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1954/oowcsynjIwc.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Thorwald (Raymond Burr) is caught by police when he attacks Jeff (James Stewart) in his home and pushes him out the window.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, Wendell Corey, James Stewart, Grace Kelly
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1954/oowcsynjIwc.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:02,840 --> 00:00:07,509
+
+what do you want from
+
+2
+00:00:07,509 --> 00:00:07,519
+
+ 
+
+3
+00:00:07,519 --> 00:00:10,230
+
+me your friend the girl could have
+
+4
+00:00:10,230 --> 00:00:10,240
+me your friend the girl could have
+ 
+
+5
+00:00:10,240 --> 00:00:13,310
+me your friend the girl could have
+turned me in why didn't
+
+6
+00:00:13,310 --> 00:00:13,320
+turned me in why didn't
+ 
+
+7
+00:00:13,320 --> 00:00:16,710
+turned me in why didn't
+she what is it you want a lot of money I
+
+8
+00:00:16,710 --> 00:00:16,720
+she what is it you want a lot of money I
+ 
+
+9
+00:00:16,720 --> 00:00:21,029
+she what is it you want a lot of money I
+don't have any
+
+10
+00:00:21,029 --> 00:00:21,039
+
+ 
+
+11
+00:00:21,039 --> 00:00:24,109
+
+money say
+
+12
+00:00:24,109 --> 00:00:24,119
+money say
+ 
+
+13
+00:00:24,119 --> 00:00:26,509
+money say
+something say something tell me what you
+
+14
+00:00:26,509 --> 00:00:26,519
+something say something tell me what you
+ 
+
+15
+00:00:26,519 --> 00:00:30,950
+something say something tell me what you
+want
+
+16
+00:00:30,950 --> 00:00:30,960
+
+ 
+
+17
+00:00:30,960 --> 00:00:33,470
+
+can you get me that ring
+
+18
+00:00:33,470 --> 00:00:33,480
+can you get me that ring
+ 
+
+19
+00:00:33,480 --> 00:00:34,990
+can you get me that ring
+back
+
+20
+00:00:34,990 --> 00:00:35,000
+back
+ 
+
+21
+00:00:35,000 --> 00:00:38,630
+back
+no tell her to bring it back I can't the
+
+22
+00:00:38,630 --> 00:00:38,640
+no tell her to bring it back I can't the
+ 
+
+23
+00:00:38,640 --> 00:01:16,710
+no tell her to bring it back I can't the
+police have it by now
+
+24
+00:01:16,710 --> 00:01:16,720
+
+ 
+
+25
+00:01:16,720 --> 00:01:26,270
+
+leer
+
+26
+00:01:26,270 --> 00:01:26,280
+
+ 
+
+27
+00:01:26,280 --> 00:01:34,469
+
+do was this
+
+28
+00:01:34,469 --> 00:01:34,479
+
+ 
+
+29
+00:01:34,479 --> 00:01:36,850
+
+look
+
+30
+00:01:36,850 --> 00:01:36,860
+look
+ 
+
+31
+00:01:36,860 --> 00:01:54,709
+look
+[Music]
+
+32
+00:01:54,709 --> 00:01:54,719
+
+ 
+
+33
+00:01:54,719 --> 00:02:01,029
+
+that d
+
+34
+00:02:01,029 --> 00:02:01,039
+
+ 
+
+35
+00:02:01,039 --> 00:02:13,030
+
+cre give me a 38 it's a
+
+36
+00:02:13,030 --> 00:02:13,040
+
+ 
+
+37
+00:02:13,040 --> 00:02:15,470
+
+plastic sorry Jeff I got here as fast as
+
+38
+00:02:15,470 --> 00:02:15,480
+plastic sorry Jeff I got here as fast as
+ 
+
+39
+00:02:15,480 --> 00:02:17,390
+plastic sorry Jeff I got here as fast as
+I could Mr Jeff don't let anybody touch
+
+40
+00:02:17,390 --> 00:02:17,400
+I could Mr Jeff don't let anybody touch
+ 
+
+41
+00:02:17,400 --> 00:02:19,790
+I could Mr Jeff don't let anybody touch
+him get my medical bag from upstairs and
+
+42
+00:02:19,790 --> 00:02:19,800
+him get my medical bag from upstairs and
+ 
+
+43
+00:02:19,800 --> 00:02:21,430
+him get my medical bag from upstairs and
+he's a sweetie if anything had happened
+
+44
+00:02:21,430 --> 00:02:21,440
+he's a sweetie if anything had happened
+ 
+
+45
+00:02:21,440 --> 00:02:22,670
+he's a sweetie if anything had happened
+to
+
+46
+00:02:22,670 --> 00:02:22,680
+to
+ 
+
+47
+00:02:22,680 --> 00:02:25,470
+to
+you I'm proud of
+
+48
+00:02:25,470 --> 00:02:25,480
+you I'm proud of
+ 
+
+49
+00:02:25,480 --> 00:02:27,949
+you I'm proud of
+you you got enough for a search warrant
+
+50
+00:02:27,949 --> 00:02:27,959
+you you got enough for a search warrant
+ 
+
+51
+00:02:27,959 --> 00:02:32,270
+you you got enough for a search warrant
+now oh yeah sure Lieutenant Doyle yeah
+
+52
+00:02:32,270 --> 00:02:32,280
+now oh yeah sure Lieutenant Doyle yeah
+ 
+
+53
+00:02:32,280 --> 00:02:35,470
+now oh yeah sure Lieutenant Doyle yeah
+he okay he's alive thorwald's ready to
+
+54
+00:02:35,470 --> 00:02:35,480
+he okay he's alive thorwald's ready to
+ 
+
+55
+00:02:35,480 --> 00:02:42,229
+he okay he's alive thorwald's ready to
+take us on a tour of the East
+
+56
+00:02:42,229 --> 00:02:42,239
+
+ 
+
+57
+00:02:42,239 --> 00:02:44,710
+
+River you say was buried in the flower
+
+58
+00:02:44,710 --> 00:02:44,720
+River you say was buried in the flower
+ 
+
+59
+00:02:44,720 --> 00:02:47,830
+River you say was buried in the flower
+bed yeah he said the dog got too
+
+60
+00:02:47,830 --> 00:02:47,840
+bed yeah he said the dog got too
+ 
+
+61
+00:02:47,840 --> 00:02:50,630
+bed yeah he said the dog got too
+inquisitive so he dug it up it's in a
+
+62
+00:02:50,630 --> 00:02:50,640
+inquisitive so he dug it up it's in a
+ 
+
+63
+00:02:50,640 --> 00:02:52,470
+inquisitive so he dug it up it's in a
+hat box over in his
+
+64
+00:02:52,470 --> 00:02:52,480
+hat box over in his
+ 
+
+65
+00:02:52,480 --> 00:02:54,949
+hat box over in his
+apartment want to look no thanks I don't
+
+66
+00:02:54,949 --> 00:02:54,959
+apartment want to look no thanks I don't
+ 
+
+67
+00:02:54,959 --> 00:02:59,480
+apartment want to look no thanks I don't
+want any part of her
+
+68
+00:02:59,480 --> 00:02:59,490
+
+ 
+
+69
+00:02:59,490 --> 00:03:30,539
+
+[Music]
+

1954/pNJRoSfVZxo.en.srt

@@ -0,0 +1,15 @@
+1
+00:00:00,199 --> 00:00:44,549
+
+the
+
+2
+00:00:44,549 --> 00:00:44,559
+
+ 
+
+3
+00:00:44,559 --> 00:00:50,559
+
+Mayas no no no
+

1954/q9sjo2J6hIk.en.srt

@@ -0,0 +1,55 @@
+1
+00:00:02,920 --> 00:00:08,700
+
+[Music]
+
+2
+00:00:08,700 --> 00:00:08,710
+
+ 
+
+3
+00:00:08,710 --> 00:01:47,090
+
+[Music]
+
+4
+00:01:47,090 --> 00:01:47,100
+
+ 
+
+5
+00:01:47,100 --> 00:01:49,710
+
+she looked at me for no longer than the
+
+6
+00:01:49,710 --> 00:01:49,720
+she looked at me for no longer than the
+ 
+
+7
+00:01:49,720 --> 00:01:52,230
+she looked at me for no longer than the
+beat of her heart and I knew I would
+
+8
+00:01:52,230 --> 00:01:52,240
+beat of her heart and I knew I would
+ 
+
+9
+00:01:52,240 --> 00:01:55,440
+beat of her heart and I knew I would
+remember her as long as I lived
+
+10
+00:01:55,440 --> 00:01:55,450
+remember her as long as I lived
+ 
+
+11
+00:01:55,450 --> 00:02:06,790
+remember her as long as I lived
+[Music]
+

1954/q_wefCacDTE.en.srt

@@ -0,0 +1,17 @@
+1
+00:00:03,920 --> 00:00:06,320
+Lucas, get to the beach entrance.
+
+2
+00:00:19,769 --> 00:00:21,703
+Kay!
+
+3
+00:00:21,771 --> 00:00:26,105
+[ Growling ]
+<i>Kay.!</i>
+
+4
+00:00:37,454 --> 00:00:40,048
+Kay?
+

1954/smwBZ-3HAPY.en.srt

@@ -0,0 +1,75 @@
+1
+00:00:05,420 --> 00:00:22,109
+
+the knot in the afternoon
+
+2
+00:00:22,109 --> 00:00:22,119
+
+ 
+
+3
+00:00:22,119 --> 00:00:38,710
+
+well
+
+4
+00:00:38,710 --> 00:00:38,720
+
+ 
+
+5
+00:00:38,720 --> 00:01:27,980
+
+the ebay sun fell in russia uses the
+
+6
+00:01:27,980 --> 00:01:27,990
+the ebay sun fell in russia uses the
+ 
+
+7
+00:01:27,990 --> 00:01:40,429
+the ebay sun fell in russia uses the
+zebra be afraid to tell that the fruit
+
+8
+00:01:40,429 --> 00:01:40,439
+zebra be afraid to tell that the fruit
+ 
+
+9
+00:01:40,439 --> 00:01:43,279
+zebra be afraid to tell that the fruit
+kills 90 games has in mind biological
+
+10
+00:01:43,279 --> 00:01:43,289
+kills 90 games has in mind biological
+ 
+
+11
+00:01:43,289 --> 00:01:49,180
+kills 90 games has in mind biological
+now in the hands
+
+12
+00:01:49,180 --> 00:01:49,190
+
+ 
+
+13
+00:01:49,190 --> 00:01:52,940
+
+because he saw since michael jordan and
+
+14
+00:01:52,940 --> 00:01:52,950
+because he saw since michael jordan and
+ 
+
+15
+00:01:52,950 --> 00:02:07,580
+because he saw since michael jordan and
+funk of customers gum went up 96 in the airbus
+

1954/t8eNpwLPwog.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (James Stewart) prepares a lap full of light bulbs for his flash when he hears Thorwald (Raymond Burr) sneaking up on his apartment.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1954/t8eNpwLPwog.en.srt

@@ -0,0 +1,50 @@
+1
+00:00:05,539 --> 00:00:07,810
+[ Telephone Rings ]
+Hello, Tom.
+
+2
+00:00:07,875 --> 00:00:10,815
+l think Thorwald's left.
+l don't see--
+
+3
+00:00:13,247 --> 00:00:15,184
+Hello?
+
+4
+00:00:17,919 --> 00:00:19,888
+[ Line Disconnects ]
+
+5
+00:00:41,875 --> 00:00:44,312
+[ Door Closes In Distance ]
+
+6
+00:01:10,703 --> 00:01:16,480
+[ Footsteps Approaching ]
+
+7
+00:01:16,543 --> 00:01:21,485
+[ Footsteps Continue ]
+
+8
+00:01:28,988 --> 00:01:34,832
+[ Footsteps Continue ]
+
+9
+00:01:41,400 --> 00:01:45,441
+[ footsteps Get Louder, Stop ]
+
+10
+00:02:15,100 --> 00:02:20,042
+[ footsteps Resume ]
+
+11
+00:02:21,672 --> 00:02:23,776
+[ footsteps Stumble ]
+
+12
+00:02:26,210 --> 00:02:28,715
+[ Doorknob Turning ]
+

1954/tUiVEKK8rWM.en.srt

@@ -0,0 +1,815 @@
+1
+00:00:00,319 --> 00:00:02,869
+
+before you came inspector he was trying
+
+2
+00:00:02,869 --> 00:00:02,879
+before you came inspector he was trying
+ 
+
+3
+00:00:02,879 --> 00:00:04,519
+before you came inspector he was trying
+to persuade me to go to the police with
+
+4
+00:00:04,519 --> 00:00:04,529
+to persuade me to go to the police with
+ 
+
+5
+00:00:04,529 --> 00:00:07,450
+to persuade me to go to the police with
+the most fantastic story who ever heard
+
+6
+00:00:07,450 --> 00:00:07,460
+the most fantastic story who ever heard
+ 
+
+7
+00:00:07,460 --> 00:00:10,220
+the most fantastic story who ever heard
+apparently I bribed Swann to murder my
+
+8
+00:00:10,220 --> 00:00:10,230
+apparently I bribed Swann to murder my
+ 
+
+9
+00:00:10,230 --> 00:00:12,560
+apparently I bribed Swann to murder my
+wife so that there correct me if I go
+
+10
+00:00:12,560 --> 00:00:12,570
+wife so that there correct me if I go
+ 
+
+11
+00:00:12,570 --> 00:00:15,049
+wife so that there correct me if I go
+wrong MA so that I could inherit all her
+
+12
+00:00:15,049 --> 00:00:15,059
+wrong MA so that I could inherit all her
+ 
+
+13
+00:00:15,059 --> 00:00:18,290
+wrong MA so that I could inherit all her
+money and that isn't all you remember
+
+14
+00:00:18,290 --> 00:00:18,300
+money and that isn't all you remember
+ 
+
+15
+00:00:18,300 --> 00:00:19,880
+money and that isn't all you remember
+mr. Halliday's letter
+
+16
+00:00:19,880 --> 00:00:19,890
+mr. Halliday's letter
+ 
+
+17
+00:00:19,890 --> 00:00:22,580
+mr. Halliday's letter
+well apparently Swann didn't steal it I
+
+18
+00:00:22,580 --> 00:00:22,590
+well apparently Swann didn't steal it I
+ 
+
+19
+00:00:22,590 --> 00:00:25,519
+well apparently Swann didn't steal it I
+did and I wrote those to blackmail notes
+
+20
+00:00:25,519 --> 00:00:25,529
+did and I wrote those to blackmail notes
+ 
+
+21
+00:00:25,529 --> 00:00:28,130
+did and I wrote those to blackmail notes
+and I kept mr. Halliday's letter and
+
+22
+00:00:28,130 --> 00:00:28,140
+and I kept mr. Halliday's letter and
+ 
+
+23
+00:00:28,140 --> 00:00:31,550
+and I kept mr. Halliday's letter and
+planted it on the body and the stocking
+
+24
+00:00:31,550 --> 00:00:31,560
+planted it on the body and the stocking
+ 
+
+25
+00:00:31,560 --> 00:00:33,200
+planted it on the body and the stocking
+oh yes yes the stocking perhaps I'd
+
+26
+00:00:33,200 --> 00:00:33,210
+oh yes yes the stocking perhaps I'd
+ 
+
+27
+00:00:33,210 --> 00:00:34,520
+oh yes yes the stocking perhaps I'd
+better tell this market buy some more
+
+28
+00:00:34,520 --> 00:00:34,530
+better tell this market buy some more
+ 
+
+29
+00:00:34,530 --> 00:00:37,400
+better tell this market buy some more
+like a confession I substituted is that
+
+30
+00:00:37,400 --> 00:00:37,410
+like a confession I substituted is that
+ 
+
+31
+00:00:37,410 --> 00:00:40,010
+like a confession I substituted is that
+the right word yes I substituted my
+
+32
+00:00:40,010 --> 00:00:40,020
+the right word yes I substituted my
+ 
+
+33
+00:00:40,020 --> 00:00:41,889
+the right word yes I substituted my
+wife's other stocking for the one that
+
+34
+00:00:41,889 --> 00:00:41,899
+wife's other stocking for the one that
+ 
+
+35
+00:00:41,899 --> 00:00:44,720
+wife's other stocking for the one that
+you do follow me don't you what else
+
+36
+00:00:44,720 --> 00:00:44,730
+you do follow me don't you what else
+ 
+
+37
+00:00:44,730 --> 00:00:45,670
+you do follow me don't you what else
+mark
+
+38
+00:00:45,670 --> 00:00:45,680
+mark
+ 
+
+39
+00:00:45,680 --> 00:00:48,110
+mark
+he told Swann he'd hide his key
+
+40
+00:00:48,110 --> 00:00:48,120
+he told Swann he'd hide his key
+ 
+
+41
+00:00:48,120 --> 00:00:51,020
+he told Swann he'd hide his key
+somewhere out here probably up on this
+
+42
+00:00:51,020 --> 00:00:51,030
+somewhere out here probably up on this
+ 
+
+43
+00:00:51,030 --> 00:00:55,910
+somewhere out here probably up on this
+ledge Swann let himself in he hid behind
+
+44
+00:00:55,910 --> 00:00:55,920
+ledge Swann let himself in he hid behind
+ 
+
+45
+00:00:55,920 --> 00:00:57,439
+ledge Swann let himself in he hid behind
+the curtains then when his telephone
+
+46
+00:00:57,439 --> 00:00:57,449
+the curtains then when his telephone
+ 
+
+47
+00:00:57,449 --> 00:00:59,209
+the curtains then when his telephone
+from the hotel that brought her just one
+
+48
+00:00:59,209 --> 00:00:59,219
+from the hotel that brought her just one
+ 
+
+49
+00:00:59,219 --> 00:00:59,540
+from the hotel that brought her just one
+moment
+
+50
+00:00:59,540 --> 00:00:59,550
+moment
+ 
+
+51
+00:00:59,550 --> 00:01:01,639
+moment
+if Swann had used mr. wendice his kid
+
+52
+00:01:01,639 --> 00:01:01,649
+if Swann had used mr. wendice his kid
+ 
+
+53
+00:01:01,649 --> 00:01:02,959
+if Swann had used mr. wendice his kid
+would still have been on him when he
+
+54
+00:01:02,959 --> 00:01:02,969
+would still have been on him when he
+ 
+
+55
+00:01:02,969 --> 00:01:05,179
+would still have been on him when he
+died besides how did mr. wendice get in
+
+56
+00:01:05,179 --> 00:01:05,189
+died besides how did mr. wendice get in
+ 
+
+57
+00:01:05,189 --> 00:01:07,940
+died besides how did mr. wendice get in
+when he returned from the hotel what she
+
+58
+00:01:07,940 --> 00:01:07,950
+when he returned from the hotel what she
+ 
+
+59
+00:01:07,950 --> 00:01:10,100
+when he returned from the hotel what she
+could have let him in and he could have
+
+60
+00:01:10,100 --> 00:01:10,110
+could have let him in and he could have
+ 
+
+61
+00:01:10,110 --> 00:01:11,420
+could have let him in and he could have
+taken his key from Swann's pocket before
+
+62
+00:01:11,420 --> 00:01:11,430
+taken his key from Swann's pocket before
+ 
+
+63
+00:01:11,430 --> 00:01:13,039
+taken his key from Swann's pocket before
+the police got here he let himself in
+
+64
+00:01:13,039 --> 00:01:13,049
+the police got here he let himself in
+ 
+
+65
+00:01:13,049 --> 00:01:15,050
+the police got here he let himself in
+with his own key that came out in the
+
+66
+00:01:15,050 --> 00:01:15,060
+with his own key that came out in the
+ 
+
+67
+00:01:15,060 --> 00:01:16,940
+with his own key that came out in the
+trial don't you remember
+
+68
+00:01:16,940 --> 00:01:16,950
+trial don't you remember
+ 
+
+69
+00:01:16,950 --> 00:01:24,020
+trial don't you remember
+come on mark your move
+
+70
+00:01:24,020 --> 00:01:24,030
+
+ 
+
+71
+00:01:24,030 --> 00:01:26,279
+
+Swan could have taken the key down from
+
+72
+00:01:26,279 --> 00:01:26,289
+Swan could have taken the key down from
+ 
+
+73
+00:01:26,289 --> 00:01:29,999
+Swan could have taken the key down from
+here unlock the door and then replace
+
+74
+00:01:29,999 --> 00:01:30,009
+here unlock the door and then replace
+ 
+
+75
+00:01:30,009 --> 00:01:31,499
+here unlock the door and then replace
+the key on the ledge before he came in
+
+76
+00:01:31,499 --> 00:01:31,509
+the key on the ledge before he came in
+ 
+
+77
+00:01:31,509 --> 00:01:33,810
+the key on the ledge before he came in
+all right mr. holiday this is all very
+
+78
+00:01:33,810 --> 00:01:33,820
+all right mr. holiday this is all very
+ 
+
+79
+00:01:33,820 --> 00:01:35,219
+all right mr. holiday this is all very
+interesting but it isn't getting me any
+
+80
+00:01:35,219 --> 00:01:35,229
+interesting but it isn't getting me any
+ 
+
+81
+00:01:35,229 --> 00:01:37,289
+interesting but it isn't getting me any
+nearer what I came to find out but this
+
+82
+00:01:37,289 --> 00:01:37,299
+nearer what I came to find out but this
+ 
+
+83
+00:01:37,299 --> 00:01:38,789
+nearer what I came to find out but this
+is the question of life and death what
+
+84
+00:01:38,789 --> 00:01:38,799
+is the question of life and death what
+ 
+
+85
+00:01:38,799 --> 00:01:40,710
+is the question of life and death what
+else matters what matters to me is well
+
+86
+00:01:40,710 --> 00:01:40,720
+else matters what matters to me is well
+ 
+
+87
+00:01:40,720 --> 00:01:42,630
+else matters what matters to me is well
+mr. wendice got this money that's all I
+
+88
+00:01:42,630 --> 00:01:42,640
+mr. wendice got this money that's all I
+ 
+
+89
+00:01:42,640 --> 00:01:58,190
+mr. wendice got this money that's all I
+want to know just a moment please
+
+90
+00:01:58,190 --> 00:01:58,200
+
+ 
+
+91
+00:01:58,200 --> 00:02:02,219
+
+inspector wait look at this the last
+
+92
+00:02:02,219 --> 00:02:02,229
+inspector wait look at this the last
+ 
+
+93
+00:02:02,229 --> 00:02:03,600
+inspector wait look at this the last
+check you wrote was on the 26th of March
+
+94
+00:02:03,600 --> 00:02:03,610
+check you wrote was on the 26th of March
+ 
+
+95
+00:02:03,610 --> 00:02:05,339
+check you wrote was on the 26th of March
+that's the day before this all happened
+
+96
+00:02:05,339 --> 00:02:05,349
+that's the day before this all happened
+ 
+
+97
+00:02:05,349 --> 00:02:06,480
+that's the day before this all happened
+I tell you it's been a living off it
+
+98
+00:02:06,480 --> 00:02:06,490
+I tell you it's been a living off it
+ 
+
+99
+00:02:06,490 --> 00:02:15,690
+I tell you it's been a living off it
+ever since he hasn't drawn any large
+
+100
+00:02:15,690 --> 00:02:15,700
+ever since he hasn't drawn any large
+ 
+
+101
+00:02:15,700 --> 00:02:17,520
+ever since he hasn't drawn any large
+sums from his bank nothing over 53
+
+102
+00:02:17,520 --> 00:02:17,530
+sums from his bank nothing over 53
+ 
+
+103
+00:02:17,530 --> 00:02:23,699
+sums from his bank nothing over 53
+pounds but look inspector practically
+
+104
+00:02:23,699 --> 00:02:23,709
+pounds but look inspector practically
+ 
+
+105
+00:02:23,709 --> 00:02:28,170
+pounds but look inspector practically
+every week 35 pounds 40 45 pounds 50 he
+
+106
+00:02:28,170 --> 00:02:28,180
+every week 35 pounds 40 45 pounds 50 he
+ 
+
+107
+00:02:28,180 --> 00:02:30,059
+every week 35 pounds 40 45 pounds 50 he
+could have saved it up course I could
+
+108
+00:02:30,059 --> 00:02:30,069
+could have saved it up course I could
+ 
+
+109
+00:02:30,069 --> 00:02:31,259
+could have saved it up course I could
+have been planning all this for years
+
+110
+00:02:31,259 --> 00:02:31,269
+have been planning all this for years
+ 
+
+111
+00:02:31,269 --> 00:02:33,990
+have been planning all this for years
+then where did you get it do you really
+
+112
+00:02:33,990 --> 00:02:34,000
+then where did you get it do you really
+ 
+
+113
+00:02:34,000 --> 00:02:36,090
+then where did you get it do you really
+want to know I warn you you won't like
+
+114
+00:02:36,090 --> 00:02:36,100
+want to know I warn you you won't like
+ 
+
+115
+00:02:36,100 --> 00:02:40,050
+want to know I warn you you won't like
+it mark come on all right you asked for
+
+116
+00:02:40,050 --> 00:02:40,060
+it mark come on all right you asked for
+ 
+
+117
+00:02:40,060 --> 00:02:40,379
+it mark come on all right you asked for
+it
+
+118
+00:02:40,379 --> 00:02:40,389
+it
+ 
+
+119
+00:02:40,389 --> 00:02:42,509
+it
+when did you call me back from the party
+
+120
+00:02:42,509 --> 00:02:42,519
+when did you call me back from the party
+ 
+
+121
+00:02:42,519 --> 00:02:43,949
+when did you call me back from the party
+that night I have found her kneeling
+
+122
+00:02:43,949 --> 00:02:43,959
+that night I have found her kneeling
+ 
+
+123
+00:02:43,959 --> 00:02:45,539
+that night I have found her kneeling
+beside swans body going through his
+
+124
+00:02:45,539 --> 00:02:45,549
+beside swans body going through his
+ 
+
+125
+00:02:45,549 --> 00:02:46,160
+beside swans body going through his
+pockets
+
+126
+00:02:46,160 --> 00:02:46,170
+pockets
+ 
+
+127
+00:02:46,170 --> 00:02:48,840
+pockets
+she kept saying he had something in hers
+
+128
+00:02:48,840 --> 00:02:48,850
+she kept saying he had something in hers
+ 
+
+129
+00:02:48,850 --> 00:02:51,629
+she kept saying he had something in hers
+but she couldn't find it she's almost
+
+130
+00:02:51,629 --> 00:02:51,639
+but she couldn't find it she's almost
+ 
+
+131
+00:02:51,639 --> 00:02:52,979
+but she couldn't find it she's almost
+hysterical that's why I wouldn't have
+
+132
+00:02:52,979 --> 00:02:52,989
+hysterical that's why I wouldn't have
+ 
+
+133
+00:02:52,989 --> 00:02:55,050
+hysterical that's why I wouldn't have
+the police questioned her the stage she
+
+134
+00:02:55,050 --> 00:02:55,060
+the police questioned her the stage she
+ 
+
+135
+00:02:55,060 --> 00:02:56,520
+the police questioned her the stage she
+was injured have told every lion of the
+
+136
+00:02:56,520 --> 00:02:56,530
+was injured have told every lion of the
+ 
+
+137
+00:02:56,530 --> 00:02:59,580
+was injured have told every lion of the
+Sun the next morning she showed me the
+
+138
+00:02:59,580 --> 00:02:59,590
+Sun the next morning she showed me the
+ 
+
+139
+00:02:59,590 --> 00:03:01,710
+Sun the next morning she showed me the
+money just as it is now all in one pound
+
+140
+00:03:01,710 --> 00:03:01,720
+money just as it is now all in one pound
+ 
+
+141
+00:03:01,720 --> 00:03:05,009
+money just as it is now all in one pound
+notes and she said if anything happens
+
+142
+00:03:05,009 --> 00:03:05,019
+notes and she said if anything happens
+ 
+
+143
+00:03:05,019 --> 00:03:08,380
+notes and she said if anything happens
+to me don't let them find this
+
+144
+00:03:08,380 --> 00:03:08,390
+
+ 
+
+145
+00:03:08,390 --> 00:03:10,450
+
+after she was arrested I took the money
+
+146
+00:03:10,450 --> 00:03:10,460
+after she was arrested I took the money
+ 
+
+147
+00:03:10,460 --> 00:03:11,770
+after she was arrested I took the money
+in that case to Charing Cross station
+
+148
+00:03:11,770 --> 00:03:11,780
+in that case to Charing Cross station
+ 
+
+149
+00:03:11,780 --> 00:03:13,410
+in that case to Charing Cross station
+and left it in the checkroom
+
+150
+00:03:13,410 --> 00:03:13,420
+and left it in the checkroom
+ 
+
+151
+00:03:13,420 --> 00:03:16,000
+and left it in the checkroom
+whenever I needed money I took it out
+
+152
+00:03:16,000 --> 00:03:16,010
+whenever I needed money I took it out
+ 
+
+153
+00:03:16,010 --> 00:03:18,300
+whenever I needed money I took it out
+and left it in some other cheque room I
+
+154
+00:03:18,300 --> 00:03:18,310
+and left it in some other cheque room I
+ 
+
+155
+00:03:18,310 --> 00:03:20,410
+and left it in some other cheque room I
+knew if you found that she wouldn't
+
+156
+00:03:20,410 --> 00:03:20,420
+knew if you found that she wouldn't
+ 
+
+157
+00:03:20,420 --> 00:03:23,170
+knew if you found that she wouldn't
+stand a chance you see she was just
+
+158
+00:03:23,170 --> 00:03:23,180
+stand a chance you see she was just
+ 
+
+159
+00:03:23,180 --> 00:03:24,850
+stand a chance you see she was just
+about to give it to him when she killed
+
+160
+00:03:24,850 --> 00:03:24,860
+about to give it to him when she killed
+ 
+
+161
+00:03:24,860 --> 00:03:26,030
+about to give it to him when she killed
+him instead
+
+162
+00:03:26,030 --> 00:03:26,040
+him instead
+ 
+
+163
+00:03:26,040 --> 00:03:38,889
+him instead
+[Music]
+

1954/uBiewQrpBBA.en.srt

@@ -0,0 +1,385 @@
+1
+00:00:07,240 --> 00:00:10,830
+
+wow
+
+2
+00:00:10,830 --> 00:00:10,840
+
+ 
+
+3
+00:00:10,840 --> 00:00:16,470
+
+okay
+
+4
+00:00:16,470 --> 00:00:16,480
+
+ 
+
+5
+00:00:16,480 --> 00:00:20,310
+
+okay how much you weigh
+
+6
+00:00:20,310 --> 00:00:20,320
+okay how much you weigh
+ 
+
+7
+00:00:20,320 --> 00:00:24,349
+okay how much you weigh
+s and you weighed 168
+
+8
+00:00:24,349 --> 00:00:24,359
+s and you weighed 168
+ 
+
+9
+00:00:24,359 --> 00:00:27,870
+s and you weighed 168
+lb you were
+
+10
+00:00:27,870 --> 00:00:27,880
+
+ 
+
+11
+00:00:27,880 --> 00:00:33,190
+
+beautiful it could have been another B
+
+12
+00:00:33,190 --> 00:00:33,200
+
+ 
+
+13
+00:00:33,200 --> 00:00:36,310
+
+come skunk we got you for the
+
+14
+00:00:36,310 --> 00:00:36,320
+come skunk we got you for the
+ 
+
+15
+00:00:36,320 --> 00:00:40,549
+come skunk we got you for the
+manager he brought you along too
+
+16
+00:00:40,549 --> 00:00:40,559
+
+ 
+
+17
+00:00:40,559 --> 00:00:44,630
+
+fast it wasn't him Charlie it was you
+
+18
+00:00:44,630 --> 00:00:44,640
+fast it wasn't him Charlie it was you
+ 
+
+19
+00:00:44,640 --> 00:00:46,029
+fast it wasn't him Charlie it was you
+remember that night in the garden he
+
+20
+00:00:46,029 --> 00:00:46,039
+remember that night in the garden he
+ 
+
+21
+00:00:46,039 --> 00:00:47,950
+remember that night in the garden he
+came down my dressing room and said kid
+
+22
+00:00:47,950 --> 00:00:47,960
+came down my dressing room and said kid
+ 
+
+23
+00:00:47,960 --> 00:00:50,470
+came down my dressing room and said kid
+this ain't your night we're going for
+
+24
+00:00:50,470 --> 00:00:50,480
+this ain't your night we're going for
+ 
+
+25
+00:00:50,480 --> 00:00:51,990
+this ain't your night we're going for
+the price on
+
+26
+00:00:51,990 --> 00:00:52,000
+the price on
+ 
+
+27
+00:00:52,000 --> 00:00:54,630
+the price on
+Wilson you remember
+
+28
+00:00:54,630 --> 00:00:54,640
+Wilson you remember
+ 
+
+29
+00:00:54,640 --> 00:00:57,229
+Wilson you remember
+that this ain't your
+
+30
+00:00:57,229 --> 00:00:57,239
+that this ain't your
+ 
+
+31
+00:00:57,239 --> 00:01:00,310
+that this ain't your
+night my night I could have taken mosten
+
+32
+00:01:00,310 --> 00:01:00,320
+night my night I could have taken mosten
+ 
+
+33
+00:01:00,320 --> 00:01:01,990
+night my night I could have taken mosten
+a
+
+34
+00:01:01,990 --> 00:01:02,000
+a
+ 
+
+35
+00:01:02,000 --> 00:01:04,509
+a
+part so what happens he gets the title
+
+36
+00:01:04,509 --> 00:01:04,519
+part so what happens he gets the title
+ 
+
+37
+00:01:04,519 --> 00:01:06,390
+part so what happens he gets the title
+shot outdoors in a ballpark and what do
+
+38
+00:01:06,390 --> 00:01:06,400
+shot outdoors in a ballpark and what do
+ 
+
+39
+00:01:06,400 --> 00:01:08,310
+shot outdoors in a ballpark and what do
+I get a oneway ticket to
+
+40
+00:01:08,310 --> 00:01:08,320
+I get a oneway ticket to
+ 
+
+41
+00:01:08,320 --> 00:01:10,789
+I get a oneway ticket to
+pille you was my brother Charlie you
+
+42
+00:01:10,789 --> 00:01:10,799
+pille you was my brother Charlie you
+ 
+
+43
+00:01:10,799 --> 00:01:12,950
+pille you was my brother Charlie you
+should have looked out for me a little
+
+44
+00:01:12,950 --> 00:01:12,960
+should have looked out for me a little
+ 
+
+45
+00:01:12,960 --> 00:01:15,070
+should have looked out for me a little
+bit you should have taken care of me
+
+46
+00:01:15,070 --> 00:01:15,080
+bit you should have taken care of me
+ 
+
+47
+00:01:15,080 --> 00:01:16,350
+bit you should have taken care of me
+just a little bit so I would have to
+
+48
+00:01:16,350 --> 00:01:16,360
+just a little bit so I would have to
+ 
+
+49
+00:01:16,360 --> 00:01:18,590
+just a little bit so I would have to
+take them di for the short end money I
+
+50
+00:01:18,590 --> 00:01:18,600
+take them di for the short end money I
+ 
+
+51
+00:01:18,600 --> 00:01:20,390
+take them di for the short end money I
+had some beds down for you you saw some
+
+52
+00:01:20,390 --> 00:01:20,400
+had some beds down for you you saw some
+ 
+
+53
+00:01:20,400 --> 00:01:22,590
+had some beds down for you you saw some
+money you don't understand I could have
+
+54
+00:01:22,590 --> 00:01:22,600
+money you don't understand I could have
+ 
+
+55
+00:01:22,600 --> 00:01:25,710
+money you don't understand I could have
+had class I could have been a
+
+56
+00:01:25,710 --> 00:01:25,720
+had class I could have been a
+ 
+
+57
+00:01:25,720 --> 00:01:28,590
+had class I could have been a
+contender I could have been
+
+58
+00:01:28,590 --> 00:01:28,600
+contender I could have been
+ 
+
+59
+00:01:28,600 --> 00:01:31,830
+contender I could have been
+somebody instead instead of a bum which
+
+60
+00:01:31,830 --> 00:01:31,840
+somebody instead instead of a bum which
+ 
+
+61
+00:01:31,840 --> 00:01:38,109
+somebody instead instead of a bum which
+is what I am let's face
+
+62
+00:01:38,109 --> 00:01:38,119
+
+ 
+
+63
+00:01:38,119 --> 00:01:47,510
+
+it it was you
+
+64
+00:01:47,510 --> 00:01:47,520
+
+ 
+
+65
+00:01:47,520 --> 00:01:49,749
+
+child
+
+66
+00:01:49,749 --> 00:01:49,759
+child
+ 
+
+67
+00:01:49,759 --> 00:01:52,230
+child
+okay
+
+68
+00:01:52,230 --> 00:01:52,240
+okay
+ 
+
+69
+00:01:52,240 --> 00:01:54,990
+okay
+okay I tell
+
+70
+00:01:54,990 --> 00:01:55,000
+okay I tell
+ 
+
+71
+00:01:55,000 --> 00:01:58,709
+okay I tell
+him I couldn't find you tend the one he
+
+72
+00:01:58,709 --> 00:01:58,719
+him I couldn't find you tend the one he
+ 
+
+73
+00:01:58,719 --> 00:02:05,670
+him I couldn't find you tend the one he
+won't believe it
+
+74
+00:02:05,670 --> 00:02:05,680
+
+ 
+
+75
+00:02:05,680 --> 00:02:08,669
+
+here you take
+
+76
+00:02:08,669 --> 00:02:08,679
+here you take
+ 
+
+77
+00:02:08,679 --> 00:02:13,319
+here you take
+this you're going to need it
+

