Add files using upload-large-folder tool

1935/wsFQrTAEs7A.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - The Lovers Wake: The lovers all wake from their spell and rejoice in thinking it was all a dream.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Anita Louise, Dick Powell, James Cagney, Jean Muir, Ross Alexander, Victor Jory
+Producer: Henry Blanke, Max Reinhardt
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/xKdtuwTr-iM.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The Hermit (O.P. Heggie) teaches The Monster (Boris Karloff) about drinking, smoking, music, and more.
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: O.P. Heggie, Boris Karloff
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1938/yPzAML0fs2o.description

@@ -0,0 +1,38 @@
+Bringing Up Baby movie clips: http://j.mp/2anxvr8
+BUY THE MOVIE: http://j.mp/2aKPQCd
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Constable Slocum tries to get the truth out of David (Cary Grant) and Susan (Katharine Hepburn)
+
+FILM DESCRIPTION:
+Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy.
+
+CREDITS:
+TM & © Warner Bros. (1938)
+Cast: Walter Catlett, Cary Grant, John Kelly, Katharine Hepburn
+Director: Howard Hawks
+Producers: Cliff Reid, Howard Hawks
+Screenwriters: Dudley Nichols, Hagar Wilde
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1938/yPzAML0fs2o.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:01,140 --> 00:00:03,619
+
+okay me until get yours up like a rabbit
+
+2
+00:00:03,619 --> 00:00:03,629
+okay me until get yours up like a rabbit
+ 
+
+3
+00:00:03,629 --> 00:00:04,700
+okay me until get yours up like a rabbit
+cause I got stuff to tell you if you
+
+4
+00:00:04,700 --> 00:00:04,710
+cause I got stuff to tell you if you
+ 
+
+5
+00:00:04,710 --> 00:00:05,749
+cause I got stuff to tell you if you
+ever want to get out of this Jam you
+
+6
+00:00:05,749 --> 00:00:05,759
+ever want to get out of this Jam you
+ 
+
+7
+00:00:05,759 --> 00:00:08,210
+ever want to get out of this Jam you
+better listen I'm gonna get you later
+
+8
+00:00:08,210 --> 00:00:08,220
+better listen I'm gonna get you later
+ 
+
+9
+00:00:08,220 --> 00:00:10,070
+better listen I'm gonna get you later
+tell me the truth the whole truth and
+
+10
+00:00:10,070 --> 00:00:10,080
+tell me the truth the whole truth and
+ 
+
+11
+00:00:10,080 --> 00:00:11,080
+tell me the truth the whole truth and
+nothing but the truth
+
+12
+00:00:11,080 --> 00:00:11,090
+nothing but the truth
+ 
+
+13
+00:00:11,090 --> 00:00:15,740
+nothing but the truth
+I quietly say y'all right why she said
+
+14
+00:00:15,740 --> 00:00:15,750
+I quietly say y'all right why she said
+ 
+
+15
+00:00:15,750 --> 00:00:18,939
+I quietly say y'all right why she said
+now young lady you haven't got a net
+
+16
+00:00:18,939 --> 00:00:18,949
+now young lady you haven't got a net
+ 
+
+17
+00:00:18,949 --> 00:00:21,620
+now young lady you haven't got a net
+please now look here young collectin I
+
+18
+00:00:21,620 --> 00:00:21,630
+please now look here young collectin I
+ 
+
+19
+00:00:21,630 --> 00:00:23,750
+please now look here young collectin I
+want you to tell me just exactly what
+
+20
+00:00:23,750 --> 00:00:23,760
+want you to tell me just exactly what
+ 
+
+21
+00:00:23,760 --> 00:00:24,769
+want you to tell me just exactly what
+were you doing tonight
+
+22
+00:00:24,769 --> 00:00:24,779
+were you doing tonight
+ 
+
+23
+00:00:24,779 --> 00:00:28,419
+were you doing tonight
+well you were hunting for a leopard it
+
+24
+00:00:28,419 --> 00:00:28,429
+well you were hunting for a leopard it
+ 
+
+25
+00:00:28,429 --> 00:00:30,859
+well you were hunting for a leopard it
+you know that's silly there never was a
+
+26
+00:00:30,859 --> 00:00:30,869
+you know that's silly there never was a
+ 
+
+27
+00:00:30,869 --> 00:00:31,759
+you know that's silly there never was a
+leopard in the whole state of
+
+28
+00:00:31,759 --> 00:00:31,769
+leopard in the whole state of
+ 
+
+29
+00:00:31,769 --> 00:00:35,780
+leopard in the whole state of
+Connecticut yeah now yeah I'm gonna stay
+
+30
+00:00:35,780 --> 00:00:35,790
+Connecticut yeah now yeah I'm gonna stay
+ 
+
+31
+00:00:35,790 --> 00:00:37,580
+Connecticut yeah now yeah I'm gonna stay
+here if it takes all year I am waiting
+
+32
+00:00:37,580 --> 00:00:37,590
+here if it takes all year I am waiting
+ 
+
+33
+00:00:37,590 --> 00:00:39,380
+here if it takes all year I am waiting
+for you to tell the truth oh if you're
+
+34
+00:00:39,380 --> 00:00:39,390
+for you to tell the truth oh if you're
+ 
+
+35
+00:00:39,390 --> 00:00:40,639
+for you to tell the truth oh if you're
+gonna wait for her to tell the truth
+
+36
+00:00:40,639 --> 00:00:40,649
+gonna wait for her to tell the truth
+ 
+
+37
+00:00:40,649 --> 00:00:42,319
+gonna wait for her to tell the truth
+you'll have a long great beard down to
+
+38
+00:00:42,319 --> 00:00:42,329
+you'll have a long great beard down to
+ 
+
+39
+00:00:42,329 --> 00:00:43,729
+you'll have a long great beard down to
+here you know it's a funny thing my
+
+40
+00:00:43,729 --> 00:00:43,739
+here you know it's a funny thing my
+ 
+
+41
+00:00:43,739 --> 00:00:44,959
+here you know it's a funny thing my
+grandfather quiet
+
+42
+00:00:44,959 --> 00:00:44,969
+grandfather quiet
+ 
+
+43
+00:00:44,969 --> 00:00:47,180
+grandfather quiet
+y'all canvas many more sleek remarks out
+
+44
+00:00:47,180 --> 00:00:47,190
+y'all canvas many more sleek remarks out
+ 
+
+45
+00:00:47,190 --> 00:00:53,650
+y'all canvas many more sleek remarks out
+of you you see it all started over in my
+
+46
+00:00:53,650 --> 00:00:53,660
+of you you see it all started over in my
+ 
+
+47
+00:00:53,660 --> 00:00:58,369
+of you you see it all started over in my
+parents house promised to give back hold
+
+48
+00:00:58,369 --> 00:00:58,379
+parents house promised to give back hold
+ 
+
+49
+00:00:58,379 --> 00:01:12,350
+parents house promised to give back hold
+on hold on oh well now I gave you my
+
+50
+00:01:12,350 --> 00:01:12,360
+on hold on oh well now I gave you my
+ 
+
+51
+00:01:12,360 --> 00:01:14,270
+on hold on oh well now I gave you my
+aunts telephone number did not yep and
+
+52
+00:01:14,270 --> 00:01:14,280
+aunts telephone number did not yep and
+ 
+
+53
+00:01:14,280 --> 00:01:16,160
+aunts telephone number did not yep and
+you called her up didn't I sure did and
+
+54
+00:01:16,160 --> 00:01:16,170
+you called her up didn't I sure did and
+ 
+
+55
+00:01:16,170 --> 00:01:19,070
+you called her up didn't I sure did and
+what did she say well she said that you
+
+56
+00:01:19,070 --> 00:01:19,080
+what did she say well she said that you
+ 
+
+57
+00:01:19,080 --> 00:01:20,539
+what did she say well she said that you
+were home in bed and what am I doing
+
+58
+00:01:20,539 --> 00:01:20,549
+were home in bed and what am I doing
+ 
+
+59
+00:01:20,549 --> 00:01:23,600
+were home in bed and what am I doing
+here well you're here because your aunt
+
+60
+00:01:23,600 --> 00:01:23,610
+here well you're here because your aunt
+ 
+
+61
+00:01:23,610 --> 00:01:26,179
+here well you're here because your aunt
+Oh God violet lady you know that you
+
+62
+00:01:26,179 --> 00:01:26,189
+Oh God violet lady you know that you
+ 
+
+63
+00:01:26,189 --> 00:01:29,330
+Oh God violet lady you know that you
+haven't gotten a seed muzzle okay you
+
+64
+00:01:29,330 --> 00:01:29,340
+haven't gotten a seed muzzle okay you
+ 
+
+65
+00:01:29,340 --> 00:02:09,100
+haven't gotten a seed muzzle okay you
+can't talk to me that way
+
+66
+00:02:09,100 --> 00:02:09,110
+
+ 
+
+67
+00:02:09,110 --> 00:02:29,720
+
+without
+
+68
+00:02:29,720 --> 00:02:29,730
+
+ 
+
+69
+00:02:29,730 --> 00:02:31,790
+
+you
+

1939/17MyPrAEQ28.description

@@ -0,0 +1,38 @@
+Mr. Smith Goes to Washington movie clips: http://j.mp/1JaLRWs
+BUY THE MOVIE: http://amzn.to/u7g6YE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jefferson Smith (James Stewart) emphasizes the importance of liberty and the beauty of nature to Saunders (Jean Arthur).
+
+FILM DESCRIPTION:
+Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said."
+
+CREDITS:
+TM & © Sony (1939)
+Cast: James Stewart, Jean Arthur
+Director: Frank Capra
+Producer: Frank Capra
+Screenwriters: Sidney Buchman, Lewis R. Foster, Myles Connolly
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/17MyPrAEQ28.en.srt

@@ -0,0 +1,565 @@
+1
+00:00:00,000 --> 00:00:01,189
+
+[Music]
+
+2
+00:00:01,189 --> 00:00:01,199
+[Music]
+ 
+
+3
+00:00:01,199 --> 00:00:03,949
+[Music]
+that's what's got to be in it what the
+
+4
+00:00:03,949 --> 00:00:03,959
+that's what's got to be in it what the
+ 
+
+5
+00:00:03,959 --> 00:00:07,429
+that's what's got to be in it what the
+capital Dome on paper I want to make
+
+6
+00:00:07,429 --> 00:00:07,439
+capital Dome on paper I want to make
+ 
+
+7
+00:00:07,439 --> 00:00:09,390
+capital Dome on paper I want to make
+that come to life for every boy in this
+
+8
+00:00:09,390 --> 00:00:09,400
+that come to life for every boy in this
+ 
+
+9
+00:00:09,400 --> 00:00:12,470
+that come to life for every boy in this
+land yes and all light it up like that
+
+10
+00:00:12,470 --> 00:00:12,480
+land yes and all light it up like that
+ 
+
+11
+00:00:12,480 --> 00:00:16,150
+land yes and all light it up like that
+too you see you see boys forget what
+
+12
+00:00:16,150 --> 00:00:16,160
+too you see you see boys forget what
+ 
+
+13
+00:00:16,160 --> 00:00:17,670
+too you see you see boys forget what
+their country means by just reading the
+
+14
+00:00:17,670 --> 00:00:17,680
+their country means by just reading the
+ 
+
+15
+00:00:17,680 --> 00:00:19,990
+their country means by just reading the
+land of the free and history books and
+
+16
+00:00:19,990 --> 00:00:20,000
+land of the free and history books and
+ 
+
+17
+00:00:20,000 --> 00:00:22,589
+land of the free and history books and
+they get to be men they forget even
+
+18
+00:00:22,589 --> 00:00:22,599
+they get to be men they forget even
+ 
+
+19
+00:00:22,599 --> 00:00:25,109
+they get to be men they forget even
+more Liberty is too precious a thing to
+
+20
+00:00:25,109 --> 00:00:25,119
+more Liberty is too precious a thing to
+ 
+
+21
+00:00:25,119 --> 00:00:27,070
+more Liberty is too precious a thing to
+be buried in books Miss
+
+22
+00:00:27,070 --> 00:00:27,080
+be buried in books Miss
+ 
+
+23
+00:00:27,080 --> 00:00:29,310
+be buried in books Miss
+Saunders men should hold it up in front
+
+24
+00:00:29,310 --> 00:00:29,320
+Saunders men should hold it up in front
+ 
+
+25
+00:00:29,320 --> 00:00:31,150
+Saunders men should hold it up in front
+of them every single day of their lives
+
+26
+00:00:31,150 --> 00:00:31,160
+of them every single day of their lives
+ 
+
+27
+00:00:31,160 --> 00:00:33,389
+of them every single day of their lives
+and say I'm
+
+28
+00:00:33,389 --> 00:00:33,399
+and say I'm
+ 
+
+29
+00:00:33,399 --> 00:00:35,790
+and say I'm
+free to think and to
+
+30
+00:00:35,790 --> 00:00:35,800
+free to think and to
+ 
+
+31
+00:00:35,800 --> 00:00:38,790
+free to think and to
+speak my ancestors couldn't I
+
+32
+00:00:38,790 --> 00:00:38,800
+speak my ancestors couldn't I
+ 
+
+33
+00:00:38,800 --> 00:00:42,110
+speak my ancestors couldn't I
+can and my children
+
+34
+00:00:42,110 --> 00:00:42,120
+can and my children
+ 
+
+35
+00:00:42,120 --> 00:00:45,510
+can and my children
+will boys ought to grow up remembering
+
+36
+00:00:45,510 --> 00:00:45,520
+will boys ought to grow up remembering
+ 
+
+37
+00:00:45,520 --> 00:00:47,750
+will boys ought to grow up remembering
+that and and then that steering
+
+38
+00:00:47,750 --> 00:00:47,760
+that and and then that steering
+ 
+
+39
+00:00:47,760 --> 00:00:49,029
+that and and then that steering
+committee or whatever it is they've got
+
+40
+00:00:49,029 --> 00:00:49,039
+committee or whatever it is they've got
+ 
+
+41
+00:00:49,039 --> 00:00:50,910
+committee or whatever it is they've got
+to see it like that and I know Senator
+
+42
+00:00:50,910 --> 00:00:50,920
+to see it like that and I know Senator
+ 
+
+43
+00:00:50,920 --> 00:00:52,430
+to see it like that and I know Senator
+Payne will do all he can to help me
+
+44
+00:00:52,430 --> 00:00:52,440
+Payne will do all he can to help me
+ 
+
+45
+00:00:52,440 --> 00:00:54,670
+Payne will do all he can to help me
+because he's a wonderful man isn't he's
+
+46
+00:00:54,670 --> 00:00:54,680
+because he's a wonderful man isn't he's
+ 
+
+47
+00:00:54,680 --> 00:00:57,270
+because he's a wonderful man isn't he's
+a saers you know he knew my father very
+
+48
+00:00:57,270 --> 00:00:57,280
+a saers you know he knew my father very
+ 
+
+49
+00:00:57,280 --> 00:01:00,590
+a saers you know he knew my father very
+well he did yeah yeah we need a lot more
+
+50
+00:01:00,590 --> 00:01:00,600
+well he did yeah yeah we need a lot more
+ 
+
+51
+00:01:00,600 --> 00:01:03,149
+well he did yeah yeah we need a lot more
+like him his kind of character his
+
+52
+00:01:03,149 --> 00:01:03,159
+like him his kind of character his
+ 
+
+53
+00:01:03,159 --> 00:01:06,230
+like him his kind of character his
+ideals um let's get on with this H oh
+
+54
+00:01:06,230 --> 00:01:06,240
+ideals um let's get on with this H oh
+ 
+
+55
+00:01:06,240 --> 00:01:07,950
+ideals um let's get on with this H oh
+yes all right this Camp is going to be
+
+56
+00:01:07,950 --> 00:01:07,960
+yes all right this Camp is going to be
+ 
+
+57
+00:01:07,960 --> 00:01:10,830
+yes all right this Camp is going to be
+out in your state about 200 of the most
+
+58
+00:01:10,830 --> 00:01:10,840
+out in your state about 200 of the most
+ 
+
+59
+00:01:10,840 --> 00:01:12,789
+out in your state about 200 of the most
+beautiful Acres that ever were you've
+
+60
+00:01:12,789 --> 00:01:12,799
+beautiful Acres that ever were you've
+ 
+
+61
+00:01:12,799 --> 00:01:13,830
+beautiful Acres that ever were you've
+never been out in that country have you
+
+62
+00:01:13,830 --> 00:01:13,840
+never been out in that country have you
+ 
+
+63
+00:01:13,840 --> 00:01:15,550
+never been out in that country have you
+miss hund no I've been over every single
+
+64
+00:01:15,550 --> 00:01:15,560
+miss hund no I've been over every single
+ 
+
+65
+00:01:15,560 --> 00:01:17,230
+miss hund no I've been over every single
+foot of it you could have no idea you
+
+66
+00:01:17,230 --> 00:01:17,240
+foot of it you could have no idea you
+ 
+
+67
+00:01:17,240 --> 00:01:19,149
+foot of it you could have no idea you
+just have to see it for yourself I don't
+
+68
+00:01:19,149 --> 00:01:19,159
+just have to see it for yourself I don't
+ 
+
+69
+00:01:19,159 --> 00:01:21,789
+just have to see it for yourself I don't
+know the Prairies and wind leaning on
+
+70
+00:01:21,789 --> 00:01:21,799
+know the Prairies and wind leaning on
+ 
+
+71
+00:01:21,799 --> 00:01:24,310
+know the Prairies and wind leaning on
+the tall grass and lazy streams down in
+
+72
+00:01:24,310 --> 00:01:24,320
+the tall grass and lazy streams down in
+ 
+
+73
+00:01:24,320 --> 00:01:26,429
+the tall grass and lazy streams down in
+the Meadows hry little midgets of water
+
+74
+00:01:26,429 --> 00:01:26,439
+the Meadows hry little midgets of water
+ 
+
+75
+00:01:26,439 --> 00:01:29,109
+the Meadows hry little midgets of water
+up in the mountains cattle moving down
+
+76
+00:01:29,109 --> 00:01:29,119
+up in the mountains cattle moving down
+ 
+
+77
+00:01:29,119 --> 00:01:30,710
+up in the mountains cattle moving down
+the slope against the
+
+78
+00:01:30,710 --> 00:01:30,720
+the slope against the
+ 
+
+79
+00:01:30,720 --> 00:01:35,270
+the slope against the
+sun campfires and snow
+
+80
+00:01:35,270 --> 00:01:35,280
+sun campfires and snow
+ 
+
+81
+00:01:35,280 --> 00:01:37,550
+sun campfires and snow
+drifts you know everybody ought to have
+
+82
+00:01:37,550 --> 00:01:37,560
+drifts you know everybody ought to have
+ 
+
+83
+00:01:37,560 --> 00:01:40,069
+drifts you know everybody ought to have
+some of that sometime in his life my dad
+
+84
+00:01:40,069 --> 00:01:40,079
+some of that sometime in his life my dad
+ 
+
+85
+00:01:40,079 --> 00:01:42,990
+some of that sometime in his life my dad
+had the right idea he had it all worked
+
+86
+00:01:42,990 --> 00:01:43,000
+had the right idea he had it all worked
+ 
+
+87
+00:01:43,000 --> 00:01:46,670
+had the right idea he had it all worked
+out he used to say to me son don't miss
+
+88
+00:01:46,670 --> 00:01:46,680
+out he used to say to me son don't miss
+ 
+
+89
+00:01:46,680 --> 00:01:49,270
+out he used to say to me son don't miss
+the Wonders that surround you because
+
+90
+00:01:49,270 --> 00:01:49,280
+the Wonders that surround you because
+ 
+
+91
+00:01:49,280 --> 00:01:52,709
+the Wonders that surround you because
+every tree every Rock every antill every
+
+92
+00:01:52,709 --> 00:01:52,719
+every tree every Rock every antill every
+ 
+
+93
+00:01:52,719 --> 00:01:55,670
+every tree every Rock every antill every
+Star is filled with the Wonders of
+
+94
+00:01:55,670 --> 00:01:55,680
+Star is filled with the Wonders of
+ 
+
+95
+00:01:55,680 --> 00:01:58,709
+Star is filled with the Wonders of
+Nature and he used to say to me have you
+
+96
+00:01:58,709 --> 00:01:58,719
+Nature and he used to say to me have you
+ 
+
+97
+00:01:58,719 --> 00:02:00,749
+Nature and he used to say to me have you
+ever noticed how great you are to see
+
+98
+00:02:00,749 --> 00:02:00,759
+ever noticed how great you are to see
+ 
+
+99
+00:02:00,759 --> 00:02:02,429
+ever noticed how great you are to see
+daylight again after coming through a
+
+100
+00:02:02,429 --> 00:02:02,439
+daylight again after coming through a
+ 
+
+101
+00:02:02,439 --> 00:02:04,350
+daylight again after coming through a
+long dark
+
+102
+00:02:04,350 --> 00:02:04,360
+long dark
+ 
+
+103
+00:02:04,360 --> 00:02:06,469
+long dark
+tunnel well he
+
+104
+00:02:06,469 --> 00:02:06,479
+tunnel well he
+ 
+
+105
+00:02:06,479 --> 00:02:09,510
+tunnel well he
+say always try to see life around you as
+
+106
+00:02:09,510 --> 00:02:09,520
+say always try to see life around you as
+ 
+
+107
+00:02:09,520 --> 00:02:10,580
+say always try to see life around you as
+if you just come out of a
+
+108
+00:02:10,580 --> 00:02:10,590
+if you just come out of a
+ 
+
+109
+00:02:10,590 --> 00:02:28,750
+if you just come out of a
+[Music]
+
+110
+00:02:28,750 --> 00:02:28,760
+[Music]
+ 
+
+111
+00:02:28,760 --> 00:02:39,630
+[Music]
+tunnel
+
+112
+00:02:39,630 --> 00:02:39,640
+
+ 
+
+113
+00:02:39,640 --> 00:02:42,640
+
+St
+

