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- 1941/tN4mmLewz_E.mp4 +3 -0
- 1941/uqS2-v7iZr8.mp4 +3 -0
- 1941/vqOByzMoS_A.mp4 +3 -0
- 1994/V-mlZvBRoOQ.en.srt +375 -0
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- 1994/bbnkw5RyiCI.en.srt +315 -0
1941/tN4mmLewz_E.mp4
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1941/uqS2-v7iZr8.mp4
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1941/vqOByzMoS_A.mp4
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1994/V-mlZvBRoOQ.en.srt
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1
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00:00:03,320 --> 00:00:08,030
|
| 3 |
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it was cramped and damp and dank and
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:08,030 --> 00:00:08,040
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| 8 |
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it was cramped and damp and dank and
|
| 9 |
+
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| 10 |
+
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| 11 |
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3
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+
00:00:08,040 --> 00:00:10,110
|
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it was cramped and damp and dank and
|
| 14 |
+
dark and
|
| 15 |
+
|
| 16 |
+
4
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| 17 |
+
00:00:10,110 --> 00:00:10,120
|
| 18 |
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dark and
|
| 19 |
+
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| 20 |
+
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| 21 |
+
5
|
| 22 |
+
00:00:10,120 --> 00:00:15,349
|
| 23 |
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dark and
|
| 24 |
+
Dre Jerry what's wrong with him he's
|
| 25 |
+
|
| 26 |
+
6
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| 27 |
+
00:00:15,349 --> 00:00:15,359
|
| 28 |
+
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| 29 |
+
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| 30 |
+
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| 31 |
+
7
|
| 32 |
+
00:00:15,359 --> 00:00:19,230
|
| 33 |
+
|
| 34 |
+
frighten step up let me go I want go Pat
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:19,230 --> 00:00:19,240
|
| 38 |
+
frighten step up let me go I want go Pat
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:19,240 --> 00:00:23,550
|
| 43 |
+
frighten step up let me go I want go Pat
|
| 44 |
+
him give me a brush Dolly don't
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:23,550 --> 00:00:23,560
|
| 48 |
+
him give me a brush Dolly don't
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:23,560 --> 00:00:33,750
|
| 53 |
+
him give me a brush Dolly don't
|
| 54 |
+
worry aric put some straw in that sto
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:33,750 --> 00:00:33,760
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:33,760 --> 00:00:37,110
|
| 63 |
+
|
| 64 |
+
doly know it's all right it's all right
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:37,110 --> 00:00:37,120
|
| 68 |
+
doly know it's all right it's all right
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:37,120 --> 00:00:38,910
|
| 73 |
+
doly know it's all right it's all right
|
| 74 |
+
come on just do it
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:38,910 --> 00:00:38,920
|
| 78 |
+
come on just do it
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:38,920 --> 00:00:42,950
|
| 83 |
+
come on just do it
|
| 84 |
+
quietly give him a chance oh we you go
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:42,950 --> 00:00:42,960
|
| 88 |
+
quietly give him a chance oh we you go
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:42,960 --> 00:00:46,630
|
| 93 |
+
quietly give him a chance oh we you go
|
| 94 |
+
there we are thank
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:46,630 --> 00:00:46,640
|
| 98 |
+
there we are thank
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:46,640 --> 00:00:52,549
|
| 103 |
+
there we are thank
|
| 104 |
+
you it's like baby for here hey he's so
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:52,549 --> 00:00:52,559
|
| 108 |
+
you it's like baby for here hey he's so
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:52,559 --> 00:00:54,389
|
| 113 |
+
you it's like baby for here hey he's so
|
| 114 |
+
soft yeah he
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:54,389 --> 00:00:54,399
|
| 118 |
+
soft yeah he
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:54,399 --> 00:00:57,229
|
| 123 |
+
soft yeah he
|
| 124 |
+
is come on Paul give us
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:57,229 --> 00:00:57,239
|
| 128 |
+
is come on Paul give us
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:57,239 --> 00:01:00,110
|
| 133 |
+
is come on Paul give us
|
| 134 |
+
an how's it going with that straw Harry
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:00,110 --> 00:01:00,120
|
| 138 |
+
an how's it going with that straw Harry
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:00,120 --> 00:01:05,550
|
| 143 |
+
an how's it going with that straw Harry
|
| 144 |
+
already dead go and get yourself a brush
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:05,550 --> 00:01:05,560
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:05,560 --> 00:01:09,590
|
| 153 |
+
|
| 154 |
+
then yeah he's not so fright now what
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:09,590 --> 00:01:09,600
|
| 158 |
+
then yeah he's not so fright now what
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:09,600 --> 00:01:13,390
|
| 163 |
+
then yeah he's not so fright now what
|
| 164 |
+
about when he has to pull the cave have
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:13,390 --> 00:01:13,400
|
| 168 |
+
about when he has to pull the cave have
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:13,400 --> 00:01:16,030
|
| 173 |
+
about when he has to pull the cave have
|
| 174 |
+
faith I listened
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:16,030 --> 00:01:16,040
|
| 178 |
+
faith I listened
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:16,040 --> 00:01:21,190
|
| 183 |
+
faith I listened
|
| 184 |
+
quietly what should we call him uh Jack
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:21,190 --> 00:01:21,200
|
| 188 |
+
quietly what should we call him uh Jack
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:21,200 --> 00:01:23,870
|
| 193 |
+
quietly what should we call him uh Jack
|
| 194 |
+
after the old one he's far blacker than
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:23,870 --> 00:01:23,880
|
| 198 |
+
after the old one he's far blacker than
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:23,880 --> 00:01:26,590
|
| 203 |
+
after the old one he's far blacker than
|
| 204 |
+
Jack when he's cleaned his color comes
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:26,590 --> 00:01:26,600
|
| 208 |
+
Jack when he's cleaned his color comes
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:26,600 --> 00:01:27,510
|
| 213 |
+
Jack when he's cleaned his color comes
|
| 214 |
+
up
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:27,510 --> 00:01:27,520
|
| 218 |
+
up
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:27,520 --> 00:01:29,710
|
| 223 |
+
up
|
| 224 |
+
lovely seeing something in him now are
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:29,710 --> 00:01:29,720
|
| 228 |
+
lovely seeing something in him now are
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:29,720 --> 00:01:31,950
|
| 233 |
+
lovely seeing something in him now are
|
| 234 |
+
you I didn't say
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:31,950 --> 00:01:31,960
|
| 238 |
+
you I didn't say
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:31,960 --> 00:01:34,830
|
| 243 |
+
you I didn't say
|
| 244 |
+
that all
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:34,830 --> 00:01:34,840
|
| 248 |
+
that all
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:34,840 --> 00:01:37,550
|
| 253 |
+
that all
|
| 254 |
+
right we'll call you black because you
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:37,550 --> 00:01:37,560
|
| 258 |
+
right we'll call you black because you
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:37,560 --> 00:01:40,630
|
| 263 |
+
right we'll call you black because you
|
| 264 |
+
are and Jack after the old one and all
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:40,630 --> 00:01:40,640
|
| 268 |
+
are and Jack after the old one and all
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:40,640 --> 00:01:43,350
|
| 273 |
+
are and Jack after the old one and all
|
| 274 |
+
together black jaet because the odds are
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:43,350 --> 00:01:43,360
|
| 278 |
+
together black jaet because the odds are
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:43,360 --> 00:01:51,190
|
| 283 |
+
together black jaet because the odds are
|
| 284 |
+
stack against us
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:51,190 --> 00:01:51,200
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:51,200 --> 00:01:54,749
|
| 293 |
+
|
| 294 |
+
both what you got there Dolly Black Jack
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:54,749 --> 00:01:54,759
|
| 298 |
+
both what you got there Dolly Black Jack
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:54,759 --> 00:01:56,630
|
| 303 |
+
both what you got there Dolly Black Jack
|
| 304 |
+
wants to be
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:56,630 --> 00:01:56,640
|
| 308 |
+
wants to be
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:56,640 --> 00:02:00,190
|
| 313 |
+
wants to be
|
| 314 |
+
pretty good idea
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:02:00,190 --> 00:02:00,200
|
| 318 |
+
pretty good idea
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:02:00,200 --> 00:02:05,510
|
| 323 |
+
pretty good idea
|
| 324 |
+
[Music]
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:05,510 --> 00:02:05,520
|
| 328 |
+
[Music]
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:05,520 --> 00:02:09,150
|
| 333 |
+
[Music]
|
| 334 |
+
all at once I had hope it's good people
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:09,150 --> 00:02:09,160
|
| 338 |
+
all at once I had hope it's good people
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:09,160 --> 00:02:10,790
|
| 343 |
+
all at once I had hope it's good people
|
| 344 |
+
that make good
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:10,790 --> 00:02:10,800
|
| 348 |
+
that make good
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:10,800 --> 00:02:13,309
|
| 353 |
+
that make good
|
| 354 |
+
places still I wondered what tomorrow
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:13,309 --> 00:02:13,319
|
| 358 |
+
places still I wondered what tomorrow
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:13,319 --> 00:02:19,190
|
| 363 |
+
places still I wondered what tomorrow
|
| 364 |
+
would bring
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:19,190 --> 00:02:19,200
|
| 368 |
+
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:19,200 --> 00:02:46,289
|
| 373 |
+
|
| 374 |
+
[Music]
|
| 375 |
+
|
1994/VC0PPBrYBco.en.srt
ADDED
|
@@ -0,0 +1,265 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,010 --> 00:00:05,270
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,270 --> 00:00:05,280
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,280 --> 00:00:09,860
|
| 13 |
+
[Music]
|
| 14 |
+
you are so beautiful
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,860 --> 00:00:09,870
|
| 18 |
+
you are so beautiful
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,870 --> 00:00:34,800
|
| 23 |
+
you are so beautiful
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:34,800 --> 00:00:34,810
|
| 28 |
+
[Music]
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:34,810 --> 00:00:42,560
|
| 33 |
+
[Music]
|
| 34 |
+
[Applause]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:42,560 --> 00:00:42,570
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:42,570 --> 00:00:48,369
|
| 43 |
+
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:48,369 --> 00:00:48,379
|
| 48 |
+
[Music]
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:48,379 --> 00:00:55,340
|
| 53 |
+
[Music]
|
| 54 |
+
luckily heaviest Oh Oh Darla we're two
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:55,340 --> 00:00:55,350
|
| 58 |
+
luckily heaviest Oh Oh Darla we're two
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:55,350 --> 00:01:02,869
|
| 63 |
+
luckily heaviest Oh Oh Darla we're two
|
| 64 |
+
hearts with but one beat two souls with
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:01:02,869 --> 00:01:02,879
|
| 68 |
+
hearts with but one beat two souls with
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:01:02,879 --> 00:01:08,960
|
| 73 |
+
hearts with but one beat two souls with
|
| 74 |
+
put one shoe then how can you belong to
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:08,960 --> 00:01:08,970
|
| 78 |
+
put one shoe then how can you belong to
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:08,970 --> 00:01:12,830
|
| 83 |
+
put one shoe then how can you belong to
|
| 84 |
+
that silly wine haters Club you know I'm
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:12,830 --> 00:01:12,840
|
| 88 |
+
that silly wine haters Club you know I'm
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:12,840 --> 00:01:17,600
|
| 93 |
+
that silly wine haters Club you know I'm
|
| 94 |
+
a woman sort of let me tell you
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:17,600 --> 00:01:17,610
|
| 98 |
+
a woman sort of let me tell you
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:17,610 --> 00:01:20,980
|
| 103 |
+
a woman sort of let me tell you
|
| 104 |
+
something Darla I'm not like those guys
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:20,980 --> 00:01:20,990
|
| 108 |
+
something Darla I'm not like those guys
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:20,990 --> 00:01:27,980
|
| 113 |
+
something Darla I'm not like those guys
|
| 114 |
+
I'm a sensitive male feeling and healing
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:27,980 --> 00:01:27,990
|
| 118 |
+
I'm a sensitive male feeling and healing
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:27,990 --> 00:01:31,219
|
| 123 |
+
I'm a sensitive male feeling and healing
|
| 124 |
+
I'm in touch with my feminine side how
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:31,219 --> 00:01:31,229
|
| 128 |
+
I'm in touch with my feminine side how
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:31,229 --> 00:01:34,340
|
| 133 |
+
I'm in touch with my feminine side how
|
| 134 |
+
nice it's worse than I thought
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:34,340 --> 00:01:34,350
|
| 138 |
+
nice it's worse than I thought
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:34,350 --> 00:01:36,889
|
| 143 |
+
nice it's worse than I thought
|
| 144 |
+
you know I felt the big challenge or the
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:36,889 --> 00:01:36,899
|
| 148 |
+
you know I felt the big challenge or the
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:36,899 --> 00:01:38,870
|
| 153 |
+
you know I felt the big challenge or the
|
| 154 |
+
fans coming up and I was sort of
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:38,870 --> 00:01:38,880
|
| 158 |
+
fans coming up and I was sort of
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:38,880 --> 00:01:41,240
|
| 163 |
+
fans coming up and I was sort of
|
| 164 |
+
wondering if maybe you'd like to sing
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:41,240 --> 00:01:41,250
|
| 168 |
+
wondering if maybe you'd like to sing
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:41,250 --> 00:01:44,960
|
| 173 |
+
wondering if maybe you'd like to sing
|
| 174 |
+
with me you mean it I'd be honored hey
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:44,960 --> 00:01:44,970
|
| 178 |
+
with me you mean it I'd be honored hey
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:44,970 --> 00:01:47,749
|
| 183 |
+
with me you mean it I'd be honored hey
|
| 184 |
+
I've got an idea let me take you on a
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:47,749 --> 00:01:47,759
|
| 188 |
+
I've got an idea let me take you on a
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:47,759 --> 00:01:51,440
|
| 193 |
+
I've got an idea let me take you on a
|
| 194 |
+
picnic tomorrow excuse me do I you feed
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:51,440 --> 00:01:51,450
|
| 198 |
+
picnic tomorrow excuse me do I you feed
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:51,450 --> 00:02:00,150
|
| 203 |
+
picnic tomorrow excuse me do I you feed
|
| 204 |
+
my soul I can feed your faith
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:02:00,150 --> 00:02:00,160
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:02:00,160 --> 00:02:08,449
|
| 213 |
+
|
| 214 |
+
[Music]
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:02:08,449 --> 00:02:08,459
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:02:08,459 --> 00:02:11,600
|
| 223 |
+
|
| 224 |
+
tomorrow swimming today
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:02:11,600 --> 00:02:11,610
|
| 228 |
+
tomorrow swimming today
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:02:11,610 --> 00:02:15,270
|
| 233 |
+
tomorrow swimming today
|
| 234 |
+
sure oh well Phil
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:02:15,270 --> 00:02:15,280
|
| 238 |
+
sure oh well Phil
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:02:15,280 --> 00:02:17,390
|
| 243 |
+
sure oh well Phil
|
| 244 |
+
Yaris we
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:17,390 --> 00:02:17,400
|
| 248 |
+
Yaris we
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:17,400 --> 00:02:24,700
|
| 253 |
+
Yaris we
|
| 254 |
+
[Music]
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:24,700 --> 00:02:24,710
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:24,710 --> 00:02:43,419
|
| 263 |
+
|
| 264 |
+
[Music]
|
| 265 |
+
|
1994/VazRhsh6uys.en.srt
ADDED
|
@@ -0,0 +1,485 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,599 --> 00:00:04,470
|
| 3 |
+
|
| 4 |
+
hi guys I'm Richie we know who you are
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,470 --> 00:00:04,480
|
| 8 |
+
hi guys I'm Richie we know who you are
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,480 --> 00:00:05,909
|
| 13 |
+
hi guys I'm Richie we know who you are
|
| 14 |
+
what no
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,909 --> 00:00:05,919
|
| 18 |
+
what no
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,919 --> 00:00:08,190
|
| 23 |
+
what no
|
| 24 |
+
Chopper my dad hardly ever L me take the
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:08,190 --> 00:00:08,200
|
| 28 |
+
Chopper my dad hardly ever L me take the
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:08,200 --> 00:00:10,749
|
| 33 |
+
Chopper my dad hardly ever L me take the
|
| 34 |
+
helicopter to school oh no Chopper to go
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:10,749 --> 00:00:10,759
|
| 38 |
+
helicopter to school oh no Chopper to go
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:10,759 --> 00:00:12,549
|
| 43 |
+
helicopter to school oh no Chopper to go
|
| 44 |
+
to
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:12,549 --> 00:00:12,559
|
| 48 |
+
to
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:12,559 --> 00:00:15,230
|
| 53 |
+
to
|
| 54 |
+
school so what are you doing here well I
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:15,230 --> 00:00:15,240
|
| 58 |
+
school so what are you doing here well I
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:15,240 --> 00:00:16,630
|
| 63 |
+
school so what are you doing here well I
|
| 64 |
+
was wondering maybe I can play with you
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:16,630 --> 00:00:16,640
|
| 68 |
+
was wondering maybe I can play with you
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:16,640 --> 00:00:18,269
|
| 73 |
+
was wondering maybe I can play with you
|
| 74 |
+
guys
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:18,269 --> 00:00:18,279
|
| 78 |
+
guys
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:18,279 --> 00:00:23,710
|
| 83 |
+
guys
|
| 84 |
+
play I don't think this
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:23,710 --> 00:00:23,720
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:23,720 --> 00:00:25,790
|
| 93 |
+
|
| 94 |
+
is
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:25,790 --> 00:00:25,800
|
| 98 |
+
is
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:25,800 --> 00:00:29,150
|
| 103 |
+
is
|
| 104 |
+
not come on let me hit forget it you
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:29,150 --> 00:00:29,160
|
| 108 |
+
not come on let me hit forget it you
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:29,160 --> 00:00:30,830
|
| 113 |
+
not come on let me hit forget it you
|
| 114 |
+
probably couldn't even hit a beach ball
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:30,830 --> 00:00:30,840
|
| 118 |
+
probably couldn't even hit a beach ball
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:30,840 --> 00:00:35,790
|
| 123 |
+
probably couldn't even hit a beach ball
|
| 124 |
+
I can hit off
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:35,790 --> 00:00:35,800
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:35,800 --> 00:00:38,229
|
| 133 |
+
|
| 134 |
+
you you think you're so
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:38,229 --> 00:00:38,239
|
| 138 |
+
you you think you're so
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:38,239 --> 00:00:40,990
|
| 143 |
+
you you think you're so
|
| 144 |
+
hot what your money where your mouth is
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:40,990 --> 00:00:41,000
|
| 148 |
+
hot what your money where your mouth is
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:41,000 --> 00:00:44,190
|
| 153 |
+
hot what your money where your mouth is
|
| 154 |
+
you mean bet yeah five says she put you
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:44,190 --> 00:00:44,200
|
| 158 |
+
you mean bet yeah five says she put you
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:44,200 --> 00:00:47,549
|
| 163 |
+
you mean bet yeah five says she put you
|
| 164 |
+
away five how about
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:47,549 --> 00:00:47,559
|
| 168 |
+
away five how about
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:47,559 --> 00:00:51,310
|
| 173 |
+
away five how about
|
| 174 |
+
10 okay seems a little steep but 10,000
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:51,310 --> 00:00:51,320
|
| 178 |
+
10 okay seems a little steep but 10,000
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:51,320 --> 00:00:53,349
|
| 183 |
+
10 okay seems a little steep but 10,000
|
| 184 |
+
it
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:53,349 --> 00:00:53,359
|
| 188 |
+
it
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:53,359 --> 00:00:57,590
|
| 193 |
+
it
|
| 194 |
+
is no no not 10,000
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:57,590 --> 00:00:57,600
|
| 198 |
+
is no no not 10,000
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:57,600 --> 00:01:01,229
|
| 203 |
+
is no no not 10,000
|
| 204 |
+
$10 oh $10
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:01,229 --> 00:01:01,239
|
| 208 |
+
$10 oh $10
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:01,239 --> 00:01:05,310
|
| 213 |
+
$10 oh $10
|
| 214 |
+
okay this guy McDonald's with his
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:05,310 --> 00:01:05,320
|
| 218 |
+
okay this guy McDonald's with his
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:05,320 --> 00:01:09,469
|
| 223 |
+
okay this guy McDonald's with his
|
| 224 |
+
money D no problem Mr Fancy Pants over
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:09,469 --> 00:01:09,479
|
| 228 |
+
money D no problem Mr Fancy Pants over
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:09,479 --> 00:01:11,870
|
| 233 |
+
money D no problem Mr Fancy Pants over
|
| 234 |
+
there's going down Master Richie I do
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:11,870 --> 00:01:11,880
|
| 238 |
+
there's going down Master Richie I do
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:11,880 --> 00:01:14,109
|
| 243 |
+
there's going down Master Richie I do
|
| 244 |
+
think it unseemly in the extreme for you
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:14,109 --> 00:01:14,119
|
| 248 |
+
think it unseemly in the extreme for you
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:14,119 --> 00:01:17,230
|
| 253 |
+
think it unseemly in the extreme for you
|
| 254 |
+
to take these these children's money hey
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:17,230 --> 00:01:17,240
|
| 258 |
+
to take these these children's money hey
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:17,240 --> 00:01:18,990
|
| 263 |
+
to take these these children's money hey
|
| 264 |
+
what are you doing asking the old guy
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:18,990 --> 00:01:19,000
|
| 268 |
+
what are you doing asking the old guy
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:19,000 --> 00:01:20,710
|
| 273 |
+
what are you doing asking the old guy
|
| 274 |
+
for batting
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:20,710 --> 00:01:20,720
|
| 278 |
+
for batting
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:20,720 --> 00:01:27,630
|
| 283 |
+
for batting
|
| 284 |
+
tips it's a touchdown Master
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:27,630 --> 00:01:27,640
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:27,640 --> 00:01:30,870
|
| 293 |
+
|
| 294 |
+
Richie come on Gloria right over the pl
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:30,870 --> 00:01:30,880
|
| 298 |
+
Richie come on Gloria right over the pl
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:30,880 --> 00:01:35,389
|
| 303 |
+
Richie come on Gloria right over the pl
|
| 304 |
+
strike out Gloria come on Gloria
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:35,389 --> 00:01:35,399
|
| 308 |
+
strike out Gloria come on Gloria
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:35,399 --> 00:01:40,630
|
| 313 |
+
strike out Gloria come on Gloria
|
| 314 |
+
glor easy money come on strike them
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:40,630 --> 00:01:40,640
|
| 318 |
+
glor easy money come on strike them
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:40,640 --> 00:01:43,640
|
| 323 |
+
glor easy money come on strike them
|
| 324 |
+
out in
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:43,640 --> 00:01:43,650
|
| 328 |
+
out in
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:43,650 --> 00:01:48,429
|
| 333 |
+
out in
|
| 334 |
+
[Music]
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:48,429 --> 00:01:48,439
|
| 338 |
+
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:48,439 --> 00:01:52,950
|
| 343 |
+
|
| 344 |
+
there this is a piece of
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:52,950 --> 00:01:52,960
|
| 348 |
+
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:52,960 --> 00:01:55,510
|
| 353 |
+
|
| 354 |
+
cake got the money in the mail let's go
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:55,510 --> 00:01:55,520
|
| 358 |
+
cake got the money in the mail let's go
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:55,520 --> 00:02:00,190
|
| 363 |
+
cake got the money in the mail let's go
|
| 364 |
+
come on
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:00,190 --> 00:02:00,200
|
| 368 |
+
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:00,200 --> 00:02:07,469
|
| 373 |
+
|
| 374 |
+
in
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:07,469 --> 00:02:07,479
|
| 378 |
+
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:07,479 --> 00:02:09,869
|
| 383 |
+
|
| 384 |
+
war
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:09,869 --> 00:02:09,879
|
| 388 |
+
war
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:09,879 --> 00:02:15,830
|
| 393 |
+
war
|
| 394 |
+
yes yes yes yes
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:15,830 --> 00:02:15,840
|
| 398 |
+
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:15,840 --> 00:02:19,710
|
| 403 |
+
|
| 404 |
+
yes lucky swing I guess listen I was
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:19,710 --> 00:02:19,720
|
| 408 |
+
yes lucky swing I guess listen I was
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:19,720 --> 00:02:21,150
|
| 413 |
+
yes lucky swing I guess listen I was
|
| 414 |
+
wondering if B you guys can come over to
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:21,150 --> 00:02:21,160
|
| 418 |
+
wondering if B you guys can come over to
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:21,160 --> 00:02:22,229
|
| 423 |
+
wondering if B you guys can come over to
|
| 424 |
+
my house
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:22,229 --> 00:02:22,239
|
| 428 |
+
my house
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:22,239 --> 00:02:24,390
|
| 433 |
+
my house
|
| 434 |
+
and give him the
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:24,390 --> 00:02:24,400
|
| 438 |
+
and give him the
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:24,400 --> 00:02:26,990
|
| 443 |
+
and give him the
|
| 444 |
+
money I don't want your money I said
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:02:26,990 --> 00:02:27,000
|
| 448 |
+
money I don't want your money I said
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:02:27,000 --> 00:02:31,500
|
| 453 |
+
money I don't want your money I said
|
| 454 |
+
take it you don't belong here
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:02:31,500 --> 00:02:31,510
|
| 458 |
+
take it you don't belong here
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:02:31,510 --> 00:02:38,470
|
| 463 |
+
take it you don't belong here
|
| 464 |
+
[Music]
|
| 465 |
+
|
| 466 |
+
94
|
| 467 |
+
00:02:38,470 --> 00:02:38,480
|
| 468 |
+
|
| 469 |
+
|
| 470 |
+
|
| 471 |
+
95
|
| 472 |
+
00:02:38,480 --> 00:02:44,880
|
| 473 |
+
|
| 474 |
+
truly a prodigious blow Master Richie
|
| 475 |
+
|
| 476 |
+
96
|
| 477 |
+
00:02:44,880 --> 00:02:44,890
|
| 478 |
+
|
| 479 |
+
|
| 480 |
+
|
| 481 |
+
97
|
| 482 |
+
00:02:44,890 --> 00:03:11,990
|
| 483 |
+
|
| 484 |
+
[Music]
|
| 485 |
+
|
1994/VrJiU9BOEBI.ar.srt
ADDED
|
@@ -0,0 +1,349 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:04,839 --> 00:00:07,550
|
| 3 |
+
|
| 4 |
+
لا بد أنني قفزت من ذلك 50 مرة
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:07,550 --> 00:00:07,560
|
| 8 |
+
لا بد أنني قفزت من ذلك 50 مرة
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:07,560 --> 00:00:12,070
|
| 13 |
+
لا بد أنني قفزت من ذلك 50 مرة
|
| 14 |
+
أخافتني في كل مرة باستثناء هذه
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:12,070 --> 00:00:12,080
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:12,080 --> 00:00:18,269
|
| 23 |
+
|
| 24 |
+
المرة لأنها ليست
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:18,269 --> 00:00:18,279
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:18,279 --> 00:00:20,630
|
| 33 |
+
|
| 34 |
+
حقيقية
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:20,630 --> 00:00:20,640
|
| 38 |
+
حقيقية
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:20,640 --> 00:00:24,109
|
| 43 |
+
حقيقية
|
| 44 |
+
أنطونيا إنها ليست حقيقية أيضًا هل هي لا
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:24,109 --> 00:00:24,119
|
| 48 |
+
أنطونيا إنها ليست حقيقية أيضًا هل هي لا
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:24,119 --> 00:00:25,390
|
| 53 |
+
أنطونيا إنها ليست حقيقية أيضًا هل هي لا
|
| 54 |
+
شيء هنا لا
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:25,390 --> 00:00:25,400
|
| 58 |
+
شيء هنا لا
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:25,400 --> 00:00:28,589
|
| 63 |
+
شيء هنا لا
|
| 64 |
+
شيء هنا
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:28,589 --> 00:00:28,599
|
| 68 |
+
شيء هنا
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:28,599 --> 00:00:30,749
|
| 73 |
+
شيء هنا
|
| 74 |
+
مهم كما تعلم ربما لا يتعلق الأمر
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:30,749 --> 00:00:30,759
|
| 78 |
+
مهم كما تعلم ربما لا يتعلق الأمر
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:30,759 --> 00:00:33,750
|
| 83 |
+
مهم كما تعلم ربما لا يتعلق الأمر
|
| 84 |
+
بمنزل فارغ ربما يتعلق الأمر بذلك
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:33,750 --> 00:00:33,760
|
| 88 |
+
بمنزل فارغ ربما يتعلق الأمر بذلك
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:33,760 --> 00:00:36,790
|
| 93 |
+
بمنزل فارغ ربما يتعلق الأمر بذلك
|
| 94 |
+
الكرسي الفارغ على جسر سفينة
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:36,790 --> 00:00:36,800
|
| 98 |
+
الكرسي الفارغ على جسر سفينة
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:36,800 --> 00:00:40,549
|
| 103 |
+
الكرسي الفارغ على جسر سفينة
|
| 104 |
+
إنتربرايز منذ أن غادرت
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:40,549 --> 00:00:40,559
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:40,559 --> 00:00:53,150
|
| 113 |
+
|
| 114 |
+
ستارل لم أحدث
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:53,150 --> 00:00:53,160
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:53,160 --> 00:00:55,110
|
| 123 |
+
|
| 124 |
+
فرقًا يا قبطان سفينة
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:55,110 --> 00:00:55,120
|
| 128 |
+
فرقًا يا قبطان سفينة
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:55,120 --> 00:00:58,150
|
| 133 |
+
فرقًا يا قبطان سفينة
|
| 134 |
+
إنتربرايز التي تقترب من
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:58,150 --> 00:00:58,160
|
| 138 |
+
إنتربرايز التي تقترب من
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:58,160 --> 00:01:00,069
|
| 143 |
+
إنتربرايز التي تقترب من
|
| 144 |
+
التقاعد
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:00,069 --> 00:01:00,079
|
| 148 |
+
التقاعد
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:00,079 --> 00:01:01,750
|
| 153 |
+
التقاعد
|
| 154 |
+
أنا لا أخطط لذلك دعني أخبرك
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:01,750 --> 00:01:01,760
|
| 158 |
+
أنا لا أخطط لذلك دعني أخبرك
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:01,760 --> 00:01:04,829
|
| 163 |
+
أنا لا أخطط لذلك دعني أخبرك
|
| 164 |
+
بشيء لا تدعهم يروجون لك لا تدعهم
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:04,829 --> 00:01:04,839
|
| 168 |
+
بشيء لا تدعهم يروجون لك لا تدعهم
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:04,839 --> 00:01:06,990
|
| 173 |
+
بشيء لا تدعهم يروجون لك لا تدعهم
|
| 174 |
+
ينقلونك لا
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:06,990 --> 00:01:07,000
|
| 178 |
+
ينقلونك لا
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:07,000 --> 00:01:09,749
|
| 183 |
+
ينقلونك لا
|
| 184 |
+
تدعهم يفعلون أي شيء يأخذك من
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:09,749 --> 00:01:09,759
|
| 188 |
+
تدعهم يفعلون أي شيء يأخذك من
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:09,759 --> 00:01:11,030
|
| 193 |
+
تدعهم يفعلون أي شيء يأخذك من
|
| 194 |
+
جسر تلك السفينة لأنه أثناء
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:11,030 --> 00:01:11,040
|
| 198 |
+
جسر تلك السفينة لأنه أثناء
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:11,040 --> 00:01:12,070
|
| 203 |
+
جسر تلك السفينة لأنه أثناء
|
| 204 |
+
وجودك هناك
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:12,070 --> 00:01:12,080
|
| 208 |
+
وجودك هناك
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:12,080 --> 00:01:14,870
|
| 213 |
+
وجودك هناك
|
| 214 |
+
يمكنك إحداث
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:14,870 --> 00:01:14,880
|
| 218 |
+
يمكنك إحداث
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:14,880 --> 00:01:18,109
|
| 223 |
+
يمكنك إحداث
|
| 224 |
+
فرق عد معي ساعدني على
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:18,109 --> 00:01:18,119
|
| 228 |
+
فرق عد معي ساعدني على
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:18,119 --> 00:01:32,910
|
| 233 |
+
فرق عد معي ساعدني على
|
| 234 |
+
التوقف سولين يحدث فرقًا مرة أخرى من
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:32,910 --> 00:01:32,920
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:32,920 --> 00:01:34,590
|
| 243 |
+
|
| 244 |
+
أنا لأجادل مع قبطان سفينة
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:34,590 --> 00:01:34,600
|
| 248 |
+
أنا لأجادل مع قبطان سفينة
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:34,600 --> 00:01:35,910
|
| 253 |
+
أنا لأجادل مع قبطان سفينة
|
| 254 |
+
|
| 255 |
+
52
|
| 256 |
+
00:01:35,910 --> 00:01:35,920
|
| 257 |
+
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
53
|
| 261 |
+
00:01:35,920 --> 00:01:37,950
|
| 262 |
+
|
| 263 |
+
إنتربرايز ما اسم هذا الكوكب
|
| 264 |
+
|
| 265 |
+
54
|
| 266 |
+
00:01:37,950 --> 00:01:37,960
|
| 267 |
+
إنتربرايز ما اسم هذا الكوكب
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
55
|
| 271 |
+
00:01:37,960 --> 00:01:41,030
|
| 272 |
+
إنتربرايز ما اسم هذا الكوكب
|
| 273 |
+
فيرديان 3 نعم أفترض أن الاحتمالات
|
| 274 |
+
|
| 275 |
+
56
|
| 276 |
+
00:01:41,030 --> 00:01:41,040
|
| 277 |
+
فيرديان 3 نعم أفترض أن الاحتمالات
|
| 278 |
+
|
| 279 |
+
|
| 280 |
+
57
|
| 281 |
+
00:01:41,040 --> 00:01:43,670
|
| 282 |
+
فيرديان 3 نعم أفترض أن الاحتمالات
|
| 283 |
+
ضدنا والوضع قاتم
|
| 284 |
+
|
| 285 |
+
58
|
| 286 |
+
00:01:43,670 --> 00:01:43,680
|
| 287 |
+
ضدنا والوضع قاتم
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
59
|
| 291 |
+
00:01:43,680 --> 00:01:46,149
|
| 292 |
+
ضدنا والوضع قاتم
|
| 293 |
+
يمكنك القول
|
| 294 |
+
|
| 295 |
+
60
|
| 296 |
+
00:01:46,149 --> 00:01:46,159
|
| 297 |
+
يمكنك القول
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
61
|
| 301 |
+
00:01:46,159 --> 00:01:48,270
|
| 302 |
+
يمكنك القول
|
| 303 |
+
أنك تعلم إذا كان سبوك هنا سيقول إنني
|
| 304 |
+
|
| 305 |
+
62
|
| 306 |
+
00:01:48,270 --> 00:01:49,630
|
| 307 |
+
أنك تعلم إذا كان سبوك هنا سيقول إنني
|
| 308 |
+
|
| 309 |
+
|
| 310 |
+
63
|
| 311 |
+
00:01:49,630 --> 00:01:49,640
|
| 312 |
+
|
| 313 |
+
|
| 314 |
+
|
| 315 |
+
64
|
| 316 |
+
00:01:49,640 --> 00:01:52,830
|
| 317 |
+
|
| 318 |
+
إنسان غير عقلاني وغير منطقي
|
| 319 |
+
|
| 320 |
+
65
|
| 321 |
+
00:01:52,830 --> 00:01:52,840
|
| 322 |
+
إنسان غير عقلاني وغير منطقي
|
| 323 |
+
|
| 324 |
+
|
| 325 |
+
66
|
| 326 |
+
00:01:52,840 --> 00:01:56,789
|
| 327 |
+
إنسان غير عقلاني وغير منطقي
|
| 328 |
+
لتولي مهمة كهذه
|
| 329 |
+
|
| 330 |
+
67
|
| 331 |
+
00:01:56,789 --> 00:01:56,799
|
| 332 |
+
|
| 333 |
+
|
| 334 |
+
|
| 335 |
+
68
|
| 336 |
+
00:01:56,799 --> 00:02:00,510
|
| 337 |
+
|
| 338 |
+
تبدو ممتعة
|
| 339 |
+
|
| 340 |
+
69
|
| 341 |
+
00:02:00,510 --> 00:02:00,520
|
| 342 |
+
تبدو ممتعة
|
| 343 |
+
|
| 344 |
+
|
| 345 |
+
70
|
| 346 |
+
00:02:00,520 --> 00:02:44,490
|
| 347 |
+
تبدو ممتعة
|
| 348 |
+
[موسيقى]
|
| 349 |
+
|
1994/VrJiU9BOEBI.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
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|
|
|
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|
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|
|
|
|
|
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|
|
|
|
|
|
| 1 |
+
Star Trek: Generations movie clips: http://j.mp/1BcPFTl
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/vXCxIR
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Kirk (William Shatner) agrees to come back to reality with Picard (Patrick Stewart).