1954/v7FL42Fon3g.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (James Stewart) writes a note to Thorwald questioning the disappearance of his wife. Lisa (Grace Kelly) riskily delivers it by slipping it under the door.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart, Grace Kelly, Thelma Ritter
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1954/v7FL42Fon3g.en.srt

@@ -0,0 +1,46 @@
+1
+00:00:00,101 --> 00:00:02,038
+[ Softly ]
+He's packing.
+
+2
+00:00:02,103 --> 00:00:04,207
+[ _ em ]
+U h-oh.
+
+3
+00:00:04,272 --> 00:00:06,409
+Here, get me a pencil.
+
+4
+00:00:07,776 --> 00:00:11,082
+Stella, get me some note paper.
+It's up here someplace.
+
+5
+00:00:11,112 --> 00:00:13,049
+There it is.
+
+6
+00:01:29,488 --> 00:01:32,060
+[Jem] You did it, Thorwald.
+You did it.
+
+7
+00:01:36,028 --> 00:01:39,701
+Look out, Lisa. He's coming. Look.
+
+8
+00:01:56,682 --> 00:01:58,886
+[ Sighs ]
+
+9
+00:01:58,950 --> 00:02:02,056
+[ Sighs ]
+Thank heaven that's over.
+
+10
+00:02:05,857 --> 00:02:08,761
+All right if l have a drink?
+Sure, go ahead.
+

1954/w5pn48wzBuw.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (James Stewart) takes a closer look at his neighbor (Raymond Burr) by using a telephoto lens.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1954/wzZ3S0ZC1Is.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:00,060 --> 00:00:12,520
+
+like sweet gift box we here
+
+2
+00:00:12,520 --> 00:00:12,530
+
+ 
+
+3
+00:00:12,530 --> 00:00:21,430
+
+in the water
+
+4
+00:00:21,430 --> 00:00:21,440
+
+ 
+
+5
+00:00:21,440 --> 00:00:24,130
+
+see that is the lobbyists performance
+
+6
+00:00:24,130 --> 00:00:24,140
+see that is the lobbyists performance
+ 
+
+7
+00:00:24,140 --> 00:00:25,060
+see that is the lobbyists performance
+I've ever seen
+
+8
+00:00:25,060 --> 00:00:25,070
+I've ever seen
+ 
+
+9
+00:00:25,070 --> 00:00:27,130
+I've ever seen
+tell the men to get the let out standby
+
+10
+00:00:27,130 --> 00:00:27,140
+tell the men to get the let out standby
+ 
+
+11
+00:00:27,140 --> 00:00:35,260
+tell the men to get the let out standby
+to stream starboard side retrieve sweep
+
+12
+00:00:35,260 --> 00:00:35,270
+to stream starboard side retrieve sweep
+ 
+
+13
+00:00:35,270 --> 00:00:52,570
+to stream starboard side retrieve sweep
+there retrieve sweet gear
+
+14
+00:00:52,570 --> 00:00:52,580
+
+ 
+
+15
+00:00:52,580 --> 00:00:55,220
+
+come on sting stiffen up the tools is
+
+16
+00:00:55,220 --> 00:00:55,230
+come on sting stiffen up the tools is
+ 
+
+17
+00:00:55,230 --> 00:00:55,950
+come on sting stiffen up the tools is
+meeting us here
+
+18
+00:00:55,950 --> 00:00:55,960
+meeting us here
+ 
+
+19
+00:00:55,960 --> 00:00:59,110
+meeting us here
+[Music]
+
+20
+00:00:59,110 --> 00:00:59,120
+[Music]
+ 
+
+21
+00:00:59,120 --> 00:01:02,150
+[Music]
+give me a line that's it I can swim for
+
+22
+00:01:02,150 --> 00:01:02,160
+give me a line that's it I can swim for
+ 
+
+23
+00:01:02,160 --> 00:01:17,000
+give me a line that's it I can swim for
+the waters for the Sharks
+
+24
+00:01:17,000 --> 00:01:17,010
+
+ 
+
+25
+00:01:17,010 --> 00:01:19,280
+
+mr. Keith this action this match just
+
+26
+00:01:19,280 --> 00:01:19,290
+mr. Keith this action this match just
+ 
+
+27
+00:01:19,290 --> 00:01:20,240
+mr. Keith this action this match just
+arrived
+
+28
+00:01:20,240 --> 00:01:20,250
+arrived
+ 
+
+29
+00:01:20,250 --> 00:01:21,800
+arrived
+mr. gamer says you got the call of duty
+
+30
+00:01:21,800 --> 00:01:21,810
+mr. gamer says you got the call of duty
+ 
+
+31
+00:01:21,810 --> 00:01:23,730
+mr. gamer says you got the call of duty
+I'll take care of it right away
+
+32
+00:01:23,730 --> 00:01:23,740
+I'll take care of it right away
+ 
+
+33
+00:01:23,740 --> 00:01:53,080
+I'll take care of it right away
+[Music]
+
+34
+00:01:53,080 --> 00:01:53,090
+
+ 
+
+35
+00:01:53,090 --> 00:01:55,970
+
+leading the line I'm bored of everything
+
+36
+00:01:55,970 --> 00:01:55,980
+leading the line I'm bored of everything
+ 
+
+37
+00:01:55,980 --> 00:02:17,780
+leading the line I'm bored of everything
+[Music]
+
+38
+00:02:17,780 --> 00:02:17,790
+
+ 
+
+39
+00:02:17,790 --> 00:02:25,460
+
+report flowed we covered the Jones never
+
+40
+00:02:25,460 --> 00:02:25,470
+report flowed we covered the Jones never
+ 
+
+41
+00:02:25,470 --> 00:02:26,960
+report flowed we covered the Jones never
+saw the day again beat us
+
+42
+00:02:26,960 --> 00:02:26,970
+saw the day again beat us
+ 
+
+43
+00:02:26,970 --> 00:02:30,470
+saw the day again beat us
+you pooped out Steve we stream 3 minutes
+
+44
+00:02:30,470 --> 00:02:30,480
+you pooped out Steve we stream 3 minutes
+ 
+
+45
+00:02:30,480 --> 00:02:33,399
+you pooped out Steve we stream 3 minutes
+quicker Waddell canal
+
+46
+00:02:33,399 --> 00:02:33,409
+quicker Waddell canal
+ 
+
+47
+00:02:33,409 --> 00:02:35,750
+quicker Waddell canal
+you must love that guy to do what you
+
+48
+00:02:35,750 --> 00:02:35,760
+you must love that guy to do what you
+ 
+
+49
+00:02:35,760 --> 00:02:38,340
+you must love that guy to do what you
+did for him go dry his dope
+
+50
+00:02:38,340 --> 00:02:38,350
+did for him go dry his dope
+ 
+
+51
+00:02:38,350 --> 00:02:54,789
+did for him go dry his dope
+[Music]
+

1954/x_6ZpxB4xIc.en.srt

@@ -0,0 +1,525 @@
+1
+00:00:00,890 --> 00:00:08,480
+
+[Music]
+
+2
+00:00:08,480 --> 00:00:08,490
+[Music]
+ 
+
+3
+00:00:08,490 --> 00:00:12,500
+[Music]
+and yareta your bare feet are showing
+
+4
+00:00:12,500 --> 00:00:12,510
+and yareta your bare feet are showing
+ 
+
+5
+00:00:12,510 --> 00:00:14,989
+and yareta your bare feet are showing
+[Music]
+
+6
+00:00:14,989 --> 00:00:14,999
+[Music]
+ 
+
+7
+00:00:14,999 --> 00:00:18,090
+[Music]
+calcio stash nor teeny the Rachel on
+
+8
+00:00:18,090 --> 00:00:18,100
+calcio stash nor teeny the Rachel on
+ 
+
+9
+00:00:18,100 --> 00:00:20,339
+calcio stash nor teeny the Rachel on
+track no I don't speak Spanish and you
+
+10
+00:00:20,339 --> 00:00:20,349
+track no I don't speak Spanish and you
+ 
+
+11
+00:00:20,349 --> 00:00:21,990
+track no I don't speak Spanish and you
+do speak English so the only way we can
+
+12
+00:00:21,990 --> 00:00:22,000
+do speak English so the only way we can
+ 
+
+13
+00:00:22,000 --> 00:00:24,150
+do speak English so the only way we can
+make any progress is to I did not say to
+
+14
+00:00:24,150 --> 00:00:24,160
+make any progress is to I did not say to
+ 
+
+15
+00:00:24,160 --> 00:00:27,240
+make any progress is to I did not say to
+come in you did not say to stay out you
+
+16
+00:00:27,240 --> 00:00:27,250
+come in you did not say to stay out you
+ 
+
+17
+00:00:27,250 --> 00:00:29,929
+come in you did not say to stay out you
+did not actually say nothing anything
+
+18
+00:00:29,929 --> 00:00:29,939
+did not actually say nothing anything
+ 
+
+19
+00:00:29,939 --> 00:00:32,240
+did not actually say nothing anything
+your English is very good
+
+20
+00:00:32,240 --> 00:00:32,250
+your English is very good
+ 
+
+21
+00:00:32,250 --> 00:00:35,910
+your English is very good
+where'd you learn it not the key decide
+
+22
+00:00:35,910 --> 00:00:35,920
+where'd you learn it not the key decide
+ 
+
+23
+00:00:35,920 --> 00:00:37,529
+where'd you learn it not the key decide
+planter come we need your talk come what
+
+24
+00:00:37,529 --> 00:00:37,539
+planter come we need your talk come what
+ 
+
+25
+00:00:37,539 --> 00:00:40,160
+planter come we need your talk come what
+the DECA boys if we're still familia
+
+26
+00:00:40,160 --> 00:00:40,170
+the DECA boys if we're still familia
+ 
+
+27
+00:00:40,170 --> 00:00:43,830
+the DECA boys if we're still familia
+this man he is my cousin this man he is
+
+28
+00:00:43,830 --> 00:00:43,840
+this man he is my cousin this man he is
+ 
+
+29
+00:00:43,840 --> 00:00:46,350
+this man he is my cousin this man he is
+your cousin did you come to see me for
+
+30
+00:00:46,350 --> 00:00:46,360
+your cousin did you come to see me for
+ 
+
+31
+00:00:46,360 --> 00:00:47,790
+your cousin did you come to see me for
+the same reason as a man with a sweat on
+
+32
+00:00:47,790 --> 00:00:47,800
+the same reason as a man with a sweat on
+ 
+
+33
+00:00:47,800 --> 00:00:50,069
+the same reason as a man with a sweat on
+his face oh yes but as you see I have no
+
+34
+00:00:50,069 --> 00:00:50,079
+his face oh yes but as you see I have no
+ 
+
+35
+00:00:50,079 --> 00:00:52,619
+his face oh yes but as you see I have no
+sweat on my face so mr. Kirk Edwards
+
+36
+00:00:52,619 --> 00:00:52,629
+sweat on my face so mr. Kirk Edwards
+ 
+
+37
+00:00:52,629 --> 00:00:54,150
+sweat on my face so mr. Kirk Edwards
+thought I might be able to persuade you
+
+38
+00:00:54,150 --> 00:00:54,160
+thought I might be able to persuade you
+ 
+
+39
+00:00:54,160 --> 00:00:55,819
+thought I might be able to persuade you
+to I do not mingle with the customers
+
+40
+00:00:55,819 --> 00:00:55,829
+to I do not mingle with the customers
+ 
+
+41
+00:00:55,829 --> 00:01:00,000
+to I do not mingle with the customers
+don't do your cousin the man with a
+
+42
+00:01:00,000 --> 00:01:00,010
+don't do your cousin the man with a
+ 
+
+43
+00:01:00,010 --> 00:01:01,830
+don't do your cousin the man with a
+sweat was more pleasant than you not
+
+44
+00:01:01,830 --> 00:01:01,840
+sweat was more pleasant than you not
+ 
+
+45
+00:01:01,840 --> 00:01:02,750
+sweat was more pleasant than you not
+really
+
+46
+00:01:02,750 --> 00:01:02,760
+really
+ 
+
+47
+00:01:02,760 --> 00:01:05,369
+really
+do you know how mr. Kirk Edwards is I
+
+48
+00:01:05,369 --> 00:01:05,379
+do you know how mr. Kirk Edwards is I
+ 
+
+49
+00:01:05,379 --> 00:01:07,890
+do you know how mr. Kirk Edwards is I
+have heard of him he is the owner of
+
+50
+00:01:07,890 --> 00:01:07,900
+have heard of him he is the owner of
+ 
+
+51
+00:01:07,900 --> 00:01:10,230
+have heard of him he is the owner of
+Texas that is correct
+
+52
+00:01:10,230 --> 00:01:10,240
+Texas that is correct
+ 
+
+53
+00:01:10,240 --> 00:01:12,600
+Texas that is correct
+recently however Mr Edwards decided to
+
+54
+00:01:12,600 --> 00:01:12,610
+recently however Mr Edwards decided to
+ 
+
+55
+00:01:12,610 --> 00:01:14,460
+recently however Mr Edwards decided to
+produce motion pictures of that purpose
+
+56
+00:01:14,460 --> 00:01:14,470
+produce motion pictures of that purpose
+ 
+
+57
+00:01:14,470 --> 00:01:17,429
+produce motion pictures of that purpose
+he just bought California too and now he
+
+58
+00:01:17,429 --> 00:01:17,439
+he just bought California too and now he
+ 
+
+59
+00:01:17,439 --> 00:01:20,069
+he just bought California too and now he
+wants to buy me not exactly which
+
+60
+00:01:20,069 --> 00:01:20,079
+wants to buy me not exactly which
+ 
+
+61
+00:01:20,079 --> 00:01:21,450
+wants to buy me not exactly which
+Craighead was just looking for somebody
+
+62
+00:01:21,450 --> 00:01:21,460
+Craighead was just looking for somebody
+ 
+
+63
+00:01:21,460 --> 00:01:23,819
+Craighead was just looking for somebody
+like you to play in his first production
+
+64
+00:01:23,819 --> 00:01:23,829
+like you to play in his first production
+ 
+
+65
+00:01:23,829 --> 00:01:27,030
+like you to play in his first production
+he wants to talk to you about it who are
+
+66
+00:01:27,030 --> 00:01:27,040
+he wants to talk to you about it who are
+ 
+
+67
+00:01:27,040 --> 00:01:27,410
+he wants to talk to you about it who are
+you
+
+68
+00:01:27,410 --> 00:01:27,420
+you
+ 
+
+69
+00:01:27,420 --> 00:01:29,969
+you
+I'm not important I'm writing the film
+
+70
+00:01:29,969 --> 00:01:29,979
+I'm not important I'm writing the film
+ 
+
+71
+00:01:29,979 --> 00:01:31,649
+I'm not important I'm writing the film
+and I'll direct it my name is Harry
+
+72
+00:01:31,649 --> 00:01:31,659
+and I'll direct it my name is Harry
+ 
+
+73
+00:01:31,659 --> 00:01:37,850
+and I'll direct it my name is Harry
+doors Harry died
+
+74
+00:01:37,850 --> 00:01:37,860
+
+ 
+
+75
+00:01:37,860 --> 00:01:40,770
+
+did you not once direct Jean Harlow and
+
+76
+00:01:40,770 --> 00:01:40,780
+did you not once direct Jean Harlow and
+ 
+
+77
+00:01:40,780 --> 00:01:42,870
+did you not once direct Jean Harlow and
+Carole Lombard you must have gone to the
+
+78
+00:01:42,870 --> 00:01:42,880
+Carole Lombard you must have gone to the
+ 
+
+79
+00:01:42,880 --> 00:01:44,400
+Carole Lombard you must have gone to the
+movies when you were a very little girl
+
+80
+00:01:44,400 --> 00:01:44,410
+movies when you were a very little girl
+ 
+
+81
+00:01:44,410 --> 00:01:47,340
+movies when you were a very little girl
+how did you know my name only one out of
+
+82
+00:01:47,340 --> 00:01:47,350
+how did you know my name only one out of
+ 
+
+83
+00:01:47,350 --> 00:01:50,970
+how did you know my name only one out of
+10,000 movie I can name to you Lubitsch
+
+84
+00:01:50,970 --> 00:01:50,980
+10,000 movie I can name to you Lubitsch
+ 
+
+85
+00:01:50,980 --> 00:01:54,840
+10,000 movie I can name to you Lubitsch
+and Fleming and Van Dyke in La Cava you
+
+86
+00:01:54,840 --> 00:01:54,850
+and Fleming and Van Dyke in La Cava you
+ 
+
+87
+00:01:54,850 --> 00:01:56,820
+and Fleming and Van Dyke in La Cava you
+didn't think I was dead - did you are ya
+
+88
+00:01:56,820 --> 00:01:56,830
+didn't think I was dead - did you are ya
+ 
+
+89
+00:01:56,830 --> 00:01:59,280
+didn't think I was dead - did you are ya
+tengo que otra vez no meat a little deal
+
+90
+00:01:59,280 --> 00:01:59,290
+tengo que otra vez no meat a little deal
+ 
+
+91
+00:01:59,290 --> 00:02:01,530
+tengo que otra vez no meat a little deal
+stallion but all hokum que nadie VA
+
+92
+00:02:01,530 --> 00:02:01,540
+stallion but all hokum que nadie VA
+ 
+
+93
+00:02:01,540 --> 00:02:10,530
+stallion but all hokum que nadie VA
+cilia my cousin he plays in the
+
+94
+00:02:10,530 --> 00:02:10,540
+cilia my cousin he plays in the
+ 
+
+95
+00:02:10,540 --> 00:02:12,510
+cilia my cousin he plays in the
+orchestra he had to go back to work
+
+96
+00:02:12,510 --> 00:02:12,520
+orchestra he had to go back to work
+ 
+
+97
+00:02:12,520 --> 00:02:15,330
+orchestra he had to go back to work
+through the window that's a funny way
+
+98
+00:02:15,330 --> 00:02:15,340
+through the window that's a funny way
+ 
+
+99
+00:02:15,340 --> 00:02:21,330
+through the window that's a funny way
+for a cousin to leave in Hollywood it is
+
+100
+00:02:21,330 --> 00:02:21,340
+for a cousin to leave in Hollywood it is
+ 
+
+101
+00:02:21,340 --> 00:02:24,360
+for a cousin to leave in Hollywood it is
+not easy to become a star where is it
+
+102
+00:02:24,360 --> 00:02:24,370
+not easy to become a star where is it
+ 
+
+103
+00:02:24,370 --> 00:02:25,560
+not easy to become a star where is it
+easy
+
+104
+00:02:25,560 --> 00:02:25,570
+easy
+ 
+
+105
+00:02:25,570 --> 00:02:36,900
+easy
+[Music]
+

1954/yMqQUG5t0js.en.srt

@@ -0,0 +1,225 @@
+1
+00:00:00,000 --> 00:00:00,670
+
+[Music]
+
+2
+00:00:00,670 --> 00:00:00,680
+[Music]
+ 
+
+3
+00:00:00,680 --> 00:00:02,709
+[Music]
+come on come
+
+4
+00:00:02,709 --> 00:00:02,719
+come on come
+ 
+
+5
+00:00:02,719 --> 00:00:11,629
+come on come
+on come
+
+6
+00:00:11,629 --> 00:00:11,639
+
+ 
+
+7
+00:00:11,639 --> 00:00:17,500
+
+on
+
+8
+00:00:17,500 --> 00:00:17,510
+
+ 
+
+9
+00:00:17,510 --> 00:00:20,509
+
+[Music]
+
+10
+00:00:20,509 --> 00:00:20,519
+[Music]
+ 
+
+11
+00:00:20,519 --> 00:00:23,189
+[Music]
+please what that is Dr mayia I don't
+
+12
+00:00:23,189 --> 00:00:23,199
+please what that is Dr mayia I don't
+ 
+
+13
+00:00:23,199 --> 00:00:25,589
+please what that is Dr mayia I don't
+know Louise I have never seen anything
+
+14
+00:00:25,589 --> 00:00:25,599
+know Louise I have never seen anything
+ 
+
+15
+00:00:25,599 --> 00:00:28,189
+know Louise I have never seen anything
+like this before this
+
+16
+00:00:28,189 --> 00:00:28,199
+like this before this
+ 
+
+17
+00:00:28,199 --> 00:00:34,910
+like this before this
+important yes I think it is very
+
+18
+00:00:34,910 --> 00:00:34,920
+
+ 
+
+19
+00:00:34,920 --> 00:00:37,990
+
+important we will take one more picture
+
+20
+00:00:37,990 --> 00:00:38,000
+important we will take one more picture
+ 
+
+21
+00:00:38,000 --> 00:00:47,590
+important we will take one more picture
+then we will dig it
+
+22
+00:00:47,590 --> 00:00:47,600
+
+ 
+
+23
+00:00:47,600 --> 00:00:51,670
+
+out Louise I'm going to morage obay to
+
+24
+00:00:51,670 --> 00:00:51,680
+out Louise I'm going to morage obay to
+ 
+
+25
+00:00:51,680 --> 00:00:53,709
+out Louise I'm going to morage obay to
+The Institute you two are to wait here
+
+26
+00:00:53,709 --> 00:00:53,719
+The Institute you two are to wait here
+ 
+
+27
+00:00:53,719 --> 00:00:56,110
+The Institute you two are to wait here
+in the camp you be gone long long enough
+
+28
+00:00:56,110 --> 00:00:56,120
+in the camp you be gone long long enough
+ 
+
+29
+00:00:56,120 --> 00:00:58,869
+in the camp you be gone long long enough
+to find out what this is and get help in
+
+30
+00:00:58,869 --> 00:00:58,879
+to find out what this is and get help in
+ 
+
+31
+00:00:58,879 --> 00:01:06,230
+to find out what this is and get help in
+digging out the rest of the
+
+32
+00:01:06,230 --> 00:01:06,240
+
+ 
+
+33
+00:01:06,240 --> 00:01:08,670
+
+skeleton I want a man in camp at all
+
+34
+00:01:08,670 --> 00:01:08,680
+skeleton I want a man in camp at all
+ 
+
+35
+00:01:08,680 --> 00:01:11,460
+skeleton I want a man in camp at all
+times police will be in
+
+36
+00:01:11,460 --> 00:01:11,470
+times police will be in
+ 
+
+37
+00:01:11,470 --> 00:01:17,230
+times police will be in
+[Music]
+
+38
+00:01:17,230 --> 00:01:17,240
+[Music]
+ 
+
+39
+00:01:17,240 --> 00:01:20,850
+[Music]
+[Applause]
+
+40
+00:01:20,850 --> 00:01:20,860
+
+ 
+
+41
+00:01:20,860 --> 00:01:28,830
+
+[Music]
+
+42
+00:01:28,830 --> 00:01:28,840
+[Music]
+ 
+
+43
+00:01:28,840 --> 00:01:30,390
+[Music]
+charge
+
+44
+00:01:30,390 --> 00:01:30,400
+charge
+ 
+
+45
+00:01:30,400 --> 00:02:01,459
+charge
+[Music]
+

1955/0XzQX-i3y_I.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:02,929 --> 00:00:04,640
+
+there you go
+
+2
+00:00:04,640 --> 00:00:04,650
+there you go
+ 
+
+3
+00:00:04,650 --> 00:00:11,000
+there you go
+that's better look if you don't mind me
+
+4
+00:00:11,000 --> 00:00:11,010
+that's better look if you don't mind me
+ 
+
+5
+00:00:11,010 --> 00:00:14,270
+that's better look if you don't mind me
+if you don't mind me asking you what
+
+6
+00:00:14,270 --> 00:00:14,280
+if you don't mind me asking you what
+ 
+
+7
+00:00:14,280 --> 00:00:17,220
+if you don't mind me asking you what
+happened
+
+8
+00:00:17,220 --> 00:00:17,230
+
+ 
+
+9
+00:00:17,230 --> 00:00:44,130
+
+well about an hour ago well what do you
+
+10
+00:00:44,130 --> 00:00:44,140
+well about an hour ago well what do you
+ 
+
+11
+00:00:44,140 --> 00:00:52,320
+well about an hour ago well what do you
+want sorry I really answer really
+
+12
+00:00:52,320 --> 00:00:52,330
+want sorry I really answer really
+ 
+
+13
+00:00:52,330 --> 00:00:53,460
+want sorry I really answer really
+doesn't matter now does it
+
+14
+00:00:53,460 --> 00:00:53,470
+doesn't matter now does it
+ 
+
+15
+00:00:53,470 --> 00:00:56,069
+doesn't matter now does it
+I say I'm sorry can't you forgive me no
+
+16
+00:00:56,069 --> 00:00:56,079
+I say I'm sorry can't you forgive me no
+ 
+
+17
+00:00:56,079 --> 00:00:57,330
+I say I'm sorry can't you forgive me no
+please
+
+18
+00:00:57,330 --> 00:00:57,340
+please
+ 
+
+19
+00:00:57,340 --> 00:01:00,750
+please
+sorry please go away
+
+20
+00:01:00,750 --> 00:01:00,760
+sorry please go away
+ 
+
+21
+00:01:00,760 --> 00:01:08,120
+sorry please go away
+get out
+
+22
+00:01:08,120 --> 00:01:08,130
+
+ 
+
+23
+00:01:08,130 --> 00:01:11,670
+
+figures to be all my life I've always
+
+24
+00:01:11,670 --> 00:01:11,680
+figures to be all my life I've always
+ 
+
+25
+00:01:11,680 --> 00:01:13,440
+figures to be all my life I've always
+boil the things that meant the most to
+
+26
+00:01:13,440 --> 00:01:13,450
+boil the things that meant the most to
+ 
+
+27
+00:01:13,450 --> 00:01:17,340
+boil the things that meant the most to
+me all my life I really don't care I
+
+28
+00:01:17,340 --> 00:01:17,350
+me all my life I really don't care I
+ 
+
+29
+00:01:17,350 --> 00:01:18,900
+me all my life I really don't care I
+just want you to get out of here please
+
+30
+00:01:18,900 --> 00:01:18,910
+just want you to get out of here please
+ 
+
+31
+00:01:18,910 --> 00:01:21,870
+just want you to get out of here please
+can't you understand if only you could
+
+32
+00:01:21,870 --> 00:01:21,880
+can't you understand if only you could
+ 
+
+33
+00:01:21,880 --> 00:01:24,570
+can't you understand if only you could
+know loan worthless IV I didn't even
+
+34
+00:01:24,570 --> 00:01:24,580
+know loan worthless IV I didn't even
+ 
+
+35
+00:01:24,580 --> 00:01:26,880
+know loan worthless IV I didn't even
+know you had any feeling foolish girl
+
+36
+00:01:26,880 --> 00:01:26,890
+know you had any feeling foolish girl
+ 
+
+37
+00:01:26,890 --> 00:01:30,450
+know you had any feeling foolish girl
+I'm mad about you I want to get you
+
+38
+00:01:30,450 --> 00:01:30,460
+I'm mad about you I want to get you
+ 
+
+39
+00:01:30,460 --> 00:01:32,550
+I'm mad about you I want to get you
+outta here I'll set you up right I'll be
+
+40
+00:01:32,550 --> 00:01:32,560
+outta here I'll set you up right I'll be
+ 
+
+41
+00:01:32,560 --> 00:01:34,859
+outta here I'll set you up right I'll be
+a slave the rest nothing you couldn't do
+
+42
+00:01:34,859 --> 00:01:34,869
+a slave the rest nothing you couldn't do
+ 
+
+43
+00:01:34,869 --> 00:01:36,870
+a slave the rest nothing you couldn't do
+anything please alright don't forgive me
+
+44
+00:01:36,870 --> 00:01:36,880
+anything please alright don't forgive me
+ 
+
+45
+00:01:36,880 --> 00:01:38,730
+anything please alright don't forgive me
+just tolerate me and let me suffer
+
+46
+00:01:38,730 --> 00:01:38,740
+just tolerate me and let me suffer
+ 
+
+47
+00:01:38,740 --> 00:01:39,900
+just tolerate me and let me suffer
+knowing how you feel
+
+48
+00:01:39,900 --> 00:01:39,910
+knowing how you feel
+ 
+
+49
+00:01:39,910 --> 00:01:42,420
+knowing how you feel
+can't you get it Vinnie to me you're
+
+50
+00:01:42,420 --> 00:01:42,430
+can't you get it Vinnie to me you're
+ 
+
+51
+00:01:42,430 --> 00:01:46,230
+can't you get it Vinnie to me you're
+just an old man you smell bad I'm mad
+
+52
+00:01:46,230 --> 00:01:46,240
+just an old man you smell bad I'm mad
+ 
+
+53
+00:01:46,240 --> 00:01:55,580
+just an old man you smell bad I'm mad
+about you
+
+54
+00:01:55,580 --> 00:01:55,590
+
+ 
+
+55
+00:01:55,590 --> 00:01:57,649
+
+you
+

1955/1fNnMtn7BiU.description

@@ -0,0 +1,38 @@
+Marty movie clips: http://j.mp/1bf5rDl
+BUY THE MOVIE: http://j.mp/16YsSsT
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Marty (Ernest Borgnine) is broken up when Clara (Betsy Blair) won't give him a kiss good night, but she explains that she does like him very much.
+
+FILM DESCRIPTION:
+Paddy Chayefsky's Oscar-winning slice-of-life drama originated as a live 1953 broadcast directed by Delbert Mann on The Philco-Goodyear Television Playhouse starring Rod Steiger and Nancy Marchand. The Hecht-Lancaster movie version, also directed by Mann, replaces the two leads with Ernest Borgnine and Betsy Blair (as well as featuring several soon-to-be-familiar faces, including Jerry Paris, Frank Sutton, and Karen Steele, plus Joe Mantell, Nehemiah Persoff, and Betsy Palmer from the TV version). But it remains otherwise intact, telling of 24 very important hours in the lives of two lonely people. Marty is a bittersweet, sometimes funny, sometimes poignant, and always realistic comedy-drama about Marty Pilletti (Ernest Borgnine), a 34-year-old Bronx butcher. Approaching middle-age as a burly, somewhat overweight man who has no illusions about himself or his attractiveness to women, Marty looks forward to just one thing in life -- buying his boss's butcher shop and trying to make a success in business -- and he's even uncertain about that. A gentle, good-natured man, he lives with his mother (Esther Minciotti), a kind but emotionally smothering woman, in a too-large house and spends his time a small circle of dead-end friends (Joe Mantell, Frank Sutton). One Friday night, Marty's mother convinces him to go to the Stardust Ballroom, where he meets a plain-looking schoolteacher named Clara (Betsy Blair), whose life appears to mirror his own -- she lives with her father, and is frightened about the one prospect she has for advancement in her job. Meeting her after witnessing a humiliating rejection by her blind date, Marty acts on his best impulses and asks Clara to dance, and soon they are actually enjoying each other's company. She is as drawn to him as he is to her, but both are so uncertain about putting themselves at risk emotionally, that the evening almost ends badly when he tries to kiss her -- but they agree to go to talk on the phone and go to a movie the next night. But whatever good feelings he has about Clara are soon threatened by his friends' put-downs of her, and his mother's hostility, driven by her sudden panic that if Marty marries, she'll be left living alone. Marty spends the next day alone and never does call Clara, seemingly having decided that it's best to leave well enough alone. That is, until he takes a good long look at his life, and a listen to his friends -- and he suddenly makes the decision to try for true happiness, wherever it leads.
+
+CREDITS:
+TM & © MGM (1955)
+Cast: Ernest Borgnine, Betsy Blair
+Director: Delbert Mann
+Producers: Paddy Chayefsky, Harold Hecht, Burt Lancaster
+Screenwriter: Paddy Chayefsky
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1955/1fNnMtn7BiU.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:04,740 --> 00:00:08,270
+
+[Music]
+
+2
+00:00:08,270 --> 00:00:08,280
+[Music]
+ 
+
+3
+00:00:08,280 --> 00:00:09,830
+[Music]
+no Marty pleas I like you I like you
+
+4
+00:00:09,830 --> 00:00:09,840
+no Marty pleas I like you I like you
+ 
+
+5
+00:00:09,840 --> 00:00:10,990
+no Marty pleas I like you I like you
+I've been telling you all night I like
+
+6
+00:00:10,990 --> 00:00:11,000
+I've been telling you all night I like
+ 
+
+7
+00:00:11,000 --> 00:00:13,669
+I've been telling you all night I like
+you all I want a little kiss please
+
+8
+00:00:13,669 --> 00:00:13,679
+you all I want a little kiss please
+ 
+
+9
+00:00:13,679 --> 00:00:15,669
+you all I want a little kiss please
+please no Marty all right all right I'll
+
+10
+00:00:15,669 --> 00:00:15,679
+please no Marty all right all right I'll
+ 
+
+11
+00:00:15,679 --> 00:00:16,910
+please no Marty all right all right I'll
+take you
+
+12
+00:00:16,910 --> 00:00:16,920
+take you
+ 
+
+13
+00:00:16,920 --> 00:00:19,830
+take you
+home all I wanted was a lousy kiss you
+
+14
+00:00:19,830 --> 00:00:19,840
+home all I wanted was a lousy kiss you
+ 
+
+15
+00:00:19,840 --> 00:00:20,750
+home all I wanted was a lousy kiss you
+think I was going to try something
+
+16
+00:00:20,750 --> 00:00:20,760
+think I was going to try something
+ 
+
+17
+00:00:20,760 --> 00:00:26,070
+think I was going to try something
+serious my mother coming home any
+
+18
+00:00:26,070 --> 00:00:26,080
+
+ 
+
+19
+00:00:26,080 --> 00:00:28,950
+
+minute I just didn't feel like it that's
+
+20
+00:00:28,950 --> 00:00:28,960
+minute I just didn't feel like it that's
+ 
+
+21
+00:00:28,960 --> 00:00:31,330
+minute I just didn't feel like it that's
+all
+
+22
+00:00:31,330 --> 00:00:31,340
+all
+ 
+
+23
+00:00:31,340 --> 00:00:42,330
+all
+[Music]
+
+24
+00:00:42,330 --> 00:00:42,340
+
+ 
+
+25
+00:00:42,340 --> 00:00:57,990
+
+[Music]
+
+26
+00:00:57,990 --> 00:00:58,000
+
+ 
+
+27
+00:00:58,000 --> 00:01:00,220
+
+I'm old enough to know better
+
+28
+00:01:00,220 --> 00:01:00,230
+I'm old enough to know better
+ 
+
+29
+00:01:00,230 --> 00:01:03,389
+I'm old enough to know better
+[Music]
+
+30
+00:01:03,389 --> 00:01:03,399
+[Music]
+ 
+
+31
+00:01:03,399 --> 00:01:05,070
+[Music]
+comes New Year's Eve everybody starts
+
+32
+00:01:05,070 --> 00:01:05,080
+comes New Year's Eve everybody starts
+ 
+
+33
+00:01:05,080 --> 00:01:08,270
+comes New Year's Eve everybody starts
+arranging
+
+34
+00:01:08,270 --> 00:01:08,280
+
+ 
+
+35
+00:01:08,280 --> 00:01:10,510
+
+parties I'm the guy they got to dig up a
+
+36
+00:01:10,510 --> 00:01:10,520
+parties I'm the guy they got to dig up a
+ 
+
+37
+00:01:10,520 --> 00:01:16,109
+parties I'm the guy they got to dig up a
+date
+
+38
+00:01:16,109 --> 00:01:16,119
+
+ 
+
+39
+00:01:16,119 --> 00:01:20,230
+
+for I'll just get a pack of cigarettes
+
+40
+00:01:20,230 --> 00:01:20,240
+for I'll just get a pack of cigarettes
+ 
+
+41
+00:01:20,240 --> 00:01:27,510
+for I'll just get a pack of cigarettes
+[Music]
+
+42
+00:01:27,510 --> 00:01:27,520
+
+ 
+
+43
+00:01:27,520 --> 00:01:31,870
+
+of I'd like to see you again
+
+44
+00:01:31,870 --> 00:01:31,880
+
+ 
+
+45
+00:01:31,880 --> 00:01:34,950
+
+very
+
+46
+00:01:34,950 --> 00:01:34,960
+
+ 
+
+47
+00:01:34,960 --> 00:01:37,469
+
+much the reason I didn't let you kiss me
+
+48
+00:01:37,469 --> 00:01:37,479
+much the reason I didn't let you kiss me
+ 
+
+49
+00:01:37,479 --> 00:01:39,830
+much the reason I didn't let you kiss me
+was because I just didn't know how
+
+50
+00:01:39,830 --> 00:01:39,840
+was because I just didn't know how
+ 
+
+51
+00:01:39,840 --> 00:01:44,950
+was because I just didn't know how
+to handle the
+
+52
+00:01:44,950 --> 00:01:44,960
+
+ 
+
+53
+00:01:44,960 --> 00:01:48,110
+
+situation you're the kindest man I ever
+
+54
+00:01:48,110 --> 00:01:48,120
+situation you're the kindest man I ever
+ 
+
+55
+00:01:48,120 --> 00:01:51,230
+situation you're the kindest man I ever
+[Music]
+
+56
+00:01:51,230 --> 00:01:51,240
+[Music]
+ 
+
+57
+00:01:51,240 --> 00:01:53,550
+[Music]
+met the reason I tell you this is
+
+58
+00:01:53,550 --> 00:01:53,560
+met the reason I tell you this is
+ 
+
+59
+00:01:53,560 --> 00:01:55,910
+met the reason I tell you this is
+because I want to see you
+
+60
+00:01:55,910 --> 00:01:55,920
+because I want to see you
+ 
+
+61
+00:01:55,920 --> 00:01:58,830
+because I want to see you
+again very
+
+62
+00:01:58,830 --> 00:01:58,840
+again very
+ 
+
+63
+00:01:58,840 --> 00:02:00,789
+again very
+much
+
+64
+00:02:00,789 --> 00:02:00,799
+much
+ 
+
+65
+00:02:00,799 --> 00:02:02,630
+much
+I know that when you take me home I'm
+
+66
+00:02:02,630 --> 00:02:02,640
+I know that when you take me home I'm
+ 
+
+67
+00:02:02,640 --> 00:02:05,670
+I know that when you take me home I'm
+just going to lie on my bed and think
+
+68
+00:02:05,670 --> 00:02:05,680
+just going to lie on my bed and think
+ 
+
+69
+00:02:05,680 --> 00:02:09,550
+just going to lie on my bed and think
+about
+
+70
+00:02:09,550 --> 00:02:09,560
+
+ 
+
+71
+00:02:09,560 --> 00:02:28,750
+
+you I want very much to see you
+
+72
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+73
+00:02:28,760 --> 00:02:35,530
+
+again
+
+74
+00:02:35,530 --> 00:02:35,540
+
+ 
+
+75
+00:02:35,540 --> 00:02:44,650
+
+[Music]
+

