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1941/wPT49WXC0Zo.mp4

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+size 6044538

1941/zhnB6vIifkc.mp4

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+size 13219209

1942/Wf6feYvdHs4.mp4

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1942/YauDSh8CfwI.mp4

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1942/Ys_zYL7K3KQ.mp4

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+size 4042990

1942/aWLRULhIyCE.mp4

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+size 8494753

1942/buRR_o85qhQ.mp4

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1942/d9K2p6NtV40.mp4

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+size 5395517

1994/pYXkfLVbLIQ.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:00,030 --> 00:00:03,050
+
+he starts across with it Keith here over
+
+2
+00:00:03,050 --> 00:00:03,060
+he starts across with it Keith here over
+ 
+
+3
+00:00:03,060 --> 00:00:03,500
+he starts across with it Keith here over
+here
+
+4
+00:00:03,500 --> 00:00:03,510
+here
+ 
+
+5
+00:00:03,510 --> 00:00:06,619
+here
+Scotty you step out Calvert starts
+
+6
+00:00:06,619 --> 00:00:06,629
+Scotty you step out Calvert starts
+ 
+
+7
+00:00:06,629 --> 00:00:13,910
+Scotty you step out Calvert starts
+across back cut live dunk shot Ricky I
+
+8
+00:00:13,910 --> 00:00:13,920
+across back cut live dunk shot Ricky I
+ 
+
+9
+00:00:13,920 --> 00:00:15,980
+across back cut live dunk shot Ricky I
+want you to fake out go along the
+
+10
+00:00:15,980 --> 00:00:15,990
+want you to fake out go along the
+ 
+
+11
+00:00:15,990 --> 00:00:18,560
+want you to fake out go along the
+baseline and go around that screen walk
+
+12
+00:00:18,560 --> 00:00:18,570
+baseline and go around that screen walk
+ 
+
+13
+00:00:18,570 --> 00:00:20,150
+baseline and go around that screen walk
+are you bring it back to Phil Phil
+
+14
+00:00:20,150 --> 00:00:20,160
+are you bring it back to Phil Phil
+ 
+
+15
+00:00:20,160 --> 00:00:22,310
+are you bring it back to Phil Phil
+dribble it on gotta hand it off to Ricky
+
+16
+00:00:22,310 --> 00:00:22,320
+dribble it on gotta hand it off to Ricky
+ 
+
+17
+00:00:22,320 --> 00:00:24,290
+dribble it on gotta hand it off to Ricky
+Ricky you come out to the foul line
+
+18
+00:00:24,290 --> 00:00:24,300
+Ricky you come out to the foul line
+ 
+
+19
+00:00:24,300 --> 00:00:34,200
+Ricky you come out to the foul line
+I should have a shot right here
+
+20
+00:00:34,200 --> 00:00:34,210
+
+ 
+
+21
+00:00:34,210 --> 00:00:37,140
+
+[Applause]
+
+22
+00:00:37,140 --> 00:00:37,150
+[Applause]
+ 
+
+23
+00:00:37,150 --> 00:00:52,330
+[Applause]
+move the ball on a perimeter and screen
+
+24
+00:00:52,330 --> 00:00:52,340
+
+ 
+
+25
+00:00:52,340 --> 00:00:59,569
+
+[Applause]
+
+26
+00:00:59,569 --> 00:00:59,579
+
+ 
+
+27
+00:00:59,579 --> 00:01:01,889
+
+let's just don't play this thought up
+
+28
+00:01:01,889 --> 00:01:01,899
+let's just don't play this thought up
+ 
+
+29
+00:01:01,899 --> 00:01:04,590
+let's just don't play this thought up
+you guys are on top you guards make a
+
+30
+00:01:04,590 --> 00:01:04,600
+you guys are on top you guards make a
+ 
+
+31
+00:01:04,600 --> 00:01:06,450
+you guys are on top you guards make a
+move inside don't stand there looking
+
+32
+00:01:06,450 --> 00:01:06,460
+move inside don't stand there looking
+ 
+
+33
+00:01:06,460 --> 00:01:11,120
+move inside don't stand there looking
+for somebody
+
+34
+00:01:11,120 --> 00:01:11,130
+
+ 
+
+35
+00:01:11,130 --> 00:01:14,030
+
+[Applause]
+
+36
+00:01:14,030 --> 00:01:14,040
+[Applause]
+ 
+
+37
+00:01:14,040 --> 00:01:17,510
+[Applause]
+[Music]
+
+38
+00:01:17,510 --> 00:01:17,520
+[Music]
+ 
+
+39
+00:01:17,520 --> 00:01:23,000
+[Music]
+[Applause]
+
+40
+00:01:23,000 --> 00:01:23,010
+
+ 
+
+41
+00:01:23,010 --> 00:01:32,180
+
+[Music]
+
+42
+00:01:32,180 --> 00:01:32,190
+
+ 
+
+43
+00:01:32,190 --> 00:01:40,930
+
+[Applause]
+
+44
+00:01:40,930 --> 00:01:40,940
+
+ 
+
+45
+00:01:40,940 --> 00:01:51,040
+
+[Applause]
+
+46
+00:01:51,040 --> 00:01:51,050
+
+ 
+
+47
+00:01:51,050 --> 00:01:51,840
+
+[Music]
+
+48
+00:01:51,840 --> 00:01:51,850
+[Music]
+ 
+
+49
+00:01:51,850 --> 00:02:05,110
+[Music]
+[Applause]
+
+50
+00:02:05,110 --> 00:02:05,120
+
+ 
+
+51
+00:02:05,120 --> 00:02:07,890
+
+[Applause]
+
+52
+00:02:07,890 --> 00:02:07,900
+[Applause]
+ 
+
+53
+00:02:07,900 --> 00:02:08,640
+[Applause]
+[Music]
+
+54
+00:02:08,640 --> 00:02:08,650
+[Music]
+ 
+
+55
+00:02:08,650 --> 00:02:12,440
+[Music]
+[Applause]
+
+56
+00:02:12,440 --> 00:02:12,450
+[Applause]
+ 
+
+57
+00:02:12,450 --> 00:02:43,509
+[Applause]
+[Music]
+

1994/ptgpK6nH-5g.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:00,030 --> 00:00:01,730
+
+puts dribble on over here Mitch come
+
+2
+00:00:01,730 --> 00:00:01,740
+puts dribble on over here Mitch come
+ 
+
+3
+00:00:01,740 --> 00:00:03,860
+puts dribble on over here Mitch come
+back get the pass back from Butch give
+
+4
+00:00:03,860 --> 00:00:03,870
+back get the pass back from Butch give
+ 
+
+5
+00:00:03,870 --> 00:00:05,749
+back get the pass back from Butch give
+it right back to them and go down to the
+
+6
+00:00:05,749 --> 00:00:05,759
+it right back to them and go down to the
+ 
+
+7
+00:00:05,759 --> 00:00:08,690
+it right back to them and go down to the
+low post Nia soon as you see butch going
+
+8
+00:00:08,690 --> 00:00:08,700
+low post Nia soon as you see butch going
+ 
+
+9
+00:00:08,700 --> 00:00:10,280
+low post Nia soon as you see butch going
+over you flash out to the foul line
+
+10
+00:00:10,280 --> 00:00:10,290
+over you flash out to the foul line
+ 
+
+11
+00:00:10,290 --> 00:00:12,860
+over you flash out to the foul line
+Mitch I want you to come right up on
+
+12
+00:00:12,860 --> 00:00:12,870
+Mitch I want you to come right up on
+ 
+
+13
+00:00:12,870 --> 00:00:18,230
+Mitch I want you to come right up on
+neons man I mean screen here you reverse
+
+14
+00:00:18,230 --> 00:00:18,240
+neons man I mean screen here you reverse
+ 
+
+15
+00:00:18,240 --> 00:00:20,359
+neons man I mean screen here you reverse
+go to the weak side go up for the lobby
+
+16
+00:00:20,359 --> 00:00:20,369
+go to the weak side go up for the lobby
+ 
+
+17
+00:00:20,369 --> 00:00:22,939
+go to the weak side go up for the lobby
+we've got 12 seconds butch when you get
+
+18
+00:00:22,939 --> 00:00:22,949
+we've got 12 seconds butch when you get
+ 
+
+19
+00:00:22,949 --> 00:00:34,000
+we've got 12 seconds butch when you get
+it in to me
+
+20
+00:00:34,000 --> 00:00:34,010
+
+ 
+
+21
+00:00:34,010 --> 00:00:48,279
+
+[Applause]
+
+22
+00:00:48,279 --> 00:00:48,289
+[Applause]
+ 
+
+23
+00:00:48,289 --> 00:00:51,640
+[Applause]
+here we go
+
+24
+00:00:51,640 --> 00:00:51,650
+
+ 
+
+25
+00:00:51,650 --> 00:00:54,060
+
+[Music]
+
+26
+00:00:54,060 --> 00:00:54,070
+[Music]
+ 
+
+27
+00:00:54,070 --> 00:01:08,240
+[Music]
+[Applause]
+
+28
+00:01:08,240 --> 00:01:08,250
+
+ 
+
+29
+00:01:08,250 --> 00:01:18,490
+
+[Applause]
+
+30
+00:01:18,490 --> 00:01:18,500
+[Applause]
+ 
+
+31
+00:01:18,500 --> 00:01:22,480
+[Applause]
+[Music]
+
+32
+00:01:22,480 --> 00:01:22,490
+[Music]
+ 
+
+33
+00:01:22,490 --> 00:01:29,160
+[Music]
+[Applause]
+
+34
+00:01:29,160 --> 00:01:29,170
+[Applause]
+ 
+
+35
+00:01:29,170 --> 00:01:37,970
+[Applause]
+[Music]
+
+36
+00:01:37,970 --> 00:01:37,980
+[Music]
+ 
+
+37
+00:01:37,980 --> 00:01:53,300
+[Music]
+[Applause]
+
+38
+00:01:53,300 --> 00:01:53,310
+
+ 
+
+39
+00:01:53,310 --> 00:02:21,380
+
+[Music]
+
+40
+00:02:21,380 --> 00:02:21,390
+
+ 
+
+41
+00:02:21,390 --> 00:02:23,420
+
+Oh
+

1994/pytH_ezVouk.en.srt

@@ -0,0 +1,135 @@
+1
+00:00:00,000 --> 00:00:06,410
+
+I don't pass a missile I I've lived a
+
+2
+00:00:06,410 --> 00:00:06,420
+I don't pass a missile I I've lived a
+ 
+
+3
+00:00:06,420 --> 00:00:10,100
+I don't pass a missile I I've lived a
+small life I know we miss a thing
+
+4
+00:00:10,100 --> 00:00:10,110
+small life I know we miss a thing
+ 
+
+5
+00:00:10,110 --> 00:00:18,830
+small life I know we miss a thing
+I know small things no loved ones okay
+
+6
+00:00:18,830 --> 00:00:18,840
+I know small things no loved ones okay
+ 
+
+7
+00:00:18,840 --> 00:00:37,520
+I know small things no loved ones okay
+oh yeah ma ma not knowing I go I know
+
+8
+00:00:37,520 --> 00:00:37,530
+oh yeah ma ma not knowing I go I know
+ 
+
+9
+00:00:37,530 --> 00:00:43,900
+oh yeah ma ma not knowing I go I know
+everyone goes I so don't go away
+
+10
+00:00:43,900 --> 00:00:43,910
+
+ 
+
+11
+00:00:43,910 --> 00:00:55,549
+
+everyone goes away a nail man oh hey red
+
+12
+00:00:55,549 --> 00:00:55,559
+everyone goes away a nail man oh hey red
+ 
+
+13
+00:00:55,559 --> 00:01:14,640
+everyone goes away a nail man oh hey red
+sweet J sweet yeah I guess
+
+14
+00:01:14,640 --> 00:01:14,650
+
+ 
+
+15
+00:01:14,650 --> 00:01:18,210
+
+nice hot bath on there don't be
+
+16
+00:01:18,210 --> 00:01:18,220
+nice hot bath on there don't be
+ 
+
+17
+00:01:18,220 --> 00:01:21,180
+nice hot bath on there don't be
+frightened you for now thank God for New
+
+18
+00:01:21,180 --> 00:01:21,190
+frightened you for now thank God for New
+ 
+
+19
+00:01:21,190 --> 00:01:26,580
+frightened you for now thank God for New
+Year don't wait for her no I own a cane
+
+20
+00:01:26,580 --> 00:01:26,590
+Year don't wait for her no I own a cane
+ 
+
+21
+00:01:26,590 --> 00:01:36,150
+Year don't wait for her no I own a cane
+and yeah I have no greater sorrows than
+
+22
+00:01:36,150 --> 00:01:36,160
+and yeah I have no greater sorrows than
+ 
+
+23
+00:01:36,160 --> 00:01:42,830
+and yeah I have no greater sorrows than
+you yeah
+
+24
+00:01:42,830 --> 00:01:42,840
+
+ 
+
+25
+00:01:42,840 --> 00:01:52,270
+
+missa chickabee
+
+26
+00:01:52,270 --> 00:01:52,280
+
+ 
+
+27
+00:01:52,280 --> 00:01:55,180
+
+okay
+

1994/q5RSKejDWo8.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:00,469 --> 00:00:03,590
+
+before long a man came to take me to
+
+2
+00:00:03,590 --> 00:00:03,600
+before long a man came to take me to
+ 
+
+3
+00:00:03,600 --> 00:00:06,440
+before long a man came to take me to
+birtwick Park to live with Squire Gordon
+
+4
+00:00:06,440 --> 00:00:06,450
+birtwick Park to live with Squire Gordon
+ 
+
+5
+00:00:06,450 --> 00:00:18,620
+birtwick Park to live with Squire Gordon
+and his family please stay inside my
+
+6
+00:00:18,620 --> 00:00:18,630
+and his family please stay inside my
+ 
+
+7
+00:00:18,630 --> 00:00:20,779
+and his family please stay inside my
+dear you're still much too weak I won't
+
+8
+00:00:20,779 --> 00:00:20,789
+dear you're still much too weak I won't
+ 
+
+9
+00:00:20,789 --> 00:00:23,720
+dear you're still much too weak I won't
+break I want to see him it's a horse
+
+10
+00:00:23,720 --> 00:00:23,730
+break I want to see him it's a horse
+ 
+
+11
+00:00:23,730 --> 00:00:25,130
+break I want to see him it's a horse
+nothing more nothing less
+
+12
+00:00:25,130 --> 00:00:25,140
+nothing more nothing less
+ 
+
+13
+00:00:25,140 --> 00:00:30,050
+nothing more nothing less
+at price a beautiful horse beauty is as
+
+14
+00:00:30,050 --> 00:00:30,060
+at price a beautiful horse beauty is as
+ 
+
+15
+00:00:30,060 --> 00:00:30,830
+at price a beautiful horse beauty is as
+Beauty does
+
+16
+00:00:30,830 --> 00:00:30,840
+Beauty does
+ 
+
+17
+00:00:30,840 --> 00:00:34,040
+Beauty does
+how was he John perfect sir they were
+
+18
+00:00:34,040 --> 00:00:34,050
+how was he John perfect sir they were
+ 
+
+19
+00:00:34,050 --> 00:00:36,080
+how was he John perfect sir they were
+shooting rabbits up near I would and the
+
+20
+00:00:36,080 --> 00:00:36,090
+shooting rabbits up near I would and the
+ 
+
+21
+00:00:36,090 --> 00:00:38,450
+shooting rabbits up near I would and the
+guns went off he pulled its oats and he
+
+22
+00:00:38,450 --> 00:00:38,460
+guns went off he pulled its oats and he
+ 
+
+23
+00:00:38,460 --> 00:00:40,180
+guns went off he pulled its oats and he
+looked but he didn't step off the path
+
+24
+00:00:40,180 --> 00:00:40,190
+looked but he didn't step off the path
+ 
+
+25
+00:00:40,190 --> 00:00:43,520
+looked but he didn't step off the path
+lady a young fella what should we call
+
+26
+00:00:43,520 --> 00:00:43,530
+lady a young fella what should we call
+ 
+
+27
+00:00:43,530 --> 00:00:45,770
+lady a young fella what should we call
+him on the side over key now you really
+
+28
+00:00:45,770 --> 00:00:45,780
+him on the side over key now you really
+ 
+
+29
+00:00:45,780 --> 00:00:50,240
+him on the side over key now you really
+must get out of his hair Jesus black as
+
+30
+00:00:50,240 --> 00:00:50,250
+must get out of his hair Jesus black as
+ 
+
+31
+00:00:50,250 --> 00:00:59,410
+must get out of his hair Jesus black as
+ebony ebony ebony sounds like bones
+
+32
+00:00:59,410 --> 00:00:59,420
+ebony ebony ebony sounds like bones
+ 
+
+33
+00:00:59,420 --> 00:01:01,340
+ebony ebony ebony sounds like bones
+settling in the stables would you don't
+
+34
+00:01:01,340 --> 00:01:01,350
+settling in the stables would you don't
+ 
+
+35
+00:01:01,350 --> 00:01:06,830
+settling in the stables would you don't
+register let's make it simple we'll call
+
+36
+00:01:06,830 --> 00:01:06,840
+register let's make it simple we'll call
+ 
+
+37
+00:01:06,840 --> 00:01:08,390
+register let's make it simple we'll call
+him Blackbird after your uncle's old
+
+38
+00:01:08,390 --> 00:01:08,400
+him Blackbird after your uncle's old
+ 
+
+39
+00:01:08,400 --> 00:01:11,359
+him Blackbird after your uncle's old
+horse but Blackbird was ugly and mean
+
+40
+00:01:11,359 --> 00:01:11,369
+horse but Blackbird was ugly and mean
+ 
+
+41
+00:01:11,369 --> 00:01:15,920
+horse but Blackbird was ugly and mean
+tempered wait you've already named him
+
+42
+00:01:15,920 --> 00:01:15,930
+tempered wait you've already named him
+ 
+
+43
+00:01:15,930 --> 00:01:19,280
+tempered wait you've already named him
+fun beauty is as Beauty does that's not
+
+44
+00:01:19,280 --> 00:01:19,290
+fun beauty is as Beauty does that's not
+ 
+
+45
+00:01:19,290 --> 00:01:24,210
+fun beauty is as Beauty does that's not
+a name yes it is Beauty black beauty
+
+46
+00:01:24,210 --> 00:01:24,220
+a name yes it is Beauty black beauty
+ 
+
+47
+00:01:24,220 --> 00:01:26,240
+a name yes it is Beauty black beauty
+[Music]
+
+48
+00:01:26,240 --> 00:01:26,250
+[Music]
+ 
+
+49
+00:01:26,250 --> 00:01:31,070
+[Music]
+a new name a new home and a stable full
+
+50
+00:01:31,070 --> 00:01:31,080
+a new name a new home and a stable full
+ 
+
+51
+00:01:31,080 --> 00:01:37,180
+a new name a new home and a stable full
+of new horses to meet
+
+52
+00:01:37,180 --> 00:01:37,190
+
+ 
+
+53
+00:01:37,190 --> 00:02:07,550
+
+[Music]
+

1994/qCq0IXXi_2U.en.srt

@@ -0,0 +1,145 @@
+1
+00:00:00,000 --> 00:00:00,980
+
+for being
+
+2
+00:00:00,980 --> 00:00:00,990
+for being
+ 
+
+3
+00:00:00,990 --> 00:00:38,530
+for being
+[Music]
+
+4
+00:00:38,530 --> 00:00:38,540
+
+ 
+
+5
+00:00:38,540 --> 00:00:44,190
+
+[Music]
+
+6
+00:00:44,190 --> 00:00:44,200
+
+ 
+
+7
+00:00:44,200 --> 00:00:49,720
+
+[Music]
+
+8
+00:00:49,720 --> 00:00:49,730
+
+ 
+
+9
+00:00:49,730 --> 00:00:52,440
+
+yes
+
+10
+00:00:52,440 --> 00:00:52,450
+
+ 
+
+11
+00:00:52,450 --> 00:00:54,660
+
+now
+
+12
+00:00:54,660 --> 00:00:54,670
+now
+ 
+
+13
+00:00:54,670 --> 00:00:57,869
+now
+or no
+
+14
+00:00:57,869 --> 00:00:57,879
+or no
+ 
+
+15
+00:00:57,879 --> 00:01:16,149
+or no
+1
+
+16
+00:01:16,149 --> 00:01:16,159
+
+ 
+
+17
+00:01:16,159 --> 00:01:35,960
+
+you
+
+18
+00:01:35,960 --> 00:01:35,970
+
+ 
+
+19
+00:01:35,970 --> 00:01:42,760
+
+and
+
+20
+00:01:42,760 --> 00:01:42,770
+
+ 
+
+21
+00:01:42,770 --> 00:01:52,820
+
+[Music]
+
+22
+00:01:52,820 --> 00:01:52,830
+
+ 
+
+23
+00:01:52,830 --> 00:01:57,160
+
+here
+
+24
+00:01:57,160 --> 00:01:57,170
+
+ 
+
+25
+00:01:57,170 --> 00:01:59,780
+
+end
+
+26
+00:01:59,780 --> 00:01:59,790
+
+ 
+
+27
+00:01:59,790 --> 00:02:04,780
+
+as you will know
+
+28
+00:02:04,780 --> 00:02:04,790
+
+ 
+
+29
+00:02:04,790 --> 00:02:44,509
+
+[Music]
+