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
The seventh Star Trek feature passed the torch to a new crew. Decades after the original "Trek," the skipper of the fourth USS Enterprise is Jean-Luc Picard (Patrick Stewart), who investigates a massacre at a science outpost. The only survivor is Dr. Soran (Malcolm McDowall), who perpetrated the event to cover up his invention: a bomb he launches into a nearby sun, exploding it. As Soran escapes with Klingon cronies, Picard learns that Soran's plan is to summon a heavenly energy ribbon called the Nexus. Those who enter it live forever with every wish fulfilled. Attempting to stop Soran, Picard ends up inside the Nexus, where he discovers former captain James T. Kirk (William Shatner), believed to have been killed in an accident 78 years earlier.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Paramount (1994)
|
| 13 |
+
Cast: William Shatner, Patrick Stewart, Lynn Salvatori
|
| 14 |
+
Director: David Carson
|
| 15 |
+
Producers: Rick Berman, Peter Lauritson, Bernard Williams
|
| 16 |
+
Screenwriters: Gene Roddenberry, Rick Berman, Ronald D. Moore, Brannon Braga
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/W_gYRFDb8_A.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
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|
|
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|
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|
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|
|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
The Mask movie clips: http://j.mp/1COeQuV
|
| 2 |
+
BUY THE MOVIE: http://bit.ly/2bVvM18
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
After being shot, The Mask (Jim Carrey) gives a dying monologue which references several classic movie moments.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey's trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey's physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina's gangster boyfriend to destroy Stanley and use the mask's powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to "Cuban Pete." The film delivered enough laughs to become a surprise hit and, along with the same year's Dumb and Dumber, establish Carrey's status as a comedy superstar.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Warner Bros. (1994)
|
| 13 |
+
Cast: Jim Carrey, Peter Greene, Nils Allen Stewart
|
| 14 |
+
Director: Chuck Russell
|
| 15 |
+
Producers: Ann Burgund, Michael De Luca, Robert Engelman, Carla Fry, Chuck Russell, Mike Richardson
|
| 16 |
+
Screenwriters: Mark Verheiden, Mike Werb, Michael Fallon
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/W_gYRFDb8_A.en.srt
ADDED
|
@@ -0,0 +1,135 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,640 --> 00:00:02,990
|
| 3 |
+
|
| 4 |
+
hold me close
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,990 --> 00:00:03,000
|
| 8 |
+
hold me close
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,000 --> 00:00:09,430
|
| 13 |
+
hold me close
|
| 14 |
+
red it's getting
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,430 --> 00:00:09,440
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,440 --> 00:00:12,590
|
| 23 |
+
|
| 24 |
+
dark tell Annie am to let yell her
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:12,590 --> 00:00:12,600
|
| 28 |
+
dark tell Annie am to let yell her
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:12,600 --> 00:00:16,510
|
| 33 |
+
dark tell Annie am to let yell her
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:16,510 --> 00:00:16,520
|
| 38 |
+
[Music]
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:16,520 --> 00:00:19,150
|
| 43 |
+
[Music]
|
| 44 |
+
out tell Tony Tim I w't be coming home
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:19,150 --> 00:00:19,160
|
| 48 |
+
out tell Tony Tim I w't be coming home
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:19,160 --> 00:00:24,269
|
| 53 |
+
out tell Tony Tim I w't be coming home
|
| 54 |
+
this
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:24,269 --> 00:00:24,279
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:24,279 --> 00:00:29,310
|
| 63 |
+
|
| 64 |
+
Christmas tell Scarlet I do give it him
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:29,310 --> 00:00:29,320
|
| 68 |
+
Christmas tell Scarlet I do give it him
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:29,320 --> 00:00:32,150
|
| 73 |
+
Christmas tell Scarlet I do give it him
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:32,150 --> 00:00:32,160
|
| 78 |
+
[Music]
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:32,160 --> 00:00:37,630
|
| 83 |
+
[Music]
|
| 84 |
+
pardon
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:37,630 --> 00:00:37,640
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:37,640 --> 00:00:40,670
|
| 93 |
+
|
| 94 |
+
[Applause]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:40,670 --> 00:00:40,680
|
| 98 |
+
[Applause]
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:40,680 --> 00:00:43,910
|
| 103 |
+
[Applause]
|
| 104 |
+
me thank
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:43,910 --> 00:00:43,920
|
| 108 |
+
me thank
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:43,920 --> 00:00:53,950
|
| 113 |
+
me thank
|
| 114 |
+
you you love me you really love
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:53,950 --> 00:00:53,960
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:53,960 --> 00:00:57,360
|
| 123 |
+
|
| 124 |
+
me you're not
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:57,360 --> 00:00:57,370
|
| 128 |
+
me you're not
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:57,370 --> 00:01:28,400
|
| 133 |
+
me you're not
|
| 134 |
+
[Music]
|
| 135 |
+
|
1994/WlS2xnW-LY8.description
ADDED
|
@@ -0,0 +1,44 @@
|
|
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|
|
|
|
| 1 |
+
Speed movie clips: http://j.mp/1POHbID
|
| 2 |
+
BUY THE MOVIE:
|
| 3 |
+
FandangoNOW - https://www.fandangonow.com/details/movie/speed-1994/1MV5fb32e04437a3d8e36c56487dc23f33c?cmp=Movieclips_YT_Description
|
| 4 |
+
iTunes - http://apple.co/1JudPxB
|
| 5 |
+
Google Play - http://bit.ly/1ImFeCW
|
| 6 |
+
Amazon - http://amzn.to/1eS0GDg
|
| 7 |
+
Fox Movies - http://bit.ly/1SZo55q
|
| 8 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 9 |
+
|
| 10 |
+
CLIP DESCRIPTION:
|
| 11 |
+
Jack (Keanu Reeves) and Annie (Sandra Bullock) survive a subway crash and kiss passionately.
|
| 12 |
+
|
| 13 |
+
FILM DESCRIPTION:
|
| 14 |
+
If you don't think Speed is the fastest-moving adventure film ever made, we challenge you to find a faster one. Keanu Reeves stars as an LA Bomb Squad specialist whose principal antagonist is elusive bomber-extortionist Dennis Hopper. Seeking vengeance after his latest ransom scheme is thwarted, Hopper presents a personal challenge to Reeves: A wired-for-destruction city bus, which will detonate if the speedometer drops below 50 MPH. Playing the reluctant civilian who is pressed into service as the bus' "substitute driver," leading lady Sandra Bullock became a major star in her own right. Once Speed gets to the meat of its story, the excitement never lets up--not even after the boobytrapped bus is out of the picture.
|
| 15 |
+
|
| 16 |
+
CREDITS:
|
| 17 |
+
TM & © Fox (1994)
|
| 18 |
+
Courtesy of Twentieth Century Fox Film Corporation
|
| 19 |
+
Cast: Keanu Reeves, Sandra Bullock
|
| 20 |
+
Director: Jan de Bont
|
| 21 |
+
Producers: Ian Bryce, Allison Lyon Segan, Mark Gordon
|
| 22 |
+
Screenwriter: Graham Yost
|
| 23 |
+
|
| 24 |
+
WHO ARE WE?
|
| 25 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 26 |
+
|
| 27 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 28 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 29 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 30 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 31 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 32 |
+
Extras: http://bit.ly/1u431fr
|
| 33 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 34 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 35 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 36 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 37 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 38 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 39 |
+
|
| 40 |
+
HIT US UP:
|
| 41 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 42 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 43 |
+
Pinterest: http://bit.ly/14wL9De
|
| 44 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/X5dtBoyZ33o.en.srt
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,070 --> 00:00:24,750
|
| 3 |
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|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:24,750 --> 00:00:24,760
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:24,760 --> 00:00:26,270
|
| 13 |
+
[Music]
|
| 14 |
+
[Applause]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:26,270 --> 00:00:26,280
|
| 18 |
+
[Applause]
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:26,280 --> 00:00:34,660
|
| 23 |
+
[Applause]
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:34,660 --> 00:00:34,670
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:34,670 --> 00:00:37,420
|
| 33 |
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|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:37,420 --> 00:00:37,430
|
| 38 |
+
[Music]
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:37,430 --> 00:00:44,480
|
| 43 |
+
[Music]
|
| 44 |
+
[Applause]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:44,480 --> 00:00:44,490
|
| 48 |
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|
| 50 |
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|
| 51 |
+
11
|
| 52 |
+
00:00:44,490 --> 00:00:52,970
|
| 53 |
+
|
| 54 |
+
[Applause]
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:52,970 --> 00:00:52,980
|
| 58 |
+
[Applause]
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:52,980 --> 00:00:53,660
|
| 63 |
+
[Applause]
|
| 64 |
+
[Music]
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:53,660 --> 00:00:53,670
|
| 68 |
+
[Music]
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:53,670 --> 00:00:54,940
|
| 73 |
+
[Music]
|
| 74 |
+
[Applause]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:54,940 --> 00:00:54,950
|
| 78 |
+
[Applause]
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:54,950 --> 00:00:56,820
|
| 83 |
+
[Applause]
|
| 84 |
+
[Music]
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:56,820 --> 00:00:56,830
|
| 88 |
+
[Music]
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:56,830 --> 00:00:57,270
|
| 93 |
+
[Music]
|
| 94 |
+
[Applause]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:57,270 --> 00:00:57,280
|
| 98 |
+
[Applause]
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:57,280 --> 00:01:01,840
|
| 103 |
+
[Applause]
|
| 104 |
+
[Music]
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:01,840 --> 00:01:01,850
|
| 108 |
+
[Music]
|
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+
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| 111 |
+
23
|
| 112 |
+
00:01:01,850 --> 00:01:03,800
|
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+
[Music]
|
| 114 |
+
[Applause]
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:03,800 --> 00:01:03,810
|
| 118 |
+
[Applause]
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:03,810 --> 00:01:06,810
|
| 123 |
+
[Applause]
|
| 124 |
+
[Music]
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:06,810 --> 00:01:06,820
|
| 128 |
+
[Music]
|
| 129 |
+
|
| 130 |
+
|
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+
27
|
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+
00:01:06,820 --> 00:01:08,220
|
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+
[Music]
|
| 134 |
+
[Applause]
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:08,220 --> 00:01:08,230
|
| 138 |
+
[Applause]
|
| 139 |
+
|
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+
|
| 141 |
+
29
|
| 142 |
+
00:01:08,230 --> 00:01:17,660
|
| 143 |
+
[Applause]
|
| 144 |
+
[Music]
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:17,660 --> 00:01:17,670
|
| 148 |
+
[Music]
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:17,670 --> 00:01:18,370
|
| 153 |
+
[Music]
|
| 154 |
+
[Applause]
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:18,370 --> 00:01:18,380
|
| 158 |
+
[Applause]
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:18,380 --> 00:01:29,510
|
| 163 |
+
[Applause]
|
| 164 |
+
[Music]
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:29,510 --> 00:01:29,520
|
| 168 |
+
[Music]
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:29,520 --> 00:01:32,370
|
| 173 |
+
[Music]
|
| 174 |
+
[Applause]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:32,370 --> 00:01:32,380
|
| 178 |
+
[Applause]
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:32,380 --> 00:01:36,920
|
| 183 |
+
[Applause]
|
| 184 |
+
[Music]
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:36,920 --> 00:01:36,930
|
| 188 |
+
[Music]
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:36,930 --> 00:01:42,650
|
| 193 |
+
[Music]
|
| 194 |
+
[Applause]
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:42,650 --> 00:01:42,660
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:42,660 --> 00:01:43,390
|
| 203 |
+
|
| 204 |
+
[Music]
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:43,390 --> 00:01:43,400
|
| 208 |
+
[Music]
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:43,400 --> 00:01:49,150
|
| 213 |
+
[Music]
|
| 214 |
+
[Applause]
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:49,150 --> 00:01:49,160
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:49,160 --> 00:01:53,090
|
| 223 |
+
|
| 224 |
+
[Music]
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:53,090 --> 00:01:53,100
|
| 228 |
+
[Music]
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:53,100 --> 00:01:59,690
|
| 233 |
+
[Music]
|
| 234 |
+
it's just not you can't do that with a
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:59,690 --> 00:01:59,700
|
| 238 |
+
it's just not you can't do that with a
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:59,700 --> 00:02:02,880
|
| 243 |
+
it's just not you can't do that with a
|
| 244 |
+
ping-pong ball
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:02,880 --> 00:02:02,890
|
| 248 |
+
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:02,890 --> 00:02:07,900
|
| 253 |
+
|
| 254 |
+
you're one of their
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:07,900 --> 00:02:07,910
|
| 258 |
+
|
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+
|
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+
|
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+
53
|
| 262 |
+
00:02:07,910 --> 00:02:16,200
|
| 263 |
+
|
| 264 |
+
[Applause]
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:16,200 --> 00:02:16,210
|
| 268 |
+
|
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+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:16,210 --> 00:02:20,350
|
| 273 |
+
|
| 274 |
+
[Music]
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:02:20,350 --> 00:02:20,360
|
| 278 |
+
[Music]
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:02:20,360 --> 00:02:24,120
|
| 283 |
+
[Music]
|
| 284 |
+
[Applause]
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:24,120 --> 00:02:24,130
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:24,130 --> 00:02:26,520
|
| 293 |
+
|
| 294 |
+
[Music]
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:26,520 --> 00:02:26,530
|
| 298 |
+
[Music]
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:26,530 --> 00:02:32,520
|
| 303 |
+
[Music]
|
| 304 |
+
[Applause]
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:32,520 --> 00:02:32,530
|
| 308 |
+
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:32,530 --> 00:02:42,030
|
| 313 |
+
|
| 314 |
+
[Music]
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:02:42,030 --> 00:02:42,040
|
| 318 |
+
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:02:42,040 --> 00:02:45,580
|
| 323 |
+
|
| 324 |
+
[Laughter]
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:45,580 --> 00:02:45,590
|
| 328 |
+
[Laughter]
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:45,590 --> 00:02:56,919
|
| 333 |
+
[Laughter]
|
| 334 |
+
[Music]
|
| 335 |
+
|
1994/XrZN8Sy-z6M.en.srt
ADDED
|
@@ -0,0 +1,425 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:03,130 --> 00:00:05,640
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,640 --> 00:00:05,650
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,650 --> 00:00:07,150
|
| 13 |
+
[Music]
|
| 14 |
+
[Applause]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,150 --> 00:00:07,160
|
| 18 |
+
[Applause]
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,160 --> 00:00:08,589
|
| 23 |
+
[Applause]
|
| 24 |
+
ladies and gentlemen I'm sorry to drag
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:08,589 --> 00:00:08,599
|
| 28 |
+
ladies and gentlemen I'm sorry to drag
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:08,599 --> 00:00:11,390
|
| 33 |
+
ladies and gentlemen I'm sorry to drag
|
| 34 |
+
you from your delicious desserts uh
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:11,390 --> 00:00:11,400
|
| 38 |
+
you from your delicious desserts uh
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:11,400 --> 00:00:13,030
|
| 43 |
+
you from your delicious desserts uh
|
| 44 |
+
there are just one or two little things
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:13,030 --> 00:00:13,040
|
| 48 |
+
there are just one or two little things
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:13,040 --> 00:00:15,589
|
| 53 |
+
there are just one or two little things
|
| 54 |
+
I feel I should say as best man this is
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:15,589 --> 00:00:15,599
|
| 58 |
+
I feel I should say as best man this is
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:15,599 --> 00:00:17,189
|
| 63 |
+
I feel I should say as best man this is
|
| 64 |
+
only the the second time i' I've ever
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:17,189 --> 00:00:17,199
|
| 68 |
+
only the the second time i' I've ever
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:17,199 --> 00:00:19,510
|
| 73 |
+
only the the second time i' I've ever
|
| 74 |
+
been a best man I I hope I did the job
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:19,510 --> 00:00:19,520
|
| 78 |
+
been a best man I I hope I did the job
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:19,520 --> 00:00:21,150
|
| 83 |
+
been a best man I I hope I did the job
|
| 84 |
+
all right that time the couple in
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:21,150 --> 00:00:21,160
|
| 88 |
+
all right that time the couple in
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:21,160 --> 00:00:25,189
|
| 93 |
+
all right that time the couple in
|
| 94 |
+
question are at least still talking to
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:25,189 --> 00:00:25,199
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:25,199 --> 00:00:28,509
|
| 103 |
+
|
| 104 |
+
me unfortunately they're not actually um
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:28,509 --> 00:00:28,519
|
| 108 |
+
me unfortunately they're not actually um
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:28,519 --> 00:00:30,830
|
| 113 |
+
me unfortunately they're not actually um
|
| 114 |
+
talking to each other the divorce came
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:30,830 --> 00:00:30,840
|
| 118 |
+
talking to each other the divorce came
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:30,840 --> 00:00:33,709
|
| 123 |
+
talking to each other the divorce came
|
| 124 |
+
through a couple of months
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:33,709 --> 00:00:33,719
|
| 128 |
+
through a couple of months
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:33,719 --> 00:00:36,030
|
| 133 |
+
through a couple of months
|
| 134 |
+
ago but I'm assured it had absolutely
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:36,030 --> 00:00:36,040
|
| 138 |
+
ago but I'm assured it had absolutely
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:36,040 --> 00:00:37,510
|
| 143 |
+
ago but I'm assured it had absolutely
|
| 144 |
+
nothing to do with
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:37,510 --> 00:00:37,520
|
| 148 |
+
nothing to do with
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:37,520 --> 00:00:40,310
|
| 153 |
+
nothing to do with
|
| 154 |
+
me apparently Paula knew that Pi had
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:40,310 --> 00:00:40,320
|
| 158 |
+
me apparently Paula knew that Pi had
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:40,320 --> 00:00:41,670
|
| 163 |
+
me apparently Paula knew that Pi had
|
| 164 |
+
slept with her younger sister before I
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:41,670 --> 00:00:41,680
|
| 168 |
+
slept with her younger sister before I
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:41,680 --> 00:00:45,189
|
| 173 |
+
slept with her younger sister before I
|
| 174 |
+
mentioned it in the
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:45,189 --> 00:00:45,199
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:45,199 --> 00:00:47,990
|
| 183 |
+
|
| 184 |
+
speech the fact that he slept with her
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:47,990 --> 00:00:48,000
|
| 188 |
+
speech the fact that he slept with her
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:48,000 --> 00:00:51,430
|
| 193 |
+
speech the fact that he slept with her
|
| 194 |
+
mother came as a surprise but um I think
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:51,430 --> 00:00:51,440
|
| 198 |
+
mother came as a surprise but um I think
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:51,440 --> 00:00:53,990
|
| 203 |
+
mother came as a surprise but um I think
|
| 204 |
+
was incidental to the nightmare of
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:00:53,990 --> 00:00:54,000
|
| 208 |
+
was incidental to the nightmare of
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:00:54,000 --> 00:00:55,549
|
| 213 |
+
was incidental to the nightmare of
|
| 214 |
+
recrimination and
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:00:55,549 --> 00:00:55,559
|
| 218 |
+
recrimination and
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:00:55,559 --> 00:00:58,430
|
| 223 |
+
recrimination and
|
| 224 |
+
um violence that became their two-day
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:00:58,430 --> 00:00:58,440
|
| 228 |
+
um violence that became their two-day
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:00:58,440 --> 00:01:00,189
|
| 233 |
+
um violence that became their two-day
|
| 234 |
+
marriage
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:00,189 --> 00:01:00,199
|
| 238 |
+
marriage
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:00,199 --> 00:01:02,189
|
| 243 |
+
marriage
|
| 244 |
+
anyway enough of that um my job today is
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:02,189 --> 00:01:02,199
|
| 248 |
+
anyway enough of that um my job today is
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:02,199 --> 00:01:04,229
|
| 253 |
+
anyway enough of that um my job today is
|
| 254 |
+
to talk about Angus and there are no
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:04,229 --> 00:01:04,239
|
| 258 |
+
to talk about Angus and there are no
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:04,239 --> 00:01:09,310
|
| 263 |
+
to talk about Angus and there are no
|
| 264 |
+
skeletons in his cupboard or so I
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:09,310 --> 00:01:09,320
|
| 268 |
+
skeletons in his cupboard or so I
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:09,320 --> 00:01:11,350
|
| 273 |
+
skeletons in his cupboard or so I
|
| 274 |
+
thought I'll come on to that in a minute
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:11,350 --> 00:01:11,360
|
| 278 |
+
thought I'll come on to that in a minute
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:11,360 --> 00:01:13,510
|
| 283 |
+
thought I'll come on to that in a minute
|
| 284 |
+
I I would just like to say
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:13,510 --> 00:01:13,520
|
| 288 |
+
I I would just like to say
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:13,520 --> 00:01:16,910
|
| 293 |
+
I I would just like to say
|
| 294 |
+
this
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:16,910 --> 00:01:16,920
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:16,920 --> 00:01:24,390
|
| 303 |
+
|
| 304 |
+
um I am as ever in uh bewildered a of
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:24,390 --> 00:01:24,400
|
| 308 |
+
um I am as ever in uh bewildered a of
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:24,400 --> 00:01:26,350
|
| 313 |
+
um I am as ever in uh bewildered a of
|
| 314 |
+
anyone who makes this kind of commitment
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:26,350 --> 00:01:26,360
|
| 318 |
+
anyone who makes this kind of commitment
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:26,360 --> 00:01:28,910
|
| 323 |
+
anyone who makes this kind of commitment
|
| 324 |
+
that Angus and Laura have made
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:28,910 --> 00:01:28,920
|
| 328 |
+
that Angus and Laura have made
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:28,920 --> 00:01:32,469
|
| 333 |
+
that Angus and Laura have made
|
| 334 |
+
today I know I couldn't do it and
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:32,469 --> 00:01:32,479
|
| 338 |
+
today I know I couldn't do it and
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:32,479 --> 00:01:35,190
|
| 343 |
+
today I know I couldn't do it and
|
| 344 |
+
uh I think it's wonderful they
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:35,190 --> 00:01:35,200
|
| 348 |
+
uh I think it's wonderful they
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:35,200 --> 00:01:37,630
|
| 353 |
+
uh I think it's wonderful they
|
| 354 |
+
can so anyway back to back to Angus and
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:37,630 --> 00:01:37,640
|
| 358 |
+
can so anyway back to back to Angus and
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:37,640 --> 00:01:39,400
|
| 363 |
+
can so anyway back to back to Angus and
|
| 364 |
+
those
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:39,400 --> 00:01:39,410
|
| 368 |
+
those
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:39,410 --> 00:01:42,469
|
| 373 |
+
those
|
| 374 |
+
[Applause]
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:42,469 --> 00:01:42,479
|
| 378 |
+
[Applause]
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:42,479 --> 00:01:44,789
|
| 383 |
+
[Applause]
|
| 384 |
+
sheep so ladies and gentlemen if you'd
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:44,789 --> 00:01:44,799
|
| 388 |
+
sheep so ladies and gentlemen if you'd
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:44,799 --> 00:01:47,429
|
| 393 |
+
sheep so ladies and gentlemen if you'd
|
| 394 |
+
raise your glasses um the adorable
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:47,429 --> 00:01:47,439
|
| 398 |
+
raise your glasses um the adorable
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:47,439 --> 00:01:54,760
|
| 403 |
+
raise your glasses um the adorable
|
| 404 |
+
couple
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:01:54,760 --> 00:01:54,770
|
| 408 |
+
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:01:54,770 --> 00:01:59,500
|
| 413 |
+
|
| 414 |
+
[Applause]
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:01:59,500 --> 00:01:59,510
|
| 418 |
+
[Applause]
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:01:59,510 --> 00:02:28,729
|
| 423 |
+
[Applause]
|
| 424 |
+
[Music]
|
| 425 |
+
|
1994/Xvyf7ml1ndo.description
ADDED
|
@@ -0,0 +1,32 @@
|
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|
|
|
| 1 |
+
Little Women - Introducing Mrs. Laurence: Jo (Winona Ryder) gets a welcomed surprise visit from Laurie (Christian Bale).