1955/2m-I23sWzEI.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:00,000 --> 00:00:03,020
+
+buddy my boy if you find a fellow who
+
+2
+00:00:03,020 --> 00:00:03,030
+buddy my boy if you find a fellow who
+ 
+
+3
+00:00:03,030 --> 00:00:04,130
+buddy my boy if you find a fellow who
+killed dr. Zoomer
+
+4
+00:00:04,130 --> 00:00:04,140
+killed dr. Zoomer
+ 
+
+5
+00:00:04,140 --> 00:00:06,230
+killed dr. Zoomer
+you got the murderer you've got
+
+6
+00:00:06,230 --> 00:00:06,240
+you got the murderer you've got
+ 
+
+7
+00:00:06,240 --> 00:00:15,049
+you got the murderer you've got
+something what makes you so down how
+
+8
+00:00:15,049 --> 00:00:15,059
+something what makes you so down how
+ 
+
+9
+00:00:15,059 --> 00:00:17,029
+something what makes you so down how
+dare you try to make a date with me I
+
+10
+00:00:17,029 --> 00:00:17,039
+dare you try to make a date with me I
+ 
+
+11
+00:00:17,039 --> 00:00:20,330
+dare you try to make a date with me I
+work in a cafe I do my act nobody makes
+
+12
+00:00:20,330 --> 00:00:20,340
+work in a cafe I do my act nobody makes
+ 
+
+13
+00:00:20,340 --> 00:00:22,519
+work in a cafe I do my act nobody makes
+a date with me I finish my act so you
+
+14
+00:00:22,519 --> 00:00:22,529
+a date with me I finish my act so you
+ 
+
+15
+00:00:22,529 --> 00:00:23,960
+a date with me I finish my act so you
+think you're going to make a date with
+
+16
+00:00:23,960 --> 00:00:23,970
+think you're going to make a date with
+ 
+
+17
+00:00:23,970 --> 00:00:25,730
+think you're going to make a date with
+me yeah you think I tell you I live at
+
+18
+00:00:25,730 --> 00:00:25,740
+me yeah you think I tell you I live at
+ 
+
+19
+00:00:25,740 --> 00:00:29,029
+me yeah you think I tell you I live at
+42 42 54 who well family attachment to
+
+20
+00:00:29,029 --> 00:00:29,039
+42 42 54 who well family attachment to
+ 
+
+21
+00:00:29,039 --> 00:00:30,800
+42 42 54 who well family attachment to
+be do you think I'm going to tell you I
+
+22
+00:00:30,800 --> 00:00:30,810
+be do you think I'm going to tell you I
+ 
+
+23
+00:00:30,810 --> 00:00:32,810
+be do you think I'm going to tell you I
+am not married I live by myself and let
+
+24
+00:00:32,810 --> 00:00:32,820
+am not married I live by myself and let
+ 
+
+25
+00:00:32,820 --> 00:00:36,709
+am not married I live by myself and let
+my phone number is 23 41 648 Oh just
+
+26
+00:00:36,709 --> 00:00:36,719
+my phone number is 23 41 648 Oh just
+ 
+
+27
+00:00:36,719 --> 00:00:40,180
+my phone number is 23 41 648 Oh just
+because I work in the cafe I do my act
+
+28
+00:00:40,180 --> 00:00:40,190
+because I work in the cafe I do my act
+ 
+
+29
+00:00:40,190 --> 00:00:43,040
+because I work in the cafe I do my act
+just spare company my pony bust you peed
+
+30
+00:00:43,040 --> 00:00:43,050
+just spare company my pony bust you peed
+ 
+
+31
+00:00:43,050 --> 00:00:45,619
+just spare company my pony bust you peed
+that's you Susan property family abyss
+
+32
+00:00:45,619 --> 00:00:45,629
+that's you Susan property family abyss
+ 
+
+33
+00:00:45,629 --> 00:00:47,720
+that's you Susan property family abyss
+when the travail I forget your song time
+
+34
+00:00:47,720 --> 00:00:47,730
+when the travail I forget your song time
+ 
+
+35
+00:00:47,730 --> 00:00:50,959
+when the travail I forget your song time
+Oh Boone of a pub s1 Delta C I'm so dr.
+
+36
+00:00:50,959 --> 00:00:50,969
+Oh Boone of a pub s1 Delta C I'm so dr.
+ 
+
+37
+00:00:50,969 --> 00:00:53,479
+Oh Boone of a pub s1 Delta C I'm so dr.
+Beck mark and if you dare to follow me
+
+38
+00:00:53,479 --> 00:00:53,489
+Beck mark and if you dare to follow me
+ 
+
+39
+00:00:53,489 --> 00:00:55,580
+Beck mark and if you dare to follow me
+home here's my card
+
+40
+00:00:55,580 --> 00:00:55,590
+home here's my card
+ 
+
+41
+00:00:55,590 --> 00:01:05,050
+home here's my card
+wait a minute what is this all about you
+
+42
+00:01:05,050 --> 00:01:05,060
+
+ 
+
+43
+00:01:05,060 --> 00:01:09,560
+
+know maybe I can't get this one to
+
+44
+00:01:09,560 --> 00:01:09,570
+know maybe I can't get this one to
+ 
+
+45
+00:01:09,570 --> 00:01:12,109
+know maybe I can't get this one to
+travel yet put ganya so far no lady I
+
+46
+00:01:12,109 --> 00:01:12,119
+travel yet put ganya so far no lady I
+ 
+
+47
+00:01:12,119 --> 00:01:13,789
+travel yet put ganya so far no lady I
+don't think I can yeah
+
+48
+00:01:13,789 --> 00:01:13,799
+don't think I can yeah
+ 
+
+49
+00:01:13,799 --> 00:01:19,310
+don't think I can yeah
+what's she saying maybe I can't know I'm
+
+50
+00:01:19,310 --> 00:01:19,320
+what's she saying maybe I can't know I'm
+ 
+
+51
+00:01:19,320 --> 00:01:21,770
+what's she saying maybe I can't know I'm
+surprised at you accepting a card from a
+
+52
+00:01:21,770 --> 00:01:21,780
+surprised at you accepting a card from a
+ 
+
+53
+00:01:21,780 --> 00:01:24,289
+surprised at you accepting a card from a
+perfect stranger a lady with a red dress
+
+54
+00:01:24,289 --> 00:01:24,299
+perfect stranger a lady with a red dress
+ 
+
+55
+00:01:24,299 --> 00:01:25,760
+perfect stranger a lady with a red dress
+no telephone number on it
+
+56
+00:01:25,760 --> 00:01:25,770
+no telephone number on it
+ 
+
+57
+00:01:25,770 --> 00:01:33,980
+no telephone number on it
+give me that card I get rid of it
+
+58
+00:01:33,980 --> 00:01:33,990
+
+ 
+
+59
+00:01:33,990 --> 00:01:40,080
+
+[Music]
+
+60
+00:01:40,080 --> 00:01:40,090
+[Music]
+ 
+
+61
+00:01:40,090 --> 00:01:55,150
+[Music]
+you
+
+62
+00:01:55,150 --> 00:01:55,160
+
+ 
+
+63
+00:01:55,160 --> 00:02:01,080
+
+[Music]
+

1955/4DKTOdul0_I.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:00,030 --> 00:00:05,070
+
+it's
+
+2
+00:00:05,070 --> 00:00:05,080
+
+ 
+
+3
+00:00:05,080 --> 00:00:12,310
+
+who's that hold that up so you boy yes
+
+4
+00:00:12,310 --> 00:00:12,320
+who's that hold that up so you boy yes
+ 
+
+5
+00:00:12,320 --> 00:00:27,070
+who's that hold that up so you boy yes
+you come here
+
+6
+00:00:27,070 --> 00:00:27,080
+
+ 
+
+7
+00:00:27,080 --> 00:00:30,870
+
+are you one of my officers yes
+
+8
+00:00:30,870 --> 00:00:30,880
+are you one of my officers yes
+ 
+
+9
+00:00:30,880 --> 00:00:38,979
+are you one of my officers yes
+watch your name again Edison Pulver sir
+
+10
+00:00:38,979 --> 00:00:38,989
+
+ 
+
+11
+00:00:38,989 --> 00:00:42,549
+
+well I'm glad to see there's someone
+
+12
+00:00:42,549 --> 00:00:42,559
+well I'm glad to see there's someone
+ 
+
+13
+00:00:42,559 --> 00:00:47,790
+well I'm glad to see there's someone
+aboard this vessel knows how to salute
+
+14
+00:00:47,790 --> 00:00:47,800
+
+ 
+
+15
+00:00:47,800 --> 00:00:50,770
+
+vulva
+
+16
+00:00:50,770 --> 00:00:50,780
+vulva
+ 
+
+17
+00:00:50,780 --> 00:00:52,570
+vulva
+how is it I don't see you around much
+
+18
+00:00:52,570 --> 00:00:52,580
+how is it I don't see you around much
+ 
+
+19
+00:00:52,580 --> 00:00:55,960
+how is it I don't see you around much
+papa often wondered the same thing
+
+20
+00:00:55,960 --> 00:00:55,970
+papa often wondered the same thing
+ 
+
+21
+00:00:55,970 --> 00:00:57,370
+papa often wondered the same thing
+myself sir
+
+22
+00:00:57,370 --> 00:00:57,380
+myself sir
+ 
+
+23
+00:00:57,380 --> 00:01:00,790
+myself sir
+wash your job officer in charge of
+
+24
+00:01:00,790 --> 00:01:00,800
+wash your job officer in charge of
+ 
+
+25
+00:01:00,800 --> 00:01:04,660
+wash your job officer in charge of
+laundry and more Allison how long have
+
+26
+00:01:04,660 --> 00:01:04,670
+laundry and more Allison how long have
+ 
+
+27
+00:01:04,670 --> 00:01:12,609
+laundry and more Allison how long have
+you been abroad papa
+
+28
+00:01:12,609 --> 00:01:12,619
+
+ 
+
+29
+00:01:12,619 --> 00:01:22,969
+
+14 months sir 14 months
+
+30
+00:01:22,969 --> 00:01:22,979
+
+ 
+
+31
+00:01:22,979 --> 00:01:24,800
+
+Oh spend most of your time in the
+
+32
+00:01:24,800 --> 00:01:24,810
+Oh spend most of your time in the
+ 
+
+33
+00:01:24,810 --> 00:01:27,350
+Oh spend most of your time in the
+laundry huh well yes sir most of the
+
+34
+00:01:27,350 --> 00:01:27,360
+laundry huh well yes sir most of the
+ 
+
+35
+00:01:27,360 --> 00:01:30,230
+laundry huh well yes sir most of the
+time yes sir what are you doing very
+
+36
+00:01:30,230 --> 00:01:30,240
+time yes sir what are you doing very
+ 
+
+37
+00:01:30,240 --> 00:01:31,940
+time yes sir what are you doing very
+good job papa thank you sir except for
+
+38
+00:01:31,940 --> 00:01:31,950
+good job papa thank you sir except for
+ 
+
+39
+00:01:31,950 --> 00:01:34,700
+good job papa thank you sir except for
+one thing sir I don't like starch in my
+
+40
+00:01:34,700 --> 00:01:34,710
+one thing sir I don't like starch in my
+ 
+
+41
+00:01:34,710 --> 00:01:37,130
+one thing sir I don't like starch in my
+pyjamas you'll watch out for I won't
+
+42
+00:01:37,130 --> 00:01:37,140
+pyjamas you'll watch out for I won't
+ 
+
+43
+00:01:37,140 --> 00:01:38,660
+pyjamas you'll watch out for I won't
+your public yes sir
+
+44
+00:01:38,660 --> 00:01:38,670
+your public yes sir
+ 
+
+45
+00:01:38,670 --> 00:01:42,319
+your public yes sir
+fine doing very good work pal ah yeah
+
+46
+00:01:42,319 --> 00:01:42,329
+fine doing very good work pal ah yeah
+ 
+
+47
+00:01:42,329 --> 00:01:45,260
+fine doing very good work pal ah yeah
+let's come to my cabin sometime now
+
+48
+00:01:45,260 --> 00:01:45,270
+let's come to my cabin sometime now
+ 
+
+49
+00:01:45,270 --> 00:02:02,500
+let's come to my cabin sometime now
+dinner
+
+50
+00:02:02,500 --> 00:02:02,510
+
+ 
+
+51
+00:02:02,510 --> 00:02:04,660
+
+Oh cut it out cut it out dog now knock
+
+52
+00:02:04,660 --> 00:02:04,670
+Oh cut it out cut it out dog now knock
+ 
+
+53
+00:02:04,670 --> 00:02:06,790
+Oh cut it out cut it out dog now knock
+it off huh Oh kinda like he's got a
+
+54
+00:02:06,790 --> 00:02:06,800
+it off huh Oh kinda like he's got a
+ 
+
+55
+00:02:06,800 --> 00:02:09,190
+it off huh Oh kinda like he's got a
+service wait next week done you just
+
+56
+00:02:09,190 --> 00:02:09,200
+service wait next week done you just
+ 
+
+57
+00:02:09,200 --> 00:02:10,630
+service wait next week done you just
+went away last week he gets his line for
+
+58
+00:02:10,630 --> 00:02:10,640
+went away last week he gets his line for
+ 
+
+59
+00:02:10,640 --> 00:02:13,540
+went away last week he gets his line for
+you ain't to see dog I'm gonna get some
+
+60
+00:02:13,540 --> 00:02:13,550
+you ain't to see dog I'm gonna get some
+ 
+
+61
+00:02:13,550 --> 00:02:15,760
+you ain't to see dog I'm gonna get some
+starch you know some that real sick
+
+62
+00:02:15,760 --> 00:02:15,770
+starch you know some that real sick
+ 
+
+63
+00:02:15,770 --> 00:02:20,630
+starch you know some that real sick
+starch like I used on nurse's uniform
+
+64
+00:02:20,630 --> 00:02:20,640
+
+ 
+
+65
+00:02:20,640 --> 00:02:31,979
+
+[Music]
+

1955/5rlFiEe6S24.en.srt

@@ -0,0 +1,235 @@
+1
+00:00:00,160 --> 00:00:03,270
+
+Lord save little children you'd think
+
+2
+00:00:03,270 --> 00:00:03,280
+Lord save little children you'd think
+ 
+
+3
+00:00:03,280 --> 00:00:04,990
+Lord save little children you'd think
+the world would be ashamed to name such
+
+4
+00:00:04,990 --> 00:00:05,000
+the world would be ashamed to name such
+ 
+
+5
+00:00:05,000 --> 00:00:06,749
+the world would be ashamed to name such
+a day as Christmas for one of them and
+
+6
+00:00:06,749 --> 00:00:06,759
+a day as Christmas for one of them and
+ 
+
+7
+00:00:06,759 --> 00:00:09,509
+a day as Christmas for one of them and
+then go on in the same old
+
+8
+00:00:09,509 --> 00:00:09,519
+then go on in the same old
+ 
+
+9
+00:00:09,519 --> 00:00:12,870
+then go on in the same old
+way my soul is humble when I see the way
+
+10
+00:00:12,870 --> 00:00:12,880
+way my soul is humble when I see the way
+ 
+
+11
+00:00:12,880 --> 00:00:15,349
+way my soul is humble when I see the way
+little ones except they a
+
+12
+00:00:15,349 --> 00:00:15,359
+little ones except they a
+ 
+
+13
+00:00:15,359 --> 00:00:18,910
+little ones except they a
+lot Lord save little children the wind
+
+14
+00:00:18,910 --> 00:00:18,920
+lot Lord save little children the wind
+ 
+
+15
+00:00:18,920 --> 00:00:21,029
+lot Lord save little children the wind
+blows and the rains are
+
+16
+00:00:21,029 --> 00:00:21,039
+blows and the rains are
+ 
+
+17
+00:00:21,039 --> 00:00:26,540
+blows and the rains are
+cold yet they
+
+18
+00:00:26,540 --> 00:00:26,550
+
+ 
+
+19
+00:00:26,550 --> 00:00:28,950
+
+[Applause]
+
+20
+00:00:28,950 --> 00:00:28,960
+[Applause]
+ 
+
+21
+00:00:28,960 --> 00:00:39,130
+[Applause]
+abide
+
+22
+00:00:39,130 --> 00:00:39,140
+
+ 
+
+23
+00:00:39,140 --> 00:00:52,270
+
+[Music]
+
+24
+00:00:52,270 --> 00:00:52,280
+[Music]
+ 
+
+25
+00:00:52,280 --> 00:00:55,389
+[Music]
+now watch your is a fine loud
+
+26
+00:00:55,389 --> 00:00:55,399
+now watch your is a fine loud
+ 
+
+27
+00:00:55,399 --> 00:00:57,590
+now watch your is a fine loud
+ticker be nice to have someone around
+
+28
+00:00:57,590 --> 00:00:57,600
+ticker be nice to have someone around
+ 
+
+29
+00:00:57,600 --> 00:00:58,910
+ticker be nice to have someone around
+the house that can give me the right
+
+30
+00:00:58,910 --> 00:00:58,920
+the house that can give me the right
+ 
+
+31
+00:00:58,920 --> 00:01:01,389
+the house that can give me the right
+time of day
+
+32
+00:01:01,389 --> 00:01:01,399
+time of day
+ 
+
+33
+00:01:01,399 --> 00:01:03,590
+time of day
+this watch is the nicest watch I ever
+
+34
+00:01:03,590 --> 00:01:03,600
+this watch is the nicest watch I ever
+ 
+
+35
+00:01:03,600 --> 00:01:06,030
+this watch is the nicest watch I ever
+had well a fell just can't go around
+
+36
+00:01:06,030 --> 00:01:06,040
+had well a fell just can't go around
+ 
+
+37
+00:01:06,040 --> 00:01:08,750
+had well a fell just can't go around
+with run down busted
+
+38
+00:01:08,750 --> 00:01:08,760
+with run down busted
+ 
+
+39
+00:01:08,760 --> 00:01:14,390
+with run down busted
+[Music]
+
+40
+00:01:14,390 --> 00:01:14,400
+
+ 
+
+41
+00:01:14,400 --> 00:01:17,080
+
+watches they abide and they
+
+42
+00:01:17,080 --> 00:01:17,090
+watches they abide and they
+ 
+
+43
+00:01:17,090 --> 00:01:28,910
+watches they abide and they
+[Music]
+
+44
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+45
+00:01:28,920 --> 00:01:45,510
+
+endure
+
+46
+00:01:45,510 --> 00:01:45,520
+
+ 
+
+47
+00:01:45,520 --> 00:01:59,439
+
+[Music]
+

1955/6HH44dvOLJw.en.srt

@@ -0,0 +1,385 @@
+1
+00:00:07,319 --> 00:00:08,430
+
+listen
+
+2
+00:00:08,430 --> 00:00:08,440
+listen
+ 
+
+3
+00:00:08,440 --> 00:00:11,589
+listen
+to don't kill me I don't want to
+
+4
+00:00:11,589 --> 00:00:11,599
+to don't kill me I don't want to
+ 
+
+5
+00:00:11,599 --> 00:00:13,990
+to don't kill me I don't want to
+die I'll do anything you
+
+6
+00:00:13,990 --> 00:00:14,000
+die I'll do anything you
+ 
+
+7
+00:00:14,000 --> 00:00:15,870
+die I'll do anything you
+say
+
+8
+00:00:15,870 --> 00:00:15,880
+say
+ 
+
+9
+00:00:15,880 --> 00:00:19,630
+say
+anything you love him though don't you I
+
+10
+00:00:19,630 --> 00:00:19,640
+anything you love him though don't you I
+ 
+
+11
+00:00:19,640 --> 00:00:21,750
+anything you love him though don't you I
+don't know I don't think so I've only
+
+12
+00:00:21,750 --> 00:00:21,760
+don't know I don't think so I've only
+ 
+
+13
+00:00:21,760 --> 00:00:24,310
+don't know I don't think so I've only
+known him two days two
+
+14
+00:00:24,310 --> 00:00:24,320
+known him two days two
+ 
+
+15
+00:00:24,320 --> 00:00:28,830
+known him two days two
+days please Vinnie please don't kill me
+
+16
+00:00:28,830 --> 00:00:28,840
+days please Vinnie please don't kill me
+ 
+
+17
+00:00:28,840 --> 00:00:31,550
+days please Vinnie please don't kill me
+you said you were mad about remember I'm
+
+18
+00:00:31,550 --> 00:00:31,560
+you said you were mad about remember I'm
+ 
+
+19
+00:00:31,560 --> 00:00:35,310
+you said you were mad about remember I'm
+just an old man and I smell bad remember
+
+20
+00:00:35,310 --> 00:00:35,320
+just an old man and I smell bad remember
+ 
+
+21
+00:00:35,320 --> 00:00:36,470
+just an old man and I smell bad remember
+I didn't mean
+
+22
+00:00:36,470 --> 00:00:36,480
+I didn't mean
+ 
+
+23
+00:00:36,480 --> 00:00:44,200
+I didn't mean
+it you know I could me
+
+24
+00:00:44,200 --> 00:00:44,210
+
+ 
+
+25
+00:00:44,210 --> 00:00:58,389
+
+[Music]
+
+26
+00:00:58,389 --> 00:00:58,399
+
+ 
+
+27
+00:00:58,399 --> 00:01:03,110
+
+it we could go away sure sure I got lots
+
+28
+00:01:03,110 --> 00:01:03,120
+it we could go away sure sure I got lots
+ 
+
+29
+00:01:03,120 --> 00:01:04,990
+it we could go away sure sure I got lots
+of money we could have loads of fun some
+
+30
+00:01:04,990 --> 00:01:05,000
+of money we could have loads of fun some
+ 
+
+31
+00:01:05,000 --> 00:01:09,310
+of money we could have loads of fun some
+place sure London Paris Sly I'll do
+
+32
+00:01:09,310 --> 00:01:09,320
+place sure London Paris Sly I'll do
+ 
+
+33
+00:01:09,320 --> 00:01:11,310
+place sure London Paris Sly I'll do
+anything you want maybe we can get
+
+34
+00:01:11,310 --> 00:01:11,320
+anything you want maybe we can get
+ 
+
+35
+00:01:11,320 --> 00:01:14,429
+anything you want maybe we can get
+married settle down have a couple of
+
+36
+00:01:14,429 --> 00:01:14,439
+married settle down have a couple of
+ 
+
+37
+00:01:14,439 --> 00:01:17,830
+married settle down have a couple of
+kids
+
+38
+00:01:17,830 --> 00:01:17,840
+
+ 
+
+39
+00:01:17,840 --> 00:01:21,990
+
+sure what do you take me for 14 karat
+
+40
+00:01:21,990 --> 00:01:22,000
+sure what do you take me for 14 karat
+ 
+
+41
+00:01:22,000 --> 00:01:23,950
+sure what do you take me for 14 karat
+sucker you and love a boy aren't going
+
+42
+00:01:23,950 --> 00:01:23,960
+sucker you and love a boy aren't going
+ 
+
+43
+00:01:23,960 --> 00:01:26,230
+sucker you and love a boy aren't going
+to put me in the hot seat you liked me
+
+44
+00:01:26,230 --> 00:01:26,240
+to put me in the hot seat you liked me
+ 
+
+45
+00:01:26,240 --> 00:01:29,429
+to put me in the hot seat you liked me
+once remember remember how nice it was
+
+46
+00:01:29,429 --> 00:01:29,439
+once remember remember how nice it was
+ 
+
+47
+00:01:29,439 --> 00:01:30,749
+once remember remember how nice it was
+it could be like like that again Vinnie
+
+48
+00:01:30,749 --> 00:01:30,759
+it could be like like that again Vinnie
+ 
+
+49
+00:01:30,759 --> 00:01:31,950
+it could be like like that again Vinnie
+it could be like that again you're
+
+50
+00:01:31,950 --> 00:01:31,960
+it could be like that again you're
+ 
+
+51
+00:01:31,960 --> 00:01:33,469
+it could be like that again you're
+forgetting about him I don't care about
+
+52
+00:01:33,469 --> 00:01:33,479
+forgetting about him I don't care about
+ 
+
+53
+00:01:33,479 --> 00:01:34,630
+forgetting about him I don't care about
+him look baby you could have had
+
+54
+00:01:34,630 --> 00:01:34,640
+him look baby you could have had
+ 
+
+55
+00:01:34,640 --> 00:01:36,389
+him look baby you could have had
+anything once but no you were too good
+
+56
+00:01:36,389 --> 00:01:36,399
+anything once but no you were too good
+ 
+
+57
+00:01:36,399 --> 00:01:38,389
+anything once but no you were too good
+for me so you come up to my office and
+
+58
+00:01:38,389 --> 00:01:38,399
+for me so you come up to my office and
+ 
+
+59
+00:01:38,399 --> 00:01:40,270
+for me so you come up to my office and
+you get me mad so I send the boys down
+
+60
+00:01:40,270 --> 00:01:40,280
+you get me mad so I send the boys down
+ 
+
+61
+00:01:40,280 --> 00:01:41,910
+you get me mad so I send the boys down
+to work over lover point so they grab
+
+62
+00:01:41,910 --> 00:01:41,920
+to work over lover point so they grab
+ 
+
+63
+00:01:41,920 --> 00:01:43,910
+to work over lover point so they grab
+the wrong guy so he bangs his head too
+
+64
+00:01:43,910 --> 00:01:43,920
+the wrong guy so he bangs his head too
+ 
+
+65
+00:01:43,920 --> 00:01:45,870
+the wrong guy so he bangs his head too
+hot in the sidewalk so that makes me the
+
+66
+00:01:45,870 --> 00:01:45,880
+hot in the sidewalk so that makes me the
+ 
+
+67
+00:01:45,880 --> 00:01:50,950
+hot in the sidewalk so that makes me the
+suer not on your light baby not on your
+
+68
+00:01:50,950 --> 00:01:50,960
+
+ 
+
+69
+00:01:50,960 --> 00:01:58,149
+
+life
+
+70
+00:01:58,149 --> 00:01:58,159
+
+ 
+
+71
+00:01:58,159 --> 00:02:07,389
+
+hey don't shoot come on
+
+72
+00:02:07,389 --> 00:02:07,399
+
+ 
+
+73
+00:02:07,399 --> 00:02:28,830
+
+you stay with here go
+
+74
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+75
+00:02:28,840 --> 00:02:34,520
+
+ahead
+
+76
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+77
+00:02:34,530 --> 00:02:43,479
+
+[Music]
+

1955/7014C_6ABAg.description

@@ -0,0 +1,38 @@
+Rebel Without a Cause movie clips: http://j.mp/2iP3cz0
+BUY THE MOVIE: http://bit.ly/2jOLH05
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jim (James Dean) confronts his mother (Ann Doran) about her excuses and demands that his Dad (Jim Backus) stand up for him.
+
+FILM DESCRIPTION:
+As his parents bicker in a police station, teenager Jim Stark, played by James Dean, screws his face into a knot of frustrated rage and screams, "You're tearing me apart!" At that moment, Rebel Without a Cause changed the rules for the portrayal of teenagers on screen; Jim is neither a goofy-but-good-natured Andy Hardy type nor a Bowery Boys-style juvenile delinquent, but something resembling a real adolescent, awkwardly stumbling through young adulthood. We meet him lying in a gutter, drunkenly playing with a toy monkey before he's picked up by the police. We learn that his parents have moved more than once because Jim has gotten into trouble; between his Milquetoast father and bossy, unaffectionate mother, he has no one to turn to at home and no healthy role model. While waiting at the police station, he meets two other kids from the neighborhood: a troubled young man named Plato (Sal Mineo), who shot a litter of puppies in a fit of rage, and a pretty girl named Judy (Natalie Wood), who runs with a rough crowd to get the sense of belonging that she doesn't have at home. The three teenagers become an odd sort of family, until an unpleasant revelation sends Plato on a rampage.
+
+CREDITS:
+TM & © Warner Bros. (1955)
+Cast: Ann Doran, Jim Backus, James Dean
+Director: Nicholas Ray
+Producer: David Weisbart
+Screenwriters: Stewart Stern, Irving Shulman, Nicholas Ray
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
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+Tumblr: http://bit.ly/1vUwhH7

