Add files using upload-large-folder tool

1951/SMQ6aga9mI0.en.srt

@@ -0,0 +1,465 @@
+1
+00:00:01,319 --> 00:00:03,990
+
+want to hear one of my ideas for a
+
+2
+00:00:03,990 --> 00:00:04,000
+want to hear one of my ideas for a
+ 
+
+3
+00:00:04,000 --> 00:00:06,230
+want to hear one of my ideas for a
+perfect murder you want to hear the
+
+4
+00:00:06,230 --> 00:00:06,240
+perfect murder you want to hear the
+ 
+
+5
+00:00:06,240 --> 00:00:07,909
+perfect murder you want to hear the
+busted light socket in the bathroom or
+
+6
+00:00:07,909 --> 00:00:07,919
+busted light socket in the bathroom or
+ 
+
+7
+00:00:07,919 --> 00:00:10,950
+busted light socket in the bathroom or
+the uh carbon monoxide in the garage
+
+8
+00:00:10,950 --> 00:00:10,960
+the uh carbon monoxide in the garage
+ 
+
+9
+00:00:10,960 --> 00:00:13,390
+the uh carbon monoxide in the garage
+neither one I I may be oldfashioned but
+
+10
+00:00:13,390 --> 00:00:13,400
+neither one I I may be oldfashioned but
+ 
+
+11
+00:00:13,400 --> 00:00:15,230
+neither one I I may be oldfashioned but
+I thought murder was against the
+
+12
+00:00:15,230 --> 00:00:15,240
+I thought murder was against the
+ 
+
+13
+00:00:15,240 --> 00:00:17,750
+I thought murder was against the
+law what is a life for two guys some
+
+14
+00:00:17,750 --> 00:00:17,760
+law what is a life for two guys some
+ 
+
+15
+00:00:17,760 --> 00:00:20,390
+law what is a life for two guys some
+people are better off dead like your
+
+16
+00:00:20,390 --> 00:00:20,400
+people are better off dead like your
+ 
+
+17
+00:00:20,400 --> 00:00:22,109
+people are better off dead like your
+wife and my father for
+
+18
+00:00:22,109 --> 00:00:22,119
+wife and my father for
+ 
+
+19
+00:00:22,119 --> 00:00:25,470
+wife and my father for
+instance oh that reminds me a wonderful
+
+20
+00:00:25,470 --> 00:00:25,480
+instance oh that reminds me a wonderful
+ 
+
+21
+00:00:25,480 --> 00:00:29,070
+instance oh that reminds me a wonderful
+idea I had once I used to put myself to
+
+22
+00:00:29,070 --> 00:00:29,080
+idea I had once I used to put myself to
+ 
+
+23
+00:00:29,080 --> 00:00:30,470
+idea I had once I used to put myself to
+sleep at night
+
+24
+00:00:30,470 --> 00:00:30,480
+sleep at night
+ 
+
+25
+00:00:30,480 --> 00:00:33,150
+sleep at night
+figuring it
+
+26
+00:00:33,150 --> 00:00:33,160
+figuring it
+ 
+
+27
+00:00:33,160 --> 00:00:36,549
+figuring it
+out now let's say that that you'd like
+
+28
+00:00:36,549 --> 00:00:36,559
+out now let's say that that you'd like
+ 
+
+29
+00:00:36,559 --> 00:00:39,069
+out now let's say that that you'd like
+to get rid of your wife it's a morid
+
+30
+00:00:39,069 --> 00:00:39,079
+to get rid of your wife it's a morid
+ 
+
+31
+00:00:39,079 --> 00:00:41,510
+to get rid of your wife it's a morid
+thought no no no no no no just suppose
+
+32
+00:00:41,510 --> 00:00:41,520
+thought no no no no no no just suppose
+ 
+
+33
+00:00:41,520 --> 00:00:42,910
+thought no no no no no no just suppose
+let's say that you had a very good
+
+34
+00:00:42,910 --> 00:00:42,920
+let's say that you had a very good
+ 
+
+35
+00:00:42,920 --> 00:00:47,229
+let's say that you had a very good
+reason no let's let's not let's say now
+
+36
+00:00:47,229 --> 00:00:47,239
+reason no let's let's not let's say now
+ 
+
+37
+00:00:47,239 --> 00:00:49,189
+reason no let's let's not let's say now
+you'd be afraid to kill her you know why
+
+38
+00:00:49,189 --> 00:00:49,199
+you'd be afraid to kill her you know why
+ 
+
+39
+00:00:49,199 --> 00:00:51,790
+you'd be afraid to kill her you know why
+you'd get caught and what would trip you
+
+40
+00:00:51,790 --> 00:00:51,800
+you'd get caught and what would trip you
+ 
+
+41
+00:00:51,800 --> 00:00:53,910
+you'd get caught and what would trip you
+up the
+
+42
+00:00:53,910 --> 00:00:53,920
+up the
+ 
+
+43
+00:00:53,920 --> 00:00:57,990
+up the
+motive ah now here's my idea I'm afraid
+
+44
+00:00:57,990 --> 00:00:58,000
+motive ah now here's my idea I'm afraid
+ 
+
+45
+00:00:58,000 --> 00:01:00,110
+motive ah now here's my idea I'm afraid
+I haven't got time to listen BR listen
+
+46
+00:01:00,110 --> 00:01:00,120
+I haven't got time to listen BR listen
+ 
+
+47
+00:01:00,120 --> 00:01:03,189
+I haven't got time to listen BR listen
+it's so simple too two fellows meet
+
+48
+00:01:03,189 --> 00:01:03,199
+it's so simple too two fellows meet
+ 
+
+49
+00:01:03,199 --> 00:01:05,990
+it's so simple too two fellows meet
+accidentally like you and me no
+
+50
+00:01:05,990 --> 00:01:06,000
+accidentally like you and me no
+ 
+
+51
+00:01:06,000 --> 00:01:07,510
+accidentally like you and me no
+connection between them at all never saw
+
+52
+00:01:07,510 --> 00:01:07,520
+connection between them at all never saw
+ 
+
+53
+00:01:07,520 --> 00:01:10,630
+connection between them at all never saw
+each other before each one has somebody
+
+54
+00:01:10,630 --> 00:01:10,640
+each other before each one has somebody
+ 
+
+55
+00:01:10,640 --> 00:01:13,710
+each other before each one has somebody
+that he'd like to get rid of
+
+56
+00:01:13,710 --> 00:01:13,720
+that he'd like to get rid of
+ 
+
+57
+00:01:13,720 --> 00:01:17,710
+that he'd like to get rid of
+so they swap murders swap
+
+58
+00:01:17,710 --> 00:01:17,720
+so they swap murders swap
+ 
+
+59
+00:01:17,720 --> 00:01:19,870
+so they swap murders swap
+murders each fellow does the other
+
+60
+00:01:19,870 --> 00:01:19,880
+murders each fellow does the other
+ 
+
+61
+00:01:19,880 --> 00:01:21,350
+murders each fellow does the other
+fellow's murder then there's nothing to
+
+62
+00:01:21,350 --> 00:01:21,360
+fellow's murder then there's nothing to
+ 
+
+63
+00:01:21,360 --> 00:01:23,310
+fellow's murder then there's nothing to
+connect them each one has murdered a
+
+64
+00:01:23,310 --> 00:01:23,320
+connect them each one has murdered a
+ 
+
+65
+00:01:23,320 --> 00:01:27,190
+connect them each one has murdered a
+total stranger like you do my murder I
+
+66
+00:01:27,190 --> 00:01:27,200
+total stranger like you do my murder I
+ 
+
+67
+00:01:27,200 --> 00:01:31,030
+total stranger like you do my murder I
+do yours we're coming into my station
+
+68
+00:01:31,030 --> 00:01:31,040
+do yours we're coming into my station
+ 
+
+69
+00:01:31,040 --> 00:01:34,789
+do yours we're coming into my station
+for example your wife my father criss
+
+70
+00:01:34,789 --> 00:01:34,799
+for example your wife my father criss
+ 
+
+71
+00:01:34,799 --> 00:01:37,870
+for example your wife my father criss
+cross what oh we do talk the same
+
+72
+00:01:37,870 --> 00:01:37,880
+cross what oh we do talk the same
+ 
+
+73
+00:01:37,880 --> 00:01:40,030
+cross what oh we do talk the same
+language don't we well sure Bruno we
+
+74
+00:01:40,030 --> 00:01:40,040
+language don't we well sure Bruno we
+ 
+
+75
+00:01:40,040 --> 00:01:41,910
+language don't we well sure Bruno we
+talk the same language thanks for the
+
+76
+00:01:41,910 --> 00:01:41,920
+talk the same language thanks for the
+ 
+
+77
+00:01:41,920 --> 00:01:43,950
+talk the same language thanks for the
+lunch oh I'm glad you enjoyed it I
+
+78
+00:01:43,950 --> 00:01:43,960
+lunch oh I'm glad you enjoyed it I
+ 
+
+79
+00:01:43,960 --> 00:01:45,030
+lunch oh I'm glad you enjoyed it I
+thought the lamp chops were a little
+
+80
+00:01:45,030 --> 00:01:45,040
+thought the lamp chops were a little
+ 
+
+81
+00:01:45,040 --> 00:01:48,670
+thought the lamp chops were a little
+overdone myself nice meeting you now you
+
+82
+00:01:48,670 --> 00:01:48,680
+overdone myself nice meeting you now you
+ 
+
+83
+00:01:48,680 --> 00:01:51,429
+overdone myself nice meeting you now you
+think my theory is okay guy you like it
+
+84
+00:01:51,429 --> 00:01:51,439
+think my theory is okay guy you like it
+ 
+
+85
+00:01:51,439 --> 00:01:59,220
+think my theory is okay guy you like it
+sure Bruno sure they're all okay
+
+86
+00:01:59,220 --> 00:01:59,230
+
+ 
+
+87
+00:01:59,230 --> 00:02:12,830
+
+[Music]
+
+88
+00:02:12,830 --> 00:02:12,840
+
+ 
+
+89
+00:02:12,840 --> 00:02:15,030
+
+[Music]
+
+90
+00:02:15,030 --> 00:02:15,040
+[Music]
+ 
+
+91
+00:02:15,040 --> 00:02:16,440
+[Music]
+crisscross
+
+92
+00:02:16,440 --> 00:02:16,450
+crisscross
+ 
+
+93
+00:02:16,450 --> 00:02:47,490
+crisscross
+[Music]
+

1952/5IFvZMLDqXA.description

@@ -0,0 +1,38 @@
+Come Back, Little Sheba movie clips: http://j.mp/1L6TChZ
+BUY THE MOVIE: http://j.mp/ydofRR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Doc (Burt Lancaster) relapses and expresses hostility toward Lola (Shirley Booth).
+
+FILM DESCRIPTION:
+In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less-than-bright "shotgun bride" of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts. When time came to film the play, Shirley Booth was retained as Lola, but Burt Lancaster replaced Blackmer as Doc. Although Lancaster seems far too youthful for the role, the film is a fascinating and sometimes funny study of an unhappy marriage made unhappier by the arrival of a sexy stranger. Young Marie (Terry Moore) rents a room from Lola, a tiresome creature who never stops talking, especially about the "imminent" return of her runaway dog Sheba. Doc is having enough trouble staying away from the bottle and resigning himself to his marriage without the curvaceous Marie arousing his baser instincts. The characters interact with gloomy consequences, in the typical kitchen-sink-realism style of Inge's Fifties plays, although a tacked-on happy ending, common to Fifties movie melodramas, pretends otherwise.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Burt Lancaster, Shirley Booth
+Director: Daniel Mann
+Producer: Hal B. Wallis
+Screenwriters: Ketti Frings, William Inge
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/8csRJcVDQdc.description

@@ -0,0 +1,38 @@
+Come Back, Little Sheba movie clips: http://j.mp/1L6TChZ
+BUY THE MOVIE: http://j.mp/ydofRR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+A drunken Doc (Burt Lancaster) gets increasingly violent with Lola (Shirley Booth).
+
+FILM DESCRIPTION:
+In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less-than-bright "shotgun bride" of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts. When time came to film the play, Shirley Booth was retained as Lola, but Burt Lancaster replaced Blackmer as Doc. Although Lancaster seems far too youthful for the role, the film is a fascinating and sometimes funny study of an unhappy marriage made unhappier by the arrival of a sexy stranger. Young Marie (Terry Moore) rents a room from Lola, a tiresome creature who never stops talking, especially about the "imminent" return of her runaway dog Sheba. Doc is having enough trouble staying away from the bottle and resigning himself to his marriage without the curvaceous Marie arousing his baser instincts. The characters interact with gloomy consequences, in the typical kitchen-sink-realism style of Inge's Fifties plays, although a tacked-on happy ending, common to Fifties movie melodramas, pretends otherwise.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Burt Lancaster, Shirley Booth
+Director: Daniel Mann
+Producer: Hal B. Wallis
+Screenwriters: Ketti Frings, William Inge
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/B0asbGJbLKc.en.srt

@@ -0,0 +1,175 @@
+1
+00:00:02,260 --> 00:00:19,790
+
+[Music]
+
+2
+00:00:19,790 --> 00:00:19,800
+[Music]
+ 
+
+3
+00:00:19,800 --> 00:00:21,660
+[Music]
+do
+
+4
+00:00:21,660 --> 00:00:21,670
+do
+ 
+
+5
+00:00:21,670 --> 00:00:36,790
+do
+[Music]
+
+6
+00:00:36,790 --> 00:00:36,800
+[Music]
+ 
+
+7
+00:00:36,800 --> 00:00:42,150
+[Music]
+I'm sing and in the rain just sing and
+
+8
+00:00:42,150 --> 00:00:42,160
+I'm sing and in the rain just sing and
+ 
+
+9
+00:00:42,160 --> 00:00:44,950
+I'm sing and in the rain just sing and
+in the rain what a
+
+10
+00:00:44,950 --> 00:00:44,960
+in the rain what a
+ 
+
+11
+00:00:44,960 --> 00:00:50,470
+in the rain what a
+glorious feel and I'm happy
+
+12
+00:00:50,470 --> 00:00:50,480
+glorious feel and I'm happy
+ 
+
+13
+00:00:50,480 --> 00:00:57,270
+glorious feel and I'm happy
+again I'm laughing at Clouds so dark up
+
+14
+00:00:57,270 --> 00:00:57,280
+again I'm laughing at Clouds so dark up
+ 
+
+15
+00:00:57,280 --> 00:01:00,709
+again I'm laughing at Clouds so dark up
+above the sun's in my heart
+
+16
+00:01:00,709 --> 00:01:00,719
+above the sun's in my heart
+ 
+
+17
+00:01:00,719 --> 00:01:05,870
+above the sun's in my heart
+and I'm Ready for Love let the stormy
+
+18
+00:01:05,870 --> 00:01:05,880
+and I'm Ready for Love let the stormy
+ 
+
+19
+00:01:05,880 --> 00:01:08,190
+and I'm Ready for Love let the stormy
+clouds Chase
+
+20
+00:01:08,190 --> 00:01:08,200
+clouds Chase
+ 
+
+21
+00:01:08,200 --> 00:01:11,070
+clouds Chase
+everyone from the
+
+22
+00:01:11,070 --> 00:01:11,080
+everyone from the
+ 
+
+23
+00:01:11,080 --> 00:01:16,350
+everyone from the
+place come on with a rain I have a smile
+
+24
+00:01:16,350 --> 00:01:16,360
+place come on with a rain I have a smile
+ 
+
+25
+00:01:16,360 --> 00:01:22,550
+place come on with a rain I have a smile
+on my face I walk down the lane with a
+
+26
+00:01:22,550 --> 00:01:22,560
+on my face I walk down the lane with a
+ 
+
+27
+00:01:22,560 --> 00:01:24,390
+on my face I walk down the lane with a
+happy
+
+28
+00:01:24,390 --> 00:01:24,400
+happy
+ 
+
+29
+00:01:24,400 --> 00:01:26,469
+happy
+refrain Just
+
+30
+00:01:26,469 --> 00:01:26,479
+refrain Just
+ 
+
+31
+00:01:26,479 --> 00:01:40,860
+refrain Just
+Singing Singing in the Rain
+
+32
+00:01:40,860 --> 00:01:40,870
+
+ 
+
+33
+00:01:40,870 --> 00:02:00,870
+
+[Music]
+
+34
+00:02:00,870 --> 00:02:00,880
+
+ 
+
+35
+00:02:00,880 --> 00:02:03,600
+
+ch
+

