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1942/k_uINM_XI6I.mp4

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1943/2H7XknY3PMA.mp4

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1944/LJq1auJq_gc.mp4

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1997/XFmCXGXAZ5A.en.srt

@@ -0,0 +1,165 @@
+1
+00:00:02,240 --> 00:00:03,470
+
+it's just if you'd waited I could have
+
+2
+00:00:03,470 --> 00:00:03,480
+it's just if you'd waited I could have
+ 
+
+3
+00:00:03,480 --> 00:00:06,230
+it's just if you'd waited I could have
+helped you you never took a tripod or
+
+4
+00:00:06,230 --> 00:00:06,240
+helped you you never took a tripod or
+ 
+
+5
+00:00:06,240 --> 00:00:08,870
+helped you you never took a tripod or
+anything so it'll just be a blur you
+
+6
+00:00:08,870 --> 00:00:08,880
+anything so it'll just be a blur you
+ 
+
+7
+00:00:08,880 --> 00:00:11,110
+anything so it'll just be a blur you
+won't see your cousin at all we wanted
+
+8
+00:00:11,110 --> 00:00:11,120
+won't see your cousin at all we wanted
+ 
+
+9
+00:00:11,120 --> 00:00:13,430
+won't see your cousin at all we wanted
+it to be a surprise we'll next time ask
+
+10
+00:00:13,430 --> 00:00:13,440
+it to be a surprise we'll next time ask
+ 
+
+11
+00:00:13,440 --> 00:00:27,790
+it to be a surprise we'll next time ask
+you
+
+12
+00:00:27,790 --> 00:00:27,800
+
+ 
+
+13
+00:00:27,800 --> 00:00:30,910
+
+understand was something
+
+14
+00:00:30,910 --> 00:00:30,920
+understand was something
+ 
+
+15
+00:00:30,920 --> 00:00:32,190
+understand was something
+look at all this
+
+16
+00:00:32,190 --> 00:00:32,200
+look at all this
+ 
+
+17
+00:00:32,200 --> 00:00:34,470
+look at all this
+mess wouldn't you tidy up before you
+
+18
+00:00:34,470 --> 00:00:34,480
+mess wouldn't you tidy up before you
+ 
+
+19
+00:00:34,480 --> 00:00:37,750
+mess wouldn't you tidy up before you
+took it Francis the there on the plate I
+
+20
+00:00:37,750 --> 00:00:37,760
+took it Francis the there on the plate I
+ 
+
+21
+00:00:37,760 --> 00:00:41,470
+took it Francis the there on the plate I
+can see them they're really there yes
+
+22
+00:00:41,470 --> 00:00:41,480
+can see them they're really there yes
+ 
+
+23
+00:00:41,480 --> 00:00:43,790
+can see them they're really there yes
+what's the matter with you you going
+
+24
+00:00:43,790 --> 00:00:43,800
+what's the matter with you you going
+ 
+
+25
+00:00:43,800 --> 00:00:46,270
+what's the matter with you you going
+crazy yes yes
+
+26
+00:00:46,270 --> 00:00:46,280
+crazy yes yes
+ 
+
+27
+00:00:46,280 --> 00:00:48,630
+crazy yes yes
+yes yes
+
+28
+00:00:48,630 --> 00:00:48,640
+yes yes
+ 
+
+29
+00:00:48,640 --> 00:00:52,310
+yes yes
+yes
+
+30
+00:00:52,310 --> 00:00:52,320
+
+ 
+
+31
+00:00:52,320 --> 00:00:54,350
+
+yes what
+
+32
+00:00:54,350 --> 00:00:54,360
+yes what
+ 
+
+33
+00:00:54,360 --> 00:01:25,409
+yes what
+[Music]
+

1997/XNUers0BuD4.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:01,560 --> 00:00:04,510
+
+Dale this is way too much trouble I I
+
+2
+00:00:04,510 --> 00:00:04,520
+Dale this is way too much trouble I I
+ 
+
+3
+00:00:04,520 --> 00:00:06,429
+Dale this is way too much trouble I I
+can't do this I have a
+
+4
+00:00:06,429 --> 00:00:06,439
+can't do this I have a
+ 
+
+5
+00:00:06,439 --> 00:00:11,990
+can't do this I have a
+life you're not giving up Dale good luck
+
+6
+00:00:11,990 --> 00:00:12,000
+life you're not giving up Dale good luck
+ 
+
+7
+00:00:12,000 --> 00:00:14,629
+life you're not giving up Dale good luck
+I mean that I'm
+
+8
+00:00:14,629 --> 00:00:14,639
+I mean that I'm
+ 
+
+9
+00:00:14,639 --> 00:00:16,910
+I mean that I'm
+sorry I got to go call my wife and tell
+
+10
+00:00:16,910 --> 00:00:16,920
+sorry I got to go call my wife and tell
+ 
+
+11
+00:00:16,920 --> 00:00:18,910
+sorry I got to go call my wife and tell
+that I'm coming home Jack no I know
+
+12
+00:00:18,910 --> 00:00:18,920
+that I'm coming home Jack no I know
+ 
+
+13
+00:00:18,920 --> 00:00:20,750
+that I'm coming home Jack no I know
+we've had a few setbacks but we're great
+
+14
+00:00:20,750 --> 00:00:20,760
+we've had a few setbacks but we're great
+ 
+
+15
+00:00:20,760 --> 00:00:22,429
+we've had a few setbacks but we're great
+together come
+
+16
+00:00:22,429 --> 00:00:22,439
+together come
+ 
+
+17
+00:00:22,439 --> 00:00:24,990
+together come
+on you'll never know if he's your son
+
+18
+00:00:24,990 --> 00:00:25,000
+on you'll never know if he's your son
+ 
+
+19
+00:00:25,000 --> 00:00:27,390
+on you'll never know if he's your son
+you know what I don't even care yeah you
+
+20
+00:00:27,390 --> 00:00:27,400
+you know what I don't even care yeah you
+ 
+
+21
+00:00:27,400 --> 00:00:31,870
+you know what I don't even care yeah you
+do care you doop
+
+22
+00:00:31,870 --> 00:00:31,880
+do care you doop
+ 
+
+23
+00:00:31,880 --> 00:00:33,470
+do care you doop
+Sheen again she's never home why have a
+
+24
+00:00:33,470 --> 00:00:33,480
+Sheen again she's never home why have a
+ 
+
+25
+00:00:33,480 --> 00:00:36,630
+Sheen again she's never home why have a
+house if you're not going to live in
+
+26
+00:00:36,630 --> 00:00:36,640
+
+ 
+
+27
+00:00:36,640 --> 00:00:41,110
+
+it hi Honey hi oh you're there Carrie
+
+28
+00:00:41,110 --> 00:00:41,120
+it hi Honey hi oh you're there Carrie
+ 
+
+29
+00:00:41,120 --> 00:00:43,270
+it hi Honey hi oh you're there Carrie
+listen let me explain everything yeah
+
+30
+00:00:43,270 --> 00:00:43,280
+listen let me explain everything yeah
+ 
+
+31
+00:00:43,280 --> 00:00:49,630
+listen let me explain everything yeah
+why you go
+
+32
+00:00:49,630 --> 00:00:49,640
+
+ 
+
+33
+00:00:49,640 --> 00:00:52,950
+
+ahead hi I got to go now honey because
+
+34
+00:00:52,950 --> 00:00:52,960
+ahead hi I got to go now honey because
+ 
+
+35
+00:00:52,960 --> 00:00:55,510
+ahead hi I got to go now honey because
+you're
+
+36
+00:00:55,510 --> 00:00:55,520
+
+ 
+
+37
+00:00:55,520 --> 00:00:57,830
+
+here ignore that message when you get
+
+38
+00:00:57,830 --> 00:00:57,840
+here ignore that message when you get
+ 
+
+39
+00:00:57,840 --> 00:01:02,029
+here ignore that message when you get
+home this is your wife
+
+40
+00:01:02,029 --> 00:01:02,039
+
+ 
+
+41
+00:01:02,039 --> 00:01:05,310
+
+it's you hi you know him he tried to
+
+42
+00:01:05,310 --> 00:01:05,320
+it's you hi you know him he tried to
+ 
+
+43
+00:01:05,320 --> 00:01:07,390
+it's you hi you know him he tried to
+pick me up in an airport when this
+
+44
+00:01:07,390 --> 00:01:07,400
+pick me up in an airport when this
+ 
+
+45
+00:01:07,400 --> 00:01:09,230
+pick me up in an airport when this
+morning I you were with me no you were
+
+46
+00:01:09,230 --> 00:01:09,240
+morning I you were with me no you were
+ 
+
+47
+00:01:09,240 --> 00:01:10,950
+morning I you were with me no you were
+on the phone I so you picked up on my
+
+48
+00:01:10,950 --> 00:01:10,960
+on the phone I so you picked up on my
+ 
+
+49
+00:01:10,960 --> 00:01:12,429
+on the phone I so you picked up on my
+wife I didn't know she was your wife I
+
+50
+00:01:12,429 --> 00:01:12,439
+wife I didn't know she was your wife I
+ 
+
+51
+00:01:12,439 --> 00:01:14,510
+wife I didn't know she was your wife I
+just thought she was a sexy woman watch
+
+52
+00:01:14,510 --> 00:01:14,520
+just thought she was a sexy woman watch
+ 
+
+53
+00:01:14,520 --> 00:01:18,030
+just thought she was a sexy woman watch
+that this is your friend yes your shower
+
+54
+00:01:18,030 --> 00:01:18,040
+that this is your friend yes your shower
+ 
+
+55
+00:01:18,040 --> 00:01:20,630
+that this is your friend yes your shower
+buddy yes yes no no we were never in the
+
+56
+00:01:20,630 --> 00:01:20,640
+buddy yes yes no no we were never in the
+ 
+
+57
+00:01:20,640 --> 00:01:22,390
+buddy yes yes no no we were never in the
+shower together no the boy and I were in
+
+58
+00:01:22,390 --> 00:01:22,400
+shower together no the boy and I were in
+ 
+
+59
+00:01:22,400 --> 00:01:23,789
+shower together no the boy and I were in
+the shower yeah he was soing them up and
+
+60
+00:01:23,789 --> 00:01:23,799
+the shower yeah he was soing them up and
+ 
+
+61
+00:01:23,799 --> 00:01:25,630
+the shower yeah he was soing them up and
+hosing him off and I was just watching
+
+62
+00:01:25,630 --> 00:01:25,640
+hosing him off and I was just watching
+ 
+
+63
+00:01:25,640 --> 00:01:26,910
+hosing him off and I was just watching
+that's
+
+64
+00:01:26,910 --> 00:01:26,920
+that's
+ 
+
+65
+00:01:26,920 --> 00:01:31,390
+that's
+all what boy
+
+66
+00:01:31,390 --> 00:01:31,400
+all what boy
+ 
+
+67
+00:01:31,400 --> 00:01:35,270
+all what boy
+17 years ago would you stop did you can
+
+68
+00:01:35,270 --> 00:01:35,280
+17 years ago would you stop did you can
+ 
+
+69
+00:01:35,280 --> 00:01:36,630
+17 years ago would you stop did you can
+I just have a private moment with my
+
+70
+00:01:36,630 --> 00:01:36,640
+I just have a private moment with my
+ 
+
+71
+00:01:36,640 --> 00:01:38,789
+I just have a private moment with my
+wife please
+
+72
+00:01:38,789 --> 00:01:38,799
+wife please
+ 
+
+73
+00:01:38,799 --> 00:01:42,230
+wife please
+sorry Carrie come
+
+74
+00:01:42,230 --> 00:01:42,240
+sorry Carrie come
+ 
+
+75
+00:01:42,240 --> 00:01:46,990
+sorry Carrie come
+here um this whole
+
+76
+00:01:46,990 --> 00:01:47,000
+here um this whole
+ 
+
+77
+00:01:47,000 --> 00:01:50,830
+here um this whole
+thing is about a
+
+78
+00:01:50,830 --> 00:01:50,840
+
+ 
+
+79
+00:01:50,840 --> 00:01:55,880
+
+boy that I might be the father of
+
+80
+00:01:55,880 --> 00:01:55,890
+boy that I might be the father of
+ 
+
+81
+00:01:55,890 --> 00:02:02,050
+boy that I might be the father of
+[Music]
+
+82
+00:02:02,050 --> 00:02:02,060
+
+ 
+
+83
+00:02:02,060 --> 00:02:29,150
+
+[Music]
+

1997/XPwdUzG03SQ.description

@@ -0,0 +1,44 @@
+Anastasia movie clips: http://j.mp/1L8d4tz
+BUY THE MOVIE:
+FandangoNOW - https://www.fandangonow.com/details/movie/anastasia-1997/1MVe48263383a157e8c84040d4f17e3a509?cmp=Movieclips_YT_Description
+iTunes - http://apple.co/1d3bjTl
+Google Play - http://bit.ly/1ELoaPM
+Amazon - http://amzn.to/1A4Uodp
+Fox Movies - http://fox.co/2hG19j4
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Rasputin (Christopher Lloyd) vows to kill Anastasia.
+
+FILM DESCRIPTION:
+The first feature from the 20th Century-Fox animation unit in Phoenix, Arizona, this is the ninth film produced and directed by the Don Bluth/Gary Goldman duo (An American Tail) and the first animated feature to be made in CinemaScope since Disney's Sleeping Beauty (1959). This $50 million animated fantasy retells the story of Anastasia, daughter of Czar Nicholas, beginning with her childhood in 1916 Russia. After Rasputin's curse on the Romanovs, little Anastasia is separated from her grandmother, the Dowager Empress Maria. After growing up in an orphanage, Anastasia emerges as a young woman called Anya. With no clear memory of her youth, Anya encounters entrepreneurs who seek an Anastasia look-alike in hopes of collecting a reward in Paris from the aged Dowager Empress. Despite demonic interference from Rasputin, the three travel to Paris where another problem awaits: the Dowager Empress is now skeptical of the parade of imposters.
+
+CREDITS:
+TM & © Fox (1997)
+Courtesy of Twentieth Century Fox Film Corporation
+Cast: Christopher Lloyd, Hank Azaria, J. Jonah Cummings
+Directors: Don Bluth, Gary Goldman
+Producers: Don Bluth, Maureen Donley, Gary Goldman, Laura Jo 'L.J.' Wentworth
+Screenwriters: Susan Gauthier, Bruce Graham, Bob Tzudiker, Noni White, Eric Tuchman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/XPwdUzG03SQ.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,040 --> 00:00:01,870
+
+in the dark of the night I was tossing
+
+2
+00:00:01,870 --> 00:00:01,880
+in the dark of the night I was tossing
+ 
+
+3
+00:00:01,880 --> 00:00:03,550
+in the dark of the night I was tossing
+and
+
+4
+00:00:03,550 --> 00:00:03,560
+and
+ 
+
+5
+00:00:03,560 --> 00:00:06,110
+and
+turning and the nightmare I had was as
+
+6
+00:00:06,110 --> 00:00:06,120
+turning and the nightmare I had was as
+ 
+
+7
+00:00:06,120 --> 00:00:08,350
+turning and the nightmare I had was as
+bad as can
+
+8
+00:00:08,350 --> 00:00:08,360
+bad as can
+ 
+
+9
+00:00:08,360 --> 00:00:12,350
+bad as can
+be it scared me out of my WIS a corpse
+
+10
+00:00:12,350 --> 00:00:12,360
+be it scared me out of my WIS a corpse
+ 
+
+11
+00:00:12,360 --> 00:00:15,030
+be it scared me out of my WIS a corpse
+falling to pits then I opened my eyes
+
+12
+00:00:15,030 --> 00:00:15,040
+falling to pits then I opened my eyes
+ 
+
+13
+00:00:15,040 --> 00:00:19,070
+falling to pits then I opened my eyes
+and the nightmare was w w w I was once
+
+14
+00:00:19,070 --> 00:00:19,080
+and the nightmare was w w w I was once
+ 
+
+15
+00:00:19,080 --> 00:00:22,070
+and the nightmare was w w w I was once
+the most mystical man in all
+
+16
+00:00:22,070 --> 00:00:22,080
+the most mystical man in all
+ 
+
+17
+00:00:22,080 --> 00:00:24,589
+the most mystical man in all
+Russia when the Royals betrayed me they
+
+18
+00:00:24,589 --> 00:00:24,599
+Russia when the Royals betrayed me they
+ 
+
+19
+00:00:24,599 --> 00:00:26,870
+Russia when the Royals betrayed me they
+made a
+
+20
+00:00:26,870 --> 00:00:26,880
+made a
+ 
+
+21
+00:00:26,880 --> 00:00:30,029
+made a
+mistake my curse made each of them pay
+
+22
+00:00:30,029 --> 00:00:30,039
+mistake my curse made each of them pay
+ 
+
+23
+00:00:30,039 --> 00:00:33,030
+mistake my curse made each of them pay
+but one little girl got away little Ana
+
+24
+00:00:33,030 --> 00:00:33,040
+but one little girl got away little Ana
+ 
+
+25
+00:00:33,040 --> 00:00:36,549
+but one little girl got away little Ana
+beware rasant
+
+26
+00:00:36,549 --> 00:00:36,559
+
+ 
+
+27
+00:00:36,559 --> 00:00:40,630
+
+away of
+
+28
+00:00:40,630 --> 00:00:40,640
+
+ 
+
+29
+00:00:40,640 --> 00:00:45,750
+
+night in the of the
+
+30
+00:00:45,750 --> 00:00:45,760
+
+ 
+
+31
+00:00:45,760 --> 00:00:50,910
+
+nighte will be sweet when the curse is
+
+32
+00:00:50,910 --> 00:00:50,920
+nighte will be sweet when the curse is
+ 
+
+33
+00:00:50,920 --> 00:00:53,950
+nighte will be sweet when the curse is
+complete night she be
+
+34
+00:00:53,950 --> 00:00:53,960
+complete night she be
+ 
+
+35
+00:00:53,960 --> 00:00:58,430
+complete night she be
+gone oh hi ladies bless I can feel that
+
+36
+00:00:58,430 --> 00:00:58,440
+gone oh hi ladies bless I can feel that
+ 
+
+37
+00:00:58,440 --> 00:01:01,189
+gone oh hi ladies bless I can feel that
+my powers are slowly re
+
+38
+00:01:01,189 --> 00:01:01,199
+my powers are slowly re
+ 
+
+39
+00:01:01,199 --> 00:01:03,950
+my powers are slowly re
+burning tie my sash and a dash of
+
+40
+00:01:03,950 --> 00:01:03,960
+burning tie my sash and a dash of
+ 
+
+41
+00:01:03,960 --> 00:01:05,910
+burning tie my sash and a dash of
+cologne for that
+
+42
+00:01:05,910 --> 00:01:05,920
+cologne for that
+ 
+
+43
+00:01:05,920 --> 00:01:09,469
+cologne for that
+smell as the pieces fall into place I'll
+
+44
+00:01:09,469 --> 00:01:09,479
+smell as the pieces fall into place I'll
+ 
+
+45
+00:01:09,479 --> 00:01:11,950
+smell as the pieces fall into place I'll
+see her crawl into
+
+46
+00:01:11,950 --> 00:01:11,960
+see her crawl into
+ 
+
+47
+00:01:11,960 --> 00:01:18,429
+see her crawl into
+place your grace
+
+48
+00:01:18,429 --> 00:01:18,439
+
+ 
+
+49
+00:01:18,439 --> 00:01:24,310
+
+farewell terror is the least I
+
+50
+00:01:24,310 --> 00:01:24,320
+
+ 
+
+51
+00:01:24,320 --> 00:01:27,670
+
+can soon she will feel that her
+
+52
+00:01:27,670 --> 00:01:27,680
+can soon she will feel that her
+ 
+
+53
+00:01:27,680 --> 00:01:31,149
+can soon she will feel that her
+nightmares are real in the dark of the
+
+54
+00:01:31,149 --> 00:01:31,159
+nightmares are real in the dark of the
+ 
+
+55
+00:01:31,159 --> 00:01:33,789
+nightmares are real in the dark of the
+night
+
+56
+00:01:33,789 --> 00:01:33,799
+night
+ 
+
+57
+00:01:33,799 --> 00:01:37,630
+night
+be in the of the night
+
+58
+00:01:37,630 --> 00:01:37,640
+be in the of the night
+ 
+
+59
+00:01:37,640 --> 00:01:41,630
+be in the of the night
+will
+
+60
+00:01:41,630 --> 00:01:41,640
+
+ 
+
+61
+00:01:41,640 --> 00:01:45,950
+
+her Doom her my dear here's a sign it's
+
+62
+00:01:45,950 --> 00:01:45,960
+her Doom her my dear here's a sign it's
+ 
+
+63
+00:01:45,960 --> 00:01:50,030
+her Doom her my dear here's a sign it's
+the end of the line in the of
+
+64
+00:01:50,030 --> 00:01:50,040
+the end of the line in the of
+ 
+
+65
+00:01:50,040 --> 00:01:56,029
+the end of the line in the of
+the in the of the come my minions rise
+
+66
+00:01:56,029 --> 00:01:56,039
+the in the of the come my minions rise
+ 
+
+67
+00:01:56,039 --> 00:02:02,590
+the in the of the come my minions rise
+for your master let your reil
+
+68
+00:02:02,590 --> 00:02:02,600
+
+ 
+
+69
+00:02:02,600 --> 00:02:09,949
+
+find her now yes fly ever
+
+70
+00:02:09,949 --> 00:02:09,959
+
+ 
+
+71
+00:02:09,959 --> 00:02:13,170
+
+fter she be m
+
+72
+00:02:13,170 --> 00:02:13,180
+fter she be m
+ 
+
+73
+00:02:13,180 --> 00:02:45,689
+fter she be m
+[Music]
+

1997/XkFE98rP1eo.description

@@ -0,0 +1,38 @@
+Life is Beautiful movie clips: http://j.mp/1L7odMi
+BUY THE MOVIE: http://amzn.to/tbf8KV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Guido (Roberto Benigni) follows Dora (Nicoletta Braschi) into a greenhouse and takes a bike ride with their son, Joshua (Giorgio Cantarini), years later.
+
+FILM DESCRIPTION:
+In this WW II tragicomedy, famed Italian funnyman Roberto Benigni (The Monster) portrays Guido, who moves during the '30s from the country to a Tuscan town, where he is entranced by schoolteacher Dora (Nicoletta Braschi, Benigni's real-life wife). Dora likes Guido, but she remains faithful to her pompous fiancé, so Guido has an uphill struggle. Meanwhile, anti-Semitic attitudes lead to attacks against Guido's Jewish uncle (Giustino Durano). Leaping ahead to five years later, during WW II, Guido and Dora are married and have a son Giosue (Giorgio Cantarini). After they are imprisoned in a concentration camp, Guido goes to elaborate lengths to keep his son from understanding the truth of their situation. He tells the boy that they are competing with others to win an armored tank -- so everything from food shortages to tattoos is explained as necessary for participation in the contest.
+
+CREDITS:
+TM & © Miramax Films (1997)
+Cast: Roberto Benigni, Giorgio Cantarini, Nicoletta Braschi
+Director: Roberto Benigni
+Producers: Gianluigi Braschi, Mario Cotone, John M. Davis, Elda Ferri, Agnès Mentre, John Rogers
+Screenwriters: Vincenzo Cerami, Roberto Benigni
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/XkFE98rP1eo.en.srt

@@ -0,0 +1,225 @@
+1
+00:00:17,480 --> 00:00:21,109
+
+no Ferruccio he has the house keys Damn he
+
+2
+00:00:21,109 --> 00:00:21,119
+no Ferruccio he has the house keys Damn he
+ 
+
+3
+00:00:21,119 --> 00:00:27,070
+no Ferruccio he has the house keys Damn he
+took them
+
+4
+00:00:27,070 --> 00:00:27,080
+
+ 
+
+5
+00:00:27,080 --> 00:00:30,029
+
+a wire If I find an F of
+
+6
+00:00:30,029 --> 00:00:30,039
+a wire If I find an F of
+ 
+
+7
+00:00:30,039 --> 00:00:33,389
+a wire If I find an F of
+Iron there Here it is I'm a wizard with
+
+8
+00:00:33,389 --> 00:00:33,399
+Iron there Here it is I'm a wizard with
+ 
+
+9
+00:00:33,399 --> 00:00:35,190
+Iron there Here it is I'm a wizard with
+wire my dad taught me I
+
+10
+00:00:35,190 --> 00:00:35,200
+wire my dad taught me I
+ 
+
+11
+00:00:35,200 --> 00:00:36,830
+wire my dad taught me I
+used to make all the
+
+12
+00:00:36,830 --> 00:00:36,840
+used to make all the
+ 
+
+13
+00:00:36,840 --> 00:00:41,750
+used to make all the
+pool toys with wire Here
+
+14
+00:00:41,750 --> 00:00:41,760
+
+ 
+
+15
+00:00:41,760 --> 00:00:48,390
+
+1 du and eh etc this
+
+16
+00:00:48,390 --> 00:00:48,400
+1 du and eh etc this
+ 
+
+17
+00:00:48,400 --> 00:01:17,550
+1 du and eh etc this
+[Music]
+
+18
+00:01:17,550 --> 00:01:17,560
+
+ 
+
+19
+00:01:17,560 --> 00:01:26,310
+
+Giosuè Giosuè let's go what do you make
+
+20
+00:01:26,310 --> 00:01:26,320
+
+ 
+
+21
+00:01:26,320 --> 00:01:30,030
+
+mommy do I had lost the wagon Well come on let's
+
+22
+00:01:30,030 --> 00:01:30,040
+mommy do I had lost the wagon Well come on let's
+ 
+
+23
+00:01:30,040 --> 00:01:32,870
+mommy do I had lost the wagon Well come on let's
+find it let's go mount it
+
+24
+00:01:32,870 --> 00:01:32,880
+find it let's go mount it
+ 
+
+25
+00:01:32,880 --> 00:01:34,950
+find it let's go mount it
+here where you left it the card is there
+
+26
+00:01:34,950 --> 00:01:34,960
+here where you left it the card is there
+ 
+
+27
+00:01:34,960 --> 00:01:37,749
+here where you left it the card is there
+on the stairs eh I'll take it I'll take it
+
+28
+00:01:37,749 --> 00:01:37,759
+on the stairs eh I'll take it I'll take it
+ 
+
+29
+00:01:37,759 --> 00:01:41,789
+on the stairs eh I'll take it I'll take it
+I'll take it the Car armed with
+
+30
+00:01:41,789 --> 00:01:41,799
+I'll take it the Car armed with
+ 
+
+31
+00:01:41,799 --> 00:01:45,149
+I'll take it the Car armed with
+this dear armed here it is here let's
+
+32
+00:01:45,149 --> 00:01:45,159
+this dear armed here it is here let's
+ 
+
+33
+00:01:45,159 --> 00:01:49,789
+this dear armed here it is here let's
+go eh oh And go Go slowly slowly but
+
+34
+00:01:49,789 --> 00:01:49,799
+go eh oh And go Go slowly slowly but
+ 
+
+35
+00:01:49,799 --> 00:01:52,030
+go eh oh And go Go slowly slowly but
+yes Mati both of you slowly and to school
+
+36
+00:01:52,030 --> 00:01:52,040
+yes Mati both of you slowly and to school
+ 
+
+37
+00:01:52,040 --> 00:01:56,069
+yes Mati both of you slowly and to school
+go oh there's a horse there's a horse there's
+
+38
+00:01:56,069 --> 00:01:56,079
+go oh there's a horse there's a horse there's
+ 
+
+39
+00:01:56,079 --> 00:01:58,109
+go oh there's a horse there's a horse there's
+two horses there's a
+
+40
+00:01:58,109 --> 00:01:58,119
+two horses there's a
+ 
+
+41
+00:01:58,119 --> 00:02:01,420
+two horses there's a
+horse stop this bell
+
+42
+00:02:01,420 --> 00:02:01,430
+horse stop this bell
+ 
+
+43
+00:02:01,430 --> 00:02:29,949
+horse stop this bell
+[Music]
+
+44
+00:02:29,949 --> 00:02:29,959
+
+ 
+
+45
+00:02:29,959 --> 00:02:32,640
+
+C
+