1955/7014C_6ABAg.en.srt

@@ -0,0 +1,695 @@
+1
+00:00:00,120 --> 00:00:01,270
+
+I'm going to the police and I want to
+
+2
+00:00:01,270 --> 00:00:01,280
+I'm going to the police and I want to
+ 
+
+3
+00:00:01,280 --> 00:00:03,389
+I'm going to the police and I want to
+tell them I'm involved in this tonight
+
+4
+00:00:03,389 --> 00:00:03,399
+tell them I'm involved in this tonight
+ 
+
+5
+00:00:03,399 --> 00:00:05,550
+tell them I'm involved in this tonight
+did anyone see you there did anyone see
+
+6
+00:00:05,550 --> 00:00:05,560
+did anyone see you there did anyone see
+ 
+
+7
+00:00:05,560 --> 00:00:08,190
+did anyone see you there did anyone see
+your license place I don't know I the
+
+8
+00:00:08,190 --> 00:00:08,200
+your license place I don't know I the
+ 
+
+9
+00:00:08,200 --> 00:00:09,310
+your license place I don't know I the
+other boys do you think they'll go to
+
+10
+00:00:09,310 --> 00:00:09,320
+other boys do you think they'll go to
+ 
+
+11
+00:00:09,320 --> 00:00:11,310
+other boys do you think they'll go to
+the police it doesn't matter it doesn't
+
+12
+00:00:11,310 --> 00:00:11,320
+the police it doesn't matter it doesn't
+ 
+
+13
+00:00:11,320 --> 00:00:12,910
+the police it doesn't matter it doesn't
+matter it doesn't matter why should you
+
+14
+00:00:12,910 --> 00:00:12,920
+matter it doesn't matter why should you
+ 
+
+15
+00:00:12,920 --> 00:00:14,749
+matter it doesn't matter why should you
+be the only one involved well far be it
+
+16
+00:00:14,749 --> 00:00:14,759
+be the only one involved well far be it
+ 
+
+17
+00:00:14,759 --> 00:00:16,430
+be the only one involved well far be it
+for me to tell you what to do you going
+
+18
+00:00:16,430 --> 00:00:16,440
+for me to tell you what to do you going
+ 
+
+19
+00:00:16,440 --> 00:00:17,830
+for me to tell you what to do you going
+to preach do we have to listen to a
+
+20
+00:00:17,830 --> 00:00:17,840
+to preach do we have to listen to a
+ 
+
+21
+00:00:17,840 --> 00:00:19,670
+to preach do we have to listen to a
+sermon now well I'm only trying to tell
+
+22
+00:00:19,670 --> 00:00:19,680
+sermon now well I'm only trying to tell
+ 
+
+23
+00:00:19,680 --> 00:00:21,390
+sermon now well I'm only trying to tell
+him what you mean you you can't be
+
+24
+00:00:21,390 --> 00:00:21,400
+him what you mean you you can't be
+ 
+
+25
+00:00:21,400 --> 00:00:23,269
+him what you mean you you can't be
+idealistic all your life Jim nobody
+
+26
+00:00:23,269 --> 00:00:23,279
+idealistic all your life Jim nobody
+ 
+
+27
+00:00:23,279 --> 00:00:26,669
+idealistic all your life Jim nobody
+nobody thank you accept to yourself wait
+
+28
+00:00:26,669 --> 00:00:26,679
+nobody thank you accept to yourself wait
+ 
+
+29
+00:00:26,679 --> 00:00:28,950
+nobody thank you accept to yourself wait
+a minute accept
+
+30
+00:00:28,950 --> 00:00:28,960
+a minute accept
+ 
+
+31
+00:00:28,960 --> 00:00:30,710
+a minute accept
+yourself
+
+32
+00:00:30,710 --> 00:00:30,720
+yourself
+ 
+
+33
+00:00:30,720 --> 00:00:33,990
+yourself
+you don't want me to go no no I don't
+
+34
+00:00:33,990 --> 00:00:34,000
+you don't want me to go no no I don't
+ 
+
+35
+00:00:34,000 --> 00:00:36,150
+you don't want me to go no no I don't
+want you to go to the police there were
+
+36
+00:00:36,150 --> 00:00:36,160
+want you to go to the police there were
+ 
+
+37
+00:00:36,160 --> 00:00:37,590
+want you to go to the police there were
+other people why should you be the only
+
+38
+00:00:37,590 --> 00:00:37,600
+other people why should you be the only
+ 
+
+39
+00:00:37,600 --> 00:00:40,549
+other people why should you be the only
+one involved but I am involved we are
+
+40
+00:00:40,549 --> 00:00:40,559
+one involved but I am involved we are
+ 
+
+41
+00:00:40,559 --> 00:00:41,709
+one involved but I am involved we are
+all
+
+42
+00:00:41,709 --> 00:00:41,719
+all
+ 
+
+43
+00:00:41,719 --> 00:00:47,029
+all
+involved mom a boy a kid was killed
+
+44
+00:00:47,029 --> 00:00:47,039
+involved mom a boy a kid was killed
+ 
+
+45
+00:00:47,039 --> 00:00:49,189
+involved mom a boy a kid was killed
+tonight I don't see how I can get out of
+
+46
+00:00:49,189 --> 00:00:49,199
+tonight I don't see how I can get out of
+ 
+
+47
+00:00:49,199 --> 00:00:51,189
+tonight I don't see how I can get out of
+that by pretending that it didn't happen
+
+48
+00:00:51,189 --> 00:00:51,199
+that by pretending that it didn't happen
+ 
+
+49
+00:00:51,199 --> 00:00:53,510
+that by pretending that it didn't happen
+well you know that you did the wrong
+
+50
+00:00:53,510 --> 00:00:53,520
+well you know that you did the wrong
+ 
+
+51
+00:00:53,520 --> 00:00:55,750
+well you know that you did the wrong
+thing that's the main thing isn't it
+
+52
+00:00:55,750 --> 00:00:55,760
+thing that's the main thing isn't it
+ 
+
+53
+00:00:55,760 --> 00:00:57,869
+thing that's the main thing isn't it
+that's nothing that's that is absolutely
+
+54
+00:00:57,869 --> 00:00:57,879
+that's nothing that's that is absolutely
+ 
+
+55
+00:00:57,879 --> 00:01:00,709
+that's nothing that's that is absolutely
+nothing dad you told me you said you you
+
+56
+00:01:00,709 --> 00:01:00,719
+nothing dad you told me you said you you
+ 
+
+57
+00:01:00,719 --> 00:01:02,189
+nothing dad you told me you said you you
+want me to tell the truth now didn't you
+
+58
+00:01:02,189 --> 00:01:02,199
+want me to tell the truth now didn't you
+ 
+
+59
+00:01:02,199 --> 00:01:06,550
+want me to tell the truth now didn't you
+say
+
+60
+00:01:06,550 --> 00:01:06,560
+
+ 
+
+61
+00:01:06,560 --> 00:01:09,830
+
+that you can't turn it off well he's not
+
+62
+00:01:09,830 --> 00:01:09,840
+that you can't turn it off well he's not
+ 
+
+63
+00:01:09,840 --> 00:01:12,910
+that you can't turn it off well he's not
+saying that he's saying just don't
+
+64
+00:01:12,910 --> 00:01:12,920
+saying that he's saying just don't
+ 
+
+65
+00:01:12,920 --> 00:01:15,950
+saying that he's saying just don't
+volunteer just tell a little white lie
+
+66
+00:01:15,950 --> 00:01:15,960
+volunteer just tell a little white lie
+ 
+
+67
+00:01:15,960 --> 00:01:18,630
+volunteer just tell a little white lie
+you learn when you're older
+
+68
+00:01:18,630 --> 00:01:18,640
+you learn when you're older
+ 
+
+69
+00:01:18,640 --> 00:01:21,830
+you learn when you're older
+Jim well I don't think that I want to
+
+70
+00:01:21,830 --> 00:01:21,840
+Jim well I don't think that I want to
+ 
+
+71
+00:01:21,840 --> 00:01:23,710
+Jim well I don't think that I want to
+learn that way well it doesn't matter
+
+72
+00:01:23,710 --> 00:01:23,720
+learn that way well it doesn't matter
+ 
+
+73
+00:01:23,720 --> 00:01:25,390
+learn that way well it doesn't matter
+anyway because we're
+
+74
+00:01:25,390 --> 00:01:25,400
+anyway because we're
+ 
+
+75
+00:01:25,400 --> 00:01:28,149
+anyway because we're
+moving I'm not tearing me loose again
+
+76
+00:01:28,149 --> 00:01:28,159
+moving I'm not tearing me loose again
+ 
+
+77
+00:01:28,159 --> 00:01:29,670
+moving I'm not tearing me loose again
+well this is news to me just why are we
+
+78
+00:01:29,670 --> 00:01:29,680
+well this is news to me just why are we
+ 
+
+79
+00:01:29,680 --> 00:01:31,429
+well this is news to me just why are we
+moving oh do I have to spell it you are
+
+80
+00:01:31,429 --> 00:01:31,439
+moving oh do I have to spell it you are
+ 
+
+81
+00:01:31,439 --> 00:01:33,590
+moving oh do I have to spell it you are
+not going to use me as an excuse again I
+
+82
+00:01:33,590 --> 00:01:33,600
+not going to use me as an excuse again I
+ 
+
+83
+00:01:33,600 --> 00:01:35,350
+not going to use me as an excuse again I
+don't every time you can't face yourself
+
+84
+00:01:35,350 --> 00:01:35,360
+don't every time you can't face yourself
+ 
+
+85
+00:01:35,360 --> 00:01:37,469
+don't every time you can't face yourself
+you blame it on me that is not
+
+86
+00:01:37,469 --> 00:01:37,479
+you blame it on me that is not
+ 
+
+87
+00:01:37,479 --> 00:01:39,749
+you blame it on me that is not
+true you say it's because of me you say
+
+88
+00:01:39,749 --> 00:01:39,759
+true you say it's because of me you say
+ 
+
+89
+00:01:39,759 --> 00:01:41,389
+true you say it's because of me you say
+it's because of the neighborhood no you
+
+90
+00:01:41,389 --> 00:01:41,399
+it's because of the neighborhood no you
+ 
+
+91
+00:01:41,399 --> 00:01:43,630
+it's because of the neighborhood no you
+use every other funny
+
+92
+00:01:43,630 --> 00:01:43,640
+use every other funny
+ 
+
+93
+00:01:43,640 --> 00:01:46,230
+use every other funny
+excuse Mom I just once I want to do
+
+94
+00:01:46,230 --> 00:01:46,240
+excuse Mom I just once I want to do
+ 
+
+95
+00:01:46,240 --> 00:01:48,870
+excuse Mom I just once I want to do
+something right and I don't want you to
+
+96
+00:01:48,870 --> 00:01:48,880
+something right and I don't want you to
+ 
+
+97
+00:01:48,880 --> 00:01:53,109
+something right and I don't want you to
+run away from me
+
+98
+00:01:53,109 --> 00:01:53,119
+
+ 
+
+99
+00:01:53,119 --> 00:01:55,910
+
+again Dad this is all going too fast for
+
+100
+00:01:55,910 --> 00:01:55,920
+again Dad this is all going too fast for
+ 
+
+101
+00:01:55,920 --> 00:01:58,270
+again Dad this is all going too fast for
+me you better give me something you
+
+102
+00:01:58,270 --> 00:01:58,280
+me you better give me something you
+ 
+
+103
+00:01:58,280 --> 00:02:00,469
+me you better give me something you
+better give me something fast
+
+104
+00:02:00,469 --> 00:02:00,479
+better give me something fast
+ 
+
+105
+00:02:00,479 --> 00:02:02,910
+better give me something fast
+Jimmy you're very young a foolish
+
+106
+00:02:02,910 --> 00:02:02,920
+Jimmy you're very young a foolish
+ 
+
+107
+00:02:02,920 --> 00:02:05,310
+Jimmy you're very young a foolish
+decision not could wreck your whole life
+
+108
+00:02:05,310 --> 00:02:05,320
+decision not could wreck your whole life
+ 
+
+109
+00:02:05,320 --> 00:02:06,670
+decision not could wreck your whole life
+in 10 years you'll never know this even
+
+110
+00:02:06,670 --> 00:02:06,680
+in 10 years you'll never know this even
+ 
+
+111
+00:02:06,680 --> 00:02:09,309
+in 10 years you'll never know this even
+happen dad answer
+
+112
+00:02:09,309 --> 00:02:09,319
+happen dad answer
+ 
+
+113
+00:02:09,319 --> 00:02:12,309
+happen dad answer
+her tell
+
+114
+00:02:12,309 --> 00:02:12,319
+her tell
+ 
+
+115
+00:02:12,319 --> 00:02:16,229
+her tell
+her 10
+
+116
+00:02:16,229 --> 00:02:16,239
+
+ 
+
+117
+00:02:16,239 --> 00:02:22,910
+
+years dad let me hear you answer
+
+118
+00:02:22,910 --> 00:02:22,920
+
+ 
+
+119
+00:02:22,920 --> 00:02:28,830
+
+her
+
+120
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+121
+00:02:28,840 --> 00:02:33,630
+
+d
+
+122
+00:02:33,630 --> 00:02:33,640
+
+ 
+
+123
+00:02:33,640 --> 00:02:45,430
+
+dad stand up for
+
+124
+00:02:45,430 --> 00:02:45,440
+
+ 
+
+125
+00:02:45,440 --> 00:02:48,990
+
+me stand
+
+126
+00:02:48,990 --> 00:02:49,000
+me stand
+ 
+
+127
+00:02:49,000 --> 00:02:50,630
+me stand
+up kill
+
+128
+00:02:50,630 --> 00:02:50,640
+up kill
+ 
+
+129
+00:02:50,640 --> 00:02:52,990
+up kill
+[Music]
+
+130
+00:02:52,990 --> 00:02:53,000
+[Music]
+ 
+
+131
+00:02:53,000 --> 00:02:58,830
+[Music]
+him you k you want to kill your own
+
+132
+00:02:58,830 --> 00:02:58,840
+
+ 
+
+133
+00:02:58,840 --> 00:03:03,040
+
+father
+
+134
+00:03:03,040 --> 00:03:03,050
+
+ 
+
+135
+00:03:03,050 --> 00:03:28,750
+
+[Music]
+
+136
+00:03:28,750 --> 00:03:28,760
+
+ 
+
+137
+00:03:28,760 --> 00:03:37,250
+
+G
+
+138
+00:03:37,250 --> 00:03:37,260
+
+ 
+
+139
+00:03:37,260 --> 00:03:43,180
+
+[Music]
+

1955/8JhRzlsZPas.description

@@ -0,0 +1,38 @@
+Rebel Without a Cause movie clips: http://j.mp/2iP3cz0
+BUY THE MOVIE: http://bit.ly/2jOLH05
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Judy (Natalie Wood) cries to the police chief (Paul Birch) about her cruel father and why she was wandering around at one o'clock in the morning.
+
+FILM DESCRIPTION:
+As his parents bicker in a police station, teenager Jim Stark, played by James Dean, screws his face into a knot of frustrated rage and screams, "You're tearing me apart!" At that moment, Rebel Without a Cause changed the rules for the portrayal of teenagers on screen; Jim is neither a goofy-but-good-natured Andy Hardy type nor a Bowery Boys-style juvenile delinquent, but something resembling a real adolescent, awkwardly stumbling through young adulthood. We meet him lying in a gutter, drunkenly playing with a toy monkey before he's picked up by the police. We learn that his parents have moved more than once because Jim has gotten into trouble; between his Milquetoast father and bossy, unaffectionate mother, he has no one to turn to at home and no healthy role model. While waiting at the police station, he meets two other kids from the neighborhood: a troubled young man named Plato (Sal Mineo), who shot a litter of puppies in a fit of rage, and a pretty girl named Judy (Natalie Wood), who runs with a rough crowd to get the sense of belonging that she doesn't have at home. The three teenagers become an odd sort of family, until an unpleasant revelation sends Plato on a rampage.
+
+CREDITS:
+TM & © Warner Bros. (1955)
+Cast: Paul Birch, Louise Lane, Natalie Wood
+Director: Nicholas Ray
+Producer: David Weisbart
+Screenwriters: Stewart Stern, Irving Shulman, Nicholas Ray
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+Fandango: http://bit.ly/1Bl79ye
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+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1955/8JhRzlsZPas.en.srt

@@ -0,0 +1,505 @@
+1
+00:00:01,079 --> 00:00:03,150
+
+he hates
+
+2
+00:00:03,150 --> 00:00:03,160
+he hates
+ 
+
+3
+00:00:03,160 --> 00:00:06,110
+he hates
+me what makes you think he hates you
+
+4
+00:00:06,110 --> 00:00:06,120
+me what makes you think he hates you
+ 
+
+5
+00:00:06,120 --> 00:00:09,950
+me what makes you think he hates you
+Judy I don't think I
+
+6
+00:00:09,950 --> 00:00:09,960
+Judy I don't think I
+ 
+
+7
+00:00:09,960 --> 00:00:13,669
+Judy I don't think I
+know he looks at me like I was the
+
+8
+00:00:13,669 --> 00:00:13,679
+know he looks at me like I was the
+ 
+
+9
+00:00:13,679 --> 00:00:15,870
+know he looks at me like I was the
+ugliest thing in the
+
+10
+00:00:15,870 --> 00:00:15,880
+ugliest thing in the
+ 
+
+11
+00:00:15,880 --> 00:00:19,029
+ugliest thing in the
+world he doesn't like my friends he
+
+12
+00:00:19,029 --> 00:00:19,039
+world he doesn't like my friends he
+ 
+
+13
+00:00:19,039 --> 00:00:20,910
+world he doesn't like my friends he
+doesn't like one thing about
+
+14
+00:00:20,910 --> 00:00:20,920
+doesn't like one thing about
+ 
+
+15
+00:00:20,920 --> 00:00:25,230
+doesn't like one thing about
+me and he called
+
+16
+00:00:25,230 --> 00:00:25,240
+
+ 
+
+17
+00:00:25,240 --> 00:00:28,630
+
+me he called me a dirty
+
+18
+00:00:28,630 --> 00:00:28,640
+me he called me a dirty
+ 
+
+19
+00:00:28,640 --> 00:00:32,470
+me he called me a dirty
+tra my own
+
+20
+00:00:32,470 --> 00:00:32,480
+tra my own
+ 
+
+21
+00:00:32,480 --> 00:00:34,510
+tra my own
+father do you think your father really
+
+22
+00:00:34,510 --> 00:00:34,520
+father do you think your father really
+ 
+
+23
+00:00:34,520 --> 00:00:36,430
+father do you think your father really
+means that
+
+24
+00:00:36,430 --> 00:00:36,440
+means that
+ 
+
+25
+00:00:36,440 --> 00:00:38,229
+means that
+yes
+
+26
+00:00:38,229 --> 00:00:38,239
+yes
+ 
+
+27
+00:00:38,239 --> 00:00:43,630
+yes
+no I don't
+
+28
+00:00:43,630 --> 00:00:43,640
+
+ 
+
+29
+00:00:43,640 --> 00:00:48,470
+
+know I mean maybe he doesn't mean it but
+
+30
+00:00:48,470 --> 00:00:48,480
+know I mean maybe he doesn't mean it but
+ 
+
+31
+00:00:48,480 --> 00:00:50,790
+know I mean maybe he doesn't mean it but
+he acts like he
+
+32
+00:00:50,790 --> 00:00:50,800
+he acts like he
+ 
+
+33
+00:00:50,800 --> 00:00:53,189
+he acts like he
+does we were all
+
+34
+00:00:53,189 --> 00:00:53,199
+does we were all
+ 
+
+35
+00:00:53,199 --> 00:00:56,750
+does we were all
+together and we were going to celebrate
+
+36
+00:00:56,750 --> 00:00:56,760
+together and we were going to celebrate
+ 
+
+37
+00:00:56,760 --> 00:00:58,910
+together and we were going to celebrate
+Easter and we were going to catch a
+
+38
+00:00:58,910 --> 00:00:58,920
+Easter and we were going to catch a
+ 
+
+39
+00:00:58,920 --> 00:01:02,229
+Easter and we were going to catch a
+double bill
+
+40
+00:01:02,229 --> 00:01:02,239
+
+ 
+
+41
+00:01:02,239 --> 00:01:03,710
+
+big
+
+42
+00:01:03,710 --> 00:01:03,720
+big
+ 
+
+43
+00:01:03,720 --> 00:01:07,149
+big
+deal so I put on my new
+
+44
+00:01:07,149 --> 00:01:07,159
+deal so I put on my new
+ 
+
+45
+00:01:07,159 --> 00:01:10,030
+deal so I put on my new
+dress and I came out
+
+46
+00:01:10,030 --> 00:01:10,040
+dress and I came out
+ 
+
+47
+00:01:10,040 --> 00:01:12,789
+dress and I came out
+and he grabbed my
+
+48
+00:01:12,789 --> 00:01:12,799
+and he grabbed my
+ 
+
+49
+00:01:12,799 --> 00:01:19,310
+and he grabbed my
+face and he started rubbing off all the
+
+50
+00:01:19,310 --> 00:01:19,320
+
+ 
+
+51
+00:01:19,320 --> 00:01:22,950
+
+lipstick I thought he rub off my
+
+52
+00:01:22,950 --> 00:01:22,960
+lipstick I thought he rub off my
+ 
+
+53
+00:01:22,960 --> 00:01:26,429
+lipstick I thought he rub off my
+lips and I ran out of the that house is
+
+54
+00:01:26,429 --> 00:01:26,439
+lips and I ran out of the that house is
+ 
+
+55
+00:01:26,439 --> 00:01:27,710
+lips and I ran out of the that house is
+that why you were wandering around at
+
+56
+00:01:27,710 --> 00:01:27,720
+that why you were wandering around at
+ 
+
+57
+00:01:27,720 --> 00:01:28,830
+that why you were wandering around at
+1:00 in the
+
+58
+00:01:28,830 --> 00:01:28,840
+1:00 in the
+ 
+
+59
+00:01:28,840 --> 00:01:32,550
+1:00 in the
+morning
+
+60
+00:01:32,550 --> 00:01:32,560
+
+ 
+
+61
+00:01:32,560 --> 00:01:35,310
+
+weren't looking for company were
+
+62
+00:01:35,310 --> 00:01:35,320
+weren't looking for company were
+ 
+
+63
+00:01:35,320 --> 00:01:39,310
+weren't looking for company were
+you I don't even know why I do it maybe
+
+64
+00:01:39,310 --> 00:01:39,320
+you I don't even know why I do it maybe
+ 
+
+65
+00:01:39,320 --> 00:01:40,749
+you I don't even know why I do it maybe
+you think you can get back at your dad
+
+66
+00:01:40,749 --> 00:01:40,759
+you think you can get back at your dad
+ 
+
+67
+00:01:40,759 --> 00:01:42,870
+you think you can get back at your dad
+that way I mean if you're not as close
+
+68
+00:01:42,870 --> 00:01:42,880
+that way I mean if you're not as close
+ 
+
+69
+00:01:42,880 --> 00:01:45,190
+that way I mean if you're not as close
+to him as you'd like to be maybe this is
+
+70
+00:01:45,190 --> 00:01:45,200
+to him as you'd like to be maybe this is
+ 
+
+71
+00:01:45,200 --> 00:01:48,230
+to him as you'd like to be maybe this is
+one way of making him pay attention did
+
+72
+00:01:48,230 --> 00:01:48,240
+one way of making him pay attention did
+ 
+
+73
+00:01:48,240 --> 00:01:49,789
+one way of making him pay attention did
+you ever think of
+
+74
+00:01:49,789 --> 00:01:49,799
+you ever think of
+ 
+
+75
+00:01:49,799 --> 00:01:53,789
+you ever think of
+that I'll never get close to
+
+76
+00:01:53,789 --> 00:01:53,799
+that I'll never get close to
+ 
+
+77
+00:01:53,799 --> 00:01:55,830
+that I'll never get close to
+anybody would you like to go home Judy
+
+78
+00:01:55,830 --> 00:01:55,840
+anybody would you like to go home Judy
+ 
+
+79
+00:01:55,840 --> 00:01:58,830
+anybody would you like to go home Judy
+if we can arrange
+
+80
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+81
+00:01:58,840 --> 00:02:02,429
+
+it
+
+82
+00:02:02,429 --> 00:02:02,439
+
+ 
+
+83
+00:02:02,439 --> 00:02:03,590
+
+what's Your Number
+
+84
+00:02:03,590 --> 00:02:03,600
+what's Your Number
+ 
+
+85
+00:02:03,600 --> 00:02:05,990
+what's Your Number
+Judy we'll ask your dad to come down and
+
+86
+00:02:05,990 --> 00:02:06,000
+Judy we'll ask your dad to come down and
+ 
+
+87
+00:02:06,000 --> 00:02:08,469
+Judy we'll ask your dad to come down and
+pick you up unless you really don't want
+
+88
+00:02:08,469 --> 00:02:08,479
+pick you up unless you really don't want
+ 
+
+89
+00:02:08,479 --> 00:02:10,270
+pick you up unless you really don't want
+to go
+
+90
+00:02:10,270 --> 00:02:10,280
+to go
+ 
+
+91
+00:02:10,280 --> 00:02:20,790
+to go
+home would you rather stay
+
+92
+00:02:20,790 --> 00:02:20,800
+
+ 
+
+93
+00:02:20,800 --> 00:02:26,490
+
+here Lexington 0
+
+94
+00:02:26,490 --> 00:02:26,500
+
+ 
+
+95
+00:02:26,500 --> 00:02:28,750
+
+[Music]
+
+96
+00:02:28,750 --> 00:02:28,760
+[Music]
+ 
+
+97
+00:02:28,760 --> 00:02:31,250
+[Music]
+5549
+
+98
+00:02:31,250 --> 00:02:31,260
+5549
+ 
+
+99
+00:02:31,260 --> 00:02:48,540
+5549
+[Music]
+
+100
+00:02:48,540 --> 00:02:48,550
+
+ 
+
+101
+00:02:48,550 --> 00:02:53,589
+
+[Music]
+

1955/8hG-F24aroc.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,120 --> 00:00:01,629
+
+all right boy where's the money in the
+
+2
+00:00:01,629 --> 00:00:01,639
+all right boy where's the money in the
+ 
+
+3
+00:00:01,639 --> 00:00:04,510
+all right boy where's the money in the
+cellar buried under a stone in the
+
+4
+00:00:04,510 --> 00:00:04,520
+cellar buried under a stone in the
+ 
+
+5
+00:00:04,520 --> 00:00:07,349
+cellar buried under a stone in the
+floor it'll go hard if I find your lion
+
+6
+00:00:07,349 --> 00:00:07,359
+floor it'll go hard if I find your lion
+ 
+
+7
+00:00:07,359 --> 00:00:11,749
+floor it'll go hard if I find your lion
+boy I'm not lying go look for
+
+8
+00:00:11,749 --> 00:00:11,759
+
+ 
+
+9
+00:00:11,759 --> 00:00:23,550
+
+yourself all
+
+10
+00:00:23,550 --> 00:00:23,560
+
+ 
+
+11
+00:00:23,560 --> 00:00:28,950
+
+right come along
+
+12
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+13
+00:00:28,960 --> 00:00:33,790
+
+what go ahead of me the both of you down
+
+14
+00:00:33,790 --> 00:00:33,800
+what go ahead of me the both of you down
+ 
+
+15
+00:00:33,800 --> 00:00:38,549
+what go ahead of me the both of you down
+those
+
+16
+00:00:38,549 --> 00:00:38,559
+
+ 
+
+17
+00:00:38,559 --> 00:00:40,950
+
+stairs you don't reckon I leave you do
+
+18
+00:00:40,950 --> 00:00:40,960
+stairs you don't reckon I leave you do
+ 
+
+19
+00:00:40,960 --> 00:00:44,190
+stairs you don't reckon I leave you do
+you boy well don't you believe me why
+
+20
+00:00:44,190 --> 00:00:44,200
+you boy well don't you believe me why
+ 
+
+21
+00:00:44,200 --> 00:00:46,620
+you boy well don't you believe me why
+sure boy
+
+22
+00:00:46,620 --> 00:00:46,630
+sure boy
+ 
+
+23
+00:00:46,630 --> 00:00:48,510
+sure boy
+[Music]
+
+24
+00:00:48,510 --> 00:00:48,520
+[Music]
+ 
+
+25
+00:00:48,520 --> 00:00:52,189
+[Music]
+sure right where now mine no tricks now
+
+26
+00:00:52,189 --> 00:00:52,199
+sure right where now mine no tricks now
+ 
+
+27
+00:00:52,199 --> 00:00:53,670
+sure right where now mine no tricks now
+I can't Abide a
+
+28
+00:00:53,670 --> 00:00:53,680
+I can't Abide a
+ 
+
+29
+00:00:53,680 --> 00:00:58,709
+I can't Abide a
+liar
+
+30
+00:00:58,709 --> 00:00:58,719
+
+ 
+
+31
+00:00:58,719 --> 00:01:05,590
+
+Yonder hell oh no you
+
+32
+00:01:05,590 --> 00:01:05,600
+
+ 
+
+33
+00:01:05,600 --> 00:01:08,429
+
+don't now where boy where under the
+
+34
+00:01:08,429 --> 00:01:08,439
+don't now where boy where under the
+ 
+
+35
+00:01:08,439 --> 00:01:09,510
+don't now where boy where under the
+stone on the
+
+36
+00:01:09,510 --> 00:01:09,520
+stone on the
+ 
+
+37
+00:01:09,520 --> 00:01:18,950
+stone on the
+[Music]
+
+38
+00:01:18,950 --> 00:01:18,960
+
+ 
+
+39
+00:01:18,960 --> 00:01:23,190
+
+floor this is concrete John made a sin
+
+40
+00:01:23,190 --> 00:01:23,200
+floor this is concrete John made a sin
+ 
+
+41
+00:01:23,200 --> 00:01:24,750
+floor this is concrete John made a sin
+John told a
+
+42
+00:01:24,750 --> 00:01:24,760
+John told a
+ 
+
+43
+00:01:24,760 --> 00:01:26,749
+John told a
+[Music]
+
+44
+00:01:26,749 --> 00:01:26,759
+[Music]
+ 
+
+45
+00:01:26,759 --> 00:01:30,469
+[Music]
+li the Lords are talking to me now
+
+46
+00:01:30,469 --> 00:01:30,479
+li the Lords are talking to me now
+ 
+
+47
+00:01:30,479 --> 00:01:34,190
+li the Lords are talking to me now
+he are saying a liar is an Abomination
+
+48
+00:01:34,190 --> 00:01:34,200
+he are saying a liar is an Abomination
+ 
+
+49
+00:01:34,200 --> 00:01:36,429
+he are saying a liar is an Abomination
+before mine
+
+50
+00:01:36,429 --> 00:01:36,439
+before mine
+ 
+
+51
+00:01:36,439 --> 00:01:39,350
+before mine
+eyes speak boy where's it
+
+52
+00:01:39,350 --> 00:01:39,360
+eyes speak boy where's it
+ 
+
+53
+00:01:39,360 --> 00:01:41,230
+eyes speak boy where's it
+here
+
+54
+00:01:41,230 --> 00:01:41,240
+here
+ 
+
+55
+00:01:41,240 --> 00:01:43,590
+here
+speak speak or I'll cut your throat and
+
+56
+00:01:43,590 --> 00:01:43,600
+speak speak or I'll cut your throat and
+ 
+
+57
+00:01:43,600 --> 00:01:45,270
+speak speak or I'll cut your throat and
+leave you to drip like a hog hung up in
+
+58
+00:01:45,270 --> 00:01:45,280
+leave you to drip like a hog hung up in
+ 
+
+59
+00:01:45,280 --> 00:01:50,230
+leave you to drip like a hog hung up in
+butchering time Pearl shut up Pearl you
+
+60
+00:01:50,230 --> 00:01:50,240
+butchering time Pearl shut up Pearl you
+ 
+
+61
+00:01:50,240 --> 00:01:52,709
+butchering time Pearl shut up Pearl you
+swore you could save him little
+
+62
+00:01:52,709 --> 00:01:52,719
+swore you could save him little
+ 
+
+63
+00:01:52,719 --> 00:01:58,190
+swore you could save him little
+bird it's that by do it's not by
+
+64
+00:01:58,190 --> 00:01:58,200
+
+ 
+
+65
+00:01:58,200 --> 00:02:00,510
+
+do the dog
+
+66
+00:02:00,510 --> 00:02:00,520
+do the dog
+ 
+
+67
+00:02:00,520 --> 00:02:04,310
+do the dog
+[Music]
+
+68
+00:02:04,310 --> 00:02:04,320
+
+ 
+
+69
+00:02:04,320 --> 00:02:05,990
+
+why
+
+70
+00:02:05,990 --> 00:02:06,000
+why
+ 
+
+71
+00:02:06,000 --> 00:02:08,510
+why
+sure last place anybody think to
+
+72
+00:02:08,510 --> 00:02:08,520
+sure last place anybody think to
+ 
+
+73
+00:02:08,520 --> 00:02:11,520
+sure last place anybody think to
+[Laughter]
+
+74
+00:02:11,520 --> 00:02:11,530
+[Laughter]
+ 
+
+75
+00:02:11,530 --> 00:02:28,830
+[Laughter]
+[Music]
+
+76
+00:02:28,830 --> 00:02:28,840
+[Music]
+ 
+
+77
+00:02:28,840 --> 00:02:34,860
+[Music]
+look
+
+78
+00:02:34,860 --> 00:02:34,870
+
+ 
+
+79
+00:02:34,870 --> 00:02:38,270
+
+[Music]
+
+80
+00:02:38,270 --> 00:02:38,280
+[Music]
+ 
+
+81
+00:02:38,280 --> 00:02:41,550
+[Music]
+stepto open that door you spawn to the
+
+82
+00:02:41,550 --> 00:02:41,560
+stepto open that door you spawn to the
+ 
+
+83
+00:02:41,560 --> 00:02:58,830
+stepto open that door you spawn to the
+devil's own
+
+84
+00:02:58,830 --> 00:02:58,840
+
+ 
+
+85
+00:02:58,840 --> 00:03:06,610
+
+stopid
+
+86
+00:03:06,610 --> 00:03:06,620
+
+ 
+
+87
+00:03:06,620 --> 00:03:20,520
+
+[Music]
+

1955/9PyNL2ahKwc.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:01,480 --> 00:00:04,030
+
+rest my little
+
+2
+00:00:04,030 --> 00:00:04,040
+rest my little
+ 
+
+3
+00:00:04,040 --> 00:00:07,830
+rest my little
+one
+
+4
+00:00:07,830 --> 00:00:07,840
+
+ 
+
+5
+00:00:07,840 --> 00:00:10,830
+
+rest
+
+6
+00:00:10,830 --> 00:00:10,840
+rest
+ 
+
+7
+00:00:10,840 --> 00:00:15,840
+rest
+rest one
+
+8
+00:00:15,840 --> 00:00:15,850
+
+ 
+
+9
+00:00:15,850 --> 00:00:28,950
+
+[Music]
+
+10
+00:00:28,950 --> 00:00:28,960
+[Music]
+ 
+
+11
+00:00:28,960 --> 00:00:30,150
+[Music]
+rest
+
+12
+00:00:30,150 --> 00:00:30,160
+rest
+ 
+
+13
+00:00:30,160 --> 00:00:56,630
+rest
+[Music]
+
+14
+00:00:56,630 --> 00:00:56,640
+
+ 
+
+15
+00:00:56,640 --> 00:00:58,910
+
+leaning
+
+16
+00:00:58,910 --> 00:00:58,920
+leaning
+ 
+
+17
+00:00:58,920 --> 00:01:00,869
+leaning
+leaning
+
+18
+00:01:00,869 --> 00:01:00,879
+leaning
+ 
+
+19
+00:01:00,879 --> 00:01:11,050
+leaning
+safe and secure from
+
+20
+00:01:11,050 --> 00:01:11,060
+
+ 
+
+21
+00:01:11,060 --> 00:01:14,870
+
+[Music]
+
+22
+00:01:14,870 --> 00:01:14,880
+
+ 
+
+23
+00:01:14,880 --> 00:01:20,310
+
+alling on the
+
+24
+00:01:20,310 --> 00:01:20,320
+
+ 
+
+25
+00:01:20,320 --> 00:01:23,870
+
+Everlasting what a fellowship
+
+26
+00:01:23,870 --> 00:01:23,880
+Everlasting what a fellowship
+ 
+
+27
+00:01:23,880 --> 00:01:28,910
+Everlasting what a fellowship
+[Music]
+
+28
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+29
+00:01:28,920 --> 00:01:32,070
+
+what
+
+30
+00:01:32,070 --> 00:01:32,080
+
+ 
+
+31
+00:01:32,080 --> 00:01:36,749
+
+[Music]
+
+32
+00:01:36,749 --> 00:01:36,759
+[Music]
+ 
+
+33
+00:01:36,759 --> 00:01:40,080
+[Music]
+sleep wake up come
+
+34
+00:01:40,080 --> 00:01:40,090
+sleep wake up come
+ 
+
+35
+00:01:40,090 --> 00:01:47,270
+sleep wake up come
+[Music]
+
+36
+00:01:47,270 --> 00:01:47,280
+
+ 
+
+37
+00:01:47,280 --> 00:01:58,830
+
+[Music]
+
+38
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+39
+00:01:58,840 --> 00:02:16,510
+
+on
+
+40
+00:02:16,510 --> 00:02:16,520
+
+ 
+
+41
+00:02:16,520 --> 00:02:25,470
+
+[Music]
+