1939/2A60QcsJtlE.description

@@ -0,0 +1,38 @@
+Ninotchka movie clips: http://j.mp/17HLmQu
+BUY THE MOVIE: http://j.mp/17HLmQo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ninotchka (Greta Garbo) is put off by Leon's (Melyvn Douglas) blatant efforts to flirt with her when all she wants are directions to the Eiffel Tower.
+
+FILM DESCRIPTION:
+"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Melvyn Douglas, Greta Garbo
+Director: Ernst Lubitsch
+Producers: Ernst Lubitsch, Sidney Franklin
+Screenwriters: Charles Brackett, Melchior Lengyel, Walter Reisch, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/2A60QcsJtlE.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:03,399 --> 00:00:05,349
+
+can I be of any assistance to you you
+
+2
+00:00:05,349 --> 00:00:05,359
+can I be of any assistance to you you
+ 
+
+3
+00:00:05,359 --> 00:00:07,510
+can I be of any assistance to you you
+might hold this for me I'd love to
+
+4
+00:00:07,510 --> 00:00:07,520
+might hold this for me I'd love to
+ 
+
+5
+00:00:07,520 --> 00:00:10,110
+might hold this for me I'd love to
+correct me if I'm wrong we are facing
+
+6
+00:00:10,110 --> 00:00:10,120
+correct me if I'm wrong we are facing
+ 
+
+7
+00:00:10,120 --> 00:00:12,390
+correct me if I'm wrong we are facing
+north aren't we facing
+
+8
+00:00:12,390 --> 00:00:12,400
+north aren't we facing
+ 
+
+9
+00:00:12,400 --> 00:00:15,150
+north aren't we facing
+north well now I'd hate to commit myself
+
+10
+00:00:15,150 --> 00:00:15,160
+north well now I'd hate to commit myself
+ 
+
+11
+00:00:15,160 --> 00:00:17,790
+north well now I'd hate to commit myself
+without my compers pardon me are you an
+
+12
+00:00:17,790 --> 00:00:17,800
+without my compers pardon me are you an
+ 
+
+13
+00:00:17,800 --> 00:00:20,029
+without my compers pardon me are you an
+Explorer no I'm looking for the Eiffel
+
+14
+00:00:20,029 --> 00:00:20,039
+Explorer no I'm looking for the Eiffel
+ 
+
+15
+00:00:20,039 --> 00:00:23,790
+Explorer no I'm looking for the Eiffel
+Tower I good Heavens is that thing lost
+
+16
+00:00:23,790 --> 00:00:23,800
+Tower I good Heavens is that thing lost
+ 
+
+17
+00:00:23,800 --> 00:00:26,589
+Tower I good Heavens is that thing lost
+again oh are you interested in a view
+
+18
+00:00:26,589 --> 00:00:26,599
+again oh are you interested in a view
+ 
+
+19
+00:00:26,599 --> 00:00:28,310
+again oh are you interested in a view
+I'm interested in the Eiffel tar from a
+
+20
+00:00:28,310 --> 00:00:28,320
+I'm interested in the Eiffel tar from a
+ 
+
+21
+00:00:28,320 --> 00:00:30,990
+I'm interested in the Eiffel tar from a
+technical standpoint technical
+
+22
+00:00:30,990 --> 00:00:31,000
+technical standpoint technical
+ 
+
+23
+00:00:31,000 --> 00:00:32,589
+technical standpoint technical
+no no I'm afraid I couldn't be much help
+
+24
+00:00:32,589 --> 00:00:32,599
+no no I'm afraid I couldn't be much help
+ 
+
+25
+00:00:32,599 --> 00:00:34,590
+no no I'm afraid I couldn't be much help
+from that angle you see a Parisian only
+
+26
+00:00:34,590 --> 00:00:34,600
+from that angle you see a Parisian only
+ 
+
+27
+00:00:34,600 --> 00:00:36,150
+from that angle you see a Parisian only
+goes to the tower in moments of Despair
+
+28
+00:00:36,150 --> 00:00:36,160
+goes to the tower in moments of Despair
+ 
+
+29
+00:00:36,160 --> 00:00:38,150
+goes to the tower in moments of Despair
+to jump off how long does it take a man
+
+30
+00:00:38,150 --> 00:00:38,160
+to jump off how long does it take a man
+ 
+
+31
+00:00:38,160 --> 00:00:39,869
+to jump off how long does it take a man
+to
+
+32
+00:00:39,869 --> 00:00:39,879
+to
+ 
+
+33
+00:00:39,879 --> 00:00:42,709
+to
+land now isn't that too bad the last
+
+34
+00:00:42,709 --> 00:00:42,719
+land now isn't that too bad the last
+ 
+
+35
+00:00:42,719 --> 00:00:45,229
+land now isn't that too bad the last
+time I jumped I forgot to time it let me
+
+36
+00:00:45,229 --> 00:00:45,239
+time I jumped I forgot to time it let me
+ 
+
+37
+00:00:45,239 --> 00:00:49,510
+time I jumped I forgot to time it let me
+see now the Eiffel Tower ah your finger
+
+38
+00:00:49,510 --> 00:00:49,520
+see now the Eiffel Tower ah your finger
+ 
+
+39
+00:00:49,520 --> 00:00:52,549
+see now the Eiffel Tower ah your finger
+please why do you need my finger that's
+
+40
+00:00:52,549 --> 00:00:52,559
+please why do you need my finger that's
+ 
+
+41
+00:00:52,559 --> 00:00:55,630
+please why do you need my finger that's
+Bad Manners to point with your
+
+42
+00:00:55,630 --> 00:00:55,640
+Bad Manners to point with your
+ 
+
+43
+00:00:55,640 --> 00:00:59,189
+Bad Manners to point with your
+own there the Eiffel Tower and where are
+
+44
+00:00:59,189 --> 00:00:59,199
+own there the Eiffel Tower and where are
+ 
+
+45
+00:00:59,199 --> 00:01:01,910
+own there the Eiffel Tower and where are
+we where are we now let me see where are
+
+46
+00:01:01,910 --> 00:01:01,920
+we where are we now let me see where are
+ 
+
+47
+00:01:01,920 --> 00:01:05,390
+we where are we now let me see where are
+we ah here we are there you are and here
+
+48
+00:01:05,390 --> 00:01:05,400
+we ah here we are there you are and here
+ 
+
+49
+00:01:05,400 --> 00:01:09,030
+we ah here we are there you are and here
+am I feel it I'm interested only in the
+
+50
+00:01:09,030 --> 00:01:09,040
+am I feel it I'm interested only in the
+ 
+
+51
+00:01:09,040 --> 00:01:10,710
+am I feel it I'm interested only in the
+shortest distance between these two
+
+52
+00:01:10,710 --> 00:01:10,720
+shortest distance between these two
+ 
+
+53
+00:01:10,720 --> 00:01:13,550
+shortest distance between these two
+points must you flirt I don't have to
+
+54
+00:01:13,550 --> 00:01:13,560
+points must you flirt I don't have to
+ 
+
+55
+00:01:13,560 --> 00:01:16,630
+points must you flirt I don't have to
+but I find it natural suppress it I'll
+
+56
+00:01:16,630 --> 00:01:16,640
+but I find it natural suppress it I'll
+ 
+
+57
+00:01:16,640 --> 00:01:18,830
+but I find it natural suppress it I'll
+try for my own information would you
+
+58
+00:01:18,830 --> 00:01:18,840
+try for my own information would you
+ 
+
+59
+00:01:18,840 --> 00:01:20,870
+try for my own information would you
+call your approach toward me typical of
+
+60
+00:01:20,870 --> 00:01:20,880
+call your approach toward me typical of
+ 
+
+61
+00:01:20,880 --> 00:01:23,149
+call your approach toward me typical of
+the local morale mm moiselle it is that
+
+62
+00:01:23,149 --> 00:01:23,159
+the local morale mm moiselle it is that
+ 
+
+63
+00:01:23,159 --> 00:01:24,990
+the local morale mm moiselle it is that
+approach which is made Paris what it is
+
+64
+00:01:24,990 --> 00:01:25,000
+approach which is made Paris what it is
+ 
+
+65
+00:01:25,000 --> 00:01:26,910
+approach which is made Paris what it is
+you're very sure of yourself aren't you
+
+66
+00:01:26,910 --> 00:01:26,920
+you're very sure of yourself aren't you
+ 
+
+67
+00:01:26,920 --> 00:01:28,030
+you're very sure of yourself aren't you
+well nothing's happened recently to
+
+68
+00:01:28,030 --> 00:01:28,040
+well nothing's happened recently to
+ 
+
+69
+00:01:28,040 --> 00:01:30,149
+well nothing's happened recently to
+shake my self-confidence I have heard of
+
+70
+00:01:30,149 --> 00:01:30,159
+shake my self-confidence I have heard of
+ 
+
+71
+00:01:30,159 --> 00:01:32,030
+shake my self-confidence I have heard of
+the Arrogant male in capitalistic
+
+72
+00:01:32,030 --> 00:01:32,040
+the Arrogant male in capitalistic
+ 
+
+73
+00:01:32,040 --> 00:01:34,910
+the Arrogant male in capitalistic
+Society it is having a superior earning
+
+74
+00:01:34,910 --> 00:01:34,920
+Society it is having a superior earning
+ 
+
+75
+00:01:34,920 --> 00:01:38,310
+Society it is having a superior earning
+power that makes you that way a Russian
+
+76
+00:01:38,310 --> 00:01:38,320
+power that makes you that way a Russian
+ 
+
+77
+00:01:38,320 --> 00:01:41,510
+power that makes you that way a Russian
+I love Russians comrade I've been
+
+78
+00:01:41,510 --> 00:01:41,520
+I love Russians comrade I've been
+ 
+
+79
+00:01:41,520 --> 00:01:43,389
+I love Russians comrade I've been
+fascinated by your 5-year plan for the
+
+80
+00:01:43,389 --> 00:01:43,399
+fascinated by your 5-year plan for the
+ 
+
+81
+00:01:43,399 --> 00:01:58,830
+fascinated by your 5-year plan for the
+last 15 years your type will soon be
+
+82
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+83
+00:01:58,840 --> 00:02:08,529
+
+extinct
+
+84
+00:02:08,529 --> 00:02:08,539
+
+ 
+
+85
+00:02:08,539 --> 00:02:22,630
+
+[Music]
+