|
| 2 |
+
BUY THE MOVIE: https://www.fandangonow.com/details/movie/little-women-1994/1MV0472a12194e1e9e963014daf5b4810f4?cmp=Movieclips_YT_Description
|
| 3 |
+
|
| 4 |
+
Watch the best Little Women scenes & clips:
|
| 5 |
+
https://www.youtube.com/playlist?list=PLZbXA4lyCtqoBTFEX5eXURW3H8QWj6r3_
|
| 6 |
+
|
| 7 |
+
FILM DESCRIPTION:
|
| 8 |
+
In this 1994 adaptation of Louisa May Alcott's classic, the March sisters confront growing pains, financial shortages, family tragedies and romantic rivalries in mid-19th-century Massachusetts. Jo (Winona Ryder) struggles for independence and sometimes clashes with her beloved mother and her sisters Meg, Amy and Beth. She also contends with their cranky Aunt March, their impulsive neighbor Laurie (Christian Bale) and kindly linguistics professor Friedrich Bhaer (Gabriel Byrne).
|
| 9 |
+
|
| 10 |
+
CREDITS:
|
| 11 |
+
TM & © Sony (1994)
|
| 12 |
+
Cast: Christian Bale, Eric Stoltz, Samantha Mathis, Trini Alvarado
|
| 13 |
+
Director: Gillian Armstrong
|
| 14 |
+
|
| 15 |
+
Watch More:
|
| 16 |
+
► Fresh New Clips: http://bit.ly/2taDWqW
|
| 17 |
+
► Classic Trailers: http://bit.ly/2qTCxHF
|
| 18 |
+
► Hot New Trailers: http://bit.ly/2qThrsF
|
| 19 |
+
► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
|
| 20 |
+
► Indie Movie Clips: http://bit.ly/2qTZMRE
|
| 21 |
+
► Deleted Scenes: http://bit.ly/2ARbLPJ
|
| 22 |
+
► Bloopers: http://bit.ly/2qYmBnc
|
| 23 |
+
► Celebrity Interviews: http://bit.ly/2D4tzw4
|
| 24 |
+
|
| 25 |
+
Fuel Your Movie Obsession:
|
| 26 |
+
► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
|
| 27 |
+
► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
|
| 28 |
+
► Like us on FACEBOOK: http://bit.ly/2DikvkY
|
| 29 |
+
► Follow us on TWITTER: http://bit.ly/2mgkaHb
|
| 30 |
+
► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
|
| 31 |
+
|
| 32 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
|
1994/Xvyf7ml1ndo.en.srt
ADDED
|
@@ -0,0 +1,245 @@
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|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:08,570 --> 00:00:16,939
|
| 3 |
+
|
| 4 |
+
you are absolutely I mean may I tell you
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:16,939 --> 00:00:16,949
|
| 8 |
+
you are absolutely I mean may I tell you
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:16,949 --> 00:00:18,590
|
| 13 |
+
you are absolutely I mean may I tell you
|
| 14 |
+
something without the others am i
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:18,590 --> 00:00:18,600
|
| 18 |
+
something without the others am i
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:18,600 --> 00:00:40,620
|
| 23 |
+
something without the others am i
|
| 24 |
+
different first may I present my wife
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:40,620 --> 00:00:40,630
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:40,630 --> 00:00:48,490
|
| 33 |
+
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:48,490 --> 00:00:48,500
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:48,500 --> 00:00:54,700
|
| 43 |
+
|
| 44 |
+
ah processed lace Oh
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:54,700 --> 00:00:54,710
|
| 48 |
+
ah processed lace Oh
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:54,710 --> 00:00:57,100
|
| 53 |
+
ah processed lace Oh
|
| 54 |
+
I went to Europe to paint the great
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:57,100 --> 00:00:57,110
|
| 58 |
+
I went to Europe to paint the great
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:57,110 --> 00:00:58,900
|
| 63 |
+
I went to Europe to paint the great
|
| 64 |
+
cathedrals but I couldn't get our home
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:58,900 --> 00:00:58,910
|
| 68 |
+
cathedrals but I couldn't get our home
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:58,910 --> 00:01:00,479
|
| 73 |
+
cathedrals but I couldn't get our home
|
| 74 |
+
out of my mind
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:00,479 --> 00:01:00,489
|
| 78 |
+
out of my mind
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:00,489 --> 00:01:04,540
|
| 83 |
+
out of my mind
|
| 84 |
+
Kyle amy has captured orchard a lovely
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:04,540 --> 00:01:04,550
|
| 88 |
+
Kyle amy has captured orchard a lovely
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:04,550 --> 00:01:06,570
|
| 93 |
+
Kyle amy has captured orchard a lovely
|
| 94 |
+
oh that's beautiful
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:06,570 --> 00:01:06,580
|
| 98 |
+
oh that's beautiful
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:06,580 --> 00:01:09,670
|
| 103 |
+
oh that's beautiful
|
| 104 |
+
not as beautiful as I wanted but I am
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:09,670 --> 00:01:09,680
|
| 108 |
+
not as beautiful as I wanted but I am
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:09,680 --> 00:01:20,410
|
| 113 |
+
not as beautiful as I wanted but I am
|
| 114 |
+
still learning dear Joe you must tell me
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:20,410 --> 00:01:20,420
|
| 118 |
+
still learning dear Joe you must tell me
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:20,420 --> 00:01:22,330
|
| 123 |
+
still learning dear Joe you must tell me
|
| 124 |
+
the truth as a sister which is the
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:22,330 --> 00:01:22,340
|
| 128 |
+
the truth as a sister which is the
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:22,340 --> 00:01:24,630
|
| 133 |
+
the truth as a sister which is the
|
| 134 |
+
relations stronger than marriage
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:24,630 --> 00:01:24,640
|
| 138 |
+
relations stronger than marriage
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:24,640 --> 00:01:32,430
|
| 143 |
+
relations stronger than marriage
|
| 144 |
+
do you mind at all oh no I was surprised
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:32,430 --> 00:01:32,440
|
| 148 |
+
do you mind at all oh no I was surprised
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:32,440 --> 00:01:35,050
|
| 153 |
+
do you mind at all oh no I was surprised
|
| 154 |
+
mind you I had it on good authority that
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:35,050 --> 00:01:35,060
|
| 158 |
+
mind you I had it on good authority that
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:35,060 --> 00:01:37,960
|
| 163 |
+
mind you I had it on good authority that
|
| 164 |
+
our teddy would never love another and
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:37,960 --> 00:01:37,970
|
| 168 |
+
our teddy would never love another and
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:37,970 --> 00:01:39,999
|
| 173 |
+
our teddy would never love another and
|
| 174 |
+
now he's gone and gotten married it's
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:39,999 --> 00:01:40,009
|
| 178 |
+
now he's gone and gotten married it's
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:40,009 --> 00:01:46,270
|
| 183 |
+
now he's gone and gotten married it's
|
| 184 |
+
good to hear you call me teddy again at
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:46,270 --> 00:01:46,280
|
| 188 |
+
good to hear you call me teddy again at
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:46,280 --> 00:01:48,190
|
| 193 |
+
good to hear you call me teddy again at
|
| 194 |
+
last we're all family as we always
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:48,190 --> 00:01:48,200
|
| 198 |
+
last we're all family as we always
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:48,200 --> 00:01:50,490
|
| 203 |
+
last we're all family as we always
|
| 204 |
+
should have been
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:50,490 --> 00:01:50,500
|
| 208 |
+
should have been
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:50,500 --> 00:01:52,719
|
| 213 |
+
should have been
|
| 214 |
+
must promised me that you would always
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:52,719 --> 00:01:52,729
|
| 218 |
+
must promised me that you would always
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:52,729 --> 00:01:53,710
|
| 223 |
+
must promised me that you would always
|
| 224 |
+
live close by
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:53,710 --> 00:01:53,720
|
| 228 |
+
live close by
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:53,720 --> 00:02:02,980
|
| 233 |
+
live close by
|
| 234 |
+
I couldn't bear losing another sister
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:02:02,980 --> 00:02:02,990
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:02:02,990 --> 00:02:22,600
|
| 243 |
+
|
| 244 |
+
[Music]
|
| 245 |
+
|
1994/YFtHjV4c4uw.description
ADDED
|
@@ -0,0 +1,38 @@
|
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|
|
|
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|
|
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|
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|
|
|
|
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|
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|
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|
|
|
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|
|
|
| 1 |
+
Pulp Fiction movie clips: http://j.mp/1L5eDtj
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/u4q3x7
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Butch (Bruce Willis) dreams of the story Captain Koons (Christopher Walken) told him as a young boy about his family heirloom, a gold watch.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Miramax Films (1994)
|
| 13 |
+
Cast: Bruce Willis, Christopher Walken
|
| 14 |
+
Director: Quentin Tarantino
|
| 15 |
+
Producers: Lawrence Bender, Danny DeVito, Richard N. Gladstein, Michael Shamberg, Stacey Sher, Bob Weinstein, Harvey Weinstein
|
| 16 |
+
Screenwriters: Quentin Tarantino, Roger Avary
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/YFtHjV4c4uw.en.srt
ADDED
|
@@ -0,0 +1,445 @@
|
|
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|
|
|
|
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|
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|
|
|
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|
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|
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|
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|
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|
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,640 --> 00:00:03,550
|
| 3 |
+
|
| 4 |
+
great-grandfather gave this watch to
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,550 --> 00:00:03,560
|
| 8 |
+
great-grandfather gave this watch to
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,560 --> 00:00:05,550
|
| 13 |
+
great-grandfather gave this watch to
|
| 14 |
+
Granddad for good
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,550 --> 00:00:05,560
|
| 18 |
+
Granddad for good
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,560 --> 00:00:08,589
|
| 23 |
+
Granddad for good
|
| 24 |
+
luck unfortunately D's luck wasn't as
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:08,589 --> 00:00:08,599
|
| 28 |
+
luck unfortunately D's luck wasn't as
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:08,599 --> 00:00:10,509
|
| 33 |
+
luck unfortunately D's luck wasn't as
|
| 34 |
+
good as his old man's name was a marine
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:10,509 --> 00:00:10,519
|
| 38 |
+
good as his old man's name was a marine
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:10,519 --> 00:00:13,110
|
| 43 |
+
good as his old man's name was a marine
|
| 44 |
+
and he was killed along with all the
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:13,110 --> 00:00:13,120
|
| 48 |
+
and he was killed along with all the
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:13,120 --> 00:00:15,230
|
| 53 |
+
and he was killed along with all the
|
| 54 |
+
other Marines at the Battle weake
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:15,230 --> 00:00:15,240
|
| 58 |
+
other Marines at the Battle weake
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:15,240 --> 00:00:18,630
|
| 63 |
+
other Marines at the Battle weake
|
| 64 |
+
Island Granddad was facing
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:18,630 --> 00:00:18,640
|
| 68 |
+
Island Granddad was facing
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:18,640 --> 00:00:20,550
|
| 73 |
+
Island Granddad was facing
|
| 74 |
+
death he knew
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:20,550 --> 00:00:20,560
|
| 78 |
+
death he knew
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:20,560 --> 00:00:23,470
|
| 83 |
+
death he knew
|
| 84 |
+
it none of those boys had any Illusions
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:23,470 --> 00:00:23,480
|
| 88 |
+
it none of those boys had any Illusions
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:23,480 --> 00:00:26,710
|
| 93 |
+
it none of those boys had any Illusions
|
| 94 |
+
but they leaving that Island alive so 3
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:26,710 --> 00:00:26,720
|
| 98 |
+
but they leaving that Island alive so 3
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:26,720 --> 00:00:28,830
|
| 103 |
+
but they leaving that Island alive so 3
|
| 104 |
+
days before the Japanese took the island
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:28,830 --> 00:00:28,840
|
| 108 |
+
days before the Japanese took the island
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:28,840 --> 00:00:31,230
|
| 113 |
+
days before the Japanese took the island
|
| 114 |
+
your granddad as a gunner on an Air
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:31,230 --> 00:00:31,240
|
| 118 |
+
your granddad as a gunner on an Air
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:31,240 --> 00:00:33,549
|
| 123 |
+
your granddad as a gunner on an Air
|
| 124 |
+
Force transport named a
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:33,549 --> 00:00:33,559
|
| 128 |
+
Force transport named a
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:33,559 --> 00:00:35,950
|
| 133 |
+
Force transport named a
|
| 134 |
+
Waki man he had never met before in his
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:35,950 --> 00:00:35,960
|
| 138 |
+
Waki man he had never met before in his
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:35,960 --> 00:00:40,430
|
| 143 |
+
Waki man he had never met before in his
|
| 144 |
+
life to deliver to his infant son we'd
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:40,430 --> 00:00:40,440
|
| 148 |
+
life to deliver to his infant son we'd
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:40,440 --> 00:00:43,990
|
| 153 |
+
life to deliver to his infant son we'd
|
| 154 |
+
never seen in the flesh his gold
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:43,990 --> 00:00:44,000
|
| 158 |
+
never seen in the flesh his gold
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:44,000 --> 00:00:46,750
|
| 163 |
+
never seen in the flesh his gold
|
| 164 |
+
watch 3 Days Later your granddad was
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:46,750 --> 00:00:46,760
|
| 168 |
+
watch 3 Days Later your granddad was
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:46,760 --> 00:00:49,150
|
| 173 |
+
watch 3 Days Later your granddad was
|
| 174 |
+
dead but Waki kept his
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:49,150 --> 00:00:49,160
|
| 178 |
+
dead but Waki kept his
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:49,160 --> 00:00:51,830
|
| 183 |
+
dead but Waki kept his
|
| 184 |
+
word after the war was over he paid a
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:51,830 --> 00:00:51,840
|
| 188 |
+
word after the war was over he paid a
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:51,840 --> 00:00:54,910
|
| 193 |
+
word after the war was over he paid a
|
| 194 |
+
visit to your grandmother delivering to
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:54,910 --> 00:00:54,920
|
| 198 |
+
visit to your grandmother delivering to
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:54,920 --> 00:00:58,150
|
| 203 |
+
visit to your grandmother delivering to
|
| 204 |
+
your infant father his dad's gold watch
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:00:58,150 --> 00:00:58,160
|
| 208 |
+
your infant father his dad's gold watch
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:00:58,160 --> 00:01:05,870
|
| 213 |
+
your infant father his dad's gold watch
|
| 214 |
+
this watch
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:05,870 --> 00:01:05,880
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:05,880 --> 00:01:07,990
|
| 223 |
+
|
| 224 |
+
this watch was on your daddy's wrist
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:07,990 --> 00:01:08,000
|
| 228 |
+
this watch was on your daddy's wrist
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:08,000 --> 00:01:10,310
|
| 233 |
+
this watch was on your daddy's wrist
|
| 234 |
+
when they were shut down over
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:10,310 --> 00:01:10,320
|
| 238 |
+
when they were shut down over
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:10,320 --> 00:01:13,630
|
| 243 |
+
when they were shut down over
|
| 244 |
+
hanoy was captured put in a Vietnamese
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:13,630 --> 00:01:13,640
|
| 248 |
+
hanoy was captured put in a Vietnamese
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:13,640 --> 00:01:17,710
|
| 253 |
+
hanoy was captured put in a Vietnamese
|
| 254 |
+
prison camp he knew that if the gos ever
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:17,710 --> 00:01:17,720
|
| 258 |
+
prison camp he knew that if the gos ever
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:17,720 --> 00:01:19,710
|
| 263 |
+
prison camp he knew that if the gos ever
|
| 264 |
+
saw the watch it be
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:19,710 --> 00:01:19,720
|
| 268 |
+
saw the watch it be
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:19,720 --> 00:01:23,069
|
| 273 |
+
saw the watch it be
|
| 274 |
+
confiscated taken away the way your dad
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:23,069 --> 00:01:23,079
|
| 278 |
+
confiscated taken away the way your dad
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:23,079 --> 00:01:25,230
|
| 283 |
+
confiscated taken away the way your dad
|
| 284 |
+
looked at it this watch was your
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:25,230 --> 00:01:25,240
|
| 288 |
+
looked at it this watch was your
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:25,240 --> 00:01:27,630
|
| 293 |
+
looked at it this watch was your
|
| 294 |
+
Birthright you'd be damned if any slopes
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:27,630 --> 00:01:27,640
|
| 298 |
+
Birthright you'd be damned if any slopes
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:27,640 --> 00:01:28,910
|
| 303 |
+
Birthright you'd be damned if any slopes
|
| 304 |
+
going to put the greasy yellow hands on
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:28,910 --> 00:01:28,920
|
| 308 |
+
going to put the greasy yellow hands on
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:28,920 --> 00:01:31,510
|
| 313 |
+
going to put the greasy yellow hands on
|
| 314 |
+
his boy's birthrights so he hit it in
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:31,510 --> 00:01:31,520
|
| 318 |
+
his boy's birthrights so he hit it in
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:31,520 --> 00:01:32,749
|
| 323 |
+
his boy's birthrights so he hit it in
|
| 324 |
+
one place he knew he could hide
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:32,749 --> 00:01:32,759
|
| 328 |
+
one place he knew he could hide
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:32,759 --> 00:01:35,230
|
| 333 |
+
one place he knew he could hide
|
| 334 |
+
something his ass five long years he
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:35,230 --> 00:01:35,240
|
| 338 |
+
something his ass five long years he
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:35,240 --> 00:01:39,510
|
| 343 |
+
something his ass five long years he
|
| 344 |
+
wore this watch up his ass then he died
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:39,510 --> 00:01:39,520
|
| 348 |
+
wore this watch up his ass then he died
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:39,520 --> 00:01:42,670
|
| 353 |
+
wore this watch up his ass then he died
|
| 354 |
+
of denter give me to watch I hid this
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:42,670 --> 00:01:42,680
|
| 358 |
+
of denter give me to watch I hid this
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:42,680 --> 00:01:44,950
|
| 363 |
+
of denter give me to watch I hid this
|
| 364 |
+
uncomfortable hun of metal Up My Ass 2
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:44,950 --> 00:01:44,960
|
| 368 |
+
uncomfortable hun of metal Up My Ass 2
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:44,960 --> 00:01:46,990
|
| 373 |
+
uncomfortable hun of metal Up My Ass 2
|
| 374 |
+
years
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:46,990 --> 00:01:47,000
|
| 378 |
+
years
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:47,000 --> 00:01:50,109
|
| 383 |
+
years
|
| 384 |
+
then after 7 years I was sent home to my
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:50,109 --> 00:01:50,119
|
| 388 |
+
then after 7 years I was sent home to my
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:50,119 --> 00:01:51,350
|
| 393 |
+
then after 7 years I was sent home to my
|
| 394 |
+
family
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:51,350 --> 00:01:51,360
|
| 398 |
+
family
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:51,360 --> 00:01:55,590
|
| 403 |
+
family
|
| 404 |
+
and
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:01:55,590 --> 00:01:55,600
|
| 408 |
+
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:01:55,600 --> 00:02:01,250
|
| 413 |
+
|
| 414 |
+
now little man I give the watch to you
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:01,250 --> 00:02:01,260
|
| 418 |
+
now little man I give the watch to you
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:01,260 --> 00:02:02,260
|
| 423 |
+
now little man I give the watch to you
|
| 424 |
+
[Music]
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:02,260 --> 00:02:02,270
|
| 428 |
+
[Music]
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:02,270 --> 00:02:13,430
|
| 433 |
+
[Music]
|
| 434 |
+
[Applause]
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:13,430 --> 00:02:13,440
|
| 438 |
+
[Applause]
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:13,440 --> 00:02:44,509
|
| 443 |
+
[Applause]
|
| 444 |
+
[Music]
|
| 445 |
+
|
1994/YGEL2muzPEE.description
ADDED
|
@@ -0,0 +1,38 @@
|
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|
|
|
|
|
|
|
|
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|
|
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|
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|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
The Mask movie clips: http://j.mp/1COeQuV
|
| 2 |
+
BUY THE MOVIE: http://bit.ly/2bVvM18
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
When frisking The Mask, Kellaway (Peter Riegert) and his cops make several interesting discoveries.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey's trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey's physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina's gangster boyfriend to destroy Stanley and use the mask's powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to "Cuban Pete." The film delivered enough laughs to become a surprise hit and, along with the same year's Dumb and Dumber, establish Carrey's status as a comedy superstar.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Warner Bros. (1994)
|
| 13 |
+
Cast: Jim Carrey, Jim Doughan, Peter Jazwinski, Peter Riegert
|
| 14 |
+
Director: Chuck Russell
|
| 15 |
+
Producers: Ann Burgund, Michael De Luca, Robert Engelman, Carla Fry, Chuck Russell, Mike Richardson
|
| 16 |
+
Screenwriters: Mark Verheiden, Mike Werb, Michael Fallon
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/YGEL2muzPEE.en.srt
ADDED
|
@@ -0,0 +1,145 @@
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|
|
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|
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|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
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|
|
|
|
|
|
|
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|
|
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|
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|
|
|
|
|
|
|
|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,160 --> 00:00:01,790
|
| 3 |
+
|
| 4 |
+
really big
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:01,790 --> 00:00:01,800
|
| 8 |
+
really big
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:01,800 --> 00:00:03,990
|
| 13 |
+
really big
|
| 14 |
+
sunglasses
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:03,990 --> 00:00:04,000
|
| 18 |
+
sunglasses
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:04,000 --> 00:00:09,669
|
| 23 |
+
sunglasses
|
| 24 |
+
iorn smallmouth bass wow bowling
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:09,669 --> 00:00:09,679
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:09,679 --> 00:00:13,789
|
| 33 |
+
|
| 34 |
+
pin mouse trap rubber chicken little to
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:13,789 --> 00:00:13,799
|
| 38 |
+
pin mouse trap rubber chicken little to
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:13,799 --> 00:00:17,070
|
| 43 |
+
pin mouse trap rubber chicken little to
|
| 44 |
+
the left that's it I don't know any the
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:17,070 --> 00:00:17,080
|
| 48 |
+
the left that's it I don't know any the
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:17,080 --> 00:00:19,429
|
| 53 |
+
the left that's it I don't know any the
|
| 54 |
+
eyeball glasses I've never seen those
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:19,429 --> 00:00:19,439
|
| 58 |
+
eyeball glasses I've never seen those
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:19,439 --> 00:00:22,349
|
| 63 |
+
eyeball glasses I've never seen those
|
| 64 |
+
before in my life bazooka I have a
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:22,349 --> 00:00:22,359
|
| 68 |
+
before in my life bazooka I have a
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:22,359 --> 00:00:25,070
|
| 73 |
+
before in my life bazooka I have a
|
| 74 |
+
permit for that picture of kellaway's
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:25,070 --> 00:00:25,080
|
| 78 |
+
permit for that picture of kellaway's
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:25,080 --> 00:00:27,109
|
| 83 |
+
permit for that picture of kellaway's
|
| 84 |
+
wife what
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:27,109 --> 00:00:27,119
|
| 88 |
+
wife what
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:27,119 --> 00:00:31,550
|
| 93 |
+
wife what
|
| 94 |
+
uh-oh Margaret you son of a jeez I
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:31,550 --> 00:00:31,560
|
| 98 |
+
uh-oh Margaret you son of a jeez I
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:31,560 --> 00:00:33,910
|
| 103 |
+
uh-oh Margaret you son of a jeez I
|
| 104 |
+
figured you had a sense of humor after
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:33,910 --> 00:00:33,920
|
| 108 |
+
figured you had a sense of humor after
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:33,920 --> 00:00:37,630
|
| 113 |
+
figured you had a sense of humor after
|
| 114 |
+
all you married
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:37,630 --> 00:00:37,640
|
| 118 |
+
all you married
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:37,640 --> 00:00:40,310
|
| 123 |
+
all you married
|
| 124 |
+
her that's got to
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:40,310 --> 00:00:40,320
|
| 128 |
+
her that's got to
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:40,320 --> 00:00:44,340
|
| 133 |
+
her that's got to
|
| 134 |
+
hurt get him d
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:44,340 --> 00:00:44,350
|
| 138 |
+
hurt get him d
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:44,350 --> 00:01:15,400
|
| 143 |
+
hurt get him d
|
| 144 |
+
[Music]
|
| 145 |
+
|
1994/YwM7NgPE5lw.en-en.srt
ADDED
|
@@ -0,0 +1,8 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:58,057 --> 00:01:00,725
|
| 3 |
+
[clock chiming]
|
| 4 |
+
|
| 5 |
+
2
|
| 6 |
+
00:01:08,601 --> 00:01:10,635
|
| 7 |
+
[baby crying]
|
| 8 |
+
|
1994/Z3m-Ht3_tFc.description
ADDED
|
@@ -0,0 +1,44 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
Speed movie clips: http://j.mp/1POHbID
|
| 2 |
+
BUY THE MOVIE:
|
| 3 |
+
FandangoNOW - https://www.fandangonow.com/details/movie/speed-1994/1MV5fb32e04437a3d8e36c56487dc23f33c?cmp=Movieclips_YT_Description
|
| 4 |
+
iTunes - http://apple.co/1JudPxB
|
| 5 |
+
Google Play - http://bit.ly/1ImFeCW
|
| 6 |
+
Amazon - http://amzn.to/1eS0GDg
|
| 7 |
+
Fox Movies - http://bit.ly/1SZo55q
|
| 8 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 9 |
+
|
| 10 |
+
CLIP DESCRIPTION:
|
| 11 |
+
Jack (Keanu Reeves) and Annie (Sandra Bullock) barely escape the bus before it explodes into a plane.
|
| 12 |
+
|
| 13 |
+
FILM DESCRIPTION:
|
| 14 |
+
If you don't think Speed is the fastest-moving adventure film ever made, we challenge you to find a faster one. Keanu Reeves stars as an LA Bomb Squad specialist whose principal antagonist is elusive bomber-extortionist Dennis Hopper. Seeking vengeance after his latest ransom scheme is thwarted, Hopper presents a personal challenge to Reeves: A wired-for-destruction city bus, which will detonate if the speedometer drops below 50 MPH. Playing the reluctant civilian who is pressed into service as the bus' "substitute driver," leading lady Sandra Bullock became a major star in her own right. Once Speed gets to the meat of its story, the excitement never lets up--not even after the boobytrapped bus is out of the picture.
