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1953/CWnDVW07_1c.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:00,520 --> 00:00:03,749
+
+and where do you think you're
+
+2
+00:00:03,749 --> 00:00:03,759
+
+ 
+
+3
+00:00:03,759 --> 00:00:09,110
+
+going get a whiskey all
+
+4
+00:00:09,110 --> 00:00:09,120
+
+ 
+
+5
+00:00:09,120 --> 00:00:12,230
+
+[Music]
+
+6
+00:00:12,230 --> 00:00:12,240
+[Music]
+ 
+
+7
+00:00:12,240 --> 00:00:25,550
+[Music]
+right all
+
+8
+00:00:25,550 --> 00:00:25,560
+
+ 
+
+9
+00:00:25,560 --> 00:00:57,349
+
+right sry
+
+10
+00:00:57,349 --> 00:00:57,359
+
+ 
+
+11
+00:00:57,359 --> 00:01:01,670
+
+they tell me they called you stone wall
+
+12
+00:01:01,670 --> 00:01:01,680
+they tell me they called you stone wall
+ 
+
+13
+00:01:01,680 --> 00:01:03,590
+they tell me they called you stone wall
+anything wrong with
+
+14
+00:01:03,590 --> 00:01:03,600
+anything wrong with
+ 
+
+15
+00:01:03,600 --> 00:01:08,469
+anything wrong with
+that it's just
+
+16
+00:01:08,469 --> 00:01:08,479
+
+ 
+
+17
+00:01:08,479 --> 00:01:12,109
+
+funny guess they named a lot of
+
+18
+00:01:12,109 --> 00:01:12,119
+funny guess they named a lot of
+ 
+
+19
+00:01:12,119 --> 00:01:18,950
+funny guess they named a lot of
+that southern trash after Old Stone
+
+20
+00:01:18,950 --> 00:01:18,960
+
+ 
+
+21
+00:01:18,960 --> 00:01:21,469
+
+Wall what they name you
+
+22
+00:01:21,469 --> 00:01:21,479
+Wall what they name you
+ 
+
+23
+00:01:21,479 --> 00:01:25,069
+Wall what they name you
+after what do you
+
+24
+00:01:25,069 --> 00:01:25,079
+
+ 
+
+25
+00:01:25,079 --> 00:01:28,789
+
+know I'm saying that Stonewall Jackson
+
+26
+00:01:28,789 --> 00:01:28,799
+know I'm saying that Stonewall Jackson
+ 
+
+27
+00:01:28,799 --> 00:01:32,429
+know I'm saying that Stonewall Jackson
+was trash himself
+
+28
+00:01:32,429 --> 00:01:32,439
+
+ 
+
+29
+00:01:32,439 --> 00:01:38,710
+
+him Lee and all the rest of them
+
+30
+00:01:38,710 --> 00:01:38,720
+
+ 
+
+31
+00:01:38,720 --> 00:01:41,590
+
+ribs you
+
+32
+00:01:41,590 --> 00:01:41,600
+ribs you
+ 
+
+33
+00:01:41,600 --> 00:01:45,830
+ribs you
+too you're a low down line
+
+34
+00:01:45,830 --> 00:01:45,840
+too you're a low down line
+ 
+
+35
+00:01:45,840 --> 00:01:49,149
+too you're a low down line
+Yaky prove
+
+36
+00:01:49,149 --> 00:01:49,159
+
+ 
+
+37
+00:01:49,159 --> 00:01:56,280
+
+it Noor
+
+38
+00:01:56,280 --> 00:01:56,290
+
+ 
+
+39
+00:01:56,290 --> 00:02:13,430
+
+[Music]
+
+40
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+41
+00:02:13,440 --> 00:02:44,509
+
+[Music]
+

1953/YklwFCfEEMM.description

@@ -0,0 +1,38 @@
+Shane movie clips: http://j.mp/1Jag73J
+BUY THE MOVIE: http://j.mp/JKDtR0
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Shane (Alan Ladd) teams up with Joe Starrett (Van Heflin) and take on the Ryker gang.
+
+FILM DESCRIPTION:
+The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Brandon De Wilde, John Dierkes, Van Heflin, Ben Johnson, Alan Ladd, Paul McVey, Emile Meyer, Jean Arthur
+Director: George Stevens
+Producers: Ivan Moffat, George Stevens
+Screenwriters: A.B. Guthrie Jr., Jack Sher, Jack Schaefer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/YklwFCfEEMM.en.srt

@@ -0,0 +1,144 @@
+1
+00:00:00,359 --> 00:00:04,030
+
+where's
+
+2
+00:00:04,030 --> 00:00:04,040
+
+ 
+
+3
+00:00:04,040 --> 00:00:28,950
+
+joey all
+
+4
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+5
+00:00:28,960 --> 00:00:58,330
+
+tr
+
+6
+00:00:58,330 --> 00:00:58,340
+
+ 
+
+7
+00:00:58,340 --> 00:01:27,230
+
+[Music]
+
+8
+00:01:27,230 --> 00:01:27,240
+[Music]
+ 
+
+9
+00:01:27,240 --> 00:01:28,830
+[Music]
+d
+
+10
+00:01:28,830 --> 00:01:28,840
+d
+ 
+
+11
+00:01:28,840 --> 00:01:32,149
+d
+d you foed you head enough of it i'll get
+
+12
+00:01:32,149 --> 00:01:32,159
+d you foed you head enough of it i'll get
+ 
+
+13
+00:01:32,159 --> 00:01:33,510
+d you foed you head enough of it i'll get
+
+14
+00:01:33,510 --> 00:01:33,520
+
+ 
+
+15
+00:01:33,520 --> 00:01:40,030
+
+killed you back on out of
+
+16
+00:01:40,030 --> 00:01:40,040
+
+ 
+
+17
+00:01:40,040 --> 00:01:42,410
+
+here mak some
+
+18
+00:01:42,410 --> 00:01:42,420
+here mak some
+ 
+
+19
+00:01:42,420 --> 00:01:48,950
+here mak some
+[Music]
+
+20
+00:01:48,950 --> 00:01:48,960
+
+ 
+
+21
+00:01:48,960 --> 00:01:53,109
+
+s ping for this damage with ack i'm
+
+22
+00:01:53,109 --> 00:01:53,119
+s ping for this damage with ack i'm
+ 
+
+23
+00:01:53,119 --> 00:01:54,469
+s ping for this damage with ack i'm
+paying for what
+
+24
+00:01:54,469 --> 00:01:54,479
+paying for what
+ 
+
+25
+00:01:54,479 --> 00:01:58,830
+paying for what
+br no by god for broke me
+
+26
+00:01:58,830 --> 00:01:58,840
+br no by god for broke me
+ 
+
+27
+00:01:58,840 --> 00:02:08,890
+br no by god for broke me
+and
+
+28
+00:02:08,890 --> 00:02:08,900
+
+ 
+
+29
+00:02:08,900 --> 00:02:31,479
+
+[Music]
+

1953/aGMiaQISzq0.description

@@ -0,0 +1,32 @@
+It Came From Outer Space - They'll Be Back: The aliens break free of the mines and travel home.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Charles Drake, Richard Carlson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1953/eeWPnGsY-Xc.description

@@ -0,0 +1,32 @@
+It Came From Outer Space - First Contact: John (Richard Carlson) sees the aliens for the first time.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Richard Carlson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1953/eeWPnGsY-Xc.en.srt

@@ -0,0 +1,385 @@
+1
+00:00:00,000 --> 00:00:02,050
+
+[Music]
+
+2
+00:00:02,050 --> 00:00:02,060
+[Music]
+ 
+
+3
+00:00:02,060 --> 00:00:07,519
+[Music]
+where's Ellen where's Ellen stay where
+
+4
+00:00:07,519 --> 00:00:07,529
+where's Ellen where's Ellen stay where
+ 
+
+5
+00:00:07,529 --> 00:00:11,150
+where's Ellen where's Ellen stay where
+you come out in the open come out where
+
+6
+00:00:11,150 --> 00:00:11,160
+you come out in the open come out where
+ 
+
+7
+00:00:11,160 --> 00:00:13,039
+you come out in the open come out where
+I can see you know
+
+8
+00:00:13,039 --> 00:00:13,049
+I can see you know
+ 
+
+9
+00:00:13,049 --> 00:00:15,980
+I can see you know
+let me see you as you really are what do
+
+10
+00:00:15,980 --> 00:00:15,990
+let me see you as you really are what do
+ 
+
+11
+00:00:15,990 --> 00:00:18,439
+let me see you as you really are what do
+you want what are you doing we are
+
+12
+00:00:18,439 --> 00:00:18,449
+you want what are you doing we are
+ 
+
+13
+00:00:18,449 --> 00:00:21,279
+you want what are you doing we are
+repairing our ship to leave your world
+
+14
+00:00:21,279 --> 00:00:21,289
+repairing our ship to leave your world
+ 
+
+15
+00:00:21,289 --> 00:00:24,320
+repairing our ship to leave your world
+we need your help you asked me to help
+
+16
+00:00:24,320 --> 00:00:24,330
+we need your help you asked me to help
+ 
+
+17
+00:00:24,330 --> 00:00:26,689
+we need your help you asked me to help
+you how can i when you've kidnapped and
+
+18
+00:00:26,689 --> 00:00:26,699
+you how can i when you've kidnapped and
+ 
+
+19
+00:00:26,699 --> 00:00:29,359
+you how can i when you've kidnapped and
+stolen for all I know even murdered we
+
+20
+00:00:29,359 --> 00:00:29,369
+stolen for all I know even murdered we
+ 
+
+21
+00:00:29,369 --> 00:00:32,810
+stolen for all I know even murdered we
+have a long way to go by nightfall
+
+22
+00:00:32,810 --> 00:00:32,820
+have a long way to go by nightfall
+ 
+
+23
+00:00:32,820 --> 00:00:35,510
+have a long way to go by nightfall
+we will have left your earth you will
+
+24
+00:00:35,510 --> 00:00:35,520
+we will have left your earth you will
+ 
+
+25
+00:00:35,520 --> 00:00:39,380
+we will have left your earth you will
+not see us until it is time time for
+
+26
+00:00:39,380 --> 00:00:39,390
+not see us until it is time time for
+ 
+
+27
+00:00:39,390 --> 00:00:44,680
+not see us until it is time time for
+what time to kill time to take over we
+
+28
+00:00:44,680 --> 00:00:44,690
+what time to kill time to take over we
+ 
+
+29
+00:00:44,690 --> 00:00:46,340
+what time to kill time to take over we
+are good
+
+30
+00:00:46,340 --> 00:00:46,350
+are good
+ 
+
+31
+00:00:46,350 --> 00:00:48,830
+are good
+then why are you hiding we are not yet
+
+32
+00:00:48,830 --> 00:00:48,840
+then why are you hiding we are not yet
+ 
+
+33
+00:00:48,840 --> 00:00:51,889
+then why are you hiding we are not yet
+ready to meet in friendship why not
+
+34
+00:00:51,889 --> 00:00:51,899
+ready to meet in friendship why not
+ 
+
+35
+00:00:51,899 --> 00:00:54,619
+ready to meet in friendship why not
+because you would be horrified at the
+
+36
+00:00:54,619 --> 00:00:54,629
+because you would be horrified at the
+ 
+
+37
+00:00:54,629 --> 00:01:00,520
+because you would be horrified at the
+sight of us had you fallen on our world
+
+38
+00:01:00,520 --> 00:01:00,530
+sight of us had you fallen on our world
+ 
+
+39
+00:01:00,530 --> 00:01:05,410
+sight of us had you fallen on our world
+it might have been different we
+
+40
+00:01:05,410 --> 00:01:05,420
+it might have been different we
+ 
+
+41
+00:01:05,420 --> 00:01:08,420
+it might have been different we
+understand more all I understand is that
+
+42
+00:01:08,420 --> 00:01:08,430
+understand more all I understand is that
+ 
+
+43
+00:01:08,430 --> 00:01:10,670
+understand more all I understand is that
+you've taken my friends captive and now
+
+44
+00:01:10,670 --> 00:01:10,680
+you've taken my friends captive and now
+ 
+
+45
+00:01:10,680 --> 00:01:13,760
+you've taken my friends captive and now
+the girl we hold her hostage as well as
+
+46
+00:01:13,760 --> 00:01:13,770
+the girl we hold her hostage as well as
+ 
+
+47
+00:01:13,770 --> 00:01:18,020
+the girl we hold her hostage as well as
+the others keep your people away or we
+
+48
+00:01:18,020 --> 00:01:18,030
+the others keep your people away or we
+ 
+
+49
+00:01:18,030 --> 00:01:21,320
+the others keep your people away or we
+will destroy them how do I know that
+
+50
+00:01:21,320 --> 00:01:21,330
+will destroy them how do I know that
+ 
+
+51
+00:01:21,330 --> 00:01:22,730
+will destroy them how do I know that
+your whole mission here isn't to destroy
+
+52
+00:01:22,730 --> 00:01:22,740
+your whole mission here isn't to destroy
+ 
+
+53
+00:01:22,740 --> 00:01:36,850
+your whole mission here isn't to destroy
+all of us stand out in the Sun perhaps
+
+54
+00:01:36,850 --> 00:01:36,860
+all of us stand out in the Sun perhaps
+ 
+
+55
+00:01:36,860 --> 00:01:40,219
+all of us stand out in the Sun perhaps
+then I can't believe you let us stay
+
+56
+00:01:40,219 --> 00:01:40,229
+then I can't believe you let us stay
+ 
+
+57
+00:01:40,229 --> 00:01:45,020
+then I can't believe you let us stay
+apart the people of your world or if we
+
+58
+00:01:45,020 --> 00:01:45,030
+apart the people of your world or if we
+ 
+
+59
+00:01:45,030 --> 00:01:46,670
+apart the people of your world or if we
+come together there will only be
+
+60
+00:01:46,670 --> 00:01:46,680
+come together there will only be
+ 
+
+61
+00:01:46,680 --> 00:01:49,310
+come together there will only be
+destruction I'd got to see you as you
+
+62
+00:01:49,310 --> 00:01:49,320
+destruction I'd got to see you as you
+ 
+
+63
+00:01:49,320 --> 00:01:51,560
+destruction I'd got to see you as you
+really are come out or I can't take the
+
+64
+00:01:51,560 --> 00:01:51,570
+really are come out or I can't take the
+ 
+
+65
+00:01:51,570 --> 00:01:53,719
+really are come out or I can't take the
+responsibility of protecting you very
+
+66
+00:01:53,719 --> 00:01:53,729
+responsibility of protecting you very
+ 
+
+67
+00:01:53,729 --> 00:01:58,310
+responsibility of protecting you very
+well then you asked to see this so you
+
+68
+00:01:58,310 --> 00:01:58,320
+well then you asked to see this so you
+ 
+
+69
+00:01:58,320 --> 00:02:06,810
+well then you asked to see this so you
+shall
+
+70
+00:02:06,810 --> 00:02:06,820
+
+ 
+
+71
+00:02:06,820 --> 00:02:10,040
+
+[Music]
+
+72
+00:02:10,040 --> 00:02:10,050
+[Music]
+ 
+
+73
+00:02:10,050 --> 00:02:10,689
+[Music]
+[Applause]
+
+74
+00:02:10,689 --> 00:02:10,699
+[Applause]
+ 
+
+75
+00:02:10,699 --> 00:02:30,670
+[Applause]
+[Music]
+
+76
+00:02:30,670 --> 00:02:30,680
+
+ 
+
+77
+00:02:30,680 --> 00:02:42,120
+
+[Music]
+

1953/f3z_ene1G6c.description

@@ -0,0 +1,38 @@
+Shane movie clips: http://j.mp/1Jag73J
+BUY THE MOVIE: http://j.mp/JKDtR0
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Shane (Alan Ladd) is offered water by Joe Starrett (Van Heflin) as he passes by their farm.
+
+FILM DESCRIPTION:
+The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Brandon De Wilde, Van Heflin, Alan Ladd, Jean Arthur
+Director: George Stevens
+Producers: Ivan Moffat, George Stevens
+Screenwriters: A.B. Guthrie Jr., Jack Sher, Jack Schaefer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/f3z_ene1G6c.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:03,320 --> 00:00:06,670
+
+somebody's coming
+
+2
+00:00:06,670 --> 00:00:06,680
+
+ 
+
+3
+00:00:06,680 --> 00:00:08,549
+
+P
+
+4
+00:00:08,549 --> 00:00:08,559
+P
+ 
+
+5
+00:00:08,559 --> 00:00:11,040
+P
+well let him come
+
+6
+00:00:11,040 --> 00:00:11,050
+well let him come
+ 
+
+7
+00:00:11,050 --> 00:00:50,790
+well let him come
+[Music]
+
+8
+00:00:50,790 --> 00:00:50,800
+[Music]
+ 
+
+9
+00:00:50,800 --> 00:00:53,270
+[Music]
+we don't mind my cutting through your
+
+10
+00:00:53,270 --> 00:00:53,280
+we don't mind my cutting through your
+ 
+
+11
+00:00:53,280 --> 00:00:55,670
+we don't mind my cutting through your
+place no I guess
+
+12
+00:00:55,670 --> 00:00:55,680
+place no I guess
+ 
+
+13
+00:00:55,680 --> 00:01:00,709
+place no I guess
+not I'm heading north
+
+14
+00:01:00,709 --> 00:01:00,719
+
+ 
+
+15
+00:01:00,719 --> 00:01:02,860
+
+didn't expect to find any fences around
+
+16
+00:01:02,860 --> 00:01:02,870
+didn't expect to find any fences around
+ 
+
+17
+00:01:02,870 --> 00:01:05,190
+didn't expect to find any fences around
+[Applause]
+
+18
+00:01:05,190 --> 00:01:05,200
+[Applause]
+ 
+
+19
+00:01:05,200 --> 00:01:08,429
+[Applause]
+here hello
+
+20
+00:01:08,429 --> 00:01:08,439
+here hello
+ 
+
+21
+00:01:08,439 --> 00:01:10,710
+here hello
+boy you were watching me down the trail
+
+22
+00:01:10,710 --> 00:01:10,720
+boy you were watching me down the trail
+ 
+
+23
+00:01:10,720 --> 00:01:14,350
+boy you were watching me down the trail
+quite a spell weren't you yes I was you
+
+24
+00:01:14,350 --> 00:01:14,360
+quite a spell weren't you yes I was you
+ 
+
+25
+00:01:14,360 --> 00:01:17,030
+quite a spell weren't you yes I was you
+know I I like a man who watches things
+
+26
+00:01:17,030 --> 00:01:17,040
+know I I like a man who watches things
+ 
+
+27
+00:01:17,040 --> 00:01:18,510
+know I I like a man who watches things
+go on
+
+28
+00:01:18,510 --> 00:01:18,520
+go on
+ 
+
+29
+00:01:18,520 --> 00:01:26,030
+go on
+around means he'll make his Mark
+
+30
+00:01:26,030 --> 00:01:26,040
+
+ 
+
+31
+00:01:26,040 --> 00:01:28,390
+
+someday been a long time since I've seen
+
+32
+00:01:28,390 --> 00:01:28,400
+someday been a long time since I've seen
+ 
+
+33
+00:01:28,400 --> 00:01:31,630
+someday been a long time since I've seen
+a jersey C well you'll see a lot more
+
+34
+00:01:31,630 --> 00:01:31,640
+a jersey C well you'll see a lot more
+ 
+
+35
+00:01:31,640 --> 00:01:35,069
+a jersey C well you'll see a lot more
+jerseys and hols
+
+36
+00:01:35,069 --> 00:01:35,079
+jerseys and hols
+ 
+
+37
+00:01:35,079 --> 00:01:37,149
+jerseys and hols
+and
+
+38
+00:01:37,149 --> 00:01:37,159
+and
+ 
+
+39
+00:01:37,159 --> 00:01:40,270
+and
+like can I offer you some
+
+40
+00:01:40,270 --> 00:01:40,280
+like can I offer you some
+ 
+
+41
+00:01:40,280 --> 00:01:55,789
+like can I offer you some
+water
+
+42
+00:01:55,789 --> 00:01:55,799
+
+ 
+
+43
+00:01:55,799 --> 00:02:02,590
+
+thanks you're a little touchy aren't you
+
+44
+00:02:02,590 --> 00:02:02,600
+
+ 
+
+45
+00:02:02,600 --> 00:02:04,270
+
+you know better than to point guns at
+
+46
+00:02:04,270 --> 00:02:04,280
+you know better than to point guns at
+ 
+
+47
+00:02:04,280 --> 00:02:06,270
+you know better than to point guns at
+people I wasn't pointing at anybody
+
+48
+00:02:06,270 --> 00:02:06,280
+people I wasn't pointing at anybody
+ 
+
+49
+00:02:06,280 --> 00:02:09,090
+people I wasn't pointing at anybody
+mother
+
+50
+00:02:09,090 --> 00:02:09,100
+mother
+ 
+
+51
+00:02:09,100 --> 00:02:43,509
+mother
+[Music]
+

1953/ge9ahoqNSLE.description

@@ -0,0 +1,32 @@
+It Came From Outer Space - Anti-Alien Posse: The townspeople form a posse to take out the alien-possessed Frank (Joe Sawyer).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Charles Drake, Joe Sawyer
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1953/i4NRgUeziqA.description

@@ -0,0 +1,32 @@
+It Came From Outer Space - Alien Avalanche: John Putnam (Richard Carlson) discovers an alien space ship.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Richard Carlson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1953/l-PmluGC2wk.description

@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Princess Ann (Audrey Hepburn) describes her perfect day full of ordinary things, Joe (Gregory Peck) offers to be her guide.
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Gregory Peck, Audrey Hepburn
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Tumblr: http://bit.ly/1vUwhH7

1953/l-PmluGC2wk.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:00,120 --> 00:00:03,269
+
+why don't you take a little time for
+
+2
+00:00:03,269 --> 00:00:03,279
+why don't you take a little time for
+ 
+
+3
+00:00:03,279 --> 00:00:06,110
+why don't you take a little time for
+yourself maybe another hour live
+
+4
+00:00:06,110 --> 00:00:06,120
+yourself maybe another hour live
+ 
+
+5
+00:00:06,120 --> 00:00:08,709
+yourself maybe another hour live
+dangerously take the whole
+
+6
+00:00:08,709 --> 00:00:08,719
+dangerously take the whole
+ 
+
+7
+00:00:08,719 --> 00:00:10,830
+dangerously take the whole
+day I could do some of the things I've
+
+8
+00:00:10,830 --> 00:00:10,840
+day I could do some of the things I've
+ 
+
+9
+00:00:10,840 --> 00:00:14,150
+day I could do some of the things I've
+always wanted to like what oh you can't
+
+10
+00:00:14,150 --> 00:00:14,160
+always wanted to like what oh you can't
+ 
+
+11
+00:00:14,160 --> 00:00:16,590
+always wanted to like what oh you can't
+imagine i' I'd like to do just whatever
+
+12
+00:00:16,590 --> 00:00:16,600
+imagine i' I'd like to do just whatever
+ 
+
+13
+00:00:16,600 --> 00:00:19,390
+imagine i' I'd like to do just whatever
+I like the whole day long things like
+
+14
+00:00:19,390 --> 00:00:19,400
+I like the whole day long things like
+ 
+
+15
+00:00:19,400 --> 00:00:21,990
+I like the whole day long things like
+having a haircut eating gelot years and
+
+16
+00:00:21,990 --> 00:00:22,000
+having a haircut eating gelot years and
+ 
+
+17
+00:00:22,000 --> 00:00:25,029
+having a haircut eating gelot years and
+i' I like to sit a sidewalk cafe and
+
+18
+00:00:25,029 --> 00:00:25,039
+i' I like to sit a sidewalk cafe and
+ 
+
+19
+00:00:25,039 --> 00:00:26,310
+i' I like to sit a sidewalk cafe and
+look and Shop
+
+20
+00:00:26,310 --> 00:00:26,320
+look and Shop
+ 
+
+21
+00:00:26,320 --> 00:00:30,109
+look and Shop
+Windows Walk In The Rain have fun and
+
+22
+00:00:30,109 --> 00:00:30,119
+Windows Walk In The Rain have fun and
+ 
+
+23
+00:00:30,119 --> 00:00:31,790
+Windows Walk In The Rain have fun and
+maybe some
+
+24
+00:00:31,790 --> 00:00:31,800
+maybe some
+ 
+
+25
+00:00:31,800 --> 00:00:34,590
+maybe some
+excitement doesn't seem much to you does
+
+26
+00:00:34,590 --> 00:00:34,600
+excitement doesn't seem much to you does
+ 
+
+27
+00:00:34,600 --> 00:00:39,389
+excitement doesn't seem much to you does
+it it's great tell you what why don't we
+
+28
+00:00:39,389 --> 00:00:39,399
+it it's great tell you what why don't we
+ 
+
+29
+00:00:39,399 --> 00:00:40,630
+it it's great tell you what why don't we
+do all those
+
+30
+00:00:40,630 --> 00:00:40,640
+do all those
+ 
+
+31
+00:00:40,640 --> 00:00:42,990
+do all those
+things together but don't you have to
+
+32
+00:00:42,990 --> 00:00:43,000
+things together but don't you have to
+ 
+
+33
+00:00:43,000 --> 00:00:45,549
+things together but don't you have to
+work work now today is going to be a
+
+34
+00:00:45,549 --> 00:00:45,559
+work work now today is going to be a
+ 
+
+35
+00:00:45,559 --> 00:00:46,990
+work work now today is going to be a
+holiday but you don't want to do a lot
+
+36
+00:00:46,990 --> 00:00:47,000
+holiday but you don't want to do a lot
+ 
+
+37
+00:00:47,000 --> 00:00:48,510
+holiday but you don't want to do a lot
+of silly
+
+38
+00:00:48,510 --> 00:00:48,520
+of silly
+ 
+
+39
+00:00:48,520 --> 00:00:52,709
+of silly
+things don't I first wish one Sidewalk
+
+40
+00:00:52,709 --> 00:00:52,719
+things don't I first wish one Sidewalk
+ 
+
+41
+00:00:52,719 --> 00:01:02,830
+things don't I first wish one Sidewalk
+Cafe coming right up
+
+42
+00:01:02,830 --> 00:01:02,840
+
+ 
+
+43
+00:01:02,840 --> 00:01:25,409
+
+[Music]
+

1953/lZ4ouD3RVKU.description

@@ -0,0 +1,38 @@
+The Naked Spur movie clips: http://j.mp/1PVyxwf
+BUY THE MOVIE: http://j.mp/1KYOZ7u
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lina (Janet Leigh) pleads with Howard (James Stewart) to leave Ben's body behind and start a new life.
+
+FILM DESCRIPTION:
+The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel.
+
+CREDITS:
+TM & © Warner Bros. (1953)
+Cast: Robert Ryan, Janet Leigh, James Stewart
+Director: Anthony Mann
+Producer: William H. Wright
+Screenwriters: Sam Rolfe, Harold Jack Bloom
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/lZ4ouD3RVKU.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:05,319 --> 00:00:08,790
+
+K LOVE ho I'm taking him back this is
+
+2
+00:00:08,790 --> 00:00:08,800
+K LOVE ho I'm taking him back this is
+ 
+
+3
+00:00:08,800 --> 00:00:11,350
+K LOVE ho I'm taking him back this is
+what I came after and now I got it no
+
+4
+00:00:11,350 --> 00:00:11,360
+what I came after and now I got it no
+ 
+
+5
+00:00:11,360 --> 00:00:13,509
+what I came after and now I got it no
+Partners like I
+
+6
+00:00:13,509 --> 00:00:13,519
+Partners like I
+ 
+
+7
+00:00:13,519 --> 00:00:16,630
+Partners like I
+started he's going to pay for my land
+
+8
+00:00:16,630 --> 00:00:16,640
+started he's going to pay for my land
+ 
+
+9
+00:00:16,640 --> 00:00:20,710
+started he's going to pay for my land
+Jesse and boy and him they're dead
+
+10
+00:00:20,710 --> 00:00:20,720
+Jesse and boy and him they're dead
+ 
+
+11
+00:00:20,720 --> 00:00:23,790
+Jesse and boy and him they're dead
+finished there not that to take him back
+
+12
+00:00:23,790 --> 00:00:23,800
+finished there not that to take him back
+ 
+
+13
+00:00:23,800 --> 00:00:26,630
+finished there not that to take him back
+can never be dead for you I don't care
+
+14
+00:00:26,630 --> 00:00:26,640
+can never be dead for you I don't care
+ 
+
+15
+00:00:26,640 --> 00:00:28,230
+can never be dead for you I don't care
+anything about that the money that's all
+
+16
+00:00:28,230 --> 00:00:28,240
+anything about that the money that's all
+ 
+
+17
+00:00:28,240 --> 00:00:29,749
+anything about that the money that's all
+I care about that's all I've ever car
+
+18
+00:00:29,749 --> 00:00:29,759
+I care about that's all I've ever car
+ 
+
+19
+00:00:29,759 --> 00:00:32,109
+I care about that's all I've ever car
+about Roy he called the turn and face up
+
+20
+00:00:32,109 --> 00:00:32,119
+about Roy he called the turn and face up
+ 
+
+21
+00:00:32,119 --> 00:00:33,869
+about Roy he called the turn and face up
+to it all right that's what I'm doing
+
+22
+00:00:33,869 --> 00:00:33,879
+to it all right that's what I'm doing
+ 
+
+23
+00:00:33,879 --> 00:00:35,750
+to it all right that's what I'm doing
+that's what I'm
+
+24
+00:00:35,750 --> 00:00:35,760
+that's what I'm
+ 
+
+25
+00:00:35,760 --> 00:00:38,430
+that's what I'm
+doing maybe I don't fit your ideas on me
+
+26
+00:00:38,430 --> 00:00:38,440
+doing maybe I don't fit your ideas on me
+ 
+
+27
+00:00:38,440 --> 00:00:42,180
+doing maybe I don't fit your ideas on me
+but that's the way I
+
+28
+00:00:42,180 --> 00:00:42,190
+
+ 
+
+29
+00:00:42,190 --> 00:00:45,790
+
+[Music]
+
+30
+00:00:45,790 --> 00:00:45,800
+[Music]
+ 
+
+31
+00:00:45,800 --> 00:00:48,229
+[Music]
+am all right if that's the way you want
+
+32
+00:00:48,229 --> 00:00:48,239
+am all right if that's the way you want
+ 
+
+33
+00:00:48,239 --> 00:00:50,790
+am all right if that's the way you want
+it I I'll ride with you I'll ride with
+
+34
+00:00:50,790 --> 00:00:50,800
+it I I'll ride with you I'll ride with
+ 
+
+35
+00:00:50,800 --> 00:00:53,349
+it I I'll ride with you I'll ride with
+you all the way I'm taking him back I
+
+36
+00:00:53,349 --> 00:00:53,359
+you all the way I'm taking him back I
+ 
+
+37
+00:00:53,359 --> 00:00:56,590
+you all the way I'm taking him back I
+know I'll marry you I'll go with you
+
+38
+00:00:56,590 --> 00:00:56,600
+know I'll marry you I'll go with you
+ 
+
+39
+00:00:56,600 --> 00:00:59,270
+know I'll marry you I'll go with you
+I'll even live in that land with you
+
+40
+00:00:59,270 --> 00:00:59,280
+I'll even live in that land with you
+ 
+
+41
+00:00:59,280 --> 00:01:03,750
+I'll even live in that land with you
+what else do you want want from me
+
+42
+00:01:03,750 --> 00:01:03,760
+what else do you want want from me
+ 
+
+43
+00:01:03,760 --> 00:01:06,310
+what else do you want want from me
+why tell me
+
+44
+00:01:06,310 --> 00:01:06,320
+why tell me
+ 
+
+45
+00:01:06,320 --> 00:01:10,550
+why tell me
+why I'm taking him back I swear
+
+46
+00:01:10,550 --> 00:01:10,560
+why I'm taking him back I swear
+ 
+
+47
+00:01:10,560 --> 00:01:13,400
+why I'm taking him back I swear
+it I'm going to sell him for
+
+48
+00:01:13,400 --> 00:01:13,410
+it I'm going to sell him for
+ 
+
+49
+00:01:13,410 --> 00:01:28,910
+it I'm going to sell him for
+[Music]
+
+50
+00:01:28,910 --> 00:01:28,920
+[Music]
+ 
+
+51
+00:01:28,920 --> 00:01:31,790
+[Music]
+money I
+
+52
+00:01:31,790 --> 00:01:31,800
+money I
+ 
+
+53
+00:01:31,800 --> 00:02:06,109
+money I
+[Music]
+
+54
+00:02:06,109 --> 00:02:06,119
+
+ 
+
+55
+00:02:06,119 --> 00:02:08,469
+
+you still want to try
+
+56
+00:02:08,469 --> 00:02:08,479
+you still want to try
+ 
+
+57
+00:02:08,479 --> 00:02:11,229
+you still want to try
+California if you
+
+58
+00:02:11,229 --> 00:02:11,239
+California if you
+ 
+
+59
+00:02:11,239 --> 00:02:14,570
+California if you
+want that's it
+
+60
+00:02:14,570 --> 00:02:14,580
+want that's it
+ 
+
+61
+00:02:14,580 --> 00:02:19,390
+want that's it
+[Music]
+
+62
+00:02:19,390 --> 00:02:19,400
+[Music]
+ 
+
+63
+00:02:19,400 --> 00:02:22,270
+[Music]
+then I'll fix some of Jesse's coffee for
+
+64
+00:02:22,270 --> 00:02:22,280
+then I'll fix some of Jesse's coffee for
+ 
+
+65
+00:02:22,280 --> 00:02:25,820
+then I'll fix some of Jesse's coffee for
+you
+
+66
+00:02:25,820 --> 00:02:25,830
+
+ 
+
+67
+00:02:25,830 --> 00:03:08,570
+
+[Music]
+