1939/BNxai8Y9IXg.en.srt

@@ -0,0 +1,475 @@
+1
+00:00:10,599 --> 00:00:12,390
+
+that goranov you never know whether he's
+
+2
+00:00:12,390 --> 00:00:12,400
+that goranov you never know whether he's
+ 
+
+3
+00:00:12,400 --> 00:00:14,110
+that goranov you never know whether he's
+on his way to the washroom or the secret
+
+4
+00:00:14,110 --> 00:00:14,120
+on his way to the washroom or the secret
+ 
+
+5
+00:00:14,120 --> 00:00:16,590
+on his way to the washroom or the secret
+police you should be more careful Anna
+
+6
+00:00:16,590 --> 00:00:16,600
+police you should be more careful Anna
+ 
+
+7
+00:00:16,600 --> 00:00:19,630
+police you should be more careful Anna
+and you too n about what oh ever since
+
+8
+00:00:19,630 --> 00:00:19,640
+and you too n about what oh ever since
+ 
+
+9
+00:00:19,640 --> 00:00:21,509
+and you too n about what oh ever since
+you have been back from Paris I haven't
+
+10
+00:00:21,509 --> 00:00:21,519
+you have been back from Paris I haven't
+ 
+
+11
+00:00:21,519 --> 00:00:23,349
+you have been back from Paris I haven't
+talked to anyone about Paris I haven't
+
+12
+00:00:23,349 --> 00:00:23,359
+talked to anyone about Paris I haven't
+ 
+
+13
+00:00:23,359 --> 00:00:25,950
+talked to anyone about Paris I haven't
+said a word that's just it it makes
+
+14
+00:00:25,950 --> 00:00:25,960
+said a word that's just it it makes
+ 
+
+15
+00:00:25,960 --> 00:00:27,990
+said a word that's just it it makes
+people feel queer and I don't want you
+
+16
+00:00:27,990 --> 00:00:28,000
+people feel queer and I don't want you
+ 
+
+17
+00:00:28,000 --> 00:00:30,509
+people feel queer and I don't want you
+to get in any trouble I have nothing to
+
+18
+00:00:30,509 --> 00:00:30,519
+to get in any trouble I have nothing to
+ 
+
+19
+00:00:30,519 --> 00:00:32,990
+to get in any trouble I have nothing to
+you should I'll show
+
+20
+00:00:32,990 --> 00:00:33,000
+you should I'll show
+ 
+
+21
+00:00:33,000 --> 00:00:35,190
+you should I'll show
+you when I passed through the laundry
+
+22
+00:00:35,190 --> 00:00:35,200
+you when I passed through the laundry
+ 
+
+23
+00:00:35,200 --> 00:00:37,549
+you when I passed through the laundry
+yard today I saw all the women huddled
+
+24
+00:00:37,549 --> 00:00:37,559
+yard today I saw all the women huddled
+ 
+
+25
+00:00:37,559 --> 00:00:40,150
+yard today I saw all the women huddled
+around this so I brought it up here
+
+26
+00:00:40,150 --> 00:00:40,160
+around this so I brought it up here
+ 
+
+27
+00:00:40,160 --> 00:00:42,590
+around this so I brought it up here
+things like this create a bad feeling
+
+28
+00:00:42,590 --> 00:00:42,600
+things like this create a bad feeling
+ 
+
+29
+00:00:42,600 --> 00:00:44,430
+things like this create a bad feeling
+first they didn't know whose it was and
+
+30
+00:00:44,430 --> 00:00:44,440
+first they didn't know whose it was and
+ 
+
+31
+00:00:44,440 --> 00:00:46,430
+first they didn't know whose it was and
+then they saw the Paris label and did it
+
+32
+00:00:46,430 --> 00:00:46,440
+then they saw the Paris label and did it
+ 
+
+33
+00:00:46,440 --> 00:00:48,910
+then they saw the Paris label and did it
+start a commotion some said it's what we
+
+34
+00:00:48,910 --> 00:00:48,920
+start a commotion some said it's what we
+ 
+
+35
+00:00:48,920 --> 00:00:50,549
+start a commotion some said it's what we
+all ought to wear others said it's like
+
+36
+00:00:50,549 --> 00:00:50,559
+all ought to wear others said it's like
+ 
+
+37
+00:00:50,559 --> 00:00:52,990
+all ought to wear others said it's like
+hanging forign ideas in our clothes line
+
+38
+00:00:52,990 --> 00:00:53,000
+hanging forign ideas in our clothes line
+ 
+
+39
+00:00:53,000 --> 00:00:56,389
+hanging forign ideas in our clothes line
+it undermines our whole cause I see you
+
+40
+00:00:56,389 --> 00:00:56,399
+it undermines our whole cause I see you
+ 
+
+41
+00:00:56,399 --> 00:00:58,389
+it undermines our whole cause I see you
+know how it is today all you have to do
+
+42
+00:00:58,389 --> 00:00:58,399
+know how it is today all you have to do
+ 
+
+43
+00:00:58,399 --> 00:00:59,990
+know how it is today all you have to do
+is wear a pair of silk stockings and
+
+44
+00:00:59,990 --> 00:01:00,000
+is wear a pair of silk stockings and
+ 
+
+45
+00:01:00,000 --> 00:01:02,150
+is wear a pair of silk stockings and
+they suspect you of counterrevolution
+
+46
+00:01:02,150 --> 00:01:02,160
+they suspect you of counterrevolution
+ 
+
+47
+00:01:02,160 --> 00:01:04,189
+they suspect you of counterrevolution
+thank you Anna I'll dry it up here when
+
+48
+00:01:04,189 --> 00:01:04,199
+thank you Anna I'll dry it up here when
+ 
+
+49
+00:01:04,199 --> 00:01:06,670
+thank you Anna I'll dry it up here when
+I wash it next I should hate to see our
+
+50
+00:01:06,670 --> 00:01:06,680
+I wash it next I should hate to see our
+ 
+
+51
+00:01:06,680 --> 00:01:10,950
+I wash it next I should hate to see our
+country endangered by my underwear nka
+
+52
+00:01:10,950 --> 00:01:10,960
+country endangered by my underwear nka
+ 
+
+53
+00:01:10,960 --> 00:01:13,710
+country endangered by my underwear nka
+I'm your friend you can trust me did you
+
+54
+00:01:13,710 --> 00:01:13,720
+I'm your friend you can trust me did you
+ 
+
+55
+00:01:13,720 --> 00:01:16,590
+I'm your friend you can trust me did you
+bring back anything else no I lift
+
+56
+00:01:16,590 --> 00:01:16,600
+bring back anything else no I lift
+ 
+
+57
+00:01:16,600 --> 00:01:18,710
+bring back anything else no I lift
+everything in pars I just happen to be
+
+58
+00:01:18,710 --> 00:01:18,720
+everything in pars I just happen to be
+ 
+
+59
+00:01:18,720 --> 00:01:22,429
+everything in pars I just happen to be
+wearing this tell me what else did you
+
+60
+00:01:22,429 --> 00:01:22,439
+wearing this tell me what else did you
+ 
+
+61
+00:01:22,439 --> 00:01:25,270
+wearing this tell me what else did you
+have well a
+
+62
+00:01:25,270 --> 00:01:25,280
+have well a
+ 
+
+63
+00:01:25,280 --> 00:01:28,910
+have well a
+hat what was it like oh it was very
+
+64
+00:01:28,910 --> 00:01:28,920
+hat what was it like oh it was very
+ 
+
+65
+00:01:28,920 --> 00:01:32,550
+hat what was it like oh it was very
+silly I'd be a shamed to wear it here as
+
+66
+00:01:32,550 --> 00:01:32,560
+silly I'd be a shamed to wear it here as
+ 
+
+67
+00:01:32,560 --> 00:01:37,230
+silly I'd be a shamed to wear it here as
+beautiful as that what else come tell
+
+68
+00:01:37,230 --> 00:01:37,240
+beautiful as that what else come tell
+ 
+
+69
+00:01:37,240 --> 00:01:42,350
+beautiful as that what else come tell
+me an evening gown an evening gown yes
+
+70
+00:01:42,350 --> 00:01:42,360
+me an evening gown an evening gown yes
+ 
+
+71
+00:01:42,360 --> 00:01:44,469
+me an evening gown an evening gown yes
+it's a dress you wear in the evening
+
+72
+00:01:44,469 --> 00:01:44,479
+it's a dress you wear in the evening
+ 
+
+73
+00:01:44,479 --> 00:01:46,469
+it's a dress you wear in the evening
+what do you wear in the morning when you
+
+74
+00:01:46,469 --> 00:01:46,479
+what do you wear in the morning when you
+ 
+
+75
+00:01:46,479 --> 00:01:49,270
+what do you wear in the morning when you
+get up you wear a Nee then you change
+
+76
+00:01:49,270 --> 00:01:49,280
+get up you wear a Nee then you change
+ 
+
+77
+00:01:49,280 --> 00:01:52,030
+get up you wear a Nee then you change
+into a morning frock you mean to tell me
+
+78
+00:01:52,030 --> 00:01:52,040
+into a morning frock you mean to tell me
+ 
+
+79
+00:01:52,040 --> 00:01:54,310
+into a morning frock you mean to tell me
+you wear a different dress for different
+
+80
+00:01:54,310 --> 00:01:54,320
+you wear a different dress for different
+ 
+
+81
+00:01:54,320 --> 00:01:57,950
+you wear a different dress for different
+times of the day yes now n you are
+
+82
+00:01:57,950 --> 00:01:57,960
+times of the day yes now n you are
+ 
+
+83
+00:01:57,960 --> 00:02:01,350
+times of the day yes now n you are
+exaggerating no it's true that's how
+
+84
+00:02:01,350 --> 00:02:01,360
+exaggerating no it's true that's how
+ 
+
+85
+00:02:01,360 --> 00:02:03,749
+exaggerating no it's true that's how
+they live in the other world here we
+
+86
+00:02:03,749 --> 00:02:03,759
+they live in the other world here we
+ 
+
+87
+00:02:03,759 --> 00:02:05,749
+they live in the other world here we
+dress to cover up our bodies to keep
+
+88
+00:02:05,749 --> 00:02:05,759
+dress to cover up our bodies to keep
+ 
+
+89
+00:02:05,759 --> 00:02:07,910
+dress to cover up our bodies to keep
+warm and
+
+90
+00:02:07,910 --> 00:02:07,920
+warm and
+ 
+
+91
+00:02:07,920 --> 00:02:10,150
+warm and
+there sometimes they're not completely
+
+92
+00:02:10,150 --> 00:02:10,160
+there sometimes they're not completely
+ 
+
+93
+00:02:10,160 --> 00:02:30,600
+there sometimes they're not completely
+covered but uh they don't freeze
+
+94
+00:02:30,600 --> 00:02:30,610
+
+ 
+
+95
+00:02:30,610 --> 00:02:44,669
+
+[Music]
+

1939/BZSb0JCWcXk.description

@@ -0,0 +1,38 @@
+The Wizard of Oz movie clips: http://j.mp/1L5gtKP
+BUY THE MOVIE: http://bit.ly/2cmiEyC
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dorothy (Judy Garland) wakes up in Kansas and remembers her wonderful adventures in Oz, but tells her family "there's no place like home."
+
+FILM DESCRIPTION:
+Not to be confused with the cinematic classic starring Judy Garland that would follow six years later, this animated short film is one of countless other celluloid adaptations of L. Frank Baum's best-loved story, The Wizard of Oz. Directed by Ted Eshbaugh, the Canadian film features no dialogue and tells the story of Dorothy, Toto, Scarecrow, and Tin Man's adventures in Oz with a mix of black & white and color animation.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Ray Bolger, Jack Haley, Bert Lahr, Frank Morgan, Clara Blandick, Judy Garland, Terry
+Directors: George Cukor, Victor Fleming, Mervyn LeRoy, Norman Taurog, King Vidor
+Producers: Mervyn LeRoy, Arthur Freed
+Screenwriters: Noel Langley, Florence Ryerson, Edgar Allan Woolf, L. Frank Baum, Irving Brecher, William H. Cannon, Herbert Fields, Arthur Freed, Jack Haley, E.Y. Harburg, Samuel Hoffenstein, Bert Lahr, John Lee Mahin, Herman J. Mankiewicz, Jack Mintz, Ogden Nash, Robert Pirosh, George Seaton, Sid Silvers
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/BZSb0JCWcXk.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:00,120 --> 00:00:02,310
+
+there's no place like
+
+2
+00:00:02,310 --> 00:00:02,320
+there's no place like
+ 
+
+3
+00:00:02,320 --> 00:00:06,630
+there's no place like
+home there's no place like
+
+4
+00:00:06,630 --> 00:00:06,640
+home there's no place like
+ 
+
+5
+00:00:06,640 --> 00:00:10,430
+home there's no place like
+home wake up honey there's no place like
+
+6
+00:00:10,430 --> 00:00:10,440
+home wake up honey there's no place like
+ 
+
+7
+00:00:10,440 --> 00:00:15,029
+home wake up honey there's no place like
+home there's no place like
+
+8
+00:00:15,029 --> 00:00:15,039
+home there's no place like
+ 
+
+9
+00:00:15,039 --> 00:00:19,550
+home there's no place like
+home there's
+
+10
+00:00:19,550 --> 00:00:19,560
+
+ 
+
+11
+00:00:19,560 --> 00:00:23,349
+
+no Dorothy Dorothy dear it's Aunt M
+
+12
+00:00:23,349 --> 00:00:23,359
+no Dorothy Dorothy dear it's Aunt M
+ 
+
+13
+00:00:23,359 --> 00:00:27,910
+no Dorothy Dorothy dear it's Aunt M
+darling Oh an it's you yes D hello there
+
+14
+00:00:27,910 --> 00:00:27,920
+darling Oh an it's you yes D hello there
+ 
+
+15
+00:00:27,920 --> 00:00:30,790
+darling Oh an it's you yes D hello there
+anybody home I uh I just dropped by
+
+16
+00:00:30,790 --> 00:00:30,800
+anybody home I uh I just dropped by
+ 
+
+17
+00:00:30,800 --> 00:00:32,229
+anybody home I uh I just dropped by
+because I heard the little girl got
+
+18
+00:00:32,229 --> 00:00:32,239
+because I heard the little girl got
+ 
+
+19
+00:00:32,239 --> 00:00:35,110
+because I heard the little girl got
+caught in the big well she seems all
+
+20
+00:00:35,110 --> 00:00:35,120
+caught in the big well she seems all
+ 
+
+21
+00:00:35,120 --> 00:00:37,229
+caught in the big well she seems all
+right now yeah she got quite a bump on
+
+22
+00:00:37,229 --> 00:00:37,239
+right now yeah she got quite a bump on
+ 
+
+23
+00:00:37,239 --> 00:00:38,510
+right now yeah she got quite a bump on
+the head we kind of thought there for a
+
+24
+00:00:38,510 --> 00:00:38,520
+the head we kind of thought there for a
+ 
+
+25
+00:00:38,520 --> 00:00:40,470
+the head we kind of thought there for a
+minute she was going to leave us but I
+
+26
+00:00:40,470 --> 00:00:40,480
+minute she was going to leave us but I
+ 
+
+27
+00:00:40,480 --> 00:00:42,150
+minute she was going to leave us but I
+did leave you Uncle Henry that's just
+
+28
+00:00:42,150 --> 00:00:42,160
+did leave you Uncle Henry that's just
+ 
+
+29
+00:00:42,160 --> 00:00:44,350
+did leave you Uncle Henry that's just
+the trouble and I tried to get back for
+
+30
+00:00:44,350 --> 00:00:44,360
+the trouble and I tried to get back for
+ 
+
+31
+00:00:44,360 --> 00:00:47,270
+the trouble and I tried to get back for
+days and days there there lie quiet now
+
+32
+00:00:47,270 --> 00:00:47,280
+days and days there there lie quiet now
+ 
+
+33
+00:00:47,280 --> 00:00:51,270
+days and days there there lie quiet now
+you just had a bad dream sure remember
+
+34
+00:00:51,270 --> 00:00:51,280
+you just had a bad dream sure remember
+ 
+
+35
+00:00:51,280 --> 00:00:53,910
+you just had a bad dream sure remember
+me your old pal
+
+36
+00:00:53,910 --> 00:00:53,920
+me your old pal
+ 
+
+37
+00:00:53,920 --> 00:00:58,470
+me your old pal
+hunk me Hickory you couldn't forget my
+
+38
+00:00:58,470 --> 00:00:58,480
+hunk me Hickory you couldn't forget my
+ 
+
+39
+00:00:58,480 --> 00:01:02,270
+hunk me Hickory you couldn't forget my
+face could you but it wasn't a dream it
+
+40
+00:01:02,270 --> 00:01:02,280
+face could you but it wasn't a dream it
+ 
+
+41
+00:01:02,280 --> 00:01:06,469
+face could you but it wasn't a dream it
+was a place and you and you and you and
+
+42
+00:01:06,469 --> 00:01:06,479
+was a place and you and you and you and
+ 
+
+43
+00:01:06,479 --> 00:01:08,550
+was a place and you and you and you and
+you were there
+
+44
+00:01:08,550 --> 00:01:08,560
+you were there
+ 
+
+45
+00:01:08,560 --> 00:01:11,469
+you were there
+oh but you couldn't have been could you
+
+46
+00:01:11,469 --> 00:01:11,479
+oh but you couldn't have been could you
+ 
+
+47
+00:01:11,479 --> 00:01:13,350
+oh but you couldn't have been could you
+well we dream lots of silly things when
+
+48
+00:01:13,350 --> 00:01:13,360
+well we dream lots of silly things when
+ 
+
+49
+00:01:13,360 --> 00:01:16,870
+well we dream lots of silly things when
+we no an M this was a real truly live
+
+50
+00:01:16,870 --> 00:01:16,880
+we no an M this was a real truly live
+ 
+
+51
+00:01:16,880 --> 00:01:19,350
+we no an M this was a real truly live
+place and I remember that some of it
+
+52
+00:01:19,350 --> 00:01:19,360
+place and I remember that some of it
+ 
+
+53
+00:01:19,360 --> 00:01:22,230
+place and I remember that some of it
+wasn't very nice but most of it was
+
+54
+00:01:22,230 --> 00:01:22,240
+wasn't very nice but most of it was
+ 
+
+55
+00:01:22,240 --> 00:01:24,510
+wasn't very nice but most of it was
+beautiful but just the same all I kept
+
+56
+00:01:24,510 --> 00:01:24,520
+beautiful but just the same all I kept
+ 
+
+57
+00:01:24,520 --> 00:01:26,310
+beautiful but just the same all I kept
+saying to everybody was I want to go
+
+58
+00:01:26,310 --> 00:01:26,320
+saying to everybody was I want to go
+ 
+
+59
+00:01:26,320 --> 00:01:31,190
+saying to everybody was I want to go
+home and they sent me home
+
+60
+00:01:31,190 --> 00:01:31,200
+
+ 
+
+61
+00:01:31,200 --> 00:01:33,870
+
+doesn't anybody believe me of course we
+
+62
+00:01:33,870 --> 00:01:33,880
+doesn't anybody believe me of course we
+ 
+
+63
+00:01:33,880 --> 00:01:36,670
+doesn't anybody believe me of course we
+believe you don't oh but anyway Toto
+
+64
+00:01:36,670 --> 00:01:36,680
+believe you don't oh but anyway Toto
+ 
+
+65
+00:01:36,680 --> 00:01:41,270
+believe you don't oh but anyway Toto
+we're home home and this is my room and
+
+66
+00:01:41,270 --> 00:01:41,280
+we're home home and this is my room and
+ 
+
+67
+00:01:41,280 --> 00:01:43,710
+we're home home and this is my room and
+you're all here and I'm not going to
+
+68
+00:01:43,710 --> 00:01:43,720
+you're all here and I'm not going to
+ 
+
+69
+00:01:43,720 --> 00:01:46,789
+you're all here and I'm not going to
+leave here ever ever again because I
+
+70
+00:01:46,789 --> 00:01:46,799
+leave here ever ever again because I
+ 
+
+71
+00:01:46,799 --> 00:01:51,030
+leave here ever ever again because I
+love you all and oh Andy
+
+72
+00:01:51,030 --> 00:01:51,040
+love you all and oh Andy
+ 
+
+73
+00:01:51,040 --> 00:01:54,410
+love you all and oh Andy
+M there's no place like hope
+
+74
+00:01:54,410 --> 00:01:54,420
+M there's no place like hope
+ 
+
+75
+00:01:54,420 --> 00:02:25,490
+M there's no place like hope
+[Music]
+