1997/YKjzDMrSX3w.description

@@ -0,0 +1,38 @@
+My Best Friend’s Wedding movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqq5EDcTWftPVGjU9QeqlbVE
+BUY THE MOVIE: http://www.amazon.com/s/ref=nb_sb_ss_c_0_14?url=search-alias%3Dmovies-tv&field-keywords=my+best+friends+wedding&sprefix=my+best+friend%2Caps%2C301
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Julianne (Julia Roberts) tries to tell Michael (Dermot Mulroney) how she feels, but instead tells him that she's engaged to George (Rupert Everett).
+
+FILM DESCRIPTION:
+A woman realizes that friends can be lovers, but now has to convince the friend in question in this romantic comedy. Michael O'Neal (Dermot Mulroney) and Julianne Potter (Julia Roberts) were romantically involved in college, and after breaking up, they have managed to remain close friends. For years, Julianne and Michael have had a pledge that if both were single when they turned 28, they would get married. Shortly before her 28th birthday, Julianne is lamenting the sad state of her love life when she gets a call from Michael, who announces that he has important news. Julianne is convinced that Michael is going to ask her to marry him, and she is crestfallen when he announces that he's engaged to Kimmy Wallace (Cameron Diaz). Kimmy seems like the perfect woman for Michael; she's sweet, pretty, bright, and adores Michael, and her wealthy family is just as fond of him as she is. But now that Julianne has realized how much she loves Michael, she's not about to give him up without a fight -- and isn't afraid to fight dirty. Julianne's uneasy ally in the battle for Michael's affections is her friend and editor George Downes (Rupert Everett), a cheerfully out-of-the-closet homosexual who is not prepared when Julianne asks him to pose as her boyfriend. 
+
+CREDITS:
+TM & © Sony (1997)
+Cast: Rupert Everett, Dermot Mulroney, Julia Roberts
+Director: P.J. Hogan
+Producers: Ronald Bass, Jerry Zucker
+Screenwriter: Ronald Bass
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/YKjzDMrSX3w.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:01,320 --> 00:00:05,269
+
+sometimes people think they know how
+
+2
+00:00:05,269 --> 00:00:05,279
+sometimes people think they know how
+ 
+
+3
+00:00:05,279 --> 00:00:09,549
+sometimes people think they know how
+they feel about each other but they
+
+4
+00:00:09,549 --> 00:00:09,559
+they feel about each other but they
+ 
+
+5
+00:00:09,559 --> 00:00:12,589
+they feel about each other but they
+don't
+
+6
+00:00:12,589 --> 00:00:12,599
+
+ 
+
+7
+00:00:12,599 --> 00:00:15,990
+
+until until they
+
+8
+00:00:15,990 --> 00:00:16,000
+until until they
+ 
+
+9
+00:00:16,000 --> 00:00:18,510
+until until they
+do I have a
+
+10
+00:00:18,510 --> 00:00:18,520
+do I have a
+ 
+
+11
+00:00:18,520 --> 00:00:21,429
+do I have a
+point the question is am I getting to it
+
+12
+00:00:21,429 --> 00:00:21,439
+point the question is am I getting to it
+ 
+
+13
+00:00:21,439 --> 00:00:22,910
+point the question is am I getting to it
+why don't you whatever it is you have to
+
+14
+00:00:22,910 --> 00:00:22,920
+why don't you whatever it is you have to
+ 
+
+15
+00:00:22,920 --> 00:00:25,310
+why don't you whatever it is you have to
+say can't be that big a
+
+16
+00:00:25,310 --> 00:00:25,320
+say can't be that big a
+ 
+
+17
+00:00:25,320 --> 00:00:28,269
+say can't be that big a
+deal oh
+
+18
+00:00:28,269 --> 00:00:28,279
+deal oh
+ 
+
+19
+00:00:28,279 --> 00:00:30,990
+deal oh
+Michael big deal is
+
+20
+00:00:30,990 --> 00:00:31,000
+Michael big deal is
+ 
+
+21
+00:00:31,000 --> 00:00:46,590
+Michael big deal is
+it's a relative
+
+22
+00:00:46,590 --> 00:00:46,600
+
+ 
+
+23
+00:00:46,600 --> 00:00:50,470
+
+term who's that guy
+
+24
+00:00:50,470 --> 00:00:50,480
+term who's that guy
+ 
+
+25
+00:00:50,480 --> 00:00:53,630
+term who's that guy
+uh it's it's a George George George I've
+
+26
+00:00:53,630 --> 00:00:53,640
+uh it's it's a George George George I've
+ 
+
+27
+00:00:53,640 --> 00:00:55,349
+uh it's it's a George George George I've
+told you about George he's my editor
+
+28
+00:00:55,349 --> 00:00:55,359
+told you about George he's my editor
+ 
+
+29
+00:00:55,359 --> 00:00:56,950
+told you about George he's my editor
+what's he doing here you working this
+
+30
+00:00:56,950 --> 00:00:56,960
+what's he doing here you working this
+ 
+
+31
+00:00:56,960 --> 00:01:01,189
+what's he doing here you working this
+weekend no um
+
+32
+00:01:01,189 --> 00:01:01,199
+weekend no um
+ 
+
+33
+00:01:01,199 --> 00:01:05,390
+weekend no um
+he's here to be with me
+
+34
+00:01:05,390 --> 00:01:05,400
+
+ 
+
+35
+00:01:05,400 --> 00:01:08,230
+
+why because he's he's my friend he's
+
+36
+00:01:08,230 --> 00:01:08,240
+why because he's he's my friend he's
+ 
+
+37
+00:01:08,240 --> 00:01:10,429
+why because he's he's my friend he's
+he's my good
+
+38
+00:01:10,429 --> 00:01:10,439
+he's my good
+ 
+
+39
+00:01:10,439 --> 00:01:13,109
+he's my good
+friend my best friend these days
+
+40
+00:01:13,109 --> 00:01:13,119
+friend my best friend these days
+ 
+
+41
+00:01:13,119 --> 00:01:15,749
+friend my best friend these days
+and
+
+42
+00:01:15,749 --> 00:01:15,759
+and
+ 
+
+43
+00:01:15,759 --> 00:01:20,030
+and
+oh you've been
+
+44
+00:01:20,030 --> 00:01:20,040
+
+ 
+
+45
+00:01:20,040 --> 00:01:23,789
+
+busy so all all of this this has been
+
+46
+00:01:23,789 --> 00:01:23,799
+busy so all all of this this has been
+ 
+
+47
+00:01:23,799 --> 00:01:30,960
+busy so all all of this this has been
+about George
+
+48
+00:01:30,960 --> 00:01:30,970
+
+ 
+
+49
+00:01:30,970 --> 00:01:46,190
+
+[Music]
+
+50
+00:01:46,190 --> 00:01:46,200
+[Music]
+ 
+
+51
+00:01:46,200 --> 00:01:50,870
+[Music]
+I'm speechless well that's Jew hey
+
+52
+00:01:50,870 --> 00:01:50,880
+I'm speechless well that's Jew hey
+ 
+
+53
+00:01:50,880 --> 00:01:52,910
+I'm speechless well that's Jew hey
+congratulations
+
+54
+00:01:52,910 --> 00:01:52,920
+congratulations
+ 
+
+55
+00:01:52,920 --> 00:01:55,469
+congratulations
+what I I told him puppy I mean if we're
+
+56
+00:01:55,469 --> 00:01:55,479
+what I I told him puppy I mean if we're
+ 
+
+57
+00:01:55,479 --> 00:01:56,950
+what I I told him puppy I mean if we're
+engaged we really shouldn't be ashamed
+
+58
+00:01:56,950 --> 00:01:56,960
+engaged we really shouldn't be ashamed
+ 
+
+59
+00:01:56,960 --> 00:01:58,830
+engaged we really shouldn't be ashamed
+of
+
+60
+00:01:58,830 --> 00:01:58,840
+of
+ 
+
+61
+00:01:58,840 --> 00:02:01,109
+of
+it he's racing back to New York he just
+
+62
+00:02:01,109 --> 00:02:01,119
+it he's racing back to New York he just
+ 
+
+63
+00:02:01,119 --> 00:02:09,550
+it he's racing back to New York he just
+came in for a few hours to uh to uh
+
+64
+00:02:09,550 --> 00:02:09,560
+
+ 
+
+65
+00:02:09,560 --> 00:02:12,430
+
+me takes a few hours
+
+66
+00:02:12,430 --> 00:02:12,440
+me takes a few hours
+ 
+
+67
+00:02:12,440 --> 00:02:43,500
+me takes a few hours
+[Music]
+

1997/YR4qgOi7VQ0.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:04,400 --> 00:00:07,709
+
+Selen S Selena come here come here
+
+2
+00:00:07,709 --> 00:00:07,719
+Selen S Selena come here come here
+ 
+
+3
+00:00:07,719 --> 00:00:12,030
+Selen S Selena come here come here
+bab mommy come here look at this come on
+
+4
+00:00:12,030 --> 00:00:12,040
+bab mommy come here look at this come on
+ 
+
+5
+00:00:12,040 --> 00:00:14,789
+bab mommy come here look at this come on
+dad please what I want to go outside and
+
+6
+00:00:14,789 --> 00:00:14,799
+dad please what I want to go outside and
+ 
+
+7
+00:00:14,799 --> 00:00:16,550
+dad please what I want to go outside and
+play come on just for a second give me a
+
+8
+00:00:16,550 --> 00:00:16,560
+play come on just for a second give me a
+ 
+
+9
+00:00:16,560 --> 00:00:18,230
+play come on just for a second give me a
+minute right here look at
+
+10
+00:00:18,230 --> 00:00:18,240
+minute right here look at
+ 
+
+11
+00:00:18,240 --> 00:00:22,230
+minute right here look at
+this what's this it's a song in Spanish
+
+12
+00:00:22,230 --> 00:00:22,240
+this what's this it's a song in Spanish
+ 
+
+13
+00:00:22,240 --> 00:00:24,670
+this what's this it's a song in Spanish
+but I don't know Spanish say that what
+
+14
+00:00:24,670 --> 00:00:24,680
+but I don't know Spanish say that what
+ 
+
+15
+00:00:24,680 --> 00:00:27,990
+but I don't know Spanish say that what
+re re put your tongue on the roof of
+
+16
+00:00:27,990 --> 00:00:28,000
+re re put your tongue on the roof of
+ 
+
+17
+00:00:28,000 --> 00:00:34,229
+re re put your tongue on the roof of
+your mouth and then blow herir up
+
+18
+00:00:34,229 --> 00:00:34,239
+
+ 
+
+19
+00:00:34,239 --> 00:00:35,869
+
+do you feel it do it
+
+20
+00:00:35,869 --> 00:00:35,879
+do you feel it do it
+ 
+
+21
+00:00:35,879 --> 00:00:39,709
+do you feel it do it
+again say that word
+
+22
+00:00:39,709 --> 00:00:39,719
+
+ 
+
+23
+00:00:39,719 --> 00:00:45,910
+
+re perfect
+
+24
+00:00:45,910 --> 00:00:45,920
+
+ 
+
+25
+00:00:45,920 --> 00:00:49,709
+
+now that means clock don't Mark the
+
+26
+00:00:49,709 --> 00:00:49,719
+now that means clock don't Mark the
+ 
+
+27
+00:00:49,719 --> 00:00:52,590
+now that means clock don't Mark the
+hours because I'm going nuts clock don't
+
+28
+00:00:52,590 --> 00:00:52,600
+hours because I'm going nuts clock don't
+ 
+
+29
+00:00:52,600 --> 00:00:54,549
+hours because I'm going nuts clock don't
+Mark the hours cuz you're going nuts I
+
+30
+00:00:54,549 --> 00:00:54,559
+Mark the hours cuz you're going nuts I
+ 
+
+31
+00:00:54,559 --> 00:00:55,750
+Mark the hours cuz you're going nuts I
+know it sounds a little weird in English
+
+32
+00:00:55,750 --> 00:00:55,760
+know it sounds a little weird in English
+ 
+
+33
+00:00:55,760 --> 00:00:58,110
+know it sounds a little weird in English
+but Dad what's this all about this is
+
+34
+00:00:58,110 --> 00:00:58,120
+but Dad what's this all about this is
+ 
+
+35
+00:00:58,120 --> 00:00:59,709
+but Dad what's this all about this is
+about learning to sing in Spanish all
+
+36
+00:00:59,709 --> 00:00:59,719
+about learning to sing in Spanish all
+ 
+
+37
+00:00:59,719 --> 00:01:01,270
+about learning to sing in Spanish all
+right dad I don't want to sing in
+
+38
+00:01:01,270 --> 00:01:01,280
+right dad I don't want to sing in
+ 
+
+39
+00:01:01,280 --> 00:01:03,310
+right dad I don't want to sing in
+Spanish I don't even like music in
+
+40
+00:01:03,310 --> 00:01:03,320
+Spanish I don't even like music in
+ 
+
+41
+00:01:03,320 --> 00:01:05,830
+Spanish I don't even like music in
+Spanish I like Donna Summer that's what
+
+42
+00:01:05,830 --> 00:01:05,840
+Spanish I like Donna Summer that's what
+ 
+
+43
+00:01:05,840 --> 00:01:07,149
+Spanish I like Donna Summer that's what
+I like do you like to sing in front of
+
+44
+00:01:07,149 --> 00:01:07,159
+I like do you like to sing in front of
+ 
+
+45
+00:01:07,159 --> 00:01:10,670
+I like do you like to sing in front of
+people yeah Dad I love it it's it's like
+
+46
+00:01:10,670 --> 00:01:10,680
+people yeah Dad I love it it's it's like
+ 
+
+47
+00:01:10,680 --> 00:01:12,469
+people yeah Dad I love it it's it's like
+you can feel them when you sing it's a
+
+48
+00:01:12,469 --> 00:01:12,479
+you can feel them when you sing it's a
+ 
+
+49
+00:01:12,479 --> 00:01:14,590
+you can feel them when you sing it's a
+wonderful feeling but let me tell you
+
+50
+00:01:14,590 --> 00:01:14,600
+wonderful feeling but let me tell you
+ 
+
+51
+00:01:14,600 --> 00:01:16,390
+wonderful feeling but let me tell you
+something something I learned the hard
+
+52
+00:01:16,390 --> 00:01:16,400
+something something I learned the hard
+ 
+
+53
+00:01:16,400 --> 00:01:17,749
+something something I learned the hard
+way and that I don't want you to learn
+
+54
+00:01:17,749 --> 00:01:17,759
+way and that I don't want you to learn
+ 
+
+55
+00:01:17,759 --> 00:01:20,429
+way and that I don't want you to learn
+the hard way okay when I was young and
+
+56
+00:01:20,429 --> 00:01:20,439
+the hard way okay when I was young and
+ 
+
+57
+00:01:20,439 --> 00:01:21,469
+the hard way okay when I was young and
+singing with
+
+58
+00:01:21,469 --> 00:01:21,479
+singing with
+ 
+
+59
+00:01:21,479 --> 00:01:23,630
+singing with
+Loos one time I was singing and they
+
+60
+00:01:23,630 --> 00:01:23,640
+Loos one time I was singing and they
+ 
+
+61
+00:01:23,640 --> 00:01:25,429
+Loos one time I was singing and they
+started throwing beer bottles at
+
+62
+00:01:25,429 --> 00:01:25,439
+started throwing beer bottles at
+ 
+
+63
+00:01:25,439 --> 00:01:28,590
+started throwing beer bottles at
+me it sounds funny it does but it scared
+
+64
+00:01:28,590 --> 00:01:28,600
+me it sounds funny it does but it scared
+ 
+
+65
+00:01:28,600 --> 00:01:30,830
+me it sounds funny it does but it scared
+me but I did did learn
+
+66
+00:01:30,830 --> 00:01:30,840
+me but I did did learn
+ 
+
+67
+00:01:30,840 --> 00:01:33,830
+me but I did did learn
+something you got to be who you are you
+
+68
+00:01:33,830 --> 00:01:33,840
+something you got to be who you are you
+ 
+
+69
+00:01:33,840 --> 00:01:36,789
+something you got to be who you are you
+can't change it no you're an American
+
+70
+00:01:36,789 --> 00:01:36,799
+can't change it no you're an American
+ 
+
+71
+00:01:36,799 --> 00:01:39,950
+can't change it no you're an American
+mhm I'm an American you like Donna
+
+72
+00:01:39,950 --> 00:01:39,960
+mhm I'm an American you like Donna
+ 
+
+73
+00:01:39,960 --> 00:01:42,749
+mhm I'm an American you like Donna
+Summer I like du up but you're also
+
+74
+00:01:42,749 --> 00:01:42,759
+Summer I like du up but you're also
+ 
+
+75
+00:01:42,759 --> 00:01:45,030
+Summer I like du up but you're also
+Mexican deep inside and that's a
+
+76
+00:01:45,030 --> 00:01:45,040
+Mexican deep inside and that's a
+ 
+
+77
+00:01:45,040 --> 00:01:47,630
+Mexican deep inside and that's a
+wonderful thing you can't be anything if
+
+78
+00:01:47,630 --> 00:01:47,640
+wonderful thing you can't be anything if
+ 
+
+79
+00:01:47,640 --> 00:01:49,389
+wonderful thing you can't be anything if
+you don't know who you are especially if
+
+80
+00:01:49,389 --> 00:01:49,399
+you don't know who you are especially if
+ 
+
+81
+00:01:49,399 --> 00:01:50,429
+you don't know who you are especially if
+you want to be a singer if you want to
+
+82
+00:01:50,429 --> 00:01:50,439
+you want to be a singer if you want to
+ 
+
+83
+00:01:50,439 --> 00:01:51,510
+you want to be a singer if you want to
+be a singer you're going to have to sing
+
+84
+00:01:51,510 --> 00:01:51,520
+be a singer you're going to have to sing
+ 
+
+85
+00:01:51,520 --> 00:01:53,910
+be a singer you're going to have to sing
+to people from deep inside here and you
+
+86
+00:01:53,910 --> 00:01:53,920
+to people from deep inside here and you
+ 
+
+87
+00:01:53,920 --> 00:01:56,550
+to people from deep inside here and you
+know what's in there your heart your
+
+88
+00:01:56,550 --> 00:01:56,560
+know what's in there your heart your
+ 
+
+89
+00:01:56,560 --> 00:02:03,270
+know what's in there your heart your
+good ass on
+
+90
+00:02:03,270 --> 00:02:03,280
+
+ 
+
+91
+00:02:03,280 --> 00:02:09,209
+
+[Music]
+

1997/YdaeVone5qA.description

@@ -0,0 +1,38 @@
+Air Force One movie clips: http://j.mp/1JdDFoh
+BUY THE MOVIE: http://amzn.to/uXjfk9
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+President Marshall (Harrison Ford) battles terrorist Ivan (Gary Oldman) on the plane's parachute ramp.
+
+FILM DESCRIPTION:
+In this action drama, Harrison Ford plays James Marshall, a onetime combat hero in the Vietnam War who is now President of the United States. While visiting the former Soviet Union, Marshall gives a speech in which he supports a get-tough attitude against both terrorists and a right-wing general and war criminal from Kazakhstan imprisoned in Moscow, earning him few friends in the Eastern Bloc. While flying back to the United States aboard Air Force One, Marshall and his staff discover that one of the journalists returning with them is actually Ivan Korshunov (Gary Oldman), a Kazakhstani terrorist, who hijacks the plane with three associates and holds the president hostage -- with his wife and daughter on board. Marshall must use his strength and intelligence to keep the terrorists at bay and devise a plan to allow his family to escape to safety, while on the ground the vice-president (Glenn Close), the secretary of defense (Dean Stockwell), and the attorney general (Philip Baker Hall) grapple over what to do and how much control to take in this crisis. Slam-bang action sequences and plot twists fly fast and furious in this nail-biter from director Wolfgang Petersen, who previously generated suspense under water (rather than in the air) with Das Boot.
+
+CREDITS:
+TM & © Sony (1997)
+Cast: Gary Oldman, Wendy Crewson, Harrison Ford
+Director: Wolfgang Petersen
+Producers: Marc Abraham, Armyan Bernstein, Thomas A. Bliss, Gail Katz, Peter Kohn, David V. Lester, Mary Montiforte, Wolfgang Petersen, Jonathan Shestack
+Screenwriter: Andrew W. Marlowe
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/ZHRWbydTGrI.en.srt

@@ -0,0 +1,525 @@
+1
+00:00:00,599 --> 00:00:03,949
+
+amama what you want your bird what big
+
+2
+00:00:03,949 --> 00:00:03,959
+amama what you want your bird what big
+ 
+
+3
+00:00:03,959 --> 00:00:05,470
+amama what you want your bird what big
+mama said get your black ass out here
+
+4
+00:00:05,470 --> 00:00:05,480
+mama said get your black ass out here
+ 
+
+5
+00:00:05,480 --> 00:00:06,869
+mama said get your black ass out here
+boy big mama ain't told nobody's black
+
+6
+00:00:06,869 --> 00:00:06,879
+boy big mama ain't told nobody's black
+ 
+
+7
+00:00:06,879 --> 00:00:08,390
+boy big mama ain't told nobody's black
+ass to get nowhere now you stay out of
+
+8
+00:00:08,390 --> 00:00:08,400
+ass to get nowhere now you stay out of
+ 
+
+9
+00:00:08,400 --> 00:00:10,830
+ass to get nowhere now you stay out of
+grown folks
+
+10
+00:00:10,830 --> 00:00:10,840
+grown folks
+ 
+
+11
+00:00:10,840 --> 00:00:13,190
+grown folks
+business I can not believe what I just
+
+12
+00:00:13,190 --> 00:00:13,200
+business I can not believe what I just
+ 
+
+13
+00:00:13,200 --> 00:00:15,150
+business I can not believe what I just
+saw me either who invited him how did
+
+14
+00:00:15,150 --> 00:00:15,160
+saw me either who invited him how did
+ 
+
+15
+00:00:15,160 --> 00:00:17,150
+saw me either who invited him how did
+Samuel get here inv him doesn't matter
+
+16
+00:00:17,150 --> 00:00:17,160
+Samuel get here inv him doesn't matter
+ 
+
+17
+00:00:17,160 --> 00:00:18,630
+Samuel get here inv him doesn't matter
+who invited him what you doing stand and
+
+18
+00:00:18,630 --> 00:00:18,640
+who invited him what you doing stand and
+ 
+
+19
+00:00:18,640 --> 00:00:20,590
+who invited him what you doing stand and
+let him fill you up in your wedding gal
+
+20
+00:00:20,590 --> 00:00:20,600
+let him fill you up in your wedding gal
+ 
+
+21
+00:00:20,600 --> 00:00:22,109
+let him fill you up in your wedding gal
+and now your man is out there bumping
+
+22
+00:00:22,109 --> 00:00:22,119
+and now your man is out there bumping
+ 
+
+23
+00:00:22,119 --> 00:00:23,990
+and now your man is out there bumping
+and grinding with some Miss hoochie mama
+
+24
+00:00:23,990 --> 00:00:24,000
+and grinding with some Miss hoochie mama
+ 
+
+25
+00:00:24,000 --> 00:00:25,230
+and grinding with some Miss hoochie mama
+acting like it wasn't no wedding less
+
+26
+00:00:25,230 --> 00:00:25,240
+acting like it wasn't no wedding less
+ 
+
+27
+00:00:25,240 --> 00:00:27,310
+acting like it wasn't no wedding less
+than 10 minutes ago who's man your man
+
+28
+00:00:27,310 --> 00:00:27,320
+than 10 minutes ago who's man your man
+ 
+
+29
+00:00:27,320 --> 00:00:31,310
+than 10 minutes ago who's man your man
+girl bump it oh hell no hey nobody about
+
+30
+00:00:31,310 --> 00:00:31,320
+girl bump it oh hell no hey nobody about
+ 
+
+31
+00:00:31,320 --> 00:00:33,150
+girl bump it oh hell no hey nobody about
+to disrespect me on my wayed that's what
+
+32
+00:00:33,150 --> 00:00:33,160
+to disrespect me on my wayed that's what
+ 
+
+33
+00:00:33,160 --> 00:00:35,310
+to disrespect me on my wayed that's what
+I'm talking about excuse me lady and did
+
+34
+00:00:35,310 --> 00:00:35,320
+I'm talking about excuse me lady and did
+ 
+
+35
+00:00:35,320 --> 00:00:37,350
+I'm talking about excuse me lady and did
+you see that dress Miss Thing hat on you
+
+36
+00:00:37,350 --> 00:00:37,360
+you see that dress Miss Thing hat on you
+ 
+
+37
+00:00:37,360 --> 00:00:39,190
+you see that dress Miss Thing hat on you
+see her behind in that girl just all up
+
+38
+00:00:39,190 --> 00:00:39,200
+see her behind in that girl just all up
+ 
+
+39
+00:00:39,200 --> 00:00:41,590
+see her behind in that girl just all up
+a butt see that's what she get dragging
+
+40
+00:00:41,590 --> 00:00:41,600
+a butt see that's what she get dragging
+ 
+
+41
+00:00:41,600 --> 00:00:43,310
+a butt see that's what she get dragging
+somebody in here who ain't got nothing
+
+42
+00:00:43,310 --> 00:00:43,320
+somebody in here who ain't got nothing
+ 
+
+43
+00:00:43,320 --> 00:00:45,110
+somebody in here who ain't got nothing
+and putting him off on family you
+
+44
+00:00:45,110 --> 00:00:45,120
+and putting him off on family you
+ 
+
+45
+00:00:45,120 --> 00:00:46,310
+and putting him off on family you
+talking about family putting them off on
+
+46
+00:00:46,310 --> 00:00:46,320
+talking about family putting them off on
+ 
+
+47
+00:00:46,320 --> 00:00:48,189
+talking about family putting them off on
+me I'm the one who paid for this wedding
+
+48
+00:00:48,189 --> 00:00:48,199
+me I'm the one who paid for this wedding
+ 
+
+49
+00:00:48,199 --> 00:00:49,270
+me I'm the one who paid for this wedding
+Terry why you always got to let
+
+50
+00:00:49,270 --> 00:00:49,280
+Terry why you always got to let
+ 
+
+51
+00:00:49,280 --> 00:00:51,029
+Terry why you always got to let
+everybody know you pay for everything
+
+52
+00:00:51,029 --> 00:00:51,039
+everybody know you pay for everything
+ 
+
+53
+00:00:51,039 --> 00:00:54,270
+everybody know you pay for everything
+yes I
+
+54
+00:00:54,270 --> 00:00:54,280
+
+ 
+
+55
+00:00:54,280 --> 00:00:56,470
+
+[Music]
+
+56
+00:00:56,470 --> 00:00:56,480
+[Music]
+ 
+
+57
+00:00:56,480 --> 00:00:59,990
+[Music]
+do who is that hoochie coochie mama with
+
+58
+00:00:59,990 --> 00:01:00,000
+do who is that hoochie coochie mama with
+ 
+
+59
+00:01:00,000 --> 00:01:02,029
+do who is that hoochie coochie mama with
+are fat ass all over my husband out
+
+60
+00:01:02,029 --> 00:01:02,039
+are fat ass all over my husband out
+ 
+
+61
+00:01:02,039 --> 00:01:04,270
+are fat ass all over my husband out
+there on the Dance Floor I told you this
+
+62
+00:01:04,270 --> 00:01:04,280
+there on the Dance Floor I told you this
+ 
+
+63
+00:01:04,280 --> 00:01:06,670
+there on the Dance Floor I told you this
+is my wedding day I'm supposed to be
+
+64
+00:01:06,670 --> 00:01:06,680
+is my wedding day I'm supposed to be
+ 
+
+65
+00:01:06,680 --> 00:01:09,310
+is my wedding day I'm supposed to be
+happy shot what y'all talking about we
+
+66
+00:01:09,310 --> 00:01:09,320
+happy shot what y'all talking about we
+ 
+
+67
+00:01:09,320 --> 00:01:10,749
+happy shot what y'all talking about we
+happy this is supposed to be the
+
+68
+00:01:10,749 --> 00:01:10,759
+happy this is supposed to be the
+ 
+
+69
+00:01:10,759 --> 00:01:12,870
+happy this is supposed to be the
+happiest day of your life everybody's
+
+70
+00:01:12,870 --> 00:01:12,880
+happiest day of your life everybody's
+ 
+
+71
+00:01:12,880 --> 00:01:15,550
+happiest day of your life everybody's
+happy yeah we're happy but we'd be more
+
+72
+00:01:15,550 --> 00:01:15,560
+happy yeah we're happy but we'd be more
+ 
+
+73
+00:01:15,560 --> 00:01:17,109
+happy yeah we're happy but we'd be more
+happy if we go out there and beat that
+
+74
+00:01:17,109 --> 00:01:17,119
+happy if we go out there and beat that
+ 
+
+75
+00:01:17,119 --> 00:01:22,190
+happy if we go out there and beat that
+ho
+
+76
+00:01:22,190 --> 00:01:22,200
+
+ 
+
+77
+00:01:22,200 --> 00:01:26,910
+
+down there they are let's go get her
+
+78
+00:01:26,910 --> 00:01:26,920
+
+ 
+
+79
+00:01:26,920 --> 00:01:33,980
+
+ass as as my
+
+80
+00:01:33,980 --> 00:01:33,990
+
+ 
+
+81
+00:01:33,990 --> 00:01:39,530
+
+[Applause]
+
+82
+00:01:39,530 --> 00:01:39,540
+
+ 
+
+83
+00:01:39,540 --> 00:01:40,770
+
+[Applause]
+
+84
+00:01:40,770 --> 00:01:40,780
+[Applause]
+ 
+
+85
+00:01:40,780 --> 00:01:51,709
+[Applause]
+[Music]
+
+86
+00:01:51,709 --> 00:01:51,719
+
+ 
+
+87
+00:01:51,719 --> 00:01:54,230
+
+you see right there that was just like
+
+88
+00:01:54,230 --> 00:01:54,240
+you see right there that was just like
+ 
+
+89
+00:01:54,240 --> 00:01:56,670
+you see right there that was just like
+big mama always knowing just what to do
+
+90
+00:01:56,670 --> 00:01:56,680
+big mama always knowing just what to do
+ 
+
+91
+00:01:56,680 --> 00:01:59,310
+big mama always knowing just what to do
+to set things right I used to think she
+
+92
+00:01:59,310 --> 00:01:59,320
+to set things right I used to think she
+ 
+
+93
+00:01:59,320 --> 00:02:01,510
+to set things right I used to think she
+and I had a special connection like we
+
+94
+00:02:01,510 --> 00:02:01,520
+and I had a special connection like we
+ 
+
+95
+00:02:01,520 --> 00:02:03,270
+and I had a special connection like we
+shared an inside joke no one else was in
+
+96
+00:02:03,270 --> 00:02:03,280
+shared an inside joke no one else was in
+ 
+
+97
+00:02:03,280 --> 00:02:06,350
+shared an inside joke no one else was in
+on of course it wasn't long I found out
+
+98
+00:02:06,350 --> 00:02:06,360
+on of course it wasn't long I found out
+ 
+
+99
+00:02:06,360 --> 00:02:08,469
+on of course it wasn't long I found out
+she had this same connection with all of
+
+100
+00:02:08,469 --> 00:02:08,479
+she had this same connection with all of
+ 
+
+101
+00:02:08,479 --> 00:02:11,190
+she had this same connection with all of
+us yeah she was the rock of the Joseph
+
+102
+00:02:11,190 --> 00:02:11,200
+us yeah she was the rock of the Joseph
+ 
+
+103
+00:02:11,200 --> 00:02:15,900
+us yeah she was the rock of the Joseph
+Family the one that held us all together
+
+104
+00:02:15,900 --> 00:02:15,910
+Family the one that held us all together
+ 
+
+105
+00:02:15,910 --> 00:02:43,000
+Family the one that held us all together
+[Music]
+