1953/nQBrfPjwAfQ.description

@@ -0,0 +1,38 @@
+The Naked Spur movie clips: http://j.mp/1PVyxwf
+BUY THE MOVIE: http://j.mp/1KYOZ7u
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Howard (James Stewart) cries out in his delirium and Lina (Janet Leigh) learns about his sad story.
+
+FILM DESCRIPTION:
+The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel.
+
+CREDITS:
+TM & © Warner Bros. (1953)
+Cast: Robert Ryan, Millard Mitchell, Ralph Meeker, Janet Leigh, James Stewart
+Director: Anthony Mann
+Producer: William H. Wright
+Screenwriters: Sam Rolfe, Harold Jack Bloom
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/nQBrfPjwAfQ.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:04,190 --> 00:00:06,200
+
+he been like this long
+
+2
+00:00:06,200 --> 00:00:06,210
+he been like this long
+ 
+
+3
+00:00:06,210 --> 00:00:16,670
+he been like this long
+not as bad what are you trying to do
+
+4
+00:00:16,670 --> 00:00:16,680
+not as bad what are you trying to do
+ 
+
+5
+00:00:16,680 --> 00:00:38,209
+not as bad what are you trying to do
+drown him here hey don't worry the war
+
+6
+00:00:38,209 --> 00:00:38,219
+drown him here hey don't worry the war
+ 
+
+7
+00:00:38,219 --> 00:00:39,830
+drown him here hey don't worry the war
+won't last a year I'll be home before
+
+8
+00:00:39,830 --> 00:00:39,840
+won't last a year I'll be home before
+ 
+
+9
+00:00:39,840 --> 00:00:43,819
+won't last a year I'll be home before
+you know it those heads get married not
+
+10
+00:00:43,819 --> 00:00:43,829
+you know it those heads get married not
+ 
+
+11
+00:00:43,829 --> 00:00:45,470
+you know it those heads get married not
+having to say goodbye you understand
+
+12
+00:00:45,470 --> 00:00:45,480
+having to say goodbye you understand
+ 
+
+13
+00:00:45,480 --> 00:00:47,650
+having to say goodbye you understand
+that
+
+14
+00:00:47,650 --> 00:00:47,660
+
+ 
+
+15
+00:00:47,660 --> 00:00:50,529
+
+sure I understand
+
+16
+00:00:50,529 --> 00:00:50,539
+sure I understand
+ 
+
+17
+00:00:50,539 --> 00:00:54,619
+sure I understand
+get some sleep you can manage marry boys
+
+18
+00:00:54,619 --> 00:00:54,629
+get some sleep you can manage marry boys
+ 
+
+19
+00:00:54,629 --> 00:00:56,779
+get some sleep you can manage marry boys
+would take care of the stock when I get
+
+20
+00:00:56,779 --> 00:00:56,789
+would take care of the stock when I get
+ 
+
+21
+00:00:56,789 --> 00:00:58,369
+would take care of the stock when I get
+back it'll be just like we talked about
+
+22
+00:00:58,369 --> 00:00:58,379
+back it'll be just like we talked about
+ 
+
+23
+00:00:58,379 --> 00:01:00,099
+back it'll be just like we talked about
+last night
+
+24
+00:01:00,099 --> 00:01:00,109
+last night
+ 
+
+25
+00:01:00,109 --> 00:01:03,380
+last night
+you understand marry you remember what
+
+26
+00:01:03,380 --> 00:01:03,390
+you understand marry you remember what
+ 
+
+27
+00:01:03,390 --> 00:01:09,380
+you understand marry you remember what
+you said I remember I said I'll wait for
+
+28
+00:01:09,380 --> 00:01:09,390
+you said I remember I said I'll wait for
+ 
+
+29
+00:01:09,390 --> 00:01:16,120
+you said I remember I said I'll wait for
+you
+
+30
+00:01:16,120 --> 00:01:16,130
+
+ 
+
+31
+00:01:16,130 --> 00:01:18,860
+
+they got what was coming to him
+
+32
+00:01:18,860 --> 00:01:18,870
+they got what was coming to him
+ 
+
+33
+00:01:18,870 --> 00:01:21,650
+they got what was coming to him
+half of Abilene knows about it I've
+
+34
+00:01:21,650 --> 00:01:21,660
+half of Abilene knows about it I've
+ 
+
+35
+00:01:21,660 --> 00:01:23,450
+half of Abilene knows about it I've
+heard of some big suckers in my time
+
+36
+00:01:23,450 --> 00:01:23,460
+heard of some big suckers in my time
+ 
+
+37
+00:01:23,460 --> 00:01:26,260
+heard of some big suckers in my time
+saying our affair you know what he done
+
+38
+00:01:26,260 --> 00:01:26,270
+saying our affair you know what he done
+ 
+
+39
+00:01:26,270 --> 00:01:28,790
+saying our affair you know what he done
+when he might stop to preserve the Union
+
+40
+00:01:28,790 --> 00:01:28,800
+when he might stop to preserve the Union
+ 
+
+41
+00:01:28,800 --> 00:01:30,950
+when he might stop to preserve the Union
+he signed over his ranch to this girl so
+
+42
+00:01:30,950 --> 00:01:30,960
+he signed over his ranch to this girl so
+ 
+
+43
+00:01:30,960 --> 00:01:33,460
+he signed over his ranch to this girl so
+she could work it illegal guess what
+
+44
+00:01:33,460 --> 00:01:33,470
+she could work it illegal guess what
+ 
+
+45
+00:01:33,470 --> 00:01:36,800
+she could work it illegal guess what
+come back to find out she sold it here's
+
+46
+00:01:36,800 --> 00:01:36,810
+come back to find out she sold it here's
+ 
+
+47
+00:01:36,810 --> 00:01:40,720
+come back to find out she sold it here's
+the money it's nothing to laugh at
+
+48
+00:01:40,720 --> 00:01:40,730
+the money it's nothing to laugh at
+ 
+
+49
+00:01:40,730 --> 00:01:45,080
+the money it's nothing to laugh at
+no one laughs at this thing what am I
+
+50
+00:01:45,080 --> 00:01:45,090
+no one laughs at this thing what am I
+ 
+
+51
+00:01:45,090 --> 00:01:49,060
+no one laughs at this thing what am I
+supposed to do cry feel sorry for him I
+
+52
+00:01:49,060 --> 00:01:49,070
+supposed to do cry feel sorry for him I
+ 
+
+53
+00:01:49,070 --> 00:01:51,260
+supposed to do cry feel sorry for him I
+got nothing against these fellas they
+
+54
+00:01:51,260 --> 00:01:51,270
+got nothing against these fellas they
+ 
+
+55
+00:01:51,270 --> 00:01:55,340
+got nothing against these fellas they
+just happen too long but him I never
+
+56
+00:01:55,340 --> 00:01:55,350
+just happen too long but him I never
+ 
+
+57
+00:01:55,350 --> 00:01:57,530
+just happen too long but him I never
+heard him no wise and he starts out to
+
+58
+00:01:57,530 --> 00:01:57,540
+heard him no wise and he starts out to
+ 
+
+59
+00:01:57,540 --> 00:02:01,730
+heard him no wise and he starts out to
+hunt me days weeks like an animal that's
+
+60
+00:02:01,730 --> 00:02:01,740
+hunt me days weeks like an animal that's
+ 
+
+61
+00:02:01,740 --> 00:02:05,590
+hunt me days weeks like an animal that's
+enough this ain't none of our business
+
+62
+00:02:05,590 --> 00:02:05,600
+enough this ain't none of our business
+ 
+
+63
+00:02:05,600 --> 00:02:09,469
+enough this ain't none of our business
+he wants his land back and I'll tell you
+
+64
+00:02:09,469 --> 00:02:09,479
+he wants his land back and I'll tell you
+ 
+
+65
+00:02:09,479 --> 00:02:12,140
+he wants his land back and I'll tell you
+something his end of the reward ain't
+
+66
+00:02:12,140 --> 00:02:12,150
+something his end of the reward ain't
+ 
+
+67
+00:02:12,150 --> 00:02:19,250
+something his end of the reward ain't
+enough to buy it that's your business
+
+68
+00:02:19,250 --> 00:02:19,260
+
+ 
+
+69
+00:02:19,260 --> 00:02:24,050
+
+I think I'll make some coffee then why
+
+70
+00:02:24,050 --> 00:02:24,060
+I think I'll make some coffee then why
+ 
+
+71
+00:02:24,060 --> 00:02:26,140
+I think I'll make some coffee then why
+did he make a deal with us to begin with
+
+72
+00:02:26,140 --> 00:02:26,150
+did he make a deal with us to begin with
+ 
+
+73
+00:02:26,150 --> 00:02:30,170
+did he make a deal with us to begin with
+how he's a practical man he needed you
+
+74
+00:02:30,170 --> 00:02:30,180
+how he's a practical man he needed you
+ 
+
+75
+00:02:30,180 --> 00:02:31,640
+how he's a practical man he needed you
+fellows help to get through this rough
+
+76
+00:02:31,640 --> 00:02:31,650
+fellows help to get through this rough
+ 
+
+77
+00:02:31,650 --> 00:02:35,149
+fellows help to get through this rough
+country but the closer we get to Abilene
+
+78
+00:02:35,149 --> 00:02:35,159
+country but the closer we get to Abilene
+ 
+
+79
+00:02:35,159 --> 00:02:55,170
+country but the closer we get to Abilene
+the more you get to worry
+
+80
+00:02:55,170 --> 00:02:55,180
+
+ 
+
+81
+00:02:55,180 --> 00:02:57,209
+
+Oh
+

1953/qalHjNdHFJc.description

@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Gregory Peck) informs his boss, Mr. Hennessy (Hartley Power), that he doesn't have the Princess exclusive.
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Eddie Albert, Gregory Peck, Hartley Power
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/qalHjNdHFJc.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:00,230 --> 00:00:04,579
+
+did you really get the princess story
+
+2
+00:00:04,579 --> 00:00:04,589
+did you really get the princess story
+ 
+
+3
+00:00:04,589 --> 00:00:09,259
+did you really get the princess story
+the exclusive did you get it no what but
+
+4
+00:00:09,259 --> 00:00:09,269
+the exclusive did you get it no what but
+ 
+
+5
+00:00:09,269 --> 00:00:11,629
+the exclusive did you get it no what but
+that's impossible copy or something so
+
+6
+00:00:11,629 --> 00:00:11,639
+that's impossible copy or something so
+ 
+
+7
+00:00:11,639 --> 00:00:15,169
+that's impossible copy or something so
+you can't hold out on me you are I know
+
+8
+00:00:15,169 --> 00:00:15,179
+you can't hold out on me you are I know
+ 
+
+9
+00:00:15,179 --> 00:00:16,039
+you can't hold out on me you are I know
+too much
+
+10
+00:00:16,039 --> 00:00:16,049
+too much
+ 
+
+11
+00:00:16,049 --> 00:00:17,720
+too much
+first you come into my office and ask
+
+12
+00:00:17,720 --> 00:00:17,730
+first you come into my office and ask
+ 
+
+13
+00:00:17,730 --> 00:00:19,160
+first you come into my office and ask
+about Nick's coups around the princess
+
+14
+00:00:19,160 --> 00:00:19,170
+about Nick's coups around the princess
+ 
+
+15
+00:00:19,170 --> 00:00:21,859
+about Nick's coups around the princess
+next you disappear then I get the remove
+
+16
+00:00:21,859 --> 00:00:21,869
+next you disappear then I get the remove
+ 
+
+17
+00:00:21,869 --> 00:00:23,779
+next you disappear then I get the remove
+from my contact at the Embassy that the
+
+18
+00:00:23,779 --> 00:00:23,789
+from my contact at the Embassy that the
+ 
+
+19
+00:00:23,789 --> 00:00:25,429
+from my contact at the Embassy that the
+princess is in the secret ologies out of
+
+20
+00:00:25,429 --> 00:00:25,439
+princess is in the secret ologies out of
+ 
+
+21
+00:00:25,439 --> 00:00:27,500
+princess is in the secret ologies out of
+the town newspaper man are you believe
+
+22
+00:00:27,500 --> 00:00:27,510
+the town newspaper man are you believe
+ 
+
+23
+00:00:27,510 --> 00:00:29,300
+the town newspaper man are you believe
+every two-bit rumor that comes your way
+
+24
+00:00:29,300 --> 00:00:29,310
+every two-bit rumor that comes your way
+ 
+
+25
+00:00:29,310 --> 00:00:32,240
+every two-bit rumor that comes your way
+yeah and a lot of other rumors about a
+
+26
+00:00:32,240 --> 00:00:32,250
+yeah and a lot of other rumors about a
+ 
+
+27
+00:00:32,250 --> 00:00:34,160
+yeah and a lot of other rumors about a
+shindig on a barge down by the river and
+
+28
+00:00:34,160 --> 00:00:34,170
+shindig on a barge down by the river and
+ 
+
+29
+00:00:34,170 --> 00:00:36,139
+shindig on a barge down by the river and
+the arrest of eight Secret Service men
+
+30
+00:00:36,139 --> 00:00:36,149
+the arrest of eight Secret Service men
+ 
+
+31
+00:00:36,149 --> 00:00:37,760
+the arrest of eight Secret Service men
+from our country which shall be nameless
+
+32
+00:00:37,760 --> 00:00:37,770
+from our country which shall be nameless
+ 
+
+33
+00:00:37,770 --> 00:00:39,950
+from our country which shall be nameless
+and then comes the news of the lady's
+
+34
+00:00:39,950 --> 00:00:39,960
+and then comes the news of the lady's
+ 
+
+35
+00:00:39,960 --> 00:00:45,799
+and then comes the news of the lady's
+miraculous recovery it all adds up the
+
+36
+00:00:45,799 --> 00:00:45,809
+miraculous recovery it all adds up the
+ 
+
+37
+00:00:45,809 --> 00:01:17,050
+miraculous recovery it all adds up the
+price of that story where is that story
+
+38
+00:01:17,050 --> 00:01:17,060
+
+ 
+
+39
+00:01:17,060 --> 00:01:19,429
+
+sure look at my pants
+
+40
+00:01:19,429 --> 00:01:19,439
+sure look at my pants
+ 
+
+41
+00:01:19,439 --> 00:01:23,870
+sure look at my pants
+better come off hey did you tell them
+
+42
+00:01:23,870 --> 00:01:23,880
+better come off hey did you tell them
+ 
+
+43
+00:01:23,880 --> 00:01:42,770
+better come off hey did you tell them
+about schmitty shave yeah yeah keep
+
+44
+00:01:42,770 --> 00:01:42,780
+about schmitty shave yeah yeah keep
+ 
+
+45
+00:01:42,780 --> 00:01:44,450
+about schmitty shave yeah yeah keep
+quiet till mr. Hennessy and I are
+
+46
+00:01:44,450 --> 00:01:44,460
+quiet till mr. Hennessy and I are
+ 
+
+47
+00:01:44,460 --> 00:01:45,560
+quiet till mr. Hennessy and I are
+finished talking
+
+48
+00:01:45,560 --> 00:01:45,570
+finished talking
+ 
+
+49
+00:01:45,570 --> 00:01:49,580
+finished talking
+what you guys up to
+
+50
+00:01:49,580 --> 00:01:49,590
+what you guys up to
+ 
+
+51
+00:01:49,590 --> 00:01:51,319
+what you guys up to
+who's Smitty oh he's a guy that we've
+
+52
+00:01:51,319 --> 00:01:51,329
+who's Smitty oh he's a guy that we've
+ 
+
+53
+00:01:51,329 --> 00:01:52,969
+who's Smitty oh he's a guy that we've
+met you wouldn't care for him what am I
+
+54
+00:01:52,969 --> 00:01:52,979
+met you wouldn't care for him what am I
+ 
+
+55
+00:01:52,979 --> 00:01:54,710
+met you wouldn't care for him what am I
+supposed to look at no just a couple of
+
+56
+00:01:54,710 --> 00:01:54,720
+supposed to look at no just a couple of
+ 
+
+57
+00:01:54,720 --> 00:01:58,580
+supposed to look at no just a couple of
+things James you wouldn't like him
+
+58
+00:01:58,580 --> 00:01:58,590
+
+ 
+
+59
+00:01:58,590 --> 00:02:01,730
+
+don't change the subject when you came
+
+60
+00:02:01,730 --> 00:02:01,740
+don't change the subject when you came
+ 
+
+61
+00:02:01,740 --> 00:02:03,830
+don't change the subject when you came
+back to my office yesterday at noon I
+
+62
+00:02:03,830 --> 00:02:03,840
+back to my office yesterday at noon I
+ 
+
+63
+00:02:03,840 --> 00:02:05,060
+back to my office yesterday at noon I
+thought I had a good lead but I was
+
+64
+00:02:05,060 --> 00:02:05,070
+thought I had a good lead but I was
+ 
+
+65
+00:02:05,070 --> 00:02:05,749
+thought I had a good lead but I was
+wrong
+
+66
+00:02:05,749 --> 00:02:05,759
+wrong
+ 
+
+67
+00:02:05,759 --> 00:02:09,430
+wrong
+that's all there is to it there is no
+
+68
+00:02:09,430 --> 00:02:09,440
+that's all there is to it there is no
+ 
+
+69
+00:02:09,440 --> 00:02:40,490
+that's all there is to it there is no
+[Music]
+

1953/qgv_7j1_CdA.description

@@ -0,0 +1,38 @@
+The Naked Spur movie clips: http://j.mp/1PVyxwf
+BUY THE MOVIE: http://j.mp/1KYOZ7u
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ben (Robert Ryan) tries to knock Howard (James Stewart) off his horse and over a cliff.
+
+FILM DESCRIPTION:
+The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel.
+
+CREDITS:
+TM & © Warner Bros. (1953)
+Cast: Robert Ryan, Millard Mitchell, Ralph Meeker, Janet Leigh, James Stewart
+Director: Anthony Mann
+Producer: William H. Wright
+Screenwriters: Sam Rolfe, Harold Jack Bloom
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Tumblr: http://bit.ly/1vUwhH7

1953/sAvGdule3fA.description

@@ -0,0 +1,32 @@
+It Came From Outer Space - Don't Be Afraid: The alien stalks John (Richard Carlson) and Ellen (Barbara Rush) after some mechanics go missing.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Joe Sawyer, Richard Carlson, Russell Johnson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
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+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1953/sAvGdule3fA.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:08,330 --> 00:00:12,850
+
+George hello he gave us a start
+
+2
+00:00:12,850 --> 00:00:12,860
+George hello he gave us a start
+ 
+
+3
+00:00:12,860 --> 00:00:21,880
+George hello he gave us a start
+did I who's Frank George where's Frank
+
+4
+00:00:21,880 --> 00:00:21,890
+did I who's Frank George where's Frank
+ 
+
+5
+00:00:21,890 --> 00:00:27,950
+did I who's Frank George where's Frank
+he went off to look around there's blood
+
+6
+00:00:27,950 --> 00:00:27,960
+he went off to look around there's blood
+ 
+
+7
+00:00:27,960 --> 00:00:28,730
+he went off to look around there's blood
+on the truck
+
+8
+00:00:28,730 --> 00:00:28,740
+on the truck
+ 
+
+9
+00:00:28,740 --> 00:00:33,290
+on the truck
+what happened I cut my hand see who is
+
+10
+00:00:33,290 --> 00:00:33,300
+what happened I cut my hand see who is
+ 
+
+11
+00:00:33,300 --> 00:00:38,080
+what happened I cut my hand see who is
+it Beth
+
+12
+00:00:38,080 --> 00:00:38,090
+
+ 
+
+13
+00:00:38,090 --> 00:00:41,470
+
+what's wrong
+
+14
+00:00:41,470 --> 00:00:41,480
+
+ 
+
+15
+00:00:41,480 --> 00:00:43,369
+
+nothing
+
+16
+00:00:43,369 --> 00:00:43,379
+nothing
+ 
+
+17
+00:00:43,379 --> 00:00:49,040
+nothing
+son I guess playing tricks on me
+
+18
+00:00:49,040 --> 00:00:49,050
+
+ 
+
+19
+00:00:49,050 --> 00:00:53,110
+
+[Music]
+
+20
+00:00:53,110 --> 00:00:53,120
+[Music]
+ 
+
+21
+00:00:53,120 --> 00:01:02,930
+[Music]
+yes the Sun beautiful
+
+22
+00:01:02,930 --> 00:01:02,940
+
+ 
+
+23
+00:01:02,940 --> 00:01:08,170
+
+you you found nothing up here
+
+24
+00:01:08,170 --> 00:01:08,180
+you you found nothing up here
+ 
+
+25
+00:01:08,180 --> 00:01:13,250
+you you found nothing up here
+nothing we miss well get along Johnny
+
+26
+00:01:13,250 --> 00:01:13,260
+nothing we miss well get along Johnny
+ 
+
+27
+00:01:13,260 --> 00:01:16,550
+nothing we miss well get along Johnny
+don't worry about Frank he'll be all
+
+28
+00:01:16,550 --> 00:01:16,560
+don't worry about Frank he'll be all
+ 
+
+29
+00:01:16,560 --> 00:01:22,460
+don't worry about Frank he'll be all
+right yes well I guess there's nothing
+
+30
+00:01:22,460 --> 00:01:22,470
+right yes well I guess there's nothing
+ 
+
+31
+00:01:22,470 --> 00:01:26,950
+right yes well I guess there's nothing
+more we can do up here so long George
+
+32
+00:01:26,950 --> 00:01:26,960
+more we can do up here so long George
+ 
+
+33
+00:01:26,960 --> 00:01:29,810
+more we can do up here so long George
+we'll be in touch with you
+
+34
+00:01:29,810 --> 00:01:29,820
+we'll be in touch with you
+ 
+
+35
+00:01:29,820 --> 00:01:40,750
+we'll be in touch with you
+so long
+
+36
+00:01:40,750 --> 00:01:40,760
+
+ 
+
+37
+00:01:40,760 --> 00:01:43,250
+
+what is it back there John what's the
+
+38
+00:01:43,250 --> 00:01:43,260
+what is it back there John what's the
+ 
+
+39
+00:01:43,260 --> 00:01:44,780
+what is it back there John what's the
+matter with his eyes he's lying
+
+40
+00:01:44,780 --> 00:01:44,790
+matter with his eyes he's lying
+ 
+
+41
+00:01:44,790 --> 00:01:46,460
+matter with his eyes he's lying
+I didn't want to start anything alone
+
+42
+00:01:46,460 --> 00:01:46,470
+I didn't want to start anything alone
+ 
+
+43
+00:01:46,470 --> 00:01:47,960
+I didn't want to start anything alone
+out here we've got to get into town and
+
+44
+00:01:47,960 --> 00:01:47,970
+out here we've got to get into town and
+ 
+
+45
+00:01:47,970 --> 00:01:54,500
+out here we've got to get into town and
+bring help something's happened to Frank
+
+46
+00:01:54,500 --> 00:01:54,510
+bring help something's happened to Frank
+ 
+
+47
+00:01:54,510 --> 00:01:58,550
+bring help something's happened to Frank
+he's dead
+
+48
+00:01:58,550 --> 00:01:58,560
+
+ 
+
+49
+00:01:58,560 --> 00:02:04,750
+
+[Music]
+
+50
+00:02:04,750 --> 00:02:04,760
+
+ 
+
+51
+00:02:04,760 --> 00:02:05,620
+
+you
+
+52
+00:02:05,620 --> 00:02:05,630
+you
+ 
+
+53
+00:02:05,630 --> 00:02:14,620
+you
+[Music]
+
+54
+00:02:14,620 --> 00:02:14,630
+[Music]
+ 
+
+55
+00:02:14,630 --> 00:02:19,370
+[Music]
+hmm are you all right what happened
+
+56
+00:02:19,370 --> 00:02:19,380
+hmm are you all right what happened
+ 
+
+57
+00:02:19,380 --> 00:02:27,410
+hmm are you all right what happened
+George is the truck
+
+58
+00:02:27,410 --> 00:02:27,420
+
+ 
+
+59
+00:02:27,420 --> 00:02:30,690
+
+[Music]
+
+60
+00:02:30,690 --> 00:02:30,700
+[Music]
+ 
+
+61
+00:02:30,700 --> 00:02:36,729
+[Music]
+don't be afraid it is within our power
+
+62
+00:02:36,729 --> 00:02:36,739
+don't be afraid it is within our power
+ 
+
+63
+00:02:36,739 --> 00:02:41,369
+don't be afraid it is within our power
+to transform ourselves to look like you
+
+64
+00:02:41,369 --> 00:02:41,379
+to transform ourselves to look like you
+ 
+
+65
+00:02:41,379 --> 00:02:47,500
+to transform ourselves to look like you
+or anyone for a time it will be
+
+66
+00:02:47,500 --> 00:02:47,510
+or anyone for a time it will be
+ 
+
+67
+00:02:47,510 --> 00:02:53,410
+or anyone for a time it will be
+necessary we cannot we would not take
+
+68
+00:02:53,410 --> 00:02:53,420
+necessary we cannot we would not take
+ 
+
+69
+00:02:53,420 --> 00:03:03,420
+necessary we cannot we would not take
+your souls or minds or bodies
+
+70
+00:03:03,420 --> 00:03:03,430
+
+ 
+
+71
+00:03:03,430 --> 00:03:06,500
+
+don't be afraid
+
+72
+00:03:06,500 --> 00:03:06,510
+don't be afraid
+ 
+
+73
+00:03:06,510 --> 00:03:20,650
+don't be afraid
+[Music]
+