1952/BeRTEiGRbw8.description

@@ -0,0 +1,38 @@
+The Greatest Show on Earth movie clips: http://j.mp/1uvzWQ6
+BUY THE MOVIE: http://j.mp/xIjsqF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Cecil B. DeMille introduces the circus.
+
+FILM DESCRIPTION:
+Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Cecil B. DeMille
+Director: Cecil B. DeMille
+Producers: Cecil B. DeMille, Henry Wilcoxon
+Screenwriters: Frank Cavett, Jack Gariss, Fredric M. Frank, Theodore St. John, Barré Lyndon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/BeRTEiGRbw8.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:00,000 --> 00:00:04,990
+
+[Music]
+
+2
+00:00:04,990 --> 00:00:05,000
+
+ 
+
+3
+00:00:05,000 --> 00:00:08,430
+
+we bring you the circus the P Piper
+
+4
+00:00:08,430 --> 00:00:08,440
+we bring you the circus the P Piper
+ 
+
+5
+00:00:08,440 --> 00:00:10,749
+we bring you the circus the P Piper
+whose magic Tunes lead children of all
+
+6
+00:00:10,749 --> 00:00:10,759
+whose magic Tunes lead children of all
+ 
+
+7
+00:00:10,759 --> 00:00:14,910
+whose magic Tunes lead children of all
+ages from 6 to 60 into a tinsel and spun
+
+8
+00:00:14,910 --> 00:00:14,920
+ages from 6 to 60 into a tinsel and spun
+ 
+
+9
+00:00:14,920 --> 00:00:18,269
+ages from 6 to 60 into a tinsel and spun
+Candy World of Reckless Beauty and
+
+10
+00:00:18,269 --> 00:00:18,279
+Candy World of Reckless Beauty and
+ 
+
+11
+00:00:18,279 --> 00:00:21,750
+Candy World of Reckless Beauty and
+mounting laughter and whirling Thrills a
+
+12
+00:00:21,750 --> 00:00:21,760
+mounting laughter and whirling Thrills a
+ 
+
+13
+00:00:21,760 --> 00:00:24,710
+mounting laughter and whirling Thrills a
+rhythm excitement and Grace of Daring
+
+14
+00:00:24,710 --> 00:00:24,720
+rhythm excitement and Grace of Daring
+ 
+
+15
+00:00:24,720 --> 00:00:27,550
+rhythm excitement and Grace of Daring
+and flaring and dance of high stepping
+
+16
+00:00:27,550 --> 00:00:27,560
+and flaring and dance of high stepping
+ 
+
+17
+00:00:27,560 --> 00:00:31,189
+and flaring and dance of high stepping
+horses and high flying stars
+
+18
+00:00:31,189 --> 00:00:31,199
+horses and high flying stars
+ 
+
+19
+00:00:31,199 --> 00:00:34,430
+horses and high flying stars
+but behind all this the circus is a
+
+20
+00:00:34,430 --> 00:00:34,440
+but behind all this the circus is a
+ 
+
+21
+00:00:34,440 --> 00:00:37,389
+but behind all this the circus is a
+massive machine whose very life depends
+
+22
+00:00:37,389 --> 00:00:37,399
+massive machine whose very life depends
+ 
+
+23
+00:00:37,399 --> 00:00:40,389
+massive machine whose very life depends
+on discipline motion and speed a
+
+24
+00:00:40,389 --> 00:00:40,399
+on discipline motion and speed a
+ 
+
+25
+00:00:40,399 --> 00:00:43,549
+on discipline motion and speed a
+mechanized Army on wheels that rolls
+
+26
+00:00:43,549 --> 00:00:43,559
+mechanized Army on wheels that rolls
+ 
+
+27
+00:00:43,559 --> 00:00:46,430
+mechanized Army on wheels that rolls
+over any obstacle in its path that meets
+
+28
+00:00:46,430 --> 00:00:46,440
+over any obstacle in its path that meets
+ 
+
+29
+00:00:46,440 --> 00:00:50,110
+over any obstacle in its path that meets
+Calamity again and again but always
+
+30
+00:00:50,110 --> 00:00:50,120
+Calamity again and again but always
+ 
+
+31
+00:00:50,120 --> 00:00:51,229
+Calamity again and again but always
+comes up
+
+32
+00:00:51,229 --> 00:00:51,239
+comes up
+ 
+
+33
+00:00:51,239 --> 00:00:54,470
+comes up
+smiling a place where disaster and
+
+34
+00:00:54,470 --> 00:00:54,480
+smiling a place where disaster and
+ 
+
+35
+00:00:54,480 --> 00:00:57,229
+smiling a place where disaster and
+tragedy stalk the big TB haunt the
+
+36
+00:00:57,229 --> 00:00:57,239
+tragedy stalk the big TB haunt the
+ 
+
+37
+00:00:57,239 --> 00:01:00,750
+tragedy stalk the big TB haunt the
+backyard and ride the circus train
+
+38
+00:01:00,750 --> 00:01:00,760
+backyard and ride the circus train
+ 
+
+39
+00:01:00,760 --> 00:01:04,509
+backyard and ride the circus train
+where death is constantly watching for
+
+40
+00:01:04,509 --> 00:01:04,519
+where death is constantly watching for
+ 
+
+41
+00:01:04,519 --> 00:01:09,590
+where death is constantly watching for
+one Fray rope one weak length or one
+
+42
+00:01:09,590 --> 00:01:09,600
+one Fray rope one weak length or one
+ 
+
+43
+00:01:09,600 --> 00:01:10,910
+one Fray rope one weak length or one
+trace of
+
+44
+00:01:10,910 --> 00:01:10,920
+trace of
+ 
+
+45
+00:01:10,920 --> 00:01:14,910
+trace of
+fear a fierce primitive fighting force
+
+46
+00:01:14,910 --> 00:01:14,920
+fear a fierce primitive fighting force
+ 
+
+47
+00:01:14,920 --> 00:01:16,950
+fear a fierce primitive fighting force
+that smashes relentlessly forward
+
+48
+00:01:16,950 --> 00:01:16,960
+that smashes relentlessly forward
+ 
+
+49
+00:01:16,960 --> 00:01:18,830
+that smashes relentlessly forward
+against impossible
+
+50
+00:01:18,830 --> 00:01:18,840
+against impossible
+ 
+
+51
+00:01:18,840 --> 00:01:21,230
+against impossible
+odds that is the
+
+52
+00:01:21,230 --> 00:01:21,240
+odds that is the
+ 
+
+53
+00:01:21,240 --> 00:01:23,950
+odds that is the
+circus and this is the story of the
+
+54
+00:01:23,950 --> 00:01:23,960
+circus and this is the story of the
+ 
+
+55
+00:01:23,960 --> 00:01:26,149
+circus and this is the story of the
+biggest of the big tops and of the men
+
+56
+00:01:26,149 --> 00:01:26,159
+biggest of the big tops and of the men
+ 
+
+57
+00:01:26,159 --> 00:01:28,390
+biggest of the big tops and of the men
+and women who fight to make it The
+
+58
+00:01:28,390 --> 00:01:28,400
+and women who fight to make it The
+ 
+
+59
+00:01:28,400 --> 00:01:31,290
+and women who fight to make it The
+Greatest Show on Earth
+
+60
+00:01:31,290 --> 00:01:31,300
+Greatest Show on Earth
+ 
+
+61
+00:01:31,300 --> 00:01:59,950
+Greatest Show on Earth
+[Music]
+
+62
+00:01:59,950 --> 00:01:59,960
+
+ 
+
+63
+00:01:59,960 --> 00:02:02,600
+
+sh
+

1952/HZNy5irM2YE.description

@@ -0,0 +1,38 @@
+Singin' in the Rain movie clips: http://j.mp/1J9fzLn
+BUY THE MOVIE: http://bit.ly/2c5eCc1
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Kathy Selden (Debbie Reynolds) and Don Lockwood (Gene Kelly) argue the merits of their respective media, stage and film acting.
+
+FILM DESCRIPTION:
+Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made.
+
+CREDITS:
+TM & © Warner Bros. (1952)
+Cast: Gene Kelly, Debbie Reynolds
+Directors: Stanley Donen, Gene Kelly
+Producers: Arthur Freed, Roger Edens
+Screenwriters: Adolph Green, Betty Comden
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/HZNy5irM2YE.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:00,359 --> 00:00:02,190
+
+tell me what's your lofty mission in
+
+2
+00:00:02,190 --> 00:00:02,200
+tell me what's your lofty mission in
+ 
+
+3
+00:00:02,200 --> 00:00:04,510
+tell me what's your lofty mission in
+life that lets you sneer at my humble
+
+4
+00:00:04,510 --> 00:00:04,520
+life that lets you sneer at my humble
+ 
+
+5
+00:00:04,520 --> 00:00:07,230
+life that lets you sneer at my humble
+profession well I'm I'm an actress on
+
+6
+00:00:07,230 --> 00:00:07,240
+profession well I'm I'm an actress on
+ 
+
+7
+00:00:07,240 --> 00:00:10,230
+profession well I'm I'm an actress on
+the stage oh on the stage well I'd like
+
+8
+00:00:10,230 --> 00:00:10,240
+the stage oh on the stage well I'd like
+ 
+
+9
+00:00:10,240 --> 00:00:12,310
+the stage oh on the stage well I'd like
+to see you act what are you in right now
+
+10
+00:00:12,310 --> 00:00:12,320
+to see you act what are you in right now
+ 
+
+11
+00:00:12,320 --> 00:00:14,430
+to see you act what are you in right now
+I could brush up in my English or uh
+
+12
+00:00:14,430 --> 00:00:14,440
+I could brush up in my English or uh
+ 
+
+13
+00:00:14,440 --> 00:00:16,470
+I could brush up in my English or uh
+bring along an interpreter that is if
+
+14
+00:00:16,470 --> 00:00:16,480
+bring along an interpreter that is if
+ 
+
+15
+00:00:16,480 --> 00:00:18,349
+bring along an interpreter that is if
+they let in a movie acting well I'm not
+
+16
+00:00:18,349 --> 00:00:18,359
+they let in a movie acting well I'm not
+ 
+
+17
+00:00:18,359 --> 00:00:20,269
+they let in a movie acting well I'm not
+in a play right now but I will be I'm
+
+18
+00:00:20,269 --> 00:00:20,279
+in a play right now but I will be I'm
+ 
+
+19
+00:00:20,279 --> 00:00:22,230
+in a play right now but I will be I'm
+going to New York oh you're going to New
+
+20
+00:00:22,230 --> 00:00:22,240
+going to New York oh you're going to New
+ 
+
+21
+00:00:22,240 --> 00:00:24,509
+going to New York oh you're going to New
+York and then someday we'll all hear of
+
+22
+00:00:24,509 --> 00:00:24,519
+York and then someday we'll all hear of
+ 
+
+23
+00:00:24,519 --> 00:00:27,230
+York and then someday we'll all hear of
+you won't we Kathy Seldon as Juliet as
+
+24
+00:00:27,230 --> 00:00:27,240
+you won't we Kathy Seldon as Juliet as
+ 
+
+25
+00:00:27,240 --> 00:00:29,509
+you won't we Kathy Seldon as Juliet as
+lady MC Beth as king Le you'll have to
+
+26
+00:00:29,509 --> 00:00:29,519
+lady MC Beth as king Le you'll have to
+ 
+
+27
+00:00:29,519 --> 00:00:31,029
+lady MC Beth as king Le you'll have to
+wear a beard for that one of course oh
+
+28
+00:00:31,029 --> 00:00:31,039
+wear a beard for that one of course oh
+ 
+
+29
+00:00:31,039 --> 00:00:32,350
+wear a beard for that one of course oh
+you can laugh if you want to but at
+
+30
+00:00:32,350 --> 00:00:32,360
+you can laugh if you want to but at
+ 
+
+31
+00:00:32,360 --> 00:00:33,750
+you can laugh if you want to but at
+least the stage is a dignified
+
+32
+00:00:33,750 --> 00:00:33,760
+least the stage is a dignified
+ 
+
+33
+00:00:33,760 --> 00:00:35,389
+least the stage is a dignified
+profession and what have you got to be
+
+34
+00:00:35,389 --> 00:00:35,399
+profession and what have you got to be
+ 
+
+35
+00:00:35,399 --> 00:00:37,229
+profession and what have you got to be
+so conceited about you're nothing but a
+
+36
+00:00:37,229 --> 00:00:37,239
+so conceited about you're nothing but a
+ 
+
+37
+00:00:37,239 --> 00:00:39,869
+so conceited about you're nothing but a
+shadow on film a shadow you're not flesh
+
+38
+00:00:39,869 --> 00:00:39,879
+shadow on film a shadow you're not flesh
+ 
+
+39
+00:00:39,879 --> 00:00:42,310
+shadow on film a shadow you're not flesh
+and blood oh no stop what can I do to
+
+40
+00:00:42,310 --> 00:00:42,320
+and blood oh no stop what can I do to
+ 
+
+41
+00:00:42,320 --> 00:00:44,510
+and blood oh no stop what can I do to
+you I'm only a shadow you keep away from
+
+42
+00:00:44,510 --> 00:00:44,520
+you I'm only a shadow you keep away from
+ 
+
+43
+00:00:44,520 --> 00:00:46,229
+you I'm only a shadow you keep away from
+me just because you're a big movie star
+
+44
+00:00:46,229 --> 00:00:46,239
+me just because you're a big movie star
+ 
+
+45
+00:00:46,239 --> 00:00:48,069
+me just because you're a big movie star
+wild party swimming pools you expect
+
+46
+00:00:48,069 --> 00:00:48,079
+wild party swimming pools you expect
+ 
+
+47
+00:00:48,079 --> 00:00:49,549
+wild party swimming pools you expect
+every girl to fall a dead faint at your
+
+48
+00:00:49,549 --> 00:00:49,559
+every girl to fall a dead faint at your
+ 
+
+49
+00:00:49,559 --> 00:00:52,069
+every girl to fall a dead faint at your
+feet well don't you touch me fear not
+
+50
+00:00:52,069 --> 00:00:52,079
+feet well don't you touch me fear not
+ 
+
+51
+00:00:52,079 --> 00:00:54,670
+feet well don't you touch me fear not
+sweet lady I will not molest you I am
+
+52
+00:00:54,670 --> 00:00:54,680
+sweet lady I will not molest you I am
+ 
+
+53
+00:00:54,680 --> 00:00:57,910
+sweet lady I will not molest you I am
+but a humble Jester and you you are too
+
+54
+00:00:57,910 --> 00:00:57,920
+but a humble Jester and you you are too
+ 
+
+55
+00:00:57,920 --> 00:01:02,310
+but a humble Jester and you you are too
+far above me farewell E barimore I must
+
+56
+00:01:02,310 --> 00:01:02,320
+far above me farewell E barimore I must
+ 
+
+57
+00:01:02,320 --> 00:01:11,370
+far above me farewell E barimore I must
+tear myself from your side
+
+58
+00:01:11,370 --> 00:01:11,380
+
+ 
+
+59
+00:01:11,380 --> 00:01:32,590
+
+[Music]
+
+60
+00:01:32,590 --> 00:01:32,600
+
+ 
+
+61
+00:01:32,600 --> 00:01:36,470
+
+St
+
+62
+00:01:36,470 --> 00:01:36,480
+
+ 
+
+63
+00:01:36,480 --> 00:01:42,439
+
+[Music]
+

1952/K9ITp_xSaxE.description

@@ -0,0 +1,38 @@
+The Greatest Show on Earth movie clips: http://j.mp/1uvzWQ6
+BUY THE MOVIE: http://j.mp/xIjsqF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Klaus (Lyle Bettger) tries to save Angel (Gloria Grahame) by warning the circus train of the stalled train on the tracks.
+
+FILM DESCRIPTION:
+Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Lyle Bettger, Charlton Heston, John Kellogg
+Director: Cecil B. DeMille
+Producers: Cecil B. DeMille, Henry Wilcoxon
+Screenwriters: Frank Cavett, Jack Gariss, Fredric M. Frank, Theodore St. John, Barré Lyndon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/K9ITp_xSaxE.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:00,240 --> 00:00:02,149
+
+I must turn the lights down the track
+
+2
+00:00:02,149 --> 00:00:02,159
+I must turn the lights down the track
+ 
+
+3
+00:00:02,159 --> 00:00:03,869
+I must turn the lights down the track
+Crazy L can't give me that way they
+
+4
+00:00:03,869 --> 00:00:03,879
+Crazy L can't give me that way they
+ 
+
+5
+00:00:03,879 --> 00:00:08,110
+Crazy L can't give me that way they
+going to turn the lights down the
+
+6
+00:00:08,110 --> 00:00:08,120
+
+ 
+
+7
+00:00:08,120 --> 00:00:16,550
+
+track the train stop the train stop the
+
+8
+00:00:16,550 --> 00:00:16,560
+
+ 
+
+9
+00:00:16,560 --> 00:00:22,630
+
+train stop can't you see the lights
+
+10
+00:00:22,630 --> 00:00:22,640
+
+ 
+
+11
+00:00:22,640 --> 00:00:25,290
+
+stop section beel
+
+12
+00:00:25,290 --> 00:00:25,300
+stop section beel
+ 
+
+13
+00:00:25,300 --> 00:00:46,710
+stop section beel
+[Music]
+
+14
+00:00:46,710 --> 00:00:46,720
+
+ 
+
+15
+00:00:46,720 --> 00:01:05,150
+
+[Music]
+
+16
+00:01:05,150 --> 00:01:05,160
+
+ 
+
+17
+00:01:05,160 --> 00:01:25,510
+
+[Music]
+
+18
+00:01:25,510 --> 00:01:25,520
+
+ 
+
+19
+00:01:25,520 --> 00:01:28,630
+
+Sebastian hurry Angel's caught under
+
+20
+00:01:28,630 --> 00:01:28,640
+Sebastian hurry Angel's caught under
+ 
+
+21
+00:01:28,640 --> 00:01:37,990
+Sebastian hurry Angel's caught under
+here
+
+22
+00:01:37,990 --> 00:01:38,000
+
+ 
+
+23
+00:01:38,000 --> 00:01:41,670
+
+hurry are you
+
+24
+00:01:41,670 --> 00:01:41,680
+
+ 
+
+25
+00:01:41,680 --> 00:01:48,230
+
+do where's the do how do
+
+26
+00:01:48,230 --> 00:01:48,240
+
+ 
+
+27
+00:01:48,240 --> 00:01:55,709
+
+I help me okay hold on I'll get
+
+28
+00:01:55,709 --> 00:01:55,719
+
+ 
+
+29
+00:01:55,719 --> 00:01:59,310
+
+you you all right Brad yeah fine bre out
+
+30
+00:01:59,310 --> 00:01:59,320
+you you all right Brad yeah fine bre out
+ 
+
+31
+00:01:59,320 --> 00:02:01,029
+you you all right Brad yeah fine bre out
+some please
+
+32
+00:02:01,029 --> 00:02:01,039
+some please
+ 
+
+33
+00:02:01,039 --> 00:02:03,469
+some please
+Blacky get the road torches going we
+
+34
+00:02:03,469 --> 00:02:03,479
+Blacky get the road torches going we
+ 
+
+35
+00:02:03,479 --> 00:02:06,310
+Blacky get the road torches going we
+need some light if Hanks on his feet
+
+36
+00:02:06,310 --> 00:02:06,320
+need some light if Hanks on his feet
+ 
+
+37
+00:02:06,320 --> 00:02:07,870
+need some light if Hanks on his feet
+have him make torches out of the waist
+
+38
+00:02:07,870 --> 00:02:07,880
+have him make torches out of the waist
+ 
+
+39
+00:02:07,880 --> 00:02:10,229
+have him make torches out of the waist
+in the journal boxes we got to get some
+
+40
+00:02:10,229 --> 00:02:10,239
+in the journal boxes we got to get some
+ 
+
+41
+00:02:10,239 --> 00:02:20,900
+in the journal boxes we got to get some
+light here get this
+
+42
+00:02:20,900 --> 00:02:20,910
+
+ 
+
+43
+00:02:20,910 --> 00:02:43,509
+
+[Music]
+

1952/LNFINZN0KXY.description

@@ -0,0 +1,38 @@
+Come Back, Little Sheba movie clips: http://j.mp/1L6TChZ
+BUY THE MOVIE: http://j.mp/ydofRR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lola (Shirley Booth) joins Doc (Burt Lancaster) at his Alcoholics Anonymous meeting to celebrate his "birthday" of one year of sobriety.
+
+FILM DESCRIPTION:
+In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less-than-bright "shotgun bride" of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts. When time came to film the play, Shirley Booth was retained as Lola, but Burt Lancaster replaced Blackmer as Doc. Although Lancaster seems far too youthful for the role, the film is a fascinating and sometimes funny study of an unhappy marriage made unhappier by the arrival of a sexy stranger. Young Marie (Terry Moore) rents a room from Lola, a tiresome creature who never stops talking, especially about the "imminent" return of her runaway dog Sheba. Doc is having enough trouble staying away from the bottle and resigning himself to his marriage without the curvaceous Marie arousing his baser instincts. The characters interact with gloomy consequences, in the typical kitchen-sink-realism style of Inge's Fifties plays, although a tacked-on happy ending, common to Fifties movie melodramas, pretends otherwise.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Ned Glass, Burt Lancaster, Edwin Max, Shirley Booth, Kitty McHugh, Virginia Mullen
+Director: Daniel Mann
+Producer: Hal B. Wallis
+Screenwriters: Ketti Frings, William Inge
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/LNFINZN0KXY.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:00,199 --> 00:00:02,070
+
+we have a few birthdays tonight but
+
+2
+00:00:02,070 --> 00:00:02,080
+we have a few birthdays tonight but
+ 
+
+3
+00:00:02,080 --> 00:00:03,189
+we have a few birthdays tonight but
+before that let's have all the
+
+4
+00:00:03,189 --> 00:00:03,199
+before that let's have all the
+ 
+
+5
+00:00:03,199 --> 00:00:06,590
+before that let's have all the
+alcoholics raise their
+
+6
+00:00:06,590 --> 00:00:06,600
+
+ 
+
+7
+00:00:06,600 --> 00:00:09,870
+
+hands thank you and now those of you who
+
+8
+00:00:09,870 --> 00:00:09,880
+hands thank you and now those of you who
+ 
+
+9
+00:00:09,880 --> 00:00:15,230
+hands thank you and now those of you who
+are here for the first
+
+10
+00:00:15,230 --> 00:00:15,240
+
+ 
+
+11
+00:00:15,240 --> 00:00:17,710
+
+time it's good to have you
+
+12
+00:00:17,710 --> 00:00:17,720
+time it's good to have you
+ 
+
+13
+00:00:17,720 --> 00:00:20,670
+time it's good to have you
+here and now for the birthday babies
+
+14
+00:00:20,670 --> 00:00:20,680
+here and now for the birthday babies
+ 
+
+15
+00:00:20,680 --> 00:00:23,820
+here and now for the birthday babies
+Elmo Chester four years
+
+16
+00:00:23,820 --> 00:00:23,830
+Elmo Chester four years
+ 
+
+17
+00:00:23,830 --> 00:00:31,630
+Elmo Chester four years
+[Applause]
+
+18
+00:00:31,630 --> 00:00:31,640
+[Applause]
+ 
+
+19
+00:00:31,640 --> 00:00:34,330
+[Applause]
+Carl sson three
+
+20
+00:00:34,330 --> 00:00:34,340
+Carl sson three
+ 
+
+21
+00:00:34,340 --> 00:00:40,830
+Carl sson three
+[Applause]
+
+22
+00:00:40,830 --> 00:00:40,840
+
+ 
+
+23
+00:00:40,840 --> 00:00:44,000
+
+years Henrietta Colby two
+
+24
+00:00:44,000 --> 00:00:44,010
+years Henrietta Colby two
+ 
+
+25
+00:00:44,010 --> 00:00:48,189
+years Henrietta Colby two
+[Applause]
+
+26
+00:00:48,189 --> 00:00:48,199
+
+ 
+
+27
+00:00:48,199 --> 00:00:51,640
+
+years doc Delaney one year
+
+28
+00:00:51,640 --> 00:00:51,650
+years doc Delaney one year
+ 
+
+29
+00:00:51,650 --> 00:01:15,429
+years doc Delaney one year
+[Applause]
+
+30
+00:01:15,429 --> 00:01:15,439
+
+ 
+
+31
+00:01:15,439 --> 00:01:23,230
+
+Elmo it's a long time between
+
+32
+00:01:23,230 --> 00:01:23,240
+
+ 
+
+33
+00:01:23,240 --> 00:01:29,080
+
+drinks Pearl
+
+34
+00:01:29,080 --> 00:01:29,090
+
+ 
+
+35
+00:01:29,090 --> 00:01:32,149
+
+[Applause]
+
+36
+00:01:32,149 --> 00:01:32,159
+[Applause]
+ 
+
+37
+00:01:32,159 --> 00:01:34,429
+[Applause]
+three years ago this time I wouldn't
+
+38
+00:01:34,429 --> 00:01:34,439
+three years ago this time I wouldn't
+ 
+
+39
+00:01:34,439 --> 00:01:36,300
+three years ago this time I wouldn't
+have the wind to do
+
+40
+00:01:36,300 --> 00:01:36,310
+have the wind to do
+ 
+
+41
+00:01:36,310 --> 00:01:45,830
+have the wind to do
+[Applause]
+
+42
+00:01:45,830 --> 00:01:45,840
+
+ 
+
+43
+00:01:45,840 --> 00:01:49,190
+
+this I don't know well I don't know what
+
+44
+00:01:49,190 --> 00:01:49,200
+this I don't know well I don't know what
+ 
+
+45
+00:01:49,200 --> 00:01:52,429
+this I don't know well I don't know what
+to say except well I thank God and all
+
+46
+00:01:52,429 --> 00:01:52,439
+to say except well I thank God and all
+ 
+
+47
+00:01:52,439 --> 00:01:56,370
+to say except well I thank God and all
+my friends here who've helped me
+
+48
+00:01:56,370 --> 00:01:56,380
+my friends here who've helped me
+ 
+
+49
+00:01:56,380 --> 00:02:07,949
+my friends here who've helped me
+[Applause]
+
+50
+00:02:07,949 --> 00:02:07,959
+
+ 
+
+51
+00:02:07,959 --> 00:02:10,710
+
+doc I just never thought I'd make it
+
+52
+00:02:10,710 --> 00:02:10,720
+doc I just never thought I'd make it
+ 
+
+53
+00:02:10,720 --> 00:02:12,430
+doc I just never thought I'd make it
+neither did I
+
+54
+00:02:12,430 --> 00:02:12,440
+neither did I
+ 
+
+55
+00:02:12,440 --> 00:02:43,500
+neither did I
+[Music]
+