1997/Zh6NzOHOU8s.en.srt

@@ -0,0 +1,385 @@
+1
+00:00:02,100 --> 00:00:05,990
+
+whoa hey did you do something to your
+
+2
+00:00:05,990 --> 00:00:06,000
+whoa hey did you do something to your
+ 
+
+3
+00:00:06,000 --> 00:00:07,249
+whoa hey did you do something to your
+hair
+
+4
+00:00:07,249 --> 00:00:07,259
+hair
+ 
+
+5
+00:00:07,259 --> 00:00:10,430
+hair
+it's a bit extreme isn't it oh I mean
+
+6
+00:00:10,430 --> 00:00:10,440
+it's a bit extreme isn't it oh I mean
+ 
+
+7
+00:00:10,440 --> 00:00:12,980
+it's a bit extreme isn't it oh I mean
+that's that's the thing nowadays right
+
+8
+00:00:12,980 --> 00:00:12,990
+that's that's the thing nowadays right
+ 
+
+9
+00:00:12,990 --> 00:00:14,990
+that's that's the thing nowadays right
+Polly said it would accent my facial
+
+10
+00:00:14,990 --> 00:00:15,000
+Polly said it would accent my facial
+ 
+
+11
+00:00:15,000 --> 00:00:17,180
+Polly said it would accent my facial
+features oh that's what it does the
+
+12
+00:00:17,180 --> 00:00:17,190
+features oh that's what it does the
+ 
+
+13
+00:00:17,190 --> 00:00:20,060
+features oh that's what it does the
+accent your facial features we're just
+
+14
+00:00:20,060 --> 00:00:20,070
+accent your facial features we're just
+ 
+
+15
+00:00:20,070 --> 00:00:30,040
+accent your facial features we're just
+gonna go down to my office now wait
+
+16
+00:00:30,040 --> 00:00:30,050
+gonna go down to my office now wait
+ 
+
+17
+00:00:30,050 --> 00:00:32,900
+gonna go down to my office now wait
+looks and personality a double threat
+
+18
+00:00:32,900 --> 00:00:32,910
+looks and personality a double threat
+ 
+
+19
+00:00:32,910 --> 00:00:37,930
+looks and personality a double threat
+guy maybe three hey man
+
+20
+00:00:37,930 --> 00:00:37,940
+
+ 
+
+21
+00:00:37,940 --> 00:00:40,100
+
+thinking lunch starters mr. Reid
+
+22
+00:00:40,100 --> 00:00:40,110
+thinking lunch starters mr. Reid
+ 
+
+23
+00:00:40,110 --> 00:00:44,240
+thinking lunch starters mr. Reid
+anything no thanks that's so much for
+
+24
+00:00:44,240 --> 00:00:44,250
+anything no thanks that's so much for
+ 
+
+25
+00:00:44,250 --> 00:00:46,610
+anything no thanks that's so much for
+breakfast I'm just about ready to pop I
+
+26
+00:00:46,610 --> 00:00:46,620
+breakfast I'm just about ready to pop I
+ 
+
+27
+00:00:46,620 --> 00:01:04,910
+breakfast I'm just about ready to pop I
+mean I'm I am sure that your daddy has
+
+28
+00:01:04,910 --> 00:01:04,920
+mean I'm I am sure that your daddy has
+ 
+
+29
+00:01:04,920 --> 00:01:08,060
+mean I'm I am sure that your daddy has
+got you something wonderful yeah yeah
+
+30
+00:01:08,060 --> 00:01:08,070
+got you something wonderful yeah yeah
+ 
+
+31
+00:01:08,070 --> 00:01:10,539
+got you something wonderful yeah yeah
+you bet
+
+32
+00:01:10,539 --> 00:01:10,549
+you bet
+ 
+
+33
+00:01:10,549 --> 00:01:13,280
+you bet
+listen kiddo why don't you go play my
+
+34
+00:01:13,280 --> 00:01:13,290
+listen kiddo why don't you go play my
+ 
+
+35
+00:01:13,290 --> 00:01:15,050
+listen kiddo why don't you go play my
+office with me sue somebody for
+
+36
+00:01:15,050 --> 00:01:15,060
+office with me sue somebody for
+ 
+
+37
+00:01:15,060 --> 00:01:17,210
+office with me sue somebody for
+everything they got maybe you can send a
+
+38
+00:01:17,210 --> 00:01:17,220
+everything they got maybe you can send a
+ 
+
+39
+00:01:17,220 --> 00:01:19,609
+everything they got maybe you can send a
+fax to one of your girl friends hey
+
+40
+00:01:19,609 --> 00:01:19,619
+fax to one of your girl friends hey
+ 
+
+41
+00:01:19,619 --> 00:01:24,380
+fax to one of your girl friends hey
+sorry damn it I completely forgot Oh
+
+42
+00:01:24,380 --> 00:01:24,390
+sorry damn it I completely forgot Oh
+ 
+
+43
+00:01:24,390 --> 00:01:28,789
+sorry damn it I completely forgot Oh
+surprise you are a saint I should buy
+
+44
+00:01:28,789 --> 00:01:28,799
+surprise you are a saint I should buy
+ 
+
+45
+00:01:28,799 --> 00:01:31,760
+surprise you are a saint I should buy
+you a gift you did I always do the
+
+46
+00:01:31,760 --> 00:01:31,770
+you a gift you did I always do the
+ 
+
+47
+00:01:31,770 --> 00:01:33,200
+you a gift you did I always do the
+classy thing any calls
+
+48
+00:01:33,200 --> 00:01:33,210
+classy thing any calls
+ 
+
+49
+00:01:33,210 --> 00:01:35,420
+classy thing any calls
+drawings clerk you did your filing
+
+50
+00:01:35,420 --> 00:01:35,430
+drawings clerk you did your filing
+ 
+
+51
+00:01:35,430 --> 00:01:37,399
+drawings clerk you did your filing
+helmets in the mail right she'll do it
+
+52
+00:01:37,399 --> 00:01:37,409
+helmets in the mail right she'll do it
+ 
+
+53
+00:01:37,409 --> 00:01:38,149
+helmets in the mail right she'll do it
+next week
+
+54
+00:01:38,149 --> 00:01:38,159
+next week
+ 
+
+55
+00:01:38,159 --> 00:01:40,130
+next week
+mr. McKinley phone to confirm your
+
+56
+00:01:40,130 --> 00:01:40,140
+mr. McKinley phone to confirm your
+ 
+
+57
+00:01:40,140 --> 00:01:43,340
+mr. McKinley phone to confirm your
+meeting tomorrow strep throat no some
+
+58
+00:01:43,340 --> 00:01:43,350
+meeting tomorrow strep throat no some
+ 
+
+59
+00:01:43,350 --> 00:01:45,109
+meeting tomorrow strep throat no some
+kind of virus what's going around Asian
+
+60
+00:01:45,109 --> 00:01:45,119
+kind of virus what's going around Asian
+ 
+
+61
+00:01:45,119 --> 00:01:49,270
+kind of virus what's going around Asian
+flu good one and your mother called
+
+62
+00:01:49,270 --> 00:01:49,280
+flu good one and your mother called
+ 
+
+63
+00:01:49,280 --> 00:01:52,370
+flu good one and your mother called
+fifth week snowed in punctured out great
+
+64
+00:01:52,370 --> 00:01:52,380
+fifth week snowed in punctured out great
+ 
+
+65
+00:01:52,380 --> 00:01:55,100
+fifth week snowed in punctured out great
+mother's heart done oh that's it except
+
+66
+00:01:55,100 --> 00:01:55,110
+mother's heart done oh that's it except
+ 
+
+67
+00:01:55,110 --> 00:01:58,310
+mother's heart done oh that's it except
+Miranda's looking for you ah how much
+
+68
+00:01:58,310 --> 00:01:58,320
+Miranda's looking for you ah how much
+ 
+
+69
+00:01:58,320 --> 00:02:00,950
+Miranda's looking for you ah how much
+ass do I have to kiss to make partner in
+
+70
+00:02:00,950 --> 00:02:00,960
+ass do I have to kiss to make partner in
+ 
+
+71
+00:02:00,960 --> 00:02:01,819
+ass do I have to kiss to make partner in
+this damn place
+
+72
+00:02:01,819 --> 00:02:01,829
+this damn place
+ 
+
+73
+00:02:01,829 --> 00:02:04,280
+this damn place
+tell her I broke my leg and I had to be
+
+74
+00:02:04,280 --> 00:02:04,290
+tell her I broke my leg and I had to be
+ 
+
+75
+00:02:04,290 --> 00:02:07,430
+tell her I broke my leg and I had to be
+shocked why don't you tell her yourself
+
+76
+00:02:07,430 --> 00:02:07,440
+shocked why don't you tell her yourself
+ 
+
+77
+00:02:07,440 --> 00:02:38,490
+shocked why don't you tell her yourself
+[Music]
+

1997/ZlFSjq7eU4Y.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:02,360 --> 00:00:03,990
+
+son of a
+
+2
+00:00:03,990 --> 00:00:04,000
+son of a
+ 
+
+3
+00:00:04,000 --> 00:00:06,670
+son of a
+ officer officer you got to help me
+
+4
+00:00:06,670 --> 00:00:06,680
+officer officer you got to help me
+ 
+
+5
+00:00:06,680 --> 00:00:09,030
+officer officer you got to help me
+while wife SP kid down who whoa wait I
+
+6
+00:00:09,030 --> 00:00:09,040
+while wife SP kid down who whoa wait I
+ 
+
+7
+00:00:09,040 --> 00:00:10,790
+while wife SP kid down who whoa wait I
+you got it you got it all right I know
+
+8
+00:00:10,790 --> 00:00:10,800
+you got it you got it all right I know
+ 
+
+9
+00:00:10,800 --> 00:00:13,549
+you got it you got it all right I know
+where she is she get down on the ground
+
+10
+00:00:13,549 --> 00:00:13,559
+where she is she get down on the ground
+ 
+
+11
+00:00:13,559 --> 00:00:16,590
+where she is she get down on the ground
+do it all right I'm down listen to me
+
+12
+00:00:16,590 --> 00:00:16,600
+do it all right I'm down listen to me
+ 
+
+13
+00:00:16,600 --> 00:00:18,550
+do it all right I'm down listen to me
+he's in on it he's with the trucker they
+
+14
+00:00:18,550 --> 00:00:18,560
+he's in on it he's with the trucker they
+ 
+
+15
+00:00:18,560 --> 00:00:20,509
+he's in on it he's with the trucker they
+get that my wife there's four of them
+
+16
+00:00:20,509 --> 00:00:20,519
+get that my wife there's four of them
+ 
+
+17
+00:00:20,519 --> 00:00:21,950
+get that my wife there's four of them
+they all work together they got to right
+
+18
+00:00:21,950 --> 00:00:21,960
+they all work together they got to right
+ 
+
+19
+00:00:21,960 --> 00:00:25,630
+they all work together they got to right
+now A Truck Stop the Tex face down shut
+
+20
+00:00:25,630 --> 00:00:25,640
+now A Truck Stop the Tex face down shut
+ 
+
+21
+00:00:25,640 --> 00:00:28,550
+now A Truck Stop the Tex face down shut
+up you're in the pickup you all right
+
+22
+00:00:28,550 --> 00:00:28,560
+up you're in the pickup you all right
+ 
+
+23
+00:00:28,560 --> 00:00:30,509
+up you're in the pickup you all right
+please you have to believe me
+
+24
+00:00:30,509 --> 00:00:30,519
+please you have to believe me
+ 
+
+25
+00:00:30,519 --> 00:00:31,470
+please you have to believe me
+out here in the
+
+26
+00:00:31,470 --> 00:00:31,480
+out here in the
+ 
+
+27
+00:00:31,480 --> 00:00:34,830
+out here in the
+middle put your G help me yes I can sir
+
+28
+00:00:34,830 --> 00:00:34,840
+middle put your G help me yes I can sir
+ 
+
+29
+00:00:34,840 --> 00:00:36,830
+middle put your G help me yes I can sir
+please don't shoot me there's a bag with
+
+30
+00:00:36,830 --> 00:00:36,840
+please don't shoot me there's a bag with
+ 
+
+31
+00:00:36,840 --> 00:00:38,510
+please don't shoot me there's a bag with
+money and I swear to God it's right in
+
+32
+00:00:38,510 --> 00:00:38,520
+money and I swear to God it's right in
+ 
+
+33
+00:00:38,520 --> 00:00:41,670
+money and I swear to God it's right in
+there down eagle and shut
+
+34
+00:00:41,670 --> 00:00:41,680
+there down eagle and shut
+ 
+
+35
+00:00:41,680 --> 00:00:45,670
+there down eagle and shut
+up we have to get that stop God damn it
+
+36
+00:00:45,670 --> 00:00:45,680
+up we have to get that stop God damn it
+ 
+
+37
+00:00:45,680 --> 00:00:47,630
+up we have to get that stop God damn it
+listen know what I'm telling you shut
+
+38
+00:00:47,630 --> 00:00:47,640
+listen know what I'm telling you shut
+ 
+
+39
+00:00:47,640 --> 00:01:00,069
+listen know what I'm telling you shut
+the up
+
+40
+00:01:00,069 --> 00:01:00,079
+
+ 
+
+41
+00:01:00,079 --> 00:01:05,700
+
+hey ship for
+
+42
+00:01:05,700 --> 00:01:05,710
+
+ 
+
+43
+00:01:05,710 --> 00:01:13,210
+
+[Music]
+
+44
+00:01:13,210 --> 00:01:13,220
+
+ 
+
+45
+00:01:13,220 --> 00:01:18,770
+
+[Music]
+
+46
+00:01:18,770 --> 00:01:18,780
+
+ 
+
+47
+00:01:18,780 --> 00:01:23,390
+
+[Music]
+
+48
+00:01:23,390 --> 00:01:23,400
+[Music]
+ 
+
+49
+00:01:23,400 --> 00:01:26,870
+[Music]
+brains shots
+
+50
+00:01:26,870 --> 00:01:26,880
+
+ 
+
+51
+00:01:26,880 --> 00:01:34,670
+
+fired Officer Down
+
+52
+00:01:34,670 --> 00:01:34,680
+
+ 
+
+53
+00:01:34,680 --> 00:01:35,800
+
+suspect
+
+54
+00:01:35,800 --> 00:01:35,810
+suspect
+ 
+
+55
+00:01:35,810 --> 00:01:38,870
+suspect
+[Music]
+
+56
+00:01:38,870 --> 00:01:38,880
+[Music]
+ 
+
+57
+00:01:38,880 --> 00:01:41,310
+[Music]
+identifi K this is a state police
+
+58
+00:01:41,310 --> 00:01:41,320
+identifi K this is a state police
+ 
+
+59
+00:01:41,320 --> 00:01:43,950
+identifi K this is a state police
+dispatch what is your
+
+60
+00:01:43,950 --> 00:01:43,960
+dispatch what is your
+ 
+
+61
+00:01:43,960 --> 00:01:47,230
+dispatch what is your
+20 get an ambulance he's been shot who
+
+62
+00:01:47,230 --> 00:01:47,240
+20 get an ambulance he's been shot who
+ 
+
+63
+00:01:47,240 --> 00:01:48,069
+20 get an ambulance he's been shot who
+is
+
+64
+00:01:48,069 --> 00:01:48,079
+is
+ 
+
+65
+00:01:48,079 --> 00:01:55,830
+is
+it sure can you respond they're
+
+66
+00:01:55,830 --> 00:01:55,840
+
+ 
+
+67
+00:01:55,840 --> 00:01:57,789
+
+coming Hang on we're getting you an
+
+68
+00:01:57,789 --> 00:01:57,799
+coming Hang on we're getting you an
+ 
+
+69
+00:01:57,799 --> 00:02:01,950
+coming Hang on we're getting you an
+ambulance
+
+70
+00:02:01,950 --> 00:02:01,960
+
+ 
+
+71
+00:02:01,960 --> 00:02:10,270
+
+all units all units uper down
+
+72
+00:02:10,270 --> 00:02:10,280
+
+ 
+
+73
+00:02:10,280 --> 00:02:21,900
+
+down on your mind
+
+74
+00:02:21,900 --> 00:02:21,910
+
+ 
+
+75
+00:02:21,910 --> 00:02:44,490
+
+[Music]
+

1997/ZywVV0T5DcA.description

@@ -0,0 +1,38 @@
+Austin Powers movie clips: http://j.mp/15vUYTp
+BUY THE MOVIE: http://bit.ly/2cyWE2L
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Evil (Mike Myers) meets his son, Scott (Seth Green), who is not quite ready for a relationship.
+
+FILM DESCRIPTION:
+Less a parody of the early James Bond film than a parody of the films that parodied the early James Bond films, Austin Powers: International Man of Mystery stars Mike Myers as Austin Powers, by day a hipster fashion photographer in mid-'60s swingin' London and by night a crime-fighting secret agent. Austin's wardrobe is pure Carnaby Street at its most outrageous, his vocabulary is crowded by the cool lingo of the day ("Groovy, baby! Yeah!!"), and he's irresistible to women, despite the fact that he can be charitably described as "stocky" and has teeth that strike fear into any practicing dentist. When his nemesis, the arch-enemy Dr. Evil (also played by Myers), has himself cryogenically frozen and sent into space, Powers also has himself put on ice so he can be thawed out when Dr. Evil returns. Come 1997, Dr. Evil returns to Earth and is back to his old tricks, so Austin is thawed out and returned to active service -- though he soon discovers his style doesn't play so well 30 years on. The supporting cast includes Elizabeth Hurley as Austin's sidekick, Vanessa Kensington; Michael York as his boss, Basil Exposition; Robert Wagner as Dr. Evil's assistant, Number Two; and Seth Green as Dr. Evil's troubled son, Scott Evil. Ming Tea, the swingin' pop band that periodically backs up Austin, includes real life pop-rockers Matthew Sweet and Susanna Hoffs. Austin Powers: International Man of Mystery was a mild box-office hit but an even bigger success on home video, which led to the 1999 sequel, Austin Powers: The Spy Who Shagged Me.
+
+CREDITS:
+TM & © Warner Bros. (1997)
+Cast: Mike Myers, Robert Wagner, Seth Green, Mindy Sterling
+Director: Jay Roach
+Producers: Eric McLeod, Demi Moore, Mike Myers, Claire Rudnick Polstein, Jennifer Todd, Suzanne Todd
+Screenwriter: Mike Myers
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/ZywVV0T5DcA.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:00,320 --> 00:00:03,070
+
+remember when we froze your Sean you
+
+2
+00:00:03,070 --> 00:00:03,080
+remember when we froze your Sean you
+ 
+
+3
+00:00:03,080 --> 00:00:04,710
+remember when we froze your Sean you
+said if it didn't look like you were
+
+4
+00:00:04,710 --> 00:00:04,720
+said if it didn't look like you were
+ 
+
+5
+00:00:04,720 --> 00:00:06,829
+said if it didn't look like you were
+coming back we should try to make you a
+
+6
+00:00:06,829 --> 00:00:06,839
+coming back we should try to make you a
+ 
+
+7
+00:00:06,839 --> 00:00:08,470
+coming back we should try to make you a
+son so that a part of you could live
+
+8
+00:00:08,470 --> 00:00:08,480
+son so that a part of you could live
+ 
+
+9
+00:00:08,480 --> 00:00:11,789
+son so that a part of you could live
+forever oh sure well after a couple of
+
+10
+00:00:11,789 --> 00:00:11,799
+forever oh sure well after a couple of
+ 
+
+11
+00:00:11,799 --> 00:00:14,789
+forever oh sure well after a couple of
+years we got a little
+
+12
+00:00:14,789 --> 00:00:14,799
+years we got a little
+ 
+
+13
+00:00:14,799 --> 00:00:18,710
+years we got a little
+impatient that evil I want you to meet
+
+14
+00:00:18,710 --> 00:00:18,720
+impatient that evil I want you to meet
+ 
+
+15
+00:00:18,720 --> 00:00:25,860
+impatient that evil I want you to meet
+your son my son yeah Scott
+
+16
+00:00:25,860 --> 00:00:25,870
+your son my son yeah Scott
+ 
+
+17
+00:00:25,870 --> 00:00:32,830
+your son my son yeah Scott
+[Music]
+
+18
+00:00:32,830 --> 00:00:32,840
+
+ 
+
+19
+00:00:32,840 --> 00:00:35,470
+
+hello Scott
+
+20
+00:00:35,470 --> 00:00:35,480
+hello Scott
+ 
+
+21
+00:00:35,480 --> 00:00:38,270
+hello Scott
+hi I'm your
+
+22
+00:00:38,270 --> 00:00:38,280
+hi I'm your
+ 
+
+23
+00:00:38,280 --> 00:00:42,549
+hi I'm your
+father Dr
+
+24
+00:00:42,549 --> 00:00:42,559
+
+ 
+
+25
+00:00:42,559 --> 00:00:45,389
+
+Evil I haven't seen you my whole life
+
+26
+00:00:45,389 --> 00:00:45,399
+Evil I haven't seen you my whole life
+ 
+
+27
+00:00:45,399 --> 00:00:47,110
+Evil I haven't seen you my whole life
+and and now you come back and just
+
+28
+00:00:47,110 --> 00:00:47,120
+and and now you come back and just
+ 
+
+29
+00:00:47,120 --> 00:00:48,990
+and and now you come back and just
+expect a
+
+30
+00:00:48,990 --> 00:00:49,000
+expect a
+ 
+
+31
+00:00:49,000 --> 00:00:54,110
+expect a
+relationship I hate
+
+32
+00:00:54,110 --> 00:00:54,120
+
+ 
+
+33
+00:00:54,120 --> 00:00:57,750
+
+you what can I have a
+
+34
+00:00:57,750 --> 00:00:57,760
+you what can I have a
+ 
+
+35
+00:00:57,760 --> 00:01:00,830
+you what can I have a
+hug no
+
+36
+00:01:00,830 --> 00:01:00,840
+hug no
+ 
+
+37
+00:01:00,840 --> 00:01:02,910
+hug no
+give me a hug no way come here I'm not
+
+38
+00:01:02,910 --> 00:01:02,920
+give me a hug no way come here I'm not
+ 
+
+39
+00:01:02,920 --> 00:01:04,789
+give me a hug no way come here I'm not
+coming over there let's go forget it
+
+40
+00:01:04,789 --> 00:01:04,799
+coming over there let's go forget it
+ 
+
+41
+00:01:04,799 --> 00:01:22,789
+coming over there let's go forget it
+Tonto what are you doing I'm with it I'm
+
+42
+00:01:22,789 --> 00:01:22,799
+
+ 
+
+43
+00:01:22,799 --> 00:01:24,870
+
+hip what don't look at me like I'm
+
+44
+00:01:24,870 --> 00:01:24,880
+hip what don't look at me like I'm
+ 
+
+45
+00:01:24,880 --> 00:01:27,109
+hip what don't look at me like I'm
+freaking Frankenstein give your father a
+
+46
+00:01:27,109 --> 00:01:27,119
+freaking Frankenstein give your father a
+ 
+
+47
+00:01:27,119 --> 00:01:30,910
+freaking Frankenstein give your father a
+hug you're hey don't touch me
+
+48
+00:01:30,910 --> 00:01:30,920
+hug you're hey don't touch me
+ 
+
+49
+00:01:30,920 --> 00:01:33,910
+hug you're hey don't touch me
+par Park get away from me you lazy eyed
+
+50
+00:01:33,910 --> 00:01:33,920
+par Park get away from me you lazy eyed
+ 
+
+51
+00:01:33,920 --> 00:01:35,280
+par Park get away from me you lazy eyed
+psycho
+
+52
+00:01:35,280 --> 00:01:35,290
+psycho
+ 
+
+53
+00:01:35,290 --> 00:02:06,470
+psycho
+[Music]
+