1953/sP9ufyH-Pdg.description

@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Gregory Peck) brings Princess Ann (Audrey Hepburn) home to stay with him, but he doesn't know who she really is.
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Gregory Peck, Audrey Hepburn
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/sP9ufyH-Pdg.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:00,060 --> 00:00:03,130
+
+can I have a silk nightgown with
+
+2
+00:00:03,130 --> 00:00:03,140
+can I have a silk nightgown with
+ 
+
+3
+00:00:03,140 --> 00:00:06,789
+can I have a silk nightgown with
+rosebuds on it
+
+4
+00:00:06,789 --> 00:00:06,799
+
+ 
+
+5
+00:00:06,799 --> 00:00:08,780
+
+I'm afraid you'll have to rough it
+
+6
+00:00:08,780 --> 00:00:08,790
+I'm afraid you'll have to rough it
+ 
+
+7
+00:00:08,790 --> 00:00:13,220
+I'm afraid you'll have to rough it
+tonight and ladies good job
+
+8
+00:00:13,220 --> 00:00:13,230
+tonight and ladies good job
+ 
+
+9
+00:00:13,230 --> 00:00:14,600
+tonight and ladies good job
+sorry honey but I haven't worn a
+
+10
+00:00:14,600 --> 00:00:14,610
+sorry honey but I haven't worn a
+ 
+
+11
+00:00:14,610 --> 00:00:20,179
+sorry honey but I haven't worn a
+nightgown in years who helps me get
+
+12
+00:00:20,179 --> 00:00:20,189
+nightgown in years who helps me get
+ 
+
+13
+00:00:20,189 --> 00:00:41,439
+nightgown in years who helps me get
+undressed fees okay
+
+14
+00:00:41,439 --> 00:00:41,449
+
+ 
+
+15
+00:00:41,449 --> 00:00:55,810
+
+there you are you can handle the rest
+
+16
+00:00:55,810 --> 00:00:55,820
+
+ 
+
+17
+00:00:55,820 --> 00:01:04,040
+
+may I have some no now look this is very
+
+18
+00:01:04,040 --> 00:01:04,050
+may I have some no now look this is very
+ 
+
+19
+00:01:04,050 --> 00:01:08,120
+may I have some no now look this is very
+unusual I've never been alone with a man
+
+20
+00:01:08,120 --> 00:01:08,130
+unusual I've never been alone with a man
+ 
+
+21
+00:01:08,130 --> 00:01:12,260
+unusual I've never been alone with a man
+before even with my dress on with my
+
+22
+00:01:12,260 --> 00:01:12,270
+before even with my dress on with my
+ 
+
+23
+00:01:12,270 --> 00:01:18,140
+before even with my dress on with my
+dress off it's most unusual I don't seem
+
+24
+00:01:18,140 --> 00:01:18,150
+dress off it's most unusual I don't seem
+ 
+
+25
+00:01:18,150 --> 00:01:25,040
+dress off it's most unusual I don't seem
+to mind do you I think I'll go out for a
+
+26
+00:01:25,040 --> 00:01:25,050
+to mind do you I think I'll go out for a
+ 
+
+27
+00:01:25,050 --> 00:01:31,700
+to mind do you I think I'll go out for a
+cup of coffee you better get to sleep on
+
+28
+00:01:31,700 --> 00:01:31,710
+cup of coffee you better get to sleep on
+ 
+
+29
+00:01:31,710 --> 00:01:41,000
+cup of coffee you better get to sleep on
+this one these are pajamas they're
+
+30
+00:01:41,000 --> 00:01:41,010
+this one these are pajamas they're
+ 
+
+31
+00:01:41,010 --> 00:01:43,490
+this one these are pajamas they're
+sleeping get a climb into them you
+
+32
+00:01:43,490 --> 00:01:43,500
+sleeping get a climb into them you
+ 
+
+33
+00:01:43,500 --> 00:01:45,859
+sleeping get a climb into them you
+understand thank you do you're sleeping
+
+34
+00:01:45,859 --> 00:01:45,869
+understand thank you do you're sleeping
+ 
+
+35
+00:01:45,869 --> 00:01:47,450
+understand thank you do you're sleeping
+on the Copsey not on the bed
+
+36
+00:01:47,450 --> 00:01:47,460
+on the Copsey not on the bed
+ 
+
+37
+00:01:47,460 --> 00:01:49,820
+on the Copsey not on the bed
+I've on the chair on the couch is that
+
+38
+00:01:49,820 --> 00:01:49,830
+I've on the chair on the couch is that
+ 
+
+39
+00:01:49,830 --> 00:01:52,520
+I've on the chair on the couch is that
+clear you know my favorite bone you
+
+40
+00:01:52,520 --> 00:01:52,530
+clear you know my favorite bone you
+ 
+
+41
+00:01:52,530 --> 00:01:54,980
+clear you know my favorite bone you
+already recited that for me I refuse
+
+42
+00:01:54,980 --> 00:01:54,990
+already recited that for me I refuse
+ 
+
+43
+00:01:54,990 --> 00:01:58,850
+already recited that for me I refuse
+arose from a doubt should snows in the
+
+44
+00:01:58,850 --> 00:01:58,860
+arose from a doubt should snows in the
+ 
+
+45
+00:01:58,860 --> 00:02:03,910
+arose from a doubt should snows in the
+Equus Aronian mountains keeps Shelley
+
+46
+00:02:03,910 --> 00:02:03,920
+Equus Aronian mountains keeps Shelley
+ 
+
+47
+00:02:03,920 --> 00:02:06,710
+Equus Aronian mountains keeps Shelley
+please keep your mind off the poetry and
+
+48
+00:02:06,710 --> 00:02:06,720
+please keep your mind off the poetry and
+ 
+
+49
+00:02:06,720 --> 00:02:08,719
+please keep your mind off the poetry and
+on the pajamas everything will be all
+
+50
+00:02:08,719 --> 00:02:08,729
+on the pajamas everything will be all
+ 
+
+51
+00:02:08,729 --> 00:02:11,210
+on the pajamas everything will be all
+right see Keats Shelley I'll be back in
+
+52
+00:02:11,210 --> 00:02:11,220
+right see Keats Shelley I'll be back in
+ 
+
+53
+00:02:11,220 --> 00:02:13,430
+right see Keats Shelley I'll be back in
+about ten minutes
+
+54
+00:02:13,430 --> 00:02:13,440
+about ten minutes
+ 
+
+55
+00:02:13,440 --> 00:02:44,509
+about ten minutes
+[Music]
+

1953/sw1tJoYrs7M.description

@@ -0,0 +1,32 @@
+It Came From Outer Space - All We Needed Was Time: John (Richard Carlson) demands the aliens release the townspeople.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Joe Sawyer, Kathleen Hughes, Richard Carlson, Russell Johnson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
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+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1953/sw1tJoYrs7M.en.srt

@@ -0,0 +1,475 @@
+1
+00:00:00,000 --> 00:00:15,520
+
+[Music]
+
+2
+00:00:15,520 --> 00:00:15,530
+
+ 
+
+3
+00:00:15,530 --> 00:00:17,900
+
+could you'll kill me too
+
+4
+00:00:17,900 --> 00:00:17,910
+could you'll kill me too
+ 
+
+5
+00:00:17,910 --> 00:00:21,290
+could you'll kill me too
+so this is the end the grand total of
+
+6
+00:00:21,290 --> 00:00:21,300
+so this is the end the grand total of
+ 
+
+7
+00:00:21,300 --> 00:00:24,080
+so this is the end the grand total of
+all arteries I came here to help you not
+
+8
+00:00:24,080 --> 00:00:24,090
+all arteries I came here to help you not
+ 
+
+9
+00:00:24,090 --> 00:00:38,630
+all arteries I came here to help you not
+to kill
+
+10
+00:00:38,630 --> 00:00:38,640
+
+ 
+
+11
+00:00:38,640 --> 00:00:42,110
+
+look at its power power to drive a ship
+
+12
+00:00:42,110 --> 00:00:42,120
+look at its power power to drive a ship
+ 
+
+13
+00:00:42,120 --> 00:00:44,840
+look at its power power to drive a ship
+through space power to tear your earth
+
+14
+00:00:44,840 --> 00:00:44,850
+through space power to tear your earth
+ 
+
+15
+00:00:44,850 --> 00:00:47,360
+through space power to tear your earth
+apart you know how long we worked on
+
+16
+00:00:47,360 --> 00:00:47,370
+apart you know how long we worked on
+ 
+
+17
+00:00:47,370 --> 00:00:47,840
+apart you know how long we worked on
+this
+
+18
+00:00:47,840 --> 00:00:47,850
+this
+ 
+
+19
+00:00:47,850 --> 00:00:50,420
+this
+a thousand years of reaching for the
+
+20
+00:00:50,420 --> 00:00:50,430
+a thousand years of reaching for the
+ 
+
+21
+00:00:50,430 --> 00:00:54,979
+a thousand years of reaching for the
+stars now at last we conquered space are
+
+22
+00:00:54,979 --> 00:00:54,989
+stars now at last we conquered space are
+ 
+
+23
+00:00:54,989 --> 00:00:57,290
+stars now at last we conquered space are
+the dreams we had of knowing other
+
+24
+00:00:57,290 --> 00:00:57,300
+the dreams we had of knowing other
+ 
+
+25
+00:00:57,300 --> 00:00:58,160
+the dreams we had of knowing other
+worlds
+
+26
+00:00:58,160 --> 00:00:58,170
+worlds
+ 
+
+27
+00:00:58,170 --> 00:01:00,710
+worlds
+listen to me they're still away is there
+
+28
+00:01:00,710 --> 00:01:00,720
+listen to me they're still away is there
+ 
+
+29
+00:01:00,720 --> 00:01:05,090
+listen to me they're still away is there
+with a mob after us all we needed was
+
+30
+00:01:05,090 --> 00:01:05,100
+with a mob after us all we needed was
+ 
+
+31
+00:01:05,100 --> 00:01:07,670
+with a mob after us all we needed was
+time let the others go I'll try and hold
+
+32
+00:01:07,670 --> 00:01:07,680
+time let the others go I'll try and hold
+ 
+
+33
+00:01:07,680 --> 00:01:13,160
+time let the others go I'll try and hold
+off the mob and if you fail
+
+34
+00:01:13,160 --> 00:01:13,170
+
+ 
+
+35
+00:01:13,170 --> 00:01:15,290
+
+we'd rather have it in here than fall
+
+36
+00:01:15,290 --> 00:01:15,300
+we'd rather have it in here than fall
+ 
+
+37
+00:01:15,300 --> 00:01:17,370
+we'd rather have it in here than fall
+into their hands
+
+38
+00:01:17,370 --> 00:01:17,380
+into their hands
+ 
+
+39
+00:01:17,380 --> 00:01:29,719
+into their hands
+[Music]
+
+40
+00:01:29,719 --> 00:01:29,729
+
+ 
+
+41
+00:01:29,729 --> 00:01:33,499
+
+wait you speak of how wonderful it was
+
+42
+00:01:33,499 --> 00:01:33,509
+wait you speak of how wonderful it was
+ 
+
+43
+00:01:33,509 --> 00:01:34,990
+wait you speak of how wonderful it was
+going to be to know other worlds a
+
+44
+00:01:34,990 --> 00:01:35,000
+going to be to know other worlds a
+ 
+
+45
+00:01:35,000 --> 00:01:36,950
+going to be to know other worlds a
+thousand years of work and you're
+
+46
+00:01:36,950 --> 00:01:36,960
+thousand years of work and you're
+ 
+
+47
+00:01:36,960 --> 00:01:39,080
+thousand years of work and you're
+willing to see it all end here abruptly
+
+48
+00:01:39,080 --> 00:01:39,090
+willing to see it all end here abruptly
+ 
+
+49
+00:01:39,090 --> 00:01:41,990
+willing to see it all end here abruptly
+on this this strange planet is that the
+
+50
+00:01:41,990 --> 00:01:42,000
+on this this strange planet is that the
+ 
+
+51
+00:01:42,000 --> 00:01:43,459
+on this this strange planet is that the
+way you want it when there might still
+
+52
+00:01:43,459 --> 00:01:43,469
+way you want it when there might still
+ 
+
+53
+00:01:43,469 --> 00:01:46,460
+way you want it when there might still
+be a chance then go and stop them free
+
+54
+00:01:46,460 --> 00:01:46,470
+be a chance then go and stop them free
+ 
+
+55
+00:01:46,470 --> 00:01:48,740
+be a chance then go and stop them free
+the girl first show them up you mean
+
+56
+00:01:48,740 --> 00:01:48,750
+the girl first show them up you mean
+ 
+
+57
+00:01:48,750 --> 00:01:52,459
+the girl first show them up you mean
+them no harm how could I trust you you
+
+58
+00:01:52,459 --> 00:01:52,469
+them no harm how could I trust you you
+ 
+
+59
+00:01:52,469 --> 00:01:53,809
+them no harm how could I trust you you
+can always reach out and destroy us with
+
+60
+00:01:53,809 --> 00:01:53,819
+can always reach out and destroy us with
+ 
+
+61
+00:01:53,819 --> 00:02:02,230
+can always reach out and destroy us with
+that
+
+62
+00:02:02,230 --> 00:02:02,240
+
+ 
+
+63
+00:02:02,240 --> 00:02:14,550
+
+[Music]
+
+64
+00:02:14,550 --> 00:02:14,560
+
+ 
+
+65
+00:02:14,560 --> 00:02:37,789
+
+[Music]
+
+66
+00:02:37,789 --> 00:02:37,799
+
+ 
+
+67
+00:02:37,799 --> 00:02:41,980
+
+come on quick come on
+
+68
+00:02:41,980 --> 00:02:41,990
+come on quick come on
+ 
+
+69
+00:02:41,990 --> 00:02:51,100
+come on quick come on
+[Music]
+
+70
+00:02:51,100 --> 00:02:51,110
+[Music]
+ 
+
+71
+00:02:51,110 --> 00:02:55,690
+[Music]
+[Applause]
+
+72
+00:02:55,690 --> 00:02:55,700
+[Applause]
+ 
+
+73
+00:02:55,700 --> 00:03:12,970
+[Applause]
+[Music]
+
+74
+00:03:12,970 --> 00:03:12,980
+
+ 
+
+75
+00:03:12,980 --> 00:03:14,290
+
+there's the entrance
+
+76
+00:03:14,290 --> 00:03:14,300
+there's the entrance
+ 
+
+77
+00:03:14,300 --> 00:03:20,729
+there's the entrance
+[Music]
+
+78
+00:03:20,729 --> 00:03:20,739
+[Music]
+ 
+
+79
+00:03:20,739 --> 00:03:23,500
+[Music]
+clear away everybody clear away keep
+
+80
+00:03:23,500 --> 00:03:23,510
+clear away everybody clear away keep
+ 
+
+81
+00:03:23,510 --> 00:03:24,250
+clear away everybody clear away keep
+running Ellen
+
+82
+00:03:24,250 --> 00:03:24,260
+running Ellen
+ 
+
+83
+00:03:24,260 --> 00:03:26,199
+running Ellen
+hey hey any way to close off this
+
+84
+00:03:26,199 --> 00:03:26,209
+hey hey any way to close off this
+ 
+
+85
+00:03:26,209 --> 00:03:27,550
+hey hey any way to close off this
+entrance there's some dynamite back
+
+86
+00:03:27,550 --> 00:03:27,560
+entrance there's some dynamite back
+ 
+
+87
+00:03:27,560 --> 00:03:30,699
+entrance there's some dynamite back
+there get it quick get it hurry up
+
+88
+00:03:30,699 --> 00:03:30,709
+there get it quick get it hurry up
+ 
+
+89
+00:03:30,709 --> 00:03:32,349
+there get it quick get it hurry up
+we've got to keep that Posse away from
+
+90
+00:03:32,349 --> 00:03:32,359
+we've got to keep that Posse away from
+ 
+
+91
+00:03:32,359 --> 00:03:39,340
+we've got to keep that Posse away from
+them
+
+92
+00:03:39,340 --> 00:03:39,350
+
+ 
+
+93
+00:03:39,350 --> 00:03:50,870
+
+[Music]
+
+94
+00:03:50,870 --> 00:03:50,880
+
+ 
+
+95
+00:03:50,880 --> 00:04:02,319
+
+[Music]
+

1954/-6fuDrAmhNc.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (James Stewart) calls Thorwald (Raymond Burr) to get him out of the apartment so Lisa (Grace Kelly) and Stella (Thelma Ritter) can search for clues.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart, Grace Kelly, Thelma Ritter
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
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1954/-6fuDrAmhNc.en.srt

@@ -0,0 +1,123 @@
+1
+00:00:01,100 --> 00:00:04,372
+[ Softly ]
+Chelsea.
+
+2
+00:00:04,436 --> 00:00:07,275
+Chelsea.
+
+3
+00:00:07,339 --> 00:00:10,111
+[ Repeating Number ]
+
+4
+00:00:10,175 --> 00:00:15,352
+[ Telephone Ringing ]
+
+5
+00:00:15,414 --> 00:00:17,851
+[ Continues Ringing ]
+
+6
+00:00:23,488 --> 00:00:25,492
+Go on, pick it up, Thorwald.
+
+7
+00:00:25,557 --> 00:00:29,463
+[ Continues Ringing ]
+Go on, you're curious.
+
+8
+00:00:29,528 --> 00:00:32,600
+You wonder if it's your girlfriend
+calling, the one you killed for.
+
+9
+00:00:32,664 --> 00:00:35,535
+- Go on, pick it up.
+- [ Continues Ringing ]
+
+10
+00:00:38,837 --> 00:00:42,911
+Hello?
+Did you get my note?
+
+11
+00:00:42,974 --> 00:00:44,944
+##
+
+12
+00:00:45,009 --> 00:00:47,013
+Well, did you get it,
+Thorwald?
+
+13
+00:00:47,078 --> 00:00:50,651
+[ Thorwald ] Who are you?
+
+14
+00:00:50,714 --> 00:00:53,353
+[Jeff] Meet me in the bar
+at the Albert Hotel.
+
+15
+00:00:53,418 --> 00:00:55,688
+Do it right away.
+
+16
+00:00:55,753 --> 00:00:58,859
+Why should l?
+A little business meeting...
+
+17
+00:00:58,923 --> 00:01:02,129
+to settle the estate
+ofyour late wife.
+
+18
+00:01:02,192 --> 00:01:06,033
+[ Thorwald ] l... don't know
+what you mean.
+
+19
+00:01:06,096 --> 00:01:08,099
+Quit stalling, Thorwald,
+
+20
+00:01:08,165 --> 00:01:10,502
+or l'll hang up
+and call the police.
+
+21
+00:01:10,567 --> 00:01:14,541
+l only have a
+hundred dollars or so.
+
+22
+00:01:14,604 --> 00:01:18,946
+l'm at the Albert now.
+l'll be looking foryou.
+
+23
+00:01:32,889 --> 00:01:34,826
+[ Closes Door ]
+
+24
+00:01:37,361 --> 00:01:39,665
+Come on, Stella, let's go.
+
+25
+00:01:39,729 --> 00:01:41,331
+[ Softly ] One ofyou
+keep an eye on this window.
+
+26
+00:01:41,397 --> 00:01:44,402
+lf l see him coming back,
+l'll signal with a _ashbulb.
+
+27
+00:02:54,536 --> 00:02:57,474
+[ Tramic Noises ]
+

1954/-VnQ_KpOBm4.en.srt

@@ -0,0 +1,385 @@
+1
+00:00:00,030 --> 00:00:07,940
+
+I suppose that when you spend most of
+
+2
+00:00:07,940 --> 00:00:07,950
+I suppose that when you spend most of
+ 
+
+3
+00:00:07,950 --> 00:00:09,890
+I suppose that when you spend most of
+your life in one profession you develop
+
+4
+00:00:09,890 --> 00:00:09,900
+your life in one profession you develop
+ 
+
+5
+00:00:09,900 --> 00:00:12,020
+your life in one profession you develop
+what could be called an Occupational
+
+6
+00:00:12,020 --> 00:00:12,030
+what could be called an Occupational
+ 
+
+7
+00:00:12,030 --> 00:00:14,930
+what could be called an Occupational
+point of view so maybe I can be forgiven
+
+8
+00:00:14,930 --> 00:00:14,940
+point of view so maybe I can be forgiven
+ 
+
+9
+00:00:14,940 --> 00:00:16,640
+point of view so maybe I can be forgiven
+for the first thing I thought of that
+
+10
+00:00:16,640 --> 00:00:16,650
+for the first thing I thought of that
+ 
+
+11
+00:00:16,650 --> 00:00:20,120
+for the first thing I thought of that
+morning because I found myself thinking
+
+12
+00:00:20,120 --> 00:00:20,130
+morning because I found myself thinking
+ 
+
+13
+00:00:20,130 --> 00:00:23,090
+morning because I found myself thinking
+that the staging and the setting even
+
+14
+00:00:23,090 --> 00:00:23,100
+that the staging and the setting even
+ 
+
+15
+00:00:23,100 --> 00:00:25,670
+that the staging and the setting even
+the lighting of Boreas funeral were just
+
+16
+00:00:25,670 --> 00:00:25,680
+the lighting of Boreas funeral were just
+ 
+
+17
+00:00:25,680 --> 00:00:28,400
+the lighting of Boreas funeral were just
+what she would have wanted my name is
+
+18
+00:00:28,400 --> 00:00:28,410
+what she would have wanted my name is
+ 
+
+19
+00:00:28,410 --> 00:00:30,950
+what she would have wanted my name is
+Harry Dawes I've been a writer and
+
+20
+00:00:30,950 --> 00:00:30,960
+Harry Dawes I've been a writer and
+ 
+
+21
+00:00:30,960 --> 00:00:32,690
+Harry Dawes I've been a writer and
+director of movies for longer than I
+
+22
+00:00:32,690 --> 00:00:32,700
+director of movies for longer than I
+ 
+
+23
+00:00:32,700 --> 00:00:35,959
+director of movies for longer than I
+like to remember I go way back back to
+
+24
+00:00:35,959 --> 00:00:35,969
+like to remember I go way back back to
+ 
+
+25
+00:00:35,969 --> 00:00:37,910
+like to remember I go way back back to
+when the movies had two dimensions and
+
+26
+00:00:37,910 --> 00:00:37,920
+when the movies had two dimensions and
+ 
+
+27
+00:00:37,920 --> 00:00:41,000
+when the movies had two dimensions and
+one dimension and sometimes no dimension
+
+28
+00:00:41,000 --> 00:00:41,010
+one dimension and sometimes no dimension
+ 
+
+29
+00:00:41,010 --> 00:00:44,240
+one dimension and sometimes no dimension
+at all I wrote and directed all three of
+
+30
+00:00:44,240 --> 00:00:44,250
+at all I wrote and directed all three of
+ 
+
+31
+00:00:44,250 --> 00:00:47,060
+at all I wrote and directed all three of
+the movies Maria damata was in a short
+
+32
+00:00:47,060 --> 00:00:47,070
+the movies Maria damata was in a short
+ 
+
+33
+00:00:47,070 --> 00:00:50,569
+the movies Maria damata was in a short
+full career from start to finish I wrote
+
+34
+00:00:50,569 --> 00:00:50,579
+full career from start to finish I wrote
+ 
+
+35
+00:00:50,579 --> 00:00:54,639
+full career from start to finish I wrote
+it and directed it on the screen that is
+
+36
+00:00:54,639 --> 00:00:54,649
+it and directed it on the screen that is
+ 
+
+37
+00:00:54,649 --> 00:00:57,950
+it and directed it on the screen that is
+what was I doing there the fates of the
+
+38
+00:00:57,950 --> 00:00:57,960
+what was I doing there the fates of the
+ 
+
+39
+00:00:57,960 --> 00:01:00,260
+what was I doing there the fates of the
+Furies or whoever wrote and directed a
+
+40
+00:01:00,260 --> 00:01:00,270
+Furies or whoever wrote and directed a
+ 
+
+41
+00:01:00,270 --> 00:01:03,850
+Furies or whoever wrote and directed a
+short full life they took care of that
+
+42
+00:01:03,850 --> 00:01:03,860
+short full life they took care of that
+ 
+
+43
+00:01:03,860 --> 00:01:07,580
+short full life they took care of that
+anyway there I stood halfway around the
+
+44
+00:01:07,580 --> 00:01:07,590
+anyway there I stood halfway around the
+ 
+
+45
+00:01:07,590 --> 00:01:10,039
+anyway there I stood halfway around the
+world from Hollywood and Vine in a
+
+46
+00:01:10,039 --> 00:01:10,049
+world from Hollywood and Vine in a
+ 
+
+47
+00:01:10,049 --> 00:01:12,080
+world from Hollywood and Vine in a
+little graveyard near Apollo Italy
+
+48
+00:01:12,080 --> 00:01:12,090
+little graveyard near Apollo Italy
+ 
+
+49
+00:01:12,090 --> 00:01:14,660
+little graveyard near Apollo Italy
+watching them bury the Contessa - lotta
+
+50
+00:01:14,660 --> 00:01:14,670
+watching them bury the Contessa - lotta
+ 
+
+51
+00:01:14,670 --> 00:01:18,230
+watching them bury the Contessa - lotta
+fabrini in ground she never heard of six
+
+52
+00:01:18,230 --> 00:01:18,240
+fabrini in ground she never heard of six
+ 
+
+53
+00:01:18,240 --> 00:01:21,740
+fabrini in ground she never heard of six
+months ago with a stone statue to mark
+
+54
+00:01:21,740 --> 00:01:21,750
+months ago with a stone statue to mark
+ 
+
+55
+00:01:21,750 --> 00:01:24,050
+months ago with a stone statue to mark
+the spot
+
+56
+00:01:24,050 --> 00:01:24,060
+the spot
+ 
+
+57
+00:01:24,060 --> 00:01:26,750
+the spot
+life every now and then behaves as if it
+
+58
+00:01:26,750 --> 00:01:26,760
+life every now and then behaves as if it
+ 
+
+59
+00:01:26,760 --> 00:01:29,120
+life every now and then behaves as if it
+had seen too many bad movies when
+
+60
+00:01:29,120 --> 00:01:29,130
+had seen too many bad movies when
+ 
+
+61
+00:01:29,130 --> 00:01:31,490
+had seen too many bad movies when
+everything fits too well the beginning
+
+62
+00:01:31,490 --> 00:01:31,500
+everything fits too well the beginning
+ 
+
+63
+00:01:31,500 --> 00:01:33,620
+everything fits too well the beginning
+the middle and the end
+
+64
+00:01:33,620 --> 00:01:33,630
+the middle and the end
+ 
+
+65
+00:01:33,630 --> 00:01:37,910
+the middle and the end
+fade in to fade out and where I faded in
+
+66
+00:01:37,910 --> 00:01:37,920
+fade in to fade out and where I faded in
+ 
+
+67
+00:01:37,920 --> 00:01:40,130
+fade in to fade out and where I faded in
+the Contessa was not a contestant she
+
+68
+00:01:40,130 --> 00:01:40,140
+the Contessa was not a contestant she
+ 
+
+69
+00:01:40,140 --> 00:01:41,990
+the Contessa was not a contestant she
+was not even a movie star named Maria
+
+70
+00:01:41,990 --> 00:01:42,000
+was not even a movie star named Maria
+ 
+
+71
+00:01:42,000 --> 00:01:45,050
+was not even a movie star named Maria
+damata where I faded in her name was
+
+72
+00:01:45,050 --> 00:01:45,060
+damata where I faded in her name was
+ 
+
+73
+00:01:45,060 --> 00:01:47,570
+damata where I faded in her name was
+Maria Vargas and she danced in a
+
+74
+00:01:47,570 --> 00:01:47,580
+Maria Vargas and she danced in a
+ 
+
+75
+00:01:47,580 --> 00:01:49,770
+Maria Vargas and she danced in a
+nightclub in Madrid Spain
+
+76
+00:01:49,770 --> 00:01:49,780
+nightclub in Madrid Spain
+ 
+
+77
+00:01:49,780 --> 00:02:01,120
+nightclub in Madrid Spain
+[Music]
+

1954/-e3HqC2rbQc.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lisa (Grace Kelly) and Jeff (James Stewart) have a disagreement over their future together.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart, Grace Kelly
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1954/-e3HqC2rbQc.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:01,800 --> 00:00:04,630
+
+so that's it you won't stay here and I
+
+2
+00:00:04,630 --> 00:00:04,640
+so that's it you won't stay here and I
+ 
+
+3
+00:00:04,640 --> 00:00:09,790
+so that's it you won't stay here and I
+can't go with you it would be the wrong
+
+4
+00:00:09,790 --> 00:00:09,800
+
+ 
+
+5
+00:00:09,800 --> 00:00:12,270
+
+thing you don't think either one of us
+
+6
+00:00:12,270 --> 00:00:12,280
+thing you don't think either one of us
+ 
+
+7
+00:00:12,280 --> 00:00:13,990
+thing you don't think either one of us
+could ever
+
+8
+00:00:13,990 --> 00:00:14,000
+could ever
+ 
+
+9
+00:00:14,000 --> 00:00:21,150
+could ever
+change right now it doesn't seem
+
+10
+00:00:21,150 --> 00:00:21,160
+
+ 
+
+11
+00:00:21,160 --> 00:00:24,150
+
+so I'm in love with you I don't care
+
+12
+00:00:24,150 --> 00:00:24,160
+so I'm in love with you I don't care
+ 
+
+13
+00:00:24,160 --> 00:00:26,429
+so I'm in love with you I don't care
+what you do for a
+
+14
+00:00:26,429 --> 00:00:26,439
+what you do for a
+ 
+
+15
+00:00:26,439 --> 00:00:29,189
+what you do for a
+living i' just like to be part of it
+
+16
+00:00:29,189 --> 00:00:29,199
+living i' just like to be part of it
+ 
+
+17
+00:00:29,199 --> 00:00:32,109
+living i' just like to be part of it
+somehow
+
+18
+00:00:32,109 --> 00:00:32,119
+
+ 
+
+19
+00:00:32,119 --> 00:00:34,270
+
+it's deflating to find out the only way
+
+20
+00:00:34,270 --> 00:00:34,280
+it's deflating to find out the only way
+ 
+
+21
+00:00:34,280 --> 00:00:36,430
+it's deflating to find out the only way
+I can be part of it is to take out a
+
+22
+00:00:36,430 --> 00:00:36,440
+I can be part of it is to take out a
+ 
+
+23
+00:00:36,440 --> 00:00:38,750
+I can be part of it is to take out a
+subscription to your
+
+24
+00:00:38,750 --> 00:00:38,760
+subscription to your
+ 
+
+25
+00:00:38,760 --> 00:00:40,709
+subscription to your
+magazine I guess I'm not the girl I
+
+26
+00:00:40,709 --> 00:00:40,719
+magazine I guess I'm not the girl I
+ 
+
+27
+00:00:40,719 --> 00:00:42,229
+magazine I guess I'm not the girl I
+thought I
+
+28
+00:00:42,229 --> 00:00:42,239
+thought I
+ 
+
+29
+00:00:42,239 --> 00:00:44,510
+thought I
+was now there's nothing wrong with you
+
+30
+00:00:44,510 --> 00:00:44,520
+was now there's nothing wrong with you
+ 
+
+31
+00:00:44,520 --> 00:00:46,350
+was now there's nothing wrong with you
+la you've got this town on the palm of
+
+32
+00:00:46,350 --> 00:00:46,360
+la you've got this town on the palm of
+ 
+
+33
+00:00:46,360 --> 00:00:48,630
+la you've got this town on the palm of
+your
+
+34
+00:00:48,630 --> 00:00:48,640
+
+ 
+
+35
+00:00:48,640 --> 00:00:52,549
+
+hand not quite it
+
+36
+00:00:52,549 --> 00:00:52,559
+
+ 
+
+37
+00:00:52,559 --> 00:00:55,990
+
+seems goodbye Jeff well you mean good
+
+38
+00:00:55,990 --> 00:00:56,000
+seems goodbye Jeff well you mean good
+ 
+
+39
+00:00:56,000 --> 00:01:00,709
+seems goodbye Jeff well you mean good
+night I mean what I said well well laser
+
+40
+00:01:00,709 --> 00:01:00,719
+night I mean what I said well well laser
+ 
+
+41
+00:01:00,719 --> 00:01:05,590
+night I mean what I said well well laser
+couldn't we just uh couldn't we just
+
+42
+00:01:05,590 --> 00:01:05,600
+couldn't we just uh couldn't we just
+ 
+
+43
+00:01:05,600 --> 00:01:09,390
+couldn't we just uh couldn't we just
+keep things status
+
+44
+00:01:09,390 --> 00:01:09,400
+
+ 
+
+45
+00:01:09,400 --> 00:01:12,630
+
+quo without any future well when am I
+
+46
+00:01:12,630 --> 00:01:12,640
+quo without any future well when am I
+ 
+
+47
+00:01:12,640 --> 00:01:15,109
+quo without any future well when am I
+going to see you
+
+48
+00:01:15,109 --> 00:01:15,119
+going to see you
+ 
+
+49
+00:01:15,119 --> 00:01:18,910
+going to see you
+again not for a long
+
+50
+00:01:18,910 --> 00:01:18,920
+again not for a long
+ 
+
+51
+00:01:18,920 --> 00:01:28,830
+again not for a long
+time at least not until tomorrow
+
+52
+00:01:28,830 --> 00:01:28,840
+
+ 
+
+53
+00:01:28,840 --> 00:01:59,350
+
+night
+
+54
+00:01:59,350 --> 00:01:59,360
+
+ 
+
+55
+00:01:59,360 --> 00:02:00,640
+
+w
+
+56
+00:02:00,640 --> 00:02:00,650
+w
+ 
+
+57
+00:02:00,650 --> 00:02:10,430
+w
+[Music]
+
+58
+00:02:10,430 --> 00:02:10,440
+
+ 
+
+59
+00:02:10,440 --> 00:02:28,750
+
+[Music]
+
+60
+00:02:28,750 --> 00:02:28,760
+[Music]
+ 
+
+61
+00:02:28,760 --> 00:02:38,589
+[Music]
+he
+
+62
+00:02:38,589 --> 00:02:38,599
+
+ 
+
+63
+00:02:38,599 --> 00:02:41,599
+
+St
+