1952/OGbya9Fm_Ns.description

@@ -0,0 +1,38 @@
+Come Back, Little Sheba movie clips: http://j.mp/1L6TChZ
+BUY THE MOVIE: http://j.mp/ydofRR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After originally being opposed to the idea, Doc (Burt Lancaster) decides that renting the spare room to Marie (Terry Moore) is a good idea upon meeting her.
+
+FILM DESCRIPTION:
+In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less-than-bright "shotgun bride" of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts. When time came to film the play, Shirley Booth was retained as Lola, but Burt Lancaster replaced Blackmer as Doc. Although Lancaster seems far too youthful for the role, the film is a fascinating and sometimes funny study of an unhappy marriage made unhappier by the arrival of a sexy stranger. Young Marie (Terry Moore) rents a room from Lola, a tiresome creature who never stops talking, especially about the "imminent" return of her runaway dog Sheba. Doc is having enough trouble staying away from the bottle and resigning himself to his marriage without the curvaceous Marie arousing his baser instincts. The characters interact with gloomy consequences, in the typical kitchen-sink-realism style of Inge's Fifties plays, although a tacked-on happy ending, common to Fifties movie melodramas, pretends otherwise.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Burt Lancaster, Terry Moore
+Director: Daniel Mann
+Producer: Hal B. Wallis
+Screenwriters: Ketti Frings, William Inge
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/OGbya9Fm_Ns.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:04,480 --> 00:00:12,629
+
+Mrs
+
+2
+00:00:12,629 --> 00:00:12,639
+
+ 
+
+3
+00:00:12,639 --> 00:00:15,669
+
+Delaney hello I'm Miss Buck holder Mrs
+
+4
+00:00:15,669 --> 00:00:15,679
+Delaney hello I'm Miss Buck holder Mrs
+ 
+
+5
+00:00:15,679 --> 00:00:17,189
+Delaney hello I'm Miss Buck holder Mrs
+delany's out right now I've come back
+
+6
+00:00:17,189 --> 00:00:17,199
+delany's out right now I've come back
+ 
+
+7
+00:00:17,199 --> 00:00:19,390
+delany's out right now I've come back
+about renting the room and not exactly
+
+8
+00:00:19,390 --> 00:00:19,400
+about renting the room and not exactly
+ 
+
+9
+00:00:19,400 --> 00:00:21,670
+about renting the room and not exactly
+the upstairs room but if Mrs Delaney
+
+10
+00:00:21,670 --> 00:00:21,680
+the upstairs room but if Mrs Delaney
+ 
+
+11
+00:00:21,680 --> 00:00:22,910
+the upstairs room but if Mrs Delaney
+could see her way to letting me have
+
+12
+00:00:22,910 --> 00:00:22,920
+could see her way to letting me have
+ 
+
+13
+00:00:22,920 --> 00:00:25,470
+could see her way to letting me have
+this one well it's uh really what I sort
+
+14
+00:00:25,470 --> 00:00:25,480
+this one well it's uh really what I sort
+ 
+
+15
+00:00:25,480 --> 00:00:28,349
+this one well it's uh really what I sort
+of had in mind more like a studio than a
+
+16
+00:00:28,349 --> 00:00:28,359
+of had in mind more like a studio than a
+ 
+
+17
+00:00:28,359 --> 00:00:30,470
+of had in mind more like a studio than a
+bedroom I was here just a few minutes
+
+18
+00:00:30,470 --> 00:00:30,480
+bedroom I was here just a few minutes
+ 
+
+19
+00:00:30,480 --> 00:00:32,670
+bedroom I was here just a few minutes
+ago and I got to thinking you see I'm
+
+20
+00:00:32,670 --> 00:00:32,680
+ago and I got to thinking you see I'm
+ 
+
+21
+00:00:32,680 --> 00:00:34,709
+ago and I got to thinking you see I'm
+studying art and well this would work
+
+22
+00:00:34,709 --> 00:00:34,719
+studying art and well this would work
+ 
+
+23
+00:00:34,719 --> 00:00:37,869
+studying art and well this would work
+out just great do you think she consider
+
+24
+00:00:37,869 --> 00:00:37,879
+out just great do you think she consider
+ 
+
+25
+00:00:37,879 --> 00:00:39,830
+out just great do you think she consider
+it oh the only thing is if I'd be in
+
+26
+00:00:39,830 --> 00:00:39,840
+it oh the only thing is if I'd be in
+ 
+
+27
+00:00:39,840 --> 00:00:42,069
+it oh the only thing is if I'd be in
+your way down here it's rather far from
+
+28
+00:00:42,069 --> 00:00:42,079
+your way down here it's rather far from
+ 
+
+29
+00:00:42,079 --> 00:00:44,310
+your way down here it's rather far from
+the bathroom oh what's running up and
+
+30
+00:00:44,310 --> 00:00:44,320
+the bathroom oh what's running up and
+ 
+
+31
+00:00:44,320 --> 00:00:47,630
+the bathroom oh what's running up and
+downstairs it keeps my leg slim you know
+
+32
+00:00:47,630 --> 00:00:47,640
+downstairs it keeps my leg slim you know
+ 
+
+33
+00:00:47,640 --> 00:00:49,470
+downstairs it keeps my leg slim you know
+as a matter of fact I probably be less
+
+34
+00:00:49,470 --> 00:00:49,480
+as a matter of fact I probably be less
+ 
+
+35
+00:00:49,480 --> 00:00:50,990
+as a matter of fact I probably be less
+in your way at least if I have to run in
+
+36
+00:00:50,990 --> 00:00:51,000
+in your way at least if I have to run in
+ 
+
+37
+00:00:51,000 --> 00:00:52,150
+in your way at least if I have to run in
+and out and it's late I won't be
+
+38
+00:00:52,150 --> 00:00:52,160
+and out and it's late I won't be
+ 
+
+39
+00:00:52,160 --> 00:00:54,910
+and out and it's late I won't be
+bothering you um Mrs Delaney said that I
+
+40
+00:00:54,910 --> 00:00:54,920
+bothering you um Mrs Delaney said that I
+ 
+
+41
+00:00:54,920 --> 00:00:57,189
+bothering you um Mrs Delaney said that I
+could move in right away right
+
+42
+00:00:57,189 --> 00:00:57,199
+could move in right away right
+ 
+
+43
+00:00:57,199 --> 00:01:02,069
+could move in right away right
+away oh well uh then then why don't you
+
+44
+00:01:02,069 --> 00:01:02,079
+away oh well uh then then why don't you
+ 
+
+45
+00:01:02,079 --> 00:01:03,509
+away oh well uh then then why don't you
+well you sure she wouldn't mind about us
+
+46
+00:01:03,509 --> 00:01:03,519
+well you sure she wouldn't mind about us
+ 
+
+47
+00:01:03,519 --> 00:01:07,190
+well you sure she wouldn't mind about us
+being this room it's my house oh gee
+
+48
+00:01:07,190 --> 00:01:07,200
+being this room it's my house oh gee
+ 
+
+49
+00:01:07,200 --> 00:01:09,390
+being this room it's my house oh gee
+that's just wonderful thank you so much
+
+50
+00:01:09,390 --> 00:01:09,400
+that's just wonderful thank you so much
+ 
+
+51
+00:01:09,400 --> 00:01:13,830
+that's just wonderful thank you so much
+Mr uh Dr Delaney
+
+52
+00:01:13,830 --> 00:01:13,840
+
+ 
+
+53
+00:01:13,840 --> 00:01:16,710
+
+um Mrs Delaney said that two weeks in
+
+54
+00:01:16,710 --> 00:01:16,720
+um Mrs Delaney said that two weeks in
+ 
+
+55
+00:01:16,720 --> 00:01:18,510
+um Mrs Delaney said that two weeks in
+advance would be satisfactory well that
+
+56
+00:01:18,510 --> 00:01:18,520
+advance would be satisfactory well that
+ 
+
+57
+00:01:18,520 --> 00:01:22,670
+advance would be satisfactory well that
+that can wait later no I
+
+58
+00:01:22,670 --> 00:01:22,680
+
+ 
+
+59
+00:01:22,680 --> 00:01:25,030
+
+insist you tell her that I'll be moving
+
+60
+00:01:25,030 --> 00:01:25,040
+insist you tell her that I'll be moving
+ 
+
+61
+00:01:25,040 --> 00:01:27,910
+insist you tell her that I'll be moving
+in around 4:00 and oh gee thanks so much
+
+62
+00:01:27,910 --> 00:01:27,920
+in around 4:00 and oh gee thanks so much
+ 
+
+63
+00:01:27,920 --> 00:01:30,230
+in around 4:00 and oh gee thanks so much
+Dr Delaney oh I uh hope I I didn't
+
+64
+00:01:30,230 --> 00:01:30,240
+Dr Delaney oh I uh hope I I didn't
+ 
+
+65
+00:01:30,240 --> 00:01:33,020
+Dr Delaney oh I uh hope I I didn't
+disturb you
+
+66
+00:01:33,020 --> 00:01:33,030
+disturb you
+ 
+
+67
+00:01:33,030 --> 00:02:00,789
+disturb you
+[Music]
+
+68
+00:02:00,789 --> 00:02:00,799
+
+ 
+
+69
+00:02:00,799 --> 00:02:04,490
+
+St
+
+70
+00:02:04,490 --> 00:02:04,500
+
+ 
+
+71
+00:02:04,500 --> 00:02:10,449
+
+[Music]
+

1952/OTFCctdiS04.description

@@ -0,0 +1,38 @@
+Singin' in the Rain movie clips: http://j.mp/1J9fzLn
+BUY THE MOVIE: http://bit.ly/2c5eCc1
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Roscoe Dexter (Douglas Fowley) coaches Lina Lamont (Jean Hagen) through the technical difficulties of sound recording while on set.
+
+FILM DESCRIPTION:
+Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made.
+
+CREDITS:
+TM & © Warner Bros. (1952)
+Cast: Douglas Fowley, Gene Kelly, Jean Hagen
+Directors: Stanley Donen, Gene Kelly
+Producers: Arthur Freed, Roger Edens
+Screenwriters: Adolph Green, Betty Comden
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/OTFCctdiS04.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:01,839 --> 00:00:12,390
+
+all right here we go quiet
+
+2
+00:00:12,390 --> 00:00:12,400
+
+ 
+
+3
+00:00:12,400 --> 00:00:15,390
+
+quiet she's got to talk into the mic I
+
+4
+00:00:15,390 --> 00:00:15,400
+quiet she's got to talk into the mic I
+ 
+
+5
+00:00:15,400 --> 00:00:17,429
+quiet she's got to talk into the mic I
+can't pick it
+
+6
+00:00:17,429 --> 00:00:17,439
+can't pick it
+ 
+
+7
+00:00:17,439 --> 00:00:21,550
+can't pick it
+up cut what's the matter Dexter it's
+
+8
+00:00:21,550 --> 00:00:21,560
+up cut what's the matter Dexter it's
+ 
+
+9
+00:00:21,560 --> 00:00:25,349
+up cut what's the matter Dexter it's
+Lena look Lena don't you remember I told
+
+10
+00:00:25,349 --> 00:00:25,359
+Lena look Lena don't you remember I told
+ 
+
+11
+00:00:25,359 --> 00:00:29,230
+Lena look Lena don't you remember I told
+you there's a microphone right there in
+
+12
+00:00:29,230 --> 00:00:29,240
+you there's a microphone right there in
+ 
+
+13
+00:00:29,240 --> 00:00:30,550
+you there's a microphone right there in
+the bush
+
+14
+00:00:30,550 --> 00:00:30,560
+the bush
+ 
+
+15
+00:00:30,560 --> 00:00:34,190
+the bush
+yeah you have to talk into it I was
+
+16
+00:00:34,190 --> 00:00:34,200
+yeah you have to talk into it I was
+ 
+
+17
+00:00:34,200 --> 00:00:36,830
+yeah you have to talk into it I was
+talking wasn't I miss Dort yes my dear
+
+18
+00:00:36,830 --> 00:00:36,840
+talking wasn't I miss Dort yes my dear
+ 
+
+19
+00:00:36,840 --> 00:00:41,229
+talking wasn't I miss Dort yes my dear
+but please remember round tones Pierre
+
+20
+00:00:41,229 --> 00:00:41,239
+but please remember round tones Pierre
+ 
+
+21
+00:00:41,239 --> 00:00:44,990
+but please remember round tones Pierre
+you shouldn't have come Pierre you
+
+22
+00:00:44,990 --> 00:00:45,000
+you shouldn't have come Pierre you
+ 
+
+23
+00:00:45,000 --> 00:00:47,150
+you shouldn't have come Pierre you
+shouldn't have come yes yes my dear
+
+24
+00:00:47,150 --> 00:00:47,160
+shouldn't have come yes yes my dear
+ 
+
+25
+00:00:47,160 --> 00:00:49,750
+shouldn't have come yes yes my dear
+that's much better now hold it a second
+
+26
+00:00:49,750 --> 00:00:49,760
+that's much better now hold it a second
+ 
+
+27
+00:00:49,760 --> 00:00:54,069
+that's much better now hold it a second
+now Lena look here's the mic right here
+
+28
+00:00:54,069 --> 00:00:54,079
+now Lena look here's the mic right here
+ 
+
+29
+00:00:54,079 --> 00:00:58,549
+now Lena look here's the mic right here
+in the bush yeah now you talk towards it
+
+30
+00:00:58,549 --> 00:00:58,559
+in the bush yeah now you talk towards it
+ 
+
+31
+00:00:58,559 --> 00:01:00,950
+in the bush yeah now you talk towards it
+The Sound goes through the cable to the
+
+32
+00:01:00,950 --> 00:01:00,960
+The Sound goes through the cable to the
+ 
+
+33
+00:01:00,960 --> 00:01:04,710
+The Sound goes through the cable to the
+Box a man records it on a big record in
+
+34
+00:01:04,710 --> 00:01:04,720
+Box a man records it on a big record in
+ 
+
+35
+00:01:04,720 --> 00:01:08,710
+Box a man records it on a big record in
+wax but you have to talk into the mic
+
+36
+00:01:08,710 --> 00:01:08,720
+wax but you have to talk into the mic
+ 
+
+37
+00:01:08,720 --> 00:01:12,630
+wax but you have to talk into the mic
+first in the bush I'll try it again
+
+38
+00:01:12,630 --> 00:01:12,640
+first in the bush I'll try it again
+ 
+
+39
+00:01:12,640 --> 00:01:15,230
+first in the bush I'll try it again
+shees is dumb she'll get it Dexter look
+
+40
+00:01:15,230 --> 00:01:15,240
+shees is dumb she'll get it Dexter look
+ 
+
+41
+00:01:15,240 --> 00:01:16,870
+shees is dumb she'll get it Dexter look
+Cena don't worry we're all a little
+
+42
+00:01:16,870 --> 00:01:16,880
+Cena don't worry we're all a little
+ 
+
+43
+00:01:16,880 --> 00:01:18,550
+Cena don't worry we're all a little
+nervous the first day everything's going
+
+44
+00:01:18,550 --> 00:01:18,560
+nervous the first day everything's going
+ 
+
+45
+00:01:18,560 --> 00:01:21,149
+nervous the first day everything's going
+to be okay oh by the way Rosco you know
+
+46
+00:01:21,149 --> 00:01:21,159
+to be okay oh by the way Rosco you know
+ 
+
+47
+00:01:21,159 --> 00:01:22,710
+to be okay oh by the way Rosco you know
+the scene coming up where I say
+
+48
+00:01:22,710 --> 00:01:22,720
+the scene coming up where I say
+ 
+
+49
+00:01:22,720 --> 00:01:25,030
+the scene coming up where I say
+imperious princess of the night I don't
+
+50
+00:01:25,030 --> 00:01:25,040
+imperious princess of the night I don't
+ 
+
+51
+00:01:25,040 --> 00:01:26,710
+imperious princess of the night I don't
+like those lines there is it all right
+
+52
+00:01:26,710 --> 00:01:26,720
+like those lines there is it all right
+ 
+
+53
+00:01:26,720 --> 00:01:28,990
+like those lines there is it all right
+if I just say what I always do I I love
+
+54
+00:01:28,990 --> 00:01:29,000
+if I just say what I always do I I love
+ 
+
+55
+00:01:29,000 --> 00:01:32,069
+if I just say what I always do I I love
+you I love you you I love you sure any
+
+56
+00:01:32,069 --> 00:01:32,079
+you I love you you I love you sure any
+ 
+
+57
+00:01:32,079 --> 00:01:35,670
+you I love you you I love you sure any
+way it's comfortable but into the bush
+
+58
+00:01:35,670 --> 00:01:35,680
+way it's comfortable but into the bush
+ 
+
+59
+00:01:35,680 --> 00:01:38,510
+way it's comfortable but into the bush
+Okay again
+
+60
+00:01:38,510 --> 00:01:38,520
+Okay again
+ 
+
+61
+00:01:38,520 --> 00:01:44,270
+Okay again
+quiet roll
+
+62
+00:01:44,270 --> 00:01:44,280
+
+ 
+
+63
+00:01:44,280 --> 00:01:46,389
+
+them shouldn't
+
+64
+00:01:46,389 --> 00:01:46,399
+them shouldn't
+ 
+
+65
+00:01:46,399 --> 00:01:47,910
+them shouldn't
+have
+
+66
+00:01:47,910 --> 00:01:47,920
+have
+ 
+
+67
+00:01:47,920 --> 00:01:53,190
+have
+with surely find
+
+68
+00:01:53,190 --> 00:01:53,200
+
+ 
+
+69
+00:01:53,200 --> 00:01:57,069
+
+you Lina we're missing every other word
+
+70
+00:01:57,069 --> 00:01:57,079
+you Lina we're missing every other word
+ 
+
+71
+00:01:57,079 --> 00:02:00,190
+you Lina we're missing every other word
+you've got to talk into the mic well I
+
+72
+00:02:00,190 --> 00:02:00,200
+you've got to talk into the mic well I
+ 
+
+73
+00:02:00,200 --> 00:02:03,910
+you've got to talk into the mic well I
+can't make love to a bush all right all
+
+74
+00:02:03,910 --> 00:02:03,920
+can't make love to a bush all right all
+ 
+
+75
+00:02:03,920 --> 00:02:07,190
+can't make love to a bush all right all
+right we'll have to think of something
+
+76
+00:02:07,190 --> 00:02:07,200
+right we'll have to think of something
+ 
+
+77
+00:02:07,200 --> 00:02:15,900
+right we'll have to think of something
+else
+
+78
+00:02:15,900 --> 00:02:15,910
+
+ 
+
+79
+00:02:15,910 --> 00:02:38,479
+
+[Music]
+