1997/_CuZqXrhEZI.en.srt

@@ -0,0 +1,585 @@
+1
+00:00:00,880 --> 00:00:03,110
+
+what are you doing I've had it Chris
+
+2
+00:00:03,110 --> 00:00:03,120
+what are you doing I've had it Chris
+ 
+
+3
+00:00:03,120 --> 00:00:04,749
+what are you doing I've had it Chris
+I've had it I can't take it anymore
+
+4
+00:00:04,749 --> 00:00:04,759
+I've had it I can't take it anymore
+ 
+
+5
+00:00:04,759 --> 00:00:06,789
+I've had it I can't take it anymore
+that's it I made is 12 hours away You're
+
+6
+00:00:06,789 --> 00:00:06,799
+that's it I made is 12 hours away You're
+ 
+
+7
+00:00:06,799 --> 00:00:08,190
+that's it I made is 12 hours away You're
+supposed to be getting on that place I
+
+8
+00:00:08,190 --> 00:00:08,200
+supposed to be getting on that place I
+ 
+
+9
+00:00:08,200 --> 00:00:09,790
+supposed to be getting on that place I
+don't care about El Paso you mean more
+
+10
+00:00:09,790 --> 00:00:09,800
+don't care about El Paso you mean more
+ 
+
+11
+00:00:09,800 --> 00:00:11,749
+don't care about El Paso you mean more
+to me than any gig in El Paso if you're
+
+12
+00:00:11,749 --> 00:00:11,759
+to me than any gig in El Paso if you're
+ 
+
+13
+00:00:11,759 --> 00:00:13,150
+to me than any gig in El Paso if you're
+not in El Paso your father's going to
+
+14
+00:00:13,150 --> 00:00:13,160
+not in El Paso your father's going to
+ 
+
+15
+00:00:13,160 --> 00:00:14,869
+not in El Paso your father's going to
+know that you're here let him know let
+
+16
+00:00:14,869 --> 00:00:14,879
+know that you're here let him know let
+ 
+
+17
+00:00:14,879 --> 00:00:18,390
+know that you're here let him know let
+him okay I'm tired of hiding from him
+
+18
+00:00:18,390 --> 00:00:18,400
+him okay I'm tired of hiding from him
+ 
+
+19
+00:00:18,400 --> 00:00:19,870
+him okay I'm tired of hiding from him
+I'm tired too but everything's going to
+
+20
+00:00:19,870 --> 00:00:19,880
+I'm tired too but everything's going to
+ 
+
+21
+00:00:19,880 --> 00:00:21,550
+I'm tired too but everything's going to
+get messed up this way why can't you
+
+22
+00:00:21,550 --> 00:00:21,560
+get messed up this way why can't you
+ 
+
+23
+00:00:21,560 --> 00:00:24,109
+get messed up this way why can't you
+just hold
+
+24
+00:00:24,109 --> 00:00:24,119
+
+ 
+
+25
+00:00:24,119 --> 00:00:27,189
+
+me baby I don't want things to get
+
+26
+00:00:27,189 --> 00:00:27,199
+me baby I don't want things to get
+ 
+
+27
+00:00:27,199 --> 00:00:30,830
+me baby I don't want things to get
+messed up you want to be with me
+
+28
+00:00:30,830 --> 00:00:30,840
+messed up you want to be with me
+ 
+
+29
+00:00:30,840 --> 00:00:32,910
+messed up you want to be with me
+of course I want to be with you do you
+
+30
+00:00:32,910 --> 00:00:32,920
+of course I want to be with you do you
+ 
+
+31
+00:00:32,920 --> 00:00:35,910
+of course I want to be with you do you
+want to be with me forever forever
+
+32
+00:00:35,910 --> 00:00:35,920
+want to be with me forever forever
+ 
+
+33
+00:00:35,920 --> 00:00:37,910
+want to be with me forever forever
+you're it for
+
+34
+00:00:37,910 --> 00:00:37,920
+you're it for
+ 
+
+35
+00:00:37,920 --> 00:00:40,350
+you're it for
+me so let's just do it let's just get
+
+36
+00:00:40,350 --> 00:00:40,360
+me so let's just do it let's just get
+ 
+
+37
+00:00:40,360 --> 00:00:41,549
+me so let's just do it let's just get
+married right
+
+38
+00:00:41,549 --> 00:00:41,559
+married right
+ 
+
+39
+00:00:41,559 --> 00:00:43,110
+married right
+now
+
+40
+00:00:43,110 --> 00:00:43,120
+now
+ 
+
+41
+00:00:43,120 --> 00:00:45,549
+now
+married that's that's that's crazy you
+
+42
+00:00:45,549 --> 00:00:45,559
+married that's that's that's crazy you
+ 
+
+43
+00:00:45,559 --> 00:00:47,430
+married that's that's that's crazy you
+don't want to marry me of course I want
+
+44
+00:00:47,430 --> 00:00:47,440
+don't want to marry me of course I want
+ 
+
+45
+00:00:47,440 --> 00:00:50,910
+don't want to marry me of course I want
+to marry you but the right way what's
+
+46
+00:00:50,910 --> 00:00:50,920
+to marry you but the right way what's
+ 
+
+47
+00:00:50,920 --> 00:00:53,630
+to marry you but the right way what's
+the right way you know with you wearing
+
+48
+00:00:53,630 --> 00:00:53,640
+the right way you know with you wearing
+ 
+
+49
+00:00:53,640 --> 00:00:56,150
+the right way you know with you wearing
+a beautiful white dress and and your
+
+50
+00:00:56,150 --> 00:00:56,160
+a beautiful white dress and and your
+ 
+
+51
+00:00:56,160 --> 00:00:58,750
+a beautiful white dress and and your
+friends and those different color
+
+52
+00:00:58,750 --> 00:00:58,760
+friends and those different color
+ 
+
+53
+00:00:58,760 --> 00:01:01,910
+friends and those different color
+dresses right bries Maids Chris yeah
+
+54
+00:01:01,910 --> 00:01:01,920
+dresses right bries Maids Chris yeah
+ 
+
+55
+00:01:01,920 --> 00:01:05,109
+dresses right bries Maids Chris yeah
+bridesmaids and lots of flowers and your
+
+56
+00:01:05,109 --> 00:01:05,119
+bridesmaids and lots of flowers and your
+ 
+
+57
+00:01:05,119 --> 00:01:07,670
+bridesmaids and lots of flowers and your
+family I don't care about all that it's
+
+58
+00:01:07,670 --> 00:01:07,680
+family I don't care about all that it's
+ 
+
+59
+00:01:07,680 --> 00:01:09,510
+family I don't care about all that it's
+not the important thing no matter what
+
+60
+00:01:09,510 --> 00:01:09,520
+not the important thing no matter what
+ 
+
+61
+00:01:09,520 --> 00:01:11,270
+not the important thing no matter what
+you say I know how important it is to
+
+62
+00:01:11,270 --> 00:01:11,280
+you say I know how important it is to
+ 
+
+63
+00:01:11,280 --> 00:01:12,390
+you say I know how important it is to
+you to have your family there when
+
+64
+00:01:12,390 --> 00:01:12,400
+you to have your family there when
+ 
+
+65
+00:01:12,400 --> 00:01:14,469
+you to have your family there when
+you're getting married and it's
+
+66
+00:01:14,469 --> 00:01:14,479
+you're getting married and it's
+ 
+
+67
+00:01:14,479 --> 00:01:27,749
+you're getting married and it's
+important to me too because I care for
+
+68
+00:01:27,749 --> 00:01:27,759
+
+ 
+
+69
+00:01:27,759 --> 00:01:34,710
+
+you right
+
+70
+00:01:34,710 --> 00:01:34,720
+
+ 
+
+71
+00:01:34,720 --> 00:01:38,550
+
+I would love
+
+72
+00:01:38,550 --> 00:01:38,560
+
+ 
+
+73
+00:01:38,560 --> 00:01:43,590
+
+that have a big
+
+74
+00:01:43,590 --> 00:01:43,600
+
+ 
+
+75
+00:01:43,600 --> 00:01:46,469
+
+wedding my dad get me
+
+76
+00:01:46,469 --> 00:01:46,479
+wedding my dad get me
+ 
+
+77
+00:01:46,479 --> 00:01:51,469
+wedding my dad get me
+away that would be more to me than
+
+78
+00:01:51,469 --> 00:01:51,479
+
+ 
+
+79
+00:01:51,479 --> 00:01:55,149
+
+anything but it's never going to happen
+
+80
+00:01:55,149 --> 00:01:55,159
+anything but it's never going to happen
+ 
+
+81
+00:01:55,159 --> 00:01:58,469
+anything but it's never going to happen
+I know him Chris I know what he's
+
+82
+00:01:58,469 --> 00:01:58,479
+I know him Chris I know what he's
+ 
+
+83
+00:01:58,479 --> 00:02:03,270
+I know him Chris I know what he's
+like and will never accept us never all
+
+84
+00:02:03,270 --> 00:02:03,280
+like and will never accept us never all
+ 
+
+85
+00:02:03,280 --> 00:02:05,670
+like and will never accept us never all
+right he's dug his heels in and that's
+
+86
+00:02:05,670 --> 00:02:05,680
+right he's dug his heels in and that's
+ 
+
+87
+00:02:05,680 --> 00:02:08,389
+right he's dug his heels in and that's
+it the whole world all of corus Christie
+
+88
+00:02:08,389 --> 00:02:08,399
+it the whole world all of corus Christie
+ 
+
+89
+00:02:08,399 --> 00:02:09,949
+it the whole world all of corus Christie
+could come tumbling down on his head and
+
+90
+00:02:09,949 --> 00:02:09,959
+could come tumbling down on his head and
+ 
+
+91
+00:02:09,959 --> 00:02:12,229
+could come tumbling down on his head and
+he would not
+
+92
+00:02:12,229 --> 00:02:12,239
+he would not
+ 
+
+93
+00:02:12,239 --> 00:02:14,790
+he would not
+budge the only way he will know that I
+
+94
+00:02:14,790 --> 00:02:14,800
+budge the only way he will know that I
+ 
+
+95
+00:02:14,800 --> 00:02:16,750
+budge the only way he will know that I
+am not going to give you
+
+96
+00:02:16,750 --> 00:02:16,760
+am not going to give you
+ 
+
+97
+00:02:16,760 --> 00:02:22,190
+am not going to give you
+up is if we go out and get married right
+
+98
+00:02:22,190 --> 00:02:22,200
+
+ 
+
+99
+00:02:22,200 --> 00:02:25,589
+
+now then he'll have to accept
+
+100
+00:02:25,589 --> 00:02:25,599
+now then he'll have to accept
+ 
+
+101
+00:02:25,599 --> 00:02:27,910
+now then he'll have to accept
+us but what if he
+
+102
+00:02:27,910 --> 00:02:27,920
+us but what if he
+ 
+
+103
+00:02:27,920 --> 00:02:33,270
+us but what if he
+doesn't but I'll still have you
+
+104
+00:02:33,270 --> 00:02:33,280
+
+ 
+
+105
+00:02:33,280 --> 00:02:37,470
+
+you'll have
+
+106
+00:02:37,470 --> 00:02:37,480
+
+ 
+
+107
+00:02:37,480 --> 00:02:39,750
+
+me there's no King in the world more
+
+108
+00:02:39,750 --> 00:02:39,760
+me there's no King in the world more
+ 
+
+109
+00:02:39,760 --> 00:02:43,270
+me there's no King in the world more
+important than
+
+110
+00:02:43,270 --> 00:02:43,280
+
+ 
+
+111
+00:02:43,280 --> 00:02:49,710
+
+that I love
+
+112
+00:02:49,710 --> 00:02:49,720
+
+ 
+
+113
+00:02:49,720 --> 00:02:52,509
+
+you let's get
+
+114
+00:02:52,509 --> 00:02:52,519
+you let's get
+ 
+
+115
+00:02:52,519 --> 00:02:59,550
+you let's get
+married yeah
+
+116
+00:02:59,550 --> 00:02:59,560
+
+ 
+
+117
+00:02:59,560 --> 00:03:10,889
+
+[Music]
+

1997/_MLgnDZguM0.description

@@ -0,0 +1,38 @@
+L.A. Confidential movie clips: http://j.mp/1BcZpNh
+BUY THE MOVIE: http://j.mp/T8lXGk
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ed Exley (Guy Pearce) leads a raid on the suspects of the Nite Owl Murders and brings them to justice.
+
+FILM DESCRIPTION:
+Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress.
+
+CREDITS:
+TM & © Warner Bros. (1997)
+Cast: Guy Pearce
+Director: Curtis Hanson
+Producers: Curtis Hanson, Brian Helgeland, Dan Kolsrud, Arnon Milchan, Michael G. Nathanson, David L. Wolper
+Screenwriters: James Ellroy, Brian Helgeland, Curtis Hanson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/_VIWqtzAHQ0.description

@@ -0,0 +1,38 @@
+L.A. Confidential movie clips: http://j.mp/1BcZpNh
+BUY THE MOVIE: http://j.mp/T8lXGk
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bud White (Russell Crowe) questions Lynn Bracken (Kim Basinger), but finds himself intensely attracted to her.
+
+FILM DESCRIPTION:
+Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress.
+
+CREDITS:
+TM & © Warner Bros. (1997)
+Cast: Russell Crowe, Kim Basinger
+Director: Curtis Hanson
+Producers: Curtis Hanson, Brian Helgeland, Dan Kolsrud, Arnon Milchan, Michael G. Nathanson, David L. Wolper
+Screenwriters: James Ellroy, Brian Helgeland, Curtis Hanson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+
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+Tumblr: http://bit.ly/1vUwhH7

1997/_VIWqtzAHQ0.en.srt

@@ -0,0 +1,565 @@
+1
+00:00:00,520 --> 00:00:02,270
+
+patent running
+
+2
+00:00:02,270 --> 00:00:02,280
+patent running
+ 
+
+3
+00:00:02,280 --> 00:00:04,990
+patent running
+ cut to look like movie
+
+4
+00:00:04,990 --> 00:00:05,000
+cut to look like movie
+ 
+
+5
+00:00:05,000 --> 00:00:07,510
+cut to look like movie
+stars judging by his address probably
+
+6
+00:00:07,510 --> 00:00:07,520
+stars judging by his address probably
+ 
+
+7
+00:00:07,520 --> 00:00:09,950
+stars judging by his address probably
+something bigger on the side he doesn't
+
+8
+00:00:09,950 --> 00:00:09,960
+something bigger on the side he doesn't
+ 
+
+9
+00:00:09,960 --> 00:00:10,830
+something bigger on the side he doesn't
+want any
+
+10
+00:00:10,830 --> 00:00:10,840
+want any
+ 
+
+11
+00:00:10,840 --> 00:00:13,509
+want any
+attention that's right our motives are
+
+12
+00:00:13,509 --> 00:00:13,519
+attention that's right our motives are
+ 
+
+13
+00:00:13,519 --> 00:00:15,669
+attention that's right our motives are
+selfish so we're cooperating so
+
+14
+00:00:15,669 --> 00:00:15,679
+selfish so we're cooperating so
+ 
+
+15
+00:00:15,679 --> 00:00:17,189
+selfish so we're cooperating so
+cooperate Miss Brack and why was Susan
+
+16
+00:00:17,189 --> 00:00:17,199
+cooperate Miss Brack and why was Susan
+ 
+
+17
+00:00:17,199 --> 00:00:19,510
+cooperate Miss Brack and why was Susan
+leard at the night Al I don't know I
+
+18
+00:00:19,510 --> 00:00:19,520
+leard at the night Al I don't know I
+ 
+
+19
+00:00:19,520 --> 00:00:21,470
+leard at the night Al I don't know I
+never heard of the night Al till today
+
+20
+00:00:21,470 --> 00:00:21,480
+never heard of the night Al till today
+ 
+
+21
+00:00:21,480 --> 00:00:23,550
+never heard of the night Al till today
+how did she meet patchet Pierce meets
+
+22
+00:00:23,550 --> 00:00:23,560
+how did she meet patchet Pierce meets
+ 
+
+23
+00:00:23,560 --> 00:00:26,189
+how did she meet patchet Pierce meets
+people Su came on a bus with dreams of
+
+24
+00:00:26,189 --> 00:00:26,199
+people Su came on a bus with dreams of
+ 
+
+25
+00:00:26,199 --> 00:00:28,310
+people Su came on a bus with dreams of
+Hollywood and this is how they turned
+
+26
+00:00:28,310 --> 00:00:28,320
+Hollywood and this is how they turned
+ 
+
+27
+00:00:28,320 --> 00:00:32,109
+Hollywood and this is how they turned
+out thanks to Pi Pi we still get to act
+
+28
+00:00:32,109 --> 00:00:32,119
+out thanks to Pi Pi we still get to act
+ 
+
+29
+00:00:32,119 --> 00:00:36,310
+out thanks to Pi Pi we still get to act
+a little tell me about Pierce he's
+
+30
+00:00:36,310 --> 00:00:36,320
+a little tell me about Pierce he's
+ 
+
+31
+00:00:36,320 --> 00:00:38,350
+a little tell me about Pierce he's
+waiting for you to mention
+
+32
+00:00:38,350 --> 00:00:38,360
+waiting for you to mention
+ 
+
+33
+00:00:38,360 --> 00:00:41,310
+waiting for you to mention
+money you want some advice Miss Bracken
+
+34
+00:00:41,310 --> 00:00:41,320
+money you want some advice Miss Bracken
+ 
+
+35
+00:00:41,320 --> 00:00:44,029
+money you want some advice Miss Bracken
+it's Lynn Miss
+
+36
+00:00:44,029 --> 00:00:44,039
+it's Lynn Miss
+ 
+
+37
+00:00:44,039 --> 00:00:46,350
+it's Lynn Miss
+Bracken don't ever try to bribe
+
+38
+00:00:46,350 --> 00:00:46,360
+Bracken don't ever try to bribe
+ 
+
+39
+00:00:46,360 --> 00:00:48,430
+Bracken don't ever try to bribe
+me or threaten me or I'll have you and
+
+40
+00:00:48,430 --> 00:00:48,440
+me or threaten me or I'll have you and
+ 
+
+41
+00:00:48,440 --> 00:00:50,350
+me or threaten me or I'll have you and
+patchet and up to your
+
+42
+00:00:50,350 --> 00:00:50,360
+patchet and up to your
+ 
+
+43
+00:00:50,360 --> 00:00:53,910
+patchet and up to your
+ears I remember you from Christmas
+
+44
+00:00:53,910 --> 00:00:53,920
+ears I remember you from Christmas
+ 
+
+45
+00:00:53,920 --> 00:00:56,349
+ears I remember you from Christmas
+Eve you have a thing for helping women
+
+46
+00:00:56,349 --> 00:00:56,359
+Eve you have a thing for helping women
+ 
+
+47
+00:00:56,359 --> 00:00:58,069
+Eve you have a thing for helping women
+don't you officer
+
+48
+00:00:58,069 --> 00:00:58,079
+don't you officer
+ 
+
+49
+00:00:58,079 --> 00:01:01,069
+don't you officer
+white maybe I'm just cu curious
+
+50
+00:01:01,069 --> 00:01:01,079
+white maybe I'm just cu curious
+ 
+
+51
+00:01:01,079 --> 00:01:04,590
+white maybe I'm just cu curious
+you say a lot you for money
+
+52
+00:01:04,590 --> 00:01:04,600
+you say a lot you for money
+ 
+
+53
+00:01:04,600 --> 00:01:06,670
+you say a lot you for money
+there's blood on your shirt is that an
+
+54
+00:01:06,670 --> 00:01:06,680
+there's blood on your shirt is that an
+ 
+
+55
+00:01:06,680 --> 00:01:09,550
+there's blood on your shirt is that an
+intrical part of your job yeah do you
+
+56
+00:01:09,550 --> 00:01:09,560
+intrical part of your job yeah do you
+ 
+
+57
+00:01:09,560 --> 00:01:11,990
+intrical part of your job yeah do you
+enjoy it when they deserve it did they
+
+58
+00:01:11,990 --> 00:01:12,000
+enjoy it when they deserve it did they
+ 
+
+59
+00:01:12,000 --> 00:01:13,870
+enjoy it when they deserve it did they
+deserve it
+
+60
+00:01:13,870 --> 00:01:13,880
+deserve it
+ 
+
+61
+00:01:13,880 --> 00:01:17,429
+deserve it
+today I'm not sure but you did it anyway
+
+62
+00:01:17,429 --> 00:01:17,439
+today I'm not sure but you did it anyway
+ 
+
+63
+00:01:17,439 --> 00:01:19,590
+today I'm not sure but you did it anyway
+yeah just like the half dozen guys you
+
+64
+00:01:19,590 --> 00:01:19,600
+yeah just like the half dozen guys you
+ 
+
+65
+00:01:19,600 --> 00:01:20,789
+yeah just like the half dozen guys you
+screwed
+
+66
+00:01:20,789 --> 00:01:20,799
+screwed
+ 
+
+67
+00:01:20,799 --> 00:01:25,230
+screwed
+today well actually it was only
+
+68
+00:01:25,230 --> 00:01:25,240
+
+ 
+
+69
+00:01:25,240 --> 00:01:28,350
+
+two you're different officer white
+
+70
+00:01:28,350 --> 00:01:28,360
+two you're different officer white
+ 
+
+71
+00:01:28,360 --> 00:01:29,990
+two you're different officer white
+you're the first man in 5 years who
+
+72
+00:01:29,990 --> 00:01:30,000
+you're the first man in 5 years who
+ 
+
+73
+00:01:30,000 --> 00:01:31,550
+you're the first man in 5 years who
+didn't tell me I look like Veronica Lake
+
+74
+00:01:31,550 --> 00:01:31,560
+didn't tell me I look like Veronica Lake
+ 
+
+75
+00:01:31,560 --> 00:01:33,870
+didn't tell me I look like Veronica Lake
+inside of a minute look better than
+
+76
+00:01:33,870 --> 00:01:33,880
+inside of a minute look better than
+ 
+
+77
+00:01:33,880 --> 00:01:39,550
+inside of a minute look better than
+Veronica
+
+78
+00:01:39,550 --> 00:01:39,560
+
+ 
+
+79
+00:01:39,560 --> 00:01:42,270
+
+Lake Pierce
+
+80
+00:01:42,270 --> 00:01:42,280
+Lake Pierce
+ 
+
+81
+00:01:42,280 --> 00:01:44,510
+Lake Pierce
+patchet he takes a cut of our earnings
+
+82
+00:01:44,510 --> 00:01:44,520
+patchet he takes a cut of our earnings
+ 
+
+83
+00:01:44,520 --> 00:01:47,069
+patchet he takes a cut of our earnings
+and invest it for us doesn't let us use
+
+84
+00:01:47,069 --> 00:01:47,079
+and invest it for us doesn't let us use
+ 
+
+85
+00:01:47,079 --> 00:01:49,910
+and invest it for us doesn't let us use
+narcotics and he doesn't abuse us can
+
+86
+00:01:49,910 --> 00:01:49,920
+narcotics and he doesn't abuse us can
+ 
+
+87
+00:01:49,920 --> 00:01:54,670
+narcotics and he doesn't abuse us can
+your policeman's mentality grasp those
+
+88
+00:01:54,670 --> 00:01:54,680
+
+ 
+
+89
+00:01:54,680 --> 00:01:56,709
+
+contradictions he had you cut to look
+
+90
+00:01:56,709 --> 00:01:56,719
+contradictions he had you cut to look
+ 
+
+91
+00:01:56,719 --> 00:01:58,830
+contradictions he had you cut to look
+like Veronica Lake
+
+92
+00:01:58,830 --> 00:01:58,840
+like Veronica Lake
+ 
+
+93
+00:01:58,840 --> 00:02:03,630
+like Veronica Lake
+no I'm really a brunette but the rest is
+
+94
+00:02:03,630 --> 00:02:03,640
+no I'm really a brunette but the rest is
+ 
+
+95
+00:02:03,640 --> 00:02:07,309
+no I'm really a brunette but the rest is
+me and that's all the News That's fit to
+
+96
+00:02:07,309 --> 00:02:07,319
+me and that's all the News That's fit to
+ 
+
+97
+00:02:07,319 --> 00:02:14,070
+me and that's all the News That's fit to
+print it's nice meeting you
+
+98
+00:02:14,070 --> 00:02:14,080
+
+ 
+
+99
+00:02:14,080 --> 00:02:16,270
+
+officer I'd like to see you again are
+
+100
+00:02:16,270 --> 00:02:16,280
+officer I'd like to see you again are
+ 
+
+101
+00:02:16,280 --> 00:02:19,869
+officer I'd like to see you again are
+you asking me for a date or an
+
+102
+00:02:19,869 --> 00:02:19,879
+
+ 
+
+103
+00:02:19,879 --> 00:02:22,790
+
+appointment I don't know if you're
+
+104
+00:02:22,790 --> 00:02:22,800
+appointment I don't know if you're
+ 
+
+105
+00:02:22,800 --> 00:02:24,270
+appointment I don't know if you're
+asking me for a date I should know your
+
+106
+00:02:24,270 --> 00:02:24,280
+asking me for a date I should know your
+ 
+
+107
+00:02:24,280 --> 00:02:26,070
+asking me for a date I should know your
+first name forget I
+
+108
+00:02:26,070 --> 00:02:26,080
+first name forget I
+ 
+
+109
+00:02:26,080 --> 00:02:28,750
+first name forget I
+asked was a
+
+110
+00:02:28,750 --> 00:02:28,760
+asked was a
+ 
+
+111
+00:02:28,760 --> 00:02:31,450
+asked was a
+mistake
+
+112
+00:02:31,450 --> 00:02:31,460
+mistake
+ 
+
+113
+00:02:31,460 --> 00:03:02,520
+mistake
+[Music]
+

1997/aJCCUdK7PiU.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:00,460 --> 00:00:11,310
+
+[Music]
+
+2
+00:00:11,310 --> 00:00:11,320
+
+ 
+
+3
+00:00:11,320 --> 00:00:15,990
+
+must to
+
+4
+00:00:15,990 --> 00:00:16,000
+
+ 
+
+5
+00:00:16,000 --> 00:00:18,710
+
+prevent
+
+6
+00:00:18,710 --> 00:00:18,720
+prevent
+ 
+
+7
+00:00:18,720 --> 00:00:20,910
+prevent
+contest it's okay what are you trying to
+
+8
+00:00:20,910 --> 00:00:20,920
+contest it's okay what are you trying to
+ 
+
+9
+00:00:20,920 --> 00:00:23,950
+contest it's okay what are you trying to
+say to prevent to
+
+10
+00:00:23,950 --> 00:00:23,960
+say to prevent to
+ 
+
+11
+00:00:23,960 --> 00:00:27,349
+say to prevent to
+prevent
+
+12
+00:00:27,349 --> 00:00:27,359
+
+ 
+
+13
+00:00:27,359 --> 00:00:33,869
+
+struggled to prevent war
+
+14
+00:00:33,869 --> 00:00:33,879
+
+ 
+
+15
+00:00:33,879 --> 00:00:37,270
+
+war the
+
+16
+00:00:37,270 --> 00:00:37,280
+
+ 
+
+17
+00:00:37,280 --> 00:00:39,270
+
+Galaxy
+
+18
+00:00:39,270 --> 00:00:39,280
+Galaxy
+ 
+
+19
+00:00:39,280 --> 00:00:47,430
+Galaxy
+on
+
+20
+00:00:47,430 --> 00:00:47,440
+
+ 
+
+21
+00:00:47,440 --> 00:00:49,630
+
+Orion's what his
+
+22
+00:00:49,630 --> 00:00:49,640
+Orion's what his
+ 
+
+23
+00:00:49,640 --> 00:00:51,150
+Orion's what his
+word
+
+24
+00:00:51,150 --> 00:00:51,160
+word
+ 
+
+25
+00:00:51,160 --> 00:00:55,550
+word
+bed belt Orion's belt
+
+26
+00:00:55,550 --> 00:00:55,560
+bed belt Orion's belt
+ 
+
+27
+00:00:55,560 --> 00:01:02,260
+bed belt Orion's belt
+[Music]
+
+28
+00:01:02,260 --> 00:01:02,270
+
+ 
+
+29
+00:01:02,270 --> 00:01:14,390
+
+[Music]
+
+30
+00:01:14,390 --> 00:01:14,400
+[Music]
+ 
+
+31
+00:01:14,400 --> 00:01:17,270
+[Music]
+to prevent War the Galaxy is on Orion's
+
+32
+00:01:17,270 --> 00:01:17,280
+to prevent War the Galaxy is on Orion's
+ 
+
+33
+00:01:17,280 --> 00:01:22,510
+to prevent War the Galaxy is on Orion's
+Belt the hell does that
+
+34
+00:01:22,510 --> 00:01:22,520
+
+ 
+
+35
+00:01:22,520 --> 00:01:26,990
+
+mean doctor um whatever come here Dr
+
+36
+00:01:26,990 --> 00:01:27,000
+mean doctor um whatever come here Dr
+ 
+
+37
+00:01:27,000 --> 00:01:28,710
+mean doctor um whatever come here Dr
+whatever hey you guys aren't really from
+
+38
+00:01:28,710 --> 00:01:28,720
+whatever hey you guys aren't really from
+ 
+
+39
+00:01:28,720 --> 00:01:30,950
+whatever hey you guys aren't really from
+the Department of Health are you
+
+40
+00:01:30,950 --> 00:01:30,960
+the Department of Health are you
+ 
+
+41
+00:01:30,960 --> 00:01:34,230
+the Department of Health are you
+Rosenberg oh damn the Arians are not
+
+42
+00:01:34,230 --> 00:01:34,240
+Rosenberg oh damn the Arians are not
+ 
+
+43
+00:01:34,240 --> 00:01:35,749
+Rosenberg oh damn the Arians are not
+going to like this this guy was one of
+
+44
+00:01:35,749 --> 00:01:35,759
+going to like this this guy was one of
+ 
+
+45
+00:01:35,759 --> 00:01:38,710
+going to like this this guy was one of
+the royal family I knew it this is an
+
+46
+00:01:38,710 --> 00:01:38,720
+the royal family I knew it this is an
+ 
+
+47
+00:01:38,720 --> 00:01:40,270
+the royal family I knew it this is an
+alien and you guys are from some
+
+48
+00:01:40,270 --> 00:01:40,280
+alien and you guys are from some
+ 
+
+49
+00:01:40,280 --> 00:01:41,469
+alien and you guys are from some
+government agency trying to keep it
+
+50
+00:01:41,469 --> 00:01:41,479
+government agency trying to keep it
+ 
+
+51
+00:01:41,479 --> 00:01:43,429
+government agency trying to keep it
+under reps look he he said to prevent
+
+52
+00:01:43,429 --> 00:01:43,439
+under reps look he he said to prevent
+ 
+
+53
+00:01:43,439 --> 00:01:46,230
+under reps look he he said to prevent
+War the Galaxy is on Orion's Belt this
+
+54
+00:01:46,230 --> 00:01:46,240
+War the Galaxy is on Orion's Belt this
+ 
+
+55
+00:01:46,240 --> 00:01:47,510
+War the Galaxy is on Orion's Belt this
+makes total sense how else do you
+
+56
+00:01:47,510 --> 00:01:47,520
+makes total sense how else do you
+ 
+
+57
+00:01:47,520 --> 00:01:49,310
+makes total sense how else do you
+explain New York the other day I was in
+
+58
+00:01:49,310 --> 00:01:49,320
+explain New York the other day I was in
+ 
+
+59
+00:01:49,320 --> 00:01:52,030
+explain New York the other day I was in
+this cab and this guy
+
+60
+00:01:52,030 --> 00:01:52,040
+this cab and this guy
+ 
+
+61
+00:01:52,040 --> 00:01:54,550
+this cab and this guy
+was Galaxy on Orion's Bell do make any
+
+62
+00:01:54,550 --> 00:01:54,560
+was Galaxy on Orion's Bell do make any
+ 
+
+63
+00:01:54,560 --> 00:01:56,270
+was Galaxy on Orion's Bell do make any
+sense look that's what the little dude
+
+64
+00:01:56,270 --> 00:01:56,280
+sense look that's what the little dude
+ 
+
+65
+00:01:56,280 --> 00:01:58,270
+sense look that's what the little dude
+inside the big dude's head said right
+
+66
+00:01:58,270 --> 00:01:58,280
+inside the big dude's head said right
+ 
+
+67
+00:01:58,280 --> 00:02:01,190
+inside the big dude's head said right
+right after damn man we did the flashy
+
+68
+00:02:01,190 --> 00:02:01,200
+right after damn man we did the flashy
+ 
+
+69
+00:02:01,200 --> 00:02:03,550
+right after damn man we did the flashy
+thing already hey whoever you guys are
+
+70
+00:02:03,550 --> 00:02:03,560
+thing already hey whoever you guys are
+ 
+
+71
+00:02:03,560 --> 00:02:04,389
+thing already hey whoever you guys are
+you're going to have to show me some
+
+72
+00:02:04,389 --> 00:02:04,399
+you're going to have to show me some
+ 
+
+73
+00:02:04,399 --> 00:02:05,870
+you're going to have to show me some
+idea if you're going to be in the M oh
+
+74
+00:02:05,870 --> 00:02:05,880
+idea if you're going to be in the M oh
+ 
+
+75
+00:02:05,880 --> 00:02:07,709
+idea if you're going to be in the M oh
+yes of course young lady have a look at
+
+76
+00:02:07,709 --> 00:02:07,719
+yes of course young lady have a look at
+ 
+
+77
+00:02:07,719 --> 00:02:10,389
+yes of course young lady have a look at
+this for me please would you stop that
+
+78
+00:02:10,389 --> 00:02:10,399
+this for me please would you stop that
+ 
+
+79
+00:02:10,399 --> 00:02:11,869
+this for me please would you stop that
+what that thing is going to give her
+
+80
+00:02:11,869 --> 00:02:11,879
+what that thing is going to give her
+ 
+
+81
+00:02:11,879 --> 00:02:15,080
+what that thing is going to give her
+brain cancer or something
+

