt you wouldn't know the number of
+the police station would you
+
+114
+00:02:29,870 --> 00:02:29,880
+the police station would you
+ 
+
+115
+00:02:29,880 --> 00:02:56,969
+the police station would you
+[Music]
+

1963/ljMuEDlInLo.en.srt

@@ -0,0 +1,245 @@
+1
+00:00:00,350 --> 00:00:02,869
+
+crazy those sisters tried to form that
+
+2
+00:00:02,869 --> 00:00:02,879
+crazy those sisters tried to form that
+ 
+
+3
+00:00:02,879 --> 00:00:04,910
+crazy those sisters tried to form that
+lab they aren't mean enough that old
+
+4
+00:00:04,910 --> 00:00:04,920
+lab they aren't mean enough that old
+ 
+
+5
+00:00:04,920 --> 00:00:12,290
+lab they aren't mean enough that old
+mother she'll do Oh Olga sweeter he used
+
+6
+00:00:12,290 --> 00:00:12,300
+mother she'll do Oh Olga sweeter he used
+ 
+
+7
+00:00:12,300 --> 00:00:15,020
+mother she'll do Oh Olga sweeter he used
+to own the place he could grow potatoes
+
+8
+00:00:15,020 --> 00:00:15,030
+to own the place he could grow potatoes
+ 
+
+9
+00:00:15,030 --> 00:00:18,950
+to own the place he could grow potatoes
+on their rock he left the place to this
+
+10
+00:00:18,950 --> 00:00:18,960
+on their rock he left the place to this
+ 
+
+11
+00:00:18,960 --> 00:00:21,380
+on their rock he left the place to this
+religious order back in Germany East
+
+12
+00:00:21,380 --> 00:00:21,390
+religious order back in Germany East
+ 
+
+13
+00:00:21,390 --> 00:00:23,929
+religious order back in Germany East
+Germany the sisters came over the wall
+
+14
+00:00:23,929 --> 00:00:23,939
+Germany the sisters came over the wall
+ 
+
+15
+00:00:23,939 --> 00:00:28,370
+Germany the sisters came over the wall
+they tell you about that no like in
+
+16
+00:00:28,370 --> 00:00:28,380
+they tell you about that no like in
+ 
+
+17
+00:00:28,380 --> 00:00:31,609
+they tell you about that no like in
+Berlin see over the wall across the
+
+18
+00:00:31,609 --> 00:00:31,619
+Berlin see over the wall across the
+ 
+
+19
+00:00:31,619 --> 00:00:35,620
+Berlin see over the wall across the
+ocean across the country to what this
+
+20
+00:00:35,620 --> 00:00:35,630
+ocean across the country to what this
+ 
+
+21
+00:00:35,630 --> 00:00:39,319
+ocean across the country to what this
+they can't even talk the language I've
+
+22
+00:00:39,319 --> 00:00:39,329
+they can't even talk the language I've
+ 
+
+23
+00:00:39,329 --> 00:00:40,639
+they can't even talk the language I've
+been straightening the motto on that's
+
+24
+00:00:40,639 --> 00:00:40,649
+been straightening the motto on that's
+ 
+
+25
+00:00:40,649 --> 00:00:41,810
+been straightening the motto on that's
+God yeah
+
+26
+00:00:41,810 --> 00:00:41,820
+God yeah
+ 
+
+27
+00:00:41,820 --> 00:00:49,040
+God yeah
+sho'nuff hey this you ain't gonna hang
+
+28
+00:00:49,040 --> 00:00:49,050
+sho'nuff hey this you ain't gonna hang
+ 
+
+29
+00:00:49,050 --> 00:00:52,729
+sho'nuff hey this you ain't gonna hang
+around with the sisters I'm just passing
+
+30
+00:00:52,729 --> 00:00:52,739
+around with the sisters I'm just passing
+ 
+
+31
+00:00:52,739 --> 00:00:52,970
+around with the sisters I'm just passing
+through
+
+32
+00:00:52,970 --> 00:00:52,980
+through
+ 
+
+33
+00:00:52,980 --> 00:00:55,549
+through
+that's right the sisters ask you
+
+34
+00:00:55,549 --> 00:00:55,559
+that's right the sisters ask you
+ 
+
+35
+00:00:55,559 --> 00:00:57,110
+that's right the sisters ask you
+something you tell them no you keep
+
+36
+00:00:57,110 --> 00:00:57,120
+something you tell them no you keep
+ 
+
+37
+00:00:57,120 --> 00:00:59,479
+something you tell them no you keep
+right on going yeah you got a pie there
+
+38
+00:00:59,479 --> 00:00:59,489
+right on going yeah you got a pie there
+ 
+
+39
+00:00:59,489 --> 00:01:02,240
+right on going yeah you got a pie there
+sure the whole one can I have it
+
+40
+00:01:02,240 --> 00:01:02,250
+sure the whole one can I have it
+ 
+
+41
+00:01:02,250 --> 00:01:05,420
+sure the whole one can I have it
+yeah it's gonna cost you wrap it I'm a
+
+42
+00:01:05,420 --> 00:01:05,430
+yeah it's gonna cost you wrap it I'm a
+ 
+
+43
+00:01:05,430 --> 00:01:08,270
+yeah it's gonna cost you wrap it I'm a
+millionaire from Wall Street my name is
+
+44
+00:01:08,270 --> 00:01:08,280
+millionaire from Wall Street my name is
+ 
+
+45
+00:01:08,280 --> 00:01:13,070
+millionaire from Wall Street my name is
+Homer Smith won at Alito
+
+46
+00:01:13,070 --> 00:01:13,080
+
+ 
+
+47
+00:01:13,080 --> 00:01:19,190
+
+[Music]
+
+48
+00:01:19,190 --> 00:01:19,200
+
+ 
+
+49
+00:01:19,200 --> 00:01:21,259
+
+you
+

1963/mRmLfuhXHR8.description

@@ -0,0 +1,38 @@
+Charade movie clips: http://j.mp/1J9f1Fp
+BUY THE MOVIE: http://amzn.to/uofoaU
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Peter (Cary Grant) and Scobie (George Kennedy) duke it out in the rooftop after Peter narrowly frees himself as Scobie's hostage.
+
+FILM DESCRIPTION:
+Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Cary Grant, George Kennedy
+Director: Stanley Donen
+Producers: Stanley Donen, James H. Ware
+Screenwriters: Marc Behm, Peter Stone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1963/qMwvHLe5m3g.description

@@ -0,0 +1,38 @@
+The Birds movie clips: http://j.mp/15vUQTZ
+BUY THE MOVIE: http://amzn.to/vAN8ED
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mitch (Rod Taylor) leads Melanie (Tippi Hedren), Lydia (Jessica Tandy) and Cathy (Veronica Cartwright) out of the house and into the car.
+
+FILM DESCRIPTION:
+The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Rod Taylor, Veronica Cartwright, Tippi Hedren, Jessica Tandy
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Daphne Du Maurier, Evan Hunter
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1963/qMwvHLe5m3g.en.srt

@@ -0,0 +1,62 @@
+1
+00:00:00,184 --> 00:00:02,243
+Did you hear anything
+on the radio ?
+
+2
+00:00:02,319 --> 00:00:04,845
+It's-It's all right.
+Come on.
+
+3
+00:00:28,051 --> 00:00:30,019
+<i>[ Turning Doorknob ]</i>
+
+4
+00:00:39,064 --> 00:00:40,999
+<i>[ Gull Crying ]</i>
+
+5
+00:00:43,236 --> 00:00:45,705
+No. No !
+
+6
+00:00:45,773 --> 00:00:47,707
+Shh. Shh.
+
+7
+00:01:14,841 --> 00:01:18,243
+- Mitch ?
+- Shh !
+
+8
+00:01:18,312 --> 00:01:20,371
+Stay there.
+
+9
+00:01:27,724 --> 00:01:30,056
+Can I bring
+the lovebirds, Mitch ?
+
+10
+00:01:30,126 --> 00:01:32,391
+They haven't harmed anyone.
+
+11
+00:01:32,463 --> 00:01:34,727
+A-All right.
+Bring them.
+
+12
+00:01:51,653 --> 00:01:53,587
+<i>[ Shutting Door ]</i>
+
+13
+00:02:16,482 --> 00:02:19,384
+<i>[ Starts Motor ]</i>
+
+14
+00:02:28,297 --> 00:02:31,357
+<i>[ Car Driving Away,</i>
+<i>Bird Squawking Intensifies ]</i>
+

1963/tyazEYlueAw.en.srt

@@ -0,0 +1,115 @@
+1
+00:00:03,060 --> 00:00:06,280
+
+walking
+
+2
+00:00:06,280 --> 00:00:06,290
+
+ 
+
+3
+00:00:06,290 --> 00:00:15,280
+
+well
+
+4
+00:00:15,280 --> 00:00:15,290
+
+ 
+
+5
+00:00:15,290 --> 00:00:19,980
+
+l
+
+6
+00:00:19,980 --> 00:00:19,990
+
+ 
+
+7
+00:00:19,990 --> 00:00:28,900
+
+[Applause]
+
+8
+00:00:28,900 --> 00:00:28,910
+
+ 
+
+9
+00:00:28,910 --> 00:01:07,600
+
+ah
+
+10
+00:01:07,600 --> 00:01:07,610
+
+ 
+
+11
+00:01:07,610 --> 00:01:15,880
+
+and
+
+12
+00:01:15,880 --> 00:01:15,890
+
+ 
+
+13
+00:01:15,890 --> 00:01:18,730
+
+simao
+
+14
+00:01:18,730 --> 00:01:18,740
+simao
+ 
+
+15
+00:01:18,740 --> 00:01:32,220
+simao
+and
+
+16
+00:01:32,220 --> 00:01:32,230
+
+ 
+
+17
+00:01:32,230 --> 00:01:43,830
+
+that's why
+
+18
+00:01:43,830 --> 00:01:43,840
+
+ 
+
+19
+00:01:43,840 --> 00:01:53,990
+
+i
+
+20
+00:01:53,990 --> 00:01:54,000
+
+ 
+
+21
+00:01:54,000 --> 00:02:17,510
+
+remembering
+
+22
+00:02:17,510 --> 00:02:17,520
+
+ 
+
+23
+00:02:17,520 --> 00:02:26,479
+
+[Music]
+

1963/uvXwt5HNFLU.en.srt

@@ -0,0 +1,575 @@
+1
+00:00:00,080 --> 00:00:01,189
+
+oh so then you knew they were going to
+
+2
+00:00:01,189 --> 00:00:01,199
+oh so then you knew they were going to
+ 
+
+3
+00:00:01,199 --> 00:00:03,110
+oh so then you knew they were going to
+be stolen oh yes
+
+4
+00:00:03,110 --> 00:00:03,120
+be stolen oh yes
+ 
+
+5
+00:00:03,120 --> 00:00:04,470
+be stolen oh yes
+how did you know
+
+6
+00:00:04,470 --> 00:00:04,480
+how did you know
+ 
+
+7
+00:00:04,480 --> 00:00:06,150
+how did you know
+because that is the modus operandi of
+
+8
+00:00:06,150 --> 00:00:06,160
+because that is the modus operandi of
+ 
+
+9
+00:00:06,160 --> 00:00:09,669
+because that is the modus operandi of
+the phantom he always works that way
+
+10
+00:00:09,669 --> 00:00:09,679
+the phantom he always works that way
+ 
+
+11
+00:00:09,679 --> 00:00:13,509
+the phantom he always works that way
+oh i see
+
+12
+00:00:13,509 --> 00:00:13,519
+
+ 
+
+13
+00:00:13,519 --> 00:00:15,829
+
+we're the same people always present at
+
+14
+00:00:15,829 --> 00:00:15,839
+we're the same people always present at
+ 
+
+15
+00:00:15,839 --> 00:00:19,910
+we're the same people always present at
+each party oh no the guest list varied
+
+16
+00:00:19,910 --> 00:00:19,920
+each party oh no the guest list varied
+ 
+
+17
+00:00:19,920 --> 00:00:21,910
+each party oh no the guest list varied
+outside of sir charles was anybody else
+
+18
+00:00:21,910 --> 00:00:21,920
+outside of sir charles was anybody else
+ 
+
+19
+00:00:21,920 --> 00:00:25,269
+outside of sir charles was anybody else
+always present at each of these parties
+
+20
+00:00:25,269 --> 00:00:25,279
+always present at each of these parties
+ 
+
+21
+00:00:25,279 --> 00:00:26,470
+always present at each of these parties
+uh
+
+22
+00:00:26,470 --> 00:00:26,480
+uh
+ 
+
+23
+00:00:26,480 --> 00:00:28,230
+uh
+no no no
+
+24
+00:00:28,230 --> 00:00:28,240
+no no no
+ 
+
+25
+00:00:28,240 --> 00:00:29,990
+no no no
+ernesto charles was present at each
+
+26
+00:00:29,990 --> 00:00:30,000
+ernesto charles was present at each
+ 
+
+27
+00:00:30,000 --> 00:00:30,950
+ernesto charles was present at each
+party
+
+28
+00:00:30,950 --> 00:00:30,960
+party
+ 
+
+29
+00:00:30,960 --> 00:00:32,790
+party
+when there was a robbery
+
+30
+00:00:32,790 --> 00:00:32,800
+when there was a robbery
+ 
+
+31
+00:00:32,800 --> 00:00:34,069
+when there was a robbery
+yes yes
+
+32
+00:00:34,069 --> 00:00:34,079
+yes yes
+ 
+
+33
+00:00:34,079 --> 00:00:36,549
+yes yes
+let's see
+
+34
+00:00:36,549 --> 00:00:36,559
+
+ 
+
+35
+00:00:36,559 --> 00:00:38,790
+
+what about you
+
+36
+00:00:38,790 --> 00:00:38,800
+what about you
+ 
+
+37
+00:00:38,800 --> 00:00:41,590
+what about you
+me yes you
+
+38
+00:00:41,590 --> 00:00:41,600
+
+ 
+
+39
+00:00:41,600 --> 00:00:43,670
+
+what about me when you were there
+
+40
+00:00:43,670 --> 00:00:43,680
+what about me when you were there
+ 
+
+41
+00:00:43,680 --> 00:00:45,350
+what about me when you were there
+yes well then sir charles was not the
+
+42
+00:00:45,350 --> 00:00:45,360
+yes well then sir charles was not the
+ 
+
+43
+00:00:45,360 --> 00:00:48,549
+yes well then sir charles was not the
+only one who was present at each party
+
+44
+00:00:48,549 --> 00:00:48,559
+only one who was present at each party
+ 
+
+45
+00:00:48,559 --> 00:00:50,229
+only one who was present at each party
+what are you suggesting i'm not
+
+46
+00:00:50,229 --> 00:00:50,239
+what are you suggesting i'm not
+ 
+
+47
+00:00:50,239 --> 00:00:51,990
+what are you suggesting i'm not
+suggesting anything
+
+48
+00:00:51,990 --> 00:00:52,000
+suggesting anything
+ 
+
+49
+00:00:52,000 --> 00:00:57,110
+suggesting anything
+yet
+
+50
+00:00:57,110 --> 00:00:57,120
+
+ 
+
+51
+00:00:57,120 --> 00:01:00,310
+
+um inspector too sir
+
+52
+00:01:00,310 --> 00:01:00,320
+
+ 
+
+53
+00:01:00,320 --> 00:01:03,830
+
+how much money do you make
+
+54
+00:01:03,830 --> 00:01:03,840
+
+ 
+
+55
+00:01:03,840 --> 00:01:05,910
+
+oh what does this got to do with it well
+
+56
+00:01:05,910 --> 00:01:05,920
+oh what does this got to do with it well
+ 
+
+57
+00:01:05,920 --> 00:01:07,670
+oh what does this got to do with it well
+your salary how much does a police
+
+58
+00:01:07,670 --> 00:01:07,680
+your salary how much does a police
+ 
+
+59
+00:01:07,680 --> 00:01:10,149
+your salary how much does a police
+inspector get paid you know
+
+60
+00:01:10,149 --> 00:01:10,159
+inspector get paid you know
+ 
+
+61
+00:01:10,159 --> 00:01:12,390
+inspector get paid you know
+enough to buy a wi-fi
+
+62
+00:01:12,390 --> 00:01:12,400
+enough to buy a wi-fi
+ 
+
+63
+00:01:12,400 --> 00:01:14,550
+enough to buy a wi-fi
+ten thousand dollar mink code no of
+
+64
+00:01:14,550 --> 00:01:14,560
+ten thousand dollar mink code no of
+ 
+
+65
+00:01:14,560 --> 00:01:15,750
+ten thousand dollar mink code no of
+course not
+
+66
+00:01:15,750 --> 00:01:15,760
+course not
+ 
+
+67
+00:01:15,760 --> 00:01:17,190
+course not
+you're aware that your wife spent seven
+
+68
+00:01:17,190 --> 00:01:17,200
+you're aware that your wife spent seven
+ 
+
+69
+00:01:17,200 --> 00:01:18,870
+you're aware that your wife spent seven
+thousand dollars at the eve sonora only
+
+70
+00:01:18,870 --> 00:01:18,880
+thousand dollars at the eve sonora only
+ 
+
+71
+00:01:18,880 --> 00:01:21,429
+thousand dollars at the eve sonora only
+last month
+
+72
+00:01:21,429 --> 00:01:21,439
+
+ 
+
+73
+00:01:21,439 --> 00:01:23,429
+
+what and two months before that four
+
+74
+00:01:23,429 --> 00:01:23,439
+what and two months before that four
+ 
+
+75
+00:01:23,439 --> 00:01:25,109
+what and two months before that four
+thousand dollars
+
+76
+00:01:25,109 --> 00:01:25,119
+thousand dollars
+ 
+
+77
+00:01:25,119 --> 00:01:26,789
+thousand dollars
+it's impossible we know for a fact that
+
+78
+00:01:26,789 --> 00:01:26,799
+it's impossible we know for a fact that
+ 
+
+79
+00:01:26,799 --> 00:01:28,310
+it's impossible we know for a fact that
+your wife spent at least 30 thousand
+
+80
+00:01:28,310 --> 00:01:28,320
+your wife spent at least 30 thousand
+ 
+
+81
+00:01:28,320 --> 00:01:30,630
+your wife spent at least 30 thousand
+dollars on clothes during the past year
+
+82
+00:01:30,630 --> 00:01:30,640
+dollars on clothes during the past year
+ 
+
+83
+00:01:30,640 --> 00:01:32,870
+dollars on clothes during the past year
+so my wife is very frugal she saves out
+
+84
+00:01:32,870 --> 00:01:32,880
+so my wife is very frugal she saves out
+ 
+
+85
+00:01:32,880 --> 00:01:40,469
+so my wife is very frugal she saves out
+of the housekeeping money
+
+86
+00:01:40,469 --> 00:01:40,479
+
+ 
+
+87
+00:01:40,479 --> 00:01:41,990
+
+thirty thousand dollars out of the
+
+88
+00:01:41,990 --> 00:01:42,000
+thirty thousand dollars out of the
+ 
+
+89
+00:01:42,000 --> 00:01:44,069
+thirty thousand dollars out of the
+housekeeping money yeah we've been
+
+90
+00:01:44,069 --> 00:01:44,079
+housekeeping money yeah we've been
+ 
+
+91
+00:01:44,079 --> 00:01:48,550
+housekeeping money yeah we've been
+married for ten years
+
+92
+00:01:48,550 --> 00:01:48,560
+
+ 
+
+93
+00:01:48,560 --> 00:01:49,910
+
+about the time that these robberies
+
+94
+00:01:49,910 --> 00:01:49,920
+about the time that these robberies
+ 
+
+95
+00:01:49,920 --> 00:01:51,670
+about the time that these robberies
+began and the notorious phantom came
+
+96
+00:01:51,670 --> 00:01:51,680
+began and the notorious phantom came
+ 
+
+97
+00:01:51,680 --> 00:01:54,870
+began and the notorious phantom came
+into existence correct yes no no not
+
+98
+00:01:54,870 --> 00:01:54,880
+into existence correct yes no no not
+ 
+
+99
+00:01:54,880 --> 00:01:55,830
+into existence correct yes no no not
+correct
+
+100
+00:01:55,830 --> 00:01:55,840
+correct
+ 
+
+101
+00:01:55,840 --> 00:01:58,389
+correct
+of course not correct of course
+
+102
+00:01:58,389 --> 00:01:58,399
+of course not correct of course
+ 
+
+103
+00:01:58,399 --> 00:02:00,069
+of course not correct of course
+oh yeah
+
+104
+00:02:00,069 --> 00:02:00,079
+oh yeah
+ 
+
+105
+00:02:00,079 --> 00:02:01,190
+oh yeah
+wait wait
+
+106
+00:02:01,190 --> 00:02:01,200
+wait wait
+ 
+
+107
+00:02:01,200 --> 00:02:02,720
+wait wait
+you see
+
+108
+00:02:02,720 --> 00:02:02,730
+you see
+ 
+
+109
+00:02:02,730 --> 00:02:13,430
+you see
+[Music]
+
+110
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+111
+00:02:13,440 --> 00:02:16,890
+
+nine
+
+112
+00:02:16,890 --> 00:02:16,900
+
+ 
+
+113
+00:02:16,900 --> 00:02:46,470
+
+[Music]
+
+114
+00:02:46,470 --> 00:02:46,480
+
+ 
+
+115
+00:02:46,480 --> 00:02:48,560
+
+you
+

