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1948/tRwyOQw5zcw.en.srt

@@ -0,0 +1,185 @@
+1
+00:00:05,939 --> 00:00:07,320
+
+yeah
+
+2
+00:00:07,320 --> 00:00:07,330
+yeah
+ 
+
+3
+00:00:07,330 --> 00:00:10,410
+yeah
+you got a place for us now man all right
+
+4
+00:00:10,410 --> 00:00:10,420
+you got a place for us now man all right
+ 
+
+5
+00:00:10,420 --> 00:00:16,460
+you got a place for us now man all right
+depends how long to stay a month or two
+
+6
+00:00:16,460 --> 00:00:16,470
+
+ 
+
+7
+00:00:16,470 --> 00:00:22,410
+
+maybe more yeah I got a couple of places
+
+8
+00:00:22,410 --> 00:00:22,420
+maybe more yeah I got a couple of places
+ 
+
+9
+00:00:22,420 --> 00:00:25,200
+maybe more yeah I got a couple of places
+not a fancy comfortable I just aim to
+
+10
+00:00:25,200 --> 00:00:25,210
+not a fancy comfortable I just aim to
+ 
+
+11
+00:00:25,210 --> 00:00:28,260
+not a fancy comfortable I just aim to
+keep out the fly-by-night my name is Lee
+
+12
+00:00:28,260 --> 00:00:28,270
+keep out the fly-by-night my name is Lee
+ 
+
+13
+00:00:28,270 --> 00:00:32,549
+keep out the fly-by-night my name is Lee
+this is my boy what'd you say your name
+
+14
+00:00:32,549 --> 00:00:32,559
+this is my boy what'd you say your name
+ 
+
+15
+00:00:32,559 --> 00:00:33,090
+this is my boy what'd you say your name
+was
+
+16
+00:00:33,090 --> 00:00:33,100
+was
+ 
+
+17
+00:00:33,100 --> 00:00:35,430
+was
+vines well let's see what you and mrs.
+
+18
+00:00:35,430 --> 00:00:35,440
+vines well let's see what you and mrs.
+ 
+
+19
+00:00:35,440 --> 00:00:40,790
+vines well let's see what you and mrs.
+van light now what's your business son
+
+20
+00:00:40,790 --> 00:00:40,800
+van light now what's your business son
+ 
+
+21
+00:00:40,800 --> 00:00:43,770
+van light now what's your business son
+ballplayer well now that's an honorable
+
+22
+00:00:43,770 --> 00:00:43,780
+ballplayer well now that's an honorable
+ 
+
+23
+00:00:43,780 --> 00:00:45,900
+ballplayer well now that's an honorable
+enough callin we got a schoolteacher
+
+24
+00:00:45,900 --> 00:00:45,910
+enough callin we got a schoolteacher
+ 
+
+25
+00:00:45,910 --> 00:00:58,710
+enough callin we got a schoolteacher
+salesman cabins one of our nicest what
+
+26
+00:00:58,710 --> 00:00:58,720
+salesman cabins one of our nicest what
+ 
+
+27
+00:00:58,720 --> 00:01:01,200
+salesman cabins one of our nicest what
+is it don't you have a place a little
+
+28
+00:01:01,200 --> 00:01:01,210
+is it don't you have a place a little
+ 
+
+29
+00:01:01,210 --> 00:01:08,090
+is it don't you have a place a little
+away from the others yes Mary thank you
+
+30
+00:01:08,090 --> 00:01:08,100
+
+ 
+
+31
+00:01:08,100 --> 00:01:14,300
+
+just married people like to be alone
+
+32
+00:01:14,300 --> 00:01:14,310
+
+ 
+
+33
+00:01:14,310 --> 00:01:17,130
+
+this place I'm gonna show you it's clean
+
+34
+00:01:17,130 --> 00:01:17,140
+this place I'm gonna show you it's clean
+ 
+
+35
+00:01:17,140 --> 00:01:19,080
+this place I'm gonna show you it's clean
+away from everything but the sky and the
+
+36
+00:01:19,080 --> 00:01:19,090
+away from everything but the sky and the
+ 
+
+37
+00:01:19,090 --> 00:01:21,330
+away from everything but the sky and the
+trees
+

1948/vKEWdfB8yo8.description

@@ -0,0 +1,38 @@
+The Treasure of the Sierra Madre movie clips: http://j.mp/11h1szJ
+BUY THE MOVIE: http://j.mp/17GhFiM
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dobbs (Humphrey Bogart) makes a bet that Curtin (Tim Holt) will fall asleep before he does.
+
+FILM DESCRIPTION:
+John Huston's 1948 treasure-hunt classic begins as drifter Fred C. Dobbs (Humphrey Bogart), down and out in Tampico, Mexico, impulsively spends his last bit of dough on a lottery ticket. Later on, Dobbs and fellow indigent Curtin (Tim Holt) seek shelter in a cheap flophouse and meet Howard (Walter Huston), a toothless, garrulous old coot who regales them with stories about prospecting for gold. Forcibly collecting their pay from their shifty boss, Dobbs and Curtin combine this money with Dobbs's unexpected windfall from a lottery ticket and, together with Howard, buy the tools for a prospecting expedition. Dobbs has pledged that anything they dig up will be split three ways, but Howard, who's heard that song before, doesn't quite swallow this. As the gold is mined and measured, Dobbs grows increasingly paranoid and distrustful, and the men gradually turn against each other on the way toward a bitterly ironic conclusion. The Treasure of the Sierra Madre is a superior morality play and one of the best movie treatments of the corrosiveness of greed. Huston keeps a typically light and entertaining touch despite the strong theme, for which he won Oscars for both Director and Screenplay, as well as a supporting award for his father Walter, making Walter, John, and Anjelica Huston the only three generations of one family all to win Oscars.
+
+CREDITS:
+TM & © Warner Bros. (1948)
+Cast: Humphrey Bogart, Tim Holt
+Director: John Huston
+Producers: Henry Blanke, Jack L. Warner
+Screenwriters: John Huston, B. Traven
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
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+Tumblr: http://bit.ly/1vUwhH7

1948/vKEWdfB8yo8.en.srt

@@ -0,0 +1,755 @@
+1
+00:00:00,000 --> 00:00:01,790
+
+I was just thinking what a bonehead play
+
+2
+00:00:01,790 --> 00:00:01,800
+I was just thinking what a bonehead play
+ 
+
+3
+00:00:01,800 --> 00:00:03,560
+I was just thinking what a bonehead play
+that old jackass made when he put all
+
+4
+00:00:03,560 --> 00:00:03,570
+that old jackass made when he put all
+ 
+
+5
+00:00:03,570 --> 00:00:06,200
+that old jackass made when he put all
+his goods in our keeping what do you
+
+6
+00:00:06,200 --> 00:00:06,210
+his goods in our keeping what do you
+ 
+
+7
+00:00:06,210 --> 00:00:08,270
+his goods in our keeping what do you
+mean I could let us do a sweating for
+
+8
+00:00:08,270 --> 00:00:08,280
+mean I could let us do a sweating for
+ 
+
+9
+00:00:08,280 --> 00:00:11,690
+mean I could let us do a sweating for
+him did he I will show him what are you
+
+10
+00:00:11,690 --> 00:00:11,700
+him did he I will show him what are you
+ 
+
+11
+00:00:11,700 --> 00:00:14,780
+him did he I will show him what are you
+getting at oh man can't you see it's all
+
+12
+00:00:14,780 --> 00:00:14,790
+getting at oh man can't you see it's all
+ 
+
+13
+00:00:14,790 --> 00:00:17,150
+getting at oh man can't you see it's all
+ours we don't go back to Durango at all
+
+14
+00:00:17,150 --> 00:00:17,160
+ours we don't go back to Durango at all
+ 
+
+15
+00:00:17,160 --> 00:00:20,300
+ours we don't go back to Durango at all
+savy not at all I don't follow you
+
+16
+00:00:20,300 --> 00:00:20,310
+savy not at all I don't follow you
+ 
+
+17
+00:00:20,310 --> 00:00:22,279
+savy not at all I don't follow you
+dobbsy oh don't be such a SAP where did
+
+18
+00:00:22,279 --> 00:00:22,289
+dobbsy oh don't be such a SAP where did
+ 
+
+19
+00:00:22,289 --> 00:00:24,320
+dobbsy oh don't be such a SAP where did
+you ever grow up alright to make it
+
+20
+00:00:24,320 --> 00:00:24,330
+you ever grow up alright to make it
+ 
+
+21
+00:00:24,330 --> 00:00:26,540
+you ever grow up alright to make it
+clear to a dumb head like you we take
+
+22
+00:00:26,540 --> 00:00:26,550
+clear to a dumb head like you we take
+ 
+
+23
+00:00:26,550 --> 00:00:27,980
+clear to a dumb head like you we take
+all his goods and go straight up north
+
+24
+00:00:27,980 --> 00:00:27,990
+all his goods and go straight up north
+ 
+
+25
+00:00:27,990 --> 00:00:30,380
+all his goods and go straight up north
+leave the old jackass flat you aren't
+
+26
+00:00:30,380 --> 00:00:30,390
+leave the old jackass flat you aren't
+ 
+
+27
+00:00:30,390 --> 00:00:32,330
+leave the old jackass flat you aren't
+serious are you you don't really mean
+
+28
+00:00:32,330 --> 00:00:32,340
+serious are you you don't really mean
+ 
+
+29
+00:00:32,340 --> 00:00:34,490
+serious are you you don't really mean
+what you're saying Fred C Dobbs
+
+30
+00:00:34,490 --> 00:00:34,500
+what you're saying Fred C Dobbs
+ 
+
+31
+00:00:34,500 --> 00:00:39,350
+what you're saying Fred C Dobbs
+don't say nothin II don't mean as long
+
+32
+00:00:39,350 --> 00:00:39,360
+don't say nothin II don't mean as long
+ 
+
+33
+00:00:39,360 --> 00:00:40,790
+don't say nothin II don't mean as long
+as I'm here and can do anything about it
+
+34
+00:00:40,790 --> 00:00:40,800
+as I'm here and can do anything about it
+ 
+
+35
+00:00:40,800 --> 00:00:42,229
+as I'm here and can do anything about it
+you won't touch a single grain of the
+
+36
+00:00:42,229 --> 00:00:42,239
+you won't touch a single grain of the
+ 
+
+37
+00:00:42,239 --> 00:00:45,049
+you won't touch a single grain of the
+old man's goods I know exactly what you
+
+38
+00:00:45,049 --> 00:00:45,059
+old man's goods I know exactly what you
+ 
+
+39
+00:00:45,059 --> 00:00:46,760
+old man's goods I know exactly what you
+mean you want to take it all for
+
+40
+00:00:46,760 --> 00:00:46,770
+mean you want to take it all for
+ 
+
+41
+00:00:46,770 --> 00:00:47,990
+mean you want to take it all for
+yourself and cut me out
+
+42
+00:00:47,990 --> 00:00:48,000
+yourself and cut me out
+ 
+
+43
+00:00:48,000 --> 00:00:50,150
+yourself and cut me out
+no Dobbs I'm on the love with the old
+
+44
+00:00:50,150 --> 00:00:50,160
+no Dobbs I'm on the love with the old
+ 
+
+45
+00:00:50,160 --> 00:00:51,529
+no Dobbs I'm on the love with the old
+man justice I'd be on the level with you
+
+46
+00:00:51,529 --> 00:00:51,539
+man justice I'd be on the level with you
+ 
+
+47
+00:00:51,539 --> 00:00:53,630
+man justice I'd be on the level with you
+if you weren't here get off your soapbox
+
+48
+00:00:53,630 --> 00:00:53,640
+if you weren't here get off your soapbox
+ 
+
+49
+00:00:53,640 --> 00:00:55,520
+if you weren't here get off your soapbox
+well he only sound foolish out here in
+
+50
+00:00:55,520 --> 00:00:55,530
+well he only sound foolish out here in
+ 
+
+51
+00:00:55,530 --> 00:00:57,380
+well he only sound foolish out here in
+this wilderness I know you for what you
+
+52
+00:00:57,380 --> 00:00:57,390
+this wilderness I know you for what you
+ 
+
+53
+00:00:57,390 --> 00:00:59,240
+this wilderness I know you for what you
+are for a long time I've had my
+
+54
+00:00:59,240 --> 00:00:59,250
+are for a long time I've had my
+ 
+
+55
+00:00:59,250 --> 00:01:00,770
+are for a long time I've had my
+suspicions about you now I know I've
+
+56
+00:01:00,770 --> 00:01:00,780
+suspicions about you now I know I've
+ 
+
+57
+00:01:00,780 --> 00:01:03,229
+suspicions about you now I know I've
+been right suspicions are you talking
+
+58
+00:01:03,229 --> 00:01:03,239
+been right suspicions are you talking
+ 
+
+59
+00:01:03,239 --> 00:01:04,490
+been right suspicions are you talking
+about oh you're not putting anything
+
+60
+00:01:04,490 --> 00:01:04,500
+about oh you're not putting anything
+ 
+
+61
+00:01:04,500 --> 00:01:07,370
+about oh you're not putting anything
+over on me I see right through you for a
+
+62
+00:01:07,370 --> 00:01:07,380
+over on me I see right through you for a
+ 
+
+63
+00:01:07,380 --> 00:01:08,899
+over on me I see right through you for a
+long time you've had it in your mind of
+
+64
+00:01:08,899 --> 00:01:08,909
+long time you've had it in your mind of
+ 
+
+65
+00:01:08,909 --> 00:01:10,460
+long time you've had it in your mind of
+bumping over the first good opportunity
+
+66
+00:01:10,460 --> 00:01:10,470
+bumping over the first good opportunity
+ 
+
+67
+00:01:10,470 --> 00:01:11,660
+bumping over the first good opportunity
+and pairing me out here in the bush like
+
+68
+00:01:11,660 --> 00:01:11,670
+and pairing me out here in the bush like
+ 
+
+69
+00:01:11,670 --> 00:01:13,940
+and pairing me out here in the bush like
+a dog so she could take not only the old
+
+70
+00:01:13,940 --> 00:01:13,950
+a dog so she could take not only the old
+ 
+
+71
+00:01:13,950 --> 00:01:17,270
+a dog so she could take not only the old
+man's goods but mine in the bargain and
+
+72
+00:01:17,270 --> 00:01:17,280
+man's goods but mine in the bargain and
+ 
+
+73
+00:01:17,280 --> 00:01:18,649
+man's goods but mine in the bargain and
+when you get to Durango safely you'll
+
+74
+00:01:18,649 --> 00:01:18,659
+when you get to Durango safely you'll
+ 
+
+75
+00:01:18,659 --> 00:01:20,510
+when you get to Durango safely you'll
+have a big laugh won't you thinking how
+
+76
+00:01:20,510 --> 00:01:20,520
+have a big laugh won't you thinking how
+ 
+
+77
+00:01:20,520 --> 00:01:24,560
+have a big laugh won't you thinking how
+dumb the old man and I were you'll make
+
+78
+00:01:24,560 --> 00:01:24,570
+dumb the old man and I were you'll make
+ 
+
+79
+00:01:24,570 --> 00:01:25,999
+dumb the old man and I were you'll make
+another move toward me and I'll pull the
+
+80
+00:01:25,999 --> 00:01:26,009
+another move toward me and I'll pull the
+ 
+
+81
+00:01:26,009 --> 00:01:27,190
+another move toward me and I'll pull the
+trigger
+
+82
+00:01:27,190 --> 00:01:27,200
+trigger
+ 
+
+83
+00:01:27,200 --> 00:01:30,109
+trigger
+I'll get your hands up come on get him
+
+84
+00:01:30,109 --> 00:01:30,119
+I'll get your hands up come on get him
+ 
+
+85
+00:01:30,119 --> 00:01:33,890
+I'll get your hands up come on get him
+up
+
+86
+00:01:33,890 --> 00:01:33,900
+
+ 
+
+87
+00:01:33,900 --> 00:01:37,850
+
+was I right or was I you and your Sunday
+
+88
+00:01:37,850 --> 00:01:37,860
+was I right or was I you and your Sunday
+ 
+
+89
+00:01:37,860 --> 00:01:39,710
+was I right or was I you and your Sunday
+school talk about protecting people's
+
+90
+00:01:39,710 --> 00:01:39,720
+school talk about protecting people's
+ 
+
+91
+00:01:39,720 --> 00:01:42,860
+school talk about protecting people's
+goods you want to stand up and take it
+
+92
+00:01:42,860 --> 00:01:42,870
+goods you want to stand up and take it
+ 
+
+93
+00:01:42,870 --> 00:01:48,310
+goods you want to stand up and take it
+like a man come on get out
+
+94
+00:01:48,310 --> 00:01:48,320
+
+ 
+
+95
+00:01:48,320 --> 00:01:52,780
+
+look going
+
+96
+00:01:52,780 --> 00:01:52,790
+
+ 
+
+97
+00:01:52,790 --> 00:01:54,800
+
+cards are dealt the other way now Dobbs
+
+98
+00:01:54,800 --> 00:01:54,810
+cards are dealt the other way now Dobbs
+ 
+
+99
+00:01:54,810 --> 00:01:58,820
+cards are dealt the other way now Dobbs
+yeah listen to me I love you look you're
+
+100
+00:01:58,820 --> 00:01:58,830
+yeah listen to me I love you look you're
+ 
+
+101
+00:01:58,830 --> 00:02:00,800
+yeah listen to me I love you look you're
+all wrong not for a moment did I ever
+
+102
+00:02:00,800 --> 00:02:00,810
+all wrong not for a moment did I ever
+ 
+
+103
+00:02:00,810 --> 00:02:02,420
+all wrong not for a moment did I ever
+intend to rob you or do you any harm
+
+104
+00:02:02,420 --> 00:02:02,430
+intend to rob you or do you any harm
+ 
+
+105
+00:02:02,430 --> 00:02:05,450
+intend to rob you or do you any harm
+just like I said I'd fight for you and
+
+106
+00:02:05,450 --> 00:02:05,460
+just like I said I'd fight for you and
+ 
+
+107
+00:02:05,460 --> 00:02:06,770
+just like I said I'd fight for you and
+yours just the same as I'd fight for the
+
+108
+00:02:06,770 --> 00:02:06,780
+yours just the same as I'd fight for the
+ 
+
+109
+00:02:06,780 --> 00:02:09,440
+yours just the same as I'd fight for the
+old man's if you really may not give me
+
+110
+00:02:09,440 --> 00:02:09,450
+old man's if you really may not give me
+ 
+
+111
+00:02:09,450 --> 00:02:21,790
+old man's if you really may not give me
+back my gun my pal
+
+112
+00:02:21,790 --> 00:02:21,800
+back my gun my pal
+ 
+
+113
+00:02:21,800 --> 00:02:24,140
+back my gun my pal
+gonna be better the way things are two
+
+114
+00:02:24,140 --> 00:02:24,150
+gonna be better the way things are two
+ 
+
+115
+00:02:24,150 --> 00:02:26,449
+gonna be better the way things are two
+separate tomorrow or even tonight I
+
+116
+00:02:26,449 --> 00:02:26,459
+separate tomorrow or even tonight I
+ 
+
+117
+00:02:26,459 --> 00:02:28,610
+separate tomorrow or even tonight I
+would suit you fine wouldn't it
+
+118
+00:02:28,610 --> 00:02:28,620
+would suit you fine wouldn't it
+ 
+
+119
+00:02:28,620 --> 00:02:30,560
+would suit you fine wouldn't it
+why me more than you say he could fall
+
+120
+00:02:30,560 --> 00:02:30,570
+why me more than you say he could fall
+ 
+
+121
+00:02:30,570 --> 00:02:32,780
+why me more than you say he could fall
+on me from behind sneak up and shoot me
+
+122
+00:02:32,780 --> 00:02:32,790
+on me from behind sneak up and shoot me
+ 
+
+123
+00:02:32,790 --> 00:02:35,360
+on me from behind sneak up and shoot me
+in the back all right I'll go first and
+
+124
+00:02:35,360 --> 00:02:35,370
+in the back all right I'll go first and
+ 
+
+125
+00:02:35,370 --> 00:02:37,340
+in the back all right I'll go first and
+wait for me on the trail ambush me why
+
+126
+00:02:37,340 --> 00:02:37,350
+wait for me on the trail ambush me why
+ 
+
+127
+00:02:37,350 --> 00:02:38,630
+wait for me on the trail ambush me why
+wouldn't I do it right here and now if I
+
+128
+00:02:38,630 --> 00:02:38,640
+wouldn't I do it right here and now if I
+ 
+
+129
+00:02:38,640 --> 00:02:41,180
+wouldn't I do it right here and now if I
+meant to kill you I'll tell you why cuz
+
+130
+00:02:41,180 --> 00:02:41,190
+meant to kill you I'll tell you why cuz
+ 
+
+131
+00:02:41,190 --> 00:02:42,979
+meant to kill you I'll tell you why cuz
+you're yella young got nerve enough to
+
+132
+00:02:42,979 --> 00:02:42,989
+you're yella young got nerve enough to
+ 
+
+133
+00:02:42,989 --> 00:02:44,060
+you're yella young got nerve enough to
+pull the trigger while I'm looking you
+
+134
+00:02:44,060 --> 00:02:44,070
+pull the trigger while I'm looking you
+ 
+
+135
+00:02:44,070 --> 00:02:46,550
+pull the trigger while I'm looking you
+straight in the eye if you think like
+
+136
+00:02:46,550 --> 00:02:46,560
+straight in the eye if you think like
+ 
+
+137
+00:02:46,560 --> 00:02:47,720
+straight in the eye if you think like
+that there's nothing to do with the tie
+
+138
+00:02:47,720 --> 00:02:47,730
+that there's nothing to do with the tie
+ 
+
+139
+00:02:47,730 --> 00:02:54,979
+that there's nothing to do with the tie
+up every night
+
+140
+00:02:54,979 --> 00:02:54,989
+
+ 
+
+141
+00:02:54,989 --> 00:02:56,929
+
+I'll tell you what I'll make you a
+
+142
+00:02:56,929 --> 00:02:56,939
+I'll tell you what I'll make you a
+ 
+
+143
+00:02:56,939 --> 00:03:00,860
+I'll tell you what I'll make you a
+little bet three times 35 is 105 I bet
+
+144
+00:03:00,860 --> 00:03:00,870
+little bet three times 35 is 105 I bet
+ 
+
+145
+00:03:00,870 --> 00:03:02,839
+little bet three times 35 is 105 I bet
+you 105 thousand dollars you go to sleep
+
+146
+00:03:02,839 --> 00:03:02,849
+you 105 thousand dollars you go to sleep
+ 
+
+147
+00:03:02,849 --> 00:03:12,630
+you 105 thousand dollars you go to sleep
+before I do
+
+148
+00:03:12,630 --> 00:03:12,640
+
+ 
+
+149
+00:03:12,640 --> 00:03:24,680
+
+ha
+
+150
+00:03:24,680 --> 00:03:24,690
+
+ 
+
+151
+00:03:24,690 --> 00:03:26,750
+
+you
+

1948/ww_lUn3jUoA.en.srt

@@ -0,0 +1,245 @@
+1
+00:00:10,849 --> 00:00:16,630
+
+wagons shooting screaming burning
+
+2
+00:00:16,630 --> 00:00:16,640
+
+ 
+
+3
+00:00:16,640 --> 00:00:22,010
+
+where'd you come was all burning only
+
+4
+00:00:22,010 --> 00:00:22,020
+where'd you come was all burning only
+ 
+
+5
+00:00:22,020 --> 00:00:25,400
+where'd you come was all burning only
+Indians are on stalled burning it's not
+
+6
+00:00:25,400 --> 00:00:25,410
+Indians are on stalled burning it's not
+ 
+
+7
+00:00:25,410 --> 00:00:26,420
+Indians are on stalled burning it's not
+you get away hello
+
+8
+00:00:26,420 --> 00:00:26,430
+you get away hello
+ 
+
+9
+00:00:26,430 --> 00:00:28,460
+you get away hello
+you were burning everything he's plumb
+
+10
+00:00:28,460 --> 00:00:28,470
+you were burning everything he's plumb
+ 
+
+11
+00:00:28,470 --> 00:00:30,769
+you were burning everything he's plumb
+out of his head just plain I could see
+
+12
+00:00:30,769 --> 00:00:30,779
+out of his head just plain I could see
+ 
+
+13
+00:00:30,779 --> 00:00:33,200
+out of his head just plain I could see
+it it was burning the wagons people was
+
+14
+00:00:33,200 --> 00:00:33,210
+it it was burning the wagons people was
+ 
+
+15
+00:00:33,210 --> 00:00:36,560
+it it was burning the wagons people was
+screaming I wouldn't do that again what
+
+16
+00:00:36,560 --> 00:00:36,570
+screaming I wouldn't do that again what
+ 
+
+17
+00:00:36,570 --> 00:00:40,430
+screaming I wouldn't do that again what
+that guy said don't do that again all
+
+18
+00:00:40,430 --> 00:00:40,440
+that guy said don't do that again all
+ 
+
+19
+00:00:40,440 --> 00:00:44,950
+that guy said don't do that again all
+right Sonny I was just asking for you
+
+20
+00:00:44,950 --> 00:00:44,960
+right Sonny I was just asking for you
+ 
+
+21
+00:00:44,960 --> 00:00:47,750
+right Sonny I was just asking for you
+don't ever trust anybody do you know him
+
+22
+00:00:47,750 --> 00:00:47,760
+don't ever trust anybody do you know him
+ 
+
+23
+00:00:47,760 --> 00:00:54,979
+don't ever trust anybody do you know him
+I won't after this thanks for telling me
+
+24
+00:00:54,979 --> 00:00:54,989
+I won't after this thanks for telling me
+ 
+
+25
+00:00:54,989 --> 00:01:00,680
+I won't after this thanks for telling me
+all right how'd you get away it's fall
+
+26
+00:01:00,680 --> 00:01:00,690
+all right how'd you get away it's fall
+ 
+
+27
+00:01:00,690 --> 00:01:02,920
+all right how'd you get away it's fall
+on my cow she got away in the brush
+
+28
+00:01:02,920 --> 00:01:02,930
+on my cow she got away in the brush
+ 
+
+29
+00:01:02,930 --> 00:01:06,980
+on my cow she got away in the brush
+miles it seemed like belong y'all she
+
+30
+00:01:06,980 --> 00:01:06,990
+miles it seemed like belong y'all she
+ 
+
+31
+00:01:06,990 --> 00:01:11,900
+miles it seemed like belong y'all she
+went
+
+32
+00:01:11,900 --> 00:01:11,910
+
+ 
+
+33
+00:01:11,910 --> 00:01:21,300
+
+then I heard him then I saw and I wish I
+
+34
+00:01:21,300 --> 00:01:21,310
+then I heard him then I saw and I wish I
+ 
+
+35
+00:01:21,310 --> 00:01:26,469
+then I heard him then I saw and I wish I
+hadn't yeah
+
+36
+00:01:26,469 --> 00:01:26,479
+
+ 
+
+37
+00:01:26,479 --> 00:01:28,210
+
+well it looks like you'll have to take
+
+38
+00:01:28,210 --> 00:01:28,220
+well it looks like you'll have to take
+ 
+
+39
+00:01:28,220 --> 00:01:40,060
+well it looks like you'll have to take
+you long
+
+40
+00:01:40,060 --> 00:01:40,070
+
+ 
+
+41
+00:01:40,070 --> 00:01:47,029
+
+well are you gonna use it no no but
+
+42
+00:01:47,029 --> 00:01:47,039
+well are you gonna use it no no but
+ 
+
+43
+00:01:47,039 --> 00:01:48,440
+well are you gonna use it no no but
+don't ever try to take it away from you
+
+44
+00:01:48,440 --> 00:01:48,450
+don't ever try to take it away from you
+ 
+
+45
+00:01:48,450 --> 00:01:58,469
+don't ever try to take it away from you
+again
+
+46
+00:01:58,469 --> 00:01:58,479
+
+ 
+
+47
+00:01:58,479 --> 00:02:20,690
+
+he'll do
+
+48
+00:02:20,690 --> 00:02:20,700
+
+ 
+
+49
+00:02:20,700 --> 00:02:22,760
+
+you
+

1948/x0YLLkr7VfU.en.srt

@@ -0,0 +1,125 @@
+1
+00:00:01,800 --> 00:00:03,590
+
+let's barricade the door Qui come on get
+
+2
+00:00:03,590 --> 00:00:03,600
+let's barricade the door Qui come on get
+ 
+
+3
+00:00:03,600 --> 00:00:05,829
+let's barricade the door Qui come on get
+it over there get it in there okay come
+
+4
+00:00:05,829 --> 00:00:05,839
+it over there get it in there okay come
+ 
+
+5
+00:00:05,839 --> 00:00:08,790
+it over there get it in there okay come
+on get in
+
+6
+00:00:08,790 --> 00:00:08,800
+on get in
+ 
+
+7
+00:00:08,800 --> 00:00:11,910
+on get in
+there come on put your shoulder to the
+
+8
+00:00:11,910 --> 00:00:11,920
+there come on put your shoulder to the
+ 
+
+9
+00:00:11,920 --> 00:00:18,870
+there come on put your shoulder to the
+barric he can't get
+
+10
+00:00:18,870 --> 00:00:18,880
+
+ 
+
+11
+00:00:18,880 --> 00:00:23,790
+
+in come
+
+12
+00:00:23,790 --> 00:00:23,800
+
+ 
+
+13
+00:00:23,800 --> 00:00:53,470
+
+on come on
+
+14
+00:00:53,470 --> 00:00:53,480
+
+ 
+
+15
+00:00:53,480 --> 00:01:05,950
+
+he
+
+16
+00:01:05,950 --> 00:01:05,960
+
+ 
+
+17
+00:01:05,960 --> 00:01:08,030
+
+back
+
+18
+00:01:08,030 --> 00:01:08,040
+back
+ 
+
+19
+00:01:08,040 --> 00:01:12,390
+back
+back back yes master keep me some
+
+20
+00:01:12,390 --> 00:01:12,400
+back back yes master keep me some
+ 
+
+21
+00:01:12,400 --> 00:01:44,590
+back back yes master keep me some
+Dracula
+
+22
+00:01:44,590 --> 00:01:44,600
+
+ 
+
+23
+00:01:44,600 --> 00:02:32,750
+
+well we got him
+
+24
+00:02:32,750 --> 00:02:32,760
+
+ 
+
+25
+00:02:32,760 --> 00:02:35,760
+
+St
+

1948/zBe5T01yBUI.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:02,899 --> 00:00:06,139
+
+let's give them a hand over here it's a
+
+2
+00:00:06,139 --> 00:00:06,149
+let's give them a hand over here it's a
+ 
+
+3
+00:00:06,149 --> 00:00:07,370
+let's give them a hand over here it's a
+good-looking gun you're about to use
+
+4
+00:00:07,370 --> 00:00:07,380
+good-looking gun you're about to use
+ 
+
+5
+00:00:07,380 --> 00:00:15,710
+good-looking gun you're about to use
+back there can I see it maybe you'd like
+
+6
+00:00:15,710 --> 00:00:15,720
+back there can I see it maybe you'd like
+ 
+
+7
+00:00:15,720 --> 00:00:19,899
+back there can I see it maybe you'd like
+to see mine
+
+8
+00:00:19,899 --> 00:00:19,909
+
+ 
+
+9
+00:00:19,909 --> 00:00:25,999
+
+nice awful nice you know they're only
+
+10
+00:00:25,999 --> 00:00:26,009
+nice awful nice you know they're only
+ 
+
+11
+00:00:26,009 --> 00:00:28,089
+nice awful nice you know they're only
+two things more beautiful and a good gun
+
+12
+00:00:28,089 --> 00:00:28,099
+two things more beautiful and a good gun
+ 
+
+13
+00:00:28,099 --> 00:00:32,300
+two things more beautiful and a good gun
+Swiss watch or a woman from anywhere you
+
+14
+00:00:32,300 --> 00:00:32,310
+Swiss watch or a woman from anywhere you
+ 
+
+15
+00:00:32,310 --> 00:00:38,240
+Swiss watch or a woman from anywhere you
+ever had a good Swiss watch go ahead try
+
+16
+00:00:38,240 --> 00:00:38,250
+ever had a good Swiss watch go ahead try
+ 
+
+17
+00:00:38,250 --> 00:00:46,869
+ever had a good Swiss watch go ahead try
+it yeah that's very good
+
+18
+00:00:46,869 --> 00:00:46,879
+
+ 
+
+19
+00:00:46,879 --> 00:00:50,900
+
+hey that's good too I'll keep it going
+
+20
+00:00:50,900 --> 00:00:50,910
+hey that's good too I'll keep it going
+ 
+
+21
+00:00:50,910 --> 00:01:03,919
+hey that's good too I'll keep it going
+now I know who you'd be you'd be Matthew
+
+22
+00:01:03,919 --> 00:01:03,929
+now I know who you'd be you'd be Matthew
+ 
+
+23
+00:01:03,929 --> 00:01:06,620
+now I know who you'd be you'd be Matthew
+Garth wouldn't you that's right you're
+
+24
+00:01:06,620 --> 00:01:06,630
+Garth wouldn't you that's right you're
+ 
+
+25
+00:01:06,630 --> 00:01:09,440
+Garth wouldn't you that's right you're
+as good as they say you are maybe as
+
+26
+00:01:09,440 --> 00:01:09,450
+as good as they say you are maybe as
+ 
+
+27
+00:01:09,450 --> 00:01:12,320
+as good as they say you are maybe as
+good as me that puts two of us at the
+
+28
+00:01:12,320 --> 00:01:12,330
+good as me that puts two of us at the
+ 
+
+29
+00:01:12,330 --> 00:01:14,450
+good as me that puts two of us at the
+head of the list I'd leave room for a
+
+30
+00:01:14,450 --> 00:01:14,460
+head of the list I'd leave room for a
+ 
+
+31
+00:01:14,460 --> 00:01:20,330
+head of the list I'd leave room for a
+third yeah who doesn't see that good you
+
+32
+00:01:20,330 --> 00:01:20,340
+third yeah who doesn't see that good you
+ 
+
+33
+00:01:20,340 --> 00:01:31,460
+third yeah who doesn't see that good you
+taught me how are you doing what was all
+
+34
+00:01:31,460 --> 00:01:31,470
+taught me how are you doing what was all
+ 
+
+35
+00:01:31,470 --> 00:01:33,260
+taught me how are you doing what was all
+that shooting a while back that shooting
+
+36
+00:01:33,260 --> 00:01:33,270
+that shooting a while back that shooting
+ 
+
+37
+00:01:33,270 --> 00:01:34,490
+that shooting a while back that shooting
+was two of the best men with a gun
+
+38
+00:01:34,490 --> 00:01:34,500
+was two of the best men with a gun
+ 
+
+39
+00:01:34,500 --> 00:01:36,250
+was two of the best men with a gun
+anybody had ever seen together who
+
+40
+00:01:36,250 --> 00:01:36,260
+anybody had ever seen together who
+ 
+
+41
+00:01:36,260 --> 00:01:38,090
+anybody had ever seen together who
+Mattancherry Vilanch
+
+42
+00:01:38,090 --> 00:01:38,100
+Mattancherry Vilanch
+ 
+
+43
+00:01:38,100 --> 00:01:41,180
+Mattancherry Vilanch
+well Berta yeah what happened it was
+
+44
+00:01:41,180 --> 00:01:41,190
+well Berta yeah what happened it was
+ 
+
+45
+00:01:41,190 --> 00:01:42,790
+well Berta yeah what happened it was
+having some fun
+
+46
+00:01:42,790 --> 00:01:42,800
+having some fun
+ 
+
+47
+00:01:42,800 --> 00:01:45,950
+having some fun
+but Judy kind of fun sizing each other
+
+48
+00:01:45,950 --> 00:01:45,960
+but Judy kind of fun sizing each other
+ 
+
+49
+00:01:45,960 --> 00:01:47,050
+but Judy kind of fun sizing each other
+up for the future
+
+50
+00:01:47,050 --> 00:01:47,060
+up for the future
+ 
+
+51
+00:01:47,060 --> 00:01:49,880
+up for the future
+damn twos gonna tangle for and when
+
+52
+00:01:49,880 --> 00:01:49,890
+damn twos gonna tangle for and when
+ 
+
+53
+00:01:49,890 --> 00:01:51,230
+damn twos gonna tangle for and when
+they do it ain't gonna be pretty
+
+54
+00:01:51,230 --> 00:01:51,240
+they do it ain't gonna be pretty
+ 
+
+55
+00:01:51,240 --> 00:01:55,130
+they do it ain't gonna be pretty
+so they got a thousand miles to do it
+