1997/aMBtKhTlQHk.description

@@ -0,0 +1,38 @@
+Breakdown movie clips: http://j.mp/1JcLQkK
+BUY THE MOVIE: http://amzn.to/uqKjLb
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (Kurt Russell) and Amy (Kathleen Quinlan) hit the road, but getting away from Red (J.T. Walsh) and the gang proves to be difficult.
+
+FILM DESCRIPTION:
+In this suspense thriller, a man discovers the unexpected danger of trusting a good Samaritan. Jeff Taylor (Kurt Russell) and his wife Amy (Kathleen Quinlan) are driving through the New Mexico desert en route to California when an incident with a lunatic driver causes their jeep to break down in the middle of nowhere. Jeff is trying to fix the vehicle when an apparently friendly truck driver, Red Barr (J.T. Walsh), stops by to offer help. Red tells the couple that there's a diner a few miles down the road where they can call for help; Jeff decides to stay with the car while Amy hops a ride with Red to see if she can find a mechanic to help them. After a long wait, Jeff is able to get the jeep running again, and he discovers that the diner is indeed a few miles down the road. But everyone there claims they've seen no sign of Amy, and Red claims to know nothing about picking her up. When Jeff attempts to file a missing person's report, he discovers mysterious disappearances are disturbingly common in this stretch of the desert; he soon realizes that someone has kidnapped his wife, but he's not sure who, or for what purpose.
+
+CREDITS:
+TM & © Paramount (1997)
+Cast: Jack Noseworthy, Kurt Russell, J.T. Walsh, Kathleen Quinlan
+Director: Jonathan Mostow
+Producers: Harry Colomby, Jonathan Fernandez, Martha De Laurentiis, Artist W. Robinson, Jeffrey Sudzin, Dino De Laurentiis
+Screenwriters: Jonathan Mostow, Sam Montgomery
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/aMBtKhTlQHk.en.srt

@@ -0,0 +1,107 @@
+1
+00:00:02,898 --> 00:00:03,831
+[gunshot]
+
+2
+00:00:03,899 --> 00:00:05,366
+Aah!
+
+3
+00:00:09,805 --> 00:00:11,305
+Are you all right?
+
+4
+00:00:11,373 --> 00:00:12,573
+Yeah.
+
+5
+00:00:12,641 --> 00:00:14,241
+Look out!
+
+6
+00:00:14,309 --> 00:00:15,959
+Look out!
+
+7
+00:00:16,027 --> 00:00:19,080
+Son of a bitch!
+
+8
+00:00:24,519 --> 00:00:25,953
+You want some?
+Come on!
+
+9
+00:00:28,473 --> 00:00:30,291
+Hey!
+
+10
+00:00:31,359 --> 00:00:34,661
+Amy: Jeffrey, over here!
+Over here!
+
+11
+00:00:36,665 --> 00:00:38,081
+[brakes screech]
+
+12
+00:00:40,302 --> 00:00:41,302
+Oh!
+
+13
+00:00:45,707 --> 00:00:47,308
+[gears grind]
+
+14
+00:00:52,314 --> 00:00:54,965
+Oh, my god.
+Oh! Watch out!
+
+15
+00:00:55,033 --> 00:00:56,584
+Hang on!
+
+16
+00:01:04,226 --> 00:01:06,460
+Fuck.
+
+17
+00:01:11,766 --> 00:01:12,700
+Fucker!
+
+18
+00:01:12,767 --> 00:01:14,035
+You're gonna die!
+
+19
+00:01:14,103 --> 00:01:16,437
+[horn blaring]
+
+20
+00:01:18,373 --> 00:01:19,841
+[gears grinding]
+
+21
+00:01:22,077 --> 00:01:24,078
+Lord god.
+
+22
+00:01:29,651 --> 00:01:32,019
+Aah!
+
+23
+00:01:36,892 --> 00:01:38,492
+Jeff.
+
+24
+00:01:43,632 --> 00:01:45,099
+Oh!
+
+25
+00:01:48,636 --> 00:01:51,338
+Shit. I'm out.
+
+26
+00:02:09,324 --> 00:02:11,959
+Aah! Aah!
+

1997/aQHOzbF0qH0.en.srt

@@ -0,0 +1,465 @@
+1
+00:00:00,280 --> 00:00:02,030
+
+oh no what
+
+2
+00:00:02,030 --> 00:00:02,040
+oh no what
+ 
+
+3
+00:00:02,040 --> 00:00:05,670
+oh no what
+happened I don't
+
+4
+00:00:05,670 --> 00:00:05,680
+
+ 
+
+5
+00:00:05,680 --> 00:00:12,829
+
+know
+
+6
+00:00:12,829 --> 00:00:12,839
+
+ 
+
+7
+00:00:12,839 --> 00:00:14,869
+
+oh I
+
+8
+00:00:14,869 --> 00:00:14,879
+oh I
+ 
+
+9
+00:00:14,879 --> 00:00:17,470
+oh I
+forgot I left the child on my
+
+10
+00:00:17,470 --> 00:00:17,480
+forgot I left the child on my
+ 
+
+11
+00:00:17,480 --> 00:00:24,310
+forgot I left the child on my
+stove
+
+12
+00:00:24,310 --> 00:00:24,320
+
+ 
+
+13
+00:00:24,320 --> 00:00:28,710
+
+oh Uncle PE oops you all right oh just
+
+14
+00:00:28,710 --> 00:00:28,720
+oh Uncle PE oops you all right oh just
+ 
+
+15
+00:00:28,720 --> 00:00:30,669
+oh Uncle PE oops you all right oh just
+got it all on your face he didn't mean
+
+16
+00:00:30,669 --> 00:00:30,679
+got it all on your face he didn't mean
+ 
+
+17
+00:00:30,679 --> 00:00:34,630
+got it all on your face he didn't mean
+nothing this is uh my surprise
+
+18
+00:00:34,630 --> 00:00:34,640
+nothing this is uh my surprise
+ 
+
+19
+00:00:34,640 --> 00:00:38,270
+nothing this is uh my surprise
+everybody Uncle
+
+20
+00:00:38,270 --> 00:00:38,280
+
+ 
+
+21
+00:00:38,280 --> 00:00:42,430
+
+Pete Uncle
+
+22
+00:00:42,430 --> 00:00:42,440
+
+ 
+
+23
+00:00:42,440 --> 00:00:48,470
+
+P I'm I'm sorry man look at
+
+24
+00:00:48,470 --> 00:00:48,480
+
+ 
+
+25
+00:00:48,480 --> 00:00:52,029
+
+this look at all this
+
+26
+00:00:52,029 --> 00:00:52,039
+this look at all this
+ 
+
+27
+00:00:52,039 --> 00:00:54,430
+this look at all this
+money Big Mama really did have a pile of
+
+28
+00:00:54,430 --> 00:00:54,440
+money Big Mama really did have a pile of
+ 
+
+29
+00:00:54,440 --> 00:00:56,430
+money Big Mama really did have a pile of
+money hitting away and she had a stash
+
+30
+00:00:56,430 --> 00:00:56,440
+money hitting away and she had a stash
+ 
+
+31
+00:00:56,440 --> 00:00:58,709
+money hitting away and she had a stash
+in the last place we all think to look
+
+32
+00:00:58,709 --> 00:00:58,719
+in the last place we all think to look
+ 
+
+33
+00:00:58,719 --> 00:01:02,270
+in the last place we all think to look
+hle pce TV
+
+34
+00:01:02,270 --> 00:01:02,280
+
+ 
+
+35
+00:01:02,280 --> 00:01:04,030
+
+now I understand what soul food was all
+
+36
+00:01:04,030 --> 00:01:04,040
+now I understand what soul food was all
+ 
+
+37
+00:01:04,040 --> 00:01:06,550
+now I understand what soul food was all
+about see during slavery is black folks
+
+38
+00:01:06,550 --> 00:01:06,560
+about see during slavery is black folks
+ 
+
+39
+00:01:06,560 --> 00:01:08,630
+about see during slavery is black folks
+didn't have a whole lot to celebrate so
+
+40
+00:01:08,630 --> 00:01:08,640
+didn't have a whole lot to celebrate so
+ 
+
+41
+00:01:08,640 --> 00:01:10,190
+didn't have a whole lot to celebrate so
+cooking became the way we expressed our
+
+42
+00:01:10,190 --> 00:01:10,200
+cooking became the way we expressed our
+ 
+
+43
+00:01:10,200 --> 00:01:12,550
+cooking became the way we expressed our
+love for one another and that's what
+
+44
+00:01:12,550 --> 00:01:12,560
+love for one another and that's what
+ 
+
+45
+00:01:12,560 --> 00:01:14,670
+love for one another and that's what
+those Sunday dinners meant to us more
+
+46
+00:01:14,670 --> 00:01:14,680
+those Sunday dinners meant to us more
+ 
+
+47
+00:01:14,680 --> 00:01:16,870
+those Sunday dinners meant to us more
+than just eating it was a time for
+
+48
+00:01:16,870 --> 00:01:16,880
+than just eating it was a time for
+ 
+
+49
+00:01:16,880 --> 00:01:19,510
+than just eating it was a time for
+sharing our Joys and Sorrows something
+
+50
+00:01:19,510 --> 00:01:19,520
+sharing our Joys and Sorrows something
+ 
+
+51
+00:01:19,520 --> 00:01:22,950
+sharing our Joys and Sorrows something
+the old folks say is missing in today's
+
+52
+00:01:22,950 --> 00:01:22,960
+the old folks say is missing in today's
+ 
+
+53
+00:01:22,960 --> 00:01:25,230
+the old folks say is missing in today's
+families things got better for my family
+
+54
+00:01:25,230 --> 00:01:25,240
+families things got better for my family
+ 
+
+55
+00:01:25,240 --> 00:01:27,230
+families things got better for my family
+after that and even though miles and and
+
+56
+00:01:27,230 --> 00:01:27,240
+after that and even though miles and and
+ 
+
+57
+00:01:27,240 --> 00:01:29,390
+after that and even though miles and and
+Terry broke up it doesn't stop miles
+
+58
+00:01:29,390 --> 00:01:29,400
+Terry broke up it doesn't stop miles
+ 
+
+59
+00:01:29,400 --> 00:01:30,710
+Terry broke up it doesn't stop miles
+from coming around around every now and
+
+60
+00:01:30,710 --> 00:01:30,720
+from coming around around every now and
+ 
+
+61
+00:01:30,720 --> 00:01:34,069
+from coming around around every now and
+then and fill his belly with Mama Soul
+
+62
+00:01:34,069 --> 00:01:34,079
+then and fill his belly with Mama Soul
+ 
+
+63
+00:01:34,079 --> 00:01:37,190
+then and fill his belly with Mama Soul
+Food L and bir are doing good too they
+
+64
+00:01:37,190 --> 00:01:37,200
+Food L and bir are doing good too they
+ 
+
+65
+00:01:37,200 --> 00:01:39,030
+Food L and bir are doing good too they
+got their own place and are expecting
+
+66
+00:01:39,030 --> 00:01:39,040
+got their own place and are expecting
+ 
+
+67
+00:01:39,040 --> 00:01:41,630
+got their own place and are expecting
+that baby any day
+
+68
+00:01:41,630 --> 00:01:41,640
+that baby any day
+ 
+
+69
+00:01:41,640 --> 00:01:44,749
+that baby any day
+now my mom and Anar are cool again at
+
+70
+00:01:44,749 --> 00:01:44,759
+now my mom and Anar are cool again at
+ 
+
+71
+00:01:44,759 --> 00:01:46,870
+now my mom and Anar are cool again at
+least for the time being and faith is
+
+72
+00:01:46,870 --> 00:01:46,880
+least for the time being and faith is
+ 
+
+73
+00:01:46,880 --> 00:01:49,550
+least for the time being and faith is
+finally a part of the family too and as
+
+74
+00:01:49,550 --> 00:01:49,560
+finally a part of the family too and as
+ 
+
+75
+00:01:49,560 --> 00:01:52,030
+finally a part of the family too and as
+you can see we didn't sell a big house
+
+76
+00:01:52,030 --> 00:01:52,040
+you can see we didn't sell a big house
+ 
+
+77
+00:01:52,040 --> 00:01:53,550
+you can see we didn't sell a big house
+no way no
+
+78
+00:01:53,550 --> 00:01:53,560
+no way no
+ 
+
+79
+00:01:53,560 --> 00:01:56,069
+no way no
+how and even though we all miss big M's
+
+80
+00:01:56,069 --> 00:01:56,079
+how and even though we all miss big M's
+ 
+
+81
+00:01:56,079 --> 00:01:59,190
+how and even though we all miss big M's
+cooking laughter and love none of us
+
+82
+00:01:59,190 --> 00:01:59,200
+cooking laughter and love none of us
+ 
+
+83
+00:01:59,200 --> 00:02:01,870
+cooking laughter and love none of us
+feel like life or none see she
+
+84
+00:02:01,870 --> 00:02:01,880
+feel like life or none see she
+ 
+
+85
+00:02:01,880 --> 00:02:03,350
+feel like life or none see she
+accomplished everything she set out to
+
+86
+00:02:03,350 --> 00:02:03,360
+accomplished everything she set out to
+ 
+
+87
+00:02:03,360 --> 00:02:06,149
+accomplished everything she set out to
+do to build a strong family with the
+
+88
+00:02:06,149 --> 00:02:06,159
+do to build a strong family with the
+ 
+
+89
+00:02:06,159 --> 00:02:09,589
+do to build a strong family with the
+rich tradition and to leave love in the
+
+90
+00:02:09,589 --> 00:02:09,599
+rich tradition and to leave love in the
+ 
+
+91
+00:02:09,599 --> 00:02:15,650
+rich tradition and to leave love in the
+footprints thanks Big Mama
+
+92
+00:02:15,650 --> 00:02:15,660
+
+ 
+
+93
+00:02:15,660 --> 00:02:42,750
+
+[Music]
+

1997/adatkf9XY44.en.srt

@@ -0,0 +1,390 @@
+1
+00:00:00,240 --> 00:00:02,270
+
+oh look man I'm a little low on cash
+
+2
+00:00:02,270 --> 00:00:02,280
+oh look man I'm a little low on cash
+ 
+
+3
+00:00:02,280 --> 00:00:03,869
+oh look man I'm a little low on cash
+y'all got anything cheaper than this
+
+4
+00:00:03,869 --> 00:00:03,879
+y'all got anything cheaper than this
+ 
+
+5
+00:00:03,879 --> 00:00:05,869
+y'all got anything cheaper than this
+well that's the 300 the 100 is back
+
+6
+00:00:05,869 --> 00:00:05,879
+well that's the 300 the 100 is back
+ 
+
+7
+00:00:05,879 --> 00:00:08,190
+well that's the 300 the 100 is back
+there on the Shelf just come on man we
+
+8
+00:00:08,190 --> 00:00:08,200
+there on the Shelf just come on man we
+ 
+
+9
+00:00:08,200 --> 00:00:09,669
+there on the Shelf just come on man we
+run out
+
+10
+00:00:09,669 --> 00:00:09,679
+run out
+ 
+
+11
+00:00:09,679 --> 00:00:12,589
+run out
+time I don't trust those boys oh my God
+
+12
+00:00:12,589 --> 00:00:12,599
+time I don't trust those boys oh my God
+ 
+
+13
+00:00:12,599 --> 00:00:14,310
+time I don't trust those boys oh my God
+you know what I think Amed I think that
+
+14
+00:00:14,310 --> 00:00:14,320
+you know what I think Amed I think that
+ 
+
+15
+00:00:14,320 --> 00:00:16,310
+you know what I think Amed I think that
+that girl was the judge's fuzzy tempis
+
+16
+00:00:16,310 --> 00:00:16,320
+that girl was the judge's fuzzy tempis
+ 
+
+17
+00:00:16,320 --> 00:00:18,189
+that girl was the judge's fuzzy tempis
+furry Tess what is the difference what
+
+18
+00:00:18,189 --> 00:00:18,199
+furry Tess what is the difference what
+ 
+
+19
+00:00:18,199 --> 00:00:19,230
+furry Tess what is the difference what
+is the difference you don't know the
+
+20
+00:00:19,230 --> 00:00:19,240
+is the difference you don't know the
+ 
+
+21
+00:00:19,240 --> 00:00:21,109
+is the difference you don't know the
+difference between fuzzy and just a
+
+22
+00:00:21,109 --> 00:00:21,119
+difference between fuzzy and just a
+ 
+
+23
+00:00:21,119 --> 00:00:22,910
+difference between fuzzy and just a
+minute we are talking furry is here and
+
+24
+00:00:22,910 --> 00:00:22,920
+minute we are talking furry is here and
+ 
+
+25
+00:00:22,920 --> 00:00:25,670
+minute we are talking furry is here and
+fuzzy is here I said put the money in
+
+26
+00:00:25,670 --> 00:00:25,680
+fuzzy is here I said put the money in
+ 
+
+27
+00:00:25,680 --> 00:00:28,589
+fuzzy is here I said put the money in
+the bag your customer listen you
+
+28
+00:00:28,589 --> 00:00:28,599
+the bag your customer listen you
+ 
+
+29
+00:00:28,599 --> 00:00:30,470
+the bag your customer listen you
+Pakistani piece of do what I say
+
+30
+00:00:30,470 --> 00:00:30,480
+Pakistani piece of do what I say
+ 
+
+31
+00:00:30,480 --> 00:00:31,950
+Pakistani piece of do what I say
+listen you crack addict we are not
+
+32
+00:00:31,950 --> 00:00:31,960
+listen you crack addict we are not
+ 
+
+33
+00:00:31,960 --> 00:00:34,110
+listen you crack addict we are not
+Pakistani we are punjabis I could pass
+
+34
+00:00:34,110 --> 00:00:34,120
+Pakistani we are punjabis I could pass
+ 
+
+35
+00:00:34,120 --> 00:00:36,830
+Pakistani we are punjabis I could pass
+for Pakistani oh bu these
+
+36
+00:00:36,830 --> 00:00:36,840
+for Pakistani oh bu these
+ 
+
+37
+00:00:36,840 --> 00:00:38,190
+for Pakistani oh bu these
+ are getting jacked stop
+
+38
+00:00:38,190 --> 00:00:39,430
+are getting jacked stop
+ 
+
+39
+00:00:39,430 --> 00:00:39,440
+
+ 
+
+40
+00:00:39,440 --> 00:00:41,430
+
+oh as soon as these shoes them I'm going
+
+41
+00:00:41,430 --> 00:00:41,440
+oh as soon as these shoes them I'm going
+ 
+
+42
+00:00:41,440 --> 00:00:42,389
+oh as soon as these shoes them I'm going
+to go get some groceries and stuff you
+
+43
+00:00:42,389 --> 00:00:42,399
+to go get some groceries and stuff you
+ 
+
+44
+00:00:42,399 --> 00:00:43,310
+to go get some groceries and stuff you
+want some bread and some EGS or
+
+45
+00:00:43,310 --> 00:00:43,320
+want some bread and some EGS or
+ 
+
+46
+00:00:43,320 --> 00:00:45,310
+want some bread and some EGS or
+something F do you ever use the left
+
+47
+00:00:45,310 --> 00:00:45,320
+something F do you ever use the left
+ 
+
+48
+00:00:45,320 --> 00:00:46,910
+something F do you ever use the left
+side of your brain all the time here
+
+49
+00:00:46,910 --> 00:00:46,920
+side of your brain all the time here
+ 
+
+50
+00:00:46,920 --> 00:00:55,830
+side of your brain all the time here
+take
+
+51
+00:00:55,830 --> 00:00:55,840
+
+ 
+
+52
+00:00:55,840 --> 00:01:00,910
+
+these hey let's clock this
+
+53
+00:01:00,910 --> 00:01:00,920
+these hey let's clock this
+ 
+
+54
+00:01:00,920 --> 00:01:06,870
+these hey let's clock this
+hurry up give me the Goddamn
+
+55
+00:01:06,870 --> 00:01:06,880
+
+ 
+
+56
+00:01:06,880 --> 00:01:28,830
+
+money call me a
+
+57
+00:01:28,830 --> 00:01:28,840
+
+ 
+
+58
+00:01:28,840 --> 00:01:35,350
+
+sty
+
+59
+00:01:35,350 --> 00:01:35,360
+
+ 
+
+60
+00:01:35,360 --> 00:01:38,830
+
+oh my my my my my oh my my my and you
+
+61
+00:01:38,830 --> 00:01:38,840
+oh my my my my my oh my my my and you
+ 
+
+62
+00:01:38,840 --> 00:01:40,789
+oh my my my my my oh my my my and you
+wonder why you're a floter are you out
+
+63
+00:01:40,789 --> 00:01:40,799
+wonder why you're a floter are you out
+ 
+
+64
+00:01:40,799 --> 00:01:44,950
+wonder why you're a floter are you out
+of your
+
+65
+00:01:44,950 --> 00:01:44,960
+
+ 
+
+66
+00:01:44,960 --> 00:01:46,590
+
+minds
+
+67
+00:01:46,590 --> 00:01:46,600
+minds
+ 
+
+68
+00:01:46,600 --> 00:01:48,990
+minds
+ bun you
+
+69
+00:01:48,990 --> 00:01:49,000
+bun you
+ 
+
+70
+00:01:49,000 --> 00:01:52,870
+bun you
+right I think I got a pickle stuck in my
+
+71
+00:01:52,870 --> 00:01:52,880
+right I think I got a pickle stuck in my
+ 
+
+72
+00:01:52,880 --> 00:01:55,280
+right I think I got a pickle stuck in my
+ass there we
+
+73
+00:01:55,280 --> 00:01:55,290
+ass there we
+ 
+
+74
+00:01:55,290 --> 00:01:58,830
+ass there we
+[Music]
+
+75
+00:01:58,830 --> 00:01:58,840
+[Music]
+ 
+
+76
+00:01:58,840 --> 00:02:00,690
+[Music]
+go
+
+77
+00:02:00,690 --> 00:02:00,700
+go
+ 
+
+78
+00:02:00,700 --> 00:02:06,620
+go
+[Music]
+