1963/vZqr-1GJIAk.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:00,030 --> 00:00:04,550
+
+no even for policemen your behavior was
+
+2
+00:00:04,550 --> 00:00:04,560
+no even for policemen your behavior was
+ 
+
+3
+00:00:04,560 --> 00:00:07,369
+no even for policemen your behavior was
+ready outrageous well you could have
+
+4
+00:00:07,369 --> 00:00:07,379
+ready outrageous well you could have
+ 
+
+5
+00:00:07,379 --> 00:00:09,410
+ready outrageous well you could have
+taken a fair share like the rest of us
+
+6
+00:00:09,410 --> 00:00:09,420
+taken a fair share like the rest of us
+ 
+
+7
+00:00:09,420 --> 00:00:13,850
+taken a fair share like the rest of us
+but no wrap up the whole scene baby we
+
+8
+00:00:13,850 --> 00:00:13,860
+but no wrap up the whole scene baby we
+ 
+
+9
+00:00:13,860 --> 00:00:16,160
+but no wrap up the whole scene baby we
+had three hundred and fifty thousand
+
+10
+00:00:16,160 --> 00:00:16,170
+had three hundred and fifty thousand
+ 
+
+11
+00:00:16,170 --> 00:00:20,990
+had three hundred and fifty thousand
+bucks right in our hands fourteen into
+
+12
+00:00:20,990 --> 00:00:21,000
+bucks right in our hands fourteen into
+ 
+
+13
+00:00:21,000 --> 00:00:27,230
+bucks right in our hands fourteen into
+three hundred and fifty thousand dollars
+
+14
+00:00:27,230 --> 00:00:27,240
+
+ 
+
+15
+00:00:27,240 --> 00:00:28,910
+
+wish I knew what they were gonna do to
+
+16
+00:00:28,910 --> 00:00:28,920
+wish I knew what they were gonna do to
+ 
+
+17
+00:00:28,920 --> 00:00:33,320
+wish I knew what they were gonna do to
+us but no matter what happens to us what
+
+18
+00:00:33,320 --> 00:00:33,330
+us but no matter what happens to us what
+ 
+
+19
+00:00:33,330 --> 00:00:35,630
+us but no matter what happens to us what
+happens to you I hope will be worse I
+
+20
+00:00:35,630 --> 00:00:35,640
+happens to you I hope will be worse I
+ 
+
+21
+00:00:35,640 --> 00:00:37,450
+happens to you I hope will be worse I
+[Music]
+
+22
+00:00:37,450 --> 00:00:37,460
+[Music]
+ 
+
+23
+00:00:37,460 --> 00:00:39,380
+[Music]
+don't think you have to worry too much
+
+24
+00:00:39,380 --> 00:00:39,390
+don't think you have to worry too much
+ 
+
+25
+00:00:39,390 --> 00:00:44,600
+don't think you have to worry too much
+about that my wife is divorcing me my
+
+26
+00:00:44,600 --> 00:00:44,610
+about that my wife is divorcing me my
+ 
+
+27
+00:00:44,610 --> 00:00:48,770
+about that my wife is divorcing me my
+mother-in-law is suing me for damages my
+
+28
+00:00:48,770 --> 00:00:48,780
+mother-in-law is suing me for damages my
+ 
+
+29
+00:00:48,780 --> 00:00:50,240
+mother-in-law is suing me for damages my
+daughter is applying to the courts to
+
+30
+00:00:50,240 --> 00:00:50,250
+daughter is applying to the courts to
+ 
+
+31
+00:00:50,250 --> 00:00:53,869
+daughter is applying to the courts to
+have her name changed my pension has
+
+32
+00:00:53,869 --> 00:00:53,879
+have her name changed my pension has
+ 
+
+33
+00:00:53,879 --> 00:00:57,080
+have her name changed my pension has
+been revoked and the only reason that
+
+34
+00:00:57,080 --> 00:00:57,090
+been revoked and the only reason that
+ 
+
+35
+00:00:57,090 --> 00:01:01,550
+been revoked and the only reason that
+you 10 Didion's will very likely get off
+
+36
+00:01:01,550 --> 00:01:01,560
+you 10 Didion's will very likely get off
+ 
+
+37
+00:01:01,560 --> 00:01:04,939
+you 10 Didion's will very likely get off
+lightly is because the judge will have
+
+38
+00:01:04,939 --> 00:01:04,949
+lightly is because the judge will have
+ 
+
+39
+00:01:04,949 --> 00:01:07,359
+lightly is because the judge will have
+me up there to throw the book at oh
+
+40
+00:01:07,359 --> 00:01:07,369
+me up there to throw the book at oh
+ 
+
+41
+00:01:07,369 --> 00:01:15,080
+me up there to throw the book at oh
+that's tough oh I'd like to think that
+
+42
+00:01:15,080 --> 00:01:15,090
+that's tough oh I'd like to think that
+ 
+
+43
+00:01:15,090 --> 00:01:19,359
+that's tough oh I'd like to think that
+sometime maybe 10 or 20 years from now
+
+44
+00:01:19,359 --> 00:01:19,369
+sometime maybe 10 or 20 years from now
+ 
+
+45
+00:01:19,369 --> 00:01:21,530
+sometime maybe 10 or 20 years from now
+there'd be something I could laugh at
+
+46
+00:01:21,530 --> 00:01:21,540
+there'd be something I could laugh at
+ 
+
+47
+00:01:21,540 --> 00:01:25,420
+there'd be something I could laugh at
+anything
+
+48
+00:01:25,420 --> 00:01:25,430
+
+ 
+
+49
+00:01:25,430 --> 00:01:34,190
+
+[Music]
+
+50
+00:01:34,190 --> 00:01:34,200
+
+ 
+
+51
+00:01:34,200 --> 00:01:39,180
+
+Yoho
+
+52
+00:01:39,180 --> 00:01:39,190
+
+ 
+
+53
+00:01:39,190 --> 00:01:47,660
+
+[Applause]
+
+54
+00:01:47,660 --> 00:01:47,670
+
+ 
+
+55
+00:01:47,670 --> 00:01:54,080
+
+[Applause]
+
+56
+00:01:54,080 --> 00:01:54,090
+
+ 
+
+57
+00:01:54,090 --> 00:01:56,330
+
+[Music]
+
+58
+00:01:56,330 --> 00:01:56,340
+[Music]
+ 
+
+59
+00:01:56,340 --> 00:02:05,710
+[Music]
+[Applause]
+
+60
+00:02:05,710 --> 00:02:05,720
+[Applause]
+ 
+
+61
+00:02:05,720 --> 00:02:06,180
+[Applause]
+[Music]
+
+62
+00:02:06,180 --> 00:02:06,190
+[Music]
+ 
+
+63
+00:02:06,190 --> 00:02:08,029
+[Music]
+[Applause]
+
+64
+00:02:08,029 --> 00:02:08,039
+[Applause]
+ 
+
+65
+00:02:08,039 --> 00:02:08,499
+[Applause]
+[Music]
+
+66
+00:02:08,499 --> 00:02:08,509
+[Music]
+ 
+
+67
+00:02:08,509 --> 00:02:16,060
+[Music]
+[Applause]
+
+68
+00:02:16,060 --> 00:02:16,070
+
+ 
+
+69
+00:02:16,070 --> 00:02:29,729
+
+[Music]
+

1963/ydLJtKlVVZw.description

@@ -0,0 +1,38 @@
+The Birds movie clips: http://j.mp/15vUQTZ
+BUY THE MOVIE: http://amzn.to/vAN8ED
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Melanie (Tippi Hedren) smokes as flocks of crows quietly gather on the school playground behind her.
+
+FILM DESCRIPTION:
+The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Tippi Hedren
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Daphne Du Maurier, Evan Hunter
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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+
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1963/ydLJtKlVVZw.en.srt

@@ -0,0 +1,187 @@
+1
+00:00:00,227 --> 00:00:03,220
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+2
+00:00:03,298 --> 00:00:06,826
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+3
+00:00:06,902 --> 00:00:11,169
+<i># She churns her butter</i>
+<i>In her dad's old boot #</i>
+
+4
+00:00:11,241 --> 00:00:14,074
+<i># Ristle-tee, Rostle-tee</i>
+<i>Now, now, now #</i>
+
+5
+00:00:14,144 --> 00:00:17,239
+<i># And for a dash</i>
+<i>She'd use her foot #</i>
+
+6
+00:00:17,315 --> 00:00:20,376
+<i># Ristle-tee, Rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+7
+00:00:20,452 --> 00:00:23,444
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+8
+00:00:23,522 --> 00:00:26,356
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+9
+00:00:26,426 --> 00:00:31,296
+<i># The butter it came out</i>
+<i>All grizzle-y gray #</i>
+
+10
+00:00:31,365 --> 00:00:33,994
+<i># Ristle-tee, rostle-tee</i>
+<i>Now, now, now #</i>
+
+11
+00:00:34,069 --> 00:00:37,801
+<i># The cheese it took legs</i>
+<i>and ran away #</i>
+
+12
+00:00:37,874 --> 00:00:40,502
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+13
+00:00:40,576 --> 00:00:43,569
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+14
+00:00:43,647 --> 00:00:46,913
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+15
+00:00:46,985 --> 00:00:50,318
+<i># She let the critter</i>
+<i>get away #</i>
+
+16
+00:00:50,388 --> 00:00:52,880
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+17
+00:00:52,958 --> 00:00:55,950
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+18
+00:00:56,029 --> 00:00:59,328
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+19
+00:00:59,399 --> 00:01:03,632
+<i># I asked my wife</i>
+<i>to wash the floor #</i>
+
+20
+00:01:03,704 --> 00:01:06,503
+<i># Ristle-tee, rostle-tee</i>
+<i>Now, now, now #</i>
+
+21
+00:01:06,575 --> 00:01:09,703
+<i># She gave me my hat</i>
+<i>And she showed me the door #</i>
+
+22
+00:01:09,778 --> 00:01:12,748
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+23
+00:01:12,815 --> 00:01:17,981
+<i># Knickety-knackety</i>
+<i>Rustical quality</i>
+<i>Now, now, now #</i>
+
+24
+00:01:18,055 --> 00:01:22,015
+<i># I married my wife</i>
+<i>in the month ofJune #</i>
+
+25
+00:01:22,093 --> 00:01:24,460
+<i># Ristle-tee, rostle-tee</i>
+<i>Now, now, now #</i>
+
+26
+00:01:24,530 --> 00:01:27,761
+<i># I brought her home</i>
+<i>by the light of the moon #</i>
+
+27
+00:01:27,833 --> 00:01:30,928
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+28
+00:01:31,004 --> 00:01:33,974
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+29
+00:01:34,042 --> 00:01:37,671
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+30
+00:01:37,746 --> 00:01:42,183
+<i># She combed her hair</i>
+<i>But once a year #</i>
+
+31
+00:01:42,251 --> 00:01:44,777
+<i># Ristle-tee, rostle-tee</i>
+<i>Hey, donnie-dostle-tee #</i>
+
+32
+00:01:44,854 --> 00:01:48,518
+<i># Knickety-knackety</i>
+<i>Rustical quality #</i>
+
+33
+00:01:48,593 --> 00:01:51,722
+<i># Willow-tee, wallow-tee</i>
+<i>Now, now, now #</i>
+
+34
+00:01:51,797 --> 00:01:54,994
+<i># Ristle-tee, rostle-tee</i>
+<i>Now, now, now ##</i>
+
+35
+00:01:55,067 --> 00:01:57,161
+<i>[ Annie ]</i>
+<i>All right, children. Now,</i>
+<i>please put your song books away,</i>
+
+36
+00:01:57,236 --> 00:01:59,170
+<i>then stand up</i>
+<i>alongside your desks.</i>
+
+37
+00:01:59,238 --> 00:02:02,470
+<i>We'll go out for recess</i>
+<i>as soon as everybody gets ready.</i>
+