1948/zdyBsGHbs4k.en.srt

@@ -0,0 +1,245 @@
+1
+00:00:02,030 --> 00:00:06,110
+
+hello yes this is part of five 109 eight
+
+2
+00:00:06,110 --> 00:00:06,120
+hello yes this is part of five 109 eight
+ 
+
+3
+00:00:06,120 --> 00:00:08,660
+hello yes this is part of five 109 eight
+what is it this is Western Union I have
+
+4
+00:00:08,660 --> 00:00:08,670
+what is it this is Western Union I have
+ 
+
+5
+00:00:08,670 --> 00:00:11,000
+what is it this is Western Union I have
+a message for mrs. Henry Stevens is
+
+6
+00:00:11,000 --> 00:00:11,010
+a message for mrs. Henry Stevens is
+ 
+
+7
+00:00:11,010 --> 00:00:12,200
+a message for mrs. Henry Stevens is
+there anyone there to receive the
+
+8
+00:00:12,200 --> 00:00:12,210
+there anyone there to receive the
+ 
+
+9
+00:00:12,210 --> 00:00:12,770
+there anyone there to receive the
+message
+
+10
+00:00:12,770 --> 00:00:12,780
+message
+ 
+
+11
+00:00:12,780 --> 00:00:15,140
+message
+this is mrs. Stevenson the telegram is
+
+12
+00:00:15,140 --> 00:00:15,150
+this is mrs. Stevenson the telegram is
+ 
+
+13
+00:00:15,150 --> 00:00:17,090
+this is mrs. Stevenson the telegram is
+as follows Henry Stevenson
+
+14
+00:00:17,090 --> 00:00:17,100
+as follows Henry Stevenson
+ 
+
+15
+00:00:17,100 --> 00:00:19,429
+as follows Henry Stevenson
+43 Sutton Place New York New York
+
+16
+00:00:19,429 --> 00:00:19,439
+43 Sutton Place New York New York
+ 
+
+17
+00:00:19,439 --> 00:00:22,010
+43 Sutton Place New York New York
+darling terribly sorry but last minute
+
+18
+00:00:22,010 --> 00:00:22,020
+darling terribly sorry but last minute
+ 
+
+19
+00:00:22,020 --> 00:00:23,929
+darling terribly sorry but last minute
+remembered annual drug convention
+
+20
+00:00:23,929 --> 00:00:23,939
+remembered annual drug convention
+ 
+
+21
+00:00:23,939 --> 00:00:25,910
+remembered annual drug convention
+meeting Boston tomorrow taking next
+
+22
+00:00:25,910 --> 00:00:25,920
+meeting Boston tomorrow taking next
+ 
+
+23
+00:00:25,920 --> 00:00:28,130
+meeting Boston tomorrow taking next
+train out back Sunday morning keep well
+
+24
+00:00:28,130 --> 00:00:28,140
+train out back Sunday morning keep well
+ 
+
+25
+00:00:28,140 --> 00:00:29,000
+train out back Sunday morning keep well
+all my love
+
+26
+00:00:29,000 --> 00:00:29,010
+all my love
+ 
+
+27
+00:00:29,010 --> 00:00:42,030
+all my love
+signed Henry
+
+28
+00:00:42,030 --> 00:00:42,040
+
+ 
+
+29
+00:00:42,040 --> 00:00:45,040
+
+then I wait the train goes over the
+
+30
+00:00:45,040 --> 00:00:45,050
+then I wait the train goes over the
+ 
+
+31
+00:00:45,050 --> 00:00:47,619
+then I wait the train goes over the
+bridge okay sir window was open that she
+
+32
+00:00:47,619 --> 00:00:47,629
+bridge okay sir window was open that she
+ 
+
+33
+00:00:47,629 --> 00:00:49,479
+bridge okay sir window was open that she
+should scream client says the coastal
+
+34
+00:00:49,479 --> 00:00:49,489
+should scream client says the coastal
+ 
+
+35
+00:00:49,489 --> 00:00:50,710
+should scream client says the coastal
+squid you got your message
+
+36
+00:00:50,710 --> 00:00:50,720
+squid you got your message
+ 
+
+37
+00:00:50,720 --> 00:00:52,150
+squid you got your message
+George everything okay with tonight
+
+38
+00:00:52,150 --> 00:00:52,160
+George everything okay with tonight
+ 
+
+39
+00:00:52,160 --> 00:00:56,250
+George everything okay with tonight
+where's Henry business what business
+
+40
+00:00:56,250 --> 00:00:56,260
+
+ 
+
+41
+00:00:56,260 --> 00:00:59,079
+
+hasn't come here Henry isn't really
+
+42
+00:00:59,079 --> 00:00:59,089
+hasn't come here Henry isn't really
+ 
+
+43
+00:00:59,089 --> 00:01:01,210
+hasn't come here Henry isn't really
+desperately darling terribly sorry
+
+44
+00:01:01,210 --> 00:01:01,220
+desperately darling terribly sorry
+ 
+
+45
+00:01:01,220 --> 00:01:03,790
+desperately darling terribly sorry
+taking next train up back Sunday morning
+
+46
+00:01:03,790 --> 00:01:03,800
+taking next train up back Sunday morning
+ 
+
+47
+00:01:03,800 --> 00:01:36,470
+taking next train up back Sunday morning
+then I wait
+
+48
+00:01:36,470 --> 00:01:36,480
+
+ 
+
+49
+00:01:36,480 --> 00:01:38,540
+
+you
+

1949/P27sTXSGrhQ.description

@@ -0,0 +1,35 @@
+Adam's Rib - A Word in Edgewise: Amanda (Katharine Hepburn) rants so much about the case that Adam (Spencer Tracy) can't get a word in.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/adams-rib-1949/1MVe4ca8fa5270486b722e5a2f996cf9e7b?cmp=Movieclips_YT_Description
+
+Watch the best Adam's Rib scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrBFzMId1m8RrmetoS0KrhG
+
+FILM DESCRIPTION:
+A courtroom rivalry finds its way into the household when prosecuting lawyer Adam Bonner (Spencer Tracy) faces off against his wife, Amanda (Katharine Hepburn), who happens to be a defense attorney. Working on opposite sides of a lawsuit where a woman (Judy Holliday) has shot her cheating husband (Tom Ewell), Adam and Amanda are both determined to win the case, and their home becomes the setting for comical showdowns, with neither spouse willing to relent.
+
+CREDITS:
+TM & © Warner Bros. (1949)
+Cast: Spencer Tracy, Katharine Hepburn
+Director: George Cukor
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1949/P27sTXSGrhQ.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:00,640 --> 00:00:02,909
+
+said the same thing nine times or the
+
+2
+00:00:02,909 --> 00:00:02,919
+said the same thing nine times or the
+ 
+
+3
+00:00:02,919 --> 00:00:04,510
+said the same thing nine times or the
+10th time then will you please stay out
+
+4
+00:00:04,510 --> 00:00:04,520
+10th time then will you please stay out
+ 
+
+5
+00:00:04,520 --> 00:00:06,030
+10th time then will you please stay out
+of this at Ander thing darling will you
+
+6
+00:00:06,030 --> 00:00:06,040
+of this at Ander thing darling will you
+ 
+
+7
+00:00:06,040 --> 00:00:08,270
+of this at Ander thing darling will you
+please you have to so all evening with a
+
+8
+00:00:08,270 --> 00:00:08,280
+please you have to so all evening with a
+ 
+
+9
+00:00:08,280 --> 00:00:09,709
+please you have to so all evening with a
+growl on your face How could a man have
+
+10
+00:00:09,709 --> 00:00:09,719
+growl on your face How could a man have
+ 
+
+11
+00:00:09,719 --> 00:00:11,070
+growl on your face How could a man have
+a growl on his face if you think you're
+
+12
+00:00:11,070 --> 00:00:11,080
+a growl on his face if you think you're
+ 
+
+13
+00:00:11,080 --> 00:00:12,509
+a growl on his face if you think you're
+going to turn a court of law into a
+
+14
+00:00:12,509 --> 00:00:12,519
+going to turn a court of law into a
+ 
+
+15
+00:00:12,519 --> 00:00:14,669
+going to turn a court of law into a
+punch of Judy show I want to tell you
+
+16
+00:00:14,669 --> 00:00:14,679
+punch of Judy show I want to tell you
+ 
+
+17
+00:00:14,679 --> 00:00:16,590
+punch of Judy show I want to tell you
+you don't pleas please this means a
+
+18
+00:00:16,590 --> 00:00:16,600
+you don't pleas please this means a
+ 
+
+19
+00:00:16,600 --> 00:00:19,710
+you don't pleas please this means a
+great deal to me and it's not a stunt
+
+20
+00:00:19,710 --> 00:00:19,720
+great deal to me and it's not a stunt
+ 
+
+21
+00:00:19,720 --> 00:00:21,470
+great deal to me and it's not a stunt
+this poor woman isn't she entitled to
+
+22
+00:00:21,470 --> 00:00:21,480
+this poor woman isn't she entitled to
+ 
+
+23
+00:00:21,480 --> 00:00:23,710
+this poor woman isn't she entitled to
+the same Justice I mean this usually
+
+24
+00:00:23,710 --> 00:00:23,720
+the same Justice I mean this usually
+ 
+
+25
+00:00:23,720 --> 00:00:25,870
+the same Justice I mean this usually
+reserved for men the same unwritten law
+
+26
+00:00:25,870 --> 00:00:25,880
+reserved for men the same unwritten law
+ 
+
+27
+00:00:25,880 --> 00:00:27,990
+reserved for men the same unwritten law
+that got lenan off I know what you're
+
+28
+00:00:27,990 --> 00:00:28,000
+that got lenan off I know what you're
+ 
+
+29
+00:00:28,000 --> 00:00:30,269
+that got lenan off I know what you're
+going to say that he should have been
+
+30
+00:00:30,269 --> 00:00:30,279
+going to say that he should have been
+ 
+
+31
+00:00:30,279 --> 00:00:32,190
+going to say that he should have been
+too but he wasn't you're not going to
+
+32
+00:00:32,190 --> 00:00:32,200
+too but he wasn't you're not going to
+ 
+
+33
+00:00:32,200 --> 00:00:34,510
+too but he wasn't you're not going to
+put this away just because she had The
+
+34
+00:00:34,510 --> 00:00:34,520
+put this away just because she had The
+ 
+
+35
+00:00:34,520 --> 00:00:37,389
+put this away just because she had The
+Misfortune to be born a female one
+
+36
+00:00:37,389 --> 00:00:37,399
+Misfortune to be born a female one
+ 
+
+37
+00:00:37,399 --> 00:00:39,990
+Misfortune to be born a female one
+word couldn't I could I please get a
+
+38
+00:00:39,990 --> 00:00:40,000
+word couldn't I could I please get a
+ 
+
+39
+00:00:40,000 --> 00:00:43,670
+word couldn't I could I please get a
+word in edwise well go ahead not one Sy
+
+40
+00:00:43,670 --> 00:00:43,680
+word in edwise well go ahead not one Sy
+ 
+
+41
+00:00:43,680 --> 00:00:46,470
+word in edwise well go ahead not one Sy
+not one syllable of what you have been
+
+42
+00:00:46,470 --> 00:00:46,480
+not one syllable of what you have been
+ 
+
+43
+00:00:46,480 --> 00:00:48,350
+not one syllable of what you have been
+blabbering here tonight you always do
+
+44
+00:00:48,350 --> 00:00:48,360
+blabbering here tonight you always do
+ 
+
+45
+00:00:48,360 --> 00:00:53,150
+blabbering here tonight you always do
+that when you get
+
+46
+00:00:53,150 --> 00:00:53,160
+
+ 
+
+47
+00:00:53,160 --> 00:00:56,349
+
+excited I am going to cut you into 12
+
+48
+00:00:56,349 --> 00:00:56,359
+excited I am going to cut you into 12
+ 
+
+49
+00:00:56,359 --> 00:00:58,670
+excited I am going to cut you into 12
+little pieces and feed you to the jury
+
+50
+00:00:58,670 --> 00:00:58,680
+little pieces and feed you to the jury
+ 
+
+51
+00:00:58,680 --> 00:01:10,910
+little pieces and feed you to the jury
+so get prepared for
+
+52
+00:01:10,910 --> 00:01:10,920
+
+ 
+
+53
+00:01:10,920 --> 00:01:13,270
+
+good night
+
+54
+00:01:13,270 --> 00:01:13,280
+good night
+ 
+
+55
+00:01:13,280 --> 00:01:17,210
+good night
+pinky oh good night
+
+56
+00:01:17,210 --> 00:01:17,220
+pinky oh good night
+ 
+
+57
+00:01:17,220 --> 00:01:28,560
+pinky oh good night
+[Music]
+

1949/VR0NIF6PbCo.description

@@ -0,0 +1,35 @@
+Adam's Rib - Equal Rights for Women: Adam (Spencer Tracy) and Amanda (Katharine Hepburn) butt heads while simply selecting jurors for the trial.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/adams-rib-1949/1MVe4ca8fa5270486b722e5a2f996cf9e7b?cmp=Movieclips_YT_Description
+
+Watch the best Adam's Rib scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrBFzMId1m8RrmetoS0KrhG
+
+FILM DESCRIPTION:
+A courtroom rivalry finds its way into the household when prosecuting lawyer Adam Bonner (Spencer Tracy) faces off against his wife, Amanda (Katharine Hepburn), who happens to be a defense attorney. Working on opposite sides of a lawsuit where a woman (Judy Holliday) has shot her cheating husband (Tom Ewell), Adam and Amanda are both determined to win the case, and their home becomes the setting for comical showdowns, with neither spouse willing to relent.
+
+CREDITS:
+TM & © Warner Bros. (1949)
+Cast: Spencer Tracy, Katharine Hepburn
+Director: George Cukor
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1949/VR0NIF6PbCo.en.srt

@@ -0,0 +1,495 @@
+1
+00:00:01,290 --> 00:00:05,050
+
+what's your occupation infants headgear
+
+2
+00:00:05,050 --> 00:00:05,060
+what's your occupation infants headgear
+ 
+
+3
+00:00:05,060 --> 00:00:07,550
+what's your occupation infants headgear
+uh are you personally acquainted with
+
+4
+00:00:07,550 --> 00:00:07,560
+uh are you personally acquainted with
+ 
+
+5
+00:00:07,560 --> 00:00:11,030
+uh are you personally acquainted with
+one Warren avenger' no Doris Szabo
+
+6
+00:00:11,030 --> 00:00:11,040
+one Warren avenger' no Doris Szabo
+ 
+
+7
+00:00:11,040 --> 00:00:16,970
+one Warren avenger' no Doris Szabo
+attinger no burl Kane no do you think if
+
+8
+00:00:16,970 --> 00:00:16,980
+attinger no burl Kane no do you think if
+ 
+
+9
+00:00:16,980 --> 00:00:18,590
+attinger no burl Kane no do you think if
+you're able to render a just and honest
+
+10
+00:00:18,590 --> 00:00:18,600
+you're able to render a just and honest
+ 
+
+11
+00:00:18,600 --> 00:00:20,840
+you're able to render a just and honest
+verdict in this case as adduced for the
+
+12
+00:00:20,840 --> 00:00:20,850
+verdict in this case as adduced for the
+ 
+
+13
+00:00:20,850 --> 00:00:22,400
+verdict in this case as adduced for the
+evidence and the law is laid down by the
+
+14
+00:00:22,400 --> 00:00:22,410
+evidence and the law is laid down by the
+ 
+
+15
+00:00:22,410 --> 00:00:22,939
+evidence and the law is laid down by the
+court
+
+16
+00:00:22,939 --> 00:00:22,949
+court
+ 
+
+17
+00:00:22,949 --> 00:00:27,320
+court
+sure yes yes the juror is accepting
+
+18
+00:00:27,320 --> 00:00:27,330
+sure yes yes the juror is accepting
+ 
+
+19
+00:00:27,330 --> 00:00:30,580
+sure yes yes the juror is accepting
+people
+
+20
+00:00:30,580 --> 00:00:30,590
+
+ 
+
+21
+00:00:30,590 --> 00:00:34,729
+
+good morning mr. Hiller good morning do
+
+22
+00:00:34,729 --> 00:00:34,739
+good morning mr. Hiller good morning do
+ 
+
+23
+00:00:34,739 --> 00:00:36,500
+good morning mr. Hiller good morning do
+you believe in equal rights for women
+
+24
+00:00:36,500 --> 00:00:36,510
+you believe in equal rights for women
+ 
+
+25
+00:00:36,510 --> 00:00:40,970
+you believe in equal rights for women
+what objection may it please the court I
+
+26
+00:00:40,970 --> 00:00:40,980
+what objection may it please the court I
+ 
+
+27
+00:00:40,980 --> 00:00:42,920
+what objection may it please the court I
+submit that my entire line of defense is
+
+28
+00:00:42,920 --> 00:00:42,930
+submit that my entire line of defense is
+ 
+
+29
+00:00:42,930 --> 00:00:45,680
+submit that my entire line of defense is
+based on the proposition that persons of
+
+30
+00:00:45,680 --> 00:00:45,690
+based on the proposition that persons of
+ 
+
+31
+00:00:45,690 --> 00:00:47,119
+based on the proposition that persons of
+the female sex should be dealt with
+
+32
+00:00:47,119 --> 00:00:47,129
+the female sex should be dealt with
+ 
+
+33
+00:00:47,129 --> 00:00:49,639
+the female sex should be dealt with
+before the law as the equals of persons
+
+34
+00:00:49,639 --> 00:00:49,649
+before the law as the equals of persons
+ 
+
+35
+00:00:49,649 --> 00:00:50,690
+before the law as the equals of persons
+of the male sex
+
+36
+00:00:50,690 --> 00:00:50,700
+of the male sex
+ 
+
+37
+00:00:50,700 --> 00:00:53,240
+of the male sex
+I submit that I cannot hope to argue
+
+38
+00:00:53,240 --> 00:00:53,250
+I submit that I cannot hope to argue
+ 
+
+39
+00:00:53,250 --> 00:00:56,330
+I submit that I cannot hope to argue
+this line before mine's hostile to and
+
+40
+00:00:56,330 --> 00:00:56,340
+this line before mine's hostile to and
+ 
+
+41
+00:00:56,340 --> 00:00:59,110
+this line before mine's hostile to and
+prejudiced against the female sex
+
+42
+00:00:59,110 --> 00:00:59,120
+prejudiced against the female sex
+ 
+
+43
+00:00:59,120 --> 00:01:02,380
+prejudiced against the female sex
+objection still stands your honor ruled
+
+44
+00:01:02,380 --> 00:01:02,390
+objection still stands your honor ruled
+ 
+
+45
+00:01:02,390 --> 00:01:06,289
+objection still stands your honor ruled
+exception beat the crash counselor do
+
+46
+00:01:06,289 --> 00:01:06,299
+exception beat the crash counselor do
+ 
+
+47
+00:01:06,299 --> 00:01:08,600
+exception beat the crash counselor do
+you believe in equal rights for women I
+
+48
+00:01:08,600 --> 00:01:08,610
+you believe in equal rights for women I
+ 
+
+49
+00:01:08,610 --> 00:01:10,300
+you believe in equal rights for women I
+should say not
+
+50
+00:01:10,300 --> 00:01:10,310
+should say not
+ 
+
+51
+00:01:10,310 --> 00:01:13,010
+should say not
+the defendant challenges this juror for
+
+52
+00:01:13,010 --> 00:01:13,020
+the defendant challenges this juror for
+ 
+
+53
+00:01:13,020 --> 00:01:28,350
+the defendant challenges this juror for
+cause schools
+
+54
+00:01:28,350 --> 00:01:28,360
+
+ 
+
+55
+00:01:28,360 --> 00:01:30,460
+
+Your Honor in view of the fact that
+
+56
+00:01:30,460 --> 00:01:30,470
+Your Honor in view of the fact that
+ 
+
+57
+00:01:30,470 --> 00:01:31,870
+Your Honor in view of the fact that
+counsel have agreed that alternate
+
+58
+00:01:31,870 --> 00:01:31,880
+counsel have agreed that alternate
+ 
+
+59
+00:01:31,880 --> 00:01:33,999
+counsel have agreed that alternate
+jurors are not to be selected may we
+
+60
+00:01:33,999 --> 00:01:34,009
+jurors are not to be selected may we
+ 
+
+61
+00:01:34,009 --> 00:01:35,469
+jurors are not to be selected may we
+proceed without making a call for
+
+62
+00:01:35,469 --> 00:01:35,479
+proceed without making a call for
+ 
+
+63
+00:01:35,479 --> 00:01:37,120
+proceed without making a call for
+additional perspective jurors at this
+
+64
+00:01:37,120 --> 00:01:37,130
+additional perspective jurors at this
+ 
+
+65
+00:01:37,130 --> 00:01:39,249
+additional perspective jurors at this
+time you may proceed place your left
+
+66
+00:01:39,249 --> 00:01:39,259
+time you may proceed place your left
+ 
+
+67
+00:01:39,259 --> 00:01:41,520
+time you may proceed place your left
+hand the Bible raise your right hand
+
+68
+00:01:41,520 --> 00:01:41,530
+hand the Bible raise your right hand
+ 
+
+69
+00:01:41,530 --> 00:01:43,719
+hand the Bible raise your right hand
+you do solemnly swear that your true
+
+70
+00:01:43,719 --> 00:01:43,729
+you do solemnly swear that your true
+ 
+
+71
+00:01:43,729 --> 00:01:45,100
+you do solemnly swear that your true
+answers make to all questions put to you
+
+72
+00:01:45,100 --> 00:01:45,110
+answers make to all questions put to you
+ 
+
+73
+00:01:45,110 --> 00:01:46,450
+answers make to all questions put to you
+upon the several challenges touching
+
+74
+00:01:46,450 --> 00:01:46,460
+upon the several challenges touching
+ 
+
+75
+00:01:46,460 --> 00:01:47,649
+upon the several challenges touching
+upon your competence as a fair and
+
+76
+00:01:47,649 --> 00:01:47,659
+upon your competence as a fair and
+ 
+
+77
+00:01:47,659 --> 00:01:48,910
+upon your competence as a fair and
+impartial juror and this proceeding
+
+78
+00:01:48,910 --> 00:01:48,920
+impartial juror and this proceeding
+ 
+
+79
+00:01:48,920 --> 00:01:49,960
+impartial juror and this proceeding
+between the people of the state of New
+
+80
+00:01:49,960 --> 00:01:49,970
+between the people of the state of New
+ 
+
+81
+00:01:49,970 --> 00:01:51,430
+between the people of the state of New
+York and doorstop oh I figure so help
+
+82
+00:01:51,430 --> 00:01:51,440
+York and doorstop oh I figure so help
+ 
+
+83
+00:01:51,440 --> 00:01:53,760
+York and doorstop oh I figure so help
+you God I do you seated
+
+84
+00:01:53,760 --> 00:01:53,770
+you God I do you seated
+ 
+
+85
+00:01:53,770 --> 00:01:56,889
+you God I do you seated
+your Benjamin Klausner Klausner spent
+
+86
+00:01:56,889 --> 00:01:56,899
+your Benjamin Klausner Klausner spent
+ 
+
+87
+00:01:56,899 --> 00:01:59,469
+your Benjamin Klausner Klausner spent
+your dress won over 70 77th Street in
+
+88
+00:01:59,469 --> 00:01:59,479
+your dress won over 70 77th Street in
+ 
+
+89
+00:01:59,479 --> 00:02:01,270
+your dress won over 70 77th Street in
+New York City occupation projectionist
+
+90
+00:02:01,270 --> 00:02:01,280
+New York City occupation projectionist
+ 
+
+91
+00:02:01,280 --> 00:02:15,429
+New York City occupation projectionist
+motion picture projection is
+
+92
+00:02:15,429 --> 00:02:15,439
+
+ 
+
+93
+00:02:15,439 --> 00:02:17,660
+
+have you ever served on a motion picture
+
+94
+00:02:17,660 --> 00:02:17,670
+have you ever served on a motion picture
+ 
+
+95
+00:02:17,670 --> 00:02:21,740
+have you ever served on a motion picture
+projector this before what have you ever
+
+96
+00:02:21,740 --> 00:02:21,750
+projector this before what have you ever
+ 
+
+97
+00:02:21,750 --> 00:02:23,730
+projector this before what have you ever
+served on a jury before
+
+98
+00:02:23,730 --> 00:02:23,740
+served on a jury before
+ 
+
+99
+00:02:23,740 --> 00:02:35,080
+served on a jury before
+[Music]
+

1949/hdQOL2aFufE.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,000 --> 00:00:03,200
+
+I asked you all to direct your attention
+
+2
+00:00:03,200 --> 00:00:03,210
+I asked you all to direct your attention
+ 
+
+3
+00:00:03,210 --> 00:00:07,490
+I asked you all to direct your attention
+to the defendant mrs. attinger now keep
+
+4
+00:00:07,490 --> 00:00:07,500
+to the defendant mrs. attinger now keep
+ 
+
+5
+00:00:07,500 --> 00:00:09,440
+to the defendant mrs. attinger now keep
+looking at her keep watching listen
+
+6
+00:00:09,440 --> 00:00:09,450
+looking at her keep watching listen
+ 
+
+7
+00:00:09,450 --> 00:00:11,120
+looking at her keep watching listen
+carefully and look at her look at her
+
+8
+00:00:11,120 --> 00:00:11,130
+carefully and look at her look at her
+ 
+
+9
+00:00:11,130 --> 00:00:11,720
+carefully and look at her look at her
+hard
+
+10
+00:00:11,720 --> 00:00:11,730
+hard
+ 
+
+11
+00:00:11,730 --> 00:00:17,090
+hard
+now imagine her a man though I now use
+
+12
+00:00:17,090 --> 00:00:17,100
+now imagine her a man though I now use
+ 
+
+13
+00:00:17,100 --> 00:00:19,970
+now imagine her a man though I now use
+your imaginations think of her as a man
+
+14
+00:00:19,970 --> 00:00:19,980
+your imaginations think of her as a man
+ 
+
+15
+00:00:19,980 --> 00:00:22,730
+your imaginations think of her as a man
+sitting there accused of a light crime a
+
+16
+00:00:22,730 --> 00:00:22,740
+sitting there accused of a light crime a
+ 
+
+17
+00:00:22,740 --> 00:00:25,040
+sitting there accused of a light crime a
+husband who was only trying to protect
+
+18
+00:00:25,040 --> 00:00:25,050
+husband who was only trying to protect
+ 
+
+19
+00:00:25,050 --> 00:00:27,290
+husband who was only trying to protect
+his home now hold it hold that
+
+20
+00:00:27,290 --> 00:00:27,300
+his home now hold it hold that
+ 
+
+21
+00:00:27,300 --> 00:00:30,200
+his home now hold it hold that
+impression and look at Beryl Kane look
+
+22
+00:00:30,200 --> 00:00:30,210
+impression and look at Beryl Kane look
+ 
+
+23
+00:00:30,210 --> 00:00:33,410
+impression and look at Beryl Kane look
+at her look at her hard a man a slick
+
+24
+00:00:33,410 --> 00:00:33,420
+at her look at her hard a man a slick
+ 
+
+25
+00:00:33,420 --> 00:00:38,630
+at her look at her hard a man a slick
+homewrecker a third party oh whoa you
+
+26
+00:00:38,630 --> 00:00:38,640
+homewrecker a third party oh whoa you
+ 
+
+27
+00:00:38,640 --> 00:00:39,889
+homewrecker a third party oh whoa you
+know the type all right hold that
+
+28
+00:00:39,889 --> 00:00:39,899
+know the type all right hold that
+ 
+
+29
+00:00:39,899 --> 00:00:43,220
+know the type all right hold that
+impression that look at mr. attinger and
+
+30
+00:00:43,220 --> 00:00:43,230
+impression that look at mr. attinger and
+ 
+
+31
+00:00:43,230 --> 00:00:47,540
+impression that look at mr. attinger and
+suppose him a woman i trihard ah yes
+
+32
+00:00:47,540 --> 00:00:47,550
+suppose him a woman i trihard ah yes
+ 
+
+33
+00:00:47,550 --> 00:00:51,439
+suppose him a woman i trihard ah yes
+there she is the guilty one look at her
+
+34
+00:00:51,439 --> 00:00:51,449
+there she is the guilty one look at her
+ 
+
+35
+00:00:51,449 --> 00:00:55,250
+there she is the guilty one look at her
+she'ii arouse your sympathy all right
+
+36
+00:00:55,250 --> 00:00:55,260
+she'ii arouse your sympathy all right
+ 
+
+37
+00:00:55,260 --> 00:00:58,430
+she'ii arouse your sympathy all right
+now you have it georgette so an
+
+38
+00:00:58,430 --> 00:00:58,440
+now you have it georgette so an
+ 
+
+39
+00:00:58,440 --> 00:01:01,310
+now you have it georgette so an
+unwritten law stands back of a man who
+
+40
+00:01:01,310 --> 00:01:01,320
+unwritten law stands back of a man who
+ 
+
+41
+00:01:01,320 --> 00:01:05,570
+unwritten law stands back of a man who
+fights to defend his home apply this
+
+42
+00:01:05,570 --> 00:01:05,580
+fights to defend his home apply this
+ 
+
+43
+00:01:05,580 --> 00:01:09,140
+fights to defend his home apply this
+same law to this maltreated wife and
+
+44
+00:01:09,140 --> 00:01:09,150
+same law to this maltreated wife and
+ 
+
+45
+00:01:09,150 --> 00:01:13,090
+same law to this maltreated wife and
+neglected woman we ask you no more
+
+46
+00:01:13,090 --> 00:01:13,100
+neglected woman we ask you no more
+ 
+
+47
+00:01:13,100 --> 00:01:17,510
+neglected woman we ask you no more
+equality deep in the heart of South
+
+48
+00:01:17,510 --> 00:01:17,520
+equality deep in the heart of South
+ 
+
+49
+00:01:17,520 --> 00:01:19,399
+equality deep in the heart of South
+America there thrives today a
+
+50
+00:01:19,399 --> 00:01:19,409
+America there thrives today a
+ 
+
+51
+00:01:19,409 --> 00:01:22,160
+America there thrives today a
+civilization far older than ours a
+
+52
+00:01:22,160 --> 00:01:22,170
+civilization far older than ours a
+ 
+
+53
+00:01:22,170 --> 00:01:24,230
+civilization far older than ours a
+people known as the local Janos
+
+54
+00:01:24,230 --> 00:01:24,240
+people known as the local Janos
+ 
+
+55
+00:01:24,240 --> 00:01:26,899
+people known as the local Janos
+descended from the Amazons in this vast
+
+56
+00:01:26,899 --> 00:01:26,909
+descended from the Amazons in this vast
+ 
+
+57
+00:01:26,909 --> 00:01:32,539
+descended from the Amazons in this vast
+tribe members of the female sex rule and
+
+58
+00:01:32,539 --> 00:01:32,549
+tribe members of the female sex rule and
+ 
+
+59
+00:01:32,549 --> 00:01:36,499
+tribe members of the female sex rule and
+govern and systematically deny equal
+
+60
+00:01:36,499 --> 00:01:36,509
+govern and systematically deny equal
+ 
+
+61
+00:01:36,509 --> 00:01:39,830
+govern and systematically deny equal
+rights to the man made weak and puny by
+
+62
+00:01:39,830 --> 00:01:39,840
+rights to the man made weak and puny by
+ 
+
+63
+00:01:39,840 --> 00:01:42,380
+rights to the man made weak and puny by
+years of subservience too weak to revolt
+
+64
+00:01:42,380 --> 00:01:42,390
+years of subservience too weak to revolt
+ 
+
+65
+00:01:42,390 --> 00:01:46,760
+years of subservience too weak to revolt
+and yet how long have we lived in the
+
+66
+00:01:46,760 --> 00:01:46,770
+and yet how long have we lived in the
+ 
+
+67
+00:01:46,770 --> 00:01:50,920
+and yet how long have we lived in the
+shadow of a like injustice consider this
+
+68
+00:01:50,920 --> 00:01:50,930
+shadow of a like injustice consider this
+ 
+
+69
+00:01:50,930 --> 00:01:54,380
+shadow of a like injustice consider this
+unfortunate woman's act as though you
+
+70
+00:01:54,380 --> 00:01:54,390
+unfortunate woman's act as though you
+ 
+
+71
+00:01:54,390 --> 00:01:59,270
+unfortunate woman's act as though you
+yourselves had each committed it every
+
+72
+00:01:59,270 --> 00:01:59,280
+yourselves had each committed it every
+ 
+
+73
+00:01:59,280 --> 00:02:02,330
+yourselves had each committed it every
+living being is capable of attack if
+
+74
+00:02:02,330 --> 00:02:02,340
+living being is capable of attack if
+ 
+
+75
+00:02:02,340 --> 00:02:05,420
+living being is capable of attack if
+sufficiently provoked a sword lies
+
+76
+00:02:05,420 --> 00:02:05,430
+sufficiently provoked a sword lies
+ 
+
+77
+00:02:05,430 --> 00:02:09,430
+sufficiently provoked a sword lies
+dormant within us all it requires only
+
+78
+00:02:09,430 --> 00:02:09,440
+dormant within us all it requires only
+ 
+
+79
+00:02:09,440 --> 00:02:12,270
+dormant within us all it requires only
+circumstance to set it in violent motion
+
+80
+00:02:12,270 --> 00:02:12,280
+circumstance to set it in violent motion
+ 
+
+81
+00:02:12,280 --> 00:02:19,970
+circumstance to set it in violent motion
+I asked you for a verdict of not guilty
+
+82
+00:02:19,970 --> 00:02:19,980
+
+ 
+
+83
+00:02:19,980 --> 00:02:26,930
+
+there was no murder attempt here only a
+
+84
+00:02:26,930 --> 00:02:26,940
+there was no murder attempt here only a
+ 
+
+85
+00:02:26,940 --> 00:02:29,940
+there was no murder attempt here only a
+pathetic attempt to save a home
+
+86
+00:02:29,940 --> 00:02:29,950
+pathetic attempt to save a home
+ 
+
+87
+00:02:29,950 --> 00:02:41,289
+pathetic attempt to save a home
+[Music]
+

1949/hjuvr5uGA4s.description

@@ -0,0 +1,35 @@
+Adam's Rib - Licorice: Adam (Spencer Tracy) appears with a gun and threatens to shoot Amanda (Katharine Hepburn) and Kip (David Wayne).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/adams-rib-1949/1MVe4ca8fa5270486b722e5a2f996cf9e7b?cmp=Movieclips_YT_Description
+
+Watch the best Adam's Rib scenes & clips:
+https://www.youtube.com/playlist?list=PLn9kZxo8qamanTkmWTtVXJZGPnpw9MkTJ
+
+FILM DESCRIPTION:
+A courtroom rivalry finds its way into the household when prosecuting lawyer Adam Bonner (Spencer Tracy) faces off against his wife, Amanda (Katharine Hepburn), who happens to be a defense attorney. Working on opposite sides of a lawsuit where a woman (Judy Holliday) has shot her cheating husband (Tom Ewell), Adam and Amanda are both determined to win the case, and their home becomes the setting for comical showdowns, with neither spouse willing to relent.
+
+CREDITS:
+TM & © Warner Bros. (1949)
+Cast: Spencer Tracy, Katharine Hepburn, David Wayne
+Director: George Cukor
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1949/hjuvr5uGA4s.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:00,040 --> 00:00:01,550
+
+just pretend like they do on the stage
+
+2
+00:00:01,550 --> 00:00:01,560
+just pretend like they do on the stage
+ 
+
+3
+00:00:01,560 --> 00:00:04,550
+just pretend like they do on the stage
+like lton fonan you be Lon I'll be fonan
+
+4
+00:00:04,550 --> 00:00:04,560
+like lton fonan you be Lon I'll be fonan
+ 
+
+5
+00:00:04,560 --> 00:00:07,350
+like lton fonan you be Lon I'll be fonan
+the other way
+
+6
+00:00:07,350 --> 00:00:07,360
+the other way
+ 
+
+7
+00:00:07,360 --> 00:00:14,549
+the other way
+he all right all right break it
+
+8
+00:00:14,549 --> 00:00:14,559
+
+ 
+
+9
+00:00:14,559 --> 00:00:17,470
+
+up Adam
+
+10
+00:00:17,470 --> 00:00:17,480
+up Adam
+ 
+
+11
+00:00:17,480 --> 00:00:20,509
+up Adam
+Adam listen to me Adam don't you handle
+
+12
+00:00:20,509 --> 00:00:20,519
+Adam listen to me Adam don't you handle
+ 
+
+13
+00:00:20,519 --> 00:00:23,429
+Adam listen to me Adam don't you handle
+me lady I'm not nutty not any more than
+
+14
+00:00:23,429 --> 00:00:23,439
+me lady I'm not nutty not any more than
+ 
+
+15
+00:00:23,439 --> 00:00:25,029
+me lady I'm not nutty not any more than
+the average you said it yourself today
+
+16
+00:00:25,029 --> 00:00:25,039
+the average you said it yourself today
+ 
+
+17
+00:00:25,039 --> 00:00:27,589
+the average you said it yourself today
+didn't you you said anyone is capable of
+
+18
+00:00:27,589 --> 00:00:27,599
+didn't you you said anyone is capable of
+ 
+
+19
+00:00:27,599 --> 00:00:31,269
+didn't you you said anyone is capable of
+attack if provoked you bet includ me yes
+
+20
+00:00:31,269 --> 00:00:31,279
+attack if provoked you bet includ me yes
+ 
+
+21
+00:00:31,279 --> 00:00:33,430
+attack if provoked you bet includ me yes
+don't you move young man you stand as
+
+22
+00:00:33,430 --> 00:00:33,440
+don't you move young man you stand as
+ 
+
+23
+00:00:33,440 --> 00:00:35,389
+don't you move young man you stand as
+still as you can
+
+24
+00:00:35,389 --> 00:00:35,399
+still as you can
+ 
+
+25
+00:00:35,399 --> 00:00:39,229
+still as you can
+be now Adam Adam you said that
+
+26
+00:00:39,229 --> 00:00:39,239
+be now Adam Adam you said that
+ 
+
+27
+00:00:39,239 --> 00:00:43,110
+be now Adam Adam you said that
+before now Adam you're sick please what
+
+28
+00:00:43,110 --> 00:00:43,120
+before now Adam you're sick please what
+ 
+
+29
+00:00:43,120 --> 00:00:44,709
+before now Adam you're sick please what
+do you think you're doing teaching a
+
+30
+00:00:44,709 --> 00:00:44,719
+do you think you're doing teaching a
+ 
+
+31
+00:00:44,719 --> 00:00:49,990
+do you think you're doing teaching a
+lesson him first then comes yours now
+
+32
+00:00:49,990 --> 00:00:50,000
+lesson him first then comes yours now
+ 
+
+33
+00:00:50,000 --> 00:00:53,349
+lesson him first then comes yours now
+get away Amanda Adam stop get away
+
+34
+00:00:53,349 --> 00:00:53,359
+get away Amanda Adam stop get away
+ 
+
+35
+00:00:53,359 --> 00:00:55,950
+get away Amanda Adam stop get away
+Amanda don't you do it Amanda stop it
+
+36
+00:00:55,950 --> 00:00:55,960
+Amanda don't you do it Amanda stop it
+ 
+
+37
+00:00:55,960 --> 00:01:00,229
+Amanda don't you do it Amanda stop it
+Adam stop it you have no right you do
+
+38
+00:01:00,229 --> 00:01:00,239
+Adam stop it you have no right you do
+ 
+
+39
+00:01:00,239 --> 00:01:02,349
+Adam stop it you have no right you do
+what you're doing you've no right what
+
+40
+00:01:02,349 --> 00:01:02,359
+what you're doing you've no right what
+ 
+
+41
+00:01:02,359 --> 00:01:05,750
+what you're doing you've no right what
+no one has a right
+
+42
+00:01:05,750 --> 00:01:05,760
+
+ 
+
+43
+00:01:05,760 --> 00:01:09,149
+
+to that's all sister that's all I wanted
+
+44
+00:01:09,149 --> 00:01:09,159
+to that's all sister that's all I wanted
+ 
+
+45
+00:01:09,159 --> 00:01:24,510
+to that's all sister that's all I wanted
+to hear music to my tin
+
+46
+00:01:24,510 --> 00:01:24,520
+
+ 
+
+47
+00:01:24,520 --> 00:01:27,429
+
+here
+
+48
+00:01:27,429 --> 00:01:27,439
+here
+ 
+
+49
+00:01:27,439 --> 00:01:38,310
+here
+Li if there anything on my sucker
+
+50
+00:01:38,310 --> 00:01:38,320
+
+ 
+
+51
+00:01:38,320 --> 00:01:43,149
+
+is I'll never this
+
+52
+00:01:43,149 --> 00:01:43,159
+is I'll never this
+ 
+
+53
+00:01:43,159 --> 00:01:44,990
+is I'll never this
+never me
+
+54
+00:01:44,990 --> 00:01:45,000
+never me
+ 
+
+55
+00:01:45,000 --> 00:01:47,469
+never me
+neither I'll never forget that no matter
+
+56
+00:01:47,469 --> 00:01:47,479
+neither I'll never forget that no matter
+ 
+
+57
+00:01:47,479 --> 00:01:49,069
+neither I'll never forget that no matter
+what you think you think you think the
+
+58
+00:01:49,069 --> 00:01:49,079
+what you think you think you think the
+ 
+
+59
+00:01:49,079 --> 00:01:52,190
+what you think you think you think the
+same as I think that I have no right
+
+60
+00:01:52,190 --> 00:01:52,200
+same as I think that I have no right
+ 
+
+61
+00:01:52,200 --> 00:01:54,830
+same as I think that I have no right
+that no one has a right to break the law
+
+62
+00:01:54,830 --> 00:01:54,840
+that no one has a right to break the law
+ 
+
+63
+00:01:54,840 --> 00:01:57,029
+that no one has a right to break the law
+that your client had no right that I'm
+
+64
+00:01:57,029 --> 00:01:57,039
+that your client had no right that I'm
+ 
+
+65
+00:01:57,039 --> 00:01:59,550
+that your client had no right that I'm
+right and you're wrong worthless corrupt
+
+66
+00:01:59,550 --> 00:01:59,560
+right and you're wrong worthless corrupt
+ 
+
+67
+00:01:59,560 --> 00:02:00,389
+right and you're wrong worthless corrupt
+me
+
+68
+00:02:00,389 --> 00:02:00,399
+me
+ 
+
+69
+00:02:00,399 --> 00:02:03,789
+me
+rotten dirty cont temptable little petty
+
+70
+00:02:03,789 --> 00:02:03,799
+rotten dirty cont temptable little petty
+ 
+
+71
+00:02:03,799 --> 00:02:05,789
+rotten dirty cont temptable little petty
+gruesome contempt you said all that
+
+72
+00:02:05,789 --> 00:02:05,799
+gruesome contempt you said all that
+ 
+
+73
+00:02:05,799 --> 00:02:09,029
+gruesome contempt you said all that
+before what go on back to your rash M
+
+74
+00:02:09,029 --> 00:02:09,039
+before what go on back to your rash M
+ 
+
+75
+00:02:09,039 --> 00:02:10,469
+before what go on back to your rash M
+you think you can just hit and run
+
+76
+00:02:10,469 --> 00:02:10,479
+you think you can just hit and run
+ 
+
+77
+00:02:10,479 --> 00:02:11,830
+you think you can just hit and run
+that's way you're wrong I have a thing
+
+78
+00:02:11,830 --> 00:02:11,840
+that's way you're wrong I have a thing
+ 
+
+79
+00:02:11,840 --> 00:02:15,150
+that's way you're wrong I have a thing
+or two to say too don't don't try me now
+
+80
+00:02:15,150 --> 00:02:15,160
+or two to say too don't don't try me now
+ 
+
+81
+00:02:15,160 --> 00:02:17,710
+or two to say too don't don't try me now
+pinky ping me what's biting you Adam
+
+82
+00:02:17,710 --> 00:02:17,720
+pinky ping me what's biting you Adam
+ 
+
+83
+00:02:17,720 --> 00:02:24,880
+pinky ping me what's biting you Adam
+you're biting me that's what
+
+84
+00:02:24,880 --> 00:02:24,890
+
+ 
+
+85
+00:02:24,890 --> 00:02:30,810
+
+[Music]
+