1997/atpbdTo9nno.description

@@ -0,0 +1,38 @@
+The Saint movie clips: http://j.mp/1BcRsb3
+BUY THE MOVIE: http://amzn.to/yNOhRw
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Emma Russell (Elisabeth Shue) explains how cold fusion works.
+
+FILM DESCRIPTION:
+Based on the popular novels about that other suave, globe-trotting man of action, this genre picture from director Phillip Noyce mixed romance and character development with dangerous stunts, geopolitical intrigue, and a variety of elaborate disguises, resulting in an uneven stew of a spy thriller. Val Kilmer is Simon Templar, a classy, cunning master thief and "man of a thousand faces" who cribs his phony names from those of obscure saints and sells his illegal services to the highest bidder. Hired by an ambitious Russian politician (Rade Serbedzija) to steal the formula for cold fusion, Templar falls in love with Dr. Emma Russell (Elisabeth Shue), the frail Oxford scientist who has unlocked the secret of the process. Back in Moscow, the thief debates whether to betray his new love or the powerful madman who is paying him millions, until he discovers that his client is concealing oil reserves that could save his freezing people. Often seen as an also-ran to the legendary James Bond, Templar, the creation of author Leslie Charteris, in fact predated the first Bond novel by decades and probably inspired Ian Fleming in his creation of the debonair agent.
+
+CREDITS:
+TM & © Paramount (1997)
+Cast: Val Kilmer, Elisabeth Shue
+Director: Phillip Noyce
+Producers: Robert S. Baker, Robert Evans, Paul Hitchcock, Lis Kern, William J. MacDonald, Mace Neufeld, David Brown
+Screenwriters: Leslie Charteris, Jonathan Hensleigh, Wesley Strick
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/atpbdTo9nno.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:00,000 --> 00:00:02,669
+
+[Applause]
+
+2
+00:00:02,669 --> 00:00:02,679
+[Applause]
+ 
+
+3
+00:00:02,679 --> 00:00:06,710
+[Applause]
+well I didn't prepare any formal
+
+4
+00:00:06,710 --> 00:00:06,720
+well I didn't prepare any formal
+ 
+
+5
+00:00:06,720 --> 00:00:09,110
+well I didn't prepare any formal
+remarks um I'm actually more interested
+
+6
+00:00:09,110 --> 00:00:09,120
+remarks um I'm actually more interested
+ 
+
+7
+00:00:09,120 --> 00:00:12,310
+remarks um I'm actually more interested
+in what questions you all have about
+
+8
+00:00:12,310 --> 00:00:12,320
+in what questions you all have about
+ 
+
+9
+00:00:12,320 --> 00:00:14,150
+in what questions you all have about
+cold fusion so I thought we would start
+
+10
+00:00:14,150 --> 00:00:14,160
+cold fusion so I thought we would start
+ 
+
+11
+00:00:14,160 --> 00:00:19,230
+cold fusion so I thought we would start
+with those any
+
+12
+00:00:19,230 --> 00:00:19,240
+
+ 
+
+13
+00:00:19,240 --> 00:00:22,509
+
+questions please yeah yeah I have Dr
+
+14
+00:00:22,509 --> 00:00:22,519
+questions please yeah yeah I have Dr
+ 
+
+15
+00:00:22,519 --> 00:00:25,429
+questions please yeah yeah I have Dr
+Russell can can you explain the actual
+
+16
+00:00:25,429 --> 00:00:25,439
+Russell can can you explain the actual
+ 
+
+17
+00:00:25,439 --> 00:00:27,509
+Russell can can you explain the actual
+process of fusion you know the the uh
+
+18
+00:00:27,509 --> 00:00:27,519
+process of fusion you know the the uh
+ 
+
+19
+00:00:27,519 --> 00:00:28,150
+process of fusion you know the the uh
+the
+
+20
+00:00:28,150 --> 00:00:28,160
+the
+ 
+
+21
+00:00:28,160 --> 00:00:32,030
+the
+theory yes than
+
+22
+00:00:32,030 --> 00:00:32,040
+
+ 
+
+23
+00:00:32,040 --> 00:00:34,150
+
+this is the the
+
+24
+00:00:34,150 --> 00:00:34,160
+this is the the
+ 
+
+25
+00:00:34,160 --> 00:00:37,709
+this is the the
+apparatus and very simply when
+
+26
+00:00:37,709 --> 00:00:37,719
+apparatus and very simply when
+ 
+
+27
+00:00:37,719 --> 00:00:39,990
+apparatus and very simply when
+positively charged deuterons are
+
+28
+00:00:39,990 --> 00:00:40,000
+positively charged deuterons are
+ 
+
+29
+00:00:40,000 --> 00:00:41,869
+positively charged deuterons are
+attracted to the plaum
+
+30
+00:00:41,869 --> 00:00:41,879
+attracted to the plaum
+ 
+
+31
+00:00:41,879 --> 00:00:44,549
+attracted to the plaum
+cathode they cram together and there
+
+32
+00:00:44,549 --> 00:00:44,559
+cathode they cram together and there
+ 
+
+33
+00:00:44,559 --> 00:00:46,790
+cathode they cram together and there
+millions and millions of them inside the
+
+34
+00:00:46,790 --> 00:00:46,800
+millions and millions of them inside the
+ 
+
+35
+00:00:46,800 --> 00:00:49,110
+millions and millions of them inside the
+cathode getting closer and closer and
+
+36
+00:00:49,110 --> 00:00:49,120
+cathode getting closer and closer and
+ 
+
+37
+00:00:49,120 --> 00:00:51,990
+cathode getting closer and closer and
+then they they fuse and they create
+
+38
+00:00:51,990 --> 00:00:52,000
+then they they fuse and they create
+ 
+
+39
+00:00:52,000 --> 00:00:54,590
+then they they fuse and they create
+energy in the form of helium but I read
+
+40
+00:00:54,590 --> 00:00:54,600
+energy in the form of helium but I read
+ 
+
+41
+00:00:54,600 --> 00:00:56,189
+energy in the form of helium but I read
+somewhere that the experiment couldn't
+
+42
+00:00:56,189 --> 00:00:56,199
+somewhere that the experiment couldn't
+ 
+
+43
+00:00:56,199 --> 00:01:00,750
+somewhere that the experiment couldn't
+be replicated so how do we know it works
+
+44
+00:01:00,750 --> 00:01:00,760
+be replicated so how do we know it works
+ 
+
+45
+00:01:00,760 --> 00:01:02,029
+be replicated so how do we know it works
+well we
+
+46
+00:01:02,029 --> 00:01:02,039
+well we
+ 
+
+47
+00:01:02,039 --> 00:01:04,270
+well we
+don't not
+
+48
+00:01:04,270 --> 00:01:04,280
+don't not
+ 
+
+49
+00:01:04,280 --> 00:01:08,469
+don't not
+yet but if you remember Einstein he knew
+
+50
+00:01:08,469 --> 00:01:08,479
+yet but if you remember Einstein he knew
+ 
+
+51
+00:01:08,479 --> 00:01:10,710
+yet but if you remember Einstein he knew
+the theory of relativity to be true long
+
+52
+00:01:10,710 --> 00:01:10,720
+the theory of relativity to be true long
+ 
+
+53
+00:01:10,720 --> 00:01:13,030
+the theory of relativity to be true long
+before he could prove it I mean he felt
+
+54
+00:01:13,030 --> 00:01:13,040
+before he could prove it I mean he felt
+ 
+
+55
+00:01:13,040 --> 00:01:16,870
+before he could prove it I mean he felt
+the truth and uh some of us feel the
+
+56
+00:01:16,870 --> 00:01:16,880
+the truth and uh some of us feel the
+ 
+
+57
+00:01:16,880 --> 00:01:19,789
+the truth and uh some of us feel the
+same way about cold fusion because it's
+
+58
+00:01:19,789 --> 00:01:19,799
+same way about cold fusion because it's
+ 
+
+59
+00:01:19,799 --> 00:01:23,550
+same way about cold fusion because it's
+there it's in nature the raw natural
+
+60
+00:01:23,550 --> 00:01:23,560
+there it's in nature the raw natural
+ 
+
+61
+00:01:23,560 --> 00:01:26,710
+there it's in nature the raw natural
+power just waiting to be harnessed and
+
+62
+00:01:26,710 --> 00:01:26,720
+power just waiting to be harnessed and
+ 
+
+63
+00:01:26,720 --> 00:01:29,950
+power just waiting to be harnessed and
+when we ignite that cold fusion fire
+
+64
+00:01:29,950 --> 00:01:29,960
+when we ignite that cold fusion fire
+ 
+
+65
+00:01:29,960 --> 00:01:33,230
+when we ignite that cold fusion fire
+fire I mean just
+
+66
+00:01:33,230 --> 00:01:33,240
+fire I mean just
+ 
+
+67
+00:01:33,240 --> 00:01:36,910
+fire I mean just
+imagine there's more energy in one cubic
+
+68
+00:01:36,910 --> 00:01:36,920
+imagine there's more energy in one cubic
+ 
+
+69
+00:01:36,920 --> 00:01:39,270
+imagine there's more energy in one cubic
+mile of seawater than in all the known
+
+70
+00:01:39,270 --> 00:01:39,280
+mile of seawater than in all the known
+ 
+
+71
+00:01:39,280 --> 00:01:42,030
+mile of seawater than in all the known
+oil reserves on Earth I mean you could
+
+72
+00:01:42,030 --> 00:01:42,040
+oil reserves on Earth I mean you could
+ 
+
+73
+00:01:42,040 --> 00:01:45,870
+oil reserves on Earth I mean you could
+drive your car 55 million miles on a
+
+74
+00:01:45,870 --> 00:01:45,880
+drive your car 55 million miles on a
+ 
+
+75
+00:01:45,880 --> 00:01:49,709
+drive your car 55 million miles on a
+gallon of heavy water maybe the end of
+
+76
+00:01:49,709 --> 00:01:49,719
+gallon of heavy water maybe the end of
+ 
+
+77
+00:01:49,719 --> 00:02:01,880
+gallon of heavy water maybe the end of
+pollution warmth for the whole world
+
+78
+00:02:01,880 --> 00:02:01,890
+
+ 
+
+79
+00:02:01,890 --> 00:02:24,479
+
+[Music]
+

1997/bXy8AgE7jBo.description

@@ -0,0 +1,38 @@
+Jackie Brown movie clips: http://j.mp/1JboBHI
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/jackie-brown-2002/MMV614821BD9ACA4EBC3BFAE0AAFCC101307?cmp=Movieclips_YT_Description
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+While trying to locate their car in the shopping mall parking lot, Melanie (Bridget Fonda) continues to needle and provoke Louis (Robert De Niro). His only response is to kill her.
+
+FILM DESCRIPTION:
+Quentin Tarantino wrote and directed this adaptation of Elmore Leonard's 1995 Rum Punch, switching the action from Miami to LA, and altering the central character from white to black. Ruthless arms dealer Ordell Robbie (Samuel L. Jackson), who lives with perpetually stoned beach-babe Melanie (Bridget Fonda), teams with his old buddy Louis Gara (Robert De Niro), just released from prison after serving four years for armed robbery. ATF agent Ray Nicolette (Michael Keaton) and cop Mark Dargus (Michael Bowen) bust stewardess Jackie Brown (Pam Grier), who was smuggling money into the country for Ordell. Ordell springs Jackie, but when middle-aged bail bondsman Max Cherry (Robert Forster) picks her up at the jail, he's attracted to her, and they choose a romantic route with detours. Mistrust and suspicions surface after Jackie pits Ordell and the cops against each other, convincing Ordell that she's going to double-cross the cops. Tarantino commented on the film's budget: "Jackie Brown only cost $12 million. You can't lose. You absolutely, positively can't lose. And you don't have to compromise."
+
+CREDITS:
+TM & © Miramax Films (1997)
+Cast: Bridget Fonda, Robert De Niro
+Director: Quentin Tarantino
+Producers: Lawrence Bender, Richard N. Gladstein, Paul Hellerman, Elmore Leonard, Bob Weinstein, Harvey Weinstein
+Screenwriters: Quentin Tarantino, Elmore Leonard
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/bXy8AgE7jBo.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:09,230 --> 00:00:12,870
+
+[Music]
+
+2
+00:00:12,870 --> 00:00:12,880
+
+ 
+
+3
+00:00:12,880 --> 00:00:14,190
+
+getting out of here what do you think
+
+4
+00:00:14,190 --> 00:00:14,200
+getting out of here what do you think
+ 
+
+5
+00:00:14,200 --> 00:00:16,390
+getting out of here what do you think
+the bag you I can carry it give me
+
+6
+00:00:16,390 --> 00:00:16,400
+the bag you I can carry it give me
+ 
+
+7
+00:00:16,400 --> 00:00:17,750
+the bag you I can carry it give me
+the
+
+8
+00:00:17,750 --> 00:00:17,760
+the
+ 
+
+9
+00:00:17,760 --> 00:00:21,429
+the
+bag what you want to rip the
+
+10
+00:00:21,429 --> 00:00:21,439
+bag what you want to rip the
+ 
+
+11
+00:00:21,439 --> 00:00:24,310
+bag what you want to rip the
+bag knock the out take the
+
+12
+00:00:24,310 --> 00:00:24,320
+bag knock the out take the
+ 
+
+13
+00:00:24,320 --> 00:00:26,390
+bag knock the out take the
+hand okay okay D it Jesus what's wrong
+
+14
+00:00:26,390 --> 00:00:26,400
+hand okay okay D it Jesus what's wrong
+ 
+
+15
+00:00:26,400 --> 00:00:27,990
+hand okay okay D it Jesus what's wrong
+with you I'm teing the bag yeah right
+
+16
+00:00:27,990 --> 00:00:28,000
+with you I'm teing the bag yeah right
+ 
+
+17
+00:00:28,000 --> 00:00:31,710
+with you I'm teing the bag yeah right
+you got it just take a chill chill pill
+
+18
+00:00:31,710 --> 00:00:31,720
+you got it just take a chill chill pill
+ 
+
+19
+00:00:31,720 --> 00:00:34,030
+you got it just take a chill chill pill
+remember where we came in no that's
+
+20
+00:00:34,030 --> 00:00:34,040
+remember where we came in no that's
+ 
+
+21
+00:00:34,040 --> 00:00:34,950
+remember where we came in no that's
+toward
+
+22
+00:00:34,950 --> 00:00:34,960
+toward
+ 
+
+23
+00:00:34,960 --> 00:00:42,510
+toward
+Sears where the which way which
+
+24
+00:00:42,510 --> 00:00:42,520
+
+ 
+
+25
+00:00:42,520 --> 00:00:45,510
+
+way Jesus but if you two aren't the
+
+26
+00:00:45,510 --> 00:00:45,520
+way Jesus but if you two aren't the
+ 
+
+27
+00:00:45,520 --> 00:00:47,229
+way Jesus but if you two aren't the
+biggest pair of fuckups I've ever met in
+
+28
+00:00:47,229 --> 00:00:47,239
+biggest pair of fuckups I've ever met in
+ 
+
+29
+00:00:47,239 --> 00:00:51,029
+biggest pair of fuckups I've ever met in
+my entire life how did you ever rob a
+
+30
+00:00:51,029 --> 00:00:51,039
+my entire life how did you ever rob a
+ 
+
+31
+00:00:51,039 --> 00:00:53,229
+my entire life how did you ever rob a
+bank hey when you rob banks did you have
+
+32
+00:00:53,229 --> 00:00:53,239
+bank hey when you rob banks did you have
+ 
+
+33
+00:00:53,239 --> 00:00:55,590
+bank hey when you rob banks did you have
+to look for your car then
+
+34
+00:00:55,590 --> 00:00:55,600
+to look for your car then
+ 
+
+35
+00:00:55,600 --> 00:01:01,310
+to look for your car then
+too no wonder you went to jail
+
+36
+00:01:01,310 --> 00:01:01,320
+
+ 
+
+37
+00:01:01,320 --> 00:01:03,229
+
+is it this aisle
+
+38
+00:01:03,229 --> 00:01:03,239
+is it this aisle
+ 
+
+39
+00:01:03,239 --> 00:01:09,830
+is it this aisle
+L is
+
+40
+00:01:09,830 --> 00:01:09,840
+
+ 
+
+41
+00:01:09,840 --> 00:01:13,030
+
+it
+
+42
+00:01:13,030 --> 00:01:13,040
+
+ 
+
+43
+00:01:13,040 --> 00:01:18,830
+
+Louis
+
+44
+00:01:18,830 --> 00:01:18,840
+
+ 
+
+45
+00:01:18,840 --> 00:01:21,230
+
+Louis is it this aisle or is it the next
+
+46
+00:01:21,230 --> 00:01:21,240
+Louis is it this aisle or is it the next
+ 
+
+47
+00:01:21,240 --> 00:01:23,990
+Louis is it this aisle or is it the next
+one
+
+48
+00:01:23,990 --> 00:01:24,000
+
+ 
+
+49
+00:01:24,000 --> 00:01:26,830
+
+over that's this one you sure yeah I'm
+
+50
+00:01:26,830 --> 00:01:26,840
+over that's this one you sure yeah I'm
+ 
+
+51
+00:01:26,840 --> 00:01:29,230
+over that's this one you sure yeah I'm
+sure you're positive don't seem sure to
+
+52
+00:01:29,230 --> 00:01:29,240
+sure you're positive don't seem sure to
+ 
+
+53
+00:01:29,240 --> 00:01:31,230
+sure you're positive don't seem sure to
+me hey don't
+
+54
+00:01:31,230 --> 00:01:31,240
+me hey don't
+ 
+
+55
+00:01:31,240 --> 00:01:33,789
+me hey don't
+say don't say anything else okay keep
+
+56
+00:01:33,789 --> 00:01:33,799
+say don't say anything else okay keep
+ 
+
+57
+00:01:33,799 --> 00:01:36,469
+say don't say anything else okay keep
+your mouth shut well I mean don't say
+
+58
+00:01:36,469 --> 00:01:36,479
+your mouth shut well I mean don't say
+ 
+
+59
+00:01:36,479 --> 00:01:38,590
+your mouth shut well I mean don't say
+one word
+
+60
+00:01:38,590 --> 00:01:38,600
+one word
+ 
+
+61
+00:01:38,600 --> 00:01:49,469
+one word
+okay okay
+
+62
+00:01:49,469 --> 00:01:49,479
+
+ 
+
+63
+00:01:49,479 --> 00:01:58,420
+
+leis see just where I said it was
+
+64
+00:01:58,420 --> 00:01:58,430
+
+ 
+
+65
+00:01:58,430 --> 00:02:29,479
+
+[Music]
+

1997/btRNa3CItMc.description

@@ -0,0 +1,38 @@
+Life is Beautiful movie clips: http://j.mp/1L7odMi
+BUY THE MOVIE: http://amzn.to/tbf8KV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Guido (Roberto Benigni) and Joshua (Giorgio Cantarini) send Dora (Nicoletta Braschi) a message of hope over the concentration camp's PA system.
+
+FILM DESCRIPTION:
+In this WW II tragicomedy, famed Italian funnyman Roberto Benigni (The Monster) portrays Guido, who moves during the '30s from the country to a Tuscan town, where he is entranced by schoolteacher Dora (Nicoletta Braschi, Benigni's real-life wife). Dora likes Guido, but she remains faithful to her pompous fiancé, so Guido has an uphill struggle. Meanwhile, anti-Semitic attitudes lead to attacks against Guido's Jewish uncle (Giustino Durano). Leaping ahead to five years later, during WW II, Guido and Dora are married and have a son Giosue (Giorgio Cantarini). After they are imprisoned in a concentration camp, Guido goes to elaborate lengths to keep his son from understanding the truth of their situation. He tells the boy that they are competing with others to win an armored tank -- so everything from food shortages to tattoos is explained as necessary for participation in the contest.
+
+CREDITS:
+TM & © Miramax Films (1997)
+Cast: Roberto Benigni, Giorgio Cantarini, Nicoletta Braschi
+Director: Roberto Benigni
+Producers: Gianluigi Braschi, Mario Cotone, John M. Davis, Elda Ferri, Agnès Mentre, John Rogers
+Screenwriters: Vincenzo Cerami, Roberto Benigni
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/btRNa3CItMc.en.srt

@@ -0,0 +1,217 @@
+1
+00:00:00,440 --> 00:00:03,590
+
+Attention Attention the east entrance will remain
+
+2
+00:00:03,590 --> 00:00:04,829
+Attention Attention the east entrance will remain
+ 
+
+3
+00:00:04,829 --> 00:00:04,839
+
+ 
+
+4
+00:00:04,839 --> 00:00:07,269
+
+closed for a few days heavy vehicles will use the
+
+5
+00:00:07,269 --> 00:00:07,279
+closed for a few days heavy vehicles will use the
+ 
+
+6
+00:00:07,279 --> 00:00:09,430
+closed for a few days heavy vehicles will use the
+north exit of the camp
+
+7
+00:00:09,430 --> 00:00:09,440
+north exit of the camp
+ 
+
+8
+00:00:09,440 --> 00:00:13,910
+north exit of the camp
+Attention Attention the outside entrance will be
+
+9
+00:00:13,910 --> 00:00:15,710
+Attention Attention the outside entrance will be
+ 
+
+10
+00:00:15,710 --> 00:00:15,720
+
+ 
+
+11
+00:00:15,720 --> 00:00:18,550
+
+closed for a few days vehicle which is not in the
+
+12
+00:00:18,550 --> 00:00:18,560
+closed for a few days vehicle which is not in the
+ 
+
+13
+00:00:18,560 --> 00:00:24,850
+closed for a few days vehicle which is not in the
+camp
+
+14
+00:00:24,850 --> 00:00:24,860
+
+ 
+
+15
+00:00:24,860 --> 00:00:44,150
+
+[Music] I'm
+
+16
+00:00:44,150 --> 00:00:44,160
+
+ 
+
+17
+00:00:44,160 --> 00:00:47,950
+
+not disturbed
+
+18
+00:00:47,950 --> 00:00:47,960
+not disturbed
+ 
+
+19
+00:00:47,960 --> 00:00:52,310
+not disturbed
+please
+
+20
+00:00:52,310 --> 00:00:52,320
+
+ 
+
+21
+00:00:52,320 --> 00:00:54,229
+
+please I'll come see you,
+
+22
+00:00:54,229 --> 00:00:54,239
+please I'll come see you,
+ 
+
+23
+00:00:54,239 --> 00:00:56,229
+please I'll come see you,
+
+24
+00:00:56,229 --> 00:00:56,239
+
+ 
+
+25
+00:00:56,239 --> 00:01:05,710
+
+bike like a princess
+
+26
+00:01:05,710 --> 00:01:05,720
+
+ 
+
+27
+00:01:05,720 --> 00:01:09,670
+
+
+28
+00:01:09,670 --> 00:01:09,680
+
+ 
+
+29
+00:01:09,680 --> 00:01:12,220
+
+
+30
+00:01:12,220 --> 00:01:12,230
+
+ 
+
+31
+00:01:12,230 --> 00:01:14,950
+
+[Music] I
+
+32
+00:01:14,950 --> 00:01:14,960
+[Music] I
+ 
+
+33
+00:01:14,960 --> 00:01:18,630
+[Music] I
+just wish I could come see you, princess [Music] I just wish I could come see
+
+34
+00:01:18,630 --> 00:01:20,109
+just wish I could come see you, princess [Music] I just wish I could come see
+ 
+
+35
+00:01:20,109 --> 00:01:20,119
+
+ 
+
+36
+00:01:20,119 --> 00:01:23,830
+
+you, princess, and now
+
+37
+00:01:23,830 --> 00:01:23,840
+you, princess, and now
+ 
+
+38
+00:01:23,840 --> 00:01:30,510
+you, princess, and now
+Mamma M, Bo, Carola, I won't
+
+39
+00:01:30,510 --> 00:01:30,520
+Mamma M, Bo, Carola, I won't
+ 
+
+40
+00:01:30,520 --> 00:01:34,550
+Mamma M, Bo, Carola, I won't
+ride together, we'll be
+
+41
+00:01:34,550 --> 00:01:34,560
+
+ 
+
+42
+00:01:34,560 --> 00:01:40,220
+
+quiet.
+
+43
+00:01:40,220 --> 00:01:40,230
+
+ 
+
+44
+00:01:40,230 --> 00:02:25,490
+
+[Music]
+

1997/bwnrdj6zZfQ.description

@@ -0,0 +1,38 @@
+Affliction movie clips: http://j.mp/13V5SgA
+BUY THE MOVIE: http://j.mp/13V5SNH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Glen (James Coburn) finally shows some fatherly pride in Wade (Nick Nolte), but it's far too late to salvage their relationship.
+
+FILM DESCRIPTION:
+Nick Nolte and James Coburn deliver some of the finest work of their respective careers in this powerful but troubling adaptation of Russell Banks's novel. Wade Whitehouse (Nick Nolte) is the sheriff in a small New England town; it's a part-time job with few taxing responsibilities, and Wade fills his many free hours by swilling booze, smoking pot, and thinking back on his nightmarish childhood. Wade's father Glen (James Coburn) was by turns callous, distant, and abusive, and Wade has inherited his addiction to alcohol and inability to deal with others. Consequently, Wade's ex-wife (Mary Beth Hurt) despises him, his daughter is uncomfortable and frightened in his presence, and the only person who can reach him is his loving but long-suffering girlfriend Margie (Sissy Spacek). When a wealthy businessman is killed in a hunting accident, Wade suspects foul play and pursues the case with an obsession that puzzles all around him; meanwhile, Wade's mother dies and his brother Rolfe (Willem Dafoe), the only one in the family to escape Glen's abuse without crippling emotional scars, returns to pay his respects and is caught up once again in the damaged lives of his father and brother. James Coburn) won an Academy award for Best Supporting Actor for his work in Affliction, while Nick Nolte was nominated for Best Actor (he lost to Roberto Benigni).
+
+CREDITS:
+TM & © Lionsgate (1997)
+Cast: James Coburn, Nick Nolte
+Director: Paul Schrader
+Producers: Eric Berg, Frank K. Isaac, Nick Nolte, Josette Perrotta, Barr B. Potter, Linda Reisman
+Screenwriters: Russell Banks, Paul Schrader
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/bwnrdj6zZfQ.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:01,429 --> 00:00:08,540
+
+you've got son of a no you you're
+
+2
+00:00:08,540 --> 00:00:08,550
+you've got son of a no you you're
+ 
+
+3
+00:00:08,550 --> 00:00:10,759
+you've got son of a no you you're
+my blood you're a goddamn piece
+
+4
+00:00:10,759 --> 00:00:10,769
+my blood you're a goddamn piece
+ 
+
+5
+00:00:10,769 --> 00:00:16,939
+my blood you're a goddamn piece
+of my heart you don't know me you don't
+
+6
+00:00:16,939 --> 00:00:16,949
+of my heart you don't know me you don't
+ 
+
+7
+00:00:16,949 --> 00:00:25,779
+of my heart you don't know me you don't
+know me you you you done
+
+8
+00:00:25,779 --> 00:00:25,789
+know me you you you done
+ 
+
+9
+00:00:25,789 --> 00:00:30,560
+know me you you you done
+finally done done it right done it like
+
+10
+00:00:30,560 --> 00:00:30,570
+finally done done it right done it like
+ 
+
+11
+00:00:30,570 --> 00:00:40,450
+finally done done it right done it like
+a man done it just the way I taught you
+
+12
+00:00:40,450 --> 00:00:40,460
+
+ 
+
+13
+00:00:40,460 --> 00:00:51,260
+
+son of a no I'm made of love call
+
+14
+00:00:51,260 --> 00:00:51,270
+son of a no I'm made of love call
+ 
+
+15
+00:00:51,270 --> 00:00:55,090
+son of a no I'm made of love call
+her what you want everything you know
+
+16
+00:00:55,090 --> 00:00:55,100
+her what you want everything you know
+ 
+
+17
+00:00:55,100 --> 00:01:02,169
+her what you want everything you know
+come from me yeah
+
+18
+00:01:02,169 --> 00:01:02,179
+
+ 
+
+19
+00:01:02,179 --> 00:01:07,510
+
+you and me where the hell are you going
+
+20
+00:01:07,510 --> 00:01:07,520
+you and me where the hell are you going
+ 
+
+21
+00:01:07,520 --> 00:01:10,190
+you and me where the hell are you going
+where you going wait miss do you leave
+
+22
+00:01:10,190 --> 00:01:10,200
+where you going wait miss do you leave
+ 
+
+23
+00:01:10,200 --> 00:01:14,480
+where you going wait miss do you leave
+my goddamn truck where it is wait I need
+
+24
+00:01:14,480 --> 00:01:14,490
+my goddamn truck where it is wait I need
+ 
+
+25
+00:01:14,490 --> 00:01:16,670
+my goddamn truck where it is wait I need
+to give me those keys
+
+26
+00:01:16,670 --> 00:01:16,680
+to give me those keys
+ 
+
+27
+00:01:16,680 --> 00:01:23,480
+to give me those keys
+great I need to get to town crawl well
+
+28
+00:01:23,480 --> 00:01:23,490
+great I need to get to town crawl well
+ 
+
+29
+00:01:23,490 --> 00:01:25,100
+great I need to get to town crawl well
+it's hard lately booth left in the house
+
+30
+00:01:25,100 --> 00:01:25,110
+it's hard lately booth left in the house
+ 
+
+31
+00:01:25,110 --> 00:01:30,200
+it's hard lately booth left in the house
+I gotta get me some rounds ready my
+
+32
+00:01:30,200 --> 00:01:30,210
+I gotta get me some rounds ready my
+ 
+
+33
+00:01:30,210 --> 00:01:36,219
+I gotta get me some rounds ready my
+house my money like that dead truck
+
+34
+00:01:36,219 --> 00:01:36,229
+house my money like that dead truck
+ 
+
+35
+00:01:36,229 --> 00:02:15,740
+house my money like that dead truck
+stolen
+
+36
+00:02:15,740 --> 00:02:15,750
+
+ 
+
+37
+00:02:15,750 --> 00:03:02,940
+
+don't you sass me God joke
+
+38
+00:03:02,940 --> 00:03:02,950
+
+ 
+
+39
+00:03:02,950 --> 00:03:16,770
+
+[Music]
+
+40
+00:03:16,770 --> 00:03:16,780
+
+ 
+
+41
+00:03:16,780 --> 00:03:24,110
+
+you
+
+42
+00:03:24,110 --> 00:03:24,120
+
+ 
+
+43
+00:03:24,120 --> 00:03:30,050
+
+[Music]
+