1994/sQolThygoGk.en.srt

@@ -0,0 +1,305 @@
+1
+00:00:05,040 --> 00:00:08,030
+
+SW why are we up here
+
+2
+00:00:08,030 --> 00:00:08,040
+SW why are we up here
+ 
+
+3
+00:00:08,040 --> 00:00:12,829
+SW why are we up here
+again
+
+4
+00:00:12,829 --> 00:00:12,839
+
+ 
+
+5
+00:00:12,839 --> 00:00:16,790
+
+swoop
+
+6
+00:00:16,790 --> 00:00:16,800
+
+ 
+
+7
+00:00:16,800 --> 00:00:18,790
+
+swoop what the hell would he be doing
+
+8
+00:00:18,790 --> 00:00:18,800
+swoop what the hell would he be doing
+ 
+
+9
+00:00:18,800 --> 00:00:21,070
+swoop what the hell would he be doing
+over
+
+10
+00:00:21,070 --> 00:00:21,080
+over
+ 
+
+11
+00:00:21,080 --> 00:00:23,710
+over
+there
+
+12
+00:00:23,710 --> 00:00:23,720
+there
+ 
+
+13
+00:00:23,720 --> 00:00:28,470
+there
+swap over
+
+14
+00:00:28,470 --> 00:00:28,480
+
+ 
+
+15
+00:00:28,480 --> 00:00:31,790
+
+here hey hey hey what are you
+
+16
+00:00:31,790 --> 00:00:31,800
+here hey hey hey what are you
+ 
+
+17
+00:00:31,800 --> 00:00:35,350
+here hey hey hey what are you
+doing boy how about this huh fine folks
+
+18
+00:00:35,350 --> 00:00:35,360
+doing boy how about this huh fine folks
+ 
+
+19
+00:00:35,360 --> 00:00:36,910
+doing boy how about this huh fine folks
+at this building ask me if I just come
+
+20
+00:00:36,910 --> 00:00:36,920
+at this building ask me if I just come
+ 
+
+21
+00:00:36,920 --> 00:00:39,270
+at this building ask me if I just come
+out here and you know do a few Windows
+
+22
+00:00:39,270 --> 00:00:39,280
+out here and you know do a few Windows
+ 
+
+23
+00:00:39,280 --> 00:00:40,790
+out here and you know do a few Windows
+this and
+
+24
+00:00:40,790 --> 00:00:40,800
+this and
+ 
+
+25
+00:00:40,800 --> 00:00:44,270
+this and
+that I need you for a team swo really
+
+26
+00:00:44,270 --> 00:00:44,280
+that I need you for a team swo really
+ 
+
+27
+00:00:44,280 --> 00:00:45,790
+that I need you for a team swo really
+yeah yeah how much to
+
+28
+00:00:45,790 --> 00:00:45,800
+yeah yeah how much to
+ 
+
+29
+00:00:45,800 --> 00:00:48,950
+yeah yeah how much to
+pay nothing
+
+30
+00:00:48,950 --> 00:00:48,960
+pay nothing
+ 
+
+31
+00:00:48,960 --> 00:00:52,229
+pay nothing
+nothing all your jumps are paid for so
+
+32
+00:00:52,229 --> 00:00:52,239
+nothing all your jumps are paid for so
+ 
+
+33
+00:00:52,239 --> 00:00:54,029
+nothing all your jumps are paid for so
+how about those jumps there Jess so they
+
+34
+00:00:54,029 --> 00:00:54,039
+how about those jumps there Jess so they
+ 
+
+35
+00:00:54,039 --> 00:00:56,630
+how about those jumps there Jess so they
+paid for yeah they are didn't I just say
+
+36
+00:00:56,630 --> 00:00:56,640
+paid for yeah they are didn't I just say
+ 
+
+37
+00:00:56,640 --> 00:00:58,270
+paid for yeah they are didn't I just say
+that to him yeah but if he hasn't jumped
+
+38
+00:00:58,270 --> 00:00:58,280
+that to him yeah but if he hasn't jumped
+ 
+
+39
+00:00:58,280 --> 00:01:01,830
+that to him yeah but if he hasn't jumped
+with you he won't talk to you he won't
+
+40
+00:01:01,830 --> 00:01:01,840
+with you he won't talk to you he won't
+ 
+
+41
+00:01:01,840 --> 00:01:03,549
+with you he won't talk to you he won't
+well I am going to have to require a
+
+42
+00:01:03,549 --> 00:01:03,559
+well I am going to have to require a
+ 
+
+43
+00:01:03,559 --> 00:01:05,910
+well I am going to have to require a
+free t-shirt
+
+44
+00:01:05,910 --> 00:01:05,920
+free t-shirt
+ 
+
+45
+00:01:05,920 --> 00:01:08,749
+free t-shirt
+Jess can we get him a free t-shirt tell
+
+46
+00:01:08,749 --> 00:01:08,759
+Jess can we get him a free t-shirt tell
+ 
+
+47
+00:01:08,759 --> 00:01:10,749
+Jess can we get him a free t-shirt tell
+him you can have a t-shirt okay free te
+
+48
+00:01:10,749 --> 00:01:10,759
+him you can have a t-shirt okay free te
+ 
+
+49
+00:01:10,759 --> 00:01:12,990
+him you can have a t-shirt okay free te
+swoop whatever you
+
+50
+00:01:12,990 --> 00:01:13,000
+swoop whatever you
+ 
+
+51
+00:01:13,000 --> 00:01:21,190
+swoop whatever you
+wanto my lucky day here give me a
+
+52
+00:01:21,190 --> 00:01:21,200
+
+ 
+
+53
+00:01:21,200 --> 00:01:33,870
+
+hand oh my
+
+54
+00:01:33,870 --> 00:01:33,880
+
+ 
+
+55
+00:01:33,880 --> 00:01:38,429
+
+right it
+
+56
+00:01:38,429 --> 00:01:38,439
+
+ 
+
+57
+00:01:38,439 --> 00:01:41,230
+
+opened hey that ain't funny that ain't
+
+58
+00:01:41,230 --> 00:01:41,240
+opened hey that ain't funny that ain't
+ 
+
+59
+00:01:41,240 --> 00:02:00,590
+opened hey that ain't funny that ain't
+funny man did you know about this
+
+60
+00:02:00,590 --> 00:02:00,600
+
+ 
+
+61
+00:02:00,600 --> 00:02:03,600
+
+sh
+

1994/slGnGr6kHIA.description

@@ -0,0 +1,38 @@
+Heavenly Creatures movie clips: http://j.mp/1BcYJrm
+BUY THE MOVIE: http://amzn.to/v2y7lr
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After seeing the film The Third Man", the girls have visions of being chased by "Orson Welles
+
+FILM DESCRIPTION:
+After winning a cult following for several offbeat and darkly witty gore films, New Zealand director Peter Jackson abruptly shifted gears with this stylish, compelling, and ultimately disturbing tale of two teenage girls whose friendship begins to fuel an ultimately fatal obsession. Pauline (Melanie Lynskey) is a student in New Zealand who doesn't much care for her family or her classmates; she's a bit overweight and not especially gracious, but she quickly makes friends with Juliet (Kate Winslet), a pretty girl whose wealthy parents have relocated from England. Pauline and Juliet find they share the same tastes in art, literature, and music (especially the vocal stylings of Mario Lanza), and together they begin to construct an elaborate fantasy world named Borovnia, which exists first in stories and then in models made of clay. The more Pauline and Juliet dream of Borovnia, the more the two find themselves retreating into this fantastical world of art, adventure, and Gothic romance as they slowly drift away from reality. The girls' parents decide that perhaps they're spending too much time together, and try to bring them back into the real world, but this only feeds their continued obsession with Borovnia (and each other) and leads to a desperate and violent bid for freedom. Featuring excellent performances (especially by Kate Winslet) and imaginative production design and special effects, Heavenly Creatures skillfully allows the audience to see Pauline and Juliet both from their own fantastic perspective and how they seem to the rest of the world. Remarkably enough, Heavenly Creatures is based on a true story; in real life, Juliet grew up to become mystery novelist Anne Perry.
+
+CREDITS:
+TM & © Miramax Films (1994)
+Cast: Melanie Lynskey, Kate Winslet, Jean Guérin
+Director: Peter Jackson
+Producers: Jim Booth, Bridget Bourke, Hanno Huth, Peter Jackson
+Screenwriters: Fran Walsh, Peter Jackson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/tVRPz6-Tkww.en.srt

@@ -0,0 +1,233 @@
+1
+00:00:02,980 --> 00:00:09,940
+
+and death when I made
+
+2
+00:00:09,940 --> 00:00:09,950
+
+ 
+
+3
+00:00:09,950 --> 00:00:18,690
+
+40 gr
+
+4
+00:00:18,690 --> 00:00:18,700
+
+ 
+
+5
+00:00:18,700 --> 00:00:22,820
+
+as it went
+
+6
+00:00:22,820 --> 00:00:22,830
+
+ 
+
+7
+00:00:22,830 --> 00:00:32,160
+
+with the web hair
+
+8
+00:00:32,160 --> 00:00:32,170
+
+ 
+
+9
+00:00:32,170 --> 00:00:38,360
+
+
+10
+00:00:38,360 --> 00:00:38,370
+
+ 
+
+11
+00:00:38,370 --> 00:00:46,280
+
+no
+
+12
+00:00:46,280 --> 00:00:46,290
+
+ 
+
+13
+00:00:46,290 --> 00:00:48,520
+
+wow
+
+14
+00:00:48,520 --> 00:00:48,530
+wow
+ 
+
+15
+00:00:48,530 --> 00:00:50,660
+wow
+yes
+
+16
+00:00:50,660 --> 00:00:50,670
+yes
+ 
+
+17
+00:00:50,670 --> 00:00:52,380
+yes
+no
+
+18
+00:00:52,380 --> 00:00:52,390
+no
+ 
+
+19
+00:00:52,390 --> 00:00:57,990
+no
+ok
+
+20
+00:00:57,990 --> 00:00:58,000
+
+ 
+
+21
+00:00:58,000 --> 00:01:00,660
+
+[Music]
+
+22
+00:01:00,660 --> 00:01:00,670
+[Music]
+ 
+
+23
+00:01:00,670 --> 00:01:13,320
+[Music]
+how
+
+24
+00:01:13,320 --> 00:01:13,330
+
+ 
+
+25
+00:01:13,330 --> 00:01:17,930
+
+good good I
+
+26
+00:01:17,930 --> 00:01:17,940
+
+ 
+
+27
+00:01:17,940 --> 00:01:21,250
+
+
+28
+00:01:21,250 --> 00:01:21,260
+
+ 
+
+29
+00:01:21,260 --> 00:01:24,600
+
+said it and well
+
+30
+00:01:24,600 --> 00:01:24,610
+said it and well
+ 
+
+31
+00:01:24,610 --> 00:01:27,840
+said it and well
+as with the calculator for what blacked out because
+
+32
+00:01:27,840 --> 00:01:27,850
+as with the calculator for what blacked out because
+ 
+
+33
+00:01:27,850 --> 00:01:35,990
+as with the calculator for what blacked out because
+with ads for plans on blogs I
+
+34
+00:01:35,990 --> 00:01:36,000
+
+ 
+
+35
+00:01:36,000 --> 00:01:49,429
+
+had my partner from Olivo he
+
+36
+00:01:49,429 --> 00:01:49,439
+
+ 
+
+37
+00:01:49,439 --> 00:01:57,010
+
+gave me
+
+38
+00:01:57,010 --> 00:01:57,020
+
+ 
+
+39
+00:01:57,020 --> 00:02:00,580
+
+now good
+
+40
+00:02:00,580 --> 00:02:00,590
+
+ 
+
+41
+00:02:00,590 --> 00:02:06,030
+
+good and boy he
+
+42
+00:02:06,030 --> 00:02:06,040
+
+ 
+
+43
+00:02:06,040 --> 00:02:10,150
+
+was a genius
+
+44
+00:02:10,150 --> 00:02:10,160
+
+ 
+
+45
+00:02:10,160 --> 00:02:13,430
+
+the norm
+
+46
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+47
+00:02:13,440 --> 00:02:44,509
+
+[Music]
+

1994/tkWWtYRbnq8.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:00,170 --> 00:00:06,140
+
+now it was time training the bit was the
+
+2
+00:00:06,140 --> 00:00:06,150
+now it was time training the bit was the
+ 
+
+3
+00:00:06,150 --> 00:00:09,560
+now it was time training the bit was the
+first thing terrible bars of cold hard
+
+4
+00:00:09,560 --> 00:00:09,570
+first thing terrible bars of cold hard
+ 
+
+5
+00:00:09,570 --> 00:00:11,779
+first thing terrible bars of cold hard
+steel between your teeth and over your
+
+6
+00:00:11,779 --> 00:00:11,789
+steel between your teeth and over your
+ 
+
+7
+00:00:11,789 --> 00:00:14,900
+steel between your teeth and over your
+tongue if you've never had one in your
+
+8
+00:00:14,900 --> 00:00:14,910
+tongue if you've never had one in your
+ 
+
+9
+00:00:14,910 --> 00:00:17,060
+tongue if you've never had one in your
+mouth you can't imagine what a shock it
+
+10
+00:00:17,060 --> 00:00:17,070
+mouth you can't imagine what a shock it
+ 
+
+11
+00:00:17,070 --> 00:00:31,580
+mouth you can't imagine what a shock it
+is but thank heaven for oats when you're
+
+12
+00:00:31,580 --> 00:00:31,590
+is but thank heaven for oats when you're
+ 
+
+13
+00:00:31,590 --> 00:00:33,500
+is but thank heaven for oats when you're
+eating them you can forget the bits
+
+14
+00:00:33,500 --> 00:00:33,510
+eating them you can forget the bits
+ 
+
+15
+00:00:33,510 --> 00:00:36,880
+eating them you can forget the bits
+nasty coldness the bitter metallic taste
+
+16
+00:00:36,880 --> 00:00:36,890
+nasty coldness the bitter metallic taste
+ 
+
+17
+00:00:36,890 --> 00:00:42,590
+nasty coldness the bitter metallic taste
+delicious oats sweet oats lovely crunchy
+
+18
+00:00:42,590 --> 00:00:42,600
+delicious oats sweet oats lovely crunchy
+ 
+
+19
+00:00:42,600 --> 00:00:47,419
+delicious oats sweet oats lovely crunchy
+oats beautiful oats splendid oats
+
+20
+00:00:47,419 --> 00:00:47,429
+oats beautiful oats splendid oats
+ 
+
+21
+00:00:47,429 --> 00:00:55,840
+oats beautiful oats splendid oats
+oh how it's choking me
+
+22
+00:00:55,840 --> 00:00:55,850
+oh how it's choking me
+ 
+
+23
+00:00:55,850 --> 00:00:59,389
+oh how it's choking me
+Frank you still move promised nobody
+
+24
+00:00:59,389 --> 00:00:59,399
+Frank you still move promised nobody
+ 
+
+25
+00:00:59,399 --> 00:01:03,680
+Frank you still move promised nobody
+could walk with this come back here with
+
+26
+00:01:03,680 --> 00:01:03,690
+could walk with this come back here with
+ 
+
+27
+00:01:03,690 --> 00:01:04,479
+could walk with this come back here with
+those oats
+
+28
+00:01:04,479 --> 00:01:04,489
+those oats
+ 
+
+29
+00:01:04,489 --> 00:01:22,950
+those oats
+[Music]
+
+30
+00:01:22,950 --> 00:01:22,960
+
+ 
+
+31
+00:01:22,960 --> 00:01:26,500
+
+at first the iron shoes made my feet
+
+32
+00:01:26,500 --> 00:01:26,510
+at first the iron shoes made my feet
+ 
+
+33
+00:01:26,510 --> 00:01:29,020
+at first the iron shoes made my feet
+feel stiff and heavy
+
+34
+00:01:29,020 --> 00:01:29,030
+feel stiff and heavy
+ 
+
+35
+00:01:29,030 --> 00:01:33,690
+feel stiff and heavy
+[Music]
+
+36
+00:01:33,690 --> 00:01:33,700
+
+ 
+
+37
+00:01:33,700 --> 00:01:46,120
+
+I said no but he said go
+
+38
+00:01:46,120 --> 00:01:46,130
+I said no but he said go
+ 
+
+39
+00:01:46,130 --> 00:01:53,270
+I said no but he said go
+[Music]
+
+40
+00:01:53,270 --> 00:01:53,280
+
+ 
+
+41
+00:01:53,280 --> 00:01:57,060
+
+come on once I discovered if he and I
+
+42
+00:01:57,060 --> 00:01:57,070
+come on once I discovered if he and I
+ 
+
+43
+00:01:57,070 --> 00:02:00,330
+come on once I discovered if he and I
+that the two of us could become one this
+
+44
+00:02:00,330 --> 00:02:00,340
+that the two of us could become one this
+ 
+
+45
+00:02:00,340 --> 00:02:02,700
+that the two of us could become one this
+business turned out to be perfectly
+
+46
+00:02:02,700 --> 00:02:02,710
+business turned out to be perfectly
+ 
+
+47
+00:02:02,710 --> 00:02:03,940
+business turned out to be perfectly
+glorious
+
+48
+00:02:03,940 --> 00:02:03,950
+glorious
+ 
+
+49
+00:02:03,950 --> 00:02:41,050
+glorious
+[Music]
+
+50
+00:02:41,050 --> 00:02:41,060
+
+ 
+
+51
+00:02:41,060 --> 00:03:08,150
+
+[Music]
+

1994/tmZiGfLVs8w.en.srt

@@ -0,0 +1,75 @@
+1
+00:00:11,599 --> 00:00:16,429
+
+YW
+
+2
+00:00:16,429 --> 00:00:16,439
+
+ 
+
+3
+00:00:16,439 --> 00:00:28,470
+
+War
+
+4
+00:00:28,470 --> 00:00:28,480
+
+ 
+
+5
+00:00:28,480 --> 00:00:54,389
+
+fore let go
+
+6
+00:00:54,389 --> 00:00:54,399
+
+ 
+
+7
+00:00:54,399 --> 00:00:58,229
+
+y
+
+8
+00:00:58,229 --> 00:00:58,239
+
+ 
+
+9
+00:00:58,239 --> 00:01:11,230
+
+Yar C
+
+10
+00:01:11,230 --> 00:01:11,240
+
+ 
+
+11
+00:01:11,240 --> 00:01:58,830
+
+fore foree
+
+12
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+13
+00:01:58,840 --> 00:02:00,789
+
+r
+
+14
+00:02:00,789 --> 00:02:00,799
+r
+ 
+
+15
+00:02:00,799 --> 00:02:03,799
+r
+finish
+

1994/tp7ss_bTP4Y.description

@@ -0,0 +1,38 @@
+Clerks movie clips: http://j.mp/1uwFxFG
+BUY THE MOVIE: http://amzn.to/t3uBZi
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Dante (Brian O'Halloran) isn't relieved from his shift, he improvises his scheduled hockey game to take place on the roof of the Quick Stop.
+
+FILM DESCRIPTION:
+When Dante Hicks (Brian O'Halloran) is reluctantly put in charge of the Quick Stop market on his day off, he tries, though half-heartedly, to perform his minimum-wage duties as efficiently as possible. This gets tough amidst the on-going fight with his girlfriend, Veronica (Marilyn Ghigliotti), and his attempt to get back together with his ex-girlfriend, Caitlyn Bree (Lisa Spoonhauer). Meanwhile, his friend and alter ego Randall (Jeff Anderson) is working behind the counter of the adjacent video store -- at least when he feels like it. Randall's unabashed disdain of his place of employment, a long with his self-admitted hatred towards its customers is a sharp contrast to Dante's feeble attempts at the niceties of customer service. Much of the film consists of Randall and Dante's criticism of their customers, their lives, and the world in general. Clerks, filmed in black-and-white on a budget of only $27,000, began the career of writer director Kevin Smith, who would go on to make Mallrats (1995), Chasing Amy (1997), Dogma (1999), and Jay and Silent Bob Strike Back (2001).
+
+CREDITS:
+TM & © Miramax Films (1994)
+Cast: Brian O'Halloran, Jason Mewes, Scott Mosier, Vincent Pereira, Brian Drinkwater, Bob Fisler, Derek Jaccodine
+Director: Kevin Smith
+Producers: Scott Mosier, Kevin Smith
+Screenwriter: Kevin Smith
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/tvKzyYy6qvY.description