1949/yAmTu-R5MQM.description

@@ -0,0 +1,35 @@
+Adam's Rib - This Deplorable System: Amanda (Katharine Hepburn) and Adam Bonner (Spencer Tracy) debate a recent criminal case and how the courts treat men and women differently.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/adams-rib-1949/1MVe4ca8fa5270486b722e5a2f996cf9e7b?cmp=Movieclips_YT_Description
+
+Watch the best Adam's Rib scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrBFzMId1m8RrmetoS0KrhG
+
+FILM DESCRIPTION:
+A courtroom rivalry finds its way into the household when prosecuting lawyer Adam Bonner (Spencer Tracy) faces off against his wife, Amanda (Katharine Hepburn), who happens to be a defense attorney. Working on opposite sides of a lawsuit where a woman (Judy Holliday) has shot her cheating husband (Tom Ewell), Adam and Amanda are both determined to win the case, and their home becomes the setting for comical showdowns, with neither spouse willing to relent.
+
+CREDITS:
+TM & © Warner Bros. (1949)
+Cast: Spencer Tracy, Katharine Hepburn
+Director: George Cukor
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
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+Tumblr: http://bit.ly/1vUwhH7

1949/yAmTu-R5MQM.en.srt

@@ -0,0 +1,495 @@
+1
+00:00:00,060 --> 00:00:05,780
+
+woman shot her husband kill him hi Matt
+
+2
+00:00:05,780 --> 00:00:05,790
+woman shot her husband kill him hi Matt
+ 
+
+3
+00:00:05,790 --> 00:00:12,080
+woman shot her husband kill him hi Matt
+thank you yeah hey don't don't
+
+4
+00:00:12,080 --> 00:00:12,090
+thank you yeah hey don't don't
+ 
+
+5
+00:00:12,090 --> 00:00:17,349
+thank you yeah hey don't don't
+that's a shame condition critical no hmm
+
+6
+00:00:17,349 --> 00:00:17,359
+that's a shame condition critical no hmm
+ 
+
+7
+00:00:17,359 --> 00:00:19,000
+that's a shame condition critical no hmm
+Wow
+
+8
+00:00:19,000 --> 00:00:19,010
+Wow
+ 
+
+9
+00:00:19,010 --> 00:00:23,570
+Wow
+what I understand what is it Oh find it
+
+10
+00:00:23,570 --> 00:00:23,580
+what I understand what is it Oh find it
+ 
+
+11
+00:00:23,580 --> 00:00:25,849
+what I understand what is it Oh find it
+in yours isn't it here he was playing
+
+12
+00:00:25,849 --> 00:00:25,859
+in yours isn't it here he was playing
+ 
+
+13
+00:00:25,859 --> 00:00:27,650
+in yours isn't it here he was playing
+her fast and loose so she caught him out
+
+14
+00:00:27,650 --> 00:00:27,660
+her fast and loose so she caught him out
+ 
+
+15
+00:00:27,660 --> 00:00:32,020
+her fast and loose so she caught him out
+and popped him a few 32 calories whoo
+
+16
+00:00:32,020 --> 00:00:32,030
+
+ 
+
+17
+00:00:32,030 --> 00:00:35,590
+
+ladies I'm ready
+
+18
+00:00:35,590 --> 00:00:35,600
+ladies I'm ready
+ 
+
+19
+00:00:35,600 --> 00:00:37,760
+ladies I'm ready
+serves them right the little two-timer
+
+20
+00:00:37,760 --> 00:00:37,770
+serves them right the little two-timer
+ 
+
+21
+00:00:37,770 --> 00:00:38,750
+serves them right the little two-timer
+mm-hmm
+
+22
+00:00:38,750 --> 00:00:38,760
+mm-hmm
+ 
+
+23
+00:00:38,760 --> 00:00:42,080
+mm-hmm
+says here 511 180 some little little in
+
+24
+00:00:42,080 --> 00:00:42,090
+says here 511 180 some little little in
+ 
+
+25
+00:00:42,090 --> 00:00:44,540
+says here 511 180 some little little in
+spirit I mean of course little in spirit
+
+26
+00:00:44,540 --> 00:00:44,550
+spirit I mean of course little in spirit
+ 
+
+27
+00:00:44,550 --> 00:00:46,850
+spirit I mean of course little in spirit
+I gotta prove people rushing around King
+
+28
+00:00:46,850 --> 00:00:46,860
+I gotta prove people rushing around King
+ 
+
+29
+00:00:46,860 --> 00:00:49,130
+I gotta prove people rushing around King
+Lord of revolvers revenge on over there
+
+30
+00:00:49,130 --> 00:00:49,140
+Lord of revolvers revenge on over there
+ 
+
+31
+00:00:49,140 --> 00:00:51,590
+Lord of revolvers revenge on over there
+Rutter rushing at ya is that what they
+
+32
+00:00:51,590 --> 00:00:51,600
+Rutter rushing at ya is that what they
+ 
+
+33
+00:00:51,600 --> 00:00:55,490
+Rutter rushing at ya is that what they
+taught you at Yale Law School not funny
+
+34
+00:00:55,490 --> 00:00:55,500
+taught you at Yale Law School not funny
+ 
+
+35
+00:00:55,500 --> 00:00:57,560
+taught you at Yale Law School not funny
+contempt for the law you know is the
+
+36
+00:00:57,560 --> 00:00:57,570
+contempt for the law you know is the
+ 
+
+37
+00:00:57,570 --> 00:01:00,610
+contempt for the law you know is the
+first thing that feel pretty fun come in
+
+38
+00:01:00,610 --> 00:01:00,620
+first thing that feel pretty fun come in
+ 
+
+39
+00:01:00,620 --> 00:01:03,229
+first thing that feel pretty fun come in
+better get moving you too heavy traffic
+
+40
+00:01:03,229 --> 00:01:03,239
+better get moving you too heavy traffic
+ 
+
+41
+00:01:03,239 --> 00:01:21,410
+better get moving you too heavy traffic
+today all I'm trying to say is that
+
+42
+00:01:21,410 --> 00:01:21,420
+today all I'm trying to say is that
+ 
+
+43
+00:01:21,420 --> 00:01:22,940
+today all I'm trying to say is that
+there lots of things that a man can do
+
+44
+00:01:22,940 --> 00:01:22,950
+there lots of things that a man can do
+ 
+
+45
+00:01:22,950 --> 00:01:24,679
+there lots of things that a man can do
+and in society's eyes it's all
+
+46
+00:01:24,679 --> 00:01:24,689
+and in society's eyes it's all
+ 
+
+47
+00:01:24,689 --> 00:01:27,350
+and in society's eyes it's all
+hunky-dory a woman does the same thing
+
+48
+00:01:27,350 --> 00:01:27,360
+hunky-dory a woman does the same thing
+ 
+
+49
+00:01:27,360 --> 00:01:29,530
+hunky-dory a woman does the same thing
+the same mind you and she's an outcast
+
+50
+00:01:29,530 --> 00:01:29,540
+the same mind you and she's an outcast
+ 
+
+51
+00:01:29,540 --> 00:01:32,660
+the same mind you and she's an outcast
+finished no now I'm not blaming you
+
+52
+00:01:32,660 --> 00:01:32,670
+finished no now I'm not blaming you
+ 
+
+53
+00:01:32,670 --> 00:01:34,490
+finished no now I'm not blaming you
+personally Adam because this is so oh
+
+54
+00:01:34,490 --> 00:01:34,500
+personally Adam because this is so oh
+ 
+
+55
+00:01:34,500 --> 00:01:36,649
+personally Adam because this is so oh
+that's awfully large of you well no it's
+
+56
+00:01:36,649 --> 00:01:36,659
+that's awfully large of you well no it's
+ 
+
+57
+00:01:36,659 --> 00:01:38,810
+that's awfully large of you well no it's
+not your fault all I'm saying is why let
+
+58
+00:01:38,810 --> 00:01:38,820
+not your fault all I'm saying is why let
+ 
+
+59
+00:01:38,820 --> 00:01:40,550
+not your fault all I'm saying is why let
+this deplorable system seep into our
+
+60
+00:01:40,550 --> 00:01:40,560
+this deplorable system seep into our
+ 
+
+61
+00:01:40,560 --> 00:01:42,410
+this deplorable system seep into our
+courts of law where women are supposed
+
+62
+00:01:42,410 --> 00:01:42,420
+courts of law where women are supposed
+ 
+
+63
+00:01:42,420 --> 00:01:45,649
+courts of law where women are supposed
+to be mostly I think females get
+
+64
+00:01:45,649 --> 00:01:45,659
+to be mostly I think females get
+ 
+
+65
+00:01:45,659 --> 00:01:48,560
+to be mostly I think females get
+advantages we don't want advantages and
+
+66
+00:01:48,560 --> 00:01:48,570
+advantages we don't want advantages and
+ 
+
+67
+00:01:48,570 --> 00:01:50,749
+advantages we don't want advantages and
+we don't want pretty excited honey don't
+
+68
+00:01:50,749 --> 00:01:50,759
+we don't want pretty excited honey don't
+ 
+
+69
+00:01:50,759 --> 00:01:52,429
+we don't want pretty excited honey don't
+oh you didn't I need a Britain mall
+
+70
+00:01:52,429 --> 00:01:52,439
+oh you didn't I need a Britain mall
+ 
+
+71
+00:01:52,439 --> 00:01:54,410
+oh you didn't I need a Britain mall
+right well what did she tried to do she
+
+72
+00:01:54,410 --> 00:01:54,420
+right well what did she tried to do she
+ 
+
+73
+00:01:54,420 --> 00:01:56,389
+right well what did she tried to do she
+tried to keep her home intact yeah by
+
+74
+00:01:56,389 --> 00:01:56,399
+tried to keep her home intact yeah by
+ 
+
+75
+00:01:56,399 --> 00:01:58,070
+tried to keep her home intact yeah by
+knocking off her husband
+
+76
+00:01:58,070 --> 00:01:58,080
+knocking off her husband
+ 
+
+77
+00:01:58,080 --> 00:02:00,020
+knocking off her husband
+she didn't knock him off she's alive she
+
+78
+00:02:00,020 --> 00:02:00,030
+she didn't knock him off she's alive she
+ 
+
+79
+00:02:00,030 --> 00:02:01,850
+she didn't knock him off she's alive she
+didn't kill him she tried she missed
+
+80
+00:02:01,850 --> 00:02:01,860
+didn't kill him she tried she missed
+ 
+
+81
+00:02:01,860 --> 00:02:03,950
+didn't kill him she tried she missed
+well all right now suppose you wanna do
+
+82
+00:02:03,950 --> 00:02:03,960
+well all right now suppose you wanna do
+ 
+
+83
+00:02:03,960 --> 00:02:08,590
+well all right now suppose you wanna do
+give her another shot at him no I don't
+
+84
+00:02:08,590 --> 00:02:08,600
+
+ 
+
+85
+00:02:08,600 --> 00:02:11,600
+
+darling burns might go too I might go
+
+86
+00:02:11,600 --> 00:02:11,610
+darling burns might go too I might go
+ 
+
+87
+00:02:11,610 --> 00:02:14,090
+darling burns might go too I might go
+might go fine should be punished not
+
+88
+00:02:14,090 --> 00:02:14,100
+might go fine should be punished not
+ 
+
+89
+00:02:14,100 --> 00:02:16,880
+might go fine should be punished not
+condone woman anybody come in here pull
+
+90
+00:02:16,880 --> 00:02:16,890
+condone woman anybody come in here pull
+ 
+
+91
+00:02:16,890 --> 00:02:17,180
+condone woman anybody come in here pull
+over
+
+92
+00:02:17,180 --> 00:02:17,190
+over
+ 
+
+93
+00:02:17,190 --> 00:02:23,040
+over
+Oh
+
+94
+00:02:23,040 --> 00:02:23,050
+
+ 
+
+95
+00:02:23,050 --> 00:02:27,510
+
+[Music]
+
+96
+00:02:27,510 --> 00:02:27,520
+[Music]
+ 
+
+97
+00:02:27,520 --> 00:02:31,040
+[Music]
+lady drivers you'll put me away
+
+98
+00:02:31,040 --> 00:02:31,050
+lady drivers you'll put me away
+ 
+
+99
+00:02:31,050 --> 00:02:42,490
+lady drivers you'll put me away
+[Music]
+

1950/2RA-7QUYrHA.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:00,199 --> 00:00:01,670
+
+the commissioner's mad he's out for
+
+2
+00:00:01,670 --> 00:00:01,680
+the commissioner's mad he's out for
+ 
+
+3
+00:00:01,680 --> 00:00:05,550
+the commissioner's mad he's out for
+blood and it's not going to be
+
+4
+00:00:05,550 --> 00:00:05,560
+blood and it's not going to be
+ 
+
+5
+00:00:05,560 --> 00:00:08,190
+blood and it's not going to be
+mine you're not going to stop me you're
+
+6
+00:00:08,190 --> 00:00:08,200
+mine you're not going to stop me you're
+ 
+
+7
+00:00:08,200 --> 00:00:09,830
+mine you're not going to stop me you're
+going to let me go you're going to do
+
+8
+00:00:09,830 --> 00:00:09,840
+going to let me go you're going to do
+ 
+
+9
+00:00:09,840 --> 00:00:12,270
+going to let me go you're going to do
+that if you
+
+10
+00:00:12,270 --> 00:00:12,280
+that if you
+ 
+
+11
+00:00:12,280 --> 00:00:16,310
+that if you
+don't I no you'll be a great a pigeon
+
+12
+00:00:16,310 --> 00:00:16,320
+don't I no you'll be a great a pigeon
+ 
+
+13
+00:00:16,320 --> 00:00:18,349
+don't I no you'll be a great a pigeon
+that's right I'll tell him you saw
+
+14
+00:00:18,349 --> 00:00:18,359
+that's right I'll tell him you saw
+ 
+
+15
+00:00:18,359 --> 00:00:20,910
+that's right I'll tell him you saw
+reeden Schneider here it didn't Rous him
+
+16
+00:00:20,910 --> 00:00:20,920
+reeden Schneider here it didn't Rous him
+ 
+
+17
+00:00:20,920 --> 00:00:23,429
+reeden Schneider here it didn't Rous him
+why because you'd had to explain what
+
+18
+00:00:23,429 --> 00:00:23,439
+why because you'd had to explain what
+ 
+
+19
+00:00:23,439 --> 00:00:25,390
+why because you'd had to explain what
+you were doing here I'll tell them all
+
+20
+00:00:25,390 --> 00:00:25,400
+you were doing here I'll tell them all
+ 
+
+21
+00:00:25,400 --> 00:00:26,390
+you were doing here I'll tell them all
+about the juice you've been getting out
+
+22
+00:00:26,390 --> 00:00:26,400
+about the juice you've been getting out
+ 
+
+23
+00:00:26,400 --> 00:00:28,390
+about the juice you've been getting out
+of me cby the only thing you're doing is
+
+24
+00:00:28,390 --> 00:00:28,400
+of me cby the only thing you're doing is
+ 
+
+25
+00:00:28,400 --> 00:00:30,349
+of me cby the only thing you're doing is
+making me sore once sign starts and I
+
+26
+00:00:30,349 --> 00:00:30,359
+making me sore once sign starts and I
+ 
+
+27
+00:00:30,359 --> 00:00:32,470
+making me sore once sign starts and I
+won't stop they'll jug you right
+
+28
+00:00:32,470 --> 00:00:32,480
+won't stop they'll jug you right
+ 
+
+29
+00:00:32,480 --> 00:00:33,590
+won't stop they'll jug you right
+alongside of me that's where you're
+
+30
+00:00:33,590 --> 00:00:33,600
+alongside of me that's where you're
+ 
+
+31
+00:00:33,600 --> 00:00:35,790
+alongside of me that's where you're
+wrong kbby even if they believe you it
+
+32
+00:00:35,790 --> 00:00:35,800
+wrong kbby even if they believe you it
+ 
+
+33
+00:00:35,800 --> 00:00:37,950
+wrong kbby even if they believe you it
+won't go too hard with me because I'll
+
+34
+00:00:37,950 --> 00:00:37,960
+won't go too hard with me because I'll
+ 
+
+35
+00:00:37,960 --> 00:00:39,389
+won't go too hard with me because I'll
+be the guy that cracked the biggest case
+
+36
+00:00:39,389 --> 00:00:39,399
+be the guy that cracked the biggest case
+ 
+
+37
+00:00:39,399 --> 00:00:41,029
+be the guy that cracked the biggest case
+ever pull in the
+
+38
+00:00:41,029 --> 00:00:41,039
+ever pull in the
+ 
+
+39
+00:00:41,039 --> 00:00:44,190
+ever pull in the
+country don't get hurt tby D what are
+
+40
+00:00:44,190 --> 00:00:44,200
+country don't get hurt tby D what are
+ 
+
+41
+00:00:44,200 --> 00:00:58,910
+country don't get hurt tby D what are
+you going crazy stand
+
+42
+00:00:58,910 --> 00:00:58,920
+
+ 
+
+43
+00:00:58,920 --> 00:01:03,509
+
+up
+
+44
+00:01:03,509 --> 00:01:03,519
+
+ 
+
+45
+00:01:03,519 --> 00:01:11,670
+
+I told you you couldn't take it copy
+
+46
+00:01:11,670 --> 00:01:11,680
+
+ 
+
+47
+00:01:11,680 --> 00:01:28,910
+
+here come here think that's my
+
+48
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+49
+00:01:28,920 --> 00:01:41,490
+
+boy
+
+50
+00:01:41,490 --> 00:01:41,500
+
+ 
+
+51
+00:01:41,500 --> 00:01:50,610
+
+[Music]
+

1950/3SYMh5owQcA.en.srt

@@ -0,0 +1,385 @@
+1
+00:00:00,080 --> 00:00:01,709
+
+GE I'm fresh out of nickels Genie how
+
+2
+00:00:01,709 --> 00:00:01,719
+GE I'm fresh out of nickels Genie how
+ 
+
+3
+00:00:01,719 --> 00:00:04,030
+GE I'm fresh out of nickels Genie how
+about you red I'm always fresh out well
+
+4
+00:00:04,030 --> 00:00:04,040
+about you red I'm always fresh out well
+ 
+
+5
+00:00:04,040 --> 00:00:06,070
+about you red I'm always fresh out well
+get some you know you can cost a guy a
+
+6
+00:00:06,070 --> 00:00:06,080
+get some you know you can cost a guy a
+ 
+
+7
+00:00:06,080 --> 00:00:08,430
+get some you know you can cost a guy a
+lot of dough nichels is complaining
+
+8
+00:00:08,430 --> 00:00:08,440
+lot of dough nichels is complaining
+ 
+
+9
+00:00:08,440 --> 00:00:11,110
+lot of dough nichels is complaining
+about what a spender sure he wants a
+
+10
+00:00:11,110 --> 00:00:11,120
+about what a spender sure he wants a
+ 
+
+11
+00:00:11,120 --> 00:00:13,150
+about what a spender sure he wants a
+date he always wants a date and where do
+
+12
+00:00:13,150 --> 00:00:13,160
+date he always wants a date and where do
+ 
+
+13
+00:00:13,160 --> 00:00:16,070
+date he always wants a date and where do
+we go to a third Run movie then we take
+
+14
+00:00:16,070 --> 00:00:16,080
+we go to a third Run movie then we take
+ 
+
+15
+00:00:16,080 --> 00:00:18,349
+we go to a third Run movie then we take
+a ride and blow two tires then we come
+
+16
+00:00:18,349 --> 00:00:18,359
+a ride and blow two tires then we come
+ 
+
+17
+00:00:18,359 --> 00:00:19,870
+a ride and blow two tires then we come
+in here and what do you treat me to
+
+18
+00:00:19,870 --> 00:00:19,880
+in here and what do you treat me to
+ 
+
+19
+00:00:19,880 --> 00:00:22,029
+in here and what do you treat me to
+coats and I can't even listen to that's
+
+20
+00:00:22,029 --> 00:00:22,039
+coats and I can't even listen to that's
+ 
+
+21
+00:00:22,039 --> 00:00:24,550
+coats and I can't even listen to that's
+for you thanks would you have change for
+
+22
+00:00:24,550 --> 00:00:24,560
+for you thanks would you have change for
+ 
+
+23
+00:00:24,560 --> 00:00:26,990
+for you thanks would you have change for
+this Nichols please sure thing at least
+
+24
+00:00:26,990 --> 00:00:27,000
+this Nichols please sure thing at least
+ 
+
+25
+00:00:27,000 --> 00:00:28,390
+this Nichols please sure thing at least
+you can dig down for enough to play me
+
+26
+00:00:28,390 --> 00:00:28,400
+you can dig down for enough to play me
+ 
+
+27
+00:00:28,400 --> 00:00:32,190
+you can dig down for enough to play me
+some music oh gen cut it out excuse me
+
+28
+00:00:32,190 --> 00:00:32,200
+some music oh gen cut it out excuse me
+ 
+
+29
+00:00:32,200 --> 00:00:36,750
+some music oh gen cut it out excuse me
+boys young lady I like music
+
+30
+00:00:36,750 --> 00:00:36,760
+
+ 
+
+31
+00:00:36,760 --> 00:00:39,510
+
+too you playing the tune I sure will
+
+32
+00:00:39,510 --> 00:00:39,520
+too you playing the tune I sure will
+ 
+
+33
+00:00:39,520 --> 00:00:41,549
+too you playing the tune I sure will
+what do you want me to play you pick him
+
+34
+00:00:41,549 --> 00:00:41,559
+what do you want me to play you pick him
+ 
+
+35
+00:00:41,559 --> 00:00:43,350
+what do you want me to play you pick him
+gosh how many have you got here not very
+
+36
+00:00:43,350 --> 00:00:43,360
+gosh how many have you got here not very
+ 
+
+37
+00:00:43,360 --> 00:00:51,620
+gosh how many have you got here not very
+many play what you like
+
+38
+00:00:51,620 --> 00:00:51,630
+
+ 
+
+39
+00:00:51,630 --> 00:00:58,910
+
+[Music]
+
+40
+00:00:58,910 --> 00:00:58,920
+
+ 
+
+41
+00:00:58,920 --> 00:01:17,240
+
+okay
+
+42
+00:01:17,240 --> 00:01:17,250
+
+ 
+
+43
+00:01:17,250 --> 00:01:28,910
+
+[Music]
+
+44
+00:01:28,910 --> 00:01:28,920
+[Music]
+ 
+
+45
+00:01:28,920 --> 00:01:36,600
+[Music]
+n
+
+46
+00:01:36,600 --> 00:01:36,610
+
+ 
+
+47
+00:01:36,610 --> 00:01:42,389
+
+[Music]
+
+48
+00:01:42,389 --> 00:01:42,399
+
+ 
+
+49
+00:01:42,399 --> 00:01:45,410
+
+mister mister it's getting
+
+50
+00:01:45,410 --> 00:01:45,420
+mister mister it's getting
+ 
+
+51
+00:01:45,420 --> 00:01:47,870
+mister mister it's getting
+[Music]
+
+52
+00:01:47,870 --> 00:01:47,880
+[Music]
+ 
+
+53
+00:01:47,880 --> 00:01:51,149
+[Music]
+late Mr we better be moving along plenty
+
+54
+00:01:51,149 --> 00:01:51,159
+late Mr we better be moving along plenty
+ 
+
+55
+00:01:51,159 --> 00:01:53,330
+late Mr we better be moving along plenty
+of time my friend plenty of
+
+56
+00:01:53,330 --> 00:01:53,340
+of time my friend plenty of
+ 
+
+57
+00:01:53,340 --> 00:01:58,590
+of time my friend plenty of
+[Music]
+
+58
+00:01:58,590 --> 00:01:58,600
+
+ 
+
+59
+00:01:58,600 --> 00:02:02,550
+
+time Mr it's a long way to
+
+60
+00:02:02,550 --> 00:02:02,560
+time Mr it's a long way to
+ 
+
+61
+00:02:02,560 --> 00:02:05,230
+time Mr it's a long way to
+[Music]
+
+62
+00:02:05,230 --> 00:02:05,240
+[Music]
+ 
+
+63
+00:02:05,240 --> 00:02:07,830
+[Music]
+Cleveland well I suppose we better go
+
+64
+00:02:07,830 --> 00:02:07,840
+Cleveland well I suppose we better go
+ 
+
+65
+00:02:07,840 --> 00:02:10,029
+Cleveland well I suppose we better go
+now don't go we haven't used all the
+
+66
+00:02:10,029 --> 00:02:10,039
+now don't go we haven't used all the
+ 
+
+67
+00:02:10,039 --> 00:02:12,589
+now don't go we haven't used all the
+Nickels you use them oh thanks it's sure
+
+68
+00:02:12,589 --> 00:02:12,599
+Nickels you use them oh thanks it's sure
+ 
+
+69
+00:02:12,599 --> 00:02:15,070
+Nickels you use them oh thanks it's sure
+nice of you don't mention it goodbye and
+
+70
+00:02:15,070 --> 00:02:15,080
+nice of you don't mention it goodbye and
+ 
+
+71
+00:02:15,080 --> 00:02:17,190
+nice of you don't mention it goodbye and
+thanks thanks ever so much pleasure was
+
+72
+00:02:17,190 --> 00:02:17,200
+thanks thanks ever so much pleasure was
+ 
+
+73
+00:02:17,200 --> 00:02:28,830
+thanks thanks ever so much pleasure was
+all
+
+74
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+75
+00:02:28,840 --> 00:02:35,580
+
+mine
+
+76
+00:02:35,580 --> 00:02:35,590
+
+ 
+
+77
+00:02:35,590 --> 00:02:49,679
+
+[Music]
+

1950/48kV7uKAzEU.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:02,679 --> 00:00:04,269
+
+hello
+
+2
+00:00:04,269 --> 00:00:04,279
+hello
+ 
+
+3
+00:00:04,279 --> 00:00:07,190
+hello
+yeah oh how are you C I
+
+4
+00:00:07,190 --> 00:00:07,200
+yeah oh how are you C I
+ 
+
+5
+00:00:07,200 --> 00:00:13,430
+yeah oh how are you C I
+got
+
+6
+00:00:13,430 --> 00:00:13,440
+
+ 
+
+7
+00:00:13,440 --> 00:00:19,070
+
+yeah o00 right everything's here the
+
+8
+00:00:19,070 --> 00:00:19,080
+yeah o00 right everything's here the
+ 
+
+9
+00:00:19,080 --> 00:00:21,790
+yeah o00 right everything's here the
+soft spots an old steam tunnel manh
+
+10
+00:00:21,790 --> 00:00:21,800
+soft spots an old steam tunnel manh
+ 
+
+11
+00:00:21,800 --> 00:00:23,990
+soft spots an old steam tunnel manh
+holdes on the corner you drop into the
+
+12
+00:00:23,990 --> 00:00:24,000
+holdes on the corner you drop into the
+ 
+
+13
+00:00:24,000 --> 00:00:27,189
+holdes on the corner you drop into the
+manhole at 11:45 dick will cover you you
+
+14
+00:00:27,189 --> 00:00:27,199
+manhole at 11:45 dick will cover you you
+ 
+
+15
+00:00:27,199 --> 00:00:29,390
+manhole at 11:45 dick will cover you you
+break through the wall it'll take about
+
+16
+00:00:29,390 --> 00:00:29,400
+break through the wall it'll take about
+ 
+
+17
+00:00:29,400 --> 00:00:31,109
+break through the wall it'll take about
+6 minutes to get into bers from the
+
+18
+00:00:31,109 --> 00:00:31,119
+6 minutes to get into bers from the
+ 
+
+19
+00:00:31,119 --> 00:00:35,069
+6 minutes to get into bers from the
+fness home watch out for floor vas make
+
+20
+00:00:35,069 --> 00:00:35,079
+fness home watch out for floor vas make
+ 
+
+21
+00:00:35,079 --> 00:00:36,990
+fness home watch out for floor vas make
+your way up the back stairs and jump the
+
+22
+00:00:36,990 --> 00:00:37,000
+your way up the back stairs and jump the
+ 
+
+23
+00:00:37,000 --> 00:00:39,310
+your way up the back stairs and jump the
+alarm system that'll take another 3
+
+24
+00:00:39,310 --> 00:00:39,320
+alarm system that'll take another 3
+ 
+
+25
+00:00:39,320 --> 00:00:43,590
+alarm system that'll take another 3
+minutes at exactly 11:54 Dix and I will
+
+26
+00:00:43,590 --> 00:00:43,600
+minutes at exactly 11:54 Dix and I will
+ 
+
+27
+00:00:43,600 --> 00:00:47,310
+minutes at exactly 11:54 Dix and I will
+come to the back door you open it for us
+
+28
+00:00:47,310 --> 00:00:47,320
+come to the back door you open it for us
+ 
+
+29
+00:00:47,320 --> 00:00:49,709
+come to the back door you open it for us
+I'll be waiting for you
+
+30
+00:00:49,709 --> 00:00:49,719
+I'll be waiting for you
+ 
+
+31
+00:00:49,719 --> 00:00:51,549
+I'll be waiting for you
+good any
+
+32
+00:00:51,549 --> 00:00:51,559
+good any
+ 
+
+33
+00:00:51,559 --> 00:00:54,389
+good any
+questions everything sounds okay same
+
+34
+00:00:54,389 --> 00:00:54,399
+questions everything sounds okay same
+ 
+
+35
+00:00:54,399 --> 00:00:56,990
+questions everything sounds okay same
+here well guess I better be getting home
+
+36
+00:00:56,990 --> 00:00:57,000
+here well guess I better be getting home
+ 
+
+37
+00:00:57,000 --> 00:00:59,430
+here well guess I better be getting home
+how's the boy oh he's okay ran a
+
+38
+00:00:59,430 --> 00:00:59,440
+how's the boy oh he's okay ran a
+ 
+
+39
+00:00:59,440 --> 00:01:01,069
+how's the boy oh he's okay ran a
+temperature yester yesterday pretty high
+
+40
+00:01:01,069 --> 00:01:01,079
+temperature yester yesterday pretty high
+ 
+
+41
+00:01:01,079 --> 00:01:03,229
+temperature yester yesterday pretty high
+too we call the doctor but temperatures
+
+42
+00:01:03,229 --> 00:01:03,239
+too we call the doctor but temperatures
+ 
+
+43
+00:01:03,239 --> 00:01:05,429
+too we call the doctor but temperatures
+don't mean so much with kids he's like
+
+44
+00:01:05,429 --> 00:01:05,439
+don't mean so much with kids he's like
+ 
+
+45
+00:01:05,439 --> 00:01:08,670
+don't mean so much with kids he's like
+the normal today see more night 11:30
+
+46
+00:01:08,670 --> 00:01:08,680
+the normal today see more night 11:30
+ 
+
+47
+00:01:08,680 --> 00:01:09,950
+the normal today see more night 11:30
+good
+
+48
+00:01:09,950 --> 00:01:09,960
+good
+ 
+
+49
+00:01:09,960 --> 00:01:13,710
+good
+night have you got a minute dicks sure
+
+50
+00:01:13,710 --> 00:01:13,720
+night have you got a minute dicks sure
+ 
+
+51
+00:01:13,720 --> 00:01:14,749
+night have you got a minute dicks sure
+what's on your
+
+52
+00:01:14,749 --> 00:01:14,759
+what's on your
+ 
+
+53
+00:01:14,759 --> 00:01:16,670
+what's on your
+mind my
+
+54
+00:01:16,670 --> 00:01:16,680
+mind my
+ 
+
+55
+00:01:16,680 --> 00:01:18,910
+mind my
+friend what do you know about this
+
+56
+00:01:18,910 --> 00:01:18,920
+friend what do you know about this
+ 
+
+57
+00:01:18,920 --> 00:01:20,030
+friend what do you know about this
+fellow
+
+58
+00:01:20,030 --> 00:01:20,040
+fellow
+ 
+
+59
+00:01:20,040 --> 00:01:22,870
+fellow
+Emme you mean the big fixer I've heard
+
+60
+00:01:22,870 --> 00:01:22,880
+Emme you mean the big fixer I've heard
+ 
+
+61
+00:01:22,880 --> 00:01:25,950
+Emme you mean the big fixer I've heard
+his name that's all I can talk to you I
+
+62
+00:01:25,950 --> 00:01:25,960
+his name that's all I can talk to you I
+ 
+
+63
+00:01:25,960 --> 00:01:29,510
+his name that's all I can talk to you I
+think sure Mr emck is taking the jewelry
+
+64
+00:01:29,510 --> 00:01:29,520
+think sure Mr emck is taking the jewelry
+ 
+
+65
+00:01:29,520 --> 00:01:31,830
+think sure Mr emck is taking the jewelry
+off
+
+66
+00:01:31,830 --> 00:01:31,840
+off
+ 
+
+67
+00:01:31,840 --> 00:01:34,870
+off
+hands you sure are surprising me Doc I
+
+68
+00:01:34,870 --> 00:01:34,880
+hands you sure are surprising me Doc I
+ 
+
+69
+00:01:34,880 --> 00:01:38,230
+hands you sure are surprising me Doc I
+don't exactly trust Mr an just a feeling
+
+70
+00:01:38,230 --> 00:01:38,240
+don't exactly trust Mr an just a feeling
+ 
+
+71
+00:01:38,240 --> 00:01:40,710
+don't exactly trust Mr an just a feeling
+I may be wrong but it's up to us to
+
+72
+00:01:40,710 --> 00:01:40,720
+I may be wrong but it's up to us to
+ 
+
+73
+00:01:40,720 --> 00:01:43,870
+I may be wrong but it's up to us to
+collect you and me everything may go
+
+74
+00:01:43,870 --> 00:01:43,880
+collect you and me everything may go
+ 
+
+75
+00:01:43,880 --> 00:01:46,950
+collect you and me everything may go
+smooth but if it don't if he's got it
+
+76
+00:01:46,950 --> 00:01:46,960
+smooth but if it don't if he's got it
+ 
+
+77
+00:01:46,960 --> 00:01:50,230
+smooth but if it don't if he's got it
+we'll collect good we'll meet Mr en
+
+78
+00:01:50,230 --> 00:01:50,240
+we'll collect good we'll meet Mr en
+ 
+
+79
+00:01:50,240 --> 00:01:52,030
+we'll collect good we'll meet Mr en
+after the Caper deliver the jewelry and
+
+80
+00:01:52,030 --> 00:01:52,040
+after the Caper deliver the jewelry and
+ 
+
+81
+00:01:52,040 --> 00:01:54,030
+after the Caper deliver the jewelry and
+get our money the payment is to be
+
+82
+00:01:54,030 --> 00:01:54,040
+get our money the payment is to be
+ 
+
+83
+00:01:54,040 --> 00:01:57,069
+get our money the payment is to be
+immediate and in cash after that we pay
+
+84
+00:01:57,069 --> 00:01:57,079
+immediate and in cash after that we pay
+ 
+
+85
+00:01:57,079 --> 00:01:58,830
+immediate and in cash after that we pay
+off and
+
+86
+00:01:58,830 --> 00:01:58,840
+off and
+ 
+
+87
+00:01:58,840 --> 00:02:15,560
+off and
+Scatter
+
+88
+00:02:15,560 --> 00:02:15,570
+
+ 
+
+89
+00:02:15,570 --> 00:02:29,639
+
+[Music]
+