1954/1Ez6dw3ywcc.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Lisa (Grace Kelly) is caught snooping in Thorwald's (Raymond Burr) apartment, Jeff (James Stewart) is also caught watching from his window.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart, Grace Kelly, Thelma Ritter
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1954/1Ez6dw3ywcc.en.srt

@@ -0,0 +1,124 @@
+1
+00:00:00,475 --> 00:00:06,920
+##
+
+2
+00:00:06,981 --> 00:00:09,251
+What-- Lisa--
+
+3
+00:00:10,918 --> 00:00:12,153
+Lisa.
+
+4
+00:00:23,130 --> 00:00:25,667
+Precinct Six,
+Sergeant Allgood.
+
+5
+00:00:25,732 --> 00:00:30,842
+Hello. Look, a man is assaulting
+a woman at 1 25 West Ninth Street,
+
+6
+00:00:30,904 --> 00:00:32,941
+second floor, at the rear.
+
+7
+00:00:33,006 --> 00:00:34,943
+Make it fast?
+
+8
+00:00:35,008 --> 00:00:37,413
+[ Allgood ] Your name?
+[ Stammering ] L.B. Jemeries.
+
+9
+00:00:37,478 --> 00:00:41,485
+Phone number?
+Two minutes.
+
+10
+00:00:41,548 --> 00:00:56,510
+##
+
+11
+00:01:00,900 --> 00:01:02,770
+The door was open.
+
+12
+00:01:02,835 --> 00:01:04,939
+[ Lisa Continues, Indistinct ]
+
+13
+00:01:17,383 --> 00:01:20,187
+Oh--
+
+14
+00:01:20,252 --> 00:01:24,995
+##
+
+15
+00:01:25,057 --> 00:01:28,129
+- [ Lisa ] l told you--
+- [ Softly ] Oh, no!
+
+16
+00:01:28,193 --> 00:01:30,932
+Let go of me!Jeff!
+
+17
+00:01:30,996 --> 00:01:34,102
+Oh, no! [ Gasps ]
+[ Lisa ]Jeff!Jeff!
+
+18
+00:01:34,166 --> 00:01:36,770
+Jeff!
+
+19
+00:01:36,835 --> 00:01:40,542
+Lisa! Stella, what do we do?
+
+20
+00:01:41,740 --> 00:01:45,514
+[ Lisa ] Jem Jem
+Here they come.
+
+21
+00:01:45,577 --> 00:02:00,505
+##
+
+22
+00:02:02,894 --> 00:02:04,831
+[ Ringing Doorbell ]
+
+23
+00:02:23,781 --> 00:02:25,718
+[ Talking, Indistinct ]
+
+24
+00:02:35,692 --> 00:02:38,097
+[ Stella ]
+What's she tying to do?
+Why doesn't she turn him in?
+
+25
+00:02:38,161 --> 00:02:41,433
+She's a smart girl.
+
+26
+00:02:41,497 --> 00:02:43,602
+[Jem] It'll get her
+out ofthere, won't it?
+
+27
+00:02:46,603 --> 00:02:48,573
+[Jem ]
+Look, the weddi n g ri n g!
+
+28
+00:02:54,411 --> 00:02:56,615
+[ Softly ]
+Turn off the light! He's seen us!
+

1954/2u1RrWj4RDk.en.srt

@@ -0,0 +1,505 @@
+1
+00:00:00,280 --> 00:00:01,909
+
+this is my
+
+2
+00:00:01,909 --> 00:00:01,919
+this is my
+ 
+
+3
+00:00:01,919 --> 00:00:04,030
+this is my
+church and if you don't think Christ is
+
+4
+00:00:04,030 --> 00:00:04,040
+church and if you don't think Christ is
+ 
+
+5
+00:00:04,040 --> 00:00:05,309
+church and if you don't think Christ is
+down here on the waterfront you've got
+
+6
+00:00:05,309 --> 00:00:05,319
+down here on the waterfront you've got
+ 
+
+7
+00:00:05,319 --> 00:00:07,230
+down here on the waterfront you've got
+another guest
+
+8
+00:00:07,230 --> 00:00:07,240
+another guest
+ 
+
+9
+00:00:07,240 --> 00:00:10,030
+another guest
+coming get out the dark
+
+10
+00:00:10,030 --> 00:00:10,040
+coming get out the dark
+ 
+
+11
+00:00:10,040 --> 00:00:13,589
+coming get out the dark
+fell Tello don't do that who said you on
+
+12
+00:00:13,589 --> 00:00:13,599
+fell Tello don't do that who said you on
+ 
+
+13
+00:00:13,599 --> 00:00:18,189
+fell Tello don't do that who said you on
+boy let him finish every
+
+14
+00:00:18,189 --> 00:00:18,199
+
+ 
+
+15
+00:00:18,199 --> 00:00:21,950
+
+morning when the hiring boss blows his
+
+16
+00:00:21,950 --> 00:00:21,960
+morning when the hiring boss blows his
+ 
+
+17
+00:00:21,960 --> 00:00:24,189
+morning when the hiring boss blows his
+whistle Jesus stands alongside you in
+
+18
+00:00:24,189 --> 00:00:24,199
+whistle Jesus stands alongside you in
+ 
+
+19
+00:00:24,199 --> 00:00:26,990
+whistle Jesus stands alongside you in
+the shape up he sees why some of you get
+
+20
+00:00:26,990 --> 00:00:27,000
+the shape up he sees why some of you get
+ 
+
+21
+00:00:27,000 --> 00:00:29,230
+the shape up he sees why some of you get
+picked and some of you get passed over
+
+22
+00:00:29,230 --> 00:00:29,240
+picked and some of you get passed over
+ 
+
+23
+00:00:29,240 --> 00:00:30,630
+picked and some of you get passed over
+he sees the family men worrying about
+
+24
+00:00:30,630 --> 00:00:30,640
+he sees the family men worrying about
+ 
+
+25
+00:00:30,640 --> 00:00:32,549
+he sees the family men worrying about
+getting their rent and getting food in a
+
+26
+00:00:32,549 --> 00:00:32,559
+getting their rent and getting food in a
+ 
+
+27
+00:00:32,559 --> 00:00:34,750
+getting their rent and getting food in a
+house for the wife and the kids he sees
+
+28
+00:00:34,750 --> 00:00:34,760
+house for the wife and the kids he sees
+ 
+
+29
+00:00:34,760 --> 00:00:36,549
+house for the wife and the kids he sees
+you selling your souls to the Mob for a
+
+30
+00:00:36,549 --> 00:00:36,559
+you selling your souls to the Mob for a
+ 
+
+31
+00:00:36,559 --> 00:00:38,389
+you selling your souls to the Mob for a
+day
+
+32
+00:00:38,389 --> 00:00:38,399
+day
+ 
+
+33
+00:00:38,399 --> 00:00:40,869
+day
+pay the next bum to throws something
+
+34
+00:00:40,869 --> 00:00:40,879
+pay the next bum to throws something
+ 
+
+35
+00:00:40,879 --> 00:00:42,950
+pay the next bum to throws something
+deals with me I don't care if he's twice
+
+36
+00:00:42,950 --> 00:00:42,960
+deals with me I don't care if he's twice
+ 
+
+37
+00:00:42,960 --> 00:00:44,950
+deals with me I don't care if he's twice
+my size now what does Christ think of
+
+38
+00:00:44,950 --> 00:00:44,960
+my size now what does Christ think of
+ 
+
+39
+00:00:44,960 --> 00:00:46,389
+my size now what does Christ think of
+the Easy Money boys who do none of the
+
+40
+00:00:46,389 --> 00:00:46,399
+the Easy Money boys who do none of the
+ 
+
+41
+00:00:46,399 --> 00:00:48,430
+the Easy Money boys who do none of the
+work and take all of the gravy and how
+
+42
+00:00:48,430 --> 00:00:48,440
+work and take all of the gravy and how
+ 
+
+43
+00:00:48,440 --> 00:00:49,990
+work and take all of the gravy and how
+does he feel about the fellas who wear
+
+44
+00:00:49,990 --> 00:00:50,000
+does he feel about the fellas who wear
+ 
+
+45
+00:00:50,000 --> 00:00:54,430
+does he feel about the fellas who wear
+$150 suits and diamond rings on your
+
+46
+00:00:54,430 --> 00:00:54,440
+$150 suits and diamond rings on your
+ 
+
+47
+00:00:54,440 --> 00:00:57,670
+$150 suits and diamond rings on your
+union dues and your Kickback money and
+
+48
+00:00:57,670 --> 00:00:57,680
+union dues and your Kickback money and
+ 
+
+49
+00:00:57,680 --> 00:01:00,709
+union dues and your Kickback money and
+how does he who spoke up without fear
+
+50
+00:01:00,709 --> 00:01:00,719
+how does he who spoke up without fear
+ 
+
+51
+00:01:00,719 --> 00:01:03,670
+how does he who spoke up without fear
+against every evil feel about your
+
+52
+00:01:03,670 --> 00:01:03,680
+against every evil feel about your
+ 
+
+53
+00:01:03,680 --> 00:01:09,780
+against every evil feel about your
+silence shut up about that just watch
+
+54
+00:01:09,780 --> 00:01:09,790
+
+ 
+
+55
+00:01:09,790 --> 00:01:12,310
+
+[Music]
+
+56
+00:01:12,310 --> 00:01:12,320
+[Music]
+ 
+
+57
+00:01:12,320 --> 00:01:15,109
+[Music]
+this you see that you want to know
+
+58
+00:01:15,109 --> 00:01:15,119
+this you see that you want to know
+ 
+
+59
+00:01:15,119 --> 00:01:16,190
+this you see that you want to know
+what's wrong with our
+
+60
+00:01:16,190 --> 00:01:16,200
+what's wrong with our
+ 
+
+61
+00:01:16,200 --> 00:01:18,830
+what's wrong with our
+Waterfront it's the love of a lousy Buck
+
+62
+00:01:18,830 --> 00:01:18,840
+Waterfront it's the love of a lousy Buck
+ 
+
+63
+00:01:18,840 --> 00:01:20,710
+Waterfront it's the love of a lousy Buck
+it's making love of a buck the cushy job
+
+64
+00:01:20,710 --> 00:01:20,720
+it's making love of a buck the cushy job
+ 
+
+65
+00:01:20,720 --> 00:01:23,350
+it's making love of a buck the cushy job
+more important than the love of man it's
+
+66
+00:01:23,350 --> 00:01:23,360
+more important than the love of man it's
+ 
+
+67
+00:01:23,360 --> 00:01:24,990
+more important than the love of man it's
+forgetting that every fell down here is
+
+68
+00:01:24,990 --> 00:01:25,000
+forgetting that every fell down here is
+ 
+
+69
+00:01:25,000 --> 00:01:27,510
+forgetting that every fell down here is
+your brother in Christ but remember
+
+70
+00:01:27,510 --> 00:01:27,520
+your brother in Christ but remember
+ 
+
+71
+00:01:27,520 --> 00:01:29,310
+your brother in Christ but remember
+Christ is always with you Christ is in
+
+72
+00:01:29,310 --> 00:01:29,320
+Christ is always with you Christ is in
+ 
+
+73
+00:01:29,320 --> 00:01:30,429
+Christ is always with you Christ is in
+the shape pu he he's in the hatch he's
+
+74
+00:01:30,429 --> 00:01:30,439
+the shape pu he he's in the hatch he's
+ 
+
+75
+00:01:30,439 --> 00:01:33,510
+the shape pu he he's in the hatch he's
+in the he's kneeling right here beside
+
+76
+00:01:33,510 --> 00:01:33,520
+in the he's kneeling right here beside
+ 
+
+77
+00:01:33,520 --> 00:01:36,310
+in the he's kneeling right here beside
+Dugan and he's saying with all of
+
+78
+00:01:36,310 --> 00:01:36,320
+Dugan and he's saying with all of
+ 
+
+79
+00:01:36,320 --> 00:01:39,429
+Dugan and he's saying with all of
+you if you do it to the least of mine
+
+80
+00:01:39,429 --> 00:01:39,439
+you if you do it to the least of mine
+ 
+
+81
+00:01:39,439 --> 00:01:40,830
+you if you do it to the least of mine
+you do it to
+
+82
+00:01:40,830 --> 00:01:40,840
+you do it to
+ 
+
+83
+00:01:40,840 --> 00:01:43,030
+you do it to
+me and what they did to Joey and what
+
+84
+00:01:43,030 --> 00:01:43,040
+me and what they did to Joey and what
+ 
+
+85
+00:01:43,040 --> 00:01:45,830
+me and what they did to Joey and what
+they did to Dugan they're doing to
+
+86
+00:01:45,830 --> 00:01:45,840
+they did to Dugan they're doing to
+ 
+
+87
+00:01:45,840 --> 00:01:50,310
+they did to Dugan they're doing to
+you and you you all of
+
+88
+00:01:50,310 --> 00:01:50,320
+you and you you all of
+ 
+
+89
+00:01:50,320 --> 00:01:54,709
+you and you you all of
+you and only you only you with God's
+
+90
+00:01:54,709 --> 00:01:54,719
+you and only you only you with God's
+ 
+
+91
+00:01:54,719 --> 00:01:58,830
+you and only you only you with God's
+help have the power to knock him out for
+
+92
+00:01:58,830 --> 00:01:58,840
+help have the power to knock him out for
+ 
+
+93
+00:01:58,840 --> 00:02:05,029
+help have the power to knock him out for
+good
+
+94
+00:02:05,029 --> 00:02:05,039
+
+ 
+
+95
+00:02:05,039 --> 00:02:12,430
+
+okay
+
+96
+00:02:12,430 --> 00:02:12,440
+
+ 
+
+97
+00:02:12,440 --> 00:02:28,830
+
+[Music]
+
+98
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+99
+00:02:28,840 --> 00:02:37,530
+
+KO
+
+100
+00:02:37,530 --> 00:02:37,540
+
+ 
+
+101
+00:02:37,540 --> 00:02:43,500
+
+[Music]
+

1954/5SRxYONb12I.en.srt

@@ -0,0 +1,715 @@
+1
+00:00:00,260 --> 00:00:03,200
+
+you know something when I was studying
+
+2
+00:00:03,200 --> 00:00:03,210
+you know something when I was studying
+ 
+
+3
+00:00:03,210 --> 00:00:06,769
+you know something when I was studying
+law and mr. Keefer here was writing his
+
+4
+00:00:06,769 --> 00:00:06,779
+law and mr. Keefer here was writing his
+ 
+
+5
+00:00:06,779 --> 00:00:10,190
+law and mr. Keefer here was writing his
+stories and you were tearing up the
+
+6
+00:00:10,190 --> 00:00:10,200
+stories and you were tearing up the
+ 
+
+7
+00:00:10,200 --> 00:00:11,799
+stories and you were tearing up the
+playing fields at their old Princeton
+
+8
+00:00:11,799 --> 00:00:11,809
+playing fields at their old Princeton
+ 
+
+9
+00:00:11,809 --> 00:00:14,120
+playing fields at their old Princeton
+who was standing guard over this fat
+
+10
+00:00:14,120 --> 00:00:14,130
+who was standing guard over this fat
+ 
+
+11
+00:00:14,130 --> 00:00:17,150
+who was standing guard over this fat
+dumb happy country of ours ain't not us
+
+12
+00:00:17,150 --> 00:00:17,160
+dumb happy country of ours ain't not us
+ 
+
+13
+00:00:17,160 --> 00:00:19,760
+dumb happy country of ours ain't not us
+oh no we knew you couldn't make any
+
+14
+00:00:19,760 --> 00:00:19,770
+oh no we knew you couldn't make any
+ 
+
+15
+00:00:19,770 --> 00:00:22,010
+oh no we knew you couldn't make any
+money in the service so who did the
+
+16
+00:00:22,010 --> 00:00:22,020
+money in the service so who did the
+ 
+
+17
+00:00:22,020 --> 00:00:25,189
+money in the service so who did the
+dirty work for us queeg dead and a lot
+
+18
+00:00:25,189 --> 00:00:25,199
+dirty work for us queeg dead and a lot
+ 
+
+19
+00:00:25,199 --> 00:00:27,470
+dirty work for us queeg dead and a lot
+of other guys tough sharp guys who
+
+20
+00:00:27,470 --> 00:00:27,480
+of other guys tough sharp guys who
+ 
+
+21
+00:00:27,480 --> 00:00:30,380
+of other guys tough sharp guys who
+didn't crack up like queeg but no matter
+
+22
+00:00:30,380 --> 00:00:30,390
+didn't crack up like queeg but no matter
+ 
+
+23
+00:00:30,390 --> 00:00:32,450
+didn't crack up like queeg but no matter
+what kept in kwig endangered the ship
+
+24
+00:00:32,450 --> 00:00:32,460
+what kept in kwig endangered the ship
+ 
+
+25
+00:00:32,460 --> 00:00:34,250
+what kept in kwig endangered the ship
+and the lives of the men he didn't
+
+26
+00:00:34,250 --> 00:00:34,260
+and the lives of the men he didn't
+ 
+
+27
+00:00:34,260 --> 00:00:36,200
+and the lives of the men he didn't
+endanger anybody's life you did all of
+
+28
+00:00:36,200 --> 00:00:36,210
+endanger anybody's life you did all of
+ 
+
+29
+00:00:36,210 --> 00:00:36,530
+endanger anybody's life you did all of
+you
+
+30
+00:00:36,530 --> 00:00:36,540
+you
+ 
+
+31
+00:00:36,540 --> 00:00:39,799
+you
+you're a fine bunch of officers you said
+
+32
+00:00:39,799 --> 00:00:39,809
+you're a fine bunch of officers you said
+ 
+
+33
+00:00:39,809 --> 00:00:42,020
+you're a fine bunch of officers you said
+yourself he cracked I'm glad you brought
+
+34
+00:00:42,020 --> 00:00:42,030
+yourself he cracked I'm glad you brought
+ 
+
+35
+00:00:42,030 --> 00:00:43,250
+yourself he cracked I'm glad you brought
+that up mr. painter because that's a
+
+36
+00:00:43,250 --> 00:00:43,260
+that up mr. painter because that's a
+ 
+
+37
+00:00:43,260 --> 00:00:45,709
+that up mr. painter because that's a
+very pretty point you know I left out
+
+38
+00:00:45,709 --> 00:00:45,719
+very pretty point you know I left out
+ 
+
+39
+00:00:45,719 --> 00:00:48,110
+very pretty point you know I left out
+one detail on the court-martial wouldn't
+
+40
+00:00:48,110 --> 00:00:48,120
+one detail on the court-martial wouldn't
+ 
+
+41
+00:00:48,120 --> 00:00:50,810
+one detail on the court-martial wouldn't
+have helped our case any tell me Steve
+
+42
+00:00:50,810 --> 00:00:50,820
+have helped our case any tell me Steve
+ 
+
+43
+00:00:50,820 --> 00:00:53,000
+have helped our case any tell me Steve
+after the yellow stain business we came
+
+44
+00:00:53,000 --> 00:00:53,010
+after the yellow stain business we came
+ 
+
+45
+00:00:53,010 --> 00:00:54,319
+after the yellow stain business we came
+to you guys for helping you turned him
+
+46
+00:00:54,319 --> 00:00:54,329
+to you guys for helping you turned him
+ 
+
+47
+00:00:54,329 --> 00:00:56,049
+to you guys for helping you turned him
+down didn't you
+
+48
+00:00:56,049 --> 00:00:56,059
+down didn't you
+ 
+
+49
+00:00:56,059 --> 00:00:59,599
+down didn't you
+yes we did you didn't approve his
+
+50
+00:00:59,599 --> 00:00:59,609
+yes we did you didn't approve his
+ 
+
+51
+00:00:59,609 --> 00:01:01,790
+yes we did you didn't approve his
+conduct as an officer he wasn't worthy
+
+52
+00:01:01,790 --> 00:01:01,800
+conduct as an officer he wasn't worthy
+ 
+
+53
+00:01:01,800 --> 00:01:04,670
+conduct as an officer he wasn't worthy
+of your loyalty so you turned on him you
+
+54
+00:01:04,670 --> 00:01:04,680
+of your loyalty so you turned on him you
+ 
+
+55
+00:01:04,680 --> 00:01:06,700
+of your loyalty so you turned on him you
+rag him you made up songs about him
+
+56
+00:01:06,700 --> 00:01:06,710
+rag him you made up songs about him
+ 
+
+57
+00:01:06,710 --> 00:01:09,200
+rag him you made up songs about him
+should give him cuida loyalty he needed
+
+58
+00:01:09,200 --> 00:01:09,210
+should give him cuida loyalty he needed
+ 
+
+59
+00:01:09,210 --> 00:01:10,310
+should give him cuida loyalty he needed
+you suppose the whole issue would have
+
+60
+00:01:10,310 --> 00:01:10,320
+you suppose the whole issue would have
+ 
+
+61
+00:01:10,320 --> 00:01:13,190
+you suppose the whole issue would have
+come up in the typhoon you're an honest
+
+62
+00:01:13,190 --> 00:01:13,200
+come up in the typhoon you're an honest
+ 
+
+63
+00:01:13,200 --> 00:01:15,590
+come up in the typhoon you're an honest
+man Steve I'm asking you do you think it
+
+64
+00:01:15,590 --> 00:01:15,600
+man Steve I'm asking you do you think it
+ 
+
+65
+00:01:15,600 --> 00:01:16,520
+man Steve I'm asking you do you think it
+would have been necessary for you to
+
+66
+00:01:16,520 --> 00:01:16,530
+would have been necessary for you to
+ 
+
+67
+00:01:16,530 --> 00:01:20,480
+would have been necessary for you to
+take over it probably wouldn't have been
+
+68
+00:01:20,480 --> 00:01:20,490
+take over it probably wouldn't have been
+ 
+
+69
+00:01:20,490 --> 00:01:24,140
+take over it probably wouldn't have been
+necessary yeah that's true then we were
+
+70
+00:01:24,140 --> 00:01:24,150
+necessary yeah that's true then we were
+ 
+
+71
+00:01:24,150 --> 00:01:27,109
+necessary yeah that's true then we were
+guilty you're learning Willy you're
+
+72
+00:01:27,109 --> 00:01:27,119
+guilty you're learning Willy you're
+ 
+
+73
+00:01:27,119 --> 00:01:28,490
+guilty you're learning Willy you're
+lying that you don't work with a captain
+
+74
+00:01:28,490 --> 00:01:28,500
+lying that you don't work with a captain
+ 
+
+75
+00:01:28,500 --> 00:01:29,660
+lying that you don't work with a captain
+because you like the way he parts his
+
+76
+00:01:29,660 --> 00:01:29,670
+because you like the way he parts his
+ 
+
+77
+00:01:29,670 --> 00:01:32,090
+because you like the way he parts his
+hair you work with him because he's got
+
+78
+00:01:32,090 --> 00:01:32,100
+hair you work with him because he's got
+ 
+
+79
+00:01:32,100 --> 00:01:37,160
+hair you work with him because he's got
+the job or you're no good well the case
+
+80
+00:01:37,160 --> 00:01:37,170
+the job or you're no good well the case
+ 
+
+81
+00:01:37,170 --> 00:01:41,210
+the job or you're no good well the case
+is over you're all safe it was like
+
+82
+00:01:41,210 --> 00:01:41,220
+is over you're all safe it was like
+ 
+
+83
+00:01:41,220 --> 00:01:45,580
+is over you're all safe it was like
+shooting fish in a barrel
+
+84
+00:01:45,580 --> 00:01:45,590
+
+ 
+
+85
+00:01:45,590 --> 00:01:48,230
+
+and now we come to the man who should
+
+86
+00:01:48,230 --> 00:01:48,240
+and now we come to the man who should
+ 
+
+87
+00:01:48,240 --> 00:01:50,960
+and now we come to the man who should
+have stood trial the Caine's favorite
+
+88
+00:01:50,960 --> 00:01:50,970
+have stood trial the Caine's favorite
+ 
+
+89
+00:01:50,970 --> 00:01:53,749
+have stood trial the Caine's favorite
+author the Shakespeare whose testimony
+
+90
+00:01:53,749 --> 00:01:53,759
+author the Shakespeare whose testimony
+ 
+
+91
+00:01:53,759 --> 00:01:55,179
+author the Shakespeare whose testimony
+nearly sunk us all
+
+92
+00:01:55,179 --> 00:01:55,189
+nearly sunk us all
+ 
+
+93
+00:01:55,189 --> 00:01:59,319
+nearly sunk us all
+tell him Keefer no you go ahead
+
+94
+00:01:59,319 --> 00:01:59,329
+tell him Keefer no you go ahead
+ 
+
+95
+00:01:59,329 --> 00:02:03,139
+tell him Keefer no you go ahead
+you're telling it better yo to read his
+
+96
+00:02:03,139 --> 00:02:03,149
+you're telling it better yo to read his
+ 
+
+97
+00:02:03,149 --> 00:02:05,959
+you're telling it better yo to read his
+testimony he never even heard of Captain
+
+98
+00:02:05,959 --> 00:02:05,969
+testimony he never even heard of Captain
+ 
+
+99
+00:02:05,969 --> 00:02:09,290
+testimony he never even heard of Captain
+queeg let's forget it Barney Craig was
+
+100
+00:02:09,290 --> 00:02:09,300
+queeg let's forget it Barney Craig was
+ 
+
+101
+00:02:09,300 --> 00:02:10,999
+queeg let's forget it Barney Craig was
+sick he couldn't help himself but you
+
+102
+00:02:10,999 --> 00:02:11,009
+sick he couldn't help himself but you
+ 
+
+103
+00:02:11,009 --> 00:02:13,120
+sick he couldn't help himself but you
+you're real healthy
+
+104
+00:02:13,120 --> 00:02:13,130
+you're real healthy
+ 
+
+105
+00:02:13,130 --> 00:02:15,130
+you're real healthy
+oh you didn't have one-tenth the guts
+
+106
+00:02:15,130 --> 00:02:15,140
+oh you didn't have one-tenth the guts
+ 
+
+107
+00:02:15,140 --> 00:02:18,550
+oh you didn't have one-tenth the guts
+that he had except I never fooled myself
+
+108
+00:02:18,550 --> 00:02:18,560
+that he had except I never fooled myself
+ 
+
+109
+00:02:18,560 --> 00:02:21,880
+that he had except I never fooled myself
+mr. Greenwald I want to drink a toast to
+
+110
+00:02:21,880 --> 00:02:21,890
+mr. Greenwald I want to drink a toast to
+ 
+
+111
+00:02:21,890 --> 00:02:24,370
+mr. Greenwald I want to drink a toast to
+you mr. Keefer from the beginning you
+
+112
+00:02:24,370 --> 00:02:24,380
+you mr. Keefer from the beginning you
+ 
+
+113
+00:02:24,380 --> 00:02:26,560
+you mr. Keefer from the beginning you
+hated the Navy and then you thought up
+
+114
+00:02:26,560 --> 00:02:26,570
+hated the Navy and then you thought up
+ 
+
+115
+00:02:26,570 --> 00:02:29,110
+hated the Navy and then you thought up
+this whole idea and you managed to keep
+
+116
+00:02:29,110 --> 00:02:29,120
+this whole idea and you managed to keep
+ 
+
+117
+00:02:29,120 --> 00:02:31,000
+this whole idea and you managed to keep
+your skirts nice and starched and clean
+
+118
+00:02:31,000 --> 00:02:31,010
+your skirts nice and starched and clean
+ 
+
+119
+00:02:31,010 --> 00:02:34,180
+your skirts nice and starched and clean
+even in the court-martial Stephen Eric
+
+120
+00:02:34,180 --> 00:02:34,190
+even in the court-martial Stephen Eric
+ 
+
+121
+00:02:34,190 --> 00:02:35,560
+even in the court-martial Stephen Eric
+will always be remembered as a mutineer
+
+122
+00:02:35,560 --> 00:02:35,570
+will always be remembered as a mutineer
+ 
+
+123
+00:02:35,570 --> 00:02:39,220
+will always be remembered as a mutineer
+but you you'll publish your novel you'll
+
+124
+00:02:39,220 --> 00:02:39,230
+but you you'll publish your novel you'll
+ 
+
+125
+00:02:39,230 --> 00:02:41,500
+but you you'll publish your novel you'll
+make a million bucks you marry a big
+
+126
+00:02:41,500 --> 00:02:41,510
+make a million bucks you marry a big
+ 
+
+127
+00:02:41,510 --> 00:02:44,230
+make a million bucks you marry a big
+movie star and for the rest of your life
+
+128
+00:02:44,230 --> 00:02:44,240
+movie star and for the rest of your life
+ 
+
+129
+00:02:44,240 --> 00:02:46,450
+movie star and for the rest of your life
+you'll live with your conscience if you
+
+130
+00:02:46,450 --> 00:02:46,460
+you'll live with your conscience if you
+ 
+
+131
+00:02:46,460 --> 00:02:51,100
+you'll live with your conscience if you
+have any I here's to the real author of
+
+132
+00:02:51,100 --> 00:02:51,110
+have any I here's to the real author of
+ 
+
+133
+00:02:51,110 --> 00:02:54,460
+have any I here's to the real author of
+the Caine Mutiny here's to you mr.
+
+134
+00:02:54,460 --> 00:02:54,470
+the Caine Mutiny here's to you mr.
+ 
+
+135
+00:02:54,470 --> 00:03:00,640
+the Caine Mutiny here's to you mr.
+Keefer if you want to do anything about
+
+136
+00:03:00,640 --> 00:03:00,650
+Keefer if you want to do anything about
+ 
+
+137
+00:03:00,650 --> 00:03:03,850
+Keefer if you want to do anything about
+it I'll be outside a lot drunker than
+
+138
+00:03:03,850 --> 00:03:03,860
+it I'll be outside a lot drunker than
+ 
+
+139
+00:03:03,860 --> 00:03:10,350
+it I'll be outside a lot drunker than
+you are so it'll be a fair fight
+
+140
+00:03:10,350 --> 00:03:10,360
+
+ 
+
+141
+00:03:10,360 --> 00:03:16,350
+
+[Music]
+
+142
+00:03:16,350 --> 00:03:16,360
+
+ 
+
+143
+00:03:16,360 --> 00:03:18,420
+
+you
+