1939/D143VuAxr-k.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:01,700 --> 00:00:07,240
+
+[Music]
+
+2
+00:00:07,240 --> 00:00:07,250
+
+ 
+
+3
+00:00:07,250 --> 00:00:19,850
+
+[Music]
+
+4
+00:00:19,850 --> 00:00:19,860
+
+ 
+
+5
+00:00:19,860 --> 00:00:28,370
+
+hi boys come on fast
+
+6
+00:00:28,370 --> 00:00:28,380
+
+ 
+
+7
+00:00:28,380 --> 00:00:30,540
+
+last week an Uncle Sam working for us
+
+8
+00:00:30,540 --> 00:00:30,550
+last week an Uncle Sam working for us
+ 
+
+9
+00:00:30,550 --> 00:00:32,010
+last week an Uncle Sam working for us
+had a government take you from Nick
+
+10
+00:00:32,010 --> 00:00:32,020
+had a government take you from Nick
+ 
+
+11
+00:00:32,020 --> 00:00:33,300
+had a government take you from Nick
+Brown and we take up the government
+
+12
+00:00:33,300 --> 00:00:33,310
+Brown and we take up the government
+ 
+
+13
+00:00:33,310 --> 00:00:33,990
+Brown and we take up the government
+pretty neat huh
+
+14
+00:00:33,990 --> 00:00:34,000
+pretty neat huh
+ 
+
+15
+00:00:34,000 --> 00:00:36,479
+pretty neat huh
+look Danny yet you thought side and
+
+16
+00:00:36,479 --> 00:00:36,489
+look Danny yet you thought side and
+ 
+
+17
+00:00:36,489 --> 00:00:39,210
+look Danny yet you thought side and
+watch maybe some trouble Valley I don't
+
+18
+00:00:39,210 --> 00:00:39,220
+watch maybe some trouble Valley I don't
+ 
+
+19
+00:00:39,220 --> 00:00:40,740
+watch maybe some trouble Valley I don't
+watch it right it's right
+
+20
+00:00:40,740 --> 00:00:40,750
+watch it right it's right
+ 
+
+21
+00:00:40,750 --> 00:00:42,540
+watch it right it's right
+okay if you're not you won't cut off
+
+22
+00:00:42,540 --> 00:00:42,550
+okay if you're not you won't cut off
+ 
+
+23
+00:00:42,550 --> 00:00:43,710
+okay if you're not you won't cut off
+with this racket not go on do as you're
+
+24
+00:00:43,710 --> 00:00:43,720
+with this racket not go on do as you're
+ 
+
+25
+00:00:43,720 --> 00:00:51,160
+with this racket not go on do as you're
+told it outside
+
+26
+00:00:51,160 --> 00:00:51,170
+
+ 
+
+27
+00:00:51,170 --> 00:00:59,530
+
+[Music]
+
+28
+00:00:59,530 --> 00:00:59,540
+
+ 
+
+29
+00:00:59,540 --> 00:01:02,050
+
+I will shave is about 4,000 chaste ready
+
+30
+00:01:02,050 --> 00:01:02,060
+I will shave is about 4,000 chaste ready
+ 
+
+31
+00:01:02,060 --> 00:01:06,670
+I will shave is about 4,000 chaste ready
+to leave Watchmen just came up get those
+
+32
+00:01:06,670 --> 00:01:06,680
+to leave Watchmen just came up get those
+ 
+
+33
+00:01:06,680 --> 00:01:08,590
+to leave Watchmen just came up get those
+trucks moving and stay with them all
+
+34
+00:01:08,590 --> 00:01:08,600
+trucks moving and stay with them all
+ 
+
+35
+00:01:08,600 --> 00:01:14,210
+trucks moving and stay with them all
+right
+
+36
+00:01:14,210 --> 00:01:14,220
+
+ 
+
+37
+00:01:14,220 --> 00:02:06,570
+
+[Music]
+
+38
+00:02:06,570 --> 00:02:06,580
+[Music]
+ 
+
+39
+00:02:06,580 --> 00:02:10,270
+[Music]
+if it ain't my old sergeant come on
+
+40
+00:02:10,270 --> 00:02:10,280
+if it ain't my old sergeant come on
+ 
+
+41
+00:02:10,280 --> 00:02:11,470
+if it ain't my old sergeant come on
+George tapping again let's get out of
+
+42
+00:02:11,470 --> 00:02:11,480
+George tapping again let's get out of
+ 
+
+43
+00:02:11,480 --> 00:02:11,920
+George tapping again let's get out of
+here
+
+44
+00:02:11,920 --> 00:02:11,930
+here
+ 
+
+45
+00:02:11,930 --> 00:02:13,690
+here
+it's sergeant leather lungs our old pal
+
+46
+00:02:13,690 --> 00:02:13,700
+it's sergeant leather lungs our old pal
+ 
+
+47
+00:02:13,700 --> 00:02:15,490
+it's sergeant leather lungs our old pal
+they told you that we meet up sometime
+
+48
+00:02:15,490 --> 00:02:15,500
+they told you that we meet up sometime
+ 
+
+49
+00:02:15,500 --> 00:02:17,140
+they told you that we meet up sometime
+we didn't have no spikes on your sleep
+
+50
+00:02:17,140 --> 00:02:17,150
+we didn't have no spikes on your sleep
+ 
+
+51
+00:02:17,150 --> 00:02:23,369
+we didn't have no spikes on your sleep
+and here we are
+
+52
+00:02:23,369 --> 00:02:23,379
+
+ 
+
+53
+00:02:23,379 --> 00:02:25,080
+
+you didn't have to do that he had it
+
+54
+00:02:25,080 --> 00:02:25,090
+you didn't have to do that he had it
+ 
+
+55
+00:02:25,090 --> 00:02:31,949
+you didn't have to do that he had it
+coming to log back of the boys some of
+
+56
+00:02:31,949 --> 00:02:31,959
+coming to log back of the boys some of
+ 
+
+57
+00:02:31,959 --> 00:02:33,330
+coming to log back of the boys some of
+the day got here yours gonna blast you
+
+58
+00:02:33,330 --> 00:02:33,340
+the day got here yours gonna blast you
+ 
+
+59
+00:02:33,340 --> 00:02:34,229
+the day got here yours gonna blast you
+right into the hot seat
+
+60
+00:02:34,229 --> 00:02:34,239
+right into the hot seat
+ 
+
+61
+00:02:34,239 --> 00:02:35,860
+right into the hot seat
+dad you'll be sitting right in my lap
+
+62
+00:02:35,860 --> 00:02:35,870
+dad you'll be sitting right in my lap
+ 
+
+63
+00:02:35,870 --> 00:02:42,210
+dad you'll be sitting right in my lap
+[Music]
+
+64
+00:02:42,210 --> 00:02:42,220
+
+ 
+
+65
+00:02:42,220 --> 00:03:03,340
+
+[Music]
+

1939/FhXn_kxlWno.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:03,960 --> 00:00:06,300
+
+and he always come into a rathole like
+
+2
+00:00:06,300 --> 00:00:06,310
+and he always come into a rathole like
+ 
+
+3
+00:00:06,310 --> 00:00:12,770
+and he always come into a rathole like
+that what do you want me to do knock
+
+4
+00:00:12,770 --> 00:00:12,780
+
+ 
+
+5
+00:00:12,780 --> 00:00:16,049
+
+the last cigarette I had how can I offer
+
+6
+00:00:16,049 --> 00:00:16,059
+the last cigarette I had how can I offer
+ 
+
+7
+00:00:16,059 --> 00:00:18,150
+the last cigarette I had how can I offer
+you a nice Turkish prettiest number nine
+
+8
+00:00:18,150 --> 00:00:18,160
+you a nice Turkish prettiest number nine
+ 
+
+9
+00:00:18,160 --> 00:00:23,290
+you a nice Turkish prettiest number nine
+club tip
+
+10
+00:00:23,290 --> 00:00:23,300
+
+ 
+
+11
+00:00:23,300 --> 00:00:25,759
+
+hey where'd you get those friend of mine
+
+12
+00:00:25,759 --> 00:00:25,769
+hey where'd you get those friend of mine
+ 
+
+13
+00:00:25,769 --> 00:00:27,970
+hey where'd you get those friend of mine
+Mineola send me a fresh batch every week
+
+14
+00:00:27,970 --> 00:00:27,980
+Mineola send me a fresh batch every week
+ 
+
+15
+00:00:27,980 --> 00:00:31,519
+Mineola send me a fresh batch every week
+look at that cooties has kept me
+
+16
+00:00:31,519 --> 00:00:31,529
+look at that cooties has kept me
+ 
+
+17
+00:00:31,529 --> 00:00:33,410
+look at that cooties has kept me
+desperate that feeding off tobacco how
+
+18
+00:00:33,410 --> 00:00:33,420
+desperate that feeding off tobacco how
+ 
+
+19
+00:00:33,420 --> 00:00:47,240
+desperate that feeding off tobacco how
+much gonna cootie smoke there's 10,000
+
+20
+00:00:47,240 --> 00:00:47,250
+much gonna cootie smoke there's 10,000
+ 
+
+21
+00:00:47,250 --> 00:00:48,860
+much gonna cootie smoke there's 10,000
+shell holes around here and everybody's
+
+22
+00:00:48,860 --> 00:00:48,870
+shell holes around here and everybody's
+ 
+
+23
+00:00:48,870 --> 00:00:51,110
+shell holes around here and everybody's
+gotta come diving under that no probably
+
+24
+00:00:51,110 --> 00:00:51,120
+gotta come diving under that no probably
+ 
+
+25
+00:00:51,120 --> 00:00:53,540
+gotta come diving under that no probably
+see this war anymore I didn't know there
+
+26
+00:00:53,540 --> 00:00:53,550
+see this war anymore I didn't know there
+ 
+
+27
+00:00:53,550 --> 00:00:54,950
+see this war anymore I didn't know there
+was anyone here we go to put up a sign
+
+28
+00:00:54,950 --> 00:00:54,960
+was anyone here we go to put up a sign
+ 
+
+29
+00:00:54,960 --> 00:01:00,660
+was anyone here we go to put up a sign
+no hunting shooting at trespassing
+
+30
+00:01:00,660 --> 00:01:00,670
+
+ 
+
+31
+00:01:00,670 --> 00:01:07,600
+
+prettiest number nine crooks it's what's
+
+32
+00:01:07,600 --> 00:01:07,610
+prettiest number nine crooks it's what's
+ 
+
+33
+00:01:07,610 --> 00:01:15,639
+prettiest number nine crooks it's what's
+the matter kid it's good I guess I am no
+
+34
+00:01:15,639 --> 00:01:15,649
+the matter kid it's good I guess I am no
+ 
+
+35
+00:01:15,649 --> 00:01:19,330
+the matter kid it's good I guess I am no
+hi I'm beginning to think so least I
+
+36
+00:01:19,330 --> 00:01:19,340
+hi I'm beginning to think so least I
+ 
+
+37
+00:01:19,340 --> 00:01:20,380
+hi I'm beginning to think so least I
+have any heart for this
+
+38
+00:01:20,380 --> 00:01:20,390
+have any heart for this
+ 
+
+39
+00:01:20,390 --> 00:01:22,029
+have any heart for this
+I thought this business will be over
+
+40
+00:01:22,029 --> 00:01:22,039
+I thought this business will be over
+ 
+
+41
+00:01:22,039 --> 00:01:27,450
+I thought this business will be over
+with before I got are you college kid
+
+42
+00:01:27,450 --> 00:01:27,460
+
+ 
+
+43
+00:01:27,460 --> 00:01:30,490
+
+lawyer huh can you think of anything get
+
+44
+00:01:30,490 --> 00:01:30,500
+lawyer huh can you think of anything get
+ 
+
+45
+00:01:30,500 --> 00:01:32,350
+lawyer huh can you think of anything get
+us out of this hole I wouldn't if he
+
+46
+00:01:32,350 --> 00:01:32,360
+us out of this hole I wouldn't if he
+ 
+
+47
+00:01:32,360 --> 00:01:34,510
+us out of this hole I wouldn't if he
+could be one of them guys are cheers the
+
+48
+00:01:34,510 --> 00:01:34,520
+could be one of them guys are cheers the
+ 
+
+49
+00:01:34,520 --> 00:01:35,800
+could be one of them guys are cheers the
+loud at back home and I want to get over
+
+50
+00:01:35,800 --> 00:01:35,810
+loud at back home and I want to get over
+ 
+
+51
+00:01:35,810 --> 00:01:37,480
+loud at back home and I want to get over
+here that go and get tough they fold up
+
+52
+00:01:37,480 --> 00:01:37,490
+here that go and get tough they fold up
+ 
+
+53
+00:01:37,490 --> 00:01:42,070
+here that go and get tough they fold up
+I'm talking I'm talking to you big mouth
+
+54
+00:01:42,070 --> 00:01:42,080
+I'm talking I'm talking to you big mouth
+ 
+
+55
+00:01:42,080 --> 00:01:44,830
+I'm talking I'm talking to you big mouth
+we're all scared why should we be what
+
+56
+00:01:44,830 --> 00:01:44,840
+we're all scared why should we be what
+ 
+
+57
+00:01:44,840 --> 00:01:45,969
+we're all scared why should we be what
+do you think are using in us well water
+
+58
+00:01:45,969 --> 00:01:45,979
+do you think are using in us well water
+ 
+
+59
+00:01:45,979 --> 00:01:49,930
+do you think are using in us well water
+pistols all right kid I like guys who
+
+60
+00:01:49,930 --> 00:01:49,940
+pistols all right kid I like guys who
+ 
+
+61
+00:01:49,940 --> 00:01:51,270
+pistols all right kid I like guys who
+aren't with themselves stay that way
+
+62
+00:01:51,270 --> 00:01:51,280
+aren't with themselves stay that way
+ 
+
+63
+00:01:51,280 --> 00:01:59,320
+aren't with themselves stay that way
+come on it's like it's quieter down
+
+64
+00:01:59,320 --> 00:01:59,330
+
+ 
+
+65
+00:01:59,330 --> 00:02:10,669
+
+[Music]
+

1939/GQ5ICXMC4xY.en.srt

@@ -0,0 +1,385 @@
+1
+00:00:00,100 --> 00:00:01,950
+
+[Music]
+
+2
+00:00:01,950 --> 00:00:01,960
+[Music]
+ 
+
+3
+00:00:01,960 --> 00:00:04,910
+[Music]
+red
+
+4
+00:00:04,910 --> 00:00:04,920
+red
+ 
+
+5
+00:00:04,920 --> 00:00:08,950
+red
+red red did you go where shall I go what
+
+6
+00:00:08,950 --> 00:00:08,960
+red red did you go where shall I go what
+ 
+
+7
+00:00:08,960 --> 00:00:12,390
+red red did you go where shall I go what
+shall I do frankly my dear I don't give
+
+8
+00:00:12,390 --> 00:00:12,400
+shall I do frankly my dear I don't give
+ 
+
+9
+00:00:12,400 --> 00:00:14,220
+shall I do frankly my dear I don't give
+a
+
+10
+00:00:14,220 --> 00:00:14,230
+a
+ 
+
+11
+00:00:14,230 --> 00:00:26,349
+a
+[Music]
+
+12
+00:00:26,349 --> 00:00:26,359
+
+ 
+
+13
+00:00:26,359 --> 00:00:30,470
+
+damn I can't let him go I can't
+
+14
+00:00:30,470 --> 00:00:30,480
+damn I can't let him go I can't
+ 
+
+15
+00:00:30,480 --> 00:00:33,869
+damn I can't let him go I can't
+that must be some way to bring him
+
+16
+00:00:33,869 --> 00:00:33,879
+that must be some way to bring him
+ 
+
+17
+00:00:33,879 --> 00:00:37,709
+that must be some way to bring him
+back oh I can't think about this now I
+
+18
+00:00:37,709 --> 00:00:37,719
+back oh I can't think about this now I
+ 
+
+19
+00:00:37,719 --> 00:00:39,709
+back oh I can't think about this now I
+go crazy if I
+
+20
+00:00:39,709 --> 00:00:39,719
+go crazy if I
+ 
+
+21
+00:00:39,719 --> 00:00:44,940
+go crazy if I
+do I'll think about it
+
+22
+00:00:44,940 --> 00:00:44,950
+
+ 
+
+23
+00:00:44,950 --> 00:00:56,189
+
+[Music]
+
+24
+00:00:56,189 --> 00:00:56,199
+[Music]
+ 
+
+25
+00:00:56,199 --> 00:01:00,430
+[Music]
+tomorrow what I must think about
+
+26
+00:01:00,430 --> 00:01:00,440
+tomorrow what I must think about
+ 
+
+27
+00:01:00,440 --> 00:01:02,310
+tomorrow what I must think about
+must think
+
+28
+00:01:02,310 --> 00:01:02,320
+must think
+ 
+
+29
+00:01:02,320 --> 00:01:05,469
+must think
+about what is that
+
+30
+00:01:05,469 --> 00:01:05,479
+about what is that
+ 
+
+31
+00:01:05,479 --> 00:01:10,070
+about what is that
+do what is that
+
+32
+00:01:10,070 --> 00:01:10,080
+
+ 
+
+33
+00:01:10,080 --> 00:01:13,429
+
+matter don't mean to tell me KY Scarlet
+
+34
+00:01:13,429 --> 00:01:13,439
+matter don't mean to tell me KY Scarlet
+ 
+
+35
+00:01:13,439 --> 00:01:15,789
+matter don't mean to tell me KY Scarlet
+the ter doesn't mean anything to you my
+
+36
+00:01:15,789 --> 00:01:15,799
+the ter doesn't mean anything to you my
+ 
+
+37
+00:01:15,799 --> 00:01:18,230
+the ter doesn't mean anything to you my
+man's the only thing that matters it's
+
+38
+00:01:18,230 --> 00:01:18,240
+man's the only thing that matters it's
+ 
+
+39
+00:01:18,240 --> 00:01:20,870
+man's the only thing that matters it's
+the only thing that lasts something you
+
+40
+00:01:20,870 --> 00:01:20,880
+the only thing that lasts something you
+ 
+
+41
+00:01:20,880 --> 00:01:22,550
+the only thing that lasts something you
+love better than me though you may not
+
+42
+00:01:22,550 --> 00:01:22,560
+love better than me though you may not
+ 
+
+43
+00:01:22,560 --> 00:01:25,069
+love better than me though you may not
+know it teror it's this from which you
+
+44
+00:01:25,069 --> 00:01:25,079
+know it teror it's this from which you
+ 
+
+45
+00:01:25,079 --> 00:01:28,030
+know it teror it's this from which you
+get your strength red Earth of Terror
+
+46
+00:01:28,030 --> 00:01:28,040
+get your strength red Earth of Terror
+ 
+
+47
+00:01:28,040 --> 00:01:30,230
+get your strength red Earth of Terror
+land's the only thing that matters it's
+
+48
+00:01:30,230 --> 00:01:30,240
+land's the only thing that matters it's
+ 
+
+49
+00:01:30,240 --> 00:01:32,270
+land's the only thing that matters it's
+the only thing that lasts something you
+
+50
+00:01:32,270 --> 00:01:32,280
+the only thing that lasts something you
+ 
+
+51
+00:01:32,280 --> 00:01:33,710
+the only thing that lasts something you
+love better than me though you may not
+
+52
+00:01:33,710 --> 00:01:33,720
+love better than me though you may not
+ 
+
+53
+00:01:33,720 --> 00:01:35,910
+love better than me though you may not
+know it Tara this from which you get
+
+54
+00:01:35,910 --> 00:01:35,920
+know it Tara this from which you get
+ 
+
+55
+00:01:35,920 --> 00:01:38,149
+know it Tara this from which you get
+your strength the red Earth of Tara my
+
+56
+00:01:38,149 --> 00:01:38,159
+your strength the red Earth of Tara my
+ 
+
+57
+00:01:38,159 --> 00:01:39,870
+your strength the red Earth of Tara my
+land's the only thing that matters
+
+58
+00:01:39,870 --> 00:01:39,880
+land's the only thing that matters
+ 
+
+59
+00:01:39,880 --> 00:01:41,350
+land's the only thing that matters
+something you love better than me the
+
+60
+00:01:41,350 --> 00:01:41,360
+something you love better than me the
+ 
+
+61
+00:01:41,360 --> 00:01:46,550
+something you love better than me the
+red Earth of Tara Tara Tara
+
+62
+00:01:46,550 --> 00:01:46,560
+
+ 
+
+63
+00:01:46,560 --> 00:01:49,069
+
+terara
+
+64
+00:01:49,069 --> 00:01:49,079
+terara
+ 
+
+65
+00:01:49,079 --> 00:01:51,310
+terara
+ter
+
+66
+00:01:51,310 --> 00:01:51,320
+ter
+ 
+
+67
+00:01:51,320 --> 00:01:53,789
+ter
+home I'll go
+
+68
+00:01:53,789 --> 00:01:53,799
+home I'll go
+ 
+
+69
+00:01:53,799 --> 00:01:56,230
+home I'll go
+home but I'll think of some way to get
+
+70
+00:01:56,230 --> 00:01:56,240
+home but I'll think of some way to get
+ 
+
+71
+00:01:56,240 --> 00:01:57,230
+home but I'll think of some way to get
+him
+
+72
+00:01:57,230 --> 00:01:57,240
+him
+ 
+
+73
+00:01:57,240 --> 00:02:00,350
+him
+back after all
+
+74
+00:02:00,350 --> 00:02:00,360
+back after all
+ 
+
+75
+00:02:00,360 --> 00:02:06,580
+back after all
+tomorrow is another day
+
+76
+00:02:06,580 --> 00:02:06,590
+
+ 
+
+77
+00:02:06,590 --> 00:02:44,509
+
+[Music]
+