1950/5tu_42LmfEw.en.srt

@@ -0,0 +1,505 @@
+1
+00:00:00,840 --> 00:00:02,750
+
+we're a breed apart from the rest of
+
+2
+00:00:02,750 --> 00:00:02,760
+we're a breed apart from the rest of
+ 
+
+3
+00:00:02,760 --> 00:00:05,430
+we're a breed apart from the rest of
+humanity we theater folk we are the
+
+4
+00:00:05,430 --> 00:00:05,440
+humanity we theater folk we are the
+ 
+
+5
+00:00:05,440 --> 00:00:07,230
+humanity we theater folk we are the
+original displaced
+
+6
+00:00:07,230 --> 00:00:07,240
+original displaced
+ 
+
+7
+00:00:07,240 --> 00:00:09,270
+original displaced
+personalities you won't have to read his
+
+8
+00:00:09,270 --> 00:00:09,280
+personalities you won't have to read his
+ 
+
+9
+00:00:09,280 --> 00:00:12,150
+personalities you won't have to read his
+column tomorrow Eve you just heard it I
+
+10
+00:00:12,150 --> 00:00:12,160
+column tomorrow Eve you just heard it I
+ 
+
+11
+00:00:12,160 --> 00:00:14,430
+column tomorrow Eve you just heard it I
+don't agree Addison that happens to be
+
+12
+00:00:14,430 --> 00:00:14,440
+don't agree Addison that happens to be
+ 
+
+13
+00:00:14,440 --> 00:00:17,230
+don't agree Addison that happens to be
+your particular abnormality I'll admit
+
+14
+00:00:17,230 --> 00:00:17,240
+your particular abnormality I'll admit
+ 
+
+15
+00:00:17,240 --> 00:00:18,790
+your particular abnormality I'll admit
+there's a screw ball element in the
+
+16
+00:00:18,790 --> 00:00:18,800
+there's a screw ball element in the
+ 
+
+17
+00:00:18,800 --> 00:00:21,670
+there's a screw ball element in the
+theater sticks out it's got spotlights
+
+18
+00:00:21,670 --> 00:00:21,680
+theater sticks out it's got spotlights
+ 
+
+19
+00:00:21,680 --> 00:00:24,029
+theater sticks out it's got spotlights
+on it and a brass band but it isn't
+
+20
+00:00:24,029 --> 00:00:24,039
+on it and a brass band but it isn't
+ 
+
+21
+00:00:24,039 --> 00:00:26,390
+on it and a brass band but it isn't
+basic isn't standard if it were the
+
+22
+00:00:26,390 --> 00:00:26,400
+basic isn't standard if it were the
+ 
+
+23
+00:00:26,400 --> 00:00:27,990
+basic isn't standard if it were the
+theater couldn't
+
+24
+00:00:27,990 --> 00:00:28,000
+theater couldn't
+ 
+
+25
+00:00:28,000 --> 00:00:30,950
+theater couldn't
+survive oh waiter
+
+26
+00:00:30,950 --> 00:00:30,960
+survive oh waiter
+ 
+
+27
+00:00:30,960 --> 00:00:33,310
+survive oh waiter
+that isn't a waiter M that's a butler
+
+28
+00:00:33,310 --> 00:00:33,320
+that isn't a waiter M that's a butler
+ 
+
+29
+00:00:33,320 --> 00:00:35,990
+that isn't a waiter M that's a butler
+well I can't yellow Butler can I maybe
+
+30
+00:00:35,990 --> 00:00:36,000
+well I can't yellow Butler can I maybe
+ 
+
+31
+00:00:36,000 --> 00:00:38,950
+well I can't yellow Butler can I maybe
+somebody's name is Butler you have a
+
+32
+00:00:38,950 --> 00:00:38,960
+somebody's name is Butler you have a
+ 
+
+33
+00:00:38,960 --> 00:00:42,470
+somebody's name is Butler you have a
+point an idiotic one but a point I don't
+
+34
+00:00:42,470 --> 00:00:42,480
+point an idiotic one but a point I don't
+ 
+
+35
+00:00:42,480 --> 00:00:45,110
+point an idiotic one but a point I don't
+want to make trouble all I want is a
+
+36
+00:00:45,110 --> 00:00:45,120
+want to make trouble all I want is a
+ 
+
+37
+00:00:45,120 --> 00:00:48,389
+want to make trouble all I want is a
+drink leave it to me I'll get you one
+
+38
+00:00:48,389 --> 00:00:48,399
+drink leave it to me I'll get you one
+ 
+
+39
+00:00:48,399 --> 00:00:49,869
+drink leave it to me I'll get you one
+thank you Mr
+
+40
+00:00:49,869 --> 00:00:49,879
+thank you Mr
+ 
+
+41
+00:00:49,879 --> 00:00:53,430
+thank you Mr
+Fabian well done I can see your career
+
+42
+00:00:53,430 --> 00:00:53,440
+Fabian well done I can see your career
+ 
+
+43
+00:00:53,440 --> 00:00:56,590
+Fabian well done I can see your career
+rising in the East like the
+
+44
+00:00:56,590 --> 00:00:56,600
+rising in the East like the
+ 
+
+45
+00:00:56,600 --> 00:01:00,150
+rising in the East like the
+sun you were saying I was saying that
+
+46
+00:01:00,150 --> 00:01:00,160
+sun you were saying I was saying that
+ 
+
+47
+00:01:00,160 --> 00:01:03,029
+sun you were saying I was saying that
+the theater is 9/10 hard work work done
+
+48
+00:01:03,029 --> 00:01:03,039
+the theater is 9/10 hard work work done
+ 
+
+49
+00:01:03,039 --> 00:01:06,190
+the theater is 9/10 hard work work done
+the hard way by sweat application and
+
+50
+00:01:06,190 --> 00:01:06,200
+the hard way by sweat application and
+ 
+
+51
+00:01:06,200 --> 00:01:08,870
+the hard way by sweat application and
+craftsmanship I'll agree to this to be a
+
+52
+00:01:08,870 --> 00:01:08,880
+craftsmanship I'll agree to this to be a
+ 
+
+53
+00:01:08,880 --> 00:01:10,469
+craftsmanship I'll agree to this to be a
+good actor or actress or anything else
+
+54
+00:01:10,469 --> 00:01:10,479
+good actor or actress or anything else
+ 
+
+55
+00:01:10,479 --> 00:01:11,990
+good actor or actress or anything else
+in the theater means wanting to be that
+
+56
+00:01:11,990 --> 00:01:12,000
+in the theater means wanting to be that
+ 
+
+57
+00:01:12,000 --> 00:01:15,270
+in the theater means wanting to be that
+more than anything else in the world yes
+
+58
+00:01:15,270 --> 00:01:15,280
+more than anything else in the world yes
+ 
+
+59
+00:01:15,280 --> 00:01:17,789
+more than anything else in the world yes
+yes it does means a concentration of
+
+60
+00:01:17,789 --> 00:01:17,799
+yes it does means a concentration of
+ 
+
+61
+00:01:17,799 --> 00:01:20,230
+yes it does means a concentration of
+Desire or ambition and sacrifice such as
+
+62
+00:01:20,230 --> 00:01:20,240
+Desire or ambition and sacrifice such as
+ 
+
+63
+00:01:20,240 --> 00:01:22,670
+Desire or ambition and sacrifice such as
+no other profession demands and I'll
+
+64
+00:01:22,670 --> 00:01:22,680
+no other profession demands and I'll
+ 
+
+65
+00:01:22,680 --> 00:01:24,429
+no other profession demands and I'll
+agree that the man or woman who accepts
+
+66
+00:01:24,429 --> 00:01:24,439
+agree that the man or woman who accepts
+ 
+
+67
+00:01:24,439 --> 00:01:26,789
+agree that the man or woman who accepts
+those terms can't be ordinary can't be
+
+68
+00:01:26,789 --> 00:01:26,799
+those terms can't be ordinary can't be
+ 
+
+69
+00:01:26,799 --> 00:01:29,870
+those terms can't be ordinary can't be
+just someone it gives so much for almost
+
+70
+00:01:29,870 --> 00:01:29,880
+just someone it gives so much for almost
+ 
+
+71
+00:01:29,880 --> 00:01:32,950
+just someone it gives so much for almost
+it's always so little so
+
+72
+00:01:32,950 --> 00:01:32,960
+it's always so little so
+ 
+
+73
+00:01:32,960 --> 00:01:36,389
+it's always so little so
+little so little did you
+
+74
+00:01:36,389 --> 00:01:36,399
+little so little did you
+ 
+
+75
+00:01:36,399 --> 00:01:39,870
+little so little did you
+say why if there's nothing else there's
+
+76
+00:01:39,870 --> 00:01:39,880
+say why if there's nothing else there's
+ 
+
+77
+00:01:39,880 --> 00:01:42,030
+say why if there's nothing else there's
+Applause I've listened backstage to
+
+78
+00:01:42,030 --> 00:01:42,040
+Applause I've listened backstage to
+ 
+
+79
+00:01:42,040 --> 00:01:43,310
+Applause I've listened backstage to
+people
+
+80
+00:01:43,310 --> 00:01:43,320
+people
+ 
+
+81
+00:01:43,320 --> 00:01:45,190
+people
+applaud it's
+
+82
+00:01:45,190 --> 00:01:45,200
+applaud it's
+ 
+
+83
+00:01:45,200 --> 00:01:47,950
+applaud it's
+like like waves of love coming over the
+
+84
+00:01:47,950 --> 00:01:47,960
+like like waves of love coming over the
+ 
+
+85
+00:01:47,960 --> 00:01:50,149
+like like waves of love coming over the
+foot lights and wrapping you
+
+86
+00:01:50,149 --> 00:01:50,159
+foot lights and wrapping you
+ 
+
+87
+00:01:50,159 --> 00:01:53,149
+foot lights and wrapping you
+up imagine to know every night the
+
+88
+00:01:53,149 --> 00:01:53,159
+up imagine to know every night the
+ 
+
+89
+00:01:53,159 --> 00:01:55,630
+up imagine to know every night the
+different hundreds of people love
+
+90
+00:01:55,630 --> 00:01:55,640
+different hundreds of people love
+ 
+
+91
+00:01:55,640 --> 00:01:59,029
+different hundreds of people love
+you they smile their eyes shine you
+
+92
+00:01:59,029 --> 00:01:59,039
+you they smile their eyes shine you
+ 
+
+93
+00:01:59,039 --> 00:02:00,990
+you they smile their eyes shine you
+please them
+
+94
+00:02:00,990 --> 00:02:01,000
+please them
+ 
+
+95
+00:02:01,000 --> 00:02:04,670
+please them
+they want you you
+
+96
+00:02:04,670 --> 00:02:04,680
+they want you you
+ 
+
+97
+00:02:04,680 --> 00:02:28,750
+they want you you
+belong just that alone is worth
+
+98
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+99
+00:02:28,760 --> 00:02:35,510
+
+anything
+
+100
+00:02:35,510 --> 00:02:35,520
+
+ 
+
+101
+00:02:35,520 --> 00:02:41,919
+
+[Music]
+

1950/ADl0wC_cAbk.description

@@ -0,0 +1,38 @@
+Sunset Blvd. movie clips: http://j.mp/1CMHGfd
+BUY THE MOVIE: http://amzn.to/tBkVtH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Norma Desmond (Gloria Swanson) pledges to Joe (William Holden) that she will be a star again after watching her own silent films.
+
+FILM DESCRIPTION:
+Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll.
+
+CREDITS:
+TM & © Paramount (1950)
+Cast: William Holden, Gloria Swanson
+Director: Billy Wilder
+Producer: Charles Brackett
+Screenwriters: Charles Brackett, D.M. Marshman Jr., Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1950/ADl0wC_cAbk.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,359 --> 00:00:02,629
+
+two or three times a week Max would haul
+
+2
+00:00:02,629 --> 00:00:02,639
+two or three times a week Max would haul
+ 
+
+3
+00:00:02,639 --> 00:00:04,470
+two or three times a week Max would haul
+up that enormous oil painting that had
+
+4
+00:00:04,470 --> 00:00:04,480
+up that enormous oil painting that had
+ 
+
+5
+00:00:04,480 --> 00:00:06,269
+up that enormous oil painting that had
+been presented to her by some Nevada
+
+6
+00:00:06,269 --> 00:00:06,279
+been presented to her by some Nevada
+ 
+
+7
+00:00:06,279 --> 00:00:10,030
+been presented to her by some Nevada
+Chamber of Commerce and we'd see a movie
+
+8
+00:00:10,030 --> 00:00:10,040
+Chamber of Commerce and we'd see a movie
+ 
+
+9
+00:00:10,040 --> 00:00:11,270
+Chamber of Commerce and we'd see a movie
+right in her living
+
+10
+00:00:11,270 --> 00:00:11,280
+right in her living
+ 
+
+11
+00:00:11,280 --> 00:00:14,910
+right in her living
+room so much nicer than going out she'd
+
+12
+00:00:14,910 --> 00:00:14,920
+room so much nicer than going out she'd
+ 
+
+13
+00:00:14,920 --> 00:00:17,830
+room so much nicer than going out she'd
+say the plain fact was she was afraid of
+
+14
+00:00:17,830 --> 00:00:17,840
+say the plain fact was she was afraid of
+ 
+
+15
+00:00:17,840 --> 00:00:19,230
+say the plain fact was she was afraid of
+that world
+
+16
+00:00:19,230 --> 00:00:19,240
+that world
+ 
+
+17
+00:00:19,240 --> 00:00:21,710
+that world
+outside afraid it would remind her that
+
+18
+00:00:21,710 --> 00:00:21,720
+outside afraid it would remind her that
+ 
+
+19
+00:00:21,720 --> 00:00:24,509
+outside afraid it would remind her that
+time had
+
+20
+00:00:24,509 --> 00:00:24,519
+
+ 
+
+21
+00:00:24,519 --> 00:00:27,950
+
+passed they were silent movies and Max
+
+22
+00:00:27,950 --> 00:00:27,960
+passed they were silent movies and Max
+ 
+
+23
+00:00:27,960 --> 00:00:30,509
+passed they were silent movies and Max
+would run the projection machine which
+
+24
+00:00:30,509 --> 00:00:30,519
+would run the projection machine which
+ 
+
+25
+00:00:30,519 --> 00:00:33,430
+would run the projection machine which
+was just as well it kept him from giving
+
+26
+00:00:33,430 --> 00:00:33,440
+was just as well it kept him from giving
+ 
+
+27
+00:00:33,440 --> 00:00:37,510
+was just as well it kept him from giving
+us an accompaniment on that wheezing
+
+28
+00:00:37,510 --> 00:00:37,520
+
+ 
+
+29
+00:00:37,520 --> 00:00:40,830
+
+organ she'd sit very close to me and
+
+30
+00:00:40,830 --> 00:00:40,840
+organ she'd sit very close to me and
+ 
+
+31
+00:00:40,840 --> 00:00:43,190
+organ she'd sit very close to me and
+she'd smell of tube roses which is not
+
+32
+00:00:43,190 --> 00:00:43,200
+she'd smell of tube roses which is not
+ 
+
+33
+00:00:43,200 --> 00:00:45,869
+she'd smell of tube roses which is not
+my favorite perfume not by a long
+
+34
+00:00:45,869 --> 00:00:45,879
+my favorite perfume not by a long
+ 
+
+35
+00:00:45,879 --> 00:00:48,510
+my favorite perfume not by a long
+shot sometimes as we watched she'd
+
+36
+00:00:48,510 --> 00:00:48,520
+shot sometimes as we watched she'd
+ 
+
+37
+00:00:48,520 --> 00:00:51,510
+shot sometimes as we watched she'd
+clutch my arm or my hand forgetting she
+
+38
+00:00:51,510 --> 00:00:51,520
+clutch my arm or my hand forgetting she
+ 
+
+39
+00:00:51,520 --> 00:00:55,029
+clutch my arm or my hand forgetting she
+was my employer just becoming a fan
+
+40
+00:00:55,029 --> 00:00:55,039
+was my employer just becoming a fan
+ 
+
+41
+00:00:55,039 --> 00:00:56,790
+was my employer just becoming a fan
+excited about that actress up there on
+
+42
+00:00:56,790 --> 00:00:56,800
+excited about that actress up there on
+ 
+
+43
+00:00:56,800 --> 00:01:00,150
+excited about that actress up there on
+the screen
+
+44
+00:01:00,150 --> 00:01:00,160
+
+ 
+
+45
+00:01:00,160 --> 00:01:01,830
+
+I guess I don't have to tell you who the
+
+46
+00:01:01,830 --> 00:01:01,840
+I guess I don't have to tell you who the
+ 
+
+47
+00:01:01,840 --> 00:01:02,750
+I guess I don't have to tell you who the
+star
+
+48
+00:01:02,750 --> 00:01:02,760
+star
+ 
+
+49
+00:01:02,760 --> 00:01:05,590
+star
+was they were always her
+
+50
+00:01:05,590 --> 00:01:05,600
+was they were always her
+ 
+
+51
+00:01:05,600 --> 00:01:34,630
+was they were always her
+pictures that's all she wanted to see
+
+52
+00:01:34,630 --> 00:01:34,640
+
+ 
+
+53
+00:01:34,640 --> 00:01:38,749
+
+still wonderful isn't it and no
+
+54
+00:01:38,749 --> 00:01:38,759
+still wonderful isn't it and no
+ 
+
+55
+00:01:38,759 --> 00:01:42,990
+still wonderful isn't it and no
+dialogue we didn't need dialogue we had
+
+56
+00:01:42,990 --> 00:01:43,000
+dialogue we didn't need dialogue we had
+ 
+
+57
+00:01:43,000 --> 00:01:45,469
+dialogue we didn't need dialogue we had
+faces there just aren't any faces like
+
+58
+00:01:45,469 --> 00:01:45,479
+faces there just aren't any faces like
+ 
+
+59
+00:01:45,479 --> 00:01:46,389
+faces there just aren't any faces like
+that
+
+60
+00:01:46,389 --> 00:01:46,399
+that
+ 
+
+61
+00:01:46,399 --> 00:01:50,429
+that
+anymore maybe one
+
+62
+00:01:50,429 --> 00:01:50,439
+
+ 
+
+63
+00:01:50,439 --> 00:01:54,389
+
+Garbo those idiot producers those
+
+64
+00:01:54,389 --> 00:01:54,399
+Garbo those idiot producers those
+ 
+
+65
+00:01:54,399 --> 00:01:56,429
+Garbo those idiot producers those
+imbeciles haven't they got any eyes have
+
+66
+00:01:56,429 --> 00:01:56,439
+imbeciles haven't they got any eyes have
+ 
+
+67
+00:01:56,439 --> 00:01:58,630
+imbeciles haven't they got any eyes have
+they forgotten what a star looks like
+
+68
+00:01:58,630 --> 00:01:58,640
+they forgotten what a star looks like
+ 
+
+69
+00:01:58,640 --> 00:02:00,749
+they forgotten what a star looks like
+I'll show them I'll be up again so help
+
+70
+00:02:00,749 --> 00:02:00,759
+I'll show them I'll be up again so help
+ 
+
+71
+00:02:00,759 --> 00:02:02,870
+I'll show them I'll be up again so help
+me
+
+72
+00:02:02,870 --> 00:02:02,880
+me
+ 
+
+73
+00:02:02,880 --> 00:02:39,490
+me
+[Music]
+

1950/CBOzczGQh9w.en.srt

@@ -0,0 +1,525 @@
+1
+00:00:00,120 --> 00:00:02,110
+
+it's true your parents were poor they
+
+2
+00:00:02,110 --> 00:00:02,120
+it's true your parents were poor they
+ 
+
+3
+00:00:02,120 --> 00:00:03,990
+it's true your parents were poor they
+still are they would like to know how
+
+4
+00:00:03,990 --> 00:00:04,000
+still are they would like to know how
+ 
+
+5
+00:00:04,000 --> 00:00:05,749
+still are they would like to know how
+you are and where they haven't heard
+
+6
+00:00:05,749 --> 00:00:05,759
+you are and where they haven't heard
+ 
+
+7
+00:00:05,759 --> 00:00:09,350
+you are and where they haven't heard
+from you for three years what of
+
+8
+00:00:09,350 --> 00:00:09,360
+from you for three years what of
+ 
+
+9
+00:00:09,360 --> 00:00:13,150
+from you for three years what of
+it a matter of opinion granted it's also
+
+10
+00:00:13,150 --> 00:00:13,160
+it a matter of opinion granted it's also
+ 
+
+11
+00:00:13,160 --> 00:00:15,390
+it a matter of opinion granted it's also
+true that you worked in a brewery but
+
+12
+00:00:15,390 --> 00:00:15,400
+true that you worked in a brewery but
+ 
+
+13
+00:00:15,400 --> 00:00:17,150
+true that you worked in a brewery but
+life in the Brewer was apparently not as
+
+14
+00:00:17,150 --> 00:00:17,160
+life in the Brewer was apparently not as
+ 
+
+15
+00:00:17,160 --> 00:00:19,830
+life in the Brewer was apparently not as
+dull as you pictured it in fact it got
+
+16
+00:00:19,830 --> 00:00:19,840
+dull as you pictured it in fact it got
+ 
+
+17
+00:00:19,840 --> 00:00:21,550
+dull as you pictured it in fact it got
+less and less dull until your boss's
+
+18
+00:00:21,550 --> 00:00:21,560
+less and less dull until your boss's
+ 
+
+19
+00:00:21,560 --> 00:00:22,990
+less and less dull until your boss's
+wife had your boss followed by
+
+20
+00:00:22,990 --> 00:00:23,000
+wife had your boss followed by
+ 
+
+21
+00:00:23,000 --> 00:00:24,990
+wife had your boss followed by
+detectives she never proved anything not
+
+22
+00:00:24,990 --> 00:00:25,000
+detectives she never proved anything not
+ 
+
+23
+00:00:25,000 --> 00:00:27,429
+detectives she never proved anything not
+a thing but the $500 you got to get out
+
+24
+00:00:27,429 --> 00:00:27,439
+a thing but the $500 you got to get out
+ 
+
+25
+00:00:27,439 --> 00:00:29,029
+a thing but the $500 you got to get out
+of town brought you straight to New York
+
+26
+00:00:29,029 --> 00:00:29,039
+of town brought you straight to New York
+ 
+
+27
+00:00:29,039 --> 00:00:39,470
+of town brought you straight to New York
+didn't it
+
+28
+00:00:39,470 --> 00:00:39,480
+
+ 
+
+29
+00:00:39,480 --> 00:00:41,310
+
+that $500 brought you straight to New
+
+30
+00:00:41,310 --> 00:00:41,320
+that $500 brought you straight to New
+ 
+
+31
+00:00:41,320 --> 00:00:43,590
+that $500 brought you straight to New
+York didn't it she was a liar she was a
+
+32
+00:00:43,590 --> 00:00:43,600
+York didn't it she was a liar she was a
+ 
+
+33
+00:00:43,600 --> 00:00:46,110
+York didn't it she was a liar she was a
+liar answer my question weren't you paid
+
+34
+00:00:46,110 --> 00:00:46,120
+liar answer my question weren't you paid
+ 
+
+35
+00:00:46,120 --> 00:00:50,029
+liar answer my question weren't you paid
+to get out of
+
+36
+00:00:50,029 --> 00:00:50,039
+
+ 
+
+37
+00:00:50,039 --> 00:00:53,470
+
+town there was no Eddie no pilot you've
+
+38
+00:00:53,470 --> 00:00:53,480
+town there was no Eddie no pilot you've
+ 
+
+39
+00:00:53,480 --> 00:00:55,670
+town there was no Eddie no pilot you've
+never been married that was not only a
+
+40
+00:00:55,670 --> 00:00:55,680
+never been married that was not only a
+ 
+
+41
+00:00:55,680 --> 00:00:57,750
+never been married that was not only a
+lie it was an insult to dead heroes and
+
+42
+00:00:57,750 --> 00:00:57,760
+lie it was an insult to dead heroes and
+ 
+
+43
+00:00:57,760 --> 00:01:00,950
+lie it was an insult to dead heroes and
+the women who loved them San Francisco
+
+44
+00:01:00,950 --> 00:01:00,960
+the women who loved them San Francisco
+ 
+
+45
+00:01:00,960 --> 00:01:03,069
+the women who loved them San Francisco
+has no schuba theater you've never been
+
+46
+00:01:03,069 --> 00:01:03,079
+has no schuba theater you've never been
+ 
+
+47
+00:01:03,079 --> 00:01:05,630
+has no schuba theater you've never been
+to San Francisco that was a stupid lie
+
+48
+00:01:05,630 --> 00:01:05,640
+to San Francisco that was a stupid lie
+ 
+
+49
+00:01:05,640 --> 00:01:08,310
+to San Francisco that was a stupid lie
+easy to expose not worthy of you I had
+
+50
+00:01:08,310 --> 00:01:08,320
+easy to expose not worthy of you I had
+ 
+
+51
+00:01:08,320 --> 00:01:10,990
+easy to expose not worthy of you I had
+to get in to meet Margot I had to say
+
+52
+00:01:10,990 --> 00:01:11,000
+to get in to meet Margot I had to say
+ 
+
+53
+00:01:11,000 --> 00:01:13,310
+to get in to meet Margot I had to say
+something be somebody make her like me
+
+54
+00:01:13,310 --> 00:01:13,320
+something be somebody make her like me
+ 
+
+55
+00:01:13,320 --> 00:01:14,990
+something be somebody make her like me
+and she did like you she helped and
+
+56
+00:01:14,990 --> 00:01:15,000
+and she did like you she helped and
+ 
+
+57
+00:01:15,000 --> 00:01:16,630
+and she did like you she helped and
+trusted you you paid her back by trying
+
+58
+00:01:16,630 --> 00:01:16,640
+trusted you you paid her back by trying
+ 
+
+59
+00:01:16,640 --> 00:01:19,149
+trusted you you paid her back by trying
+to take Bill away that's not true I was
+
+60
+00:01:19,149 --> 00:01:19,159
+to take Bill away that's not true I was
+ 
+
+61
+00:01:19,159 --> 00:01:20,870
+to take Bill away that's not true I was
+there I saw you and heard you through
+
+62
+00:01:20,870 --> 00:01:20,880
+there I saw you and heard you through
+ 
+
+63
+00:01:20,880 --> 00:01:22,590
+there I saw you and heard you through
+the dressing room
+
+64
+00:01:22,590 --> 00:01:22,600
+the dressing room
+ 
+
+65
+00:01:22,600 --> 00:01:25,230
+the dressing room
+door you used my name and column to
+
+66
+00:01:25,230 --> 00:01:25,240
+door you used my name and column to
+ 
+
+67
+00:01:25,240 --> 00:01:26,710
+door you used my name and column to
+Blackmail Karen into getting you the
+
+68
+00:01:26,710 --> 00:01:26,720
+Blackmail Karen into getting you the
+ 
+
+69
+00:01:26,720 --> 00:01:28,789
+Blackmail Karen into getting you the
+part of Kora and you lied to me about it
+
+70
+00:01:28,789 --> 00:01:28,799
+part of Kora and you lied to me about it
+ 
+
+71
+00:01:28,799 --> 00:01:30,789
+part of Kora and you lied to me about it
+no no no
+
+72
+00:01:30,789 --> 00:01:30,799
+no no no
+ 
+
+73
+00:01:30,799 --> 00:01:33,590
+no no no
+I had lunch with Karen not 3 hours ago
+
+74
+00:01:33,590 --> 00:01:33,600
+I had lunch with Karen not 3 hours ago
+ 
+
+75
+00:01:33,600 --> 00:01:35,310
+I had lunch with Karen not 3 hours ago
+as always with women who try to find out
+
+76
+00:01:35,310 --> 00:01:35,320
+as always with women who try to find out
+ 
+
+77
+00:01:35,320 --> 00:01:38,270
+as always with women who try to find out
+things she told more than she
+
+78
+00:01:38,270 --> 00:01:38,280
+things she told more than she
+ 
+
+79
+00:01:38,280 --> 00:01:40,469
+things she told more than she
+learned now do you want to change your
+
+80
+00:01:40,469 --> 00:01:40,479
+learned now do you want to change your
+ 
+
+81
+00:01:40,479 --> 00:01:42,350
+learned now do you want to change your
+story about Lloyd beating at your door
+
+82
+00:01:42,350 --> 00:01:42,360
+story about Lloyd beating at your door
+ 
+
+83
+00:01:42,360 --> 00:01:48,990
+story about Lloyd beating at your door
+the other night please
+
+84
+00:01:48,990 --> 00:01:49,000
+
+ 
+
+85
+00:01:49,000 --> 00:01:51,550
+
+please that I should want you a all
+
+86
+00:01:51,550 --> 00:01:51,560
+please that I should want you a all
+ 
+
+87
+00:01:51,560 --> 00:01:54,310
+please that I should want you a all
+suddenly strikes me as the height of
+
+88
+00:01:54,310 --> 00:01:54,320
+suddenly strikes me as the height of
+ 
+
+89
+00:01:54,320 --> 00:01:56,550
+suddenly strikes me as the height of
+improbability but that in itself is
+
+90
+00:01:56,550 --> 00:01:56,560
+improbability but that in itself is
+ 
+
+91
+00:01:56,560 --> 00:01:57,990
+improbability but that in itself is
+probably the
+
+92
+00:01:57,990 --> 00:01:58,000
+probably the
+ 
+
+93
+00:01:58,000 --> 00:02:00,950
+probably the
+reason you're an improb person you can
+
+94
+00:02:00,950 --> 00:02:00,960
+reason you're an improb person you can
+ 
+
+95
+00:02:00,960 --> 00:02:03,029
+reason you're an improb person you can
+so I we have that in
+
+96
+00:02:03,029 --> 00:02:03,039
+so I we have that in
+ 
+
+97
+00:02:03,039 --> 00:02:06,069
+so I we have that in
+common also a contempt for Humanity an
+
+98
+00:02:06,069 --> 00:02:06,079
+common also a contempt for Humanity an
+ 
+
+99
+00:02:06,079 --> 00:02:08,469
+common also a contempt for Humanity an
+inability to love and be loved
+
+100
+00:02:08,469 --> 00:02:08,479
+inability to love and be loved
+ 
+
+101
+00:02:08,479 --> 00:02:12,470
+inability to love and be loved
+insatiable ambition and talent we
+
+102
+00:02:12,470 --> 00:02:12,480
+insatiable ambition and talent we
+ 
+
+103
+00:02:12,480 --> 00:02:14,680
+insatiable ambition and talent we
+deserve each other
+
+104
+00:02:14,680 --> 00:02:14,690
+deserve each other
+ 
+
+105
+00:02:14,690 --> 00:02:43,899
+deserve each other
+[Music]
+

1950/EkRzpc98bwc.en.srt

@@ -0,0 +1,165 @@
+1
+00:00:12,719 --> 00:00:14,030
+
+can we go on
+
+2
+00:00:14,030 --> 00:00:14,040
+can we go on
+ 
+
+3
+00:00:14,040 --> 00:00:17,029
+can we go on
+playing certainly why
+
+4
+00:00:17,029 --> 00:00:17,039
+playing certainly why
+ 
+
+5
+00:00:17,039 --> 00:00:21,550
+playing certainly why
+not well L you're as pale as a ghost
+
+6
+00:00:21,550 --> 00:00:21,560
+not well L you're as pale as a ghost
+ 
+
+7
+00:00:21,560 --> 00:00:23,990
+not well L you're as pale as a ghost
+what's the matter
+
+8
+00:00:23,990 --> 00:00:24,000
+what's the matter
+ 
+
+9
+00:00:24,000 --> 00:00:27,310
+what's the matter
+what well I just had some bad
+
+10
+00:00:27,310 --> 00:00:27,320
+what well I just had some bad
+ 
+
+11
+00:00:27,320 --> 00:00:30,589
+what well I just had some bad
+news a man who works for me got killed
+
+12
+00:00:30,589 --> 00:00:30,599
+news a man who works for me got killed
+ 
+
+13
+00:00:30,599 --> 00:00:34,069
+news a man who works for me got killed
+oh L how awful was it an accident
+
+14
+00:00:34,069 --> 00:00:34,079
+oh L how awful was it an accident
+ 
+
+15
+00:00:34,079 --> 00:00:37,470
+oh L how awful was it an accident
+no no it was
+
+16
+00:00:37,470 --> 00:00:37,480
+no no it was
+ 
+
+17
+00:00:37,480 --> 00:00:40,990
+no no it was
+uh an intentional killing do they know
+
+18
+00:00:40,990 --> 00:00:41,000
+uh an intentional killing do they know
+ 
+
+19
+00:00:41,000 --> 00:00:44,790
+uh an intentional killing do they know
+who did it no man when I think of all
+
+20
+00:00:44,790 --> 00:00:44,800
+who did it no man when I think of all
+ 
+
+21
+00:00:44,800 --> 00:00:46,590
+who did it no man when I think of all
+those awful people you come in contact
+
+22
+00:00:46,590 --> 00:00:46,600
+those awful people you come in contact
+ 
+
+23
+00:00:46,600 --> 00:00:51,670
+those awful people you come in contact
+with downright criminals I get
+
+24
+00:00:51,670 --> 00:00:51,680
+with downright criminals I get
+ 
+
+25
+00:00:51,680 --> 00:00:56,189
+with downright criminals I get
+scared nothing so different about
+
+26
+00:00:56,189 --> 00:00:56,199
+scared nothing so different about
+ 
+
+27
+00:00:56,199 --> 00:00:58,910
+scared nothing so different about
+them after all crime is
+
+28
+00:00:58,910 --> 00:00:58,920
+them after all crime is
+ 
+
+29
+00:00:58,920 --> 00:01:28,910
+them after all crime is
+only a left-handed form of
+
+30
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+31
+00:01:28,920 --> 00:01:30,950
+
+human
+
+32
+00:01:30,950 --> 00:01:30,960
+human
+ 
+
+33
+00:01:30,960 --> 00:01:33,720
+human
+ch
+

1950/GllksI139DM.en.srt

@@ -0,0 +1,15 @@
+1
+00:00:17,740 --> 00:00:30,850
+
+with exceptions throughout 2011 gained the
+
+2
+00:00:30,850 --> 00:00:30,860
+with exceptions throughout 2011 gained the
+ 
+
+3
+00:00:30,860 --> 00:00:38,320
+with exceptions throughout 2011 gained the
+support of the gas waiting and ok ok
+