1954/6oxCZ2CyGII.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:00,000 --> 00:00:08,209
+
+[Music]
+
+2
+00:00:08,209 --> 00:00:08,219
+
+ 
+
+3
+00:00:08,219 --> 00:00:11,730
+
+more of the same for the king what news
+
+4
+00:00:11,730 --> 00:00:11,740
+more of the same for the king what news
+ 
+
+5
+00:00:11,740 --> 00:00:12,900
+more of the same for the king what news
+from the gaming table
+
+6
+00:00:12,900 --> 00:00:12,910
+from the gaming table
+ 
+
+7
+00:00:12,910 --> 00:00:15,180
+from the gaming table
+very good Alberto is having a fantastic
+
+8
+00:00:15,180 --> 00:00:15,190
+very good Alberto is having a fantastic
+ 
+
+9
+00:00:15,190 --> 00:00:17,940
+very good Alberto is having a fantastic
+time it's about time last night that
+
+10
+00:00:17,940 --> 00:00:17,950
+time it's about time last night that
+ 
+
+11
+00:00:17,950 --> 00:00:19,019
+time it's about time last night that
+Greek took him for a whole South
+
+12
+00:00:19,019 --> 00:00:19,029
+Greek took him for a whole South
+ 
+
+13
+00:00:19,029 --> 00:00:21,330
+Greek took him for a whole South
+American junkie yeah you know something
+
+14
+00:00:21,330 --> 00:00:21,340
+American junkie yeah you know something
+ 
+
+15
+00:00:21,340 --> 00:00:23,400
+American junkie yeah you know something
+off the screen I don't think I've ever
+
+16
+00:00:23,400 --> 00:00:23,410
+off the screen I don't think I've ever
+ 
+
+17
+00:00:23,410 --> 00:00:26,040
+off the screen I don't think I've ever
+seen you laugh I feel very good tonight
+
+18
+00:00:26,040 --> 00:00:26,050
+seen you laugh I feel very good tonight
+ 
+
+19
+00:00:26,050 --> 00:00:28,049
+seen you laugh I feel very good tonight
+every night's like every other night no
+
+20
+00:00:28,049 --> 00:00:28,059
+every night's like every other night no
+ 
+
+21
+00:00:28,059 --> 00:00:30,569
+every night's like every other night no
+not tonight what's different I don't
+
+22
+00:00:30,569 --> 00:00:30,579
+not tonight what's different I don't
+ 
+
+23
+00:00:30,579 --> 00:00:33,209
+not tonight what's different I don't
+know something in the way my heart beats
+
+24
+00:00:33,209 --> 00:00:33,219
+know something in the way my heart beats
+ 
+
+25
+00:00:33,219 --> 00:00:35,790
+know something in the way my heart beats
+as if something very good we're going to
+
+26
+00:00:35,790 --> 00:00:35,800
+as if something very good we're going to
+ 
+
+27
+00:00:35,800 --> 00:00:36,610
+as if something very good we're going to
+come out of tonight
+
+28
+00:00:36,610 --> 00:00:36,620
+come out of tonight
+ 
+
+29
+00:00:36,620 --> 00:00:40,870
+come out of tonight
+[Music]
+
+30
+00:00:40,870 --> 00:00:40,880
+[Music]
+ 
+
+31
+00:00:40,880 --> 00:00:42,950
+[Music]
+something's coming alright but it's not
+
+32
+00:00:42,950 --> 00:00:42,960
+something's coming alright but it's not
+ 
+
+33
+00:00:42,960 --> 00:00:46,150
+something's coming alright but it's not
+good he's mad I didn't like this before
+
+34
+00:00:46,150 --> 00:00:46,160
+good he's mad I didn't like this before
+ 
+
+35
+00:00:46,160 --> 00:00:48,840
+good he's mad I didn't like this before
+have crazy when he gets like this
+
+36
+00:00:48,840 --> 00:00:48,850
+have crazy when he gets like this
+ 
+
+37
+00:00:48,850 --> 00:01:00,770
+have crazy when he gets like this
+[Music]
+
+38
+00:01:00,770 --> 00:01:00,780
+
+ 
+
+39
+00:01:00,780 --> 00:01:03,170
+
+how do I find the words to tell you what
+
+40
+00:01:03,170 --> 00:01:03,180
+how do I find the words to tell you what
+ 
+
+41
+00:01:03,180 --> 00:01:06,770
+how do I find the words to tell you what
+you are to begin with the thief it took
+
+42
+00:01:06,770 --> 00:01:06,780
+you are to begin with the thief it took
+ 
+
+43
+00:01:06,780 --> 00:01:08,510
+you are to begin with the thief it took
+money from me when I was playing when I
+
+44
+00:01:08,510 --> 00:01:08,520
+money from me when I was playing when I
+ 
+
+45
+00:01:08,520 --> 00:01:10,940
+money from me when I was playing when I
+was winning a change my luck you have
+
+46
+00:01:10,940 --> 00:01:10,950
+was winning a change my luck you have
+ 
+
+47
+00:01:10,950 --> 00:01:12,680
+was winning a change my luck you have
+custom in millions and millions of
+
+48
+00:01:12,680 --> 00:01:12,690
+custom in millions and millions of
+ 
+
+49
+00:01:12,690 --> 00:01:14,900
+custom in millions and millions of
+francs you put a curse on me not only
+
+50
+00:01:14,900 --> 00:01:14,910
+francs you put a curse on me not only
+ 
+
+51
+00:01:14,910 --> 00:01:17,270
+francs you put a curse on me not only
+for tonight but from the unhappy moment
+
+52
+00:01:17,270 --> 00:01:17,280
+for tonight but from the unhappy moment
+ 
+
+53
+00:01:17,280 --> 00:01:19,100
+for tonight but from the unhappy moment
+when I first knew of your existence as
+
+54
+00:01:19,100 --> 00:01:19,110
+when I first knew of your existence as
+ 
+
+55
+00:01:19,110 --> 00:01:20,270
+when I first knew of your existence as
+you will put the casserole was on
+
+56
+00:01:20,270 --> 00:01:20,280
+you will put the casserole was on
+ 
+
+57
+00:01:20,280 --> 00:01:21,680
+you will put the casserole was on
+everyone and everything near to you
+
+58
+00:01:21,680 --> 00:01:21,690
+everyone and everything near to you
+ 
+
+59
+00:01:21,690 --> 00:01:23,359
+everyone and everything near to you
+maybe you can solve this over later in
+
+60
+00:01:23,359 --> 00:01:23,369
+maybe you can solve this over later in
+ 
+
+61
+00:01:23,369 --> 00:01:25,730
+maybe you can solve this over later in
+private maybe let him Oscar next you are
+
+62
+00:01:25,730 --> 00:01:25,740
+private maybe let him Oscar next you are
+ 
+
+63
+00:01:25,740 --> 00:01:28,100
+private maybe let him Oscar next you are
+not a woman I do not know what you are
+
+64
+00:01:28,100 --> 00:01:28,110
+not a woman I do not know what you are
+ 
+
+65
+00:01:28,110 --> 00:01:31,400
+not a woman I do not know what you are
+you are not a woman you will not let
+
+66
+00:01:31,400 --> 00:01:31,410
+you are not a woman you will not let
+ 
+
+67
+00:01:31,410 --> 00:01:34,190
+you are not a woman you will not let
+yourself be loved you cannot love once
+
+68
+00:01:34,190 --> 00:01:34,200
+yourself be loved you cannot love once
+ 
+
+69
+00:01:34,200 --> 00:01:35,990
+yourself be loved you cannot love once
+you are the look for me of an exquisite
+
+70
+00:01:35,990 --> 00:01:36,000
+you are the look for me of an exquisite
+ 
+
+71
+00:01:36,000 --> 00:01:39,020
+you are the look for me of an exquisite
+lady no I do not see that look I only
+
+72
+00:01:39,020 --> 00:01:39,030
+lady no I do not see that look I only
+ 
+
+73
+00:01:39,030 --> 00:01:40,430
+lady no I do not see that look I only
+see that you have the body of an animal
+
+74
+00:01:40,430 --> 00:01:40,440
+see that you have the body of an animal
+ 
+
+75
+00:01:40,440 --> 00:01:45,620
+see that you have the body of an animal
+a dead animal I have paid for your
+
+76
+00:01:45,620 --> 00:01:45,630
+a dead animal I have paid for your
+ 
+
+77
+00:01:45,630 --> 00:01:47,480
+a dead animal I have paid for your
+company when you were coming gods I tell
+
+78
+00:01:47,480 --> 00:01:47,490
+company when you were coming gods I tell
+ 
+
+79
+00:01:47,490 --> 00:02:01,280
+company when you were coming gods I tell
+you I see it bad meet me
+
+80
+00:02:01,280 --> 00:02:01,290
+
+ 
+
+81
+00:02:01,290 --> 00:02:15,169
+
+[Music]
+

1954/846by3LOKlA.en.srt

@@ -0,0 +1,535 @@
+1
+00:00:00,359 --> 00:00:03,550
+
+tell you about them sub women who lived
+
+2
+00:00:03,550 --> 00:00:03,560
+tell you about them sub women who lived
+ 
+
+3
+00:00:03,560 --> 00:00:06,550
+tell you about them sub women who lived
+in the Roman days it seems that they all
+
+4
+00:00:06,550 --> 00:00:06,560
+in the Roman days it seems that they all
+ 
+
+5
+00:00:06,560 --> 00:00:09,150
+in the Roman days it seems that they all
+went swimming while them men was off to
+
+6
+00:00:09,150 --> 00:00:09,160
+went swimming while them men was off to
+ 
+
+7
+00:00:09,160 --> 00:00:12,669
+went swimming while them men was off to
+graze where a Roman troop was riding by
+
+8
+00:00:12,669 --> 00:00:12,679
+graze where a Roman troop was riding by
+ 
+
+9
+00:00:12,679 --> 00:00:15,390
+graze where a Roman troop was riding by
+and saw them in their me oh my so they
+
+10
+00:00:15,390 --> 00:00:15,400
+and saw them in their me oh my so they
+ 
+
+11
+00:00:15,400 --> 00:00:17,950
+and saw them in their me oh my so they
+took them all back home to dry at least
+
+12
+00:00:17,950 --> 00:00:17,960
+took them all back home to dry at least
+ 
+
+13
+00:00:17,960 --> 00:00:19,750
+took them all back home to dry at least
+that's what plutar
+
+14
+00:00:19,750 --> 00:00:19,760
+that's what plutar
+ 
+
+15
+00:00:19,760 --> 00:00:23,429
+that's what plutar
+says women must S and S and S and fit to
+
+16
+00:00:23,429 --> 00:00:23,439
+says women must S and S and S and fit to
+ 
+
+17
+00:00:23,439 --> 00:00:24,310
+says women must S and S and S and fit to
+be
+
+18
+00:00:24,310 --> 00:00:24,320
+be
+ 
+
+19
+00:00:24,320 --> 00:00:26,710
+be
+tied every muscle was throbbing
+
+20
+00:00:26,710 --> 00:00:26,720
+tied every muscle was throbbing
+ 
+
+21
+00:00:26,720 --> 00:00:30,910
+tied every muscle was throbbing
+throbbing from that vest ride seems they
+
+22
+00:00:30,910 --> 00:00:30,920
+throbbing from that vest ride seems they
+ 
+
+23
+00:00:30,920 --> 00:00:33,110
+throbbing from that vest ride seems they
+cried and kissed and kissed and cried
+
+24
+00:00:33,110 --> 00:00:33,120
+cried and kissed and kissed and cried
+ 
+
+25
+00:00:33,120 --> 00:00:35,790
+cried and kissed and kissed and cried
+all over that Roman country site so
+
+26
+00:00:35,790 --> 00:00:35,800
+all over that Roman country site so
+ 
+
+27
+00:00:35,800 --> 00:00:39,389
+all over that Roman country site so
+don't forget that when you're taking a
+
+28
+00:00:39,389 --> 00:00:39,399
+don't forget that when you're taking a
+ 
+
+29
+00:00:39,399 --> 00:00:43,470
+don't forget that when you're taking a
+bride s and fit to be tied from that
+
+30
+00:00:43,470 --> 00:00:43,480
+bride s and fit to be tied from that
+ 
+
+31
+00:00:43,480 --> 00:00:46,750
+bride s and fit to be tied from that
+ride is ride so then what happen B
+
+32
+00:00:46,750 --> 00:00:46,760
+ride is ride so then what happen B
+ 
+
+33
+00:00:46,760 --> 00:00:49,910
+ride is ride so then what happen B
+around I tell you they never did return
+
+34
+00:00:49,910 --> 00:00:49,920
+around I tell you they never did return
+ 
+
+35
+00:00:49,920 --> 00:00:52,430
+around I tell you they never did return
+their plunder the Victor gets all the
+
+36
+00:00:52,430 --> 00:00:52,440
+their plunder the Victor gets all the
+ 
+
+37
+00:00:52,440 --> 00:00:55,510
+their plunder the Victor gets all the
+loot They carried them home by Thunder
+
+38
+00:00:55,510 --> 00:00:55,520
+loot They carried them home by Thunder
+ 
+
+39
+00:00:55,520 --> 00:00:59,150
+loot They carried them home by Thunder
+to rotund small but cute and you never
+
+40
+00:00:59,150 --> 00:00:59,160
+to rotund small but cute and you never
+ 
+
+41
+00:00:59,160 --> 00:01:02,150
+to rotund small but cute and you never
+seen so they tell me such downright
+
+42
+00:01:02,150 --> 00:01:02,160
+seen so they tell me such downright
+ 
+
+43
+00:01:02,160 --> 00:01:05,070
+seen so they tell me such downright
+Domesticity with a Roman baby on each
+
+44
+00:01:05,070 --> 00:01:05,080
+Domesticity with a Roman baby on each
+ 
+
+45
+00:01:05,080 --> 00:01:10,149
+Domesticity with a Roman baby on each
+knee named codius and brute oh women
+
+46
+00:01:10,149 --> 00:01:10,159
+knee named codius and brute oh women
+ 
+
+47
+00:01:10,159 --> 00:01:14,270
+knee named codius and brute oh women
+was passing nights while the Romans was
+
+48
+00:01:14,270 --> 00:01:14,280
+was passing nights while the Romans was
+ 
+
+49
+00:01:14,280 --> 00:01:18,630
+was passing nights while the Romans was
+going out H St fight is that so they
+
+50
+00:01:18,630 --> 00:01:18,640
+going out H St fight is that so they
+ 
+
+51
+00:01:18,640 --> 00:01:21,870
+going out H St fight is that so they
+kept occupied by so and lots little old
+
+52
+00:01:21,870 --> 00:01:21,880
+kept occupied by so and lots little old
+ 
+
+53
+00:01:21,880 --> 00:01:26,510
+kept occupied by so and lots little old
+Tois them and say and someday women
+
+54
+00:01:26,510 --> 00:01:26,520
+Tois them and say and someday women
+ 
+
+55
+00:01:26,520 --> 00:01:29,510
+Tois them and say and someday women
+folks will have rights passing all of
+
+56
+00:01:29,510 --> 00:01:29,520
+folks will have rights passing all of
+ 
+
+57
+00:01:29,520 --> 00:01:32,789
+folks will have rights passing all of
+their night just him while the r fight
+
+58
+00:01:32,789 --> 00:01:32,799
+their night just him while the r fight
+ 
+
+59
+00:01:32,799 --> 00:01:35,230
+their night just him while the r fight
+Hey listen to this now when the men folk
+
+60
+00:01:35,230 --> 00:01:35,240
+Hey listen to this now when the men folk
+ 
+
+61
+00:01:35,240 --> 00:01:38,230
+Hey listen to this now when the men folk
+went to fetch him the women would not be
+
+62
+00:01:38,230 --> 00:01:38,240
+went to fetch him the women would not be
+ 
+
+63
+00:01:38,240 --> 00:01:40,830
+went to fetch him the women would not be
+fetch it seems when the Romans catch
+
+64
+00:01:40,830 --> 00:01:40,840
+fetch it seems when the Romans catch
+ 
+
+65
+00:01:40,840 --> 00:01:43,870
+fetch it seems when the Romans catch
+them their lady friends say catch them
+
+66
+00:01:43,870 --> 00:01:43,880
+them their lady friends say catch them
+ 
+
+67
+00:01:43,880 --> 00:01:46,510
+them their lady friends say catch them
+now let this be because it's true a
+
+68
+00:01:46,510 --> 00:01:46,520
+now let this be because it's true a
+ 
+
+69
+00:01:46,520 --> 00:01:49,270
+now let this be because it's true a
+lesson to the likes of you R them up
+
+70
+00:01:49,270 --> 00:01:49,280
+lesson to the likes of you R them up
+ 
+
+71
+00:01:49,280 --> 00:01:51,550
+lesson to the likes of you R them up
+like them their Romans do or else
+
+72
+00:01:51,550 --> 00:01:51,560
+like them their Romans do or else
+ 
+
+73
+00:01:51,560 --> 00:01:56,230
+like them their Romans do or else
+they'll think you're T oh yes
+
+74
+00:01:56,230 --> 00:01:56,240
+they'll think you're T oh yes
+ 
+
+75
+00:01:56,240 --> 00:02:00,830
+they'll think you're T oh yes
+women tears might s on of old the J and
+
+76
+00:02:00,830 --> 00:02:00,840
+women tears might s on of old the J and
+ 
+
+77
+00:02:00,840 --> 00:02:03,469
+women tears might s on of old the J and
+really R their ears and that ain't all
+
+78
+00:02:03,469 --> 00:02:03,479
+really R their ears and that ain't all
+ 
+
+79
+00:02:03,479 --> 00:02:06,789
+really R their ears and that ain't all
+oh they acted angry and annoy but
+
+80
+00:02:06,789 --> 00:02:06,799
+oh they acted angry and annoy but
+ 
+
+81
+00:02:06,799 --> 00:02:09,910
+oh they acted angry and annoy but
+secretly they was overjoy you might
+
+82
+00:02:09,910 --> 00:02:09,920
+secretly they was overjoy you might
+ 
+
+83
+00:02:09,920 --> 00:02:13,390
+secretly they was overjoy you might
+recall that when Coral your
+
+84
+00:02:13,390 --> 00:02:13,400
+recall that when Coral your
+ 
+
+85
+00:02:13,400 --> 00:02:15,990
+recall that when Coral your
+Ste poor little dear what do you said
+
+86
+00:02:15,990 --> 00:02:16,000
+Ste poor little dear what do you said
+ 
+
+87
+00:02:16,000 --> 00:02:20,480
+Ste poor little dear what do you said
+there for why don't we go down and get
+
+88
+00:02:20,480 --> 00:02:20,490
+
+ 
+
+89
+00:02:20,490 --> 00:02:26,140
+
+[Music]
+
+90
+00:02:26,140 --> 00:02:26,150
+
+ 
+
+91
+00:02:26,150 --> 00:02:28,830
+
+[Music]
+
+92
+00:02:28,830 --> 00:02:28,840
+[Music]
+ 
+
+93
+00:02:28,840 --> 00:02:30,460
+[Music]
+him
+
+94
+00:02:30,460 --> 00:02:30,470
+him
+ 
+
+95
+00:02:30,470 --> 00:02:31,450
+him
+[Applause]
+
+96
+00:02:31,450 --> 00:02:31,460
+[Applause]
+ 
+
+97
+00:02:31,460 --> 00:02:35,150
+[Applause]
+[Music]
+
+98
+00:02:35,150 --> 00:02:35,160
+[Music]
+ 
+
+99
+00:02:35,160 --> 00:02:37,589
+[Music]
+be a for
+
+100
+00:02:37,589 --> 00:02:37,599
+be a for
+ 
+
+101
+00:02:37,599 --> 00:02:42,490
+be a for
+a we going to make them s
+
+102
+00:02:42,490 --> 00:02:42,500
+a we going to make them s
+ 
+
+103
+00:02:42,500 --> 00:02:58,830
+a we going to make them s
+[Music]
+
+104
+00:02:58,830 --> 00:02:58,840
+[Music]
+ 
+
+105
+00:02:58,840 --> 00:03:13,270
+[Music]
+women
+
+106
+00:03:13,270 --> 00:03:13,280
+
+ 
+
+107
+00:03:13,280 --> 00:03:19,199
+
+[Music]
+

1954/8Q2WgdOSfms.en.srt

@@ -0,0 +1,245 @@
+1
+00:00:00,310 --> 00:00:03,269
+
+[Music]
+
+2
+00:00:03,269 --> 00:00:03,279
+[Music]
+ 
+
+3
+00:00:03,279 --> 00:00:05,650
+[Music]
+the lady also late today by
+
+4
+00:00:05,650 --> 00:00:05,660
+the lady also late today by
+ 
+
+5
+00:00:05,660 --> 00:00:07,690
+the lady also late today by
+nature yes but we have a lot of time
+
+6
+00:00:07,690 --> 00:00:07,700
+nature yes but we have a lot of time
+ 
+
+7
+00:00:07,700 --> 00:00:09,730
+nature yes but we have a lot of time
+mister thriller mister those that in the
+
+8
+00:00:09,730 --> 00:00:09,740
+mister thriller mister those that in the
+ 
+
+9
+00:00:09,740 --> 00:00:17,140
+mister thriller mister those that in the
+beautiful behind we begin stolen were
+
+10
+00:00:17,140 --> 00:00:17,150
+beautiful behind we begin stolen were
+ 
+
+11
+00:00:17,150 --> 00:00:21,460
+beautiful behind we begin stolen were
+also the poses the good size of danang
+
+12
+00:00:21,460 --> 00:00:21,470
+also the poses the good size of danang
+ 
+
+13
+00:00:21,470 --> 00:00:27,160
+also the poses the good size of danang
+street fight lights on youtube maria et
+
+14
+00:00:27,160 --> 00:00:27,170
+street fight lights on youtube maria et
+ 
+
+15
+00:00:27,170 --> 00:00:29,560
+street fight lights on youtube maria et
+orbì moret or less at the garden and siemens
+
+16
+00:00:29,560 --> 00:00:29,570
+orbì moret or less at the garden and siemens
+ 
+
+17
+00:00:29,570 --> 00:00:35,939
+orbì moret or less at the garden and siemens
+insists from pontboset barefoot
+
+18
+00:00:35,939 --> 00:00:35,949
+
+ 
+
+19
+00:00:35,949 --> 00:00:38,819
+
+périphérique to understand something
+
+20
+00:00:38,819 --> 00:00:38,829
+périphérique to understand something
+ 
+
+21
+00:00:38,829 --> 00:00:43,540
+périphérique to understand something
+strange of art stupid one gentlemen yes
+
+22
+00:00:43,540 --> 00:00:43,550
+strange of art stupid one gentlemen yes
+ 
+
+23
+00:00:43,550 --> 00:00:45,160
+strange of art stupid one gentlemen yes
+they continue to talk distract me
+
+24
+00:00:45,160 --> 00:00:45,170
+they continue to talk distract me
+ 
+
+25
+00:00:45,170 --> 00:00:47,169
+they continue to talk distract me
+and the mister of I had given of shader
+
+26
+00:00:47,169 --> 00:00:47,179
+and the mister of I had given of shader
+ 
+
+27
+00:00:47,179 --> 00:00:49,629
+and the mister of I had given of shader
+maria tweak surf guide them stations
+
+28
+00:00:49,629 --> 00:00:49,639
+maria tweak surf guide them stations
+ 
+
+29
+00:00:49,639 --> 00:00:53,860
+maria tweak surf guide them stations
+alas jean claude delangle garrigue
+
+30
+00:00:53,860 --> 00:00:53,870
+alas jean claude delangle garrigue
+ 
+
+31
+00:00:53,870 --> 00:01:00,489
+alas jean claude delangle garrigue
+knightley stearns theological in germany
+
+32
+00:01:00,489 --> 00:01:00,499
+knightley stearns theological in germany
+ 
+
+33
+00:01:00,499 --> 00:01:03,279
+knightley stearns theological in germany
+of typhus of not studying here biblical one
+
+34
+00:01:03,279 --> 00:01:03,289
+of typhus of not studying here biblical one
+ 
+
+35
+00:01:03,289 --> 00:01:09,450
+of typhus of not studying here biblical one
+in naples akerlof location all in with the
+
+36
+00:01:09,450 --> 00:01:09,460
+
+ 
+
+37
+00:01:09,460 --> 00:01:18,580
+
+marines good right in the tournaments maria
+
+38
+00:01:18,580 --> 00:01:18,590
+marines good right in the tournaments maria
+ 
+
+39
+00:01:18,590 --> 00:01:28,030
+marines good right in the tournaments maria
+youtube
+
+40
+00:01:28,030 --> 00:01:28,040
+
+ 
+
+41
+00:01:28,040 --> 00:01:32,459
+
+[Music]
+
+42
+00:01:32,459 --> 00:01:32,469
+[Music]
+ 
+
+43
+00:01:32,469 --> 00:01:37,480
+[Music]
+I went del piero way that the spear
+
+44
+00:01:37,480 --> 00:01:37,490
+I went del piero way that the spear
+ 
+
+45
+00:01:37,490 --> 00:01:42,130
+I went del piero way that the spear
+powerspine folk singer a great mario
+
+46
+00:01:42,130 --> 00:01:42,140
+powerspine folk singer a great mario
+ 
+
+47
+00:01:42,140 --> 00:01:46,480
+powerspine folk singer a great mario
+boni
+
+48
+00:01:46,480 --> 00:01:46,490
+
+ 
+
+49
+00:01:46,490 --> 00:01:57,819
+
+[Music]
+

1954/9MSGSOjdViQ.en.srt

@@ -0,0 +1,175 @@
+1
+00:00:00,000 --> 00:00:04,579
+
+I charge you that on the 26th of
+
+2
+00:00:04,579 --> 00:00:04,589
+I charge you that on the 26th of
+ 
+
+3
+00:00:04,589 --> 00:00:06,829
+I charge you that on the 26th of
+September unit willfully murder Charles
+
+4
+00:00:06,829 --> 00:00:06,839
+September unit willfully murder Charles
+ 
+
+5
+00:00:06,839 --> 00:00:09,799
+September unit willfully murder Charles
+Alexander Swann do you wish to say
+
+6
+00:00:09,799 --> 00:00:09,809
+Alexander Swann do you wish to say
+ 
+
+7
+00:00:09,809 --> 00:00:16,550
+Alexander Swann do you wish to say
+anything in answer to this charge and if
+
+8
+00:00:16,550 --> 00:00:16,560
+anything in answer to this charge and if
+ 
+
+9
+00:00:16,560 --> 00:00:19,790
+anything in answer to this charge and if
+you at any time in your life meet this
+
+10
+00:00:19,790 --> 00:00:19,800
+you at any time in your life meet this
+ 
+
+11
+00:00:19,800 --> 00:00:24,890
+you at any time in your life meet this
+man's one you received a letter from mr.
+
+12
+00:00:24,890 --> 00:00:24,900
+man's one you received a letter from mr.
+ 
+
+13
+00:00:24,900 --> 00:00:25,540
+man's one you received a letter from mr.
+Halliday
+
+14
+00:00:25,540 --> 00:00:25,550
+Halliday
+ 
+
+15
+00:00:25,550 --> 00:00:28,070
+Halliday
+this letter was found in the dead man's
+
+16
+00:00:28,070 --> 00:00:28,080
+this letter was found in the dead man's
+ 
+
+17
+00:00:28,080 --> 00:00:30,880
+this letter was found in the dead man's
+pocket
+
+18
+00:00:30,880 --> 00:00:30,890
+
+ 
+
+19
+00:00:30,890 --> 00:00:35,140
+
+[Music]
+
+20
+00:00:35,140 --> 00:00:35,150
+[Music]
+ 
+
+21
+00:00:35,150 --> 00:00:39,330
+[Music]
+you find the prisoner Margo Mary wendice
+
+22
+00:00:39,330 --> 00:00:39,340
+you find the prisoner Margo Mary wendice
+ 
+
+23
+00:00:39,340 --> 00:00:46,780
+you find the prisoner Margo Mary wendice
+guilty or not guilty guilty
+
+24
+00:00:46,780 --> 00:00:46,790
+
+ 
+
+25
+00:00:46,790 --> 00:00:50,620
+
+[Music]
+
+26
+00:00:50,620 --> 00:00:50,630
+
+ 
+
+27
+00:00:50,630 --> 00:00:53,440
+
+sentence of this Court is that you'll be
+
+28
+00:00:53,440 --> 00:00:53,450
+sentence of this Court is that you'll be
+ 
+
+29
+00:00:53,450 --> 00:00:55,950
+sentence of this Court is that you'll be
+taken to the place from whence you came
+
+30
+00:00:55,950 --> 00:00:55,960
+taken to the place from whence you came
+ 
+
+31
+00:00:55,960 --> 00:00:58,630
+taken to the place from whence you came
+from thence to a place of lawful
+
+32
+00:00:58,630 --> 00:00:58,640
+from thence to a place of lawful
+ 
+
+33
+00:00:58,640 --> 00:01:00,370
+from thence to a place of lawful
+execution
+
+34
+00:01:00,370 --> 00:01:00,380
+execution
+ 
+
+35
+00:01:00,380 --> 00:01:12,900
+execution
+[Music]
+