|
| 15 |
+
|
| 16 |
+
CREDITS:
|
| 17 |
+
TM & © Fox (1994)
|
| 18 |
+
Courtesy of Twentieth Century Fox Film Corporation
|
| 19 |
+
Cast: Carlos Carrasco, David Kriegel, Keanu Reeves, Alan Ruck, Daniel Villarreal, Sandra Bullock, Natsuko Ohama
|
| 20 |
+
Director: Jan de Bont
|
| 21 |
+
Producers: Ian Bryce, Allison Lyon Segan, Mark Gordon
|
| 22 |
+
Screenwriter: Graham Yost
|
| 23 |
+
|
| 24 |
+
WHO ARE WE?
|
| 25 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 26 |
+
|
| 27 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 28 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 29 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 30 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 31 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 32 |
+
Extras: http://bit.ly/1u431fr
|
| 33 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 34 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 35 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 36 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 37 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 38 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 39 |
+
|
| 40 |
+
HIT US UP:
|
| 41 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 42 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 43 |
+
Pinterest: http://bit.ly/14wL9De
|
| 44 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/ZIdKsGWToLo.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
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|
|
|
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|
|
|
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|
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|
|
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|
|
|
| 1 |
+
Being Human movie clips: http://j.mp/2ovFho1
|
| 2 |
+
BUY THE MOVIE: http://bit.ly/2oKlaTi
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Lucinnius (John Turturro) tells Hector (Robin Williams) that he must commit suicide by tomorrow morning.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Five fables, each set in a different historical era, make up this quirky comedy from director Bill Forsyth. Each tale features Robin Williams as a basically decent but troubled average man named Hector. Beginning with the Bronze Age, where Hector struggles for survival against barbarians, the film proceeds through Roman times, the Middle Ages, and the 16th century, concluding in the present day, where Hector is a divorced father attempting to reconcile with his children. The film clearly intends to draw parallels between these stories in order to illustrate the universal nature of human experience, though the segments themselves vary widely in tone, from broadly comic to philosophically reflective. Additionally, some may find the film's attempts at creating a fantasy atmosphere rather cloying, while others may be charmed by the project's determined oddness and whimsicality.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Warner Bros. (1994)
|
| 13 |
+
Cast: Robin Williams, John Turturro
|
| 14 |
+
Director: Bill Forsyth
|
| 15 |
+
Producers: Robert F. Colesberry, Steve Norris, David Puttnam
|
| 16 |
+
Screenwriter: Bill Forsyth
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/ZIdKsGWToLo.en.srt
ADDED
|
@@ -0,0 +1,195 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:02,520 --> 00:00:04,670
|
| 3 |
+
|
| 4 |
+
you seem much happier relieved anyway
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,670 --> 00:00:04,680
|
| 8 |
+
you seem much happier relieved anyway
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,680 --> 00:00:06,710
|
| 13 |
+
you seem much happier relieved anyway
|
| 14 |
+
relieved that it's over at
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:06,710 --> 00:00:06,720
|
| 18 |
+
relieved that it's over at
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:06,720 --> 00:00:10,190
|
| 23 |
+
relieved that it's over at
|
| 24 |
+
last so he's going to help you I have to
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:10,190 --> 00:00:10,200
|
| 28 |
+
last so he's going to help you I have to
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:10,200 --> 00:00:12,190
|
| 33 |
+
last so he's going to help you I have to
|
| 34 |
+
kill myself by tomorrow morning what
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:12,190 --> 00:00:12,200
|
| 38 |
+
kill myself by tomorrow morning what
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:12,200 --> 00:00:13,749
|
| 43 |
+
kill myself by tomorrow morning what
|
| 44 |
+
here's all my letters for titinius none
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:13,749 --> 00:00:13,759
|
| 48 |
+
here's all my letters for titinius none
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:13,759 --> 00:00:15,310
|
| 53 |
+
here's all my letters for titinius none
|
| 54 |
+
of them got through he says it's like
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:15,310 --> 00:00:15,320
|
| 58 |
+
of them got through he says it's like
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:15,320 --> 00:00:17,349
|
| 63 |
+
of them got through he says it's like
|
| 64 |
+
treason and he says I should want to die
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:17,349 --> 00:00:17,359
|
| 68 |
+
treason and he says I should want to die
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:17,359 --> 00:00:20,590
|
| 73 |
+
treason and he says I should want to die
|
| 74 |
+
ow him half a million anyway I'm done
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:20,590 --> 00:00:20,600
|
| 78 |
+
ow him half a million anyway I'm done
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:20,600 --> 00:00:21,990
|
| 83 |
+
ow him half a million anyway I'm done
|
| 84 |
+
for
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:21,990 --> 00:00:22,000
|
| 88 |
+
for
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:22,000 --> 00:00:25,310
|
| 93 |
+
for
|
| 94 |
+
Hector strange I I feel kind of good
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:25,310 --> 00:00:25,320
|
| 98 |
+
Hector strange I I feel kind of good
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:25,320 --> 00:00:26,310
|
| 103 |
+
Hector strange I I feel kind of good
|
| 104 |
+
about
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:26,310 --> 00:00:26,320
|
| 108 |
+
about
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:26,320 --> 00:00:28,950
|
| 113 |
+
about
|
| 114 |
+
it struggle is
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:28,950 --> 00:00:28,960
|
| 118 |
+
it struggle is
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:28,960 --> 00:00:30,870
|
| 123 |
+
it struggle is
|
| 124 |
+
over
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:30,870 --> 00:00:30,880
|
| 128 |
+
over
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:30,880 --> 00:00:33,790
|
| 133 |
+
over
|
| 134 |
+
oh we've seen it through
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:33,790 --> 00:00:33,800
|
| 138 |
+
oh we've seen it through
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:33,800 --> 00:00:37,869
|
| 143 |
+
oh we've seen it through
|
| 144 |
+
together let's get home we have a lot to
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:37,869 --> 00:00:37,879
|
| 148 |
+
together let's get home we have a lot to
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:37,879 --> 00:00:40,150
|
| 153 |
+
together let's get home we have a lot to
|
| 154 |
+
do
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:40,150 --> 00:00:40,160
|
| 158 |
+
do
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:40,160 --> 00:00:46,390
|
| 163 |
+
do
|
| 164 |
+
tonight Peace at
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:46,390 --> 00:00:46,400
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:46,400 --> 00:00:58,910
|
| 173 |
+
|
| 174 |
+
[Music]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:58,910 --> 00:00:58,920
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:58,920 --> 00:01:07,560
|
| 183 |
+
|
| 184 |
+
Last
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:07,560 --> 00:01:07,570
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:07,570 --> 00:01:13,490
|
| 193 |
+
|
| 194 |
+
[Music]
|
| 195 |
+
|
1994/ZOoJoTAXDPk.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
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|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
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|
|
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|
|
|
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|
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|
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|
|
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|
|
|
|
|
|
|
|
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|
|
|
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|
|
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|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
Pulp Fiction movie clips: http://j.mp/1L5eDtj
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/u4q3x7
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Vincent (John Travolta) and Lance (Eric Stoltz) give Mia (Uma Thurman) a shot of adrenaline to the heart to save her from an overdose.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Miramax Films (1994)
|
| 13 |
+
Cast: John Travolta, Eric Stoltz, Rosanna Arquette, Uma Thurman, Bronagh Gallagher
|
| 14 |
+
Director: Quentin Tarantino
|
| 15 |
+
Producers: Lawrence Bender, Danny DeVito, Richard N. Gladstein, Michael Shamberg, Stacey Sher, Bob Weinstein, Harvey Weinstein
|
| 16 |
+
Screenwriters: Quentin Tarantino, Roger Avary
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/ZYzQFudZ70k.en.srt
ADDED
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,520 --> 00:00:04,829
|
| 3 |
+
|
| 4 |
+
Bernard repeat after me I do solemnly
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,829 --> 00:00:04,839
|
| 8 |
+
Bernard repeat after me I do solemnly
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,839 --> 00:00:08,150
|
| 13 |
+
Bernard repeat after me I do solemnly
|
| 14 |
+
declare I do solemnly declare that I
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:08,150 --> 00:00:08,160
|
| 18 |
+
declare I do solemnly declare that I
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:08,160 --> 00:00:11,190
|
| 23 |
+
declare I do solemnly declare that I
|
| 24 |
+
know not of any lawful impediment that I
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:11,190 --> 00:00:11,200
|
| 28 |
+
know not of any lawful impediment that I
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:11,200 --> 00:00:15,750
|
| 33 |
+
know not of any lawful impediment that I
|
| 34 |
+
know not of any lawful impediment why I
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:15,750 --> 00:00:15,760
|
| 38 |
+
know not of any lawful impediment why I
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:15,760 --> 00:00:20,109
|
| 43 |
+
know not of any lawful impediment why I
|
| 44 |
+
Lydia why I
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:20,109 --> 00:00:20,119
|
| 48 |
+
Lydia why I
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:20,119 --> 00:00:21,990
|
| 53 |
+
Lydia why I
|
| 54 |
+
burnard
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:21,990 --> 00:00:22,000
|
| 58 |
+
burnard
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:22,000 --> 00:00:28,710
|
| 63 |
+
burnard
|
| 64 |
+
sorry why I Bernard Godfrey St John
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:28,710 --> 00:00:28,720
|
| 68 |
+
sorry why I Bernard Godfrey St John
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:28,720 --> 00:00:35,389
|
| 73 |
+
sorry why I Bernard Godfrey St John
|
| 74 |
+
Delany why I Bernard Jeffrey syndrome
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:35,389 --> 00:00:35,399
|
| 78 |
+
Delany why I Bernard Jeffrey syndrome
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:35,399 --> 00:00:39,470
|
| 83 |
+
Delany why I Bernard Jeffrey syndrome
|
| 84 |
+
Delany may not be joined in matrimony to
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:39,470 --> 00:00:39,480
|
| 88 |
+
Delany may not be joined in matrimony to
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:39,480 --> 00:00:41,790
|
| 93 |
+
Delany may not be joined in matrimony to
|
| 94 |
+
Lydia John
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:41,790 --> 00:00:41,800
|
| 98 |
+
Lydia John
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:41,800 --> 00:00:44,990
|
| 103 |
+
Lydia John
|
| 104 |
+
hibbit may not be joined in matrimony to
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:44,990 --> 00:00:45,000
|
| 108 |
+
hibbit may not be joined in matrimony to
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:45,000 --> 00:00:48,389
|
| 113 |
+
hibbit may not be joined in matrimony to
|
| 114 |
+
Lydia Jan
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:48,389 --> 00:00:48,399
|
| 118 |
+
Lydia Jan
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:48,399 --> 00:00:50,470
|
| 123 |
+
Lydia Jan
|
| 124 |
+
Hibert
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:50,470 --> 00:00:50,480
|
| 128 |
+
Hibert
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:50,480 --> 00:00:54,389
|
| 133 |
+
Hibert
|
| 134 |
+
Lydia repeat after me I do solemnly
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:54,389 --> 00:00:54,399
|
| 138 |
+
Lydia repeat after me I do solemnly
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:54,399 --> 00:00:57,189
|
| 143 |
+
Lydia repeat after me I do solemnly
|
| 144 |
+
declare I do solemnly declare that I
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:57,189 --> 00:00:57,199
|
| 148 |
+
declare I do solemnly declare that I
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:57,199 --> 00:01:00,029
|
| 153 |
+
declare I do solemnly declare that I
|
| 154 |
+
know not of any lawful impediment that I
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:00,029 --> 00:01:00,039
|
| 158 |
+
know not of any lawful impediment that I
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:00,039 --> 00:01:04,310
|
| 163 |
+
know not of any lawful impediment that I
|
| 164 |
+
know not of any lawful impediment why I
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:04,310 --> 00:01:04,320
|
| 168 |
+
know not of any lawful impediment why I
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:04,320 --> 00:01:10,469
|
| 173 |
+
know not of any lawful impediment why I
|
| 174 |
+
Lydia Jane hibbit why I Lydia Jane hbert
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:10,469 --> 00:01:10,479
|
| 178 |
+
Lydia Jane hibbit why I Lydia Jane hbert
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:10,479 --> 00:01:13,590
|
| 183 |
+
Lydia Jane hibbit why I Lydia Jane hbert
|
| 184 |
+
may not be joined in matrimony may not
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:13,590 --> 00:01:13,600
|
| 188 |
+
may not be joined in matrimony may not
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:13,600 --> 00:01:19,469
|
| 193 |
+
may not be joined in matrimony may not
|
| 194 |
+
be joined in matrimony to Bernard
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:19,469 --> 00:01:19,479
|
| 198 |
+
be joined in matrimony to Bernard
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:19,479 --> 00:01:26,590
|
| 203 |
+
be joined in matrimony to Bernard
|
| 204 |
+
Jeffrey s s Delany to Bernard Jeffrey
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:26,590 --> 00:01:26,600
|
| 208 |
+
Jeffrey s s Delany to Bernard Jeffrey
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:26,600 --> 00:01:31,950
|
| 213 |
+
Jeffrey s s Delany to Bernard Jeffrey
|
| 214 |
+
singen Delan
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:31,950 --> 00:01:31,960
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:31,960 --> 00:01:34,469
|
| 223 |
+
|
| 224 |
+
I call upon those persons here present
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:34,469 --> 00:01:34,479
|
| 228 |
+
I call upon those persons here present
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:34,479 --> 00:01:35,270
|
| 233 |
+
I call upon those persons here present
|
| 234 |
+
to
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:35,270 --> 00:01:35,280
|
| 238 |
+
to
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:35,280 --> 00:01:38,310
|
| 243 |
+
to
|
| 244 |
+
witness I call upon those persons here
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:38,310 --> 00:01:38,320
|
| 248 |
+
witness I call upon those persons here
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:38,320 --> 00:01:48,069
|
| 253 |
+
witness I call upon those persons here
|
| 254 |
+
present to witness but I
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:48,069 --> 00:01:48,079
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:48,079 --> 00:01:52,149
|
| 263 |
+
|
| 264 |
+
burnard
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:52,149 --> 00:01:52,159
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:52,159 --> 00:01:56,270
|
| 273 |
+
|
| 274 |
+
Delany but I bur Del lady to take thee
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:56,270 --> 00:01:56,280
|
| 278 |
+
Delany but I bur Del lady to take thee
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:56,280 --> 00:02:00,350
|
| 283 |
+
Delany but I bur Del lady to take thee
|
| 284 |
+
Lydia Jane hibbit to take thee Lydia
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:00,350 --> 00:02:00,360
|
| 288 |
+
Lydia Jane hibbit to take thee Lydia
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:00,360 --> 00:02:03,709
|
| 293 |
+
Lydia Jane hibbit to take thee Lydia
|
| 294 |
+
Jane Hibert to be my awful wedded
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:03,709 --> 00:02:03,719
|
| 298 |
+
Jane Hibert to be my awful wedded
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:03,719 --> 00:02:08,270
|
| 303 |
+
Jane Hibert to be my awful wedded
|
| 304 |
+
wife to be my lawful wedded wife that's
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:08,270 --> 00:02:08,280
|
| 308 |
+
wife to be my lawful wedded wife that's
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:08,280 --> 00:02:11,390
|
| 313 |
+
wife to be my lawful wedded wife that's
|
| 314 |
+
right that's right May almighty God
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:02:11,390 --> 00:02:11,400
|
| 318 |
+
right that's right May almighty God
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:02:11,400 --> 00:02:14,790
|
| 323 |
+
right that's right May almighty God
|
| 324 |
+
bless you all the Father the Son and the
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:14,790 --> 00:02:14,800
|
| 328 |
+
bless you all the Father the Son and the
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:14,800 --> 00:02:16,910
|
| 333 |
+
bless you all the Father the Son and the
|
| 334 |
+
Holy Spirit
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:16,910 --> 00:02:16,920
|
| 338 |
+
Holy Spirit
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:16,920 --> 00:02:19,309
|
| 343 |
+
Holy Spirit
|
| 344 |
+
Spirit
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:19,309 --> 00:02:19,319
|
| 348 |
+
Spirit
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:19,319 --> 00:02:20,869
|
| 353 |
+
Spirit
|
| 354 |
+
Bravo
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:20,869 --> 00:02:20,879
|
| 358 |
+
Bravo
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:20,879 --> 00:02:24,190
|
| 363 |
+
Bravo
|
| 364 |
+
bra Bravo
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:24,190 --> 00:02:24,200
|
| 368 |
+
bra Bravo
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:24,200 --> 00:02:53,409
|
| 373 |
+
bra Bravo
|
| 374 |
+
[Music]
|
| 375 |
+
|
1994/ZfyjpKP8zDk.description
ADDED
|
@@ -0,0 +1,38 @@
|
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|
|
|
|
|
|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
| 1 |
+
Being Human movie clips: http://j.mp/2ovFho1
|
| 2 |
+
BUY THE MOVIE: http://bit.ly/2oKlaTi
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Hector (Robin Williams) spends time with his family, and it may be the best moment of his life.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Five fables, each set in a different historical era, make up this quirky comedy from director Bill Forsyth. Each tale features Robin Williams as a basically decent but troubled average man named Hector. Beginning with the Bronze Age, where Hector struggles for survival against barbarians, the film proceeds through Roman times, the Middle Ages, and the 16th century, concluding in the present day, where Hector is a divorced father attempting to reconcile with his children. The film clearly intends to draw parallels between these stories in order to illustrate the universal nature of human experience, though the segments themselves vary widely in tone, from broadly comic to philosophically reflective. Additionally, some may find the film's attempts at creating a fantasy atmosphere rather cloying, while others may be charmed by the project's determined oddness and whimsicality.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Warner Bros. (1994)
|
| 13 |
+
Cast: Robin Williams, Charles Miller, Helen Miller
|
| 14 |
+
Director: Bill Forsyth
|
| 15 |
+
Producers: Robert F. Colesberry, Steve Norris, David Puttnam
|
| 16 |
+
Screenwriter: Bill Forsyth
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/ZfyjpKP8zDk.en.srt
ADDED
|
@@ -0,0 +1,355 @@
|
|
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|
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|
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|
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|
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|
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|
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|
|
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|
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|
|
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|
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|
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|
|
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|
|
|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
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|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
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|
|
|
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|
|
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|
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|
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|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:02,200 --> 00:00:03,630
|
| 3 |
+
|
| 4 |
+
weekend's turning out
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,630 --> 00:00:03,640
|
| 8 |
+
weekend's turning out
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,640 --> 00:00:07,589
|
| 13 |
+
weekend's turning out
|
| 14 |
+
fine relax I
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,589 --> 00:00:07,599
|
| 18 |
+
fine relax I
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,599 --> 00:00:15,390
|
| 23 |
+
fine relax I
|
| 24 |
+
am I
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:15,390 --> 00:00:15,400
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:15,400 --> 00:00:19,470
|
| 33 |
+
|
| 34 |
+
will Hey Thomas look there's Old Mercury
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:19,470 --> 00:00:19,480
|
| 38 |
+
will Hey Thomas look there's Old Mercury
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:19,480 --> 00:00:21,269
|
| 43 |
+
will Hey Thomas look there's Old Mercury
|
| 44 |
+
remember we used to watch stars together
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:21,269 --> 00:00:21,279
|
| 48 |
+
remember we used to watch stars together
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:21,279 --> 00:00:23,070
|
| 53 |
+
remember we used to watch stars together
|
| 54 |
+
you could name all the planets you could
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:23,070 --> 00:00:23,080
|
| 58 |
+
you could name all the planets you could
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:23,080 --> 00:00:25,070
|
| 63 |
+
you could name all the planets you could
|
| 64 |
+
recite him like in a pole sit up in that
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:25,070 --> 00:00:25,080
|
| 68 |
+
recite him like in a pole sit up in that
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:25,080 --> 00:00:26,870
|
| 73 |
+
recite him like in a pole sit up in that
|
| 74 |
+
window that little window at the old
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:26,870 --> 00:00:26,880
|
| 78 |
+
window that little window at the old
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:26,880 --> 00:00:28,589
|
| 83 |
+
window that little window at the old
|
| 84 |
+
house you
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:28,589 --> 00:00:28,599
|
| 88 |
+
house you
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:28,599 --> 00:00:31,390
|
| 93 |
+
house you
|
| 94 |
+
remember no
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:31,390 --> 00:00:31,400
|
| 98 |
+
remember no
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:31,400 --> 00:00:33,630
|
| 103 |
+
remember no
|
| 104 |
+
and that's sad
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:33,630 --> 00:00:33,640
|
| 108 |
+
and that's sad
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:33,640 --> 00:00:35,549
|
| 113 |
+
and that's sad
|
| 114 |
+
sorry glad you kept up with your
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:35,549 --> 00:00:35,559
|
| 118 |
+
sorry glad you kept up with your
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:35,559 --> 00:00:37,950
|
| 123 |
+
sorry glad you kept up with your
|
| 124 |
+
astronomy that's real good I'm not in
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:37,950 --> 00:00:37,960
|
| 128 |
+
astronomy that's real good I'm not in
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:37,960 --> 00:00:40,910
|
| 133 |
+
astronomy that's real good I'm not in
|
| 134 |
+
stargazing so much at school we're
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:40,910 --> 00:00:40,920
|
| 138 |
+
stargazing so much at school we're
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:40,920 --> 00:00:42,790
|
| 143 |
+
stargazing so much at school we're
|
| 144 |
+
working on a computer model of a
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:42,790 --> 00:00:42,800
|
| 148 |
+
working on a computer model of a
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:42,800 --> 00:00:46,110
|
| 153 |
+
working on a computer model of a
|
| 154 |
+
biosphere for deep space
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:46,110 --> 00:00:46,120
|
| 158 |
+
biosphere for deep space
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:46,120 --> 00:00:48,990
|
| 163 |
+
biosphere for deep space
|
| 164 |
+
travel everything's going to be okay
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:48,990 --> 00:00:49,000
|
| 168 |
+
travel everything's going to be okay
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:49,000 --> 00:00:51,470
|
| 173 |
+
travel everything's going to be okay
|
| 174 |
+
what do you mean going to
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:51,470 --> 00:00:51,480
|
| 178 |
+
what do you mean going to
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:51,480 --> 00:00:56,270
|
| 183 |
+
what do you mean going to
|
| 184 |
+
be this is it what I told you Dad this
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:56,270 --> 00:00:56,280
|
| 188 |
+
be this is it what I told you Dad this
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:56,280 --> 00:00:59,029
|
| 193 |
+
be this is it what I told you Dad this
|
| 194 |
+
is as good as a gets this might be the
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:59,029 --> 00:00:59,039
|
| 198 |
+
is as good as a gets this might be the
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:59,039 --> 00:01:00,709
|
| 203 |
+
is as good as a gets this might be the
|
| 204 |
+
best moment of your life
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:00,709 --> 00:01:00,719
|
| 208 |
+
best moment of your life
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:00,719 --> 00:01:04,189
|
| 213 |
+
best moment of your life
|
| 214 |
+
how much better do you want it not much
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:04,189 --> 00:01:04,199
|
| 218 |
+
how much better do you want it not much
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:04,199 --> 00:01:05,230
|
| 223 |
+
how much better do you want it not much
|
| 224 |
+
enjoy
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:05,230 --> 00:01:05,240
|
| 228 |
+
enjoy
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:05,240 --> 00:01:07,469
|
| 233 |
+
enjoy
|
| 234 |
+
it thanks for the
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:07,469 --> 00:01:07,479
|
| 238 |
+
it thanks for the
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:07,479 --> 00:01:09,390
|
| 243 |
+
it thanks for the
|
| 244 |
+
tip I
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:09,390 --> 00:01:09,400
|
| 248 |
+
tip I
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:09,400 --> 00:01:13,510
|
| 253 |
+
tip I
|
| 254 |
+
will but they say the universe might be
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:13,510 --> 00:01:13,520
|
| 258 |
+
will but they say the universe might be
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:13,520 --> 00:01:15,789
|
| 263 |
+
will but they say the universe might be
|
| 264 |
+
like a piece of string the ends in and
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:15,789 --> 00:01:15,799
|
| 268 |
+
like a piece of string the ends in and
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:15,799 --> 00:01:18,630
|
| 273 |
+
like a piece of string the ends in and
|
| 274 |
+
enough so Infinity is it really Infinity
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:18,630 --> 00:01:18,640
|
| 278 |
+
enough so Infinity is it really Infinity
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:18,640 --> 00:01:19,749
|
| 283 |
+
enough so Infinity is it really Infinity
|
| 284 |
+
when did he become
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:19,749 --> 00:01:19,759
|
| 288 |
+
when did he become
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:19,759 --> 00:01:23,510
|
| 293 |
+
when did he become
|
| 294 |
+
Einstein be quiet Einstein come up here
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:23,510 --> 00:01:23,520
|
| 298 |
+
Einstein be quiet Einstein come up here
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:23,520 --> 00:01:25,950
|
| 303 |
+
Einstein be quiet Einstein come up here
|
| 304 |
+
your dad wants to hug you to death
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:25,950 --> 00:01:25,960
|
| 308 |
+
your dad wants to hug you to death
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:25,960 --> 00:01:28,789
|
| 313 |
+
your dad wants to hug you to death
|
| 314 |
+
that's been a while wait till I finish
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:28,789 --> 00:01:28,799
|
| 318 |
+
that's been a while wait till I finish
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:28,799 --> 00:01:30,550
|
| 323 |
+
that's been a while wait till I finish
|
| 324 |
+
my chicken
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:30,550 --> 00:01:30,560
|
| 328 |
+
my chicken
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:30,560 --> 00:01:33,270
|
| 333 |
+
my chicken
|
| 334 |
+
I'm almost done you're amazing you'll
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:33,270 --> 00:01:33,280
|
| 338 |
+
I'm almost done you're amazing you'll
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:33,280 --> 00:01:39,320
|
| 343 |
+
I'm almost done you're amazing you'll
|
| 344 |
+
get used to it
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:39,320 --> 00:01:39,330
|
| 348 |
+
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:39,330 --> 00:02:06,420
|
| 353 |
+
|
| 354 |
+
[Music]
|
| 355 |
+
|
1994/ZhMpx9aeefY.en.srt
ADDED
|
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| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:22,390
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:22,390 --> 00:00:22,400
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:22,400 --> 00:00:25,680
|
| 13 |
+
[Music]
|
| 14 |
+
n
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:25,680 --> 00:00:25,690
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:25,690 --> 00:00:31,950
|
| 23 |
+
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:31,950 --> 00:00:31,960
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:31,960 --> 00:00:34,869
|
| 33 |
+
|
| 34 |
+
hi you see this rope we're going to try
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:34,869 --> 00:00:34,879
|
| 38 |
+
hi you see this rope we're going to try
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:34,879 --> 00:00:36,350
|
| 43 |
+
hi you see this rope we're going to try
|
| 44 |
+
to slide down this rope all the way to
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:36,350 --> 00:00:36,360
|
| 48 |
+
to slide down this rope all the way to
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:36,360 --> 00:00:38,750
|
| 53 |
+
to slide down this rope all the way to
|
| 54 |
+
the
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:38,750 --> 00:00:38,760
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:38,760 --> 00:00:44,750
|
| 63 |
+
|
| 64 |
+
ground I'm going to
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:44,750 --> 00:00:44,760
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:44,760 --> 00:00:46,750
|
| 73 |
+
|
| 74 |
+
try give me a hand I want you to come up
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:46,750 --> 00:00:46,760
|
| 78 |
+
try give me a hand I want you to come up
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:46,760 --> 00:00:49,069
|
| 83 |
+
try give me a hand I want you to come up
|
| 84 |
+
and hold onto my
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:49,069 --> 00:00:49,079
|
| 88 |
+
and hold onto my
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:49,079 --> 00:00:53,389
|
| 93 |
+
and hold onto my
|
| 94 |
+
neck come on it's
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:53,389 --> 00:00:53,399
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:53,399 --> 00:00:55,750
|
| 103 |
+
|
| 104 |
+
okay you're going to grab onto my neck
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:55,750 --> 00:00:55,760
|
| 108 |
+
okay you're going to grab onto my neck
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:55,760 --> 00:00:58,830
|
| 113 |
+
okay you're going to grab onto my neck
|
| 114 |
+
really tight okay come on come on hold
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:58,830 --> 00:00:58,840
|
| 118 |
+
really tight okay come on come on hold
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:58,840 --> 00:01:00,430
|
| 123 |
+
really tight okay come on come on hold
|
| 124 |
+
on really tight
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:00,430 --> 00:01:00,440
|
| 128 |
+
on really tight
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:00,440 --> 00:01:05,650
|
| 133 |
+
on really tight
|
| 134 |
+
now hold on
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:05,650 --> 00:01:05,660
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:05,660 --> 00:01:09,749
|
| 143 |
+
|
| 144 |
+
[Music]
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:09,749 --> 00:01:09,759
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:09,759 --> 00:01:12,550
|
| 153 |
+
|
| 154 |
+
tight give me your
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:12,550 --> 00:01:12,560
|
| 158 |
+
tight give me your
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:12,560 --> 00:01:15,590
|
| 163 |
+
tight give me your
|
| 164 |
+
hand come on stop give me your hand it's
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:15,590 --> 00:01:15,600
|
| 168 |
+