@@ -0,0 +1,38 @@
+Forrest Gump movie clips: http://j.mp/1JbUY9j
+BUY THE MOVIE: http://amzn.to/uu7WJe
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Forrest (Tom Hanks) tells the story of how young Forrest (Michael Conner Humphreys) meets young Jenny (Hanna Hall) for the first time.
+
+FILM DESCRIPTION:
+"Stupid is as stupid does," says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest's mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people.
+
+CREDITS:
+TM & © Paramount (1994)
+Cast: Tom Hanks, Michael Conner Humphreys, Hanna Hall
+Director: Robert Zemeckis
+Producers: Wendy Finerman, Charles Newirth, Steve Starkey, Steve Tisch
+Screenwriters: Winston Groom, Eric Roth
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/tvKzyYy6qvY.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:00,030 --> 00:00:01,640
+
+I don't recall what I got for my first
+
+2
+00:00:01,640 --> 00:00:01,650
+I don't recall what I got for my first
+ 
+
+3
+00:00:01,650 --> 00:00:03,740
+I don't recall what I got for my first
+Christmas I don't know when I went on my
+
+4
+00:00:03,740 --> 00:00:03,750
+Christmas I don't know when I went on my
+ 
+
+5
+00:00:03,750 --> 00:00:08,000
+Christmas I don't know when I went on my
+first outdoor picnic but I do remember
+
+6
+00:00:08,000 --> 00:00:08,010
+first outdoor picnic but I do remember
+ 
+
+7
+00:00:08,010 --> 00:00:18,279
+first outdoor picnic but I do remember
+the first time I heard sweetest voice I
+
+8
+00:00:18,279 --> 00:00:18,289
+
+ 
+
+9
+00:00:18,289 --> 00:00:21,679
+
+had never seen anything so beautiful in
+
+10
+00:00:21,679 --> 00:00:21,689
+had never seen anything so beautiful in
+ 
+
+11
+00:00:21,689 --> 00:00:25,380
+had never seen anything so beautiful in
+my life she was like an angel
+
+12
+00:00:25,380 --> 00:00:25,390
+my life she was like an angel
+ 
+
+13
+00:00:25,390 --> 00:00:33,160
+my life she was like an angel
+[Music]
+
+14
+00:00:33,160 --> 00:00:33,170
+[Music]
+ 
+
+15
+00:00:33,170 --> 00:00:35,440
+[Music]
+what's wrong with your wallet I'm
+
+16
+00:00:35,440 --> 00:00:35,450
+what's wrong with your wallet I'm
+ 
+
+17
+00:00:35,450 --> 00:00:37,840
+what's wrong with your wallet I'm
+nothing at all thank you my wigs are
+
+18
+00:00:37,840 --> 00:00:37,850
+nothing at all thank you my wigs are
+ 
+
+19
+00:00:37,850 --> 00:00:41,560
+nothing at all thank you my wigs are
+just fine and dandy I just sat next to
+
+20
+00:00:41,560 --> 00:00:41,570
+just fine and dandy I just sat next to
+ 
+
+21
+00:00:41,570 --> 00:00:43,870
+just fine and dandy I just sat next to
+hell on that bus and had a conversation
+
+22
+00:00:43,870 --> 00:00:43,880
+hell on that bus and had a conversation
+ 
+
+23
+00:00:43,880 --> 00:00:50,680
+hell on that bus and had a conversation
+all the way to school mama no one ever
+
+24
+00:00:50,680 --> 00:00:50,690
+all the way to school mama no one ever
+ 
+
+25
+00:00:50,690 --> 00:00:53,580
+all the way to school mama no one ever
+talked to me or asked me questions I
+
+26
+00:00:53,580 --> 00:00:53,590
+talked to me or asked me questions I
+ 
+
+27
+00:00:53,590 --> 00:00:56,110
+talked to me or asked me questions I
+ain't stupid or something
+
+28
+00:00:56,110 --> 00:00:56,120
+ain't stupid or something
+ 
+
+29
+00:00:56,120 --> 00:01:01,060
+ain't stupid or something
+promises to be exist if it does I'm
+
+30
+00:01:01,060 --> 00:01:01,070
+promises to be exist if it does I'm
+ 
+
+31
+00:01:01,070 --> 00:01:05,620
+promises to be exist if it does I'm
+Jenny I'm Forrest Forrest Gump from that
+
+32
+00:01:05,620 --> 00:01:05,630
+Jenny I'm Forrest Forrest Gump from that
+ 
+
+33
+00:01:05,630 --> 00:01:07,719
+Jenny I'm Forrest Forrest Gump from that
+day on we was always together Gitty me
+
+34
+00:01:07,719 --> 00:01:07,729
+day on we was always together Gitty me
+ 
+
+35
+00:01:07,729 --> 00:01:12,950
+day on we was always together Gitty me
+was like peas and carrots
+
+36
+00:01:12,950 --> 00:01:12,960
+
+ 
+
+37
+00:01:12,960 --> 00:01:18,830
+
+she taught me how to climb I showed her
+
+38
+00:01:18,830 --> 00:01:18,840
+she taught me how to climb I showed her
+ 
+
+39
+00:01:18,840 --> 00:01:19,750
+she taught me how to climb I showed her
+how to die angle
+
+40
+00:01:19,750 --> 00:01:19,760
+how to die angle
+ 
+
+41
+00:01:19,760 --> 00:01:22,060
+how to die angle
+[Music]
+
+42
+00:01:22,060 --> 00:01:22,070
+[Music]
+ 
+
+43
+00:01:22,070 --> 00:01:26,360
+[Music]
+she helped me learn how to read and I
+
+44
+00:01:26,360 --> 00:01:26,370
+she helped me learn how to read and I
+ 
+
+45
+00:01:26,370 --> 00:01:30,950
+she helped me learn how to read and I
+showed her how to slang sometimes we
+
+46
+00:01:30,950 --> 00:01:30,960
+showed her how to slang sometimes we
+ 
+
+47
+00:01:30,960 --> 00:01:34,520
+showed her how to slang sometimes we
+just sit out wait for the stars dramas
+
+48
+00:01:34,520 --> 00:01:34,530
+just sit out wait for the stars dramas
+ 
+
+49
+00:01:34,530 --> 00:01:37,970
+just sit out wait for the stars dramas
+gonna worry about me just a little
+
+50
+00:01:37,970 --> 00:01:37,980
+gonna worry about me just a little
+ 
+
+51
+00:01:37,980 --> 00:01:41,540
+gonna worry about me just a little
+longer for some reason Jeannie didn't
+
+52
+00:01:41,540 --> 00:01:41,550
+longer for some reason Jeannie didn't
+ 
+
+53
+00:01:41,550 --> 00:01:45,290
+longer for some reason Jeannie didn't
+ever want to go home okay Jeannie I'll
+
+54
+00:01:45,290 --> 00:01:45,300
+ever want to go home okay Jeannie I'll
+ 
+
+55
+00:01:45,300 --> 00:01:50,410
+ever want to go home okay Jeannie I'll
+stay she was my most special friend
+
+56
+00:01:50,410 --> 00:01:50,420
+stay she was my most special friend
+ 
+
+57
+00:01:50,420 --> 00:02:21,470
+stay she was my most special friend
+[Music]
+

1994/tvy0nfXbStY.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:01,199 --> 00:00:06,070
+
+charles charles we must talk
+
+2
+00:00:06,070 --> 00:00:06,080
+
+ 
+
+3
+00:00:06,080 --> 00:00:09,509
+
+right you're right it is charlie
+
+4
+00:00:09,509 --> 00:00:09,519
+right you're right it is charlie
+ 
+
+5
+00:00:09,519 --> 00:00:11,430
+right you're right it is charlie
+i've spoken to lots of people about you
+
+6
+00:00:11,430 --> 00:00:11,440
+i've spoken to lots of people about you
+ 
+
+7
+00:00:11,440 --> 00:00:13,830
+i've spoken to lots of people about you
+oh and everybody agrees
+
+8
+00:00:13,830 --> 00:00:13,840
+oh and everybody agrees
+ 
+
+9
+00:00:13,840 --> 00:00:16,710
+oh and everybody agrees
+you're in real trouble charles am i the
+
+10
+00:00:16,710 --> 00:00:16,720
+you're in real trouble charles am i the
+ 
+
+11
+00:00:16,720 --> 00:00:18,470
+you're in real trouble charles am i the
+thing is you see you're sort of turning
+
+12
+00:00:18,470 --> 00:00:18,480
+thing is you see you're sort of turning
+ 
+
+13
+00:00:18,480 --> 00:00:21,590
+thing is you see you're sort of turning
+into a kind of serial monogamist one
+
+14
+00:00:21,590 --> 00:00:21,600
+into a kind of serial monogamist one
+ 
+
+15
+00:00:21,600 --> 00:00:23,269
+into a kind of serial monogamist one
+girlfriend after another yet you'll
+
+16
+00:00:23,269 --> 00:00:23,279
+girlfriend after another yet you'll
+ 
+
+17
+00:00:23,279 --> 00:00:24,710
+girlfriend after another yet you'll
+never really love anyone because you
+
+18
+00:00:24,710 --> 00:00:24,720
+never really love anyone because you
+ 
+
+19
+00:00:24,720 --> 00:00:27,269
+never really love anyone because you
+never let them near you on the contrary
+
+20
+00:00:27,269 --> 00:00:27,279
+never let them near you on the contrary
+ 
+
+21
+00:00:27,279 --> 00:00:29,589
+never let them near you on the contrary
+and i feel affectionate to them and
+
+22
+00:00:29,589 --> 00:00:29,599
+and i feel affectionate to them and
+ 
+
+23
+00:00:29,599 --> 00:00:32,229
+and i feel affectionate to them and
+sweet to them right you were even sweet
+
+24
+00:00:32,229 --> 00:00:32,239
+sweet to them right you were even sweet
+ 
+
+25
+00:00:32,239 --> 00:00:33,430
+sweet to them right you were even sweet
+to me although you thought i was an
+
+26
+00:00:33,430 --> 00:00:33,440
+to me although you thought i was an
+ 
+
+27
+00:00:33,440 --> 00:00:35,830
+to me although you thought i was an
+idiot i did not you did
+
+28
+00:00:35,830 --> 00:00:35,840
+idiot i did not you did
+ 
+
+29
+00:00:35,840 --> 00:00:38,389
+idiot i did not you did
+i thought you two is a type of submarine
+
+30
+00:00:38,389 --> 00:00:38,399
+i thought you two is a type of submarine
+ 
+
+31
+00:00:38,399 --> 00:00:39,670
+i thought you two is a type of submarine
+well in the way you were right their
+
+32
+00:00:39,670 --> 00:00:39,680
+well in the way you were right their
+ 
+
+33
+00:00:39,680 --> 00:00:41,830
+well in the way you were right their
+music has a very naval beast
+
+34
+00:00:41,830 --> 00:00:41,840
+music has a very naval beast
+ 
+
+35
+00:00:41,840 --> 00:00:42,950
+music has a very naval beast
+charles
+
+36
+00:00:42,950 --> 00:00:42,960
+charles
+ 
+
+37
+00:00:42,960 --> 00:00:45,030
+charles
+you must give people a chance you don't
+
+38
+00:00:45,030 --> 00:00:45,040
+you must give people a chance you don't
+ 
+
+39
+00:00:45,040 --> 00:00:47,029
+you must give people a chance you don't
+have to think i must get married but you
+
+40
+00:00:47,029 --> 00:00:47,039
+have to think i must get married but you
+ 
+
+41
+00:00:47,039 --> 00:00:48,630
+have to think i must get married but you
+mustn't start every relationship
+
+42
+00:00:48,630 --> 00:00:48,640
+mustn't start every relationship
+ 
+
+43
+00:00:48,640 --> 00:00:50,549
+mustn't start every relationship
+thinking i mustn't get married and you
+
+44
+00:00:50,549 --> 00:00:50,559
+thinking i mustn't get married and you
+ 
+
+45
+00:00:50,559 --> 00:00:51,830
+thinking i mustn't get married and you
+know me most of the time i don't think
+
+46
+00:00:51,830 --> 00:00:51,840
+know me most of the time i don't think
+ 
+
+47
+00:00:51,840 --> 00:00:53,990
+know me most of the time i don't think
+at all i just you know
+
+48
+00:00:53,990 --> 00:00:54,000
+at all i just you know
+ 
+
+49
+00:00:54,000 --> 00:00:57,990
+at all i just you know
+put her on oh sorry oh god the way he
+
+50
+00:00:57,990 --> 00:00:58,000
+put her on oh sorry oh god the way he
+ 
+
+51
+00:00:58,000 --> 00:01:00,229
+put her on oh sorry oh god the way he
+used to look at me
+
+52
+00:01:00,229 --> 00:01:00,239
+used to look at me
+ 
+
+53
+00:01:00,239 --> 00:01:02,869
+used to look at me
+i just misread it that's all
+
+54
+00:01:02,869 --> 00:01:02,879
+i just misread it that's all
+ 
+
+55
+00:01:02,879 --> 00:01:04,549
+i just misread it that's all
+for what time i thought you were going
+
+56
+00:01:04,549 --> 00:01:04,559
+for what time i thought you were going
+ 
+
+57
+00:01:04,559 --> 00:01:06,550
+for what time i thought you were going
+to propose and all the time you're just
+
+58
+00:01:06,550 --> 00:01:06,560
+to propose and all the time you're just
+ 
+
+59
+00:01:06,560 --> 00:01:10,630
+to propose and all the time you're just
+working out early no no it wasn't oh god
+
+60
+00:01:10,630 --> 00:01:10,640
+working out early no no it wasn't oh god
+ 
+
+61
+00:01:10,640 --> 00:01:12,469
+working out early no no it wasn't oh god
+it's ridiculous
+
+62
+00:01:12,469 --> 00:01:12,479
+it's ridiculous
+ 
+
+63
+00:01:12,479 --> 00:01:14,550
+it's ridiculous
+no no a hand
+
+64
+00:01:14,550 --> 00:01:14,560
+no no a hand
+ 
+
+65
+00:01:14,560 --> 00:01:16,630
+no no a hand
+pen
+
+66
+00:01:16,630 --> 00:01:16,640
+pen
+ 
+
+67
+00:01:16,640 --> 00:01:19,030
+pen
+having a good night
+
+68
+00:01:19,030 --> 00:01:19,040
+having a good night
+ 
+
+69
+00:01:19,040 --> 00:01:21,350
+having a good night
+yes yes it's it's it's uh right up there
+
+70
+00:01:21,350 --> 00:01:21,360
+yes yes it's it's it's uh right up there
+ 
+
+71
+00:01:21,360 --> 00:01:22,950
+yes yes it's it's it's uh right up there
+with my father's funeral for sheer
+
+72
+00:01:22,950 --> 00:01:22,960
+with my father's funeral for sheer
+ 
+
+73
+00:01:22,960 --> 00:01:25,190
+with my father's funeral for sheer
+entertainment
+
+74
+00:01:25,190 --> 00:01:25,200
+entertainment
+ 
+
+75
+00:01:25,200 --> 00:01:26,469
+entertainment
+thought you'd gone
+
+76
+00:01:26,469 --> 00:01:26,479
+thought you'd gone
+ 
+
+77
+00:01:26,479 --> 00:01:28,390
+thought you'd gone
+no hamish has to take the edinburgh
+
+78
+00:01:28,390 --> 00:01:28,400
+no hamish has to take the edinburgh
+ 
+
+79
+00:01:28,400 --> 00:01:59,749
+no hamish has to take the edinburgh
+sleeper i'm off now keep me company
+
+80
+00:01:59,749 --> 00:01:59,759
+
+ 
+
+81
+00:01:59,759 --> 00:02:01,840
+
+you
+

1994/uAtcsqDjOr8.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,120 --> 00:00:02,030
+
+she one of those little offices little
+
+2
+00:00:02,030 --> 00:00:02,040
+she one of those little offices little
+ 
+
+3
+00:00:02,040 --> 00:00:06,430
+she one of those little offices little
+director's Offices here upstairs why you
+
+4
+00:00:06,430 --> 00:00:06,440
+director's Offices here upstairs why you
+ 
+
+5
+00:00:06,440 --> 00:00:08,310
+director's Offices here upstairs why you
+go and we lock the door and we get do it
+
+6
+00:00:08,310 --> 00:00:08,320
+go and we lock the door and we get do it
+ 
+
+7
+00:00:08,320 --> 00:00:10,270
+go and we lock the door and we get do it
+on the rug you know little ceremonial
+
+8
+00:00:10,270 --> 00:00:10,280
+on the rug you know little ceremonial
+ 
+
+9
+00:00:10,280 --> 00:00:15,549
+on the rug you know little ceremonial
+quickie grow up chy grow up okay I won't
+
+10
+00:00:15,549 --> 00:00:15,559
+quickie grow up chy grow up okay I won't
+ 
+
+11
+00:00:15,559 --> 00:00:16,550
+quickie grow up chy grow up okay I won't
+make a
+
+12
+00:00:16,550 --> 00:00:16,560
+make a
+ 
+
+13
+00:00:16,560 --> 00:00:20,310
+make a
+sound just like
+
+14
+00:00:20,310 --> 00:00:20,320
+
+ 
+
+15
+00:00:20,320 --> 00:00:24,070
+
+Sally go to hell I will as soon as I
+
+16
+00:00:24,070 --> 00:00:24,080
+Sally go to hell I will as soon as I
+ 
+
+17
+00:00:24,080 --> 00:00:25,910
+Sally go to hell I will as soon as I
+figure out how I fit into all this I
+
+18
+00:00:25,910 --> 00:00:25,920
+figure out how I fit into all this I
+ 
+
+19
+00:00:25,920 --> 00:00:28,950
+figure out how I fit into all this I
+want to know how you fit into
+
+20
+00:00:28,950 --> 00:00:28,960
+want to know how you fit into
+ 
+
+21
+00:00:28,960 --> 00:00:31,150
+want to know how you fit into
+here you know how you fit in do you want
+
+22
+00:00:31,150 --> 00:00:31,160
+here you know how you fit in do you want
+ 
+
+23
+00:00:31,160 --> 00:00:33,950
+here you know how you fit in do you want
+to know you don't you do not fit into
+
+24
+00:00:33,950 --> 00:00:33,960
+to know you don't you do not fit into
+ 
+
+25
+00:00:33,960 --> 00:00:36,950
+to know you don't you do not fit into
+this now I work with
+
+26
+00:00:36,950 --> 00:00:36,960
+this now I work with
+ 
+
+27
+00:00:36,960 --> 00:00:39,270
+this now I work with
+Sally Sally and I did this project we
+
+28
+00:00:39,270 --> 00:00:39,280
+Sally Sally and I did this project we
+ 
+
+29
+00:00:39,280 --> 00:00:42,389
+Sally Sally and I did this project we
+are very proud of this project it's not
+
+30
+00:00:42,389 --> 00:00:42,399
+are very proud of this project it's not
+ 
+
+31
+00:00:42,399 --> 00:00:44,310
+are very proud of this project it's not
+about you it's about the museum okay the
+
+32
+00:00:44,310 --> 00:00:44,320
+about you it's about the museum okay the
+ 
+
+33
+00:00:44,320 --> 00:00:45,750
+about you it's about the museum okay the
+museum not everything in the world is
+
+34
+00:00:45,750 --> 00:00:45,760
+museum not everything in the world is
+ 
+
+35
+00:00:45,760 --> 00:00:55,389
+museum not everything in the world is
+about you
+
+36
+00:00:55,389 --> 00:00:55,399
+
+ 
+
+37
+00:00:55,399 --> 00:01:03,270
+
+hello I'm Sally asman
+
+38
+00:01:03,270 --> 00:01:03,280
+
+ 
+
+39
+00:01:03,280 --> 00:01:05,429
+
+s this is Livia
+
+40
+00:01:05,429 --> 00:01:05,439
+s this is Livia
+ 
+
+41
+00:01:05,439 --> 00:01:10,350
+s this is Livia
+marshack how are you
+
+42
+00:01:10,350 --> 00:01:10,360
+
+ 
+
+43
+00:01:10,360 --> 00:01:15,350
+
+fine I read your column it's very good
+
+44
+00:01:15,350 --> 00:01:15,360
+fine I read your column it's very good
+ 
+
+45
+00:01:15,360 --> 00:01:16,670
+fine I read your column it's very good
+it's very
+
+46
+00:01:16,670 --> 00:01:16,680
+it's very
+ 
+
+47
+00:01:16,680 --> 00:01:18,990
+it's very
+clever
+
+48
+00:01:18,990 --> 00:01:19,000
+clever
+ 
+
+49
+00:01:19,000 --> 00:01:22,990
+clever
+thanks I recognized you from your photo
+
+50
+00:01:22,990 --> 00:01:23,000
+thanks I recognized you from your photo
+ 
+
+51
+00:01:23,000 --> 00:01:28,630
+thanks I recognized you from your photo
+you too excuse me uh it's a passport
+
+52
+00:01:28,630 --> 00:01:28,640
+you too excuse me uh it's a passport
+ 
+
+53
+00:01:28,640 --> 00:01:32,109
+you too excuse me uh it's a passport
+photo really
+
+54
+00:01:32,109 --> 00:01:32,119
+
+ 
+
+55
+00:01:32,119 --> 00:01:34,270
+
+it's very nice I like it well you know
+
+56
+00:01:34,270 --> 00:01:34,280
+it's very nice I like it well you know
+ 
+
+57
+00:01:34,280 --> 00:01:35,550
+it's very nice I like it well you know
+what they say if you look anything like
+
+58
+00:01:35,550 --> 00:01:35,560
+what they say if you look anything like
+ 
+
+59
+00:01:35,560 --> 00:01:37,109
+what they say if you look anything like
+your passport photo you're not well
+
+60
+00:01:37,109 --> 00:01:37,119
+your passport photo you're not well
+ 
+
+61
+00:01:37,119 --> 00:01:41,469
+your passport photo you're not well
+enough to
+
+62
+00:01:41,469 --> 00:01:41,479
+
+ 
+
+63
+00:01:41,479 --> 00:01:48,709
+
+travel Hi Megan
+
+64
+00:01:48,709 --> 00:01:48,719
+
+ 
+
+65
+00:01:48,719 --> 00:01:52,310
+
+hi well it's nice to have met
+
+66
+00:01:52,310 --> 00:01:52,320
+hi well it's nice to have met
+ 
+
+67
+00:01:52,320 --> 00:01:54,389
+hi well it's nice to have met
+you at
+
+68
+00:01:54,389 --> 00:01:54,399
+you at
+ 
+
+69
+00:01:54,399 --> 00:02:08,270
+you at
+last likewise
+
+70
+00:02:08,270 --> 00:02:08,280
+
+ 
+
+71
+00:02:08,280 --> 00:02:09,589
+
+I guess that's what you call a home
+
+72
+00:02:09,589 --> 00:02:09,599
+I guess that's what you call a home
+ 
+
+73
+00:02:09,599 --> 00:02:12,920
+I guess that's what you call a home
+court advantage
+