1963/ziVJd7Fwzvc.description

@@ -0,0 +1,38 @@
+Charade movie clips: http://j.mp/1J9f1Fp
+BUY THE MOVIE: http://amzn.to/uofoaU
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Regina (Audrey Hepburn) confides in Peter (Cary Grant), but is warned not to trust him by an anonymous phone call.
+
+FILM DESCRIPTION:
+Cary Grant and Audrey Hepburn star in this stylish comedy-thriller directed by Stanley Donen, very much in a Hitchcock vein. Grant plays Peter Joshua, who meets Reggie Lampert (Hepburn) in Paris and later offers to help her when she discovers that her husband has been murdered. After the funeral, Reggie is summoned to the embassy and warned by agent/friend Bartholemew (Walter Matthau) that her late husband helped steal 250,000 dollars during the war and that the rest of the gang is after the money as well. When three of the men who attended her husband's funeral begin to harass her, Reggie goes to Joshua for help, at which time Joshua confesses that his name is actually Alexander Dyle, the brother of a fourth accomplice in the gold theft. The three men from the funeral are revealed to be the three other accomplices in the crime, and though she knows next to nothing of the heist, Reggie is caught in a ring of suspense as she is followed by the shadowy trio, all after the money. Apparently, the only person she can trust is Joshua/Dyle -- until Bartholomew tells Reggie that the fourth accomplice had no brother, and Joshua/Dyle reveals that he is, in fact, a crook named Adam Canfield. Now Reggie doesn't know where to turn. The musical score by Johnny Mercer and Henry Mancini was nominated for an Academy Award.
+
+CREDITS:
+TM & © Universal (1963)
+Cast: Cary Grant, George Kennedy, Audrey Hepburn
+Director: Stanley Donen
+Producers: Stanley Donen, James H. Ware
+Screenwriters: Marc Behm, Peter Stone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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1963/ziVJd7Fwzvc.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:00,709 --> 00:00:03,020
+
+Peter help me you're the only one I can
+
+2
+00:00:03,020 --> 00:00:03,030
+Peter help me you're the only one I can
+ 
+
+3
+00:00:03,030 --> 00:00:11,270
+Peter help me you're the only one I can
+trust I told you I would come on oh I'm
+
+4
+00:00:11,270 --> 00:00:11,280
+trust I told you I would come on oh I'm
+ 
+
+5
+00:00:11,280 --> 00:00:13,419
+trust I told you I would come on oh I'm
+so hungry I could faint
+
+6
+00:00:13,419 --> 00:00:13,429
+so hungry I could faint
+ 
+
+7
+00:00:13,429 --> 00:00:17,060
+so hungry I could faint
+and I've got your suit all wet that's a
+
+8
+00:00:17,060 --> 00:00:17,070
+and I've got your suit all wet that's a
+ 
+
+9
+00:00:17,070 --> 00:00:24,160
+and I've got your suit all wet that's a
+lie it's a drip dry your eyes
+
+10
+00:00:24,160 --> 00:00:24,170
+
+ 
+
+11
+00:00:24,170 --> 00:00:26,179
+
+promise me you'll never lie to me the
+
+12
+00:00:26,179 --> 00:00:26,189
+promise me you'll never lie to me the
+ 
+
+13
+00:00:26,189 --> 00:00:28,370
+promise me you'll never lie to me the
+way Charles did why do people have to
+
+14
+00:00:28,370 --> 00:00:28,380
+way Charles did why do people have to
+ 
+
+15
+00:00:28,380 --> 00:00:31,519
+way Charles did why do people have to
+tell lies usually it's because they want
+
+16
+00:00:31,519 --> 00:00:31,529
+tell lies usually it's because they want
+ 
+
+17
+00:00:31,529 --> 00:00:33,170
+tell lies usually it's because they want
+something they're afraid the truth won't
+
+18
+00:00:33,170 --> 00:00:33,180
+something they're afraid the truth won't
+ 
+
+19
+00:00:33,180 --> 00:00:37,830
+something they're afraid the truth won't
+get it for them you tell lies
+
+20
+00:00:37,830 --> 00:00:37,840
+
+ 
+
+21
+00:00:37,840 --> 00:00:46,200
+
+[Music]
+
+22
+00:00:46,200 --> 00:00:46,210
+[Music]
+ 
+
+23
+00:00:46,210 --> 00:00:49,660
+[Music]
+hello mrs. Lambert it's me the man who
+
+24
+00:00:49,660 --> 00:00:49,670
+hello mrs. Lambert it's me the man who
+ 
+
+25
+00:00:49,670 --> 00:00:52,740
+hello mrs. Lambert it's me the man who
+was in your room a few minutes ago
+
+26
+00:00:52,740 --> 00:00:52,750
+was in your room a few minutes ago
+ 
+
+27
+00:00:52,750 --> 00:00:56,830
+was in your room a few minutes ago
+what do you want who is it it's the man
+
+28
+00:00:56,830 --> 00:00:56,840
+what do you want who is it it's the man
+ 
+
+29
+00:00:56,840 --> 00:00:59,790
+what do you want who is it it's the man
+you had to fight with his dial with you
+
+30
+00:00:59,790 --> 00:00:59,800
+you had to fight with his dial with you
+ 
+
+31
+00:00:59,800 --> 00:01:03,579
+you had to fight with his dial with you
+who the man I had to fight with lady
+
+32
+00:01:03,579 --> 00:01:03,589
+who the man I had to fight with lady
+ 
+
+33
+00:01:03,589 --> 00:01:04,719
+who the man I had to fight with lady
+Dyle
+
+34
+00:01:04,719 --> 00:01:04,729
+Dyle
+ 
+
+35
+00:01:04,729 --> 00:01:07,930
+Dyle
+that's his name what's wrong is he still
+
+36
+00:01:07,930 --> 00:01:07,940
+that's his name what's wrong is he still
+ 
+
+37
+00:01:07,940 --> 00:01:15,700
+that's his name what's wrong is he still
+there yes that's right
+
+38
+00:01:15,700 --> 00:01:15,710
+there yes that's right
+ 
+
+39
+00:01:15,710 --> 00:01:19,660
+there yes that's right
+what's he saying don't trust him don't
+
+40
+00:01:19,660 --> 00:01:19,670
+what's he saying don't trust him don't
+ 
+
+41
+00:01:19,670 --> 00:01:32,310
+what's he saying don't trust him don't
+tell him anything he's after the money
+
+42
+00:01:32,310 --> 00:01:32,320
+
+ 
+
+43
+00:01:32,320 --> 00:01:37,190
+
+what was all that about he
+
+44
+00:01:37,190 --> 00:01:37,200
+what was all that about he
+ 
+
+45
+00:01:37,200 --> 00:01:38,719
+what was all that about he
+he said if I don't give him the money
+
+46
+00:01:38,719 --> 00:01:38,729
+he said if I don't give him the money
+ 
+
+47
+00:01:38,729 --> 00:01:42,039
+he said if I don't give him the money
+he'll kill me oh don't take it seriously
+
+48
+00:01:42,039 --> 00:01:42,049
+he'll kill me oh don't take it seriously
+ 
+
+49
+00:01:42,049 --> 00:01:45,749
+he'll kill me oh don't take it seriously
+he's just trying to frighten you
+
+50
+00:01:45,749 --> 00:01:45,759
+he's just trying to frighten you
+ 
+
+51
+00:01:45,759 --> 00:01:48,420
+he's just trying to frighten you
+I believe what he said no I was just a
+
+52
+00:01:48,420 --> 00:01:48,430
+I believe what he said no I was just a
+ 
+
+53
+00:01:48,430 --> 00:01:54,570
+I believe what he said no I was just a
+lot of words White's gonna hurt trying
+
+54
+00:01:54,570 --> 00:01:54,580
+lot of words White's gonna hurt trying
+ 
+
+55
+00:01:54,580 --> 00:01:56,399
+lot of words White's gonna hurt trying
+to get some sleep you'll feel better
+
+56
+00:01:56,399 --> 00:01:56,409
+to get some sleep you'll feel better
+ 
+
+57
+00:01:56,409 --> 00:01:58,770
+to get some sleep you'll feel better
+don't worry I've arranged to take the
+
+58
+00:01:58,770 --> 00:01:58,780
+don't worry I've arranged to take the
+ 
+
+59
+00:01:58,780 --> 00:02:00,330
+don't worry I've arranged to take the
+room next audio
+
+60
+00:02:00,330 --> 00:02:00,340
+room next audio
+ 
+
+61
+00:02:00,340 --> 00:02:02,450
+room next audio
+[Music]
+
+62
+00:02:02,450 --> 00:02:02,460
+[Music]
+ 
+
+63
+00:02:02,460 --> 00:02:06,120
+[Music]
+so you'll be alright if you want
+
+64
+00:02:06,120 --> 00:02:06,130
+so you'll be alright if you want
+ 
+
+65
+00:02:06,130 --> 00:02:08,969
+so you'll be alright if you want
+anything just bang on the wall better
+
+66
+00:02:08,969 --> 00:02:08,979
+anything just bang on the wall better
+ 
+
+67
+00:02:08,979 --> 00:02:12,380
+anything just bang on the wall better
+lock the door after me goodnight
+
+68
+00:02:12,380 --> 00:02:12,390
+lock the door after me goodnight
+ 
+
+69
+00:02:12,390 --> 00:02:46,490
+lock the door after me goodnight
+[Music]
+

1963/zyTVafoAylI.en.srt

@@ -0,0 +1,84 @@
+1
+00:00:14,070 --> 00:00:17,140
+
+metro
+
+2
+00:00:17,140 --> 00:00:17,150
+
+ 
+
+3
+00:00:17,150 --> 00:00:47,960
+
+because the fears that's
+
+4
+00:00:47,960 --> 00:00:47,970
+
+ 
+
+5
+00:00:47,970 --> 00:01:09,060
+
+
+6
+00:01:09,060 --> 00:01:09,070
+
+ 
+
+7
+00:01:09,070 --> 00:01:12,220
+
+it
+
+8
+00:01:12,220 --> 00:01:12,230
+
+ 
+
+9
+00:01:12,230 --> 00:01:15,920
+
+erakat
+
+10
+00:01:15,920 --> 00:01:15,930
+
+ 
+
+11
+00:01:15,930 --> 00:01:42,710
+
+funny
+
+12
+00:01:42,710 --> 00:01:42,720
+
+ 
+
+13
+00:01:42,720 --> 00:01:53,700
+
+I know
+
+14
+00:01:53,700 --> 00:01:53,710
+
+ 
+
+15
+00:01:53,710 --> 00:02:09,820
+
+sure
+
+16
+00:02:09,820 --> 00:02:09,830
+
+ 
+
+17
+00:02:09,830 --> 00:02:12,160
+
+m
+

1964/55uK9Lg3TaY.description

@@ -0,0 +1,32 @@
+Topkapi - The Floor-Mounted Alarm: Elizabeth (Melina Mercouri) and Walter (Maximilian Schell) visit mechanical expert Cedric (Robert Morley), who demonstrates the museum's alarm system.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Maximilian Schell, Melina Mercouri, Robert Morley
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
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+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/55uK9Lg3TaY.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:05,359 --> 00:00:09,040
+
+the entertainment is charming
+
+2
+00:00:09,040 --> 00:00:09,050
+the entertainment is charming
+ 
+
+3
+00:00:09,050 --> 00:00:12,410
+the entertainment is charming
+you don't follow I would terrible show
+
+4
+00:00:12,410 --> 00:00:12,420
+you don't follow I would terrible show
+ 
+
+5
+00:00:12,420 --> 00:00:22,340
+you don't follow I would terrible show
+off but do let me offer you a drink no
+
+6
+00:00:22,340 --> 00:00:22,350
+off but do let me offer you a drink no
+ 
+
+7
+00:00:22,350 --> 00:00:23,090
+off but do let me offer you a drink no
+thank you
+
+8
+00:00:23,090 --> 00:00:23,100
+thank you
+ 
+
+9
+00:00:23,100 --> 00:00:25,400
+thank you
+how was your trip to Istanbul marvelous
+
+10
+00:00:25,400 --> 00:00:25,410
+how was your trip to Istanbul marvelous
+ 
+
+11
+00:00:25,410 --> 00:00:26,960
+how was your trip to Istanbul marvelous
+did you go on the underground railway
+
+12
+00:00:26,960 --> 00:00:26,970
+did you go on the underground railway
+ 
+
+13
+00:00:26,970 --> 00:00:29,480
+did you go on the underground railway
+you know it's the oldest in Europe did
+
+14
+00:00:29,480 --> 00:00:29,490
+you know it's the oldest in Europe did
+ 
+
+15
+00:00:29,490 --> 00:00:31,759
+you know it's the oldest in Europe did
+you bother to go to the museum mr. page
+
+16
+00:00:31,759 --> 00:00:31,769
+you bother to go to the museum mr. page
+ 
+
+17
+00:00:31,769 --> 00:00:33,709
+you bother to go to the museum mr. page
+well of course that was the whole idea
+
+18
+00:00:33,709 --> 00:00:33,719
+well of course that was the whole idea
+ 
+
+19
+00:00:33,719 --> 00:00:36,560
+well of course that was the whole idea
+wasn't it the alarm I take my
+
+20
+00:00:36,560 --> 00:00:36,570
+wasn't it the alarm I take my
+ 
+
+21
+00:00:36,570 --> 00:00:37,900
+wasn't it the alarm I take my
+responsibilities in his enterprise
+
+22
+00:00:37,900 --> 00:00:37,910
+responsibilities in his enterprise
+ 
+
+23
+00:00:37,910 --> 00:00:41,810
+responsibilities in his enterprise
+seriously as I'm sure you do mister well
+
+24
+00:00:41,810 --> 00:00:41,820
+seriously as I'm sure you do mister well
+ 
+
+25
+00:00:41,820 --> 00:00:45,139
+seriously as I'm sure you do mister well
+now let's all go into the museum
+
+26
+00:00:45,139 --> 00:00:45,149
+now let's all go into the museum
+ 
+
+27
+00:00:45,149 --> 00:00:48,799
+now let's all go into the museum
+Michelle we here's the door should we
+
+28
+00:00:48,799 --> 00:00:48,809
+Michelle we here's the door should we
+ 
+
+29
+00:00:48,809 --> 00:00:56,000
+Michelle we here's the door should we
+say and Walter Walter is the Sultan with
+
+30
+00:00:56,000 --> 00:00:56,010
+say and Walter Walter is the Sultan with
+ 
+
+31
+00:00:56,010 --> 00:01:04,550
+say and Walter Walter is the Sultan with
+the dagger
+
+32
+00:01:04,550 --> 00:01:04,560
+
+ 
+
+33
+00:01:04,560 --> 00:01:06,500
+
+[Music]
+
+34
+00:01:06,500 --> 00:01:06,510
+[Music]
+ 
+
+35
+00:01:06,510 --> 00:01:10,050
+[Music]
+it was your way did it on the Treasury
+
+36
+00:01:10,050 --> 00:01:10,060
+it was your way did it on the Treasury
+ 
+
+37
+00:01:10,060 --> 00:01:12,630
+it was your way did it on the Treasury
+floor Epps I should have said even your
+
+38
+00:01:12,630 --> 00:01:12,640
+floor Epps I should have said even your
+ 
+
+39
+00:01:12,640 --> 00:01:19,260
+floor Epps I should have said even your
+weight try again just one foot well just
+
+40
+00:01:19,260 --> 00:01:19,270
+weight try again just one foot well just
+ 
+
+41
+00:01:19,270 --> 00:01:26,520
+weight try again just one foot well just
+the cow it's all based on a little chap
+
+42
+00:01:26,520 --> 00:01:26,530
+the cow it's all based on a little chap
+ 
+
+43
+00:01:26,530 --> 00:01:30,780
+the cow it's all based on a little chap
+down here this is a delicate strain
+
+44
+00:01:30,780 --> 00:01:30,790
+down here this is a delicate strain
+ 
+
+45
+00:01:30,790 --> 00:01:32,880
+down here this is a delicate strain
+gauge and there are hundreds of them
+
+46
+00:01:32,880 --> 00:01:32,890
+gauge and there are hundreds of them
+ 
+
+47
+00:01:32,890 --> 00:01:34,260
+gauge and there are hundreds of them
+hidden under the floor of the Treasury
+
+48
+00:01:34,260 --> 00:01:34,270
+hidden under the floor of the Treasury
+ 
+
+49
+00:01:34,270 --> 00:01:37,010
+hidden under the floor of the Treasury
+each one connected to the alarm system
+
+50
+00:01:37,010 --> 00:01:37,020
+each one connected to the alarm system
+ 
+
+51
+00:01:37,020 --> 00:01:40,109
+each one connected to the alarm system
+they measure weight the smallest weight
+
+52
+00:01:40,109 --> 00:01:40,119
+they measure weight the smallest weight
+ 
+
+53
+00:01:40,119 --> 00:01:53,669
+they measure weight the smallest weight
+even the ping pong balls to find a sweet
+
+54
+00:01:53,669 --> 00:01:53,679
+even the ping pong balls to find a sweet
+ 
+
+55
+00:01:53,679 --> 00:01:55,590
+even the ping pong balls to find a sweet
+centimeter well it could be anywhere
+
+56
+00:01:55,590 --> 00:01:55,600
+centimeter well it could be anywhere
+ 
+
+57
+00:01:55,600 --> 00:01:57,109
+centimeter well it could be anywhere
+hidden in the walls or the ceiling
+
+58
+00:01:57,109 --> 00:01:57,119
+hidden in the walls or the ceiling
+ 
+
+59
+00:01:57,119 --> 00:01:59,910
+hidden in the walls or the ceiling
+operated by remote control a mile away
+
+60
+00:01:59,910 --> 00:01:59,920
+operated by remote control a mile away
+ 
+
+61
+00:01:59,920 --> 00:02:02,430
+operated by remote control a mile away
+or more and how do you propose to get
+
+62
+00:02:02,430 --> 00:02:02,440
+or more and how do you propose to get
+ 
+
+63
+00:02:02,440 --> 00:02:05,660
+or more and how do you propose to get
+into a museum without touching the floor
+
+64
+00:02:05,660 --> 00:02:05,670
+into a museum without touching the floor
+ 
+
+65
+00:02:05,670 --> 00:02:07,889
+into a museum without touching the floor
+well I wouldn't have to touch the floor
+
+66
+00:02:07,889 --> 00:02:07,899
+well I wouldn't have to touch the floor
+ 
+
+67
+00:02:07,899 --> 00:02:10,979
+well I wouldn't have to touch the floor
+would I if I were to fly it is in how I
+
+68
+00:02:10,979 --> 00:02:10,989
+would I if I were to fly it is in how I
+ 
+
+69
+00:02:10,989 --> 00:02:13,250
+would I if I were to fly it is in how I
+see you mr. Page
+
+70
+00:02:13,250 --> 00:02:13,260
+see you mr. Page
+ 
+
+71
+00:02:13,260 --> 00:02:19,230
+see you mr. Page
+[Music]
+
+72
+00:02:19,230 --> 00:02:19,240
+
+ 
+
+73
+00:02:19,240 --> 00:02:21,300
+
+you
+

1964/5LvcBgWzjwc.description

@@ -0,0 +1,32 @@
+Topkapi - Stealing the Dagger: Giulio (Gilles Segal) descends into the museum to replace the real dagger with a replica without triggering the floor alarm.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Maximilian Schell, Peter Ustinov
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/5p8meeqGJbg.description

@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bond (Sean Connery) breaks out of his prison in time to spy on Goldfinger (Gert Frbe) explaining his master plan.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frobe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Gert Frbe, Sean Connery, Michael Collins
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Twitter: http://bit.ly/1ghOWmt
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+Tumblr: http://bit.ly/1vUwhH7

1964/9ZBPZ4b5LRw.description

@@ -0,0 +1,32 @@
+Topkapi - Crossing the Roof: When Arthur (Peter Ustinov) refuses to cross the roof at night, Walter (Maximilian Schell) agrees to make the trip in broad daylight.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Maximilian Schell, Peter Ustinov
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/AAbtiIrTqCE.description