hand come on stop give me your hand it's
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:15,600 --> 00:01:20,789
|
| 173 |
+
hand come on stop give me your hand it's
|
| 174 |
+
okay come on it's
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:20,789 --> 00:01:20,799
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:20,799 --> 00:01:23,840
|
| 183 |
+
|
| 184 |
+
okay come
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:23,840 --> 00:01:23,850
|
| 188 |
+
okay come
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:23,850 --> 00:01:26,630
|
| 193 |
+
okay come
|
| 194 |
+
[Music]
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:26,630 --> 00:01:26,640
|
| 198 |
+
[Music]
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:26,640 --> 00:01:33,340
|
| 203 |
+
[Music]
|
| 204 |
+
on hang on hang on tight
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:33,340 --> 00:01:33,350
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:33,350 --> 00:01:35,590
|
| 213 |
+
|
| 214 |
+
[Music]
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:35,590 --> 00:01:35,600
|
| 218 |
+
[Music]
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:35,600 --> 00:01:39,570
|
| 223 |
+
[Music]
|
| 224 |
+
come on come on up
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:39,570 --> 00:01:39,580
|
| 228 |
+
come on come on up
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:39,580 --> 00:02:00,029
|
| 233 |
+
come on come on up
|
| 234 |
+
[Music]
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:02:00,029 --> 00:02:00,039
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:02:00,039 --> 00:02:02,180
|
| 243 |
+
|
| 244 |
+
oh
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:02,180 --> 00:02:02,190
|
| 248 |
+
oh
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:02,190 --> 00:02:11,320
|
| 253 |
+
oh
|
| 254 |
+
[Applause]
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:11,320 --> 00:02:11,330
|
| 258 |
+
[Applause]
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:11,330 --> 00:02:32,750
|
| 263 |
+
[Applause]
|
| 264 |
+
[Music]
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:32,750 --> 00:02:32,760
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:32,760 --> 00:02:36,530
|
| 273 |
+
|
| 274 |
+
St
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:02:36,530 --> 00:02:36,540
|
| 278 |
+
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:02:36,540 --> 00:02:42,500
|
| 283 |
+
|
| 284 |
+
[Music]
|
| 285 |
+
|
1994/Zqp8_F9EXbw.en.srt
ADDED
|
@@ -0,0 +1,305 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,120 --> 00:00:02,230
|
| 3 |
+
|
| 4 |
+
it's half the price for lumber cost per
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,230 --> 00:00:02,240
|
| 8 |
+
it's half the price for lumber cost per
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,240 --> 00:00:04,390
|
| 13 |
+
it's half the price for lumber cost per
|
| 14 |
+
square foot is bar and there's no big
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:04,390 --> 00:00:04,400
|
| 18 |
+
square foot is bar and there's no big
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:04,400 --> 00:00:06,829
|
| 23 |
+
square foot is bar and there's no big
|
| 24 |
+
city hassle for uh permit can for the
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:06,829 --> 00:00:06,839
|
| 28 |
+
city hassle for uh permit can for the
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:06,839 --> 00:00:11,749
|
| 33 |
+
city hassle for uh permit can for the
|
| 34 |
+
tooth box I got my own money no polar
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:11,749 --> 00:00:11,759
|
| 38 |
+
tooth box I got my own money no polar
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:11,759 --> 00:00:14,350
|
| 43 |
+
tooth box I got my own money no polar
|
| 44 |
+
Jackson you're not going to eat that
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:14,350 --> 00:00:14,360
|
| 48 |
+
Jackson you're not going to eat that
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:14,360 --> 00:00:19,029
|
| 53 |
+
Jackson you're not going to eat that
|
| 54 |
+
well I'm not hungry why did you order
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:19,029 --> 00:00:19,039
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:19,039 --> 00:00:22,109
|
| 63 |
+
|
| 64 |
+
it look it's Lassie she's
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:22,109 --> 00:00:22,119
|
| 68 |
+
it look it's Lassie she's
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:22,119 --> 00:00:25,830
|
| 73 |
+
it look it's Lassie she's
|
| 74 |
+
back Jennifer it's not Lassie how do you
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:25,830 --> 00:00:25,840
|
| 78 |
+
back Jennifer it's not Lassie how do you
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:25,840 --> 00:00:28,589
|
| 83 |
+
back Jennifer it's not Lassie how do you
|
| 84 |
+
know cuz Lassie doesn't exist yeah well
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:28,589 --> 00:00:28,599
|
| 88 |
+
know cuz Lassie doesn't exist yeah well
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:28,599 --> 00:00:30,269
|
| 93 |
+
know cuz Lassie doesn't exist yeah well
|
| 94 |
+
whatever doesn't exist just f followed
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:30,269 --> 00:00:30,279
|
| 98 |
+
whatever doesn't exist just f followed
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:30,279 --> 00:00:34,150
|
| 103 |
+
whatever doesn't exist just f followed
|
| 104 |
+
us here can we keep her of course not
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:34,150 --> 00:00:34,160
|
| 108 |
+
us here can we keep her of course not
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:34,160 --> 00:00:36,590
|
| 113 |
+
us here can we keep her of course not
|
| 114 |
+
why because it probably belongs to
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:36,590 --> 00:00:36,600
|
| 118 |
+
why because it probably belongs to
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:36,600 --> 00:00:40,310
|
| 123 |
+
why because it probably belongs to
|
| 124 |
+
somebody and we're full enough as it
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:40,310 --> 00:00:40,320
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:40,320 --> 00:00:44,110
|
| 133 |
+
|
| 134 |
+
is there she is how'd you find her Jen
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:44,110 --> 00:00:44,120
|
| 138 |
+
is there she is how'd you find her Jen
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:44,120 --> 00:00:48,830
|
| 143 |
+
is there she is how'd you find her Jen
|
| 144 |
+
be careful see she loves us she wants to
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:48,830 --> 00:00:48,840
|
| 148 |
+
be careful see she loves us she wants to
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:48,840 --> 00:00:51,869
|
| 153 |
+
be careful see she loves us she wants to
|
| 154 |
+
be with us a sweetie she doesn't really
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:51,869 --> 00:00:51,879
|
| 158 |
+
be with us a sweetie she doesn't really
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:51,879 --> 00:00:54,069
|
| 163 |
+
be with us a sweetie she doesn't really
|
| 164 |
+
love us she just wants food come
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:54,069 --> 00:00:54,079
|
| 168 |
+
love us she just wants food come
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:54,079 --> 00:00:57,430
|
| 173 |
+
love us she just wants food come
|
| 174 |
+
on but kids are supposed to have dogs
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:57,430 --> 00:00:57,440
|
| 178 |
+
on but kids are supposed to have dogs
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:57,440 --> 00:01:00,509
|
| 183 |
+
on but kids are supposed to have dogs
|
| 184 |
+
Jennifer it helps us grow up right she's
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:00,509 --> 00:01:00,519
|
| 188 |
+
Jennifer it helps us grow up right she's
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:00,519 --> 00:01:03,389
|
| 193 |
+
Jennifer it helps us grow up right she's
|
| 194 |
+
sweet oh honey you too come on it's
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:03,389 --> 00:01:03,399
|
| 198 |
+
sweet oh honey you too come on it's
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:03,399 --> 00:01:06,190
|
| 203 |
+
sweet oh honey you too come on it's
|
| 204 |
+
weird enough as it is why not add a dog
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:06,190 --> 00:01:06,200
|
| 208 |
+
weird enough as it is why not add a dog
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:06,200 --> 00:01:10,870
|
| 213 |
+
weird enough as it is why not add a dog
|
| 214 |
+
honey come on well why not please Dad
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:10,870 --> 00:01:10,880
|
| 218 |
+
honey come on well why not please Dad
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:10,880 --> 00:01:15,630
|
| 223 |
+
honey come on well why not please Dad
|
| 224 |
+
this is ridiculous where would we put
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:15,630 --> 00:01:15,640
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:15,640 --> 00:01:19,390
|
| 233 |
+
|
| 234 |
+
her how about the back seat come on
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:19,390 --> 00:01:19,400
|
| 238 |
+
her how about the back seat come on
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:19,400 --> 00:01:23,510
|
| 243 |
+
her how about the back seat come on
|
| 244 |
+
let's take her please
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:23,510 --> 00:01:23,520
|
| 248 |
+
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:23,520 --> 00:01:33,670
|
| 253 |
+
|
| 254 |
+
dad all right the back seat yeah
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:33,670 --> 00:01:33,680
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:33,680 --> 00:01:34,790
|
| 263 |
+
|
| 264 |
+
hey
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:34,790 --> 00:01:34,800
|
| 268 |
+
hey
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:34,800 --> 00:01:46,789
|
| 273 |
+
hey
|
| 274 |
+
[Music]
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:46,789 --> 00:01:46,799
|
| 278 |
+
[Music]
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:46,799 --> 00:01:50,789
|
| 283 |
+
[Music]
|
| 284 |
+
Matt hey what hey cut it out cut it out
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:50,789 --> 00:01:50,799
|
| 288 |
+
Matt hey what hey cut it out cut it out
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:50,799 --> 00:01:55,420
|
| 293 |
+
Matt hey what hey cut it out cut it out
|
| 294 |
+
get away from me I'm coming I'm coming
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:55,420 --> 00:01:55,430
|
| 298 |
+
get away from me I'm coming I'm coming
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:55,430 --> 00:02:26,479
|
| 303 |
+
get away from me I'm coming I'm coming
|
| 304 |
+
[Music]
|
| 305 |
+
|
1994/ZreZzV7y18Y.en.srt
ADDED
|
@@ -0,0 +1,315 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,720 --> 00:00:09,040
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:09,040 --> 00:00:09,050
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:09,050 --> 00:00:10,720
|
| 13 |
+
[Music]
|
| 14 |
+
[Applause]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:10,720 --> 00:00:10,730
|
| 18 |
+
[Applause]
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:10,730 --> 00:00:18,840
|
| 23 |
+
[Applause]
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:18,840 --> 00:00:18,850
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:18,850 --> 00:00:21,270
|
| 33 |
+
|
| 34 |
+
[Applause]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:21,270 --> 00:00:21,280
|
| 38 |
+
[Applause]
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:21,280 --> 00:00:42,610
|
| 43 |
+
[Applause]
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:42,610 --> 00:00:42,620
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:42,620 --> 00:00:45,740
|
| 53 |
+
|
| 54 |
+
one not push I'm gonna smack his face so
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:45,740 --> 00:00:45,750
|
| 58 |
+
one not push I'm gonna smack his face so
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:45,750 --> 00:00:47,570
|
| 63 |
+
one not push I'm gonna smack his face so
|
| 64 |
+
hard enough to stick his toothbrush up
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:47,570 --> 00:00:47,580
|
| 68 |
+
hard enough to stick his toothbrush up
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:47,580 --> 00:00:54,200
|
| 73 |
+
hard enough to stick his toothbrush up
|
| 74 |
+
his ass to clean his teeth just lay off
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:54,200 --> 00:00:54,210
|
| 78 |
+
his ass to clean his teeth just lay off
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:54,210 --> 00:00:56,780
|
| 83 |
+
his ass to clean his teeth just lay off
|
| 84 |
+
I told you not to use the r-word
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:56,780 --> 00:00:56,790
|
| 88 |
+
I told you not to use the r-word
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:56,790 --> 00:01:01,100
|
| 93 |
+
I told you not to use the r-word
|
| 94 |
+
what did you go and do what else to do
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:01,100 --> 00:01:01,110
|
| 98 |
+
what did you go and do what else to do
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:01,110 --> 00:01:02,720
|
| 103 |
+
what did you go and do what else to do
|
| 104 |
+
for amusement so everything is in car
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:02,720 --> 00:01:02,730
|
| 108 |
+
for amusement so everything is in car
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:02,730 --> 00:01:04,460
|
| 113 |
+
for amusement so everything is in car
|
| 114 |
+
doors what's the point
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:04,460 --> 00:01:04,470
|
| 118 |
+
doors what's the point
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:04,470 --> 00:01:06,800
|
| 123 |
+
doors what's the point
|
| 124 |
+
I like saying people get hot-headed okay
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:06,800 --> 00:01:06,810
|
| 128 |
+
I like saying people get hot-headed okay
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:06,810 --> 00:01:09,230
|
| 133 |
+
I like saying people get hot-headed okay
|
| 134 |
+
gives me a kick true when you were born
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:09,230 --> 00:01:09,240
|
| 138 |
+
gives me a kick true when you were born
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:09,240 --> 00:01:10,760
|
| 143 |
+
gives me a kick true when you were born
|
| 144 |
+
the doctor turned around and slapped
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:10,760 --> 00:01:10,770
|
| 148 |
+
the doctor turned around and slapped
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:10,770 --> 00:01:14,390
|
| 153 |
+
the doctor turned around and slapped
|
| 154 |
+
your mother what sort of things
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:14,390 --> 00:01:14,400
|
| 158 |
+
your mother what sort of things
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:14,400 --> 00:01:23,300
|
| 163 |
+
your mother what sort of things
|
| 164 |
+
childhood did you have Adam lightly come
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:23,300 --> 00:01:23,310
|
| 168 |
+
childhood did you have Adam lightly come
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:23,310 --> 00:01:31,160
|
| 173 |
+
childhood did you have Adam lightly come
|
| 174 |
+
in here why come sit over here would you
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:31,160 --> 00:01:31,170
|
| 178 |
+
in here why come sit over here would you
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:31,170 --> 00:01:34,030
|
| 183 |
+
in here why come sit over here would you
|
| 184 |
+
like to have some fun with uncle Barry
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:34,030 --> 00:01:34,040
|
| 188 |
+
like to have some fun with uncle Barry
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:34,040 --> 00:01:37,730
|
| 193 |
+
like to have some fun with uncle Barry
|
| 194 |
+
we're gonna play a special game but you
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:37,730 --> 00:01:37,740
|
| 198 |
+
we're gonna play a special game but you
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:37,740 --> 00:01:42,760
|
| 203 |
+
we're gonna play a special game but you
|
| 204 |
+
can't tell anybody ever ever ever I can
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:42,760 --> 00:01:42,770
|
| 208 |
+
can't tell anybody ever ever ever I can
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:42,770 --> 00:01:45,680
|
| 213 |
+
can't tell anybody ever ever ever I can
|
| 214 |
+
now what I want you to do is put your
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:45,680 --> 00:01:45,690
|
| 218 |
+
now what I want you to do is put your
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:45,690 --> 00:01:50,740
|
| 223 |
+
now what I want you to do is put your
|
| 224 |
+
hand down here and pull very gently okay
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:50,740 --> 00:01:50,750
|
| 228 |
+
hand down here and pull very gently okay
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:50,750 --> 00:02:01,630
|
| 233 |
+
hand down here and pull very gently okay
|
| 234 |
+
very gently
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:02:01,630 --> 00:02:01,640
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:02:01,640 --> 00:02:13,600
|
| 243 |
+
|
| 244 |
+
[Applause]
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:13,600 --> 00:02:13,610
|
| 248 |
+
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:13,610 --> 00:02:15,680
|
| 253 |
+
|
| 254 |
+
[Music]
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:15,680 --> 00:02:15,690
|
| 258 |
+
[Music]
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:15,690 --> 00:02:21,520
|
| 263 |
+
[Music]
|
| 264 |
+
[Laughter]
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:21,520 --> 00:02:21,530
|
| 268 |
+
[Laughter]
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:21,530 --> 00:02:23,750
|
| 273 |
+
[Laughter]
|
| 274 |
+
my mom was out playing golf from the
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:02:23,750 --> 00:02:23,760
|
| 278 |
+
my mom was out playing golf from the
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:02:23,760 --> 00:02:25,250
|
| 283 |
+
my mom was out playing golf from the
|
| 284 |
+
dirty old backwoods back there for bed
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:25,250 --> 00:02:25,260
|
| 288 |
+
dirty old backwoods back there for bed
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:25,260 --> 00:02:30,560
|
| 293 |
+
dirty old backwoods back there for bed
|
| 294 |
+
seven a small wrinkle before they got in
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:30,560 --> 00:02:30,570
|
| 298 |
+
seven a small wrinkle before they got in
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:30,570 --> 00:02:32,120
|
| 303 |
+
seven a small wrinkle before they got in
|
| 304 |
+
the water
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:32,120 --> 00:02:32,130
|
| 308 |
+
the water
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:32,130 --> 00:02:43,580
|
| 313 |
+
the water
|
| 314 |
+
[Music]
|
| 315 |
+
|
1994/_AUvAyx_fwc.description
ADDED
|
@@ -0,0 +1,37 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
Milk Money movie clips: http://j.mp/1BcPwPE
|
| 2 |
+
BUY THE MOVIE: http://j.mp/Ax1ZZ5
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
V (Melanie Griffith) makes good on her offer to show Frank (Michael Patrick Carter) and his friends what they paid for.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
After befriending a kind-hearted prostitute, a 12-year-old boy attempts to set her up with his widowed father in this family comedy. Young Frank Wheeler (Michael Patrick Carter) first meets working girl V (Melanie Griffith) when he and two friends pool their money to buy a glimpse of a naked woman. V does the job and agrees to drive Frank home; along the way, he becomes convinced that this nice call girl would be the perfect new wife for his dad (Ed Harris). V happens to be on the run from a group of evil gangsters, so when he invites her to stay at their house in the suburbs, she readily agrees. Masquerading as a math tutor, she strikes a chord with Mr. Wheeler, but this budding romance is soon threatened by the return of V's past. Despite the potentially off-color premise, Milk Money aims to be innocuous family fare, with juvenile jokes mixing with unthreatening romance.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Paramount (1994)
|
| 13 |
+
Cast: Michael Patrick Carter, Brian Christopher, Adam LaVorgna, Melanie Griffith
|
| 14 |
+
Director: Richard Benjamin
|
| 15 |
+
Producers: Michael Finnell, Patrick J. Palmer, Kathleen Kennedy, Frank Marshall
|
| 16 |
+
|
| 17 |
+
WHO ARE WE?
|
| 18 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 19 |
+
|
| 20 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 21 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 22 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 23 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 24 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 25 |
+
Extras: http://bit.ly/1u431fr
|
| 26 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 27 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 28 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 29 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 30 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 31 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 32 |
+
|
| 33 |
+
HIT US UP:
|
| 34 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 35 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 36 |
+
Pinterest: http://bit.ly/14wL9De
|
| 37 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/_AUvAyx_fwc.en.srt
ADDED
|
@@ -0,0 +1,335 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
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|
|
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|
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|
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|
| 1 |
+
1
|
| 2 |
+
00:00:08,800 --> 00:00:11,749
|
| 3 |
+
|
| 4 |
+
what do we do now just ask her to you
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:11,749 --> 00:00:11,759
|
| 8 |
+
what do we do now just ask her to you
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:11,759 --> 00:00:14,990
|
| 13 |
+
what do we do now just ask her to you
|
| 14 |
+
know you kid see a lot of hookers uh no
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:14,990 --> 00:00:15,000
|
| 18 |
+
know you kid see a lot of hookers uh no
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:15,000 --> 00:00:17,470
|
| 23 |
+
know you kid see a lot of hookers uh no
|
| 24 |
+
this is our first
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:17,470 --> 00:00:17,480
|
| 28 |
+
this is our first
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:17,480 --> 00:00:19,790
|
| 33 |
+
this is our first
|
| 34 |
+
one why do you have a picture of Grace
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:19,790 --> 00:00:19,800
|
| 38 |
+
one why do you have a picture of Grace
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:19,800 --> 00:00:21,790
|
| 43 |
+
one why do you have a picture of Grace
|
| 44 |
+
Kelly because I'd like to be like her
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:21,790 --> 00:00:21,800
|
| 48 |
+
Kelly because I'd like to be like her
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:21,800 --> 00:00:23,790
|
| 53 |
+
Kelly because I'd like to be like her
|
| 54 |
+
marry a prince and never get old when
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:23,790 --> 00:00:23,800
|
| 58 |
+
marry a prince and never get old when
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:23,800 --> 00:00:25,509
|
| 63 |
+
marry a prince and never get old when
|
| 64 |
+
you take a close off for money did you
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:25,509 --> 00:00:25,519
|
| 68 |
+
you take a close off for money did you
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:25,519 --> 00:00:29,310
|
| 73 |
+
you take a close off for money did you
|
| 74 |
+
get cold depends on the room I have this
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:29,310 --> 00:00:29,320
|
| 78 |
+
get cold depends on the room I have this
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:29,320 --> 00:00:31,710
|
| 83 |
+
get cold depends on the room I have this
|
| 84 |
+
dream that I'm naked at school and I
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:31,710 --> 00:00:31,720
|
| 88 |
+
dream that I'm naked at school and I
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:31,720 --> 00:00:33,430
|
| 93 |
+
dream that I'm naked at school and I
|
| 94 |
+
have to get home without anyone seeing
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:33,430 --> 00:00:33,440
|
| 98 |
+
have to get home without anyone seeing
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:33,440 --> 00:00:35,709
|
| 103 |
+
have to get home without anyone seeing
|
| 104 |
+
me I have that dream
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:35,709 --> 00:00:35,719
|
| 108 |
+
me I have that dream
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:35,719 --> 00:00:38,750
|
| 113 |
+
me I have that dream
|
| 114 |
+
too last time I had that dream there was
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:38,750 --> 00:00:38,760
|
| 118 |
+
too last time I had that dream there was
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:38,760 --> 00:00:41,270
|
| 123 |
+
too last time I had that dream there was
|
| 124 |
+
an alligator chasing me you ever get
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:41,270 --> 00:00:41,280
|
| 128 |
+
an alligator chasing me you ever get
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:41,280 --> 00:00:44,389
|
| 133 |
+
an alligator chasing me you ever get
|
| 134 |
+
that one no you ever watch cartoons yes
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:44,389 --> 00:00:44,399
|
| 138 |
+
that one no you ever watch cartoons yes
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:44,399 --> 00:00:45,910
|
| 143 |
+
that one no you ever watch cartoons yes
|
| 144 |
+
are you
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:45,910 --> 00:00:45,920
|
| 148 |
+
are you
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:45,920 --> 00:00:48,830
|
| 153 |
+
are you
|
| 154 |
+
married WHYY you ask a lot of questions
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:48,830 --> 00:00:48,840
|
| 158 |
+
married WHYY you ask a lot of questions
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:48,840 --> 00:00:52,110
|
| 163 |
+
married WHYY you ask a lot of questions
|
| 164 |
+
the meter's
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:52,110 --> 00:00:52,120
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:52,120 --> 00:00:54,389
|
| 173 |
+
|
| 174 |
+
ticking she's on the bed she's on the
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:54,389 --> 00:00:54,399
|
| 178 |
+
ticking she's on the bed she's on the
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:54,399 --> 00:00:56,389
|
| 183 |
+
ticking she's on the bed she's on the
|
| 184 |
+
bed now how do you want to do this
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:56,389 --> 00:00:56,399
|
| 188 |
+
bed now how do you want to do this
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:56,399 --> 00:00:59,189
|
| 193 |
+
bed now how do you want to do this
|
| 194 |
+
standing up or on the bed I'll Stand I
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:59,189 --> 00:00:59,199
|
| 198 |
+
standing up or on the bed I'll Stand I
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:59,199 --> 00:01:01,830
|
| 203 |
+
standing up or on the bed I'll Stand I
|
| 204 |
+
meant me not
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:01,830 --> 00:01:01,840
|
| 208 |
+
meant me not
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:01,840 --> 00:01:06,390
|
| 213 |
+
meant me not
|
| 214 |
+
e on the bed on the bed on the bed
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:06,390 --> 00:01:06,400
|
| 218 |
+
e on the bed on the bed on the bed
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:06,400 --> 00:01:16,910
|
| 223 |
+
e on the bed on the bed on the bed
|
| 224 |
+
bed
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:16,910 --> 00:01:16,920
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:16,920 --> 00:01:24,910
|
| 233 |
+
|
| 234 |
+
okay do you want the lights on or
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:24,910 --> 00:01:24,920
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:24,920 --> 00:01:28,310
|
| 243 |
+
|
| 244 |
+
off is she naked yet don't start until I
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:28,310 --> 00:01:28,320
|
| 248 |
+
off is she naked yet don't start until I
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:28,320 --> 00:01:33,830
|
| 253 |
+
off is she naked yet don't start until I
|
| 254 |
+
can see turn off the lights we can't
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:33,830 --> 00:01:33,840
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:33,840 --> 00:01:52,429
|
| 263 |
+
|
| 264 |
+
see
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:52,429 --> 00:01:52,439
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:52,439 --> 00:01:55,670
|
| 273 |
+
|
| 274 |
+
set what's the matter I can't do it I
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:55,670 --> 00:01:55,680
|
| 278 |
+
set what's the matter I can't do it I
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:55,680 --> 00:01:57,190
|
| 283 |
+
set what's the matter I can't do it I
|
| 284 |
+
want to be a
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:57,190 --> 00:01:57,200
|
| 288 |
+
want to be a
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:57,200 --> 00:01:59,310
|
| 293 |
+
want to be a
|
| 294 |
+
gentleman doesn't a gentleman bring
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:59,310 --> 00:01:59,320
|
| 298 |
+
gentleman doesn't a gentleman bring
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:59,320 --> 00:02:02,630
|
| 303 |
+
gentleman doesn't a gentleman bring
|
| 304 |
+
enough for every
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:02,630 --> 00:02:02,640
|
| 308 |
+
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:02,640 --> 00:02:09,309
|
| 313 |
+
|
| 314 |
+
bud this is the greatest moment of my
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:02:09,309 --> 00:02:09,319
|
| 318 |
+
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:02:09,319 --> 00:02:13,430
|
| 323 |
+
|
| 324 |
+
life okay that's it time's up
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:13,430 --> 00:02:13,440
|
| 328 |
+
life okay that's it time's up
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:13,440 --> 00:02:44,509
|
| 333 |
+
life okay that's it time's up
|
| 334 |
+
[Music]
|
| 335 |
+
|
1994/_HCS9AJ0rEI.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
The Mask movie clips: http://j.mp/1COeQuV
|
| 2 |
+
BUY THE MOVIE: http://bit.ly/2bVvM18
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Stanley (Jim Carrey), as The Mask, saves Tina (Cameron Diaz) by swallowing Tyrell's bomb.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey's trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey's physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina's gangster boyfriend to destroy Stanley and use the mask's powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to "Cuban Pete." The film delivered enough laughs to become a surprise hit and, along with the same year's Dumb and Dumber, establish Carrey's status as a comedy superstar.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Warner Bros. (1994)
|
| 13 |
+
Cast: Jim Carrey, Cameron Diaz
|
| 14 |
+
Director: Chuck Russell
|
| 15 |
+
Producers: Ann Burgund, Michael De Luca, Robert Engelman, Carla Fry, Chuck Russell, Mike Richardson
|
| 16 |
+
Screenwriters: Mark Verheiden, Mike Werb, Michael Fallon
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/_HgOQNBkVvY.en.srt
ADDED
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,030 --> 00:00:03,139
|
| 3 |
+
|
| 4 |
+
Martin Oh Clifford this is this is Sarah
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,139 --> 00:00:03,149
|
| 8 |
+
Martin Oh Clifford this is this is Sarah
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,149 --> 00:00:04,690
|
| 13 |
+
Martin Oh Clifford this is this is Sarah
|
| 14 |
+
Davis
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:04,690 --> 00:00:04,700
|
| 18 |
+
Davis
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:04,700 --> 00:00:09,770
|
| 23 |
+
Davis
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:09,770 --> 00:00:09,780
|
| 28 |
+
[Music]
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:09,780 --> 00:00:14,750
|
| 33 |
+
[Music]
|
| 34 |
+
hello hello mrs. Sarah Davis who that's
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:14,750 --> 00:00:14,760
|
| 38 |
+
hello hello mrs. Sarah Davis who that's
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:14,760 --> 00:00:18,589
|
| 43 |
+
hello hello mrs. Sarah Davis who that's
|
| 44 |
+
a lovely bathrobe you're wearing I'm
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:18,589 --> 00:00:18,599
|
| 48 |
+
a lovely bathrobe you're wearing I'm
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:18,599 --> 00:00:19,790
|
| 53 |
+
a lovely bathrobe you're wearing I'm
|
| 54 |
+
sure anyone else who wouldn't look half
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:19,790 --> 00:00:19,800
|
| 58 |
+
sure anyone else who wouldn't look half
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:19,800 --> 00:00:23,990
|
| 63 |
+
sure anyone else who wouldn't look half
|
| 64 |
+
as lovely thank you what a sweet thing
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:23,990 --> 00:00:24,000
|
| 68 |
+
as lovely thank you what a sweet thing
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:24,000 --> 00:00:27,290
|
| 73 |
+
as lovely thank you what a sweet thing
|
| 74 |
+
to say isn't he everything I said he was
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:27,290 --> 00:00:27,300
|
| 78 |
+
to say isn't he everything I said he was
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:27,300 --> 00:00:30,109
|
| 83 |
+
to say isn't he everything I said he was
|
| 84 |
+
I love you my uncle and I you Clinton
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:30,109 --> 00:00:30,119
|
| 88 |
+
I love you my uncle and I you Clinton
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:30,119 --> 00:00:33,620
|
| 93 |
+
I love you my uncle and I you Clinton
|
| 94 |
+
Clipper isn't there an incredible family
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:33,620 --> 00:00:33,630
|
| 98 |
+
Clipper isn't there an incredible family
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:33,630 --> 00:00:37,430
|
| 103 |
+
Clipper isn't there an incredible family
|
| 104 |
+
resemblance look at this well I guess
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:37,430 --> 00:00:37,440
|
| 108 |
+
resemblance look at this well I guess
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:37,440 --> 00:00:45,619
|
| 113 |
+
resemblance look at this well I guess
|
| 114 |
+
yes well I'd like to see a lot more of
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:45,619 --> 00:00:45,629
|
| 118 |
+
yes well I'd like to see a lot more of
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:45,629 --> 00:00:47,329
|
| 123 |
+
yes well I'd like to see a lot more of
|
| 124 |
+
you Clifford perhaps you can convince
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:47,329 --> 00:00:47,339
|
| 128 |
+
you Clifford perhaps you can convince
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:47,339 --> 00:00:49,479
|
| 133 |
+