1994/uQlKjRScXww.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:00,260 --> 00:00:05,510
+
+mount rich more hmm I said we needed a
+
+2
+00:00:05,510 --> 00:00:05,520
+mount rich more hmm I said we needed a
+ 
+
+3
+00:00:05,520 --> 00:00:09,320
+mount rich more hmm I said we needed a
+family portrait Regina but this was
+
+4
+00:00:09,320 --> 00:00:09,330
+family portrait Regina but this was
+ 
+
+5
+00:00:09,330 --> 00:00:12,169
+family portrait Regina but this was
+Rafael's idea she's the artist I didn't
+
+6
+00:00:12,169 --> 00:00:12,179
+Rafael's idea she's the artist I didn't
+ 
+
+7
+00:00:12,179 --> 00:00:14,419
+Rafael's idea she's the artist I didn't
+want to stifle her creativity oh honey
+
+8
+00:00:14,419 --> 00:00:14,429
+want to stifle her creativity oh honey
+ 
+
+9
+00:00:14,429 --> 00:00:17,120
+want to stifle her creativity oh honey
+you know me I'm all for the arts but
+
+10
+00:00:17,120 --> 00:00:17,130
+you know me I'm all for the arts but
+ 
+
+11
+00:00:17,130 --> 00:00:18,230
+you know me I'm all for the arts but
+don't you think it's just a tad
+
+12
+00:00:18,230 --> 00:00:18,240
+don't you think it's just a tad
+ 
+
+13
+00:00:18,240 --> 00:00:20,570
+don't you think it's just a tad
+pretentious our face is a hundred feet
+
+14
+00:00:20,570 --> 00:00:20,580
+pretentious our face is a hundred feet
+ 
+
+15
+00:00:20,580 --> 00:00:21,429
+pretentious our face is a hundred feet
+high
+
+16
+00:00:21,429 --> 00:00:21,439
+high
+ 
+
+17
+00:00:21,439 --> 00:00:23,920
+high
+wait'll Geraldo gets ahold of this
+
+18
+00:00:23,920 --> 00:00:23,930
+wait'll Geraldo gets ahold of this
+ 
+
+19
+00:00:23,930 --> 00:00:26,900
+wait'll Geraldo gets ahold of this
+Richard um you're overreacting say how'd
+
+20
+00:00:26,900 --> 00:00:26,910
+Richard um you're overreacting say how'd
+ 
+
+21
+00:00:26,910 --> 00:00:29,060
+Richard um you're overreacting say how'd
+you get it done so fast I've only been
+
+22
+00:00:29,060 --> 00:00:29,070
+you get it done so fast I've only been
+ 
+
+23
+00:00:29,070 --> 00:00:30,890
+you get it done so fast I've only been
+gone a week professor came being
+
+24
+00:00:30,890 --> 00:00:30,900
+gone a week professor came being
+ 
+
+25
+00:00:30,900 --> 00:00:33,500
+gone a week professor came being
+invented some proton particle Maximizer
+
+26
+00:00:33,500 --> 00:00:33,510
+invented some proton particle Maximizer
+ 
+
+27
+00:00:33,510 --> 00:00:34,970
+invented some proton particle Maximizer
+or something like that anyway it seems
+
+28
+00:00:34,970 --> 00:00:34,980
+or something like that anyway it seems
+ 
+
+29
+00:00:34,980 --> 00:00:38,080
+or something like that anyway it seems
+to do the job my cheeks are too puffy I
+
+30
+00:00:38,080 --> 00:00:38,090
+to do the job my cheeks are too puffy I
+ 
+
+31
+00:00:38,090 --> 00:00:41,209
+to do the job my cheeks are too puffy I
+know I know Regina I put on a few pounds
+
+32
+00:00:41,209 --> 00:00:41,219
+know I know Regina I put on a few pounds
+ 
+
+33
+00:00:41,219 --> 00:00:43,940
+know I know Regina I put on a few pounds
+but you have to admit that I do look
+
+34
+00:00:43,940 --> 00:00:43,950
+but you have to admit that I do look
+ 
+
+35
+00:00:43,950 --> 00:00:49,819
+but you have to admit that I do look
+puffy hey great to see you oh how you
+
+36
+00:00:49,819 --> 00:00:49,829
+puffy hey great to see you oh how you
+ 
+
+37
+00:00:49,829 --> 00:00:52,130
+puffy hey great to see you oh how you
+doing big fella how was the
+
+38
+00:00:52,130 --> 00:00:52,140
+doing big fella how was the
+ 
+
+39
+00:00:52,140 --> 00:00:54,410
+doing big fella how was the
+ribbon-cutting at United tool great and
+
+40
+00:00:54,410 --> 00:00:54,420
+ribbon-cutting at United tool great and
+ 
+
+41
+00:00:54,420 --> 00:00:56,869
+ribbon-cutting at United tool great and
+I give you a gift it did socket wrenches
+
+42
+00:00:56,869 --> 00:00:56,879
+I give you a gift it did socket wrenches
+ 
+
+43
+00:00:56,879 --> 00:00:59,630
+I give you a gift it did socket wrenches
+Oh socket wrenches son I love a good
+
+44
+00:00:59,630 --> 00:00:59,640
+Oh socket wrenches son I love a good
+ 
+
+45
+00:00:59,640 --> 00:01:07,640
+Oh socket wrenches son I love a good
+socket wrench baseball great excuse me
+
+46
+00:01:07,640 --> 00:01:07,650
+socket wrench baseball great excuse me
+ 
+
+47
+00:01:07,650 --> 00:01:08,030
+socket wrench baseball great excuse me
+sir
+
+48
+00:01:08,030 --> 00:01:08,040
+sir
+ 
+
+49
+00:01:08,040 --> 00:01:10,580
+sir
+it's a telephone call the president what
+
+50
+00:01:10,580 --> 00:01:10,590
+it's a telephone call the president what
+ 
+
+51
+00:01:10,590 --> 00:01:12,289
+it's a telephone call the president what
+country this one sir
+
+52
+00:01:12,289 --> 00:01:12,299
+country this one sir
+ 
+
+53
+00:01:12,299 --> 00:01:15,140
+country this one sir
+Oh probably needs another loan if this
+
+54
+00:01:15,140 --> 00:01:15,150
+Oh probably needs another loan if this
+ 
+
+55
+00:01:15,150 --> 00:01:21,310
+Oh probably needs another loan if this
+won't take long son I'll be right back
+
+56
+00:01:21,310 --> 00:01:21,320
+
+ 
+
+57
+00:01:21,320 --> 00:01:26,140
+
+okay with you kids over of course do a
+
+58
+00:01:26,140 --> 00:01:26,150
+okay with you kids over of course do a
+ 
+
+59
+00:01:26,150 --> 00:01:29,210
+okay with you kids over of course do a
+dinner party will you just tell me who
+
+60
+00:01:29,210 --> 00:01:29,220
+dinner party will you just tell me who
+ 
+
+61
+00:01:29,220 --> 00:01:30,800
+dinner party will you just tell me who
+and when and we'll send out the
+
+62
+00:01:30,800 --> 00:01:30,810
+and when and we'll send out the
+ 
+
+63
+00:01:30,810 --> 00:01:33,020
+and when and we'll send out the
+invitations not a party mom just
+
+64
+00:01:33,020 --> 00:01:33,030
+invitations not a party mom just
+ 
+
+65
+00:01:33,030 --> 00:01:36,380
+invitations not a party mom just
+something informal all right then more
+
+66
+00:01:36,380 --> 00:01:36,390
+something informal all right then more
+ 
+
+67
+00:01:36,390 --> 00:01:38,960
+something informal all right then more
+like a buffet we can use the Oak Room
+
+68
+00:01:38,960 --> 00:01:38,970
+like a buffet we can use the Oak Room
+ 
+
+69
+00:01:38,970 --> 00:01:40,399
+like a buffet we can use the Oak Room
+I'm sure that room is large enough to
+
+70
+00:01:40,399 --> 00:01:40,409
+I'm sure that room is large enough to
+ 
+
+71
+00:01:40,409 --> 00:01:42,499
+I'm sure that room is large enough to
+accommodate your friends from school my
+
+72
+00:01:42,499 --> 00:01:42,509
+accommodate your friends from school my
+ 
+
+73
+00:01:42,509 --> 00:01:48,380
+accommodate your friends from school my
+from school excuse me master Richie it's
+
+74
+00:01:48,380 --> 00:01:48,390
+from school excuse me master Richie it's
+ 
+
+75
+00:01:48,390 --> 00:01:50,149
+from school excuse me master Richie it's
+time for your chemistry lesson with
+
+76
+00:01:50,149 --> 00:01:50,159
+time for your chemistry lesson with
+ 
+
+77
+00:01:50,159 --> 00:01:53,330
+time for your chemistry lesson with
+professor keenbean do I have to schedule
+
+78
+00:01:53,330 --> 00:01:53,340
+professor keenbean do I have to schedule
+ 
+
+79
+00:01:53,340 --> 00:01:55,639
+professor keenbean do I have to schedule
+sir is like a house of cards take one
+
+80
+00:01:55,639 --> 00:01:55,649
+sir is like a house of cards take one
+ 
+
+81
+00:01:55,649 --> 00:01:57,170
+sir is like a house of cards take one
+away and they all will come tumbling
+
+82
+00:01:57,170 --> 00:01:57,180
+away and they all will come tumbling
+ 
+
+83
+00:01:57,180 --> 00:01:59,210
+away and they all will come tumbling
+down
+

1994/ufllQr0ClXg.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:01,730 --> 00:00:16,490
+
+[Music]
+
+2
+00:00:16,490 --> 00:00:16,500
+
+ 
+
+3
+00:00:16,500 --> 00:00:21,630
+
+[Music]
+
+4
+00:00:21,630 --> 00:00:21,640
+
+ 
+
+5
+00:00:21,640 --> 00:00:59,750
+
+I seem to have a low bar for the nougat
+
+6
+00:00:59,750 --> 00:00:59,760
+I seem to have a low bar for the nougat
+ 
+
+7
+00:00:59,760 --> 00:01:02,270
+I seem to have a low bar for the nougat
+no problem
+
+8
+00:01:02,270 --> 00:01:02,280
+no problem
+ 
+
+9
+00:01:02,280 --> 00:01:25,710
+no problem
+Donna yes please this way somebody
+
+10
+00:01:25,710 --> 00:01:25,720
+Donna yes please this way somebody
+ 
+
+11
+00:01:25,720 --> 00:01:33,990
+Donna yes please this way somebody
+poured it from oh Jesus Nica must have
+
+12
+00:01:33,990 --> 00:01:34,000
+poured it from oh Jesus Nica must have
+ 
+
+13
+00:01:34,000 --> 00:01:40,560
+poured it from oh Jesus Nica must have
+been a bad year hmm maybe we should
+
+14
+00:01:40,560 --> 00:01:40,570
+been a bad year hmm maybe we should
+ 
+
+15
+00:01:40,570 --> 00:01:44,310
+been a bad year hmm maybe we should
+strap on the old feedbag what's out did
+
+16
+00:01:44,310 --> 00:01:44,320
+strap on the old feedbag what's out did
+ 
+
+17
+00:01:44,320 --> 00:01:47,399
+strap on the old feedbag what's out did
+I bring this one why don't we swap
+
+18
+00:01:47,399 --> 00:01:47,409
+I bring this one why don't we swap
+ 
+
+19
+00:01:47,409 --> 00:01:51,810
+I bring this one why don't we swap
+what's yours is mine no it's - ours you
+
+20
+00:01:51,810 --> 00:01:51,820
+what's yours is mine no it's - ours you
+ 
+
+21
+00:01:51,820 --> 00:01:53,730
+what's yours is mine no it's - ours you
+know just what to say to take a girl's
+
+22
+00:01:53,730 --> 00:01:53,740
+know just what to say to take a girl's
+ 
+
+23
+00:01:53,740 --> 00:01:55,730
+know just what to say to take a girl's
+breath away
+
+24
+00:01:55,730 --> 00:01:55,740
+breath away
+ 
+
+25
+00:01:55,740 --> 00:02:06,260
+breath away
+this will take our breath away
+
+26
+00:02:06,260 --> 00:02:06,270
+
+ 
+
+27
+00:02:06,270 --> 00:02:08,670
+
+are you sure know how to make a
+
+28
+00:02:08,670 --> 00:02:08,680
+are you sure know how to make a
+ 
+
+29
+00:02:08,680 --> 00:02:09,740
+are you sure know how to make a
+sand-witch
+
+30
+00:02:09,740 --> 00:02:09,750
+sand-witch
+ 
+
+31
+00:02:09,750 --> 00:02:13,920
+sand-witch
+balance an accumulator don't worry it's
+
+32
+00:02:13,920 --> 00:02:13,930
+balance an accumulator don't worry it's
+ 
+
+33
+00:02:13,930 --> 00:02:29,480
+balance an accumulator don't worry it's
+pretty fresh so do you very crunchy
+
+34
+00:02:29,480 --> 00:02:29,490
+
+ 
+
+35
+00:02:29,490 --> 00:02:39,600
+
+maybe we should move on to dessert it's
+
+36
+00:02:39,600 --> 00:02:39,610
+maybe we should move on to dessert it's
+ 
+
+37
+00:02:39,610 --> 00:02:45,480
+maybe we should move on to dessert it's
+a surprise it's beautiful
+
+38
+00:02:45,480 --> 00:02:45,490
+a surprise it's beautiful
+ 
+
+39
+00:02:45,490 --> 00:02:48,030
+a surprise it's beautiful
+I had these six boxes of Cracker Jacks
+
+40
+00:02:48,030 --> 00:02:48,040
+I had these six boxes of Cracker Jacks
+ 
+
+41
+00:02:48,040 --> 00:02:51,290
+I had these six boxes of Cracker Jacks
+to find it it's a symbol of my undying
+
+42
+00:02:51,290 --> 00:02:51,300
+to find it it's a symbol of my undying
+ 
+
+43
+00:02:51,300 --> 00:02:57,720
+to find it it's a symbol of my undying
+affliction for you I love diamonds
+
+44
+00:02:57,720 --> 00:02:57,730
+
+ 
+
+45
+00:02:57,730 --> 00:03:07,580
+
+[Music]
+
+46
+00:03:07,580 --> 00:03:07,590
+[Music]
+ 
+
+47
+00:03:07,590 --> 00:03:15,080
+[Music]
+I was wrong about you alfalfa you're not
+
+48
+00:03:15,080 --> 00:03:15,090
+I was wrong about you alfalfa you're not
+ 
+
+49
+00:03:15,090 --> 00:03:19,180
+I was wrong about you alfalfa you're not
+embarrassed by the woman you love Darla
+
+50
+00:03:19,180 --> 00:03:19,190
+embarrassed by the woman you love Darla
+ 
+
+51
+00:03:19,190 --> 00:03:26,470
+embarrassed by the woman you love Darla
+would you thank me 45t for a big wet one
+
+52
+00:03:26,470 --> 00:03:26,480
+would you thank me 45t for a big wet one
+ 
+
+53
+00:03:26,480 --> 00:03:30,950
+would you thank me 45t for a big wet one
+what a kiss okay
+
+54
+00:03:30,950 --> 00:03:30,960
+what a kiss okay
+ 
+
+55
+00:03:30,960 --> 00:03:48,770
+what a kiss okay
+[Music]
+

1994/v0gGWiRkjYM.en.srt

@@ -0,0 +1,254 @@
+1
+00:00:01,530 --> 00:00:03,710
+
+goodbye
+
+2
+00:00:03,710 --> 00:00:03,720
+goodbye
+ 
+
+3
+00:00:03,720 --> 00:00:09,959
+goodbye
+[Applause]
+
+4
+00:00:09,959 --> 00:00:09,969
+
+ 
+
+5
+00:00:09,969 --> 00:00:12,940
+
+h
+
+6
+00:00:12,940 --> 00:00:12,950
+h
+ 
+
+7
+00:00:12,950 --> 00:00:17,130
+h
+and
+
+8
+00:00:17,130 --> 00:00:17,140
+
+ 
+
+9
+00:00:17,140 --> 00:00:27,540
+
+[Music]
+
+10
+00:00:27,540 --> 00:00:27,550
+[Music]
+ 
+
+11
+00:00:27,550 --> 00:00:31,160
+[Music]
+look
+
+12
+00:00:31,160 --> 00:00:31,170
+
+ 
+
+13
+00:00:31,170 --> 00:00:41,270
+
+[Music]
+
+14
+00:00:41,270 --> 00:00:41,280
+[Music]
+ 
+
+15
+00:00:41,280 --> 00:00:43,190
+[Music]
+etc
+
+16
+00:00:43,190 --> 00:00:43,200
+etc
+ 
+
+17
+00:00:43,200 --> 00:00:44,650
+etc
+yes
+
+18
+00:00:44,650 --> 00:00:44,660
+yes
+ 
+
+19
+00:00:44,660 --> 00:00:47,240
+yes
+[Music]
+
+20
+00:00:47,240 --> 00:00:47,250
+[Music]
+ 
+
+21
+00:00:47,250 --> 00:00:52,380
+[Music]
+for
+
+22
+00:00:52,380 --> 00:00:52,390
+
+ 
+
+23
+00:00:52,390 --> 00:00:57,750
+
+[Music]
+
+24
+00:00:57,750 --> 00:00:57,760
+[Music]
+ 
+
+25
+00:00:57,760 --> 00:01:00,860
+[Music]
+working the
+
+26
+00:01:00,860 --> 00:01:00,870
+
+ 
+
+27
+00:01:00,870 --> 00:01:02,250
+
+same
+
+28
+00:01:02,250 --> 00:01:02,260
+same
+ 
+
+29
+00:01:02,260 --> 00:01:05,459
+same
+[Music]
+
+30
+00:01:05,459 --> 00:01:05,469
+[Music]
+ 
+
+31
+00:01:05,469 --> 00:01:07,720
+[Music]
+yes
+
+32
+00:01:07,720 --> 00:01:07,730
+yes
+ 
+
+33
+00:01:07,730 --> 00:01:11,330
+yes
+[Music]
+
+34
+00:01:11,330 --> 00:01:11,340
+
+ 
+
+35
+00:01:11,340 --> 00:01:15,880
+
+3
+
+36
+00:01:15,880 --> 00:01:15,890
+
+ 
+
+37
+00:01:15,890 --> 00:01:20,489
+
+[Music]
+
+38
+00:01:20,489 --> 00:01:20,499
+[Music]
+ 
+
+39
+00:01:20,499 --> 00:01:22,870
+[Music]
+more
+
+40
+00:01:22,870 --> 00:01:22,880
+more
+ 
+
+41
+00:01:22,880 --> 00:01:24,810
+more
+no e
+
+42
+00:01:24,810 --> 00:01:24,820
+no e
+ 
+
+43
+00:01:24,820 --> 00:01:25,420
+no e
+
+44
+00:01:25,420 --> 00:01:25,430
+
+ 
+
+45
+00:01:25,430 --> 00:02:01,370
+
+[Music]
+
+46
+00:02:01,370 --> 00:02:01,380
+
+ 
+
+47
+00:02:01,380 --> 00:02:10,190
+
+[Music]
+
+48
+00:02:10,190 --> 00:02:10,200
+[Music]
+ 
+
+49
+00:02:10,200 --> 00:02:12,260
+[Music]
+yes
+
+50
+00:02:12,260 --> 00:02:12,270
+yes
+ 
+
+51
+00:02:12,270 --> 00:02:37,900
+yes
+[Music]
+

1994/vXNr2xtv09Y.description

@@ -0,0 +1,38 @@
+Star Trek: Generations movie clips: http://j.mp/1BcPFTl
+BUY THE MOVIE: http://amzn.to/vXCxIR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Picard (Patrick Stewart) and Soran (Malcolm McDowell) discuss the effects of time.
+
+FILM DESCRIPTION:
+The seventh Star Trek feature passed the torch to a new crew. Decades after the original "Trek," the skipper of the fourth USS Enterprise is Jean-Luc Picard (Patrick Stewart), who investigates a massacre at a science outpost. The only survivor is Dr. Soran (Malcolm McDowall), who perpetrated the event to cover up his invention: a bomb he launches into a nearby sun, exploding it. As Soran escapes with Klingon cronies, Picard learns that Soran's plan is to summon a heavenly energy ribbon called the Nexus. Those who enter it live forever with every wish fulfilled. Attempting to stop Soran, Picard ends up inside the Nexus, where he discovers former captain James T. Kirk (William Shatner), believed to have been killed in an accident 78 years earlier.
+
+CREDITS:
+TM & © Paramount (1994)
+Cast: Malcolm McDowell, Patrick Stewart
+Director: David Carson
+Producers: Rick Berman, Peter Lauritson, Bernard Williams
+Screenwriters: Gene Roddenberry, Rick Berman, Ronald D. Moore, Brannon Braga
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/vXNr2xtv09Y.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:09,200 --> 00:00:12,919
+
+you don't have to do this sullen I'm
+
+2
+00:00:12,919 --> 00:00:12,929
+you don't have to do this sullen I'm
+ 
+
+3
+00:00:12,929 --> 00:00:14,209
+you don't have to do this sullen I'm
+sure we could find another way of
+
+4
+00:00:14,209 --> 00:00:14,219
+sure we could find another way of
+ 
+
+5
+00:00:14,219 --> 00:00:17,900
+sure we could find another way of
+getting you into this Nexus I spent 80
+
+6
+00:00:17,900 --> 00:00:17,910
+getting you into this Nexus I spent 80
+ 
+
+7
+00:00:17,910 --> 00:00:22,370
+getting you into this Nexus I spent 80
+years looking for another way believe me
+
+8
+00:00:22,370 --> 00:00:22,380
+years looking for another way believe me
+ 
+
+9
+00:00:22,380 --> 00:00:31,580
+years looking for another way believe me
+this is the only one what you're about
+
+10
+00:00:31,580 --> 00:00:31,590
+this is the only one what you're about
+ 
+
+11
+00:00:31,590 --> 00:00:34,130
+this is the only one what you're about
+to do Sauron is no different from when
+
+12
+00:00:34,130 --> 00:00:34,140
+to do Sauron is no different from when
+ 
+
+13
+00:00:34,140 --> 00:00:36,110
+to do Sauron is no different from when
+the Borg destroyed your world
+
+14
+00:00:36,110 --> 00:00:36,120
+the Borg destroyed your world
+ 
+
+15
+00:00:36,120 --> 00:00:40,220
+the Borg destroyed your world
+they killed millions - including your
+
+16
+00:00:40,220 --> 00:00:40,230
+they killed millions - including your
+ 
+
+17
+00:00:40,230 --> 00:00:50,310
+they killed millions - including your
+wife and children
+
+18
+00:00:50,310 --> 00:00:50,320
+
+ 
+
+19
+00:00:50,320 --> 00:00:59,760
+
+nice try you know there was a time when
+
+20
+00:00:59,760 --> 00:00:59,770
+nice try you know there was a time when
+ 
+
+21
+00:00:59,770 --> 00:01:03,180
+nice try you know there was a time when
+I wouldn't have to fly then the board
+
+22
+00:01:03,180 --> 00:01:03,190
+I wouldn't have to fly then the board
+ 
+
+23
+00:01:03,190 --> 00:01:08,010
+I wouldn't have to fly then the board
+came and they showed me that if there is
+
+24
+00:01:08,010 --> 00:01:08,020
+came and they showed me that if there is
+ 
+
+25
+00:01:08,020 --> 00:01:11,430
+came and they showed me that if there is
+one constant in this whole universe its
+
+26
+00:01:11,430 --> 00:01:11,440
+one constant in this whole universe its
+ 
+
+27
+00:01:11,440 --> 00:01:15,090
+one constant in this whole universe its
+death afterwards I began to realize it
+
+28
+00:01:15,090 --> 00:01:15,100
+death afterwards I began to realize it
+ 
+
+29
+00:01:15,100 --> 00:01:17,400
+death afterwards I began to realize it
+didn't really matter we're all gonna die
+
+30
+00:01:17,400 --> 00:01:17,410
+didn't really matter we're all gonna die
+ 
+
+31
+00:01:17,410 --> 00:01:21,810
+didn't really matter we're all gonna die
+sometime just a question of how you will
+
+32
+00:01:21,810 --> 00:01:21,820
+sometime just a question of how you will
+ 
+
+33
+00:01:21,820 --> 00:01:25,249
+sometime just a question of how you will
+to captain aren't you beginning to feel
+
+34
+00:01:25,249 --> 00:01:25,259
+to captain aren't you beginning to feel
+ 
+
+35
+00:01:25,259 --> 00:01:32,550
+to captain aren't you beginning to feel
+time gaining it's like a predator
+
+36
+00:01:32,550 --> 00:01:32,560
+time gaining it's like a predator
+ 
+
+37
+00:01:32,560 --> 00:01:38,460
+time gaining it's like a predator
+it's stalking you oh you can try and
+
+38
+00:01:38,460 --> 00:01:38,470
+it's stalking you oh you can try and
+ 
+
+39
+00:01:38,470 --> 00:01:41,580
+it's stalking you oh you can try and
+outrun it with doctors medicines new
+
+40
+00:01:41,580 --> 00:01:41,590
+outrun it with doctors medicines new
+ 
+
+41
+00:01:41,590 --> 00:01:44,280
+outrun it with doctors medicines new
+technologies but in the end time is
+
+42
+00:01:44,280 --> 00:01:44,290
+technologies but in the end time is
+ 
+
+43
+00:01:44,290 --> 00:01:47,389
+technologies but in the end time is
+going to hunt you down
+
+44
+00:01:47,389 --> 00:01:47,399
+
+ 
+
+45
+00:01:47,399 --> 00:01:50,639
+
+it's our mortality that defines a solid
+
+46
+00:01:50,639 --> 00:01:50,649
+it's our mortality that defines a solid
+ 
+
+47
+00:01:50,649 --> 00:01:56,060
+it's our mortality that defines a solid
+it's part of the truth of our existence
+
+48
+00:01:56,060 --> 00:01:56,070
+
+ 
+
+49
+00:01:56,070 --> 00:02:01,590
+
+what if I told you I found a new the
+
+50
+00:02:01,590 --> 00:02:01,600
+what if I told you I found a new the
+ 
+
+51
+00:02:01,600 --> 00:02:09,430
+what if I told you I found a new the
+Nexus the predator has no teeth
+
+52
+00:02:09,430 --> 00:02:09,440
+Nexus the predator has no teeth
+ 
+
+53
+00:02:09,440 --> 00:02:40,490
+Nexus the predator has no teeth
+[Music]
+