1954/A8wAYZAwQFs.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:00,200 --> 00:00:01,069
+
+[Music]
+
+2
+00:00:01,069 --> 00:00:01,079
+[Music]
+ 
+
+3
+00:00:01,079 --> 00:00:04,190
+[Music]
+listen to The Sounds Hunting Calls
+
+4
+00:00:04,190 --> 00:00:04,200
+listen to The Sounds Hunting Calls
+ 
+
+5
+00:00:04,200 --> 00:00:07,389
+listen to The Sounds Hunting Calls
+mostly animals out for the kill some of
+
+6
+00:00:07,389 --> 00:00:07,399
+mostly animals out for the kill some of
+ 
+
+7
+00:00:07,399 --> 00:00:09,910
+mostly animals out for the kill some of
+them are cries of fear like people who
+
+8
+00:00:09,910 --> 00:00:09,920
+them are cries of fear like people who
+ 
+
+9
+00:00:09,920 --> 00:00:11,070
+them are cries of fear like people who
+whistle in the
+
+10
+00:00:11,070 --> 00:00:11,080
+whistle in the
+ 
+
+11
+00:00:11,080 --> 00:00:13,350
+whistle in the
+dark I'm not exactly
+
+12
+00:00:13,350 --> 00:00:13,360
+dark I'm not exactly
+ 
+
+13
+00:00:13,360 --> 00:00:15,669
+dark I'm not exactly
+blind you're worried about what's
+
+14
+00:00:15,669 --> 00:00:15,679
+blind you're worried about what's
+ 
+
+15
+00:00:15,679 --> 00:00:18,630
+blind you're worried about what's
+happened between Mark and David but once
+
+16
+00:00:18,630 --> 00:00:18,640
+happened between Mark and David but once
+ 
+
+17
+00:00:18,640 --> 00:00:20,750
+happened between Mark and David but once
+you admit the simple fact that you're in
+
+18
+00:00:20,750 --> 00:00:20,760
+you admit the simple fact that you're in
+ 
+
+19
+00:00:20,760 --> 00:00:23,589
+you admit the simple fact that you're in
+love which you have then it becomes a
+
+20
+00:00:23,589 --> 00:00:23,599
+love which you have then it becomes a
+ 
+
+21
+00:00:23,599 --> 00:00:25,750
+love which you have then it becomes a
+good idea to be the scientist about it
+
+22
+00:00:25,750 --> 00:00:25,760
+good idea to be the scientist about it
+ 
+
+23
+00:00:25,760 --> 00:00:28,150
+good idea to be the scientist about it
+it's not as easy as that why
+
+24
+00:00:28,150 --> 00:00:28,160
+it's not as easy as that why
+ 
+
+25
+00:00:28,160 --> 00:00:30,429
+it's not as easy as that why
+not well if it weren't for Mark Williams
+
+26
+00:00:30,429 --> 00:00:30,439
+not well if it weren't for Mark Williams
+ 
+
+27
+00:00:30,439 --> 00:00:33,310
+not well if it weren't for Mark Williams
+I wouldn't have my work or or even a job
+
+28
+00:00:33,310 --> 00:00:33,320
+I wouldn't have my work or or even a job
+ 
+
+29
+00:00:33,320 --> 00:00:34,430
+I wouldn't have my work or or even a job
+it's true he helped you through your
+
+30
+00:00:34,430 --> 00:00:34,440
+it's true he helped you through your
+ 
+
+31
+00:00:34,440 --> 00:00:36,869
+it's true he helped you through your
+training and gave you a job but he
+
+32
+00:00:36,869 --> 00:00:36,879
+training and gave you a job but he
+ 
+
+33
+00:00:36,879 --> 00:00:38,750
+training and gave you a job but he
+needed you just as much as you needed
+
+34
+00:00:38,750 --> 00:00:38,760
+needed you just as much as you needed
+ 
+
+35
+00:00:38,760 --> 00:00:41,470
+needed you just as much as you needed
+him you're oversimplified youve more
+
+36
+00:00:41,470 --> 00:00:41,480
+him you're oversimplified youve more
+ 
+
+37
+00:00:41,480 --> 00:00:44,590
+him you're oversimplified youve more
+than repaid him many times over why good
+
+38
+00:00:44,590 --> 00:00:44,600
+than repaid him many times over why good
+ 
+
+39
+00:00:44,600 --> 00:00:45,990
+than repaid him many times over why good
+part of his present position at The
+
+40
+00:00:45,990 --> 00:00:46,000
+part of his present position at The
+ 
+
+41
+00:00:46,000 --> 00:00:47,510
+part of his present position at The
+Institute is due to your valuable
+
+42
+00:00:47,510 --> 00:00:47,520
+Institute is due to your valuable
+ 
+
+43
+00:00:47,520 --> 00:00:51,790
+Institute is due to your valuable
+research and another
+
+44
+00:00:51,790 --> 00:00:51,800
+
+ 
+
+45
+00:00:51,800 --> 00:00:54,460
+
+thing get
+
+46
+00:00:54,460 --> 00:00:54,470
+thing get
+ 
+
+47
+00:00:54,470 --> 00:00:56,830
+thing get
+[Music]
+
+48
+00:00:56,830 --> 00:00:56,840
+[Music]
+ 
+
+49
+00:00:56,840 --> 00:01:12,950
+[Music]
+back R get on
+
+50
+00:01:12,950 --> 00:01:12,960
+
+ 
+
+51
+00:01:12,960 --> 00:01:14,109
+
+[Music]
+
+52
+00:01:14,109 --> 00:01:14,119
+[Music]
+ 
+
+53
+00:01:14,119 --> 00:01:20,380
+[Music]
+what got THS
+
+54
+00:01:20,380 --> 00:01:20,390
+
+ 
+
+55
+00:01:20,390 --> 00:01:51,449
+
+[Music]
+

1954/BmLPVUYQM34.en.srt

@@ -0,0 +1,555 @@
+1
+00:00:00,000 --> 00:00:13,669
+
+[Music]
+
+2
+00:00:13,669 --> 00:00:13,679
+[Music]
+ 
+
+3
+00:00:13,679 --> 00:00:17,710
+[Music]
+here it is
+
+4
+00:00:17,710 --> 00:00:17,720
+
+ 
+
+5
+00:00:17,720 --> 00:00:20,950
+
+gentlemen exactly as I found
+
+6
+00:00:20,950 --> 00:00:20,960
+gentlemen exactly as I found
+ 
+
+7
+00:00:20,960 --> 00:00:23,910
+gentlemen exactly as I found
+it it's amazing it's
+
+8
+00:00:23,910 --> 00:00:23,920
+it it's amazing it's
+ 
+
+9
+00:00:23,920 --> 00:00:26,310
+it it's amazing it's
+incredible could it possibly belonged to
+
+10
+00:00:26,310 --> 00:00:26,320
+incredible could it possibly belonged to
+ 
+
+11
+00:00:26,320 --> 00:00:29,269
+incredible could it possibly belonged to
+a plene man the chances are much greater
+
+12
+00:00:29,269 --> 00:00:29,279
+a plene man the chances are much greater
+ 
+
+13
+00:00:29,279 --> 00:00:30,749
+a plene man the chances are much greater
+that that handong Ong to an amphibian
+
+14
+00:00:30,749 --> 00:00:30,759
+that that handong Ong to an amphibian
+ 
+
+15
+00:00:30,759 --> 00:00:32,589
+that that handong Ong to an amphibian
+mark one that spent a great deal of time
+
+16
+00:00:32,589 --> 00:00:32,599
+mark one that spent a great deal of time
+ 
+
+17
+00:00:32,599 --> 00:00:34,389
+mark one that spent a great deal of time
+in the water well then how do you
+
+18
+00:00:34,389 --> 00:00:34,399
+in the water well then how do you
+ 
+
+19
+00:00:34,399 --> 00:00:36,350
+in the water well then how do you
+account for the structure of the fingers
+
+20
+00:00:36,350 --> 00:00:36,360
+account for the structure of the fingers
+ 
+
+21
+00:00:36,360 --> 00:00:37,950
+account for the structure of the fingers
+obviously for land
+
+22
+00:00:37,950 --> 00:00:37,960
+obviously for land
+ 
+
+23
+00:00:37,960 --> 00:00:41,069
+obviously for land
+use what do you think Dr Matos we can be
+
+24
+00:00:41,069 --> 00:00:41,079
+use what do you think Dr Matos we can be
+ 
+
+25
+00:00:41,079 --> 00:00:43,470
+use what do you think Dr Matos we can be
+sure of one thing whatever it was it was
+
+26
+00:00:43,470 --> 00:00:43,480
+sure of one thing whatever it was it was
+ 
+
+27
+00:00:43,480 --> 00:00:44,630
+sure of one thing whatever it was it was
+very
+
+28
+00:00:44,630 --> 00:00:44,640
+very
+ 
+
+29
+00:00:44,640 --> 00:00:46,670
+very
+powerful you say you have hopes of
+
+30
+00:00:46,670 --> 00:00:46,680
+powerful you say you have hopes of
+ 
+
+31
+00:00:46,680 --> 00:00:48,389
+powerful you say you have hopes of
+finding the rest of the fossil as soon
+
+32
+00:00:48,389 --> 00:00:48,399
+finding the rest of the fossil as soon
+ 
+
+33
+00:00:48,399 --> 00:00:50,910
+finding the rest of the fossil as soon
+as I get a suitable Expedition together
+
+34
+00:00:50,910 --> 00:00:50,920
+as I get a suitable Expedition together
+ 
+
+35
+00:00:50,920 --> 00:00:53,670
+as I get a suitable Expedition together
+well why don't we make up the Expedition
+
+36
+00:00:53,670 --> 00:00:53,680
+well why don't we make up the Expedition
+ 
+
+37
+00:00:53,680 --> 00:00:55,270
+well why don't we make up the Expedition
+we're here now and after all it does
+
+38
+00:00:55,270 --> 00:00:55,280
+we're here now and after all it does
+ 
+
+39
+00:00:55,280 --> 00:00:56,389
+we're here now and after all it does
+come under the heading of our work
+
+40
+00:00:56,389 --> 00:00:56,399
+come under the heading of our work
+ 
+
+41
+00:00:56,399 --> 00:00:58,709
+come under the heading of our work
+doesn't it David it certainly does more
+
+42
+00:00:58,709 --> 00:00:58,719
+doesn't it David it certainly does more
+ 
+
+43
+00:00:58,719 --> 00:01:00,310
+doesn't it David it certainly does more
+and more we're learning the meaning and
+
+44
+00:01:00,310 --> 00:01:00,320
+and more we're learning the meaning and
+ 
+
+45
+00:01:00,320 --> 00:01:02,430
+and more we're learning the meaning and
+the value of marine
+
+46
+00:01:02,430 --> 00:01:02,440
+the value of marine
+ 
+
+47
+00:01:02,440 --> 00:01:05,550
+the value of marine
+research look look over
+
+48
+00:01:05,550 --> 00:01:05,560
+research look look over
+ 
+
+49
+00:01:05,560 --> 00:01:08,950
+research look look over
+here this lung fish the bridge between
+
+50
+00:01:08,950 --> 00:01:08,960
+here this lung fish the bridge between
+ 
+
+51
+00:01:08,960 --> 00:01:11,590
+here this lung fish the bridge between
+fish and the land animal how many
+
+52
+00:01:11,590 --> 00:01:11,600
+fish and the land animal how many
+ 
+
+53
+00:01:11,600 --> 00:01:13,510
+fish and the land animal how many
+thousands of ways nature tried to get
+
+54
+00:01:13,510 --> 00:01:13,520
+thousands of ways nature tried to get
+ 
+
+55
+00:01:13,520 --> 00:01:15,870
+thousands of ways nature tried to get
+life out of the sea and onto the land
+
+56
+00:01:15,870 --> 00:01:15,880
+life out of the sea and onto the land
+ 
+
+57
+00:01:15,880 --> 00:01:17,870
+life out of the sea and onto the land
+this one failed he hasn't changed in
+
+58
+00:01:17,870 --> 00:01:17,880
+this one failed he hasn't changed in
+ 
+
+59
+00:01:17,880 --> 00:01:19,469
+this one failed he hasn't changed in
+millions of
+
+60
+00:01:19,469 --> 00:01:19,479
+millions of
+ 
+
+61
+00:01:19,479 --> 00:01:21,749
+millions of
+years but
+
+62
+00:01:21,749 --> 00:01:21,759
+years but
+ 
+
+63
+00:01:21,759 --> 00:01:25,469
+years but
+here here we have a clue to An Answer
+
+64
+00:01:25,469 --> 00:01:25,479
+here here we have a clue to An Answer
+ 
+
+65
+00:01:25,479 --> 00:01:27,030
+here here we have a clue to An Answer
+someday spaceships will be traveling
+
+66
+00:01:27,030 --> 00:01:27,040
+someday spaceships will be traveling
+ 
+
+67
+00:01:27,040 --> 00:01:28,910
+someday spaceships will be traveling
+from Earth to other planets our are
+
+68
+00:01:28,910 --> 00:01:28,920
+from Earth to other planets our are
+ 
+
+69
+00:01:28,920 --> 00:01:30,350
+from Earth to other planets our are
+human beings going to survive survive on
+
+70
+00:01:30,350 --> 00:01:30,360
+human beings going to survive survive on
+ 
+
+71
+00:01:30,360 --> 00:01:32,270
+human beings going to survive survive on
+those planets the atmosphere will be
+
+72
+00:01:32,270 --> 00:01:32,280
+those planets the atmosphere will be
+ 
+
+73
+00:01:32,280 --> 00:01:35,030
+those planets the atmosphere will be
+different the pressures will be
+
+74
+00:01:35,030 --> 00:01:35,040
+different the pressures will be
+ 
+
+75
+00:01:35,040 --> 00:01:37,990
+different the pressures will be
+different by studying these and other
+
+76
+00:01:37,990 --> 00:01:38,000
+different by studying these and other
+ 
+
+77
+00:01:38,000 --> 00:01:40,149
+different by studying these and other
+species we add to our knowledge of how
+
+78
+00:01:40,149 --> 00:01:40,159
+species we add to our knowledge of how
+ 
+
+79
+00:01:40,159 --> 00:01:42,109
+species we add to our knowledge of how
+life evolved how it adapted itself to
+
+80
+00:01:42,109 --> 00:01:42,119
+life evolved how it adapted itself to
+ 
+
+81
+00:01:42,119 --> 00:01:45,270
+life evolved how it adapted itself to
+this world with that knowledge perhaps
+
+82
+00:01:45,270 --> 00:01:45,280
+this world with that knowledge perhaps
+ 
+
+83
+00:01:45,280 --> 00:01:47,310
+this world with that knowledge perhaps
+we can teach men to adapt themselves to
+
+84
+00:01:47,310 --> 00:01:47,320
+we can teach men to adapt themselves to
+ 
+
+85
+00:01:47,320 --> 00:01:49,550
+we can teach men to adapt themselves to
+some new world of the future nice speech
+
+86
+00:01:49,550 --> 00:01:49,560
+some new world of the future nice speech
+ 
+
+87
+00:01:49,560 --> 00:01:51,230
+some new world of the future nice speech
+David but there's still a practical side
+
+88
+00:01:51,230 --> 00:01:51,240
+David but there's still a practical side
+ 
+
+89
+00:01:51,240 --> 00:01:53,709
+David but there's still a practical side
+to it if I sound Brash and more like a
+
+90
+00:01:53,709 --> 00:01:53,719
+to it if I sound Brash and more like a
+ 
+
+91
+00:01:53,719 --> 00:01:55,350
+to it if I sound Brash and more like a
+banker than a scientist try to remember
+
+92
+00:01:55,350 --> 00:01:55,360
+banker than a scientist try to remember
+ 
+
+93
+00:01:55,360 --> 00:01:57,109
+banker than a scientist try to remember
+that it takes money to run an Institute
+
+94
+00:01:57,109 --> 00:01:57,119
+that it takes money to run an Institute
+ 
+
+95
+00:01:57,119 --> 00:01:59,910
+that it takes money to run an Institute
+like ours A find of any real importance
+
+96
+00:01:59,910 --> 00:01:59,920
+like ours A find of any real importance
+ 
+
+97
+00:01:59,920 --> 00:02:01,830
+like ours A find of any real importance
+can be of great financial value to us
+
+98
+00:02:01,830 --> 00:02:01,840
+can be of great financial value to us
+ 
+
+99
+00:02:01,840 --> 00:02:03,910
+can be of great financial value to us
+also certainly your board couldn't
+
+100
+00:02:03,910 --> 00:02:03,920
+also certainly your board couldn't
+ 
+
+101
+00:02:03,920 --> 00:02:07,990
+also certainly your board couldn't
+disapprove it certainly couldn't Dr Maya
+
+102
+00:02:07,990 --> 00:02:08,000
+disapprove it certainly couldn't Dr Maya
+ 
+
+103
+00:02:08,000 --> 00:02:10,350
+disapprove it certainly couldn't Dr Maya
+you've got yourself an expedition good
+
+104
+00:02:10,350 --> 00:02:10,360
+you've got yourself an expedition good
+ 
+
+105
+00:02:10,360 --> 00:02:11,510
+you've got yourself an expedition good
+we'll leave from mon hour's in the
+
+106
+00:02:11,510 --> 00:02:11,520
+we'll leave from mon hour's in the
+ 
+
+107
+00:02:11,520 --> 00:02:13,150
+we'll leave from mon hour's in the
+morning from there we'll take a boat up
+
+108
+00:02:13,150 --> 00:02:13,160
+morning from there we'll take a boat up
+ 
+
+109
+00:02:13,160 --> 00:02:14,300
+morning from there we'll take a boat up
+River
+
+110
+00:02:14,300 --> 00:02:14,310
+River
+ 
+
+111
+00:02:14,310 --> 00:02:46,499
+River
+[Music]
+

1954/CApLHv_NrAw.en.srt

@@ -0,0 +1,105 @@
+1
+00:00:00,120 --> 00:00:07,650
+
+JA
+
+2
+00:00:07,650 --> 00:00:07,660
+
+ 
+
+3
+00:00:07,660 --> 00:00:30,070
+
+[Music]
+
+4
+00:00:30,070 --> 00:00:30,080
+
+ 
+
+5
+00:00:30,080 --> 00:00:31,280
+
+T
+
+6
+00:00:31,280 --> 00:00:31,290
+T
+ 
+
+7
+00:00:31,290 --> 00:00:54,930
+T
+[Music]
+
+8
+00:00:54,930 --> 00:00:54,940
+[Music]
+ 
+
+9
+00:00:54,940 --> 00:01:00,229
+[Music]
+[Applause]
+
+10
+00:01:00,229 --> 00:01:00,239
+
+ 
+
+11
+00:01:00,239 --> 00:01:04,280
+
+T
+
+12
+00:01:04,280 --> 00:01:04,290
+
+ 
+
+13
+00:01:04,290 --> 00:01:42,789
+
+[Music]
+
+14
+00:01:42,789 --> 00:01:42,799
+[Music]
+ 
+
+15
+00:01:42,799 --> 00:01:43,860
+[Music]
+O
+
+16
+00:01:43,860 --> 00:01:43,870
+O
+ 
+
+17
+00:01:43,870 --> 00:02:00,029
+O
+[Music]
+
+18
+00:02:00,029 --> 00:02:00,039
+
+ 
+
+19
+00:02:00,039 --> 00:02:08,330
+
+T
+
+20
+00:02:08,330 --> 00:02:08,340
+
+ 
+
+21
+00:02:08,340 --> 00:02:55,509
+
+[Music]
+

1954/DKCGcHQSvHw.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+A neighbor is heartbroken when she finds her dog has been killed. Jeff (James Stewart) and Lisa (Grace Kelly) question why Thorwald would want to kill a dog.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Frank Cady, James Stewart, Sara Berner, Grace Kelly
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1954/DKCGcHQSvHw.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:00,880 --> 00:00:07,269
+
+[Music]
+
+2
+00:00:07,269 --> 00:00:07,279
+
+ 
+
+3
+00:00:07,279 --> 00:00:08,669
+
+what do you
+
+4
+00:00:08,669 --> 00:00:08,679
+what do you
+ 
+
+5
+00:00:08,679 --> 00:00:12,789
+what do you
+think well uh I will rephrase the
+
+6
+00:00:12,789 --> 00:00:12,799
+think well uh I will rephrase the
+ 
+
+7
+00:00:12,799 --> 00:00:14,869
+think well uh I will rephrase the
+question thank
+
+8
+00:00:14,869 --> 00:00:14,879
+question thank
+ 
+
+9
+00:00:14,879 --> 00:00:17,590
+question thank
+you you like
+
+10
+00:00:17,590 --> 00:00:17,600
+you you like
+ 
+
+11
+00:00:17,600 --> 00:00:21,500
+you you like
+it yes I like it
+
+12
+00:00:21,500 --> 00:00:21,510
+it yes I like it
+ 
+
+13
+00:00:21,510 --> 00:00:25,140
+it yes I like it
+[Applause]
+
+14
+00:00:25,140 --> 00:00:25,150
+
+ 
+
+15
+00:00:25,150 --> 00:00:27,910
+
+[Music]
+
+16
+00:00:27,910 --> 00:00:27,920
+[Music]
+ 
+
+17
+00:00:27,920 --> 00:00:32,450
+[Music]
+[Applause]
+
+18
+00:00:32,450 --> 00:00:32,460
+
+ 
+
+19
+00:00:32,460 --> 00:00:37,190
+
+[Music]
+
+20
+00:00:37,190 --> 00:00:37,200
+[Music]
+ 
+
+21
+00:00:37,200 --> 00:00:43,229
+[Music]
+the Something's Happened
+
+22
+00:00:43,229 --> 00:00:43,239
+
+ 
+
+23
+00:00:43,239 --> 00:00:46,270
+
+to
+
+24
+00:00:46,270 --> 00:00:46,280
+
+ 
+
+25
+00:00:46,280 --> 00:00:49,430
+
+[Music]
+
+26
+00:00:49,430 --> 00:00:49,440
+[Music]
+ 
+
+27
+00:00:49,440 --> 00:00:53,270
+[Music]
+some it's dead it's been strangled the
+
+28
+00:00:53,270 --> 00:00:53,280
+some it's dead it's been strangled the
+ 
+
+29
+00:00:53,280 --> 00:00:55,029
+some it's dead it's been strangled the
+neck is
+
+30
+00:00:55,029 --> 00:00:55,039
+neck is
+ 
+
+31
+00:00:55,039 --> 00:00:58,229
+neck is
+broken which one of you didn't which one
+
+32
+00:00:58,229 --> 00:00:58,239
+broken which one of you didn't which one
+ 
+
+33
+00:00:58,239 --> 00:01:00,110
+broken which one of you didn't which one
+of you killed my dog
+
+34
+00:01:00,110 --> 00:01:00,120
+of you killed my dog
+ 
+
+35
+00:01:00,120 --> 00:01:01,910
+of you killed my dog
+[Applause]
+
+36
+00:01:01,910 --> 00:01:01,920
+[Applause]
+ 
+
+37
+00:01:01,920 --> 00:01:04,229
+[Applause]
+you don't know the meaning of the word
+
+38
+00:01:04,229 --> 00:01:04,239
+you don't know the meaning of the word
+ 
+
+39
+00:01:04,239 --> 00:01:07,350
+you don't know the meaning of the word
+neighbor Neighbors like each other speak
+
+40
+00:01:07,350 --> 00:01:07,360
+neighbor Neighbors like each other speak
+ 
+
+41
+00:01:07,360 --> 00:01:10,950
+neighbor Neighbors like each other speak
+to each other care if anybody lives or
+
+42
+00:01:10,950 --> 00:01:10,960
+to each other care if anybody lives or
+ 
+
+43
+00:01:10,960 --> 00:01:12,940
+to each other care if anybody lives or
+dies but none of you
+
+44
+00:01:12,940 --> 00:01:12,950
+dies but none of you
+ 
+
+45
+00:01:12,950 --> 00:01:16,670
+dies but none of you
+[Music]
+
+46
+00:01:16,670 --> 00:01:16,680
+
+ 
+
+47
+00:01:16,680 --> 00:01:19,310
+
+do but I couldn't imagine any of you
+
+48
+00:01:19,310 --> 00:01:19,320
+do but I couldn't imagine any of you
+ 
+
+49
+00:01:19,320 --> 00:01:21,550
+do but I couldn't imagine any of you
+being so low that you'd kill a little
+
+50
+00:01:21,550 --> 00:01:21,560
+being so low that you'd kill a little
+ 
+
+51
+00:01:21,560 --> 00:01:24,749
+being so low that you'd kill a little
+helpless friendly
+
+52
+00:01:24,749 --> 00:01:24,759
+helpless friendly
+ 
+
+53
+00:01:24,759 --> 00:01:27,069
+helpless friendly
+dog the only thing in this whole
+
+54
+00:01:27,069 --> 00:01:27,079
+dog the only thing in this whole
+ 
+
+55
+00:01:27,079 --> 00:01:34,370
+dog the only thing in this whole
+neighborhood who liked anybody
+
+56
+00:01:34,370 --> 00:01:34,380
+
+ 
+
+57
+00:01:34,380 --> 00:01:37,950
+
+[Music]
+
+58
+00:01:37,950 --> 00:01:37,960
+[Music]
+ 
+
+59
+00:01:37,960 --> 00:01:40,870
+[Music]
+did you kill him because he liked you
+
+60
+00:01:40,870 --> 00:01:40,880
+did you kill him because he liked you
+ 
+
+61
+00:01:40,880 --> 00:01:47,510
+did you kill him because he liked you
+just because he liked
+
+62
+00:01:47,510 --> 00:01:47,520
+
+ 
+
+63
+00:01:47,520 --> 00:01:49,860
+
+[Music]
+
+64
+00:01:49,860 --> 00:01:49,870
+[Music]
+ 
+
+65
+00:01:49,870 --> 00:01:51,190
+[Music]
+[Applause]
+
+66
+00:01:51,190 --> 00:01:51,200
+[Applause]
+ 
+
+67
+00:01:51,200 --> 00:01:54,800
+[Applause]
+you go back
+
+68
+00:01:54,800 --> 00:01:54,810
+you go back
+ 
+
+69
+00:01:54,810 --> 00:02:05,360
+you go back
+[Music]
+
+70
+00:02:05,360 --> 00:02:05,370
+[Music]
+ 
+
+71
+00:02:05,370 --> 00:02:06,709
+[Music]
+[Applause]
+
+72
+00:02:06,709 --> 00:02:06,719
+[Applause]
+ 
+
+73
+00:02:06,719 --> 00:02:08,430
+[Applause]
+you know for a minute that Tom Doyle
+
+74
+00:02:08,430 --> 00:02:08,440
+you know for a minute that Tom Doyle
+ 
+
+75
+00:02:08,440 --> 00:02:11,110
+you know for a minute that Tom Doyle
+almost had me convinced I was wrong but
+
+76
+00:02:11,110 --> 00:02:11,120
+almost had me convinced I was wrong but
+ 
+
+77
+00:02:11,120 --> 00:02:14,229
+almost had me convinced I was wrong but
+you're not look in the whole Courtyard
+
+78
+00:02:14,229 --> 00:02:14,239
+you're not look in the whole Courtyard
+ 
+
+79
+00:02:14,239 --> 00:02:16,270
+you're not look in the whole Courtyard
+only one person didn't come to the
+
+80
+00:02:16,270 --> 00:02:16,280
+only one person didn't come to the
+ 
+
+81
+00:02:16,280 --> 00:02:20,560
+only one person didn't come to the
+window
+
+82
+00:02:20,560 --> 00:02:20,570
+
+ 
+
+83
+00:02:20,570 --> 00:02:22,990
+
+[Music]
+
+84
+00:02:22,990 --> 00:02:23,000
+[Music]
+ 
+
+85
+00:02:23,000 --> 00:02:26,110
+[Music]
+look why would Thor want to kill a
+
+86
+00:02:26,110 --> 00:02:26,120
+look why would Thor want to kill a
+ 
+
+87
+00:02:26,120 --> 00:02:28,150
+look why would Thor want to kill a
+little
+
+88
+00:02:28,150 --> 00:02:28,160
+little
+ 
+
+89
+00:02:28,160 --> 00:02:34,450
+little
+dog because it knew too much
+
+90
+00:02:34,450 --> 00:02:34,460
+
+ 
+
+91
+00:02:34,460 --> 00:03:05,519
+
+[Music]
+