@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Frustrated with the outcome of his two encounters with Bond (Sean Connery), Goldfinger (Gert Frbe) has his henchman, Oddjob (Harold Sakata), show the spy what happens to people who meddle in his affairs.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frobe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Gert Frbe, Harold Sakata, Sean Connery, Michael Collins
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/AAbtiIrTqCE.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:00,199 --> 00:00:02,669
+
+you are a clever resourceful man Mr Bond
+
+2
+00:00:02,669 --> 00:00:02,679
+you are a clever resourceful man Mr Bond
+ 
+
+3
+00:00:02,679 --> 00:00:04,749
+you are a clever resourceful man Mr Bond
+well thank you perhaps too clever twice
+
+4
+00:00:04,749 --> 00:00:04,759
+well thank you perhaps too clever twice
+ 
+
+5
+00:00:04,759 --> 00:00:07,150
+well thank you perhaps too clever twice
+our paths have crossed let's leave it at
+
+6
+00:00:07,150 --> 00:00:07,160
+our paths have crossed let's leave it at
+ 
+
+7
+00:00:07,160 --> 00:00:09,190
+our paths have crossed let's leave it at
+that I should think our first meeting
+
+8
+00:00:09,190 --> 00:00:09,200
+that I should think our first meeting
+ 
+
+9
+00:00:09,200 --> 00:00:12,350
+that I should think our first meeting
+would have convinced you oh I see you're
+
+10
+00:00:12,350 --> 00:00:12,360
+would have convinced you oh I see you're
+ 
+
+11
+00:00:12,360 --> 00:00:15,630
+would have convinced you oh I see you're
+worried about me not giving you a return
+
+12
+00:00:15,630 --> 00:00:15,640
+worried about me not giving you a return
+ 
+
+13
+00:00:15,640 --> 00:00:18,070
+worried about me not giving you a return
+game both of us know perfectly well what
+
+14
+00:00:18,070 --> 00:00:18,080
+game both of us know perfectly well what
+ 
+
+15
+00:00:18,080 --> 00:00:20,750
+game both of us know perfectly well what
+we are talking about Mr Bond but I see
+
+16
+00:00:20,750 --> 00:00:20,760
+we are talking about Mr Bond but I see
+ 
+
+17
+00:00:20,760 --> 00:00:25,310
+we are talking about Mr Bond but I see
+that it is necessary to remind you our
+
+18
+00:00:25,310 --> 00:00:25,320
+
+ 
+
+19
+00:00:25,320 --> 00:00:27,990
+
+job many people have tried to involve
+
+20
+00:00:27,990 --> 00:00:28,000
+job many people have tried to involve
+ 
+
+21
+00:00:28,000 --> 00:00:33,100
+job many people have tried to involve
+themselves in my affairs unsuccess
+
+22
+00:00:33,100 --> 00:00:33,110
+
+ 
+
+23
+00:00:33,110 --> 00:00:44,350
+
+[Music]
+
+24
+00:00:44,350 --> 00:00:44,360
+
+ 
+
+25
+00:00:44,360 --> 00:00:46,990
+
+sucessfully remarkable but what does a
+
+26
+00:00:46,990 --> 00:00:47,000
+sucessfully remarkable but what does a
+ 
+
+27
+00:00:47,000 --> 00:00:49,830
+sucessfully remarkable but what does a
+club secretary have to say oh nothing Mr
+
+28
+00:00:49,830 --> 00:00:49,840
+club secretary have to say oh nothing Mr
+ 
+
+29
+00:00:49,840 --> 00:00:53,590
+club secretary have to say oh nothing Mr
+Bon I own the
+
+30
+00:00:53,590 --> 00:00:53,600
+
+ 
+
+31
+00:00:53,600 --> 00:00:56,189
+
+club I assume you want the check made
+
+32
+00:00:56,189 --> 00:00:56,199
+club I assume you want the check made
+ 
+
+33
+00:00:56,199 --> 00:00:58,470
+club I assume you want the check made
+out to cash that would be perfectly
+
+34
+00:00:58,470 --> 00:00:58,480
+out to cash that would be perfectly
+ 
+
+35
+00:00:58,480 --> 00:01:04,789
+out to cash that would be perfectly
+satisfactory
+
+36
+00:01:04,789 --> 00:01:04,799
+
+ 
+
+37
+00:01:04,799 --> 00:01:07,590
+
+Goodbye Mr
+
+38
+00:01:07,590 --> 00:01:07,600
+
+ 
+
+39
+00:01:07,600 --> 00:01:26,600
+
+Bond oh uh I believe this is yours
+
+40
+00:01:26,600 --> 00:01:26,610
+
+ 
+
+41
+00:01:26,610 --> 00:01:53,700
+
+[Music]
+

1964/ABUroSunjEY.description

@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Rojo (Gian Maria Volonte) gives Joe (Clint Eastwood) some shooting lessons with his Winchester, but Joe prefers his .45.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Marianne Koch
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Vctor Andrs Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/ABUroSunjEY.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:00,719 --> 00:00:05,190
+
+where are you
+
+2
+00:00:05,190 --> 00:00:05,200
+
+ 
+
+3
+00:00:05,200 --> 00:00:13,749
+
+going the roost to look for a
+
+4
+00:00:13,749 --> 00:00:13,759
+
+ 
+
+5
+00:00:13,759 --> 00:00:17,230
+
+job I'm glad we have the americ with us
+
+6
+00:00:17,230 --> 00:00:17,240
+job I'm glad we have the americ with us
+ 
+
+7
+00:00:17,240 --> 00:00:19,230
+job I'm glad we have the americ with us
+the best thing going to happen to us you
+
+8
+00:00:19,230 --> 00:00:19,240
+the best thing going to happen to us you
+ 
+
+9
+00:00:19,240 --> 00:00:22,029
+the best thing going to happen to us you
+know CU if either government starts an
+
+10
+00:00:22,029 --> 00:00:22,039
+know CU if either government starts an
+ 
+
+11
+00:00:22,039 --> 00:00:25,750
+know CU if either government starts an
+inquiry we need every man we can
+
+12
+00:00:25,750 --> 00:00:25,760
+inquiry we need every man we can
+ 
+
+13
+00:00:25,760 --> 00:00:29,230
+inquiry we need every man we can
+get I guess you know you'll be at war
+
+14
+00:00:29,230 --> 00:00:29,240
+get I guess you know you'll be at war
+ 
+
+15
+00:00:29,240 --> 00:00:30,950
+get I guess you know you'll be at war
+with the buers now is worse than sitting
+
+16
+00:00:30,950 --> 00:00:30,960
+with the buers now is worse than sitting
+ 
+
+17
+00:00:30,960 --> 00:00:32,790
+with the buers now is worse than sitting
+on a big case of where should we put
+
+18
+00:00:32,790 --> 00:00:32,800
+on a big case of where should we put
+ 
+
+19
+00:00:32,800 --> 00:00:42,069
+on a big case of where should we put
+this put it over
+
+20
+00:00:42,069 --> 00:00:42,079
+
+ 
+
+21
+00:00:42,079 --> 00:01:17,190
+
+there come on everybody drink up
+
+22
+00:01:17,190 --> 00:01:17,200
+
+ 
+
+23
+00:01:17,200 --> 00:01:19,749
+
+good shooting very good shooting when
+
+24
+00:01:19,749 --> 00:01:19,759
+good shooting very good shooting when
+ 
+
+25
+00:01:19,759 --> 00:01:21,149
+good shooting very good shooting when
+you want to kill a man you must shoot
+
+26
+00:01:21,149 --> 00:01:21,159
+you want to kill a man you must shoot
+ 
+
+27
+00:01:21,159 --> 00:01:23,590
+you want to kill a man you must shoot
+for his heart and the Winchester he's
+
+28
+00:01:23,590 --> 00:01:23,600
+for his heart and the Winchester he's
+ 
+
+29
+00:01:23,600 --> 00:01:25,830
+for his heart and the Winchester he's
+the best weapon that's very nice but
+
+30
+00:01:25,830 --> 00:01:25,840
+the best weapon that's very nice but
+ 
+
+31
+00:01:25,840 --> 00:01:27,670
+the best weapon that's very nice but
+I'll stick with my
+
+32
+00:01:27,670 --> 00:01:27,680
+I'll stick with my
+ 
+
+33
+00:01:27,680 --> 00:01:30,749
+I'll stick with my
+45 when a man with a 45 meets a man with
+
+34
+00:01:30,749 --> 00:01:30,759
+45 when a man with a 45 meets a man with
+ 
+
+35
+00:01:30,759 --> 00:01:34,230
+45 when a man with a 45 meets a man with
+a rifle the man with a pistol will be a
+
+36
+00:01:34,230 --> 00:01:34,240
+a rifle the man with a pistol will be a
+ 
+
+37
+00:01:34,240 --> 00:01:37,670
+a rifle the man with a pistol will be a
+dead man that's an all Mexican proverb
+
+38
+00:01:37,670 --> 00:01:37,680
+dead man that's an all Mexican proverb
+ 
+
+39
+00:01:37,680 --> 00:01:39,389
+dead man that's an all Mexican proverb
+and it's
+
+40
+00:01:39,389 --> 00:01:39,399
+and it's
+ 
+
+41
+00:01:39,399 --> 00:01:42,749
+and it's
+true you believe
+
+42
+00:01:42,749 --> 00:01:42,759
+true you believe
+ 
+
+43
+00:01:42,759 --> 00:01:45,950
+true you believe
+that Vito take five men and escort marur
+
+44
+00:01:45,950 --> 00:01:45,960
+that Vito take five men and escort marur
+ 
+
+45
+00:01:45,960 --> 00:01:47,709
+that Vito take five men and escort marur
+to this small house and stay there until
+
+46
+00:01:47,709 --> 00:01:47,719
+to this small house and stay there until
+ 
+
+47
+00:01:47,719 --> 00:01:55,720
+to this small house and stay there until
+I return
+
+48
+00:01:55,720 --> 00:01:55,730
+
+ 
+
+49
+00:01:55,730 --> 00:01:57,270
+
+[Music]
+
+50
+00:01:57,270 --> 00:01:57,280
+[Music]
+ 
+
+51
+00:01:57,280 --> 00:01:59,550
+[Music]
+return everything is prepared do not be
+
+52
+00:01:59,550 --> 00:01:59,560
+return everything is prepared do not be
+ 
+
+53
+00:01:59,560 --> 00:02:01,550
+return everything is prepared do not be
+worried
+
+54
+00:02:01,550 --> 00:02:01,560
+worried
+ 
+
+55
+00:02:01,560 --> 00:02:04,109
+worried
+I will return tomorrow all the wagons
+
+56
+00:02:04,109 --> 00:02:04,119
+I will return tomorrow all the wagons
+ 
+
+57
+00:02:04,119 --> 00:02:06,109
+I will return tomorrow all the wagons
+are ready we can leave
+
+58
+00:02:06,109 --> 00:02:06,119
+are ready we can leave
+ 
+
+59
+00:02:06,119 --> 00:02:08,550
+are ready we can leave
+everyone enjoy yourselves during my
+
+60
+00:02:08,550 --> 00:02:08,560
+everyone enjoy yourselves during my
+ 
+
+61
+00:02:08,560 --> 00:02:12,890
+everyone enjoy yourselves during my
+absence
+
+62
+00:02:12,890 --> 00:02:12,900
+
+ 
+
+63
+00:02:12,900 --> 00:02:42,100
+
+[Music]
+

1964/BQ5nPyRi6l8.description

@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Miss Villard (Suzanne Flon) tries to convince Labiche (Burt Lancaster) to risk the lives of his men to save the French paintings.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Lancaster, Charles Millot, Albert Rémy, Suzanne Flon
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/BQ5nPyRi6l8.en.srt

@@ -0,0 +1,635 @@
+1
+00:00:00,399 --> 00:00:02,070
+
+the train you were making up for that
+
+2
+00:00:02,070 --> 00:00:02,080
+the train you were making up for that
+ 
+
+3
+00:00:02,080 --> 00:00:05,470
+the train you were making up for that
+Colonel he's stealing a load of pictures
+
+4
+00:00:05,470 --> 00:00:05,480
+Colonel he's stealing a load of pictures
+ 
+
+5
+00:00:05,480 --> 00:00:07,910
+Colonel he's stealing a load of pictures
+you should hear what they're
+
+6
+00:00:07,910 --> 00:00:07,920
+you should hear what they're
+ 
+
+7
+00:00:07,920 --> 00:00:10,950
+you should hear what they're
+worth it's not just the money what does
+
+8
+00:00:10,950 --> 00:00:10,960
+worth it's not just the money what does
+ 
+
+9
+00:00:10,960 --> 00:00:13,070
+worth it's not just the money what does
+she want us to do she wants us to blow
+
+10
+00:00:13,070 --> 00:00:13,080
+she want us to do she wants us to blow
+ 
+
+11
+00:00:13,080 --> 00:00:16,670
+she want us to do she wants us to blow
+up the train oh no no you misunderstand
+
+12
+00:00:16,670 --> 00:00:16,680
+up the train oh no no you misunderstand
+ 
+
+13
+00:00:16,680 --> 00:00:19,029
+up the train oh no no you misunderstand
+they must not even be damaged they could
+
+14
+00:00:19,029 --> 00:00:19,039
+they must not even be damaged they could
+ 
+
+15
+00:00:19,039 --> 00:00:22,790
+they must not even be damaged they could
+never be replaced they're not just here
+
+16
+00:00:22,790 --> 00:00:22,800
+never be replaced they're not just here
+ 
+
+17
+00:00:22,800 --> 00:00:25,509
+never be replaced they're not just here
+I have the
+
+18
+00:00:25,509 --> 00:00:25,519
+
+ 
+
+19
+00:00:25,519 --> 00:00:32,269
+
+list renois cesan 64 picassos 29 Brocks
+
+20
+00:00:32,269 --> 00:00:32,279
+list renois cesan 64 picassos 29 Brocks
+ 
+
+21
+00:00:32,279 --> 00:00:36,549
+list renois cesan 64 picassos 29 Brocks
+dear matis he chose very carefully only
+
+22
+00:00:36,549 --> 00:00:36,559
+dear matis he chose very carefully only
+ 
+
+23
+00:00:36,559 --> 00:00:39,830
+dear matis he chose very carefully only
+the best the National Heritage what do
+
+24
+00:00:39,830 --> 00:00:39,840
+the best the National Heritage what do
+ 
+
+25
+00:00:39,840 --> 00:00:43,029
+the best the National Heritage what do
+you want us to do Madame mm moiselle
+
+26
+00:00:43,029 --> 00:00:43,039
+you want us to do Madame mm moiselle
+ 
+
+27
+00:00:43,039 --> 00:00:44,950
+you want us to do Madame mm moiselle
+well I I thought perhaps if you could
+
+28
+00:00:44,950 --> 00:00:44,960
+well I I thought perhaps if you could
+ 
+
+29
+00:00:44,960 --> 00:00:48,510
+well I I thought perhaps if you could
+just stop the
+
+30
+00:00:48,510 --> 00:00:48,520
+
+ 
+
+31
+00:00:48,520 --> 00:00:51,590
+
+train stopping a train is not simple M
+
+32
+00:00:51,590 --> 00:00:51,600
+train stopping a train is not simple M
+ 
+
+33
+00:00:51,600 --> 00:00:53,709
+train stopping a train is not simple M
+moiselle you can get killed stopping a
+
+34
+00:00:53,709 --> 00:00:53,719
+moiselle you can get killed stopping a
+ 
+
+35
+00:00:53,719 --> 00:00:56,189
+moiselle you can get killed stopping a
+train especially if you were French and
+
+36
+00:00:56,189 --> 00:00:56,199
+train especially if you were French and
+ 
+
+37
+00:00:56,199 --> 00:00:57,509
+train especially if you were French and
+the train is
+
+38
+00:00:57,509 --> 00:00:57,519
+the train is
+ 
+
+39
+00:00:57,519 --> 00:01:00,509
+the train is
+German I know
+
+40
+00:01:00,509 --> 00:01:00,519
+German I know
+ 
+
+41
+00:01:00,519 --> 00:01:01,790
+German I know
+I
+
+42
+00:01:01,790 --> 00:01:01,800
+I
+ 
+
+43
+00:01:01,800 --> 00:01:05,310
+I
+realize but soon Paris will be free
+
+44
+00:01:05,310 --> 00:01:05,320
+realize but soon Paris will be free
+ 
+
+45
+00:01:05,320 --> 00:01:06,870
+realize but soon Paris will be free
+isn't that
+
+46
+00:01:06,870 --> 00:01:06,880
+isn't that
+ 
+
+47
+00:01:06,880 --> 00:01:10,190
+isn't that
+true but if the paintings are not here
+
+48
+00:01:10,190 --> 00:01:10,200
+true but if the paintings are not here
+ 
+
+49
+00:01:10,200 --> 00:01:11,910
+true but if the paintings are not here
+our latest report is that the Allies
+
+50
+00:01:11,910 --> 00:01:11,920
+our latest report is that the Allies
+ 
+
+51
+00:01:11,920 --> 00:01:14,270
+our latest report is that the Allies
+will be in place within a week maybe 3
+
+52
+00:01:14,270 --> 00:01:14,280
+will be in place within a week maybe 3
+ 
+
+53
+00:01:14,280 --> 00:01:17,350
+will be in place within a week maybe 3
+or 4 days from Val has to get the train
+
+54
+00:01:17,350 --> 00:01:17,360
+or 4 days from Val has to get the train
+ 
+
+55
+00:01:17,360 --> 00:01:20,390
+or 4 days from Val has to get the train
+out before that can we slow it down
+
+56
+00:01:20,390 --> 00:01:20,400
+out before that can we slow it down
+ 
+
+57
+00:01:20,400 --> 00:01:23,350
+out before that can we slow it down
+delay it what do you
+
+58
+00:01:23,350 --> 00:01:23,360
+delay it what do you
+ 
+
+59
+00:01:23,360 --> 00:01:26,109
+delay it what do you
+think we can blow it up
+
+60
+00:01:26,109 --> 00:01:26,119
+think we can blow it up
+ 
+
+61
+00:01:26,119 --> 00:01:28,469
+think we can blow it up
+maybe put some plastic under the cars
+
+62
+00:01:28,469 --> 00:01:28,479
+maybe put some plastic under the cars
+ 
+
+63
+00:01:28,479 --> 00:01:30,789
+maybe put some plastic under the cars
+and blow it up they chewed a few
+
+64
+00:01:30,789 --> 00:01:30,799
+and blow it up they chewed a few
+ 
+
+65
+00:01:30,799 --> 00:01:32,789
+and blow it up they chewed a few
+hostages but that's the price you
+
+66
+00:01:32,789 --> 00:01:32,799
+hostages but that's the price you
+ 
+
+67
+00:01:32,799 --> 00:01:34,950
+hostages but that's the price you
+pay are your paintings that important
+
+68
+00:01:34,950 --> 00:01:34,960
+pay are your paintings that important
+ 
+
+69
+00:01:34,960 --> 00:01:37,550
+pay are your paintings that important
+madelle she doesn't want it blown up
+
+70
+00:01:37,550 --> 00:01:37,560
+madelle she doesn't want it blown up
+ 
+
+71
+00:01:37,560 --> 00:01:39,630
+madelle she doesn't want it blown up
+London agrees the art is
+
+72
+00:01:39,630 --> 00:01:39,640
+London agrees the art is
+ 
+
+73
+00:01:39,640 --> 00:01:42,950
+London agrees the art is
+important anything we can do to save it
+
+74
+00:01:42,950 --> 00:01:42,960
+important anything we can do to save it
+ 
+
+75
+00:01:42,960 --> 00:01:46,069
+important anything we can do to save it
+but they leave it up to us why not what
+
+76
+00:01:46,069 --> 00:01:46,079
+but they leave it up to us why not what
+ 
+
+77
+00:01:46,079 --> 00:01:47,190
+but they leave it up to us why not what
+can they
+
+78
+00:01:47,190 --> 00:01:47,200
+can they
+ 
+
+79
+00:01:47,200 --> 00:01:49,469
+can they
+lose this morning we had four men left
+
+80
+00:01:49,469 --> 00:01:49,479
+lose this morning we had four men left
+ 
+
+81
+00:01:49,479 --> 00:01:55,350
+lose this morning we had four men left
+in this group now we are three 1 2 three
+
+82
+00:01:55,350 --> 00:01:55,360
+in this group now we are three 1 2 three
+ 
+
+83
+00:01:55,360 --> 00:01:58,429
+in this group now we are three 1 2 three
+Bernard we started with 18 like your
+
+84
+00:01:58,429 --> 00:01:58,439
+Bernard we started with 18 like your
+ 
+
+85
+00:01:58,439 --> 00:02:00,510
+Bernard we started with 18 like your
+paintings madelle we couldn't rep place
+
+86
+00:02:00,510 --> 00:02:00,520
+paintings madelle we couldn't rep place
+ 
+
+87
+00:02:00,520 --> 00:02:03,789
+paintings madelle we couldn't rep place
+them for certain things we take the risk
+
+88
+00:02:03,789 --> 00:02:03,799
+them for certain things we take the risk
+ 
+
+89
+00:02:03,799 --> 00:02:05,789
+them for certain things we take the risk
+but I won't waste lives on paintings but
+
+90
+00:02:05,789 --> 00:02:05,799
+but I won't waste lives on paintings but
+ 
+
+91
+00:02:05,799 --> 00:02:08,029
+but I won't waste lives on paintings but
+they wouldn't be
+
+92
+00:02:08,029 --> 00:02:08,039
+they wouldn't be
+ 
+
+93
+00:02:08,039 --> 00:02:10,270
+they wouldn't be
+wasted excuse
+
+94
+00:02:10,270 --> 00:02:10,280
+wasted excuse
+ 
+
+95
+00:02:10,280 --> 00:02:13,990
+wasted excuse
+me I know that's a terrible thing to
+
+96
+00:02:13,990 --> 00:02:14,000
+me I know that's a terrible thing to
+ 
+
+97
+00:02:14,000 --> 00:02:17,670
+me I know that's a terrible thing to
+say but those paintings are part of
+
+98
+00:02:17,670 --> 00:02:17,680
+say but those paintings are part of
+ 
+
+99
+00:02:17,680 --> 00:02:20,229
+say but those paintings are part of
+France the Germans want to take them
+
+100
+00:02:20,229 --> 00:02:20,239
+France the Germans want to take them
+ 
+
+101
+00:02:20,239 --> 00:02:23,750
+France the Germans want to take them
+away they've taken our land our food
+
+102
+00:02:23,750 --> 00:02:23,760
+away they've taken our land our food
+ 
+
+103
+00:02:23,760 --> 00:02:26,110
+away they've taken our land our food
+they live in our houses and now they're
+
+104
+00:02:26,110 --> 00:02:26,120
+they live in our houses and now they're
+ 
+
+105
+00:02:26,120 --> 00:02:27,830
+they live in our houses and now they're
+trying to take our
+
+106
+00:02:27,830 --> 00:02:27,840
+trying to take our
+ 
+
+107
+00:02:27,840 --> 00:02:30,670
+trying to take our
+art this beauty
+
+108
+00:02:30,670 --> 00:02:30,680
+art this beauty
+ 
+
+109
+00:02:30,680 --> 00:02:33,910
+art this beauty
+this vision of Life born out of France
+
+110
+00:02:33,910 --> 00:02:33,920
+this vision of Life born out of France
+ 
+
+111
+00:02:33,920 --> 00:02:37,350
+this vision of Life born out of France
+our special Vision our
+
+112
+00:02:37,350 --> 00:02:37,360
+our special Vision our
+ 
+
+113
+00:02:37,360 --> 00:02:41,430
+our special Vision our
+trust we hold it in trust don't you see
+
+114
+00:02:41,430 --> 00:02:41,440
+trust we hold it in trust don't you see
+ 
+
+115
+00:02:41,440 --> 00:02:42,430
+trust we hold it in trust don't you see
+for
+
+116
+00:02:42,430 --> 00:02:42,440
+for
+ 
+
+117
+00:02:42,440 --> 00:02:46,670
+for
+everyone this is our pride what we
+
+118
+00:02:46,670 --> 00:02:46,680
+everyone this is our pride what we
+ 
+
+119
+00:02:46,680 --> 00:02:49,229
+everyone this is our pride what we
+create and hold for the
+
+120
+00:02:49,229 --> 00:02:49,239
+create and hold for the
+ 
+
+121
+00:02:49,239 --> 00:02:52,030
+create and hold for the
+world there are worse things to risk
+
+122
+00:02:52,030 --> 00:02:52,040
+world there are worse things to risk
+ 
+
+123
+00:02:52,040 --> 00:02:54,430
+world there are worse things to risk
+your life for than that I'm sorry
+
+124
+00:02:54,430 --> 00:02:54,440
+your life for than that I'm sorry
+ 
+
+125
+00:02:54,440 --> 00:02:56,940
+your life for than that I'm sorry
+madelle we can't help you
+
+126
+00:02:56,940 --> 00:02:56,950
+madelle we can't help you
+ 
+
+127
+00:02:56,950 --> 00:03:28,530
+madelle we can't help you
+[Music]
+