1994/vXNr2xtv09Y.meta

@@ -0,0 +1,21 @@
+;FFMETADATA1
+[CHAPTER]
+TIMEBASE=1/1000
+START=0
+END=136000
+title=<Untitled Chapter 1>
+[CHAPTER]
+TIMEBASE=1/1000
+START=136000
+END=141000
+title=POPULAR DIRECTOR Terry Gilliam
+[CHAPTER]
+TIMEBASE=1/1000
+START=141000
+END=146000
+title=ACTION Argue
+[CHAPTER]
+TIMEBASE=1/1000
+START=146000
+END=159000
+title=POPULAR OCCASION Dinner

1994/vyN2oD5tI80.en.srt

@@ -0,0 +1,245 @@
+1
+00:00:07,170 --> 00:00:10,390
+
+[Music]
+
+2
+00:00:10,390 --> 00:00:10,400
+
+ 
+
+3
+00:00:10,400 --> 00:00:11,749
+
+what are you doing here don't you have a
+
+4
+00:00:11,749 --> 00:00:11,759
+what are you doing here don't you have a
+ 
+
+5
+00:00:11,759 --> 00:00:26,550
+what are you doing here don't you have a
+house do you have a life
+
+6
+00:00:26,550 --> 00:00:26,560
+
+ 
+
+7
+00:00:26,560 --> 00:00:27,990
+
+junior told me where he was at last
+
+8
+00:00:27,990 --> 00:00:28,000
+junior told me where he was at last
+ 
+
+9
+00:00:28,000 --> 00:00:30,230
+junior told me where he was at last
+night he said he saw you in one of those
+
+10
+00:00:30,230 --> 00:00:30,240
+night he said he saw you in one of those
+ 
+
+11
+00:00:30,240 --> 00:00:31,750
+night he said he saw you in one of those
+gay bars
+
+12
+00:00:31,750 --> 00:00:31,760
+gay bars
+ 
+
+13
+00:00:31,760 --> 00:00:33,750
+gay bars
+is it true
+
+14
+00:00:33,750 --> 00:00:33,760
+is it true
+ 
+
+15
+00:00:33,760 --> 00:00:35,270
+is it true
+oh my god
+
+16
+00:00:35,270 --> 00:00:35,280
+oh my god
+ 
+
+17
+00:00:35,280 --> 00:00:37,510
+oh my god
+is that how i brought you up is that
+
+18
+00:00:37,510 --> 00:00:37,520
+is that how i brought you up is that
+ 
+
+19
+00:00:37,520 --> 00:00:40,069
+is that how i brought you up is that
+what i taught you to become a pata i
+
+20
+00:00:40,069 --> 00:00:40,079
+what i taught you to become a pata i
+ 
+
+21
+00:00:40,079 --> 00:00:41,430
+what i taught you to become a pata i
+know me because
+
+22
+00:00:41,430 --> 00:00:41,440
+know me because
+ 
+
+23
+00:00:41,440 --> 00:00:43,430
+know me because
+no wonder junior left you is that what
+
+24
+00:00:43,430 --> 00:00:43,440
+no wonder junior left you is that what
+ 
+
+25
+00:00:43,440 --> 00:00:45,510
+no wonder junior left you is that what
+he told you is that what you said you
+
+26
+00:00:45,510 --> 00:00:45,520
+he told you is that what you said you
+ 
+
+27
+00:00:45,520 --> 00:00:48,069
+he told you is that what you said you
+liar all right
+
+28
+00:00:48,069 --> 00:00:48,079
+liar all right
+ 
+
+29
+00:00:48,079 --> 00:00:50,229
+liar all right
+i can't believe it listen so what do you
+
+30
+00:00:50,229 --> 00:00:50,239
+i can't believe it listen so what do you
+ 
+
+31
+00:00:50,239 --> 00:00:53,110
+i can't believe it listen so what do you
+want you you sleep with women you kiss
+
+32
+00:00:53,110 --> 00:00:53,120
+want you you sleep with women you kiss
+ 
+
+33
+00:00:53,120 --> 00:00:55,510
+want you you sleep with women you kiss
+women what do you think you are a man
+
+34
+00:00:55,510 --> 00:00:55,520
+women what do you think you are a man
+ 
+
+35
+00:00:55,520 --> 00:01:06,950
+women what do you think you are a man
+mom you don't understand no you
+
+36
+00:01:06,950 --> 00:01:06,960
+
+ 
+
+37
+00:01:06,960 --> 00:01:15,109
+
+i'm getting out of here
+
+38
+00:01:15,109 --> 00:01:15,119
+
+ 
+
+39
+00:01:15,119 --> 00:01:17,109
+
+it's nothing matter what i see anyway
+
+40
+00:01:17,109 --> 00:01:17,119
+it's nothing matter what i see anyway
+ 
+
+41
+00:01:17,119 --> 00:01:19,109
+it's nothing matter what i see anyway
+it's what got you he's watching you
+
+42
+00:01:19,109 --> 00:01:19,119
+it's what got you he's watching you
+ 
+
+43
+00:01:19,119 --> 00:01:20,950
+it's what got you he's watching you
+you're gonna have to answer today if you
+
+44
+00:01:20,950 --> 00:01:20,960
+you're gonna have to answer today if you
+ 
+
+45
+00:01:20,960 --> 00:01:27,750
+you're gonna have to answer today if you
+live now forget it
+
+46
+00:01:27,750 --> 00:01:27,760
+
+ 
+
+47
+00:01:27,760 --> 00:02:00,389
+
+[Music]
+
+48
+00:02:00,389 --> 00:02:00,399
+
+ 
+
+49
+00:02:00,399 --> 00:02:02,479
+
+you
+

1994/wAE0vlaKvkM.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,260 --> 00:00:01,899
+
+[Music]
+
+2
+00:00:01,899 --> 00:00:01,909
+[Music]
+ 
+
+3
+00:00:01,909 --> 00:00:05,539
+[Music]
+yeah I have a surprise for you mr.
+
+4
+00:00:05,539 --> 00:00:05,549
+yeah I have a surprise for you mr.
+ 
+
+5
+00:00:05,549 --> 00:00:23,570
+yeah I have a surprise for you mr.
+bodeaux administration and Shawn Murat
+
+6
+00:00:23,570 --> 00:00:23,580
+bodeaux administration and Shawn Murat
+ 
+
+7
+00:00:23,580 --> 00:00:28,279
+bodeaux administration and Shawn Murat
+Jenny what I said somebody here owes my
+
+8
+00:00:28,279 --> 00:00:28,289
+Jenny what I said somebody here owes my
+ 
+
+9
+00:00:28,289 --> 00:00:33,650
+Jenny what I said somebody here owes my
+ass $100 and as the razor-sharp blade of
+
+10
+00:00:33,650 --> 00:00:33,660
+ass $100 and as the razor-sharp blade of
+ 
+
+11
+00:00:33,660 --> 00:00:35,270
+ass $100 and as the razor-sharp blade of
+the sword of Sir Gawain descends a
+
+12
+00:00:35,270 --> 00:00:35,280
+the sword of Sir Gawain descends a
+ 
+
+13
+00:00:35,280 --> 00:00:36,590
+the sword of Sir Gawain descends a
+mighty blow on the neck of the Green
+
+14
+00:00:36,590 --> 00:00:36,600
+mighty blow on the neck of the Green
+ 
+
+15
+00:00:36,600 --> 00:00:38,330
+mighty blow on the neck of the Green
+Knight through the amazement of the
+
+16
+00:00:38,330 --> 00:00:38,340
+Knight through the amazement of the
+ 
+
+17
+00:00:38,340 --> 00:00:40,549
+Knight through the amazement of the
+state of verdant hue and the head of the
+
+18
+00:00:40,549 --> 00:00:40,559
+state of verdant hue and the head of the
+ 
+
+19
+00:00:40,559 --> 00:00:42,340
+state of verdant hue and the head of the
+Green Knight the slapped off cleanly
+
+20
+00:00:42,340 --> 00:00:42,350
+Green Knight the slapped off cleanly
+ 
+
+21
+00:00:42,350 --> 00:00:44,630
+Green Knight the slapped off cleanly
+kicked around the room like a soccer
+
+22
+00:00:44,630 --> 00:00:44,640
+kicked around the room like a soccer
+ 
+
+23
+00:00:44,640 --> 00:00:47,930
+kicked around the room like a soccer
+ball by authors noble warriors whereupon
+
+24
+00:00:47,930 --> 00:00:47,940
+ball by authors noble warriors whereupon
+ 
+
+25
+00:00:47,940 --> 00:00:49,639
+ball by authors noble warriors whereupon
+the headless Green Knight strolls
+
+26
+00:00:49,639 --> 00:00:49,649
+the headless Green Knight strolls
+ 
+
+27
+00:00:49,649 --> 00:00:51,709
+the headless Green Knight strolls
+casually among Arthur's best and
+
+28
+00:00:51,709 --> 00:00:51,719
+casually among Arthur's best and
+ 
+
+29
+00:00:51,719 --> 00:00:54,770
+casually among Arthur's best and
+brightest reaches down picks up his own
+
+30
+00:00:54,770 --> 00:00:54,780
+brightest reaches down picks up his own
+ 
+
+31
+00:00:54,780 --> 00:00:56,360
+brightest reaches down picks up his own
+head and places it back upon his
+
+32
+00:00:56,360 --> 00:00:56,370
+head and places it back upon his
+ 
+
+33
+00:00:56,370 --> 00:00:57,740
+head and places it back upon his
+shoulders where magically it becomes
+
+34
+00:00:57,740 --> 00:00:57,750
+shoulders where magically it becomes
+ 
+
+35
+00:00:57,750 --> 00:01:00,020
+shoulders where magically it becomes
+part of his body once again and there
+
+36
+00:01:00,020 --> 00:01:00,030
+part of his body once again and there
+ 
+
+37
+00:01:00,030 --> 00:01:01,790
+part of his body once again and there
+they dal ate and drank and deemed it
+
+38
+00:01:01,790 --> 00:01:01,800
+they dal ate and drank and deemed it
+ 
+
+39
+00:01:01,800 --> 00:01:03,770
+they dal ate and drank and deemed it
+good sport to enact their play anew on
+
+40
+00:01:03,770 --> 00:01:03,780
+good sport to enact their play anew on
+ 
+
+41
+00:01:03,780 --> 00:01:06,440
+good sport to enact their play anew on
+New Year's Eve but Gawain asked again to
+
+42
+00:01:06,440 --> 00:01:06,450
+New Year's Eve but Gawain asked again to
+ 
+
+43
+00:01:06,450 --> 00:01:08,600
+New Year's Eve but Gawain asked again to
+go on tomorrow for the time until this
+
+44
+00:01:08,600 --> 00:01:08,610
+go on tomorrow for the time until this
+ 
+
+45
+00:01:08,610 --> 00:01:11,300
+go on tomorrow for the time until this
+trace is not today the host hindered
+
+46
+00:01:11,300 --> 00:01:11,310
+trace is not today the host hindered
+ 
+
+47
+00:01:11,310 --> 00:01:14,090
+trace is not today the host hindered
+that version to stay and said on my
+
+48
+00:01:14,090 --> 00:01:14,100
+that version to stay and said on my
+ 
+
+49
+00:01:14,100 --> 00:01:15,980
+that version to stay and said on my
+honor my oath here I take that you shall
+
+50
+00:01:15,980 --> 00:01:15,990
+honor my oath here I take that you shall
+ 
+
+51
+00:01:15,990 --> 00:01:17,630
+honor my oath here I take that you shall
+get to the green chapel and begin your
+
+52
+00:01:17,630 --> 00:01:17,640
+get to the green chapel and begin your
+ 
+
+53
+00:01:17,640 --> 00:01:22,789
+get to the green chapel and begin your
+chores by dawn on New Year's Day this is
+
+54
+00:01:22,789 --> 00:01:22,799
+chores by dawn on New Year's Day this is
+ 
+
+55
+00:01:22,799 --> 00:01:24,440
+chores by dawn on New Year's Day this is
+a lecture mr. Boudreaux not a discussion
+
+56
+00:01:24,440 --> 00:01:24,450
+a lecture mr. Boudreaux not a discussion
+ 
+
+57
+00:01:24,450 --> 00:01:26,960
+a lecture mr. Boudreaux not a discussion
+last big it's not your place to speak
+
+58
+00:01:26,960 --> 00:01:26,970
+last big it's not your place to speak
+ 
+
+59
+00:01:26,970 --> 00:01:29,490
+last big it's not your place to speak
+well I'm making it my place to speak
+
+60
+00:01:29,490 --> 00:01:29,500
+well I'm making it my place to speak
+ 
+
+61
+00:01:29,500 --> 00:01:31,020
+well I'm making it my place to speak
+I just want to point out to this class
+
+62
+00:01:31,020 --> 00:01:31,030
+I just want to point out to this class
+ 
+
+63
+00:01:31,030 --> 00:01:34,340
+I just want to point out to this class
+that this course is culturally biased
+
+64
+00:01:34,340 --> 00:01:34,350
+that this course is culturally biased
+ 
+
+65
+00:01:34,350 --> 00:01:36,600
+that this course is culturally biased
+culturally biased what do you mean by
+
+66
+00:01:36,600 --> 00:01:36,610
+culturally biased what do you mean by
+ 
+
+67
+00:01:36,610 --> 00:01:36,840
+culturally biased what do you mean by
+that
+
+68
+00:01:36,840 --> 00:01:36,850
+that
+ 
+
+69
+00:01:36,850 --> 00:01:38,490
+that
+I come here talking about African folk
+
+70
+00:01:38,490 --> 00:01:38,500
+I come here talking about African folk
+ 
+
+71
+00:01:38,500 --> 00:01:41,609
+I come here talking about African folk
+tales or something well this is a course
+
+72
+00:01:41,609 --> 00:01:41,619
+tales or something well this is a course
+ 
+
+73
+00:01:41,619 --> 00:01:42,929
+tales or something well this is a course
+in English literature welcome when I
+
+74
+00:01:42,929 --> 00:01:42,939
+in English literature welcome when I
+ 
+
+75
+00:01:42,939 --> 00:01:45,060
+in English literature welcome when I
+talk about African literature well
+
+76
+00:01:45,060 --> 00:01:45,070
+talk about African literature well
+ 
+
+77
+00:01:45,070 --> 00:01:47,639
+talk about African literature well
+because we're not I suppose you did read
+
+78
+00:01:47,639 --> 00:01:47,649
+because we're not I suppose you did read
+ 
+
+79
+00:01:47,649 --> 00:01:48,960
+because we're not I suppose you did read
+the course description before he took
+
+80
+00:01:48,960 --> 00:01:48,970
+the course description before he took
+ 
+
+81
+00:01:48,970 --> 00:01:51,210
+the course description before he took
+this course I got take yourself in my
+
+82
+00:01:51,210 --> 00:01:51,220
+this course I got take yourself in my
+ 
+
+83
+00:01:51,220 --> 00:01:57,120
+this course I got take yourself in my
+coach he told me I'm gonna keep my eye
+
+84
+00:01:57,120 --> 00:01:57,130
+coach he told me I'm gonna keep my eye
+ 
+
+85
+00:01:57,130 --> 00:02:03,420
+coach he told me I'm gonna keep my eye
+on you mr. boo Dogma No
+
+86
+00:02:03,420 --> 00:02:03,430
+on you mr. boo Dogma No
+ 
+
+87
+00:02:03,430 --> 00:02:34,499
+on you mr. boo Dogma No
+[Music]
+

1994/weTmdGoN_SQ.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:00,030 --> 00:00:10,940
+
+oh just how god damn bad can it get this
+
+2
+00:00:10,940 --> 00:00:10,950
+oh just how god damn bad can it get this
+ 
+
+3
+00:00:10,950 --> 00:00:12,919
+oh just how god damn bad can it get this
+is by far the worst team that has ever
+
+4
+00:00:12,919 --> 00:00:12,929
+is by far the worst team that has ever
+ 
+
+5
+00:00:12,929 --> 00:00:16,550
+is by far the worst team that has ever
+sat in this locker room you son of a
+
+6
+00:00:16,550 --> 00:00:16,560
+sat in this locker room you son of a
+ 
+
+7
+00:00:16,560 --> 00:00:18,620
+sat in this locker room you son of a
+ get up the server locker rooms
+
+8
+00:00:18,620 --> 00:00:18,630
+get up the server locker rooms
+ 
+
+9
+00:00:18,630 --> 00:00:24,640
+get up the server locker rooms
+you don't just read over the room the
+
+10
+00:00:24,640 --> 00:00:24,650
+
+ 
+
+11
+00:00:24,650 --> 00:00:32,209
+
+jaw cracks every time we get ready to
+
+12
+00:00:32,209 --> 00:00:32,219
+jaw cracks every time we get ready to
+ 
+
+13
+00:00:32,219 --> 00:00:34,580
+jaw cracks every time we get ready to
+play I just want to throw up I'm goddamn
+
+14
+00:00:34,580 --> 00:00:34,590
+play I just want to throw up I'm goddamn
+ 
+
+15
+00:00:34,590 --> 00:00:37,130
+play I just want to throw up I'm goddamn
+sick I'm watching you guys play there's
+
+16
+00:00:37,130 --> 00:00:37,140
+sick I'm watching you guys play there's
+ 
+
+17
+00:00:37,140 --> 00:00:38,209
+sick I'm watching you guys play there's
+not one of you
+
+18
+00:00:38,209 --> 00:00:38,219
+not one of you
+ 
+
+19
+00:00:38,219 --> 00:00:40,160
+not one of you
+not one of you that's learned how to win
+
+20
+00:00:40,160 --> 00:00:40,170
+not one of you that's learned how to win
+ 
+
+21
+00:00:40,170 --> 00:00:43,069
+not one of you that's learned how to win
+we got hammered the last four games and
+
+22
+00:00:43,069 --> 00:00:43,079
+we got hammered the last four games and
+ 
+
+23
+00:00:43,079 --> 00:00:49,400
+we got hammered the last four games and
+it stopped right now you keep playing
+
+24
+00:00:49,400 --> 00:00:49,410
+it stopped right now you keep playing
+ 
+
+25
+00:00:49,410 --> 00:00:50,600
+it stopped right now you keep playing
+the way you're playing was gonna get an
+
+26
+00:00:50,600 --> 00:00:50,610
+the way you're playing was gonna get an
+ 
+
+27
+00:00:50,610 --> 00:00:54,319
+the way you're playing was gonna get an
+Aspie 2 game tonight so depressed I
+
+28
+00:00:54,319 --> 00:00:54,329
+Aspie 2 game tonight so depressed I
+ 
+
+29
+00:00:54,329 --> 00:00:57,200
+Aspie 2 game tonight so depressed I
+don't want to talk about it I'm through
+
+30
+00:00:57,200 --> 00:00:57,210
+don't want to talk about it I'm through
+ 
+
+31
+00:00:57,210 --> 00:01:01,060
+don't want to talk about it I'm through
+fighting me sons of
+
+32
+00:01:01,060 --> 00:01:01,070
+
+ 
+
+33
+00:01:01,070 --> 00:01:07,850
+
+does chemo ever coach you guys take a
+
+34
+00:01:07,850 --> 00:01:07,860
+does chemo ever coach you guys take a
+ 
+
+35
+00:01:07,860 --> 00:01:13,450
+does chemo ever coach you guys take a
+song
+
+36
+00:01:13,450 --> 00:01:13,460
+
+ 
+
+37
+00:01:13,460 --> 00:01:22,270
+
+I just want to go home and cry when I
+
+38
+00:01:22,270 --> 00:01:22,280
+I just want to go home and cry when I
+ 
+
+39
+00:01:22,280 --> 00:01:25,290
+I just want to go home and cry when I
+watch us play don't you boys understand
+
+40
+00:01:25,290 --> 00:01:25,300
+watch us play don't you boys understand
+ 
+
+41
+00:01:25,300 --> 00:01:27,999
+watch us play don't you boys understand
+don't you know how bad I want to see
+
+42
+00:01:27,999 --> 00:01:28,009
+don't you know how bad I want to see
+ 
+
+43
+00:01:28,009 --> 00:01:30,580
+don't you know how bad I want to see
+this team play I want to see this team
+
+44
+00:01:30,580 --> 00:01:30,590
+this team play I want to see this team
+ 
+
+45
+00:01:30,590 --> 00:01:34,120
+this team play I want to see this team
+play so bad I can taste it -
+
+46
+00:01:34,120 --> 00:01:34,130
+play so bad I can taste it -
+ 
+
+47
+00:01:34,130 --> 00:01:35,200
+play so bad I can taste it -
+Christ
+
+48
+00:01:35,200 --> 00:01:35,210
+Christ
+ 
+
+49
+00:01:35,210 --> 00:01:38,109
+Christ
+you boys the only joy I have right now
+
+50
+00:01:38,109 --> 00:01:38,119
+you boys the only joy I have right now
+ 
+
+51
+00:01:38,119 --> 00:01:39,730
+you boys the only joy I have right now
+is I don't have to watch you guys play
+
+52
+00:01:39,730 --> 00:01:39,740
+is I don't have to watch you guys play
+ 
+
+53
+00:01:39,740 --> 00:01:51,410
+is I don't have to watch you guys play
+two more days
+
+54
+00:01:51,410 --> 00:01:51,420
+
+ 
+
+55
+00:01:51,420 --> 00:02:22,469
+
+[Music]
+