1950/HduXGYkoc_w.description

@@ -0,0 +1,38 @@
+Sunset Blvd. movie clips: http://j.mp/1CMHGfd
+BUY THE MOVIE: http://amzn.to/tBkVtH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe Gillis (William Holden), a struggling writer in Los Angeles, narrates the story of his own demise as the police fish his corpse from a swimming pool.
+
+FILM DESCRIPTION:
+Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll.
+
+CREDITS:
+TM & © Paramount (1950)
+Cast: William Holden
+Director: Billy Wilder
+Producer: Charles Brackett
+Screenwriters: Charles Brackett, D.M. Marshman Jr., Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1950/HduXGYkoc_w.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:00,320 --> 00:00:07,269
+
+[Music]
+
+2
+00:00:07,269 --> 00:00:07,279
+
+ 
+
+3
+00:00:07,279 --> 00:00:10,190
+
+yes this is Sunset Boulevard Los Angeles
+
+4
+00:00:10,190 --> 00:00:10,200
+yes this is Sunset Boulevard Los Angeles
+ 
+
+5
+00:00:10,200 --> 00:00:13,549
+yes this is Sunset Boulevard Los Angeles
+California it's about 5:00 in the
+
+6
+00:00:13,549 --> 00:00:13,559
+California it's about 5:00 in the
+ 
+
+7
+00:00:13,559 --> 00:00:16,470
+California it's about 5:00 in the
+morning that's the homicide Squad
+
+8
+00:00:16,470 --> 00:00:16,480
+morning that's the homicide Squad
+ 
+
+9
+00:00:16,480 --> 00:00:19,189
+morning that's the homicide Squad
+complete with detectives and newspaper
+
+10
+00:00:19,189 --> 00:00:19,199
+complete with detectives and newspaper
+ 
+
+11
+00:00:19,199 --> 00:00:21,750
+complete with detectives and newspaper
+men a murder has been reported from one
+
+12
+00:00:21,750 --> 00:00:21,760
+men a murder has been reported from one
+ 
+
+13
+00:00:21,760 --> 00:00:24,710
+men a murder has been reported from one
+of those great big houses in the 10,000
+
+14
+00:00:24,710 --> 00:00:24,720
+of those great big houses in the 10,000
+ 
+
+15
+00:00:24,720 --> 00:00:26,950
+of those great big houses in the 10,000
+block you'll read about it in the late
+
+16
+00:00:26,950 --> 00:00:26,960
+block you'll read about it in the late
+ 
+
+17
+00:00:26,960 --> 00:00:29,589
+block you'll read about it in the late
+editions I'm sure you'll get it over
+
+18
+00:00:29,589 --> 00:00:29,599
+editions I'm sure you'll get it over
+ 
+
+19
+00:00:29,599 --> 00:00:31,790
+editions I'm sure you'll get it over
+your r radio and see it on
+
+20
+00:00:31,790 --> 00:00:31,800
+your r radio and see it on
+ 
+
+21
+00:00:31,800 --> 00:00:35,030
+your r radio and see it on
+television because an oldtime star is
+
+22
+00:00:35,030 --> 00:00:35,040
+television because an oldtime star is
+ 
+
+23
+00:00:35,040 --> 00:00:37,470
+television because an oldtime star is
+involved one of the
+
+24
+00:00:37,470 --> 00:00:37,480
+involved one of the
+ 
+
+25
+00:00:37,480 --> 00:00:39,590
+involved one of the
+biggest but before you hear it all
+
+26
+00:00:39,590 --> 00:00:39,600
+biggest but before you hear it all
+ 
+
+27
+00:00:39,600 --> 00:00:41,549
+biggest but before you hear it all
+distorted and blown out of
+
+28
+00:00:41,549 --> 00:00:41,559
+distorted and blown out of
+ 
+
+29
+00:00:41,559 --> 00:00:43,630
+distorted and blown out of
+proportion before those Hollywood
+
+30
+00:00:43,630 --> 00:00:43,640
+proportion before those Hollywood
+ 
+
+31
+00:00:43,640 --> 00:00:46,229
+proportion before those Hollywood
+columnists get their hands on it maybe
+
+32
+00:00:46,229 --> 00:00:46,239
+columnists get their hands on it maybe
+ 
+
+33
+00:00:46,239 --> 00:00:49,869
+columnists get their hands on it maybe
+you'd like to hear the facts the whole
+
+34
+00:00:49,869 --> 00:00:49,879
+you'd like to hear the facts the whole
+ 
+
+35
+00:00:49,879 --> 00:00:53,709
+you'd like to hear the facts the whole
+truth if so you've come to the right
+
+36
+00:00:53,709 --> 00:00:53,719
+truth if so you've come to the right
+ 
+
+37
+00:00:53,719 --> 00:00:56,229
+truth if so you've come to the right
+party you see the body of a young man
+
+38
+00:00:56,229 --> 00:00:56,239
+party you see the body of a young man
+ 
+
+39
+00:00:56,239 --> 00:00:58,189
+party you see the body of a young man
+was found floating in the pool of her
+
+40
+00:00:58,189 --> 00:00:58,199
+was found floating in the pool of her
+ 
+
+41
+00:00:58,199 --> 00:01:00,869
+was found floating in the pool of her
+mansion with two shot in his back and
+
+42
+00:01:00,869 --> 00:01:00,879
+mansion with two shot in his back and
+ 
+
+43
+00:01:00,879 --> 00:01:03,590
+mansion with two shot in his back and
+one in his stomach nobody important
+
+44
+00:01:03,590 --> 00:01:03,600
+one in his stomach nobody important
+ 
+
+45
+00:01:03,600 --> 00:01:05,950
+one in his stomach nobody important
+really just a movie writer with a couple
+
+46
+00:01:05,950 --> 00:01:05,960
+really just a movie writer with a couple
+ 
+
+47
+00:01:05,960 --> 00:01:08,590
+really just a movie writer with a couple
+of B pictures to his
+
+48
+00:01:08,590 --> 00:01:08,600
+of B pictures to his
+ 
+
+49
+00:01:08,600 --> 00:01:12,910
+of B pictures to his
+credit the poor dope he always wanted a
+
+50
+00:01:12,910 --> 00:01:12,920
+credit the poor dope he always wanted a
+ 
+
+51
+00:01:12,920 --> 00:01:15,630
+credit the poor dope he always wanted a
+pool well in the end he got himself a
+
+52
+00:01:15,630 --> 00:01:15,640
+pool well in the end he got himself a
+ 
+
+53
+00:01:15,640 --> 00:01:18,070
+pool well in the end he got himself a
+pool only the price turned out to be a
+
+54
+00:01:18,070 --> 00:01:18,080
+pool only the price turned out to be a
+ 
+
+55
+00:01:18,080 --> 00:01:21,469
+pool only the price turned out to be a
+little
+
+56
+00:01:21,469 --> 00:01:21,479
+
+ 
+
+57
+00:01:21,479 --> 00:01:24,390
+
+high let's go back about 6 months and
+
+58
+00:01:24,390 --> 00:01:24,400
+high let's go back about 6 months and
+ 
+
+59
+00:01:24,400 --> 00:01:26,469
+high let's go back about 6 months and
+find the day when it all
+
+60
+00:01:26,469 --> 00:01:26,479
+find the day when it all
+ 
+
+61
+00:01:26,479 --> 00:01:28,870
+find the day when it all
+started I was living in an apartment
+
+62
+00:01:28,870 --> 00:01:28,880
+started I was living in an apartment
+ 
+
+63
+00:01:28,880 --> 00:01:30,710
+started I was living in an apartment
+house above Franklin and and
+
+64
+00:01:30,710 --> 00:01:30,720
+house above Franklin and and
+ 
+
+65
+00:01:30,720 --> 00:01:33,310
+house above Franklin and and
+Ivar things were tough at the
+
+66
+00:01:33,310 --> 00:01:33,320
+Ivar things were tough at the
+ 
+
+67
+00:01:33,320 --> 00:01:35,990
+Ivar things were tough at the
+moment I hadn't worked in a studio for a
+
+68
+00:01:35,990 --> 00:01:36,000
+moment I hadn't worked in a studio for a
+ 
+
+69
+00:01:36,000 --> 00:01:37,350
+moment I hadn't worked in a studio for a
+long
+
+70
+00:01:37,350 --> 00:01:37,360
+long
+ 
+
+71
+00:01:37,360 --> 00:01:40,030
+long
+time so I sat there grinding out
+
+72
+00:01:40,030 --> 00:01:40,040
+time so I sat there grinding out
+ 
+
+73
+00:01:40,040 --> 00:01:42,550
+time so I sat there grinding out
+Original Stories two a
+
+74
+00:01:42,550 --> 00:01:42,560
+Original Stories two a
+ 
+
+75
+00:01:42,560 --> 00:01:45,749
+Original Stories two a
+week only I seem to have lost my
+
+76
+00:01:45,749 --> 00:01:45,759
+week only I seem to have lost my
+ 
+
+77
+00:01:45,759 --> 00:01:48,709
+week only I seem to have lost my
+touch maybe they weren't original
+
+78
+00:01:48,709 --> 00:01:48,719
+touch maybe they weren't original
+ 
+
+79
+00:01:48,719 --> 00:01:51,590
+touch maybe they weren't original
+enough maybe they were too
+
+80
+00:01:51,590 --> 00:01:51,600
+enough maybe they were too
+ 
+
+81
+00:01:51,600 --> 00:01:56,420
+enough maybe they were too
+original all I know is they didn't sell
+
+82
+00:01:56,420 --> 00:01:56,430
+original all I know is they didn't sell
+ 
+
+83
+00:01:56,430 --> 00:02:27,490
+original all I know is they didn't sell
+[Music]
+

1950/LPPJdOGshUM.en.srt

@@ -0,0 +1,485 @@
+1
+00:00:00,440 --> 00:00:02,550
+
+the kid junior that is will be down in a
+
+2
+00:00:02,550 --> 00:00:02,560
+the kid junior that is will be down in a
+ 
+
+3
+00:00:02,560 --> 00:00:03,909
+the kid junior that is will be down in a
+minute unless you'd like to take her
+
+4
+00:00:03,909 --> 00:00:03,919
+minute unless you'd like to take her
+ 
+
+5
+00:00:03,919 --> 00:00:06,829
+minute unless you'd like to take her
+drink up to her I can get a fresh one
+
+6
+00:00:06,829 --> 00:00:06,839
+drink up to her I can get a fresh one
+ 
+
+7
+00:00:06,839 --> 00:00:09,190
+drink up to her I can get a fresh one
+Karen you're a Gibson girl thank you the
+
+8
+00:00:09,190 --> 00:00:09,200
+Karen you're a Gibson girl thank you the
+ 
+
+9
+00:00:09,200 --> 00:00:12,230
+Karen you're a Gibson girl thank you the
+general atmosphere is very MC beish what
+
+10
+00:00:12,230 --> 00:00:12,240
+general atmosphere is very MC beish what
+ 
+
+11
+00:00:12,240 --> 00:00:14,230
+general atmosphere is very MC beish what
+has or is about to happen what is he
+
+12
+00:00:14,230 --> 00:00:14,240
+has or is about to happen what is he
+ 
+
+13
+00:00:14,240 --> 00:00:16,990
+has or is about to happen what is he
+talking about McBeth we know you we've
+
+14
+00:00:16,990 --> 00:00:17,000
+talking about McBeth we know you we've
+ 
+
+15
+00:00:17,000 --> 00:00:19,310
+talking about McBeth we know you we've
+seen you like this before is it over or
+
+16
+00:00:19,310 --> 00:00:19,320
+seen you like this before is it over or
+ 
+
+17
+00:00:19,320 --> 00:00:21,740
+seen you like this before is it over or
+is it just beginning
+
+18
+00:00:21,740 --> 00:00:21,750
+is it just beginning
+ 
+
+19
+00:00:21,750 --> 00:00:30,830
+is it just beginning
+[Music]
+
+20
+00:00:30,830 --> 00:00:30,840
+[Music]
+ 
+
+21
+00:00:30,840 --> 00:00:33,310
+[Music]
+fasten your seat belts it's going to be
+
+22
+00:00:33,310 --> 00:00:33,320
+fasten your seat belts it's going to be
+ 
+
+23
+00:00:33,320 --> 00:00:37,360
+fasten your seat belts it's going to be
+a bumpy
+
+24
+00:00:37,360 --> 00:00:37,370
+
+ 
+
+25
+00:00:37,370 --> 00:00:41,709
+
+[Music]
+
+26
+00:00:41,709 --> 00:00:41,719
+
+ 
+
+27
+00:00:41,719 --> 00:00:44,910
+
+night you
+
+28
+00:00:44,910 --> 00:00:44,920
+night you
+ 
+
+29
+00:00:44,920 --> 00:00:47,510
+night you
+too I distinctly remember Addison
+
+30
+00:00:47,510 --> 00:00:47,520
+too I distinctly remember Addison
+ 
+
+31
+00:00:47,520 --> 00:00:49,150
+too I distinctly remember Addison
+Crossing you off my guest list what are
+
+32
+00:00:49,150 --> 00:00:49,160
+Crossing you off my guest list what are
+ 
+
+33
+00:00:49,160 --> 00:00:51,150
+Crossing you off my guest list what are
+you doing here dear Margo you are an
+
+34
+00:00:51,150 --> 00:00:51,160
+you doing here dear Margo you are an
+ 
+
+35
+00:00:51,160 --> 00:00:53,229
+you doing here dear Margo you are an
+unforgettable Peter Pan you must prayed
+
+36
+00:00:53,229 --> 00:00:53,239
+unforgettable Peter Pan you must prayed
+ 
+
+37
+00:00:53,239 --> 00:00:55,990
+unforgettable Peter Pan you must prayed
+again soon you remember Miss cwell I do
+
+38
+00:00:55,990 --> 00:00:56,000
+again soon you remember Miss cwell I do
+ 
+
+39
+00:00:56,000 --> 00:00:58,029
+again soon you remember Miss cwell I do
+not how you do we've never met maybe
+
+40
+00:00:58,029 --> 00:00:58,039
+not how you do we've never met maybe
+ 
+
+41
+00:00:58,039 --> 00:01:00,430
+not how you do we've never met maybe
+that's why Miss cwell is an actress a
+
+42
+00:01:00,430 --> 00:01:00,440
+that's why Miss cwell is an actress a
+ 
+
+43
+00:01:00,440 --> 00:01:02,389
+that's why Miss cwell is an actress a
+graduate of the COA caban School of
+
+44
+00:01:02,389 --> 00:01:02,399
+graduate of the COA caban School of
+ 
+
+45
+00:01:02,399 --> 00:01:03,789
+graduate of the COA caban School of
+dramatic
+
+46
+00:01:03,789 --> 00:01:03,799
+dramatic
+ 
+
+47
+00:01:03,799 --> 00:01:09,070
+dramatic
+art ah Eve good evening Mr dwit I had no
+
+48
+00:01:09,070 --> 00:01:09,080
+art ah Eve good evening Mr dwit I had no
+ 
+
+49
+00:01:09,080 --> 00:01:10,749
+art ah Eve good evening Mr dwit I had no
+idea you two knew each other this must
+
+50
+00:01:10,749 --> 00:01:10,759
+idea you two knew each other this must
+ 
+
+51
+00:01:10,759 --> 00:01:13,310
+idea you two knew each other this must
+be at long last a formal introduction
+
+52
+00:01:13,310 --> 00:01:13,320
+be at long last a formal introduction
+ 
+
+53
+00:01:13,320 --> 00:01:15,270
+be at long last a formal introduction
+until now we've only met in passing
+
+54
+00:01:15,270 --> 00:01:15,280
+until now we've only met in passing
+ 
+
+55
+00:01:15,280 --> 00:01:18,630
+until now we've only met in passing
+that's how you met me in passing Eve
+
+56
+00:01:18,630 --> 00:01:18,640
+that's how you met me in passing Eve
+ 
+
+57
+00:01:18,640 --> 00:01:20,830
+that's how you met me in passing Eve
+this is an old friend of Mr DT's mother
+
+58
+00:01:20,830 --> 00:01:20,840
+this is an old friend of Mr DT's mother
+ 
+
+59
+00:01:20,840 --> 00:01:22,749
+this is an old friend of Mr DT's mother
+Miss Caswell Miss Harrington Miss
+
+60
+00:01:22,749 --> 00:01:22,759
+Miss Caswell Miss Harrington Miss
+ 
+
+61
+00:01:22,759 --> 00:01:25,069
+Miss Caswell Miss Harrington Miss
+Caswell how do you do Addison I've been
+
+62
+00:01:25,069 --> 00:01:25,079
+Caswell how do you do Addison I've been
+ 
+
+63
+00:01:25,079 --> 00:01:26,990
+Caswell how do you do Addison I've been
+wanting you to meet Eve for the longest
+
+64
+00:01:26,990 --> 00:01:27,000
+wanting you to meet Eve for the longest
+ 
+
+65
+00:01:27,000 --> 00:01:28,149
+wanting you to meet Eve for the longest
+time it could only have been your
+
+66
+00:01:28,149 --> 00:01:28,159
+time it could only have been your
+ 
+
+67
+00:01:28,159 --> 00:01:29,670
+time it could only have been your
+natural timidity that kept you from
+
+68
+00:01:29,670 --> 00:01:29,680
+natural timidity that kept you from
+ 
+
+69
+00:01:29,680 --> 00:01:31,030
+natural timidity that kept you from
+mention mentioning it you've heard of
+
+70
+00:01:31,030 --> 00:01:31,040
+mention mentioning it you've heard of
+ 
+
+71
+00:01:31,040 --> 00:01:33,030
+mention mentioning it you've heard of
+her great interest in the theater we
+
+72
+00:01:33,030 --> 00:01:33,040
+her great interest in the theater we
+ 
+
+73
+00:01:33,040 --> 00:01:34,749
+her great interest in the theater we
+have that in common then you two must
+
+74
+00:01:34,749 --> 00:01:34,759
+have that in common then you two must
+ 
+
+75
+00:01:34,759 --> 00:01:37,230
+have that in common then you two must
+have a long talk I'm afraid Mr DT would
+
+76
+00:01:37,230 --> 00:01:37,240
+have a long talk I'm afraid Mr DT would
+ 
+
+77
+00:01:37,240 --> 00:01:39,469
+have a long talk I'm afraid Mr DT would
+find me boring before too long you won't
+
+78
+00:01:39,469 --> 00:01:39,479
+find me boring before too long you won't
+ 
+
+79
+00:01:39,479 --> 00:01:41,109
+find me boring before too long you won't
+wor him honey you won't even get a
+
+80
+00:01:41,109 --> 00:01:41,119
+wor him honey you won't even get a
+ 
+
+81
+00:01:41,119 --> 00:01:45,550
+wor him honey you won't even get a
+chance to talk Claudia come
+
+82
+00:01:45,550 --> 00:01:45,560
+chance to talk Claudia come
+ 
+
+83
+00:01:45,560 --> 00:01:49,310
+chance to talk Claudia come
+here you see that man that's Max Fabian
+
+84
+00:01:49,310 --> 00:01:49,320
+here you see that man that's Max Fabian
+ 
+
+85
+00:01:49,320 --> 00:01:50,870
+here you see that man that's Max Fabian
+the producer and now go and do yourself
+
+86
+00:01:50,870 --> 00:01:50,880
+the producer and now go and do yourself
+ 
+
+87
+00:01:50,880 --> 00:01:53,870
+the producer and now go and do yourself
+some good why do they always look like a
+
+88
+00:01:53,870 --> 00:01:53,880
+some good why do they always look like a
+ 
+
+89
+00:01:53,880 --> 00:01:56,350
+some good why do they always look like a
+happy rabbits CU that's what they are
+
+90
+00:01:56,350 --> 00:01:56,360
+happy rabbits CU that's what they are
+ 
+
+91
+00:01:56,360 --> 00:02:01,429
+happy rabbits CU that's what they are
+I'm going make him happier
+
+92
+00:02:01,429 --> 00:02:01,439
+
+ 
+
+93
+00:02:01,439 --> 00:02:03,830
+
+now don't worry about your little chars
+
+94
+00:02:03,830 --> 00:02:03,840
+now don't worry about your little chars
+ 
+
+95
+00:02:03,840 --> 00:02:14,310
+now don't worry about your little chars
+she'll be in safe hands
+
+96
+00:02:14,310 --> 00:02:14,320
+
+ 
+
+97
+00:02:14,320 --> 00:02:43,529
+
+[Music]
+

1950/Mlv16s4DxwI.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:00,760 --> 00:00:02,950
+
+Mr emic wouldn't commit a crime he would
+
+2
+00:00:02,950 --> 00:00:02,960
+Mr emic wouldn't commit a crime he would
+ 
+
+3
+00:00:02,960 --> 00:00:07,110
+Mr emic wouldn't commit a crime he would
+and
+
+4
+00:00:07,110 --> 00:00:07,120
+
+ 
+
+5
+00:00:07,120 --> 00:00:09,390
+
+did tell him the
+
+6
+00:00:09,390 --> 00:00:09,400
+did tell him the
+ 
+
+7
+00:00:09,400 --> 00:00:12,150
+did tell him the
+truth Uncle L it's the only thing to do
+
+8
+00:00:12,150 --> 00:00:12,160
+truth Uncle L it's the only thing to do
+ 
+
+9
+00:00:12,160 --> 00:00:13,350
+truth Uncle L it's the only thing to do
+unless you want to be indicted for
+
+10
+00:00:13,350 --> 00:00:13,360
+unless you want to be indicted for
+ 
+
+11
+00:00:13,360 --> 00:00:14,390
+unless you want to be indicted for
+obstructing
+
+12
+00:00:14,390 --> 00:00:14,400
+obstructing
+ 
+
+13
+00:00:14,400 --> 00:00:17,590
+obstructing
+justice what I said yesterday
+
+14
+00:00:17,590 --> 00:00:17,600
+justice what I said yesterday
+ 
+
+15
+00:00:17,600 --> 00:00:19,950
+justice what I said yesterday
+was but it wasn't
+
+16
+00:00:19,950 --> 00:00:19,960
+was but it wasn't
+ 
+
+17
+00:00:19,960 --> 00:00:21,870
+was but it wasn't
+exactly I
+
+18
+00:00:21,870 --> 00:00:21,880
+exactly I
+ 
+
+19
+00:00:21,880 --> 00:00:25,150
+exactly I
+mean it wasn't really that was it the
+
+20
+00:00:25,150 --> 00:00:25,160
+mean it wasn't really that was it the
+ 
+
+21
+00:00:25,160 --> 00:00:28,310
+mean it wasn't really that was it the
+truth no sir you weren't with Emer were
+
+22
+00:00:28,310 --> 00:00:28,320
+truth no sir you weren't with Emer were
+ 
+
+23
+00:00:28,320 --> 00:00:30,630
+truth no sir you weren't with Emer were
+you no sir he was someplace else you
+
+24
+00:00:30,630 --> 00:00:30,640
+you no sir he was someplace else you
+ 
+
+25
+00:00:30,640 --> 00:00:33,950
+you no sir he was someplace else you
+were not with him yes he told you
+
+26
+00:00:33,950 --> 00:00:33,960
+were not with him yes he told you
+ 
+
+27
+00:00:33,960 --> 00:00:37,069
+were not with him yes he told you
+exactly what to say made you learn it by
+
+28
+00:00:37,069 --> 00:00:37,079
+exactly what to say made you learn it by
+ 
+
+29
+00:00:37,079 --> 00:00:39,510
+exactly what to say made you learn it by
+heart answer
+
+30
+00:00:39,510 --> 00:00:39,520
+heart answer
+ 
+
+31
+00:00:39,520 --> 00:00:44,869
+heart answer
+me I mean yes sir I mean I learned it by
+
+32
+00:00:44,869 --> 00:00:44,879
+me I mean yes sir I mean I learned it by
+ 
+
+33
+00:00:44,879 --> 00:00:46,950
+me I mean yes sir I mean I learned it by
+heart get a new statement from her and
+
+34
+00:00:46,950 --> 00:00:46,960
+heart get a new statement from her and
+ 
+
+35
+00:00:46,960 --> 00:00:49,270
+heart get a new statement from her and
+have her sign yes sir and this time
+
+36
+00:00:49,270 --> 00:00:49,280
+have her sign yes sir and this time
+ 
+
+37
+00:00:49,280 --> 00:00:51,069
+have her sign yes sir and this time
+young lady I want the whole
+
+38
+00:00:51,069 --> 00:00:51,079
+young lady I want the whole
+ 
+
+39
+00:00:51,079 --> 00:00:58,110
+young lady I want the whole
+truth over here
+
+40
+00:00:58,110 --> 00:00:58,120
+
+ 
+
+41
+00:00:58,120 --> 00:01:00,750
+
+miss I'm sorry uncle
+
+42
+00:01:00,750 --> 00:01:00,760
+miss I'm sorry uncle
+ 
+
+43
+00:01:00,760 --> 00:01:02,910
+miss I'm sorry uncle
+on I
+
+44
+00:01:02,910 --> 00:01:02,920
+on I
+ 
+
+45
+00:01:02,920 --> 00:01:08,630
+on I
+tried you did pretty well
+
+46
+00:01:08,630 --> 00:01:08,640
+
+ 
+
+47
+00:01:08,640 --> 00:01:12,230
+
+considering what about my trip uncle on
+
+48
+00:01:12,230 --> 00:01:12,240
+considering what about my trip uncle on
+ 
+
+49
+00:01:12,240 --> 00:01:15,070
+considering what about my trip uncle on
+it's still on don't worry baby you'll
+
+50
+00:01:15,070 --> 00:01:15,080
+it's still on don't worry baby you'll
+ 
+
+51
+00:01:15,080 --> 00:01:20,550
+it's still on don't worry baby you'll
+have plenty of
+
+52
+00:01:20,550 --> 00:01:20,560
+
+ 
+
+53
+00:01:20,560 --> 00:01:25,670
+
+trips seems to be all wrapped up
+
+54
+00:01:25,670 --> 00:01:25,680
+
+ 
+
+55
+00:01:25,680 --> 00:01:30,030
+
+Emer oh here see I'd like to uh tell
+
+56
+00:01:30,030 --> 00:01:30,040
+Emer oh here see I'd like to uh tell
+ 
+
+57
+00:01:30,040 --> 00:01:32,389
+Emer oh here see I'd like to uh tell
+phone my wife you don't mind getting
+
+58
+00:01:32,389 --> 00:01:32,399
+phone my wife you don't mind getting
+ 
+
+59
+00:01:32,399 --> 00:01:35,310
+phone my wife you don't mind getting
+late she might be worried help yourself
+
+60
+00:01:35,310 --> 00:01:35,320
+late she might be worried help yourself
+ 
+
+61
+00:01:35,320 --> 00:01:37,030
+late she might be worried help yourself
+but don't try to run you won't get very
+
+62
+00:01:37,030 --> 00:01:37,040
+but don't try to run you won't get very
+ 
+
+63
+00:01:37,040 --> 00:02:36,150
+but don't try to run you won't get very
+far
+
+64
+00:02:36,150 --> 00:02:36,160
+
+ 
+
+65
+00:02:36,160 --> 00:02:37,910
+
+Emory
+
+66
+00:02:37,910 --> 00:02:37,920
+Emory
+ 
+
+67
+00:02:37,920 --> 00:03:09,679
+Emory
+[Music]
+

1950/MvajGqWodvM.description

@@ -0,0 +1,38 @@
+Sunset Blvd. movie clips: http://j.mp/1CMHGfd
+BUY THE MOVIE: http://amzn.to/tBkVtH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Norma Desmond (Gloria Swanson) meets Cecil B. Demille after she falsely believes that he invited her there to discuss her script.
+
+FILM DESCRIPTION:
+Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll.
+
+CREDITS:
+TM & © Paramount (1950)
+Cast: Cecil B. DeMille, Gloria Swanson
+Director: Billy Wilder
+Producer: Charles Brackett
+Screenwriters: Charles Brackett, D.M. Marshman Jr., Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1950/MvajGqWodvM.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:00,120 --> 00:00:03,230
+
+no I I must apologize for not calling
+
+2
+00:00:03,230 --> 00:00:03,240
+no I I must apologize for not calling
+ 
+
+3
+00:00:03,240 --> 00:00:05,829
+no I I must apologize for not calling
+you you'd better I'm very angry well you
+
+4
+00:00:05,829 --> 00:00:05,839
+you you'd better I'm very angry well you
+ 
+
+5
+00:00:05,839 --> 00:00:08,230
+you you'd better I'm very angry well you
+can see I'm I'm terribly busy that's no
+
+6
+00:00:08,230 --> 00:00:08,240
+can see I'm I'm terribly busy that's no
+ 
+
+7
+00:00:08,240 --> 00:00:10,789
+can see I'm I'm terribly busy that's no
+excuse you read the script of
+
+8
+00:00:10,789 --> 00:00:10,799
+excuse you read the script of
+ 
+
+9
+00:00:10,799 --> 00:00:13,070
+excuse you read the script of
+course yes I did then you could have
+
+10
+00:00:13,070 --> 00:00:13,080
+course yes I did then you could have
+ 
+
+11
+00:00:13,080 --> 00:00:14,629
+course yes I did then you could have
+picked up the telephone yourself instead
+
+12
+00:00:14,629 --> 00:00:14,639
+picked up the telephone yourself instead
+ 
+
+13
+00:00:14,639 --> 00:00:16,590
+picked up the telephone yourself instead
+of leaving it to one of your assistants
+
+14
+00:00:16,590 --> 00:00:16,600
+of leaving it to one of your assistants
+ 
+
+15
+00:00:16,600 --> 00:00:19,710
+of leaving it to one of your assistants
+H what assistant I don't play innocent
+
+16
+00:00:19,710 --> 00:00:19,720
+H what assistant I don't play innocent
+ 
+
+17
+00:00:19,720 --> 00:00:23,230
+H what assistant I don't play innocent
+somebody named uh Gordon Cole Gordon
+
+18
+00:00:23,230 --> 00:00:23,240
+somebody named uh Gordon Cole Gordon
+ 
+
+19
+00:00:23,240 --> 00:00:25,349
+somebody named uh Gordon Cole Gordon
+Cole and if you hadn't been pretty darn
+
+20
+00:00:25,349 --> 00:00:25,359
+Cole and if you hadn't been pretty darn
+ 
+
+21
+00:00:25,359 --> 00:00:27,029
+Cole and if you hadn't been pretty darn
+interested in that script he wouldn't
+
+22
+00:00:27,029 --> 00:00:27,039
+interested in that script he wouldn't
+ 
+
+23
+00:00:27,039 --> 00:00:28,950
+interested in that script he wouldn't
+have tried to get me on the telephone 10
+
+24
+00:00:28,950 --> 00:00:28,960
+have tried to get me on the telephone 10
+ 
+
+25
+00:00:28,960 --> 00:00:31,310
+have tried to get me on the telephone 10
+times G
+
+26
+00:00:31,310 --> 00:00:31,320
+times G
+ 
+
+27
+00:00:31,320 --> 00:00:33,750
+times G
+call look nor I'm in the middle of a
+
+28
+00:00:33,750 --> 00:00:33,760
+call look nor I'm in the middle of a
+ 
+
+29
+00:00:33,760 --> 00:00:35,830
+call look nor I'm in the middle of a
+rehearsal now why don't you just sit up
+
+30
+00:00:35,830 --> 00:00:35,840
+rehearsal now why don't you just sit up
+ 
+
+31
+00:00:35,840 --> 00:00:38,549
+rehearsal now why don't you just sit up
+here in my chair and make yourself
+
+32
+00:00:38,549 --> 00:00:38,559
+here in my chair and make yourself
+ 
+
+33
+00:00:38,559 --> 00:00:41,389
+here in my chair and make yourself
+comfortable thank you that's a
+
+34
+00:00:41,389 --> 00:00:41,399
+comfortable thank you that's a
+ 
+
+35
+00:00:41,399 --> 00:00:43,549
+comfortable thank you that's a
+girl I won't be a
+
+36
+00:00:43,549 --> 00:00:43,559
+girl I won't be a
+ 
+
+37
+00:00:43,559 --> 00:00:47,069
+girl I won't be a
+moment bring me a telephone get me G and
+
+38
+00:00:47,069 --> 00:00:47,079
+moment bring me a telephone get me G and
+ 
+
+39
+00:00:47,079 --> 00:00:56,070
+moment bring me a telephone get me G and
+cold all right
+
+40
+00:00:56,070 --> 00:00:56,080
+
+ 
+
+41
+00:00:56,080 --> 00:01:03,830
+
+[Music]
+
+42
+00:01:03,830 --> 00:01:03,840
+
+ 
+
+43
+00:01:03,840 --> 00:01:06,630
+
+hey Miss
+
+44
+00:01:06,630 --> 00:01:06,640
+hey Miss
+ 
+
+45
+00:01:06,640 --> 00:01:08,590
+hey Miss
+Desmond Miss
+
+46
+00:01:08,590 --> 00:01:08,600
+Desmond Miss
+ 
+
+47
+00:01:08,600 --> 00:01:12,230
+Desmond Miss
+Desmond it's me it's
+
+48
+00:01:12,230 --> 00:01:12,240
+Desmond it's me it's
+ 
+
+49
+00:01:12,240 --> 00:01:16,550
+Desmond it's me it's
+hogy hello
+
+50
+00:01:16,550 --> 00:01:16,560
+
+ 
+
+51
+00:01:16,560 --> 00:01:20,130
+
+hay let's get a good look at
+
+52
+00:01:20,130 --> 00:01:20,140
+hay let's get a good look at
+ 
+
+53
+00:01:20,140 --> 00:01:21,990
+hay let's get a good look at
+[Music]
+
+54
+00:01:21,990 --> 00:01:22,000
+[Music]
+ 
+
+55
+00:01:22,000 --> 00:01:27,109
+[Music]
+you look there's Norma Desmond Norma
+
+56
+00:01:27,109 --> 00:01:27,119
+you look there's Norma Desmond Norma
+ 
+
+57
+00:01:27,119 --> 00:01:29,710
+you look there's Norma Desmond Norma
+Desmond Norma Desmond well I thought she
+
+58
+00:01:29,710 --> 00:01:29,720
+Desmond Norma Desmond well I thought she
+ 
+
+59
+00:01:29,720 --> 00:01:32,910
+Desmond Norma Desmond well I thought she
+was dead how nice to see you welcome
+
+60
+00:01:32,910 --> 00:01:32,920
+was dead how nice to see you welcome
+ 
+
+61
+00:01:32,920 --> 00:01:36,429
+was dead how nice to see you welcome
+home M you remember me don't
+
+62
+00:01:36,429 --> 00:01:36,439
+home M you remember me don't
+ 
+
+63
+00:01:36,439 --> 00:01:38,190
+home M you remember me don't
+H
+
+64
+00:01:38,190 --> 00:01:38,200
+H
+ 
+
+65
+00:01:38,200 --> 00:01:41,310
+H
+H have you
+
+66
+00:01:41,310 --> 00:01:41,320
+H have you
+ 
+
+67
+00:01:41,320 --> 00:01:44,910
+H have you
+met oh Gordon this is CB de have you
+
+68
+00:01:44,910 --> 00:01:44,920
+met oh Gordon this is CB de have you
+ 
+
+69
+00:01:44,920 --> 00:01:48,550
+met oh Gordon this is CB de have you
+been calling Norma Desmond yes Mr D It's
+
+70
+00:01:48,550 --> 00:01:48,560
+been calling Norma Desmond yes Mr D It's
+ 
+
+71
+00:01:48,560 --> 00:01:51,190
+been calling Norma Desmond yes Mr D It's
+that car of hers an old isada forini her
+
+72
+00:01:51,190 --> 00:01:51,200
+that car of hers an old isada forini her
+ 
+
+73
+00:01:51,200 --> 00:01:52,550
+that car of hers an old isada forini her
+chauffer drove it in on the lot the
+
+74
+00:01:52,550 --> 00:01:52,560
+chauffer drove it in on the lot the
+ 
+
+75
+00:01:52,560 --> 00:01:54,030
+chauffer drove it in on the lot the
+other day it looks just right for the
+
+76
+00:01:54,030 --> 00:01:54,040
+other day it looks just right for the
+ 
+
+77
+00:01:54,040 --> 00:01:56,109
+other day it looks just right for the
+Crosby picture we want to rent it for a
+
+78
+00:01:56,109 --> 00:01:56,119
+Crosby picture we want to rent it for a
+ 
+
+79
+00:01:56,119 --> 00:02:01,550
+Crosby picture we want to rent it for a
+couple of weeks oh I see
+
+80
+00:02:01,550 --> 00:02:01,560
+
+ 
+
+81
+00:02:01,560 --> 00:02:08,460
+
+well thank you very much thank you
+
+82
+00:02:08,460 --> 00:02:08,470
+
+ 
+
+83
+00:02:08,470 --> 00:02:39,479
+
+[Music]
+

1950/Nn4pMI2q_PM.description

@@ -0,0 +1,38 @@
+Sunset Blvd. movie clips: http://j.mp/1CMHGfd
+BUY THE MOVIE: http://amzn.to/tBkVtH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (William Holden) watches Norma (Gloria Swanson) play a bridge game with old silent film stars, including the legendary Buster Keaton.
+
+FILM DESCRIPTION:
+Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll.
+
+CREDITS:
+TM & © Paramount (1950)
+Cast: William Holden, Buster Keaton, Erich von Stroheim, H.B. Warner, Anna Q. Nilsson, Gloria Swanson
+Director: Billy Wilder
+Producer: Charles Brackett
+Screenwriters: Charles Brackett, D.M. Marshman Jr., Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1950/Nn4pMI2q_PM.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:00,840 --> 00:00:02,550
+
+sometimes there dear little bridge game
+
+2
+00:00:02,550 --> 00:00:02,560
+sometimes there dear little bridge game
+ 
+
+3
+00:00:02,560 --> 00:00:06,150
+sometimes there dear little bridge game
+in the house at a 20th of a cent a point
+
+4
+00:00:06,150 --> 00:00:06,160
+in the house at a 20th of a cent a point
+ 
+
+5
+00:00:06,160 --> 00:00:08,950
+in the house at a 20th of a cent a point
+I get half of her winnings once they ran
+
+6
+00:00:08,950 --> 00:00:08,960
+I get half of her winnings once they ran
+ 
+
+7
+00:00:08,960 --> 00:00:09,709
+I get half of her winnings once they ran
+up
+
+8
+00:00:09,709 --> 00:00:09,719
+up
+ 
+
+9
+00:00:09,719 --> 00:00:12,310
+up
+to70 which was about the only cash money
+
+10
+00:00:12,310 --> 00:00:12,320
+to70 which was about the only cash money
+ 
+
+11
+00:00:12,320 --> 00:00:15,190
+to70 which was about the only cash money
+I ever got the others around the table
+
+12
+00:00:15,190 --> 00:00:15,200
+I ever got the others around the table
+ 
+
+13
+00:00:15,200 --> 00:00:17,990
+I ever got the others around the table
+would be actor friends dim figures you
+
+14
+00:00:17,990 --> 00:00:18,000
+would be actor friends dim figures you
+ 
+
+15
+00:00:18,000 --> 00:00:21,109
+would be actor friends dim figures you
+may still remember from the silent days
+
+16
+00:00:21,109 --> 00:00:21,119
+may still remember from the silent days
+ 
+
+17
+00:00:21,119 --> 00:00:24,029
+may still remember from the silent days
+I used to think of them as her wax works
+
+18
+00:00:24,029 --> 00:00:24,039
+I used to think of them as her wax works
+ 
+
+19
+00:00:24,039 --> 00:00:28,230
+I used to think of them as her wax works
+one Diamond one
+
+20
+00:00:28,230 --> 00:00:28,240
+
+ 
+
+21
+00:00:28,240 --> 00:00:32,030
+
+hot Spade
+
+22
+00:00:32,030 --> 00:00:32,040
+
+ 
+
+23
+00:00:32,040 --> 00:00:35,630
+
+pass three now Trump
+
+24
+00:00:35,630 --> 00:00:35,640
+pass three now Trump
+ 
+
+25
+00:00:35,640 --> 00:00:38,869
+pass three now Trump
+pass pass empty the ass treay with you
+
+26
+00:00:38,869 --> 00:00:38,879
+pass pass empty the ass treay with you
+ 
+
+27
+00:00:38,879 --> 00:00:43,730
+pass pass empty the ass treay with you
+Joe dear
+
+28
+00:00:43,730 --> 00:00:43,740
+
+ 
+
+29
+00:00:43,740 --> 00:01:08,590
+
+[Music]
+
+30
+00:01:08,590 --> 00:01:08,600
+[Music]
+ 
+
+31
+00:01:08,600 --> 00:01:10,429
+[Music]
+there's some men outside they ask for
+
+32
+00:01:10,429 --> 00:01:10,439
+there's some men outside they ask for
+ 
+
+33
+00:01:10,439 --> 00:01:12,950
+there's some men outside they ask for
+you I'm not here that's what I told them
+
+34
+00:01:12,950 --> 00:01:12,960
+you I'm not here that's what I told them
+ 
+
+35
+00:01:12,960 --> 00:01:14,630
+you I'm not here that's what I told them
+good but they found your car in the
+
+36
+00:01:14,630 --> 00:01:14,640
+good but they found your car in the
+ 
+
+37
+00:01:14,640 --> 00:01:16,870
+good but they found your car in the
+garage and they're going to thrw it
+
+38
+00:01:16,870 --> 00:01:16,880
+garage and they're going to thrw it
+ 
+
+39
+00:01:16,880 --> 00:01:20,149
+garage and they're going to thrw it
+away where's the ashtray Joe can't we
+
+40
+00:01:20,149 --> 00:01:20,159
+away where's the ashtray Joe can't we
+ 
+
+41
+00:01:20,159 --> 00:01:28,270
+away where's the ashtray Joe can't we
+have the
+
+42
+00:01:28,270 --> 00:01:28,280
+
+ 
+
+43
+00:01:28,280 --> 00:01:30,350
+
+ashtray I want to talk to to you for a
+
+44
+00:01:30,350 --> 00:01:30,360
+ashtray I want to talk to to you for a
+ 
+
+45
+00:01:30,360 --> 00:01:32,149
+ashtray I want to talk to to you for a
+minute not now my dear I'm playing three
+
+46
+00:01:32,149 --> 00:01:32,159
+minute not now my dear I'm playing three
+ 
+
+47
+00:01:32,159 --> 00:01:35,389
+minute not now my dear I'm playing three
+no Trump they come from my car please
+
+48
+00:01:35,389 --> 00:01:35,399
+no Trump they come from my car please
+ 
+
+49
+00:01:35,399 --> 00:01:37,630
+no Trump they come from my car please
+not now I forgotten how many Spades are
+
+50
+00:01:37,630 --> 00:01:37,640
+not now I forgotten how many Spades are
+ 
+
+51
+00:01:37,640 --> 00:01:39,749
+not now I forgotten how many Spades are
+out look I need some money right now
+
+52
+00:01:39,749 --> 00:01:39,759
+out look I need some money right now
+ 
+
+53
+00:01:39,759 --> 00:01:42,870
+out look I need some money right now
+can't you wait until I'm dummy
+
+54
+00:01:42,870 --> 00:01:42,880
+can't you wait until I'm dummy
+ 
+
+55
+00:01:42,880 --> 00:02:15,869
+can't you wait until I'm dummy
+no please
+
+56
+00:02:15,869 --> 00:02:15,879
+
+ 
+
+57
+00:02:15,879 --> 00:02:20,900
+
+is
+
+58
+00:02:20,900 --> 00:02:20,910
+
+ 
+
+59
+00:02:20,910 --> 00:02:43,500
+
+[Music]
+