1954/DaWi5EoJVGA.en.srt

@@ -0,0 +1,705 @@
+1
+00:00:00,640 --> 00:00:03,950
+
+how much does he know about you and Mrs
+
+2
+00:00:03,950 --> 00:00:03,960
+how much does he know about you and Mrs
+ 
+
+3
+00:00:03,960 --> 00:00:06,590
+how much does he know about you and Mrs
+wendes I beg your pardon you wrote a
+
+4
+00:00:06,590 --> 00:00:06,600
+wendes I beg your pardon you wrote a
+ 
+
+5
+00:00:06,600 --> 00:00:08,549
+wendes I beg your pardon you wrote a
+letter to Mrs wendes from New York it
+
+6
+00:00:08,549 --> 00:00:08,559
+letter to Mrs wendes from New York it
+ 
+
+7
+00:00:08,559 --> 00:00:10,629
+letter to Mrs wendes from New York it
+was found in the Dead Man's inside
+
+8
+00:00:10,629 --> 00:00:10,639
+was found in the Dead Man's inside
+ 
+
+9
+00:00:10,639 --> 00:00:13,110
+was found in the Dead Man's inside
+pocket I didn't mention it because I I
+
+10
+00:00:13,110 --> 00:00:13,120
+pocket I didn't mention it because I I
+ 
+
+11
+00:00:13,120 --> 00:00:15,629
+pocket I didn't mention it because I I
+wasn't sure how much Mr wendes knew have
+
+12
+00:00:15,629 --> 00:00:15,639
+wasn't sure how much Mr wendes knew have
+ 
+
+13
+00:00:15,639 --> 00:00:20,189
+wasn't sure how much Mr wendes knew have
+you any idea how i' got that
+
+14
+00:00:20,189 --> 00:00:20,199
+
+ 
+
+15
+00:00:20,199 --> 00:00:23,109
+
+no where's Tony he's just gone into the
+
+16
+00:00:23,109 --> 00:00:23,119
+no where's Tony he's just gone into the
+ 
+
+17
+00:00:23,119 --> 00:00:25,589
+no where's Tony he's just gone into the
+garden and Mrs wendes when you lost your
+
+18
+00:00:25,589 --> 00:00:25,599
+garden and Mrs wendes when you lost your
+ 
+
+19
+00:00:25,599 --> 00:00:28,429
+garden and Mrs wendes when you lost your
+handbag did you lose a letter as
+
+20
+00:00:28,429 --> 00:00:28,439
+handbag did you lose a letter as
+ 
+
+21
+00:00:28,439 --> 00:00:31,830
+handbag did you lose a letter as
+well no Margot it was found in the dead
+
+22
+00:00:31,830 --> 00:00:31,840
+well no Margot it was found in the dead
+ 
+
+23
+00:00:31,840 --> 00:00:36,310
+well no Margot it was found in the dead
+man's part you did lose it didn't
+
+24
+00:00:36,310 --> 00:00:36,320
+man's part you did lose it didn't
+ 
+
+25
+00:00:36,320 --> 00:00:39,790
+man's part you did lose it didn't
+you yes I did I asked you that before
+
+26
+00:00:39,790 --> 00:00:39,800
+you yes I did I asked you that before
+ 
+
+27
+00:00:39,800 --> 00:00:43,350
+you yes I did I asked you that before
+didn't I yes but you see my husband
+
+28
+00:00:43,350 --> 00:00:43,360
+didn't I yes but you see my husband
+ 
+
+29
+00:00:43,360 --> 00:00:45,350
+didn't I yes but you see my husband
+didn't know about it now this man was
+
+30
+00:00:45,350 --> 00:00:45,360
+didn't know about it now this man was
+ 
+
+31
+00:00:45,360 --> 00:00:47,029
+didn't know about it now this man was
+blackmailing he wasn't he it's no good
+
+32
+00:00:47,029 --> 00:00:47,039
+blackmailing he wasn't he it's no good
+ 
+
+33
+00:00:47,039 --> 00:00:48,590
+blackmailing he wasn't he it's no good
+marot Tony will have to know about it
+
+34
+00:00:48,590 --> 00:00:48,600
+marot Tony will have to know about it
+ 
+
+35
+00:00:48,600 --> 00:00:50,430
+marot Tony will have to know about it
+it's the only thing we can do inspector
+
+36
+00:00:50,430 --> 00:00:50,440
+it's the only thing we can do inspector
+ 
+
+37
+00:00:50,440 --> 00:00:52,750
+it's the only thing we can do inspector
+after Mrs wnis lost my letter she
+
+38
+00:00:52,750 --> 00:00:52,760
+after Mrs wnis lost my letter she
+ 
+
+39
+00:00:52,760 --> 00:00:58,360
+after Mrs wnis lost my letter she
+received these two notes
+
+40
+00:00:58,360 --> 00:00:58,370
+
+ 
+
+41
+00:00:58,370 --> 00:01:01,349
+
+[Music]
+
+42
+00:01:01,349 --> 00:01:01,359
+[Music]
+ 
+
+43
+00:01:01,359 --> 00:01:03,549
+[Music]
+October how many times have you seen
+
+44
+00:01:03,549 --> 00:01:03,559
+October how many times have you seen
+ 
+
+45
+00:01:03,559 --> 00:01:05,350
+October how many times have you seen
+this man I've never seen
+
+46
+00:01:05,350 --> 00:01:05,360
+this man I've never seen
+ 
+
+47
+00:01:05,360 --> 00:01:07,670
+this man I've never seen
+him Mr hel I'd like you to come along
+
+48
+00:01:07,670 --> 00:01:07,680
+him Mr hel I'd like you to come along
+ 
+
+49
+00:01:07,680 --> 00:01:10,670
+him Mr hel I'd like you to come along
+with us yes of course Mrs wendes when
+
+50
+00:01:10,670 --> 00:01:10,680
+with us yes of course Mrs wendes when
+ 
+
+51
+00:01:10,680 --> 00:01:12,550
+with us yes of course Mrs wendes when
+you come to make your statement there
+
+52
+00:01:12,550 --> 00:01:12,560
+you come to make your statement there
+ 
+
+53
+00:01:12,560 --> 00:01:15,190
+you come to make your statement there
+may be other police officers present I
+
+54
+00:01:15,190 --> 00:01:15,200
+may be other police officers present I
+ 
+
+55
+00:01:15,200 --> 00:01:16,950
+may be other police officers present I
+shall warn you first that anything you
+
+56
+00:01:16,950 --> 00:01:16,960
+shall warn you first that anything you
+ 
+
+57
+00:01:16,960 --> 00:01:19,149
+shall warn you first that anything you
+say will be taken down and may be used
+
+58
+00:01:19,149 --> 00:01:19,159
+say will be taken down and may be used
+ 
+
+59
+00:01:19,159 --> 00:01:21,350
+say will be taken down and may be used
+in evidence now never mind what you've
+
+60
+00:01:21,350 --> 00:01:21,360
+in evidence now never mind what you've
+ 
+
+61
+00:01:21,360 --> 00:01:23,670
+in evidence now never mind what you've
+told me so far we'll forget all about
+
+62
+00:01:23,670 --> 00:01:23,680
+told me so far we'll forget all about
+ 
+
+63
+00:01:23,680 --> 00:01:26,910
+told me so far we'll forget all about
+that but from now on tell us exactly
+
+64
+00:01:26,910 --> 00:01:26,920
+that but from now on tell us exactly
+ 
+
+65
+00:01:26,920 --> 00:01:29,069
+that but from now on tell us exactly
+what you know about this man and exactly
+
+66
+00:01:29,069 --> 00:01:29,079
+what you know about this man and exactly
+ 
+
+67
+00:01:29,079 --> 00:01:31,109
+what you know about this man and exactly
+what happened last night T night if you
+
+68
+00:01:31,109 --> 00:01:31,119
+what happened last night T night if you
+ 
+
+69
+00:01:31,119 --> 00:01:33,870
+what happened last night T night if you
+try and conceal anything at all it may
+
+70
+00:01:33,870 --> 00:01:33,880
+try and conceal anything at all it may
+ 
+
+71
+00:01:33,880 --> 00:01:35,950
+try and conceal anything at all it may
+put you in a very serious position I
+
+72
+00:01:35,950 --> 00:01:35,960
+put you in a very serious position I
+ 
+
+73
+00:01:35,960 --> 00:01:37,469
+put you in a very serious position I
+wish you'd explain what you mean by all
+
+74
+00:01:37,469 --> 00:01:37,479
+wish you'd explain what you mean by all
+ 
+
+75
+00:01:37,479 --> 00:01:41,310
+wish you'd explain what you mean by all
+this I will now you admit that you
+
+76
+00:01:41,310 --> 00:01:41,320
+this I will now you admit that you
+ 
+
+77
+00:01:41,320 --> 00:01:43,389
+this I will now you admit that you
+killed this man well you say you did it
+
+78
+00:01:43,389 --> 00:01:43,399
+killed this man well you say you did it
+ 
+
+79
+00:01:43,399 --> 00:01:44,149
+killed this man well you say you did it
+in
+
+80
+00:01:44,149 --> 00:01:44,159
+in
+ 
+
+81
+00:01:44,159 --> 00:01:46,310
+in
+self-defense unfortunately there were no
+
+82
+00:01:46,310 --> 00:01:46,320
+self-defense unfortunately there were no
+ 
+
+83
+00:01:46,320 --> 00:01:48,910
+self-defense unfortunately there were no
+Witnesses so we've only your word for
+
+84
+00:01:48,910 --> 00:01:48,920
+Witnesses so we've only your word for
+ 
+
+85
+00:01:48,920 --> 00:01:51,510
+Witnesses so we've only your word for
+that but I heard it all inspector over
+
+86
+00:01:51,510 --> 00:01:51,520
+that but I heard it all inspector over
+ 
+
+87
+00:01:51,520 --> 00:01:52,270
+that but I heard it all inspector over
+the
+
+88
+00:01:52,270 --> 00:01:52,280
+the
+ 
+
+89
+00:01:52,280 --> 00:01:54,389
+the
+telephone what exactly did you hear Mr
+
+90
+00:01:54,389 --> 00:01:54,399
+telephone what exactly did you hear Mr
+ 
+
+91
+00:01:54,399 --> 00:01:57,149
+telephone what exactly did you hear Mr
+Wendy well I heard a series of faint
+
+92
+00:01:57,149 --> 00:01:57,159
+Wendy well I heard a series of faint
+ 
+
+93
+00:01:57,159 --> 00:01:59,230
+Wendy well I heard a series of faint
+cries but did you hear anything to
+
+94
+00:01:59,230 --> 00:01:59,240
+cries but did you hear anything to
+ 
+
+95
+00:01:59,240 --> 00:02:01,550
+cries but did you hear anything to
+indicate that a struggle was going on
+
+96
+00:02:01,550 --> 00:02:01,560
+indicate that a struggle was going on
+ 
+
+97
+00:02:01,560 --> 00:02:03,310
+indicate that a struggle was going on
+what I did he inspector is perfectly
+
+98
+00:02:03,310 --> 00:02:03,320
+what I did he inspector is perfectly
+ 
+
+99
+00:02:03,320 --> 00:02:05,630
+what I did he inspector is perfectly
+consistent with what my wife told me so
+
+100
+00:02:05,630 --> 00:02:05,640
+consistent with what my wife told me so
+ 
+
+101
+00:02:05,640 --> 00:02:07,230
+consistent with what my wife told me so
+all you rarely know of the matter is
+
+102
+00:02:07,230 --> 00:02:07,240
+all you rarely know of the matter is
+ 
+
+103
+00:02:07,240 --> 00:02:09,430
+all you rarely know of the matter is
+what your wife told you isn't
+
+104
+00:02:09,430 --> 00:02:09,440
+what your wife told you isn't
+ 
+
+105
+00:02:09,440 --> 00:02:12,309
+what your wife told you isn't
+it now you suggest that this man came to
+
+106
+00:02:12,309 --> 00:02:12,319
+it now you suggest that this man came to
+ 
+
+107
+00:02:12,319 --> 00:02:14,350
+it now you suggest that this man came to
+burgle your flat but there's no evidence
+
+108
+00:02:14,350 --> 00:02:14,360
+burgle your flat but there's no evidence
+ 
+
+109
+00:02:14,360 --> 00:02:16,750
+burgle your flat but there's no evidence
+of that there is evidence however that
+
+110
+00:02:16,750 --> 00:02:16,760
+of that there is evidence however that
+ 
+
+111
+00:02:16,760 --> 00:02:18,309
+of that there is evidence however that
+he was blackmailing
+
+112
+00:02:18,309 --> 00:02:18,319
+he was blackmailing
+ 
+
+113
+00:02:18,319 --> 00:02:21,270
+he was blackmailing
+you blackmail yes I'm afraid that's true
+
+114
+00:02:21,270 --> 00:02:21,280
+you blackmail yes I'm afraid that's true
+ 
+
+115
+00:02:21,280 --> 00:02:23,110
+you blackmail yes I'm afraid that's true
+Tony and you suggest that he came in by
+
+116
+00:02:23,110 --> 00:02:23,120
+Tony and you suggest that he came in by
+ 
+
+117
+00:02:23,120 --> 00:02:25,309
+Tony and you suggest that he came in by
+the window and we know that he came in
+
+118
+00:02:25,309 --> 00:02:25,319
+the window and we know that he came in
+ 
+
+119
+00:02:25,319 --> 00:02:27,470
+the window and we know that he came in
+by that door but he can't have come in
+
+120
+00:02:27,470 --> 00:02:27,480
+by that door but he can't have come in
+ 
+
+121
+00:02:27,480 --> 00:02:29,589
+by that door but he can't have come in
+that way that door was locked and there
+
+122
+00:02:29,589 --> 00:02:29,599
+that way that door was locked and there
+ 
+
+123
+00:02:29,599 --> 00:02:31,830
+that way that door was locked and there
+only two keys my husband head is with
+
+124
+00:02:31,830 --> 00:02:31,840
+only two keys my husband head is with
+ 
+
+125
+00:02:31,840 --> 00:02:34,589
+only two keys my husband head is with
+him and mine was in my handbag
+
+126
+00:02:34,589 --> 00:02:34,599
+him and mine was in my handbag
+ 
+
+127
+00:02:34,599 --> 00:02:37,470
+him and mine was in my handbag
+here you could have let him in are you
+
+128
+00:02:37,470 --> 00:02:37,480
+here you could have let him in are you
+ 
+
+129
+00:02:37,480 --> 00:02:39,270
+here you could have let him in are you
+suggesting she let him in herself well
+
+130
+00:02:39,270 --> 00:02:39,280
+suggesting she let him in herself well
+ 
+
+131
+00:02:39,280 --> 00:02:40,670
+suggesting she let him in herself well
+at present that appears to be the only
+
+132
+00:02:40,670 --> 00:02:40,680
+at present that appears to be the only
+ 
+
+133
+00:02:40,680 --> 00:02:43,229
+at present that appears to be the only
+way he could have entered don't you even
+
+134
+00:02:43,229 --> 00:02:43,239
+way he could have entered don't you even
+ 
+
+135
+00:02:43,239 --> 00:02:45,630
+way he could have entered don't you even
+believe I was attack how do you think I
+
+136
+00:02:45,630 --> 00:02:45,640
+believe I was attack how do you think I
+ 
+
+137
+00:02:45,640 --> 00:02:48,229
+believe I was attack how do you think I
+got these bruises on my throat you could
+
+138
+00:02:48,229 --> 00:02:48,239
+got these bruises on my throat you could
+ 
+
+139
+00:02:48,239 --> 00:02:57,410
+got these bruises on my throat you could
+have caused those bruises yourself
+
+140
+00:02:57,410 --> 00:02:57,420
+
+ 
+
+141
+00:02:57,420 --> 00:03:03,340
+
+[Music]
+

1954/EFollUtH108.description

@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (James Stewart) keeps watch as Stella (Thelma Ritter) digs up the garden for clues and Lisa (Grace Kelly) sneaks into Thorwald's apartment.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: James Stewart, Judith Evelyn, Grace Kelly, Thelma Ritter
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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1954/EFollUtH108.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:02,540 --> 00:00:16,630
+
+[Music]
+
+2
+00:00:16,630 --> 00:00:16,640
+
+ 
+
+3
+00:00:16,640 --> 00:00:19,470
+
+this a doy resident hello uh this is all
+
+4
+00:00:19,470 --> 00:00:19,480
+this a doy resident hello uh this is all
+ 
+
+5
+00:00:19,480 --> 00:00:21,870
+this a doy resident hello uh this is all
+be Jeffrey speaking I'm a friend of Mr
+
+6
+00:00:21,870 --> 00:00:21,880
+be Jeffrey speaking I'm a friend of Mr
+ 
+
+7
+00:00:21,880 --> 00:00:25,390
+be Jeffrey speaking I'm a friend of Mr
+Doyle who is this uh this a babysitter
+
+8
+00:00:25,390 --> 00:00:25,400
+Doyle who is this uh this a babysitter
+ 
+
+9
+00:00:25,400 --> 00:00:28,630
+Doyle who is this uh this a babysitter
+oh uh when you expect the man well I'm
+
+10
+00:00:28,630 --> 00:00:28,640
+oh uh when you expect the man well I'm
+ 
+
+11
+00:00:28,640 --> 00:00:31,310
+oh uh when you expect the man well I'm
+HED till one and they went to dinner and
+
+12
+00:00:31,310 --> 00:00:31,320
+HED till one and they went to dinner and
+ 
+
+13
+00:00:31,320 --> 00:00:35,430
+HED till one and they went to dinner and
+maybe nightclub I see well if he calls
+
+14
+00:00:35,430 --> 00:00:35,440
+maybe nightclub I see well if he calls
+ 
+
+15
+00:00:35,440 --> 00:00:36,470
+maybe nightclub I see well if he calls
+then would you have him get in touch
+
+16
+00:00:36,470 --> 00:00:36,480
+then would you have him get in touch
+ 
+
+17
+00:00:36,480 --> 00:00:38,990
+then would you have him get in touch
+with lb Jeffers right away I might have
+
+18
+00:00:38,990 --> 00:00:39,000
+with lb Jeffers right away I might have
+ 
+
+19
+00:00:39,000 --> 00:00:41,750
+with lb Jeffers right away I might have
+quite a surprise for him well uh do we
+
+20
+00:00:41,750 --> 00:00:41,760
+quite a surprise for him well uh do we
+ 
+
+21
+00:00:41,760 --> 00:00:45,069
+quite a surprise for him well uh do we
+have your number Mr Jeffrey he has it
+
+22
+00:00:45,069 --> 00:00:45,079
+have your number Mr Jeffrey he has it
+ 
+
+23
+00:00:45,079 --> 00:00:48,860
+have your number Mr Jeffrey he has it
+good night good night
+
+24
+00:00:48,860 --> 00:00:48,870
+good night good night
+ 
+
+25
+00:00:48,870 --> 00:01:05,109
+good night good night
+[Music]
+
+26
+00:01:05,109 --> 00:01:05,119
+[Music]
+ 
+
+27
+00:01:05,119 --> 00:01:07,190
+[Music]
+Stella was wrong about Miss Lonely
+
+28
+00:01:07,190 --> 00:01:07,200
+Stella was wrong about Miss Lonely
+ 
+
+29
+00:01:07,200 --> 00:01:11,080
+Stella was wrong about Miss Lonely
+Hearts
+
+30
+00:01:11,080 --> 00:01:11,090
+
+ 
+
+31
+00:01:11,090 --> 00:01:20,160
+
+[Music]
+
+32
+00:01:20,160 --> 00:01:20,170
+
+ 
+
+33
+00:01:20,170 --> 00:01:35,710
+
+[Music]
+
+34
+00:01:35,710 --> 00:01:35,720
+
+ 
+
+35
+00:01:35,720 --> 00:01:38,870
+
+wake up now got here for
+
+36
+00:01:38,870 --> 00:01:38,880
+wake up now got here for
+ 
+
+37
+00:01:38,880 --> 00:01:41,340
+wake up now got here for
+you laser what are you
+
+38
+00:01:41,340 --> 00:01:41,350
+you laser what are you
+ 
+
+39
+00:01:41,350 --> 00:01:57,350
+you laser what are you
+[Music]
+
+40
+00:01:57,350 --> 00:01:57,360
+[Music]
+ 
+
+41
+00:01:57,360 --> 00:02:00,450
+[Music]
+don't pleasa what are you doing don't go
+
+42
+00:02:00,450 --> 00:02:00,460
+don't pleasa what are you doing don't go
+ 
+
+43
+00:02:00,460 --> 00:02:17,550
+don't pleasa what are you doing don't go
+[Music]
+
+44
+00:02:17,550 --> 00:02:17,560
+[Music]
+ 
+
+45
+00:02:17,560 --> 00:02:20,610
+[Music]
+wait 12
+
+46
+00:02:20,610 --> 00:02:20,620
+wait 12
+ 
+
+47
+00:02:20,620 --> 00:02:34,949
+wait 12
+[Music]
+
+48
+00:02:34,949 --> 00:02:34,959
+[Music]
+ 
+
+49
+00:02:34,959 --> 00:02:36,320
+[Music]
+come on come on get out of
+
+50
+00:02:36,320 --> 00:02:36,330
+come on come on get out of
+ 
+
+51
+00:02:36,330 --> 00:02:42,830
+come on come on get out of
+[Music]
+
+52
+00:02:42,830 --> 00:02:42,840
+[Music]
+ 
+
+53
+00:02:42,840 --> 00:02:46,110
+[Music]
+there she said bring sell's phone the
+
+54
+00:02:46,110 --> 00:02:46,120
+there she said bring sell's phone the
+ 
+
+55
+00:02:46,120 --> 00:02:48,790
+there she said bring sell's phone the
+second you see him come back R right now
+
+56
+00:02:48,790 --> 00:02:48,800
+second you see him come back R right now
+ 
+
+57
+00:02:48,800 --> 00:02:52,450
+second you see him come back R right now
+oh no give her another minute
+
+58
+00:02:52,450 --> 00:02:52,460
+oh no give her another minute
+ 
+
+59
+00:02:52,460 --> 00:03:25,539
+oh no give her another minute
+[Music]
+

1954/EoikWLSsmRk.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:00,080 --> 00:00:03,750
+
+but some kind of Chinese checkers huh
+
+2
+00:00:03,750 --> 00:00:03,760
+but some kind of Chinese checkers huh
+ 
+
+3
+00:00:03,760 --> 00:00:08,040
+but some kind of Chinese checkers huh
+Chinese checkers no this is a pinochle
+
+4
+00:00:08,040 --> 00:00:08,050
+Chinese checkers no this is a pinochle
+ 
+
+5
+00:00:08,050 --> 00:00:09,730
+Chinese checkers no this is a pinochle
+I'm drunk
+
+6
+00:00:09,730 --> 00:00:09,740
+I'm drunk
+ 
+
+7
+00:00:09,740 --> 00:00:11,770
+I'm drunk
+it's just stuffy in here that's all oh
+
+8
+00:00:11,770 --> 00:00:11,780
+it's just stuffy in here that's all oh
+ 
+
+9
+00:00:11,780 --> 00:00:16,810
+it's just stuffy in here that's all oh
+well I'm drunk can I ask you something
+
+10
+00:00:16,810 --> 00:00:16,820
+well I'm drunk can I ask you something
+ 
+
+11
+00:00:16,820 --> 00:00:21,640
+well I'm drunk can I ask you something
+of course nice house you got thank you
+
+12
+00:00:21,640 --> 00:00:21,650
+of course nice house you got thank you
+ 
+
+13
+00:00:21,650 --> 00:00:27,149
+of course nice house you got thank you
+nice party nice questions you asked yeah
+
+14
+00:00:27,149 --> 00:00:27,159
+nice party nice questions you asked yeah
+ 
+
+15
+00:00:27,159 --> 00:00:31,329
+nice party nice questions you asked yeah
+what is with you what goes with you I
+
+16
+00:00:31,329 --> 00:00:31,339
+what is with you what goes with you I
+ 
+
+17
+00:00:31,339 --> 00:00:34,810
+what is with you what goes with you I
+don't understand those questions Marie
+
+18
+00:00:34,810 --> 00:00:34,820
+don't understand those questions Marie
+ 
+
+19
+00:00:34,820 --> 00:00:37,810
+don't understand those questions Marie
+had them on a great big star great big
+
+20
+00:00:37,810 --> 00:00:37,820
+had them on a great big star great big
+ 
+
+21
+00:00:37,820 --> 00:00:43,060
+had them on a great big star great big
+sex number how is it it's not Kirk who
+
+22
+00:00:43,060 --> 00:00:43,070
+sex number how is it it's not Kirk who
+ 
+
+23
+00:00:43,070 --> 00:00:44,470
+sex number how is it it's not Kirk who
+is it Harry
+
+24
+00:00:44,470 --> 00:00:44,480
+is it Harry
+ 
+
+25
+00:00:44,480 --> 00:00:47,529
+is it Harry
+shut up who's it gonna be bravado or
+
+26
+00:00:47,529 --> 00:00:47,539
+shut up who's it gonna be bravado or
+ 
+
+27
+00:00:47,539 --> 00:00:51,549
+shut up who's it gonna be bravado or
+hope on the screen you get them all what
+
+28
+00:00:51,549 --> 00:00:51,559
+hope on the screen you get them all what
+ 
+
+29
+00:00:51,559 --> 00:00:56,470
+hope on the screen you get them all what
+a bad off but in the room this room I'm
+
+30
+00:00:56,470 --> 00:00:56,480
+a bad off but in the room this room I'm
+ 
+
+31
+00:00:56,480 --> 00:01:00,759
+a bad off but in the room this room I'm
+a man or maybe you're afraid of man all
+
+32
+00:01:00,759 --> 00:01:00,769
+a man or maybe you're afraid of man all
+ 
+
+33
+00:01:00,769 --> 00:01:03,160
+a man or maybe you're afraid of man all
+right Shelly Flo don't forget to call a
+
+34
+00:01:03,160 --> 00:01:03,170
+right Shelly Flo don't forget to call a
+ 
+
+35
+00:01:03,170 --> 00:01:05,800
+right Shelly Flo don't forget to call a
+cab Bouchet kid and she hasn't even got
+
+36
+00:01:05,800 --> 00:01:05,810
+cab Bouchet kid and she hasn't even got
+ 
+
+37
+00:01:05,810 --> 00:01:07,990
+cab Bouchet kid and she hasn't even got
+what I've got what she's good you
+
+38
+00:01:07,990 --> 00:01:08,000
+what I've got what she's good you
+ 
+
+39
+00:01:08,000 --> 00:01:10,810
+what I've got what she's good you
+couldn't spell and what you got you used
+
+40
+00:01:10,810 --> 00:01:10,820
+couldn't spell and what you got you used
+ 
+
+41
+00:01:10,820 --> 00:01:17,820
+couldn't spell and what you got you used
+to have now beat it
+
+42
+00:01:17,820 --> 00:01:17,830
+
+ 
+
+43
+00:01:17,830 --> 00:01:19,530
+
+I don't even believe you're playing
+
+44
+00:01:19,530 --> 00:01:19,540
+I don't even believe you're playing
+ 
+
+45
+00:01:19,540 --> 00:01:26,340
+I don't even believe you're playing
+pinochle come on Maria lets us go sit
+
+46
+00:01:26,340 --> 00:01:26,350
+pinochle come on Maria lets us go sit
+ 
+
+47
+00:01:26,350 --> 00:01:28,680
+pinochle come on Maria lets us go sit
+upstairs for a while I'd like to talk to
+
+48
+00:01:28,680 --> 00:01:28,690
+upstairs for a while I'd like to talk to
+ 
+
+49
+00:01:28,690 --> 00:01:31,380
+upstairs for a while I'd like to talk to
+Harry for a moment would you mind of
+
+50
+00:01:31,380 --> 00:01:31,390
+Harry for a moment would you mind of
+ 
+
+51
+00:01:31,390 --> 00:01:38,770
+Harry for a moment would you mind of
+course I wouldn't
+
+52
+00:01:38,770 --> 00:01:38,780
+
+ 
+
+53
+00:01:38,780 --> 00:01:43,160
+
+where would you be right here practicing
+
+54
+00:01:43,160 --> 00:01:43,170
+where would you be right here practicing
+ 
+
+55
+00:01:43,170 --> 00:01:45,260
+where would you be right here practicing
+double sixes I remember all the money I
+
+56
+00:01:45,260 --> 00:01:45,270
+double sixes I remember all the money I
+ 
+
+57
+00:01:45,270 --> 00:01:46,580
+double sixes I remember all the money I
+owe you know so we talked with these
+
+58
+00:01:46,580 --> 00:01:46,590
+owe you know so we talked with these
+ 
+
+59
+00:01:46,590 --> 00:01:48,440
+owe you know so we talked with these
+mophead of journals you won't collect a
+
+60
+00:01:48,440 --> 00:01:48,450
+mophead of journals you won't collect a
+ 
+
+61
+00:01:48,450 --> 00:01:50,870
+mophead of journals you won't collect a
+nickel you know just the right thing to
+
+62
+00:01:50,870 --> 00:01:50,880
+nickel you know just the right thing to
+ 
+
+63
+00:01:50,880 --> 00:01:53,510
+nickel you know just the right thing to
+say to a girl at the right time don't
+
+64
+00:01:53,510 --> 00:01:53,520
+say to a girl at the right time don't
+ 
+
+65
+00:01:53,520 --> 00:01:59,530
+say to a girl at the right time don't
+you
+
+66
+00:01:59,530 --> 00:01:59,540
+
+ 
+
+67
+00:01:59,540 --> 00:02:10,879
+
+[Music]
+