1964/CPRh4gw_GmQ.description

@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Von Waldheim (Paul Scofield) orders his men to load the paintings into trucks, but the defeated Nazi soldiers ignore his orders.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Wolfgang Preiss, Paul Scofield
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/CPRh4gw_GmQ.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:01,319 --> 00:00:04,430
+
+unload the
+
+2
+00:00:04,430 --> 00:00:04,440
+unload the
+ 
+
+3
+00:00:04,440 --> 00:00:14,829
+unload the
+trucks Haron I gave you an
+
+4
+00:00:14,829 --> 00:00:14,839
+
+ 
+
+5
+00:00:14,839 --> 00:00:18,189
+
+order we have L
+
+6
+00:00:18,189 --> 00:00:18,199
+order we have L
+ 
+
+7
+00:00:18,199 --> 00:00:20,269
+order we have L
+colel
+
+8
+00:00:20,269 --> 00:00:20,279
+colel
+ 
+
+9
+00:00:20,279 --> 00:00:25,460
+colel
+to look at those men that defeated
+
+10
+00:00:25,460 --> 00:00:25,470
+to look at those men that defeated
+ 
+
+11
+00:00:25,470 --> 00:00:28,470
+to look at those men that defeated
+[Music]
+
+12
+00:00:28,470 --> 00:00:28,480
+[Music]
+ 
+
+13
+00:00:28,480 --> 00:00:36,590
+[Music]
+Army last ter
+
+14
+00:00:36,590 --> 00:00:36,600
+
+ 
+
+15
+00:00:36,600 --> 00:00:39,890
+
+lost
+
+16
+00:00:39,890 --> 00:00:39,900
+
+ 
+
+17
+00:00:39,900 --> 00:00:41,830
+
+[Applause]
+
+18
+00:00:41,830 --> 00:00:41,840
+[Applause]
+ 
+
+19
+00:00:41,840 --> 00:00:46,150
+[Applause]
+yeah come
+
+20
+00:00:46,150 --> 00:00:46,160
+
+ 
+
+21
+00:00:46,160 --> 00:00:50,470
+
+on you want transfer thank you I have 50
+
+22
+00:00:50,470 --> 00:00:50,480
+on you want transfer thank you I have 50
+ 
+
+23
+00:00:50,480 --> 00:00:54,110
+on you want transfer thank you I have 50
+men tell them to move fast f BR the men
+
+24
+00:00:54,110 --> 00:00:54,120
+men tell them to move fast f BR the men
+ 
+
+25
+00:00:54,120 --> 00:00:56,709
+men tell them to move fast f BR the men
+of the B we are moving out not get the
+
+26
+00:00:56,709 --> 00:00:56,719
+of the B we are moving out not get the
+ 
+
+27
+00:00:56,719 --> 00:00:58,349
+of the B we are moving out not get the
+men of the trucks they're moving out all
+
+28
+00:00:58,349 --> 00:00:58,359
+men of the trucks they're moving out all
+ 
+
+29
+00:00:58,359 --> 00:01:01,470
+men of the trucks they're moving out all
+of you get in the trucks the
+
+30
+00:01:01,470 --> 00:01:01,480
+of you get in the trucks the
+ 
+
+31
+00:01:01,480 --> 00:01:09,010
+of you get in the trucks the
+TRS the chases and get in the
+
+32
+00:01:09,010 --> 00:01:09,020
+
+ 
+
+33
+00:01:09,020 --> 00:01:14,440
+
+[Music]
+
+34
+00:01:14,440 --> 00:01:14,450
+
+ 
+
+35
+00:01:14,450 --> 00:01:18,710
+
+[Applause]
+
+36
+00:01:18,710 --> 00:01:18,720
+
+ 
+
+37
+00:01:18,720 --> 00:01:23,990
+
+truck
+
+38
+00:01:23,990 --> 00:01:24,000
+
+ 
+
+39
+00:01:24,000 --> 00:01:27,910
+
+okay you go on Haron there's nothing to
+
+40
+00:01:27,910 --> 00:01:27,920
+okay you go on Haron there's nothing to
+ 
+
+41
+00:01:27,920 --> 00:01:30,590
+okay you go on Haron there's nothing to
+stay for her
+
+42
+00:01:30,590 --> 00:01:30,600
+stay for her
+ 
+
+43
+00:01:30,600 --> 00:01:35,350
+stay for her
+you're good officer
+
+44
+00:01:35,350 --> 00:01:35,360
+
+ 
+
+45
+00:01:35,360 --> 00:01:38,630
+
+Heron I'll be along in a few
+
+46
+00:01:38,630 --> 00:01:38,640
+Heron I'll be along in a few
+ 
+
+47
+00:01:38,640 --> 00:01:46,740
+Heron I'll be along in a few
+minutes there be other trucks
+
+48
+00:01:46,740 --> 00:01:46,750
+
+ 
+
+49
+00:01:46,750 --> 00:01:57,890
+
+[Applause]
+
+50
+00:01:57,890 --> 00:01:57,900
+
+ 
+
+51
+00:01:57,900 --> 00:02:29,470
+
+[Music]
+

1964/CbB6CosDNV4.description

@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Clint Eastwood) practices his left-handed shooting and tests some makeshift armor.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Clint Eastwood
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Vctor Andrs Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
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+Movie News: http://bit.ly/1C3Ncd2
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+
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1964/DXRDZkTNEuM.description

@@ -0,0 +1,38 @@
+The Pawnbroker movie clips: http://j.mp/1BcUz2x
+BUY THE MOVIE: http://amzn.to/AltU5L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jesus Ortiz (Jaime Sánchez) is shot in his attempt to protect Sol Nazerman (Rod Steiger).
+
+FILM DESCRIPTION:
+Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz.
+
+CREDITS:
+TM & © Paramount (1964)
+Cast: Warren Finnerty, John McCurry, Ed Morehouse, Rod Steiger, Jaime Sánchez
+Director: Sidney Lumet
+Producers: Worthington Miner, Joseph Manduke, Philip Langner, Roger Lewis
+Screenwriters: David Friedkin, Morton S. Fine, Edward Lewis Wallant
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/DXRDZkTNEuM.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:06,359 --> 00:00:11,230
+
+gentlemen what do you want the
+
+2
+00:00:11,230 --> 00:00:11,240
+
+ 
+
+3
+00:00:11,240 --> 00:00:14,350
+
+money the
+
+4
+00:00:14,350 --> 00:00:14,360
+money the
+ 
+
+5
+00:00:14,360 --> 00:00:17,189
+money the
+money now we ain't
+
+6
+00:00:17,189 --> 00:00:17,199
+money now we ain't
+ 
+
+7
+00:00:17,199 --> 00:00:20,349
+money now we ain't
+playing now your open that safe
+
+8
+00:00:20,349 --> 00:00:20,359
+playing now your open that safe
+ 
+
+9
+00:00:20,359 --> 00:00:22,630
+playing now your open that safe
+fast but come
+
+10
+00:00:22,630 --> 00:00:22,640
+fast but come
+ 
+
+11
+00:00:22,640 --> 00:00:41,229
+fast but come
+on but come on
+
+12
+00:00:41,229 --> 00:00:41,239
+
+ 
+
+13
+00:00:41,239 --> 00:00:42,950
+
+go
+
+14
+00:00:42,950 --> 00:00:42,960
+go
+ 
+
+15
+00:00:42,960 --> 00:00:46,549
+go
+home we ain't joking mister now you get
+
+16
+00:00:46,549 --> 00:00:46,559
+home we ain't joking mister now you get
+ 
+
+17
+00:00:46,559 --> 00:00:50,029
+home we ain't joking mister now you get
+that money that safe now you get it hey
+
+18
+00:00:50,029 --> 00:00:50,039
+that money that safe now you get it hey
+ 
+
+19
+00:00:50,039 --> 00:00:51,790
+that money that safe now you get it hey
+no sweat it's
+
+20
+00:00:51,790 --> 00:00:51,800
+no sweat it's
+ 
+
+21
+00:00:51,800 --> 00:01:04,149
+no sweat it's
+open step aside uncle
+
+22
+00:01:04,149 --> 00:01:04,159
+
+ 
+
+23
+00:01:04,159 --> 00:01:07,310
+
+what do you want to die for Uncle I mean
+
+24
+00:01:07,310 --> 00:01:07,320
+what do you want to die for Uncle I mean
+ 
+
+25
+00:01:07,320 --> 00:01:08,590
+what do you want to die for Uncle I mean
+the money don't mean that much to you
+
+26
+00:01:08,590 --> 00:01:08,600
+the money don't mean that much to you
+ 
+
+27
+00:01:08,600 --> 00:01:14,070
+the money don't mean that much to you
+know does
+
+28
+00:01:14,070 --> 00:01:14,080
+
+ 
+
+29
+00:01:14,080 --> 00:01:15,950
+
+it
+
+30
+00:01:15,950 --> 00:01:15,960
+it
+ 
+
+31
+00:01:15,960 --> 00:01:18,870
+it
+now you
+
+32
+00:01:18,870 --> 00:01:18,880
+now you
+ 
+
+33
+00:01:18,880 --> 00:01:21,749
+now you
+move get out of the way of that
+
+34
+00:01:21,749 --> 00:01:21,759
+move get out of the way of that
+ 
+
+35
+00:01:21,759 --> 00:01:25,550
+move get out of the way of that
+saf now sh me
+
+36
+00:01:25,550 --> 00:01:25,560
+saf now sh me
+ 
+
+37
+00:01:25,560 --> 00:01:36,970
+saf now sh me
+[Music]
+
+38
+00:01:36,970 --> 00:01:36,980
+
+ 
+
+39
+00:01:36,980 --> 00:01:54,090
+
+[Music]
+
+40
+00:01:54,090 --> 00:01:54,100
+
+ 
+
+41
+00:01:54,100 --> 00:02:30,910
+
+[Music]
+
+42
+00:02:30,910 --> 00:02:30,920
+
+ 
+
+43
+00:02:30,920 --> 00:02:33,640
+
+ch
+

1964/E3yX8lT2UAI.description

@@ -0,0 +1,32 @@
+A Shot in the Dark - Naked Traffic Jam: After Clouseau (Peter Sellers) and Maria (Elke Sommer) are caught naked in a traffic jam, Clouseau is demoted by Dreyfus (Herbert Lom).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Elke Sommer, Peter Sellers
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/E3yX8lT2UAI.en.srt

@@ -0,0 +1,18 @@
+1
+00:00:16,100 --> 00:00:20,720
+- Only a few more blocks now.
+- I feel like I'm losing my mind.
+
+2
+00:00:21,140 --> 00:00:23,580
+I'll start screaming and
+I won't be able to stop.
+
+3
+00:00:23,700 --> 00:00:26,620
+Please, try to hold on to yourself.
+
+4
+00:00:53,100 --> 00:00:55,420
+Control yourself, please.
+