1955/9ykMeXdU_Ng.en.srt

@@ -0,0 +1,555 @@
+1
+00:00:00,149 --> 00:00:02,659
+
+you guys are wonderful to me I don't
+
+2
+00:00:02,659 --> 00:00:02,669
+you guys are wonderful to me I don't
+ 
+
+3
+00:00:02,669 --> 00:00:04,400
+you guys are wonderful to me I don't
+mention it right I think you almost
+
+4
+00:00:04,400 --> 00:00:04,410
+mention it right I think you almost
+ 
+
+5
+00:00:04,410 --> 00:00:07,579
+mention it right I think you almost
+deserve it you do really are you just
+
+6
+00:00:07,579 --> 00:00:07,589
+deserve it you do really are you just
+ 
+
+7
+00:00:07,589 --> 00:00:09,790
+deserve it you do really are you just
+giving me the old needle again
+
+8
+00:00:09,790 --> 00:00:09,800
+giving me the old needle again
+ 
+
+9
+00:00:09,800 --> 00:00:12,129
+giving me the old needle again
+what do you really think of me Doug
+
+10
+00:00:12,129 --> 00:00:12,139
+what do you really think of me Doug
+ 
+
+11
+00:00:12,139 --> 00:00:21,650
+what do you really think of me Doug
+honestly Frank I like you there's no
+
+12
+00:00:21,650 --> 00:00:21,660
+honestly Frank I like you there's no
+ 
+
+13
+00:00:21,660 --> 00:00:23,150
+honestly Frank I like you there's no
+getting around the fact you're a real
+
+14
+00:00:23,150 --> 00:00:23,160
+getting around the fact you're a real
+ 
+
+15
+00:00:23,160 --> 00:00:28,519
+getting around the fact you're a real
+likable guy yeah yeah but but what well
+
+16
+00:00:28,519 --> 00:00:28,529
+likable guy yeah yeah but but what well
+ 
+
+17
+00:00:28,529 --> 00:00:31,420
+likable guy yeah yeah but but what well
+I also think you're the most hapless
+
+18
+00:00:31,420 --> 00:00:31,430
+I also think you're the most hapless
+ 
+
+19
+00:00:31,430 --> 00:00:36,139
+I also think you're the most hapless
+lazy disorganizing in general the most
+
+20
+00:00:36,139 --> 00:00:36,149
+lazy disorganizing in general the most
+ 
+
+21
+00:00:36,149 --> 00:00:37,970
+lazy disorganizing in general the most
+lecherous person I've ever known in my
+
+22
+00:00:37,970 --> 00:00:37,980
+lecherous person I've ever known in my
+ 
+
+23
+00:00:37,980 --> 00:00:38,630
+lecherous person I've ever known in my
+life
+
+24
+00:00:38,630 --> 00:00:38,640
+life
+ 
+
+25
+00:00:38,640 --> 00:00:42,080
+life
+I am NOT not what I'm not disorganized
+
+26
+00:00:42,080 --> 00:00:42,090
+I am NOT not what I'm not disorganized
+ 
+
+27
+00:00:42,090 --> 00:00:43,400
+I am NOT not what I'm not disorganized
+for one have you ever in your life
+
+28
+00:00:43,400 --> 00:00:43,410
+for one have you ever in your life
+ 
+
+29
+00:00:43,410 --> 00:00:45,470
+for one have you ever in your life
+finish one thing you started out to do
+
+30
+00:00:45,470 --> 00:00:45,480
+finish one thing you started out to do
+ 
+
+31
+00:00:45,480 --> 00:00:48,440
+finish one thing you started out to do
+you sleep 16 hours a day you pretend you
+
+32
+00:00:48,440 --> 00:00:48,450
+you sleep 16 hours a day you pretend you
+ 
+
+33
+00:00:48,450 --> 00:00:49,610
+you sleep 16 hours a day you pretend you
+want me to improve your mind you've
+
+34
+00:00:49,610 --> 00:00:49,620
+want me to improve your mind you've
+ 
+
+35
+00:00:49,620 --> 00:00:51,139
+want me to improve your mind you've
+never finished one book I've given you
+
+36
+00:00:51,139 --> 00:00:51,149
+never finished one book I've given you
+ 
+
+37
+00:00:51,149 --> 00:00:52,819
+never finished one book I've given you
+to read I finished god's little acre
+
+38
+00:00:52,819 --> 00:00:52,829
+to read I finished god's little acre
+ 
+
+39
+00:00:52,829 --> 00:00:55,040
+to read I finished god's little acre
+done I give you that he's been reading
+
+40
+00:00:55,040 --> 00:00:55,050
+done I give you that he's been reading
+ 
+
+41
+00:00:55,050 --> 00:00:57,200
+done I give you that he's been reading
+god's little acre for over a year now
+
+42
+00:00:57,200 --> 00:00:57,210
+god's little acre for over a year now
+ 
+
+43
+00:00:57,210 --> 00:01:00,319
+god's little acre for over a year now
+he's underlined every erotic passage and
+
+44
+00:01:00,319 --> 00:01:00,329
+he's underlined every erotic passage and
+ 
+
+45
+00:01:00,329 --> 00:01:02,840
+he's underlined every erotic passage and
+added exclamation points and after a
+
+46
+00:01:02,840 --> 00:01:02,850
+added exclamation points and after a
+ 
+
+47
+00:01:02,850 --> 00:01:05,060
+added exclamation points and after a
+certain pornographic climax he's
+
+48
+00:01:05,060 --> 00:01:05,070
+certain pornographic climax he's
+ 
+
+49
+00:01:05,070 --> 00:01:08,810
+certain pornographic climax he's
+inserted the words well-written do the
+
+50
+00:01:08,810 --> 00:01:08,820
+inserted the words well-written do the
+ 
+
+51
+00:01:08,820 --> 00:01:10,760
+inserted the words well-written do the
+laundry and Morales write down if you've
+
+52
+00:01:10,760 --> 00:01:10,770
+laundry and Morales write down if you've
+ 
+
+53
+00:01:10,770 --> 00:01:12,560
+laundry and Morales write down if you've
+ever seen the laundry I was down there
+
+54
+00:01:12,560 --> 00:01:12,570
+ever seen the laundry I was down there
+ 
+
+55
+00:01:12,570 --> 00:01:13,880
+ever seen the laundry I was down there
+only last week you're scared of the
+
+56
+00:01:13,880 --> 00:01:13,890
+only last week you're scared of the
+ 
+
+57
+00:01:13,890 --> 00:01:15,800
+only last week you're scared of the
+captain I am not scared of that captain
+
+58
+00:01:15,800 --> 00:01:15,810
+captain I am not scared of that captain
+ 
+
+59
+00:01:15,810 --> 00:01:17,480
+captain I am not scared of that captain
+why do you hide in the passageway every
+
+60
+00:01:17,480 --> 00:01:17,490
+why do you hide in the passageway every
+ 
+
+61
+00:01:17,490 --> 00:01:18,980
+why do you hide in the passageway every
+time you see him coming you're scared of
+
+62
+00:01:18,980 --> 00:01:18,990
+time you see him coming you're scared of
+ 
+
+63
+00:01:18,990 --> 00:01:22,160
+time you see him coming you're scared of
+him I am NOT I'm scared of myself I'm
+
+64
+00:01:22,160 --> 00:01:22,170
+him I am NOT I'm scared of myself I'm
+ 
+
+65
+00:01:22,170 --> 00:01:23,749
+him I am NOT I'm scared of myself I'm
+scared of what am i due to what you do
+
+66
+00:01:23,749 --> 00:01:23,759
+scared of what am i due to what you do
+ 
+
+67
+00:01:23,759 --> 00:01:26,870
+scared of what am i due to what you do
+that he lies in his sack all day long
+
+68
+00:01:26,870 --> 00:01:26,880
+that he lies in his sack all day long
+ 
+
+69
+00:01:26,880 --> 00:01:29,240
+that he lies in his sack all day long
+bores me silly with great moronic plots
+
+70
+00:01:29,240 --> 00:01:29,250
+bores me silly with great moronic plots
+ 
+
+71
+00:01:29,250 --> 00:01:31,340
+bores me silly with great moronic plots
+against the captain he's never carried
+
+72
+00:01:31,340 --> 00:01:31,350
+against the captain he's never carried
+ 
+
+73
+00:01:31,350 --> 00:01:33,530
+against the captain he's never carried
+out one of them I haven't no Frank you
+
+74
+00:01:33,530 --> 00:01:33,540
+out one of them I haven't no Frank you
+ 
+
+75
+00:01:33,540 --> 00:01:35,690
+out one of them I haven't no Frank you
+haven't whatever happened to those
+
+76
+00:01:35,690 --> 00:01:35,700
+haven't whatever happened to those
+ 
+
+77
+00:01:35,700 --> 00:01:37,160
+haven't whatever happened to those
+marbles you were gonna put on the
+
+78
+00:01:37,160 --> 00:01:37,170
+marbles you were gonna put on the
+ 
+
+79
+00:01:37,170 --> 00:01:39,679
+marbles you were gonna put on the
+captain's overhead so they'd roll around
+
+80
+00:01:39,679 --> 00:01:39,689
+captain's overhead so they'd roll around
+ 
+
+81
+00:01:39,689 --> 00:01:43,730
+captain's overhead so they'd roll around
+all night and keep him awake no you've
+
+82
+00:01:43,730 --> 00:01:43,740
+all night and keep him awake no you've
+ 
+
+83
+00:01:43,740 --> 00:01:59,530
+all night and keep him awake no you've
+gone too far now you've asked for it
+
+84
+00:01:59,530 --> 00:01:59,540
+
+ 
+
+85
+00:01:59,540 --> 00:02:05,770
+
+what does that look like five marbles
+
+86
+00:02:05,770 --> 00:02:05,780
+what does that look like five marbles
+ 
+
+87
+00:02:05,780 --> 00:02:15,620
+what does that look like five marbles
+got another one in my pocket six I'm
+
+88
+00:02:15,620 --> 00:02:15,630
+got another one in my pocket six I'm
+ 
+
+89
+00:02:15,630 --> 00:02:22,150
+got another one in my pocket six I'm
+looking for marbles all day long
+
+90
+00:02:22,150 --> 00:02:22,160
+
+ 
+
+91
+00:02:22,160 --> 00:02:26,390
+
+great you asked me what I thought I'd be
+
+92
+00:02:26,390 --> 00:02:26,400
+great you asked me what I thought I'd be
+ 
+
+93
+00:02:26,400 --> 00:02:28,970
+great you asked me what I thought I'd be
+well I'll tell you but they you finished
+
+94
+00:02:28,970 --> 00:02:28,980
+well I'll tell you but they you finished
+ 
+
+95
+00:02:28,980 --> 00:02:31,970
+well I'll tell you but they you finished
+one thing you started out to do the day
+
+96
+00:02:31,970 --> 00:02:31,980
+one thing you started out to do the day
+ 
+
+97
+00:02:31,980 --> 00:02:33,860
+one thing you started out to do the day
+you actually put those marbles in the
+
+98
+00:02:33,860 --> 00:02:33,870
+you actually put those marbles in the
+ 
+
+99
+00:02:33,870 --> 00:02:36,020
+you actually put those marbles in the
+captain's overhead and then have the
+
+100
+00:02:36,020 --> 00:02:36,030
+captain's overhead and then have the
+ 
+
+101
+00:02:36,030 --> 00:02:37,340
+captain's overhead and then have the
+guts to knock on his door and say
+
+102
+00:02:37,340 --> 00:02:37,350
+guts to knock on his door and say
+ 
+
+103
+00:02:37,350 --> 00:02:40,670
+guts to knock on his door and say
+captain I put those marbles there that's
+
+104
+00:02:40,670 --> 00:02:40,680
+captain I put those marbles there that's
+ 
+
+105
+00:02:40,680 --> 00:02:42,850
+captain I put those marbles there that's
+the day I'll have some respect for you
+
+106
+00:02:42,850 --> 00:02:42,860
+the day I'll have some respect for you
+ 
+
+107
+00:02:42,860 --> 00:02:45,500
+the day I'll have some respect for you
+that's the day I'll look up to you as a
+
+108
+00:02:45,500 --> 00:02:45,510
+that's the day I'll look up to you as a
+ 
+
+109
+00:02:45,510 --> 00:02:54,750
+that's the day I'll look up to you as a
+man okay okay
+
+110
+00:02:54,750 --> 00:02:54,760
+
+ 
+
+111
+00:02:54,760 --> 00:03:06,100
+
+[Music]
+

1955/ALSUu2CSBOg.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:00,060 --> 00:00:03,280
+
+how else could you celebrate the easy a
+
+2
+00:00:03,280 --> 00:00:03,290
+how else could you celebrate the easy a
+ 
+
+3
+00:00:03,290 --> 00:00:10,120
+how else could you celebrate the easy a
+firecracker into the old man's birthday
+
+4
+00:00:10,120 --> 00:00:10,130
+
+ 
+
+5
+00:00:10,130 --> 00:00:15,079
+
+to better days right and to a great
+
+6
+00:00:15,079 --> 00:00:15,089
+to better days right and to a great
+ 
+
+7
+00:00:15,089 --> 00:00:17,090
+to better days right and to a great
+American Frank
+
+8
+00:00:17,090 --> 00:00:17,100
+American Frank
+ 
+
+9
+00:00:17,100 --> 00:00:22,840
+American Frank
+Thurlow Pulver soldiers statesman
+
+10
+00:00:22,840 --> 00:00:22,850
+Thurlow Pulver soldiers statesman
+ 
+
+11
+00:00:22,850 --> 00:00:44,290
+Thurlow Pulver soldiers statesman
+scientist friend of the working girl
+
+12
+00:00:44,290 --> 00:00:44,300
+
+ 
+
+13
+00:00:44,300 --> 00:00:48,200
+
+what was that I don't know what it was
+
+14
+00:00:48,200 --> 00:00:48,210
+what was that I don't know what it was
+ 
+
+15
+00:00:48,210 --> 00:00:55,850
+what was that I don't know what it was
+captain but I'll try and find out up in
+
+16
+00:00:55,850 --> 00:00:55,860
+captain but I'll try and find out up in
+ 
+
+17
+00:00:55,860 --> 00:01:07,730
+captain but I'll try and find out up in
+the bridge everything warm up here
+
+18
+00:01:07,730 --> 00:01:07,740
+
+ 
+
+19
+00:01:07,740 --> 00:01:17,740
+
+[Music]
+
+20
+00:01:17,740 --> 00:01:17,750
+
+ 
+
+21
+00:01:17,750 --> 00:01:34,630
+
+this may be pretty bad terrific
+
+22
+00:01:34,630 --> 00:01:34,640
+this may be pretty bad terrific
+ 
+
+23
+00:01:34,640 --> 00:01:38,000
+this may be pretty bad terrific
+are you alright yeah great
+
+24
+00:01:38,000 --> 00:01:38,010
+are you alright yeah great
+ 
+
+25
+00:01:38,010 --> 00:01:40,219
+are you alright yeah great
+gee you should have been there you're
+
+26
+00:01:40,219 --> 00:01:40,229
+gee you should have been there you're
+ 
+
+27
+00:01:40,229 --> 00:01:42,650
+gee you should have been there you're
+not you're not burned or anything oh but
+
+28
+00:01:42,650 --> 00:01:42,660
+not you're not burned or anything oh but
+ 
+
+29
+00:01:42,660 --> 00:01:44,780
+not you're not burned or anything oh but
+that library's kind of beat up you
+
+30
+00:01:44,780 --> 00:01:44,790
+that library's kind of beat up you
+ 
+
+31
+00:01:44,790 --> 00:01:47,600
+that library's kind of beat up you
+thought those library machines on the
+
+32
+00:01:47,600 --> 00:01:47,610
+thought those library machines on the
+ 
+
+33
+00:01:47,610 --> 00:01:49,670
+thought those library machines on the
+side of the room now and there's a new
+
+34
+00:01:49,670 --> 00:01:49,680
+side of the room now and there's a new
+ 
+
+35
+00:01:49,680 --> 00:01:51,920
+side of the room now and there's a new
+portal and a starboard side the electric
+
+36
+00:01:51,920 --> 00:01:51,930
+portal and a starboard side the electric
+ 
+
+37
+00:01:51,930 --> 00:01:54,500
+portal and a starboard side the electric
+I went right through I guess I steamed
+
+38
+00:01:54,500 --> 00:01:54,510
+I went right through I guess I steamed
+ 
+
+39
+00:01:54,510 --> 00:01:56,180
+I went right through I guess I steamed
+line must have flustered is suppose if I
+
+40
+00:01:56,180 --> 00:01:56,190
+line must have flustered is suppose if I
+ 
+
+41
+00:01:56,190 --> 00:02:02,240
+line must have flustered is suppose if I
+hear a lather at all it was absolutely
+
+42
+00:02:02,240 --> 00:02:02,250
+hear a lather at all it was absolutely
+ 
+
+43
+00:02:02,250 --> 00:02:05,240
+hear a lather at all it was absolutely
+beautiful it well what was it has
+
+44
+00:02:05,240 --> 00:02:05,250
+beautiful it well what was it has
+ 
+
+45
+00:02:05,250 --> 00:02:13,310
+beautiful it well what was it has
+anybody found out must have busted any
+
+46
+00:02:13,310 --> 00:02:13,320
+anybody found out must have busted any
+ 
+
+47
+00:02:13,320 --> 00:02:16,520
+anybody found out must have busted any
+damage we can't get in there the
+
+48
+00:02:16,520 --> 00:02:16,530
+damage we can't get in there the
+ 
+
+49
+00:02:16,530 --> 00:02:19,820
+damage we can't get in there the
+passageway is solid soapsuds
+
+50
+00:02:19,820 --> 00:02:19,830
+passageway is solid soapsuds
+ 
+
+51
+00:02:19,830 --> 00:02:23,430
+passageway is solid soapsuds
+won't tell those men to be more careful
+
+52
+00:02:23,430 --> 00:02:23,440
+won't tell those men to be more careful
+ 
+
+53
+00:02:23,440 --> 00:02:28,820
+won't tell those men to be more careful
+[Applause]
+
+54
+00:02:28,820 --> 00:02:28,830
+
+ 
+
+55
+00:02:28,830 --> 00:02:35,170
+
+[Laughter]
+
+56
+00:02:35,170 --> 00:02:35,180
+
+ 
+
+57
+00:02:35,180 --> 00:02:46,620
+
+[Music]
+

1955/CECosJ9_6MI.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:00,000 --> 00:00:02,389
+
+this looks like a soft spot to date oh
+
+2
+00:00:02,389 --> 00:00:02,399
+this looks like a soft spot to date oh
+ 
+
+3
+00:00:02,399 --> 00:00:04,610
+this looks like a soft spot to date oh
+here I'll help you give me one of those
+
+4
+00:00:04,610 --> 00:00:04,620
+here I'll help you give me one of those
+ 
+
+5
+00:00:04,620 --> 00:00:06,789
+here I'll help you give me one of those
+implements hey take your pick
+
+6
+00:00:06,789 --> 00:00:06,799
+implements hey take your pick
+ 
+
+7
+00:00:06,799 --> 00:00:09,740
+implements hey take your pick
+wait that's a shovel is the pickle here
+
+8
+00:00:09,740 --> 00:00:09,750
+wait that's a shovel is the pickle here
+ 
+
+9
+00:00:09,750 --> 00:00:11,540
+wait that's a shovel is the pickle here
+well I picked the shovel the shovel is
+
+10
+00:00:11,540 --> 00:00:11,550
+well I picked the shovel the shovel is
+ 
+
+11
+00:00:11,550 --> 00:00:12,200
+well I picked the shovel the shovel is
+my pain
+
+12
+00:00:12,200 --> 00:00:12,210
+my pain
+ 
+
+13
+00:00:12,210 --> 00:00:14,060
+my pain
+oh no this affect this a shovel that's
+
+14
+00:00:14,060 --> 00:00:14,070
+oh no this affect this a shovel that's
+ 
+
+15
+00:00:14,070 --> 00:00:15,980
+oh no this affect this a shovel that's
+what I picked is this yellow how can i
+
+16
+00:00:15,980 --> 00:00:15,990
+what I picked is this yellow how can i
+ 
+
+17
+00:00:15,990 --> 00:00:17,420
+what I picked is this yellow how can i
+how can i share with me the pic look if
+
+18
+00:00:17,420 --> 00:00:17,430
+how can i share with me the pic look if
+ 
+
+19
+00:00:17,430 --> 00:00:19,640
+how can i share with me the pic look if
+I'd wanted to pick I depict the pig but
+
+20
+00:00:19,640 --> 00:00:19,650
+I'd wanted to pick I depict the pig but
+ 
+
+21
+00:00:19,650 --> 00:00:21,019
+I'd wanted to pick I depict the pig but
+instead I picked this show home because
+
+22
+00:00:21,019 --> 00:00:21,029
+instead I picked this show home because
+ 
+
+23
+00:00:21,029 --> 00:00:23,900
+instead I picked this show home because
+the shovel is the right thing oh you
+
+24
+00:00:23,900 --> 00:00:23,910
+the shovel is the right thing oh you
+ 
+
+25
+00:00:23,910 --> 00:00:25,009
+the shovel is the right thing oh you
+don't want to pick the pick because the
+
+26
+00:00:25,009 --> 00:00:25,019
+don't want to pick the pick because the
+ 
+
+27
+00:00:25,019 --> 00:00:26,120
+don't want to pick the pick because the
+pictures are picking a shovel listen to
+
+28
+00:00:26,120 --> 00:00:26,130
+pictures are picking a shovel listen to
+ 
+
+29
+00:00:26,130 --> 00:00:27,320
+pictures are picking a shovel listen to
+pick up you pick the pick to pick the
+
+30
+00:00:27,320 --> 00:00:27,330
+pick up you pick the pick to pick the
+ 
+
+31
+00:00:27,330 --> 00:00:29,269
+pick up you pick the pick to pick the
+shovel isn't a pick now you've got it
+
+32
+00:00:29,269 --> 00:00:29,279
+shovel isn't a pick now you've got it
+ 
+
+33
+00:00:29,279 --> 00:00:30,589
+shovel isn't a pick now you've got it
+now I got it I don't even know what I'm
+
+34
+00:00:30,589 --> 00:00:30,599
+now I got it I don't even know what I'm
+ 
+
+35
+00:00:30,599 --> 00:00:32,659
+now I got it I don't even know what I'm
+talking about still don't understand
+
+36
+00:00:32,659 --> 00:00:32,669
+talking about still don't understand
+ 
+
+37
+00:00:32,669 --> 00:00:34,970
+talking about still don't understand
+there no yellow yeah now you take your
+
+38
+00:00:34,970 --> 00:00:34,980
+there no yellow yeah now you take your
+ 
+
+39
+00:00:34,980 --> 00:00:39,139
+there no yellow yeah now you take your
+pick huh now the pick is your pick
+
+40
+00:00:39,139 --> 00:00:39,149
+pick huh now the pick is your pick
+ 
+
+41
+00:00:39,149 --> 00:00:42,380
+pick huh now the pick is your pick
+let's try to get up no come on you take
+
+42
+00:00:42,380 --> 00:00:42,390
+let's try to get up no come on you take
+ 
+
+43
+00:00:42,390 --> 00:00:55,279
+let's try to get up no come on you take
+your pick you know if we try to escape
+
+44
+00:00:55,279 --> 00:00:55,289
+your pick you know if we try to escape
+ 
+
+45
+00:00:55,289 --> 00:00:58,939
+your pick you know if we try to escape
+it we get lost on this desert and if we
+
+46
+00:00:58,939 --> 00:00:58,949
+it we get lost on this desert and if we
+ 
+
+47
+00:00:58,949 --> 00:01:00,529
+it we get lost on this desert and if we
+stay here we'll possibly wind up in that
+
+48
+00:01:00,529 --> 00:01:00,539
+stay here we'll possibly wind up in that
+ 
+
+49
+00:01:00,539 --> 00:01:03,799
+stay here we'll possibly wind up in that
+hole instead of Samuel I don't know what
+
+50
+00:01:03,799 --> 00:01:03,809
+hole instead of Samuel I don't know what
+ 
+
+51
+00:01:03,809 --> 00:01:09,190
+hole instead of Samuel I don't know what
+to do something's got to be done you can
+
+52
+00:01:09,190 --> 00:01:09,200
+
+ 
+
+53
+00:01:09,200 --> 00:01:19,600
+
+[Music]
+
+54
+00:01:19,600 --> 00:01:19,610
+[Music]
+ 
+
+55
+00:01:19,610 --> 00:01:23,770
+[Music]
+say if you can't beat them join them
+
+56
+00:01:23,770 --> 00:01:23,780
+say if you can't beat them join them
+ 
+
+57
+00:01:23,780 --> 00:01:25,550
+say if you can't beat them join them
+that's what we'll do and strike a
+
+58
+00:01:25,550 --> 00:01:25,560
+that's what we'll do and strike a
+ 
+
+59
+00:01:25,560 --> 00:01:27,560
+that's what we'll do and strike a
+bargain with seem you after all you've
+
+60
+00:01:27,560 --> 00:01:27,570
+bargain with seem you after all you've
+ 
+
+61
+00:01:27,570 --> 00:01:29,120
+bargain with seem you after all you've
+got the medallion you got nothing to
+
+62
+00:01:29,120 --> 00:01:29,130
+got the medallion you got nothing to
+ 
+
+63
+00:01:29,130 --> 00:01:30,420
+got the medallion you got nothing to
+worry
+
+64
+00:01:30,420 --> 00:01:30,430
+worry
+ 
+
+65
+00:01:30,430 --> 00:01:35,250
+worry
+oh sure leads me into all the work you
+
+66
+00:01:35,250 --> 00:01:35,260
+oh sure leads me into all the work you
+ 
+
+67
+00:01:35,260 --> 00:01:38,070
+oh sure leads me into all the work you
+don't care you don't count doesn't how
+
+68
+00:01:38,070 --> 00:01:38,080
+don't care you don't count doesn't how
+ 
+
+69
+00:01:38,080 --> 00:01:39,120
+don't care you don't count doesn't how
+it's done
+
+70
+00:01:39,120 --> 00:01:39,130
+it's done
+ 
+
+71
+00:01:39,130 --> 00:01:59,510
+it's done
+[Music]
+
+72
+00:01:59,510 --> 00:01:59,520
+
+ 
+
+73
+00:01:59,520 --> 00:02:07,370
+
+you
+
+74
+00:02:07,370 --> 00:02:07,380
+
+ 
+
+75
+00:02:07,380 --> 00:02:13,300
+
+[Music]
+

1955/EL9EJL3O7bU.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:01,800 --> 00:00:05,550
+
+need any help oh it's you one of the
+
+2
+00:00:05,550 --> 00:00:05,560
+need any help oh it's you one of the
+ 
+
+3
+00:00:05,560 --> 00:00:07,030
+need any help oh it's you one of the
+convicts the one who's been carrying you
+
+4
+00:00:07,030 --> 00:00:07,040
+convicts the one who's been carrying you
+ 
+
+5
+00:00:07,040 --> 00:00:08,750
+convicts the one who's been carrying you
+around all
+
+6
+00:00:08,750 --> 00:00:08,760
+around all
+ 
+
+7
+00:00:08,760 --> 00:00:11,390
+around all
+afternoon you're going
+
+8
+00:00:11,390 --> 00:00:11,400
+afternoon you're going
+ 
+
+9
+00:00:11,400 --> 00:00:14,869
+afternoon you're going
+someplace I'm going to kill
+
+10
+00:00:14,869 --> 00:00:14,879
+someplace I'm going to kill
+ 
+
+11
+00:00:14,879 --> 00:00:17,510
+someplace I'm going to kill
+myself when you're 60 you'll wear a hat
+
+12
+00:00:17,510 --> 00:00:17,520
+myself when you're 60 you'll wear a hat
+ 
+
+13
+00:00:17,520 --> 00:00:19,750
+myself when you're 60 you'll wear a hat
+like that so men won't look at your face
+
+14
+00:00:19,750 --> 00:00:19,760
+like that so men won't look at your face
+ 
+
+15
+00:00:19,760 --> 00:00:22,590
+like that so men won't look at your face
+not now you've got a nice face how can I
+
+16
+00:00:22,590 --> 00:00:22,600
+not now you've got a nice face how can I
+ 
+
+17
+00:00:22,600 --> 00:00:24,910
+not now you've got a nice face how can I
+run away without a hat why run away cuz
+
+18
+00:00:24,910 --> 00:00:24,920
+run away without a hat why run away cuz
+ 
+
+19
+00:00:24,920 --> 00:00:26,230
+run away without a hat why run away cuz
+you're mad at
+
+20
+00:00:26,230 --> 00:00:26,240
+you're mad at
+ 
+
+21
+00:00:26,240 --> 00:00:28,390
+you're mad at
+Paul we were on the roof we know all
+
+22
+00:00:28,390 --> 00:00:28,400
+Paul we were on the roof we know all
+ 
+
+23
+00:00:28,400 --> 00:00:31,790
+Paul we were on the roof we know all
+about you and Paul
+
+24
+00:00:31,790 --> 00:00:31,800
+about you and Paul
+ 
+
+25
+00:00:31,800 --> 00:00:34,350
+about you and Paul
+well then you know why I'm running away
+
+26
+00:00:34,350 --> 00:00:34,360
+well then you know why I'm running away
+ 
+
+27
+00:00:34,360 --> 00:00:35,990
+well then you know why I'm running away
+why would Paul come here unless it was
+
+28
+00:00:35,990 --> 00:00:36,000
+why would Paul come here unless it was
+ 
+
+29
+00:00:36,000 --> 00:00:38,350
+why would Paul come here unless it was
+to see you again his uncle made him come
+
+30
+00:00:38,350 --> 00:00:38,360
+to see you again his uncle made him come
+ 
+
+31
+00:00:38,360 --> 00:00:41,430
+to see you again his uncle made him come
+oh no I bet there's another reason I bet
+
+32
+00:00:41,430 --> 00:00:41,440
+oh no I bet there's another reason I bet
+ 
+
+33
+00:00:41,440 --> 00:00:44,310
+oh no I bet there's another reason I bet
+he came so that you two could
+
+34
+00:00:44,310 --> 00:00:44,320
+he came so that you two could
+ 
+
+35
+00:00:44,320 --> 00:00:47,389
+he came so that you two could
+elope that isn't very likely is it a man
+
+36
+00:00:47,389 --> 00:00:47,399
+elope that isn't very likely is it a man
+ 
+
+37
+00:00:47,399 --> 00:00:49,430
+elope that isn't very likely is it a man
+doesn't travel 4,000 miles just to prove
+
+38
+00:00:49,430 --> 00:00:49,440
+doesn't travel 4,000 miles just to prove
+ 
+
+39
+00:00:49,440 --> 00:00:51,590
+doesn't travel 4,000 miles just to prove
+he's a Lous he could do that in a letter
+
+40
+00:00:51,590 --> 00:00:51,600
+he's a Lous he could do that in a letter
+ 
+
+41
+00:00:51,600 --> 00:00:54,430
+he's a Lous he could do that in a letter
+like I always
+
+42
+00:00:54,430 --> 00:00:54,440
+like I always
+ 
+
+43
+00:00:54,440 --> 00:00:58,310
+like I always
+did it's funny but I want to believe you
+
+44
+00:00:58,310 --> 00:00:58,320
+did it's funny but I want to believe you
+ 
+
+45
+00:00:58,320 --> 00:01:00,310
+did it's funny but I want to believe you
+yeah I thought you might the least you
+
+46
+00:01:00,310 --> 00:01:00,320
+yeah I thought you might the least you
+ 
+
+47
+00:01:00,320 --> 00:01:02,950
+yeah I thought you might the least you
+can do is wait for Paul's side of the
+
+48
+00:01:02,950 --> 00:01:02,960
+can do is wait for Paul's side of the
+ 
+
+49
+00:01:02,960 --> 00:01:05,189
+can do is wait for Paul's side of the
+story well the thing that really bothers
+
+50
+00:01:05,189 --> 00:01:05,199
+story well the thing that really bothers
+ 
+
+51
+00:01:05,199 --> 00:01:08,590
+story well the thing that really bothers
+me about Paul I mean is well I wouldn't
+
+52
+00:01:08,590 --> 00:01:08,600
+me about Paul I mean is well I wouldn't
+ 
+
+53
+00:01:08,600 --> 00:01:11,030
+me about Paul I mean is well I wouldn't
+blame him for not wanting me I know I'm
+
+54
+00:01:11,030 --> 00:01:11,040
+blame him for not wanting me I know I'm
+ 
+
+55
+00:01:11,040 --> 00:01:13,469
+blame him for not wanting me I know I'm
+sort of awkward I've never been
+
+56
+00:01:13,469 --> 00:01:13,479
+sort of awkward I've never been
+ 
+
+57
+00:01:13,479 --> 00:01:16,630
+sort of awkward I've never been
+attractive to man I'm a
+
+58
+00:01:16,630 --> 00:01:16,640
+attractive to man I'm a
+ 
+
+59
+00:01:16,640 --> 00:01:21,630
+attractive to man I'm a
+man you find me that is do I seem to you
+
+60
+00:01:21,630 --> 00:01:21,640
+man you find me that is do I seem to you
+ 
+
+61
+00:01:21,640 --> 00:01:24,350
+man you find me that is do I seem to you
+well do I I could go to jail for the way
+
+62
+00:01:24,350 --> 00:01:24,360
+well do I I could go to jail for the way
+ 
+
+63
+00:01:24,360 --> 00:01:25,069
+well do I I could go to jail for the way
+I
+
+64
+00:01:25,069 --> 00:01:25,079
+I
+ 
+
+65
+00:01:25,079 --> 00:01:27,710
+I
+feel I wasn't there
+
+66
+00:01:27,710 --> 00:01:27,720
+feel I wasn't there
+ 
+
+67
+00:01:27,720 --> 00:01:29,950
+feel I wasn't there
+already now put a pretty smile on your
+
+68
+00:01:29,950 --> 00:01:29,960
+already now put a pretty smile on your
+ 
+
+69
+00:01:29,960 --> 00:01:33,310
+already now put a pretty smile on your
+your face and don't hurt the people you
+
+70
+00:01:33,310 --> 00:01:33,320
+your face and don't hurt the people you
+ 
+
+71
+00:01:33,320 --> 00:01:35,190
+your face and don't hurt the people you
+love you're
+
+72
+00:01:35,190 --> 00:01:35,200
+love you're
+ 
+
+73
+00:01:35,200 --> 00:01:39,429
+love you're
+amazing why oh because of these I wasn't
+
+74
+00:01:39,429 --> 00:01:39,439
+amazing why oh because of these I wasn't
+ 
+
+75
+00:01:39,439 --> 00:01:41,469
+amazing why oh because of these I wasn't
+born in a Cell you know you don't look
+
+76
+00:01:41,469 --> 00:01:41,479
+born in a Cell you know you don't look
+ 
+
+77
+00:01:41,479 --> 00:01:44,149
+born in a Cell you know you don't look
+like a criminal to me crime showed in a
+
+78
+00:01:44,149 --> 00:01:44,159
+like a criminal to me crime showed in a
+ 
+
+79
+00:01:44,159 --> 00:01:47,410
+like a criminal to me crime showed in a
+man's face it wouldn't be any mirrors
+
+80
+00:01:47,410 --> 00:01:47,420
+man's face it wouldn't be any mirrors
+ 
+
+81
+00:01:47,420 --> 00:02:08,710
+man's face it wouldn't be any mirrors
+[Music]
+
+82
+00:02:08,710 --> 00:02:08,720
+
+ 
+
+83
+00:02:08,720 --> 00:02:12,500
+
+SC
+
+84
+00:02:12,500 --> 00:02:12,510
+
+ 
+
+85
+00:02:12,510 --> 00:02:18,460
+
+[Music]
+

1955/I2UTg_bYu68.en.srt

@@ -0,0 +1,235 @@
+1
+00:00:31,560 --> 00:00:34,610
+
+funny kind of a letter everything is
+
+2
+00:00:34,610 --> 00:00:34,620
+funny kind of a letter everything is
+ 
+
+3
+00:00:34,620 --> 00:00:36,470
+funny kind of a letter everything is
+going great and suddenly the sky falls
+
+4
+00:00:36,470 --> 00:00:36,480
+going great and suddenly the sky falls
+ 
+
+5
+00:00:36,480 --> 00:00:44,540
+going great and suddenly the sky falls
+in well here it is Paul is my sole heir
+
+6
+00:00:44,540 --> 00:00:44,550
+in well here it is Paul is my sole heir
+ 
+
+7
+00:00:44,550 --> 00:00:46,490
+in well here it is Paul is my sole heir
+and I have arranged a marriage with the
+
+8
+00:00:46,490 --> 00:00:46,500
+and I have arranged a marriage with the
+ 
+
+9
+00:00:46,500 --> 00:00:48,350
+and I have arranged a marriage with the
+daughter of Odie bear the shipbuilder I
+
+10
+00:00:48,350 --> 00:00:48,360
+daughter of Odie bear the shipbuilder I
+ 
+
+11
+00:00:48,360 --> 00:00:51,380
+daughter of Odie bear the shipbuilder I
+need ships in my business we ought to do
+
+12
+00:00:51,380 --> 00:00:51,390
+need ships in my business we ought to do
+ 
+
+13
+00:00:51,390 --> 00:00:53,479
+need ships in my business we ought to do
+something but I forgotten what I read
+
+14
+00:00:53,479 --> 00:00:53,489
+something but I forgotten what I read
+ 
+
+15
+00:00:53,489 --> 00:00:54,950
+something but I forgotten what I read
+somewhere once when a lady faints you
+
+16
+00:00:54,950 --> 00:00:54,960
+somewhere once when a lady faints you
+ 
+
+17
+00:00:54,960 --> 00:00:56,090
+somewhere once when a lady faints you
+should loosen her clothing
+
+18
+00:00:56,090 --> 00:00:56,100
+should loosen her clothing
+ 
+
+19
+00:00:56,100 --> 00:00:57,380
+should loosen her clothing
+well that kind of reading is what got
+
+20
+00:00:57,380 --> 00:00:57,390
+well that kind of reading is what got
+ 
+
+21
+00:00:57,390 --> 00:01:31,520
+well that kind of reading is what got
+you into trouble go get some water no
+
+22
+00:01:31,520 --> 00:01:31,530
+you into trouble go get some water no
+ 
+
+23
+00:01:31,530 --> 00:01:33,800
+you into trouble go get some water no
+need to be frightened what have you done
+
+24
+00:01:33,800 --> 00:01:33,810
+need to be frightened what have you done
+ 
+
+25
+00:01:33,810 --> 00:01:36,709
+need to be frightened what have you done
+nothing we were up there when it
+
+26
+00:01:36,709 --> 00:01:36,719
+nothing we were up there when it
+ 
+
+27
+00:01:36,719 --> 00:01:37,249
+nothing we were up there when it
+happened
+
+28
+00:01:37,249 --> 00:01:37,259
+happened
+ 
+
+29
+00:01:37,259 --> 00:01:38,899
+happened
+her father left you gave her the letter
+
+30
+00:01:38,899 --> 00:01:38,909
+her father left you gave her the letter
+ 
+
+31
+00:01:38,909 --> 00:01:46,459
+her father left you gave her the letter
+she read it ship only second page the
+
+32
+00:01:46,459 --> 00:01:46,469
+she read it ship only second page the
+ 
+
+33
+00:01:46,469 --> 00:01:51,980
+she read it ship only second page the
+deadly paragraph he is my sole heir and
+
+34
+00:01:51,980 --> 00:01:51,990
+deadly paragraph he is my sole heir and
+ 
+
+35
+00:01:51,990 --> 00:01:53,209
+deadly paragraph he is my sole heir and
+I have arranged a marriage with the
+
+36
+00:01:53,209 --> 00:01:53,219
+I have arranged a marriage with the
+ 
+
+37
+00:01:53,219 --> 00:01:56,200
+I have arranged a marriage with the
+daughter some cousin your husband's got
+
+38
+00:01:56,200 --> 00:01:56,210
+daughter some cousin your husband's got
+ 
+
+39
+00:01:56,210 --> 00:01:58,279
+daughter some cousin your husband's got
+when she opens our eyes it might be
+
+40
+00:01:58,279 --> 00:01:58,289
+when she opens our eyes it might be
+ 
+
+41
+00:01:58,289 --> 00:01:59,989
+when she opens our eyes it might be
+better if she saw you first it's not the
+
+42
+00:01:59,989 --> 00:01:59,999
+better if she saw you first it's not the
+ 
+
+43
+00:01:59,999 --> 00:02:02,239
+better if she saw you first it's not the
+way so very bad to look at but it takes
+
+44
+00:02:02,239 --> 00:02:02,249
+way so very bad to look at but it takes
+ 
+
+45
+00:02:02,249 --> 00:02:05,179
+way so very bad to look at but it takes
+a little time we get used to us darling
+
+46
+00:02:05,179 --> 00:02:05,189
+a little time we get used to us darling
+ 
+
+47
+00:02:05,189 --> 00:02:10,940
+a little time we get used to us darling
+my darling Isabelle hi
+