1954/G87BCljOeuA.en.srt

@@ -0,0 +1,615 @@
+1
+00:00:08,719 --> 00:00:12,430
+
+air and see a girl oh it's fun to hun
+
+2
+00:00:12,430 --> 00:00:12,440
+air and see a girl oh it's fun to hun
+ 
+
+3
+00:00:12,440 --> 00:00:15,870
+air and see a girl oh it's fun to hun
+and shoot a gun or to catch a rabbit on
+
+4
+00:00:15,870 --> 00:00:15,880
+and shoot a gun or to catch a rabbit on
+ 
+
+5
+00:00:15,880 --> 00:00:23,990
+and shoot a gun or to catch a rabbit on
+the but you find tce
+
+6
+00:00:23,990 --> 00:00:24,000
+
+ 
+
+7
+00:00:24,000 --> 00:00:27,509
+
+as is this what you mean what I
+
+8
+00:00:27,509 --> 00:00:27,519
+as is this what you mean what I
+ 
+
+9
+00:00:27,519 --> 00:00:30,230
+as is this what you mean what I
+mean now there's lots of things you got
+
+10
+00:00:30,230 --> 00:00:30,240
+mean now there's lots of things you got
+ 
+
+11
+00:00:30,240 --> 00:00:31,269
+mean now there's lots of things you got
+to
+
+12
+00:00:31,269 --> 00:00:31,279
+to
+ 
+
+13
+00:00:31,279 --> 00:00:35,790
+to
+know be sure the Parlor light is
+
+14
+00:00:35,790 --> 00:00:35,800
+know be sure the Parlor light is
+ 
+
+15
+00:00:35,800 --> 00:00:40,950
+know be sure the Parlor light is
+low you s up and squeeze her
+
+16
+00:00:40,950 --> 00:00:40,960
+low you s up and squeeze her
+ 
+
+17
+00:00:40,960 --> 00:00:43,029
+low you s up and squeeze her
+hand let me
+
+18
+00:00:43,029 --> 00:00:43,039
+hand let me
+ 
+
+19
+00:00:43,039 --> 00:00:44,709
+hand let me
+tell
+
+20
+00:00:44,709 --> 00:00:44,719
+tell
+ 
+
+21
+00:00:44,719 --> 00:00:48,830
+tell
+Grand ham her a little
+
+22
+00:00:48,830 --> 00:00:48,840
+Grand ham her a little
+ 
+
+23
+00:00:48,840 --> 00:00:53,310
+Grand ham her a little
+while she gives you kind of half a
+
+24
+00:00:53,310 --> 00:00:53,320
+while she gives you kind of half a
+ 
+
+25
+00:00:53,320 --> 00:00:58,069
+while she gives you kind of half a
+smile you cudle up she moves
+
+26
+00:00:58,069 --> 00:00:58,079
+smile you cudle up she moves
+ 
+
+27
+00:00:58,079 --> 00:01:02,210
+smile you cudle up she moves
+away then the Str the G comes into
+
+28
+00:01:02,210 --> 00:01:02,220
+away then the Str the G comes into
+ 
+
+29
+00:01:02,220 --> 00:01:05,590
+away then the Str the G comes into
+[Music]
+
+30
+00:01:05,590 --> 00:01:05,600
+[Music]
+ 
+
+31
+00:01:05,600 --> 00:01:07,300
+[Music]
+play see what it
+
+32
+00:01:07,300 --> 00:01:07,310
+play see what it
+ 
+
+33
+00:01:07,310 --> 00:01:11,469
+play see what it
+[Music]
+
+34
+00:01:11,469 --> 00:01:11,479
+
+ 
+
+35
+00:01:11,479 --> 00:01:15,670
+
+mean break
+
+36
+00:01:15,670 --> 00:01:15,680
+
+ 
+
+37
+00:01:15,680 --> 00:01:17,390
+
+ice
+
+38
+00:01:17,390 --> 00:01:17,400
+ice
+ 
+
+39
+00:01:17,400 --> 00:01:21,460
+ice
+herein advice roll
+
+40
+00:01:21,460 --> 00:01:21,470
+herein advice roll
+ 
+
+41
+00:01:21,470 --> 00:01:23,390
+herein advice roll
+[Music]
+
+42
+00:01:23,390 --> 00:01:23,400
+[Music]
+ 
+
+43
+00:01:23,400 --> 00:01:28,510
+[Music]
+and Grunt and Gran like you're about to
+
+44
+00:01:28,510 --> 00:01:28,520
+and Grunt and Gran like you're about to
+ 
+
+45
+00:01:28,520 --> 00:01:34,389
+and Grunt and Gran like you're about to
+die that is what's known as the m
+
+46
+00:01:34,389 --> 00:01:34,399
+die that is what's known as the m
+ 
+
+47
+00:01:34,399 --> 00:01:37,990
+die that is what's known as the m
+going how about sparking par dark yeah
+
+48
+00:01:37,990 --> 00:01:38,000
+going how about sparking par dark yeah
+ 
+
+49
+00:01:38,000 --> 00:01:40,590
+going how about sparking par dark yeah
+and you're longing for a fond bre uhhuh
+
+50
+00:01:40,590 --> 00:01:40,600
+and you're longing for a fond bre uhhuh
+ 
+
+51
+00:01:40,600 --> 00:01:43,510
+and you're longing for a fond bre uhhuh
+what about petting and sofa setting uh
+
+52
+00:01:43,510 --> 00:01:43,520
+what about petting and sofa setting uh
+ 
+
+53
+00:01:43,520 --> 00:01:45,910
+what about petting and sofa setting uh
+suppose she ups and slaps your face yeah
+
+54
+00:01:45,910 --> 00:01:45,920
+suppose she ups and slaps your face yeah
+ 
+
+55
+00:01:45,920 --> 00:01:47,190
+suppose she ups and slaps your face yeah
+just
+
+56
+00:01:47,190 --> 00:01:47,200
+just
+ 
+
+57
+00:01:47,200 --> 00:01:48,950
+just
+[Music]
+
+58
+00:01:48,950 --> 00:01:48,960
+[Music]
+ 
+
+59
+00:01:48,960 --> 00:01:50,670
+[Music]
+blessed
+
+60
+00:01:50,670 --> 00:01:50,680
+blessed
+ 
+
+61
+00:01:50,680 --> 00:01:52,990
+blessed
+other
+
+62
+00:01:52,990 --> 00:01:53,000
+other
+ 
+
+63
+00:01:53,000 --> 00:01:55,469
+other
+soon and
+
+64
+00:01:55,469 --> 00:01:55,479
+soon and
+ 
+
+65
+00:01:55,479 --> 00:01:59,469
+soon and
+Spark go dancing go and dancing at a
+
+66
+00:01:59,469 --> 00:01:59,479
+Spark go dancing go and dancing at a
+ 
+
+67
+00:01:59,479 --> 00:02:04,270
+Spark go dancing go and dancing at a
+fancy follow in may I go dance and
+
+68
+00:02:04,270 --> 00:02:04,280
+fancy follow in may I go dance and
+ 
+
+69
+00:02:04,280 --> 00:02:06,830
+fancy follow in may I go dance and
+you'll impress with your ready now you
+
+70
+00:02:06,830 --> 00:02:06,840
+you'll impress with your ready now you
+ 
+
+71
+00:02:06,840 --> 00:02:10,910
+you'll impress with your ready now you
+two try
+
+72
+00:02:10,910 --> 00:02:10,920
+
+ 
+
+73
+00:02:10,920 --> 00:02:13,990
+
+come you mean Mena learning how to dance
+
+74
+00:02:13,990 --> 00:02:14,000
+come you mean Mena learning how to dance
+ 
+
+75
+00:02:14,000 --> 00:02:16,589
+come you mean Mena learning how to dance
+uh-huh yes it came direct from
+
+76
+00:02:16,589 --> 00:02:16,599
+uh-huh yes it came direct from
+ 
+
+77
+00:02:16,599 --> 00:02:19,509
+uh-huh yes it came direct from
+Paris will your
+
+78
+00:02:19,509 --> 00:02:19,519
+Paris will your
+ 
+
+79
+00:02:19,519 --> 00:02:21,150
+Paris will your
+Rance
+
+80
+00:02:21,150 --> 00:02:21,160
+Rance
+ 
+
+81
+00:02:21,160 --> 00:02:24,309
+Rance
+Dan come on now you follow
+
+82
+00:02:24,309 --> 00:02:24,319
+Dan come on now you follow
+ 
+
+83
+00:02:24,319 --> 00:02:25,830
+Dan come on now you follow
+us
+
+84
+00:02:25,830 --> 00:02:25,840
+us
+ 
+
+85
+00:02:25,840 --> 00:02:28,720
+us
+turn down up
+
+86
+00:02:28,720 --> 00:02:28,730
+turn down up
+ 
+
+87
+00:02:28,730 --> 00:02:30,790
+turn down up
+[Music]
+
+88
+00:02:30,790 --> 00:02:30,800
+[Music]
+ 
+
+89
+00:02:30,800 --> 00:02:36,630
+[Music]
+turn down up come on this
+
+90
+00:02:36,630 --> 00:02:36,640
+
+ 
+
+91
+00:02:36,640 --> 00:02:40,149
+
+way step to the right and the left make
+
+92
+00:02:40,149 --> 00:02:40,159
+way step to the right and the left make
+ 
+
+93
+00:02:40,159 --> 00:02:41,309
+way step to the right and the left make
+a
+
+94
+00:02:41,309 --> 00:02:41,319
+a
+ 
+
+95
+00:02:41,319 --> 00:02:43,450
+a
+turn now weave in and
+
+96
+00:02:43,450 --> 00:02:43,460
+turn now weave in and
+ 
+
+97
+00:02:43,460 --> 00:02:45,030
+turn now weave in and
+[Music]
+
+98
+00:02:45,030 --> 00:02:45,040
+[Music]
+ 
+
+99
+00:02:45,040 --> 00:02:46,600
+[Music]
+out I love
+
+100
+00:02:46,600 --> 00:02:46,610
+out I love
+ 
+
+101
+00:02:46,610 --> 00:02:48,390
+out I love
+[Music]
+
+102
+00:02:48,390 --> 00:02:48,400
+[Music]
+ 
+
+103
+00:02:48,400 --> 00:02:50,270
+[Music]
+dancing this
+
+104
+00:02:50,270 --> 00:02:50,280
+dancing this
+ 
+
+105
+00:02:50,280 --> 00:02:56,390
+dancing this
+is I'm next now
+
+106
+00:02:56,390 --> 00:02:56,400
+
+ 
+
+107
+00:02:56,400 --> 00:02:59,720
+
+boys y
+
+108
+00:02:59,720 --> 00:02:59,730
+boys y
+ 
+
+109
+00:02:59,730 --> 00:03:00,780
+boys y
+[Applause]
+
+110
+00:03:00,780 --> 00:03:00,790
+[Applause]
+ 
+
+111
+00:03:00,790 --> 00:03:07,050
+[Applause]
+[Music]
+
+112
+00:03:07,050 --> 00:03:07,060
+
+ 
+
+113
+00:03:07,060 --> 00:03:15,310
+
+[Music]
+
+114
+00:03:15,310 --> 00:03:15,320
+[Music]
+ 
+
+115
+00:03:15,320 --> 00:03:18,110
+[Music]
+[Applause]
+
+116
+00:03:18,110 --> 00:03:18,120
+[Applause]
+ 
+
+117
+00:03:18,120 --> 00:03:20,509
+[Applause]
+keep you dancing and hunting and
+
+118
+00:03:20,509 --> 00:03:20,519
+keep you dancing and hunting and
+ 
+
+119
+00:03:20,519 --> 00:03:23,589
+keep you dancing and hunting and
+shooting and fighting and trapping cuz
+
+120
+00:03:23,589 --> 00:03:23,599
+shooting and fighting and trapping cuz
+ 
+
+121
+00:03:23,599 --> 00:03:27,080
+shooting and fighting and trapping cuz
+we're going
+
+122
+00:03:27,080 --> 00:03:27,090
+
+ 
+
+123
+00:03:27,090 --> 00:03:58,699
+
+[Music]
+

1954/IYBAPVjJykY.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:00,000 --> 00:00:02,030
+
+[Music]
+
+2
+00:00:02,030 --> 00:00:02,040
+[Music]
+ 
+
+3
+00:00:02,040 --> 00:00:03,789
+[Music]
+just finish what you
+
+4
+00:00:03,789 --> 00:00:03,799
+just finish what you
+ 
+
+5
+00:00:03,799 --> 00:00:07,390
+just finish what you
+started you
+
+6
+00:00:07,390 --> 00:00:07,400
+
+ 
+
+7
+00:00:07,400 --> 00:00:09,390
+
+can
+
+8
+00:00:09,390 --> 00:00:09,400
+can
+ 
+
+9
+00:00:09,400 --> 00:00:12,589
+can
+okay
+
+10
+00:00:12,589 --> 00:00:12,599
+
+ 
+
+11
+00:00:12,599 --> 00:00:14,430
+
+okay I
+
+12
+00:00:14,430 --> 00:00:14,440
+okay I
+ 
+
+13
+00:00:14,440 --> 00:00:16,510
+okay I
+hook oh my God name what are you trying
+
+14
+00:00:16,510 --> 00:00:16,520
+hook oh my God name what are you trying
+ 
+
+15
+00:00:16,520 --> 00:00:20,220
+hook oh my God name what are you trying
+to do got take your hands off keep
+
+16
+00:00:20,220 --> 00:00:20,230
+to do got take your hands off keep
+ 
+
+17
+00:00:20,230 --> 00:00:24,109
+to do got take your hands off keep
+[Music]
+
+18
+00:00:24,109 --> 00:00:24,119
+[Music]
+ 
+
+19
+00:00:24,119 --> 00:00:27,509
+[Music]
+on leave him
+
+20
+00:00:27,509 --> 00:00:27,519
+
+ 
+
+21
+00:00:27,519 --> 00:00:33,620
+
+alone leave him alone
+
+22
+00:00:33,620 --> 00:00:33,630
+
+ 
+
+23
+00:00:33,630 --> 00:01:01,510
+
+[Music]
+
+24
+00:01:01,510 --> 00:01:01,520
+[Music]
+ 
+
+25
+00:01:01,520 --> 00:01:02,020
+[Music]
+[Applause]
+
+26
+00:01:02,020 --> 00:01:02,030
+[Applause]
+ 
+
+27
+00:01:02,030 --> 00:01:04,690
+[Applause]
+[Music]
+
+28
+00:01:04,690 --> 00:01:04,700
+[Music]
+ 
+
+29
+00:01:04,700 --> 00:01:22,180
+[Music]
+[Applause]
+
+30
+00:01:22,180 --> 00:01:22,190
+
+ 
+
+31
+00:01:22,190 --> 00:01:29,350
+
+[Music]
+
+32
+00:01:29,350 --> 00:01:29,360
+[Music]
+ 
+
+33
+00:01:29,360 --> 00:01:31,530
+[Music]
+all right that's got to
+
+34
+00:01:31,530 --> 00:01:31,540
+all right that's got to
+ 
+
+35
+00:01:31,540 --> 00:01:41,069
+all right that's got to
+[Music]
+
+36
+00:01:41,069 --> 00:01:41,079
+[Music]
+ 
+
+37
+00:01:41,079 --> 00:01:43,709
+[Music]
+work come on
+
+38
+00:01:43,709 --> 00:01:43,719
+work come on
+ 
+
+39
+00:01:43,719 --> 00:01:47,749
+work come on
+you where you guys going wait a minute
+
+40
+00:01:47,749 --> 00:01:47,759
+you where you guys going wait a minute
+ 
+
+41
+00:01:47,759 --> 00:01:50,630
+you where you guys going wait a minute
+I'll remember this I'll remember every
+
+42
+00:01:50,630 --> 00:01:50,640
+I'll remember this I'll remember every
+ 
+
+43
+00:01:50,640 --> 00:01:51,870
+I'll remember this I'll remember every
+war
+
+44
+00:01:51,870 --> 00:01:51,880
+war
+ 
+
+45
+00:01:51,880 --> 00:01:56,029
+war
+here I'll be back don't you forget that
+
+46
+00:01:56,029 --> 00:01:56,039
+here I'll be back don't you forget that
+ 
+
+47
+00:01:56,039 --> 00:02:00,069
+here I'll be back don't you forget that
+I'll be back
+
+48
+00:02:00,069 --> 00:02:00,079
+
+ 
+
+49
+00:02:00,079 --> 00:02:02,040
+
+the
+
+50
+00:02:02,040 --> 00:02:02,050
+the
+ 
+
+51
+00:02:02,050 --> 00:02:44,490
+the
+[Music]
+

1954/Igs1WM2pA54.en.srt

@@ -0,0 +1,675 @@
+1
+00:00:01,199 --> 00:00:02,869
+
+where's the nearest police station
+
+2
+00:00:02,869 --> 00:00:02,879
+where's the nearest police station
+ 
+
+3
+00:00:02,879 --> 00:00:05,269
+where's the nearest police station
+opposite the church 2 minutes walk
+
+4
+00:00:05,269 --> 00:00:05,279
+opposite the church 2 minutes walk
+ 
+
+5
+00:00:05,279 --> 00:00:07,150
+opposite the church 2 minutes walk
+suppose I walk there now what would you
+
+6
+00:00:07,150 --> 00:00:07,160
+suppose I walk there now what would you
+ 
+
+7
+00:00:07,160 --> 00:00:10,950
+suppose I walk there now what would you
+tell them everything everything all
+
+8
+00:00:10,950 --> 00:00:10,960
+tell them everything everything all
+ 
+
+9
+00:00:10,960 --> 00:00:13,070
+tell them everything everything all
+about Mr Adams and Mr
+
+10
+00:00:13,070 --> 00:00:13,080
+about Mr Adams and Mr
+ 
+
+11
+00:00:13,080 --> 00:00:15,270
+about Mr Adams and Mr
+Wilson I should simply tell them that
+
+12
+00:00:15,270 --> 00:00:15,280
+Wilson I should simply tell them that
+ 
+
+13
+00:00:15,280 --> 00:00:18,630
+Wilson I should simply tell them that
+you're trying to Blackmail me into
+
+14
+00:00:18,630 --> 00:00:18,640
+you're trying to Blackmail me into
+ 
+
+15
+00:00:18,640 --> 00:00:21,150
+you're trying to Blackmail me into
+into murdering your
+
+16
+00:00:21,150 --> 00:00:21,160
+into murdering your
+ 
+
+17
+00:00:21,160 --> 00:00:23,670
+into murdering your
+wife I almost wish you would when she
+
+18
+00:00:23,670 --> 00:00:23,680
+wife I almost wish you would when she
+ 
+
+19
+00:00:23,680 --> 00:00:24,870
+wife I almost wish you would when she
+heard that we'd have the biggest laugh
+
+20
+00:00:24,870 --> 00:00:24,880
+heard that we'd have the biggest laugh
+ 
+
+21
+00:00:24,880 --> 00:00:26,910
+heard that we'd have the biggest laugh
+of Our Lives aren't you forgetting
+
+22
+00:00:26,910 --> 00:00:26,920
+of Our Lives aren't you forgetting
+ 
+
+23
+00:00:26,920 --> 00:00:29,230
+of Our Lives aren't you forgetting
+something am I you've told me quite a
+
+24
+00:00:29,230 --> 00:00:29,240
+something am I you've told me quite a
+ 
+
+25
+00:00:29,240 --> 00:00:32,109
+something am I you've told me quite a
+lot tonight what of it suppose I tell
+
+26
+00:00:32,109 --> 00:00:32,119
+lot tonight what of it suppose I tell
+ 
+
+27
+00:00:32,119 --> 00:00:33,910
+lot tonight what of it suppose I tell
+them how you followed her to that studio
+
+28
+00:00:33,910 --> 00:00:33,920
+them how you followed her to that studio
+ 
+
+29
+00:00:33,920 --> 00:00:35,270
+them how you followed her to that studio
+in Chelsea and watch them cooking
+
+30
+00:00:35,270 --> 00:00:35,280
+in Chelsea and watch them cooking
+ 
+
+31
+00:00:35,280 --> 00:00:37,470
+in Chelsea and watch them cooking
+spaghetti and all that rubbish would
+
+32
+00:00:37,470 --> 00:00:37,480
+spaghetti and all that rubbish would
+ 
+
+33
+00:00:37,480 --> 00:00:39,750
+spaghetti and all that rubbish would
+that ring a bell oh it certainly would
+
+34
+00:00:39,750 --> 00:00:39,760
+that ring a bell oh it certainly would
+ 
+
+35
+00:00:39,760 --> 00:00:41,029
+that ring a bell oh it certainly would
+they'd assume you followed her there
+
+36
+00:00:41,029 --> 00:00:41,039
+they'd assume you followed her there
+ 
+
+37
+00:00:41,039 --> 00:00:43,029
+they'd assume you followed her there
+yourself me why should I why should you
+
+38
+00:00:43,029 --> 00:00:43,039
+yourself me why should I why should you
+ 
+
+39
+00:00:43,039 --> 00:00:45,229
+yourself me why should I why should you
+steal her handbag why should you write
+
+40
+00:00:45,229 --> 00:00:45,239
+steal her handbag why should you write
+ 
+
+41
+00:00:45,239 --> 00:00:47,709
+steal her handbag why should you write
+her all those blackmail notes can you
+
+42
+00:00:47,709 --> 00:00:47,719
+her all those blackmail notes can you
+ 
+
+43
+00:00:47,719 --> 00:00:50,229
+her all those blackmail notes can you
+prove you didn't you certainly can't
+
+44
+00:00:50,229 --> 00:00:50,239
+prove you didn't you certainly can't
+ 
+
+45
+00:00:50,239 --> 00:00:53,069
+prove you didn't you certainly can't
+prove I did it'll be a straight case of
+
+46
+00:00:53,069 --> 00:00:53,079
+prove I did it'll be a straight case of
+ 
+
+47
+00:00:53,079 --> 00:00:55,549
+prove I did it'll be a straight case of
+your word against mine that a puzzle
+
+48
+00:00:55,549 --> 00:00:55,559
+your word against mine that a puzzle
+ 
+
+49
+00:00:55,559 --> 00:00:58,750
+your word against mine that a puzzle
+them wouldn't it what could you say I
+
+50
+00:00:58,750 --> 00:00:58,760
+them wouldn't it what could you say I
+ 
+
+51
+00:00:58,760 --> 00:01:00,389
+them wouldn't it what could you say I
+should simply say that you came here
+
+52
+00:01:00,389 --> 00:01:00,399
+should simply say that you came here
+ 
+
+53
+00:01:00,399 --> 00:01:02,270
+should simply say that you came here
+tonight half drunk and uh tried to
+
+54
+00:01:02,270 --> 00:01:02,280
+tonight half drunk and uh tried to
+ 
+
+55
+00:01:02,280 --> 00:01:03,630
+tonight half drunk and uh tried to
+borrow money on the strength that we
+
+56
+00:01:03,630 --> 00:01:03,640
+borrow money on the strength that we
+ 
+
+57
+00:01:03,640 --> 00:01:06,350
+borrow money on the strength that we
+were at College together when I refused
+
+58
+00:01:06,350 --> 00:01:06,360
+were at College together when I refused
+ 
+
+59
+00:01:06,360 --> 00:01:07,789
+were at College together when I refused
+you mentioned something about a letter
+
+60
+00:01:07,789 --> 00:01:07,799
+you mentioned something about a letter
+ 
+
+61
+00:01:07,799 --> 00:01:10,070
+you mentioned something about a letter
+belonging to my wife as far as I could
+
+62
+00:01:10,070 --> 00:01:10,080
+belonging to my wife as far as I could
+ 
+
+63
+00:01:10,080 --> 00:01:12,149
+belonging to my wife as far as I could
+make out you're trying to sell it to me
+
+64
+00:01:12,149 --> 00:01:12,159
+make out you're trying to sell it to me
+ 
+
+65
+00:01:12,159 --> 00:01:14,030
+make out you're trying to sell it to me
+I gave you what money I had and you gave
+
+66
+00:01:14,030 --> 00:01:14,040
+I gave you what money I had and you gave
+ 
+
+67
+00:01:14,040 --> 00:01:16,830
+I gave you what money I had and you gave
+me the letter it has your fingerprints
+
+68
+00:01:16,830 --> 00:01:16,840
+me the letter it has your fingerprints
+ 
+
+69
+00:01:16,840 --> 00:01:20,990
+me the letter it has your fingerprints
+on it
+
+70
+00:01:20,990 --> 00:01:21,000
+
+ 
+
+71
+00:01:21,000 --> 00:01:23,190
+
+remember then you said if I went to the
+
+72
+00:01:23,190 --> 00:01:23,200
+remember then you said if I went to the
+ 
+
+73
+00:01:23,200 --> 00:01:25,270
+remember then you said if I went to the
+police you'd tell some crazy story about
+
+74
+00:01:25,270 --> 00:01:25,280
+police you'd tell some crazy story about
+ 
+
+75
+00:01:25,280 --> 00:01:27,910
+police you'd tell some crazy story about
+my wanting you to murder my wife but
+
+76
+00:01:27,910 --> 00:01:27,920
+my wanting you to murder my wife but
+ 
+
+77
+00:01:27,920 --> 00:01:30,390
+my wanting you to murder my wife but
+before you go any further old boy do
+
+78
+00:01:30,390 --> 00:01:30,400
+before you go any further old boy do
+ 
+
+79
+00:01:30,400 --> 00:01:31,749
+before you go any further old boy do
+consider the
+
+80
+00:01:31,749 --> 00:01:31,759
+consider the
+ 
+
+81
+00:01:31,759 --> 00:01:33,830
+consider the
+inconvenience you see I'm quite well
+
+82
+00:01:33,830 --> 00:01:33,840
+inconvenience you see I'm quite well
+ 
+
+83
+00:01:33,840 --> 00:01:36,510
+inconvenience you see I'm quite well
+known and there'd be pictures of you as
+
+84
+00:01:36,510 --> 00:01:36,520
+known and there'd be pictures of you as
+ 
+
+85
+00:01:36,520 --> 00:01:38,830
+known and there'd be pictures of you as
+well and sooner or later there'd be a
+
+86
+00:01:38,830 --> 00:01:38,840
+well and sooner or later there'd be a
+ 
+
+87
+00:01:38,840 --> 00:01:40,789
+well and sooner or later there'd be a
+deputation of land ladies and lodges who
+
+88
+00:01:40,789 --> 00:01:40,799
+deputation of land ladies and lodges who
+ 
+
+89
+00:01:40,799 --> 00:01:43,149
+deputation of land ladies and lodges who
+would step forward to testify to your
+
+90
+00:01:43,149 --> 00:01:43,159
+would step forward to testify to your
+ 
+
+91
+00:01:43,159 --> 00:01:45,670
+would step forward to testify to your
+character and someone is almost certain
+
+92
+00:01:45,670 --> 00:01:45,680
+character and someone is almost certain
+ 
+
+93
+00:01:45,680 --> 00:01:47,550
+character and someone is almost certain
+to have seen you with Miss
+
+94
+00:01:47,550 --> 00:01:47,560
+to have seen you with Miss
+ 
+
+95
+00:01:47,560 --> 00:01:49,830
+to have seen you with Miss
+Wallace you were careful not to be seen
+
+96
+00:01:49,830 --> 00:01:49,840
+Wallace you were careful not to be seen
+ 
+
+97
+00:01:49,840 --> 00:01:52,670
+Wallace you were careful not to be seen
+around with her I noticed you usually
+
+98
+00:01:52,670 --> 00:01:52,680
+around with her I noticed you usually
+ 
+
+99
+00:01:52,680 --> 00:01:54,990
+around with her I noticed you usually
+met in out of thee way places where you
+
+100
+00:01:54,990 --> 00:01:55,000
+met in out of thee way places where you
+ 
+
+101
+00:01:55,000 --> 00:01:56,149
+met in out of thee way places where you
+wouldn't be
+
+102
+00:01:56,149 --> 00:01:56,159
+wouldn't be
+ 
+
+103
+00:01:56,159 --> 00:01:58,310
+wouldn't be
+recognized like the little t- shop in
+
+104
+00:01:58,310 --> 00:01:58,320
+recognized like the little t- shop in
+ 
+
+105
+00:01:58,320 --> 00:02:00,029
+recognized like the little t- shop in
+pimo
+
+106
+00:02:00,029 --> 00:02:00,039
+pimo
+ 
+
+107
+00:02:00,039 --> 00:02:02,550
+pimo
+that was her idea not mine yes it was a
+
+108
+00:02:02,550 --> 00:02:02,560
+that was her idea not mine yes it was a
+ 
+
+109
+00:02:02,560 --> 00:02:04,749
+that was her idea not mine yes it was a
+bit crummy wasn't it hardly the place to
+
+110
+00:02:04,749 --> 00:02:04,759
+bit crummy wasn't it hardly the place to
+ 
+
+111
+00:02:04,759 --> 00:02:08,150
+bit crummy wasn't it hardly the place to
+take Mrs vanor by the way does Mrs vanor
+
+112
+00:02:08,150 --> 00:02:08,160
+take Mrs vanor by the way does Mrs vanor
+ 
+
+113
+00:02:08,160 --> 00:02:10,669
+take Mrs vanor by the way does Mrs vanor
+know about Mr Adams and Mr Wilson and
+
+114
+00:02:10,669 --> 00:02:10,679
+know about Mr Adams and Mr Wilson and
+ 
+
+115
+00:02:10,679 --> 00:02:13,470
+know about Mr Adams and Mr Wilson and
+Miss Wallace you were planning to marry
+
+116
+00:02:13,470 --> 00:02:13,480
+Miss Wallace you were planning to marry
+ 
+
+117
+00:02:13,480 --> 00:02:16,190
+Miss Wallace you were planning to marry
+Mrs vanor weren't you smart aren't you
+
+118
+00:02:16,190 --> 00:02:16,200
+Mrs vanor weren't you smart aren't you
+ 
+
+119
+00:02:16,200 --> 00:02:17,910
+Mrs vanor weren't you smart aren't you
+no not really I've just had time to
+
+120
+00:02:17,910 --> 00:02:17,920
+no not really I've just had time to
+ 
+
+121
+00:02:17,920 --> 00:02:19,990
+no not really I've just had time to
+think things out put myself in your
+
+122
+00:02:19,990 --> 00:02:20,000
+think things out put myself in your
+ 
+
+123
+00:02:20,000 --> 00:02:21,910
+think things out put myself in your
+position that's why I know you're going
+
+124
+00:02:21,910 --> 00:02:21,920
+position that's why I know you're going
+ 
+
+125
+00:02:21,920 --> 00:02:23,430
+position that's why I know you're going
+to
+
+126
+00:02:23,430 --> 00:02:23,440
+to
+ 
+
+127
+00:02:23,440 --> 00:02:26,150
+to
+agree what makes you think I'll agree
+
+128
+00:02:26,150 --> 00:02:26,160
+agree what makes you think I'll agree
+ 
+
+129
+00:02:26,160 --> 00:02:27,710
+agree what makes you think I'll agree
+for the same reason that a donkey with a
+
+130
+00:02:27,710 --> 00:02:27,720
+for the same reason that a donkey with a
+ 
+
+131
+00:02:27,720 --> 00:02:29,309
+for the same reason that a donkey with a
+stick behind him and a carrot in front
+
+132
+00:02:29,309 --> 00:02:29,319
+stick behind him and a carrot in front
+ 
+
+133
+00:02:29,319 --> 00:02:31,940
+stick behind him and a carrot in front
+always goes forwards and not backwards
+
+134
+00:02:31,940 --> 00:02:31,950
+always goes forwards and not backwards
+ 
+
+135
+00:02:31,950 --> 00:02:43,279
+always goes forwards and not backwards
+[Music]
+