1950/bb_uXwPiNxc.description

@@ -0,0 +1,38 @@
+Sunset Blvd. movie clips: http://j.mp/1CMHGfd
+BUY THE MOVIE: http://amzn.to/tBkVtH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Hours go by when Joe (William Holden) finally realizes that he is the only invited guest at Norma's (Gloria Swanson) New Year's party.
+
+FILM DESCRIPTION:
+Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll.
+
+CREDITS:
+TM & © Paramount (1950)
+Cast: William Holden, Erich von Stroheim, Gloria Swanson
+Director: Billy Wilder
+Producer: Charles Brackett
+Screenwriters: Charles Brackett, D.M. Marshman Jr., Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1950/eWL0obbYYOE.en.srt

@@ -0,0 +1,475 @@
+1
+00:00:00,120 --> 00:00:02,790
+
+I'm nothing but a a body with a voice no
+
+2
+00:00:02,790 --> 00:00:02,800
+I'm nothing but a a body with a voice no
+ 
+
+3
+00:00:02,800 --> 00:00:07,309
+I'm nothing but a a body with a voice no
+mind what a body what a voice that EG
+
+4
+00:00:07,309 --> 00:00:07,319
+mind what a body what a voice that EG
+ 
+
+5
+00:00:07,319 --> 00:00:10,110
+mind what a body what a voice that EG
+ship news reporter nobody no voice all
+
+6
+00:00:10,110 --> 00:00:10,120
+ship news reporter nobody no voice all
+ 
+
+7
+00:00:10,120 --> 00:00:13,150
+ship news reporter nobody no voice all
+mine the gong rang the fight's over calm
+
+8
+00:00:13,150 --> 00:00:13,160
+mine the gong rang the fight's over calm
+ 
+
+9
+00:00:13,160 --> 00:00:19,630
+mine the gong rang the fight's over calm
+down I will not calm down don't calm
+
+10
+00:00:19,630 --> 00:00:19,640
+
+ 
+
+11
+00:00:19,640 --> 00:00:22,630
+
+down you're being terribly tolerant
+
+12
+00:00:22,630 --> 00:00:22,640
+down you're being terribly tolerant
+ 
+
+13
+00:00:22,640 --> 00:00:25,390
+down you're being terribly tolerant
+aren't you I'm trying terribly hard well
+
+14
+00:00:25,390 --> 00:00:25,400
+aren't you I'm trying terribly hard well
+ 
+
+15
+00:00:25,400 --> 00:00:27,950
+aren't you I'm trying terribly hard well
+you needn't be I will not be tolerated
+
+16
+00:00:27,950 --> 00:00:27,960
+you needn't be I will not be tolerated
+ 
+
+17
+00:00:27,960 --> 00:00:29,990
+you needn't be I will not be tolerated
+and I will not be plotted against here
+
+18
+00:00:29,990 --> 00:00:30,000
+and I will not be plotted against here
+ 
+
+19
+00:00:30,000 --> 00:00:32,190
+and I will not be plotted against here
+here we go such nonsense what do you all
+
+20
+00:00:32,190 --> 00:00:32,200
+here we go such nonsense what do you all
+ 
+
+21
+00:00:32,200 --> 00:00:34,709
+here we go such nonsense what do you all
+take me for little nil from the country
+
+22
+00:00:34,709 --> 00:00:34,719
+take me for little nil from the country
+ 
+
+23
+00:00:34,719 --> 00:00:36,510
+take me for little nil from the country
+be in my understudy for over a week
+
+24
+00:00:36,510 --> 00:00:36,520
+be in my understudy for over a week
+ 
+
+25
+00:00:36,520 --> 00:00:38,670
+be in my understudy for over a week
+without my knowing it carefully hidden
+
+26
+00:00:38,670 --> 00:00:38,680
+without my knowing it carefully hidden
+ 
+
+27
+00:00:38,680 --> 00:00:40,950
+without my knowing it carefully hidden
+no doubt now don't get carried away
+
+28
+00:00:40,950 --> 00:00:40,960
+no doubt now don't get carried away
+ 
+
+29
+00:00:40,960 --> 00:00:42,630
+no doubt now don't get carried away
+arrives here for an audition when
+
+30
+00:00:42,630 --> 00:00:42,640
+arrives here for an audition when
+ 
+
+31
+00:00:42,640 --> 00:00:44,830
+arrives here for an audition when
+everyone knows I will be here and gives
+
+32
+00:00:44,830 --> 00:00:44,840
+everyone knows I will be here and gives
+ 
+
+33
+00:00:44,840 --> 00:00:46,990
+everyone knows I will be here and gives
+a performance out of nowhere gives a
+
+34
+00:00:46,990 --> 00:00:47,000
+a performance out of nowhere gives a
+ 
+
+35
+00:00:47,000 --> 00:00:48,750
+a performance out of nowhere gives a
+performance you've been all through that
+
+36
+00:00:48,750 --> 00:00:48,760
+performance you've been all through that
+ 
+
+37
+00:00:48,760 --> 00:00:50,510
+performance you've been all through that
+with Lloyd the playright doesn't make
+
+38
+00:00:50,510 --> 00:00:50,520
+with Lloyd the playright doesn't make
+ 
+
+39
+00:00:50,520 --> 00:00:51,910
+with Lloyd the playright doesn't make
+the performance and it doesn't just
+
+40
+00:00:51,910 --> 00:00:51,920
+the performance and it doesn't just
+ 
+
+41
+00:00:51,920 --> 00:00:54,349
+the performance and it doesn't just
+happen and this one didn't full of fire
+
+42
+00:00:54,349 --> 00:00:54,359
+happen and this one didn't full of fire
+ 
+
+43
+00:00:54,359 --> 00:00:57,189
+happen and this one didn't full of fire
+and music and whatnot carefully
+
+44
+00:00:57,189 --> 00:00:57,199
+and music and whatnot carefully
+ 
+
+45
+00:00:57,199 --> 00:00:59,630
+and music and whatnot carefully
+rehearsed I have no doubt full of those
+
+46
+00:00:59,630 --> 00:00:59,640
+rehearsed I have no doubt full of those
+ 
+
+47
+00:00:59,640 --> 00:01:03,150
+rehearsed I have no doubt full of those
+bills Samson touches I am sick and tired
+
+48
+00:01:03,150 --> 00:01:03,160
+bills Samson touches I am sick and tired
+ 
+
+49
+00:01:03,160 --> 00:01:05,710
+bills Samson touches I am sick and tired
+of these paranoic outbursts paranoic I
+
+50
+00:01:05,710 --> 00:01:05,720
+of these paranoic outbursts paranoic I
+ 
+
+51
+00:01:05,720 --> 00:01:06,910
+of these paranoic outbursts paranoic I
+didn't know Eve Harrington was your
+
+52
+00:01:06,910 --> 00:01:06,920
+didn't know Eve Harrington was your
+ 
+
+53
+00:01:06,920 --> 00:01:08,390
+didn't know Eve Harrington was your
+underst study until half past two this
+
+54
+00:01:08,390 --> 00:01:08,400
+underst study until half past two this
+ 
+
+55
+00:01:08,400 --> 00:01:09,950
+underst study until half past two this
+afternoon tell that to Dr Freud along
+
+56
+00:01:09,950 --> 00:01:09,960
+afternoon tell that to Dr Freud along
+ 
+
+57
+00:01:09,960 --> 00:01:11,429
+afternoon tell that to Dr Freud along
+with the rest of it no I'll tell it to
+
+58
+00:01:11,429 --> 00:01:11,439
+with the rest of it no I'll tell it to
+ 
+
+59
+00:01:11,439 --> 00:01:13,630
+with the rest of it no I'll tell it to
+you for the last time I'll tell it to
+
+60
+00:01:13,630 --> 00:01:13,640
+you for the last time I'll tell it to
+ 
+
+61
+00:01:13,640 --> 00:01:15,950
+you for the last time I'll tell it to
+you cuz you've got to stop hurting
+
+62
+00:01:15,950 --> 00:01:15,960
+you cuz you've got to stop hurting
+ 
+
+63
+00:01:15,960 --> 00:01:18,070
+you cuz you've got to stop hurting
+yourself and me and the two of us by
+
+64
+00:01:18,070 --> 00:01:18,080
+yourself and me and the two of us by
+ 
+
+65
+00:01:18,080 --> 00:01:20,069
+yourself and me and the two of us by
+these paranoic tantrum oh that word
+
+66
+00:01:20,069 --> 00:01:20,079
+these paranoic tantrum oh that word
+ 
+
+67
+00:01:20,079 --> 00:01:21,350
+these paranoic tantrum oh that word
+again I don't even know what it means
+
+68
+00:01:21,350 --> 00:01:21,360
+again I don't even know what it means
+ 
+
+69
+00:01:21,360 --> 00:01:23,270
+again I don't even know what it means
+well it's about time you found out I
+
+70
+00:01:23,270 --> 00:01:23,280
+well it's about time you found out I
+ 
+
+71
+00:01:23,280 --> 00:01:26,310
+well it's about time you found out I
+love you I love you you're a beautiful
+
+72
+00:01:26,310 --> 00:01:26,320
+love you I love you you're a beautiful
+ 
+
+73
+00:01:26,320 --> 00:01:28,190
+love you I love you you're a beautiful
+and an intelligent woman a body with a
+
+74
+00:01:28,190 --> 00:01:28,200
+and an intelligent woman a body with a
+ 
+
+75
+00:01:28,200 --> 00:01:29,990
+and an intelligent woman a body with a
+voice a beautiful and an intelligent
+
+76
+00:01:29,990 --> 00:01:30,000
+voice a beautiful and an intelligent
+ 
+
+77
+00:01:30,000 --> 00:01:32,670
+voice a beautiful and an intelligent
+woman and a great
+
+78
+00:01:32,670 --> 00:01:32,680
+woman and a great
+ 
+
+79
+00:01:32,680 --> 00:01:35,069
+woman and a great
+actress a great actress at the peak of
+
+80
+00:01:35,069 --> 00:01:35,079
+actress a great actress at the peak of
+ 
+
+81
+00:01:35,079 --> 00:01:37,469
+actress a great actress at the peak of
+her career you have every reason for
+
+82
+00:01:37,469 --> 00:01:37,479
+her career you have every reason for
+ 
+
+83
+00:01:37,479 --> 00:01:40,069
+her career you have every reason for
+happiness except happen every reason but
+
+84
+00:01:40,069 --> 00:01:40,079
+happiness except happen every reason but
+ 
+
+85
+00:01:40,079 --> 00:01:42,030
+happiness except happen every reason but
+due to some strange uncontrollable
+
+86
+00:01:42,030 --> 00:01:42,040
+due to some strange uncontrollable
+ 
+
+87
+00:01:42,040 --> 00:01:43,510
+due to some strange uncontrollable
+unconscious drive you permit the
+
+88
+00:01:43,510 --> 00:01:43,520
+unconscious drive you permit the
+ 
+
+89
+00:01:43,520 --> 00:01:45,350
+unconscious drive you permit the
+slightest action of a kid like a kid of
+
+90
+00:01:45,350 --> 00:01:45,360
+slightest action of a kid like a kid of
+ 
+
+91
+00:01:45,360 --> 00:01:46,990
+slightest action of a kid like a kid of
+a kid-like Eve to turn you into an
+
+92
+00:01:46,990 --> 00:01:47,000
+a kid-like Eve to turn you into an
+ 
+
+93
+00:01:47,000 --> 00:01:49,190
+a kid-like Eve to turn you into an
+hysterical screaming Harpy now once and
+
+94
+00:01:49,190 --> 00:01:49,200
+hysterical screaming Harpy now once and
+ 
+
+95
+00:01:49,200 --> 00:01:53,000
+hysterical screaming Harpy now once and
+for all stop it
+

1950/ewEreSjPyC4.en.srt

@@ -0,0 +1,35 @@
+1
+00:00:23,060 --> 00:00:42,000
+
+very well said in German
+
+2
+00:00:42,000 --> 00:00:42,010
+
+ 
+
+3
+00:00:42,010 --> 00:00:47,370
+
+that
+
+4
+00:00:47,370 --> 00:00:47,380
+
+ 
+
+5
+00:00:47,380 --> 00:01:13,810
+
+wait
+
+6
+00:01:13,810 --> 00:01:13,820
+
+ 
+
+7
+00:01:13,820 --> 00:01:17,440
+
+finally this weekend
+

1950/jMTT0LW0M_Y.description

@@ -0,0 +1,38 @@
+Sunset Blvd. movie clips: http://j.mp/1CMHGfd
+BUY THE MOVIE: http://amzn.to/tBkVtH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+In this classic scene, Norma Desmond (Gloria Swanson) gives her final performance as she descends into madness.
+
+FILM DESCRIPTION:
+Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll.
+
+CREDITS:
+TM & © Paramount (1950)
+Cast: Erich von Stroheim, Gloria Swanson
+Director: Billy Wilder
+Producer: Charles Brackett
+Screenwriters: Charles Brackett, D.M. Marshman Jr., Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1950/jMTT0LW0M_Y.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:02,440 --> 00:00:06,470
+
+this is the staircase of the
+
+2
+00:00:06,470 --> 00:00:06,480
+
+ 
+
+3
+00:00:06,480 --> 00:00:08,750
+
+palace oh
+
+4
+00:00:08,750 --> 00:00:08,760
+palace oh
+ 
+
+5
+00:00:08,760 --> 00:00:12,950
+palace oh
+yes yes down below they're waiting for
+
+6
+00:00:12,950 --> 00:00:12,960
+yes yes down below they're waiting for
+ 
+
+7
+00:00:12,960 --> 00:00:15,870
+yes yes down below they're waiting for
+the
+
+8
+00:00:15,870 --> 00:00:15,880
+
+ 
+
+9
+00:00:15,880 --> 00:00:18,189
+
+princess I'm
+
+10
+00:00:18,189 --> 00:00:18,199
+princess I'm
+ 
+
+11
+00:00:18,199 --> 00:00:21,590
+princess I'm
+ready all right
+
+12
+00:00:21,590 --> 00:00:21,600
+ready all right
+ 
+
+13
+00:00:21,600 --> 00:00:25,470
+ready all right
+cameras
+
+14
+00:00:25,470 --> 00:00:25,480
+
+ 
+
+15
+00:00:25,480 --> 00:00:28,310
+
+AC so they were turning after
+
+16
+00:00:28,310 --> 00:00:28,320
+AC so they were turning after
+ 
+
+17
+00:00:28,320 --> 00:00:32,030
+AC so they were turning after
+all those cameras
+
+18
+00:00:32,030 --> 00:00:32,040
+
+ 
+
+19
+00:00:32,040 --> 00:00:34,190
+
+life which can be strangely
+
+20
+00:00:34,190 --> 00:00:34,200
+life which can be strangely
+ 
+
+21
+00:00:34,200 --> 00:00:37,670
+life which can be strangely
+merciful had taken pity on Norma
+
+22
+00:00:37,670 --> 00:00:37,680
+merciful had taken pity on Norma
+ 
+
+23
+00:00:37,680 --> 00:00:41,790
+merciful had taken pity on Norma
+Desmond the dream she had clung to so
+
+24
+00:00:41,790 --> 00:00:41,800
+Desmond the dream she had clung to so
+ 
+
+25
+00:00:41,800 --> 00:00:55,070
+Desmond the dream she had clung to so
+desperately had unfolded her
+
+26
+00:00:55,070 --> 00:00:55,080
+
+ 
+
+27
+00:00:55,080 --> 00:01:12,510
+
+[Music]
+
+28
+00:01:12,510 --> 00:01:12,520
+
+ 
+
+29
+00:01:12,520 --> 00:01:15,990
+
+I can't go on with the scene I'm too
+
+30
+00:01:15,990 --> 00:01:16,000
+I can't go on with the scene I'm too
+ 
+
+31
+00:01:16,000 --> 00:01:19,030
+I can't go on with the scene I'm too
+happy Mr deil do you mind if I say a few
+
+32
+00:01:19,030 --> 00:01:19,040
+happy Mr deil do you mind if I say a few
+ 
+
+33
+00:01:19,040 --> 00:01:21,069
+happy Mr deil do you mind if I say a few
+words thank
+
+34
+00:01:21,069 --> 00:01:21,079
+words thank
+ 
+
+35
+00:01:21,079 --> 00:01:23,390
+words thank
+you I just want to tell you all how
+
+36
+00:01:23,390 --> 00:01:23,400
+you I just want to tell you all how
+ 
+
+37
+00:01:23,400 --> 00:01:24,990
+you I just want to tell you all how
+happy I am to be back in the studio
+
+38
+00:01:24,990 --> 00:01:25,000
+happy I am to be back in the studio
+ 
+
+39
+00:01:25,000 --> 00:01:28,310
+happy I am to be back in the studio
+making a picture again you don't know
+
+40
+00:01:28,310 --> 00:01:28,320
+making a picture again you don't know
+ 
+
+41
+00:01:28,320 --> 00:01:30,990
+making a picture again you don't know
+how much I've missed all of you you and
+
+42
+00:01:30,990 --> 00:01:31,000
+how much I've missed all of you you and
+ 
+
+43
+00:01:31,000 --> 00:01:32,550
+how much I've missed all of you you and
+I promise you I'll never desert you
+
+44
+00:01:32,550 --> 00:01:32,560
+I promise you I'll never desert you
+ 
+
+45
+00:01:32,560 --> 00:01:35,149
+I promise you I'll never desert you
+again because after salomi we'll make
+
+46
+00:01:35,149 --> 00:01:35,159
+again because after salomi we'll make
+ 
+
+47
+00:01:35,159 --> 00:01:37,230
+again because after salomi we'll make
+another picture and another
+
+48
+00:01:37,230 --> 00:01:37,240
+another picture and another
+ 
+
+49
+00:01:37,240 --> 00:01:40,670
+another picture and another
+picture you see this is my life it
+
+50
+00:01:40,670 --> 00:01:40,680
+picture you see this is my life it
+ 
+
+51
+00:01:40,680 --> 00:01:45,190
+picture you see this is my life it
+always will be there's nothing else just
+
+52
+00:01:45,190 --> 00:01:45,200
+always will be there's nothing else just
+ 
+
+53
+00:01:45,200 --> 00:01:47,350
+always will be there's nothing else just
+us and the
+
+54
+00:01:47,350 --> 00:01:47,360
+us and the
+ 
+
+55
+00:01:47,360 --> 00:01:50,310
+us and the
+cameras and those wonderful people out
+
+56
+00:01:50,310 --> 00:01:50,320
+cameras and those wonderful people out
+ 
+
+57
+00:01:50,320 --> 00:01:53,389
+cameras and those wonderful people out
+there in the
+
+58
+00:01:53,389 --> 00:01:53,399
+
+ 
+
+59
+00:01:53,399 --> 00:01:56,029
+
+dark all right Mr deil I'm ready for my
+
+60
+00:01:56,029 --> 00:01:56,039
+dark all right Mr deil I'm ready for my
+ 
+
+61
+00:01:56,039 --> 00:02:06,390
+dark all right Mr deil I'm ready for my
+closeup
+
+62
+00:02:06,390 --> 00:02:06,400
+
+ 
+
+63
+00:02:06,400 --> 00:02:44,509
+
+[Music]
+

1950/p2fHtpp_umI.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:00,269 --> 00:00:01,910
+
+any more questions I don't like to harp
+
+2
+00:00:01,910 --> 00:00:01,920
+any more questions I don't like to harp
+ 
+
+3
+00:00:01,920 --> 00:00:03,350
+any more questions I don't like to harp
+on the same point commissioner but what
+
+4
+00:00:03,350 --> 00:00:03,360
+on the same point commissioner but what
+ 
+
+5
+00:00:03,360 --> 00:00:05,030
+on the same point commissioner but what
+about Dietrich it's the past of this
+
+6
+00:00:05,030 --> 00:00:05,040
+about Dietrich it's the past of this
+ 
+
+7
+00:00:05,040 --> 00:00:06,829
+about Dietrich it's the past of this
+Police Department that Nick's in jail
+
+8
+00:00:06,829 --> 00:00:06,839
+Police Department that Nick's in jail
+ 
+
+9
+00:00:06,839 --> 00:00:08,660
+Police Department that Nick's in jail
+he'll go to trial he'll be tried by 12
+
+10
+00:00:08,660 --> 00:00:08,670
+he'll go to trial he'll be tried by 12
+ 
+
+11
+00:00:08,670 --> 00:00:10,250
+he'll go to trial he'll be tried by 12
+citizens the people whom we've been
+
+12
+00:00:10,250 --> 00:00:10,260
+citizens the people whom we've been
+ 
+
+13
+00:00:10,260 --> 00:00:11,720
+citizens the people whom we've been
+working let them show justice or
+
+14
+00:00:11,720 --> 00:00:11,730
+working let them show justice or
+ 
+
+15
+00:00:11,730 --> 00:00:13,549
+working let them show justice or
+compassion as they see fit what would be
+
+16
+00:00:13,549 --> 00:00:13,559
+compassion as they see fit what would be
+ 
+
+17
+00:00:13,559 --> 00:00:15,820
+compassion as they see fit what would be
+your verdict commissioner I'm not sure
+
+18
+00:00:15,820 --> 00:00:15,830
+your verdict commissioner I'm not sure
+ 
+
+19
+00:00:15,830 --> 00:00:18,820
+your verdict commissioner I'm not sure
+not sure at all let me put it this way
+
+20
+00:00:18,820 --> 00:00:18,830
+not sure at all let me put it this way
+ 
+
+21
+00:00:18,830 --> 00:00:21,260
+not sure at all let me put it this way
+it's not anything strange that there are
+
+22
+00:00:21,260 --> 00:00:21,270
+it's not anything strange that there are
+ 
+
+23
+00:00:21,270 --> 00:00:23,080
+it's not anything strange that there are
+corrupt officers and police departments
+
+24
+00:00:23,080 --> 00:00:23,090
+corrupt officers and police departments
+ 
+
+25
+00:00:23,090 --> 00:00:24,859
+corrupt officers and police departments
+the dirt they're trying to clean up
+
+26
+00:00:24,859 --> 00:00:24,869
+the dirt they're trying to clean up
+ 
+
+27
+00:00:24,869 --> 00:00:26,599
+the dirt they're trying to clean up
+found a rub off on some of them but not
+
+28
+00:00:26,599 --> 00:00:26,609
+found a rub off on some of them but not
+ 
+
+29
+00:00:26,609 --> 00:00:28,609
+found a rub off on some of them but not
+all of them maybe one out of a hundred
+
+30
+00:00:28,609 --> 00:00:28,619
+all of them maybe one out of a hundred
+ 
+
+31
+00:00:28,619 --> 00:00:31,220
+all of them maybe one out of a hundred
+the other 99 are honest men trying to do
+
+32
+00:00:31,220 --> 00:00:31,230
+the other 99 are honest men trying to do
+ 
+
+33
+00:00:31,230 --> 00:00:36,319
+the other 99 are honest men trying to do
+an honest job properly at 190 Scully
+
+34
+00:00:36,319 --> 00:00:36,329
+an honest job properly at 190 Scully
+ 
+
+35
+00:00:36,329 --> 00:00:41,869
+an honest job properly at 190 Scully
+Avenue all units robbery at 193 I know
+
+36
+00:00:41,869 --> 00:00:41,879
+Avenue all units robbery at 193 I know
+ 
+
+37
+00:00:41,879 --> 00:00:43,340
+Avenue all units robbery at 193 I know
+your policeman quarters you hear this
+
+38
+00:00:43,340 --> 00:00:43,350
+your policeman quarters you hear this
+ 
+
+39
+00:00:43,350 --> 00:00:45,049
+your policeman quarters you hear this
+all day long but I want you to listen to
+
+40
+00:00:45,049 --> 00:00:45,059
+all day long but I want you to listen to
+ 
+
+41
+00:00:45,059 --> 00:01:00,290
+all day long but I want you to listen to
+your conscience every one of those calls
+
+42
+00:01:00,290 --> 00:01:00,300
+your conscience every one of those calls
+ 
+
+43
+00:01:00,300 --> 00:01:02,150
+your conscience every one of those calls
+because they're not just code numbers on
+
+44
+00:01:02,150 --> 00:01:02,160
+because they're not just code numbers on
+ 
+
+45
+00:01:02,160 --> 00:01:03,910
+because they're not just code numbers on
+a radio beam their cries for help
+
+46
+00:01:03,910 --> 00:01:03,920
+a radio beam their cries for help
+ 
+
+47
+00:01:03,920 --> 00:01:06,800
+a radio beam their cries for help
+people are being cheated robbed murdered
+
+48
+00:01:06,800 --> 00:01:06,810
+people are being cheated robbed murdered
+ 
+
+49
+00:01:06,810 --> 00:01:10,850
+people are being cheated robbed murdered
+great that goes on 24 hours a day every
+
+50
+00:01:10,850 --> 00:01:10,860
+great that goes on 24 hours a day every
+ 
+
+51
+00:01:10,860 --> 00:01:13,880
+great that goes on 24 hours a day every
+day in the year that's not exceptional
+
+52
+00:01:13,880 --> 00:01:13,890
+day in the year that's not exceptional
+ 
+
+53
+00:01:13,890 --> 00:01:15,890
+day in the year that's not exceptional
+that's usually it's the same in every
+
+54
+00:01:15,890 --> 00:01:15,900
+that's usually it's the same in every
+ 
+
+55
+00:01:15,900 --> 00:01:18,560
+that's usually it's the same in every
+city of the modern world but suppose we
+
+56
+00:01:18,560 --> 00:01:18,570
+city of the modern world but suppose we
+ 
+
+57
+00:01:18,570 --> 00:01:21,410
+city of the modern world but suppose we
+had no police force good or bad suppose
+
+58
+00:01:21,410 --> 00:01:21,420
+had no police force good or bad suppose
+ 
+
+59
+00:01:21,420 --> 00:01:28,190
+had no police force good or bad suppose
+we had yes silent nobody to listen
+
+60
+00:01:28,190 --> 00:01:28,200
+we had yes silent nobody to listen
+ 
+
+61
+00:01:28,200 --> 00:01:30,770
+we had yes silent nobody to listen
+nobody to answer the battles finished
+
+62
+00:01:30,770 --> 00:01:30,780
+nobody to answer the battles finished
+ 
+
+63
+00:01:30,780 --> 00:01:33,950
+nobody to answer the battles finished
+the jungle wins the predatory beasts
+
+64
+00:01:33,950 --> 00:01:33,960
+the jungle wins the predatory beasts
+ 
+
+65
+00:01:33,960 --> 00:01:39,490
+the jungle wins the predatory beasts
+take over think about well gentlemen
+
+66
+00:01:39,490 --> 00:01:39,500
+take over think about well gentlemen
+ 
+
+67
+00:01:39,500 --> 00:01:42,920
+take over think about well gentlemen
+three men are in jail three men dead one
+
+68
+00:01:42,920 --> 00:01:42,930
+three men are in jail three men dead one
+ 
+
+69
+00:01:42,930 --> 00:01:43,880
+three men are in jail three men dead one
+by his own hand
+
+70
+00:01:43,880 --> 00:01:43,890
+by his own hand
+ 
+
+71
+00:01:43,890 --> 00:01:45,620
+by his own hand
+one man's a fugitive we have reason to
+
+72
+00:01:45,620 --> 00:01:45,630
+one man's a fugitive we have reason to
+ 
+
+73
+00:01:45,630 --> 00:01:48,679
+one man's a fugitive we have reason to
+believe seriously wounded at six out of
+
+74
+00:01:48,679 --> 00:01:48,689
+believe seriously wounded at six out of
+ 
+
+75
+00:01:48,689 --> 00:01:51,740
+believe seriously wounded at six out of
+seven not bad and we'll get the last one
+
+76
+00:01:51,740 --> 00:01:51,750
+seven not bad and we'll get the last one
+ 
+
+77
+00:01:51,750 --> 00:01:54,289
+seven not bad and we'll get the last one
+too some ways he's the most dangerous of
+
+78
+00:01:54,289 --> 00:01:54,299
+too some ways he's the most dangerous of
+ 
+
+79
+00:01:54,299 --> 00:01:59,120
+too some ways he's the most dangerous of
+them all a hardened killer a holy a man
+
+80
+00:01:59,120 --> 00:01:59,130
+them all a hardened killer a holy a man
+ 
+
+81
+00:01:59,130 --> 00:02:29,520
+them all a hardened killer a holy a man
+without human feeling or human
+
+82
+00:02:29,520 --> 00:02:29,530
+
+ 
+
+83
+00:02:29,530 --> 00:02:31,560
+
+Oh
+

1951/2hlDkSg-Ycc.description

@@ -0,0 +1,38 @@
+Strangers on a Train movie clips: http://j.mp/1yz9FQe
+BUY THE MOVIE: http://j.mp/Uinqke
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bruno (Robert Walker) spends quality time with his doting mother.
+
+FILM DESCRIPTION:
+In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). As Guy listens with detached amusement, Bruno discusses the theory of "exchange murders." Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? With no known link between the two men, the police would be none the wiser, would they? When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. And then, Guy's wife turns up strangled to death. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.
+
+CREDITS:
+TM & © Warner Bros. (1951)
+Cast: Robert Walker, Marion Lorne
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi Ormonde
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1951/42xTE_bzg18.en.srt

@@ -0,0 +1,475 @@
+1
+00:00:00,000 --> 00:00:01,709
+
+you go that Tatum guy that was popping
+
+2
+00:00:01,709 --> 00:00:01,719
+you go that Tatum guy that was popping
+ 
+
+3
+00:00:01,719 --> 00:00:04,070
+you go that Tatum guy that was popping
+off over the phone last night not
+
+4
+00:00:04,070 --> 00:00:04,080
+off over the phone last night not
+ 
+
+5
+00:00:04,080 --> 00:00:06,710
+off over the phone last night not
+popping off Sher just threatening you
+
+6
+00:00:06,710 --> 00:00:06,720
+popping off Sher just threatening you
+ 
+
+7
+00:00:06,720 --> 00:00:07,990
+popping off Sher just threatening you
+play along with me and I'll have you
+
+8
+00:00:07,990 --> 00:00:08,000
+play along with me and I'll have you
+ 
+
+9
+00:00:08,000 --> 00:00:10,430
+play along with me and I'll have you
+reelected you don't I'll crucify you
+
+10
+00:00:10,430 --> 00:00:10,440
+reelected you don't I'll crucify you
+ 
+
+11
+00:00:10,440 --> 00:00:12,350
+reelected you don't I'll crucify you
+that's all I said remember I think I'll
+
+12
+00:00:12,350 --> 00:00:12,360
+that's all I said remember I think I'll
+ 
+
+13
+00:00:12,360 --> 00:00:14,070
+that's all I said remember I think I'll
+have my boys take you the county line
+
+14
+00:00:14,070 --> 00:00:14,080
+have my boys take you the county line
+ 
+
+15
+00:00:14,080 --> 00:00:16,790
+have my boys take you the county line
+and throw you out throw out your
+
+16
+00:00:16,790 --> 00:00:16,800
+and throw you out throw out your
+ 
+
+17
+00:00:16,800 --> 00:00:19,550
+and throw you out throw out your
+campaign manager you need plenty of help
+
+18
+00:00:19,550 --> 00:00:19,560
+campaign manager you need plenty of help
+ 
+
+19
+00:00:19,560 --> 00:00:21,550
+campaign manager you need plenty of help
+cret and maybe before I throw you out
+
+20
+00:00:21,550 --> 00:00:21,560
+cret and maybe before I throw you out
+ 
+
+21
+00:00:21,560 --> 00:00:23,470
+cret and maybe before I throw you out
+I'll toss you in the clink for a while
+
+22
+00:00:23,470 --> 00:00:23,480
+I'll toss you in the clink for a while
+ 
+
+23
+00:00:23,480 --> 00:00:26,269
+I'll toss you in the clink for a while
+wasting your time on a rattlesnake
+
+24
+00:00:26,269 --> 00:00:26,279
+wasting your time on a rattlesnake
+ 
+
+25
+00:00:26,279 --> 00:00:28,870
+wasting your time on a rattlesnake
+hunt this is where the votes are what do
+
+26
+00:00:28,870 --> 00:00:28,880
+hunt this is where the votes are what do
+ 
+
+27
+00:00:28,880 --> 00:00:31,109
+hunt this is where the votes are what do
+you know about votes a seven here in
+
+28
+00:00:31,109 --> 00:00:31,119
+you know about votes a seven here in
+ 
+
+29
+00:00:31,119 --> 00:00:33,950
+you know about votes a seven here in
+escadera 700 up there we had a big
+
+30
+00:00:33,950 --> 00:00:33,960
+escadera 700 up there we had a big
+ 
+
+31
+00:00:33,960 --> 00:00:36,430
+escadera 700 up there we had a big
+barbecue and I made a speech a good one
+
+32
+00:00:36,430 --> 00:00:36,440
+barbecue and I made a speech a good one
+ 
+
+33
+00:00:36,440 --> 00:00:38,750
+barbecue and I made a speech a good one
+too and we sat down to a little poker
+
+34
+00:00:38,750 --> 00:00:38,760
+too and we sat down to a little poker
+ 
+
+35
+00:00:38,760 --> 00:00:40,590
+too and we sat down to a little poker
+game and you started baring me right in
+
+36
+00:00:40,590 --> 00:00:40,600
+game and you started baring me right in
+ 
+
+37
+00:00:40,600 --> 00:00:43,990
+game and you started baring me right in
+the middle of a hand what' you have
+
+38
+00:00:43,990 --> 00:00:44,000
+the middle of a hand what' you have
+ 
+
+39
+00:00:44,000 --> 00:00:47,470
+the middle of a hand what' you have
+parces this is better here we've got an
+
+40
+00:00:47,470 --> 00:00:47,480
+parces this is better here we've got an
+ 
+
+41
+00:00:47,480 --> 00:00:50,950
+parces this is better here we've got an
+Ace in the
+
+42
+00:00:50,950 --> 00:00:50,960
+
+ 
+
+43
+00:00:50,960 --> 00:00:52,910
+
+Hole two candy
+
+44
+00:00:52,910 --> 00:00:52,920
+Hole two candy
+ 
+
+45
+00:00:52,920 --> 00:00:55,189
+Hole two candy
+bars how much of those swiss cheese
+
+46
+00:00:55,189 --> 00:00:55,199
+bars how much of those swiss cheese
+ 
+
+47
+00:00:55,199 --> 00:00:57,990
+bars how much of those swiss cheese
+coffee I'll take the Cofe come on Mama I
+
+48
+00:00:57,990 --> 00:00:58,000
+coffee I'll take the Cofe come on Mama I
+ 
+
+49
+00:00:58,000 --> 00:01:01,630
+coffee I'll take the Cofe come on Mama I
+need some help we're swamped out here
+
+50
+00:01:01,630 --> 00:01:01,640
+need some help we're swamped out here
+ 
+
+51
+00:01:01,640 --> 00:01:06,710
+need some help we're swamped out here
+come
+
+52
+00:01:06,710 --> 00:01:06,720
+
+ 
+
+53
+00:01:06,720 --> 00:01:09,710
+
+on how is this Sheriff by tomorrow I'll
+
+54
+00:01:09,710 --> 00:01:09,720
+on how is this Sheriff by tomorrow I'll
+ 
+
+55
+00:01:09,720 --> 00:01:11,429
+on how is this Sheriff by tomorrow I'll
+have your name all over the paper the
+
+56
+00:01:11,429 --> 00:01:11,439
+have your name all over the paper the
+ 
+
+57
+00:01:11,439 --> 00:01:13,190
+have your name all over the paper the
+man who rushed here at the first cry for
+
+58
+00:01:13,190 --> 00:01:13,200
+man who rushed here at the first cry for
+ 
+
+59
+00:01:13,200 --> 00:01:15,469
+man who rushed here at the first cry for
+help to direct the rescue operations by
+
+60
+00:01:15,469 --> 00:01:15,479
+help to direct the rescue operations by
+ 
+
+61
+00:01:15,479 --> 00:01:17,230
+help to direct the rescue operations by
+Tuesday everyone in the state will know
+
+62
+00:01:17,230 --> 00:01:17,240
+Tuesday everyone in the state will know
+ 
+
+63
+00:01:17,240 --> 00:01:19,670
+Tuesday everyone in the state will know
+you Gus cretz are the tireless public
+
+64
+00:01:19,670 --> 00:01:19,680
+you Gus cretz are the tireless public
+ 
+
+65
+00:01:19,680 --> 00:01:22,230
+you Gus cretz are the tireless public
+servant who never spares himself I'll
+
+66
+00:01:22,230 --> 00:01:22,240
+servant who never spares himself I'll
+ 
+
+67
+00:01:22,240 --> 00:01:25,469
+servant who never spares himself I'll
+pile it on every day six days of this
+
+68
+00:01:25,469 --> 00:01:25,479
+pile it on every day six days of this
+ 
+
+69
+00:01:25,479 --> 00:01:27,429
+pile it on every day six days of this
+and I'll make you a
+
+70
+00:01:27,429 --> 00:01:27,439
+and I'll make you a
+ 
+
+71
+00:01:27,439 --> 00:01:30,390
+and I'll make you a
+hero the election's in the bag in the
+
+72
+00:01:30,390 --> 00:01:30,400
+hero the election's in the bag in the
+ 
+
+73
+00:01:30,400 --> 00:01:32,149
+hero the election's in the bag in the
+bag the GU is running against you will
+
+74
+00:01:32,149 --> 00:01:32,159
+bag the GU is running against you will
+ 
+
+75
+00:01:32,159 --> 00:01:33,910
+bag the GU is running against you will
+vote for
+
+76
+00:01:33,910 --> 00:01:33,920
+vote for
+ 
+
+77
+00:01:33,920 --> 00:01:38,950
+vote for
+you okay I'm a hero what do I make you
+
+78
+00:01:38,950 --> 00:01:38,960
+you okay I'm a hero what do I make you
+ 
+
+79
+00:01:38,960 --> 00:01:41,710
+you okay I'm a hero what do I make you
+now here's the deal the way things look
+
+80
+00:01:41,710 --> 00:01:41,720
+now here's the deal the way things look
+ 
+
+81
+00:01:41,720 --> 00:01:43,109
+now here's the deal the way things look
+there's going to be other newspaper men
+
+82
+00:01:43,109 --> 00:01:43,119
+there's going to be other newspaper men
+ 
+
+83
+00:01:43,119 --> 00:01:45,469
+there's going to be other newspaper men
+trying to Horn in on this story a lot of
+
+84
+00:01:45,469 --> 00:01:45,479
+trying to Horn in on this story a lot of
+ 
+
+85
+00:01:45,479 --> 00:01:49,069
+trying to Horn in on this story a lot of
+them maybe all the way from New
+
+86
+00:01:49,069 --> 00:01:49,079
+them maybe all the way from New
+ 
+
+87
+00:01:49,079 --> 00:01:52,190
+them maybe all the way from New
+York this is my
+
+88
+00:01:52,190 --> 00:01:52,200
+York this is my
+ 
+
+89
+00:01:52,200 --> 00:01:55,950
+York this is my
+story I want to keep it
+
+90
+00:01:55,950 --> 00:01:55,960
+story I want to keep it
+ 
+
+91
+00:01:55,960 --> 00:01:58,830
+story I want to keep it
+mine you're going to help
+
+92
+00:01:58,830 --> 00:01:58,840
+mine you're going to help
+ 
+
+93
+00:01:58,840 --> 00:02:06,890
+mine you're going to help
+me
+
+94
+00:02:06,890 --> 00:02:06,900
+
+ 
+
+95
+00:02:06,900 --> 00:02:29,479
+
+[Music]
+