1964/G-50M2Wex20.description

@@ -0,0 +1,38 @@
+A Fistful of Dollars movie clips: http://j.mp/1EywEeG
+BUY THE MOVIE: http://j.mp/1AUwv7W
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Rojo (Gian Maria Volonte) and his men beat the hell out of Joe (Clint Eastwood) and crush his shooting hand.
+
+FILM DESCRIPTION:
+By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Clint Eastwood, Gian Maria Volont, Sieghardt Rupp
+Director: Sergio Leone
+Producers: Arrigo Colombo, Giorgio Papi, Piero Santini
+Screenwriters: Ryuzo Kikushima, Akira Kurosawa, A. Bonzzoni, Vctor Andrs Catena, Sergio Leone, Jaime Comas Gil, Fernando Di Leo, Duccio Tessari, Tonino Valerii
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/G-50M2Wex20.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:01,480 --> 00:00:07,710
+
+[Music]
+
+2
+00:00:07,710 --> 00:00:07,720
+
+ 
+
+3
+00:00:07,720 --> 00:00:12,150
+
+it's a warm
+
+4
+00:00:12,150 --> 00:00:12,160
+
+ 
+
+5
+00:00:12,160 --> 00:00:14,629
+
+evening one of our wagons lost their
+
+6
+00:00:14,629 --> 00:00:14,639
+evening one of our wagons lost their
+ 
+
+7
+00:00:14,639 --> 00:00:18,470
+evening one of our wagons lost their
+wheel so we had to turn back here to get
+
+8
+00:00:18,470 --> 00:00:18,480
+wheel so we had to turn back here to get
+ 
+
+9
+00:00:18,480 --> 00:00:21,630
+wheel so we had to turn back here to get
+help one of the men tells
+
+10
+00:00:21,630 --> 00:00:21,640
+help one of the men tells
+ 
+
+11
+00:00:21,640 --> 00:00:26,029
+help one of the men tells
+me the backers attacked the small
+
+12
+00:00:26,029 --> 00:00:26,039
+me the backers attacked the small
+ 
+
+13
+00:00:26,039 --> 00:00:32,389
+me the backers attacked the small
+house do you know about it
+
+14
+00:00:32,389 --> 00:00:32,399
+
+ 
+
+15
+00:00:32,399 --> 00:00:53,709
+
+tell me what you
+
+16
+00:00:53,709 --> 00:00:53,719
+
+ 
+
+17
+00:00:53,719 --> 00:00:56,069
+
+know
+
+18
+00:00:56,069 --> 00:00:56,079
+know
+ 
+
+19
+00:00:56,079 --> 00:01:28,830
+know
+well where did you hide by son
+
+20
+00:01:28,830 --> 00:01:28,840
+
+ 
+
+21
+00:01:28,840 --> 00:01:31,310
+
+you have first you you want to
+
+22
+00:01:31,310 --> 00:01:31,320
+you have first you you want to
+ 
+
+23
+00:01:31,320 --> 00:01:37,789
+you have first you you want to
+drink no no it is too soon to
+
+24
+00:01:37,789 --> 00:01:37,799
+
+ 
+
+25
+00:01:37,799 --> 00:02:09,389
+
+drink bring him over here
+
+26
+00:02:09,389 --> 00:02:09,399
+
+ 
+
+27
+00:02:09,399 --> 00:02:11,270
+
+you are behaving like a stubborn idiot
+
+28
+00:02:11,270 --> 00:02:11,280
+you are behaving like a stubborn idiot
+ 
+
+29
+00:02:11,280 --> 00:02:12,990
+you are behaving like a stubborn idiot
+tell us where mariso is and it l be
+
+30
+00:02:12,990 --> 00:02:13,000
+tell us where mariso is and it l be
+ 
+
+31
+00:02:13,000 --> 00:02:15,070
+tell us where mariso is and it l be
+ended in a week you'll be back in shape
+
+32
+00:02:15,070 --> 00:02:15,080
+ended in a week you'll be back in shape
+ 
+
+33
+00:02:15,080 --> 00:02:16,309
+ended in a week you'll be back in shape
+you'll get out and you can go wherever
+
+34
+00:02:16,309 --> 00:02:16,319
+you'll get out and you can go wherever
+ 
+
+35
+00:02:16,319 --> 00:02:28,509
+you'll get out and you can go wherever
+you
+
+36
+00:02:28,509 --> 00:02:28,519
+
+ 
+
+37
+00:02:28,519 --> 00:02:30,990
+
+want that's for
+
+38
+00:02:30,990 --> 00:02:31,000
+want that's for
+ 
+
+39
+00:02:31,000 --> 00:02:33,509
+want that's for
+today sooner or later he'll talk it's
+
+40
+00:02:33,509 --> 00:02:33,519
+today sooner or later he'll talk it's
+ 
+
+41
+00:02:33,519 --> 00:02:35,190
+today sooner or later he'll talk it's
+just a matter of
+
+42
+00:02:35,190 --> 00:02:35,200
+just a matter of
+ 
+
+43
+00:02:35,200 --> 00:02:37,670
+just a matter of
+time watch out he doesn't escape or die
+
+44
+00:02:37,670 --> 00:02:37,680
+time watch out he doesn't escape or die
+ 
+
+45
+00:02:37,680 --> 00:02:42,790
+time watch out he doesn't escape or die
+otherwise do as you
+
+46
+00:02:42,790 --> 00:02:42,800
+
+ 
+
+47
+00:02:42,800 --> 00:02:45,869
+
+like and wait till he comes too this way
+
+48
+00:02:45,869 --> 00:02:45,879
+like and wait till he comes too this way
+ 
+
+49
+00:02:45,879 --> 00:02:53,290
+like and wait till he comes too this way
+he hardly feels anything
+
+50
+00:02:53,290 --> 00:02:53,300
+
+ 
+
+51
+00:02:53,300 --> 00:03:30,669
+
+[Music]
+

1964/GvyKxUL0x0M.description

@@ -0,0 +1,65 @@
+Goldfinger movie clips: http://j.mp/1PmXr4X
+BUY THE MOVIE: http://j.mp/1NesGut
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Thinking that the adventure is over, Bond (Sean Connery) is surprised to find that his inflight service will be provided by Goldfinger (Gert Frobe) and a loaded gun.
+
+MORE JAMES BOND CLIPS:
+1. Spectre https://goo.gl/5mIVzM
+2. Skyfall http://j.mp/1POiFdB
+3. Quantum of Solace http://j.mp/1NeBQHx
+4. Casino Royale http://j.mp/1k5YoTv
+5. Die Another Day http://j.mp/1POdMkD
+6. The World Is Not Enough http://j.mp/1POfJgY
+7. Tomorrow Never Dies http://j.mp/1k6ehsX
+8. GoldenEye http://j.mp/1POf2o5
+9. Licence to Kill http://j.mp/1kOgryc
+10. The Living Daylights http://j.mp/1kONO3R
+11. A View to a Kill http://j.mp/1PRjJxl
+12. Never Say Never Again http://j.mp/1HuWb9A
+13. Octopussy http://j.mp/1OVs9Dy
+14. For Your Eyes Only http://j.mp/1PRsxU1
+15. Moonraker http://j.mp/1OVrrGw
+16. The Spy Who Loved Me http://j.mp/1H9kr0T
+17. The Man with the Golden Gun http://j.mp/1H9dTPR
+18. Live and Let Die http://j.mp/1kOvjws
+19. Diamonds Are Forever http://j.mp/1OrXg9U
+20. On Her Majesty's Secret Service http://j.mp/1kesPHg
+21. You Only Live Twice http://j.mp/1Os3nv2
+22. Thunderball http://j.mp/1O8BaJn
+23. Goldfinger http://j.mp/1PmXr4X
+24. From Russia with Love http://j.mp/1PmO7y3
+25. Dr. No http://j.mp/1k6jC3x
+
+FILM DESCRIPTION:
+With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Frobe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Gert Frbe, Honor Blackman, Sean Connery, Michael Collins
+Director: Guy Hamilton
+Producers: Albert R. Broccoli, Harry Saltzman, Stanley Sopel
+Screenwriters: Richard Maibaum, Ian Fleming, Paul Dehn
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/GvyKxUL0x0M.en.srt

@@ -0,0 +1,165 @@
+1
+00:00:15,040 --> 00:00:18,109
+
+I'm glad to have you a board Mr Bond oh
+
+2
+00:00:18,109 --> 00:00:18,119
+I'm glad to have you a board Mr Bond oh
+ 
+
+3
+00:00:18,119 --> 00:00:21,070
+I'm glad to have you a board Mr Bond oh
+congratulations on your uh promotion
+
+4
+00:00:21,070 --> 00:00:21,080
+congratulations on your uh promotion
+ 
+
+5
+00:00:21,080 --> 00:00:22,910
+congratulations on your uh promotion
+Goldfinger are you having lunch at the
+
+6
+00:00:22,910 --> 00:00:22,920
+Goldfinger are you having lunch at the
+ 
+
+7
+00:00:22,920 --> 00:00:26,630
+Goldfinger are you having lunch at the
+White House too in 2 hours I shall be in
+
+8
+00:00:26,630 --> 00:00:26,640
+White House too in 2 hours I shall be in
+ 
+
+9
+00:00:26,640 --> 00:00:29,070
+White House too in 2 hours I shall be in
+Cuba and you have interfered with my
+
+10
+00:00:29,070 --> 00:00:29,080
+Cuba and you have interfered with my
+ 
+
+11
+00:00:29,080 --> 00:00:32,190
+Cuba and you have interfered with my
+plans for the last time Mr BN it's uh
+
+12
+00:00:32,190 --> 00:00:32,200
+plans for the last time Mr BN it's uh
+ 
+
+13
+00:00:32,200 --> 00:00:33,910
+plans for the last time Mr BN it's uh
+very dangerous to fire guns in Planes I
+
+14
+00:00:33,910 --> 00:00:33,920
+very dangerous to fire guns in Planes I
+ 
+
+15
+00:00:33,920 --> 00:00:37,069
+very dangerous to fire guns in Planes I
+even had to warn about it uh by
+
+16
+00:00:37,069 --> 00:00:37,079
+even had to warn about it uh by
+ 
+
+17
+00:00:37,079 --> 00:00:38,869
+even had to warn about it uh by
+the way where is she I will deal with
+
+18
+00:00:38,869 --> 00:00:38,879
+the way where is she I will deal with
+ 
+
+19
+00:00:38,879 --> 00:00:41,029
+the way where is she I will deal with
+her later at the moment she's where she
+
+20
+00:00:41,029 --> 00:00:41,039
+her later at the moment she's where she
+ 
+
+21
+00:00:41,039 --> 00:00:43,600
+her later at the moment she's where she
+ought to be at the controls
+
+22
+00:00:43,600 --> 00:00:43,610
+ought to be at the controls
+ 
+
+23
+00:00:43,610 --> 00:01:31,590
+ought to be at the controls
+[Music]
+
+24
+00:01:31,590 --> 00:01:31,600
+
+ 
+
+25
+00:01:31,600 --> 00:01:34,149
+
+py what happened let's go thinker
+
+26
+00:01:34,149 --> 00:01:34,159
+py what happened let's go thinker
+ 
+
+27
+00:01:34,159 --> 00:01:35,930
+py what happened let's go thinker
+playing this Golden
+
+28
+00:01:35,930 --> 00:01:35,940
+playing this Golden
+ 
+
+29
+00:01:35,940 --> 00:01:37,910
+playing this Golden
+[Music]
+
+30
+00:01:37,910 --> 00:01:37,920
+[Music]
+ 
+
+31
+00:01:37,920 --> 00:01:41,010
+[Music]
+Harp it's no good
+
+32
+00:01:41,010 --> 00:01:41,020
+Harp it's no good
+ 
+
+33
+00:01:41,020 --> 00:02:27,070
+Harp it's no good
+[Music]
+

1964/Izp0m24gYRU.description

@@ -0,0 +1,32 @@
+Topkapi - A Little Bird Told Me: After a bird sets off the alarm in the museum, Ali (Ege Ernart) pieces together the details of the heist, and the gang ends up in prison.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Jess Hahn, Maximilian Schell, Melina Mercouri, Peter Ustinov, Robert Morley
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/J67wKhddWu4.description

@@ -0,0 +1,38 @@
+Dr. Strangelove movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqofD2-h3xInLvQuYcFUHvTB
+BUY THE MOVIE: http://amzn.to/sfVV1y
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ripper (Sterling Hayden) tells Mandrake (Peter Sellers) his views on why Communists don't drink water.
+
+FILM DESCRIPTION:
+In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked.
+
+CREDITS:
+TM & © Sony (1964)
+Cast: Sterling Hayden, Peter Sellers
+Director: Stanley Kubrick
+Producers: Victor Lyndon, Stanley Kubrick
+Screenwriters: Stanley Kubrick, Terry Southern, Peter George
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/J67wKhddWu4.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:09,000 --> 00:00:11,669
+
+man Drake yes
+
+2
+00:00:11,669 --> 00:00:11,679
+man Drake yes
+ 
+
+3
+00:00:11,679 --> 00:00:14,230
+man Drake yes
+Dad have you ever seen a commi drink a
+
+4
+00:00:14,230 --> 00:00:14,240
+Dad have you ever seen a commi drink a
+ 
+
+5
+00:00:14,240 --> 00:00:15,510
+Dad have you ever seen a commi drink a
+glass of
+
+6
+00:00:15,510 --> 00:00:15,520
+glass of
+ 
+
+7
+00:00:15,520 --> 00:00:21,070
+glass of
+water well yeah I I can't say I have
+
+8
+00:00:21,070 --> 00:00:21,080
+water well yeah I I can't say I have
+ 
+
+9
+00:00:21,080 --> 00:00:24,390
+water well yeah I I can't say I have
+Jack vodka that's what they drink isn't
+
+10
+00:00:24,390 --> 00:00:24,400
+Jack vodka that's what they drink isn't
+ 
+
+11
+00:00:24,400 --> 00:00:29,189
+Jack vodka that's what they drink isn't
+it never water well I I believe that's
+
+12
+00:00:29,189 --> 00:00:29,199
+it never water well I I believe that's
+ 
+
+13
+00:00:29,199 --> 00:00:32,670
+it never water well I I believe that's
+what they drink heck yes on no account
+
+14
+00:00:32,670 --> 00:00:32,680
+what they drink heck yes on no account
+ 
+
+15
+00:00:32,680 --> 00:00:35,510
+what they drink heck yes on no account
+will a commi ever drink water and not
+
+16
+00:00:35,510 --> 00:00:35,520
+will a commi ever drink water and not
+ 
+
+17
+00:00:35,520 --> 00:00:39,310
+will a commi ever drink water and not
+without good
+
+18
+00:00:39,310 --> 00:00:39,320
+
+ 
+
+19
+00:00:39,320 --> 00:00:44,869
+
+reason yes I um can't quite see what
+
+20
+00:00:44,869 --> 00:00:44,879
+reason yes I um can't quite see what
+ 
+
+21
+00:00:44,879 --> 00:00:48,990
+reason yes I um can't quite see what
+you're getting at that water that's what
+
+22
+00:00:48,990 --> 00:00:49,000
+you're getting at that water that's what
+ 
+
+23
+00:00:49,000 --> 00:00:51,110
+you're getting at that water that's what
+I'm getting at
+
+24
+00:00:51,110 --> 00:00:51,120
+I'm getting at
+ 
+
+25
+00:00:51,120 --> 00:00:56,110
+I'm getting at
+Water MRE water is a source of all
+
+26
+00:00:56,110 --> 00:00:56,120
+Water MRE water is a source of all
+ 
+
+27
+00:00:56,120 --> 00:01:00,709
+Water MRE water is a source of all
+life 7/10 of this Earth surfaces water
+
+28
+00:01:00,709 --> 00:01:00,719
+life 7/10 of this Earth surfaces water
+ 
+
+29
+00:01:00,719 --> 00:01:03,270
+life 7/10 of this Earth surfaces water
+why do you realize
+
+30
+00:01:03,270 --> 00:01:03,280
+why do you realize
+ 
+
+31
+00:01:03,280 --> 00:01:07,789
+why do you realize
+that 70% of you was
+
+32
+00:01:07,789 --> 00:01:07,799
+
+ 
+
+33
+00:01:07,799 --> 00:01:11,670
+
+water and as human beings you and I need
+
+34
+00:01:11,670 --> 00:01:11,680
+water and as human beings you and I need
+ 
+
+35
+00:01:11,680 --> 00:01:14,870
+water and as human beings you and I need
+fresh pure water to replenish our
+
+36
+00:01:14,870 --> 00:01:14,880
+fresh pure water to replenish our
+ 
+
+37
+00:01:14,880 --> 00:01:16,590
+fresh pure water to replenish our
+precious bodily
+
+38
+00:01:16,590 --> 00:01:16,600
+precious bodily
+ 
+
+39
+00:01:16,600 --> 00:01:22,990
+precious bodily
+fluids are you beginning to understand
+
+40
+00:01:22,990 --> 00:01:23,000
+
+ 
+
+41
+00:01:23,000 --> 00:01:26,670
+
+yes
+
+42
+00:01:26,670 --> 00:01:26,680
+
+ 
+
+43
+00:01:26,680 --> 00:01:29,230
+
+mandri mandri have you never wondered
+
+44
+00:01:29,230 --> 00:01:29,240
+mandri mandri have you never wondered
+ 
+
+45
+00:01:29,240 --> 00:01:30,870
+mandri mandri have you never wondered
+why
+
+46
+00:01:30,870 --> 00:01:30,880
+why
+ 
+
+47
+00:01:30,880 --> 00:01:33,670
+why
+I drink only distilled water or rain
+
+48
+00:01:33,670 --> 00:01:33,680
+I drink only distilled water or rain
+ 
+
+49
+00:01:33,680 --> 00:01:36,630
+I drink only distilled water or rain
+water and only pure grain
+
+50
+00:01:36,630 --> 00:01:36,640
+water and only pure grain
+ 
+
+51
+00:01:36,640 --> 00:01:40,910
+water and only pure grain
+alcohol what it did occur to me Jack
+
+52
+00:01:40,910 --> 00:01:40,920
+alcohol what it did occur to me Jack
+ 
+
+53
+00:01:40,920 --> 00:01:43,310
+alcohol what it did occur to me Jack
+is have you ever heard of a thing called
+
+54
+00:01:43,310 --> 00:01:43,320
+is have you ever heard of a thing called
+ 
+
+55
+00:01:43,320 --> 00:01:46,230
+is have you ever heard of a thing called
+fluoridation fluoridation of
+
+56
+00:01:46,230 --> 00:01:46,240
+fluoridation fluoridation of
+ 
+
+57
+00:01:46,240 --> 00:01:49,590
+fluoridation fluoridation of
+water uh yes I I have heard of that Jack
+
+58
+00:01:49,590 --> 00:01:49,600
+water uh yes I I have heard of that Jack
+ 
+
+59
+00:01:49,600 --> 00:01:53,910
+water uh yes I I have heard of that Jack
+yes yes well do you know what it is
+
+60
+00:01:53,910 --> 00:01:53,920
+yes yes well do you know what it is
+ 
+
+61
+00:01:53,920 --> 00:01:57,029
+yes yes well do you know what it is
+no what it is now do you
+
+62
+00:01:57,029 --> 00:01:57,039
+no what it is now do you
+ 
+
+63
+00:01:57,039 --> 00:02:00,069
+no what it is now do you
+realize that fluoridation
+
+64
+00:02:00,069 --> 00:02:00,079
+realize that fluoridation
+ 
+
+65
+00:02:00,079 --> 00:02:03,149
+realize that fluoridation
+is the most monstrously conceived and
+
+66
+00:02:03,149 --> 00:02:03,159
+is the most monstrously conceived and
+ 
+
+67
+00:02:03,159 --> 00:02:05,029
+is the most monstrously conceived and
+dangerous communist plot we have ever
+
+68
+00:02:05,029 --> 00:02:05,039
+dangerous communist plot we have ever
+ 
+
+69
+00:02:05,039 --> 00:02:12,430
+dangerous communist plot we have ever
+had to face
+
+70
+00:02:12,430 --> 00:02:12,440
+
+ 
+
+71
+00:02:12,440 --> 00:02:43,509
+
+[Music]
+