1939/IhTgiNhfF7k.description

@@ -0,0 +1,38 @@
+Ninotchka movie clips: http://j.mp/17HLmQu
+BUY THE MOVIE: http://j.mp/17HLmQo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+An inebriated Ninotchka (Greta Garbo) believes she should be punished for being so happy, and then abandons that notion in favor of enjoying herself.
+
+FILM DESCRIPTION:
+"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Melvyn Douglas, Greta Garbo
+Director: Ernst Lubitsch
+Producers: Ernst Lubitsch, Sidney Franklin
+Screenwriters: Charles Brackett, Melchior Lengyel, Walter Reisch, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/IhTgiNhfF7k.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,680 --> 00:00:04,070
+
+let's form our own party right lovers of
+
+2
+00:00:04,070 --> 00:00:04,080
+let's form our own party right lovers of
+ 
+
+3
+00:00:04,080 --> 00:00:06,829
+let's form our own party right lovers of
+the World Unite and we won't stretch up
+
+4
+00:00:06,829 --> 00:00:06,839
+the World Unite and we won't stretch up
+ 
+
+5
+00:00:06,839 --> 00:00:09,830
+the World Unite and we won't stretch up
+our arms no no no we won't cleanse our
+
+6
+00:00:09,830 --> 00:00:09,840
+our arms no no no we won't cleanse our
+ 
+
+7
+00:00:09,840 --> 00:00:13,950
+our arms no no no we won't cleanse our
+fists no no our salute will be a kiss
+
+8
+00:00:13,950 --> 00:00:13,960
+fists no no our salute will be a kiss
+ 
+
+9
+00:00:13,960 --> 00:00:20,509
+fists no no our salute will be a kiss
+yes a kiss
+
+10
+00:00:20,509 --> 00:00:20,519
+
+ 
+
+11
+00:00:20,519 --> 00:00:25,150
+
+salute I'm so happy oh I'm so
+
+12
+00:00:25,150 --> 00:00:25,160
+salute I'm so happy oh I'm so
+ 
+
+13
+00:00:25,160 --> 00:00:28,150
+salute I'm so happy oh I'm so
+happy no one can be so happy without
+
+14
+00:00:28,150 --> 00:00:28,160
+happy no one can be so happy without
+ 
+
+15
+00:00:28,160 --> 00:00:30,830
+happy no one can be so happy without
+being punished I will be punished and I
+
+16
+00:00:30,830 --> 00:00:30,840
+being punished I will be punished and I
+ 
+
+17
+00:00:30,840 --> 00:00:32,270
+being punished I will be punished and I
+should be
+
+18
+00:00:32,270 --> 00:00:32,280
+should be
+ 
+
+19
+00:00:32,280 --> 00:00:35,869
+should be
+punished Leon I want to confess I know
+
+20
+00:00:35,869 --> 00:00:35,879
+punished Leon I want to confess I know
+ 
+
+21
+00:00:35,879 --> 00:00:38,069
+punished Leon I want to confess I know
+it's the Russian Soul well everyone
+
+22
+00:00:38,069 --> 00:00:38,079
+it's the Russian Soul well everyone
+ 
+
+23
+00:00:38,079 --> 00:00:40,270
+it's the Russian Soul well everyone
+wants to confess and if they don't
+
+24
+00:00:40,270 --> 00:00:40,280
+wants to confess and if they don't
+ 
+
+25
+00:00:40,280 --> 00:00:42,350
+wants to confess and if they don't
+confess they make them
+
+26
+00:00:42,350 --> 00:00:42,360
+confess they make them
+ 
+
+27
+00:00:42,360 --> 00:00:46,350
+confess they make them
+confess I am a traitor when I kissed you
+
+28
+00:00:46,350 --> 00:00:46,360
+confess I am a traitor when I kissed you
+ 
+
+29
+00:00:46,360 --> 00:00:48,350
+confess I am a traitor when I kissed you
+I betrayed the Russian
+
+30
+00:00:48,350 --> 00:00:48,360
+I betrayed the Russian
+ 
+
+31
+00:00:48,360 --> 00:00:51,069
+I betrayed the Russian
+ideal I should be stood up against the
+
+32
+00:00:51,069 --> 00:00:51,079
+ideal I should be stood up against the
+ 
+
+33
+00:00:51,079 --> 00:00:55,510
+ideal I should be stood up against the
+wall will that make you any happier much
+
+34
+00:00:55,510 --> 00:00:55,520
+wall will that make you any happier much
+ 
+
+35
+00:00:55,520 --> 00:00:58,910
+wall will that make you any happier much
+happier all
+
+36
+00:00:58,910 --> 00:00:58,920
+
+ 
+
+37
+00:00:58,920 --> 00:01:01,430
+
+right for
+
+38
+00:01:01,430 --> 00:01:01,440
+right for
+ 
+
+39
+00:01:01,440 --> 00:01:35,109
+right for
+[Music]
+
+40
+00:01:35,109 --> 00:01:35,119
+
+ 
+
+41
+00:01:35,119 --> 00:01:37,950
+
+I have paid the penalty now let's have
+
+42
+00:01:37,950 --> 00:01:37,960
+I have paid the penalty now let's have
+ 
+
+43
+00:01:37,960 --> 00:01:41,469
+I have paid the penalty now let's have
+some music let's turn on the radio radio
+
+44
+00:01:41,469 --> 00:01:41,479
+some music let's turn on the radio radio
+ 
+
+45
+00:01:41,479 --> 00:01:44,149
+some music let's turn on the radio radio
+what's radio radio is a little box that
+
+46
+00:01:44,149 --> 00:01:44,159
+what's radio radio is a little box that
+ 
+
+47
+00:01:44,159 --> 00:01:46,350
+what's radio radio is a little box that
+you buy in the installment plan before
+
+48
+00:01:46,350 --> 00:01:46,360
+you buy in the installment plan before
+ 
+
+49
+00:01:46,360 --> 00:01:47,749
+you buy in the installment plan before
+you tune it in they tell you there's a
+
+50
+00:01:47,749 --> 00:01:47,759
+you tune it in they tell you there's a
+ 
+
+51
+00:01:47,759 --> 00:01:52,190
+you tune it in they tell you there's a
+new model out oh yes I know where that
+
+52
+00:01:52,190 --> 00:01:52,200
+new model out oh yes I know where that
+ 
+
+53
+00:01:52,200 --> 00:01:55,990
+new model out oh yes I know where that
+is as one around here somewhere I has a
+
+54
+00:01:55,990 --> 00:01:56,000
+is as one around here somewhere I has a
+ 
+
+55
+00:01:56,000 --> 00:01:58,950
+is as one around here somewhere I has a
+I has a little knob you turn little knob
+
+56
+00:01:58,950 --> 00:01:58,960
+I has a little knob you turn little knob
+ 
+
+57
+00:01:58,960 --> 00:02:01,749
+I has a little knob you turn little knob
+that's right yeah maybe it's in here
+
+58
+00:02:01,749 --> 00:02:01,759
+that's right yeah maybe it's in here
+ 
+
+59
+00:02:01,759 --> 00:02:05,109
+that's right yeah maybe it's in here
+there's a little knob has knob now maybe
+
+60
+00:02:05,109 --> 00:02:05,119
+there's a little knob has knob now maybe
+ 
+
+61
+00:02:05,119 --> 00:02:09,669
+there's a little knob has knob now maybe
+it's in here let's see there is there's
+
+62
+00:02:09,669 --> 00:02:09,679
+it's in here let's see there is there's
+ 
+
+63
+00:02:09,679 --> 00:02:13,030
+it's in here let's see there is there's
+knob there's knob nothing what should we
+
+64
+00:02:13,030 --> 00:02:13,040
+knob there's knob nothing what should we
+ 
+
+65
+00:02:13,040 --> 00:02:16,350
+knob there's knob nothing what should we
+get the news no news we don't want to
+
+66
+00:02:16,350 --> 00:02:16,360
+get the news no news we don't want to
+ 
+
+67
+00:02:16,360 --> 00:02:18,270
+get the news no news we don't want to
+know what's happening in the world we
+
+68
+00:02:18,270 --> 00:02:18,280
+know what's happening in the world we
+ 
+
+69
+00:02:18,280 --> 00:02:20,949
+know what's happening in the world we
+want to be left alone don't we yes
+
+70
+00:02:20,949 --> 00:02:20,959
+want to be left alone don't we yes
+ 
+
+71
+00:02:20,959 --> 00:02:40,600
+want to be left alone don't we yes
+darling all by ourselves
+
+72
+00:02:40,600 --> 00:02:40,610
+
+ 
+
+73
+00:02:40,610 --> 00:02:54,680
+
+[Music]
+

1939/JIHGn-BwZMM.description

@@ -0,0 +1,38 @@
+Ninotchka movie clips: http://j.mp/17HLmQu
+BUY THE MOVIE: http://j.mp/17HLmQo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ninotchka (Greta Garbo) finally surrenders to her feelings for Leon (Melvyn Douglas), but has trouble saying that she loves him out loud.
+
+FILM DESCRIPTION:
+"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Melvyn Douglas, Greta Garbo
+Director: Ernst Lubitsch
+Producers: Ernst Lubitsch, Sidney Franklin
+Screenwriters: Charles Brackett, Melchior Lengyel, Walter Reisch, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/JIHGn-BwZMM.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:02,810 --> 00:00:05,079
+
+if nine o´clock
+
+2
+00:00:05,079 --> 00:00:05,089
+if nine o´clock
+ 
+
+3
+00:00:05,089 --> 00:00:08,810
+if nine o´clock
+hmm that's when one half of Paris s the
+
+4
+00:00:08,810 --> 00:00:08,820
+hmm that's when one half of Paris s the
+ 
+
+5
+00:00:08,820 --> 00:00:11,000
+hmm that's when one half of Paris s the
+other half what are your plans for this
+
+6
+00:00:11,000 --> 00:00:11,010
+other half what are your plans for this
+ 
+
+7
+00:00:11,010 --> 00:00:14,299
+other half what are your plans for this
+evening madam first I would like to take
+
+8
+00:00:14,299 --> 00:00:14,309
+evening madam first I would like to take
+ 
+
+9
+00:00:14,309 --> 00:00:17,359
+evening madam first I would like to take
+off my hat then could we have some music
+
+10
+00:00:17,359 --> 00:00:17,369
+off my hat then could we have some music
+ 
+
+11
+00:00:17,369 --> 00:00:21,370
+off my hat then could we have some music
+a wonderful idea
+
+12
+00:00:21,370 --> 00:00:21,380
+
+ 
+
+13
+00:00:21,380 --> 00:00:24,769
+
+radio records not labial let's have
+
+14
+00:00:24,769 --> 00:00:24,779
+radio records not labial let's have
+ 
+
+15
+00:00:24,779 --> 00:00:30,349
+radio records not labial let's have
+music that's just for ourselves I'll
+
+16
+00:00:30,349 --> 00:00:30,359
+music that's just for ourselves I'll
+ 
+
+17
+00:00:30,359 --> 00:00:33,080
+music that's just for ourselves I'll
+play it very softly cuz I have things to
+
+18
+00:00:33,080 --> 00:00:33,090
+play it very softly cuz I have things to
+ 
+
+19
+00:00:33,090 --> 00:00:42,310
+play it very softly cuz I have things to
+tell you about which I can't shout
+
+20
+00:00:42,310 --> 00:00:42,320
+
+ 
+
+21
+00:00:42,320 --> 00:00:49,840
+
+darling
+
+22
+00:00:49,840 --> 00:00:49,850
+
+ 
+
+23
+00:00:49,850 --> 00:00:56,900
+
+you see I couldn't chop that you know
+
+24
+00:00:56,900 --> 00:00:56,910
+you see I couldn't chop that you know
+ 
+
+25
+00:00:56,910 --> 00:00:59,240
+you see I couldn't chop that you know
+you know the jokes you told me a few
+
+26
+00:00:59,240 --> 00:00:59,250
+you know the jokes you told me a few
+ 
+
+27
+00:00:59,250 --> 00:01:02,330
+you know the jokes you told me a few
+days ago I wake up in the middle of the
+
+28
+00:01:02,330 --> 00:01:02,340
+days ago I wake up in the middle of the
+ 
+
+29
+00:01:02,340 --> 00:01:06,130
+days ago I wake up in the middle of the
+night and laugh you know that's wrong
+
+30
+00:01:06,130 --> 00:01:06,140
+night and laugh you know that's wrong
+ 
+
+31
+00:01:06,140 --> 00:01:11,200
+night and laugh you know that's wrong
+they aren't funny silly they're stupid
+
+32
+00:01:11,200 --> 00:01:11,210
+they aren't funny silly they're stupid
+ 
+
+33
+00:01:11,210 --> 00:01:15,080
+they aren't funny silly they're stupid
+still I laugh at them and when I look at
+
+34
+00:01:15,080 --> 00:01:15,090
+still I laugh at them and when I look at
+ 
+
+35
+00:01:15,090 --> 00:01:16,820
+still I laugh at them and when I look at
+bullying often I don't know some
+
+36
+00:01:16,820 --> 00:01:16,830
+bullying often I don't know some
+ 
+
+37
+00:01:16,830 --> 00:01:20,060
+bullying often I don't know some
+Kapowski I know there's countless and I
+
+38
+00:01:20,060 --> 00:01:20,070
+Kapowski I know there's countless and I
+ 
+
+39
+00:01:20,070 --> 00:01:23,660
+Kapowski I know there's countless and I
+should hate them then I realize who made
+
+40
+00:01:23,660 --> 00:01:23,670
+should hate them then I realize who made
+ 
+
+41
+00:01:23,670 --> 00:01:26,630
+should hate them then I realize who made
+them like that I'm stead of sending my
+
+42
+00:01:26,630 --> 00:01:26,640
+them like that I'm stead of sending my
+ 
+
+43
+00:01:26,640 --> 00:01:29,359
+them like that I'm stead of sending my
+report to Moscow I go down and buy
+
+44
+00:01:29,359 --> 00:01:29,369
+report to Moscow I go down and buy
+ 
+
+45
+00:01:29,369 --> 00:01:34,940
+report to Moscow I go down and buy
+ridiculous hat this keeps on my
+
+46
+00:01:34,940 --> 00:01:34,950
+ridiculous hat this keeps on my
+ 
+
+47
+00:01:34,950 --> 00:01:39,710
+ridiculous hat this keeps on my
+talkative no no go on Leon I want to
+
+48
+00:01:39,710 --> 00:01:39,720
+talkative no no go on Leon I want to
+ 
+
+49
+00:01:39,720 --> 00:01:41,749
+talkative no no go on Leon I want to
+tell you something which I thought I
+
+50
+00:01:41,749 --> 00:01:41,759
+tell you something which I thought I
+ 
+
+51
+00:01:41,759 --> 00:01:44,719
+tell you something which I thought I
+would never say which I thought nobody
+
+52
+00:01:44,719 --> 00:01:44,729
+would never say which I thought nobody
+ 
+
+53
+00:01:44,729 --> 00:01:47,600
+would never say which I thought nobody
+ever should say because I didn't think
+
+54
+00:01:47,600 --> 00:01:47,610
+ever should say because I didn't think
+ 
+
+55
+00:01:47,610 --> 00:01:50,420
+ever should say because I didn't think
+it exists
+

1939/M4-DIldIX6U.en.srt

@@ -0,0 +1,225 @@
+1
+00:00:00,280 --> 00:00:02,070
+
+but R I really can't go on accepting
+
+2
+00:00:02,070 --> 00:00:02,080
+but R I really can't go on accepting
+ 
+
+3
+00:00:02,080 --> 00:00:04,230
+but R I really can't go on accepting
+these gifts though you are awfully kind
+
+4
+00:00:04,230 --> 00:00:04,240
+these gifts though you are awfully kind
+ 
+
+5
+00:00:04,240 --> 00:00:06,269
+these gifts though you are awfully kind
+I'm not kind I'm just tempting you I
+
+6
+00:00:06,269 --> 00:00:06,279
+I'm not kind I'm just tempting you I
+ 
+
+7
+00:00:06,279 --> 00:00:07,550
+I'm not kind I'm just tempting you I
+never give anything without expecting
+
+8
+00:00:07,550 --> 00:00:07,560
+never give anything without expecting
+ 
+
+9
+00:00:07,560 --> 00:00:09,990
+never give anything without expecting
+something in return I always get paid
+
+10
+00:00:09,990 --> 00:00:10,000
+something in return I always get paid
+ 
+
+11
+00:00:10,000 --> 00:00:11,230
+something in return I always get paid
+well if you think I'll marry you just
+
+12
+00:00:11,230 --> 00:00:11,240
+well if you think I'll marry you just
+ 
+
+13
+00:00:11,240 --> 00:00:13,110
+well if you think I'll marry you just
+pay for the Bonnet I won't don't flatter
+
+14
+00:00:13,110 --> 00:00:13,120
+pay for the Bonnet I won't don't flatter
+ 
+
+15
+00:00:13,120 --> 00:00:14,990
+pay for the Bonnet I won't don't flatter
+yourself I'm not a marrying
+
+16
+00:00:14,990 --> 00:00:15,000
+yourself I'm not a marrying
+ 
+
+17
+00:00:15,000 --> 00:00:27,790
+yourself I'm not a marrying
+man well I won't kiss you for it
+
+18
+00:00:27,790 --> 00:00:27,800
+
+ 
+
+19
+00:00:27,800 --> 00:00:31,990
+
+either open your eyes and look at me
+
+20
+00:00:31,990 --> 00:00:32,000
+
+ 
+
+21
+00:00:32,000 --> 00:00:33,990
+
+no I don't think I will kiss you
+
+22
+00:00:33,990 --> 00:00:34,000
+no I don't think I will kiss you
+ 
+
+23
+00:00:34,000 --> 00:00:35,910
+no I don't think I will kiss you
+although you need kissing badly that's
+
+24
+00:00:35,910 --> 00:00:35,920
+although you need kissing badly that's
+ 
+
+25
+00:00:35,920 --> 00:00:37,470
+although you need kissing badly that's
+what's wrong with you you should be
+
+26
+00:00:37,470 --> 00:00:37,480
+what's wrong with you you should be
+ 
+
+27
+00:00:37,480 --> 00:00:39,270
+what's wrong with you you should be
+kissed and often and by someone who
+
+28
+00:00:39,270 --> 00:00:39,280
+kissed and often and by someone who
+ 
+
+29
+00:00:39,280 --> 00:00:40,990
+kissed and often and by someone who
+knows how well I suppose you think
+
+30
+00:00:40,990 --> 00:00:41,000
+knows how well I suppose you think
+ 
+
+31
+00:00:41,000 --> 00:00:44,229
+knows how well I suppose you think
+you're the proper person I might be if
+
+32
+00:00:44,229 --> 00:00:44,239
+you're the proper person I might be if
+ 
+
+33
+00:00:44,239 --> 00:00:46,590
+you're the proper person I might be if
+the right moment ever came you're a
+
+34
+00:00:46,590 --> 00:00:46,600
+the right moment ever came you're a
+ 
+
+35
+00:00:46,600 --> 00:00:49,150
+the right moment ever came you're a
+conceited blackhearted vomit red but I
+
+36
+00:00:49,150 --> 00:00:49,160
+conceited blackhearted vomit red but I
+ 
+
+37
+00:00:49,160 --> 00:00:51,029
+conceited blackhearted vomit red but I
+don't know why I let you come and see
+
+38
+00:00:51,029 --> 00:00:51,039
+don't know why I let you come and see
+ 
+
+39
+00:00:51,039 --> 00:00:54,069
+don't know why I let you come and see
+me I'll tell you why scotlet because I'm
+
+40
+00:00:54,069 --> 00:00:54,079
+me I'll tell you why scotlet because I'm
+ 
+
+41
+00:00:54,079 --> 00:00:56,150
+me I'll tell you why scotlet because I'm
+the only man over 16 and under 60 who's
+
+42
+00:00:56,150 --> 00:00:56,160
+the only man over 16 and under 60 who's
+ 
+
+43
+00:00:56,160 --> 00:00:58,360
+the only man over 16 and under 60 who's
+around to show you a good time
+
+44
+00:00:58,360 --> 00:00:58,370
+around to show you a good time
+ 
+
+45
+00:00:58,370 --> 00:01:29,440
+around to show you a good time
+[Music]
+