1952/OuE_YH1pzC0.description

@@ -0,0 +1,38 @@
+Come Back, Little Sheba movie clips: http://j.mp/1L6TChZ
+BUY THE MOVIE: http://j.mp/ydofRR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lola (Shirley Booth) and Doc (Burt Lancaster) discuss the nature of their relationship and marriage.
+
+FILM DESCRIPTION:
+In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less-than-bright "shotgun bride" of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts. When time came to film the play, Shirley Booth was retained as Lola, but Burt Lancaster replaced Blackmer as Doc. Although Lancaster seems far too youthful for the role, the film is a fascinating and sometimes funny study of an unhappy marriage made unhappier by the arrival of a sexy stranger. Young Marie (Terry Moore) rents a room from Lola, a tiresome creature who never stops talking, especially about the "imminent" return of her runaway dog Sheba. Doc is having enough trouble staying away from the bottle and resigning himself to his marriage without the curvaceous Marie arousing his baser instincts. The characters interact with gloomy consequences, in the typical kitchen-sink-realism style of Inge's Fifties plays, although a tacked-on happy ending, common to Fifties movie melodramas, pretends otherwise.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Richard Jaeckel, Burt Lancaster, Shirley Booth, Terry Moore
+Director: Daniel Mann
+Producer: Hal B. Wallis
+Screenwriters: Ketti Frings, William Inge
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/OuE_YH1pzC0.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:00,719 --> 00:00:01,629
+
+but
+
+2
+00:00:01,629 --> 00:00:01,639
+but
+ 
+
+3
+00:00:01,639 --> 00:00:04,749
+but
+duck you was the only
+
+4
+00:00:04,749 --> 00:00:04,759
+duck you was the only
+ 
+
+5
+00:00:04,759 --> 00:00:07,429
+duck you was the only
+one I'd just die if you didn't believe
+
+6
+00:00:07,429 --> 00:00:07,439
+one I'd just die if you didn't believe
+ 
+
+7
+00:00:07,439 --> 00:00:10,390
+one I'd just die if you didn't believe
+that Daddy I know you were always so
+
+8
+00:00:10,390 --> 00:00:10,400
+that Daddy I know you were always so
+ 
+
+9
+00:00:10,400 --> 00:00:12,589
+that Daddy I know you were always so
+nice and proper I never thought anything
+
+10
+00:00:12,589 --> 00:00:12,599
+nice and proper I never thought anything
+ 
+
+11
+00:00:12,599 --> 00:00:14,470
+nice and proper I never thought anything
+we could ever do together would be wrong
+
+12
+00:00:14,470 --> 00:00:14,480
+we could ever do together would be wrong
+ 
+
+13
+00:00:14,480 --> 00:00:15,990
+we could ever do together would be wrong
+or make us
+
+14
+00:00:15,990 --> 00:00:16,000
+or make us
+ 
+
+15
+00:00:16,000 --> 00:00:19,470
+or make us
+unhappy do you think we did wrong
+
+16
+00:00:19,470 --> 00:00:19,480
+unhappy do you think we did wrong
+ 
+
+17
+00:00:19,480 --> 00:00:22,590
+unhappy do you think we did wrong
+duck you can't defy convention I guess
+
+18
+00:00:22,590 --> 00:00:22,600
+duck you can't defy convention I guess
+ 
+
+19
+00:00:22,600 --> 00:00:24,630
+duck you can't defy convention I guess
+or the laws of God but I don't think
+
+20
+00:00:24,630 --> 00:00:24,640
+or the laws of God but I don't think
+ 
+
+21
+00:00:24,640 --> 00:00:28,310
+or the laws of God but I don't think
+anybody ever knew about it except my
+
+22
+00:00:28,310 --> 00:00:28,320
+anybody ever knew about it except my
+ 
+
+23
+00:00:28,320 --> 00:00:30,749
+anybody ever knew about it except my
+folks if the baby lived everyone would
+
+24
+00:00:30,749 --> 00:00:30,759
+folks if the baby lived everyone would
+ 
+
+25
+00:00:30,759 --> 00:00:32,869
+folks if the baby lived everyone would
+have
+
+26
+00:00:32,869 --> 00:00:32,879
+have
+ 
+
+27
+00:00:32,879 --> 00:00:35,510
+have
+known my losinger like that the way it
+
+28
+00:00:35,510 --> 00:00:35,520
+known my losinger like that the way it
+ 
+
+29
+00:00:35,520 --> 00:00:37,030
+known my losinger like that the way it
+turned out you wouldn't have had to
+
+30
+00:00:37,030 --> 00:00:37,040
+turned out you wouldn't have had to
+ 
+
+31
+00:00:37,040 --> 00:00:41,069
+turned out you wouldn't have had to
+marry me honey what's done is
+
+32
+00:00:41,069 --> 00:00:41,079
+marry me honey what's done is
+ 
+
+33
+00:00:41,079 --> 00:00:43,990
+marry me honey what's done is
+done but it must make you feel bad
+
+34
+00:00:43,990 --> 00:00:44,000
+done but it must make you feel bad
+ 
+
+35
+00:00:44,000 --> 00:00:46,029
+done but it must make you feel bad
+sometimes to think you had to give up
+
+36
+00:00:46,029 --> 00:00:46,039
+sometimes to think you had to give up
+ 
+
+37
+00:00:46,039 --> 00:00:48,869
+sometimes to think you had to give up
+your studies and support a wife you
+
+38
+00:00:48,869 --> 00:00:48,879
+your studies and support a wife you
+ 
+
+39
+00:00:48,879 --> 00:00:51,050
+your studies and support a wife you
+might have been a real MD
+
+40
+00:00:51,050 --> 00:00:51,060
+might have been a real MD
+ 
+
+41
+00:00:51,060 --> 00:00:55,389
+might have been a real MD
+[Music]
+
+42
+00:00:55,389 --> 00:00:55,399
+[Music]
+ 
+
+43
+00:00:55,399 --> 00:00:58,549
+[Music]
+today hey Marie don't keep me waiting
+
+44
+00:00:58,549 --> 00:00:58,559
+today hey Marie don't keep me waiting
+ 
+
+45
+00:00:58,559 --> 00:01:14,340
+today hey Marie don't keep me waiting
+will I need a coat you got
+
+46
+00:01:14,340 --> 00:01:14,350
+
+ 
+
+47
+00:01:14,350 --> 00:01:16,350
+
+[Applause]
+
+48
+00:01:16,350 --> 00:01:16,360
+[Applause]
+ 
+
+49
+00:01:16,360 --> 00:01:20,870
+[Applause]
+me if the baby lived she'd be just like
+
+50
+00:01:20,870 --> 00:01:20,880
+me if the baby lived she'd be just like
+ 
+
+51
+00:01:20,880 --> 00:01:23,550
+me if the baby lived she'd be just like
+Marie we'd be watching her dressing and
+
+52
+00:01:23,550 --> 00:01:23,560
+Marie we'd be watching her dressing and
+ 
+
+53
+00:01:23,560 --> 00:01:24,749
+Marie we'd be watching her dressing and
+going on
+
+54
+00:01:24,749 --> 00:01:24,759
+going on
+ 
+
+55
+00:01:24,759 --> 00:01:27,429
+going on
+day Lola people have got to forget the
+
+56
+00:01:27,429 --> 00:01:27,439
+day Lola people have got to forget the
+ 
+
+57
+00:01:27,439 --> 00:01:30,230
+day Lola people have got to forget the
+past and live for the present
+
+58
+00:01:30,230 --> 00:01:30,240
+past and live for the present
+ 
+
+59
+00:01:30,240 --> 00:01:32,030
+past and live for the present
+we all make
+
+60
+00:01:32,030 --> 00:01:32,040
+we all make
+ 
+
+61
+00:01:32,040 --> 00:01:34,350
+we all make
+mistakes when my family died and left me
+
+62
+00:01:34,350 --> 00:01:34,360
+mistakes when my family died and left me
+ 
+
+63
+00:01:34,360 --> 00:01:36,670
+mistakes when my family died and left me
+all that money I could have gone back
+
+64
+00:01:36,670 --> 00:01:36,680
+all that money I could have gone back
+ 
+
+65
+00:01:36,680 --> 00:01:38,830
+all that money I could have gone back
+and finished somehow instead of drinking
+
+66
+00:01:38,830 --> 00:01:38,840
+and finished somehow instead of drinking
+ 
+
+67
+00:01:38,840 --> 00:01:42,350
+and finished somehow instead of drinking
+it all up we could have had a nice house
+
+68
+00:01:42,350 --> 00:01:42,360
+it all up we could have had a nice house
+ 
+
+69
+00:01:42,360 --> 00:01:45,069
+it all up we could have had a nice house
+friends
+
+70
+00:01:45,069 --> 00:01:45,079
+friends
+ 
+
+71
+00:01:45,079 --> 00:01:47,190
+friends
+Comforts maybe we could have adopted a
+
+72
+00:01:47,190 --> 00:01:47,200
+Comforts maybe we could have adopted a
+ 
+
+73
+00:01:47,200 --> 00:01:49,389
+Comforts maybe we could have adopted a
+family since you couldn't have
+
+74
+00:01:49,389 --> 00:01:49,399
+family since you couldn't have
+ 
+
+75
+00:01:49,399 --> 00:01:51,749
+family since you couldn't have
+anymore but we don't have any of those
+
+76
+00:01:51,749 --> 00:01:51,759
+anymore but we don't have any of those
+ 
+
+77
+00:01:51,759 --> 00:01:54,870
+anymore but we don't have any of those
+things so what we got to keep living
+
+78
+00:01:54,870 --> 00:01:54,880
+things so what we got to keep living
+ 
+
+79
+00:01:54,880 --> 00:01:57,590
+things so what we got to keep living
+don't we I can't give up just because I
+
+80
+00:01:57,590 --> 00:01:57,600
+don't we I can't give up just because I
+ 
+
+81
+00:01:57,600 --> 00:02:01,670
+don't we I can't give up just because I
+made a few mistakes I got to keep going
+
+82
+00:02:01,670 --> 00:02:01,680
+made a few mistakes I got to keep going
+ 
+
+83
+00:02:01,680 --> 00:02:02,789
+made a few mistakes I got to keep going
+sure
+
+84
+00:02:02,789 --> 00:02:02,799
+sure
+ 
+
+85
+00:02:02,799 --> 00:02:09,430
+sure
+duck I know
+
+86
+00:02:09,430 --> 00:02:09,440
+
+ 
+
+87
+00:02:09,440 --> 00:02:30,869
+
+[Music]
+
+88
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+89
+00:02:30,879 --> 00:02:34,520
+
+to
+
+90
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+91
+00:02:34,530 --> 00:02:40,479
+
+[Music]
+

1952/SLkR7mzysAs.description

@@ -0,0 +1,38 @@
+Come Back, Little Sheba movie clips: http://j.mp/1L6TChZ
+BUY THE MOVIE: http://j.mp/ydofRR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lola (Shirley Booth) tells Doc (Burt Lancaster) about the dream she had about their lost dog, Little Sheba.
+
+FILM DESCRIPTION:
+In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less-than-bright "shotgun bride" of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts. When time came to film the play, Shirley Booth was retained as Lola, but Burt Lancaster replaced Blackmer as Doc. Although Lancaster seems far too youthful for the role, the film is a fascinating and sometimes funny study of an unhappy marriage made unhappier by the arrival of a sexy stranger. Young Marie (Terry Moore) rents a room from Lola, a tiresome creature who never stops talking, especially about the "imminent" return of her runaway dog Sheba. Doc is having enough trouble staying away from the bottle and resigning himself to his marriage without the curvaceous Marie arousing his baser instincts. The characters interact with gloomy consequences, in the typical kitchen-sink-realism style of Inge's Fifties plays, although a tacked-on happy ending, common to Fifties movie melodramas, pretends otherwise.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Burt Lancaster, Shirley Booth
+Director: Daniel Mann
+Producer: Hal B. Wallis
+Screenwriters: Ketti Frings, William Inge
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/SLkR7mzysAs.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,560 --> 00:00:02,869
+
+I dreamt about little sheep again last
+
+2
+00:00:02,869 --> 00:00:02,879
+I dreamt about little sheep again last
+ 
+
+3
+00:00:02,879 --> 00:00:07,509
+I dreamt about little sheep again last
+night DC you did
+
+4
+00:00:07,509 --> 00:00:07,519
+
+ 
+
+5
+00:00:07,519 --> 00:00:10,070
+
+yeah it was just as
+
+6
+00:00:10,070 --> 00:00:10,080
+yeah it was just as
+ 
+
+7
+00:00:10,080 --> 00:00:12,709
+yeah it was just as
+real I put her on a leash to take her
+
+8
+00:00:12,709 --> 00:00:12,719
+real I put her on a leash to take her
+ 
+
+9
+00:00:12,719 --> 00:00:15,430
+real I put her on a leash to take her
+downtown to do some shopping and
+
+10
+00:00:15,430 --> 00:00:15,440
+downtown to do some shopping and
+ 
+
+11
+00:00:15,440 --> 00:00:17,349
+downtown to do some shopping and
+everybody on the street turned around to
+
+12
+00:00:17,349 --> 00:00:17,359
+everybody on the street turned around to
+ 
+
+13
+00:00:17,359 --> 00:00:21,029
+everybody on the street turned around to
+look at us and I was so
+
+14
+00:00:21,029 --> 00:00:21,039
+look at us and I was so
+ 
+
+15
+00:00:21,039 --> 00:00:23,830
+look at us and I was so
+proud and then we started to
+
+16
+00:00:23,830 --> 00:00:23,840
+proud and then we started to
+ 
+
+17
+00:00:23,840 --> 00:00:27,189
+proud and then we started to
+walk and the block started going by so
+
+18
+00:00:27,189 --> 00:00:27,199
+walk and the block started going by so
+ 
+
+19
+00:00:27,199 --> 00:00:29,470
+walk and the block started going by so
+fast poor little sheeper couldn't keep
+
+20
+00:00:29,470 --> 00:00:29,480
+fast poor little sheeper couldn't keep
+ 
+
+21
+00:00:29,480 --> 00:00:31,669
+fast poor little sheeper couldn't keep
+up with me
+
+22
+00:00:31,669 --> 00:00:31,679
+up with me
+ 
+
+23
+00:00:31,679 --> 00:00:35,110
+up with me
+and suddenly I looked around and she was
+
+24
+00:00:35,110 --> 00:00:35,120
+and suddenly I looked around and she was
+ 
+
+25
+00:00:35,120 --> 00:00:37,389
+and suddenly I looked around and she was
+gone ain't that
+
+26
+00:00:37,389 --> 00:00:37,399
+gone ain't that
+ 
+
+27
+00:00:37,399 --> 00:00:40,229
+gone ain't that
+funny I looked everywhere for her but I
+
+28
+00:00:40,229 --> 00:00:40,239
+funny I looked everywhere for her but I
+ 
+
+29
+00:00:40,239 --> 00:00:42,150
+funny I looked everywhere for her but I
+couldn't find
+
+30
+00:00:42,150 --> 00:00:42,160
+couldn't find
+ 
+
+31
+00:00:42,160 --> 00:00:45,869
+couldn't find
+her I stood there feeling kind of
+
+32
+00:00:45,869 --> 00:00:45,879
+her I stood there feeling kind of
+ 
+
+33
+00:00:45,879 --> 00:00:48,389
+her I stood there feeling kind of
+afraid do you suppose that means
+
+34
+00:00:48,389 --> 00:00:48,399
+afraid do you suppose that means
+ 
+
+35
+00:00:48,399 --> 00:00:49,590
+afraid do you suppose that means
+anything
+
+36
+00:00:49,590 --> 00:00:49,600
+anything
+ 
+
+37
+00:00:49,600 --> 00:00:55,110
+anything
+doc Daddy are you as sleep dreams are
+
+38
+00:00:55,110 --> 00:00:55,120
+doc Daddy are you as sleep dreams are
+ 
+
+39
+00:00:55,120 --> 00:00:57,590
+doc Daddy are you as sleep dreams are
+funny do you suppose it means little
+
+40
+00:00:57,590 --> 00:00:57,600
+funny do you suppose it means little
+ 
+
+41
+00:00:57,600 --> 00:01:06,550
+funny do you suppose it means little
+sheba's going to come back I don't know
+
+42
+00:01:06,550 --> 00:01:06,560
+
+ 
+
+43
+00:01:06,560 --> 00:01:10,350
+
+baby I miss us
+
+44
+00:01:10,350 --> 00:01:10,360
+
+ 
+
+45
+00:01:10,360 --> 00:01:13,910
+
+so she was such a cute little
+
+46
+00:01:13,910 --> 00:01:13,920
+so she was such a cute little
+ 
+
+47
+00:01:13,920 --> 00:01:16,429
+so she was such a cute little
+puppy wasn't she
+
+48
+00:01:16,429 --> 00:01:16,439
+puppy wasn't she
+ 
+
+49
+00:01:16,439 --> 00:01:19,469
+puppy wasn't she
+cute yeah she was
+
+50
+00:01:19,469 --> 00:01:19,479
+cute yeah she was
+ 
+
+51
+00:01:19,479 --> 00:01:22,149
+cute yeah she was
+cute remember how white and fluffy she
+
+52
+00:01:22,149 --> 00:01:22,159
+cute remember how white and fluffy she
+ 
+
+53
+00:01:22,159 --> 00:01:25,950
+cute remember how white and fluffy she
+used to be after I gave her a
+
+54
+00:01:25,950 --> 00:01:25,960
+used to be after I gave her a
+ 
+
+55
+00:01:25,960 --> 00:01:29,149
+used to be after I gave her a
+bath and how a little hind Den used to
+
+56
+00:01:29,149 --> 00:01:29,159
+bath and how a little hind Den used to
+ 
+
+57
+00:01:29,159 --> 00:01:36,230
+bath and how a little hind Den used to
+wag from side to side when she walked I
+
+58
+00:01:36,230 --> 00:01:36,240
+
+ 
+
+59
+00:01:36,240 --> 00:01:38,830
+
+remember I just hated to see her grow
+
+60
+00:01:38,830 --> 00:01:38,840
+remember I just hated to see her grow
+ 
+
+61
+00:01:38,840 --> 00:01:41,469
+remember I just hated to see her grow
+old didn't you daddy little Shea should
+
+62
+00:01:41,469 --> 00:01:41,479
+old didn't you daddy little Shea should
+ 
+
+63
+00:01:41,479 --> 00:01:43,030
+old didn't you daddy little Shea should
+have stayed Young
+
+64
+00:01:43,030 --> 00:01:43,040
+have stayed Young
+ 
+
+65
+00:01:43,040 --> 00:01:45,990
+have stayed Young
+Forever something should never grow
+
+66
+00:01:45,990 --> 00:01:46,000
+Forever something should never grow
+ 
+
+67
+00:01:46,000 --> 00:01:49,410
+Forever something should never grow
+old what it amounts to I guess
+
+68
+00:01:49,410 --> 00:01:49,420
+old what it amounts to I guess
+ 
+
+69
+00:01:49,420 --> 00:02:00,550
+old what it amounts to I guess
+[Music]
+
+70
+00:02:00,550 --> 00:02:00,560
+[Music]
+ 
+
+71
+00:02:00,560 --> 00:02:06,410
+[Music]
+sh
+
+72
+00:02:06,410 --> 00:02:06,420
+
+ 
+
+73
+00:02:06,420 --> 00:02:20,460
+
+[Music]
+