1955/I3hVaKO5olI.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,680 --> 00:00:04,970
+
+it's a government its deep regret in
+
+2
+00:00:04,970 --> 00:00:04,980
+it's a government its deep regret in
+ 
+
+3
+00:00:04,980 --> 00:00:08,669
+it's a government its deep regret in
+[Music]
+
+4
+00:00:08,669 --> 00:00:08,679
+
+ 
+
+5
+00:00:08,679 --> 00:00:12,070
+
+forms your son was killed in
+
+6
+00:00:12,070 --> 00:00:12,080
+forms your son was killed in
+ 
+
+7
+00:00:12,080 --> 00:00:16,070
+forms your son was killed in
+action 15th of April he died a hero and
+
+8
+00:00:16,070 --> 00:00:16,080
+action 15th of April he died a hero and
+ 
+
+9
+00:00:16,080 --> 00:00:18,349
+action 15th of April he died a hero and
+an
+
+10
+00:00:18,349 --> 00:00:18,359
+
+ 
+
+11
+00:00:18,359 --> 00:00:22,230
+
+American I'm sorry I'm sorry luk sorry
+
+12
+00:00:22,230 --> 00:00:22,240
+American I'm sorry I'm sorry luk sorry
+ 
+
+13
+00:00:22,240 --> 00:00:24,990
+American I'm sorry I'm sorry luk sorry
+I'm sorry Mrs Hoff I did not you're not
+
+14
+00:00:24,990 --> 00:00:25,000
+I'm sorry Mrs Hoff I did not you're not
+ 
+
+15
+00:00:25,000 --> 00:00:27,630
+I'm sorry Mrs Hoff I did not you're not
+sorry enough I don't think he's sorry
+
+16
+00:00:27,630 --> 00:00:27,640
+sorry enough I don't think he's sorry
+ 
+
+17
+00:00:27,640 --> 00:00:30,749
+sorry enough I don't think he's sorry
+he's not sorry at all one if we all go
+
+18
+00:00:30,749 --> 00:00:30,759
+he's not sorry at all one if we all go
+ 
+
+19
+00:00:30,759 --> 00:00:33,270
+he's not sorry at all one if we all go
+on You're Not Sorry enough why aren't
+
+20
+00:00:33,270 --> 00:00:33,280
+on You're Not Sorry enough why aren't
+ 
+
+21
+00:00:33,280 --> 00:00:38,070
+on You're Not Sorry enough why aren't
+you in the war this will make you sorry
+
+22
+00:00:38,070 --> 00:00:38,080
+you in the war this will make you sorry
+ 
+
+23
+00:00:38,080 --> 00:01:06,910
+you in the war this will make you sorry
+[Music]
+
+24
+00:01:06,910 --> 00:01:06,920
+
+ 
+
+25
+00:01:06,920 --> 00:01:08,030
+
+hello
+
+26
+00:01:08,030 --> 00:01:08,040
+hello
+ 
+
+27
+00:01:08,040 --> 00:01:10,310
+hello
+Charlie Danny what are you fellas doing
+
+28
+00:01:10,310 --> 00:01:10,320
+Charlie Danny what are you fellas doing
+ 
+
+29
+00:01:10,320 --> 00:01:14,190
+Charlie Danny what are you fellas doing
+here anyway get up Billy well Loretta
+
+30
+00:01:14,190 --> 00:01:14,200
+here anyway get up Billy well Loretta
+ 
+
+31
+00:01:14,200 --> 00:01:18,149
+here anyway get up Billy well Loretta
+didn't expect to find you here Evening
+
+32
+00:01:18,149 --> 00:01:18,159
+didn't expect to find you here Evening
+ 
+
+33
+00:01:18,159 --> 00:01:20,590
+didn't expect to find you here Evening
+Rose looks like they messed up your rose
+
+34
+00:01:20,590 --> 00:01:20,600
+Rose looks like they messed up your rose
+ 
+
+35
+00:01:20,600 --> 00:01:23,469
+Rose looks like they messed up your rose
+garden a little here guus somebody owes
+
+36
+00:01:23,469 --> 00:01:23,479
+garden a little here guus somebody owes
+ 
+
+37
+00:01:23,479 --> 00:01:32,350
+garden a little here guus somebody owes
+you an apology
+
+38
+00:01:32,350 --> 00:01:32,360
+
+ 
+
+39
+00:01:32,360 --> 00:01:34,910
+
+well how about you folks all going home
+
+40
+00:01:34,910 --> 00:01:34,920
+well how about you folks all going home
+ 
+
+41
+00:01:34,920 --> 00:01:42,190
+well how about you folks all going home
+now think this will do for
+
+42
+00:01:42,190 --> 00:01:42,200
+
+ 
+
+43
+00:01:42,200 --> 00:01:44,990
+
+tonight good evening this is all
+
+44
+00:01:44,990 --> 00:01:45,000
+tonight good evening this is all
+ 
+
+45
+00:01:45,000 --> 00:01:49,030
+tonight good evening this is all
+R may I come
+
+46
+00:01:49,030 --> 00:01:49,040
+
+ 
+
+47
+00:01:49,040 --> 00:01:51,389
+
+in h
+
+48
+00:01:51,389 --> 00:01:51,399
+in h
+ 
+
+49
+00:01:51,399 --> 00:01:53,910
+in h
+Cal place will be fixed up just like it
+
+50
+00:01:53,910 --> 00:01:53,920
+Cal place will be fixed up just like it
+ 
+
+51
+00:01:53,920 --> 00:01:55,789
+Cal place will be fixed up just like it
+was before this is alreck I'm going to
+
+52
+00:01:55,789 --> 00:01:55,799
+was before this is alreck I'm going to
+ 
+
+53
+00:01:55,799 --> 00:02:06,950
+was before this is alreck I'm going to
+see to it you see
+
+54
+00:02:06,950 --> 00:02:06,960
+
+ 
+
+55
+00:02:06,960 --> 00:02:09,949
+
+where were
+
+56
+00:02:09,949 --> 00:02:09,959
+
+ 
+
+57
+00:02:09,959 --> 00:02:23,509
+
+you where did you get his
+
+58
+00:02:23,509 --> 00:02:23,519
+
+ 
+
+59
+00:02:23,519 --> 00:02:26,390
+
+coat you all
+
+60
+00:02:26,390 --> 00:02:26,400
+coat you all
+ 
+
+61
+00:02:26,400 --> 00:02:28,750
+coat you all
+right you had to start slugging didn't
+
+62
+00:02:28,750 --> 00:02:28,760
+right you had to start slugging didn't
+ 
+
+63
+00:02:28,760 --> 00:02:31,550
+right you had to start slugging didn't
+you what were you doing sh off for her H
+
+64
+00:02:31,550 --> 00:02:31,560
+you what were you doing sh off for her H
+ 
+
+65
+00:02:31,560 --> 00:02:34,229
+you what were you doing sh off for her H
+you had to start slugging I was trying
+
+66
+00:02:34,229 --> 00:02:34,239
+you had to start slugging I was trying
+ 
+
+67
+00:02:34,239 --> 00:02:35,869
+you had to start slugging I was trying
+to help you well I don't need your help
+
+68
+00:02:35,869 --> 00:02:35,879
+to help you well I don't need your help
+ 
+
+69
+00:02:35,879 --> 00:02:38,150
+to help you well I don't need your help
+I'm trying to help you Aon if you want
+
+70
+00:02:38,150 --> 00:02:38,160
+I'm trying to help you Aon if you want
+ 
+
+71
+00:02:38,160 --> 00:02:40,390
+I'm trying to help you Aon if you want
+to slug people do it for yourself and
+
+72
+00:02:40,390 --> 00:02:40,400
+to slug people do it for yourself and
+ 
+
+73
+00:02:40,400 --> 00:02:42,990
+to slug people do it for yourself and
+not for me and don't lie to me about
+
+74
+00:02:42,990 --> 00:02:43,000
+not for me and don't lie to me about
+ 
+
+75
+00:02:43,000 --> 00:02:50,229
+not for me and don't lie to me about
+trying and I try to help
+
+76
+00:02:50,229 --> 00:02:50,239
+
+ 
+
+77
+00:02:50,239 --> 00:02:52,110
+
+you be
+
+78
+00:02:52,110 --> 00:02:52,120
+you be
+ 
+
+79
+00:02:52,120 --> 00:02:59,990
+you be
+here you're finished
+
+80
+00:02:59,990 --> 00:03:00,000
+
+ 
+
+81
+00:03:00,000 --> 00:03:01,470
+
+don't don't do
+
+82
+00:03:01,470 --> 00:03:01,480
+don't don't do
+ 
+
+83
+00:03:01,480 --> 00:03:04,690
+don't don't do
+that don't do that
+
+84
+00:03:04,690 --> 00:03:04,700
+that don't do that
+ 
+
+85
+00:03:04,700 --> 00:03:30,949
+that don't do that
+[Music]
+
+86
+00:03:30,949 --> 00:03:30,959
+
+ 
+
+87
+00:03:30,959 --> 00:03:33,959
+
+ch
+

1955/JyxSm91eun4.en.srt

@@ -0,0 +1,305 @@
+1
+00:00:04,820 --> 00:00:05,990
+
+[Music]
+
+2
+00:00:05,990 --> 00:00:06,000
+[Music]
+ 
+
+3
+00:00:06,000 --> 00:00:09,470
+[Music]
+leaning
+
+4
+00:00:09,470 --> 00:00:09,480
+
+ 
+
+5
+00:00:09,480 --> 00:00:16,670
+
+leaning safe and secure from all
+
+6
+00:00:16,670 --> 00:00:16,680
+leaning safe and secure from all
+ 
+
+7
+00:00:16,680 --> 00:00:20,189
+leaning safe and secure from all
+alarms
+
+8
+00:00:20,189 --> 00:00:20,199
+
+ 
+
+9
+00:00:20,199 --> 00:00:23,750
+
+leaning
+
+10
+00:00:23,750 --> 00:00:23,760
+
+ 
+
+11
+00:00:23,760 --> 00:00:25,390
+
+leaning
+
+12
+00:00:25,390 --> 00:00:25,400
+leaning
+ 
+
+13
+00:00:25,400 --> 00:00:29,600
+leaning
+leaning on the Everlasting
+
+14
+00:00:29,600 --> 00:00:29,610
+leaning on the Everlasting
+ 
+
+15
+00:00:29,610 --> 00:00:31,790
+leaning on the Everlasting
+[Music]
+
+16
+00:00:31,790 --> 00:00:31,800
+[Music]
+ 
+
+17
+00:00:31,800 --> 00:00:35,190
+[Music]
+arm what a
+
+18
+00:00:35,190 --> 00:00:35,200
+arm what a
+ 
+
+19
+00:00:35,200 --> 00:00:38,270
+arm what a
+fellowship what a joy
+
+20
+00:00:38,270 --> 00:00:38,280
+fellowship what a joy
+ 
+
+21
+00:00:38,280 --> 00:00:44,110
+fellowship what a joy
+Divine leaning on the Everlasting
+
+22
+00:00:44,110 --> 00:00:44,120
+Divine leaning on the Everlasting
+ 
+
+23
+00:00:44,120 --> 00:00:47,350
+Divine leaning on the Everlasting
+Arms what a
+
+24
+00:00:47,350 --> 00:00:47,360
+Arms what a
+ 
+
+25
+00:00:47,360 --> 00:00:51,029
+Arms what a
+blessedness what a peace is
+
+26
+00:00:51,029 --> 00:00:51,039
+blessedness what a peace is
+ 
+
+27
+00:00:51,039 --> 00:00:55,110
+blessedness what a peace is
+mine leaning on the
+
+28
+00:00:55,110 --> 00:00:55,120
+mine leaning on the
+ 
+
+29
+00:00:55,120 --> 00:01:00,150
+mine leaning on the
+Everlasting Arms
+
+30
+00:01:00,150 --> 00:01:00,160
+
+ 
+
+31
+00:01:00,160 --> 00:01:03,829
+
+Jus leing on
+
+32
+00:01:03,829 --> 00:01:03,839
+Jus leing on
+ 
+
+33
+00:01:03,839 --> 00:01:10,670
+Jus leing on
+Jesus sa and secure from
+
+34
+00:01:10,670 --> 00:01:10,680
+
+ 
+
+35
+00:01:10,680 --> 00:01:15,230
+
+alls leing on
+
+36
+00:01:15,230 --> 00:01:15,240
+alls leing on
+ 
+
+37
+00:01:15,240 --> 00:01:17,990
+alls leing on
+Jesus on
+
+38
+00:01:17,990 --> 00:01:18,000
+Jesus on
+ 
+
+39
+00:01:18,000 --> 00:01:19,950
+Jesus on
+Jesus
+
+40
+00:01:19,950 --> 00:01:19,960
+Jesus
+ 
+
+41
+00:01:19,960 --> 00:01:24,290
+Jesus
+leing on the
+
+42
+00:01:24,290 --> 00:01:24,300
+
+ 
+
+43
+00:01:24,300 --> 00:01:27,789
+
+[Music]
+
+44
+00:01:27,789 --> 00:01:27,799
+[Music]
+ 
+
+45
+00:01:27,799 --> 00:01:30,749
+[Music]
+Everlasting shame on you will be Ming
+
+46
+00:01:30,749 --> 00:01:30,759
+Everlasting shame on you will be Ming
+ 
+
+47
+00:01:30,759 --> 00:01:34,270
+Everlasting shame on you will be Ming
+around the house after that Mad Dog of a
+
+48
+00:01:34,270 --> 00:01:34,280
+around the house after that Mad Dog of a
+ 
+
+49
+00:01:34,280 --> 00:01:36,990
+around the house after that Mad Dog of a
+man Mr
+
+50
+00:01:36,990 --> 00:01:37,000
+man Mr
+ 
+
+51
+00:01:37,000 --> 00:01:39,670
+man Mr
+fens Ruby go get the children out of bed
+
+52
+00:01:39,670 --> 00:01:39,680
+fens Ruby go get the children out of bed
+ 
+
+53
+00:01:39,680 --> 00:01:42,870
+fens Ruby go get the children out of bed
+and bring them down
+
+54
+00:01:42,870 --> 00:01:42,880
+
+ 
+
+55
+00:01:42,880 --> 00:01:46,320
+
+here women are such ger fools
+
+56
+00:01:46,320 --> 00:01:46,330
+here women are such ger fools
+ 
+
+57
+00:01:46,330 --> 00:02:05,190
+here women are such ger fools
+[Music]
+
+58
+00:02:05,190 --> 00:02:05,200
+
+ 
+
+59
+00:02:05,200 --> 00:02:25,550
+
+it's a hard world for little things
+
+60
+00:02:25,550 --> 00:02:25,560
+
+ 
+
+61
+00:02:25,560 --> 00:02:39,479
+
+[Music]
+

1955/LxWJ4QT74hA.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:09,240 --> 00:00:13,390
+
+Ricky okay where is it where is the
+
+2
+00:00:13,390 --> 00:00:13,400
+Ricky okay where is it where is the
+ 
+
+3
+00:00:13,400 --> 00:00:14,190
+Ricky okay where is it where is the
+other
+
+4
+00:00:14,190 --> 00:00:14,200
+other
+ 
+
+5
+00:00:14,200 --> 00:00:16,710
+other
+one I know it's lurking here somewhere
+
+6
+00:00:16,710 --> 00:00:16,720
+one I know it's lurking here somewhere
+ 
+
+7
+00:00:16,720 --> 00:00:17,990
+one I know it's lurking here somewhere
+to get
+
+8
+00:00:17,990 --> 00:00:18,000
+to get
+ 
+
+9
+00:00:18,000 --> 00:00:24,950
+to get
+me where is Captain video's other roller
+
+10
+00:00:24,950 --> 00:00:24,960
+
+ 
+
+11
+00:00:24,960 --> 00:00:34,680
+
+skate now who's that
+
+12
+00:00:34,680 --> 00:00:34,690
+
+ 
+
+13
+00:00:34,690 --> 00:00:37,330
+
+[Music]
+
+14
+00:00:37,330 --> 00:00:37,340
+[Music]
+ 
+
+15
+00:00:37,340 --> 00:00:43,470
+[Music]
+[Applause]
+
+16
+00:00:43,470 --> 00:00:43,480
+
+ 
+
+17
+00:00:43,480 --> 00:00:46,069
+
+yes what is it I'm Terri exited bother
+
+18
+00:00:46,069 --> 00:00:46,079
+yes what is it I'm Terri exited bother
+ 
+
+19
+00:00:46,079 --> 00:00:47,350
+yes what is it I'm Terri exited bother
+you but I forgot the key to my front
+
+20
+00:00:47,350 --> 00:00:47,360
+you but I forgot the key to my front
+ 
+
+21
+00:00:47,360 --> 00:00:49,110
+you but I forgot the key to my front
+door so I had to ring your bill I feel
+
+22
+00:00:49,110 --> 00:00:49,120
+door so I had to ring your bill I feel
+ 
+
+23
+00:00:49,120 --> 00:00:49,910
+door so I had to ring your bill I feel
+so
+
+24
+00:00:49,910 --> 00:00:49,920
+so
+ 
+
+25
+00:00:49,920 --> 00:00:53,950
+so
+silly it's perfectly all
+
+26
+00:00:53,950 --> 00:00:53,960
+silly it's perfectly all
+ 
+
+27
+00:00:53,960 --> 00:00:57,029
+silly it's perfectly all
+right anytime there anything else I can
+
+28
+00:00:57,029 --> 00:00:57,039
+right anytime there anything else I can
+ 
+
+29
+00:00:57,039 --> 00:01:00,229
+right anytime there anything else I can
+do for it yes would you mind pressing
+
+30
+00:01:00,229 --> 00:01:00,239
+do for it yes would you mind pressing
+ 
+
+31
+00:01:00,239 --> 00:01:02,950
+do for it yes would you mind pressing
+again press what the button my fans
+
+32
+00:01:02,950 --> 00:01:02,960
+again press what the button my fans
+ 
+
+33
+00:01:02,960 --> 00:01:07,510
+again press what the button my fans
+caught in the door oh oh of
+
+34
+00:01:07,510 --> 00:01:07,520
+caught in the door oh oh of
+ 
+
+35
+00:01:07,520 --> 00:01:10,350
+caught in the door oh oh of
+course thank you do you live in our
+
+36
+00:01:10,350 --> 00:01:10,360
+course thank you do you live in our
+ 
+
+37
+00:01:10,360 --> 00:01:12,630
+course thank you do you live in our
+building yes in the coffman's apartment
+
+38
+00:01:12,630 --> 00:01:12,640
+building yes in the coffman's apartment
+ 
+
+39
+00:01:12,640 --> 00:01:13,870
+building yes in the coffman's apartment
+I took it for the summer while there
+
+40
+00:01:13,870 --> 00:01:13,880
+I took it for the summer while there
+ 
+
+41
+00:01:13,880 --> 00:01:16,230
+I took it for the summer while there
+away in Europe well isn't that nice I
+
+42
+00:01:16,230 --> 00:01:16,240
+away in Europe well isn't that nice I
+ 
+
+43
+00:01:16,240 --> 00:01:17,670
+away in Europe well isn't that nice I
+know you'll be very happy here it's a
+
+44
+00:01:17,670 --> 00:01:17,680
+know you'll be very happy here it's a
+ 
+
+45
+00:01:17,680 --> 00:01:19,749
+know you'll be very happy here it's a
+very Charming little building very quiet
+
+46
+00:01:19,749 --> 00:01:19,759
+very Charming little building very quiet
+ 
+
+47
+00:01:19,759 --> 00:01:22,510
+very Charming little building very quiet
+no dogs no children just two interior
+
+48
+00:01:22,510 --> 00:01:22,520
+no dogs no children just two interior
+ 
+
+49
+00:01:22,520 --> 00:01:26,590
+no dogs no children just two interior
+decorators and you and of course
+
+50
+00:01:26,590 --> 00:01:26,600
+decorators and you and of course
+ 
+
+51
+00:01:26,600 --> 00:01:31,310
+decorators and you and of course
+me you all right oh sure fine fine
+
+52
+00:01:31,310 --> 00:01:31,320
+me you all right oh sure fine fine
+ 
+
+53
+00:01:31,320 --> 00:01:33,350
+me you all right oh sure fine fine
+well good
+
+54
+00:01:33,350 --> 00:01:33,360
+well good
+ 
+
+55
+00:01:33,360 --> 00:01:43,270
+well good
+night and good
+
+56
+00:01:43,270 --> 00:01:43,280
+
+ 
+
+57
+00:01:43,280 --> 00:01:47,270
+
+night well
+
+58
+00:01:47,270 --> 00:01:47,280
+
+ 
+
+59
+00:01:47,280 --> 00:01:49,550
+
+now maybe I should have asked her in for
+
+60
+00:01:49,550 --> 00:01:49,560
+now maybe I should have asked her in for
+ 
+
+61
+00:01:49,560 --> 00:01:52,389
+now maybe I should have asked her in for
+a drink just being neighborly make her
+
+62
+00:01:52,389 --> 00:01:52,399
+a drink just being neighborly make her
+ 
+
+63
+00:01:52,399 --> 00:01:55,880
+a drink just being neighborly make her
+feel at home
+
+64
+00:01:55,880 --> 00:01:55,890
+
+ 
+
+65
+00:01:55,890 --> 00:02:22,979
+
+[Music]
+

1955/LyszyKhpc88.description

@@ -0,0 +1,38 @@
+Marty movie clips: http://j.mp/1bf5rDl
+BUY THE MOVIE: http://j.mp/16YsSsT
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Angie (Joe Mantell) gets frustrated when Marty (Ernest Borgnine) won't hit the town with him.
+
+FILM DESCRIPTION:
+Paddy Chayefsky's Oscar-winning slice-of-life drama originated as a live 1953 broadcast directed by Delbert Mann on The Philco-Goodyear Television Playhouse starring Rod Steiger and Nancy Marchand. The Hecht-Lancaster movie version, also directed by Mann, replaces the two leads with Ernest Borgnine and Betsy Blair (as well as featuring several soon-to-be-familiar faces, including Jerry Paris, Frank Sutton, and Karen Steele, plus Joe Mantell, Nehemiah Persoff, and Betsy Palmer from the TV version). But it remains otherwise intact, telling of 24 very important hours in the lives of two lonely people. Marty is a bittersweet, sometimes funny, sometimes poignant, and always realistic comedy-drama about Marty Pilletti (Ernest Borgnine), a 34-year-old Bronx butcher. Approaching middle-age as a burly, somewhat overweight man who has no illusions about himself or his attractiveness to women, Marty looks forward to just one thing in life -- buying his boss's butcher shop and trying to make a success in business -- and he's even uncertain about that. A gentle, good-natured man, he lives with his mother (Esther Minciotti), a kind but emotionally smothering woman, in a too-large house and spends his time a small circle of dead-end friends (Joe Mantell, Frank Sutton). One Friday night, Marty's mother convinces him to go to the Stardust Ballroom, where he meets a plain-looking schoolteacher named Clara (Betsy Blair), whose life appears to mirror his own -- she lives with her father, and is frightened about the one prospect she has for advancement in her job. Meeting her after witnessing a humiliating rejection by her blind date, Marty acts on his best impulses and asks Clara to dance, and soon they are actually enjoying each other's company. She is as drawn to him as he is to her, but both are so uncertain about putting themselves at risk emotionally, that the evening almost ends badly when he tries to kiss her -- but they agree to go to talk on the phone and go to a movie the next night. But whatever good feelings he has about Clara are soon threatened by his friends' put-downs of her, and his mother's hostility, driven by her sudden panic that if Marty marries, she'll be left living alone. Marty spends the next day alone and never does call Clara, seemingly having decided that it's best to leave well enough alone. That is, until he takes a good long look at his life, and a listen to his friends -- and he suddenly makes the decision to try for true happiness, wherever it leads.
+
+CREDITS:
+TM & © MGM (1955)
+Cast: Ernest Borgnine, Joe Mantell
+Director: Delbert Mann
+Producers: Paddy Chayefsky, Harold Hecht, Burt Lancaster
+Screenwriter: Paddy Chayefsky
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Tumblr: http://bit.ly/1vUwhH7

1955/LyszyKhpc88.en.srt

@@ -0,0 +1,485 @@
+1
+00:00:00,880 --> 00:00:02,590
+
+what do you say think we ought to give
+
+2
+00:00:02,590 --> 00:00:02,600
+what do you say think we ought to give
+ 
+
+3
+00:00:02,600 --> 00:00:05,190
+what do you say think we ought to give
+him a call I'll take the skinny one yeah
+
+4
+00:00:05,190 --> 00:00:05,200
+him a call I'll take the skinny one yeah
+ 
+
+5
+00:00:05,200 --> 00:00:07,349
+him a call I'll take the skinny one yeah
+she maybe got a date already uh an so we
+
+6
+00:00:07,349 --> 00:00:07,359
+she maybe got a date already uh an so we
+ 
+
+7
+00:00:07,359 --> 00:00:08,990
+she maybe got a date already uh an so we
+give him a ring what can we lose I
+
+8
+00:00:08,990 --> 00:00:09,000
+give him a ring what can we lose I
+ 
+
+9
+00:00:09,000 --> 00:00:10,070
+give him a ring what can we lose I
+didn't like her I don't feel like
+
+10
+00:00:10,070 --> 00:00:10,080
+didn't like her I don't feel like
+ 
+
+11
+00:00:10,080 --> 00:00:12,350
+didn't like her I don't feel like
+calling
+
+12
+00:00:12,350 --> 00:00:12,360
+calling
+ 
+
+13
+00:00:12,360 --> 00:00:14,829
+calling
+up oh what do you feel like doing
+
+14
+00:00:14,829 --> 00:00:14,839
+up oh what do you feel like doing
+ 
+
+15
+00:00:14,839 --> 00:00:17,670
+up oh what do you feel like doing
+tonight I don't know an what do you feel
+
+16
+00:00:17,670 --> 00:00:17,680
+tonight I don't know an what do you feel
+ 
+
+17
+00:00:17,680 --> 00:00:18,390
+tonight I don't know an what do you feel
+like
+
+18
+00:00:18,390 --> 00:00:18,400
+like
+ 
+
+19
+00:00:18,400 --> 00:00:22,189
+like
+doing we're back to that huh I say to
+
+20
+00:00:22,189 --> 00:00:22,199
+doing we're back to that huh I say to
+ 
+
+21
+00:00:22,199 --> 00:00:23,750
+doing we're back to that huh I say to
+you what do you feel like doing tonight
+
+22
+00:00:23,750 --> 00:00:23,760
+you what do you feel like doing tonight
+ 
+
+23
+00:00:23,760 --> 00:00:25,070
+you what do you feel like doing tonight
+and you say back to me I don't know what
+
+24
+00:00:25,070 --> 00:00:25,080
+and you say back to me I don't know what
+ 
+
+25
+00:00:25,080 --> 00:00:27,349
+and you say back to me I don't know what
+you feel like doing tonight then we wind
+
+26
+00:00:27,349 --> 00:00:27,359
+you feel like doing tonight then we wind
+ 
+
+27
+00:00:27,359 --> 00:00:28,550
+you feel like doing tonight then we wind
+up sitting around your house with a
+
+28
+00:00:28,550 --> 00:00:28,560
+up sitting around your house with a
+ 
+
+29
+00:00:28,560 --> 00:00:30,150
+up sitting around your house with a
+couple of cans of beer watching the hi
+
+30
+00:00:30,150 --> 00:00:30,160
+couple of cans of beer watching the hi
+ 
+
+31
+00:00:30,160 --> 00:00:32,270
+couple of cans of beer watching the hi
+on
+
+32
+00:00:32,270 --> 00:00:32,280
+on
+ 
+
+33
+00:00:32,280 --> 00:00:34,030
+on
+television I'll tell you what I feel
+
+34
+00:00:34,030 --> 00:00:34,040
+television I'll tell you what I feel
+ 
+
+35
+00:00:34,040 --> 00:00:35,510
+television I'll tell you what I feel
+like
+
+36
+00:00:35,510 --> 00:00:35,520
+like
+ 
+
+37
+00:00:35,520 --> 00:00:39,470
+like
+doing I feel like calling up to see Mary
+
+38
+00:00:39,470 --> 00:00:39,480
+doing I feel like calling up to see Mary
+ 
+
+39
+00:00:39,480 --> 00:00:41,950
+doing I feel like calling up to see Mary
+fing she likes
+
+40
+00:00:41,950 --> 00:00:41,960
+fing she likes
+ 
+
+41
+00:00:41,960 --> 00:00:45,950
+fing she likes
+you what makes you say that man I could
+
+42
+00:00:45,950 --> 00:00:45,960
+you what makes you say that man I could
+ 
+
+43
+00:00:45,960 --> 00:00:49,110
+you what makes you say that man I could
+see she likes you yeah sure call her you
+
+44
+00:00:49,110 --> 00:00:49,120
+see she likes you yeah sure call her you
+ 
+
+45
+00:00:49,120 --> 00:00:50,750
+see she likes you yeah sure call her you
+call her up yourself V I don't want to
+
+46
+00:00:50,750 --> 00:00:50,760
+call her up yourself V I don't want to
+ 
+
+47
+00:00:50,760 --> 00:00:53,790
+call her up yourself V I don't want to
+call her
+
+48
+00:00:53,790 --> 00:00:53,800
+
+ 
+
+49
+00:00:53,800 --> 00:00:58,029
+
+up well how about going down 72nd
+
+50
+00:00:58,029 --> 00:00:58,039
+up well how about going down 72nd
+ 
+
+51
+00:00:58,039 --> 00:01:01,670
+up well how about going down 72nd
+Street see we could find out
+
+52
+00:01:01,670 --> 00:01:01,680
+Street see we could find out
+ 
+
+53
+00:01:01,680 --> 00:01:03,990
+Street see we could find out
+there R says you got to beat him up with
+
+54
+00:01:03,990 --> 00:01:04,000
+there R says you got to beat him up with
+ 
+
+55
+00:01:04,000 --> 00:01:06,030
+there R says you got to beat him up with
+clubs boy you're getting to be a real
+
+56
+00:01:06,030 --> 00:01:06,040
+clubs boy you're getting to be a real
+ 
+
+57
+00:01:06,040 --> 00:01:08,590
+clubs boy you're getting to be a real
+drag you know that listen Angie I've
+
+58
+00:01:08,590 --> 00:01:08,600
+drag you know that listen Angie I've
+ 
+
+59
+00:01:08,600 --> 00:01:09,870
+drag you know that listen Angie I've
+been looking for a girl every Saturday
+
+60
+00:01:09,870 --> 00:01:09,880
+been looking for a girl every Saturday
+ 
+
+61
+00:01:09,880 --> 00:01:11,710
+been looking for a girl every Saturday
+night of my life I'm 34 years old I'm
+
+62
+00:01:11,710 --> 00:01:11,720
+night of my life I'm 34 years old I'm
+ 
+
+63
+00:01:11,720 --> 00:01:13,469
+night of my life I'm 34 years old I'm
+just tired of looking that's all I like
+
+64
+00:01:13,469 --> 00:01:13,479
+just tired of looking that's all I like
+ 
+
+65
+00:01:13,479 --> 00:01:15,190
+just tired of looking that's all I like
+to find a girl everybody's always
+
+66
+00:01:15,190 --> 00:01:15,200
+to find a girl everybody's always
+ 
+
+67
+00:01:15,200 --> 00:01:16,510
+to find a girl everybody's always
+telling me get married get married get
+
+68
+00:01:16,510 --> 00:01:16,520
+telling me get married get married get
+ 
+
+69
+00:01:16,520 --> 00:01:17,789
+telling me get married get married get
+married don't you think I want to get
+
+70
+00:01:17,789 --> 00:01:17,799
+married don't you think I want to get
+ 
+
+71
+00:01:17,799 --> 00:01:19,590
+married don't you think I want to get
+married I want to get married everybody
+
+72
+00:01:19,590 --> 00:01:19,600
+married I want to get married everybody
+ 
+
+73
+00:01:19,600 --> 00:01:21,950
+married I want to get married everybody
+drives me crazy now I don't want to
+
+74
+00:01:21,950 --> 00:01:21,960
+drives me crazy now I don't want to
+ 
+
+75
+00:01:21,960 --> 00:01:23,109
+drives me crazy now I don't want to
+wreck your Saturday night for you you
+
+76
+00:01:23,109 --> 00:01:23,119
+wreck your Saturday night for you you
+ 
+
+77
+00:01:23,119 --> 00:01:24,310
+wreck your Saturday night for you you
+want to go somewhere you go ahead I
+
+78
+00:01:24,310 --> 00:01:24,320
+want to go somewhere you go ahead I
+ 
+
+79
+00:01:24,320 --> 00:01:25,789
+want to go somewhere you go ahead I
+don't I don't want to
+
+80
+00:01:25,789 --> 00:01:25,799
+don't I don't want to
+ 
+
+81
+00:01:25,799 --> 00:01:30,109
+don't I don't want to
+go boy my old lady too every word out of
+
+82
+00:01:30,109 --> 00:01:30,119
+go boy my old lady too every word out of
+ 
+
+83
+00:01:30,119 --> 00:01:31,350
+go boy my old lady too every word out of
+M when you going to get married my
+
+84
+00:01:31,350 --> 00:01:31,360
+M when you going to get married my
+ 
+
+85
+00:01:31,360 --> 00:01:41,200
+M when you going to get married my
+mother boy she drives me
+
+86
+00:01:41,200 --> 00:01:41,210
+
+ 
+
+87
+00:01:41,210 --> 00:01:44,630
+
+[Music]
+
+88
+00:01:44,630 --> 00:01:44,640
+
+ 
+
+89
+00:01:44,640 --> 00:01:50,109
+
+crazy what do you feel like doing
+
+90
+00:01:50,109 --> 00:01:50,119
+
+ 
+
+91
+00:01:50,119 --> 00:01:52,470
+
+tonight I don't know
+
+92
+00:01:52,470 --> 00:01:52,480
+tonight I don't know
+ 
+
+93
+00:01:52,480 --> 00:01:53,709
+tonight I don't know
+[Applause]
+
+94
+00:01:53,709 --> 00:01:53,719
+[Applause]
+ 
+
+95
+00:01:53,719 --> 00:02:13,560
+[Applause]
+a what do you feel like doing
+
+96
+00:02:13,560 --> 00:02:13,570
+
+ 
+
+97
+00:02:13,570 --> 00:02:27,650
+
+[Music]
+