1939/NRjWEE0hmjQ.description

@@ -0,0 +1,38 @@
+Mr. Smith Goes to Washington movie clips: http://j.mp/1JaLRWs
+BUY THE MOVIE: http://amzn.to/u7g6YE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After being persecuted in the newspaper for being incompetent, Senator Smith (James Stewart) targets the Washington press.
+
+FILM DESCRIPTION:
+Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said."
+
+CREDITS:
+TM & © Sony (1939)
+Cast: Charles Lane, James Stewart
+Director: Frank Capra
+Producer: Frank Capra
+Screenwriters: Sidney Buchman, Lewis R. Foster, Myles Connolly
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/NRjWEE0hmjQ.en.srt

@@ -0,0 +1,465 @@
+1
+00:00:00,480 --> 00:00:07,040
+
+w
+
+2
+00:00:07,040 --> 00:00:07,050
+
+ 
+
+3
+00:00:07,050 --> 00:00:37,350
+
+[Music]
+
+4
+00:00:37,350 --> 00:00:37,360
+
+ 
+
+5
+00:00:37,360 --> 00:00:39,470
+
+hello nosy who let you in here why
+
+6
+00:00:39,470 --> 00:00:39,480
+hello nosy who let you in here why
+ 
+
+7
+00:00:39,480 --> 00:00:40,869
+hello nosy who let you in here why
+aren't you out chasing ambulance that
+
+8
+00:00:40,869 --> 00:00:40,879
+aren't you out chasing ambulance that
+ 
+
+9
+00:00:40,879 --> 00:00:42,590
+aren't you out chasing ambulance that
+guy Smith's punching everybody he meets
+
+10
+00:00:42,590 --> 00:00:42,600
+guy Smith's punching everybody he meets
+ 
+
+11
+00:00:42,600 --> 00:00:44,900
+guy Smith's punching everybody he meets
+I just got away from him oh oh
+
+12
+00:00:44,900 --> 00:00:44,910
+I just got away from him oh oh
+ 
+
+13
+00:00:44,910 --> 00:00:54,150
+I just got away from him oh oh
+[Music]
+
+14
+00:00:54,150 --> 00:00:54,160
+[Music]
+ 
+
+15
+00:00:54,160 --> 00:00:57,590
+[Music]
+Tarzan boys meet Senator
+
+16
+00:00:57,590 --> 00:00:57,600
+Tarzan boys meet Senator
+ 
+
+17
+00:00:57,600 --> 00:00:59,590
+Tarzan boys meet Senator
+Smith you act like a man with something
+
+18
+00:00:59,590 --> 00:00:59,600
+Smith you act like a man with something
+ 
+
+19
+00:00:59,600 --> 00:01:01,189
+Smith you act like a man with something
+on your F why don't you tell the people
+
+20
+00:01:01,189 --> 00:01:01,199
+on your F why don't you tell the people
+ 
+
+21
+00:01:01,199 --> 00:01:03,630
+on your F why don't you tell the people
+the truth for a change the truth the man
+
+22
+00:01:03,630 --> 00:01:03,640
+the truth for a change the truth the man
+ 
+
+23
+00:01:03,640 --> 00:01:06,149
+the truth for a change the truth the man
+wants the truth the man wants the truth
+
+24
+00:01:06,149 --> 00:01:06,159
+wants the truth the man wants the truth
+ 
+
+25
+00:01:06,159 --> 00:01:08,590
+wants the truth the man wants the truth
+what is the truth Su jesting pilot and
+
+26
+00:01:08,590 --> 00:01:08,600
+what is the truth Su jesting pilot and
+ 
+
+27
+00:01:08,600 --> 00:01:10,270
+what is the truth Su jesting pilot and
+would not stay for an answer how do you
+
+28
+00:01:10,270 --> 00:01:10,280
+would not stay for an answer how do you
+ 
+
+29
+00:01:10,280 --> 00:01:11,749
+would not stay for an answer how do you
+want it Senator dished out or in a
+
+30
+00:01:11,749 --> 00:01:11,759
+want it Senator dished out or in a
+ 
+
+31
+00:01:11,759 --> 00:01:13,190
+want it Senator dished out or in a
+bottle the people of this country pick
+
+32
+00:01:13,190 --> 00:01:13,200
+bottle the people of this country pick
+ 
+
+33
+00:01:13,200 --> 00:01:14,950
+bottle the people of this country pick
+up their papers and what do they read
+
+34
+00:01:14,950 --> 00:01:14,960
+up their papers and what do they read
+ 
+
+35
+00:01:14,960 --> 00:01:16,870
+up their papers and what do they read
+well this morning they read that an
+
+36
+00:01:16,870 --> 00:01:16,880
+well this morning they read that an
+ 
+
+37
+00:01:16,880 --> 00:01:18,590
+well this morning they read that an
+incompetent clown had arrived in
+
+38
+00:01:18,590 --> 00:01:18,600
+incompetent clown had arrived in
+ 
+
+39
+00:01:18,600 --> 00:01:23,789
+incompetent clown had arrived in
+Washington parading like a member of the
+
+40
+00:01:23,789 --> 00:01:23,799
+
+ 
+
+41
+00:01:23,799 --> 00:01:26,190
+
+Senate you thought as much about being
+
+42
+00:01:26,190 --> 00:01:26,200
+Senate you thought as much about being
+ 
+
+43
+00:01:26,200 --> 00:01:27,789
+Senate you thought as much about being
+honest as you do about being smart
+
+44
+00:01:27,789 --> 00:01:27,799
+honest as you do about being smart
+ 
+
+45
+00:01:27,799 --> 00:01:29,350
+honest as you do about being smart
+honest why we're the only ones who can
+
+46
+00:01:29,350 --> 00:01:29,360
+honest why we're the only ones who can
+ 
+
+47
+00:01:29,360 --> 00:01:30,630
+honest why we're the only ones who can
+afford to be honest in what we tell the
+
+48
+00:01:30,630 --> 00:01:30,640
+afford to be honest in what we tell the
+ 
+
+49
+00:01:30,640 --> 00:01:33,190
+afford to be honest in what we tell the
+voters we don't have to be reelected
+
+50
+00:01:33,190 --> 00:01:33,200
+voters we don't have to be reelected
+ 
+
+51
+00:01:33,200 --> 00:01:34,510
+voters we don't have to be reelected
+like
+
+52
+00:01:34,510 --> 00:01:34,520
+like
+ 
+
+53
+00:01:34,520 --> 00:01:36,469
+like
+politicians prin we tell them when
+
+54
+00:01:36,469 --> 00:01:36,479
+politicians prin we tell them when
+ 
+
+55
+00:01:36,479 --> 00:01:38,069
+politicians prin we tell them when
+phonies or crackpots come here to make
+
+56
+00:01:38,069 --> 00:01:38,079
+phonies or crackpots come here to make
+ 
+
+57
+00:01:38,079 --> 00:01:39,630
+phonies or crackpots come here to make
+their laws if it's the truth you want
+
+58
+00:01:39,630 --> 00:01:39,640
+their laws if it's the truth you want
+ 
+
+59
+00:01:39,640 --> 00:01:41,109
+their laws if it's the truth you want
+what are you doing in the Senate what do
+
+60
+00:01:41,109 --> 00:01:41,119
+what are you doing in the Senate what do
+ 
+
+61
+00:01:41,119 --> 00:01:42,670
+what are you doing in the Senate what do
+you know about laws or making laws or
+
+62
+00:01:42,670 --> 00:01:42,680
+you know about laws or making laws or
+ 
+
+63
+00:01:42,680 --> 00:01:44,389
+you know about laws or making laws or
+what the people need I don't pretend to
+
+64
+00:01:44,389 --> 00:01:44,399
+what the people need I don't pretend to
+ 
+
+65
+00:01:44,399 --> 00:01:45,709
+what the people need I don't pretend to
+know and what are you doing in the
+
+66
+00:01:45,709 --> 00:01:45,719
+know and what are you doing in the
+ 
+
+67
+00:01:45,719 --> 00:01:49,270
+know and what are you doing in the
+Senate what's he doing why honorary
+
+68
+00:01:49,270 --> 00:01:49,280
+Senate what's he doing why honorary
+ 
+
+69
+00:01:49,280 --> 00:01:51,389
+Senate what's he doing why honorary
+appointment when the country needs men
+
+70
+00:01:51,389 --> 00:01:51,399
+appointment when the country needs men
+ 
+
+71
+00:01:51,399 --> 00:01:53,510
+appointment when the country needs men
+up there who know and have courage as it
+
+72
+00:01:53,510 --> 00:01:53,520
+up there who know and have courage as it
+ 
+
+73
+00:01:53,520 --> 00:01:55,510
+up there who know and have courage as it
+never did before he's just going to
+
+74
+00:01:55,510 --> 00:01:55,520
+never did before he's just going to
+ 
+
+75
+00:01:55,520 --> 00:01:58,350
+never did before he's just going to
+decorate a chair and get himself on well
+
+76
+00:01:58,350 --> 00:01:58,360
+decorate a chair and get himself on well
+ 
+
+77
+00:01:58,360 --> 00:02:00,749
+decorate a chair and get himself on well
+but he vote sure like his colleague
+
+78
+00:02:00,749 --> 00:02:00,759
+but he vote sure like his colleague
+ 
+
+79
+00:02:00,759 --> 00:02:03,069
+but he vote sure like his colleague
+tells him to yes sir like a Christmas
+
+80
+00:02:03,069 --> 00:02:03,079
+tells him to yes sir like a Christmas
+ 
+
+81
+00:02:03,079 --> 00:02:07,029
+tells him to yes sir like a Christmas
+tiger he'll KN his head and vote Yes sir
+
+82
+00:02:07,029 --> 00:02:07,039
+tiger he'll KN his head and vote Yes sir
+ 
+
+83
+00:02:07,039 --> 00:02:10,150
+tiger he'll KN his head and vote Yes sir
+you're not a senator you're an honorary
+
+84
+00:02:10,150 --> 00:02:10,160
+you're not a senator you're an honorary
+ 
+
+85
+00:02:10,160 --> 00:02:13,070
+you're not a senator you're an honorary
+stoe you ought to be shown up have it
+
+86
+00:02:13,070 --> 00:02:13,080
+stoe you ought to be shown up have it
+ 
+
+87
+00:02:13,080 --> 00:02:14,430
+stoe you ought to be shown up have it
+Drake senator
+
+88
+00:02:14,430 --> 00:02:14,440
+Drake senator
+ 
+
+89
+00:02:14,440 --> 00:02:30,630
+Drake senator
+[Music]
+
+90
+00:02:30,630 --> 00:02:30,640
+
+ 
+
+91
+00:02:30,640 --> 00:02:39,520
+
+sh
+
+92
+00:02:39,520 --> 00:02:39,530
+
+ 
+
+93
+00:02:39,530 --> 00:02:45,490
+
+[Music]
+

1939/PSZxmZmBfnU.description

@@ -0,0 +1,41 @@
+The Wizard of Oz movie clips: http://j.mp/1L5gtKP
+BUY THE MOVIE: http://bit.ly/2cmiEyC
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+Watch more Family and Animation videos to get all the best content that's fun for all ages. 
+Best Animated Movie Clips http://bit.ly/2a9DaSm
+Best Family Movie Clips http://bit.ly/2a18bZK
+
+CLIP DESCRIPTION:
+Dorothy (Judy Garland) fantasizes about a land far away from home and sings "Somewhere Over the Rainbow."
+
+FILM DESCRIPTION:
+Not to be confused with the cinematic classic starring Judy Garland that would follow six years later, this animated short film is one of countless other celluloid adaptations of L. Frank Baum's best-loved story, The Wizard of Oz. Directed by Ted Eshbaugh, the Canadian film features no dialogue and tells the story of Dorothy, Toto, Scarecrow, and Tin Man's adventures in Oz with a mix of black & white and color animation.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Judy Garland, Terry
+Directors: George Cukor, Victor Fleming, Mervyn LeRoy, Norman Taurog, King Vidor
+Producers: Mervyn LeRoy, Arthur Freed
+Screenwriters: Noel Langley, Florence Ryerson, Edgar Allan Woolf, L. Frank Baum, Irving Brecher, William H. Cannon, Herbert Fields, Arthur Freed, Jack Haley, E.Y. Harburg, Samuel Hoffenstein, Bert Lahr, John Lee Mahin, Herman J. Mankiewicz, Jack Mintz, Ogden Nash, Robert Pirosh, George Seaton, Sid Silvers
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/PSZxmZmBfnU.en.srt

@@ -0,0 +1,315 @@
+1
+00:00:02,560 --> 00:00:06,190
+
+somewhere over the
+
+2
+00:00:06,190 --> 00:00:06,200
+somewhere over the
+ 
+
+3
+00:00:06,200 --> 00:00:09,340
+somewhere over the
+rainbow way up
+
+4
+00:00:09,340 --> 00:00:09,350
+rainbow way up
+ 
+
+5
+00:00:09,350 --> 00:00:11,470
+rainbow way up
+[Music]
+
+6
+00:00:11,470 --> 00:00:11,480
+[Music]
+ 
+
+7
+00:00:11,480 --> 00:00:18,189
+[Music]
+high there's a land that I heard of once
+
+8
+00:00:18,189 --> 00:00:18,199
+high there's a land that I heard of once
+ 
+
+9
+00:00:18,199 --> 00:00:21,910
+high there's a land that I heard of once
+in a
+
+10
+00:00:21,910 --> 00:00:21,920
+
+ 
+
+11
+00:00:21,920 --> 00:00:24,390
+
+la
+
+12
+00:00:24,390 --> 00:00:24,400
+la
+ 
+
+13
+00:00:24,400 --> 00:00:27,990
+la
+Somewhere Over the
+
+14
+00:00:27,990 --> 00:00:28,000
+Somewhere Over the
+ 
+
+15
+00:00:28,000 --> 00:00:33,229
+Somewhere Over the
+Rainbow Skies on
+
+16
+00:00:33,229 --> 00:00:33,239
+
+ 
+
+17
+00:00:33,239 --> 00:00:38,790
+
+blue and the dreams that you dare to
+
+18
+00:00:38,790 --> 00:00:38,800
+blue and the dreams that you dare to
+ 
+
+19
+00:00:38,800 --> 00:00:43,670
+blue and the dreams that you dare to
+dream really do come
+
+20
+00:00:43,670 --> 00:00:43,680
+dream really do come
+ 
+
+21
+00:00:43,680 --> 00:00:45,430
+dream really do come
+true
+
+22
+00:00:45,430 --> 00:00:45,440
+true
+ 
+
+23
+00:00:45,440 --> 00:00:49,510
+true
+some day I wish upon a star and wake up
+
+24
+00:00:49,510 --> 00:00:49,520
+some day I wish upon a star and wake up
+ 
+
+25
+00:00:49,520 --> 00:00:52,389
+some day I wish upon a star and wake up
+where the clouds are far
+
+26
+00:00:52,389 --> 00:00:52,399
+where the clouds are far
+ 
+
+27
+00:00:52,399 --> 00:00:56,110
+where the clouds are far
+behind
+
+28
+00:00:56,110 --> 00:00:56,120
+
+ 
+
+29
+00:00:56,120 --> 00:00:59,670
+
+me where troubl melt like lemon drops
+
+30
+00:00:59,670 --> 00:00:59,680
+me where troubl melt like lemon drops
+ 
+
+31
+00:00:59,680 --> 00:01:03,390
+me where troubl melt like lemon drops
+away way above the chimney tops that's
+
+32
+00:01:03,390 --> 00:01:03,400
+away way above the chimney tops that's
+ 
+
+33
+00:01:03,400 --> 00:01:04,950
+away way above the chimney tops that's
+where
+
+34
+00:01:04,950 --> 00:01:04,960
+where
+ 
+
+35
+00:01:04,960 --> 00:01:07,910
+where
+you
+
+36
+00:01:07,910 --> 00:01:07,920
+you
+ 
+
+37
+00:01:07,920 --> 00:01:11,270
+you
+find
+
+38
+00:01:11,270 --> 00:01:11,280
+
+ 
+
+39
+00:01:11,280 --> 00:01:13,830
+
+me
+
+40
+00:01:13,830 --> 00:01:13,840
+me
+ 
+
+41
+00:01:13,840 --> 00:01:17,350
+me
+somewhere over the
+
+42
+00:01:17,350 --> 00:01:17,360
+somewhere over the
+ 
+
+43
+00:01:17,360 --> 00:01:20,620
+somewhere over the
+rainbow blue Birch
+
+44
+00:01:20,620 --> 00:01:20,630
+rainbow blue Birch
+ 
+
+45
+00:01:20,630 --> 00:01:22,789
+rainbow blue Birch
+[Music]
+
+46
+00:01:22,789 --> 00:01:22,799
+[Music]
+ 
+
+47
+00:01:22,799 --> 00:01:25,190
+[Music]
+fly birds
+
+48
+00:01:25,190 --> 00:01:25,200
+fly birds
+ 
+
+49
+00:01:25,200 --> 00:01:30,590
+fly birds
+fly over the rainbow
+
+50
+00:01:30,590 --> 00:01:30,600
+
+ 
+
+51
+00:01:30,600 --> 00:01:32,190
+
+why
+
+52
+00:01:32,190 --> 00:01:32,200
+why
+ 
+
+53
+00:01:32,200 --> 00:01:36,030
+why
+then oh why
+
+54
+00:01:36,030 --> 00:01:36,040
+then oh why
+ 
+
+55
+00:01:36,040 --> 00:01:48,749
+then oh why
+can't
+
+56
+00:01:48,749 --> 00:01:48,759
+
+ 
+
+57
+00:01:48,759 --> 00:01:54,190
+
+die if happy little bluebirds fly beond
+
+58
+00:01:54,190 --> 00:01:54,200
+die if happy little bluebirds fly beond
+ 
+
+59
+00:01:54,200 --> 00:01:55,910
+die if happy little bluebirds fly beond
+the
+
+60
+00:01:55,910 --> 00:01:55,920
+the
+ 
+
+61
+00:01:55,920 --> 00:02:13,430
+the
+rainbow why oh why C
+
+62
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+63
+00:02:13,440 --> 00:02:44,509
+
+[Music]
+