1951/44RYxAPH78A.description

@@ -0,0 +1,38 @@
+Strangers on a Train movie clips: http://j.mp/1yz9FQe
+BUY THE MOVIE: http://j.mp/Uinqke
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bruno (Robert Walker) explains to Guy (Farley Granger) that he will be blamed for Miriam's death.
+
+FILM DESCRIPTION:
+In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). As Guy listens with detached amusement, Bruno discusses the theory of "exchange murders." Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? With no known link between the two men, the police would be none the wiser, would they? When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. And then, Guy's wife turns up strangled to death. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.
+
+CREDITS:
+TM & © Warner Bros. (1951)
+Cast: Farley Granger, Robert Walker
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi Ormonde
+
+WHO ARE WE?
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1951/44RYxAPH78A.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:01,160 --> 00:00:05,710
+
+[Music]
+
+2
+00:00:05,710 --> 00:00:05,720
+
+ 
+
+3
+00:00:05,720 --> 00:00:09,070
+
+hello guy what are you doing here at
+
+4
+00:00:09,070 --> 00:00:09,080
+hello guy what are you doing here at
+ 
+
+5
+00:00:09,080 --> 00:00:10,470
+hello guy what are you doing here at
+this time of night well you don't seem
+
+6
+00:00:10,470 --> 00:00:10,480
+this time of night well you don't seem
+ 
+
+7
+00:00:10,480 --> 00:00:13,270
+this time of night well you don't seem
+very pleased to see me I brought you a
+
+8
+00:00:13,270 --> 00:00:13,280
+very pleased to see me I brought you a
+ 
+
+9
+00:00:13,280 --> 00:00:18,150
+very pleased to see me I brought you a
+little present what do you
+
+10
+00:00:18,150 --> 00:00:18,160
+
+ 
+
+11
+00:00:18,160 --> 00:00:25,870
+
+mean what's this all about recognize
+
+12
+00:00:25,870 --> 00:00:25,880
+
+ 
+
+13
+00:00:25,880 --> 00:00:29,509
+
+them was very quick guy she wasn't hurt
+
+14
+00:00:29,509 --> 00:00:29,519
+them was very quick guy she wasn't hurt
+ 
+
+15
+00:00:29,519 --> 00:00:30,749
+them was very quick guy she wasn't hurt
+in any way
+
+16
+00:00:30,749 --> 00:00:30,759
+in any way
+ 
+
+17
+00:00:30,759 --> 00:00:32,590
+in any way
+was all over in no
+
+18
+00:00:32,590 --> 00:00:32,600
+was all over in no
+ 
+
+19
+00:00:32,600 --> 00:00:35,910
+was all over in no
+time I knew you'd be
+
+20
+00:00:35,910 --> 00:00:35,920
+time I knew you'd be
+ 
+
+21
+00:00:35,920 --> 00:00:38,190
+time I knew you'd be
+surprised and Guy there's nothing for us
+
+22
+00:00:38,190 --> 00:00:38,200
+surprised and Guy there's nothing for us
+ 
+
+23
+00:00:38,200 --> 00:00:40,549
+surprised and Guy there's nothing for us
+to worry about nobody saw
+
+24
+00:00:40,549 --> 00:00:40,559
+to worry about nobody saw
+ 
+
+25
+00:00:40,559 --> 00:00:42,910
+to worry about nobody saw
+me only
+
+26
+00:00:42,910 --> 00:00:42,920
+me only
+ 
+
+27
+00:00:42,920 --> 00:00:46,350
+me only
+Miriam and I was very careful guy even
+
+28
+00:00:46,350 --> 00:00:46,360
+Miriam and I was very careful guy even
+ 
+
+29
+00:00:46,360 --> 00:00:47,950
+Miriam and I was very careful guy even
+when I dropped your cigarette lighter
+
+30
+00:00:47,950 --> 00:00:47,960
+when I dropped your cigarette lighter
+ 
+
+31
+00:00:47,960 --> 00:00:51,709
+when I dropped your cigarette lighter
+there I went back to pick it
+
+32
+00:00:51,709 --> 00:00:51,719
+
+ 
+
+33
+00:00:51,719 --> 00:00:55,630
+
+up are you trying to tell me why you
+
+34
+00:00:55,630 --> 00:00:55,640
+up are you trying to tell me why you
+ 
+
+35
+00:00:55,640 --> 00:00:59,630
+up are you trying to tell me why you
+maniac but guy you wanted it we planned
+
+36
+00:00:59,630 --> 00:00:59,640
+maniac but guy you wanted it we planned
+ 
+
+37
+00:00:59,640 --> 00:01:01,990
+maniac but guy you wanted it we planned
+it on the train together remember where
+
+38
+00:01:01,990 --> 00:01:02,000
+it on the train together remember where
+ 
+
+39
+00:01:02,000 --> 00:01:04,149
+it on the train together remember where
+are you going where do you think I'm
+
+40
+00:01:04,149 --> 00:01:04,159
+are you going where do you think I'm
+ 
+
+41
+00:01:04,159 --> 00:01:05,990
+are you going where do you think I'm
+going I'm going to call the police of
+
+42
+00:01:05,990 --> 00:01:06,000
+going I'm going to call the police of
+ 
+
+43
+00:01:06,000 --> 00:01:08,990
+going I'm going to call the police of
+course but you can't guy we'd both be
+
+44
+00:01:08,990 --> 00:01:09,000
+course but you can't guy we'd both be
+ 
+
+45
+00:01:09,000 --> 00:01:10,990
+course but you can't guy we'd both be
+arrested for murder we'd both be
+
+46
+00:01:10,990 --> 00:01:11,000
+arrested for murder we'd both be
+ 
+
+47
+00:01:11,000 --> 00:01:13,190
+arrested for murder we'd both be
+arrested for murder you're just as much
+
+48
+00:01:13,190 --> 00:01:13,200
+arrested for murder you're just as much
+ 
+
+49
+00:01:13,200 --> 00:01:16,749
+arrested for murder you're just as much
+in it as I am we planned it together
+
+50
+00:01:16,749 --> 00:01:16,759
+in it as I am we planned it together
+ 
+
+51
+00:01:16,759 --> 00:01:19,350
+in it as I am we planned it together
+crisscross are you you crazy fool do you
+
+52
+00:01:19,350 --> 00:01:19,360
+crisscross are you you crazy fool do you
+ 
+
+53
+00:01:19,360 --> 00:01:21,670
+crisscross are you you crazy fool do you
+think you can get away with that oh come
+
+54
+00:01:21,670 --> 00:01:21,680
+think you can get away with that oh come
+ 
+
+55
+00:01:21,680 --> 00:01:23,950
+think you can get away with that oh come
+now guy why should I go to medca to kill
+
+56
+00:01:23,950 --> 00:01:23,960
+now guy why should I go to medca to kill
+ 
+
+57
+00:01:23,960 --> 00:01:26,710
+now guy why should I go to medca to kill
+a total stranger unless it was part of
+
+58
+00:01:26,710 --> 00:01:26,720
+a total stranger unless it was part of
+ 
+
+59
+00:01:26,720 --> 00:01:29,270
+a total stranger unless it was part of
+the plan and you were in on it you're
+
+60
+00:01:29,270 --> 00:01:29,280
+the plan and you were in on it you're
+ 
+
+61
+00:01:29,280 --> 00:01:32,429
+the plan and you were in on it you're
+the one who benefits guy you're a free
+
+62
+00:01:32,429 --> 00:01:32,439
+the one who benefits guy you're a free
+ 
+
+63
+00:01:32,439 --> 00:01:33,870
+the one who benefits guy you're a free
+man
+
+64
+00:01:33,870 --> 00:01:33,880
+man
+ 
+
+65
+00:01:33,880 --> 00:01:38,030
+man
+now I didn't even know the
+
+66
+00:01:38,030 --> 00:01:38,040
+
+ 
+
+67
+00:01:38,040 --> 00:01:41,429
+
+girl I had nothing to do with this the
+
+68
+00:01:41,429 --> 00:01:41,439
+girl I had nothing to do with this the
+ 
+
+69
+00:01:41,439 --> 00:01:43,910
+girl I had nothing to do with this the
+police will believe me guy if you go to
+
+70
+00:01:43,910 --> 00:01:43,920
+police will believe me guy if you go to
+ 
+
+71
+00:01:43,920 --> 00:01:45,990
+police will believe me guy if you go to
+the police now you'll just be turning
+
+72
+00:01:45,990 --> 00:01:46,000
+the police now you'll just be turning
+ 
+
+73
+00:01:46,000 --> 00:01:47,550
+the police now you'll just be turning
+yourself in as an
+
+74
+00:01:47,550 --> 00:01:47,560
+yourself in as an
+ 
+
+75
+00:01:47,560 --> 00:01:57,550
+yourself in as an
+accessory you see you have the
+
+76
+00:01:57,550 --> 00:01:57,560
+
+ 
+
+77
+00:01:57,560 --> 00:02:03,429
+
+motive what is it my
+
+78
+00:02:03,429 --> 00:02:03,439
+
+ 
+
+79
+00:02:03,439 --> 00:02:07,430
+
+telephone someone has some news for you
+
+80
+00:02:07,430 --> 00:02:07,440
+telephone someone has some news for you
+ 
+
+81
+00:02:07,440 --> 00:02:28,830
+telephone someone has some news for you
+[Music]
+
+82
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+83
+00:02:28,840 --> 00:02:32,520
+
+guy
+
+84
+00:02:32,520 --> 00:02:32,530
+
+ 
+
+85
+00:02:32,530 --> 00:02:38,479
+
+[Music]
+

1951/4D6bHTh4-tE.en.srt

@@ -0,0 +1,485 @@
+1
+00:00:00,160 --> 00:00:02,070
+
+hey what are you doing taking your
+
+2
+00:00:02,070 --> 00:00:02,080
+hey what are you doing taking your
+ 
+
+3
+00:00:02,080 --> 00:00:04,349
+hey what are you doing taking your
+picture what
+
+4
+00:00:04,349 --> 00:00:04,359
+picture what
+ 
+
+5
+00:00:04,359 --> 00:00:06,710
+picture what
+for going to put it in the paper what
+
+6
+00:00:06,710 --> 00:00:06,720
+for going to put it in the paper what
+ 
+
+7
+00:00:06,720 --> 00:00:08,629
+for going to put it in the paper what
+kind of paper in the newspaper and
+
+8
+00:00:08,629 --> 00:00:08,639
+kind of paper in the newspaper and
+ 
+
+9
+00:00:08,639 --> 00:00:12,470
+kind of paper in the newspaper and
+Albuquerque my picture certainly honest
+
+10
+00:00:12,470 --> 00:00:12,480
+Albuquerque my picture certainly honest
+ 
+
+11
+00:00:12,480 --> 00:00:14,350
+Albuquerque my picture certainly honest
+everybody wants to see how you look and
+
+12
+00:00:14,350 --> 00:00:14,360
+everybody wants to see how you look and
+ 
+
+13
+00:00:14,360 --> 00:00:15,589
+everybody wants to see how you look and
+I'm going to write a story they'll want
+
+14
+00:00:15,589 --> 00:00:15,599
+I'm going to write a story they'll want
+ 
+
+15
+00:00:15,599 --> 00:00:17,029
+I'm going to write a story they'll want
+to know all about you they'll be pulling
+
+16
+00:00:17,029 --> 00:00:17,039
+to know all about you they'll be pulling
+ 
+
+17
+00:00:17,039 --> 00:00:19,950
+to know all about you they'll be pulling
+for you how do you like that me and a
+
+18
+00:00:19,950 --> 00:00:19,960
+for you how do you like that me and a
+ 
+
+19
+00:00:19,960 --> 00:00:22,630
+for you how do you like that me and a
+paper let's take another one Leo well
+
+20
+00:00:22,630 --> 00:00:22,640
+paper let's take another one Leo well
+ 
+
+21
+00:00:22,640 --> 00:00:24,550
+paper let's take another one Leo well
+let me wipe my face
+
+22
+00:00:24,550 --> 00:00:24,560
+let me wipe my face
+ 
+
+23
+00:00:24,560 --> 00:00:26,390
+let me wipe my face
+first hold
+
+24
+00:00:26,390 --> 00:00:26,400
+first hold
+ 
+
+25
+00:00:26,400 --> 00:00:28,509
+first hold
+it and don't say anything about those
+
+26
+00:00:28,509 --> 00:00:28,519
+it and don't say anything about those
+ 
+
+27
+00:00:28,519 --> 00:00:29,790
+it and don't say anything about those
+Indian Spirits I don't want anybody
+
+28
+00:00:29,790 --> 00:00:29,800
+Indian Spirits I don't want anybody
+ 
+
+29
+00:00:29,800 --> 00:00:32,630
+Indian Spirits I don't want anybody
+think I'm scared don't worry Leo I'm
+
+30
+00:00:32,630 --> 00:00:32,640
+think I'm scared don't worry Leo I'm
+ 
+
+31
+00:00:32,640 --> 00:00:33,869
+think I'm scared don't worry Leo I'm
+your
+
+32
+00:00:33,869 --> 00:00:33,879
+your
+ 
+
+33
+00:00:33,879 --> 00:00:37,389
+your
+pal I know that's why I can talk to you
+
+34
+00:00:37,389 --> 00:00:37,399
+pal I know that's why I can talk to you
+ 
+
+35
+00:00:37,399 --> 00:00:39,110
+pal I know that's why I can talk to you
+sure you
+
+36
+00:00:39,110 --> 00:00:39,120
+sure you
+ 
+
+37
+00:00:39,120 --> 00:00:43,069
+sure you
+can on the Army I was plenty scared too
+
+38
+00:00:43,069 --> 00:00:43,079
+can on the Army I was plenty scared too
+ 
+
+39
+00:00:43,079 --> 00:00:45,310
+can on the Army I was plenty scared too
+like when my outfit landed in
+
+40
+00:00:45,310 --> 00:00:45,320
+like when my outfit landed in
+ 
+
+41
+00:00:45,320 --> 00:00:48,590
+like when my outfit landed in
+Italy only in the Army it's different
+
+42
+00:00:48,590 --> 00:00:48,600
+Italy only in the Army it's different
+ 
+
+43
+00:00:48,600 --> 00:00:50,150
+Italy only in the Army it's different
+there Everybody's
+
+44
+00:00:50,150 --> 00:00:50,160
+there Everybody's
+ 
+
+45
+00:00:50,160 --> 00:00:52,990
+there Everybody's
+scared your bar is going to land you
+
+46
+00:00:52,990 --> 00:00:53,000
+scared your bar is going to land you
+ 
+
+47
+00:00:53,000 --> 00:00:54,470
+scared your bar is going to land you
+know you're going to die
+
+48
+00:00:54,470 --> 00:00:54,480
+know you're going to die
+ 
+
+49
+00:00:54,480 --> 00:00:59,389
+know you're going to die
+and then a guy starts singing soft like
+
+50
+00:00:59,389 --> 00:00:59,399
+and then a guy starts singing soft like
+ 
+
+51
+00:00:59,399 --> 00:01:01,310
+and then a guy starts singing soft like
+then a guy next day you start
+
+52
+00:01:01,310 --> 00:01:01,320
+then a guy next day you start
+ 
+
+53
+00:01:01,320 --> 00:01:04,990
+then a guy next day you start
+singing pretty soon you're singing
+
+54
+00:01:04,990 --> 00:01:05,000
+singing pretty soon you're singing
+ 
+
+55
+00:01:05,000 --> 00:01:09,710
+singing pretty soon you're singing
+too Hut at roll and Anor and
+
+56
+00:01:09,710 --> 00:01:09,720
+too Hut at roll and Anor and
+ 
+
+57
+00:01:09,720 --> 00:01:11,429
+too Hut at roll and Anor and
+aww
+
+58
+00:01:11,429 --> 00:01:11,439
+aww
+ 
+
+59
+00:01:11,439 --> 00:01:14,350
+aww
+suut
+
+60
+00:01:14,350 --> 00:01:14,360
+suut
+ 
+
+61
+00:01:14,360 --> 00:01:17,469
+suut
+R what a work didn't it nothing happened
+
+62
+00:01:17,469 --> 00:01:17,479
+R what a work didn't it nothing happened
+ 
+
+63
+00:01:17,479 --> 00:01:20,670
+R what a work didn't it nothing happened
+to you not a thing except I got the Ms
+
+64
+00:01:20,670 --> 00:01:20,680
+to you not a thing except I got the Ms
+ 
+
+65
+00:01:20,680 --> 00:01:21,670
+to you not a thing except I got the Ms
+and
+
+66
+00:01:21,670 --> 00:01:21,680
+and
+ 
+
+67
+00:01:21,680 --> 00:01:24,030
+and
+Naples you like yourself as a gar you I
+
+68
+00:01:24,030 --> 00:01:24,040
+Naples you like yourself as a gar you I
+ 
+
+69
+00:01:24,040 --> 00:01:25,550
+Naples you like yourself as a gar you I
+got to stay so long certainly wish you
+
+70
+00:01:25,550 --> 00:01:25,560
+got to stay so long certainly wish you
+ 
+
+71
+00:01:25,560 --> 00:01:27,149
+got to stay so long certainly wish you
+could stay a while longer so do I but
+
+72
+00:01:27,149 --> 00:01:27,159
+could stay a while longer so do I but
+ 
+
+73
+00:01:27,159 --> 00:01:28,630
+could stay a while longer so do I but
+there's a lot to do outside getting
+
+74
+00:01:28,630 --> 00:01:28,640
+there's a lot to do outside getting
+ 
+
+75
+00:01:28,640 --> 00:01:30,630
+there's a lot to do outside getting
+things organized well you want to get
+
+76
+00:01:30,630 --> 00:01:30,640
+things organized well you want to get
+ 
+
+77
+00:01:30,640 --> 00:01:33,429
+things organized well you want to get
+out don't
+
+78
+00:01:33,429 --> 00:01:33,439
+
+ 
+
+79
+00:01:33,439 --> 00:01:35,670
+
+you looks like it's going to be a long
+
+80
+00:01:35,670 --> 00:01:35,680
+you looks like it's going to be a long
+ 
+
+81
+00:01:35,680 --> 00:01:38,990
+you looks like it's going to be a long
+night none of that come on
+
+82
+00:01:38,990 --> 00:01:39,000
+night none of that come on
+ 
+
+83
+00:01:39,000 --> 00:01:42,870
+night none of that come on
+Leo RS on the
+
+84
+00:01:42,870 --> 00:01:42,880
+Leo RS on the
+ 
+
+85
+00:01:42,880 --> 00:01:53,709
+Leo RS on the
+and I said come on now all
+
+86
+00:01:53,709 --> 00:01:53,719
+
+ 
+
+87
+00:01:53,719 --> 00:01:57,069
+
+together
+
+88
+00:01:57,069 --> 00:01:57,079
+
+ 
+
+89
+00:01:57,079 --> 00:02:01,029
+
+and roll a and
+
+90
+00:02:01,029 --> 00:02:01,039
+and roll a and
+ 
+
+91
+00:02:01,039 --> 00:02:13,430
+and roll a and
+a su It Roll On A and
+
+92
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+93
+00:02:13,440 --> 00:02:28,750
+
+[Music]
+
+94
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+95
+00:02:28,760 --> 00:02:30,440
+
+A
+
+96
+00:02:30,440 --> 00:02:30,450
+A
+ 
+
+97
+00:02:30,450 --> 00:02:44,509
+A
+[Music]
+

1951/7hY_dAeX9hw.en.srt

@@ -0,0 +1,515 @@
+1
+00:00:00,320 --> 00:00:02,950
+
+and it does bother you a little not
+
+2
+00:00:02,950 --> 00:00:02,960
+and it does bother you a little not
+ 
+
+3
+00:00:02,960 --> 00:00:05,110
+and it does bother you a little not
+enough to stop me I'm on my way and if
+
+4
+00:00:05,110 --> 00:00:05,120
+enough to stop me I'm on my way and if
+ 
+
+5
+00:00:05,120 --> 00:00:06,590
+enough to stop me I'm on my way and if
+it takes a deal with a crooked Sheriff
+
+6
+00:00:06,590 --> 00:00:06,600
+it takes a deal with a crooked Sheriff
+ 
+
+7
+00:00:06,600 --> 00:00:07,990
+it takes a deal with a crooked Sheriff
+that's all right with me and if I have
+
+8
+00:00:07,990 --> 00:00:08,000
+that's all right with me and if I have
+ 
+
+9
+00:00:08,000 --> 00:00:09,669
+that's all right with me and if I have
+to fancy it up with an Indian curse and
+
+10
+00:00:09,669 --> 00:00:09,679
+to fancy it up with an Indian curse and
+ 
+
+11
+00:00:09,679 --> 00:00:11,430
+to fancy it up with an Indian curse and
+a broken hearted Wier Le that's all
+
+12
+00:00:11,430 --> 00:00:11,440
+a broken hearted Wier Le that's all
+ 
+
+13
+00:00:11,440 --> 00:00:13,589
+a broken hearted Wier Le that's all
+right too not with me it isn't and not
+
+14
+00:00:13,589 --> 00:00:13,599
+right too not with me it isn't and not
+ 
+
+15
+00:00:13,599 --> 00:00:15,470
+right too not with me it isn't and not
+with a lot of others in this business
+
+16
+00:00:15,470 --> 00:00:15,480
+with a lot of others in this business
+ 
+
+17
+00:00:15,480 --> 00:00:17,590
+with a lot of others in this business
+phony below the belt journalism that's
+
+18
+00:00:17,590 --> 00:00:17,600
+phony below the belt journalism that's
+ 
+
+19
+00:00:17,600 --> 00:00:19,630
+phony below the belt journalism that's
+what it is not below the belt right in
+
+20
+00:00:19,630 --> 00:00:19,640
+what it is not below the belt right in
+ 
+
+21
+00:00:19,640 --> 00:00:22,950
+what it is not below the belt right in
+the gut Mr boot human interest you heard
+
+22
+00:00:22,950 --> 00:00:22,960
+the gut Mr boot human interest you heard
+ 
+
+23
+00:00:22,960 --> 00:00:25,630
+the gut Mr boot human interest you heard
+me phony for all I know there isn't even
+
+24
+00:00:25,630 --> 00:00:25,640
+me phony for all I know there isn't even
+ 
+
+25
+00:00:25,640 --> 00:00:29,710
+me phony for all I know there isn't even
+a Leo down there yes there is Tatum made
+
+26
+00:00:29,710 --> 00:00:29,720
+a Leo down there yes there is Tatum made
+ 
+
+27
+00:00:29,720 --> 00:00:33,750
+a Leo down there yes there is Tatum made
+sure of
+
+28
+00:00:33,750 --> 00:00:33,760
+
+ 
+
+29
+00:00:33,760 --> 00:00:37,229
+
+that look I've waited a long time for my
+
+30
+00:00:37,229 --> 00:00:37,239
+that look I've waited a long time for my
+ 
+
+31
+00:00:37,239 --> 00:00:39,950
+that look I've waited a long time for my
+turn it back now that theyve pitched me
+
+32
+00:00:39,950 --> 00:00:39,960
+turn it back now that theyve pitched me
+ 
+
+33
+00:00:39,960 --> 00:00:42,229
+turn it back now that theyve pitched me
+a fat one I'm going to smack it right
+
+34
+00:00:42,229 --> 00:00:42,239
+a fat one I'm going to smack it right
+ 
+
+35
+00:00:42,239 --> 00:00:46,910
+a fat one I'm going to smack it right
+out of the
+
+36
+00:00:46,910 --> 00:00:46,920
+
+ 
+
+37
+00:00:46,920 --> 00:00:48,470
+
+ballpark
+
+38
+00:00:48,470 --> 00:00:48,480
+ballpark
+ 
+
+39
+00:00:48,480 --> 00:00:50,630
+ballpark
+yes what
+
+40
+00:00:50,630 --> 00:00:50,640
+yes what
+ 
+
+41
+00:00:50,640 --> 00:00:53,389
+yes what
+paper tell Philadelphia to call back in
+
+42
+00:00:53,389 --> 00:00:53,399
+paper tell Philadelphia to call back in
+ 
+
+43
+00:00:53,399 --> 00:00:56,229
+paper tell Philadelphia to call back in
+half an
+
+44
+00:00:56,229 --> 00:00:56,239
+
+ 
+
+45
+00:00:56,239 --> 00:00:58,910
+
+hour yeah you know what Chuck I had that
+
+46
+00:00:58,910 --> 00:00:58,920
+hour yeah you know what Chuck I had that
+ 
+
+47
+00:00:58,920 --> 00:01:01,430
+hour yeah you know what Chuck I had that
+medicine man stage a whole
+
+48
+00:01:01,430 --> 00:01:01,440
+medicine man stage a whole
+ 
+
+49
+00:01:01,440 --> 00:01:04,310
+medicine man stage a whole
+ceremonial hello Mr
+
+50
+00:01:04,310 --> 00:01:04,320
+ceremonial hello Mr
+ 
+
+51
+00:01:04,320 --> 00:01:06,590
+ceremonial hello Mr
+boot come on hery get your things
+
+52
+00:01:06,590 --> 00:01:06,600
+boot come on hery get your things
+ 
+
+53
+00:01:06,600 --> 00:01:08,550
+boot come on hery get your things
+together we're going back Tatum just hit
+
+54
+00:01:08,550 --> 00:01:08,560
+together we're going back Tatum just hit
+ 
+
+55
+00:01:08,560 --> 00:01:12,070
+together we're going back Tatum just hit
+a home run and the big leagues are
+
+56
+00:01:12,070 --> 00:01:12,080
+a home run and the big leagues are
+ 
+
+57
+00:01:12,080 --> 00:01:14,910
+a home run and the big leagues are
+calling go ahead hery maybe boot's right
+
+58
+00:01:14,910 --> 00:01:14,920
+calling go ahead hery maybe boot's right
+ 
+
+59
+00:01:14,920 --> 00:01:16,630
+calling go ahead hery maybe boot's right
+maybe you better go back with
+
+60
+00:01:16,630 --> 00:01:16,640
+maybe you better go back with
+ 
+
+61
+00:01:16,640 --> 00:01:20,030
+maybe you better go back with
+him you said I could stick with you give
+
+62
+00:01:20,030 --> 00:01:20,040
+him you said I could stick with you give
+ 
+
+63
+00:01:20,040 --> 00:01:23,390
+him you said I could stick with you give
+him good advice Chuck you can do it he
+
+64
+00:01:23,390 --> 00:01:23,400
+him good advice Chuck you can do it he
+ 
+
+65
+00:01:23,400 --> 00:01:25,830
+him good advice Chuck you can do it he
+old enough to make up his own mind
+
+66
+00:01:25,830 --> 00:01:25,840
+old enough to make up his own mind
+ 
+
+67
+00:01:25,840 --> 00:01:27,510
+old enough to make up his own mind
+everybody in this game has to make up
+
+68
+00:01:27,510 --> 00:01:27,520
+everybody in this game has to make up
+ 
+
+69
+00:01:27,520 --> 00:01:32,510
+everybody in this game has to make up
+his own mind I've made up mind
+
+70
+00:01:32,510 --> 00:01:32,520
+
+ 
+
+71
+00:01:32,520 --> 00:01:35,510
+
+hello
+
+72
+00:01:35,510 --> 00:01:35,520
+hello
+ 
+
+73
+00:01:35,520 --> 00:01:39,270
+hello
+yes sure I'm ready to talk to New York
+
+74
+00:01:39,270 --> 00:01:39,280
+yes sure I'm ready to talk to New York
+ 
+
+75
+00:01:39,280 --> 00:01:44,109
+yes sure I'm ready to talk to New York
+put them
+
+76
+00:01:44,109 --> 00:01:44,119
+
+ 
+
+77
+00:01:44,119 --> 00:01:47,590
+
+on don't be so sorry for him what makes
+
+78
+00:01:47,590 --> 00:01:47,600
+on don't be so sorry for him what makes
+ 
+
+79
+00:01:47,600 --> 00:01:49,510
+on don't be so sorry for him what makes
+you think the Albuquerque Sun bulletin
+
+80
+00:01:49,510 --> 00:01:49,520
+you think the Albuquerque Sun bulletin
+ 
+
+81
+00:01:49,520 --> 00:01:51,190
+you think the Albuquerque Sun bulletin
+is all that a kid wants out of life what
+
+82
+00:01:51,190 --> 00:01:51,200
+is all that a kid wants out of life what
+ 
+
+83
+00:01:51,200 --> 00:01:52,990
+is all that a kid wants out of life what
+makes you think you have all the
+
+84
+00:01:52,990 --> 00:01:53,000
+makes you think you have all the
+ 
+
+85
+00:01:53,000 --> 00:01:55,990
+makes you think you have all the
+answers they're out of date High button
+
+86
+00:01:55,990 --> 00:01:56,000
+answers they're out of date High button
+ 
+
+87
+00:01:56,000 --> 00:01:57,709
+answers they're out of date High button
+shoes belt and suspenders they're not
+
+88
+00:01:57,709 --> 00:01:57,719
+shoes belt and suspenders they're not
+ 
+
+89
+00:01:57,719 --> 00:01:59,429
+shoes belt and suspenders they're not
+wearing them anymore look at the
+
+90
+00:01:59,429 --> 00:01:59,439
+wearing them anymore look at the
+ 
+
+91
+00:01:59,439 --> 00:02:01,910
+wearing them anymore look at the
+calendar Mr buddist the 20th century the
+
+92
+00:02:01,910 --> 00:02:01,920
+calendar Mr buddist the 20th century the
+ 
+
+93
+00:02:01,920 --> 00:02:03,789
+calendar Mr buddist the 20th century the
+second half of it you don't expect the
+
+94
+00:02:03,789 --> 00:02:03,799
+second half of it you don't expect the
+ 
+
+95
+00:02:03,799 --> 00:02:06,950
+second half of it you don't expect the
+kid to stand still he wants to get going
+
+96
+00:02:06,950 --> 00:02:06,960
+kid to stand still he wants to get going
+ 
+
+97
+00:02:06,960 --> 00:02:09,430
+kid to stand still he wants to get going
+going going
+
+98
+00:02:09,430 --> 00:02:09,440
+going going
+ 
+
+99
+00:02:09,440 --> 00:02:28,750
+going going
+[Music]
+
+100
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+101
+00:02:28,760 --> 00:02:37,630
+
+where
+
+102
+00:02:37,630 --> 00:02:37,640
+
+ 
+
+103
+00:02:37,640 --> 00:02:40,640
+
+to
+