1994/x2-MCPa_3rU.description

@@ -0,0 +1,38 @@
+Forrest Gump movie clips: http://j.mp/1JbUY9j
+BUY THE MOVIE: http://amzn.to/uu7WJe
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Young Forrest (Michael Conner Humphreys) breaks free from his leg braces and discovers he can run like the wind blows.
+
+FILM DESCRIPTION:
+"Stupid is as stupid does," says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest's mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people.
+
+CREDITS:
+TM & © Paramount (1994)
+Cast: Tom Hanks, Michael Conner Humphreys, Hanna Hall
+Director: Robert Zemeckis
+Producers: Wendy Finerman, Charles Newirth, Steve Starkey, Steve Tisch
+Screenwriters: Winston Groom, Eric Roth
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/x2-MCPa_3rU.en.srt

@@ -0,0 +1,135 @@
+1
+00:00:03,040 --> 00:00:04,390
+
+hey
+
+2
+00:00:04,390 --> 00:00:04,400
+hey
+ 
+
+3
+00:00:04,400 --> 00:00:07,270
+hey
+dummy are you rarded of just playing
+
+4
+00:00:07,270 --> 00:00:07,280
+dummy are you rarded of just playing
+ 
+
+5
+00:00:07,280 --> 00:00:11,390
+dummy are you rarded of just playing
+stupid I'm Forest get just run away
+
+6
+00:00:11,390 --> 00:00:11,400
+stupid I'm Forest get just run away
+ 
+
+7
+00:00:11,400 --> 00:00:16,109
+stupid I'm Forest get just run away
+forest run forest run away hurry get the
+
+8
+00:00:16,109 --> 00:00:16,119
+forest run forest run away hurry get the
+ 
+
+9
+00:00:16,119 --> 00:00:19,790
+forest run forest run away hurry get the
+place hurry up let's get come on look
+
+10
+00:00:19,790 --> 00:00:19,800
+place hurry up let's get come on look
+ 
+
+11
+00:00:19,800 --> 00:00:23,390
+place hurry up let's get come on look
+out dummy here we come get
+
+12
+00:00:23,390 --> 00:00:23,400
+out dummy here we come get
+ 
+
+13
+00:00:23,400 --> 00:00:28,950
+out dummy here we come get
+you run forest run run
+
+14
+00:00:28,950 --> 00:00:28,960
+you run forest run run
+ 
+
+15
+00:00:28,960 --> 00:00:45,590
+you run forest run run
+forest we back here
+
+16
+00:00:45,590 --> 00:00:45,600
+
+ 
+
+17
+00:00:45,600 --> 00:01:20,390
+
+you for
+
+18
+00:01:20,390 --> 00:01:20,400
+
+ 
+
+19
+00:01:20,400 --> 00:01:23,469
+
+now you wouldn't believe it if I told
+
+20
+00:01:23,469 --> 00:01:23,479
+now you wouldn't believe it if I told
+ 
+
+21
+00:01:23,479 --> 00:01:30,230
+now you wouldn't believe it if I told
+you but I can run like the wind blows
+
+22
+00:01:30,230 --> 00:01:30,240
+
+ 
+
+23
+00:01:30,240 --> 00:01:33,310
+
+from that day on if I was going
+
+24
+00:01:33,310 --> 00:01:33,320
+from that day on if I was going
+ 
+
+25
+00:01:33,320 --> 00:02:09,550
+from that day on if I was going
+somewhere I was running
+
+26
+00:02:09,550 --> 00:02:09,560
+
+ 
+
+27
+00:02:09,560 --> 00:02:14,599
+
+that boy sure is a running fool
+

1994/x2WK_eWihdU.description

@@ -0,0 +1,38 @@
+Pulp Fiction movie clips: http://j.mp/1L5eDtj
+BUY THE MOVIE: http://amzn.to/u4q3x7
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jules (Samuel L. Jackson) interrogates Brett (Frank Whaley) and recites his favorite passage from the Bible.
+
+FILM DESCRIPTION:
+Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.
+
+CREDITS:
+TM & © Miramax Films (1994)
+Cast: John Travolta, Samuel L. Jackson, Phil LaMarr, Frank Whaley, Burr Steers
+Director: Quentin Tarantino
+Producers: Lawrence Bender, Danny DeVito, Richard N. Gladstein, Michael Shamberg, Stacey Sher, Bob Weinstein, Harvey Weinstein
+Screenwriters: Quentin Tarantino, Roger Avary
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/x2WK_eWihdU.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:00,680 --> 00:00:04,110
+
+what does marcelus Wallace look
+
+2
+00:00:04,110 --> 00:00:04,120
+what does marcelus Wallace look
+ 
+
+3
+00:00:04,120 --> 00:00:05,990
+what does marcelus Wallace look
+like
+
+4
+00:00:05,990 --> 00:00:06,000
+like
+ 
+
+5
+00:00:06,000 --> 00:00:09,030
+like
+what what country you from what what
+
+6
+00:00:09,030 --> 00:00:09,040
+what what country you from what what
+ 
+
+7
+00:00:09,040 --> 00:00:10,790
+what what country you from what what
+what ain't no country I ever heard of
+
+8
+00:00:10,790 --> 00:00:10,800
+what ain't no country I ever heard of
+ 
+
+9
+00:00:10,800 --> 00:00:14,110
+what ain't no country I ever heard of
+they speak English and what what English
+
+10
+00:00:14,110 --> 00:00:14,120
+they speak English and what what English
+ 
+
+11
+00:00:14,120 --> 00:00:16,630
+they speak English and what what English
+ do you speak it yes then
+
+12
+00:00:16,630 --> 00:00:16,640
+do you speak it yes then
+ 
+
+13
+00:00:16,640 --> 00:00:19,150
+do you speak it yes then
+you know what I'm saying describe what
+
+14
+00:00:19,150 --> 00:00:19,160
+you know what I'm saying describe what
+ 
+
+15
+00:00:19,160 --> 00:00:22,150
+you know what I'm saying describe what
+marcelus Wallace looks
+
+16
+00:00:22,150 --> 00:00:22,160
+marcelus Wallace looks
+ 
+
+17
+00:00:22,160 --> 00:00:26,109
+marcelus Wallace looks
+like what say what again say what again
+
+18
+00:00:26,109 --> 00:00:26,119
+like what say what again say what again
+ 
+
+19
+00:00:26,119 --> 00:00:27,790
+like what say what again say what again
+I dare you I double dare you
+
+20
+00:00:27,790 --> 00:00:27,800
+I dare you I double dare you
+ 
+
+21
+00:00:27,800 --> 00:00:30,589
+I dare you I double dare you
+ say what one more goddamn
+
+22
+00:00:30,589 --> 00:00:30,599
+say what one more goddamn
+ 
+
+23
+00:00:30,599 --> 00:00:35,229
+say what one more goddamn
+time he's black go on he's bald does he
+
+24
+00:00:35,229 --> 00:00:35,239
+time he's black go on he's bald does he
+ 
+
+25
+00:00:35,239 --> 00:00:38,350
+time he's black go on he's bald does he
+look like a
+
+26
+00:00:38,350 --> 00:00:38,360
+look like a
+ 
+
+27
+00:00:38,360 --> 00:00:44,389
+look like a
+what does he look like a no then
+
+28
+00:00:44,389 --> 00:00:44,399
+what does he look like a no then
+ 
+
+29
+00:00:44,399 --> 00:00:46,189
+what does he look like a no then
+why you try to him like a BR
+
+30
+00:00:46,189 --> 00:00:46,199
+why you try to him like a BR
+ 
+
+31
+00:00:46,199 --> 00:00:50,350
+why you try to him like a BR
+I did yes you did yes you did Brett you
+
+32
+00:00:50,350 --> 00:00:50,360
+I did yes you did yes you did Brett you
+ 
+
+33
+00:00:50,360 --> 00:00:53,029
+I did yes you did yes you did Brett you
+tried to him and my son wallet
+
+34
+00:00:53,029 --> 00:00:53,039
+tried to him and my son wallet
+ 
+
+35
+00:00:53,039 --> 00:00:55,229
+tried to him and my son wallet
+don't like to be by anybody
+
+36
+00:00:55,229 --> 00:00:55,239
+don't like to be by anybody
+ 
+
+37
+00:00:55,239 --> 00:00:56,950
+don't like to be by anybody
+except Mrs
+
+38
+00:00:56,950 --> 00:00:56,960
+except Mrs
+ 
+
+39
+00:00:56,960 --> 00:01:00,430
+except Mrs
+W you read the Bible br
+
+40
+00:01:00,430 --> 00:01:00,440
+W you read the Bible br
+ 
+
+41
+00:01:00,440 --> 00:01:02,990
+W you read the Bible br
+yes well there's this passage I got
+
+42
+00:01:02,990 --> 00:01:03,000
+yes well there's this passage I got
+ 
+
+43
+00:01:03,000 --> 00:01:05,670
+yes well there's this passage I got
+memorized sort of fits this occasion
+
+44
+00:01:05,670 --> 00:01:05,680
+memorized sort of fits this occasion
+ 
+
+45
+00:01:05,680 --> 00:01:08,230
+memorized sort of fits this occasion
+Ezekiel
+
+46
+00:01:08,230 --> 00:01:08,240
+Ezekiel
+ 
+
+47
+00:01:08,240 --> 00:01:11,590
+Ezekiel
+2517 the path of the righteous man is
+
+48
+00:01:11,590 --> 00:01:11,600
+2517 the path of the righteous man is
+ 
+
+49
+00:01:11,600 --> 00:01:14,590
+2517 the path of the righteous man is
+beset on all sides by the inequities of
+
+50
+00:01:14,590 --> 00:01:14,600
+beset on all sides by the inequities of
+ 
+
+51
+00:01:14,600 --> 00:01:18,830
+beset on all sides by the inequities of
+the selfish and the tyranny of evil men
+
+52
+00:01:18,830 --> 00:01:18,840
+the selfish and the tyranny of evil men
+ 
+
+53
+00:01:18,840 --> 00:01:22,390
+the selfish and the tyranny of evil men
+blessed is he who in the name of Charity
+
+54
+00:01:22,390 --> 00:01:22,400
+blessed is he who in the name of Charity
+ 
+
+55
+00:01:22,400 --> 00:01:25,190
+blessed is he who in the name of Charity
+and Good Will shephards the weak through
+
+56
+00:01:25,190 --> 00:01:25,200
+and Good Will shephards the weak through
+ 
+
+57
+00:01:25,200 --> 00:01:27,910
+and Good Will shephards the weak through
+the valley of darkness for he is truly
+
+58
+00:01:27,910 --> 00:01:27,920
+the valley of darkness for he is truly
+ 
+
+59
+00:01:27,920 --> 00:01:31,030
+the valley of darkness for he is truly
+his brother's keeper and the finder of
+
+60
+00:01:31,030 --> 00:01:31,040
+his brother's keeper and the finder of
+ 
+
+61
+00:01:31,040 --> 00:01:34,510
+his brother's keeper and the finder of
+lost children and I will strike down
+
+62
+00:01:34,510 --> 00:01:34,520
+lost children and I will strike down
+ 
+
+63
+00:01:34,520 --> 00:01:37,310
+lost children and I will strike down
+upon thee with great Vengeance and
+
+64
+00:01:37,310 --> 00:01:37,320
+upon thee with great Vengeance and
+ 
+
+65
+00:01:37,320 --> 00:01:40,950
+upon thee with great Vengeance and
+Furious anger those who attempt to
+
+66
+00:01:40,950 --> 00:01:40,960
+Furious anger those who attempt to
+ 
+
+67
+00:01:40,960 --> 00:01:44,190
+Furious anger those who attempt to
+poison and destroy my brothers and you
+
+68
+00:01:44,190 --> 00:01:44,200
+poison and destroy my brothers and you
+ 
+
+69
+00:01:44,200 --> 00:01:48,670
+poison and destroy my brothers and you
+will know my name is the Lord when I lay
+
+70
+00:01:48,670 --> 00:01:48,680
+will know my name is the Lord when I lay
+ 
+
+71
+00:01:48,680 --> 00:01:53,479
+will know my name is the Lord when I lay
+my vengeance upon thee
+

1994/xHO6nBc4YFU.description

@@ -0,0 +1,38 @@
+Pulp Fiction movie clips: http://j.mp/1L5eDtj
+BUY THE MOVIE: http://amzn.to/u4q3x7
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Butch (Bruce Willis) returns to his apartment to retrieve the gold watch, only to find an unsuspecting Vincent (John Travolta) waiting in the bathroom.
+
+FILM DESCRIPTION:
+Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.
+
+CREDITS:
+TM & © Miramax Films (1994)
+Cast: John Travolta, Bruce Willis
+Director: Quentin Tarantino
+Producers: Lawrence Bender, Danny DeVito, Richard N. Gladstein, Michael Shamberg, Stacey Sher, Bob Weinstein, Harvey Weinstein
+Screenwriters: Quentin Tarantino, Roger Avary
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/xLq2eTiqbww.description

@@ -0,0 +1,38 @@
+Heavenly Creatures movie clips: http://j.mp/1BcYJrm
+BUY THE MOVIE: http://amzn.to/v2y7lr
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Pauline (Melanie Lynskey) imagines her mother and father suddenly dying while at the dinner table.
+
+FILM DESCRIPTION:
+After winning a cult following for several offbeat and darkly witty gore films, New Zealand director Peter Jackson abruptly shifted gears with this stylish, compelling, and ultimately disturbing tale of two teenage girls whose friendship begins to fuel an ultimately fatal obsession. Pauline (Melanie Lynskey) is a student in New Zealand who doesn't much care for her family or her classmates; she's a bit overweight and not especially gracious, but she quickly makes friends with Juliet (Kate Winslet), a pretty girl whose wealthy parents have relocated from England. Pauline and Juliet find they share the same tastes in art, literature, and music (especially the vocal stylings of Mario Lanza), and together they begin to construct an elaborate fantasy world named Borovnia, which exists first in stories and then in models made of clay. The more Pauline and Juliet dream of Borovnia, the more the two find themselves retreating into this fantastical world of art, adventure, and Gothic romance as they slowly drift away from reality. The girls' parents decide that perhaps they're spending too much time together, and try to bring them back into the real world, but this only feeds their continued obsession with Borovnia (and each other) and leads to a desperate and violent bid for freedom. Featuring excellent performances (especially by Kate Winslet) and imaginative production design and special effects, Heavenly Creatures skillfully allows the audience to see Pauline and Juliet both from their own fantastic perspective and how they seem to the rest of the world. Remarkably enough, Heavenly Creatures is based on a true story; in real life, Juliet grew up to become mystery novelist Anne Perry.
+
+CREDITS:
+TM & © Miramax Films (1994)
+Cast: Melanie Lynskey, Sarah Peirse, Simon O'Connor, Lou Dobson
+Director: Peter Jackson
+Producers: Jim Booth, Bridget Bourke, Hanno Huth, Peter Jackson
+Screenwriters: Fran Walsh, Peter Jackson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/xTebNVZEvT4.en.srt

@@ -0,0 +1,15 @@
+1
+00:00:21,520 --> 00:01:24,730
+
+going on
+
+2
+00:01:24,730 --> 00:01:24,740
+
+ 
+
+3
+00:01:24,740 --> 00:01:28,280
+
+all right spread out
+

1994/xc2Ctw8pGrc.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:10,940 --> 00:00:18,900
+
+d
+
+2
+00:00:18,900 --> 00:00:18,910
+
+ 
+
+3
+00:00:18,910 --> 00:00:22,650
+
+2
+
+4
+00:00:22,650 --> 00:00:22,660
+
+ 
+
+5
+00:00:22,660 --> 00:00:25,350
+
+in mind
+
+6
+00:00:25,350 --> 00:00:25,360
+in mind
+ 
+
+7
+00:00:25,360 --> 00:00:29,279
+in mind
+in the eyes for me
+
+8
+00:00:29,279 --> 00:00:29,289
+in the eyes for me
+ 
+
+9
+00:00:29,289 --> 00:00:34,510
+in the eyes for me
+realize
+
+10
+00:00:34,510 --> 00:00:34,520
+
+ 
+
+11
+00:00:34,520 --> 00:00:37,350
+
+m
+
+12
+00:00:37,350 --> 00:00:37,360
+m
+ 
+
+13
+00:00:37,360 --> 00:00:39,620
+m
+[Music]
+
+14
+00:00:39,620 --> 00:00:39,630
+[Music]
+ 
+
+15
+00:00:39,630 --> 00:00:47,800
+[Music]
+no no
+
+16
+00:00:47,800 --> 00:00:47,810
+
+ 
+
+17
+00:00:47,810 --> 00:00:50,790
+
+yurisán right
+
+18
+00:00:50,790 --> 00:00:50,800
+yurisán right
+ 
+
+19
+00:00:50,800 --> 00:00:55,240
+yurisán right
+the sight
+
+20
+00:00:55,240 --> 00:00:55,250
+
+ 
+
+21
+00:00:55,250 --> 00:00:58,140
+
+[Music]
+
+22
+00:00:58,140 --> 00:00:58,150
+[Music]
+ 
+
+23
+00:00:58,150 --> 00:01:01,330
+[Music]
+and I am in 330 I
+
+24
+00:01:01,330 --> 00:01:01,340
+and I am in 330 I
+ 
+
+25
+00:01:01,340 --> 00:01:06,680
+and I am in 330 I
+buy my insight
+
+26
+00:01:06,680 --> 00:01:06,690
+
+ 
+
+27
+00:01:06,690 --> 00:01:08,680
+
+big
+
+28
+00:01:08,680 --> 00:01:08,690
+big
+ 
+
+29
+00:01:08,690 --> 00:01:11,000
+big
+and by return
+
+30
+00:01:11,000 --> 00:01:11,010
+and by return
+ 
+
+31
+00:01:11,010 --> 00:01:22,750
+and by return
+[Music]
+
+32
+00:01:22,750 --> 00:01:22,760
+
+ 
+
+33
+00:01:22,760 --> 00:01:32,250
+
+[Music]
+
+34
+00:01:32,250 --> 00:01:32,260
+
+ 
+
+35
+00:01:32,260 --> 00:01:36,290
+
+here it is desperate to get together
+
+36
+00:01:36,290 --> 00:01:36,300
+here it is desperate to get together
+ 
+
+37
+00:01:36,300 --> 00:01:38,720
+here it is desperate to get together
+but I have to
+
+38
+00:01:38,720 --> 00:01:38,730
+but I have to
+ 
+
+39
+00:01:38,730 --> 00:01:40,580
+but I have to
+go
+
+40
+00:01:40,580 --> 00:01:40,590
+go
+ 
+
+41
+00:01:40,590 --> 00:01:48,620
+go
+[Applause]
+
+42
+00:01:48,620 --> 00:01:48,630
+
+ 
+
+43
+00:01:48,630 --> 00:01:56,660
+
+[Music]
+
+44
+00:01:56,660 --> 00:01:56,670
+[Music]
+ 
+
+45
+00:01:56,670 --> 00:02:00,110
+[Music]
+and now I am
+
+46
+00:02:00,110 --> 00:02:00,120
+and now I am
+ 
+
+47
+00:02:00,120 --> 00:02:06,540
+and now I am
+[Music]
+
+48
+00:02:06,540 --> 00:02:06,550
+
+ 
+
+49
+00:02:06,550 --> 00:02:22,800
+
+[Music]
+
+50
+00:02:22,800 --> 00:02:22,810
+
+ 
+
+51
+00:02:22,810 --> 00:02:25,860
+
+no
+
+52
+00:02:25,860 --> 00:02:25,870
+
+ 
+
+53
+00:02:25,870 --> 00:02:29,160
+
+[Music]
+
+54
+00:02:29,160 --> 00:02:29,170
+
+ 
+
+55
+00:02:29,170 --> 00:02:34,140
+
+no I
+
+56
+00:02:34,140 --> 00:02:34,150
+
+ 
+
+57
+00:02:34,150 --> 00:02:37,380
+
+ah
+
+58
+00:02:37,380 --> 00:02:37,390
+
+ 
+
+59
+00:02:37,390 --> 00:02:43,500
+
+because it is to use
+
+60
+00:02:43,500 --> 00:02:43,510
+
+ 
+
+61
+00:02:43,510 --> 00:02:59,930
+
+[Music]
+
+62
+00:02:59,930 --> 00:02:59,940
+
+ 
+
+63
+00:02:59,940 --> 00:03:14,729
+
+[Music]
+