you Clifford perhaps you can convince
|
| 134 |
+
your uncle to make sure of that
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:49,479 --> 00:00:49,489
|
| 138 |
+
your uncle to make sure of that
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:49,489 --> 00:00:52,459
|
| 143 |
+
your uncle to make sure of that
|
| 144 |
+
absolutely but right now sleepyhead we
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:52,459 --> 00:00:52,469
|
| 148 |
+
absolutely but right now sleepyhead we
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:52,469 --> 00:00:55,430
|
| 153 |
+
absolutely but right now sleepyhead we
|
| 154 |
+
got to get you to uncle Martin's nobody
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:55,430 --> 00:00:55,440
|
| 158 |
+
got to get you to uncle Martin's nobody
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:55,440 --> 00:00:57,110
|
| 163 |
+
got to get you to uncle Martin's nobody
|
| 164 |
+
would despise when someone ruffles my
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:57,110 --> 00:00:57,120
|
| 168 |
+
would despise when someone ruffles my
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:57,120 --> 00:00:59,119
|
| 173 |
+
would despise when someone ruffles my
|
| 174 |
+
hair like that uncle Martin but not when
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:59,119 --> 00:00:59,129
|
| 178 |
+
hair like that uncle Martin but not when
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:59,129 --> 00:01:04,700
|
| 183 |
+
hair like that uncle Martin but not when
|
| 184 |
+
you do it isn't he something yes he
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:04,700 --> 00:01:04,710
|
| 188 |
+
you do it isn't he something yes he
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:04,710 --> 00:01:10,850
|
| 193 |
+
you do it isn't he something yes he
|
| 194 |
+
certainly is okay honey let's go
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:10,850 --> 00:01:10,860
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:10,860 --> 00:01:19,800
|
| 203 |
+
|
| 204 |
+
[Music]
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:19,800 --> 00:01:19,810
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:19,810 --> 00:01:26,499
|
| 213 |
+
|
| 214 |
+
okay clever one night good night sweet
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:26,499 --> 00:01:26,509
|
| 218 |
+
okay clever one night good night sweet
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:26,509 --> 00:01:28,990
|
| 223 |
+
okay clever one night good night sweet
|
| 224 |
+
Sarah may all your dreams be pleasant
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:28,990 --> 00:01:29,000
|
| 228 |
+
Sarah may all your dreams be pleasant
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:29,000 --> 00:01:29,410
|
| 233 |
+
Sarah may all your dreams be pleasant
|
| 234 |
+
one
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:29,410 --> 00:01:29,420
|
| 238 |
+
one
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:29,420 --> 00:01:34,700
|
| 243 |
+
one
|
| 244 |
+
when the rainbow aren't you
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:34,700 --> 00:01:34,710
|
| 248 |
+
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:34,710 --> 00:01:51,450
|
| 253 |
+
|
| 254 |
+
[Music]
|
| 255 |
+
|
1994/_JuHsTbZKqA.en.srt
ADDED
|
@@ -0,0 +1,110 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,160 --> 00:00:15,030
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:15,030 --> 00:00:15,040
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:15,040 --> 00:00:23,400
|
| 13 |
+
[Music]
|
| 14 |
+
they wait s
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:23,400 --> 00:00:23,410
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:23,410 --> 00:00:41,190
|
| 23 |
+
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:41,190 --> 00:00:41,200
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:41,200 --> 00:00:52,430
|
| 33 |
+
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:52,430 --> 00:00:52,440
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:52,440 --> 00:00:55,430
|
| 43 |
+
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:55,430 --> 00:00:55,440
|
| 48 |
+
[Music]
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:55,440 --> 00:01:15,720
|
| 53 |
+
[Music]
|
| 54 |
+
give my regards to King Tod
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:01:15,720 --> 00:01:15,730
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:01:15,730 --> 00:01:25,230
|
| 63 |
+
|
| 64 |
+
[Music]
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:01:25,230 --> 00:01:28,790
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:01:28,790 --> 00:01:28,800
|
| 73 |
+
|
| 74 |
+
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:28,800 --> 00:01:32,830
|
| 78 |
+
|
| 79 |
+
[Music]
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:32,830 --> 00:01:32,840
|
| 83 |
+
|
| 84 |
+
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:32,840 --> 00:01:41,620
|
| 88 |
+
|
| 89 |
+
you
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:41,620 --> 00:01:41,630
|
| 93 |
+
|
| 94 |
+
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:41,630 --> 00:02:07,950
|
| 98 |
+
|
| 99 |
+
[Music]
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:02:07,950 --> 00:02:07,960
|
| 103 |
+
|
| 104 |
+
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:02:07,960 --> 00:02:10,960
|
| 108 |
+
|
| 109 |
+
ch
|
| 110 |
+
|
1994/_UvKhc0wVU8.en.srt
ADDED
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,920 --> 00:00:09,450
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:09,450 --> 00:00:09,460
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:09,460 --> 00:00:09,880
|
| 13 |
+
|
| 14 |
+
[Applause]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,880 --> 00:00:09,890
|
| 18 |
+
[Applause]
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,890 --> 00:00:11,070
|
| 23 |
+
[Applause]
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:11,070 --> 00:00:11,080
|
| 28 |
+
[Music]
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:11,080 --> 00:00:17,350
|
| 33 |
+
[Music]
|
| 34 |
+
[Applause]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:17,350 --> 00:00:17,360
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:17,360 --> 00:00:23,490
|
| 43 |
+
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:23,490 --> 00:00:23,500
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:23,500 --> 00:00:26,310
|
| 53 |
+
|
| 54 |
+
I'm a bored clever
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:26,310 --> 00:00:26,320
|
| 58 |
+
I'm a bored clever
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:26,320 --> 00:00:29,800
|
| 63 |
+
I'm a bored clever
|
| 64 |
+
are you excited clever yes cuz this has
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:29,800 --> 00:00:29,810
|
| 68 |
+
are you excited clever yes cuz this has
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:29,810 --> 00:00:31,720
|
| 73 |
+
are you excited clever yes cuz this has
|
| 74 |
+
always been my dream uncle Martin it's
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:31,720 --> 00:00:31,730
|
| 78 |
+
always been my dream uncle Martin it's
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:31,730 --> 00:00:33,370
|
| 83 |
+
always been my dream uncle Martin it's
|
| 84 |
+
the same way as building a transit
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:33,370 --> 00:00:33,380
|
| 88 |
+
the same way as building a transit
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:33,380 --> 00:00:35,619
|
| 93 |
+
the same way as building a transit
|
| 94 |
+
system was always my dream what do you
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:35,619 --> 00:00:35,629
|
| 98 |
+
system was always my dream what do you
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:35,629 --> 00:00:37,680
|
| 103 |
+
system was always my dream what do you
|
| 104 |
+
say was has something happened to it
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:37,680 --> 00:00:37,690
|
| 108 |
+
say was has something happened to it
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:37,690 --> 00:00:41,740
|
| 113 |
+
say was has something happened to it
|
| 114 |
+
something happened to it we'll see how
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:41,740 --> 00:00:41,750
|
| 118 |
+
something happened to it we'll see how
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:41,750 --> 00:00:43,479
|
| 123 |
+
something happened to it we'll see how
|
| 124 |
+
you feel about your dream after being on
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:43,479 --> 00:00:43,489
|
| 128 |
+
you feel about your dream after being on
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:43,489 --> 00:00:46,720
|
| 133 |
+
you feel about your dream after being on
|
| 134 |
+
the ride for ten hours ten hours who I
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:46,720 --> 00:00:46,730
|
| 138 |
+
the ride for ten hours ten hours who I
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:46,730 --> 00:00:48,220
|
| 143 |
+
the ride for ten hours ten hours who I
|
| 144 |
+
would imagine I would like it even more
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:48,220 --> 00:00:48,230
|
| 148 |
+
would imagine I would like it even more
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:48,230 --> 00:00:50,229
|
| 153 |
+
would imagine I would like it even more
|
| 154 |
+
they will see how you feel after a
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:50,229 --> 00:00:50,239
|
| 158 |
+
they will see how you feel after a
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:50,239 --> 00:00:53,010
|
| 163 |
+
they will see how you feel after a
|
| 164 |
+
hundred hours
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:53,010 --> 00:00:53,020
|
| 168 |
+
hundred hours
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:53,020 --> 00:01:31,560
|
| 173 |
+
hundred hours
|
| 174 |
+
[Music]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:31,560 --> 00:01:31,570
|
| 178 |
+
[Music]
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:31,570 --> 00:01:36,039
|
| 183 |
+
[Music]
|
| 184 |
+
hello I'm Jenny little adapter I took
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:36,039 --> 00:01:36,049
|
| 188 |
+
hello I'm Jenny little adapter I took
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:36,049 --> 00:01:37,810
|
| 193 |
+
hello I'm Jenny little adapter I took
|
| 194 |
+
back if I were you
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:37,810 --> 00:01:37,820
|
| 198 |
+
back if I were you
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:37,820 --> 00:01:40,990
|
| 203 |
+
back if I were you
|
| 204 |
+
Harry is you know horrible things
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:40,990 --> 00:01:41,000
|
| 208 |
+
Harry is you know horrible things
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:41,000 --> 00:01:47,900
|
| 213 |
+
Harry is you know horrible things
|
| 214 |
+
haven't been going very well around here
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:47,900 --> 00:01:47,910
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:47,910 --> 00:01:57,970
|
| 223 |
+
|
| 224 |
+
[Music]
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:57,970 --> 00:01:57,980
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:57,980 --> 00:02:25,139
|
| 233 |
+
|
| 234 |
+
[Music]
|
| 235 |
+
|
1994/_eruoEC4LsA.en.srt
ADDED
|
@@ -0,0 +1,95 @@
|
|
|
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|
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|
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|
| 1 |
+
1
|
| 2 |
+
00:00:05,710 --> 00:00:21,210
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:21,210 --> 00:00:21,220
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:21,220 --> 00:00:25,120
|
| 13 |
+
|
| 14 |
+
[Music]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:25,120 --> 00:00:25,130
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:25,130 --> 00:00:28,950
|
| 23 |
+
|
| 24 |
+
[Applause]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:28,950 --> 00:00:28,960
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:28,960 --> 00:00:35,850
|
| 33 |
+
|
| 34 |
+
cool
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:35,850 --> 00:00:35,860
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:35,860 --> 00:00:54,120
|
| 43 |
+
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:54,120 --> 00:00:54,130
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:54,130 --> 00:00:58,910
|
| 53 |
+
|
| 54 |
+
[Music]
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:58,910 --> 00:00:58,920
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:58,920 --> 00:01:02,310
|
| 63 |
+
|
| 64 |
+
f
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:01:02,310 --> 00:01:02,320
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:01:02,320 --> 00:01:28,830
|
| 73 |
+
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:28,830 --> 00:01:28,840
|
| 78 |
+
[Music]
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:28,840 --> 00:01:31,550
|
| 83 |
+
[Music]
|
| 84 |
+
V
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:31,550 --> 00:01:31,560
|
| 88 |
+
V
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:31,560 --> 00:01:34,560
|
| 93 |
+
V
|
| 94 |
+
x
|
| 95 |
+
|
1994/_q36_9BaH4g.en.srt
ADDED
|
@@ -0,0 +1,115 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,390 --> 00:00:06,530
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:06,530 --> 00:00:06,540
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:06,540 --> 00:00:09,060
|
| 13 |
+
|
| 14 |
+
Sumalee
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,060 --> 00:00:09,070
|
| 18 |
+
Sumalee
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,070 --> 00:00:46,880
|
| 23 |
+
Sumalee
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:46,880 --> 00:00:46,890
|
| 28 |
+
[Music]
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:46,890 --> 00:00:49,870
|
| 33 |
+
[Music]
|
| 34 |
+
what's happening up there
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:49,870 --> 00:00:49,880
|
| 38 |
+
what's happening up there
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:49,880 --> 00:00:55,520
|
| 43 |
+
what's happening up there
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:55,520 --> 00:00:55,530
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:55,530 --> 00:01:00,460
|
| 53 |
+
|
| 54 |
+
what are you with sustenance at
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:01:00,460 --> 00:01:00,470
|
| 58 |
+
what are you with sustenance at
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:01:00,470 --> 00:01:11,450
|
| 63 |
+
what are you with sustenance at
|
| 64 |
+
[Music]
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:01:11,450 --> 00:01:11,460
|
| 68 |
+
[Music]
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:01:11,460 --> 00:01:13,649
|
| 73 |
+
[Music]
|
| 74 |
+
[Applause]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:13,649 --> 00:01:13,659
|
| 78 |
+
[Applause]
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:13,659 --> 00:01:28,719
|
| 83 |
+
[Applause]
|
| 84 |
+
how you doing
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:28,719 --> 00:01:28,729
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:28,729 --> 00:01:48,000
|
| 93 |
+
|
| 94 |
+
damn come on buddy
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:48,000 --> 00:01:48,010
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:48,010 --> 00:01:58,400
|
| 103 |
+
|
| 104 |
+
[Music]
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:58,400 --> 00:01:58,410
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:58,410 --> 00:02:37,860
|
| 113 |
+
|
| 114 |
+
[Music]
|
| 115 |
+
|
1994/_qit_nq-jUk.en.srt
ADDED
|
@@ -0,0 +1,515 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,359 --> 00:00:03,750
|
| 3 |
+
|
| 4 |
+
budy amman's office yeah what happened
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,750 --> 00:00:03,760
|
| 8 |
+
budy amman's office yeah what happened
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,760 --> 00:00:05,990
|
| 13 |
+
budy amman's office yeah what happened
|
| 14 |
+
uh Stella's office just called uh she's
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,990 --> 00:00:06,000
|
| 18 |
+
uh Stella's office just called uh she's
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:06,000 --> 00:00:07,630
|
| 23 |
+
uh Stella's office just called uh she's
|
| 24 |
+
going to be unreachable until Monday
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:07,630 --> 00:00:07,640
|
| 28 |
+
going to be unreachable until Monday
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:07,640 --> 00:00:09,589
|
| 33 |
+
going to be unreachable until Monday
|
| 34 |
+
what do you mean unreachable well
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:09,589 --> 00:00:09,599
|
| 38 |
+
what do you mean unreachable well
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:09,599 --> 00:00:11,669
|
| 43 |
+
what do you mean unreachable well
|
| 44 |
+
evidently she's whitewater rafting in
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:11,669 --> 00:00:11,679
|
| 48 |
+
evidently she's whitewater rafting in
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:11,679 --> 00:00:13,430
|
| 53 |
+
evidently she's whitewater rafting in
|
| 54 |
+
Colorado with Tom
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:13,430 --> 00:00:13,440
|
| 58 |
+
Colorado with Tom
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:13,440 --> 00:00:16,510
|
| 63 |
+
Colorado with Tom
|
| 64 |
+
Cruz yeah so track her down find out
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:16,510 --> 00:00:16,520
|
| 68 |
+
Cruz yeah so track her down find out
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:16,520 --> 00:00:17,630
|
| 73 |
+
Cruz yeah so track her down find out
|
| 74 |
+
where she's
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:17,630 --> 00:00:17,640
|
| 78 |
+
where she's
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:17,640 --> 00:00:21,269
|
| 83 |
+
where she's
|
| 84 |
+
staying she's rafting well she's
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:21,269 --> 00:00:21,279
|
| 88 |
+
staying she's rafting well she's
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:21,279 --> 00:00:23,070
|
| 93 |
+
staying she's rafting well she's
|
| 94 |
+
unreachable
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:23,070 --> 00:00:23,080
|
| 98 |
+
unreachable
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:23,080 --> 00:00:26,390
|
| 103 |
+
unreachable
|
| 104 |
+
uhhuh I don't see the problem she's
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:26,390 --> 00:00:26,400
|
| 108 |
+
uhhuh I don't see the problem she's
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:26,400 --> 00:00:29,990
|
| 113 |
+
uhhuh I don't see the problem she's
|
| 114 |
+
rafting on the water I I I don't imagine
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:29,990 --> 00:00:30,000
|
| 118 |
+
rafting on the water I I I don't imagine
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:30,000 --> 00:00:32,670
|
| 123 |
+
rafting on the water I I I don't imagine
|
| 124 |
+
and they have phones there they have
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:32,670 --> 00:00:32,680
|
| 128 |
+
and they have phones there they have
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:32,680 --> 00:00:34,750
|
| 133 |
+
and they have phones there they have
|
| 134 |
+
helicopters don't
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:34,750 --> 00:00:34,760
|
| 138 |
+
helicopters don't
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:34,760 --> 00:00:39,110
|
| 143 |
+
helicopters don't
|
| 144 |
+
they yes I I I suppose they do you
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:39,110 --> 00:00:39,120
|
| 148 |
+
they yes I I I suppose they do you
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:39,120 --> 00:00:41,470
|
| 153 |
+
they yes I I I suppose they do you
|
| 154 |
+
suppose listen you little twerp I can't
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:41,470 --> 00:00:41,480
|
| 158 |
+
suppose listen you little twerp I can't
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:41,480 --> 00:00:43,229
|
| 163 |
+
suppose listen you little twerp I can't
|
| 164 |
+
spend my day telling you how to do your
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:43,229 --> 00:00:43,239
|
| 168 |
+
spend my day telling you how to do your
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:43,239 --> 00:00:45,709
|
| 173 |
+
spend my day telling you how to do your
|
| 174 |
+
job is he in one of his
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:45,709 --> 00:00:45,719
|
| 178 |
+
job is he in one of his
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:45,719 --> 00:00:48,110
|
| 183 |
+
job is he in one of his
|
| 184 |
+
moods it's not brain surgery you know
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:48,110 --> 00:00:48,120
|
| 188 |
+
moods it's not brain surgery you know
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:48,120 --> 00:00:49,869
|
| 193 |
+
moods it's not brain surgery you know
|
| 194 |
+
get me Stella and you come back when
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:49,869 --> 00:00:49,879
|
| 198 |
+
get me Stella and you come back when
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:49,879 --> 00:00:51,389
|
| 203 |
+
get me Stella and you come back when
|
| 204 |
+
she's unreachable I don't want to ever
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:00:51,389 --> 00:00:51,399
|
| 208 |
+
she's unreachable I don't want to ever
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:00:51,399 --> 00:00:53,069
|
| 213 |
+
she's unreachable I don't want to ever
|
| 214 |
+
hear that word again get out of my way
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:00:53,069 --> 00:00:53,079
|
| 218 |
+
hear that word again get out of my way
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:00:53,079 --> 00:00:55,270
|
| 223 |
+
hear that word again get out of my way
|
| 224 |
+
shut up listen learn there is no such
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:00:55,270 --> 00:00:55,280
|
| 228 |
+
shut up listen learn there is no such
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:00:55,280 --> 00:00:57,470
|
| 233 |
+
shut up listen learn there is no such
|
| 234 |
+
word as unreachable for this office find
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:00:57,470 --> 00:00:57,480
|
| 238 |
+
word as unreachable for this office find
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:00:57,480 --> 00:00:59,549
|
| 243 |
+
word as unreachable for this office find
|
| 244 |
+
her get her I want to talk to her by
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:00:59,549 --> 00:00:59,559
|
| 248 |
+
her get her I want to talk to her by
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:00:59,559 --> 00:01:01,790
|
| 253 |
+
her get her I want to talk to her by
|
| 254 |
+
lunch if she's not on the phone by ow ow
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:01,790 --> 00:01:01,800
|
| 258 |
+
lunch if she's not on the phone by ow ow
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:01,800 --> 00:01:03,470
|
| 263 |
+
lunch if she's not on the phone by ow ow
|
| 264 |
+
who do you work for if she's not on the
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:03,470 --> 00:01:03,480
|
| 268 |
+
who do you work for if she's not on the
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:03,480 --> 00:01:05,670
|
| 273 |
+
who do you work for if she's not on the
|
| 274 |
+
phone by the time I get back up listen
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:05,670 --> 00:01:05,680
|
| 278 |
+
phone by the time I get back up listen
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:05,680 --> 00:01:07,350
|
| 283 |
+
phone by the time I get back up listen
|
| 284 |
+
you know about that parking spot thing
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:07,350 --> 00:01:07,360
|
| 288 |
+
you know about that parking spot thing
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:07,360 --> 00:01:09,070
|
| 293 |
+
you know about that parking spot thing
|
| 294 |
+
had I known that you work for buddy I
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:09,070 --> 00:01:09,080
|
| 298 |
+
had I known that you work for buddy I
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:09,080 --> 00:01:10,910
|
| 303 |
+
had I known that you work for buddy I
|
| 304 |
+
certainly would have let you don't worry
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:10,910 --> 00:01:10,920
|
| 308 |
+
certainly would have let you don't worry
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:10,920 --> 00:01:13,070
|
| 313 |
+
certainly would have let you don't worry
|
| 314 |
+
about it really no I'm just saying you
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:13,070 --> 00:01:13,080
|
| 318 |
+
about it really no I'm just saying you
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:13,080 --> 00:01:14,510
|
| 323 |
+
about it really no I'm just saying you
|
| 324 |
+
get enough from him you don't need
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:14,510 --> 00:01:14,520
|
| 328 |
+
get enough from him you don't need
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:14,520 --> 00:01:17,030
|
| 333 |
+
get enough from him you don't need
|
| 334 |
+
it from me believe me I can handle buddy
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:17,030 --> 00:01:17,040
|
| 338 |
+
it from me believe me I can handle buddy
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:17,040 --> 00:01:18,749
|
| 343 |
+
it from me believe me I can handle buddy
|
| 344 |
+
unreachable me work for other hacks out
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:18,749 --> 00:01:18,759
|
| 348 |
+
unreachable me work for other hacks out
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:18,759 --> 00:01:21,270
|
| 353 |
+
unreachable me work for other hacks out
|
| 354 |
+
there but not
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:21,270 --> 00:01:21,280
|
| 358 |
+
there but not
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:21,280 --> 00:01:24,990
|
| 363 |
+
there but not
|
| 364 |
+
here Don excuse me I just need to yell
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:24,990 --> 00:01:25,000
|
| 368 |
+
here Don excuse me I just need to yell
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:25,000 --> 00:01:27,030
|
| 373 |
+
here Don excuse me I just need to yell
|
| 374 |
+
at my brain dead assistant for
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:27,030 --> 00:01:27,040
|
| 378 |
+
at my brain dead assistant for
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:27,040 --> 00:01:39,149
|
| 383 |
+
at my brain dead assistant for
|
| 384 |
+
a second get in here
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:39,149 --> 00:01:39,159
|
| 388 |
+
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:39,159 --> 00:01:41,550
|
| 393 |
+
|
| 394 |
+
you ever use word unreachable in
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:41,550 --> 00:01:41,560
|
| 398 |
+
you ever use word unreachable in
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:41,560 --> 00:01:43,270
|
| 403 |
+
you ever use word unreachable in
|
| 404 |
+
my office again I swear to God I will
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:01:43,270 --> 00:01:43,280
|
| 408 |
+
my office again I swear to God I will
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:01:43,280 --> 00:01:45,069
|
| 413 |
+
my office again I swear to God I will
|
| 414 |
+
send you godamn through the lobby in a
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:01:45,069 --> 00:01:45,079
|
| 418 |
+
send you godamn through the lobby in a
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:01:45,079 --> 00:01:47,030
|
| 423 |
+
send you godamn through the lobby in a
|
| 424 |
+
mailo don't ever do it again you
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:01:47,030 --> 00:01:47,040
|
| 428 |
+
mailo don't ever do it again you
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:01:47,040 --> 00:01:48,950
|
| 433 |
+
mailo don't ever do it again you
|
| 434 |
+
understand I give me my phone if my car
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:01:48,950 --> 00:01:48,960
|
| 438 |
+
understand I give me my phone if my car
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:01:48,960 --> 00:01:50,590
|
| 443 |
+
understand I give me my phone if my car
|
| 444 |
+
phone isn't put in my car by 4:00 you're
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:01:50,590 --> 00:01:50,600
|
| 448 |
+
phone isn't put in my car by 4:00 you're
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:01:50,600 --> 00:01:55,670
|
| 453 |
+
phone isn't put in my car by 4:00 you're
|
| 454 |
+
a dead person I already did it it's
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:01:55,670 --> 00:01:55,680
|
| 458 |
+
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:01:55,680 --> 00:01:59,469
|
| 463 |
+
|
| 464 |
+
all Dawn gorgeous it's been too long get
|
| 465 |
+
|
| 466 |
+
94
|
| 467 |
+
00:01:59,469 --> 00:01:59,479
|
| 468 |
+
all Dawn gorgeous it's been too long get
|
| 469 |
+
|
| 470 |
+
|
| 471 |
+
95
|
| 472 |
+
00:01:59,479 --> 00:02:04,590
|
| 473 |
+
all Dawn gorgeous it's been too long get
|
| 474 |
+
your cute little BT in
|
| 475 |
+
|
| 476 |
+
96
|
| 477 |
+
00:02:04,590 --> 00:02:04,600
|
| 478 |
+
|
| 479 |
+
|
| 480 |
+
|
| 481 |
+
97
|
| 482 |
+
00:02:04,600 --> 00:02:10,430
|
| 483 |
+
|
| 484 |
+
here guy hold on my calls
|
| 485 |
+
|
| 486 |
+
98
|
| 487 |
+
00:02:10,430 --> 00:02:10,440
|
| 488 |
+
|
| 489 |
+
|
| 490 |
+
|
| 491 |
+
99
|
| 492 |
+
00:02:10,440 --> 00:02:31,750
|
| 493 |
+
|
| 494 |
+
[Music]
|
| 495 |
+
|
| 496 |
+
100
|
| 497 |
+
00:02:31,750 --> 00:02:31,760
|
| 498 |
+
|
| 499 |
+
|
| 500 |
+
|
| 501 |
+
101
|
| 502 |
+
00:02:31,760 --> 00:02:35,520
|
| 503 |
+
|
| 504 |
+
St
|
| 505 |
+
|
| 506 |
+
102
|
| 507 |
+
00:02:35,520 --> 00:02:35,530
|
| 508 |
+
|
| 509 |
+
|
| 510 |
+
|
| 511 |
+
103
|
| 512 |
+
00:02:35,530 --> 00:02:41,479
|
| 513 |
+
|
| 514 |
+
[Music]
|
| 515 |
+
|
1994/a6uHu-9c23c.en.srt
ADDED
|
@@ -0,0 +1,175 @@
|
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|
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|
|
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|
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|
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|
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|
|
|
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|
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|
|
|
|
|
|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
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|
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|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
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|
|
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|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:01,030 --> 00:00:05,789
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,789 --> 00:00:05,799
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,799 --> 00:00:08,030
|
| 13 |
+
|
| 14 |
+
stay well thanks for coming to the pH
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:08,030 --> 00:00:08,040
|
| 18 |
+
stay well thanks for coming to the pH
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:08,040 --> 00:00:17,510
|
| 23 |
+
stay well thanks for coming to the pH
|
| 24 |
+
with me I had a good
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:17,510 --> 00:00:17,520
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:17,520 --> 00:00:24,630
|
| 33 |
+
|
| 34 |
+
time good
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:24,630 --> 00:00:24,640
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:24,640 --> 00:00:28,950
|
| 43 |
+
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:28,950 --> 00:00:28,960
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:28,960 --> 00:00:31,020
|
| 53 |
+
|
| 54 |
+
night
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:31,020 --> 00:00:31,030
|
| 58 |
+
night
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:31,030 --> 00:00:42,120
|
| 63 |
+
night
|
| 64 |
+
[Music]
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:42,120 --> 00:00:42,130
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:42,130 --> 00:00:53,750
|
| 73 |
+
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:53,750 --> 00:00:53,760
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:53,760 --> 00:00:58,910
|
| 83 |
+
|
| 84 |
+
my girl
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:58,910 --> 00:00:58,920
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:58,920 --> 00:01:04,590
|
| 93 |
+
|
| 94 |
+
geek get off of
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:04,590 --> 00:01:04,600
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:04,600 --> 00:01:17,370
|
| 103 |
+
|
| 104 |
+
me how do you get that
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:17,370 --> 00:01:17,380
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:17,380 --> 00:01:26,109
|
| 113 |
+
|
| 114 |
+
[Music]
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:26,109 --> 00:01:26,119
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:26,119 --> 00:01:27,230
|
| 123 |
+
|
| 124 |
+
huh
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:27,230 --> 00:01:27,240
|
| 128 |
+
huh
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:27,240 --> 00:01:28,830
|
| 133 |
+
huh
|
| 134 |
+
[Music]
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:28,830 --> 00:01:28,840
|
| 138 |
+
[Music]
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:28,840 --> 00:01:30,020
|
| 143 |
+
[Music]
|
| 144 |
+
me
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:30,020 --> 00:01:30,030
|
| 148 |
+
me
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:30,030 --> 00:01:58,830
|
| 153 |
+
me
|
| 154 |
+
[Music]
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:58,830 --> 00:01:58,840
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:58,840 --> 00:02:01,480
|
| 163 |
+
|
| 164 |
+
off
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:02:01,480 --> 00:02:01,490
|
| 168 |
+
off
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:02:01,490 --> 00:02:07,470
|
| 173 |
+
off
|
| 174 |
+
[Music]
|
| 175 |
+
|
1994/aNR8SIVnHTY.description
ADDED
|
@@ -0,0 +1,37 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
Milk Money movie clips: http://j.mp/1BcPwPE
|
| 2 |
+
BUY THE MOVIE: http://j.mp/Ax1ZZ5
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Frank (Michael Patrick Carter) brings V (Melanie Griffith) to class for an in-person anatomy lesson.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
After befriending a kind-hearted prostitute, a 12-year-old boy attempts to set her up with his widowed father in this family comedy. Young Frank Wheeler (Michael Patrick Carter) first meets working girl V (Melanie Griffith) when he and two friends pool their money to buy a glimpse of a naked woman. V does the job and agrees to drive Frank home; along the way, he becomes convinced that this nice call girl would be the perfect new wife for his dad (Ed Harris). V happens to be on the run from a group of evil gangsters, so when he invites her to stay at their house in the suburbs, she readily agrees. Masquerading as a math tutor, she strikes a chord with Mr. Wheeler, but this budding romance is soon threatened by the return of V's past. Despite the potentially off-color premise, Milk Money aims to be innocuous family fare, with juvenile jokes mixing with unthreatening romance.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Paramount (1994)
|
| 13 |
+
Cast: Michael Patrick Carter, Brian Christopher, Adam LaVorgna, Melanie Griffith, Margaret Nagle, Amanda Sharkey, Jessica Wesson
|
| 14 |
+
Director: Richard Benjamin
|
| 15 |
+
Producers: Michael Finnell, Patrick J. Palmer, Kathleen Kennedy, Frank Marshall
|
| 16 |
+
|
| 17 |
+
WHO ARE WE?