1997/bxxHPYFtbE4.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:00,199 --> 00:00:02,470
+
+when I was in high school I had an afro
+
+2
+00:00:02,470 --> 00:00:02,480
+when I was in high school I had an afro
+ 
+
+3
+00:00:02,480 --> 00:00:04,349
+when I was in high school I had an afro
+this big I don't believe you oh I needed
+
+4
+00:00:04,349 --> 00:00:04,359
+this big I don't believe you oh I needed
+ 
+
+5
+00:00:04,359 --> 00:00:05,550
+this big I don't believe you oh I needed
+help lifting my head I looked like
+
+6
+00:00:05,550 --> 00:00:05,560
+help lifting my head I looked like
+ 
+
+7
+00:00:05,560 --> 00:00:07,269
+help lifting my head I looked like
+buckweat in a wind tunnel I once shaved
+
+8
+00:00:07,269 --> 00:00:07,279
+buckweat in a wind tunnel I once shaved
+ 
+
+9
+00:00:07,279 --> 00:00:10,030
+buckweat in a wind tunnel I once shaved
+my head and glued all the hair to my
+
+10
+00:00:10,030 --> 00:00:10,040
+my head and glued all the hair to my
+ 
+
+11
+00:00:10,040 --> 00:00:13,749
+my head and glued all the hair to my
+ass why well two special brownies and a
+
+12
+00:00:13,749 --> 00:00:13,759
+ass why well two special brownies and a
+ 
+
+13
+00:00:13,759 --> 00:00:15,910
+ass why well two special brownies and a
+quarter tequila
+
+14
+00:00:15,910 --> 00:00:15,920
+quarter tequila
+ 
+
+15
+00:00:15,920 --> 00:00:18,910
+quarter tequila
+yeah so you two you were like you were
+
+16
+00:00:18,910 --> 00:00:18,920
+yeah so you two you were like you were
+ 
+
+17
+00:00:18,920 --> 00:00:21,150
+yeah so you two you were like you were
+like freaks oh oh yeah oh yeah yeah I
+
+18
+00:00:21,150 --> 00:00:21,160
+like freaks oh oh yeah oh yeah yeah I
+ 
+
+19
+00:00:21,160 --> 00:00:22,590
+like freaks oh oh yeah oh yeah yeah I
+was so stoned once everyone sounded like
+
+20
+00:00:22,590 --> 00:00:22,600
+was so stoned once everyone sounded like
+ 
+
+21
+00:00:22,600 --> 00:00:25,429
+was so stoned once everyone sounded like
+Johnny
+
+22
+00:00:25,429 --> 00:00:25,439
+
+ 
+
+23
+00:00:25,439 --> 00:00:28,310
+
+Matthew when you're young you do some
+
+24
+00:00:28,310 --> 00:00:28,320
+Matthew when you're young you do some
+ 
+
+25
+00:00:28,320 --> 00:00:30,589
+Matthew when you're young you do some
+things that uh you're not that proud of
+
+26
+00:00:30,589 --> 00:00:30,599
+things that uh you're not that proud of
+ 
+
+27
+00:00:30,599 --> 00:00:32,269
+things that uh you're not that proud of
+you know yeah we even got in a lot of
+
+28
+00:00:32,269 --> 00:00:32,279
+you know yeah we even got in a lot of
+ 
+
+29
+00:00:32,279 --> 00:00:37,350
+you know yeah we even got in a lot of
+trouble sometimes you
+
+30
+00:00:37,350 --> 00:00:37,360
+
+ 
+
+31
+00:00:37,360 --> 00:00:41,150
+
+know truth is I'm in a lot of trouble
+
+32
+00:00:41,150 --> 00:00:41,160
+know truth is I'm in a lot of trouble
+ 
+
+33
+00:00:41,160 --> 00:00:44,630
+know truth is I'm in a lot of trouble
+myself does it have to do with
+
+34
+00:00:44,630 --> 00:00:44,640
+myself does it have to do with
+ 
+
+35
+00:00:44,640 --> 00:00:47,470
+myself does it have to do with
+$5,000 Scotty we're not here to judge
+
+36
+00:00:47,470 --> 00:00:47,480
+$5,000 Scotty we're not here to judge
+ 
+
+37
+00:00:47,480 --> 00:00:49,150
+$5,000 Scotty we're not here to judge
+come on tell
+
+38
+00:00:49,150 --> 00:00:49,160
+come on tell
+ 
+
+39
+00:00:49,160 --> 00:00:52,750
+come on tell
+us I stole that money
+
+40
+00:00:52,750 --> 00:00:52,760
+us I stole that money
+ 
+
+41
+00:00:52,760 --> 00:00:56,750
+us I stole that money
+okay from drug dealers what are you nuts
+
+42
+00:00:56,750 --> 00:00:56,760
+okay from drug dealers what are you nuts
+ 
+
+43
+00:00:56,760 --> 00:00:58,029
+okay from drug dealers what are you nuts
+hey hey hey hey hey what are you what
+
+44
+00:00:58,029 --> 00:00:58,039
+hey hey hey hey hey what are you what
+ 
+
+45
+00:00:58,039 --> 00:00:59,950
+hey hey hey hey hey what are you what
+what are you doing yelling like that the
+
+46
+00:00:59,950 --> 00:00:59,960
+what are you doing yelling like that the
+ 
+
+47
+00:00:59,960 --> 00:01:02,470
+what are you doing yelling like that the
+doesn't do anybody any good just relax
+
+48
+00:01:02,470 --> 00:01:02,480
+doesn't do anybody any good just relax
+ 
+
+49
+00:01:02,480 --> 00:01:05,950
+doesn't do anybody any good just relax
+sorry so you give it back to them well I
+
+50
+00:01:05,950 --> 00:01:05,960
+sorry so you give it back to them well I
+ 
+
+51
+00:01:05,960 --> 00:01:08,590
+sorry so you give it back to them well I
+spent it you spent it you spent he spent
+
+52
+00:01:08,590 --> 00:01:08,600
+spent it you spent it you spent he spent
+ 
+
+53
+00:01:08,600 --> 00:01:10,070
+spent it you spent it you spent he spent
+the money from drug dealers that's not
+
+54
+00:01:10,070 --> 00:01:10,080
+the money from drug dealers that's not
+ 
+
+55
+00:01:10,080 --> 00:01:12,469
+the money from drug dealers that's not
+the way breathe breathe you said I could
+
+56
+00:01:12,469 --> 00:01:12,479
+the way breathe breathe you said I could
+ 
+
+57
+00:01:12,479 --> 00:01:15,030
+the way breathe breathe you said I could
+talk to you all right okay Scott you
+
+58
+00:01:15,030 --> 00:01:15,040
+talk to you all right okay Scott you
+ 
+
+59
+00:01:15,040 --> 00:01:17,230
+talk to you all right okay Scott you
+can't run from these guys they'll find
+
+60
+00:01:17,230 --> 00:01:17,240
+can't run from these guys they'll find
+ 
+
+61
+00:01:17,240 --> 00:01:19,270
+can't run from these guys they'll find
+you they'll come to your house take all
+
+62
+00:01:19,270 --> 00:01:19,280
+you they'll come to your house take all
+ 
+
+63
+00:01:19,280 --> 00:01:20,749
+you they'll come to your house take all
+your money and then beat the out of
+
+64
+00:01:20,749 --> 00:01:20,759
+your money and then beat the out of
+ 
+
+65
+00:01:20,759 --> 00:01:25,510
+your money and then beat the out of
+you happened to me a couple of times
+
+66
+00:01:25,510 --> 00:01:25,520
+
+ 
+
+67
+00:01:25,520 --> 00:01:52,459
+
+[Music]
+

1997/c-ecbGNxEHM.description

@@ -0,0 +1,40 @@
+As Good as It Gets movie clips: http://j.mp/15vVcd9
+BUY THE MOVIE: http://bit.ly/2gulYYV
+WATCH ON CRACKLE: http://bit.ly/2cP0FSr
+http://amzn.to/rXSVGT
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Melvin (Jack Nicholson) meets a female fan (Julie Benz) and manages to insult her almost immediately.
+
+FILM DESCRIPTION:
+James L. Brooks (Terms of Endearment, Broadcast News) directed this $50 million-plus romantic comedy, set in Manhattan. Dysfunctional, acid-tongued romance novelist Melvin Udall (Jack Nicholson), who suffers from an obsessive-compulsive disorder, takes pride in his ability to offend. At a nearby cafe, the only waitress willing to stand up to his sarcastic tirades is Carol Connelly (Helen Hunt), a single mother struggling to raise her chronically asthmatic son. In Melvin's West Village apartment building, talented contemporary artist Simon Nye (Greg Kinnear) lives across the hall from Melvin. Simon is the current darling of the New York art world, reason enough to draw Melvin's verbal fire, but Simon's gay lifestyle is further grist for the novelist's malicious mill. These three New Yorkers, none of whom appears to have a chance in hell at finding true happiness, discover their fates intertwined because of the fourth complicated character in the piece, Verdell, a tiny Brussels Griffon dog (played by newcomer Jill, after a 15-week training program). Melvin seems to have no friends or family, and he lives alone, working on his 62nd book. When Simon goes into the hospital after a brutal mugging, Melvin has to take care of Verdell, and the dog actually warms Melvin's cold heart -- to the degree that he sets up unsolicited medical care for Carol's son. Eventually, Melvin is cornered into driving Simon and Carol to Baltimore, and during a hotel stopover, Melvin confesses to Carol, "You make me want to be a better man." The trip becomes an odyssey of self-realization for all three. Locations included Brooklyn's Prospect Park (Carol's neighborhood) and Greenwich Village (where Melvin's building is on 12th Street between Fifth and Sixth Avenues). Other exteriors were shot in downtown Los Angeles, where a dilapidated transient hotel at the corner of 4th Street and Main was transformed into the chic cafe where Carol works. Sets for the Simon/Melvin apartment interiors were erected on a soundstage at the Sony Pictures lot. Simon's paintings were created for the film by New York artist Billy Sullivan, whose work is part of the modern art collection at NYC's Metropolitan Museum of Art and the New Orleans Museum of Art.
+
+CREDITS:
+TM & © Sony (1997)
+Cast: Linda Gehringer
+Director: James L. Brooks
+Producers: James L. Brooks, Bridget Johnson, Maria Kavanaugh, Laurence Mark, Richard Marks, Aldric La'Auli Porter, Richard Sakai, John D. Schofield, Owen Wilson, Kristi Zea, Laura Ziskin
+Screenwriters: Mark Andrus, James L. Brooks
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/c-ecbGNxEHM.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:06,640 --> 00:00:11,210
+
+[Laughter]
+
+2
+00:00:11,210 --> 00:00:11,220
+[Laughter]
+ 
+
+3
+00:00:11,220 --> 00:00:29,230
+[Laughter]
+[Music]
+
+4
+00:00:29,230 --> 00:00:29,240
+
+ 
+
+5
+00:00:29,240 --> 00:00:31,029
+
+yes you're right Mar than everybody else
+
+6
+00:00:31,029 --> 00:00:31,039
+yes you're right Mar than everybody else
+ 
+
+7
+00:00:31,039 --> 00:00:32,910
+yes you're right Mar than everybody else
+yes you make us a lot of money but I
+
+8
+00:00:32,910 --> 00:00:32,920
+yes you make us a lot of money but I
+ 
+
+9
+00:00:32,920 --> 00:00:34,709
+yes you make us a lot of money but I
+think it's more appropriate for you
+
+10
+00:00:34,709 --> 00:00:34,719
+think it's more appropriate for you
+ 
+
+11
+00:00:34,719 --> 00:00:42,549
+think it's more appropriate for you
+to I need this just say Melvin I'll try
+
+12
+00:00:42,549 --> 00:00:42,559
+
+ 
+
+13
+00:00:42,559 --> 00:00:46,990
+
+Okay Melvin I'll try thank
+
+14
+00:00:46,990 --> 00:00:47,000
+Okay Melvin I'll try thank
+ 
+
+15
+00:00:47,000 --> 00:00:50,709
+Okay Melvin I'll try thank
+you now on a pleaser note my son he just
+
+16
+00:00:50,709 --> 00:00:50,719
+you now on a pleaser note my son he just
+ 
+
+17
+00:00:50,719 --> 00:00:53,950
+you now on a pleaser note my son he just
+got accepted to Brown my husband was
+
+18
+00:00:53,950 --> 00:00:53,960
+got accepted to Brown my husband was
+ 
+
+19
+00:00:53,960 --> 00:00:57,270
+got accepted to Brown my husband was
+dying uh yeah good nice uh thrilled
+
+20
+00:00:57,270 --> 00:00:57,280
+dying uh yeah good nice uh thrilled
+ 
+
+21
+00:00:57,280 --> 00:00:59,470
+dying uh yeah good nice uh thrilled
+exciting uh you you don't have to wait
+
+22
+00:00:59,470 --> 00:00:59,480
+exciting uh you you don't have to wait
+ 
+
+23
+00:00:59,480 --> 00:00:59,950
+exciting uh you you don't have to wait
+with me
+
+24
+00:00:59,950 --> 00:00:59,960
+with me
+ 
+
+25
+00:00:59,960 --> 00:01:08,109
+with me
+[Applause]
+
+26
+00:01:08,109 --> 00:01:08,119
+
+ 
+
+27
+00:01:08,119 --> 00:01:11,070
+
+I can't resist you usually move through
+
+28
+00:01:11,070 --> 00:01:11,080
+I can't resist you usually move through
+ 
+
+29
+00:01:11,080 --> 00:01:12,910
+I can't resist you usually move through
+here so quickly and I just have so many
+
+30
+00:01:12,910 --> 00:01:12,920
+here so quickly and I just have so many
+ 
+
+31
+00:01:12,920 --> 00:01:14,630
+here so quickly and I just have so many
+questions I want to ask
+
+32
+00:01:14,630 --> 00:01:14,640
+questions I want to ask
+ 
+
+33
+00:01:14,640 --> 00:01:17,990
+questions I want to ask
+you you have no idea what your work
+
+34
+00:01:17,990 --> 00:01:18,000
+you you have no idea what your work
+ 
+
+35
+00:01:18,000 --> 00:01:21,590
+you you have no idea what your work
+means to me what does it mean
+
+36
+00:01:21,590 --> 00:01:21,600
+means to me what does it mean
+ 
+
+37
+00:01:21,600 --> 00:01:24,429
+means to me what does it mean
+you that somebody out there knows what
+
+38
+00:01:24,429 --> 00:01:24,439
+you that somebody out there knows what
+ 
+
+39
+00:01:24,439 --> 00:01:27,630
+you that somebody out there knows what
+it's like to be in
+
+40
+00:01:27,630 --> 00:01:27,640
+it's like to be in
+ 
+
+41
+00:01:27,640 --> 00:01:30,950
+it's like to be in
+here oh God this is like
+
+42
+00:01:30,950 --> 00:01:30,960
+here oh God this is like
+ 
+
+43
+00:01:30,960 --> 00:01:33,870
+here oh God this is like
+nightmare oh come on just a couple of
+
+44
+00:01:33,870 --> 00:01:33,880
+nightmare oh come on just a couple of
+ 
+
+45
+00:01:33,880 --> 00:01:38,190
+nightmare oh come on just a couple of
+questions how hard is
+
+46
+00:01:38,190 --> 00:01:38,200
+
+ 
+
+47
+00:01:38,200 --> 00:01:41,830
+
+that how do you write women so well I
+
+48
+00:01:41,830 --> 00:01:41,840
+that how do you write women so well I
+ 
+
+49
+00:01:41,840 --> 00:01:45,149
+that how do you write women so well I
+think of a man and I take away reason
+
+50
+00:01:45,149 --> 00:01:45,159
+think of a man and I take away reason
+ 
+
+51
+00:01:45,159 --> 00:01:48,490
+think of a man and I take away reason
+and
+
+52
+00:01:48,490 --> 00:01:48,500
+
+ 
+
+53
+00:01:48,500 --> 00:01:58,830
+
+[Music]
+
+54
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+55
+00:01:58,840 --> 00:02:05,890
+
+accountability
+
+56
+00:02:05,890 --> 00:02:05,900
+
+ 
+
+57
+00:02:05,900 --> 00:02:28,479
+
+[Music]
+

1997/cACQ2548i0o.description

@@ -0,0 +1,39 @@
+Starship Troopers movie clips: http://j.mp/1uxK7nb
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/starship-troopers-1997/1MVfd1b2336ecae8f42e0901fbd68c79341?cmp=Movieclips_YT_EndCard
+WATCH ON CRACKLE: http://bit.ly/2cOYO0h
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jenkins (Neil Patrick Harris) notes how Sgt. Zim (Clancy Brown) is the man responsible for changing the course of the war by capturing the bug. A new recruitment video celebrates the accomplishments of some its soldiers like Lt. Johnny Rico (Casper Van Dien), and Capt. Carmen Ibanez (Denise Richards).
+
+FILM DESCRIPTION:
+Director Paul Verhoeven (Showgirls, Total Recall) reunited many from his 1987 Robocop team for this $100-million science fiction adventure, adapted from Robert A. Heinlein's 1959 novel, originally serialized in The Magazine of Fantasy and Science Fiction (October-November, 1959). After graduation, Johnny Rico (Casper Van Dien) volunteers for the Mobile Infantry to do his Federal service -- but also to win over his girlfriend, Carmen Ibanez (Denise Richards), who has signed with the Fleet Academy to become a starship pilot. Johnny joins other boot-camp recruits -- Dizzy Flores (Dina Meyer), who has had a crush on Johnny since school, and Ace Levy (Jake Busey). Ace and Johnny become pals, and Johnny's abilities earn him the squad leader position. A training accident occurs on Johnny's watch, and he is about to resign when Earth is attacked by alien insects intent on eradicating all human life. Johnny's home, Buenos Aires, is no longer on the map. Horrified, he chooses to stay on and fight to destroy the insect threat. The Mobile Infantry travels to the planet Klendathu to battle the warrior bugs, a ruthless enemy with only one goal -- survival of their species no matter what. In the initial encounter, some 100,000 lives are lost. At a distant fort, Johnny's unit discovers that the bugs drain brains to acquire knowledge. Soon they are overwhelmed by an advancing arthropod army of immense proportions, attacking both in space and on the planet surface. The notion of human extinction becomes a possibility. For this $100-million production, some 300 artists and technicians combined models and miniatures with CGI effects to fashion a variety of creatures -- from breeder bugs to armored tanker bugs. The film employed hundreds of extras and has over 500 visual effects shots. Filming began 4/29/96 in California (LA and Long Beach, where Cal State's pyramid gym was used for the Jumpball game), New York, South Dakota, Wyoming (Casper, Hell's Half Acre), and Utah (an abandoned Wendover airstrip where the Enola Gay WWII bomber crew trained). At an abandoned airfield in Fountain Valley, California, an elaborate set was constructed to resemble a military boot camp of the future -- complete with an array of pup tents, gull-winged spaceships, hurdle obstacle course, and training facility buildings. Cinematography by Jost Vacano (Showgirls). Licensed products include Lewis Galoob Inc. toys.
+
+CREDITS:
+TM & © Sony (1997)
+Cast: Clancy Brown, Jake Busey, Neil Patrick Harris, Casper Van Dien, Denise Richards, Amy Smart
+Director: Paul Verhoeven
+Producers: Jon Davison, Frances Doel, Stacy Lumbrezer, Alan Marshall, Edward Neumeier, Phil Tippett
+Screenwriters: Edward Neumeier, Robert A. Heinlein
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/cACQ2548i0o.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:00,440 --> 00:00:04,269
+
+Carl Carl hey well look who's here you
+
+2
+00:00:04,269 --> 00:00:04,279
+Carl Carl hey well look who's here you
+ 
+
+3
+00:00:04,279 --> 00:00:07,190
+Carl Carl hey well look who's here you
+made it good it was you wasn't it you
+
+4
+00:00:07,190 --> 00:00:07,200
+made it good it was you wasn't it you
+ 
+
+5
+00:00:07,200 --> 00:00:10,480
+made it good it was you wasn't it you
+told me how to find Carmen well that's
+
+6
+00:00:10,480 --> 00:00:10,490
+told me how to find Carmen well that's
+ 
+
+7
+00:00:10,490 --> 00:00:11,990
+told me how to find Carmen well that's
+[Applause]
+
+8
+00:00:11,990 --> 00:00:12,000
+[Applause]
+ 
+
+9
+00:00:12,000 --> 00:00:14,869
+[Applause]
+classify you know whenever the three of
+
+10
+00:00:14,869 --> 00:00:14,879
+classify you know whenever the three of
+ 
+
+11
+00:00:14,879 --> 00:00:16,510
+classify you know whenever the three of
+us are together I feel like things might
+
+12
+00:00:16,510 --> 00:00:16,520
+us are together I feel like things might
+ 
+
+13
+00:00:16,520 --> 00:00:20,310
+us are together I feel like things might
+just work out I hope you're right kman
+
+14
+00:00:20,310 --> 00:00:20,320
+just work out I hope you're right kman
+ 
+
+15
+00:00:20,320 --> 00:00:21,750
+just work out I hope you're right kman
+we've got one of their brains now pretty
+
+16
+00:00:21,750 --> 00:00:21,760
+we've got one of their brains now pretty
+ 
+
+17
+00:00:21,760 --> 00:00:23,550
+we've got one of their brains now pretty
+soon we'll know how they think and then
+
+18
+00:00:23,550 --> 00:00:23,560
+soon we'll know how they think and then
+ 
+
+19
+00:00:23,560 --> 00:00:25,189
+soon we'll know how they think and then
+we'll know how to beat
+
+20
+00:00:25,189 --> 00:00:25,199
+we'll know how to beat
+ 
+
+21
+00:00:25,199 --> 00:00:28,349
+we'll know how to beat
+them one day it will all be over and
+
+22
+00:00:28,349 --> 00:00:28,359
+them one day it will all be over and
+ 
+
+23
+00:00:28,359 --> 00:00:29,749
+them one day it will all be over and
+everyone will forget that this was the
+
+24
+00:00:29,749 --> 00:00:29,759
+everyone will forget that this was the
+ 
+
+25
+00:00:29,759 --> 00:00:31,429
+everyone will forget that this was the
+moment
+
+26
+00:00:31,429 --> 00:00:31,439
+moment
+ 
+
+27
+00:00:31,439 --> 00:00:33,190
+moment
+this is when it
+
+28
+00:00:33,190 --> 00:00:33,200
+this is when it
+ 
+
+29
+00:00:33,200 --> 00:00:35,549
+this is when it
+turned and it wasn't the mighty Fleet it
+
+30
+00:00:35,549 --> 00:00:35,559
+turned and it wasn't the mighty Fleet it
+ 
+
+31
+00:00:35,559 --> 00:00:41,110
+turned and it wasn't the mighty Fleet it
+wasn't some fancy new
+
+32
+00:00:41,110 --> 00:00:41,120
+
+ 
+
+33
+00:00:41,120 --> 00:00:44,510
+
+weapon was a drill instructor named Zim
+
+34
+00:00:44,510 --> 00:00:44,520
+weapon was a drill instructor named Zim
+ 
+
+35
+00:00:44,520 --> 00:00:46,910
+weapon was a drill instructor named Zim
+who captured a
+
+36
+00:00:46,910 --> 00:00:46,920
+who captured a
+ 
+
+37
+00:00:46,920 --> 00:00:49,549
+who captured a
+break
+
+38
+00:00:49,549 --> 00:00:49,559
+break
+ 
+
+39
+00:00:49,559 --> 00:00:52,229
+break
+Z he got him
+
+40
+00:00:52,229 --> 00:00:52,239
+Z he got him
+ 
+
+41
+00:00:52,239 --> 00:00:56,510
+Z he got him
+yeah Zim Sam got the bug Sam got the bug
+
+42
+00:00:56,510 --> 00:00:56,520
+yeah Zim Sam got the bug Sam got the bug
+ 
+
+43
+00:00:56,520 --> 00:01:00,470
+yeah Zim Sam got the bug Sam got the bug
+man good job Sergeant thank you sir it
+
+44
+00:01:00,470 --> 00:01:00,480
+man good job Sergeant thank you sir it
+ 
+
+45
+00:01:00,480 --> 00:01:03,189
+man good job Sergeant thank you sir it
+would be private
+
+46
+00:01:03,189 --> 00:01:03,199
+would be private
+ 
+
+47
+00:01:03,199 --> 00:01:06,870
+would be private
+sir carry on private yes
+
+48
+00:01:06,870 --> 00:01:06,880
+sir carry on private yes
+ 
+
+49
+00:01:06,880 --> 00:01:11,429
+sir carry on private yes
+[Applause]
+
+50
+00:01:11,429 --> 00:01:11,439
+
+ 
+
+51
+00:01:11,439 --> 00:01:14,469
+
+sir what Mysteries will the brain bug
+
+52
+00:01:14,469 --> 00:01:14,479
+sir what Mysteries will the brain bug
+ 
+
+53
+00:01:14,479 --> 00:01:17,070
+sir what Mysteries will the brain bug
+reveal Federal scientists are working
+
+54
+00:01:17,070 --> 00:01:17,080
+reveal Federal scientists are working
+ 
+
+55
+00:01:17,080 --> 00:01:19,670
+reveal Federal scientists are working
+around the clock to probe its
+
+56
+00:01:19,670 --> 00:01:19,680
+around the clock to probe its
+ 
+
+57
+00:01:19,680 --> 00:01:22,590
+around the clock to probe its
+Secrets once we understand the BG we
+
+58
+00:01:22,590 --> 00:01:22,600
+Secrets once we understand the BG we
+ 
+
+59
+00:01:22,600 --> 00:01:26,860
+Secrets once we understand the BG we
+will defeat
+
+60
+00:01:26,860 --> 00:01:26,870
+
+ 
+
+61
+00:01:26,870 --> 00:01:28,830
+
+[Music]
+
+62
+00:01:28,830 --> 00:01:28,840
+[Music]
+ 
+
+63
+00:01:28,840 --> 00:01:30,350
+[Music]
+it
+
+64
+00:01:30,350 --> 00:01:30,360
+it
+ 
+
+65
+00:01:30,360 --> 00:01:33,710
+it
+we have the ships we have the
+
+66
+00:01:33,710 --> 00:01:33,720
+we have the ships we have the
+ 
+
+67
+00:01:33,720 --> 00:01:37,389
+we have the ships we have the
+weapons we need soldiers soldiers like
+
+68
+00:01:37,389 --> 00:01:37,399
+weapons we need soldiers soldiers like
+ 
+
+69
+00:01:37,399 --> 00:01:39,789
+weapons we need soldiers soldiers like
+Lieutenant stack Lum we're in the Target
+
+70
+00:01:39,789 --> 00:01:39,799
+Lieutenant stack Lum we're in the Target
+ 
+
+71
+00:01:39,799 --> 00:01:43,030
+Lieutenant stack Lum we're in the Target
+area now captain and Captain Carmen Aban
+
+72
+00:01:43,030 --> 00:01:43,040
+area now captain and Captain Carmen Aban
+ 
+
+73
+00:01:43,040 --> 00:01:45,230
+area now captain and Captain Carmen Aban
+this is the captain speaking
+
+74
+00:01:45,230 --> 00:01:45,240
+this is the captain speaking
+ 
+
+75
+00:01:45,240 --> 00:01:47,830
+this is the captain speaking
+off soldiers like private Ace leevy and
+
+76
+00:01:47,830 --> 00:01:47,840
+off soldiers like private Ace leevy and
+ 
+
+77
+00:01:47,840 --> 00:01:50,389
+off soldiers like private Ace leevy and
+lieutenant John Rico come on you a you
+
+78
+00:01:50,389 --> 00:01:50,399
+lieutenant John Rico come on you a you
+ 
+
+79
+00:01:50,399 --> 00:01:51,870
+lieutenant John Rico come on you a you
+want to live
+
+80
+00:01:51,870 --> 00:01:51,880
+want to live
+ 
+
+81
+00:01:51,880 --> 00:01:58,830
+want to live
+for we need you all service guarantees
+
+82
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+83
+00:01:58,840 --> 00:02:10,529
+
+citizenship
+
+84
+00:02:10,529 --> 00:02:10,539
+
+ 
+
+85
+00:02:10,539 --> 00:02:43,509
+
+[Music]
+