1939/QuZ_ak2qxeE.en.srt

@@ -0,0 +1,645 @@
+1
+00:00:03,480 --> 00:00:07,190
+
+well well
+
+2
+00:00:07,190 --> 00:00:07,200
+
+ 
+
+3
+00:00:07,200 --> 00:00:09,790
+
+well when did you get
+
+4
+00:00:09,790 --> 00:00:09,800
+well when did you get
+ 
+
+5
+00:00:09,800 --> 00:00:12,549
+well when did you get
+out oh I get it taking advantage of my
+
+6
+00:00:12,549 --> 00:00:12,559
+out oh I get it taking advantage of my
+ 
+
+7
+00:00:12,559 --> 00:00:14,950
+out oh I get it taking advantage of my
+good nature on New Year's Eve huh all
+
+8
+00:00:14,950 --> 00:00:14,960
+good nature on New Year's Eve huh all
+ 
+
+9
+00:00:14,960 --> 00:00:16,990
+good nature on New Year's Eve huh all
+right I'll go for it how much I don't
+
+10
+00:00:16,990 --> 00:00:17,000
+right I'll go for it how much I don't
+ 
+
+11
+00:00:17,000 --> 00:00:19,630
+right I'll go for it how much I don't
+want no money well now don't tell me you
+
+12
+00:00:19,630 --> 00:00:19,640
+want no money well now don't tell me you
+ 
+
+13
+00:00:19,640 --> 00:00:21,390
+want no money well now don't tell me you
+came up here to wish me happy New Year
+
+14
+00:00:21,390 --> 00:00:21,400
+came up here to wish me happy New Year
+ 
+
+15
+00:00:21,400 --> 00:00:24,509
+came up here to wish me happy New Year
+something like that all right many
+
+16
+00:00:24,509 --> 00:00:24,519
+something like that all right many
+ 
+
+17
+00:00:24,519 --> 00:00:26,630
+something like that all right many
+thanks and the same to you goodbye now
+
+18
+00:00:26,630 --> 00:00:26,640
+thanks and the same to you goodbye now
+ 
+
+19
+00:00:26,640 --> 00:00:28,310
+thanks and the same to you goodbye now
+Eddie I'm busy I came up here to talk to
+
+20
+00:00:28,310 --> 00:00:28,320
+Eddie I'm busy I came up here to talk to
+ 
+
+21
+00:00:28,320 --> 00:00:30,589
+Eddie I'm busy I came up here to talk to
+you about Lloyd there ain't nothing to
+
+22
+00:00:30,589 --> 00:00:30,599
+you about Lloyd there ain't nothing to
+ 
+
+23
+00:00:30,599 --> 00:00:32,590
+you about Lloyd there ain't nothing to
+talk about I think there
+
+24
+00:00:32,590 --> 00:00:32,600
+talk about I think there
+ 
+
+25
+00:00:32,600 --> 00:00:34,750
+talk about I think there
+is get him out of here
+
+26
+00:00:34,750 --> 00:00:34,760
+is get him out of here
+ 
+
+27
+00:00:34,760 --> 00:00:37,430
+is get him out of here
+Lefty all right Eddie on your way oh
+
+28
+00:00:37,430 --> 00:00:37,440
+Lefty all right Eddie on your way oh
+ 
+
+29
+00:00:37,440 --> 00:00:39,350
+Lefty all right Eddie on your way oh
+wait a minute George you know if you get
+
+30
+00:00:39,350 --> 00:00:39,360
+wait a minute George you know if you get
+ 
+
+31
+00:00:39,360 --> 00:00:40,709
+wait a minute George you know if you get
+rid of Lloyd there'll always be somebody
+
+32
+00:00:40,709 --> 00:00:40,719
+rid of Lloyd there'll always be somebody
+ 
+
+33
+00:00:40,719 --> 00:00:42,110
+rid of Lloyd there'll always be somebody
+to take his place you know that I'll
+
+34
+00:00:42,110 --> 00:00:42,120
+to take his place you know that I'll
+ 
+
+35
+00:00:42,120 --> 00:00:43,630
+to take his place you know that I'll
+worry about that when it happens but
+
+36
+00:00:43,630 --> 00:00:43,640
+worry about that when it happens but
+ 
+
+37
+00:00:43,640 --> 00:00:44,750
+worry about that when it happens but
+they got a
+
+38
+00:00:44,750 --> 00:00:44,760
+they got a
+ 
+
+39
+00:00:44,760 --> 00:00:47,510
+they got a
+kid
+
+40
+00:00:47,510 --> 00:00:47,520
+kid
+ 
+
+41
+00:00:47,520 --> 00:00:50,630
+kid
+oh still carrying a torch for that Dame
+
+42
+00:00:50,630 --> 00:00:50,640
+oh still carrying a torch for that Dame
+ 
+
+43
+00:00:50,640 --> 00:00:52,950
+oh still carrying a torch for that Dame
+huh suppose I am now what are you
+
+44
+00:00:52,950 --> 00:00:52,960
+huh suppose I am now what are you
+ 
+
+45
+00:00:52,960 --> 00:00:54,389
+huh suppose I am now what are you
+beefing about I'm doing your favor by
+
+46
+00:00:54,389 --> 00:00:54,399
+beefing about I'm doing your favor by
+ 
+
+47
+00:00:54,399 --> 00:00:56,630
+beefing about I'm doing your favor by
+knocking him off I want him to keep his
+
+48
+00:00:56,630 --> 00:00:56,640
+knocking him off I want him to keep his
+ 
+
+49
+00:00:56,640 --> 00:00:58,910
+knocking him off I want him to keep his
+mouth shut but he can look George it's a
+
+50
+00:00:58,910 --> 00:00:58,920
+mouth shut but he can look George it's a
+ 
+
+51
+00:00:58,920 --> 00:01:00,830
+mouth shut but he can look George it's a
+new kind of setup you don't understand
+
+52
+00:01:00,830 --> 00:01:00,840
+new kind of setup you don't understand
+ 
+
+53
+00:01:00,840 --> 00:01:02,029
+new kind of setup you don't understand
+guys don't go around tearing things
+
+54
+00:01:02,029 --> 00:01:02,039
+guys don't go around tearing things
+ 
+
+55
+00:01:02,039 --> 00:01:04,070
+guys don't go around tearing things
+apart like we used to people try to
+
+56
+00:01:04,070 --> 00:01:04,080
+apart like we used to people try to
+ 
+
+57
+00:01:04,080 --> 00:01:05,270
+apart like we used to people try to
+build things up and that's what Lloyd's
+
+58
+00:01:05,270 --> 00:01:05,280
+build things up and that's what Lloyd's
+ 
+
+59
+00:01:05,280 --> 00:01:07,630
+build things up and that's what Lloyd's
+trying to do in this new setup well you
+
+60
+00:01:07,630 --> 00:01:07,640
+trying to do in this new setup well you
+ 
+
+61
+00:01:07,640 --> 00:01:10,030
+trying to do in this new setup well you
+me just don't belong that's all maybe
+
+62
+00:01:10,030 --> 00:01:10,040
+me just don't belong that's all maybe
+ 
+
+63
+00:01:10,040 --> 00:01:14,670
+me just don't belong that's all maybe
+you don't I do all right anytime any
+
+64
+00:01:14,670 --> 00:01:14,680
+
+ 
+
+65
+00:01:14,680 --> 00:01:19,990
+
+place well I guess we let go with that
+
+66
+00:01:19,990 --> 00:01:20,000
+place well I guess we let go with that
+ 
+
+67
+00:01:20,000 --> 00:01:22,870
+place well I guess we let go with that
+George where you going
+
+68
+00:01:22,870 --> 00:01:22,880
+George where you going
+ 
+
+69
+00:01:22,880 --> 00:01:26,069
+George where you going
+Eddie
+
+70
+00:01:26,069 --> 00:01:26,079
+
+ 
+
+71
+00:01:26,079 --> 00:01:28,230
+
+oh there
+
+72
+00:01:28,230 --> 00:01:28,240
+oh there
+ 
+
+73
+00:01:28,240 --> 00:01:30,230
+oh there
+light Lefty in a couple couple of the
+
+74
+00:01:30,230 --> 00:01:30,240
+light Lefty in a couple couple of the
+ 
+
+75
+00:01:30,240 --> 00:01:32,230
+light Lefty in a couple couple of the
+boys will go along with you I don't want
+
+76
+00:01:32,230 --> 00:01:32,240
+boys will go along with you I don't want
+ 
+
+77
+00:01:32,240 --> 00:01:37,670
+boys will go along with you I don't want
+you to be walking the streets alone at
+
+78
+00:01:37,670 --> 00:01:37,680
+
+ 
+
+79
+00:01:37,680 --> 00:01:39,710
+
+night really going to take good care of
+
+80
+00:01:39,710 --> 00:01:39,720
+night really going to take good care of
+ 
+
+81
+00:01:39,720 --> 00:01:43,190
+night really going to take good care of
+me huh yeah you said you didn't belong
+
+82
+00:01:43,190 --> 00:01:43,200
+me huh yeah you said you didn't belong
+ 
+
+83
+00:01:43,200 --> 00:01:44,630
+me huh yeah you said you didn't belong
+on his setup so I'm getting you out of
+
+84
+00:01:44,630 --> 00:01:44,640
+on his setup so I'm getting you out of
+ 
+
+85
+00:01:44,640 --> 00:01:47,230
+on his setup so I'm getting you out of
+it fast I'm sorry Eddie but this is the
+
+86
+00:01:47,230 --> 00:01:47,240
+it fast I'm sorry Eddie but this is the
+ 
+
+87
+00:01:47,240 --> 00:01:48,910
+it fast I'm sorry Eddie but this is the
+way it adds up you're still in love with
+
+88
+00:01:48,910 --> 00:01:48,920
+way it adds up you're still in love with
+ 
+
+89
+00:01:48,920 --> 00:01:50,190
+way it adds up you're still in love with
+that girl you do anything in the world
+
+90
+00:01:50,190 --> 00:01:50,200
+that girl you do anything in the world
+ 
+
+91
+00:01:50,200 --> 00:01:52,950
+that girl you do anything in the world
+to help her you got more on me than any
+
+92
+00:01:52,950 --> 00:01:52,960
+to help her you got more on me than any
+ 
+
+93
+00:01:52,960 --> 00:01:54,550
+to help her you got more on me than any
+guy in this town and I'll lay you art to
+
+94
+00:01:54,550 --> 00:01:54,560
+guy in this town and I'll lay you art to
+ 
+
+95
+00:01:54,560 --> 00:01:55,469
+guy in this town and I'll lay you art to
+the minute you get out of here you're
+
+96
+00:01:55,469 --> 00:01:55,479
+the minute you get out of here you're
+ 
+
+97
+00:01:55,479 --> 00:01:56,670
+the minute you get out of here you're
+going straight to the cops and spill
+
+98
+00:01:56,670 --> 00:01:56,680
+going straight to the cops and spill
+ 
+
+99
+00:01:56,680 --> 00:01:58,950
+going straight to the cops and spill
+everything you know so I'm just going to
+
+100
+00:01:58,950 --> 00:01:58,960
+everything you know so I'm just going to
+ 
+
+101
+00:01:58,960 --> 00:02:01,190
+everything you know so I'm just going to
+beat you to the Finish
+
+102
+00:02:01,190 --> 00:02:01,200
+beat you to the Finish
+ 
+
+103
+00:02:01,200 --> 00:02:08,389
+beat you to the Finish
+goodbye Eddie and uh Happy New
+
+104
+00:02:08,389 --> 00:02:08,399
+
+ 
+
+105
+00:02:08,399 --> 00:02:11,350
+
+Year get him up George see I thought I'd
+
+106
+00:02:11,350 --> 00:02:11,360
+Year get him up George see I thought I'd
+ 
+
+107
+00:02:11,360 --> 00:02:13,470
+Year get him up George see I thought I'd
+yell copper huh but I never did that my
+
+108
+00:02:13,470 --> 00:02:13,480
+yell copper huh but I never did that my
+ 
+
+109
+00:02:13,480 --> 00:02:15,309
+yell copper huh but I never did that my
+life and never will if I want anything
+
+110
+00:02:15,309 --> 00:02:15,319
+life and never will if I want anything
+ 
+
+111
+00:02:15,319 --> 00:02:16,990
+life and never will if I want anything
+done I joke
+
+112
+00:02:16,990 --> 00:02:17,000
+done I joke
+ 
+
+113
+00:02:17,000 --> 00:02:20,190
+done I joke
+myself yeah you always was a fair guy
+
+114
+00:02:20,190 --> 00:02:20,200
+myself yeah you always was a fair guy
+ 
+
+115
+00:02:20,200 --> 00:02:22,589
+myself yeah you always was a fair guy
+Eddie I'll make a deal with you we'll be
+
+116
+00:02:22,589 --> 00:02:22,599
+Eddie I'll make a deal with you we'll be
+ 
+
+117
+00:02:22,599 --> 00:02:23,790
+Eddie I'll make a deal with you we'll be
+partners
+
+118
+00:02:23,790 --> 00:02:23,800
+partners
+ 
+
+119
+00:02:23,800 --> 00:02:26,710
+partners
+again I'll take the heat off Lloyd beat
+
+120
+00:02:26,710 --> 00:02:26,720
+again I'll take the heat off Lloyd beat
+ 
+
+121
+00:02:26,720 --> 00:02:29,600
+again I'll take the heat off Lloyd beat
+the rap some other way
+
+122
+00:02:29,600 --> 00:02:29,610
+the rap some other way
+ 
+
+123
+00:02:29,610 --> 00:02:32,309
+the rap some other way
+[Music]
+
+124
+00:02:32,309 --> 00:02:32,319
+[Music]
+ 
+
+125
+00:02:32,319 --> 00:02:35,270
+[Music]
+Edie crazy Edie
+
+126
+00:02:35,270 --> 00:02:35,280
+Edie crazy Edie
+ 
+
+127
+00:02:35,280 --> 00:02:39,760
+Edie crazy Edie
+not that one rap you won't beat crazy
+
+128
+00:02:39,760 --> 00:02:39,770
+not that one rap you won't beat crazy
+ 
+
+129
+00:02:39,770 --> 00:02:53,550
+not that one rap you won't beat crazy
+[Music]
+

1939/aJoVRUNmqIY.description

@@ -0,0 +1,38 @@
+Ninotchka movie clips: http://j.mp/17HLmQu
+BUY THE MOVIE: http://j.mp/17HLmQo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Leon (Melvyn Douglas) uses all of his charms to kiss the stone cold Ninotchka (Greta Garbo).
+
+FILM DESCRIPTION:
+"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Melvyn Douglas, Greta Garbo
+Director: Ernst Lubitsch
+Producers: Ernst Lubitsch, Sidney Franklin
+Screenwriters: Charles Brackett, Melchior Lengyel, Walter Reisch, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/aJoVRUNmqIY.en.srt