|
| 18 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 19 |
+
|
| 20 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 21 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 22 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 23 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 24 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 25 |
+
Extras: http://bit.ly/1u431fr
|
| 26 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 27 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 28 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 29 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 30 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 31 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 32 |
+
|
| 33 |
+
HIT US UP:
|
| 34 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 35 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 36 |
+
Pinterest: http://bit.ly/14wL9De
|
| 37 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/aNR8SIVnHTY.en.srt
ADDED
|
@@ -0,0 +1,265 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,399 --> 00:00:02,310
|
| 3 |
+
|
| 4 |
+
Owen meie junor
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,310 --> 00:00:02,320
|
| 8 |
+
Owen meie junor
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,320 --> 00:00:06,789
|
| 13 |
+
Owen meie junor
|
| 14 |
+
hi just a
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:06,789 --> 00:00:06,799
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:06,799 --> 00:00:10,070
|
| 23 |
+
|
| 24 |
+
moment is spech please report to the
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:10,070 --> 00:00:10,080
|
| 28 |
+
moment is spech please report to the
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:10,080 --> 00:00:14,030
|
| 33 |
+
moment is spech please report to the
|
| 34 |
+
office you have a phone call uh all
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:14,030 --> 00:00:14,040
|
| 38 |
+
office you have a phone call uh all
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:14,040 --> 00:00:15,669
|
| 43 |
+
office you have a phone call uh all
|
| 44 |
+
right Frank don't do anything until I
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:15,669 --> 00:00:15,679
|
| 48 |
+
right Frank don't do anything until I
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:15,679 --> 00:00:26,509
|
| 53 |
+
right Frank don't do anything until I
|
| 54 |
+
get back of
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:26,509 --> 00:00:26,519
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:26,519 --> 00:00:28,950
|
| 63 |
+
|
| 64 |
+
course let's get
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:28,950 --> 00:00:28,960
|
| 68 |
+
course let's get
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:28,960 --> 00:00:36,720
|
| 73 |
+
course let's get
|
| 74 |
+
started started on
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:36,720 --> 00:00:36,730
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:36,730 --> 00:00:45,960
|
| 83 |
+
|
| 84 |
+
[Music]
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:45,960 --> 00:00:45,970
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:45,970 --> 00:00:55,069
|
| 93 |
+
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:55,069 --> 00:00:55,079
|
| 98 |
+
[Music]
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:55,079 --> 00:01:02,990
|
| 103 |
+
[Music]
|
| 104 |
+
FL hello she
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:02,990 --> 00:01:03,000
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:03,000 --> 00:01:05,030
|
| 113 |
+
|
| 114 |
+
hello
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:05,030 --> 00:01:05,040
|
| 118 |
+
hello
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:05,040 --> 00:01:07,230
|
| 123 |
+
hello
|
| 124 |
+
hello the line is
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:07,230 --> 00:01:07,240
|
| 128 |
+
hello the line is
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:07,240 --> 00:01:11,630
|
| 133 |
+
hello the line is
|
| 134 |
+
dead this is a
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:11,630 --> 00:01:11,640
|
| 138 |
+
dead this is a
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:11,640 --> 00:01:15,670
|
| 143 |
+
dead this is a
|
| 144 |
+
woman these are her
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:15,670 --> 00:01:15,680
|
| 148 |
+
woman these are her
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:15,680 --> 00:01:18,070
|
| 153 |
+
woman these are her
|
| 154 |
+
breasts they serve an important
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:18,070 --> 00:01:18,080
|
| 158 |
+
breasts they serve an important
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:18,080 --> 00:01:21,069
|
| 163 |
+
breasts they serve an important
|
| 164 |
+
biological function in child rearing as
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:21,069 --> 00:01:21,079
|
| 168 |
+
biological function in child rearing as
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:21,079 --> 00:01:25,910
|
| 173 |
+
biological function in child rearing as
|
| 174 |
+
both a food source and
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:25,910 --> 00:01:25,920
|
| 178 |
+
both a food source and
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:25,920 --> 00:01:30,230
|
| 183 |
+
both a food source and
|
| 184 |
+
headrest size and shape of breast may
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:30,230 --> 00:01:30,240
|
| 188 |
+
headrest size and shape of breast may
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:30,240 --> 00:01:34,109
|
| 193 |
+
headrest size and shape of breast may
|
| 194 |
+
vary from person to person but number is
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:34,109 --> 00:01:34,119
|
| 198 |
+
vary from person to person but number is
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:34,119 --> 00:01:36,620
|
| 203 |
+
vary from person to person but number is
|
| 204 |
+
constant 1
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:36,620 --> 00:01:36,630
|
| 208 |
+
constant 1
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:36,630 --> 00:01:39,630
|
| 213 |
+
constant 1
|
| 214 |
+
[Applause]
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:39,630 --> 00:01:39,640
|
| 218 |
+
[Applause]
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:39,640 --> 00:01:44,180
|
| 223 |
+
[Applause]
|
| 224 |
+
2 please
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:44,180 --> 00:01:44,190
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:44,190 --> 00:02:00,469
|
| 233 |
+
|
| 234 |
+
[Music]
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:02:00,469 --> 00:02:00,479
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:02:00,479 --> 00:02:03,149
|
| 243 |
+
|
| 244 |
+
children who wants me to go on children
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:03,149 --> 00:02:03,159
|
| 248 |
+
children who wants me to go on children
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:03,159 --> 00:02:05,430
|
| 253 |
+
children who wants me to go on children
|
| 254 |
+
unlock this door
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:05,430 --> 00:02:05,440
|
| 258 |
+
unlock this door
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:05,440 --> 00:02:36,489
|
| 263 |
+
unlock this door
|
| 264 |
+
[Music]
|
| 265 |
+
|
1994/aVEtuBwgly0.en.srt
ADDED
|
@@ -0,0 +1,265 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:13,519 --> 00:00:22,310
|
| 3 |
+
|
| 4 |
+
why what a terrific surprise I'm in all
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:22,310 --> 00:00:22,320
|
| 8 |
+
why what a terrific surprise I'm in all
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:22,320 --> 00:00:23,990
|
| 13 |
+
why what a terrific surprise I'm in all
|
| 14 |
+
fairness I must confess I've never
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:23,990 --> 00:00:24,000
|
| 18 |
+
fairness I must confess I've never
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:24,000 --> 00:00:25,820
|
| 23 |
+
fairness I must confess I've never
|
| 24 |
+
actually considered you to be much of
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:25,820 --> 00:00:25,830
|
| 28 |
+
actually considered you to be much of
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:25,830 --> 00:00:27,679
|
| 33 |
+
actually considered you to be much of
|
| 34 |
+
the reader type per se
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:27,679 --> 00:00:27,689
|
| 38 |
+
the reader type per se
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:27,689 --> 00:00:31,070
|
| 43 |
+
the reader type per se
|
| 44 |
+
I need a Big Damn look Oh Big Damn vlog
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:31,070 --> 00:00:31,080
|
| 48 |
+
I need a Big Damn look Oh Big Damn vlog
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:31,080 --> 00:00:32,630
|
| 53 |
+
I need a Big Damn look Oh Big Damn vlog
|
| 54 |
+
well super we certainly have a few of
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:32,630 --> 00:00:32,640
|
| 58 |
+
well super we certainly have a few of
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:32,640 --> 00:00:35,420
|
| 63 |
+
well super we certainly have a few of
|
| 64 |
+
those but if I might um have you found
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:35,420 --> 00:00:35,430
|
| 68 |
+
those but if I might um have you found
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:35,430 --> 00:00:37,130
|
| 73 |
+
those but if I might um have you found
|
| 74 |
+
that you've been more in the market for
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:37,130 --> 00:00:37,140
|
| 78 |
+
that you've been more in the market for
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:37,140 --> 00:00:39,889
|
| 83 |
+
that you've been more in the market for
|
| 84 |
+
a coffee table brunch display kind of
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:39,889 --> 00:00:39,899
|
| 88 |
+
a coffee table brunch display kind of
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:39,899 --> 00:00:41,360
|
| 93 |
+
a coffee table brunch display kind of
|
| 94 |
+
impress your guests kind of a thing
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:41,360 --> 00:00:41,370
|
| 98 |
+
impress your guests kind of a thing
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:41,370 --> 00:00:43,040
|
| 103 |
+
impress your guests kind of a thing
|
| 104 |
+
where you're leaning more towards a
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:43,040 --> 00:00:43,050
|
| 108 |
+
where you're leaning more towards a
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:43,050 --> 00:00:44,690
|
| 113 |
+
where you're leaning more towards a
|
| 114 |
+
bedside flip right through before you go
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:44,690 --> 00:00:44,700
|
| 118 |
+
bedside flip right through before you go
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:44,700 --> 00:00:50,060
|
| 123 |
+
bedside flip right through before you go
|
| 124 |
+
to bed number like a chocolate oh not
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:50,060 --> 00:00:50,070
|
| 128 |
+
to bed number like a chocolate oh not
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:50,070 --> 00:00:53,180
|
| 133 |
+
to bed number like a chocolate oh not
|
| 134 |
+
another word I'd like to recommend one
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:53,180 --> 00:00:53,190
|
| 138 |
+
another word I'd like to recommend one
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:53,190 --> 00:00:56,180
|
| 143 |
+
another word I'd like to recommend one
|
| 144 |
+
of my very favorite authors to you woman
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:56,180 --> 00:00:56,190
|
| 148 |
+
of my very favorite authors to you woman
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:56,190 --> 00:00:59,299
|
| 153 |
+
of my very favorite authors to you woman
|
| 154 |
+
named Jane Austen this is a writer of
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:59,299 --> 00:00:59,309
|
| 158 |
+
named Jane Austen this is a writer of
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:59,309 --> 00:01:02,569
|
| 163 |
+
named Jane Austen this is a writer of
|
| 164 |
+
just wonderfully exquisite prose and of
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:02,569 --> 00:01:02,579
|
| 168 |
+
just wonderfully exquisite prose and of
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:02,579 --> 00:01:05,179
|
| 173 |
+
just wonderfully exquisite prose and of
|
| 174 |
+
course as you can see it's a big damn
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:05,179 --> 00:01:05,189
|
| 178 |
+
course as you can see it's a big damn
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:05,189 --> 00:01:10,340
|
| 183 |
+
course as you can see it's a big damn
|
| 184 |
+
book Oh Pride and Prejudice hey Bob I
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:10,340 --> 00:01:10,350
|
| 188 |
+
book Oh Pride and Prejudice hey Bob I
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:10,350 --> 00:01:11,990
|
| 193 |
+
book Oh Pride and Prejudice hey Bob I
|
| 194 |
+
think you're gonna get more than a run
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:11,990 --> 00:01:12,000
|
| 198 |
+
think you're gonna get more than a run
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:12,000 --> 00:01:13,450
|
| 203 |
+
think you're gonna get more than a run
|
| 204 |
+
for your money out of this one
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:13,450 --> 00:01:13,460
|
| 208 |
+
for your money out of this one
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:13,460 --> 00:01:19,780
|
| 213 |
+
for your money out of this one
|
| 214 |
+
I'm mark well I think $2 is a fair price
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:19,780 --> 00:01:19,790
|
| 218 |
+
I'm mark well I think $2 is a fair price
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:19,790 --> 00:01:25,240
|
| 223 |
+
I'm mark well I think $2 is a fair price
|
| 224 |
+
Roley mm-hmm so much for just the pride
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:25,240 --> 00:01:25,250
|
| 228 |
+
Roley mm-hmm so much for just the pride
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:25,250 --> 00:01:28,819
|
| 233 |
+
Roley mm-hmm so much for just the pride
|
| 234 |
+
well actually one does hate to break up
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:28,819 --> 00:01:28,829
|
| 238 |
+
well actually one does hate to break up
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:28,829 --> 00:01:33,920
|
| 243 |
+
well actually one does hate to break up
|
| 244 |
+
the set all right I've got to test it
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:33,920 --> 00:01:33,930
|
| 248 |
+
the set all right I've got to test it
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:33,930 --> 00:01:38,740
|
| 253 |
+
the set all right I've got to test it
|
| 254 |
+
first a big pardon where's your outhouse
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:38,740 --> 00:01:38,750
|
| 258 |
+
first a big pardon where's your outhouse
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:38,750 --> 00:01:41,750
|
| 263 |
+
first a big pardon where's your outhouse
|
| 264 |
+
back
|
| 265 |
+
|
1994/aWinsyIVC3E.en.srt
ADDED
|
@@ -0,0 +1,195 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,430 --> 00:00:22,830
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:22,830 --> 00:00:22,840
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:22,840 --> 00:00:39,229
|
| 13 |
+
|
| 14 |
+
[Music]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:39,229 --> 00:00:39,239
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:39,239 --> 00:00:41,029
|
| 23 |
+
|
| 24 |
+
hey
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:41,029 --> 00:00:41,039
|
| 28 |
+
hey
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:41,039 --> 00:00:43,180
|
| 33 |
+
hey
|
| 34 |
+
stop there's a friend of
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:43,180 --> 00:00:43,190
|
| 38 |
+
stop there's a friend of
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:43,190 --> 00:00:51,910
|
| 43 |
+
stop there's a friend of
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:51,910 --> 00:00:51,920
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:51,920 --> 00:00:54,189
|
| 53 |
+
|
| 54 |
+
yours I got a daughter that says he
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:54,189 --> 00:00:54,199
|
| 58 |
+
yours I got a daughter that says he
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:54,199 --> 00:00:57,069
|
| 63 |
+
yours I got a daughter that says he
|
| 64 |
+
brings her
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:57,069 --> 00:00:57,079
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:57,079 --> 00:01:03,750
|
| 73 |
+
|
| 74 |
+
back whoa honey
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:03,750 --> 00:01:03,760
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:03,760 --> 00:01:07,560
|
| 83 |
+
|
| 84 |
+
St St
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:07,560 --> 00:01:07,570
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:07,570 --> 00:01:12,030
|
| 93 |
+
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:12,030 --> 00:01:12,040
|
| 98 |
+
[Music]
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:12,040 --> 00:01:19,190
|
| 103 |
+
[Music]
|
| 104 |
+
that no hey
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:19,190 --> 00:01:19,200
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:19,200 --> 00:01:42,429
|
| 113 |
+
|
| 114 |
+
[Music]
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:42,429 --> 00:01:42,439
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:42,439 --> 00:01:44,990
|
| 123 |
+
|
| 124 |
+
whoa
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:44,990 --> 00:01:45,000
|
| 128 |
+
whoa
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:45,000 --> 00:01:47,109
|
| 133 |
+
whoa
|
| 134 |
+
whoa
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:47,109 --> 00:01:47,119
|
| 138 |
+
whoa
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:47,119 --> 00:01:50,030
|
| 143 |
+
whoa
|
| 144 |
+
easy easy
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:50,030 --> 00:01:50,040
|
| 148 |
+
easy easy
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:50,040 --> 00:01:52,790
|
| 153 |
+
easy easy
|
| 154 |
+
honey easy
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:52,790 --> 00:01:52,800
|
| 158 |
+
honey easy
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:52,800 --> 00:01:59,980
|
| 163 |
+
honey easy
|
| 164 |
+
[Music]
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:59,980 --> 00:01:59,990
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:59,990 --> 00:02:08,749
|
| 173 |
+
|
| 174 |
+
[Music]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:02:08,749 --> 00:02:08,759
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:02:08,759 --> 00:02:12,430
|
| 183 |
+
|
| 184 |
+
you got it
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:02:12,430 --> 00:02:12,440
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:02:12,440 --> 00:02:43,500
|
| 193 |
+
|
| 194 |
+
[Music]
|
| 195 |
+
|
1994/aZJG26fSy94.en.srt
ADDED
|
@@ -0,0 +1,195 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:03,560 --> 00:00:07,070
|
| 3 |
+
|
| 4 |
+
that's just us well can't you keep it
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:07,070 --> 00:00:07,080
|
| 8 |
+
that's just us well can't you keep it
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:07,080 --> 00:00:12,230
|
| 13 |
+
that's just us well can't you keep it
|
| 14 |
+
company well why am i soaking wet
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:12,230 --> 00:00:12,240
|
| 18 |
+
company well why am i soaking wet
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:12,240 --> 00:00:32,840
|
| 23 |
+
company well why am i soaking wet
|
| 24 |
+
don't worry about the same you're not a
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:32,840 --> 00:00:32,850
|
| 28 |
+
don't worry about the same you're not a
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:32,850 --> 00:00:34,880
|
| 33 |
+
don't worry about the same you're not a
|
| 34 |
+
thing about Darla all right yeah no
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:34,880 --> 00:00:34,890
|
| 38 |
+
thing about Darla all right yeah no
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:34,890 --> 00:00:36,080
|
| 43 |
+
thing about Darla all right yeah no
|
| 44 |
+
course not
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:36,080 --> 00:00:36,090
|
| 48 |
+
course not
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:36,090 --> 00:00:39,740
|
| 53 |
+
course not
|
| 54 |
+
good I wonder if she's nothin gonna make
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:39,740 --> 00:00:39,750
|
| 58 |
+
good I wonder if she's nothin gonna make
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:39,750 --> 00:00:44,470
|
| 63 |
+
good I wonder if she's nothin gonna make
|
| 64 |
+
- quiet voices jerks
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:44,470 --> 00:00:44,480
|
| 68 |
+
- quiet voices jerks
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:44,480 --> 00:00:49,639
|
| 73 |
+
- quiet voices jerks
|
| 74 |
+
thinking about alpha are you oh no no no
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:49,639 --> 00:00:49,649
|
| 78 |
+
thinking about alpha are you oh no no no
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:49,649 --> 00:00:56,689
|
| 83 |
+
thinking about alpha are you oh no no no
|
| 84 |
+
way are you sure things are like a pet
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:56,689 --> 00:00:56,699
|
| 88 |
+
way are you sure things are like a pet
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:56,699 --> 00:00:59,840
|
| 93 |
+
way are you sure things are like a pet
|
| 94 |
+
so once again I'm stuck in your head you
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:59,840 --> 00:00:59,850
|
| 98 |
+
so once again I'm stuck in your head you
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:59,850 --> 00:01:05,690
|
| 103 |
+
so once again I'm stuck in your head you
|
| 104 |
+
can't get it on again
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:05,690 --> 00:01:05,700
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:05,700 --> 00:01:09,600
|
| 113 |
+
|
| 114 |
+
why do I have to be so different
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:09,600 --> 00:01:09,610
|
| 118 |
+
why do I have to be so different
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:09,610 --> 00:01:12,870
|
| 123 |
+
why do I have to be so different
|
| 124 |
+
hmm girl get along with each other who I
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:12,870 --> 00:01:12,880
|
| 128 |
+
hmm girl get along with each other who I
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:12,880 --> 00:01:16,410
|
| 133 |
+
hmm girl get along with each other who I
|
| 134 |
+
stand up for themselves girls yeah boys
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:16,410 --> 00:01:16,420
|
| 138 |
+
stand up for themselves girls yeah boys
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:16,420 --> 00:01:21,359
|
| 143 |
+
stand up for themselves girls yeah boys
|
| 144 |
+
take what's theirs boy listen all I want
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:21,359 --> 00:01:21,369
|
| 148 |
+
take what's theirs boy listen all I want
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:21,369 --> 00:01:36,690
|
| 153 |
+
take what's theirs boy listen all I want
|
| 154 |
+
to do is talk farting Barbies and
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:36,690 --> 00:01:36,700
|
| 158 |
+
to do is talk farting Barbies and
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:36,700 --> 00:01:53,380
|
| 163 |
+
to do is talk farting Barbies and
|
| 164 |
+
bracelets
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:53,380 --> 00:01:53,390
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:53,390 --> 00:01:55,660
|
| 173 |
+
|
| 174 |
+
[Applause]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:55,660 --> 00:01:55,670
|
| 178 |
+
[Applause]
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:55,670 --> 00:02:06,040
|
| 183 |
+
[Applause]
|
| 184 |
+
[Music]
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:02:06,040 --> 00:02:06,050
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:02:06,050 --> 00:02:17,379
|
| 193 |
+
|
| 194 |
+
[Music]
|
| 195 |
+
|
1994/bWo3nlFcH5k.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
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| 1 |
+
Being Human movie clips: http://j.mp/2ovFho1
|
| 2 |
+
BUY THE MOVIE: http://bit.ly/2oKlaTi
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Lucinnius (John Turturro) explains to Hector (Robin Williams) why he has to die beside him.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Five fables, each set in a different historical era, make up this quirky comedy from director Bill Forsyth. Each tale features Robin Williams as a basically decent but troubled average man named Hector. Beginning with the Bronze Age, where Hector struggles for survival against barbarians, the film proceeds through Roman times, the Middle Ages, and the 16th century, concluding in the present day, where Hector is a divorced father attempting to reconcile with his children. The film clearly intends to draw parallels between these stories in order to illustrate the universal nature of human experience, though the segments themselves vary widely in tone, from broadly comic to philosophically reflective. Additionally, some may find the film's attempts at creating a fantasy atmosphere rather cloying, while others may be charmed by the project's determined oddness and whimsicality.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Warner Bros. (1994)
|
| 13 |
+
Cast: Robin Williams, John Turturro
|
| 14 |
+
Director: Bill Forsyth
|
| 15 |
+
Producers: Robert F. Colesberry, Steve Norris, David Puttnam
|
| 16 |
+
Screenwriter: Bill Forsyth
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1994/bWo3nlFcH5k.en.srt
ADDED
|
@@ -0,0 +1,375 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,120 --> 00:00:02,629
|
| 3 |
+
|
| 4 |
+
we'll do it with a knife Hector when
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,629 --> 00:00:02,639
|
| 8 |
+
we'll do it with a knife Hector when
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,639 --> 00:00:05,749
|
| 13 |
+
we'll do it with a knife Hector when
|
| 14 |
+
everyone has gone to bed two of us to
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,749 --> 00:00:05,759
|
| 18 |
+
everyone has gone to bed two of us to
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,759 --> 00:00:08,669
|
| 23 |
+
everyone has gone to bed two of us to
|
| 24 |
+
the end I don't understand what do you
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:08,669 --> 00:00:08,679
|
| 28 |
+
the end I don't understand what do you
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:08,679 --> 00:00:11,070
|
| 33 |
+
the end I don't understand what do you
|
| 34 |
+
want me to do I don't think I could help
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:11,070 --> 00:00:11,080
|
| 38 |
+
want me to do I don't think I could help
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:11,080 --> 00:00:13,509
|
| 43 |
+
want me to do I don't think I could help
|
| 44 |
+
you die we'll help each other we must
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:13,509 --> 00:00:13,519
|
| 48 |
+
you die we'll help each other we must
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:13,519 --> 00:00:17,310
|
| 53 |
+
you die we'll help each other we must
|
| 54 |
+
we've been through this whole mess
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:17,310 --> 00:00:17,320
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:17,320 --> 00:00:20,630
|
| 63 |
+
|
| 64 |
+
together you don't understand do you I'm
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:20,630 --> 00:00:20,640
|
| 68 |
+
together you don't understand do you I'm
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:20,640 --> 00:00:23,550
|
| 73 |
+
together you don't understand do you I'm
|
| 74 |
+
asking you to die with me you're my
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:23,550 --> 00:00:23,560
|
| 78 |
+
asking you to die with me you're my
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:23,560 --> 00:00:25,470
|
| 83 |
+
asking you to die with me you're my
|
| 84 |
+
closest my dearest
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:25,470 --> 00:00:25,480
|
| 88 |
+
closest my dearest
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:25,480 --> 00:00:27,950
|
| 93 |
+
closest my dearest
|
| 94 |
+
slaves what would they say about me if
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:27,950 --> 00:00:27,960
|
| 98 |
+
slaves what would they say about me if
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:27,960 --> 00:00:30,749
|
| 103 |
+
slaves what would they say about me if
|
| 104 |
+
you refuse to die with me you keep
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:30,749 --> 00:00:30,759
|
| 108 |
+
you refuse to die with me you keep
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:30,759 --> 00:00:32,510
|
| 113 |
+
you refuse to die with me you keep
|
| 114 |
+
saying
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:32,510 --> 00:00:32,520
|
| 118 |
+
saying
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:32,520 --> 00:00:36,510
|
| 123 |
+
saying
|
| 124 |
+
we why we what have I done I've done
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:36,510 --> 00:00:36,520
|
| 128 |
+
we why we what have I done I've done
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:36,520 --> 00:00:40,709
|
| 133 |
+
we why we what have I done I've done
|
| 134 |
+
nothing I I know nothing I at cyprian's
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:40,709 --> 00:00:40,719
|
| 138 |
+
nothing I I know nothing I at cyprian's
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:40,719 --> 00:00:43,029
|
| 143 |
+
nothing I I know nothing I at cyprian's
|
| 144 |
+
this morning I had to sign certain
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:43,029 --> 00:00:43,039
|
| 148 |
+
this morning I had to sign certain
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:43,039 --> 00:00:46,630
|
| 153 |
+
this morning I had to sign certain
|
| 154 |
+
papers tell a bit of a story what kind
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:46,630 --> 00:00:46,640
|
| 158 |
+
papers tell a bit of a story what kind
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:46,640 --> 00:00:48,630
|
| 163 |
+
papers tell a bit of a story what kind
|
| 164 |
+
of story a
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:48,630 --> 00:00:48,640
|
| 168 |
+
of story a
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:48,640 --> 00:00:50,590
|
| 173 |
+
of story a
|
| 174 |
+
confession we were plotting against
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:50,590 --> 00:00:50,600
|
| 178 |
+
confession we were plotting against
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:50,600 --> 00:00:52,990
|
| 183 |
+
confession we were plotting against
|
| 184 |
+
cyprien and the provincial Senate we
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:52,990 --> 00:00:53,000
|
| 188 |
+
cyprien and the provincial Senate we
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:53,000 --> 00:00:55,430
|
| 193 |
+
cyprien and the provincial Senate we
|
| 194 |
+
were short of names most of the people I
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:55,430 --> 00:00:55,440
|
| 198 |
+
were short of names most of the people I
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:55,440 --> 00:00:58,590
|
| 203 |
+
were short of names most of the people I
|
| 204 |
+
know were in the room people I thought
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:00:58,590 --> 00:00:58,600
|
| 208 |
+
know were in the room people I thought
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:00:58,600 --> 00:01:00,430
|
| 213 |
+
know were in the room people I thought
|
| 214 |
+
were my friends
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:00,430 --> 00:01:00,440
|
| 218 |
+
were my friends
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:00,440 --> 00:01:02,830
|
| 223 |
+
were my friends
|
| 224 |
+
so I mentioned you I had to and what did
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:02,830 --> 00:01:02,840
|
| 228 |
+
so I mentioned you I had to and what did
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:02,840 --> 00:01:05,310
|
| 233 |
+
so I mentioned you I had to and what did
|
| 234 |
+
I do you stole money from cyprian to
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:05,310 --> 00:01:05,320
|
| 238 |
+
I do you stole money from cyprian to
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:05,320 --> 00:01:07,710
|
| 243 |
+
I do you stole money from cyprian to
|
| 244 |
+
bribe and corrupt members of the
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:07,710 --> 00:01:07,720
|
| 248 |
+
bribe and corrupt members of the
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:07,720 --> 00:01:11,510
|
| 253 |
+
bribe and corrupt members of the
|
| 254 |
+
Senate a rebel against the state nasty
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:11,510 --> 00:01:11,520
|
| 258 |
+
Senate a rebel against the state nasty
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:11,520 --> 00:01:13,030
|
| 263 |
+
Senate a rebel against the state nasty
|
| 264 |
+
piece of
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:13,030 --> 00:01:13,040
|
| 268 |
+
piece of
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:13,040 --> 00:01:19,710
|
| 273 |
+
piece of
|
| 274 |
+
work sit down of
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:19,710 --> 00:01:19,720
|
| 278 |
+
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:19,720 --> 00:01:22,069
|
| 283 |
+
|
| 284 |
+
course do you think we go anywhere else
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:22,069 --> 00:01:22,079
|
| 288 |
+
course do you think we go anywhere else
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:22,079 --> 00:01:24,270
|
| 293 |
+
course do you think we go anywhere else
|
| 294 |
+
when we die I don't
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:24,270 --> 00:01:24,280
|
| 298 |
+
when we die I don't
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:24,280 --> 00:01:26,390
|
| 303 |
+
when we die I don't
|
| 304 |
+
know they say
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:26,390 --> 00:01:26,400
|
| 308 |
+
know they say
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:26,400 --> 00:01:31,069
|
| 313 |
+
know they say
|
| 314 |
+
so I hope not I just wanted to stop stop
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:31,069 --> 00:01:31,079
|
| 318 |
+
so I hope not I just wanted to stop stop
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:31,079 --> 00:01:35,389
|
| 323 |
+
so I hope not I just wanted to stop stop
|
| 324 |
+
just stop if I die a slave will I be a
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:35,389 --> 00:01:35,399
|
| 328 |
+
just stop if I die a slave will I be a
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:35,399 --> 00:01:39,550
|
| 333 |
+
just stop if I die a slave will I be a
|
| 334 |
+
slave forever I would think so wouldn't
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:39,550 --> 00:01:39,560
|
| 338 |
+
slave forever I would think so wouldn't
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:39,560 --> 00:01:45,670
|
| 343 |
+
slave forever I would think so wouldn't
|
| 344 |
+
you sorry
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:45,670 --> 00:01:45,680
|
| 348 |
+
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:45,680 --> 00:01:48,709
|
| 353 |
+
|
| 354 |
+
Hector but I would be
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:48,709 --> 00:01:48,719
|
| 358 |
+
Hector but I would be
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:48,719 --> 00:01:56,380
|
| 363 |
+
Hector but I would be
|
| 364 |
+
honored if you would die with me
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:56,380 --> 00:01:56,390
|
| 368 |
+
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:56,390 --> 00:02:23,479
|
| 373 |
+
|
| 374 |
+
[Music]
|
| 375 |
+
|
1994/b_BA368IluE.en.srt
ADDED
|
@@ -0,0 +1,154 @@
|
|
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|
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|
|
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|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
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|
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|
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|
|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:01,575 --> 00:00:06,117
|
| 3 |
+
Michael Grates, vice president
|
| 4 |
+
regional programming,
|
| 5 |
+
l n Your Face TV.