1994/xn3J0iYO7sw.en.srt

@@ -0,0 +1,85 @@
+1
+00:00:34,930 --> 00:00:39,610
+
+14 shots show too large
+
+2
+00:00:39,610 --> 00:00:39,620
+14 shots show too large
+ 
+
+3
+00:00:39,620 --> 00:01:15,310
+14 shots show too large
+parking lots also gets a facelift
+
+4
+00:01:15,310 --> 00:01:15,320
+
+ 
+
+5
+00:01:15,320 --> 00:01:20,370
+
+windsurfing corn in the west working rich
+
+6
+00:01:20,370 --> 00:01:20,380
+windsurfing corn in the west working rich
+ 
+
+7
+00:01:20,380 --> 00:01:26,969
+windsurfing corn in the west working rich
+wilson remains of the same ethnicity
+
+8
+00:01:26,969 --> 00:01:26,979
+wilson remains of the same ethnicity
+ 
+
+9
+00:01:26,979 --> 00:01:44,280
+wilson remains of the same ethnicity
+training and internships by abandoning
+
+10
+00:01:44,280 --> 00:01:44,290
+training and internships by abandoning
+ 
+
+11
+00:01:44,290 --> 00:01:50,080
+training and internships by abandoning
+perhaps true one aka the desman rate of
+
+12
+00:01:50,080 --> 00:01:50,090
+perhaps true one aka the desman rate of
+ 
+
+13
+00:01:50,090 --> 00:01:58,230
+perhaps true one aka the desman rate of
+5 for China this week of the world
+
+14
+00:01:58,230 --> 00:01:58,240
+
+ 
+
+15
+00:01:58,240 --> 00:02:22,510
+
+foundation at 9:40 a.m.
+
+16
+00:02:22,510 --> 00:02:22,520
+
+ 
+
+17
+00:02:22,520 --> 00:02:24,520
+
+and
+

1994/xuQZJHfWf9U.description

@@ -0,0 +1,38 @@
+Forrest Gump movie clips: http://j.mp/1JbUY9j
+BUY THE MOVIE: http://amzn.to/uu7WJe
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Forrest (Tom Hanks) finds Bubba (Mykelti Williamson) wounded during battle and he dies in his arms.
+
+FILM DESCRIPTION:
+"Stupid is as stupid does," says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest's mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people.
+
+CREDITS:
+TM & © Paramount (1994)
+Cast: Tom Hanks, Mykelti Williamson
+Director: Robert Zemeckis
+Producers: Wendy Finerman, Charles Newirth, Steve Starkey, Steve Tisch
+Screenwriters: Winston Groom, Eric Roth
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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1994/xuQZJHfWf9U.en.srt

@@ -0,0 +1,175 @@
+1
+00:00:04,290 --> 00:00:06,660
+
+ok post
+
+2
+00:00:06,660 --> 00:00:06,670
+ok post
+ 
+
+3
+00:00:06,670 --> 00:00:18,290
+ok post
+never
+
+4
+00:00:18,290 --> 00:00:18,300
+
+ 
+
+5
+00:00:18,300 --> 00:00:46,120
+
+ah
+
+6
+00:00:46,120 --> 00:00:46,130
+
+ 
+
+7
+00:00:46,130 --> 00:00:51,500
+
+[Music]
+
+8
+00:00:51,500 --> 00:00:51,510
+
+ 
+
+9
+00:00:51,510 --> 00:01:30,400
+
+[Music]
+
+10
+00:01:30,400 --> 00:01:30,410
+
+ 
+
+11
+00:01:30,410 --> 00:01:32,470
+
+[Music]
+
+12
+00:01:32,470 --> 00:01:32,480
+[Music]
+ 
+
+13
+00:01:32,480 --> 00:01:36,080
+[Music]
+I am force
+
+14
+00:01:36,080 --> 00:01:36,090
+
+ 
+
+15
+00:01:36,090 --> 00:01:38,350
+
+2
+
+16
+00:01:38,350 --> 00:01:38,360
+2
+ 
+
+17
+00:01:38,360 --> 00:01:41,190
+2
+I am
+
+18
+00:01:41,190 --> 00:01:41,200
+I am
+ 
+
+19
+00:01:41,200 --> 00:01:45,300
+I am
+cat
+
+20
+00:01:45,300 --> 00:01:45,310
+
+ 
+
+21
+00:01:45,310 --> 00:01:49,180
+
+sometimes I speak well
+
+22
+00:01:49,180 --> 00:01:49,190
+sometimes I speak well
+ 
+
+23
+00:01:49,190 --> 00:01:52,740
+sometimes I speak well
+although not
+
+24
+00:01:52,740 --> 00:01:52,750
+
+ 
+
+25
+00:01:52,750 --> 00:01:56,280
+
+given smulders of 3
+
+26
+00:01:56,280 --> 00:01:56,290
+given smulders of 3
+ 
+
+27
+00:01:56,290 --> 00:02:00,649
+given smulders of 3
+release dollars to my horse during 1
+
+28
+00:02:00,649 --> 00:02:00,659
+release dollars to my horse during 1
+ 
+
+29
+00:02:00,659 --> 00:02:04,719
+release dollars to my horse during 1
+2
+
+30
+00:02:04,719 --> 00:02:04,729
+
+ 
+
+31
+00:02:04,729 --> 00:02:11,430
+
+austerity n
+
+32
+00:02:11,430 --> 00:02:11,440
+
+ 
+
+33
+00:02:11,440 --> 00:02:39,460
+
+[Music]
+
+34
+00:02:39,460 --> 00:02:39,470
+
+ 
+
+35
+00:02:39,470 --> 00:02:42,040
+
+to
+

1994/xvVqMR_f6IY.en.srt

@@ -0,0 +1,765 @@
+1
+00:00:03,439 --> 00:00:05,590
+
+it's west max west do you think that's
+
+2
+00:00:05,590 --> 00:00:05,600
+it's west max west do you think that's
+ 
+
+3
+00:00:05,600 --> 00:00:06,630
+it's west max west do you think that's
+cool
+
+4
+00:00:06,630 --> 00:00:06,640
+cool
+ 
+
+5
+00:00:06,640 --> 00:00:08,549
+cool
+yeah like it can't just picture me like
+
+6
+00:00:08,549 --> 00:00:08,559
+yeah like it can't just picture me like
+ 
+
+7
+00:00:08,559 --> 00:00:10,549
+yeah like it can't just picture me like
+busting through the doors of saloon in
+
+8
+00:00:10,549 --> 00:00:10,559
+busting through the doors of saloon in
+ 
+
+9
+00:00:10,559 --> 00:00:12,230
+busting through the doors of saloon in
+the old west you're taking it right
+
+10
+00:00:12,230 --> 00:00:12,240
+the old west you're taking it right
+ 
+
+11
+00:00:12,240 --> 00:00:14,629
+the old west you're taking it right
+you're into it i could tell cause that's
+
+12
+00:00:14,629 --> 00:00:14,639
+you're into it i could tell cause that's
+ 
+
+13
+00:00:14,639 --> 00:00:18,150
+you're into it i could tell cause that's
+my name you know as in to the max
+
+14
+00:00:18,150 --> 00:00:18,160
+my name you know as in to the max
+ 
+
+15
+00:00:18,160 --> 00:00:19,830
+my name you know as in to the max
+no no i mean that's not what your
+
+16
+00:00:19,830 --> 00:00:19,840
+no no i mean that's not what your
+ 
+
+17
+00:00:19,840 --> 00:00:22,310
+no no i mean that's not what your
+parents named you right
+
+18
+00:00:22,310 --> 00:00:22,320
+parents named you right
+ 
+
+19
+00:00:22,320 --> 00:00:24,070
+parents named you right
+no they named me camille
+
+20
+00:00:24,070 --> 00:00:24,080
+no they named me camille
+ 
+
+21
+00:00:24,080 --> 00:00:26,950
+no they named me camille
+um torguson
+
+22
+00:00:26,950 --> 00:00:26,960
+um torguson
+ 
+
+23
+00:00:26,960 --> 00:00:29,750
+um torguson
+no no uh they're they got divorced when
+
+24
+00:00:29,750 --> 00:00:29,760
+no no uh they're they got divorced when
+ 
+
+25
+00:00:29,760 --> 00:00:30,950
+no no uh they're they got divorced when
+i was like
+
+26
+00:00:30,950 --> 00:00:30,960
+i was like
+ 
+
+27
+00:00:30,960 --> 00:00:32,549
+i was like
+12.
+
+28
+00:00:32,549 --> 00:00:32,559
+12.
+ 
+
+29
+00:00:32,559 --> 00:00:34,229
+12.
+um i know my mom's like the style of
+
+30
+00:00:34,229 --> 00:00:34,239
+um i know my mom's like the style of
+ 
+
+31
+00:00:34,239 --> 00:00:37,270
+um i know my mom's like the style of
+single babe
+
+32
+00:00:37,270 --> 00:00:37,280
+
+ 
+
+33
+00:00:37,280 --> 00:00:40,389
+
+um he's cool i don't see him that much
+
+34
+00:00:40,389 --> 00:00:40,399
+um he's cool i don't see him that much
+ 
+
+35
+00:00:40,399 --> 00:00:43,350
+um he's cool i don't see him that much
+i'm the baby of course the special one
+
+36
+00:00:43,350 --> 00:00:43,360
+i'm the baby of course the special one
+ 
+
+37
+00:00:43,360 --> 00:00:44,950
+i'm the baby of course the special one
+the rest of them don't really matter
+
+38
+00:00:44,950 --> 00:00:44,960
+the rest of them don't really matter
+ 
+
+39
+00:00:44,960 --> 00:00:47,029
+the rest of them don't really matter
+that's what i tell my mom and he
+
+40
+00:00:47,029 --> 00:00:47,039
+that's what i tell my mom and he
+ 
+
+41
+00:00:47,039 --> 00:00:50,869
+that's what i tell my mom and he
+only child
+
+42
+00:00:50,869 --> 00:00:50,879
+
+ 
+
+43
+00:00:50,879 --> 00:00:53,670
+
+yeah i don't know what that means
+
+44
+00:00:53,670 --> 00:00:53,680
+yeah i don't know what that means
+ 
+
+45
+00:00:53,680 --> 00:00:55,189
+yeah i don't know what that means
+there's some psychology about that
+
+46
+00:00:55,189 --> 00:00:55,199
+there's some psychology about that
+ 
+
+47
+00:00:55,199 --> 00:00:56,549
+there's some psychology about that
+uh-huh
+
+48
+00:00:56,549 --> 00:00:56,559
+uh-huh
+ 
+
+49
+00:00:56,559 --> 00:00:58,470
+uh-huh
+what would that smell like
+
+50
+00:00:58,470 --> 00:00:58,480
+what would that smell like
+ 
+
+51
+00:00:58,480 --> 00:00:59,990
+what would that smell like
+about a girlfriend in high school that
+
+52
+00:00:59,990 --> 00:01:00,000
+about a girlfriend in high school that
+ 
+
+53
+00:01:00,000 --> 00:01:02,389
+about a girlfriend in high school that
+is so totally cool
+
+54
+00:01:02,389 --> 00:01:02,399
+is so totally cool
+ 
+
+55
+00:01:02,399 --> 00:01:03,430
+is so totally cool
+yeah
+
+56
+00:01:03,430 --> 00:01:03,440
+yeah
+ 
+
+57
+00:01:03,440 --> 00:01:04,869
+yeah
+well it really wasn't that great because
+
+58
+00:01:04,869 --> 00:01:04,879
+well it really wasn't that great because
+ 
+
+59
+00:01:04,879 --> 00:01:07,429
+well it really wasn't that great because
+we weren't out to um anyone except
+
+60
+00:01:07,429 --> 00:01:07,439
+we weren't out to um anyone except
+ 
+
+61
+00:01:07,439 --> 00:01:09,510
+we weren't out to um anyone except
+ourselves sort of and not even
+
+62
+00:01:09,510 --> 00:01:09,520
+ourselves sort of and not even
+ 
+
+63
+00:01:09,520 --> 00:01:11,590
+ourselves sort of and not even
+but um we used to fight in the halls all
+
+64
+00:01:11,590 --> 00:01:11,600
+but um we used to fight in the halls all
+ 
+
+65
+00:01:11,600 --> 00:01:12,870
+but um we used to fight in the halls all
+the time
+
+66
+00:01:12,870 --> 00:01:12,880
+the time
+ 
+
+67
+00:01:12,880 --> 00:01:14,149
+the time
+but we never kissed in the halls or
+
+68
+00:01:14,149 --> 00:01:14,159
+but we never kissed in the halls or
+ 
+
+69
+00:01:14,159 --> 00:01:15,590
+but we never kissed in the halls or
+anything but people still called us
+
+70
+00:01:15,590 --> 00:01:15,600
+anything but people still called us
+ 
+
+71
+00:01:15,600 --> 00:01:16,630
+anything but people still called us
+leslie's
+
+72
+00:01:16,630 --> 00:01:16,640
+leslie's
+ 
+
+73
+00:01:16,640 --> 00:01:20,149
+leslie's
+boys well no i was kind of uh
+
+74
+00:01:20,149 --> 00:01:20,159
+boys well no i was kind of uh
+ 
+
+75
+00:01:20,159 --> 00:01:21,830
+boys well no i was kind of uh
+well there was this one boy
+
+76
+00:01:21,830 --> 00:01:21,840
+well there was this one boy
+ 
+
+77
+00:01:21,840 --> 00:01:23,429
+well there was this one boy
+that i dated for like three months we
+
+78
+00:01:23,429 --> 00:01:23,439
+that i dated for like three months we
+ 
+
+79
+00:01:23,439 --> 00:01:25,429
+that i dated for like three months we
+didn't really date we just held hands
+
+80
+00:01:25,429 --> 00:01:25,439
+didn't really date we just held hands
+ 
+
+81
+00:01:25,439 --> 00:01:26,950
+didn't really date we just held hands
+and talked about my three sons a lot
+
+82
+00:01:26,950 --> 00:01:26,960
+and talked about my three sons a lot
+ 
+
+83
+00:01:26,960 --> 00:01:28,550
+and talked about my three sons a lot
+because that was our favorite show just
+
+84
+00:01:28,550 --> 00:01:28,560
+because that was our favorite show just
+ 
+
+85
+00:01:28,560 --> 00:01:30,789
+because that was our favorite show just
+kind of dancing a lot and uh
+
+86
+00:01:30,789 --> 00:01:30,799
+kind of dancing a lot and uh
+ 
+
+87
+00:01:30,799 --> 00:01:32,630
+kind of dancing a lot and uh
+writing stuff for the newspaper
+
+88
+00:01:32,630 --> 00:01:32,640
+writing stuff for the newspaper
+ 
+
+89
+00:01:32,640 --> 00:01:34,069
+writing stuff for the newspaper
+i don't know i was kind of a geek i
+
+90
+00:01:34,069 --> 00:01:34,079
+i don't know i was kind of a geek i
+ 
+
+91
+00:01:34,079 --> 00:01:36,550
+i don't know i was kind of a geek i
+still am i guess
+
+92
+00:01:36,550 --> 00:01:36,560
+still am i guess
+ 
+
+93
+00:01:36,560 --> 00:01:38,230
+still am i guess
+well i did it um when i brought kate
+
+94
+00:01:38,230 --> 00:01:38,240
+well i did it um when i brought kate
+ 
+
+95
+00:01:38,240 --> 00:01:39,429
+well i did it um when i brought kate
+home once
+
+96
+00:01:39,429 --> 00:01:39,439
+home once
+ 
+
+97
+00:01:39,439 --> 00:01:41,190
+home once
+because otherwise i didn't think my mom
+
+98
+00:01:41,190 --> 00:01:41,200
+because otherwise i didn't think my mom
+ 
+
+99
+00:01:41,200 --> 00:01:42,710
+because otherwise i didn't think my mom
+would believe it you know she would just
+
+100
+00:01:42,710 --> 00:01:42,720
+would believe it you know she would just
+ 
+
+101
+00:01:42,720 --> 00:01:44,230
+would believe it you know she would just
+gloss it over like
+
+102
+00:01:44,230 --> 00:01:44,240
+gloss it over like
+ 
+
+103
+00:01:44,240 --> 00:01:46,310
+gloss it over like
+so many other things
+
+104
+00:01:46,310 --> 00:01:46,320
+so many other things
+ 
+
+105
+00:01:46,320 --> 00:01:47,749
+so many other things
+and she did anyway i mean she hardly
+
+106
+00:01:47,749 --> 00:01:47,759
+and she did anyway i mean she hardly
+ 
+
+107
+00:01:47,759 --> 00:01:49,429
+and she did anyway i mean she hardly
+ever brings it up she never brings it up
+
+108
+00:01:49,429 --> 00:01:49,439
+ever brings it up she never brings it up
+ 
+
+109
+00:01:49,439 --> 00:01:50,950
+ever brings it up she never brings it up
+i'd bring it up
+
+110
+00:01:50,950 --> 00:01:50,960
+i'd bring it up
+ 
+
+111
+00:01:50,960 --> 00:01:51,670
+i'd bring it up
+and
+
+112
+00:01:51,670 --> 00:01:51,680
+and
+ 
+
+113
+00:01:51,680 --> 00:01:53,510
+and
+she won't talk about it
+
+114
+00:01:53,510 --> 00:01:53,520
+she won't talk about it
+ 
+
+115
+00:01:53,520 --> 00:01:55,990
+she won't talk about it
+but at least i know that she knows
+
+116
+00:01:55,990 --> 00:01:56,000
+but at least i know that she knows
+ 
+
+117
+00:01:56,000 --> 00:01:57,749
+but at least i know that she knows
+okay so tell me this is totally rude and
+
+118
+00:01:57,749 --> 00:01:57,759
+okay so tell me this is totally rude and
+ 
+
+119
+00:01:57,759 --> 00:01:59,990
+okay so tell me this is totally rude and
+nosy but i'm kind of curious
+
+120
+00:01:59,990 --> 00:02:00,000
+nosy but i'm kind of curious
+ 
+
+121
+00:02:00,000 --> 00:02:02,389
+nosy but i'm kind of curious
+are you and kate broken up now or what's
+
+122
+00:02:02,389 --> 00:02:02,399
+are you and kate broken up now or what's
+ 
+
+123
+00:02:02,399 --> 00:02:04,389
+are you and kate broken up now or what's
+the story on that one
+
+124
+00:02:04,389 --> 00:02:04,399
+the story on that one
+ 
+
+125
+00:02:04,399 --> 00:02:06,709
+the story on that one
+well we're sort of broken up
+
+126
+00:02:06,709 --> 00:02:06,719
+well we're sort of broken up
+ 
+
+127
+00:02:06,719 --> 00:02:11,190
+well we're sort of broken up
+i mean i left a message on her machine
+
+128
+00:02:11,190 --> 00:02:11,200
+i mean i left a message on her machine
+ 
+
+129
+00:02:11,200 --> 00:02:13,430
+i mean i left a message on her machine
+he left a message on her machine
+
+130
+00:02:13,430 --> 00:02:13,440
+he left a message on her machine
+ 
+
+131
+00:02:13,440 --> 00:02:16,390
+he left a message on her machine
+so do you consider that broken up
+
+132
+00:02:16,390 --> 00:02:16,400
+so do you consider that broken up
+ 
+
+133
+00:02:16,400 --> 00:02:19,589
+so do you consider that broken up
+yeah she hasn't called me back yet
+
+134
+00:02:19,589 --> 00:02:19,599
+yeah she hasn't called me back yet
+ 
+
+135
+00:02:19,599 --> 00:02:20,790
+yeah she hasn't called me back yet
+yes
+
+136
+00:02:20,790 --> 00:02:20,800
+yes
+ 
+
+137
+00:02:20,800 --> 00:02:23,030
+yes
+well it's half
+
+138
+00:02:23,030 --> 00:02:23,040
+well it's half
+ 
+
+139
+00:02:23,040 --> 00:02:25,589
+well it's half
+i mean we're breaking up anyway but
+
+140
+00:02:25,589 --> 00:02:25,599
+i mean we're breaking up anyway but
+ 
+
+141
+00:02:25,599 --> 00:02:27,830
+i mean we're breaking up anyway but
+um we just need to talk about it so like
+
+142
+00:02:27,830 --> 00:02:27,840
+um we just need to talk about it so like
+ 
+
+143
+00:02:27,840 --> 00:02:30,229
+um we just need to talk about it so like
+that's 50 50. like you're broken up
+
+144
+00:02:30,229 --> 00:02:30,239
+that's 50 50. like you're broken up
+ 
+
+145
+00:02:30,239 --> 00:02:32,869
+that's 50 50. like you're broken up
+she's not but it counts for you
+
+146
+00:02:32,869 --> 00:02:32,879
+she's not but it counts for you
+ 
+
+147
+00:02:32,879 --> 00:02:35,990
+she's not but it counts for you
+so i guess it counts for me then
+
+148
+00:02:35,990 --> 00:02:36,000
+so i guess it counts for me then
+ 
+
+149
+00:02:36,000 --> 00:02:37,920
+so i guess it counts for me then
+i guess
+
+150
+00:02:37,920 --> 00:02:37,930
+i guess
+ 
+
+151
+00:02:37,930 --> 00:03:07,509
+i guess
+[Music]
+
+152
+00:03:07,509 --> 00:03:07,519
+[Music]
+ 
+
+153
+00:03:07,519 --> 00:03:09,599
+[Music]
+you
+