1955/MlSzWgyNsAI.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:05,530 --> 00:00:16,030
+
+[Applause]
+
+2
+00:00:16,030 --> 00:00:16,040
+[Applause]
+ 
+
+3
+00:00:16,040 --> 00:00:23,530
+[Applause]
+[Music]
+
+4
+00:00:23,530 --> 00:00:23,540
+
+ 
+
+5
+00:00:23,540 --> 00:00:29,150
+
+[Music]
+
+6
+00:00:29,150 --> 00:00:29,160
+
+ 
+
+7
+00:00:29,160 --> 00:00:33,990
+
+one a on a time there was a pretty
+
+8
+00:00:33,990 --> 00:00:34,000
+one a on a time there was a pretty
+ 
+
+9
+00:00:34,000 --> 00:00:37,110
+one a on a time there was a pretty
+fly he had a pretty
+
+10
+00:00:37,110 --> 00:00:37,120
+fly he had a pretty
+ 
+
+11
+00:00:37,120 --> 00:00:40,869
+fly he had a pretty
+white his pretty
+
+12
+00:00:40,869 --> 00:00:40,879
+white his pretty
+ 
+
+13
+00:00:40,879 --> 00:00:46,430
+white his pretty
+fly but one day she flew
+
+14
+00:00:46,430 --> 00:00:46,440
+fly but one day she flew
+ 
+
+15
+00:00:46,440 --> 00:00:50,670
+fly but one day she flew
+away flew
+
+16
+00:00:50,670 --> 00:00:50,680
+
+ 
+
+17
+00:00:50,680 --> 00:00:56,670
+
+away she had two pretty
+
+18
+00:00:56,670 --> 00:00:56,680
+away she had two pretty
+ 
+
+19
+00:00:56,680 --> 00:01:03,590
+away she had two pretty
+children but one night these two pretty
+
+20
+00:01:03,590 --> 00:01:03,600
+children but one night these two pretty
+ 
+
+21
+00:01:03,600 --> 00:01:06,950
+children but one night these two pretty
+children flew
+
+22
+00:01:06,950 --> 00:01:06,960
+children flew
+ 
+
+23
+00:01:06,960 --> 00:01:10,230
+children flew
+away flew
+
+24
+00:01:10,230 --> 00:01:10,240
+away flew
+ 
+
+25
+00:01:10,240 --> 00:01:12,760
+away flew
+away into the
+
+26
+00:01:12,760 --> 00:01:12,770
+away into the
+ 
+
+27
+00:01:12,770 --> 00:01:14,270
+away into the
+[Music]
+
+28
+00:01:14,270 --> 00:01:14,280
+[Music]
+ 
+
+29
+00:01:14,280 --> 00:01:20,800
+[Music]
+sky into the Moon
+
+30
+00:01:20,800 --> 00:01:20,810
+
+ 
+
+31
+00:01:20,810 --> 00:02:00,449
+
+[Music]
+

1955/NZzeLRspnMg.en.srt

@@ -0,0 +1,585 @@
+1
+00:00:00,560 --> 00:00:04,849
+
+dear Frank this will be this will be
+
+2
+00:00:04,849 --> 00:00:04,859
+dear Frank this will be this will be
+ 
+
+3
+00:00:04,859 --> 00:00:07,369
+dear Frank this will be this will be
+short and sweet as we're shoving off in
+
+4
+00:00:07,369 --> 00:00:07,379
+short and sweet as we're shoving off in
+ 
+
+5
+00:00:07,379 --> 00:00:11,270
+short and sweet as we're shoving off in
+about two minutes this was dated three
+
+6
+00:00:11,270 --> 00:00:11,280
+about two minutes this was dated three
+ 
+
+7
+00:00:11,280 --> 00:00:14,030
+about two minutes this was dated three
+weeks ago does he say where he is yeah
+
+8
+00:00:14,030 --> 00:00:14,040
+weeks ago does he say where he is yeah
+ 
+
+9
+00:00:14,040 --> 00:00:15,919
+weeks ago does he say where he is yeah
+he says my guess about the location of
+
+10
+00:00:15,919 --> 00:00:15,929
+he says my guess about the location of
+ 
+
+11
+00:00:15,929 --> 00:00:17,779
+he says my guess about the location of
+this ship is exactly right well that
+
+12
+00:00:17,779 --> 00:00:17,789
+this ship is exactly right well that
+ 
+
+13
+00:00:17,789 --> 00:00:20,029
+this ship is exactly right well that
+means he's right okay no all right what
+
+14
+00:00:20,029 --> 00:00:20,039
+means he's right okay no all right what
+ 
+
+15
+00:00:20,039 --> 00:00:26,390
+means he's right okay no all right what
+else you've met for now you you know
+
+16
+00:00:26,390 --> 00:00:26,400
+else you've met for now you you know
+ 
+
+17
+00:00:26,400 --> 00:00:27,679
+else you've met for now you you know
+that friend of mine got him for now in
+
+18
+00:00:27,679 --> 00:00:27,689
+that friend of mine got him for now in
+ 
+
+19
+00:00:27,689 --> 00:00:29,419
+that friend of mine got him for now in
+left college with well that's what he
+
+20
+00:00:29,419 --> 00:00:29,429
+left college with well that's what he
+ 
+
+21
+00:00:29,429 --> 00:00:29,750
+left college with well that's what he
+says
+
+22
+00:00:29,750 --> 00:00:29,760
+says
+ 
+
+23
+00:00:29,760 --> 00:00:32,150
+says
+Fornell says that you and he used to
+
+24
+00:00:32,150 --> 00:00:32,160
+Fornell says that you and he used to
+ 
+
+25
+00:00:32,160 --> 00:00:34,220
+Fornell says that you and he used to
+load up your car with liquor in Omaha
+
+26
+00:00:34,220 --> 00:00:34,230
+load up your car with liquor in Omaha
+ 
+
+27
+00:00:34,230 --> 00:00:36,500
+load up your car with liquor in Omaha
+and then sell it an indecent profit to
+
+28
+00:00:36,500 --> 00:00:36,510
+and then sell it an indecent profit to
+ 
+
+29
+00:00:36,510 --> 00:00:38,540
+and then sell it an indecent profit to
+the fraternity boys in Iowa City how
+
+30
+00:00:38,540 --> 00:00:38,550
+the fraternity boys in Iowa City how
+ 
+
+31
+00:00:38,550 --> 00:00:44,030
+the fraternity boys in Iowa City how
+about that we did OS this part is for
+
+32
+00:00:44,030 --> 00:00:44,040
+about that we did OS this part is for
+ 
+
+33
+00:00:44,040 --> 00:00:47,479
+about that we did OS this part is for
+Doc I've been yeah go ahead read it it's
+
+34
+00:00:47,479 --> 00:00:47,489
+Doc I've been yeah go ahead read it it's
+ 
+
+35
+00:00:47,489 --> 00:00:51,650
+Doc I've been yeah go ahead read it it's
+for both for doc I've been aboard this
+
+36
+00:00:51,650 --> 00:00:51,660
+for both for doc I've been aboard this
+ 
+
+37
+00:00:51,660 --> 00:00:54,020
+for both for doc I've been aboard this
+destroyer for two weeks now and we've
+
+38
+00:00:54,020 --> 00:00:54,030
+destroyer for two weeks now and we've
+ 
+
+39
+00:00:54,030 --> 00:00:56,080
+destroyer for two weeks now and we've
+already been through four air attacks
+
+40
+00:00:56,080 --> 00:00:56,090
+already been through four air attacks
+ 
+
+41
+00:00:56,090 --> 00:00:59,840
+already been through four air attacks
+I'm in the war at last doc I've caught
+
+42
+00:00:59,840 --> 00:00:59,850
+I'm in the war at last doc I've caught
+ 
+
+43
+00:00:59,850 --> 00:01:01,670
+I'm in the war at last doc I've caught
+up with that task force that passed me
+
+44
+00:01:01,670 --> 00:01:01,680
+up with that task force that passed me
+ 
+
+45
+00:01:01,680 --> 00:01:05,750
+up with that task force that passed me
+by I'm glad to be here I had to be here
+
+46
+00:01:05,750 --> 00:01:05,760
+by I'm glad to be here I had to be here
+ 
+
+47
+00:01:05,760 --> 00:01:06,469
+by I'm glad to be here I had to be here
+I guess
+
+48
+00:01:06,469 --> 00:01:06,479
+I guess
+ 
+
+49
+00:01:06,479 --> 00:01:09,230
+I guess
+but I'm thinking now of you doc and you
+
+50
+00:01:09,230 --> 00:01:09,240
+but I'm thinking now of you doc and you
+ 
+
+51
+00:01:09,240 --> 00:01:14,149
+but I'm thinking now of you doc and you
+Frank and Dolan and dowdy and in Sigma
+
+52
+00:01:14,149 --> 00:01:14,159
+Frank and Dolan and dowdy and in Sigma
+ 
+
+53
+00:01:14,159 --> 00:01:15,859
+Frank and Dolan and dowdy and in Sigma
+and everyone else on that bucket
+
+54
+00:01:15,859 --> 00:01:15,869
+and everyone else on that bucket
+ 
+
+55
+00:01:15,869 --> 00:01:18,980
+and everyone else on that bucket
+all the guys everywhere who sailed from
+
+56
+00:01:18,980 --> 00:01:18,990
+all the guys everywhere who sailed from
+ 
+
+57
+00:01:18,990 --> 00:01:23,600
+all the guys everywhere who sailed from
+tedium to apathy and back again with an
+
+58
+00:01:23,600 --> 00:01:23,610
+tedium to apathy and back again with an
+ 
+
+59
+00:01:23,610 --> 00:01:27,710
+tedium to apathy and back again with an
+occasional side trip to monotony this is
+
+60
+00:01:27,710 --> 00:01:27,720
+occasional side trip to monotony this is
+ 
+
+61
+00:01:27,720 --> 00:01:29,359
+occasional side trip to monotony this is
+a tough crew on here and they have a
+
+62
+00:01:29,359 --> 00:01:29,369
+a tough crew on here and they have a
+ 
+
+63
+00:01:29,369 --> 00:01:32,539
+a tough crew on here and they have a
+wonderful battle record but I've
+
+64
+00:01:32,539 --> 00:01:32,549
+wonderful battle record but I've
+ 
+
+65
+00:01:32,549 --> 00:01:35,359
+wonderful battle record but I've
+discovered doc that the unseen enemy of
+
+66
+00:01:35,359 --> 00:01:35,369
+discovered doc that the unseen enemy of
+ 
+
+67
+00:01:35,369 --> 00:01:38,240
+discovered doc that the unseen enemy of
+this war is the boredom that eventually
+
+68
+00:01:38,240 --> 00:01:38,250
+this war is the boredom that eventually
+ 
+
+69
+00:01:38,250 --> 00:01:41,810
+this war is the boredom that eventually
+becomes a faith and therefore a terrible
+
+70
+00:01:41,810 --> 00:01:41,820
+becomes a faith and therefore a terrible
+ 
+
+71
+00:01:41,820 --> 00:01:45,440
+becomes a faith and therefore a terrible
+sort of suicide and I know now that the
+
+72
+00:01:45,440 --> 00:01:45,450
+sort of suicide and I know now that the
+ 
+
+73
+00:01:45,450 --> 00:01:48,230
+sort of suicide and I know now that the
+ones who refused to surrender to it are
+
+74
+00:01:48,230 --> 00:01:48,240
+ones who refused to surrender to it are
+ 
+
+75
+00:01:48,240 --> 00:01:51,679
+ones who refused to surrender to it are
+the strongest of all right now I'm
+
+76
+00:01:51,679 --> 00:01:51,689
+the strongest of all right now I'm
+ 
+
+77
+00:01:51,689 --> 00:01:53,359
+the strongest of all right now I'm
+looking at something that's hanging over
+
+78
+00:01:53,359 --> 00:01:53,369
+looking at something that's hanging over
+ 
+
+79
+00:01:53,369 --> 00:01:56,480
+looking at something that's hanging over
+my desk a preposterous hunk of brass
+
+80
+00:01:56,480 --> 00:01:56,490
+my desk a preposterous hunk of brass
+ 
+
+81
+00:01:56,490 --> 00:01:58,789
+my desk a preposterous hunk of brass
+attached to the most biggest piece of
+
+82
+00:01:58,789 --> 00:01:58,799
+attached to the most biggest piece of
+ 
+
+83
+00:01:58,799 --> 00:02:01,940
+attached to the most biggest piece of
+ribbon I've ever seen I'd rather have it
+
+84
+00:02:01,940 --> 00:02:01,950
+ribbon I've ever seen I'd rather have it
+ 
+
+85
+00:02:01,950 --> 00:02:05,480
+ribbon I've ever seen I'd rather have it
+than the Congressional Medal of Honor it
+
+86
+00:02:05,480 --> 00:02:05,490
+than the Congressional Medal of Honor it
+ 
+
+87
+00:02:05,490 --> 00:02:08,109
+than the Congressional Medal of Honor it
+tells me what I'll always be proudest of
+
+88
+00:02:08,109 --> 00:02:08,119
+tells me what I'll always be proudest of
+ 
+
+89
+00:02:08,119 --> 00:02:11,029
+tells me what I'll always be proudest of
+that at a time in the world when courage
+
+90
+00:02:11,029 --> 00:02:11,039
+that at a time in the world when courage
+ 
+
+91
+00:02:11,039 --> 00:02:11,940
+that at a time in the world when courage
+counted most
+
+92
+00:02:11,940 --> 00:02:11,950
+counted most
+ 
+
+93
+00:02:11,950 --> 00:02:18,440
+counted most
+I lived among 62 brave men so doc and
+
+94
+00:02:18,440 --> 00:02:18,450
+I lived among 62 brave men so doc and
+ 
+
+95
+00:02:18,450 --> 00:02:20,339
+I lived among 62 brave men so doc and
+especially you Frank
+
+96
+00:02:20,339 --> 00:02:20,349
+especially you Frank
+ 
+
+97
+00:02:20,349 --> 00:02:24,780
+especially you Frank
+don't let those guys down of course I
+
+98
+00:02:24,780 --> 00:02:24,790
+don't let those guys down of course I
+ 
+
+99
+00:02:24,790 --> 00:02:26,610
+don't let those guys down of course I
+know that by this time they must be very
+
+100
+00:02:26,610 --> 00:02:26,620
+know that by this time they must be very
+ 
+
+101
+00:02:26,620 --> 00:02:29,250
+know that by this time they must be very
+happy because the captain's overhead is
+
+102
+00:02:29,250 --> 00:02:29,260
+happy because the captain's overhead is
+ 
+
+103
+00:02:29,260 --> 00:02:35,490
+happy because the captain's overhead is
+filled with marbles and and here comes
+
+104
+00:02:35,490 --> 00:02:35,500
+filled with marbles and and here comes
+ 
+
+105
+00:02:35,500 --> 00:02:37,920
+filled with marbles and and here comes
+the mail orderly this has to go now I'll
+
+106
+00:02:37,920 --> 00:02:37,930
+the mail orderly this has to go now I'll
+ 
+
+107
+00:02:37,930 --> 00:02:40,740
+the mail orderly this has to go now I'll
+finish it later meanwhile you guys can
+
+108
+00:02:40,740 --> 00:02:40,750
+finish it later meanwhile you guys can
+ 
+
+109
+00:02:40,750 --> 00:02:41,940
+finish it later meanwhile you guys can
+write too can't you
+
+110
+00:02:41,940 --> 00:02:41,950
+write too can't you
+ 
+
+111
+00:02:41,950 --> 00:02:47,370
+write too can't you
+Doug come a I see that Frank yeah this
+
+112
+00:02:47,370 --> 00:02:47,380
+Doug come a I see that Frank yeah this
+ 
+
+113
+00:02:47,380 --> 00:02:50,850
+Doug come a I see that Frank yeah this
+one's from for now I'd rather have it
+
+114
+00:02:50,850 --> 00:02:50,860
+one's from for now I'd rather have it
+ 
+
+115
+00:02:50,860 --> 00:02:55,090
+one's from for now I'd rather have it
+than the Congressional Medal of Honor
+
+116
+00:02:55,090 --> 00:02:55,100
+
+ 
+
+117
+00:02:55,100 --> 00:03:06,430
+
+[Music]
+

1955/O3bTMw3bb5o.description

@@ -0,0 +1,38 @@
+Marty movie clips: http://j.mp/1bf5rDl
+BUY THE MOVIE: http://j.mp/16YsSsT
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Marty (Ernest Borgnine) calls a girl he once met for a date and after a painful blow off he finally takes the hint and sadly gives up.
+
+FILM DESCRIPTION:
+Paddy Chayefsky's Oscar-winning slice-of-life drama originated as a live 1953 broadcast directed by Delbert Mann on The Philco-Goodyear Television Playhouse starring Rod Steiger and Nancy Marchand. The Hecht-Lancaster movie version, also directed by Mann, replaces the two leads with Ernest Borgnine and Betsy Blair (as well as featuring several soon-to-be-familiar faces, including Jerry Paris, Frank Sutton, and Karen Steele, plus Joe Mantell, Nehemiah Persoff, and Betsy Palmer from the TV version). But it remains otherwise intact, telling of 24 very important hours in the lives of two lonely people. Marty is a bittersweet, sometimes funny, sometimes poignant, and always realistic comedy-drama about Marty Pilletti (Ernest Borgnine), a 34-year-old Bronx butcher. Approaching middle-age as a burly, somewhat overweight man who has no illusions about himself or his attractiveness to women, Marty looks forward to just one thing in life -- buying his boss's butcher shop and trying to make a success in business -- and he's even uncertain about that. A gentle, good-natured man, he lives with his mother (Esther Minciotti), a kind but emotionally smothering woman, in a too-large house and spends his time a small circle of dead-end friends (Joe Mantell, Frank Sutton). One Friday night, Marty's mother convinces him to go to the Stardust Ballroom, where he meets a plain-looking schoolteacher named Clara (Betsy Blair), whose life appears to mirror his own -- she lives with her father, and is frightened about the one prospect she has for advancement in her job. Meeting her after witnessing a humiliating rejection by her blind date, Marty acts on his best impulses and asks Clara to dance, and soon they are actually enjoying each other's company. She is as drawn to him as he is to her, but both are so uncertain about putting themselves at risk emotionally, that the evening almost ends badly when he tries to kiss her -- but they agree to go to talk on the phone and go to a movie the next night. But whatever good feelings he has about Clara are soon threatened by his friends' put-downs of her, and his mother's hostility, driven by her sudden panic that if Marty marries, she'll be left living alone. Marty spends the next day alone and never does call Clara, seemingly having decided that it's best to leave well enough alone. That is, until he takes a good long look at his life, and a listen to his friends -- and he suddenly makes the decision to try for true happiness, wherever it leads.
+
+CREDITS:
+TM & © MGM (1955)
+Cast: Ernest Borgnine
+Director: Delbert Mann
+Producers: Paddy Chayefsky, Harold Hecht, Burt Lancaster
+Screenwriter: Paddy Chayefsky
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
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1955/O3bTMw3bb5o.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:01,560 --> 00:00:04,070
+
+oh hello there is this Mary feny hello
+
+2
+00:00:04,070 --> 00:00:04,080
+oh hello there is this Mary feny hello
+ 
+
+3
+00:00:04,080 --> 00:00:05,710
+oh hello there is this Mary feny hello
+there this is Marty petti I wonder if
+
+4
+00:00:05,710 --> 00:00:05,720
+there this is Marty petti I wonder if
+ 
+
+5
+00:00:05,720 --> 00:00:07,910
+there this is Marty petti I wonder if
+you recall
+
+6
+00:00:07,910 --> 00:00:07,920
+you recall
+ 
+
+7
+00:00:07,920 --> 00:00:10,430
+you recall
+me well I'm kind of a stocky guy the
+
+8
+00:00:10,430 --> 00:00:10,440
+me well I'm kind of a stocky guy the
+ 
+
+9
+00:00:10,440 --> 00:00:12,789
+me well I'm kind of a stocky guy the
+last time we met was in yako
+
+10
+00:00:12,789 --> 00:00:12,799
+last time we met was in yako
+ 
+
+11
+00:00:12,799 --> 00:00:14,789
+last time we met was in yako
+Chester you was with a friend of yours
+
+12
+00:00:14,789 --> 00:00:14,799
+Chester you was with a friend of yours
+ 
+
+13
+00:00:14,799 --> 00:00:16,550
+Chester you was with a friend of yours
+and I I was with a friend of my name of
+
+14
+00:00:16,550 --> 00:00:16,560
+and I I was with a friend of my name of
+ 
+
+15
+00:00:16,560 --> 00:00:20,390
+and I I was with a friend of my name of
+Angie this was about a month
+
+16
+00:00:20,390 --> 00:00:20,400
+
+ 
+
+17
+00:00:20,400 --> 00:00:24,870
+
+ago the AO chest on West farm
+
+18
+00:00:24,870 --> 00:00:24,880
+ago the AO chest on West farm
+ 
+
+19
+00:00:24,880 --> 00:00:26,990
+ago the AO chest on West farm
+square yeah you were sitting in front of
+
+20
+00:00:26,990 --> 00:00:27,000
+square yeah you were sitting in front of
+ 
+
+21
+00:00:27,000 --> 00:00:28,830
+square yeah you were sitting in front of
+us and we was annoying you and you got
+
+22
+00:00:28,830 --> 00:00:28,840
+us and we was annoying you and you got
+ 
+
+23
+00:00:28,840 --> 00:00:31,390
+us and we was annoying you and you got
+mad and I'm the fellow who works in the
+
+24
+00:00:31,390 --> 00:00:31,400
+mad and I'm the fellow who works in the
+ 
+
+25
+00:00:31,400 --> 00:00:33,229
+mad and I'm the fellow who works in the
+butcher
+
+26
+00:00:33,229 --> 00:00:33,239
+butcher
+ 
+
+27
+00:00:33,239 --> 00:00:37,630
+butcher
+shop oh come on you you know who I
+
+28
+00:00:37,630 --> 00:00:37,640
+
+ 
+
+29
+00:00:37,640 --> 00:00:39,990
+
+am that's right and then then we went to
+
+30
+00:00:39,990 --> 00:00:40,000
+am that's right and then then we went to
+ 
+
+31
+00:00:40,000 --> 00:00:41,549
+am that's right and then then we went to
+Howard Johnson we had hamburgers you had
+
+32
+00:00:41,549 --> 00:00:41,559
+Howard Johnson we had hamburgers you had
+ 
+
+33
+00:00:41,559 --> 00:00:42,229
+Howard Johnson we had hamburgers you had
+a
+
+34
+00:00:42,229 --> 00:00:42,239
+a
+ 
+
+35
+00:00:42,239 --> 00:00:45,430
+a
+milkshake yeah that's right yeah well
+
+36
+00:00:45,430 --> 00:00:45,440
+milkshake yeah that's right yeah well
+ 
+
+37
+00:00:45,440 --> 00:00:48,310
+milkshake yeah that's right yeah well
+I'm the stocky one the heavy set
+
+38
+00:00:48,310 --> 00:00:48,320
+I'm the stocky one the heavy set
+ 
+
+39
+00:00:48,320 --> 00:00:51,549
+I'm the stocky one the heavy set
+fell yeah well I'm I'm glad you recall
+
+40
+00:00:51,549 --> 00:00:51,559
+fell yeah well I'm I'm glad you recall
+ 
+
+41
+00:00:51,559 --> 00:00:53,990
+fell yeah well I'm I'm glad you recall
+me because I had a pretty nice time that
+
+42
+00:00:53,990 --> 00:00:54,000
+me because I had a pretty nice time that
+ 
+
+43
+00:00:54,000 --> 00:00:55,630
+me because I had a pretty nice time that
+night and I was wondering how everything
+
+44
+00:00:55,630 --> 00:00:55,640
+night and I was wondering how everything
+ 
+
+45
+00:00:55,640 --> 00:00:57,950
+night and I was wondering how everything
+was with
+
+46
+00:00:57,950 --> 00:00:57,960
+was with
+ 
+
+47
+00:00:57,960 --> 00:01:03,590
+was with
+you how's everything
+
+48
+00:01:03,590 --> 00:01:03,600
+
+ 
+
+49
+00:01:03,600 --> 00:01:04,950
+
+that's
+
+50
+00:01:04,950 --> 00:01:04,960
+that's
+ 
+
+51
+00:01:04,960 --> 00:01:07,109
+that's
+well yeah well I'll tell you why I
+
+52
+00:01:07,109 --> 00:01:07,119
+well yeah well I'll tell you why I
+ 
+
+53
+00:01:07,119 --> 00:01:10,230
+well yeah well I'll tell you why I
+called um I was figuring on taking in a
+
+54
+00:01:10,230 --> 00:01:10,240
+called um I was figuring on taking in a
+ 
+
+55
+00:01:10,240 --> 00:01:12,109
+called um I was figuring on taking in a
+movie tonight and I was wondering if you
+
+56
+00:01:12,109 --> 00:01:12,119
+movie tonight and I was wondering if you
+ 
+
+57
+00:01:12,119 --> 00:01:14,469
+movie tonight and I was wondering if you
+and your friend would care to see a
+
+58
+00:01:14,469 --> 00:01:14,479
+and your friend would care to see a
+ 
+
+59
+00:01:14,479 --> 00:01:17,469
+and your friend would care to see a
+movie tonight with me and my
+
+60
+00:01:17,469 --> 00:01:17,479
+movie tonight with me and my
+ 
+
+61
+00:01:17,479 --> 00:01:20,830
+movie tonight with me and my
+friend yeah
+
+62
+00:01:20,830 --> 00:01:20,840
+
+ 
+
+63
+00:01:20,840 --> 00:01:22,830
+
+tonight well I know it's a little late
+
+64
+00:01:22,830 --> 00:01:22,840
+tonight well I know it's a little late
+ 
+
+65
+00:01:22,840 --> 00:01:24,310
+tonight well I know it's a little late
+to call for a date but I didn't know
+
+66
+00:01:24,310 --> 00:01:24,320
+to call for a date but I didn't know
+ 
+
+67
+00:01:24,320 --> 00:01:28,749
+to call for a date but I didn't know
+myself
+
+68
+00:01:28,749 --> 00:01:28,759
+
+ 
+
+69
+00:01:28,759 --> 00:01:31,469
+
+to yeah yeah I
+
+70
+00:01:31,469 --> 00:01:31,479
+to yeah yeah I
+ 
+
+71
+00:01:31,479 --> 00:01:34,350
+to yeah yeah I
+know yeah what
+
+72
+00:01:34,350 --> 00:01:34,360
+know yeah what
+ 
+
+73
+00:01:34,360 --> 00:01:36,950
+know yeah what
+about well how about next Saturday night
+
+74
+00:01:36,950 --> 00:01:36,960
+about well how about next Saturday night
+ 
+
+75
+00:01:36,960 --> 00:01:41,950
+about well how about next Saturday night
+are you free next Saturday
+
+76
+00:01:41,950 --> 00:01:41,960
+
+ 
+
+77
+00:01:41,960 --> 00:01:47,630
+
+night well what about the Saturday after
+
+78
+00:01:47,630 --> 00:01:47,640
+
+ 
+
+79
+00:01:47,640 --> 00:01:50,709
+
+that
+
+80
+00:01:50,709 --> 00:01:50,719
+
+ 
+
+81
+00:01:50,719 --> 00:01:52,990
+
+yeah yeah I
+
+82
+00:01:52,990 --> 00:01:53,000
+yeah yeah I
+ 
+
+83
+00:01:53,000 --> 00:01:57,550
+yeah yeah I
+know well I mean I understand
+
+84
+00:01:57,550 --> 00:01:57,560
+
+ 
+
+85
+00:01:57,560 --> 00:02:08,990
+
+it yeah
+
+86
+00:02:08,990 --> 00:02:09,000
+
+ 
+
+87
+00:02:09,000 --> 00:02:47,659
+
+[Music]
+

1955/OuEmfmfgw2Y.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:03,530 --> 00:00:06,309
+
+[Music]
+
+2
+00:00:06,309 --> 00:00:06,319
+[Music]
+ 
+
+3
+00:00:06,319 --> 00:00:08,830
+[Music]
+amen are you through
+
+4
+00:00:08,830 --> 00:00:08,840
+amen are you through
+ 
+
+5
+00:00:08,840 --> 00:00:12,190
+amen are you through
+praying I'm through Harry you were
+
+6
+00:00:12,190 --> 00:00:12,200
+praying I'm through Harry you were
+ 
+
+7
+00:00:12,200 --> 00:00:14,709
+praying I'm through Harry you were
+listening Outside The Parlor window it
+
+8
+00:00:14,709 --> 00:00:14,719
+listening Outside The Parlor window it
+ 
+
+9
+00:00:14,719 --> 00:00:18,230
+listening Outside The Parlor window it
+ain't in the river is it Harry answer me
+
+10
+00:00:18,230 --> 00:00:18,240
+ain't in the river is it Harry answer me
+ 
+
+11
+00:00:18,240 --> 00:00:19,870
+ain't in the river is it Harry answer me
+Ben never told you he throw it in the
+
+12
+00:00:19,870 --> 00:00:19,880
+Ben never told you he throw it in the
+ 
+
+13
+00:00:19,880 --> 00:00:31,950
+Ben never told you he throw it in the
+river did he
+
+14
+00:00:31,950 --> 00:00:31,960
+
+ 
+
+15
+00:00:31,960 --> 00:00:34,709
+
+the children know where it's hid John
+
+16
+00:00:34,709 --> 00:00:34,719
+the children know where it's hid John
+ 
+
+17
+00:00:34,719 --> 00:00:36,960
+the children know where it's hid John
+knows is that it
+
+18
+00:00:36,960 --> 00:00:36,970
+knows is that it
+ 
+
+19
+00:00:36,970 --> 00:00:40,830
+knows is that it
+[Music]
+
+20
+00:00:40,830 --> 00:00:40,840
+
+ 
+
+21
+00:00:40,840 --> 00:00:44,310
+
+Harry and it's still here amongst
+
+22
+00:00:44,310 --> 00:00:44,320
+Harry and it's still here amongst
+ 
+
+23
+00:00:44,320 --> 00:00:46,950
+Harry and it's still here amongst
+us tainting
+
+24
+00:00:46,950 --> 00:00:46,960
+us tainting
+ 
+
+25
+00:00:46,960 --> 00:00:49,229
+us tainting
+[Music]
+
+26
+00:00:49,229 --> 00:00:49,239
+[Music]
+ 
+
+27
+00:00:49,239 --> 00:00:51,709
+[Music]
+us you must have known about it all
+
+28
+00:00:51,709 --> 00:00:51,719
+us you must have known about it all
+ 
+
+29
+00:00:51,719 --> 00:00:52,790
+us you must have known about it all
+along
+
+30
+00:00:52,790 --> 00:00:52,800
+along
+ 
+
+31
+00:00:52,800 --> 00:00:55,389
+along
+Harry but that ain't the reason why you
+
+32
+00:00:55,389 --> 00:00:55,399
+Harry but that ain't the reason why you
+ 
+
+33
+00:00:55,399 --> 00:00:56,510
+Harry but that ain't the reason why you
+married
+
+34
+00:00:56,510 --> 00:00:56,520
+married
+ 
+
+35
+00:00:56,520 --> 00:01:01,029
+married
+me I know that much
+
+36
+00:01:01,029 --> 00:01:01,039
+me I know that much
+ 
+
+37
+00:01:01,039 --> 00:01:04,189
+me I know that much
+because the largest one Let It
+
+38
+00:01:04,189 --> 00:01:04,199
+because the largest one Let It
+ 
+
+39
+00:01:04,199 --> 00:01:08,510
+because the largest one Let It
+Be he made you marry me so you could
+
+40
+00:01:08,510 --> 00:01:08,520
+Be he made you marry me so you could
+ 
+
+41
+00:01:08,520 --> 00:01:11,350
+Be he made you marry me so you could
+show me the way in the
+
+42
+00:01:11,350 --> 00:01:11,360
+show me the way in the
+ 
+
+43
+00:01:11,360 --> 00:01:14,290
+show me the way in the
+life and the salvation of my
+
+44
+00:01:14,290 --> 00:01:14,300
+life and the salvation of my
+ 
+
+45
+00:01:14,300 --> 00:01:15,789
+life and the salvation of my
+[Music]
+
+46
+00:01:15,789 --> 00:01:15,799
+[Music]
+ 
+
+47
+00:01:15,799 --> 00:01:18,390
+[Music]
+soul ain't that so
+
+48
+00:01:18,390 --> 00:01:18,400
+soul ain't that so
+ 
+
+49
+00:01:18,400 --> 00:01:20,910
+soul ain't that so
+hairy so you might say that it was the
+
+50
+00:01:20,910 --> 00:01:20,920
+hairy so you might say that it was the
+ 
+
+51
+00:01:20,920 --> 00:01:23,870
+hairy so you might say that it was the
+money that rung us
+
+52
+00:01:23,870 --> 00:01:23,880
+money that rung us
+ 
+
+53
+00:01:23,880 --> 00:01:37,710
+money that rung us
+together the rest of it don't matter
+
+54
+00:01:37,710 --> 00:01:37,720
+
+ 
+
+55
+00:01:37,720 --> 00:01:44,700
+
+it
+
+56
+00:01:44,700 --> 00:01:44,710
+
+ 
+
+57
+00:01:44,710 --> 00:01:56,280
+
+[Music]
+
+58
+00:01:56,280 --> 00:01:56,290
+
+ 
+
+59
+00:01:56,290 --> 00:02:15,150
+
+[Music]
+
+60
+00:02:15,150 --> 00:02:15,160
+
+ 
+
+61
+00:02:15,160 --> 00:02:22,900
+
+right
+
+62
+00:02:22,900 --> 00:02:22,910
+
+ 
+
+63
+00:02:22,910 --> 00:02:54,509
+
+[Music]
+