1997/cHEoEuY_mTk.en.srt

@@ -0,0 +1,485 @@
+1
+00:00:03,159 --> 00:00:05,230
+
+I have to say I'm getting quite fond of
+
+2
+00:00:05,230 --> 00:00:05,240
+I have to say I'm getting quite fond of
+ 
+
+3
+00:00:05,240 --> 00:00:07,269
+I have to say I'm getting quite fond of
+the little machine myself it's too bad
+
+4
+00:00:07,269 --> 00:00:07,279
+the little machine myself it's too bad
+ 
+
+5
+00:00:07,279 --> 00:00:09,430
+the little machine myself it's too bad
+you can't keep it I know it's just not a
+
+6
+00:00:09,430 --> 00:00:09,440
+you can't keep it I know it's just not a
+ 
+
+7
+00:00:09,440 --> 00:00:11,350
+you can't keep it I know it's just not a
+chick's car you know what I'm saying
+
+8
+00:00:11,350 --> 00:00:11,360
+chick's car you know what I'm saying
+ 
+
+9
+00:00:11,360 --> 00:00:12,990
+chick's car you know what I'm saying
+what are you talking
+
+10
+00:00:12,990 --> 00:00:13,000
+what are you talking
+ 
+
+11
+00:00:13,000 --> 00:00:15,869
+what are you talking
+about well you know this car it's just
+
+12
+00:00:15,869 --> 00:00:15,879
+about well you know this car it's just
+ 
+
+13
+00:00:15,879 --> 00:00:19,230
+about well you know this car it's just
+built for a man like a man it is a man's
+
+14
+00:00:19,230 --> 00:00:19,240
+built for a man like a man it is a man's
+ 
+
+15
+00:00:19,240 --> 00:00:21,230
+built for a man like a man it is a man's
+machine well maybe it belongs to her
+
+16
+00:00:21,230 --> 00:00:21,240
+machine well maybe it belongs to her
+ 
+
+17
+00:00:21,240 --> 00:00:23,230
+machine well maybe it belongs to her
+husband you should oh yeah you shouldn't
+
+18
+00:00:23,230 --> 00:00:23,240
+husband you should oh yeah you shouldn't
+ 
+
+19
+00:00:23,240 --> 00:00:24,790
+husband you should oh yeah you shouldn't
+be driving it either
+
+20
+00:00:24,790 --> 00:00:24,800
+be driving it either
+ 
+
+21
+00:00:24,800 --> 00:00:26,589
+be driving it either
+then I'm going to check the glove
+
+22
+00:00:26,589 --> 00:00:26,599
+then I'm going to check the glove
+ 
+
+23
+00:00:26,599 --> 00:00:30,830
+then I'm going to check the glove
+compartment neck what's an ass neck
+
+24
+00:00:30,830 --> 00:00:30,840
+compartment neck what's an ass neck
+ 
+
+25
+00:00:30,840 --> 00:00:32,510
+compartment neck what's an ass neck
+total ass neck you don't even know what
+
+26
+00:00:32,510 --> 00:00:32,520
+total ass neck you don't even know what
+ 
+
+27
+00:00:32,520 --> 00:00:35,069
+total ass neck you don't even know what
+an ass neck is oh what's an ass neck
+
+28
+00:00:35,069 --> 00:00:35,079
+an ass neck is oh what's an ass neck
+ 
+
+29
+00:00:35,079 --> 00:00:37,190
+an ass neck is oh what's an ass neck
+nothing hey give me the keys to the
+
+30
+00:00:37,190 --> 00:00:37,200
+nothing hey give me the keys to the
+ 
+
+31
+00:00:37,200 --> 00:00:41,229
+nothing hey give me the keys to the
+trunk what open it what's an ass neck no
+
+32
+00:00:41,229 --> 00:00:41,239
+trunk what open it what's an ass neck no
+ 
+
+33
+00:00:41,239 --> 00:00:43,430
+trunk what open it what's an ass neck no
+not what's an ass neck where's an ass
+
+34
+00:00:43,430 --> 00:00:43,440
+not what's an ass neck where's an ass
+ 
+
+35
+00:00:43,440 --> 00:00:46,510
+not what's an ass neck where's an ass
+neck exactly where's your ass neck you
+
+36
+00:00:46,510 --> 00:00:46,520
+neck exactly where's your ass neck you
+ 
+
+37
+00:00:46,520 --> 00:00:50,110
+neck exactly where's your ass neck you
+want to know where where my ass neck
+
+38
+00:00:50,110 --> 00:00:50,120
+
+ 
+
+39
+00:00:50,120 --> 00:00:53,709
+
+is well I'm going to guess on my
+
+40
+00:00:53,709 --> 00:00:53,719
+is well I'm going to guess on my
+ 
+
+41
+00:00:53,719 --> 00:00:58,910
+is well I'm going to guess on my
+ass nope the ass part of your ass uh
+
+42
+00:00:58,910 --> 00:00:58,920
+ass nope the ass part of your ass uh
+ 
+
+43
+00:00:58,920 --> 00:01:04,550
+ass nope the ass part of your ass uh
+yeah could you be more specific
+
+44
+00:01:04,550 --> 00:01:04,560
+
+ 
+
+45
+00:01:04,560 --> 00:01:07,350
+
+JT what do you think that is I don't
+
+46
+00:01:07,350 --> 00:01:07,360
+JT what do you think that is I don't
+ 
+
+47
+00:01:07,360 --> 00:01:11,390
+JT what do you think that is I don't
+know but it's stinks yeah it does okay
+
+48
+00:01:11,390 --> 00:01:11,400
+know but it's stinks yeah it does okay
+ 
+
+49
+00:01:11,400 --> 00:01:14,749
+know but it's stinks yeah it does okay
+let me explain it to you your ass neck
+
+50
+00:01:14,749 --> 00:01:14,759
+let me explain it to you your ass neck
+ 
+
+51
+00:01:14,759 --> 00:01:18,230
+let me explain it to you your ass neck
+you guys are so stupid is between your
+
+52
+00:01:18,230 --> 00:01:18,240
+you guys are so stupid is between your
+ 
+
+53
+00:01:18,240 --> 00:01:23,069
+you guys are so stupid is between your
+scrotum and your that's Dr
+
+54
+00:01:23,069 --> 00:01:23,079
+scrotum and your that's Dr
+ 
+
+55
+00:01:23,079 --> 00:01:27,710
+scrotum and your that's Dr
+Brewer oh my God oh my
+
+56
+00:01:27,710 --> 00:01:27,720
+Brewer oh my God oh my
+ 
+
+57
+00:01:27,720 --> 00:01:32,230
+Brewer oh my God oh my
+God do you think she killed him
+
+58
+00:01:32,230 --> 00:01:32,240
+
+ 
+
+59
+00:01:32,240 --> 00:01:38,389
+
+somebody put bullet holes in his
+
+60
+00:01:38,389 --> 00:01:38,399
+
+ 
+
+61
+00:01:38,399 --> 00:01:41,230
+
+head oh this is so
+
+62
+00:01:41,230 --> 00:01:41,240
+head oh this is so
+ 
+
+63
+00:01:41,240 --> 00:01:43,870
+head oh this is so
+beautiful I swear to God this means that
+
+64
+00:01:43,870 --> 00:01:43,880
+beautiful I swear to God this means that
+ 
+
+65
+00:01:43,880 --> 00:01:45,149
+beautiful I swear to God this means that
+I can keep the
+
+66
+00:01:45,149 --> 00:01:45,159
+I can keep the
+ 
+
+67
+00:01:45,159 --> 00:01:48,910
+I can keep the
+car I can't believe it what absolutely
+
+68
+00:01:48,910 --> 00:01:48,920
+car I can't believe it what absolutely
+ 
+
+69
+00:01:48,920 --> 00:01:51,670
+car I can't believe it what absolutely
+because if she killed him then she's not
+
+70
+00:01:51,670 --> 00:01:51,680
+because if she killed him then she's not
+ 
+
+71
+00:01:51,680 --> 00:01:53,310
+because if she killed him then she's not
+going to report the car stolen do you
+
+72
+00:01:53,310 --> 00:01:53,320
+going to report the car stolen do you
+ 
+
+73
+00:01:53,320 --> 00:01:56,109
+going to report the car stolen do you
+see am I right if she killed him she
+
+74
+00:01:56,109 --> 00:01:56,119
+see am I right if she killed him she
+ 
+
+75
+00:01:56,119 --> 00:02:00,029
+see am I right if she killed him she
+would have no problem killing you
+
+76
+00:02:00,029 --> 00:02:00,039
+would have no problem killing you
+ 
+
+77
+00:02:00,039 --> 00:02:01,709
+would have no problem killing you
+you know what I'm so not worried about
+
+78
+00:02:01,709 --> 00:02:01,719
+you know what I'm so not worried about
+ 
+
+79
+00:02:01,719 --> 00:02:04,270
+you know what I'm so not worried about
+that because oh my God and this is so
+
+80
+00:02:04,270 --> 00:02:04,280
+that because oh my God and this is so
+ 
+
+81
+00:02:04,280 --> 00:02:05,469
+that because oh my God and this is so
+beautiful but she doesn't know I have
+
+82
+00:02:05,469 --> 00:02:05,479
+beautiful but she doesn't know I have
+ 
+
+83
+00:02:05,479 --> 00:02:07,069
+beautiful but she doesn't know I have
+the car I'm just some kid like who gave
+
+84
+00:02:07,069 --> 00:02:07,079
+the car I'm just some kid like who gave
+ 
+
+85
+00:02:07,079 --> 00:02:09,510
+the car I'm just some kid like who gave
+her a key and you know took a piece of
+
+86
+00:02:09,510 --> 00:02:09,520
+her a key and you know took a piece of
+ 
+
+87
+00:02:09,520 --> 00:02:12,710
+her a key and you know took a piece of
+paper from it I love this it's true no
+
+88
+00:02:12,710 --> 00:02:12,720
+paper from it I love this it's true no
+ 
+
+89
+00:02:12,720 --> 00:02:14,430
+paper from it I love this it's true no
+there that's a good point there's no
+
+90
+00:02:14,430 --> 00:02:14,440
+there that's a good point there's no
+ 
+
+91
+00:02:14,440 --> 00:02:16,229
+there that's a good point there's no
+ way we're keeping this car we
+
+92
+00:02:16,229 --> 00:02:16,239
+way we're keeping this car we
+ 
+
+93
+00:02:16,239 --> 00:02:18,390
+way we're keeping this car we
+have to call the
+
+94
+00:02:18,390 --> 00:02:18,400
+have to call the
+ 
+
+95
+00:02:18,400 --> 00:02:21,440
+have to call the
+cops dead body
+
+96
+00:02:21,440 --> 00:02:21,450
+cops dead body
+ 
+
+97
+00:02:21,450 --> 00:02:52,499
+cops dead body
+[Music]
+

1997/cVIS31ghLNQ.description

@@ -0,0 +1,38 @@
+The Lost World: Jurassic Park movie clips: http://j.mp/1uuzhhO
+BUY THE MOVIE: http://amzn.to/uMKKqq
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+A very pissed off T-Rex wreaks havoc through the streets of San Diego.
+
+FILM DESCRIPTION:
+Just when you'd think that scientists would realize dinosaurs and humans don't mix, along comes The Lost World: Jurassic Park to prove you wrong. In this sequel, John Hammond (Richard Attenborough) summons chaos theorist and onetime colleague Ian Malcolm (Jeff Goldblum) to his home with some startling information -- while nearly everything at his Jurassic Park had been destroyed, engineers were also operating a second site, where other dinosaurs, resurrected through DNA cloning technology, had been kept in hiding. Hammond has learned the dinosaurs on the second island are alive and well and even breeding; Hammond wants Malcolm to observe and document the reptiles before Hammond's financiers can get to them. Malcolm declares he had enough of the dinosaurs the first time out, but decides to make the trip when he finds out that his girlfriend, paleontologist Sarah Harding (Julianne Moore), is already there. However, Ian and Sarah aren't the only visitors expected on the island; a camera crew led by ecological activist Nick Van Owen (Vince Vaughn) is on the way, as is Roland Tembo (Pete Postlethwaite), a world-class wild game hunter who is supposed to round up the dinosaurs and who hopes to bag a prehistoric trophy for himself in the process. This sequel to Jurassic Park boasted even more impressive special effects than the first film, though the acting and screenplay aren't always at the same level.
+
+CREDITS:
+TM & © Universal (1997)
+Cast: Michael N. Fujimoto, Paul Fujimoto, Jeff Goldblum, Brett Harman, Darryl A. Imai, Brian Lally, Michael Milhoan, Kenneth Moskow, Darryl Oumi, Mark Pellegrino, Domini Hofmann, Marjean Holden, Julianne Moore, Jacqueline Schultz
+Director: Steven Spielberg
+Producers: Gerald R. Molen, Bonnie Curtis, Kathleen Kennedy, Colin Wilson
+Screenwriters: Michael Crichton, David Koepp
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
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+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/cVIS31ghLNQ.en.srt

@@ -0,0 +1,208 @@
+1
+00:00:00,020 --> 00:00:02,920
+[ Pandemonium ]
+
+2
+00:00:03,300 --> 00:00:04,220
+[ Roars ]
+
+3
+00:00:04,460 --> 00:00:06,460
+[ Car Tumbles ]
+
+4
+00:00:09,000 --> 00:00:11,180
+[ Sparks Buzzing ]
+[ Tires Screeching ]
+
+5
+00:00:11,660 --> 00:00:13,660
+[ Commotion ]
+
+6
+00:00:13,940 --> 00:00:16,120
+It's getting to the other side of the bus!
+
+7
+00:00:18,860 --> 00:00:19,840
+[ Bus Horn Honks ]
+
+8
+00:00:20,760 --> 00:00:22,140
+[ Defiant Roar ]
+
+9
+00:00:22,560 --> 00:00:23,140
+[ Crash! ]
+
+10
+00:00:24,140 --> 00:00:26,140
+[ More Commotion ]
+
+11
+00:00:28,260 --> 00:00:29,480
+[ Excited Growl ]
+
+12
+00:00:34,040 --> 00:00:36,040
+[ Windows Shatter As Bus Crashes ]
+
+13
+00:00:37,500 --> 00:00:40,580
+[ More Pandemonium ]
+
+14
+00:00:43,080 --> 00:00:45,240
+[ Tyrannosaurus Roaring Throughout... ]
+
+15
+00:00:56,140 --> 00:00:56,640
+[ Chomp! ]
+[ Screams, Then Groans ]
+
+16
+00:00:56,640 --> 00:01:02,700
+[ Screams, Then Groans ]
+
+17
+00:01:03,020 --> 00:01:04,540
+[ Growls Ravenously ]
+
+18
+00:01:08,660 --> 00:01:09,720
+Ian: There, there.
+
+19
+00:01:09,760 --> 00:01:10,800
+Sarah: Oh, my God...
+[ Horn Honks ]
+
+20
+00:01:10,800 --> 00:01:11,820
+[ Horn Honks ]
+[ Tires Screech ]
+
+21
+00:01:11,820 --> 00:01:13,700
+[ Tires Screech ]
+
+22
+00:01:13,900 --> 00:01:17,660
+[ Tyrannosaurus Continues Roaring ]
+
+23
+00:01:18,760 --> 00:01:22,000
+[ Terrified Screams ]
+
+24
+00:01:25,220 --> 00:01:28,420
+[ Commotion from Sarah ]
+Ian: Never gonna know we have it if that thing won't make some kind of sound!
+
+25
+00:01:28,480 --> 00:01:31,680
+Sarah: ...come on, wake up. Come on. Come on! Wake up.
+[ Baby Tyrannosaurus Groans ]
+
+26
+00:01:32,500 --> 00:01:35,620
+[ Snorts Cautiously ]
+
+27
+00:01:36,240 --> 00:01:38,240
+[ Roars Angrily ]
+
+28
+00:01:38,540 --> 00:01:39,680
+Sarah: He knows.
+
+29
+00:01:40,220 --> 00:01:43,060
+[ 76 Ball Tumbling ]
+
+30
+00:01:46,340 --> 00:01:49,140
+[ Roars In Anticipation ]
+
+31
+00:01:49,620 --> 00:01:52,260
+[ Tyrannosaurus Roars Again As Van Tumbles ]
+
+32
+00:01:54,840 --> 00:01:57,420
+Sarah: ...Ian! Ian! Slow down a little!
+
+33
+00:01:57,860 --> 00:02:00,700
+Ian: Uh... I don't think so.
+
+34
+00:02:01,800 --> 00:02:03,800
+[ Police Sirens Blaring ]
+
+35
+00:02:08,180 --> 00:02:09,840
+[ Annoyed Roar ]
+
+36
+00:02:09,940 --> 00:02:12,900
+[ Tires Screech As Cars Back Away ]
+
+37
+00:02:17,380 --> 00:02:18,940
+[ Baby Tyrannosaurus Howling ]
+
+38
+00:02:21,300 --> 00:02:24,800
+Sarah: This guy's almost fully awake! You know where you're going?
+
+39
+00:02:25,220 --> 00:02:26,280
+Ian: Yeah...
+[ Baby Rex Continues Howling ]
+
+40
+00:02:26,280 --> 00:02:29,140
+Ian: The waterfront's right on the other side of these... warehouses.
+
+41
+00:02:29,140 --> 00:02:30,340
+Sarah: Is there any way through?
+[ Baby Rex Still Howling... ]
+
+42
+00:02:30,340 --> 00:02:32,340
+Ian: Oh God, there could be...!
+
+43
+00:02:33,340 --> 00:02:34,620
+[ Crash! ]
+
+44
+00:02:38,260 --> 00:02:39,160
+Ian: There we go.
+
+45
+00:02:42,440 --> 00:02:43,520
+Ian: You have to follow me now.
+
+46
+00:02:44,320 --> 00:02:45,520
+Ian: There you go.
+
+47
+00:02:46,460 --> 00:02:47,100
+Sarah: Got him?
+
+48
+00:02:49,620 --> 00:02:50,160
+Ian: Ready?
+
+49
+00:02:50,480 --> 00:02:52,860
+Sarah: Where's the Rex? Is it still behind us?
+
+50
+00:02:53,160 --> 00:02:55,160
+(Does that answer your question, Sarah? Of COURSE he's still behind you! He wants his son!)
+

1997/c_YHTdu1jFc.description

@@ -0,0 +1,38 @@
+Face/Off movie clips: http://j.mp/1J9iPXf
+BUY THE MOVIE: http://amzn.to/u5ArAd
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Archer (Nicolas Cage) pursues the fleeing Troy (John Travolta) on a speedboat and tries to make him crash.
+
+FILM DESCRIPTION:
+The third of John Woo's American-made feature films, Face/Off stars John Travolta as Sean Archer, an FBI agent obsessed with capturing Castor Troy (Nicolas Cage), a criminal genius who years before killed Archer's son while trying to assassinate the agent. Archer's single-minded pursuit of Troy has caused serious harm to his marriage, but Archer thinks the light may have appeared at the end of the tunnel when a seriously wounded Troy is captured in a bloody shootout. However, it turns out that Troy has planted a time bomb, with a biological payload that could destroy the entire city of Los Angeles -- and Troy isn't about to say where it is. The only other person who knows the bomb's location is Troy's brother, Pollux (Alessandro Nivola), who is no more helpful than Castor. FBI scientists hatch a plan: they have developed an experimental surgery which would allow them to graft Troy's face temporarily on Archer's head and allow him to question Pollux as if he were his brother. But after Archer has taken Troy's face, Troy regains consciousness and forces the doctors to give him Archer's face. Now the criminal mastermind has the FBI at his disposal, and the lawman is underground with few places to turn. Along with Woo's usual elaborately choreographed action scenes, Face/Off features a number of notable supporting performances, including Joan Allen as Archer's wife, Colm Feore and C.C.H. Pounder as FBI scientists, and Gina Gershon as Troy's loyal but long-suffering girlfriend.
+
+CREDITS:
+TM & © Paramount (1997)
+Cast: Nicolas Cage, John Travolta
+Director: John Woo
+Producers: Terence Chang, Michael Colleary, Michael Douglas, Christopher Godsick, Jonathan D. Krane, Barrie M. Osborne, David Permut, Steven Reuther, Mike Werb, Jeff Levine
+Screenwriters: Michael Colleary, Mike Werb
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/c_YHTdu1jFc.en.srt

@@ -0,0 +1,22 @@
+1
+00:00:18,743 --> 00:00:20,427
+(ship's horn blowing)
+
+2
+00:00:58,065 --> 00:00:59,699
+<i>Man on speaker:</i>
+<i>Stop! This is the police!</i>
+
+3
+00:00:59,767 --> 00:01:02,769
+<i>Stop immediately or we will</i>
+<i>be forced to open fire!</i>
+
+4
+00:01:04,222 --> 00:01:05,722
+Fire! Fire!
+
+5
+00:01:09,460 --> 00:01:10,377
+Ahh!
+

1997/ccAWioDHgQM.description

@@ -0,0 +1,38 @@
+Life is Beautiful movie clips: http://j.mp/1L7odMi
+BUY THE MOVIE: http://amzn.to/tbf8KV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joshua (Giorgio Cantarini) thinks that the American tank liberating the concentration camp is really the prize he won for winning the game.
+
+FILM DESCRIPTION:
+In this WW II tragicomedy, famed Italian funnyman Roberto Benigni (The Monster) portrays Guido, who moves during the '30s from the country to a Tuscan town, where he is entranced by schoolteacher Dora (Nicoletta Braschi, Benigni's real-life wife). Dora likes Guido, but she remains faithful to her pompous fiancé, so Guido has an uphill struggle. Meanwhile, anti-Semitic attitudes lead to attacks against Guido's Jewish uncle (Giustino Durano). Leaping ahead to five years later, during WW II, Guido and Dora are married and have a son Giosue (Giorgio Cantarini). After they are imprisoned in a concentration camp, Guido goes to elaborate lengths to keep his son from understanding the truth of their situation. He tells the boy that they are competing with others to win an armored tank -- so everything from food shortages to tattoos is explained as necessary for participation in the contest.
+
+CREDITS:
+TM & © Miramax Films (1997)
+Cast: Giorgio Cantarini, Nicoletta Braschi
+Director: Roberto Benigni
+Producers: Gianluigi Braschi, Mario Cotone, John M. Davis, Elda Ferri, Agnès Mentre, John Rogers
+Screenwriters: Vincenzo Cerami, Roberto Benigni
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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+
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+Tumblr: http://bit.ly/1vUwhH7

1997/ccAWioDHgQM.en.srt

@@ -0,0 +1,108 @@
+1
+00:01:25,820 --> 00:01:27,820
+its true
+
+2
+00:01:38,120 --> 00:01:40,120
+Hi boy
+
+3
+00:01:41,820 --> 00:01:43,820
+You all alone?
+
+4
+00:01:44,420 --> 00:01:45,960
+whats your name?
+
+5
+00:01:45,960 --> 00:01:46,520
+*Nods Head*
+
+6
+00:01:47,760 --> 00:01:48,760
+You don't Understand what I'm saying.do you?
+
+7
+00:01:49,560 --> 00:01:51,560
+We'll give you a lift. Come on?
+
+8
+00:01:52,140 --> 00:01:54,060
+Come on.Get up here.
+
+9
+00:01:58,220 --> 00:01:58,720
+*music plays*
+
+10
+00:01:59,400 --> 00:01:59,900
+all the way down. come on
+
+11
+00:02:00,740 --> 00:02:02,620
+*mumbles*
+
+12
+00:02:03,020 --> 00:02:04,020
+here we go!
+
+13
+00:02:04,500 --> 00:02:05,800
+*noise*
+
+14
+00:02:47,300 --> 00:02:49,300
+Mama
+
+15
+00:02:51,000 --> 00:02:53,000
+Stop!!!
+
+16
+00:02:54,680 --> 00:02:55,960
+mama
+
+17
+00:03:01,440 --> 00:03:03,440
+This is my story
+
+18
+00:03:03,440 --> 00:03:04,820
+mama
+
+19
+00:03:04,960 --> 00:03:07,180
+This is the Sacrifice my father made
+
+20
+00:03:07,700 --> 00:03:08,200
+Joshua
+
+21
+00:03:09,520 --> 00:03:11,240
+This was his gift to me
+
+22
+00:03:11,660 --> 00:03:13,660
+We won
+
+23
+00:03:13,700 --> 00:03:15,700
+Yes we won
+
+24
+00:03:15,800 --> 00:03:17,800
+Joshua
+
+25
+00:03:17,800 --> 00:03:20,140
+A thousand points to laugh like crazy about
+
+26
+00:03:21,400 --> 00:03:23,400
+we came in first!! we're taking the tank home!!
+
+27
+00:03:24,700 --> 00:03:26,700
+we won!!!
+

1997/cjFIi3PC2cI.description

@@ -0,0 +1,38 @@
+L.A. Confidential movie clips: http://j.mp/1BcZpNh
+BUY THE MOVIE: http://j.mp/T8lXGk
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ed Exley (Guy Pearce) and Bud White (Russell Crowe) are ambushed at the Victory Motel, but they won't go down without a fight.
+
+FILM DESCRIPTION:
+Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress.
+
+CREDITS:
+TM & © Warner Bros. (1997)
+Cast: Tomas Arana, Russell Crowe, Michael McCleery, Guy Pearce, George Yager
+Director: Curtis Hanson
+Producers: Curtis Hanson, Brian Helgeland, Dan Kolsrud, Arnon Milchan, Michael G. Nathanson, David L. Wolper
+Screenwriters: James Ellroy, Brian Helgeland, Curtis Hanson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1997/cku1N8eCUlo.ar.srt

@@ -0,0 +1,65 @@
+1
+00:00:05,910 --> 00:00:39,410
+
+[الموسيقى]
+
+2
+00:00:39,410 --> 00:00:39,420
+
+ 
+
+3
+00:00:39,420 --> 00:00:45,950
+
+[الموسيقى]
+
+4
+00:00:45,950 --> 00:00:45,960
+
+ 
+
+5
+00:00:45,960 --> 00:00:53,960
+
+هي
+
+6
+00:00:53,960 --> 00:00:53,970
+
+ 
+
+7
+00:00:53,970 --> 00:01:00,310
+
+[الموسيقى]
+
+8
+00:01:00,310 --> 00:01:00,320
+
+ 
+
+9
+00:01:00,320 --> 00:01:06,800
+
+نحن
+
+10
+00:01:06,800 --> 00:01:06,810
+
+ 
+
+11
+00:01:06,810 --> 00:01:13,070
+
+[الموسيقى]
+
+12
+00:01:13,070 --> 00:01:13,080
+
+ 
+
+13
+00:01:13,080 --> 00:01:52,450
+
+[الموسيقى]
+

1997/cv7_7dSbaOk.description

@@ -0,0 +1,44 @@
+Alien: Resurrection movie clips: http://j.mp/1dQGl0Y
+BUY THE MOVIE:
+FandangoNOW - https://www.fandangonow.com/details/movie/alien-resurrection-1997/1MV9dcb3b417d4ea407733502f9e231af09?cmp=Movieclips_YT_Description
+iTunes - http://apple.co/1dH003B
+Google Play - http://bit.ly/1FY5Ojv
+Amazon - http://amzn.to/1SQGzFn 
+Fox Movies - http://fox.co/2zMxyva
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The team is pursued by aliens even when they try to escape underwater.
+
+FILM DESCRIPTION:
+Two centuries after Ellen Ripley's death, doctors aboard the space station Auriga clone her using a blood sample taken from Fiorna 161, in hopes of harvesting the queen embryo that was incubating inside of her when she was trapped on the remote penal planet. Finally succeeding after numerous attempts, they remove the alien and repair the clone for further study. Before long, the Ripley clone has gained consciousness, and displays superhuman capabilities that suggest it possesses alien DNA. When Ripley discovers that General Perez (Dan Hedaya) is keeping the queen in a heavily fortified room of the space station, she warns the military man and his scientists that the creature cannot be contained no matter how hard they try. Meanwhile, General Perez has hired a crew of space pirates to deliver the cryogenically frozen bodies of another ship to the Auriga so they can be used to breed more aliens. The leader of the pirates is Johner (Ron Perlman), a gruff mercenary who engages Ripley to no avail. When Call (Winona Ryder), one of Johner's crewmembers, admits that she was sent to assassinate Ripley, General Perez attempts to have the pirates executed. The result is a tense standoff between the pirates and the military men, with the aliens causing havoc after breaking free of their containment cells. Attempting a daring escape, Ripley and the pirates discover the lab where she was cloned before being forced to swim through the mess hall, which has been submerged in water during the aliens' escape. Discovering a carefully guarded secret about Call's past, Ripley attempts to convince her to alter the Auruga's course, which was set to Earth when the ship went into emergency mode. With the fate of mankind hanging in the balance, Ripley is captured by the aliens and taken to their nest, where she comes face to face with the mutated results of the scientists' experiments.
+
+CREDITS:
+TM & © Fox (1997)
+Courtesy of Twentieth Century Fox Film Corporation
+Cast: Sigourney Weaver, Winona Ryder, Dominique Pinon, Ron Perlman, Gary Dourdan, Kim Flowers
+Director: Jean-Pierre Jeunet
+Producers: Bill Badalato, Gordon Carroll, David Giler, Walter Hill, Sigourney Weaver
+Screenwriters: Dan O'Bannon, Ronald Shusett, Joss Whedon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Facebook: http://on.fb.me/1y8M8ax
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