1994/xz3CYcjdSaI.description

@@ -0,0 +1,38 @@
+Star Trek: Generations movie clips: http://j.mp/1BcPFTl
+BUY THE MOVIE: http://amzn.to/vXCxIR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Data (Brent Spiner) has trouble dealing with his new emotions.
+
+FILM DESCRIPTION:
+The seventh Star Trek feature passed the torch to a new crew. Decades after the original "Trek," the skipper of the fourth USS Enterprise is Jean-Luc Picard (Patrick Stewart), who investigates a massacre at a science outpost. The only survivor is Dr. Soran (Malcolm McDowall), who perpetrated the event to cover up his invention: a bomb he launches into a nearby sun, exploding it. As Soran escapes with Klingon cronies, Picard learns that Soran's plan is to summon a heavenly energy ribbon called the Nexus. Those who enter it live forever with every wish fulfilled. Attempting to stop Soran, Picard ends up inside the Nexus, where he discovers former captain James T. Kirk (William Shatner), believed to have been killed in an accident 78 years earlier.
+
+CREDITS:
+TM & © Paramount (1994)
+Cast: Brent Spiner, Patrick Stewart
+Director: David Carson
+Producers: Rick Berman, Peter Lauritson, Bernard Williams
+Screenwriters: Gene Roddenberry, Rick Berman, Ronald D. Moore, Brannon Braga
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/xz3CYcjdSaI.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:00,120 --> 00:00:11,070
+
+where's the ribbon now
+
+2
+00:00:11,070 --> 00:00:11,080
+
+ 
+
+3
+00:00:11,080 --> 00:00:14,770
+
+this is its composition can you project
+
+4
+00:00:14,770 --> 00:00:14,780
+this is its composition can you project
+ 
+
+5
+00:00:14,780 --> 00:00:20,530
+this is its composition can you project
+its course
+
+6
+00:00:20,530 --> 00:00:20,540
+
+ 
+
+7
+00:00:20,540 --> 00:00:26,220
+
+captain
+
+8
+00:00:26,220 --> 00:00:26,230
+
+ 
+
+9
+00:00:26,230 --> 00:00:27,720
+
+I cannot continue with this
+
+10
+00:00:27,720 --> 00:00:27,730
+I cannot continue with this
+ 
+
+11
+00:00:27,730 --> 00:00:31,019
+I cannot continue with this
+investigation I wish to be deactivated
+
+12
+00:00:31,019 --> 00:00:31,029
+investigation I wish to be deactivated
+ 
+
+13
+00:00:31,029 --> 00:00:32,850
+investigation I wish to be deactivated
+until dr. crusher can remove the emotion
+
+14
+00:00:32,850 --> 00:00:32,860
+until dr. crusher can remove the emotion
+ 
+
+15
+00:00:32,860 --> 00:00:35,010
+until dr. crusher can remove the emotion
+ship are you having some kind of
+
+16
+00:00:35,010 --> 00:00:35,020
+ship are you having some kind of
+ 
+
+17
+00:00:35,020 --> 00:00:38,610
+ship are you having some kind of
+malfunction no sir I simply do not have
+
+18
+00:00:38,610 --> 00:00:38,620
+malfunction no sir I simply do not have
+ 
+
+19
+00:00:38,620 --> 00:00:41,660
+malfunction no sir I simply do not have
+the ability to control these emotions I
+
+20
+00:00:41,660 --> 00:00:41,670
+the ability to control these emotions I
+ 
+
+21
+00:00:41,670 --> 00:00:44,280
+the ability to control these emotions I
+have nothing but sympathy for what you
+
+22
+00:00:44,280 --> 00:00:44,290
+have nothing but sympathy for what you
+ 
+
+23
+00:00:44,290 --> 00:00:47,160
+have nothing but sympathy for what you
+are feeling but right now I need you to
+
+24
+00:00:47,160 --> 00:00:47,170
+are feeling but right now I need you to
+ 
+
+25
+00:00:47,170 --> 00:00:50,240
+are feeling but right now I need you to
+sir I no longer want these emotions
+
+26
+00:00:50,240 --> 00:00:50,250
+sir I no longer want these emotions
+ 
+
+27
+00:00:50,250 --> 00:00:52,320
+sir I no longer want these emotions
+deactivating me is the only viable
+
+28
+00:00:52,320 --> 00:00:52,330
+deactivating me is the only viable
+ 
+
+29
+00:00:52,330 --> 00:00:55,860
+deactivating me is the only viable
+solution part of having feelings he's
+
+30
+00:00:55,860 --> 00:00:55,870
+solution part of having feelings he's
+ 
+
+31
+00:00:55,870 --> 00:00:57,270
+solution part of having feelings he's
+learning to integrate them into your
+
+32
+00:00:57,270 --> 00:00:57,280
+learning to integrate them into your
+ 
+
+33
+00:00:57,280 --> 00:01:01,340
+learning to integrate them into your
+life data learning to live with them
+
+34
+00:01:01,340 --> 00:01:01,350
+life data learning to live with them
+ 
+
+35
+00:01:01,350 --> 00:01:05,430
+life data learning to live with them
+will not be deactivated got an officer
+
+36
+00:01:05,430 --> 00:01:05,440
+will not be deactivated got an officer
+ 
+
+37
+00:01:05,440 --> 00:01:07,080
+will not be deactivated got an officer
+onboard this ship and I require you to
+
+38
+00:01:07,080 --> 00:01:07,090
+onboard this ship and I require you to
+ 
+
+39
+00:01:07,090 --> 00:01:09,539
+onboard this ship and I require you to
+perform your duty that is an order
+
+40
+00:01:09,539 --> 00:01:09,549
+perform your duty that is an order
+ 
+
+41
+00:01:09,549 --> 00:01:21,429
+perform your duty that is an order
+commander
+
+42
+00:01:21,429 --> 00:01:21,439
+
+ 
+
+43
+00:01:21,439 --> 00:01:26,139
+
+sometimes it takes courage to try again
+
+44
+00:01:26,139 --> 00:01:26,149
+sometimes it takes courage to try again
+ 
+
+45
+00:01:26,149 --> 00:01:30,039
+sometimes it takes courage to try again
+it's gonna be an emotion - now can you
+
+46
+00:01:30,039 --> 00:01:30,049
+it's gonna be an emotion - now can you
+ 
+
+47
+00:01:30,049 --> 00:01:32,550
+it's gonna be an emotion - now can you
+project the course of the ribbon I
+
+48
+00:01:32,550 --> 00:01:32,560
+project the course of the ribbon I
+ 
+
+49
+00:01:32,560 --> 00:01:38,600
+project the course of the ribbon I
+believe so
+
+50
+00:01:38,600 --> 00:01:38,610
+
+ 
+
+51
+00:01:38,610 --> 00:01:45,410
+
+and on screen 9a there was the Amargosa
+
+52
+00:01:45,410 --> 00:01:45,420
+and on screen 9a there was the Amargosa
+ 
+
+53
+00:01:45,420 --> 00:01:51,710
+and on screen 9a there was the Amargosa
+star now you said that when the Amargosa
+
+54
+00:01:51,710 --> 00:01:51,720
+star now you said that when the Amargosa
+ 
+
+55
+00:01:51,720 --> 00:01:53,900
+star now you said that when the Amargosa
+star was destroyed it affected the
+
+56
+00:01:53,900 --> 00:01:53,910
+star was destroyed it affected the
+ 
+
+57
+00:01:53,910 --> 00:01:55,820
+star was destroyed it affected the
+gravitational forces in this sector did
+
+58
+00:01:55,820 --> 00:01:55,830
+gravitational forces in this sector did
+ 
+
+59
+00:01:55,830 --> 00:01:58,070
+gravitational forces in this sector did
+the computer take that into account when
+
+60
+00:01:58,070 --> 00:01:58,080
+the computer take that into account when
+ 
+
+61
+00:01:58,080 --> 00:01:59,990
+the computer take that into account when
+it projected the course of the ribbon no
+
+62
+00:01:59,990 --> 00:02:00,000
+it projected the course of the ribbon no
+ 
+
+63
+00:02:00,000 --> 00:02:01,130
+it projected the course of the ribbon no
+sir I will make the appropriate
+
+64
+00:02:01,130 --> 00:02:01,140
+sir I will make the appropriate
+ 
+
+65
+00:02:01,140 --> 00:02:09,350
+sir I will make the appropriate
+adjustments changing the course of the
+
+66
+00:02:09,350 --> 00:02:09,360
+adjustments changing the course of the
+ 
+
+67
+00:02:09,360 --> 00:02:10,430
+adjustments changing the course of the
+ribbon
+
+68
+00:02:10,430 --> 00:02:10,440
+ribbon
+ 
+
+69
+00:02:10,440 --> 00:02:41,490
+ribbon
+[Music]
+

1994/y603mzYAcas.description

@@ -0,0 +1,37 @@
+Milk Money movie clips: http://j.mp/1BcPwPE
+BUY THE MOVIE: http://j.mp/Ax1ZZ5
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Tom (Ed Harris) and his son Frank (Michael Patrick Carter) discuss the finer points of pleasing women over breakfast.
+
+FILM DESCRIPTION:
+After befriending a kind-hearted prostitute, a 12-year-old boy attempts to set her up with his widowed father in this family comedy. Young Frank Wheeler (Michael Patrick Carter) first meets working girl V (Melanie Griffith) when he and two friends pool their money to buy a glimpse of a naked woman. V does the job and agrees to drive Frank home; along the way, he becomes convinced that this nice call girl would be the perfect new wife for his dad (Ed Harris). V happens to be on the run from a group of evil gangsters, so when he invites her to stay at their house in the suburbs, she readily agrees. Masquerading as a math tutor, she strikes a chord with Mr. Wheeler, but this budding romance is soon threatened by the return of V's past. Despite the potentially off-color premise, Milk Money aims to be innocuous family fare, with juvenile jokes mixing with unthreatening romance.
+
+CREDITS:
+TM & © Paramount (1994)
+Cast: Michael Patrick Carter, Ed Harris
+Director: Richard Benjamin
+Producers: Michael Finnell, Patrick J. Palmer, Kathleen Kennedy, Frank Marshall
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/y8_oqgPwHfI.description

@@ -0,0 +1,38 @@
+Star Trek: Generations movie clips: http://j.mp/1BcPFTl
+BUY THE MOVIE: http://amzn.to/vXCxIR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Picard (Patrick Stewart) finds Kirk (William Shatner) buried in rubble.
+
+FILM DESCRIPTION:
+The seventh Star Trek feature passed the torch to a new crew. Decades after the original "Trek," the skipper of the fourth USS Enterprise is Jean-Luc Picard (Patrick Stewart), who investigates a massacre at a science outpost. The only survivor is Dr. Soran (Malcolm McDowall), who perpetrated the event to cover up his invention: a bomb he launches into a nearby sun, exploding it. As Soran escapes with Klingon cronies, Picard learns that Soran's plan is to summon a heavenly energy ribbon called the Nexus. Those who enter it live forever with every wish fulfilled. Attempting to stop Soran, Picard ends up inside the Nexus, where he discovers former captain James T. Kirk (William Shatner), believed to have been killed in an accident 78 years earlier.
+
+CREDITS:
+TM & © Paramount (1994)
+Cast: William Shatner, Patrick Stewart
+Director: David Carson
+Producers: Rick Berman, Peter Lauritson, Bernard Williams
+Screenwriters: Gene Roddenberry, Rick Berman, Ronald D. Moore, Brannon Braga
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1994/yRlyvNmVWK0.en.srt

@@ -0,0 +1,195 @@
+1
+00:00:00,000 --> 00:00:04,019
+
+Pilar Xo Lisa
+
+2
+00:00:04,019 --> 00:00:04,029
+
+ 
+
+3
+00:00:04,029 --> 00:00:14,430
+
+defense
+
+4
+00:00:14,430 --> 00:00:14,440
+
+ 
+
+5
+00:00:14,440 --> 00:00:18,510
+
+yes
+
+6
+00:00:18,510 --> 00:00:18,520
+
+ 
+
+7
+00:00:18,520 --> 00:00:24,400
+
+but I no longer feel
+
+8
+00:00:24,400 --> 00:00:24,410
+but I no longer feel
+ 
+
+9
+00:00:24,410 --> 00:00:39,080
+but I no longer feel
+the previous absences
+
+10
+00:00:39,080 --> 00:00:39,090
+
+ 
+
+11
+00:00:39,090 --> 00:00:45,620
+
+and the touches and touches
+
+12
+00:00:45,620 --> 00:00:45,630
+
+ 
+
+13
+00:00:45,630 --> 00:00:47,600
+
+ah
+
+14
+00:00:47,600 --> 00:00:47,610
+ah
+ 
+
+15
+00:00:47,610 --> 00:01:15,780
+ah
+her the dependencies wide to Yuliza
+
+16
+00:01:15,780 --> 00:01:15,790
+
+ 
+
+17
+00:01:15,790 --> 00:01:31,060
+
+[Music]
+
+18
+00:01:31,060 --> 00:01:31,070
+
+ 
+
+19
+00:01:31,070 --> 00:01:42,800
+
+[Music]
+
+20
+00:01:42,800 --> 00:01:42,810
+
+ 
+
+21
+00:01:42,810 --> 00:01:54,599
+
+[Music]
+
+22
+00:01:54,599 --> 00:01:54,609
+
+ 
+
+23
+00:01:54,609 --> 00:01:58,380
+
+commitment Star Wars I went to moderate
+
+24
+00:01:58,380 --> 00:01:58,390
+commitment Star Wars I went to moderate
+ 
+
+25
+00:01:58,390 --> 00:02:14,230
+commitment Star Wars I went to moderate
+way
+
+26
+00:02:14,230 --> 00:02:14,240
+
+ 
+
+27
+00:02:14,240 --> 00:02:16,460
+
+well
+
+28
+00:02:16,460 --> 00:02:16,470
+well
+ 
+
+29
+00:02:16,470 --> 00:02:18,700
+well
+[Music]
+
+30
+00:02:18,700 --> 00:02:18,710
+[Music]
+ 
+
+31
+00:02:18,710 --> 00:02:20,680
+[Music]
+date
+
+32
+00:02:20,680 --> 00:02:20,690
+date
+ 
+
+33
+00:02:20,690 --> 00:02:25,930
+date
+just mount Salinger time
+
+34
+00:02:25,930 --> 00:02:25,940
+
+ 
+
+35
+00:02:25,940 --> 00:02:29,470
+
+the response of expert solidaires of
+
+36
+00:02:29,470 --> 00:02:29,480
+the response of expert solidaires of
+ 
+
+37
+00:02:29,480 --> 00:02:37,200
+the response of expert solidaires of
+other losses that not so much
+
+38
+00:02:37,200 --> 00:02:37,210
+
+ 
+
+39
+00:02:37,210 --> 00:03:12,160
+
+[Music]
+

1994/y_LVaQiyLrM.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:07,450 --> 00:00:09,260
+
+[Music]
+
+2
+00:00:09,260 --> 00:00:09,270
+[Music]
+ 
+
+3
+00:00:09,270 --> 00:00:10,610
+[Music]
+[Applause]
+
+4
+00:00:10,610 --> 00:00:10,620
+[Applause]
+ 
+
+5
+00:00:10,620 --> 00:00:23,900
+[Applause]
+[Music]
+
+6
+00:00:23,900 --> 00:00:23,910
+
+ 
+
+7
+00:00:23,910 --> 00:00:28,710
+
+Clippers don't reject me
+
+8
+00:00:28,710 --> 00:00:28,720
+
+ 
+
+9
+00:00:28,720 --> 00:00:29,530
+
+[Applause]
+
+10
+00:00:29,530 --> 00:00:29,540
+[Applause]
+ 
+
+11
+00:00:29,540 --> 00:00:31,650
+[Applause]
+[Music]
+
+12
+00:00:31,650 --> 00:00:31,660
+[Music]
+ 
+
+13
+00:00:31,660 --> 00:00:33,740
+[Music]
+Oh Martin
+
+14
+00:00:33,740 --> 00:00:33,750
+Oh Martin
+ 
+
+15
+00:00:33,750 --> 00:00:36,690
+Oh Martin
+yes
+
+16
+00:00:36,690 --> 00:00:36,700
+
+ 
+
+17
+00:00:36,700 --> 00:00:41,620
+
+gotta go big
+
+18
+00:00:41,620 --> 00:00:41,630
+
+ 
+
+19
+00:00:41,630 --> 00:00:48,430
+
+[Music]
+
+20
+00:00:48,430 --> 00:00:48,440
+
+ 
+
+21
+00:00:48,440 --> 00:00:50,120
+
+dearest uncle Martin
+
+22
+00:00:50,120 --> 00:00:50,130
+dearest uncle Martin
+ 
+
+23
+00:00:50,130 --> 00:00:52,720
+dearest uncle Martin
+yes but can we go to Dinosaur World now
+
+24
+00:00:52,720 --> 00:00:52,730
+yes but can we go to Dinosaur World now
+ 
+
+25
+00:00:52,730 --> 00:00:54,260
+yes but can we go to Dinosaur World now
+Dinosaur World
+
+26
+00:00:54,260 --> 00:00:54,270
+Dinosaur World
+ 
+
+27
+00:00:54,270 --> 00:00:56,870
+Dinosaur World
+it's closed it's 10:30 Clipper but I'll
+
+28
+00:00:56,870 --> 00:00:56,880
+it's closed it's 10:30 Clipper but I'll
+ 
+
+29
+00:00:56,880 --> 00:00:59,030
+it's closed it's 10:30 Clipper but I'll
+let you down a little secret I've got a
+
+30
+00:00:59,030 --> 00:00:59,040
+let you down a little secret I've got a
+ 
+
+31
+00:00:59,040 --> 00:01:00,800
+let you down a little secret I've got a
+lifetime pass to Dinosaur World because
+
+32
+00:01:00,800 --> 00:01:00,810
+lifetime pass to Dinosaur World because
+ 
+
+33
+00:01:00,810 --> 00:01:04,400
+lifetime pass to Dinosaur World because
+I designed Larry the scary Rex soon as I
+
+34
+00:01:04,400 --> 00:01:04,410
+I designed Larry the scary Rex soon as I
+ 
+
+35
+00:01:04,410 --> 00:01:09,320
+I designed Larry the scary Rex soon as I
+marry the scary Rex I'm Larry the scary
+
+36
+00:01:09,320 --> 00:01:09,330
+marry the scary Rex I'm Larry the scary
+ 
+
+37
+00:01:09,330 --> 00:01:11,690
+marry the scary Rex I'm Larry the scary
+Rex I'm a scary dinosaur
+
+38
+00:01:11,690 --> 00:01:11,700
+Rex I'm a scary dinosaur
+ 
+
+39
+00:01:11,700 --> 00:01:13,400
+Rex I'm a scary dinosaur
+we don't be scared what's our Chucky a
+
+40
+00:01:13,400 --> 00:01:13,410
+we don't be scared what's our Chucky a
+ 
+
+41
+00:01:13,410 --> 00:01:17,570
+we don't be scared what's our Chucky a
+my mighty mighty roar oh well you are
+
+42
+00:01:17,570 --> 00:01:17,580
+my mighty mighty roar oh well you are
+ 
+
+43
+00:01:17,580 --> 00:01:23,170
+my mighty mighty roar oh well you are
+some sort of hero let's go get your bags
+
+44
+00:01:23,170 --> 00:01:23,180
+
+ 
+
+45
+00:01:23,180 --> 00:01:25,969
+
+oh my god have you guys I loaded
+
+46
+00:01:25,969 --> 00:01:25,979
+oh my god have you guys I loaded
+ 
+
+47
+00:01:25,979 --> 00:01:30,410
+oh my god have you guys I loaded
+everything on five 791 yet missing a
+
+48
+00:01:30,410 --> 00:01:30,420
+everything on five 791 yet missing a
+ 
+
+49
+00:01:30,420 --> 00:01:34,430
+everything on five 791 yet missing a
+mountain bike stereo a surfboard and a
+
+50
+00:01:34,430 --> 00:01:34,440
+mountain bike stereo a surfboard and a
+ 
+
+51
+00:01:34,440 --> 00:01:40,249
+mountain bike stereo a surfboard and a
+big brown dog you brought a lot of stuff
+
+52
+00:01:40,249 --> 00:01:40,259
+big brown dog you brought a lot of stuff
+ 
+
+53
+00:01:40,259 --> 00:01:42,920
+big brown dog you brought a lot of stuff
+I'm sorry uncle Martin my dads are
+
+54
+00:01:42,920 --> 00:01:42,930
+I'm sorry uncle Martin my dads are
+ 
+
+55
+00:01:42,930 --> 00:01:43,790
+I'm sorry uncle Martin my dads are
+scared of burglars
+
+56
+00:01:43,790 --> 00:01:43,800
+scared of burglars
+ 
+
+57
+00:01:43,800 --> 00:01:45,499
+scared of burglars
+he makes us take everything when we go
+
+58
+00:01:45,499 --> 00:01:45,509
+he makes us take everything when we go
+ 
+
+59
+00:01:45,509 --> 00:01:48,859
+he makes us take everything when we go
+on a trip and you heard I you couldn't
+
+60
+00:01:48,859 --> 00:01:48,869
+on a trip and you heard I you couldn't
+ 
+
+61
+00:01:48,869 --> 00:01:51,020
+on a trip and you heard I you couldn't
+leave my sneakers at home of course you
+
+62
+00:01:51,020 --> 00:01:51,030
+leave my sneakers at home of course you
+ 
+
+63
+00:01:51,030 --> 00:01:52,810
+leave my sneakers at home of course you
+could
+
+64
+00:01:52,810 --> 00:01:52,820
+could
+ 
+
+65
+00:01:52,820 --> 00:02:04,160
+could
+[Music]
+