1952/TklrBmHo7Do.description

@@ -0,0 +1,38 @@
+Singin' in the Rain movie clips: http://j.mp/1J9fzLn
+BUY THE MOVIE: http://bit.ly/2c5eCc1
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Cosmo Brown (Donald O'Connor) sings about the merits of being a comedic actor.
+
+FILM DESCRIPTION:
+Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made.
+
+CREDITS:
+TM & © Warner Bros. (1952)
+Cast: Gene Kelly, Donald O'Connor
+Directors: Stanley Donen, Gene Kelly
+Producers: Arthur Freed, Roger Edens
+Screenwriters: Adolph Green, Betty Comden
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/TklrBmHo7Do.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:00,359 --> 00:00:02,030
+
+D the world is so full of a number of
+
+2
+00:00:02,030 --> 00:00:02,040
+D the world is so full of a number of
+ 
+
+3
+00:00:02,040 --> 00:00:03,830
+D the world is so full of a number of
+things I'm sure we should all be as
+
+4
+00:00:03,830 --> 00:00:03,840
+things I'm sure we should all be as
+ 
+
+5
+00:00:03,840 --> 00:00:08,270
+things I'm sure we should all be as
+happy as but are we no definitely no
+
+6
+00:00:08,270 --> 00:00:08,280
+happy as but are we no definitely no
+ 
+
+7
+00:00:08,280 --> 00:00:12,509
+happy as but are we no definitely no
+positively know decidedly know
+
+8
+00:00:12,509 --> 00:00:12,519
+
+ 
+
+9
+00:00:12,519 --> 00:00:15,910
+
+uh-uh short people have long faces and
+
+10
+00:00:15,910 --> 00:00:15,920
+uh-uh short people have long faces and
+ 
+
+11
+00:00:15,920 --> 00:00:18,150
+uh-uh short people have long faces and
+long people have short faces big people
+
+12
+00:00:18,150 --> 00:00:18,160
+long people have short faces big people
+ 
+
+13
+00:00:18,160 --> 00:00:19,390
+long people have short faces big people
+have little humor and little people have
+
+14
+00:00:19,390 --> 00:00:19,400
+have little humor and little people have
+ 
+
+15
+00:00:19,400 --> 00:00:21,109
+have little humor and little people have
+no humor at
+
+16
+00:00:21,109 --> 00:00:21,119
+no humor at
+ 
+
+17
+00:00:21,119 --> 00:00:23,990
+no humor at
+all and in the words of that Immortal B
+
+18
+00:00:23,990 --> 00:00:24,000
+all and in the words of that Immortal B
+ 
+
+19
+00:00:24,000 --> 00:00:26,390
+all and in the words of that Immortal B
+Samuel Jon sodr as he was about to be
+
+20
+00:00:26,390 --> 00:00:26,400
+Samuel Jon sodr as he was about to be
+ 
+
+21
+00:00:26,400 --> 00:00:28,029
+Samuel Jon sodr as he was about to be
+led to the
+
+22
+00:00:28,029 --> 00:00:28,039
+led to the
+ 
+
+23
+00:00:28,039 --> 00:00:30,630
+led to the
+guillotine make him laugh
+
+24
+00:00:30,630 --> 00:00:30,640
+guillotine make him laugh
+ 
+
+25
+00:00:30,640 --> 00:00:33,510
+guillotine make him laugh
+make them laugh don't you know everyone
+
+26
+00:00:33,510 --> 00:00:33,520
+make them laugh don't you know everyone
+ 
+
+27
+00:00:33,520 --> 00:00:37,549
+make them laugh don't you know everyone
+wants to laugh my dad said be an act of
+
+28
+00:00:37,549 --> 00:00:37,559
+wants to laugh my dad said be an act of
+ 
+
+29
+00:00:37,559 --> 00:00:41,950
+wants to laugh my dad said be an act of
+my son but be a comical one they'll be
+
+30
+00:00:41,950 --> 00:00:41,960
+my son but be a comical one they'll be
+ 
+
+31
+00:00:41,960 --> 00:00:45,430
+my son but be a comical one they'll be
+standing in lines for those old hunky
+
+32
+00:00:45,430 --> 00:00:45,440
+standing in lines for those old hunky
+ 
+
+33
+00:00:45,440 --> 00:00:48,430
+standing in lines for those old hunky
+Tonk Monkey Shines or you could study
+
+34
+00:00:48,430 --> 00:00:48,440
+Tonk Monkey Shines or you could study
+ 
+
+35
+00:00:48,440 --> 00:00:50,910
+Tonk Monkey Shines or you could study
+Shakespeare and be quite Elite and you
+
+36
+00:00:50,910 --> 00:00:50,920
+Shakespeare and be quite Elite and you
+ 
+
+37
+00:00:50,920 --> 00:00:52,670
+Shakespeare and be quite Elite and you
+could charm the critics and have nothing
+
+38
+00:00:52,670 --> 00:00:52,680
+could charm the critics and have nothing
+ 
+
+39
+00:00:52,680 --> 00:00:55,270
+could charm the critics and have nothing
+to eat just slip on a banana peel the
+
+40
+00:00:55,270 --> 00:00:55,280
+to eat just slip on a banana peel the
+ 
+
+41
+00:00:55,280 --> 00:00:57,470
+to eat just slip on a banana peel the
+Worlds at your feet make them laugh make
+
+42
+00:00:57,470 --> 00:00:57,480
+Worlds at your feet make them laugh make
+ 
+
+43
+00:00:57,480 --> 00:00:59,670
+Worlds at your feet make them laugh make
+them laugh make them laugh
+
+44
+00:00:59,670 --> 00:00:59,680
+them laugh make them laugh
+ 
+
+45
+00:00:59,680 --> 00:01:01,110
+them laugh make them laugh
+[Music]
+
+46
+00:01:01,110 --> 00:01:01,120
+[Music]
+ 
+
+47
+00:01:01,120 --> 00:01:04,070
+[Music]
+make them laugh don't you know everyone
+
+48
+00:01:04,070 --> 00:01:04,080
+make them laugh don't you know everyone
+ 
+
+49
+00:01:04,080 --> 00:01:07,469
+make them laugh don't you know everyone
+wants the laugh my grandpa said go out
+
+50
+00:01:07,469 --> 00:01:07,479
+wants the laugh my grandpa said go out
+ 
+
+51
+00:01:07,479 --> 00:01:11,109
+wants the laugh my grandpa said go out
+and tell him a joke but give it plenty
+
+52
+00:01:11,109 --> 00:01:11,119
+and tell him a joke but give it plenty
+ 
+
+53
+00:01:11,119 --> 00:01:14,910
+and tell him a joke but give it plenty
+of Hope make them Roar make them scream
+
+54
+00:01:14,910 --> 00:01:14,920
+of Hope make them Roar make them scream
+ 
+
+55
+00:01:14,920 --> 00:01:18,350
+of Hope make them Roar make them scream
+take a fall but a wall split a scene you
+
+56
+00:01:18,350 --> 00:01:18,360
+take a fall but a wall split a scene you
+ 
+
+57
+00:01:18,360 --> 00:01:20,350
+take a fall but a wall split a scene you
+start off by pretending you're to dancer
+
+58
+00:01:20,350 --> 00:01:20,360
+start off by pretending you're to dancer
+ 
+
+59
+00:01:20,360 --> 00:01:22,870
+start off by pretending you're to dancer
+with Grace you wiggle till her giggling
+
+60
+00:01:22,870 --> 00:01:22,880
+with Grace you wiggle till her giggling
+ 
+
+61
+00:01:22,880 --> 00:01:25,149
+with Grace you wiggle till her giggling
+all over the place and then you get a
+
+62
+00:01:25,149 --> 00:01:25,159
+all over the place and then you get a
+ 
+
+63
+00:01:25,159 --> 00:01:27,390
+all over the place and then you get a
+great big custard fly in the face make
+
+64
+00:01:27,390 --> 00:01:27,400
+great big custard fly in the face make
+ 
+
+65
+00:01:27,400 --> 00:01:31,830
+great big custard fly in the face make
+him laugh make him laugh make him laugh
+
+66
+00:01:31,830 --> 00:01:31,840
+him laugh make him laugh make him laugh
+ 
+
+67
+00:01:31,840 --> 00:01:35,710
+him laugh make him laugh make him laugh
+make them loud don't you all
+
+68
+00:01:35,710 --> 00:01:35,720
+make them loud don't you all
+ 
+
+69
+00:01:35,720 --> 00:01:38,460
+make them loud don't you all
+the my dad
+
+70
+00:01:38,460 --> 00:01:38,470
+the my dad
+ 
+
+71
+00:01:38,470 --> 00:02:13,449
+the my dad
+[Music]
+

1952/XEQJU3VPjHU.description

@@ -0,0 +1,38 @@
+The Greatest Show on Earth movie clips: http://j.mp/1uvzWQ6
+BUY THE MOVIE: http://j.mp/xIjsqF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The Great Sebastian (Cornel Wilde) arrives at the circus with a police escort.
+
+FILM DESCRIPTION:
+Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Charlton Heston, Cornel Wilde
+Director: Cecil B. DeMille
+Producers: Cecil B. DeMille, Henry Wilcoxon
+Screenwriters: Frank Cavett, Jack Gariss, Fredric M. Frank, Theodore St. John, Barré Lyndon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/XEQJU3VPjHU.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:01,160 --> 00:00:03,510
+
+get TS under those wheels and locate
+
+2
+00:00:03,510 --> 00:00:03,520
+get TS under those wheels and locate
+ 
+
+3
+00:00:03,520 --> 00:00:05,910
+get TS under those wheels and locate
+Sebastian side the hospitals the hotel
+
+4
+00:00:05,910 --> 00:00:05,920
+Sebastian side the hospitals the hotel
+ 
+
+5
+00:00:05,920 --> 00:00:09,110
+Sebastian side the hospitals the hotel
+SL that wagon out come on get with us we
+
+6
+00:00:09,110 --> 00:00:09,120
+SL that wagon out come on get with us we
+ 
+
+7
+00:00:09,120 --> 00:00:10,589
+SL that wagon out come on get with us we
+pull out in half an hour whether he's
+
+8
+00:00:10,589 --> 00:00:10,599
+pull out in half an hour whether he's
+ 
+
+9
+00:00:10,599 --> 00:00:15,960
+pull out in half an hour whether he's
+aboard or not check both railroad
+
+10
+00:00:15,960 --> 00:00:15,970
+
+ 
+
+11
+00:00:15,970 --> 00:00:19,029
+
+[Music]
+
+12
+00:00:19,029 --> 00:00:19,039
+[Music]
+ 
+
+13
+00:00:19,039 --> 00:00:30,480
+[Music]
+stations thatas I guess
+
+14
+00:00:30,480 --> 00:00:30,490
+
+ 
+
+15
+00:00:30,490 --> 00:00:31,210
+
+[Applause]
+
+16
+00:00:31,210 --> 00:00:31,220
+[Applause]
+ 
+
+17
+00:00:31,220 --> 00:00:34,790
+[Applause]
+[Music]
+
+18
+00:00:34,790 --> 00:00:34,800
+[Music]
+ 
+
+19
+00:00:34,800 --> 00:00:43,520
+[Music]
+Hello's the
+
+20
+00:00:43,520 --> 00:00:43,530
+
+ 
+
+21
+00:00:43,530 --> 00:00:46,029
+
+[Music]
+
+22
+00:00:46,029 --> 00:00:46,039
+[Music]
+ 
+
+23
+00:00:46,039 --> 00:00:49,810
+[Music]
+fire oh baby
+
+24
+00:00:49,810 --> 00:00:49,820
+fire oh baby
+ 
+
+25
+00:00:49,820 --> 00:00:52,580
+fire oh baby
+[Music]
+
+26
+00:00:52,580 --> 00:00:52,590
+[Music]
+ 
+
+27
+00:00:52,590 --> 00:00:57,790
+[Music]
+[Applause]
+
+28
+00:00:57,790 --> 00:00:57,800
+
+ 
+
+29
+00:00:57,800 --> 00:01:00,470
+
+[Applause]
+
+30
+00:01:00,470 --> 00:01:00,480
+[Applause]
+ 
+
+31
+00:01:00,480 --> 00:01:06,230
+[Applause]
+good where is the boss
+
+32
+00:01:06,230 --> 00:01:06,240
+
+ 
+
+33
+00:01:06,240 --> 00:01:08,789
+
+man ah I thought he
+
+34
+00:01:08,789 --> 00:01:08,799
+man ah I thought he
+ 
+
+35
+00:01:08,799 --> 00:01:11,990
+man ah I thought he
+was I am Sebastian I am honored to be
+
+36
+00:01:11,990 --> 00:01:12,000
+was I am Sebastian I am honored to be
+ 
+
+37
+00:01:12,000 --> 00:01:13,789
+was I am Sebastian I am honored to be
+with you I hope your acts as good as
+
+38
+00:01:13,789 --> 00:01:13,799
+with you I hope your acts as good as
+ 
+
+39
+00:01:13,799 --> 00:01:16,710
+with you I hope your acts as good as
+your entrance I've seen them all arrived
+
+40
+00:01:16,710 --> 00:01:16,720
+your entrance I've seen them all arrived
+ 
+
+41
+00:01:16,720 --> 00:01:19,630
+your entrance I've seen them all arrived
+kadona the gelos none of them ever came
+
+42
+00:01:19,630 --> 00:01:19,640
+kadona the gelos none of them ever came
+ 
+
+43
+00:01:19,640 --> 00:01:22,030
+kadona the gelos none of them ever came
+with a funeral escort the police escort
+
+44
+00:01:22,030 --> 00:01:22,040
+with a funeral escort the police escort
+ 
+
+45
+00:01:22,040 --> 00:01:25,190
+with a funeral escort the police escort
+it was not my idea I clocked him at 75
+
+46
+00:01:25,190 --> 00:01:25,200
+it was not my idea I clocked him at 75
+ 
+
+47
+00:01:25,200 --> 00:01:28,190
+it was not my idea I clocked him at 75
+in a 15 M Zone running a red light I got
+
+48
+00:01:28,190 --> 00:01:28,200
+in a 15 M Zone running a red light I got
+ 
+
+49
+00:01:28,200 --> 00:01:29,710
+in a 15 M Zone running a red light I got
+him for cutting in and out of traffic on
+
+50
+00:01:29,710 --> 00:01:29,720
+him for cutting in and out of traffic on
+ 
+
+51
+00:01:29,720 --> 00:01:31,710
+him for cutting in and out of traffic on
+the wrong side of the highway in the war
+
+52
+00:01:31,710 --> 00:01:31,720
+the wrong side of the highway in the war
+ 
+
+53
+00:01:31,720 --> 00:01:33,030
+the wrong side of the highway in the war
+I drive a
+
+54
+00:01:33,030 --> 00:01:33,040
+I drive a
+ 
+
+55
+00:01:33,040 --> 00:01:36,510
+I drive a
+tank sometimes I forget I forgot yeah
+
+56
+00:01:36,510 --> 00:01:36,520
+tank sometimes I forget I forgot yeah
+ 
+
+57
+00:01:36,520 --> 00:01:37,870
+tank sometimes I forget I forgot yeah
+well the judge will add that up to about
+
+58
+00:01:37,870 --> 00:01:37,880
+well the judge will add that up to about
+ 
+
+59
+00:01:37,880 --> 00:01:42,069
+well the judge will add that up to about
+$100 in 60 days
+
+60
+00:01:42,069 --> 00:01:42,079
+
+ 
+
+61
+00:01:42,079 --> 00:01:44,149
+
+$100
+
+62
+00:01:44,149 --> 00:01:44,159
+$100
+ 
+
+63
+00:01:44,159 --> 00:01:48,109
+$100
+uh then it'll be 60 days in jail I would
+
+64
+00:01:48,109 --> 00:01:48,119
+uh then it'll be 60 days in jail I would
+ 
+
+65
+00:01:48,119 --> 00:01:49,950
+uh then it'll be 60 days in jail I would
+hate to be absent the first two months
+
+66
+00:01:49,950 --> 00:01:49,960
+hate to be absent the first two months
+ 
+
+67
+00:01:49,960 --> 00:01:51,630
+hate to be absent the first two months
+of the
+
+68
+00:01:51,630 --> 00:01:51,640
+of the
+ 
+
+69
+00:01:51,640 --> 00:01:55,550
+of the
+show okay boys I'll buy them
+
+70
+00:01:55,550 --> 00:01:55,560
+show okay boys I'll buy them
+ 
+
+71
+00:01:55,560 --> 00:01:58,149
+show okay boys I'll buy them
+back take my Jeep loss and settle it in
+
+72
+00:01:58,149 --> 00:01:58,159
+back take my Jeep loss and settle it in
+ 
+
+73
+00:01:58,159 --> 00:02:00,830
+back take my Jeep loss and settle it in
+the office get your baggage of Bo you
+
+74
+00:02:00,830 --> 00:02:00,840
+the office get your baggage of Bo you
+ 
+
+75
+00:02:00,840 --> 00:02:03,590
+the office get your baggage of Bo you
+can pug that Heap in the managerie house
+
+76
+00:02:03,590 --> 00:02:03,600
+can pug that Heap in the managerie house
+ 
+
+77
+00:02:03,600 --> 00:02:05,910
+can pug that Heap in the managerie house
+I salute you we shall get along together
+
+78
+00:02:05,910 --> 00:02:05,920
+I salute you we shall get along together
+ 
+
+79
+00:02:05,920 --> 00:02:08,430
+I salute you we shall get along together
+splendidly
+
+80
+00:02:08,430 --> 00:02:08,440
+splendidly
+ 
+
+81
+00:02:08,440 --> 00:02:39,479
+splendidly
+[Music]
+