1964/JfsgeCwAYEM.description

@@ -0,0 +1,32 @@
+Topkapi - It Can Be Done!: At a traveling fair, Elizabeth (Melina Mercouri) spies a replica of a jewel-encrusted dagger and formulates a plan for stealing it.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/topkapi-1964/MMVB90641186EDBB07C7721A4301E910C21F?cmp=Movieclips_YT_Description
+
+Watch the best Topkapi scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqqGd-9EEDwGG2Xw_gQ0NYEP
+
+FILM DESCRIPTION:
+Beautiful thief Elizabeth Lipp (Melina Mercouri) and criminal genius Walter Harper (Maximilian Schell) put together a plan to steal an emerald-encrusted dagger from Istanbul's Topkapi Palace. As part of their crew, they hire small-time hustler Arthur Simon Simpson (Peter Ustinov) to act as their fall guy. When the Turkish secret police capture Simpson at the border, they persuade him to spy on his partners in crime, mistakenly believing that they're Communist agents plotting an assassination.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Melina Mercouri
+Director: Jules Dassin
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/JfsgeCwAYEM.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:00,200 --> 00:00:11,410
+
+[Music]
+
+2
+00:00:11,410 --> 00:00:11,420
+[Music]
+ 
+
+3
+00:00:11,420 --> 00:00:17,020
+[Music]
+[Applause]
+
+4
+00:00:17,020 --> 00:00:17,030
+
+ 
+
+5
+00:00:17,030 --> 00:00:21,610
+
+my kingdom for the emeralds for Ave
+
+6
+00:00:21,610 --> 00:00:21,620
+my kingdom for the emeralds for Ave
+ 
+
+7
+00:00:21,620 --> 00:00:22,810
+my kingdom for the emeralds for Ave
+Topkapi
+
+8
+00:00:22,810 --> 00:00:22,820
+Topkapi
+ 
+
+9
+00:00:22,820 --> 00:00:40,650
+Topkapi
+[Music]
+
+10
+00:00:40,650 --> 00:00:40,660
+[Music]
+ 
+
+11
+00:00:40,660 --> 00:00:45,060
+[Music]
+[Applause]
+
+12
+00:00:45,060 --> 00:00:45,070
+
+ 
+
+13
+00:00:45,070 --> 00:00:55,870
+
+[Music]
+
+14
+00:00:55,870 --> 00:00:55,880
+[Music]
+ 
+
+15
+00:00:55,880 --> 00:01:01,730
+[Music]
+[Laughter]
+
+16
+00:01:01,730 --> 00:01:01,740
+
+ 
+
+17
+00:01:01,740 --> 00:01:14,160
+
+[Music]
+
+18
+00:01:14,160 --> 00:01:14,170
+[Music]
+ 
+
+19
+00:01:14,170 --> 00:01:16,209
+[Music]
+can be done
+
+20
+00:01:16,209 --> 00:01:16,219
+can be done
+ 
+
+21
+00:01:16,219 --> 00:01:23,230
+can be done
+that's the weight can be done oh excuse
+
+22
+00:01:23,230 --> 00:01:23,240
+that's the weight can be done oh excuse
+ 
+
+23
+00:01:23,240 --> 00:01:27,399
+that's the weight can be done oh excuse
+me I just had a great idea something
+
+24
+00:01:27,399 --> 00:01:27,409
+me I just had a great idea something
+ 
+
+25
+00:01:27,409 --> 00:01:30,870
+me I just had a great idea something
+I've been looking for a long time a very
+
+26
+00:01:30,870 --> 00:01:30,880
+I've been looking for a long time a very
+ 
+
+27
+00:01:30,880 --> 00:01:35,380
+I've been looking for a long time a very
+long time Joseph how many times have you
+
+28
+00:01:35,380 --> 00:01:35,390
+long time Joseph how many times have you
+ 
+
+29
+00:01:35,390 --> 00:01:37,300
+long time Joseph how many times have you
+been in and out of the country many
+
+30
+00:01:37,300 --> 00:01:37,310
+been in and out of the country many
+ 
+
+31
+00:01:37,310 --> 00:01:42,160
+been in and out of the country many
+times many times I should say yes 12
+
+32
+00:01:42,160 --> 00:01:42,170
+times many times I should say yes 12
+ 
+
+33
+00:01:42,170 --> 00:01:44,289
+times many times I should say yes 12
+times ever had a problem at the border
+
+34
+00:01:44,289 --> 00:01:44,299
+times ever had a problem at the border
+ 
+
+35
+00:01:44,299 --> 00:01:48,699
+times ever had a problem at the border
+at customs oh no me Georgia you're going
+
+36
+00:01:48,699 --> 00:01:48,709
+at customs oh no me Georgia you're going
+ 
+
+37
+00:01:48,709 --> 00:01:53,469
+at customs oh no me Georgia you're going
+to be very richly like that like it will
+
+38
+00:01:53,469 --> 00:01:53,479
+to be very richly like that like it will
+ 
+
+39
+00:01:53,479 --> 00:01:55,240
+to be very richly like that like it will
+be some time before I see you again
+
+40
+00:01:55,240 --> 00:01:55,250
+be some time before I see you again
+ 
+
+41
+00:01:55,250 --> 00:01:59,610
+be some time before I see you again
+Georgia I will wait for you
+
+42
+00:01:59,610 --> 00:01:59,620
+Georgia I will wait for you
+ 
+
+43
+00:01:59,620 --> 00:02:24,520
+Georgia I will wait for you
+[Music]
+

1964/KQcLnNoYMWU.description

@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Labiche (Burt Lancaster) stands guard as the resistance fighters paint the train white to denote the cars containing artwork.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Lancaster, Albert Rémy, Paul Scofield
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
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+Movie News: http://bit.ly/1C3Ncd2
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+
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+Tumblr: http://bit.ly/1vUwhH7

1964/N9d-c9ooO7s.description

@@ -0,0 +1,32 @@
+A Shot in the Dark - Clouseau Catches Fire: Clouseau (Peter Sellers) sets his trench coat on fire as he flirts with Maria (Elke Sommer).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-shot-in-the-dark-1964/MMV1A91AAF0E3D1A437AD5FFC0653F441F39?cmp=Movieclips_YT_Description
+
+Watch the best A Shot in the Dark scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqpBx99QWXSooafPLXCjDO8n
+
+FILM DESCRIPTION:
+Inspector Clouseau is called to a house where a murder was committed and finds that every clue points to the beautiful maid, Maria. As more people are killed, each set of clues always points to Maria, and Closeau continues to release her and escort her around town.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Elke Sommer, Herbert Lom, Peter Sellers
+Director: Blake Edwards
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1964/N9d-c9ooO7s.en.srt

@@ -0,0 +1,495 @@
+1
+00:00:00,060 --> 00:00:03,080
+
+so he just tore the dress off he
+
+2
+00:00:03,080 --> 00:00:03,090
+so he just tore the dress off he
+ 
+
+3
+00:00:03,090 --> 00:00:03,830
+so he just tore the dress off he
+attacked you
+
+4
+00:00:03,830 --> 00:00:03,840
+attacked you
+ 
+
+5
+00:00:03,840 --> 00:00:07,490
+attacked you
+oh no I would have helped him but but he
+
+6
+00:00:07,490 --> 00:00:07,500
+oh no I would have helped him but but he
+ 
+
+7
+00:00:07,500 --> 00:00:08,419
+oh no I would have helped him but but he
+couldn't wait
+
+8
+00:00:08,419 --> 00:00:08,429
+couldn't wait
+ 
+
+9
+00:00:08,429 --> 00:00:10,400
+couldn't wait
+the buttons are probably all over the
+
+10
+00:00:10,400 --> 00:00:10,410
+the buttons are probably all over the
+ 
+
+11
+00:00:10,410 --> 00:00:14,930
+the buttons are probably all over the
+room he was so impetuous a passionate
+
+12
+00:00:14,930 --> 00:00:14,940
+room he was so impetuous a passionate
+ 
+
+13
+00:00:14,940 --> 00:00:26,480
+room he was so impetuous a passionate
+Spaniard you know and he yes and then
+
+14
+00:00:26,480 --> 00:00:26,490
+Spaniard you know and he yes and then
+ 
+
+15
+00:00:26,490 --> 00:00:28,849
+Spaniard you know and he yes and then
+suddenly someone opened the door and we
+
+16
+00:00:28,849 --> 00:00:28,859
+suddenly someone opened the door and we
+ 
+
+17
+00:00:28,859 --> 00:00:31,700
+suddenly someone opened the door and we
+get left up and well that is the last I
+
+18
+00:00:31,700 --> 00:00:31,710
+get left up and well that is the last I
+ 
+
+19
+00:00:31,710 --> 00:00:33,440
+get left up and well that is the last I
+remember until Maurice came in and found
+
+20
+00:00:33,440 --> 00:00:33,450
+remember until Maurice came in and found
+ 
+
+21
+00:00:33,450 --> 00:00:38,810
+remember until Maurice came in and found
+me with a gun yes there is if your
+
+22
+00:00:38,810 --> 00:00:38,820
+me with a gun yes there is if your
+ 
+
+23
+00:00:38,820 --> 00:00:41,360
+me with a gun yes there is if your
+excuse me something here that I do not
+
+24
+00:00:41,360 --> 00:00:41,370
+excuse me something here that I do not
+ 
+
+25
+00:00:41,370 --> 00:00:43,310
+excuse me something here that I do not
+quite understand what don't you
+
+26
+00:00:43,310 --> 00:00:43,320
+quite understand what don't you
+ 
+
+27
+00:00:43,320 --> 00:00:51,139
+quite understand what don't you
+understand hey don't understand when you
+
+28
+00:00:51,139 --> 00:00:51,149
+understand hey don't understand when you
+ 
+
+29
+00:00:51,149 --> 00:00:55,130
+understand hey don't understand when you
+say that you don't remember but I guess
+
+30
+00:00:55,130 --> 00:00:55,140
+say that you don't remember but I guess
+ 
+
+31
+00:00:55,140 --> 00:00:58,279
+say that you don't remember but I guess
+I wasn't conscious unconscious I have a
+
+32
+00:00:58,279 --> 00:00:58,289
+I wasn't conscious unconscious I have a
+ 
+
+33
+00:00:58,289 --> 00:01:05,149
+I wasn't conscious unconscious I have a
+bump then yes well you don't know how it
+
+34
+00:01:05,149 --> 00:01:05,159
+bump then yes well you don't know how it
+ 
+
+35
+00:01:05,159 --> 00:01:08,060
+bump then yes well you don't know how it
+happened but it is so painful well that
+
+36
+00:01:08,060 --> 00:01:08,070
+happened but it is so painful well that
+ 
+
+37
+00:01:08,070 --> 00:01:10,429
+happened but it is so painful well that
+is beautiful perfume you're wearing it's
+
+38
+00:01:10,429 --> 00:01:10,439
+is beautiful perfume you're wearing it's
+ 
+
+39
+00:01:10,439 --> 00:01:12,679
+is beautiful perfume you're wearing it's
+bath oil yes you know I really can't
+
+40
+00:01:12,679 --> 00:01:12,689
+bath oil yes you know I really can't
+ 
+
+41
+00:01:12,689 --> 00:01:14,899
+bath oil yes you know I really can't
+figure it out it someone must've hidden
+
+42
+00:01:14,899 --> 00:01:14,909
+figure it out it someone must've hidden
+ 
+
+43
+00:01:14,909 --> 00:01:16,270
+figure it out it someone must've hidden
+me
+
+44
+00:01:16,270 --> 00:01:16,280
+me
+ 
+
+45
+00:01:16,280 --> 00:01:18,580
+me
+we have received a mild concussion with
+
+46
+00:01:18,580 --> 00:01:18,590
+we have received a mild concussion with
+ 
+
+47
+00:01:18,590 --> 00:01:19,560
+we have received a mild concussion with
+it burn
+
+48
+00:01:19,560 --> 00:01:19,570
+it burn
+ 
+
+49
+00:01:19,570 --> 00:01:22,480
+it burn
+here's cream on your nose what oh it's
+
+50
+00:01:22,480 --> 00:01:22,490
+here's cream on your nose what oh it's
+ 
+
+51
+00:01:22,490 --> 00:01:30,160
+here's cream on your nose what oh it's
+nothing raining no it's just the stupid
+
+52
+00:01:30,160 --> 00:01:30,170
+nothing raining no it's just the stupid
+ 
+
+53
+00:01:30,170 --> 00:01:31,960
+nothing raining no it's just the stupid
+driver of mine impact too close to the
+
+54
+00:01:31,960 --> 00:01:31,970
+driver of mine impact too close to the
+ 
+
+55
+00:01:31,970 --> 00:01:33,670
+driver of mine impact too close to the
+Phantom shake it out these clothes
+
+56
+00:01:33,670 --> 00:01:33,680
+Phantom shake it out these clothes
+ 
+
+57
+00:01:33,680 --> 00:01:35,350
+Phantom shake it out these clothes
+immediately it's you catch your death of
+
+58
+00:01:35,350 --> 00:01:35,360
+immediately it's you catch your death of
+ 
+
+59
+00:01:35,360 --> 00:01:38,470
+immediately it's you catch your death of
+pneumonia you will yes I probably will
+
+60
+00:01:38,470 --> 00:01:38,480
+pneumonia you will yes I probably will
+ 
+
+61
+00:01:38,480 --> 00:01:40,780
+pneumonia you will yes I probably will
+better so part of life's rich pageant
+
+62
+00:01:40,780 --> 00:01:40,790
+better so part of life's rich pageant
+ 
+
+63
+00:01:40,790 --> 00:01:43,720
+better so part of life's rich pageant
+you know we please have to put up with a
+
+64
+00:01:43,720 --> 00:01:43,730
+you know we please have to put up with a
+ 
+
+65
+00:01:43,730 --> 00:01:46,480
+you know we please have to put up with a
+lot of things because of our duties
+
+66
+00:01:46,480 --> 00:01:46,490
+lot of things because of our duties
+ 
+
+67
+00:01:46,490 --> 00:01:49,030
+lot of things because of our duties
+enter the private life one wouldn't
+
+68
+00:01:49,030 --> 00:01:49,040
+enter the private life one wouldn't
+ 
+
+69
+00:01:49,040 --> 00:01:51,880
+enter the private life one wouldn't
+normally tolerate we have a smoke helps
+
+70
+00:01:51,880 --> 00:01:51,890
+normally tolerate we have a smoke helps
+ 
+
+71
+00:01:51,890 --> 00:01:55,690
+normally tolerate we have a smoke helps
+to calm the nerves and enable us to
+
+72
+00:01:55,690 --> 00:01:55,700
+to calm the nerves and enable us to
+ 
+
+73
+00:01:55,700 --> 00:02:01,210
+to calm the nerves and enable us to
+think more clearly
+
+74
+00:02:01,210 --> 00:02:01,220
+
+ 
+
+75
+00:02:01,220 --> 00:02:03,740
+
+lovely perfume you're wearing them it's
+
+76
+00:02:03,740 --> 00:02:03,750
+lovely perfume you're wearing them it's
+ 
+
+77
+00:02:03,750 --> 00:02:11,950
+lovely perfume you're wearing them it's
+not person
+
+78
+00:02:11,950 --> 00:02:11,960
+
+ 
+
+79
+00:02:11,960 --> 00:02:17,120
+
+now where were we my bump bump that's
+
+80
+00:02:17,120 --> 00:02:17,130
+now where were we my bump bump that's
+ 
+
+81
+00:02:17,130 --> 00:02:19,370
+now where were we my bump bump that's
+right that you received when somebody
+
+82
+00:02:19,370 --> 00:02:19,380
+right that you received when somebody
+ 
+
+83
+00:02:19,380 --> 00:02:22,280
+right that you received when somebody
+hit you or at least we presume somebody
+
+84
+00:02:22,280 --> 00:02:22,290
+hit you or at least we presume somebody
+ 
+
+85
+00:02:22,290 --> 00:02:24,740
+hit you or at least we presume somebody
+hit how else could it have happened well
+
+86
+00:02:24,740 --> 00:02:24,750
+hit how else could it have happened well
+ 
+
+87
+00:02:24,750 --> 00:02:26,000
+hit how else could it have happened well
+you see in the police force
+
+88
+00:02:26,000 --> 00:02:26,010
+you see in the police force
+ 
+
+89
+00:02:26,010 --> 00:02:28,640
+you see in the police force
+first we presume after we find out that
+
+90
+00:02:28,640 --> 00:02:28,650
+first we presume after we find out that
+ 
+
+91
+00:02:28,650 --> 00:02:30,200
+first we presume after we find out that
+is the way we work always work with them
+
+92
+00:02:30,200 --> 00:02:30,210
+is the way we work always work with them
+ 
+
+93
+00:02:30,210 --> 00:02:31,430
+is the way we work always work with them
+because if we weren't the other way you
+
+94
+00:02:31,430 --> 00:02:31,440
+because if we weren't the other way you
+ 
+
+95
+00:02:31,440 --> 00:02:34,090
+because if we weren't the other way you
+see goodness it's a bit stuffy in here
+
+96
+00:02:34,090 --> 00:02:34,100
+see goodness it's a bit stuffy in here
+ 
+
+97
+00:02:34,100 --> 00:02:41,170
+see goodness it's a bit stuffy in here
+your comment yes it is my it's a fire
+
+98
+00:02:41,170 --> 00:02:41,180
+
+ 
+
+99
+00:02:41,180 --> 00:03:07,060
+
+[Music]
+