|
| 6 |
+
|
| 7 |
+
2
|
| 8 |
+
00:00:06,179 --> 00:00:08,952
|
| 9 |
+
We've seen it.
|
| 10 |
+
It's like MTV but with an edge.
|
| 11 |
+
|
| 12 |
+
3
|
| 13 |
+
00:00:09,016 --> 00:00:11,085
|
| 14 |
+
So is it a date?
|
| 15 |
+
Yeah. Yep.
|
| 16 |
+
|
| 17 |
+
4
|
| 18 |
+
00:00:11,151 --> 00:00:13,087
|
| 19 |
+
Dinner?
|
| 20 |
+
Coffee.
|
| 21 |
+
|
| 22 |
+
5
|
| 23 |
+
00:00:13,152 --> 00:00:16,258
|
| 24 |
+
Coffee or cappuccino?
|
| 25 |
+
Oh, he ended up saying ''decaf.''
|
| 26 |
+
|
| 27 |
+
6
|
| 28 |
+
00:00:16,322 --> 00:00:19,327
|
| 29 |
+
Oh, no. Early night.
|
| 30 |
+
Is there any pre-coffee activity?
|
| 31 |
+
|
| 32 |
+
7
|
| 33 |
+
00:00:19,392 --> 00:00:23,265
|
| 34 |
+
l don't think so.
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:23,328 --> 00:00:26,300
|
| 38 |
+
Go out. He definitely
|
| 39 |
+
said _o out.
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:26,364 --> 00:00:28,534
|
| 43 |
+
Oh, shit.
|
| 44 |
+
What?
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:28,599 --> 00:00:30,537
|
| 48 |
+
l forgot to
|
| 49 |
+
tell you something.
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:30,601 --> 00:00:35,344
|
| 53 |
+
Areyou out ofyour mind?
|
| 54 |
+
|
| 55 |
+
12
|
| 56 |
+
00:00:35,406 --> 00:00:38,945
|
| 57 |
+
He needs a place to stay
|
| 58 |
+
until he can find a newjob
|
| 59 |
+
and get his own place.
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:39,009 --> 00:00:42,448
|
| 63 |
+
Vickie, that's the American
|
| 64 |
+
dream ofthe '90s.
|
| 65 |
+
That could takeyears.
|
| 66 |
+
|
| 67 |
+
14
|
| 68 |
+
00:00:42,512 --> 00:00:46,219
|
| 69 |
+
Look at it like
|
| 70 |
+
a built-in securitysystem.
|
| 71 |
+
We'll have a man around.
|
| 72 |
+
|
| 73 |
+
15
|
| 74 |
+
00:00:46,282 --> 00:00:51,290
|
| 75 |
+
We'll have a hall monitor.
|
| 76 |
+
l don't even know ifthis
|
| 77 |
+
is allowed in the building.
|
| 78 |
+
|
| 79 |
+
16
|
| 80 |
+
00:00:51,353 --> 00:00:55,794
|
| 81 |
+
lt's not like Mr. Roper's
|
| 82 |
+
gonna burst in.
|
| 83 |
+
l'll just stay on the couch.
|
| 84 |
+
|
| 85 |
+
17
|
| 86 |
+
00:00:55,857 --> 00:01:01,234
|
| 87 |
+
Vickie, he will turn this place
|
| 88 |
+
into a den ofslack.
|
| 89 |
+
|
| 90 |
+
18
|
| 91 |
+
00:01:02,563 --> 00:01:05,435
|
| 92 |
+
What the hell is your problem?
|
| 93 |
+
|
| 94 |
+
19
|
| 95 |
+
00:01:05,499 --> 00:01:08,303
|
| 96 |
+
l have to work around here,
|
| 97 |
+
and unfortunately, Troy,
|
| 98 |
+
|
| 99 |
+
20
|
| 100 |
+
00:01:08,368 --> 00:01:11,240
|
| 101 |
+
you are a master
|
| 102 |
+
at the art oftime suckage.
|
| 103 |
+
|
| 104 |
+
21
|
| 105 |
+
00:01:11,304 --> 00:01:13,508
|
| 106 |
+
l'm sory, Miss Poster Girl
|
| 107 |
+
for the Workers Party,
|
| 108 |
+
|
| 109 |
+
22
|
| 110 |
+
00:01:13,573 --> 00:01:17,579
|
| 111 |
+
but until l get that toehold
|
| 112 |
+
in the burger industy,
|
| 113 |
+
l got time to suck.
|
| 114 |
+
|
| 115 |
+
23
|
| 116 |
+
00:01:17,642 --> 00:01:20,281
|
| 117 |
+
l'd rather check into a shelter
|
| 118 |
+
than deal with her shit.
|
| 119 |
+
|
| 120 |
+
24
|
| 121 |
+
00:01:20,346 --> 00:01:24,286
|
| 122 |
+
l know how much you'd love
|
| 123 |
+
to mainline misey here,
|
| 124 |
+
butyou don't have to.
|
| 125 |
+
|
| 126 |
+
25
|
| 127 |
+
00:01:24,349 --> 00:01:28,623
|
| 128 |
+
l can getyou
|
| 129 |
+
an interview at my dad's plant.
|
| 130 |
+
|
| 131 |
+
26
|
| 132 |
+
00:01:28,686 --> 00:01:32,593
|
| 133 |
+
- Is that part of
|
| 134 |
+
my lease agreement?
|
| 135 |
+
- That or a credit check.
|
| 136 |
+
|
| 137 |
+
27
|
| 138 |
+
00:01:32,656 --> 00:01:34,994
|
| 139 |
+
lt's cool, Troy.
|
| 140 |
+
You can stay.
|
| 141 |
+
|
| 142 |
+
28
|
| 143 |
+
00:01:35,059 --> 00:01:38,598
|
| 144 |
+
Welcome to the Maxi Pad.
|
| 145 |
+
|
| 146 |
+
29
|
| 147 |
+
00:01:38,661 --> 00:01:42,101
|
| 148 |
+
lt actually pulls moisture away
|
| 149 |
+
from you. It's good.
|
| 150 |
+
|
| 151 |
+
30
|
| 152 |
+
00:01:44,000 --> 00:01:46,237
|
| 153 |
+
You won't even know l'm here.
|
| 154 |
+
|
1994/b_jYYdrSYBg.ar.srt
ADDED
|
@@ -0,0 +1,293 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
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|
|
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|
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|
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|
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|
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|
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|
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|
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|
|
|
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|
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|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:02,760 --> 00:00:06,070
|
| 3 |
+
|
| 4 |
+
لقد سئمت من هذا ما مشكلتك
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:06,070 --> 00:00:06,080
|
| 8 |
+
لقد سئمت من هذا ما مشكلتك
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:06,080 --> 00:00:10,549
|
| 13 |
+
لقد سئمت من هذا ما مشكلتك
|
| 14 |
+
أنت أنت سو هاري العظيم
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:10,549 --> 00:00:10,559
|
| 18 |
+
أنت أنت سو هاري العظيم
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:10,559 --> 00:00:13,709
|
| 23 |
+
أنت أنت سو هاري العظيم
|
| 24 |
+
عمل رائع منزل رائع عائلة رائعة
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:13,709 --> 00:00:13,719
|
| 28 |
+
عمل رائع منزل رائع عائلة رائعة
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:13,719 --> 00:00:17,230
|
| 33 |
+
عمل رائع منزل رائع عائلة رائعة
|
| 34 |
+
رجل رائع بالكاد يمكنني إطعام ابني كيف بحق
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:17,230 --> 00:00:17,240
|
| 38 |
+
رجل رائع بالكاد يمكنني إطعام ابني كيف بحق
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:17,240 --> 00:00:19,070
|
| 43 |
+
رجل رائع بالكاد يمكنني إطعام ابني كيف بحق
|
| 44 |
+
الجحيم يكون هذا
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:19,070 --> 00:00:19,080
|
| 48 |
+
الجحيم يكون هذا
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:19,080 --> 00:00:21,990
|
| 53 |
+
الجحيم يكون هذا
|
| 54 |
+
خطئي لم أكن يجب أن أكون مشهورًا
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:21,990 --> 00:00:22,000
|
| 58 |
+
خطئي لم أكن يجب أن أكون مشهورًا
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:22,000 --> 00:00:24,109
|
| 63 |
+
خطئي لم أكن يجب أن أكون مشهورًا
|
| 64 |
+
الآن ولكن كنت سأكون
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:24,109 --> 00:00:24,119
|
| 68 |
+
الآن ولكن كنت سأكون
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:24,119 --> 00:00:28,950
|
| 73 |
+
الآن ولكن كنت سأكون
|
| 74 |
+
أفضل بكثير من قبطان الميناء
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:28,950 --> 00:00:28,960
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:28,960 --> 00:00:35,709
|
| 83 |
+
|
| 84 |
+
منك
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:35,709 --> 00:00:35,719
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:35,719 --> 00:00:38,709
|
| 93 |
+
|
| 94 |
+
هاري هاري با وماري في القارب
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:38,709 --> 00:00:38,719
|
| 98 |
+
هاري هاري با وماري في القارب
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:38,719 --> 00:00:40,790
|
| 103 |
+
هاري هاري با وماري في القارب
|
| 104 |
+
لديهم أندريه ماذا يوجد مركبة صغيرة
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:40,790 --> 00:00:40,800
|
| 108 |
+
لديهم أندريه ماذا يوجد مركبة صغيرة
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:40,800 --> 00:00:49,450
|
| 113 |
+
لديهم أندريه ماذا يوجد مركبة صغيرة
|
| 114 |
+
|
| 115 |
+
24
|
| 116 |
+
00:00:49,450 --> 00:00:49,460
|
| 117 |
+
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
25
|
| 121 |
+
00:00:49,460 --> 00:00:58,910
|
| 122 |
+
|
| 123 |
+
[موسيقى]
|
| 124 |
+
|
| 125 |
+
26
|
| 126 |
+
00:00:58,910 --> 00:00:58,920
|
| 127 |
+
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
27
|
| 131 |
+
00:00:58,920 --> 00:01:01,250
|
| 132 |
+
|
| 133 |
+
تحذير
|
| 134 |
+
|
| 135 |
+
28
|
| 136 |
+
00:01:01,250 --> 00:01:01,260
|
| 137 |
+
تحذير
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
29
|
| 141 |
+
00:01:01,260 --> 00:01:10,620
|
| 142 |
+
تحذير
|
| 143 |
+
[موسيقى]
|
| 144 |
+
|
| 145 |
+
30
|
| 146 |
+
00:01:10,620 --> 00:01:10,630
|
| 147 |
+
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
31
|
| 151 |
+
00:01:10,630 --> 00:01:15,920
|
| 152 |
+
|
| 153 |
+
[موسيقى]
|
| 154 |
+
|
| 155 |
+
32
|
| 156 |
+
00:01:15,920 --> 00:01:15,930
|
| 157 |
+
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
33
|
| 161 |
+
00:01:15,930 --> 00:01:22,350
|
| 162 |
+
|
| 163 |
+
[موسيقى]
|
| 164 |
+
|
| 165 |
+
34
|
| 166 |
+
00:01:22,350 --> 00:01:22,360
|
| 167 |
+
[موسيقى]
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
35
|
| 171 |
+
00:01:22,360 --> 00:01:23,910
|
| 172 |
+
[موسيقى]
|
| 173 |
+
ماذا
|
| 174 |
+
|
| 175 |
+
36
|
| 176 |
+
00:01:23,910 --> 00:01:23,920
|
| 177 |
+
ماذا
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
37
|
| 181 |
+
00:01:23,920 --> 00:01:26,190
|
| 182 |
+
ماذا
|
| 183 |
+
تفعل قلت أننا فقط ننزله حتى
|
| 184 |
+
|
| 185 |
+
38
|
| 186 |
+
00:01:26,190 --> 00:01:26,200
|
| 187 |
+
تفعل قلت أننا فقط ننزله حتى
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
39
|
| 191 |
+
00:01:26,200 --> 00:01:28,630
|
| 192 |
+
تفعل قلت أننا فقط ننزله حتى
|
| 193 |
+
نتمكن من الذهاب إلى الجنوب مباشرة إذا تركناه يذهب
|
| 194 |
+
|
| 195 |
+
40
|
| 196 |
+
00:01:28,630 --> 00:01:28,640
|
| 197 |
+
نتمكن من الذهاب إلى الجنوب مباشرة إذا تركناه يذهب
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
41
|
| 201 |
+
00:01:28,640 --> 00:01:30,789
|
| 202 |
+
نتمكن من الذهاب إلى الجنوب مباشرة إذا تركناه يذهب
|
| 203 |
+
سيعود فقط هذه هي
|
| 204 |
+
|
| 205 |
+
42
|
| 206 |
+
00:01:30,789 --> 00:01:30,799
|
| 207 |
+
سيعود فقط هذه هي
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
43
|
| 211 |
+
00:01:30,799 --> 00:01:33,950
|
| 212 |
+
سيعود فقط هذه هي
|
| 213 |
+
الطريقة الوحيدة باولا لا دعنا نذهب بمسدس ألا يستطيع
|
| 214 |
+
|
| 215 |
+
44
|
| 216 |
+
00:01:33,950 --> 00:01:33,960
|
| 217 |
+
الطريقة الوحيدة باولا لا دعنا نذهب بمسدس ألا يستطيع
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
45
|
| 221 |
+
00:01:33,960 --> 00:01:36,870
|
| 222 |
+
الطريقة الوحيدة باولا لا دعنا نذهب بمسدس ألا يستطيع
|
| 223 |
+
|
| 224 |
+
46
|
| 225 |
+
00:01:36,870 --> 00:01:36,880
|
| 226 |
+
|
| 227 |
+
|
| 228 |
+
|
| 229 |
+
47
|
| 230 |
+
00:01:36,880 --> 00:01:40,749
|
| 231 |
+
|
| 232 |
+
لا أندريه ماذا
|
| 233 |
+
|
| 234 |
+
48
|
| 235 |
+
00:01:40,749 --> 00:01:40,759
|
| 236 |
+
لا أندريه ماذا
|
| 237 |
+
|
| 238 |
+
|
| 239 |
+
49
|
| 240 |
+
00:01:40,759 --> 00:01:44,230
|
| 241 |
+
لا أندريه ماذا
|
| 242 |
+
فعلت أريد العودة إلى المنزل باولا أنا آسف
|
| 243 |
+
|
| 244 |
+
50
|
| 245 |
+
00:01:44,230 --> 00:01:44,240
|
| 246 |
+
فعلت أريد العودة إلى المنزل باولا أنا آسف
|
| 247 |
+
|
| 248 |
+
|
| 249 |
+
51
|
| 250 |
+
00:01:44,240 --> 00:01:46,469
|
| 251 |
+
فعلت أريد العودة إلى المنزل باولا أنا آسف
|
| 252 |
+
خطأك أيها
|
| 253 |
+
|
| 254 |
+
52
|
| 255 |
+
00:01:46,469 --> 00:01:46,479
|
| 256 |
+
خطأك أيها
|
| 257 |
+
|
| 258 |
+
|
| 259 |
+
53
|
| 260 |
+
00:01:46,479 --> 00:01:49,410
|
| 261 |
+
خطأك أيها
|
| 262 |
+
الأحمق
|
| 263 |
+
|
| 264 |
+
54
|
| 265 |
+
00:01:49,410 --> 00:01:49,420
|
| 266 |
+
الأحمق
|
| 267 |
+
|
| 268 |
+
|
| 269 |
+
55
|
| 270 |
+
00:01:49,420 --> 00:01:58,830
|
| 271 |
+
الأحمق
|
| 272 |
+
[موسيقى]
|
| 273 |
+
|
| 274 |
+
56
|
| 275 |
+
00:01:58,830 --> 00:01:58,840
|
| 276 |
+
[موسيقى]
|
| 277 |
+
|
| 278 |
+
|
| 279 |
+
57
|
| 280 |
+
00:01:58,840 --> 00:02:00,560
|
| 281 |
+
[موسيقى]
|
| 282 |
+
تحرك
|
| 283 |
+
|
| 284 |
+
58
|
| 285 |
+
00:02:00,560 --> 00:02:00,570
|
| 286 |
+
تحرك
|
| 287 |
+
|
| 288 |
+
|
| 289 |
+
59
|
| 290 |
+
00:02:00,570 --> 00:02:20,460
|
| 291 |
+
تحرك
|
| 292 |
+
[موسيقى]
|
| 293 |
+
|
1994/bbnkw5RyiCI.en.srt
ADDED
|
@@ -0,0 +1,315 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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| 1 |
+
1
|
| 2 |
+
00:00:13,639 --> 00:00:15,200
|
| 3 |
+
|
| 4 |
+
hi Clifford
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:15,200 --> 00:00:15,210
|
| 8 |
+
hi Clifford
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:15,210 --> 00:00:17,779
|
| 13 |
+
hi Clifford
|
| 14 |
+
Martin see Sara she was taking off to
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:17,779 --> 00:00:17,789
|
| 18 |
+
Martin see Sara she was taking off to
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:17,789 --> 00:00:19,970
|
| 23 |
+
Martin see Sara she was taking off to
|
| 24 |
+
meet someone named reach me by a lady
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:19,970 --> 00:00:19,980
|
| 28 |
+
meet someone named reach me by a lady
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:19,980 --> 00:00:22,540
|
| 33 |
+
meet someone named reach me by a lady
|
| 34 |
+
who looks like this
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:22,540 --> 00:00:22,550
|
| 38 |
+
who looks like this
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:22,550 --> 00:00:24,380
|
| 43 |
+
who looks like this
|
| 44 |
+
what makes your face look like that
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:24,380 --> 00:00:24,390
|
| 48 |
+
what makes your face look like that
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:24,390 --> 00:00:26,779
|
| 53 |
+
what makes your face look like that
|
| 54 |
+
uncle Martin that's what they call a
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:26,779 --> 00:00:26,789
|
| 58 |
+
uncle Martin that's what they call a
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:26,789 --> 00:00:27,980
|
| 63 |
+
uncle Martin that's what they call a
|
| 64 |
+
face left
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:27,980 --> 00:00:27,990
|
| 68 |
+
face left
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:27,990 --> 00:00:46,610
|
| 73 |
+
face left
|
| 74 |
+
what's the faceless parkus did you try
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:46,610 --> 00:00:46,620
|
| 78 |
+
what's the faceless parkus did you try
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:46,620 --> 00:00:48,770
|
| 83 |
+
what's the faceless parkus did you try
|
| 84 |
+
to weasel out of it but I knew better
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:48,770 --> 00:00:48,780
|
| 88 |
+
to weasel out of it but I knew better
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:48,780 --> 00:00:51,529
|
| 93 |
+
to weasel out of it but I knew better
|
| 94 |
+
Oh your 35th anniversary that would be
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:51,529 --> 00:00:51,539
|
| 98 |
+
Oh your 35th anniversary that would be
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:51,539 --> 00:01:00,139
|
| 103 |
+
Oh your 35th anniversary that would be
|
| 104 |
+
unthinkable is this live yes I believe
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:00,139 --> 00:01:00,149
|
| 108 |
+
unthinkable is this live yes I believe
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:00,149 --> 00:01:03,020
|
| 113 |
+
unthinkable is this live yes I believe
|
| 114 |
+
it is me I'm Sarah's mother I'm
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:03,020 --> 00:01:03,030
|
| 118 |
+
it is me I'm Sarah's mother I'm
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:03,030 --> 00:01:06,380
|
| 123 |
+
it is me I'm Sarah's mother I'm
|
| 124 |
+
Annabelle you're Miss Sarah's mother you
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:06,380 --> 00:01:06,390
|
| 128 |
+
Annabelle you're Miss Sarah's mother you
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:06,390 --> 00:01:08,210
|
| 133 |
+
Annabelle you're Miss Sarah's mother you
|
| 134 |
+
must be the most wonderful person in the
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:08,210 --> 00:01:08,220
|
| 138 |
+
must be the most wonderful person in the
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:08,220 --> 00:01:15,760
|
| 143 |
+
must be the most wonderful person in the
|
| 144 |
+
whole wide world
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:15,760 --> 00:01:15,770
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:15,770 --> 00:01:20,270
|
| 153 |
+
|
| 154 |
+
[Music]
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:20,270 --> 00:01:20,280
|
| 158 |
+
[Music]
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:20,280 --> 00:01:25,249
|
| 163 |
+
[Music]
|
| 164 |
+
I believe uncle Martin would like to
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:25,249 --> 00:01:25,259
|
| 168 |
+
I believe uncle Martin would like to
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:25,259 --> 00:01:26,480
|
| 173 |
+
I believe uncle Martin would like to
|
| 174 |
+
offer you a Tilson is somewhat
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:26,480 --> 00:01:26,490
|
| 178 |
+
offer you a Tilson is somewhat
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:26,490 --> 00:01:30,830
|
| 183 |
+
offer you a Tilson is somewhat
|
| 184 |
+
auspicious occasion oh sweet a Parker
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:30,830 --> 00:01:30,840
|
| 188 |
+
auspicious occasion oh sweet a Parker
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:30,840 --> 00:01:31,700
|
| 193 |
+
auspicious occasion oh sweet a Parker
|
| 194 |
+
Sarah
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:31,700 --> 00:01:31,710
|
| 198 |
+
Sarah
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:31,710 --> 00:01:34,609
|
| 203 |
+
Sarah
|
| 204 |
+
everybody come on gather round there is
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:34,609 --> 00:01:34,619
|
| 208 |
+
everybody come on gather round there is
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:34,619 --> 00:01:36,830
|
| 213 |
+
everybody come on gather round there is
|
| 214 |
+
Martin this toasty come on quickly
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:36,830 --> 00:01:36,840
|
| 218 |
+
Martin this toasty come on quickly
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:36,840 --> 00:01:44,480
|
| 223 |
+
Martin this toasty come on quickly
|
| 224 |
+
quickly toast we raise our glass first
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:44,480 --> 00:01:44,490
|
| 228 |
+
quickly toast we raise our glass first
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:44,490 --> 00:01:48,260
|
| 233 |
+
quickly toast we raise our glass first
|
| 234 |
+
- Parker Davis the patriarch of the
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:48,260 --> 00:01:48,270
|
| 238 |
+
- Parker Davis the patriarch of the
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:48,270 --> 00:01:52,639
|
| 243 |
+
- Parker Davis the patriarch of the
|
| 244 |
+
Davis family for 35 years a a devoted
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:52,639 --> 00:01:52,649
|
| 248 |
+
Davis family for 35 years a a devoted
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:52,649 --> 00:01:56,929
|
| 253 |
+
Davis family for 35 years a a devoted
|
| 254 |
+
husband and a loving loving father we
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:56,929 --> 00:01:56,939
|
| 258 |
+
husband and a loving loving father we
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:56,939 --> 00:02:15,380
|
| 263 |
+
husband and a loving loving father we
|
| 264 |
+
love you very much sir
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:15,380 --> 00:02:15,390
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:15,390 --> 00:02:17,130
|
| 273 |
+
|
| 274 |
+
aren't you gonna say something nice
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:02:17,130 --> 00:02:17,140
|
| 278 |
+
aren't you gonna say something nice
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:02:17,140 --> 00:02:22,350
|
| 283 |
+
aren't you gonna say something nice
|
| 284 |
+
about Sarah's mother goddamn it then
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:22,350 --> 00:02:22,360
|
| 288 |
+
about Sarah's mother goddamn it then
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:22,360 --> 00:02:25,110
|
| 293 |
+
about Sarah's mother goddamn it then
|
| 294 |
+
you'll get on with it are you feeling
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:25,110 --> 00:02:25,120
|
| 298 |
+
you'll get on with it are you feeling
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:25,120 --> 00:02:38,420
|
| 303 |
+
you'll get on with it are you feeling
|
| 304 |
+
okay Martin
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:38,420 --> 00:02:38,430
|
| 308 |
+
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:38,430 --> 00:02:49,870
|
| 313 |
+
|
| 314 |
+
[Music]
|
| 315 |
+
|