1951/9UMiW3dzW8g.en.srt

@@ -0,0 +1,605 @@
+1
+00:00:00,120 --> 00:00:01,750
+
+honey look it's best not to talk much
+
+2
+00:00:01,750 --> 00:00:01,760
+honey look it's best not to talk much
+ 
+
+3
+00:00:01,760 --> 00:00:04,510
+honey look it's best not to talk much
+about it until she's calmed down well
+
+4
+00:00:04,510 --> 00:00:04,520
+about it until she's calmed down well
+ 
+
+5
+00:00:04,520 --> 00:00:05,670
+about it until she's calmed down well
+now is that going to be the deal the
+
+6
+00:00:05,670 --> 00:00:05,680
+now is that going to be the deal the
+ 
+
+7
+00:00:05,680 --> 00:00:07,230
+now is that going to be the deal the
+sister blanch can't be annoyed with the
+
+8
+00:00:07,230 --> 00:00:07,240
+sister blanch can't be annoyed with the
+ 
+
+9
+00:00:07,240 --> 00:00:10,270
+sister blanch can't be annoyed with the
+tales right now you saw how she was last
+
+10
+00:00:10,270 --> 00:00:10,280
+tales right now you saw how she was last
+ 
+
+11
+00:00:10,280 --> 00:00:12,709
+tales right now you saw how she was last
+night I saw how she was not let's I mean
+
+12
+00:00:12,709 --> 00:00:12,719
+night I saw how she was not let's I mean
+ 
+
+13
+00:00:12,719 --> 00:00:14,549
+night I saw how she was not let's I mean
+let's CA Gander the build a sale I
+
+14
+00:00:14,549 --> 00:00:14,559
+let's CA Gander the build a sale I
+ 
+
+15
+00:00:14,559 --> 00:00:17,109
+let's CA Gander the build a sale I
+haven't seen any what do you mean she
+
+16
+00:00:17,109 --> 00:00:17,119
+haven't seen any what do you mean she
+ 
+
+17
+00:00:17,119 --> 00:00:18,870
+haven't seen any what do you mean she
+didn't show you no papers no D to sale
+
+18
+00:00:18,870 --> 00:00:18,880
+didn't show you no papers no D to sale
+ 
+
+19
+00:00:18,880 --> 00:00:20,590
+didn't show you no papers no D to sale
+or nothing like that seemed like it
+
+20
+00:00:20,590 --> 00:00:20,600
+or nothing like that seemed like it
+ 
+
+21
+00:00:20,600 --> 00:00:21,550
+or nothing like that seemed like it
+wasn't
+
+22
+00:00:21,550 --> 00:00:21,560
+wasn't
+ 
+
+23
+00:00:21,560 --> 00:00:24,189
+wasn't
+so well why was it then give away to
+
+24
+00:00:24,189 --> 00:00:24,199
+so well why was it then give away to
+ 
+
+25
+00:00:24,199 --> 00:00:26,790
+so well why was it then give away to
+char hear you oh I don't care if she
+
+26
+00:00:26,790 --> 00:00:26,800
+char hear you oh I don't care if she
+ 
+
+27
+00:00:26,800 --> 00:00:29,429
+char hear you oh I don't care if she
+hears me now let's see the papers there
+
+28
+00:00:29,429 --> 00:00:29,439
+hears me now let's see the papers there
+ 
+
+29
+00:00:29,439 --> 00:00:32,109
+hears me now let's see the papers there
+word papers she didn't show any papers I
+
+30
+00:00:32,109 --> 00:00:32,119
+word papers she didn't show any papers I
+ 
+
+31
+00:00:32,119 --> 00:00:35,190
+word papers she didn't show any papers I
+don't care about papers wait now listen
+
+32
+00:00:35,190 --> 00:00:35,200
+don't care about papers wait now listen
+ 
+
+33
+00:00:35,200 --> 00:00:36,990
+don't care about papers wait now listen
+did you ever hear of the Napoleonic
+
+34
+00:00:36,990 --> 00:00:37,000
+did you ever hear of the Napoleonic
+ 
+
+35
+00:00:37,000 --> 00:00:39,190
+did you ever hear of the Napoleonic
+cloth star no Stanley I haven't heard of
+
+36
+00:00:39,190 --> 00:00:39,200
+cloth star no Stanley I haven't heard of
+ 
+
+37
+00:00:39,200 --> 00:00:41,470
+cloth star no Stanley I haven't heard of
+ano all right okay then just no now just
+
+38
+00:00:41,470 --> 00:00:41,480
+ano all right okay then just no now just
+ 
+
+39
+00:00:41,480 --> 00:00:43,950
+ano all right okay then just no now just
+let me Enlighten you on appoint to yes
+
+40
+00:00:43,950 --> 00:00:43,960
+let me Enlighten you on appoint to yes
+ 
+
+41
+00:00:43,960 --> 00:00:45,029
+let me Enlighten you on appoint to yes
+now we got here in the state of
+
+42
+00:00:45,029 --> 00:00:45,039
+now we got here in the state of
+ 
+
+43
+00:00:45,039 --> 00:00:47,790
+now we got here in the state of
+Louisiana which known as Napoleonic Code
+
+44
+00:00:47,790 --> 00:00:47,800
+Louisiana which known as Napoleonic Code
+ 
+
+45
+00:00:47,800 --> 00:00:49,430
+Louisiana which known as Napoleonic Code
+you see now according to which that what
+
+46
+00:00:49,430 --> 00:00:49,440
+you see now according to which that what
+ 
+
+47
+00:00:49,440 --> 00:00:50,750
+you see now according to which that what
+belongs to the wife belongs to the
+
+48
+00:00:50,750 --> 00:00:50,760
+belongs to the wife belongs to the
+ 
+
+49
+00:00:50,760 --> 00:00:55,110
+belongs to the wife belongs to the
+husband also and VI will you listen now
+
+50
+00:00:55,110 --> 00:00:55,120
+husband also and VI will you listen now
+ 
+
+51
+00:00:55,120 --> 00:00:56,630
+husband also and VI will you listen now
+like take for instance I had that piece
+
+52
+00:00:56,630 --> 00:00:56,640
+like take for instance I had that piece
+ 
+
+53
+00:00:56,640 --> 00:00:58,910
+like take for instance I had that piece
+of property my head is
+
+54
+00:00:58,910 --> 00:00:58,920
+of property my head is
+ 
+
+55
+00:00:58,920 --> 00:01:00,910
+of property my head is
+swimming
+
+56
+00:01:00,910 --> 00:01:00,920
+swimming
+ 
+
+57
+00:01:00,920 --> 00:01:04,789
+swimming
+uh well all right then
+
+58
+00:01:04,789 --> 00:01:04,799
+uh well all right then
+ 
+
+59
+00:01:04,799 --> 00:01:07,030
+uh well all right then
+okay we'll wait till she's to soak in
+
+60
+00:01:07,030 --> 00:01:07,040
+okay we'll wait till she's to soak in
+ 
+
+61
+00:01:07,040 --> 00:01:08,270
+okay we'll wait till she's to soak in
+the hot tub and then I'm going to
+
+62
+00:01:08,270 --> 00:01:08,280
+the hot tub and then I'm going to
+ 
+
+63
+00:01:08,280 --> 00:01:09,590
+the hot tub and then I'm going to
+inquire if she's acquainted with
+
+64
+00:01:09,590 --> 00:01:09,600
+inquire if she's acquainted with
+ 
+
+65
+00:01:09,600 --> 00:01:11,109
+inquire if she's acquainted with
+Napoleon
+
+66
+00:01:11,109 --> 00:01:11,119
+Napoleon
+ 
+
+67
+00:01:11,119 --> 00:01:14,429
+Napoleon
+code Stanley don't be so silly it looks
+
+68
+00:01:14,429 --> 00:01:14,439
+code Stanley don't be so silly it looks
+ 
+
+69
+00:01:14,439 --> 00:01:16,030
+code Stanley don't be so silly it looks
+to me like you miss Swindle baby and
+
+70
+00:01:16,030 --> 00:01:16,040
+to me like you miss Swindle baby and
+ 
+
+71
+00:01:16,040 --> 00:01:17,870
+to me like you miss Swindle baby and
+when you get swindled on Napoleonic Code
+
+72
+00:01:17,870 --> 00:01:17,880
+when you get swindled on Napoleonic Code
+ 
+
+73
+00:01:17,880 --> 00:01:19,390
+when you get swindled on Napoleonic Code
+I get swindled too and I don't like to
+
+74
+00:01:19,390 --> 00:01:19,400
+I get swindled too and I don't like to
+ 
+
+75
+00:01:19,400 --> 00:01:23,149
+I get swindled too and I don't like to
+get swindled oh Stan like youve no idea
+
+76
+00:01:23,149 --> 00:01:23,159
+get swindled oh Stan like youve no idea
+ 
+
+77
+00:01:23,159 --> 00:01:25,510
+get swindled oh Stan like youve no idea
+how ridiculous you're being you suggest
+
+78
+00:01:25,510 --> 00:01:25,520
+how ridiculous you're being you suggest
+ 
+
+79
+00:01:25,520 --> 00:01:28,350
+how ridiculous you're being you suggest
+that my sister or I or anyone else of
+
+80
+00:01:28,350 --> 00:01:28,360
+that my sister or I or anyone else of
+ 
+
+81
+00:01:28,360 --> 00:01:30,109
+that my sister or I or anyone else of
+our family could have perpetrated a SW
+
+82
+00:01:30,109 --> 00:01:30,119
+our family could have perpetrated a SW
+ 
+
+83
+00:01:30,119 --> 00:01:31,990
+our family could have perpetrated a SW
+on anywh oh come on now where is the
+
+84
+00:01:31,990 --> 00:01:32,000
+on anywh oh come on now where is the
+ 
+
+85
+00:01:32,000 --> 00:01:34,109
+on anywh oh come on now where is the
+where's the money if the place was sold
+
+86
+00:01:34,109 --> 00:01:34,119
+where's the money if the place was sold
+ 
+
+87
+00:01:34,119 --> 00:01:38,710
+where's the money if the place was sold
+not sold lost lost come here stand now
+
+88
+00:01:38,710 --> 00:01:38,720
+not sold lost lost come here stand now
+ 
+
+89
+00:01:38,720 --> 00:01:40,350
+not sold lost lost come here stand now
+will you just open your eyes to this
+
+90
+00:01:40,350 --> 00:01:40,360
+will you just open your eyes to this
+ 
+
+91
+00:01:40,360 --> 00:01:42,510
+will you just open your eyes to this
+stuff here now I mean what do she got
+
+92
+00:01:42,510 --> 00:01:42,520
+stuff here now I mean what do she got
+ 
+
+93
+00:01:42,520 --> 00:01:44,870
+stuff here now I mean what do she got
+this out of teacher page will you look
+
+94
+00:01:44,870 --> 00:01:44,880
+this out of teacher page will you look
+ 
+
+95
+00:01:44,880 --> 00:01:46,550
+this out of teacher page will you look
+at these fine feathers in first and she
+
+96
+00:01:46,550 --> 00:01:46,560
+at these fine feathers in first and she
+ 
+
+97
+00:01:46,560 --> 00:01:49,149
+at these fine feathers in first and she
+comes to bring your in here what is this
+
+98
+00:01:49,149 --> 00:01:49,159
+comes to bring your in here what is this
+ 
+
+99
+00:01:49,159 --> 00:01:51,069
+comes to bring your in here what is this
+article that's a solid gold dress I
+
+100
+00:01:51,069 --> 00:01:51,079
+article that's a solid gold dress I
+ 
+
+101
+00:01:51,079 --> 00:01:54,069
+article that's a solid gold dress I
+believe oh and this one here and what
+
+102
+00:01:54,069 --> 00:01:54,079
+believe oh and this one here and what
+ 
+
+103
+00:01:54,079 --> 00:01:56,069
+believe oh and this one here and what
+what is that fox piece that genuine bir
+
+104
+00:01:56,069 --> 00:01:56,079
+what is that fox piece that genuine bir
+ 
+
+105
+00:01:56,079 --> 00:01:58,590
+what is that fox piece that genuine bir
+Fox a half a mile long where where are
+
+106
+00:01:58,590 --> 00:01:58,600
+Fox a half a mile long where where are
+ 
+
+107
+00:01:58,600 --> 00:02:00,670
+Fox a half a mile long where where are
+your Fox pieces
+
+108
+00:02:00,670 --> 00:02:00,680
+your Fox pieces
+ 
+
+109
+00:02:00,680 --> 00:02:02,550
+your Fox pieces
+this is bushy snow white ones no where
+
+110
+00:02:02,550 --> 00:02:02,560
+this is bushy snow white ones no where
+ 
+
+111
+00:02:02,560 --> 00:02:04,270
+this is bushy snow white ones no where
+are your white fox Furs those are
+
+112
+00:02:04,270 --> 00:02:04,280
+are your white fox Furs those are
+ 
+
+113
+00:02:04,280 --> 00:02:06,109
+are your white fox Furs those are
+inexpensive summer Furs that blanch has
+
+114
+00:02:06,109 --> 00:02:06,119
+inexpensive summer Furs that blanch has
+ 
+
+115
+00:02:06,119 --> 00:02:10,110
+inexpensive summer Furs that blanch has
+had a long
+
+116
+00:02:10,110 --> 00:02:10,120
+
+ 
+
+117
+00:02:10,120 --> 00:02:28,830
+
+[Music]
+
+118
+00:02:28,830 --> 00:02:28,840
+[Music]
+ 
+
+119
+00:02:28,840 --> 00:02:31,270
+[Music]
+time
+
+120
+00:02:31,270 --> 00:02:31,280
+time
+ 
+
+121
+00:02:31,280 --> 00:02:37,210
+time
+[Music]
+

1951/ASsNtti1XZs.en.srt

@@ -0,0 +1,465 @@
+1
+00:00:03,520 --> 00:00:06,470
+
+I am leaving soon and you will forgive
+
+2
+00:00:06,470 --> 00:00:06,480
+I am leaving soon and you will forgive
+ 
+
+3
+00:00:06,480 --> 00:00:08,430
+I am leaving soon and you will forgive
+me if I speak
+
+4
+00:00:08,430 --> 00:00:08,440
+me if I speak
+ 
+
+5
+00:00:08,440 --> 00:00:11,709
+me if I speak
+bluntly the universe grows smaller every
+
+6
+00:00:11,709 --> 00:00:11,719
+bluntly the universe grows smaller every
+ 
+
+7
+00:00:11,719 --> 00:00:14,549
+bluntly the universe grows smaller every
+day and a threat of aggression by any
+
+8
+00:00:14,549 --> 00:00:14,559
+day and a threat of aggression by any
+ 
+
+9
+00:00:14,559 --> 00:00:18,349
+day and a threat of aggression by any
+group anywhere can no longer be
+
+10
+00:00:18,349 --> 00:00:18,359
+group anywhere can no longer be
+ 
+
+11
+00:00:18,359 --> 00:00:21,710
+group anywhere can no longer be
+tolerated there must be security for all
+
+12
+00:00:21,710 --> 00:00:21,720
+tolerated there must be security for all
+ 
+
+13
+00:00:21,720 --> 00:00:23,950
+tolerated there must be security for all
+or no one is
+
+14
+00:00:23,950 --> 00:00:23,960
+or no one is
+ 
+
+15
+00:00:23,960 --> 00:00:27,109
+or no one is
+secure this does not mean giving up any
+
+16
+00:00:27,109 --> 00:00:27,119
+secure this does not mean giving up any
+ 
+
+17
+00:00:27,119 --> 00:00:29,710
+secure this does not mean giving up any
+freedom except the freedom to act irr
+
+18
+00:00:29,710 --> 00:00:29,720
+freedom except the freedom to act irr
+ 
+
+19
+00:00:29,720 --> 00:00:30,990
+freedom except the freedom to act irr
+respons
+
+20
+00:00:30,990 --> 00:00:31,000
+respons
+ 
+
+21
+00:00:31,000 --> 00:00:34,229
+respons
+ibly your ancestors knew this when they
+
+22
+00:00:34,229 --> 00:00:34,239
+ibly your ancestors knew this when they
+ 
+
+23
+00:00:34,239 --> 00:00:36,750
+ibly your ancestors knew this when they
+made laws to govern themselves and hired
+
+24
+00:00:36,750 --> 00:00:36,760
+made laws to govern themselves and hired
+ 
+
+25
+00:00:36,760 --> 00:00:38,430
+made laws to govern themselves and hired
+policemen to enforce
+
+26
+00:00:38,430 --> 00:00:38,440
+policemen to enforce
+ 
+
+27
+00:00:38,440 --> 00:00:41,670
+policemen to enforce
+them we of the other planets have long
+
+28
+00:00:41,670 --> 00:00:41,680
+them we of the other planets have long
+ 
+
+29
+00:00:41,680 --> 00:00:44,590
+them we of the other planets have long
+accepted this principle we have an
+
+30
+00:00:44,590 --> 00:00:44,600
+accepted this principle we have an
+ 
+
+31
+00:00:44,600 --> 00:00:46,910
+accepted this principle we have an
+organization for the mutual protection
+
+32
+00:00:46,910 --> 00:00:46,920
+organization for the mutual protection
+ 
+
+33
+00:00:46,920 --> 00:00:49,670
+organization for the mutual protection
+of all planets and for the complete
+
+34
+00:00:49,670 --> 00:00:49,680
+of all planets and for the complete
+ 
+
+35
+00:00:49,680 --> 00:00:51,430
+of all planets and for the complete
+elimination of
+
+36
+00:00:51,430 --> 00:00:51,440
+elimination of
+ 
+
+37
+00:00:51,440 --> 00:00:54,229
+elimination of
+aggression the test of any such higher
+
+38
+00:00:54,229 --> 00:00:54,239
+aggression the test of any such higher
+ 
+
+39
+00:00:54,239 --> 00:00:56,549
+aggression the test of any such higher
+authority is of course the police force
+
+40
+00:00:56,549 --> 00:00:56,559
+authority is of course the police force
+ 
+
+41
+00:00:56,559 --> 00:01:00,590
+authority is of course the police force
+that supports it for our policemen we
+
+42
+00:01:00,590 --> 00:01:00,600
+that supports it for our policemen we
+ 
+
+43
+00:01:00,600 --> 00:01:02,830
+that supports it for our policemen we
+created a race of
+
+44
+00:01:02,830 --> 00:01:02,840
+created a race of
+ 
+
+45
+00:01:02,840 --> 00:01:05,830
+created a race of
+robots their function is to patrol the
+
+46
+00:01:05,830 --> 00:01:05,840
+robots their function is to patrol the
+ 
+
+47
+00:01:05,840 --> 00:01:08,630
+robots their function is to patrol the
+planets in spaceships like this one and
+
+48
+00:01:08,630 --> 00:01:08,640
+planets in spaceships like this one and
+ 
+
+49
+00:01:08,640 --> 00:01:09,710
+planets in spaceships like this one and
+preserve the
+
+50
+00:01:09,710 --> 00:01:09,720
+preserve the
+ 
+
+51
+00:01:09,720 --> 00:01:12,950
+preserve the
+peace in matters of aggression we have
+
+52
+00:01:12,950 --> 00:01:12,960
+peace in matters of aggression we have
+ 
+
+53
+00:01:12,960 --> 00:01:16,550
+peace in matters of aggression we have
+given them absolute power over us this
+
+54
+00:01:16,550 --> 00:01:16,560
+given them absolute power over us this
+ 
+
+55
+00:01:16,560 --> 00:01:18,270
+given them absolute power over us this
+power cannot be
+
+56
+00:01:18,270 --> 00:01:18,280
+power cannot be
+ 
+
+57
+00:01:18,280 --> 00:01:20,830
+power cannot be
+revoked at the first sign of violence
+
+58
+00:01:20,830 --> 00:01:20,840
+revoked at the first sign of violence
+ 
+
+59
+00:01:20,840 --> 00:01:23,429
+revoked at the first sign of violence
+they act automatically against the
+
+60
+00:01:23,429 --> 00:01:23,439
+they act automatically against the
+ 
+
+61
+00:01:23,439 --> 00:01:25,910
+they act automatically against the
+aggressor the penalty for provoking
+
+62
+00:01:25,910 --> 00:01:25,920
+aggressor the penalty for provoking
+ 
+
+63
+00:01:25,920 --> 00:01:30,429
+aggressor the penalty for provoking
+their action is too terrible to risk
+
+64
+00:01:30,429 --> 00:01:30,439
+their action is too terrible to risk
+ 
+
+65
+00:01:30,439 --> 00:01:33,830
+their action is too terrible to risk
+the result is we live in peace without
+
+66
+00:01:33,830 --> 00:01:33,840
+the result is we live in peace without
+ 
+
+67
+00:01:33,840 --> 00:01:36,590
+the result is we live in peace without
+arms or armies secure in the knowledge
+
+68
+00:01:36,590 --> 00:01:36,600
+arms or armies secure in the knowledge
+ 
+
+69
+00:01:36,600 --> 00:01:39,429
+arms or armies secure in the knowledge
+that we are free from aggression and War
+
+70
+00:01:39,429 --> 00:01:39,439
+that we are free from aggression and War
+ 
+
+71
+00:01:39,439 --> 00:01:43,069
+that we are free from aggression and War
+free to pursue more profitable
+
+72
+00:01:43,069 --> 00:01:43,079
+free to pursue more profitable
+ 
+
+73
+00:01:43,079 --> 00:01:45,429
+free to pursue more profitable
+Enterprises we do not pretend to have
+
+74
+00:01:45,429 --> 00:01:45,439
+Enterprises we do not pretend to have
+ 
+
+75
+00:01:45,439 --> 00:01:46,510
+Enterprises we do not pretend to have
+achieved
+
+76
+00:01:46,510 --> 00:01:46,520
+achieved
+ 
+
+77
+00:01:46,520 --> 00:01:49,950
+achieved
+Perfection but we do have a system and
+
+78
+00:01:49,950 --> 00:01:49,960
+Perfection but we do have a system and
+ 
+
+79
+00:01:49,960 --> 00:01:51,789
+Perfection but we do have a system and
+it
+
+80
+00:01:51,789 --> 00:01:51,799
+it
+ 
+
+81
+00:01:51,799 --> 00:01:55,190
+it
+works I came here to give you these
+
+82
+00:01:55,190 --> 00:01:55,200
+works I came here to give you these
+ 
+
+83
+00:01:55,200 --> 00:01:57,910
+works I came here to give you these
+facts it is no concern of ours how you
+
+84
+00:01:57,910 --> 00:01:57,920
+facts it is no concern of ours how you
+ 
+
+85
+00:01:57,920 --> 00:02:00,310
+facts it is no concern of ours how you
+run your own planet
+
+86
+00:02:00,310 --> 00:02:00,320
+run your own planet
+ 
+
+87
+00:02:00,320 --> 00:02:03,310
+run your own planet
+but if you threaten to extend your
+
+88
+00:02:03,310 --> 00:02:03,320
+but if you threaten to extend your
+ 
+
+89
+00:02:03,320 --> 00:02:05,670
+but if you threaten to extend your
+violence this Earth of yours will be
+
+90
+00:02:05,670 --> 00:02:05,680
+violence this Earth of yours will be
+ 
+
+91
+00:02:05,680 --> 00:02:09,850
+violence this Earth of yours will be
+reduced to a burned out Cinder
+
+92
+00:02:09,850 --> 00:02:09,860
+reduced to a burned out Cinder
+ 
+
+93
+00:02:09,860 --> 00:02:39,069
+reduced to a burned out Cinder
+[Music]
+

1951/BfniNOclXKs.en.srt

@@ -0,0 +1,545 @@
+1
+00:00:00,120 --> 00:00:02,190
+
+I got a plan for us both to get us both
+
+2
+00:00:02,190 --> 00:00:02,200
+I got a plan for us both to get us both
+ 
+
+3
+00:00:02,200 --> 00:00:03,909
+I got a plan for us both to get us both
+out of here I wish you'd stop taking it
+
+4
+00:00:03,909 --> 00:00:03,919
+out of here I wish you'd stop taking it
+ 
+
+5
+00:00:03,919 --> 00:00:05,269
+out of here I wish you'd stop taking it
+for granted that I'm in something I want
+
+6
+00:00:05,269 --> 00:00:05,279
+for granted that I'm in something I want
+ 
+
+7
+00:00:05,279 --> 00:00:07,510
+for granted that I'm in something I want
+to get out of take it for granted that
+
+8
+00:00:07,510 --> 00:00:07,520
+to get out of take it for granted that
+ 
+
+9
+00:00:07,520 --> 00:00:09,470
+to get out of take it for granted that
+you still have sufficient memory of re
+
+10
+00:00:09,470 --> 00:00:09,480
+you still have sufficient memory of re
+ 
+
+11
+00:00:09,480 --> 00:00:10,990
+you still have sufficient memory of re
+to find this place these po players
+
+12
+00:00:10,990 --> 00:00:11,000
+to find this place these po players
+ 
+
+13
+00:00:11,000 --> 00:00:12,350
+to find this place these po players
+impossible to live with you're taking
+
+14
+00:00:12,350 --> 00:00:12,360
+impossible to live with you're taking
+ 
+
+15
+00:00:12,360 --> 00:00:14,310
+impossible to live with you're taking
+entirely too much for G I can't believe
+
+16
+00:00:14,310 --> 00:00:14,320
+entirely too much for G I can't believe
+ 
+
+17
+00:00:14,320 --> 00:00:21,910
+entirely too much for G I can't believe
+you're annest no I
+
+18
+00:00:21,910 --> 00:00:21,920
+
+ 
+
+19
+00:00:21,920 --> 00:00:25,029
+
+understand were talking about his desire
+
+20
+00:00:25,029 --> 00:00:25,039
+understand were talking about his desire
+ 
+
+21
+00:00:25,039 --> 00:00:27,470
+understand were talking about his desire
+just brutal desire the name of that
+
+22
+00:00:27,470 --> 00:00:27,480
+just brutal desire the name of that
+ 
+
+23
+00:00:27,480 --> 00:00:29,269
+just brutal desire the name of that
+Rattle Trap street car that bangs
+
+24
+00:00:29,269 --> 00:00:29,279
+Rattle Trap street car that bangs
+ 
+
+25
+00:00:29,279 --> 00:00:31,349
+Rattle Trap street car that bangs
+through the quarter up one old Narrow
+
+26
+00:00:31,349 --> 00:00:31,359
+through the quarter up one old Narrow
+ 
+
+27
+00:00:31,359 --> 00:00:33,229
+through the quarter up one old Narrow
+Street and down another haven't you ever
+
+28
+00:00:33,229 --> 00:00:33,239
+Street and down another haven't you ever
+ 
+
+29
+00:00:33,239 --> 00:00:37,270
+Street and down another haven't you ever
+rid on that
+
+30
+00:00:37,270 --> 00:00:37,280
+
+ 
+
+31
+00:00:37,280 --> 00:00:40,029
+
+street it brought me
+
+32
+00:00:40,029 --> 00:00:40,039
+street it brought me
+ 
+
+33
+00:00:40,039 --> 00:00:43,470
+street it brought me
+here where I'm not wanted and where I'm
+
+34
+00:00:43,470 --> 00:00:43,480
+here where I'm not wanted and where I'm
+ 
+
+35
+00:00:43,480 --> 00:00:45,590
+here where I'm not wanted and where I'm
+ashamed to be then don't you think your
+
+36
+00:00:45,590 --> 00:00:45,600
+ashamed to be then don't you think your
+ 
+
+37
+00:00:45,600 --> 00:00:48,229
+ashamed to be then don't you think your
+Superior attitudes a little out of place
+
+38
+00:00:48,229 --> 00:00:48,239
+Superior attitudes a little out of place
+ 
+
+39
+00:00:48,239 --> 00:00:51,150
+Superior attitudes a little out of place
+a man like I told you I love ible for
+
+40
+00:00:51,150 --> 00:00:51,160
+a man like I told you I love ible for
+ 
+
+41
+00:00:51,160 --> 00:01:05,710
+a man like I told you I love ible for
+you I just TR nice
+
+42
+00:01:05,710 --> 00:01:05,720
+
+ 
+
+43
+00:01:05,720 --> 00:01:08,109
+
+may I speak
+
+44
+00:01:08,109 --> 00:01:08,119
+may I speak
+ 
+
+45
+00:01:08,119 --> 00:01:11,469
+may I speak
+plainly yes dud go ahead as plainly as
+
+46
+00:01:11,469 --> 00:01:11,479
+plainly yes dud go ahead as plainly as
+ 
+
+47
+00:01:11,479 --> 00:01:12,710
+plainly yes dud go ahead as plainly as
+you want
+
+48
+00:01:12,710 --> 00:01:12,720
+you want
+ 
+
+49
+00:01:12,720 --> 00:01:15,109
+you want
+to if you forgive
+
+50
+00:01:15,109 --> 00:01:15,119
+to if you forgive
+ 
+
+51
+00:01:15,119 --> 00:01:20,830
+to if you forgive
+me he's
+
+52
+00:01:20,830 --> 00:01:20,840
+
+ 
+
+53
+00:01:20,840 --> 00:01:25,109
+
+coming yes suppose he is
+
+54
+00:01:25,109 --> 00:01:25,119
+coming yes suppose he is
+ 
+
+55
+00:01:25,119 --> 00:01:27,550
+coming yes suppose he is
+suppose surely you can't have forgotten
+
+56
+00:01:27,550 --> 00:01:27,560
+suppose surely you can't have forgotten
+ 
+
+57
+00:01:27,560 --> 00:01:29,310
+suppose surely you can't have forgotten
+that much of our upbringing Stella that
+
+58
+00:01:29,310 --> 00:01:29,320
+that much of our upbringing Stella that
+ 
+
+59
+00:01:29,320 --> 00:01:31,510
+that much of our upbringing Stella that
+you just POS is any part of a gentleman
+
+60
+00:01:31,510 --> 00:01:31,520
+you just POS is any part of a gentleman
+ 
+
+61
+00:01:31,520 --> 00:01:35,270
+you just POS is any part of a gentleman
+in his nature oh you're hating me saying
+
+62
+00:01:35,270 --> 00:01:35,280
+in his nature oh you're hating me saying
+ 
+
+63
+00:01:35,280 --> 00:01:41,950
+in his nature oh you're hating me saying
+this aren't you one say
+
+64
+00:01:41,950 --> 00:01:41,960
+
+ 
+
+65
+00:01:41,960 --> 00:01:44,310
+
+all he's like an
+
+66
+00:01:44,310 --> 00:01:44,320
+all he's like an
+ 
+
+67
+00:01:44,320 --> 00:01:47,670
+all he's like an
+animal as an animals habits there's even
+
+68
+00:01:47,670 --> 00:01:47,680
+animal as an animals habits there's even
+ 
+
+69
+00:01:47,680 --> 00:01:50,910
+animal as an animals habits there's even
+something subhuman about him thousands
+
+70
+00:01:50,910 --> 00:01:50,920
+something subhuman about him thousands
+ 
+
+71
+00:01:50,920 --> 00:01:53,149
+something subhuman about him thousands
+of years have passed him right by and
+
+72
+00:01:53,149 --> 00:01:53,159
+of years have passed him right by and
+ 
+
+73
+00:01:53,159 --> 00:01:55,870
+of years have passed him right by and
+there he is Stanley Kowalski survivor of
+
+74
+00:01:55,870 --> 00:01:55,880
+there he is Stanley Kowalski survivor of
+ 
+
+75
+00:01:55,880 --> 00:01:58,550
+there he is Stanley Kowalski survivor of
+the Stone Age bearing the raw meat home
+
+76
+00:01:58,550 --> 00:01:58,560
+the Stone Age bearing the raw meat home
+ 
+
+77
+00:01:58,560 --> 00:02:00,550
+the Stone Age bearing the raw meat home
+from the kill in the jungle and you you
+
+78
+00:02:00,550 --> 00:02:00,560
+from the kill in the jungle and you you
+ 
+
+79
+00:02:00,560 --> 00:02:02,550
+from the kill in the jungle and you you
+here waiting for him maybe he'll strike
+
+80
+00:02:02,550 --> 00:02:02,560
+here waiting for him maybe he'll strike
+ 
+
+81
+00:02:02,560 --> 00:02:04,910
+here waiting for him maybe he'll strike
+you or maybe Grunt and kiss you that's
+
+82
+00:02:04,910 --> 00:02:04,920
+you or maybe Grunt and kiss you that's
+ 
+
+83
+00:02:04,920 --> 00:02:06,830
+you or maybe Grunt and kiss you that's
+if kisses have been discovered yet his
+
+84
+00:02:06,830 --> 00:02:06,840
+if kisses have been discovered yet his
+ 
+
+85
+00:02:06,840 --> 00:02:09,270
+if kisses have been discovered yet his
+poker knite you call it this party of
+
+86
+00:02:09,270 --> 00:02:09,280
+poker knite you call it this party of
+ 
+
+87
+00:02:09,280 --> 00:02:12,470
+poker knite you call it this party of
+Apes maybe we are a long way from being
+
+88
+00:02:12,470 --> 00:02:12,480
+Apes maybe we are a long way from being
+ 
+
+89
+00:02:12,480 --> 00:02:16,790
+Apes maybe we are a long way from being
+made in God's image but Stella my sister
+
+90
+00:02:16,790 --> 00:02:16,800
+made in God's image but Stella my sister
+ 
+
+91
+00:02:16,800 --> 00:02:19,430
+made in God's image but Stella my sister
+there's been some progress since then
+
+92
+00:02:19,430 --> 00:02:19,440
+there's been some progress since then
+ 
+
+93
+00:02:19,440 --> 00:02:22,990
+there's been some progress since then
+such things as art as poetry as music in
+
+94
+00:02:22,990 --> 00:02:23,000
+such things as art as poetry as music in
+ 
+
+95
+00:02:23,000 --> 00:02:25,670
+such things as art as poetry as music in
+some kinds of people some tenderer
+
+96
+00:02:25,670 --> 00:02:25,680
+some kinds of people some tenderer
+ 
+
+97
+00:02:25,680 --> 00:02:28,110
+some kinds of people some tenderer
+feelings have had some little beginning
+
+98
+00:02:28,110 --> 00:02:28,120
+feelings have had some little beginning
+ 
+
+99
+00:02:28,120 --> 00:02:30,390
+feelings have had some little beginning
+that we have got to make grow to cling
+
+100
+00:02:30,390 --> 00:02:30,400
+that we have got to make grow to cling
+ 
+
+101
+00:02:30,400 --> 00:02:33,350
+that we have got to make grow to cling
+to and hold as our flag in his dark
+
+102
+00:02:33,350 --> 00:02:33,360
+to and hold as our flag in his dark
+ 
+
+103
+00:02:33,360 --> 00:02:35,070
+to and hold as our flag in his dark
+March toward whatever it is we're
+
+104
+00:02:35,070 --> 00:02:35,080
+March toward whatever it is we're
+ 
+
+105
+00:02:35,080 --> 00:02:38,110
+March toward whatever it is we're
+approaching don't don't hang back with
+
+106
+00:02:38,110 --> 00:02:38,120
+approaching don't don't hang back with
+ 
+
+107
+00:02:38,120 --> 00:02:46,180
+approaching don't don't hang back with
+the brutes
+
+108
+00:02:46,180 --> 00:02:46,190
+
+ 
+
+109
+00:02:46,190 --> 00:03:13,289
+
+[Music]
+

1951/BvPVgwp_M18.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:00,550 --> 00:00:06,670
+
+[Music]
+
+2
+00:00:06,670 --> 00:00:06,680
+
+ 
+
+3
+00:00:06,680 --> 00:00:07,990
+
+you know this could be a pretty good
+
+4
+00:00:07,990 --> 00:00:08,000
+you know this could be a pretty good
+ 
+
+5
+00:00:08,000 --> 00:00:10,589
+you know this could be a pretty good
+story Chuck don't sell it short it's
+
+6
+00:00:10,589 --> 00:00:10,599
+story Chuck don't sell it short it's
+ 
+
+7
+00:00:10,599 --> 00:00:12,310
+story Chuck don't sell it short it's
+quite a sight a thousand Rattlers in the
+
+8
+00:00:12,310 --> 00:00:12,320
+quite a sight a thousand Rattlers in the
+ 
+
+9
+00:00:12,320 --> 00:00:13,789
+quite a sight a thousand Rattlers in the
+underbrush and a lot of men smoking them
+
+10
+00:00:13,789 --> 00:00:13,799
+underbrush and a lot of men smoking them
+ 
+
+11
+00:00:13,799 --> 00:00:17,029
+underbrush and a lot of men smoking them
+out bashing in their heads big deal
+
+12
+00:00:17,029 --> 00:00:17,039
+out bashing in their heads big deal
+ 
+
+13
+00:00:17,039 --> 00:00:20,910
+out bashing in their heads big deal
+thousand Rattlers in the
+
+14
+00:00:20,910 --> 00:00:20,920
+
+ 
+
+15
+00:00:20,920 --> 00:00:23,470
+
+underbrush give me just 50 of them Luc
+
+16
+00:00:23,470 --> 00:00:23,480
+underbrush give me just 50 of them Luc
+ 
+
+17
+00:00:23,480 --> 00:00:25,070
+underbrush give me just 50 of them Luc
+and alberquerque
+
+18
+00:00:25,070 --> 00:00:25,080
+and alberquerque
+ 
+
+19
+00:00:25,080 --> 00:00:28,630
+and alberquerque
+like that leopard in Oklahoma City the
+
+20
+00:00:28,630 --> 00:00:28,640
+like that leopard in Oklahoma City the
+ 
+
+21
+00:00:28,640 --> 00:00:30,710
+like that leopard in Oklahoma City the
+whole town in panties
+
+22
+00:00:30,710 --> 00:00:30,720
+whole town in panties
+ 
+
+23
+00:00:30,720 --> 00:00:34,190
+whole town in panties
+deserted streets barricaded houses
+
+24
+00:00:34,190 --> 00:00:34,200
+deserted streets barricaded houses
+ 
+
+25
+00:00:34,200 --> 00:00:35,910
+deserted streets barricaded houses
+they're evacuating the
+
+26
+00:00:35,910 --> 00:00:35,920
+they're evacuating the
+ 
+
+27
+00:00:35,920 --> 00:00:38,430
+they're evacuating the
+children every man is
+
+28
+00:00:38,430 --> 00:00:38,440
+children every man is
+ 
+
+29
+00:00:38,440 --> 00:00:42,029
+children every man is
+armed 50 killers on the prowl
+
+30
+00:00:42,029 --> 00:00:42,039
+armed 50 killers on the prowl
+ 
+
+31
+00:00:42,039 --> 00:00:45,189
+armed 50 killers on the prowl
+50 one by one they start hunting them
+
+32
+00:00:45,189 --> 00:00:45,199
+50 one by one they start hunting them
+ 
+
+33
+00:00:45,199 --> 00:00:49,029
+50 one by one they start hunting them
+down they get 10 20 it's building they
+
+34
+00:00:49,029 --> 00:00:49,039
+down they get 10 20 it's building they
+ 
+
+35
+00:00:49,039 --> 00:00:51,029
+down they get 10 20 it's building they
+get 40 45 they get
+
+36
+00:00:51,029 --> 00:00:51,039
+get 40 45 they get
+ 
+
+37
+00:00:51,039 --> 00:00:54,750
+get 40 45 they get
+49 where's the last Rattler in a
+
+38
+00:00:54,750 --> 00:00:54,760
+49 where's the last Rattler in a
+ 
+
+39
+00:00:54,760 --> 00:00:57,630
+49 where's the last Rattler in a
+kindergarten in a church in a crowded
+
+40
+00:00:57,630 --> 00:00:57,640
+kindergarten in a church in a crowded
+ 
+
+41
+00:00:57,640 --> 00:01:00,869
+kindergarten in a church in a crowded
+elevator where give up what
+
+42
+00:01:00,869 --> 00:01:00,879
+elevator where give up what
+ 
+
+43
+00:01:00,879 --> 00:01:04,429
+elevator where give up what
+where in my desk drawer
+
+44
+00:01:04,429 --> 00:01:04,439
+where in my desk drawer
+ 
+
+45
+00:01:04,439 --> 00:01:07,109
+where in my desk drawer
+fan stashed away only nobody knows it
+
+46
+00:01:07,109 --> 00:01:07,119
+fan stashed away only nobody knows it
+ 
+
+47
+00:01:07,119 --> 00:01:09,870
+fan stashed away only nobody knows it
+see the story's good for another 3 days
+
+48
+00:01:09,870 --> 00:01:09,880
+see the story's good for another 3 days
+ 
+
+49
+00:01:09,880 --> 00:01:11,510
+see the story's good for another 3 days
+then when I'm good and ready we come out
+
+50
+00:01:11,510 --> 00:01:11,520
+then when I'm good and ready we come out
+ 
+
+51
+00:01:11,520 --> 00:01:14,390
+then when I'm good and ready we come out
+with a big extra Sun bulletin snags
+
+52
+00:01:14,390 --> 00:01:14,400
+with a big extra Sun bulletin snags
+ 
+
+53
+00:01:14,400 --> 00:01:17,550
+with a big extra Sun bulletin snags
+number 50 where do you get those
+
+54
+00:01:17,550 --> 00:01:17,560
+number 50 where do you get those
+ 
+
+55
+00:01:17,560 --> 00:01:20,670
+number 50 where do you get those
+ideas Herby boy how long did you go to
+
+56
+00:01:20,670 --> 00:01:20,680
+ideas Herby boy how long did you go to
+ 
+
+57
+00:01:20,680 --> 00:01:24,310
+ideas Herby boy how long did you go to
+that uh School of Journalism 3
+
+58
+00:01:24,310 --> 00:01:24,320
+that uh School of Journalism 3
+ 
+
+59
+00:01:24,320 --> 00:01:28,190
+that uh School of Journalism 3
+years 3 years down the
+
+60
+00:01:28,190 --> 00:01:28,200
+years 3 years down the
+ 
+
+61
+00:01:28,200 --> 00:01:30,789
+years 3 years down the
+drain me I didn't go to any college but
+
+62
+00:01:30,789 --> 00:01:30,799
+drain me I didn't go to any college but
+ 
+
+63
+00:01:30,799 --> 00:01:32,630
+drain me I didn't go to any college but
+I know what makes a good story because
+
+64
+00:01:32,630 --> 00:01:32,640
+I know what makes a good story because
+ 
+
+65
+00:01:32,640 --> 00:01:34,469
+I know what makes a good story because
+before I ever worked on a paper I sold
+
+66
+00:01:34,469 --> 00:01:34,479
+before I ever worked on a paper I sold
+ 
+
+67
+00:01:34,479 --> 00:01:36,510
+before I ever worked on a paper I sold
+them on a street corner and you know the
+
+68
+00:01:36,510 --> 00:01:36,520
+them on a street corner and you know the
+ 
+
+69
+00:01:36,520 --> 00:01:40,830
+them on a street corner and you know the
+first thing I found out bad news sells
+
+70
+00:01:40,830 --> 00:01:40,840
+first thing I found out bad news sells
+ 
+
+71
+00:01:40,840 --> 00:01:44,270
+first thing I found out bad news sells
+best because good news is no
+
+72
+00:01:44,270 --> 00:01:44,280
+best because good news is no
+ 
+
+73
+00:01:44,280 --> 00:01:48,340
+best because good news is no
+news better get some gas
+
+74
+00:01:48,340 --> 00:01:48,350
+news better get some gas
+ 
+
+75
+00:01:48,350 --> 00:02:11,710
+news better get some gas
+[Music]
+
+76
+00:02:11,710 --> 00:02:11,720
+
+ 
+
+77
+00:02:11,720 --> 00:02:15,500
+
+St
+
+78
+00:02:15,500 --> 00:02:15,510
+
+ 
+
+79
+00:02:15,510 --> 00:02:21,460
+
+[Music]
+

1951/FL1acMVcHGo.description

@@ -0,0 +1,38 @@
+Strangers on a Train movie clips: http://j.mp/1yz9FQe
+BUY THE MOVIE: http://j.mp/Uinqke
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Bruno (Robert Walker) demonstrates his murder technique at a party, much to the delight of the guests.
+
+FILM DESCRIPTION:
+In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). As Guy listens with detached amusement, Bruno discusses the theory of "exchange murders." Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? With no known link between the two men, the police would be none the wiser, would they? When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. And then, Guy's wife turns up strangled to death. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.
+
+CREDITS:
+TM & © Warner Bros. (1951)
+Cast: Robert Walker, Patricia Hitchcock, Laura Treadwell, Norma Varden
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi Ormonde
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
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