1964/OC_NauqyoSg.description

@@ -0,0 +1,38 @@
+The Train movie clips: http://j.mp/1BcPcR0
+BUY THE MOVIE: http://j.mp/1bq3eT6
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Von Waldheim (Paul Scofield) mocks Labiche (Burt Lancaster) for his lack of art appreciation, and Labiche shoots him dead.
+
+FILM DESCRIPTION:
+John Frankenheimer directs Burt Lancaster in the tense spy thriller The Train. Lancaster plays Labiche, a French railway inspector. Allied forces are threatening to liberate Paris, so Col. Franz von Waldheim (Paul Scofield) is ordered to move the priceless works of art from the Jeu de Paume Museum to the fatherland. The head of the museum (Suzanne Flon) attempts to convince Labiche that he should sabotage the train on which they are transporting the art. Labiche is more focused on destroying a trainload of German weapons. After his friend is killed trying to stop the train with the art, and after a consciousness-raising conversation with a hotel owner (Jeanne Moreau), Labiche resolves to save the antiquities. Lancaster and Frankenheimer had worked together previously on both Birdman of Alcatraz and Seven Days in May.
+
+CREDITS:
+TM & © MGM (1964)
+Cast: Burt Lancaster, Paul Scofield
+Directors: John Frankenheimer, Arthur Penn
+Producers: Jules Bricken, Bernard Farrel
+Screenwriters: Franklin Coen, Howard Dimsdale, Nedrick Young, Frank Davis, Rose Valland, Walter Bernstein, Albert Husson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/OC_NauqyoSg.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:00,000 --> 00:00:04,470
+
+for
+
+2
+00:00:04,470 --> 00:00:04,480
+
+ 
+
+3
+00:00:04,480 --> 00:00:20,480
+
+[Music]
+
+4
+00:00:20,480 --> 00:00:20,490
+[Music]
+ 
+
+5
+00:00:20,490 --> 00:00:22,860
+[Music]
+[Laughter]
+
+6
+00:00:22,860 --> 00:00:22,870
+[Laughter]
+ 
+
+7
+00:00:22,870 --> 00:00:33,670
+[Laughter]
+[Music]
+
+8
+00:00:33,670 --> 00:00:33,680
+
+ 
+
+9
+00:00:33,680 --> 00:00:37,150
+
+laish here's your prize
+
+10
+00:00:37,150 --> 00:00:37,160
+laish here's your prize
+ 
+
+11
+00:00:37,160 --> 00:00:39,750
+laish here's your prize
+laish some of the greatest paintings in
+
+12
+00:00:39,750 --> 00:00:39,760
+laish some of the greatest paintings in
+ 
+
+13
+00:00:39,760 --> 00:00:45,950
+laish some of the greatest paintings in
+the
+
+14
+00:00:45,950 --> 00:00:45,960
+
+ 
+
+15
+00:00:45,960 --> 00:00:49,910
+
+world does it please you
+
+16
+00:00:49,910 --> 00:00:49,920
+
+ 
+
+17
+00:00:49,920 --> 00:00:52,590
+
+laish you feel a sense of excitement in
+
+18
+00:00:52,590 --> 00:00:52,600
+laish you feel a sense of excitement in
+ 
+
+19
+00:00:52,600 --> 00:00:55,389
+laish you feel a sense of excitement in
+just being near
+
+20
+00:00:55,389 --> 00:00:55,399
+just being near
+ 
+
+21
+00:00:55,399 --> 00:00:58,270
+just being near
+them a painting means as much to you as
+
+22
+00:00:58,270 --> 00:00:58,280
+them a painting means as much to you as
+ 
+
+23
+00:00:58,280 --> 00:01:01,790
+them a painting means as much to you as
+a String of Pearls and an
+
+24
+00:01:01,790 --> 00:01:01,800
+a String of Pearls and an
+ 
+
+25
+00:01:01,800 --> 00:01:04,670
+a String of Pearls and an
+eight you won by sheer
+
+26
+00:01:04,670 --> 00:01:04,680
+eight you won by sheer
+ 
+
+27
+00:01:04,680 --> 00:01:07,070
+eight you won by sheer
+luck you stopped me without knowing what
+
+28
+00:01:07,070 --> 00:01:07,080
+luck you stopped me without knowing what
+ 
+
+29
+00:01:07,080 --> 00:01:10,670
+luck you stopped me without knowing what
+you were doing or
+
+30
+00:01:10,670 --> 00:01:10,680
+
+ 
+
+31
+00:01:10,680 --> 00:01:14,310
+
+why you are nothing
+
+32
+00:01:14,310 --> 00:01:14,320
+why you are nothing
+ 
+
+33
+00:01:14,320 --> 00:01:17,670
+why you are nothing
+laish a lump of
+
+34
+00:01:17,670 --> 00:01:17,680
+laish a lump of
+ 
+
+35
+00:01:17,680 --> 00:01:21,590
+laish a lump of
+Flesh the paintings are mine they always
+
+36
+00:01:21,590 --> 00:01:21,600
+Flesh the paintings are mine they always
+ 
+
+37
+00:01:21,600 --> 00:01:22,590
+Flesh the paintings are mine they always
+will
+
+38
+00:01:22,590 --> 00:01:22,600
+will
+ 
+
+39
+00:01:22,600 --> 00:01:25,590
+will
+be Beauty belongs to the man who can
+
+40
+00:01:25,590 --> 00:01:25,600
+be Beauty belongs to the man who can
+ 
+
+41
+00:01:25,600 --> 00:01:28,710
+be Beauty belongs to the man who can
+appreciate it they will always belong to
+
+42
+00:01:28,710 --> 00:01:28,720
+appreciate it they will always belong to
+ 
+
+43
+00:01:28,720 --> 00:01:36,469
+appreciate it they will always belong to
+me or to a man like me
+
+44
+00:01:36,469 --> 00:01:36,479
+
+ 
+
+45
+00:01:36,479 --> 00:01:39,310
+
+now this
+
+46
+00:01:39,310 --> 00:01:39,320
+now this
+ 
+
+47
+00:01:39,320 --> 00:01:42,670
+now this
+minute you couldn't tell me why you did
+
+48
+00:01:42,670 --> 00:01:42,680
+minute you couldn't tell me why you did
+ 
+
+49
+00:01:42,680 --> 00:02:00,420
+minute you couldn't tell me why you did
+what you did
+
+50
+00:02:00,420 --> 00:02:00,430
+
+ 
+
+51
+00:02:00,430 --> 00:02:29,869
+
+[Applause]
+
+52
+00:02:29,869 --> 00:02:29,879
+
+ 
+
+53
+00:02:29,879 --> 00:02:59,940
+
+for
+
+54
+00:02:59,940 --> 00:02:59,950
+
+ 
+
+55
+00:02:59,950 --> 00:03:31,539
+
+[Music]
+

1964/OLtnOGTdLO4.description

@@ -0,0 +1,38 @@
+The Pawnbroker movie clips: http://j.mp/1BcUz2x
+BUY THE MOVIE: http://amzn.to/AltU5L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The barking city dogs and the gang beating of a kid trigger Sol Nazerman's (Rod Steiger) traumatic flashbacks of his days in the concentration camps.
+
+FILM DESCRIPTION:
+Critically acclaimed Rod Steiger plays Sol Nazerman, a Jewish pawnbroker who survived imprisonment in a Nazi concentration camp, even though his wife and family did not. The devastating experience and unrelenting memories inhibit Sol from emotional involvement with life. He has no faith in religion and less in mankind. Though he carries on an affair with a woman who was also a victim of the Nazi camps, it is without emotion and Sol grows increasingly bitter and callous, withdrawing still further from the world around him. As his small shop in Harlem is run with little care or attention, it becomes a convenient cover for a local racketeer. Finally, a caring social worker tries to appeal to his humanity, but Sol's emotional wounds may prove to be too great to overcome. Based on a book by Edward Lewis Wallant, The Pawnbroker features the skilled camera work of Boris Kaufman, who had previously worked with director Sidney Lumet on films such as 12 Angry Men (1957) and Long Day's Journey Into Night (1962). The score is composed by Quincy Jones, who would contribute to Lumet's 1978 musical, The Wiz.
+
+CREDITS:
+TM & © Paramount (1964)
+Cast: Rod Steiger
+Director: Sidney Lumet
+Producers: Worthington Miner, Joseph Manduke, Philip Langner, Roger Lewis
+Screenwriters: David Friedkin, Morton S. Fine, Edward Lewis Wallant
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/PSofqNSuVy8.description

@@ -0,0 +1,38 @@
+Dr. Strangelove movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqofD2-h3xInLvQuYcFUHvTB
+BUY THE MOVIE: http://amzn.to/sfVV1y
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Mandrake (Peter Sellers) asks Ripper (Sterling Hayden) for the launch codes, Ripper refuses and explains his true intentions to start nuclear war.
+
+FILM DESCRIPTION:
+In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked.
+
+CREDITS:
+TM & © Sony (1964)
+Cast: Sterling Hayden, Peter Sellers
+Director: Stanley Kubrick
+Producers: Victor Lyndon, Stanley Kubrick
+Screenwriters: Stanley Kubrick, Terry Southern, Peter George
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1964/PSofqNSuVy8.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:06,560 --> 00:00:09,790
+
+I'm FR askos and the recall code have
+
+2
+00:00:09,790 --> 00:00:09,800
+I'm FR askos and the recall code have
+ 
+
+3
+00:00:09,800 --> 00:00:12,390
+I'm FR askos and the recall code have
+you got in handed sir I told you to take
+
+4
+00:00:12,390 --> 00:00:12,400
+you got in handed sir I told you to take
+ 
+
+5
+00:00:12,400 --> 00:00:14,629
+you got in handed sir I told you to take
+it easy group Captain there's nothing
+
+6
+00:00:14,629 --> 00:00:14,639
+it easy group Captain there's nothing
+ 
+
+7
+00:00:14,639 --> 00:00:16,910
+it easy group Captain there's nothing
+anybody can do about this thing now I'm
+
+8
+00:00:16,910 --> 00:00:16,920
+anybody can do about this thing now I'm
+ 
+
+9
+00:00:16,920 --> 00:00:17,910
+anybody can do about this thing now I'm
+the only person who knows the
+
+10
+00:00:17,910 --> 00:00:17,920
+the only person who knows the
+ 
+
+11
+00:00:17,920 --> 00:00:19,670
+the only person who knows the
+three-letter code group then I must
+
+12
+00:00:19,670 --> 00:00:19,680
+three-letter code group then I must
+ 
+
+13
+00:00:19,680 --> 00:00:30,830
+three-letter code group then I must
+insist sir that you're given them to him
+
+14
+00:00:30,830 --> 00:00:30,840
+
+ 
+
+15
+00:00:30,840 --> 00:00:32,549
+
+do I take it sir that you're threatening
+
+16
+00:00:32,549 --> 00:00:32,559
+do I take it sir that you're threatening
+ 
+
+17
+00:00:32,559 --> 00:00:35,190
+do I take it sir that you're threatening
+a brother officer with a
+
+18
+00:00:35,190 --> 00:00:35,200
+a brother officer with a
+ 
+
+19
+00:00:35,200 --> 00:00:37,389
+a brother officer with a
+gun amand
+
+20
+00:00:37,389 --> 00:00:37,399
+gun amand
+ 
+
+21
+00:00:37,399 --> 00:00:40,470
+gun amand
+Drake I suppose it never occurred to
+
+22
+00:00:40,470 --> 00:00:40,480
+Drake I suppose it never occurred to
+ 
+
+23
+00:00:40,480 --> 00:00:43,990
+Drake I suppose it never occurred to
+you that while we're chanting here so
+
+24
+00:00:43,990 --> 00:00:44,000
+you that while we're chanting here so
+ 
+
+25
+00:00:44,000 --> 00:00:47,189
+you that while we're chanting here so
+enjoyably a decision is being made by
+
+26
+00:00:47,189 --> 00:00:47,199
+enjoyably a decision is being made by
+ 
+
+27
+00:00:47,199 --> 00:00:48,029
+enjoyably a decision is being made by
+the
+
+28
+00:00:48,029 --> 00:00:48,039
+the
+ 
+
+29
+00:00:48,039 --> 00:00:50,229
+the
+president and the Joint Chiefs in the
+
+30
+00:00:50,229 --> 00:00:50,239
+president and the Joint Chiefs in the
+ 
+
+31
+00:00:50,239 --> 00:00:52,189
+president and the Joint Chiefs in the
+War Room at the
+
+32
+00:00:52,189 --> 00:00:52,199
+War Room at the
+ 
+
+33
+00:00:52,199 --> 00:00:55,189
+War Room at the
+Pentagon and when they realize there is
+
+34
+00:00:55,189 --> 00:00:55,199
+Pentagon and when they realize there is
+ 
+
+35
+00:00:55,199 --> 00:00:57,830
+Pentagon and when they realize there is
+no possibility of recalling the
+
+36
+00:00:57,830 --> 00:00:57,840
+no possibility of recalling the
+ 
+
+37
+00:00:57,840 --> 00:01:00,349
+no possibility of recalling the
+wing there will be only one call for of
+
+38
+00:01:00,349 --> 00:01:00,359
+wing there will be only one call for of
+ 
+
+39
+00:01:00,359 --> 00:01:02,270
+wing there will be only one call for of
+action
+
+40
+00:01:02,270 --> 00:01:02,280
+action
+ 
+
+41
+00:01:02,280 --> 00:01:06,469
+action
+open total
+
+42
+00:01:06,469 --> 00:01:06,479
+
+ 
+
+43
+00:01:06,479 --> 00:01:09,950
+
+commitment mandre do you recall what
+
+44
+00:01:09,950 --> 00:01:09,960
+commitment mandre do you recall what
+ 
+
+45
+00:01:09,960 --> 00:01:12,429
+commitment mandre do you recall what
+Clemens so once said about
+
+46
+00:01:12,429 --> 00:01:12,439
+Clemens so once said about
+ 
+
+47
+00:01:12,439 --> 00:01:16,550
+Clemens so once said about
+war no I didn't think I do that
+
+48
+00:01:16,550 --> 00:01:16,560
+war no I didn't think I do that
+ 
+
+49
+00:01:16,560 --> 00:01:19,310
+war no I didn't think I do that
+now he said war was too important to be
+
+50
+00:01:19,310 --> 00:01:19,320
+now he said war was too important to be
+ 
+
+51
+00:01:19,320 --> 00:01:20,710
+now he said war was too important to be
+left to the
+
+52
+00:01:20,710 --> 00:01:20,720
+left to the
+ 
+
+53
+00:01:20,720 --> 00:01:24,789
+left to the
+generals when he said that 50 years
+
+54
+00:01:24,789 --> 00:01:24,799
+generals when he said that 50 years
+ 
+
+55
+00:01:24,799 --> 00:01:27,350
+generals when he said that 50 years
+ago he might have been
+
+56
+00:01:27,350 --> 00:01:27,360
+ago he might have been
+ 
+
+57
+00:01:27,360 --> 00:01:30,749
+ago he might have been
+right but today
+
+58
+00:01:30,749 --> 00:01:30,759
+right but today
+ 
+
+59
+00:01:30,759 --> 00:01:33,350
+right but today
+war is too important to be left to
+
+60
+00:01:33,350 --> 00:01:33,360
+war is too important to be left to
+ 
+
+61
+00:01:33,360 --> 00:01:35,910
+war is too important to be left to
+politicians they have neither the
+
+62
+00:01:35,910 --> 00:01:35,920
+politicians they have neither the
+ 
+
+63
+00:01:35,920 --> 00:01:37,830
+politicians they have neither the
+time the
+
+64
+00:01:37,830 --> 00:01:37,840
+time the
+ 
+
+65
+00:01:37,840 --> 00:01:40,190
+time the
+training nor the inclination for
+
+66
+00:01:40,190 --> 00:01:40,200
+training nor the inclination for
+ 
+
+67
+00:01:40,200 --> 00:01:44,630
+training nor the inclination for
+strategic
+
+68
+00:01:44,630 --> 00:01:44,640
+
+ 
+
+69
+00:01:44,640 --> 00:01:48,190
+
+thought I can no longer sit back and
+
+70
+00:01:48,190 --> 00:01:48,200
+thought I can no longer sit back and
+ 
+
+71
+00:01:48,200 --> 00:01:50,469
+thought I can no longer sit back and
+allow communist
+
+72
+00:01:50,469 --> 00:01:50,479
+allow communist
+ 
+
+73
+00:01:50,479 --> 00:01:53,389
+allow communist
+infiltration communist
+
+74
+00:01:53,389 --> 00:01:53,399
+infiltration communist
+ 
+
+75
+00:01:53,399 --> 00:01:56,590
+infiltration communist
+indoctrination communist
+
+76
+00:01:56,590 --> 00:01:56,600
+indoctrination communist
+ 
+
+77
+00:01:56,600 --> 00:01:58,670
+indoctrination communist
+subversion and the international
+
+78
+00:01:58,670 --> 00:01:58,680
+subversion and the international
+ 
+
+79
+00:01:58,680 --> 00:02:01,469
+subversion and the international
+communist conspiracy
+
+80
+00:02:01,469 --> 00:02:01,479
+communist conspiracy
+ 
+
+81
+00:02:01,479 --> 00:02:03,469
+communist conspiracy
+to sapen and
+
+82
+00:02:03,469 --> 00:02:03,479
+to sapen and
+ 
+
+83
+00:02:03,479 --> 00:02:09,430
+to sapen and
+purify all of our precious bodily fluids
+
+84
+00:02:09,430 --> 00:02:09,440
+
+ 
+
+85
+00:02:09,440 --> 00:02:30,869
+
+[Music]
+
+86
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+87
+00:02:30,879 --> 00:02:34,520
+
+to
+
+88
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+89
+00:02:34,530 --> 00:02:40,479
+
+[Music]
+