1952/YMzV96LV6Cc.description

@@ -0,0 +1,38 @@
+Singin' in the Rain movie clips: http://j.mp/1J9fzLn
+BUY THE MOVIE: http://bit.ly/2c5eCc1
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Sound problems in "The Duelling Cavalier" cause the audience to burst into fits of laughter.
+
+FILM DESCRIPTION:
+Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made.
+
+CREDITS:
+TM & © Warner Bros. (1952)
+Cast: Gene Kelly, Jean Hagen
+Directors: Stanley Donen, Gene Kelly
+Producers: Arthur Freed, Roger Edens
+Screenwriters: Adolph Green, Betty Comden
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/YMzV96LV6Cc.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:01,640 --> 00:00:17,790
+
+[Music]
+
+2
+00:00:17,790 --> 00:00:17,800
+[Music]
+ 
+
+3
+00:00:17,800 --> 00:00:20,150
+[Music]
+what's that a thunderstorm outside it's
+
+4
+00:00:20,150 --> 00:00:20,160
+what's that a thunderstorm outside it's
+ 
+
+5
+00:00:20,160 --> 00:00:26,830
+what's that a thunderstorm outside it's
+those pearls Mr
+
+6
+00:00:26,830 --> 00:00:26,840
+
+ 
+
+7
+00:00:26,840 --> 00:00:30,310
+
+Simpson I am the noblest Lady of the co
+
+8
+00:00:30,310 --> 00:00:30,320
+Simpson I am the noblest Lady of the co
+ 
+
+9
+00:00:30,320 --> 00:00:33,229
+Simpson I am the noblest Lady of the co
+second only to the queen yet I am the
+
+10
+00:00:33,229 --> 00:00:33,239
+second only to the queen yet I am the
+ 
+
+11
+00:00:33,239 --> 00:00:36,709
+second only to the queen yet I am the
+saddest of Mortals in France why what is
+
+12
+00:00:36,709 --> 00:00:36,719
+saddest of Mortals in France why what is
+ 
+
+13
+00:00:36,719 --> 00:00:40,990
+saddest of Mortals in France why what is
+the matter I'm so downhearted Teresa my
+
+14
+00:00:40,990 --> 00:00:41,000
+the matter I'm so downhearted Teresa my
+ 
+
+15
+00:00:41,000 --> 00:00:43,310
+the matter I'm so downhearted Teresa my
+father has me betr to the baron de
+
+16
+00:00:43,310 --> 00:00:43,320
+father has me betr to the baron de
+ 
+
+17
+00:00:43,320 --> 00:00:46,310
+father has me betr to the baron de
+lancefield and I can't stand
+
+18
+00:00:46,310 --> 00:00:46,320
+lancefield and I can't stand
+ 
+
+19
+00:00:46,320 --> 00:00:49,830
+lancefield and I can't stand
+him such a why all the ladies at the
+
+20
+00:00:49,830 --> 00:00:49,840
+him such a why all the ladies at the
+ 
+
+21
+00:00:49,840 --> 00:00:51,590
+him such a why all the ladies at the
+court wish they were in your pretty
+
+22
+00:00:51,590 --> 00:00:51,600
+court wish they were in your pretty
+ 
+
+23
+00:00:51,600 --> 00:00:54,910
+court wish they were in your pretty
+shoes My Heart Belongs to
+
+24
+00:00:54,910 --> 00:00:54,920
+shoes My Heart Belongs to
+ 
+
+25
+00:00:54,920 --> 00:00:59,990
+shoes My Heart Belongs to
+another Pi Bali ever since I met him I
+
+26
+00:00:59,990 --> 00:01:00,000
+another Pi Bali ever since I met him I
+ 
+
+27
+00:01:00,000 --> 00:01:02,750
+another Pi Bali ever since I met him I
+can't eat him out of my mind sounds good
+
+28
+00:01:02,750 --> 00:01:02,760
+can't eat him out of my mind sounds good
+ 
+
+29
+00:01:02,760 --> 00:01:05,590
+can't eat him out of my mind sounds good
+and Loud
+
+30
+00:01:05,590 --> 00:01:05,600
+
+ 
+
+31
+00:01:05,600 --> 00:01:12,070
+
+[Applause]
+
+32
+00:01:12,070 --> 00:01:12,080
+
+ 
+
+33
+00:01:12,080 --> 00:01:16,749
+
+huh oh Pier you
+
+34
+00:01:16,749 --> 00:01:16,759
+
+ 
+
+35
+00:01:16,759 --> 00:01:20,550
+
+shouldn't danger they will surely find
+
+36
+00:01:20,550 --> 00:01:20,560
+shouldn't danger they will surely find
+ 
+
+37
+00:01:20,560 --> 00:01:22,310
+shouldn't danger they will surely find
+you your
+
+38
+00:01:22,310 --> 00:01:22,320
+you your
+ 
+
+39
+00:01:22,320 --> 00:01:25,230
+you your
+head valuable you never could remember
+
+40
+00:01:25,230 --> 00:01:25,240
+head valuable you never could remember
+ 
+
+41
+00:01:25,240 --> 00:01:26,830
+head valuable you never could remember
+where the microphone was
+
+42
+00:01:26,830 --> 00:01:26,840
+where the microphone was
+ 
+
+43
+00:01:26,840 --> 00:01:30,910
+where the microphone was
+boss his Cupid himself that calls
+
+44
+00:01:30,910 --> 00:01:30,920
+boss his Cupid himself that calls
+ 
+
+45
+00:01:30,920 --> 00:01:40,010
+boss his Cupid himself that calls
+and I written by his
+
+46
+00:01:40,010 --> 00:01:40,020
+
+ 
+
+47
+00:01:40,020 --> 00:01:46,990
+
+[Applause]
+
+48
+00:01:46,990 --> 00:01:47,000
+
+ 
+
+49
+00:01:47,000 --> 00:01:49,690
+
+Arrow what you hitting him with a black
+
+50
+00:01:49,690 --> 00:01:49,700
+Arrow what you hitting him with a black
+ 
+
+51
+00:01:49,700 --> 00:01:53,630
+Arrow what you hitting him with a black
+[Applause]
+
+52
+00:01:53,630 --> 00:01:53,640
+
+ 
+
+53
+00:01:53,640 --> 00:01:55,749
+
+jack
+
+54
+00:01:55,749 --> 00:01:55,759
+jack
+ 
+
+55
+00:01:55,759 --> 00:02:00,389
+jack
+oh I love you I love you I love you I
+
+56
+00:02:00,389 --> 00:02:00,399
+oh I love you I love you I love you I
+ 
+
+57
+00:02:00,399 --> 00:02:03,310
+oh I love you I love you I love you I
+love you I love you I love you I love
+
+58
+00:02:03,310 --> 00:02:03,320
+love you I love you I love you I love
+ 
+
+59
+00:02:03,320 --> 00:02:06,280
+love you I love you I love you I love
+you I love you I love you love
+
+60
+00:02:06,280 --> 00:02:06,290
+you I love you I love you love
+ 
+
+61
+00:02:06,290 --> 00:02:07,990
+you I love you I love you love
+[Music]
+
+62
+00:02:07,990 --> 00:02:08,000
+[Music]
+ 
+
+63
+00:02:08,000 --> 00:02:10,550
+[Music]
+you did somebody get paid for writing
+
+64
+00:02:10,550 --> 00:02:10,560
+you did somebody get paid for writing
+ 
+
+65
+00:02:10,560 --> 00:02:13,320
+you did somebody get paid for writing
+that
+
+66
+00:02:13,320 --> 00:02:13,330
+
+ 
+
+67
+00:02:13,330 --> 00:02:28,750
+
+[Music]
+
+68
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+69
+00:02:28,760 --> 00:02:30,440
+
+dialogue
+
+70
+00:02:30,440 --> 00:02:30,450
+dialogue
+ 
+
+71
+00:02:30,450 --> 00:02:44,490
+dialogue
+[Music]
+

1952/_UmaFTEIZ84.description

@@ -0,0 +1,38 @@
+Singin' in the Rain movie clips: http://j.mp/1J9fzLn
+BUY THE MOVIE: http://bit.ly/2c5eCc1
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Don Lockwood (Gene Kelly) dances with an umbrella in the pouring rain.
+
+FILM DESCRIPTION:
+Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made.
+
+CREDITS:
+TM & © Warner Bros. (1952)
+Cast: Gene Kelly
+Directors: Stanley Donen, Gene Kelly
+Producers: Arthur Freed, Roger Edens
+Screenwriters: Adolph Green, Betty Comden
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/_UmaFTEIZ84.en.srt

@@ -0,0 +1,16 @@
+1
+00:00:00,460 --> 00:00:02,540
+♪ I'm singin' ♪
+
+2
+00:00:02,540 --> 00:00:06,860
+♪ And dancin' in the rain ♪
+
+3
+00:01:57,220 --> 00:01:59,680
+♪ I'm dancin' ♪
+
+4
+00:01:59,680 --> 00:02:06,560
+♪ And singin' in the rain ♪
+

1952/aQRjyav-x8o.description

@@ -0,0 +1,38 @@
+The Greatest Show on Earth movie clips: http://j.mp/1uvzWQ6
+BUY THE MOVIE: http://j.mp/xIjsqF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Holly (Betty Hutton) and Buttons the Clown (James Stewart) perform a song for the rest of the circus crew.
+
+FILM DESCRIPTION:
+Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: James Stewart, Betty Hutton
+Director: Cecil B. DeMille
+Producers: Cecil B. DeMille, Henry Wilcoxon
+Screenwriters: Frank Cavett, Jack Gariss, Fredric M. Frank, Theodore St. John, Barré Lyndon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/jDjZ_Dh6HSM.description

@@ -0,0 +1,38 @@
+The Greatest Show on Earth movie clips: http://j.mp/1uvzWQ6
+BUY THE MOVIE: http://j.mp/xIjsqF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Buttons the Clown (James Stewart) talks to Holly (Betty Hutton) about love.
+
+FILM DESCRIPTION:
+Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: James Stewart, Betty Hutton
+Director: Cecil B. DeMille
+Producers: Cecil B. DeMille, Henry Wilcoxon
+Screenwriters: Frank Cavett, Jack Gariss, Fredric M. Frank, Theodore St. John, Barré Lyndon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/jDjZ_Dh6HSM.en.srt

@@ -0,0 +1,485 @@
+1
+00:00:00,560 --> 00:00:04,070
+
+my buttons I thought you were his friend
+
+2
+00:00:04,070 --> 00:00:04,080
+my buttons I thought you were his friend
+ 
+
+3
+00:00:04,080 --> 00:00:05,869
+my buttons I thought you were his friend
+well he broke his word to you you could
+
+4
+00:00:05,869 --> 00:00:05,879
+well he broke his word to you you could
+ 
+
+5
+00:00:05,879 --> 00:00:08,629
+well he broke his word to you you could
+never trust him again well that isn't
+
+6
+00:00:08,629 --> 00:00:08,639
+never trust him again well that isn't
+ 
+
+7
+00:00:08,639 --> 00:00:10,629
+never trust him again well that isn't
+true Brad's been worried sick about
+
+8
+00:00:10,629 --> 00:00:10,639
+true Brad's been worried sick about
+ 
+
+9
+00:00:10,639 --> 00:00:12,070
+true Brad's been worried sick about
+getting us all a full season if he had
+
+10
+00:00:12,070 --> 00:00:12,080
+getting us all a full season if he had
+ 
+
+11
+00:00:12,080 --> 00:00:13,350
+getting us all a full season if he had
+to throw me out he had to throw me out
+
+12
+00:00:13,350 --> 00:00:13,360
+to throw me out he had to throw me out
+ 
+
+13
+00:00:13,360 --> 00:00:15,710
+to throw me out he had to throw me out
+and
+
+14
+00:00:15,710 --> 00:00:15,720
+
+ 
+
+15
+00:00:15,720 --> 00:00:18,109
+
+it's you didn't mean any of what you
+
+16
+00:00:18,109 --> 00:00:18,119
+it's you didn't mean any of what you
+ 
+
+17
+00:00:18,119 --> 00:00:20,830
+it's you didn't mean any of what you
+just said I made you see it his way a
+
+18
+00:00:20,830 --> 00:00:20,840
+just said I made you see it his way a
+ 
+
+19
+00:00:20,840 --> 00:00:22,630
+just said I made you see it his way a
+little didn't
+
+20
+00:00:22,630 --> 00:00:22,640
+little didn't
+ 
+
+21
+00:00:22,640 --> 00:00:26,230
+little didn't
+I darn you you make me feel like a big
+
+22
+00:00:26,230 --> 00:00:26,240
+I darn you you make me feel like a big
+ 
+
+23
+00:00:26,240 --> 00:00:30,070
+I darn you you make me feel like a big
+idiot I we stop acting like one minute
+
+24
+00:00:30,070 --> 00:00:30,080
+idiot I we stop acting like one minute
+ 
+
+25
+00:00:30,080 --> 00:00:32,549
+idiot I we stop acting like one minute
+anyway I'm still mad at him and I'm mad
+
+26
+00:00:32,549 --> 00:00:32,559
+anyway I'm still mad at him and I'm mad
+ 
+
+27
+00:00:32,559 --> 00:00:33,950
+anyway I'm still mad at him and I'm mad
+at you
+
+28
+00:00:33,950 --> 00:00:33,960
+at you
+ 
+
+29
+00:00:33,960 --> 00:00:37,270
+at you
+too see that's pretty neat reminds me of
+
+30
+00:00:37,270 --> 00:00:37,280
+too see that's pretty neat reminds me of
+ 
+
+31
+00:00:37,280 --> 00:00:44,470
+too see that's pretty neat reminds me of
+a bandage I War once when I sprained my
+
+32
+00:00:44,470 --> 00:00:44,480
+
+ 
+
+33
+00:00:44,480 --> 00:00:46,150
+
+ankle
+
+34
+00:00:46,150 --> 00:00:46,160
+ankle
+ 
+
+35
+00:00:46,160 --> 00:00:49,950
+ankle
+buttons why can Brad hurt me so why do I
+
+36
+00:00:49,950 --> 00:00:49,960
+buttons why can Brad hurt me so why do I
+ 
+
+37
+00:00:49,960 --> 00:00:52,069
+buttons why can Brad hurt me so why do I
+always want to hurt him
+
+38
+00:00:52,069 --> 00:00:52,079
+always want to hurt him
+ 
+
+39
+00:00:52,079 --> 00:00:54,189
+always want to hurt him
+back
+
+40
+00:00:54,189 --> 00:00:54,199
+back
+ 
+
+41
+00:00:54,199 --> 00:00:58,430
+back
+oh they say each man kills the thing he
+
+42
+00:00:58,430 --> 00:00:58,440
+oh they say each man kills the thing he
+ 
+
+43
+00:00:58,440 --> 00:01:01,670
+oh they say each man kills the thing he
+loves coward does it with a kiss Brave
+
+44
+00:01:01,670 --> 00:01:01,680
+loves coward does it with a kiss Brave
+ 
+
+45
+00:01:01,680 --> 00:01:05,429
+loves coward does it with a kiss Brave
+man with a sword it's crazy you wouldn't
+
+46
+00:01:05,429 --> 00:01:05,439
+man with a sword it's crazy you wouldn't
+ 
+
+47
+00:01:05,439 --> 00:01:07,789
+man with a sword it's crazy you wouldn't
+hurt anyone you laughed who knows what a
+
+48
+00:01:07,789 --> 00:01:07,799
+hurt anyone you laughed who knows what a
+ 
+
+49
+00:01:07,799 --> 00:01:09,590
+hurt anyone you laughed who knows what a
+man will do when he's in
+
+50
+00:01:09,590 --> 00:01:09,600
+man will do when he's in
+ 
+
+51
+00:01:09,600 --> 00:01:12,230
+man will do when he's in
+love every girl in the show was tried
+
+52
+00:01:12,230 --> 00:01:12,240
+love every girl in the show was tried
+ 
+
+53
+00:01:12,240 --> 00:01:15,429
+love every girl in the show was tried
+for you I guess you already have someone
+
+54
+00:01:15,429 --> 00:01:15,439
+for you I guess you already have someone
+ 
+
+55
+00:01:15,439 --> 00:01:18,590
+for you I guess you already have someone
+huh could be is she in one of the towns
+
+56
+00:01:18,590 --> 00:01:18,600
+huh could be is she in one of the towns
+ 
+
+57
+00:01:18,600 --> 00:01:19,710
+huh could be is she in one of the towns
+we're going to
+
+58
+00:01:19,710 --> 00:01:19,720
+we're going to
+ 
+
+59
+00:01:19,720 --> 00:01:23,469
+we're going to
+play Oh I haven't seen the rout sheet is
+
+60
+00:01:23,469 --> 00:01:23,479
+play Oh I haven't seen the rout sheet is
+ 
+
+61
+00:01:23,479 --> 00:01:25,109
+play Oh I haven't seen the rout sheet is
+that why you don't try to romance any of
+
+62
+00:01:25,109 --> 00:01:25,119
+that why you don't try to romance any of
+ 
+
+63
+00:01:25,119 --> 00:01:26,270
+that why you don't try to romance any of
+the
+
+64
+00:01:26,270 --> 00:01:26,280
+the
+ 
+
+65
+00:01:26,280 --> 00:01:30,030
+the
+gals oh clowns are funny people h they
+
+66
+00:01:30,030 --> 00:01:30,040
+gals oh clowns are funny people h they
+ 
+
+67
+00:01:30,040 --> 00:01:31,710
+gals oh clowns are funny people h they
+only love
+
+68
+00:01:31,710 --> 00:01:31,720
+only love
+ 
+
+69
+00:01:31,720 --> 00:01:35,350
+only love
+once all men aren't that way even if
+
+70
+00:01:35,350 --> 00:01:35,360
+once all men aren't that way even if
+ 
+
+71
+00:01:35,360 --> 00:01:38,990
+once all men aren't that way even if
+they act like clowns no I
+
+72
+00:01:38,990 --> 00:01:39,000
+they act like clowns no I
+ 
+
+73
+00:01:39,000 --> 00:01:40,830
+they act like clowns no I
+supp oh
+
+74
+00:01:40,830 --> 00:01:40,840
+supp oh
+ 
+
+75
+00:01:40,840 --> 00:01:43,590
+supp oh
+buttons I'm all ache
+
+76
+00:01:43,590 --> 00:01:43,600
+buttons I'm all ache
+ 
+
+77
+00:01:43,600 --> 00:01:46,749
+buttons I'm all ache
+inside having a man loves s us more than
+
+78
+00:01:46,749 --> 00:01:46,759
+inside having a man loves s us more than
+ 
+
+79
+00:01:46,759 --> 00:01:49,789
+inside having a man loves s us more than
+me well maybe I'll have to make a choice
+
+80
+00:01:49,789 --> 00:01:49,799
+me well maybe I'll have to make a choice
+ 
+
+81
+00:01:49,799 --> 00:01:52,230
+me well maybe I'll have to make a choice
+someday
+
+82
+00:01:52,230 --> 00:01:52,240
+someday
+ 
+
+83
+00:01:52,240 --> 00:01:54,910
+someday
+Choice F in his arms his head will be in
+
+84
+00:01:54,910 --> 00:01:54,920
+Choice F in his arms his head will be in
+ 
+
+85
+00:01:54,920 --> 00:01:57,749
+Choice F in his arms his head will be in
+a machine shop or betting down the
+
+86
+00:01:57,749 --> 00:01:57,759
+a machine shop or betting down the
+ 
+
+87
+00:01:57,759 --> 00:02:00,350
+a machine shop or betting down the
+hippopotamus
+
+88
+00:02:00,350 --> 00:02:00,360
+hippopotamus
+ 
+
+89
+00:02:00,360 --> 00:02:04,069
+hippopotamus
+you're lucky everybody loves you 10
+
+90
+00:02:04,069 --> 00:02:04,079
+you're lucky everybody loves you 10
+ 
+
+91
+00:02:04,079 --> 00:02:07,869
+you're lucky everybody loves you 10
+million kids and your
+
+92
+00:02:07,869 --> 00:02:07,879
+million kids and your
+ 
+
+93
+00:02:07,879 --> 00:02:11,550
+million kids and your
+girl you'll be seeing her pretty soon we
+
+94
+00:02:11,550 --> 00:02:11,560
+girl you'll be seeing her pretty soon we
+ 
+
+95
+00:02:11,560 --> 00:02:13,430
+girl you'll be seeing her pretty soon we
+roll in 3 days
+
+96
+00:02:13,430 --> 00:02:13,440
+roll in 3 days
+ 
+
+97
+00:02:13,440 --> 00:02:44,490
+roll in 3 days
+[Music]
+

1952/nIhrGSxslzQ.description

@@ -0,0 +1,38 @@
+The Greatest Show on Earth movie clips: http://j.mp/1uvzWQ6
+BUY THE MOVIE: http://j.mp/xIjsqF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Holly (Betty Hutton) and The Great Sebastian (Cornel Wilde) attempt to one-up each other in a game of high-flying acrobatics.
+
+FILM DESCRIPTION:
+Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Charlton Heston, James Stewart, Cornel Wilde, Betty Hutton
+Director: Cecil B. DeMille
+Producers: Cecil B. DeMille, Henry Wilcoxon
+Screenwriters: Frank Cavett, Jack Gariss, Fredric M. Frank, Theodore St. John, Barré Lyndon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/qu4v5hB1dKk.description