1955/P3QI8hTpxl8.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:00,120 --> 00:00:01,550
+
+look at this beautiful silver comb and
+
+2
+00:00:01,550 --> 00:00:01,560
+look at this beautiful silver comb and
+ 
+
+3
+00:00:01,560 --> 00:00:03,629
+look at this beautiful silver comb and
+brush set it was made for you but you
+
+4
+00:00:03,629 --> 00:00:03,639
+brush set it was made for you but you
+ 
+
+5
+00:00:03,639 --> 00:00:05,070
+brush set it was made for you but you
+know how lucky you are this is the last
+
+6
+00:00:05,070 --> 00:00:05,080
+know how lucky you are this is the last
+ 
+
+7
+00:00:05,080 --> 00:00:07,190
+know how lucky you are this is the last
+one we have but what do I do with it
+
+8
+00:00:07,190 --> 00:00:07,200
+one we have but what do I do with it
+ 
+
+9
+00:00:07,200 --> 00:00:09,750
+one we have but what do I do with it
+exercise it'll be good for you besides
+
+10
+00:00:09,750 --> 00:00:09,760
+exercise it'll be good for you besides
+ 
+
+11
+00:00:09,760 --> 00:00:11,030
+exercise it'll be good for you besides
+just having it around will'll fool
+
+12
+00:00:11,030 --> 00:00:11,040
+just having it around will'll fool
+ 
+
+13
+00:00:11,040 --> 00:00:12,230
+just having it around will'll fool
+everyone of course you can leave it to
+
+14
+00:00:12,230 --> 00:00:12,240
+everyone of course you can leave it to
+ 
+
+15
+00:00:12,240 --> 00:00:14,789
+everyone of course you can leave it to
+your family someday I have no family Ah
+
+16
+00:00:14,789 --> 00:00:14,799
+your family someday I have no family Ah
+ 
+
+17
+00:00:14,799 --> 00:00:17,269
+your family someday I have no family Ah
+that's just the point only the other day
+
+18
+00:00:17,269 --> 00:00:17,279
+that's just the point only the other day
+ 
+
+19
+00:00:17,279 --> 00:00:19,189
+that's just the point only the other day
+I sold a duplicate set to a completely
+
+20
+00:00:19,189 --> 00:00:19,199
+I sold a duplicate set to a completely
+ 
+
+21
+00:00:19,199 --> 00:00:20,790
+I sold a duplicate set to a completely
+baldheaded man and you should see him
+
+22
+00:00:20,790 --> 00:00:20,800
+baldheaded man and you should see him
+ 
+
+23
+00:00:20,800 --> 00:00:23,349
+baldheaded man and you should see him
+now what happened he died but he died
+
+24
+00:00:23,349 --> 00:00:23,359
+now what happened he died but he died
+ 
+
+25
+00:00:23,359 --> 00:00:25,230
+now what happened he died but he died
+with beautiful bushy hair I'll get your
+
+26
+00:00:25,230 --> 00:00:25,240
+with beautiful bushy hair I'll get your
+ 
+
+27
+00:00:25,240 --> 00:00:31,630
+with beautiful bushy hair I'll get your
+chain
+
+28
+00:00:31,630 --> 00:00:31,640
+
+ 
+
+29
+00:00:31,640 --> 00:00:33,630
+
+can you change this I've just taken in
+
+30
+00:00:33,630 --> 00:00:33,640
+can you change this I've just taken in
+ 
+
+31
+00:00:33,640 --> 00:00:36,549
+can you change this I've just taken in
+117 Franks what' you sell sterling
+
+32
+00:00:36,549 --> 00:00:36,559
+117 Franks what' you sell sterling
+ 
+
+33
+00:00:36,559 --> 00:00:38,470
+117 Franks what' you sell sterling
+silver comb and brush set but that's
+
+34
+00:00:38,470 --> 00:00:38,480
+silver comb and brush set but that's
+ 
+
+35
+00:00:38,480 --> 00:00:40,750
+silver comb and brush set but that's
+been there for 10 years who'd you sell
+
+36
+00:00:40,750 --> 00:00:40,760
+been there for 10 years who'd you sell
+ 
+
+37
+00:00:40,760 --> 00:00:42,990
+been there for 10 years who'd you sell
+it to he said he was the
+
+38
+00:00:42,990 --> 00:00:43,000
+it to he said he was the
+ 
+
+39
+00:00:43,000 --> 00:00:44,790
+it to he said he was the
+postmaster the
+
+40
+00:00:44,790 --> 00:00:44,800
+postmaster the
+ 
+
+41
+00:00:44,800 --> 00:00:47,709
+postmaster the
+postmaster but he's entirely bald well
+
+42
+00:00:47,709 --> 00:00:47,719
+postmaster but he's entirely bald well
+ 
+
+43
+00:00:47,719 --> 00:00:49,270
+postmaster but he's entirely bald well
+then we'd better hurry before he finds
+
+44
+00:00:49,270 --> 00:00:49,280
+then we'd better hurry before he finds
+ 
+
+45
+00:00:49,280 --> 00:00:53,310
+then we'd better hurry before he finds
+out oh dear my husband has the key oh
+
+46
+00:00:53,310 --> 00:00:53,320
+out oh dear my husband has the key oh
+ 
+
+47
+00:00:53,320 --> 00:00:55,069
+out oh dear my husband has the key oh
+will allow me it's been a long time but
+
+48
+00:00:55,069 --> 00:00:55,079
+will allow me it's been a long time but
+ 
+
+49
+00:00:55,079 --> 00:01:01,990
+will allow me it's been a long time but
+I'm sure the old maest retains his touch
+
+50
+00:01:01,990 --> 00:01:02,000
+
+ 
+
+51
+00:01:02,000 --> 00:01:04,189
+
+I can only do this in the dark so quite
+
+52
+00:01:04,189 --> 00:01:04,199
+I can only do this in the dark so quite
+ 
+
+53
+00:01:04,199 --> 00:01:14,990
+I can only do this in the dark so quite
+quiet
+
+54
+00:01:14,990 --> 00:01:15,000
+
+ 
+
+55
+00:01:15,000 --> 00:01:18,230
+
+please thank
+
+56
+00:01:18,230 --> 00:01:18,240
+please thank
+ 
+
+57
+00:01:18,240 --> 00:01:20,710
+please thank
+you you're you're quite sure it was the
+
+58
+00:01:20,710 --> 00:01:20,720
+you you're you're quite sure it was the
+ 
+
+59
+00:01:20,720 --> 00:01:23,030
+you you're you're quite sure it was the
+postmaster he wanted a bed spread and
+
+60
+00:01:23,030 --> 00:01:23,040
+postmaster he wanted a bed spread and
+ 
+
+61
+00:01:23,040 --> 00:01:24,710
+postmaster he wanted a bed spread and
+you sold him a common brush sir there
+
+62
+00:01:24,710 --> 00:01:24,720
+you sold him a common brush sir there
+ 
+
+63
+00:01:24,720 --> 00:01:27,109
+you sold him a common brush sir there
+wasn't any bed
+
+64
+00:01:27,109 --> 00:01:27,119
+wasn't any bed
+ 
+
+65
+00:01:27,119 --> 00:01:30,069
+wasn't any bed
+spread are there many like you and oh
+
+66
+00:01:30,069 --> 00:01:30,079
+spread are there many like you and oh
+ 
+
+67
+00:01:30,079 --> 00:01:32,069
+spread are there many like you and oh
+yes there all sorts it's a world like
+
+68
+00:01:32,069 --> 00:01:32,079
+yes there all sorts it's a world like
+ 
+
+69
+00:01:32,079 --> 00:01:34,270
+yes there all sorts it's a world like
+any other but to sell silver and look
+
+70
+00:01:34,270 --> 00:01:34,280
+any other but to sell silver and look
+ 
+
+71
+00:01:34,280 --> 00:01:36,789
+any other but to sell silver and look
+after fainting girls it's an old family
+
+72
+00:01:36,789 --> 00:01:36,799
+after fainting girls it's an old family
+ 
+
+73
+00:01:36,799 --> 00:01:40,870
+after fainting girls it's an old family
+custom carrying girls
+
+74
+00:01:40,870 --> 00:01:40,880
+
+ 
+
+75
+00:01:40,880 --> 00:01:44,789
+
+around sold him some hair tonic too 11
+
+76
+00:01:44,789 --> 00:01:44,799
+around sold him some hair tonic too 11
+ 
+
+77
+00:01:44,799 --> 00:01:47,410
+around sold him some hair tonic too 11
+Franks thank you
+
+78
+00:01:47,410 --> 00:01:47,420
+Franks thank you
+ 
+
+79
+00:01:47,420 --> 00:02:08,710
+Franks thank you
+[Music]
+
+80
+00:02:08,710 --> 00:02:08,720
+
+ 
+
+81
+00:02:08,720 --> 00:02:12,500
+
+SC
+
+82
+00:02:12,500 --> 00:02:12,510
+
+ 
+
+83
+00:02:12,510 --> 00:02:18,460
+
+[Music]
+

1955/PPhxsJho48c.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:04,850 --> 00:00:06,440
+
+right here now
+
+2
+00:00:06,440 --> 00:00:06,450
+right here now
+ 
+
+3
+00:00:06,450 --> 00:00:10,190
+right here now
+now this stuck girl's mr. Roberts yeah
+
+4
+00:00:10,190 --> 00:00:10,200
+now this stuck girl's mr. Roberts yeah
+ 
+
+5
+00:00:10,200 --> 00:00:12,410
+now this stuck girl's mr. Roberts yeah
+and he's my entity overhears executive
+
+6
+00:00:12,410 --> 00:00:12,420
+and he's my entity overhears executive
+ 
+
+7
+00:00:12,420 --> 00:00:16,880
+and he's my entity overhears executive
+or user what's your job uh uh laundry
+
+8
+00:00:16,880 --> 00:00:16,890
+or user what's your job uh uh laundry
+ 
+
+9
+00:00:16,890 --> 00:00:18,590
+or user what's your job uh uh laundry
+the morale officer glad to have you
+
+10
+00:00:18,590 --> 00:00:18,600
+the morale officer glad to have you
+ 
+
+11
+00:00:18,600 --> 00:00:18,950
+the morale officer glad to have you
+aboard
+
+12
+00:00:18,950 --> 00:00:18,960
+aboard
+ 
+
+13
+00:00:18,960 --> 00:00:22,880
+aboard
+oh are you laundry morale so am i hey
+
+14
+00:00:22,880 --> 00:00:22,890
+oh are you laundry morale so am i hey
+ 
+
+15
+00:00:22,890 --> 00:00:24,170
+oh are you laundry morale so am i hey
+well then listen Doug why don't you just
+
+16
+00:00:24,170 --> 00:00:24,180
+well then listen Doug why don't you just
+ 
+
+17
+00:00:24,180 --> 00:00:25,490
+well then listen Doug why don't you just
+take the girls off somewhere and tell
+
+18
+00:00:25,490 --> 00:00:25,500
+take the girls off somewhere and tell
+ 
+
+19
+00:00:25,500 --> 00:00:27,170
+take the girls off somewhere and tell
+them all about it huh gee I wish I could
+
+20
+00:00:27,170 --> 00:00:27,180
+them all about it huh gee I wish I could
+ 
+
+21
+00:00:27,180 --> 00:00:29,689
+them all about it huh gee I wish I could
+Frank but I gotta clean up I did a lot
+
+22
+00:00:29,689 --> 00:00:29,699
+Frank but I gotta clean up I did a lot
+ 
+
+23
+00:00:29,699 --> 00:00:35,060
+Frank but I gotta clean up I did a lot
+of laundry today maybe dr. storm surgery
+
+24
+00:00:35,060 --> 00:00:35,070
+of laundry today maybe dr. storm surgery
+ 
+
+25
+00:00:35,070 --> 00:00:38,000
+of laundry today maybe dr. storm surgery
+I MODOK oh yeah what about girls this
+
+26
+00:00:38,000 --> 00:00:38,010
+I MODOK oh yeah what about girls this
+ 
+
+27
+00:00:38,010 --> 00:00:41,450
+I MODOK oh yeah what about girls this
+star surgeon doc yeah and and you just
+
+28
+00:00:41,450 --> 00:00:41,460
+star surgeon doc yeah and and you just
+ 
+
+29
+00:00:41,460 --> 00:00:43,490
+star surgeon doc yeah and and you just
+go right off with Doc well II well don't
+
+30
+00:00:43,490 --> 00:00:43,500
+go right off with Doc well II well don't
+ 
+
+31
+00:00:43,500 --> 00:00:45,080
+go right off with Doc well II well don't
+let the gray hair in the baggy eyes
+
+32
+00:00:45,080 --> 00:00:45,090
+let the gray hair in the baggy eyes
+ 
+
+33
+00:00:45,090 --> 00:00:47,209
+let the gray hair in the baggy eyes
+bother you he's a very likable et great
+
+34
+00:00:47,209 --> 00:00:47,219
+bother you he's a very likable et great
+ 
+
+35
+00:00:47,219 --> 00:00:50,479
+bother you he's a very likable et great
+sense of humor doc yeah I'd be delighted
+
+36
+00:00:50,479 --> 00:00:50,489
+sense of humor doc yeah I'd be delighted
+ 
+
+37
+00:00:50,489 --> 00:00:52,220
+sense of humor doc yeah I'd be delighted
+to take these young ladies of the
+
+38
+00:00:52,220 --> 00:00:52,230
+to take these young ladies of the
+ 
+
+39
+00:00:52,230 --> 00:00:54,459
+to take these young ladies of the
+medical profession of my surgery but
+
+40
+00:00:54,459 --> 00:00:54,469
+medical profession of my surgery but
+ 
+
+41
+00:00:54,469 --> 00:00:56,510
+medical profession of my surgery but
+unfortunately we have not a chance to
+
+42
+00:00:56,510 --> 00:00:56,520
+unfortunately we have not a chance to
+ 
+
+43
+00:00:56,520 --> 00:01:02,260
+unfortunately we have not a chance to
+clean up since our last enemy action
+
+44
+00:01:02,260 --> 00:01:02,270
+
+ 
+
+45
+00:01:02,270 --> 00:01:14,930
+
+[Music]
+
+46
+00:01:14,930 --> 00:01:14,940
+
+ 
+
+47
+00:01:14,940 --> 00:01:16,490
+
+Flemish up the lines after well you
+
+48
+00:01:16,490 --> 00:01:16,500
+Flemish up the lines after well you
+ 
+
+49
+00:01:16,500 --> 00:01:25,849
+Flemish up the lines after well you
+doubt him y-yeah new man
+
+50
+00:01:25,849 --> 00:01:25,859
+
+ 
+
+51
+00:01:25,859 --> 00:01:28,620
+
+the boy saw a cookie put some more salt
+
+52
+00:01:28,620 --> 00:01:28,630
+the boy saw a cookie put some more salt
+ 
+
+53
+00:01:28,630 --> 00:01:30,870
+the boy saw a cookie put some more salt
+in there now girls up here is where we
+
+54
+00:01:30,870 --> 00:01:30,880
+in there now girls up here is where we
+ 
+
+55
+00:01:30,880 --> 00:01:34,319
+in there now girls up here is where we
+have the anchor well follow me right
+
+56
+00:01:34,319 --> 00:01:34,329
+have the anchor well follow me right
+ 
+
+57
+00:01:34,329 --> 00:01:44,039
+have the anchor well follow me right
+here girls pleasure it no mate as you
+
+58
+00:01:44,039 --> 00:01:44,049
+here girls pleasure it no mate as you
+ 
+
+59
+00:01:44,049 --> 00:01:52,639
+here girls pleasure it no mate as you
+work now girls this is the that's a gun
+
+60
+00:01:52,639 --> 00:01:52,649
+
+ 
+
+61
+00:01:52,649 --> 00:02:01,649
+
+oh oh well I can make an exception in
+
+62
+00:02:01,649 --> 00:02:01,659
+oh oh well I can make an exception in
+ 
+
+63
+00:02:01,659 --> 00:02:02,039
+oh oh well I can make an exception in
+your case
+
+64
+00:02:02,039 --> 00:02:02,049
+your case
+ 
+
+65
+00:02:02,049 --> 00:02:06,300
+your case
+thank you look at a fish stumble over
+
+66
+00:02:06,300 --> 00:02:06,310
+thank you look at a fish stumble over
+ 
+
+67
+00:02:06,310 --> 00:02:07,020
+thank you look at a fish stumble over
+there huh
+
+68
+00:02:07,020 --> 00:02:07,030
+there huh
+ 
+
+69
+00:02:07,030 --> 00:02:09,660
+there huh
+it's a way a real interesting cog for me
+
+70
+00:02:09,660 --> 00:02:09,670
+it's a way a real interesting cog for me
+ 
+
+71
+00:02:09,670 --> 00:02:11,610
+it's a way a real interesting cog for me
+you can see you're a hospital right from
+
+72
+00:02:11,610 --> 00:02:11,620
+you can see you're a hospital right from
+ 
+
+73
+00:02:11,620 --> 00:02:21,630
+you can see you're a hospital right from
+over the rail here hey I can why you
+
+74
+00:02:21,630 --> 00:02:21,640
+over the rail here hey I can why you
+ 
+
+75
+00:02:21,640 --> 00:02:24,010
+over the rail here hey I can why you
+could almost reach out and
+
+76
+00:02:24,010 --> 00:02:24,020
+could almost reach out and
+ 
+
+77
+00:02:24,020 --> 00:02:29,570
+could almost reach out and
+[Music]
+
+78
+00:02:29,570 --> 00:02:29,580
+
+ 
+
+79
+00:02:29,580 --> 00:02:42,140
+
+glasses
+
+80
+00:02:42,140 --> 00:02:42,150
+
+ 
+
+81
+00:02:42,150 --> 00:02:47,420
+
+well you certainly can see Covina
+
+82
+00:02:47,420 --> 00:02:47,430
+
+ 
+
+83
+00:02:47,430 --> 00:02:50,400
+
+lieutenant we got to get back and hang
+
+84
+00:02:50,400 --> 00:02:50,410
+lieutenant we got to get back and hang
+ 
+
+85
+00:02:50,410 --> 00:02:56,640
+lieutenant we got to get back and hang
+those window curtains right away tam hey
+
+86
+00:02:56,640 --> 00:02:56,650
+those window curtains right away tam hey
+ 
+
+87
+00:02:56,650 --> 00:03:05,430
+those window curtains right away tam hey
+hey two three four two three four two
+
+88
+00:03:05,430 --> 00:03:05,440
+hey two three four two three four two
+ 
+
+89
+00:03:05,440 --> 00:03:09,580
+hey two three four two three four two
+three four so long harmless
+
+90
+00:03:09,580 --> 00:03:09,590
+three four so long harmless
+ 
+
+91
+00:03:09,590 --> 00:03:23,590
+three four so long harmless
+[Music]
+

1955/PTQLBv8sgDI.en.srt

@@ -0,0 +1,305 @@
+1
+00:00:00,060 --> 00:00:01,790
+
+Frank where's the rest that alcohol we
+
+2
+00:00:01,790 --> 00:00:01,800
+Frank where's the rest that alcohol we
+ 
+
+3
+00:00:01,800 --> 00:00:08,570
+Frank where's the rest that alcohol we
+were drinking last night now that I
+
+4
+00:00:08,570 --> 00:00:08,580
+were drinking last night now that I
+ 
+
+5
+00:00:08,580 --> 00:00:14,320
+were drinking last night now that I
+ain't know right Colin quiet boy color
+
+6
+00:00:14,320 --> 00:00:14,330
+ain't know right Colin quiet boy color
+ 
+
+7
+00:00:14,330 --> 00:00:17,750
+ain't know right Colin quiet boy color
+coke we got any I haven't seen a Coke in
+
+8
+00:00:17,750 --> 00:00:17,760
+coke we got any I haven't seen a Coke in
+ 
+
+9
+00:00:17,760 --> 00:00:18,859
+coke we got any I haven't seen a Coke in
+four months
+
+10
+00:00:18,859 --> 00:00:18,869
+four months
+ 
+
+11
+00:00:18,869 --> 00:00:37,130
+four months
+no it's five months oh I forgot I had it
+
+12
+00:00:37,130 --> 00:00:37,140
+
+ 
+
+13
+00:00:37,140 --> 00:00:41,720
+
+what shade would you like shade pales
+
+14
+00:00:41,720 --> 00:00:41,730
+what shade would you like shade pales
+ 
+
+15
+00:00:41,730 --> 00:00:59,110
+what shade would you like shade pales
+okey oh well I told her read labels
+
+16
+00:00:59,110 --> 00:00:59,120
+
+ 
+
+17
+00:00:59,120 --> 00:01:03,259
+
+red label red label yeah well I may look
+
+18
+00:01:03,259 --> 00:01:03,269
+red label red label yeah well I may look
+ 
+
+19
+00:01:03,269 --> 00:01:10,490
+red label red label yeah well I may look
+like it sure won't taste like what a
+
+20
+00:01:10,490 --> 00:01:10,500
+like it sure won't taste like what a
+ 
+
+21
+00:01:10,500 --> 00:01:17,719
+like it sure won't taste like what a
+scotch tastes like tastes like you know
+
+22
+00:01:17,719 --> 00:01:17,729
+scotch tastes like tastes like you know
+ 
+
+23
+00:01:17,729 --> 00:01:19,460
+scotch tastes like tastes like you know
+what ice always tastes a little like to
+
+24
+00:01:19,460 --> 00:01:19,470
+what ice always tastes a little like to
+ 
+
+25
+00:01:19,470 --> 00:01:20,680
+what ice always tastes a little like to
+me
+
+26
+00:01:20,680 --> 00:01:20,690
+me
+ 
+
+27
+00:01:20,690 --> 00:01:33,499
+me
+iodine of course one drop of iodine for
+
+28
+00:01:33,499 --> 00:01:33,509
+iodine of course one drop of iodine for
+ 
+
+29
+00:01:33,509 --> 00:01:47,389
+iodine of course one drop of iodine for
+taste let me try that this calls for a
+
+30
+00:01:47,389 --> 00:01:47,399
+taste let me try that this calls for a
+ 
+
+31
+00:01:47,399 --> 00:01:57,979
+taste let me try that this calls for a
+medical opinion how about it we're on
+
+32
+00:01:57,979 --> 00:01:57,989
+medical opinion how about it we're on
+ 
+
+33
+00:01:57,989 --> 00:02:00,800
+medical opinion how about it we're on
+the right track now we need a little
+
+34
+00:02:00,800 --> 00:02:00,810
+the right track now we need a little
+ 
+
+35
+00:02:00,810 --> 00:02:03,680
+the right track now we need a little
+something extra for age what have you
+
+36
+00:02:03,680 --> 00:02:03,690
+something extra for age what have you
+ 
+
+37
+00:02:03,690 --> 00:02:08,240
+something extra for age what have you
+got there seltzer Bismil Eno fruit salt
+
+38
+00:02:08,240 --> 00:02:08,250
+got there seltzer Bismil Eno fruit salt
+ 
+
+39
+00:02:08,250 --> 00:02:12,710
+got there seltzer Bismil Eno fruit salt
+hair tonic pear tonic that's got a cult
+
+40
+00:02:12,710 --> 00:02:12,720
+hair tonic pear tonic that's got a cult
+ 
+
+41
+00:02:12,720 --> 00:02:19,250
+hair tonic pear tonic that's got a cult
+our base one drop a hair tonic
+
+42
+00:02:19,250 --> 00:02:19,260
+our base one drop a hair tonic
+ 
+
+43
+00:02:19,260 --> 00:02:27,410
+our base one drop a hair tonic
+age age that daylights out of it that's
+
+44
+00:02:27,410 --> 00:02:27,420
+age age that daylights out of it that's
+ 
+
+45
+00:02:27,420 --> 00:02:41,300
+age age that daylights out of it that's
+it
+
+46
+00:02:41,300 --> 00:02:41,310
+
+ 
+
+47
+00:02:41,310 --> 00:02:43,160
+
+you know that's just a little like
+
+48
+00:02:43,160 --> 00:02:43,170
+you know that's just a little like
+ 
+
+49
+00:02:43,170 --> 00:02:58,130
+you know that's just a little like
+scotch do you know it does smooth that
+
+50
+00:02:58,130 --> 00:02:58,140
+scotch do you know it does smooth that
+ 
+
+51
+00:02:58,140 --> 00:02:59,540
+scotch do you know it does smooth that
+dumb little blood we'll never know the
+
+52
+00:02:59,540 --> 00:02:59,550
+dumb little blood we'll never know the
+ 
+
+53
+00:02:59,550 --> 00:03:00,199
+dumb little blood we'll never know the
+difference
+
+54
+00:03:00,199 --> 00:03:00,209
+difference
+ 
+
+55
+00:03:00,209 --> 00:03:02,990
+difference
+all right Frank Doug and I made the
+
+56
+00:03:02,990 --> 00:03:03,000
+all right Frank Doug and I made the
+ 
+
+57
+00:03:03,000 --> 00:03:03,550
+all right Frank Doug and I made the
+Scotch
+
+58
+00:03:03,550 --> 00:03:03,560
+Scotch
+ 
+
+59
+00:03:03,560 --> 00:03:14,230
+Scotch
+the nurse is your typical she won't know
+
+60
+00:03:14,230 --> 00:03:14,240
+
+ 
+
+61
+00:03:14,240 --> 00:03:25,580
+
+[Music]
+

1955/Q-xBDej7O6M.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:00,359 --> 00:00:02,149
+
+as it was quite quick and painless he
+
+2
+00:00:02,149 --> 00:00:02,159
+as it was quite quick and painless he
+ 
+
+3
+00:00:02,159 --> 00:00:04,430
+as it was quite quick and painless he
+left us with a smile on his lips and his
+
+4
+00:00:04,430 --> 00:00:04,440
+left us with a smile on his lips and his
+ 
+
+5
+00:00:04,440 --> 00:00:20,150
+left us with a smile on his lips and his
+last words were no
+
+6
+00:00:20,150 --> 00:00:20,160
+
+ 
+
+7
+00:00:20,160 --> 00:00:22,990
+
+credit how can we tell
+
+8
+00:00:22,990 --> 00:00:23,000
+credit how can we tell
+ 
+
+9
+00:00:23,000 --> 00:00:28,230
+credit how can we tell
+her leave it to me I'll break it to her
+
+10
+00:00:28,230 --> 00:00:28,240
+
+ 
+
+11
+00:00:28,240 --> 00:00:31,870
+
+gently oh I kept my promise I said a
+
+12
+00:00:31,870 --> 00:00:31,880
+gently oh I kept my promise I said a
+ 
+
+13
+00:00:31,880 --> 00:00:34,229
+gently oh I kept my promise I said a
+prayer for all of you and cousin Andre
+
+14
+00:00:34,229 --> 00:00:34,239
+prayer for all of you and cousin Andre
+ 
+
+15
+00:00:34,239 --> 00:00:38,229
+prayer for all of you and cousin Andre
+too well that's good cuz he's
+
+16
+00:00:38,229 --> 00:00:38,239
+too well that's good cuz he's
+ 
+
+17
+00:00:38,239 --> 00:00:40,910
+too well that's good cuz he's
+dead oh I'm glad you broke it to her
+
+18
+00:00:40,910 --> 00:00:40,920
+dead oh I'm glad you broke it to her
+ 
+
+19
+00:00:40,920 --> 00:00:44,990
+dead oh I'm glad you broke it to her
+gently was Andre's dead he uh died in
+
+20
+00:00:44,990 --> 00:00:45,000
+gently was Andre's dead he uh died in
+ 
+
+21
+00:00:45,000 --> 00:00:47,310
+gently was Andre's dead he uh died in
+his sleep after opening his Christmas
+
+22
+00:00:47,310 --> 00:00:47,320
+his sleep after opening his Christmas
+ 
+
+23
+00:00:47,320 --> 00:00:50,709
+his sleep after opening his Christmas
+present can't believe it how
+
+24
+00:00:50,709 --> 00:00:50,719
+present can't believe it how
+ 
+
+25
+00:00:50,719 --> 00:00:52,869
+present can't believe it how
+awful so far you're the only one who
+
+26
+00:00:52,869 --> 00:00:52,879
+awful so far you're the only one who
+ 
+
+27
+00:00:52,879 --> 00:00:56,549
+awful so far you're the only one who
+thinks so poor Paul must have been a
+
+28
+00:00:56,549 --> 00:00:56,559
+thinks so poor Paul must have been a
+ 
+
+29
+00:00:56,559 --> 00:00:58,830
+thinks so poor Paul must have been a
+terrible shock to him he didn't feel a
+
+30
+00:00:58,830 --> 00:00:58,840
+terrible shock to him he didn't feel a
+ 
+
+31
+00:00:58,840 --> 00:01:00,509
+terrible shock to him he didn't feel a
+thing
+
+32
+00:01:00,509 --> 00:01:00,519
+thing
+ 
+
+33
+00:01:00,519 --> 00:01:03,549
+thing
+you took it very calmly
+
+34
+00:01:03,549 --> 00:01:03,559
+you took it very calmly
+ 
+
+35
+00:01:03,559 --> 00:01:06,510
+you took it very calmly
+stiff stiff upper lip all
+
+36
+00:01:06,510 --> 00:01:06,520
+stiff stiff upper lip all
+ 
+
+37
+00:01:06,520 --> 00:01:09,030
+stiff stiff upper lip all
+that I better change my dress before I
+
+38
+00:01:09,030 --> 00:01:09,040
+that I better change my dress before I
+ 
+
+39
+00:01:09,040 --> 00:01:10,469
+that I better change my dress before I
+talked to Paul I wouldn't want him to
+
+40
+00:01:10,469 --> 00:01:10,479
+talked to Paul I wouldn't want him to
+ 
+
+41
+00:01:10,479 --> 00:01:13,149
+talked to Paul I wouldn't want him to
+think I'm not sympathetic before you go
+
+42
+00:01:13,149 --> 00:01:13,159
+think I'm not sympathetic before you go
+ 
+
+43
+00:01:13,159 --> 00:01:15,749
+think I'm not sympathetic before you go
+about Paul uh you and Paul that is oh
+
+44
+00:01:15,749 --> 00:01:15,759
+about Paul uh you and Paul that is oh
+ 
+
+45
+00:01:15,759 --> 00:01:17,630
+about Paul uh you and Paul that is oh
+it's all right I know now that Paul
+
+46
+00:01:17,630 --> 00:01:17,640
+it's all right I know now that Paul
+ 
+
+47
+00:01:17,640 --> 00:01:19,149
+it's all right I know now that Paul
+doesn't love me that's no way to
+
+48
+00:01:19,149 --> 00:01:19,159
+doesn't love me that's no way to
+ 
+
+49
+00:01:19,159 --> 00:01:21,390
+doesn't love me that's no way to
+remember him I mean why only this
+
+50
+00:01:21,390 --> 00:01:21,400
+remember him I mean why only this
+ 
+
+51
+00:01:21,400 --> 00:01:24,350
+remember him I mean why only this
+morning he was saying uh he was saying
+
+52
+00:01:24,350 --> 00:01:24,360
+morning he was saying uh he was saying
+ 
+
+53
+00:01:24,360 --> 00:01:28,390
+morning he was saying uh he was saying
+yes he was uh how much he loved you yeah
+
+54
+00:01:28,390 --> 00:01:28,400
+yes he was uh how much he loved you yeah
+ 
+
+55
+00:01:28,400 --> 00:01:30,429
+yes he was uh how much he loved you yeah
+he uh didn't talk talk about anything
+
+56
+00:01:30,429 --> 00:01:30,439
+he uh didn't talk talk about anything
+ 
+
+57
+00:01:30,439 --> 00:01:32,109
+he uh didn't talk talk about anything
+else but you we wouldn't want you to
+
+58
+00:01:32,109 --> 00:01:32,119
+else but you we wouldn't want you to
+ 
+
+59
+00:01:32,119 --> 00:01:35,910
+else but you we wouldn't want you to
+think of him not loving you yes he loves
+
+60
+00:01:35,910 --> 00:01:35,920
+think of him not loving you yes he loves
+ 
+
+61
+00:01:35,920 --> 00:01:38,830
+think of him not loving you yes he loves
+you I laid awake all last night thinking
+
+62
+00:01:38,830 --> 00:01:38,840
+you I laid awake all last night thinking
+ 
+
+63
+00:01:38,840 --> 00:01:41,710
+you I laid awake all last night thinking
+about him and I suddenly realized it was
+
+64
+00:01:41,710 --> 00:01:41,720
+about him and I suddenly realized it was
+ 
+
+65
+00:01:41,720 --> 00:01:44,350
+about him and I suddenly realized it was
+all sort of a fairy tale something for a
+
+66
+00:01:44,350 --> 00:01:44,360
+all sort of a fairy tale something for a
+ 
+
+67
+00:01:44,360 --> 00:01:46,389
+all sort of a fairy tale something for a
+child to believe in
+
+68
+00:01:46,389 --> 00:01:46,399
+child to believe in
+ 
+
+69
+00:01:46,399 --> 00:01:49,389
+child to believe in
+it last night I grew up you mean you
+
+70
+00:01:49,389 --> 00:01:49,399
+it last night I grew up you mean you
+ 
+
+71
+00:01:49,399 --> 00:01:50,789
+it last night I grew up you mean you
+don't love him
+
+72
+00:01:50,789 --> 00:01:50,799
+don't love him
+ 
+
+73
+00:01:50,799 --> 00:01:53,630
+don't love him
+anymore I love only you
+
+74
+00:01:53,630 --> 00:01:53,640
+anymore I love only you
+ 
+
+75
+00:01:53,640 --> 00:02:01,420
+anymore I love only you
+three because you lied to me
+
+76
+00:02:01,420 --> 00:02:01,430
+
+ 
+
+77
+00:02:01,430 --> 00:02:29,949
+
+[Music]
+
+78
+00:02:29,949 --> 00:02:29,959
+
+ 
+
+79
+00:02:29,959 --> 00:02:32,640
+
+ch
+

1955/QgdvS-09ygk.en.srt

@@ -0,0 +1,135 @@
+1
+00:00:00,000 --> 00:00:08,709
+
+[Music]
+
+2
+00:00:08,709 --> 00:00:08,719
+[Music]
+ 
+
+3
+00:00:08,719 --> 00:00:11,910
+[Music]
+Something's Happened I
+
+4
+00:00:11,910 --> 00:00:11,920
+Something's Happened I
+ 
+
+5
+00:00:11,920 --> 00:00:16,630
+Something's Happened I
+know do you know sure you kissed
+
+6
+00:00:16,630 --> 00:00:16,640
+know do you know sure you kissed
+ 
+
+7
+00:00:16,640 --> 00:00:20,269
+know do you know sure you kissed
+me is that all it's all I saw and I was
+
+8
+00:00:20,269 --> 00:00:20,279
+me is that all it's all I saw and I was
+ 
+
+9
+00:00:20,279 --> 00:00:25,340
+me is that all it's all I saw and I was
+watching all the time
+
+10
+00:00:25,340 --> 00:00:25,350
+
+ 
+
+11
+00:00:25,350 --> 00:00:49,709
+
+[Music]
+
+12
+00:00:49,709 --> 00:00:49,719
+[Music]
+ 
+
+13
+00:00:49,719 --> 00:00:54,590
+[Music]
+I love you love me that's
+
+14
+00:00:54,590 --> 00:00:54,600
+I love you love me that's
+ 
+
+15
+00:00:54,600 --> 00:00:57,029
+I love you love me that's
+funny why is it so
+
+16
+00:00:57,029 --> 00:00:57,039
+funny why is it so
+ 
+
+17
+00:00:57,039 --> 00:01:01,349
+funny why is it so
+funny why it's a mistake to confuse pity
+
+18
+00:01:01,349 --> 00:01:01,359
+funny why it's a mistake to confuse pity
+ 
+
+19
+00:01:01,359 --> 00:01:03,820
+funny why it's a mistake to confuse pity
+with
+
+20
+00:01:03,820 --> 00:01:03,830
+
+ 
+
+21
+00:01:03,830 --> 00:01:11,910
+
+[Music]
+
+22
+00:01:11,910 --> 00:01:11,920
+
+ 
+
+23
+00:01:11,920 --> 00:01:15,380
+
+love look Gloria
+
+24
+00:01:15,380 --> 00:01:15,390
+love look Gloria
+ 
+
+25
+00:01:15,390 --> 00:01:46,030
+love look Gloria
+[Music]
+
+26
+00:01:46,030 --> 00:01:46,040
+
+ 
+
+27
+00:01:46,040 --> 00:01:48,600
+
+ch
+

1955/TzAnOnVKwzk.description

@@ -0,0 +1,38 @@
+Marty movie clips: http://j.mp/1bf5rDl
+BUY THE MOVIE: http://j.mp/16YsSsT
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Marty (Ernest Borgnine) dances with Clara (Betsy Blair) and talks optimistically about how they're better than they think they are.
+
+FILM DESCRIPTION:
+Paddy Chayefsky's Oscar-winning slice-of-life drama originated as a live 1953 broadcast directed by Delbert Mann on The Philco-Goodyear Television Playhouse starring Rod Steiger and Nancy Marchand. The Hecht-Lancaster movie version, also directed by Mann, replaces the two leads with Ernest Borgnine and Betsy Blair (as well as featuring several soon-to-be-familiar faces, including Jerry Paris, Frank Sutton, and Karen Steele, plus Joe Mantell, Nehemiah Persoff, and Betsy Palmer from the TV version). But it remains otherwise intact, telling of 24 very important hours in the lives of two lonely people. Marty is a bittersweet, sometimes funny, sometimes poignant, and always realistic comedy-drama about Marty Pilletti (Ernest Borgnine), a 34-year-old Bronx butcher. Approaching middle-age as a burly, somewhat overweight man who has no illusions about himself or his attractiveness to women, Marty looks forward to just one thing in life -- buying his boss's butcher shop and trying to make a success in business -- and he's even uncertain about that. A gentle, good-natured man, he lives with his mother (Esther Minciotti), a kind but emotionally smothering woman, in a too-large house and spends his time a small circle of dead-end friends (Joe Mantell, Frank Sutton). One Friday night, Marty's mother convinces him to go to the Stardust Ballroom, where he meets a plain-looking schoolteacher named Clara (Betsy Blair), whose life appears to mirror his own -- she lives with her father, and is frightened about the one prospect she has for advancement in her job. Meeting her after witnessing a humiliating rejection by her blind date, Marty acts on his best impulses and asks Clara to dance, and soon they are actually enjoying each other's company. She is as drawn to him as he is to her, but both are so uncertain about putting themselves at risk emotionally, that the evening almost ends badly when he tries to kiss her -- but they agree to go to talk on the phone and go to a movie the next night. But whatever good feelings he has about Clara are soon threatened by his friends' put-downs of her, and his mother's hostility, driven by her sudden panic that if Marty marries, she'll be left living alone. Marty spends the next day alone and never does call Clara, seemingly having decided that it's best to leave well enough alone. That is, until he takes a good long look at his life, and a listen to his friends -- and he suddenly makes the decision to try for true happiness, wherever it leads.
+
+CREDITS:
+TM & © MGM (1955)
+Cast: Ernest Borgnine, Betsy Blair
+Director: Delbert Mann
+Producers: Paddy Chayefsky, Harold Hecht, Burt Lancaster
+Screenwriter: Paddy Chayefsky
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
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