@@ -0,0 +1,38 @@
+Singin' in the Rain movie clips: http://j.mp/1J9fzLn
+BUY THE MOVIE: http://bit.ly/2c5eCc1
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Kathey Selden (Debbie Reynolds), Cosmo Brown (Donald O'Connor) and Don Lockwood (Gene Kelly) sing and dance after staying up all night.
+
+FILM DESCRIPTION:
+Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made.
+
+CREDITS:
+TM & © Warner Bros. (1952)
+Cast: Gene Kelly, Donald O'Connor, Debbie Reynolds
+Directors: Stanley Donen, Gene Kelly
+Producers: Arthur Freed, Roger Edens
+Screenwriters: Adolph Green, Betty Comden
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/qu4v5hB1dKk.en.srt

@@ -0,0 +1,128 @@
+1
+00:00:00,600 --> 00:00:02,480
+Good Mornin',
+
+2
+00:00:02,800 --> 00:00:04,040
+Good Mornin',
+
+3
+00:00:04,160 --> 00:00:05,900
+We've Talked the whole night through
+
+4
+00:00:06,180 --> 00:00:09,000
+Good Mornin', Good Mornin' , to you
+
+5
+00:00:10,660 --> 00:00:18,420
+Good Mornin', Good Mornin'
+It's great to stay up late
+Good Mornin', good mornin' to you!
+
+6
+00:00:20,120 --> 00:00:24,100
+When the band began to play 
+the stars were shinin' bright.
+
+7
+00:00:24,520 --> 00:00:28,680
+Now the milkman's on his way.
+It's too late to say goodnight.
+
+8
+00:00:28,680 --> 00:00:33,560
+So, good mornin', good mornin'!
+Sunbeams will soon smile through,
+
+9
+00:00:33,560 --> 00:00:36,440
+Good Mornin', good mornin' to you!
+
+10
+00:00:36,440 --> 00:00:38,080
+And You, And You, And You!
+
+11
+00:00:38,080 --> 00:00:40,640
+Good morning,
+Good morning,
+
+12
+00:00:40,640 --> 00:00:45,060
+We've gabbed the whole night through.
+Good Mornin', good mornin' to you!
+
+13
+00:00:45,060 --> 00:00:47,240
+Nothin' could be grander than to be in
+Louisiana
+
+14
+00:00:47,240 --> 00:00:51,600
+In the morning,
+In the morning,
+It's great to stay up late!
+
+15
+00:00:51,600 --> 00:00:54,360
+Good mornin',
+Good mornin' to you.
+
+16
+00:00:54,360 --> 00:00:56,460
+It might be just zippy
+If you was in Mississipi!
+
+17
+00:00:56,460 --> 00:01:00,700
+When we left the movie show
+The future wasn't bright
+
+18
+00:01:00,700 --> 00:01:04,900
+But tame is gone
+The show goes on
+And I don't wanna say good night
+
+19
+00:01:04,900 --> 00:01:06,460
+So say, Good Mornin'!
+
+20
+00:01:06,460 --> 00:01:07,760
+Good Mornin´!
+
+21
+00:01:07,760 --> 00:01:09,760
+Rainbow is shining through
+
+22
+00:01:09,760 --> 00:01:11,760
+Good Mornin'!
+Good Mornin'!
+
+23
+00:01:11,760 --> 00:01:13,760
+Bon Jour!
+Bon Jour!
+
+24
+00:01:14,000 --> 00:01:16,540
+Buenos dias!
+Buenos dias!
+
+25
+00:01:16,540 --> 00:01:18,660
+Buon Giorno!
+Buon Giorno!
+
+26
+00:01:18,660 --> 00:01:20,660
+Guten Morgen!
+Guten Morgen!
+
+27
+00:01:20,660 --> 00:01:22,660
+Good Mornin' to you!
+

1952/vykvU-52g6w.description

@@ -0,0 +1,38 @@
+The Greatest Show on Earth movie clips: http://j.mp/1uvzWQ6
+BUY THE MOVIE: http://j.mp/xIjsqF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Klaus (Lyle Bettger) plays a dangerous game with Angel (Gloria Grahame) because he is jealous of her interest in Brad (Charlton Heston).
+
+FILM DESCRIPTION:
+Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Lyle Bettger, Charlton Heston, Gloria Grahame
+Director: Cecil B. DeMille
+Producers: Cecil B. DeMille, Henry Wilcoxon
+Screenwriters: Frank Cavett, Jack Gariss, Fredric M. Frank, Theodore St. John, Barré Lyndon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1952/z7vdutawe8g.description

@@ -0,0 +1,38 @@
+Come Back, Little Sheba movie clips: http://j.mp/1L6TChZ
+BUY THE MOVIE: http://j.mp/ydofRR
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Distraught after seeing Turk and Marie together, Doc (Burt Lancaster) struggles not to relapse.
+
+FILM DESCRIPTION:
+In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less-than-bright "shotgun bride" of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts. When time came to film the play, Shirley Booth was retained as Lola, but Burt Lancaster replaced Blackmer as Doc. Although Lancaster seems far too youthful for the role, the film is a fascinating and sometimes funny study of an unhappy marriage made unhappier by the arrival of a sexy stranger. Young Marie (Terry Moore) rents a room from Lola, a tiresome creature who never stops talking, especially about the "imminent" return of her runaway dog Sheba. Doc is having enough trouble staying away from the bottle and resigning himself to his marriage without the curvaceous Marie arousing his baser instincts. The characters interact with gloomy consequences, in the typical kitchen-sink-realism style of Inge's Fifties plays, although a tacked-on happy ending, common to Fifties movie melodramas, pretends otherwise.
+
+CREDITS:
+TM & © Paramount (1952)
+Cast: Burt Lancaster, Shirley Booth
+Director: Daniel Mann
+Producer: Hal B. Wallis
+Screenwriters: Ketti Frings, William Inge
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/0SbVnjlPhjY.description

@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Princess Ann (Audrey Hepburn) throws a tantrum over her crippling and demanding schedule.
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Paola Borboni, Audrey Hepburn
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/0SbVnjlPhjY.en.srt

@@ -0,0 +1,235 @@
+1
+00:00:00,680 --> 00:00:03,510
+
+11:45 back here to rest no that's wrong
+
+2
+00:00:03,510 --> 00:00:03,520
+11:45 back here to rest no that's wrong
+ 
+
+3
+00:00:03,520 --> 00:00:06,430
+11:45 back here to rest no that's wrong
+11:45 conference here with the Press
+
+4
+00:00:06,430 --> 00:00:06,440
+11:45 conference here with the Press
+ 
+
+5
+00:00:06,440 --> 00:00:09,310
+11:45 conference here with the Press
+sweetness and decency 1:00 sharp lunch
+
+6
+00:00:09,310 --> 00:00:09,320
+sweetness and decency 1:00 sharp lunch
+ 
+
+7
+00:00:09,320 --> 00:00:11,310
+sweetness and decency 1:00 sharp lunch
+with the foreign Ministry you will wear
+
+8
+00:00:11,310 --> 00:00:11,320
+with the foreign Ministry you will wear
+ 
+
+9
+00:00:11,320 --> 00:00:13,749
+with the foreign Ministry you will wear
+your white lace and carry a bouquet of
+
+10
+00:00:13,749 --> 00:00:13,759
+your white lace and carry a bouquet of
+ 
+
+11
+00:00:13,759 --> 00:00:16,150
+your white lace and carry a bouquet of
+very small pink
+
+12
+00:00:16,150 --> 00:00:16,160
+very small pink
+ 
+
+13
+00:00:16,160 --> 00:00:20,150
+very small pink
+roses 305 presentation of a plaque thank
+
+14
+00:00:20,150 --> 00:00:20,160
+roses 305 presentation of a plaque thank
+ 
+
+15
+00:00:20,160 --> 00:00:22,509
+roses 305 presentation of a plaque thank
+you 410 review special guard of
+
+16
+00:00:22,509 --> 00:00:22,519
+you 410 review special guard of
+ 
+
+17
+00:00:22,519 --> 00:00:25,870
+you 410 review special guard of
+Carabiner police thank you 4:45 back
+
+18
+00:00:25,870 --> 00:00:25,880
+Carabiner police thank you 4:45 back
+ 
+
+19
+00:00:25,880 --> 00:00:28,950
+Carabiner police thank you 4:45 back
+here to change your uniform to meet the
+
+20
+00:00:28,950 --> 00:00:28,960
+here to change your uniform to meet the
+ 
+
+21
+00:00:28,960 --> 00:00:33,709
+here to change your uniform to meet the
+international
+
+22
+00:00:33,709 --> 00:00:33,719
+
+ 
+
+23
+00:00:33,719 --> 00:00:36,830
+
+good it's all right de didn't spill I
+
+24
+00:00:36,830 --> 00:00:36,840
+good it's all right de didn't spill I
+ 
+
+25
+00:00:36,840 --> 00:00:39,389
+good it's all right de didn't spill I
+don't get it spilled up not I don't give
+
+26
+00:00:39,389 --> 00:00:39,399
+don't get it spilled up not I don't give
+ 
+
+27
+00:00:39,399 --> 00:00:43,590
+don't get it spilled up not I don't give
+my Dr in it my dear you're
+
+28
+00:00:43,590 --> 00:00:43,600
+my Dr in it my dear you're
+ 
+
+29
+00:00:43,600 --> 00:00:47,510
+my Dr in it my dear you're
+ill I'll s for Dr bonac I don't want Dr
+
+30
+00:00:47,510 --> 00:00:47,520
+ill I'll s for Dr bonac I don't want Dr
+ 
+
+31
+00:00:47,520 --> 00:00:50,310
+ill I'll s for Dr bonac I don't want Dr
+B over please let me die in PE you're
+
+32
+00:00:50,310 --> 00:00:50,320
+B over please let me die in PE you're
+ 
+
+33
+00:00:50,320 --> 00:00:52,270
+B over please let me die in PE you're
+not dying leave
+
+34
+00:00:52,270 --> 00:00:52,280
+not dying leave
+ 
+
+35
+00:00:52,280 --> 00:00:55,709
+not dying leave
+me leave me it's nerves control yourself
+
+36
+00:00:55,709 --> 00:00:55,719
+me leave me it's nerves control yourself
+ 
+
+37
+00:00:55,719 --> 00:01:01,869
+me leave me it's nerves control yourself
+an I don't want to your highness
+
+38
+00:01:01,869 --> 00:01:01,879
+an I don't want to your highness
+ 
+
+39
+00:01:01,879 --> 00:01:05,590
+an I don't want to your highness
+I'll get Dr bonac Co it's no use I'll be
+
+40
+00:01:05,590 --> 00:01:05,600
+I'll get Dr bonac Co it's no use I'll be
+ 
+
+41
+00:01:05,600 --> 00:01:07,370
+I'll get Dr bonac Co it's no use I'll be
+dead before he gets
+
+42
+00:01:07,370 --> 00:01:07,380
+dead before he gets
+ 
+
+43
+00:01:07,380 --> 00:01:28,830
+dead before he gets
+[Music]
+
+44
+00:01:28,830 --> 00:01:28,840
+
+ 
+
+45
+00:01:28,840 --> 00:01:32,460
+
+here
+
+46
+00:01:32,460 --> 00:01:32,470
+
+ 
+
+47
+00:01:32,470 --> 00:01:38,439
+
+[Music]
+

1953/0TjrNjcFv_A.description

@@ -0,0 +1,38 @@
+Shane movie clips: http://j.mp/1Jag73J
+BUY THE MOVIE: http://j.mp/JKDtR0
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Shane (Alan Ladd) is confronted by Chris Calloway (Ben Johnson) as he buys a bottle of soda pop at the bar.
+
+FILM DESCRIPTION:
+The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Edgar Buchanan, John Dierkes, Ben Johnson, Alan Ladd, Paul McVey, John Miller
+Director: George Stevens
+Producers: Ivan Moffat, George Stevens
+Screenwriters: A.B. Guthrie Jr., Jack Sher, Jack Schaefer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/0TjrNjcFv_A.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:05,160 --> 00:00:07,749
+
+will let's keep the smell of pigs out
+
+2
+00:00:07,749 --> 00:00:07,759
+will let's keep the smell of pigs out
+ 
+
+3
+00:00:07,759 --> 00:00:17,349
+will let's keep the smell of pigs out
+from where we're
+
+4
+00:00:17,349 --> 00:00:17,359
+
+ 
+
+5
+00:00:17,359 --> 00:00:21,029
+
+drinking Bart yes what can I do for you
+
+6
+00:00:21,029 --> 00:00:21,039
+drinking Bart yes what can I do for you
+ 
+
+7
+00:00:21,039 --> 00:00:22,610
+drinking Bart yes what can I do for you
+do you have any soda
+
+8
+00:00:22,610 --> 00:00:22,620
+do you have any soda
+ 
+
+9
+00:00:22,620 --> 00:00:25,790
+do you have any soda
+[Laughter]
+
+10
+00:00:25,790 --> 00:00:25,800
+[Laughter]
+ 
+
+11
+00:00:25,800 --> 00:00:28,310
+[Laughter]
+P well are you going to get him out or
+
+12
+00:00:28,310 --> 00:00:28,320
+P well are you going to get him out or
+ 
+
+13
+00:00:28,320 --> 00:00:33,590
+P well are you going to get him out or
+am I going to have to
+
+14
+00:00:33,590 --> 00:00:33,600
+
+ 
+
+15
+00:00:33,600 --> 00:00:40,790
+
+let me take him
+
+16
+00:00:40,790 --> 00:00:40,800
+
+ 
+
+17
+00:00:40,800 --> 00:00:43,310
+
+Chris well what'll it
+
+18
+00:00:43,310 --> 00:00:43,320
+Chris well what'll it
+ 
+
+19
+00:00:43,320 --> 00:00:50,950
+Chris well what'll it
+be lemon strawberry or liac
+
+20
+00:00:50,950 --> 00:00:50,960
+
+ 
+
+21
+00:00:50,960 --> 00:00:53,750
+
+sidebuster you speaking to
+
+22
+00:00:53,750 --> 00:00:53,760
+sidebuster you speaking to
+ 
+
+23
+00:00:53,760 --> 00:00:58,910
+sidebuster you speaking to
+me I don't see nobody else standing
+
+24
+00:00:58,910 --> 00:00:58,920
+
+ 
+
+25
+00:00:58,920 --> 00:01:02,590
+
+there
+
+26
+00:01:02,590 --> 00:01:02,600
+
+ 
+
+27
+00:01:02,600 --> 00:01:04,830
+
+here have some of
+
+28
+00:01:04,830 --> 00:01:04,840
+here have some of
+ 
+
+29
+00:01:04,840 --> 00:01:07,550
+here have some of
+this smell like a
+
+30
+00:01:07,550 --> 00:01:07,560
+this smell like a
+ 
+
+31
+00:01:07,560 --> 00:01:10,510
+this smell like a
+man don't it smell better in here
+
+32
+00:01:10,510 --> 00:01:10,520
+man don't it smell better in here
+ 
+
+33
+00:01:10,520 --> 00:01:13,550
+man don't it smell better in here
+Grafton Chris just fumigated a
+
+34
+00:01:13,550 --> 00:01:13,560
+Grafton Chris just fumigated a
+ 
+
+35
+00:01:13,560 --> 00:01:16,749
+Grafton Chris just fumigated a
+sodbuster just take it
+
+36
+00:01:16,749 --> 00:01:16,759
+sodbuster just take it
+ 
+
+37
+00:01:16,759 --> 00:01:20,630
+sodbuster just take it
+easy I was just asking about sod pop
+
+38
+00:01:20,630 --> 00:01:20,640
+easy I was just asking about sod pop
+ 
+
+39
+00:01:20,640 --> 00:01:24,069
+easy I was just asking about sod pop
+pigs and ters and one thing and
+
+40
+00:01:24,069 --> 00:01:24,079
+pigs and ters and one thing and
+ 
+
+41
+00:01:24,079 --> 00:01:26,270
+pigs and ters and one thing and
+another say which one of them Tater
+
+42
+00:01:26,270 --> 00:01:26,280
+another say which one of them Tater
+ 
+
+43
+00:01:26,280 --> 00:01:28,830
+another say which one of them Tater
+Pickers are you working
+
+44
+00:01:28,830 --> 00:01:28,840
+Pickers are you working
+ 
+
+45
+00:01:28,840 --> 00:01:32,510
+Pickers are you working
+for or are you just squatting on the
+
+46
+00:01:32,510 --> 00:01:32,520
+for or are you just squatting on the
+ 
+
+47
+00:01:32,520 --> 00:01:36,429
+for or are you just squatting on the
+Range your start of send of your
+
+48
+00:01:36,429 --> 00:01:36,439
+Range your start of send of your
+ 
+
+49
+00:01:36,439 --> 00:01:46,510
+Range your start of send of your
+business supposing I make it my
+
+50
+00:01:46,510 --> 00:01:46,520
+
+ 
+
+51
+00:01:46,520 --> 00:01:54,590
+
+business here your soda pop
+
+52
+00:01:54,590 --> 00:01:54,600
+
+ 
+
+53
+00:01:54,600 --> 00:01:57,389
+
+mister now you and your soda pop get out
+
+54
+00:01:57,389 --> 00:01:57,399
+mister now you and your soda pop get out
+ 
+
+55
+00:01:57,399 --> 00:02:11,070
+mister now you and your soda pop get out
+of here and stay out of here
+
+56
+00:02:11,070 --> 00:02:11,080
+
+ 
+
+57
+00:02:11,080 --> 00:02:13,430
+
+and don't come
+
+58
+00:02:13,430 --> 00:02:13,440
+and don't come
+ 
+
+59
+00:02:13,440 --> 00:02:28,750
+and don't come
+[Music]
+
+60
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+61
+00:02:28,760 --> 00:02:30,440
+
+back
+
+62
+00:02:30,440 --> 00:02:30,450
+back
+ 
+
+63
+00:02:30,450 --> 00:02:44,509
+back
+[Music]
+

1953/3lz4BuydE-Y.description

@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Princess Ann (Audrey Hepburn) and Joe (Gregory Peck) share an intimate moment in front of the crowd as she states her favorite Italian city.
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Gregory Peck, Audrey Hepburn
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1953/3lz4BuydE-Y.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:00,199 --> 00:00:03,110
+
+and what in the opinion of your highness
+
+2
+00:00:03,110 --> 00:00:03,120
+and what in the opinion of your highness
+ 
+
+3
+00:00:03,120 --> 00:00:06,710
+and what in the opinion of your highness
+is the outlook for friendship among
+
+4
+00:00:06,710 --> 00:00:06,720
+is the outlook for friendship among
+ 
+
+5
+00:00:06,720 --> 00:00:11,230
+is the outlook for friendship among
+nations I have every faith in
+
+6
+00:00:11,230 --> 00:00:11,240
+nations I have every faith in
+ 
+
+7
+00:00:11,240 --> 00:00:20,550
+nations I have every faith in
+it as I have faith in relations between
+
+8
+00:00:20,550 --> 00:00:20,560
+
+ 
+
+9
+00:00:20,560 --> 00:00:24,670
+
+people may I say speaking for my own
+
+10
+00:00:24,670 --> 00:00:24,680
+people may I say speaking for my own
+ 
+
+11
+00:00:24,680 --> 00:00:26,230
+people may I say speaking for my own
+press
+
+12
+00:00:26,230 --> 00:00:26,240
+press
+ 
+
+13
+00:00:26,240 --> 00:00:28,950
+press
+service we believe that your highness's
+
+14
+00:00:28,950 --> 00:00:28,960
+service we believe that your highness's
+ 
+
+15
+00:00:28,960 --> 00:00:34,470
+service we believe that your highness's
+faith will not be
+
+16
+00:00:34,470 --> 00:00:34,480
+
+ 
+
+17
+00:00:34,480 --> 00:00:40,069
+
+unjustified I am so glad to hear you say
+
+18
+00:00:40,069 --> 00:00:40,079
+
+ 
+
+19
+00:00:40,079 --> 00:00:42,830
+
+it which of the Cities visited did your
+
+20
+00:00:42,830 --> 00:00:42,840
+it which of the Cities visited did your
+ 
+
+21
+00:00:42,840 --> 00:00:53,270
+it which of the Cities visited did your
+highness enjoy the
+
+22
+00:00:53,270 --> 00:00:53,280
+
+ 
+
+23
+00:00:53,280 --> 00:00:58,270
+
+most each in its own
+
+24
+00:00:58,270 --> 00:00:58,280
+
+ 
+
+25
+00:00:58,280 --> 00:01:01,310
+
+way each in its own way
+
+26
+00:01:01,310 --> 00:01:01,320
+way each in its own way
+ 
+
+27
+00:01:01,320 --> 00:01:03,229
+way each in its own way
+was
+
+28
+00:01:03,229 --> 00:01:03,239
+was
+ 
+
+29
+00:01:03,239 --> 00:01:07,950
+was
+Unforgettable it would be difficult
+
+30
+00:01:07,950 --> 00:01:07,960
+
+ 
+
+31
+00:01:07,960 --> 00:01:10,030
+
+to
+
+32
+00:01:10,030 --> 00:01:10,040
+to
+ 
+
+33
+00:01:10,040 --> 00:01:15,870
+to
+Rome by all means
+
+34
+00:01:15,870 --> 00:01:15,880
+
+ 
+
+35
+00:01:15,880 --> 00:01:20,630
+
+Rome I will cherish my visit here in
+
+36
+00:01:20,630 --> 00:01:20,640
+Rome I will cherish my visit here in
+ 
+
+37
+00:01:20,640 --> 00:01:28,910
+Rome I will cherish my visit here in
+memory as long as I
+
+38
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+39
+00:01:28,920 --> 00:01:31,850
+
+live
+
+40
+00:01:31,850 --> 00:01:31,860
+live
+ 
+
+41
+00:01:31,860 --> 00:01:54,439
+live
+[Music]
+

1953/4aRryzzZLTI.description

@@ -0,0 +1,38 @@
+Shane movie clips: http://j.mp/1Jag73J
+BUY THE MOVIE: http://j.mp/JKDtR0
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Shane (Alan Ladd) buys Chris Calloway (Ben Johnson) a drink, and a punch.
+
+FILM DESCRIPTION:
+The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Brandon De Wilde, John Dierkes, Van Heflin, Ben Johnson, Alan Ladd, Paul McVey, Emile Meyer, John Miller, Howard Negley
+Director: George Stevens
+Producers: Ivan Moffat, George Stevens
+Screenwriters: A.B. Guthrie Jr., Jack Sher, Jack Schaefer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Twitter: http://bit.ly/1ghOWmt
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+Tumblr: http://bit.ly/1vUwhH7

1953/4aRryzzZLTI.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:07,720 --> 00:00:18,590
+
+well now look here what we
+
+2
+00:00:18,590 --> 00:00:18,600
+
+ 
+
+3
+00:00:18,600 --> 00:00:22,349
+
+got that's one of the new ones we call
+
+4
+00:00:22,349 --> 00:00:22,359
+got that's one of the new ones we call
+ 
+
+5
+00:00:22,359 --> 00:00:24,029
+got that's one of the new ones we call
+him
+
+6
+00:00:24,029 --> 00:00:24,039
+him
+ 
+
+7
+00:00:24,039 --> 00:00:28,109
+him
+SoDo deal me out well what's the matter
+
+8
+00:00:28,109 --> 00:00:28,119
+SoDo deal me out well what's the matter
+ 
+
+9
+00:00:28,119 --> 00:00:36,790
+SoDo deal me out well what's the matter
+Pete just say I'm super stitious that's
+
+10
+00:00:36,790 --> 00:00:36,800
+
+ 
+
+11
+00:00:36,800 --> 00:00:40,950
+
+all I guess you don't hear very well
+
+12
+00:00:40,950 --> 00:00:40,960
+all I guess you don't hear very well
+ 
+
+13
+00:00:40,960 --> 00:00:43,069
+all I guess you don't hear very well
+sodbuster I thought I told you if you
+
+14
+00:00:43,069 --> 00:00:43,079
+sodbuster I thought I told you if you
+ 
+
+15
+00:00:43,079 --> 00:00:45,470
+sodbuster I thought I told you if you
+wanted to keep healthy to stay out of
+
+16
+00:00:45,470 --> 00:00:45,480
+wanted to keep healthy to stay out of
+ 
+
+17
+00:00:45,480 --> 00:00:48,080
+wanted to keep healthy to stay out of
+here now get
+
+18
+00:00:48,080 --> 00:00:48,090
+here now get
+ 
+
+19
+00:00:48,090 --> 00:00:52,189
+here now get
+[Music]
+
+20
+00:00:52,189 --> 00:00:52,199
+
+ 
+
+21
+00:00:52,199 --> 00:00:54,510
+
+going look pig
+
+22
+00:00:54,510 --> 00:00:54,520
+going look pig
+ 
+
+23
+00:00:54,520 --> 00:00:57,069
+going look pig
+farmer you better get back inside with
+
+24
+00:00:57,069 --> 00:00:57,079
+farmer you better get back inside with
+ 
+
+25
+00:00:57,079 --> 00:01:01,150
+farmer you better get back inside with
+the women and kids where it's safe
+
+26
+00:01:01,150 --> 00:01:01,160
+the women and kids where it's safe
+ 
+
+27
+00:01:01,160 --> 00:01:03,350
+the women and kids where it's safe
+don't push it
+
+28
+00:01:03,350 --> 00:01:03,360
+don't push it
+ 
+
+29
+00:01:03,360 --> 00:01:10,429
+don't push it
+kellway did you hear me I said get
+
+30
+00:01:10,429 --> 00:01:10,439
+
+ 
+
+31
+00:01:10,439 --> 00:01:12,429
+
+going did you think you was going to
+
+32
+00:01:12,429 --> 00:01:12,439
+going did you think you was going to
+ 
+
+33
+00:01:12,439 --> 00:01:15,149
+going did you think you was going to
+come in here and drink with the
+
+34
+00:01:15,149 --> 00:01:15,159
+come in here and drink with the
+ 
+
+35
+00:01:15,159 --> 00:01:18,950
+come in here and drink with the
+men set them up bartender two
+
+36
+00:01:18,950 --> 00:01:18,960
+men set them up bartender two
+ 
+
+37
+00:01:18,960 --> 00:01:21,069
+men set them up bartender two
+whiskies bought me a drink the last time
+
+38
+00:01:21,069 --> 00:01:21,079
+whiskies bought me a drink the last time
+ 
+
+39
+00:01:21,079 --> 00:01:22,350
+whiskies bought me a drink the last time
+I was in
+
+40
+00:01:22,350 --> 00:01:22,360
+I was in
+ 
+
+41
+00:01:22,360 --> 00:01:26,109
+I was in
+here now I want to buy you
+
+42
+00:01:26,109 --> 00:01:26,119
+here now I want to buy you
+ 
+
+43
+00:01:26,119 --> 00:01:28,910
+here now I want to buy you
+one you ain't going to drink that in
+
+44
+00:01:28,910 --> 00:01:28,920
+one you ain't going to drink that in
+ 
+
+45
+00:01:28,920 --> 00:01:33,590
+one you ain't going to drink that in
+here
+
+46
+00:01:33,590 --> 00:01:33,600
+
+ 
+
+47
+00:01:33,600 --> 00:01:45,410
+
+you guessed
+
+48
+00:01:45,410 --> 00:01:45,420
+
+ 
+
+49
+00:01:45,420 --> 00:01:58,830
+
+[Music]
+
+50
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+51
+00:01:58,840 --> 00:02:02,410
+
+it
+
+52
+00:02:02,410 --> 00:02:02,420
+
+ 
+
+53
+00:02:02,420 --> 00:02:16,479
+
+[Music]
+

1953/5ZCaXimXaxo.description

@@ -0,0 +1,32 @@
+It Came From Outer Space - Resorting to Violence: John (Richard Carlson) is forced to fight the alien-possessed Ellen (Barbara Rush).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Richard Carlson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
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+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1953/5lekLtatLl0.description

@@ -0,0 +1,32 @@
+It Came From Outer Space - Stalked by Cosmic Evil: John (Richard Carlson) and Ellen (Barbara Rush) nearly hit an alien with their car.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Richard Carlson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1953/5p9BA72SfkY.description

@@ -0,0 +1,38 @@
+The Naked Spur movie clips: http://j.mp/1PVyxwf
+BUY THE MOVIE: http://j.mp/1KYOZ7u
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Howard's (James Stewart) group meets with some Blackfeet indians and Roy (Ralph Meeker) starts a shootout.
+
+FILM DESCRIPTION:
+The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel.
+
+CREDITS:
+TM & © Warner Bros. (1953)
+Cast: Robert Ryan, Millard Mitchell, Ralph Meeker, Janet Leigh, James Stewart
+Director: Anthony Mann
+Producer: William H. Wright
+Screenwriters: Sam Rolfe, Harold Jack Bloom
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Movie News: http://bit.ly/1C3Ncd2
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+
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1953/6af1dAc9rXo.description

@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Gregory Peck) tricks a frightened Princess Ann (Audrey Hepburn) into believing his hand was eaten off by a statue called "The Mouth of Truth."
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Gregory Peck, Audrey Hepburn
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1953/7rVMT0xklto.description

@@ -0,0 +1,38 @@
+The Naked Spur movie clips: http://j.mp/1PVyxwf
+BUY THE MOVIE: http://j.mp/1KYOZ7u
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lina (Janet Leigh) and Howard (James Stewart) have strong feelings for each other.
+
+FILM DESCRIPTION:
+The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel.
+
+CREDITS:
+TM & © Warner Bros. (1953)
+Cast: Janet Leigh, James Stewart
+Director: Anthony Mann
+Producer: William H. Wright
+Screenwriters: Sam Rolfe, Harold Jack Bloom
+
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1953/7rVMT0xklto.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:03,529 --> 00:00:06,530
+
+you set up with me yeah why
+
+2
+00:00:06,530 --> 00:00:06,540
+you set up with me yeah why
+ 
+
+3
+00:00:06,540 --> 00:00:09,200
+you set up with me yeah why
+somebody had to you was Ravan so no one
+
+4
+00:00:09,200 --> 00:00:09,210
+somebody had to you was Ravan so no one
+ 
+
+5
+00:00:09,210 --> 00:00:11,240
+somebody had to you was Ravan so no one
+could sleep why should you care I don't
+
+6
+00:00:11,240 --> 00:00:11,250
+could sleep why should you care I don't
+ 
+
+7
+00:00:11,250 --> 00:00:13,310
+could sleep why should you care I don't
+and I done it for a dog if he was
+
+8
+00:00:13,310 --> 00:00:13,320
+and I done it for a dog if he was
+ 
+
+9
+00:00:13,320 --> 00:00:18,189
+and I done it for a dog if he was
+suffering thank you you're welcome
+
+10
+00:00:18,189 --> 00:00:18,199
+
+ 
+
+11
+00:00:18,199 --> 00:00:22,550
+
+you said I was raving what about nothing
+
+12
+00:00:22,550 --> 00:00:22,560
+you said I was raving what about nothing
+ 
+
+13
+00:00:22,560 --> 00:00:24,859
+you said I was raving what about nothing
+that made sense you thought I was your
+
+14
+00:00:24,859 --> 00:00:24,869
+that made sense you thought I was your
+ 
+
+15
+00:00:24,869 --> 00:00:27,980
+that made sense you thought I was your
+girl you kept calling me Mary you were
+
+16
+00:00:27,980 --> 00:00:27,990
+girl you kept calling me Mary you were
+ 
+
+17
+00:00:27,990 --> 00:00:29,000
+girl you kept calling me Mary you were
+really out of your head
+
+18
+00:00:29,000 --> 00:00:29,010
+really out of your head
+ 
+
+19
+00:00:29,010 --> 00:00:30,830
+really out of your head
+we ain't nothing to life Mary and me
+
+20
+00:00:30,830 --> 00:00:30,840
+we ain't nothing to life Mary and me
+ 
+
+21
+00:00:30,840 --> 00:00:32,959
+we ain't nothing to life Mary and me
+least that's what Ben said
+
+22
+00:00:32,959 --> 00:00:32,969
+least that's what Ben said
+ 
+
+23
+00:00:32,969 --> 00:00:34,850
+least that's what Ben said
+well Ben's just like all the rest of me
+
+24
+00:00:34,850 --> 00:00:34,860
+well Ben's just like all the rest of me
+ 
+
+25
+00:00:34,860 --> 00:00:36,410
+well Ben's just like all the rest of me
+never even matter well he knows what she
+
+26
+00:00:36,410 --> 00:00:36,420
+never even matter well he knows what she
+ 
+
+27
+00:00:36,420 --> 00:00:38,479
+never even matter well he knows what she
+did what she did her business she had no
+
+28
+00:00:38,479 --> 00:00:38,489
+did what she did her business she had no
+ 
+
+29
+00:00:38,489 --> 00:00:39,950
+did what she did her business she had no
+business selling your rent all right
+
+30
+00:00:39,950 --> 00:00:39,960
+business selling your rent all right
+ 
+
+31
+00:00:39,960 --> 00:00:41,090
+business selling your rent all right
+you're different you would have done a
+
+32
+00:00:41,090 --> 00:00:41,100
+you're different you would have done a
+ 
+
+33
+00:00:41,100 --> 00:00:46,400
+you're different you would have done a
+different that's not a girl how do you
+
+34
+00:00:46,400 --> 00:00:46,410
+different that's not a girl how do you
+ 
+
+35
+00:00:46,410 --> 00:00:49,370
+different that's not a girl how do you
+mean I'm different
+
+36
+00:00:49,370 --> 00:00:49,380
+mean I'm different
+ 
+
+37
+00:00:49,380 --> 00:00:52,670
+mean I'm different
+I mean you got a man at least you stick
+
+38
+00:00:52,670 --> 00:00:52,680
+I mean you got a man at least you stick
+ 
+
+39
+00:00:52,680 --> 00:00:55,250
+I mean you got a man at least you stick
+to him he's not my man well it's not
+
+40
+00:00:55,250 --> 00:00:55,260
+to him he's not my man well it's not
+ 
+
+41
+00:00:55,260 --> 00:01:02,680
+to him he's not my man well it's not
+like you mean I forget it
+
+42
+00:01:02,680 --> 00:01:02,690
+
+ 
+
+43
+00:01:02,690 --> 00:01:07,050
+
+what are you doing with that anyway
+
+44
+00:01:07,050 --> 00:01:07,060
+
+ 
+
+45
+00:01:07,060 --> 00:01:10,109
+
+expect to run on hide forever Ben was
+
+46
+00:01:10,109 --> 00:01:10,119
+expect to run on hide forever Ben was
+ 
+
+47
+00:01:10,119 --> 00:01:12,120
+expect to run on hide forever Ben was
+taking me to California he was going to
+
+48
+00:01:12,120 --> 00:01:12,130
+taking me to California he was going to
+ 
+
+49
+00:01:12,130 --> 00:01:16,139
+taking me to California he was going to
+start new start doing what ranch and
+
+50
+00:01:16,139 --> 00:01:16,149
+start new start doing what ranch and
+ 
+
+51
+00:01:16,149 --> 00:01:19,620
+start new start doing what ranch and
+maybe he knows a lot about cattle other
+
+52
+00:01:19,620 --> 00:01:19,630
+maybe he knows a lot about cattle other
+ 
+
+53
+00:01:19,630 --> 00:01:23,849
+maybe he knows a lot about cattle other
+people's cattle do you ever think for a
+
+54
+00:01:23,849 --> 00:01:23,859
+people's cattle do you ever think for a
+ 
+
+55
+00:01:23,859 --> 00:01:25,859
+people's cattle do you ever think for a
+minute that Ben had the temper to settle
+
+56
+00:01:25,859 --> 00:01:25,869
+minute that Ben had the temper to settle
+ 
+
+57
+00:01:25,869 --> 00:01:29,870
+minute that Ben had the temper to settle
+on the land to Clara to build on it
+
+58
+00:01:29,870 --> 00:01:29,880
+on the land to Clara to build on it
+ 
+
+59
+00:01:29,880 --> 00:01:33,779
+on the land to Clara to build on it
+bring in the cattle nurse them through
+
+60
+00:01:33,779 --> 00:01:33,789
+bring in the cattle nurse them through
+ 
+
+61
+00:01:33,789 --> 00:01:40,910
+bring in the cattle nurse them through
+the winter round up strays brand calves
+
+62
+00:01:40,910 --> 00:01:40,920
+the winter round up strays brand calves
+ 
+
+63
+00:01:40,920 --> 00:01:43,770
+the winter round up strays brand calves
+start new they only think battle starts
+
+64
+00:01:43,770 --> 00:01:43,780
+start new they only think battle starts
+ 
+
+65
+00:01:43,780 --> 00:01:48,749
+start new they only think battle starts
+trouble he's wild sure like my father
+
+66
+00:01:48,749 --> 00:01:48,759
+trouble he's wild sure like my father
+ 
+
+67
+00:01:48,759 --> 00:01:51,029
+trouble he's wild sure like my father
+used to be but they didn't do one of the
+
+68
+00:01:51,029 --> 00:01:51,039
+used to be but they didn't do one of the
+ 
+
+69
+00:01:51,039 --> 00:01:53,219
+used to be but they didn't do one of the
+ten things that people claim them for me
+
+70
+00:01:53,219 --> 00:01:53,229
+ten things that people claim them for me
+ 
+
+71
+00:01:53,229 --> 00:01:57,029
+ten things that people claim them for me
+he was born it was no pause for him to
+
+72
+00:01:57,029 --> 00:01:57,039
+he was born it was no pause for him to
+ 
+
+73
+00:01:57,039 --> 00:01:58,619
+he was born it was no pause for him to
+when he's treated me decent now that's
+
+74
+00:01:58,619 --> 00:01:58,629
+when he's treated me decent now that's
+ 
+
+75
+00:01:58,629 --> 00:01:59,940
+when he's treated me decent now that's
+more on he's done for most people I've
+
+76
+00:01:59,940 --> 00:01:59,950
+more on he's done for most people I've
+ 
+
+77
+00:01:59,950 --> 00:02:01,380
+more on he's done for most people I've
+never seen him hurt no once up in a fair
+
+78
+00:02:01,380 --> 00:02:01,390
+never seen him hurt no once up in a fair
+ 
+
+79
+00:02:01,390 --> 00:02:03,990
+never seen him hurt no once up in a fair
+fight I know you're to talk you didn't
+
+80
+00:02:03,990 --> 00:02:04,000
+fight I know you're to talk you didn't
+ 
+
+81
+00:02:04,000 --> 00:02:05,160
+fight I know you're to talk you didn't
+track him all this way just because he's
+
+82
+00:02:05,160 --> 00:02:05,170
+track him all this way just because he's
+ 
+
+83
+00:02:05,170 --> 00:02:07,199
+track him all this way just because he's
+me never said I did there's a lot of
+
+84
+00:02:07,199 --> 00:02:07,209
+me never said I did there's a lot of
+ 
+
+85
+00:02:07,209 --> 00:02:08,789
+me never said I did there's a lot of
+Outlaws riding free with no one after
+
+86
+00:02:08,789 --> 00:02:08,799
+Outlaws riding free with no one after
+ 
+
+87
+00:02:08,799 --> 00:02:10,229
+Outlaws riding free with no one after
+him Ben couldn't show that doesn't
+
+88
+00:02:10,229 --> 00:02:10,239
+him Ben couldn't show that doesn't
+ 
+
+89
+00:02:10,239 --> 00:02:12,750
+him Ben couldn't show that doesn't
+matter wouldn't look twice if it wasn't
+
+90
+00:02:12,750 --> 00:02:12,760
+matter wouldn't look twice if it wasn't
+ 
+
+91
+00:02:12,760 --> 00:02:15,329
+matter wouldn't look twice if it wasn't
+for the reward
+