@@ -0,0 +1,525 @@
+1
+00:00:00,960 --> 00:00:03,270
+
+what kind of a girl are you anyway
+
+2
+00:00:03,270 --> 00:00:03,280
+what kind of a girl are you anyway
+ 
+
+3
+00:00:03,280 --> 00:00:04,950
+what kind of a girl are you anyway
+just what you see
+
+4
+00:00:04,950 --> 00:00:04,960
+just what you see
+ 
+
+5
+00:00:04,960 --> 00:00:06,869
+just what you see
+a tiny cog in the great wheel of
+
+6
+00:00:06,869 --> 00:00:06,879
+a tiny cog in the great wheel of
+ 
+
+7
+00:00:06,879 --> 00:00:08,070
+a tiny cog in the great wheel of
+evolution
+
+8
+00:00:08,070 --> 00:00:08,080
+evolution
+ 
+
+9
+00:00:08,080 --> 00:00:09,910
+evolution
+you're the most adorable cog i've ever
+
+10
+00:00:09,910 --> 00:00:09,920
+you're the most adorable cog i've ever
+ 
+
+11
+00:00:09,920 --> 00:00:11,110
+you're the most adorable cog i've ever
+seen
+
+12
+00:00:11,110 --> 00:00:11,120
+seen
+ 
+
+13
+00:00:11,120 --> 00:00:13,509
+seen
+leonardo let me confess something
+
+14
+00:00:13,509 --> 00:00:13,519
+leonardo let me confess something
+ 
+
+15
+00:00:13,519 --> 00:00:15,350
+leonardo let me confess something
+never did i dream i could feel like this
+
+16
+00:00:15,350 --> 00:00:15,360
+never did i dream i could feel like this
+ 
+
+17
+00:00:15,360 --> 00:00:19,990
+never did i dream i could feel like this
+toward a sergeant
+
+18
+00:00:19,990 --> 00:00:20,000
+
+ 
+
+19
+00:00:20,000 --> 00:00:23,990
+
+did you hear that
+
+20
+00:00:23,990 --> 00:00:24,000
+
+ 
+
+21
+00:00:24,000 --> 00:00:25,670
+
+it's 12 o'clock
+
+22
+00:00:25,670 --> 00:00:25,680
+it's 12 o'clock
+ 
+
+23
+00:00:25,680 --> 00:00:28,310
+it's 12 o'clock
+it's midnight look at the clock one hand
+
+24
+00:00:28,310 --> 00:00:28,320
+it's midnight look at the clock one hand
+ 
+
+25
+00:00:28,320 --> 00:00:30,390
+it's midnight look at the clock one hand
+has met the other hand they kiss
+
+26
+00:00:30,390 --> 00:00:30,400
+has met the other hand they kiss
+ 
+
+27
+00:00:30,400 --> 00:00:31,750
+has met the other hand they kiss
+isn't that wonderful
+
+28
+00:00:31,750 --> 00:00:31,760
+isn't that wonderful
+ 
+
+29
+00:00:31,760 --> 00:00:33,590
+isn't that wonderful
+that's the way a clock works what's
+
+30
+00:00:33,590 --> 00:00:33,600
+that's the way a clock works what's
+ 
+
+31
+00:00:33,600 --> 00:00:35,510
+that's the way a clock works what's
+wonderful about it
+
+32
+00:00:35,510 --> 00:00:35,520
+wonderful about it
+ 
+
+33
+00:00:35,520 --> 00:00:37,670
+wonderful about it
+it's midnight one half of paris is
+
+34
+00:00:37,670 --> 00:00:37,680
+it's midnight one half of paris is
+ 
+
+35
+00:00:37,680 --> 00:00:40,069
+it's midnight one half of paris is
+making love to the other half you merely
+
+36
+00:00:40,069 --> 00:00:40,079
+making love to the other half you merely
+ 
+
+37
+00:00:40,079 --> 00:00:41,750
+making love to the other half you merely
+feel you must put yourself in a romantic
+
+38
+00:00:41,750 --> 00:00:41,760
+feel you must put yourself in a romantic
+ 
+
+39
+00:00:41,760 --> 00:00:43,830
+feel you must put yourself in a romantic
+mood to add to your acceleration i can't
+
+40
+00:00:43,830 --> 00:00:43,840
+mood to add to your acceleration i can't
+ 
+
+41
+00:00:43,840 --> 00:00:45,510
+mood to add to your acceleration i can't
+possibly think of any better reason
+
+42
+00:00:45,510 --> 00:00:45,520
+possibly think of any better reason
+ 
+
+43
+00:00:45,520 --> 00:00:47,590
+possibly think of any better reason
+that's full sense mentality oh you
+
+44
+00:00:47,590 --> 00:00:47,600
+that's full sense mentality oh you
+ 
+
+45
+00:00:47,600 --> 00:00:49,270
+that's full sense mentality oh you
+analyze everything out of existence
+
+46
+00:00:49,270 --> 00:00:49,280
+analyze everything out of existence
+ 
+
+47
+00:00:49,280 --> 00:00:50,869
+analyze everything out of existence
+you'd analyze me out of existence but i
+
+48
+00:00:50,869 --> 00:00:50,879
+you'd analyze me out of existence but i
+ 
+
+49
+00:00:50,879 --> 00:00:52,950
+you'd analyze me out of existence but i
+won't let you love isn't so simple my
+
+50
+00:00:52,950 --> 00:00:52,960
+won't let you love isn't so simple my
+ 
+
+51
+00:00:52,960 --> 00:00:54,389
+won't let you love isn't so simple my
+notch
+
+52
+00:00:54,389 --> 00:00:54,399
+notch
+ 
+
+53
+00:00:54,399 --> 00:00:56,950
+notch
+why do doves build and cool
+
+54
+00:00:56,950 --> 00:00:56,960
+why do doves build and cool
+ 
+
+55
+00:00:56,960 --> 00:00:58,869
+why do doves build and cool
+why do snails the coldest of all
+
+56
+00:00:58,869 --> 00:00:58,879
+why do snails the coldest of all
+ 
+
+57
+00:00:58,879 --> 00:00:59,990
+why do snails the coldest of all
+creatures
+
+58
+00:00:59,990 --> 00:01:00,000
+creatures
+ 
+
+59
+00:01:00,000 --> 00:01:02,630
+creatures
+circle interminably around each other
+
+60
+00:01:02,630 --> 00:01:02,640
+circle interminably around each other
+ 
+
+61
+00:01:02,640 --> 00:01:04,630
+circle interminably around each other
+why do moths fly hundreds of miles to
+
+62
+00:01:04,630 --> 00:01:04,640
+why do moths fly hundreds of miles to
+ 
+
+63
+00:01:04,640 --> 00:01:06,789
+why do moths fly hundreds of miles to
+find their mates white of flowers slowly
+
+64
+00:01:06,789 --> 00:01:06,799
+find their mates white of flowers slowly
+ 
+
+65
+00:01:06,799 --> 00:01:08,310
+find their mates white of flowers slowly
+open their petals
+
+66
+00:01:08,310 --> 00:01:08,320
+open their petals
+ 
+
+67
+00:01:08,320 --> 00:01:09,429
+open their petals
+only
+
+68
+00:01:09,429 --> 00:01:09,439
+only
+ 
+
+69
+00:01:09,439 --> 00:01:11,109
+only
+notched surely you'll feel some slight
+
+70
+00:01:11,109 --> 00:01:11,119
+notched surely you'll feel some slight
+ 
+
+71
+00:01:11,119 --> 00:01:13,910
+notched surely you'll feel some slight
+symptom of the divine passion
+
+72
+00:01:13,910 --> 00:01:13,920
+symptom of the divine passion
+ 
+
+73
+00:01:13,920 --> 00:01:15,670
+symptom of the divine passion
+a general warmth in the palms of your
+
+74
+00:01:15,670 --> 00:01:15,680
+a general warmth in the palms of your
+ 
+
+75
+00:01:15,680 --> 00:01:17,350
+a general warmth in the palms of your
+hands
+
+76
+00:01:17,350 --> 00:01:17,360
+hands
+ 
+
+77
+00:01:17,360 --> 00:01:20,469
+hands
+a strange heaviness in your limbs
+
+78
+00:01:20,469 --> 00:01:20,479
+a strange heaviness in your limbs
+ 
+
+79
+00:01:20,479 --> 00:01:22,310
+a strange heaviness in your limbs
+a burning of the lips that isn't thirst
+
+80
+00:01:22,310 --> 00:01:22,320
+a burning of the lips that isn't thirst
+ 
+
+81
+00:01:22,320 --> 00:01:23,830
+a burning of the lips that isn't thirst
+but something a thousand times more
+
+82
+00:01:23,830 --> 00:01:23,840
+but something a thousand times more
+ 
+
+83
+00:01:23,840 --> 00:01:28,149
+but something a thousand times more
+tantalizing more exalting than thirst
+
+84
+00:01:28,149 --> 00:01:28,159
+
+ 
+
+85
+00:01:28,159 --> 00:01:39,429
+
+you're very talkative
+
+86
+00:01:39,429 --> 00:01:39,439
+
+ 
+
+87
+00:01:39,439 --> 00:01:41,270
+
+was that talkative
+
+88
+00:01:41,270 --> 00:01:41,280
+was that talkative
+ 
+
+89
+00:01:41,280 --> 00:01:42,149
+was that talkative
+no
+
+90
+00:01:42,149 --> 00:01:42,159
+no
+ 
+
+91
+00:01:42,159 --> 00:01:44,550
+no
+that was restful
+
+92
+00:01:44,550 --> 00:01:44,560
+that was restful
+ 
+
+93
+00:01:44,560 --> 00:01:55,109
+that was restful
+again
+
+94
+00:01:55,109 --> 00:01:55,119
+
+ 
+
+95
+00:01:55,119 --> 00:01:56,789
+
+thank you
+
+96
+00:01:56,789 --> 00:01:56,799
+thank you
+ 
+
+97
+00:01:56,799 --> 00:01:59,749
+thank you
+oh my barbaric ninja
+
+98
+00:01:59,749 --> 00:01:59,759
+oh my barbaric ninja
+ 
+
+99
+00:01:59,759 --> 00:02:02,550
+oh my barbaric ninja
+my impossible unromantic statistical
+
+100
+00:02:02,550 --> 00:02:02,560
+my impossible unromantic statistical
+ 
+
+101
+00:02:02,560 --> 00:02:11,910
+my impossible unromantic statistical
+group
+
+102
+00:02:11,910 --> 00:02:11,920
+
+ 
+
+103
+00:02:11,920 --> 00:02:44,710
+
+again
+
+104
+00:02:44,710 --> 00:02:44,720
+
+ 
+
+105
+00:02:44,720 --> 00:02:46,800
+
+you
+

1939/aopdD9Cu-So.description

@@ -0,0 +1,41 @@
+The Wizard of Oz movie clips: http://j.mp/1L5gtKP
+BUY THE MOVIE: http://bit.ly/2cmiEyC
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+Watch more Family and Animation videos to get all the best content that's fun for all ages:
+Best Animated Movie Clips http://bit.ly/2a9DaSm
+Best Family Movie Clips http://bit.ly/2a18bZK
+
+CLIP DESCRIPTION:
+When the Wicked Witch (Margaret Hamilton) sets The Scarecrow (Ray Bolger) on fire, Dorothy (Judy Garland) accidentally kills the witch with water.
+
+FILM DESCRIPTION:
+Not to be confused with the cinematic classic starring Judy Garland that would follow six years later, this animated short film is one of countless other celluloid adaptations of L. Frank Baum's best-loved story, The Wizard of Oz. Directed by Ted Eshbaugh, the Canadian film features no dialogue and tells the story of Dorothy, Toto, Scarecrow, and Tin Man's adventures in Oz with a mix of black & white and color animation.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Ray Bolger, Jack Haley, Bert Lahr, Judy Garland, Margaret Hamilton, Terry
+Directors: George Cukor, Victor Fleming, Mervyn LeRoy, Norman Taurog, King Vidor
+Producers: Mervyn LeRoy, Arthur Freed
+Screenwriters: Noel Langley, Florence Ryerson, Edgar Allan Woolf, L. Frank Baum, Irving Brecher, William H. Cannon, Herbert Fields, Arthur Freed, Jack Haley, E.Y. Harburg, Samuel Hoffenstein, Bert Lahr, John Lee Mahin, Herman J. Mankiewicz, Jack Mintz, Ogden Nash, Robert Pirosh, George Seaton, Sid Silvers
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/aopdD9Cu-So.en.srt

@@ -0,0 +1,235 @@
+1
+00:00:00,120 --> 00:00:02,869
+
+the last to go we'll see the first three
+
+2
+00:00:02,869 --> 00:00:02,879
+the last to go we'll see the first three
+ 
+
+3
+00:00:02,879 --> 00:00:04,789
+the last to go we'll see the first three
+go before
+
+4
+00:00:04,789 --> 00:00:04,799
+go before
+ 
+
+5
+00:00:04,799 --> 00:00:08,019
+go before
+her and her mangy little dog
+
+6
+00:00:08,019 --> 00:00:08,029
+her and her mangy little dog
+ 
+
+7
+00:00:08,029 --> 00:00:14,910
+her and her mangy little dog
+[Music]
+
+8
+00:00:14,910 --> 00:00:14,920
+[Music]
+ 
+
+9
+00:00:14,920 --> 00:00:20,349
+[Music]
+too how about little fire
+
+10
+00:00:20,349 --> 00:00:20,359
+
+ 
+
+11
+00:00:20,359 --> 00:00:26,910
+
+scarecrow run I'm running I'm
+
+12
+00:00:26,910 --> 00:00:26,920
+
+ 
+
+13
+00:00:26,920 --> 00:00:29,710
+
+running you cursed bre look what you've
+
+14
+00:00:29,710 --> 00:00:29,720
+running you cursed bre look what you've
+ 
+
+15
+00:00:29,720 --> 00:00:30,470
+running you cursed bre look what you've
+done
+
+16
+00:00:30,470 --> 00:00:30,480
+done
+ 
+
+17
+00:00:30,480 --> 00:00:32,310
+done
+I'm meling
+
+18
+00:00:32,310 --> 00:00:32,320
+I'm meling
+ 
+
+19
+00:00:32,320 --> 00:00:36,709
+I'm meling
+meling oh what a world my world not a
+
+20
+00:00:36,709 --> 00:00:36,719
+meling oh what a world my world not a
+ 
+
+21
+00:00:36,719 --> 00:00:38,830
+meling oh what a world my world not a
+good little girl like you could destroy
+
+22
+00:00:38,830 --> 00:00:38,840
+good little girl like you could destroy
+ 
+
+23
+00:00:38,840 --> 00:00:40,830
+good little girl like you could destroy
+my beautiful
+
+24
+00:00:40,830 --> 00:00:40,840
+my beautiful
+ 
+
+25
+00:00:40,840 --> 00:00:59,150
+my beautiful
+wickedness go look go I'm going
+
+26
+00:00:59,150 --> 00:00:59,160
+
+ 
+
+27
+00:00:59,160 --> 00:01:01,389
+
+[Music]
+
+28
+00:01:01,389 --> 00:01:01,399
+[Music]
+ 
+
+29
+00:01:01,399 --> 00:01:04,509
+[Music]
+she she's dead you've killed her I
+
+30
+00:01:04,509 --> 00:01:04,519
+she she's dead you've killed her I
+ 
+
+31
+00:01:04,519 --> 00:01:08,070
+she she's dead you've killed her I
+didn't mean to kill her really I didn't
+
+32
+00:01:08,070 --> 00:01:08,080
+didn't mean to kill her really I didn't
+ 
+
+33
+00:01:08,080 --> 00:01:10,990
+didn't mean to kill her really I didn't
+it's it's just that he was on fire hail
+
+34
+00:01:10,990 --> 00:01:11,000
+it's it's just that he was on fire hail
+ 
+
+35
+00:01:11,000 --> 00:01:13,630
+it's it's just that he was on fire hail
+to Dorothy the Wicked Witch Is
+
+36
+00:01:13,630 --> 00:01:13,640
+to Dorothy the Wicked Witch Is
+ 
+
+37
+00:01:13,640 --> 00:01:17,910
+to Dorothy the Wicked Witch Is
+Dead to Dorothy the wicked is there the
+
+38
+00:01:17,910 --> 00:01:17,920
+Dead to Dorothy the wicked is there the
+ 
+
+39
+00:01:17,920 --> 00:01:21,149
+Dead to Dorothy the wicked is there the
+broom may we have it please and take it
+
+40
+00:01:21,149 --> 00:01:21,159
+broom may we have it please and take it
+ 
+
+41
+00:01:21,159 --> 00:01:24,630
+broom may we have it please and take it
+with you oh thank you so much now we can
+
+42
+00:01:24,630 --> 00:01:24,640
+with you oh thank you so much now we can
+ 
+
+43
+00:01:24,640 --> 00:01:26,190
+with you oh thank you so much now we can
+go back to the wizard and tell him the
+
+44
+00:01:26,190 --> 00:01:26,200
+go back to the wizard and tell him the
+ 
+
+45
+00:01:26,200 --> 00:01:35,860
+go back to the wizard and tell him the
+wicked witch is dead
+
+46
+00:01:35,860 --> 00:01:35,870
+
+ 
+
+47
+00:01:35,870 --> 00:01:58,459
+
+[Music]
+

1939/bXzp-98u468.description

@@ -0,0 +1,38 @@
+Ninotchka movie clips: http://j.mp/17HLmQu
+BUY THE MOVIE: http://j.mp/17HLmQo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Leon (Melvyn Douglas) is devastated to hear that chasing a girl is not a valid reason to obtain a Russian Visa.
+
+FILM DESCRIPTION:
+"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Melvyn Douglas, George Tobias
+Director: Ernst Lubitsch
+Producers: Ernst Lubitsch, Sidney Franklin
+Screenwriters: Charles Brackett, Melchior Lengyel, Walter Reisch, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/bXzp-98u468.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:00,089 --> 00:00:02,000
+
+pardon me I was interested what you were
+
+2
+00:00:02,000 --> 00:00:02,010
+pardon me I was interested what you were
+ 
+
+3
+00:00:02,010 --> 00:00:03,800
+pardon me I was interested what you were
+just saying you mean when an invoice
+
+4
+00:00:03,800 --> 00:00:03,810
+just saying you mean when an invoice
+ 
+
+5
+00:00:03,810 --> 00:00:05,300
+just saying you mean when an invoice
+goes back to Russia and I don't like
+
+6
+00:00:05,300 --> 00:00:05,310
+goes back to Russia and I don't like
+ 
+
+7
+00:00:05,310 --> 00:00:06,710
+goes back to Russia and I don't like
+what he's done they put him out of the
+
+8
+00:00:06,710 --> 00:00:06,720
+what he's done they put him out of the
+ 
+
+9
+00:00:06,720 --> 00:00:09,230
+what he's done they put him out of the
+way not always look at me I've been back
+
+10
+00:00:09,230 --> 00:00:09,240
+way not always look at me I've been back
+ 
+
+11
+00:00:09,240 --> 00:00:12,499
+way not always look at me I've been back
+twice here's my passport please give me
+
+12
+00:00:12,499 --> 00:00:12,509
+twice here's my passport please give me
+ 
+
+13
+00:00:12,509 --> 00:00:13,970
+twice here's my passport please give me
+a visa I'm asleep for Russia immediately
+
+14
+00:00:13,970 --> 00:00:13,980
+a visa I'm asleep for Russia immediately
+ 
+
+15
+00:00:13,980 --> 00:00:18,080
+a visa I'm asleep for Russia immediately
+come carry on dal-gu account a noble
+
+16
+00:00:18,080 --> 00:00:18,090
+come carry on dal-gu account a noble
+ 
+
+17
+00:00:18,090 --> 00:00:19,820
+come carry on dal-gu account a noble
+don't hold that against me please why
+
+18
+00:00:19,820 --> 00:00:19,830
+don't hold that against me please why
+ 
+
+19
+00:00:19,830 --> 00:00:21,320
+don't hold that against me please why
+should an aristocrat want to go to
+
+20
+00:00:21,320 --> 00:00:21,330
+should an aristocrat want to go to
+ 
+
+21
+00:00:21,330 --> 00:00:24,679
+should an aristocrat want to go to
+Russia business what business there is
+
+22
+00:00:24,679 --> 00:00:24,689
+Russia business what business there is
+ 
+
+23
+00:00:24,689 --> 00:00:26,900
+Russia business what business there is
+no private business in Russia this whole
+
+24
+00:00:26,900 --> 00:00:26,910
+no private business in Russia this whole
+ 
+
+25
+00:00:26,910 --> 00:00:29,870
+no private business in Russia this whole
+thing seems very suspicious what are the
+
+26
+00:00:29,870 --> 00:00:29,880
+thing seems very suspicious what are the
+ 
+
+27
+00:00:29,880 --> 00:00:31,999
+thing seems very suspicious what are the
+real reason if you ever want to get into
+
+28
+00:00:31,999 --> 00:00:32,009
+real reason if you ever want to get into
+ 
+
+29
+00:00:32,009 --> 00:00:34,639
+real reason if you ever want to get into
+Russia take my advice confess listen
+
+30
+00:00:34,639 --> 00:00:34,649
+Russia take my advice confess listen
+ 
+
+31
+00:00:34,649 --> 00:00:36,979
+Russia take my advice confess listen
+I'll be absolutely frank with you I have
+
+32
+00:00:36,979 --> 00:00:36,989
+I'll be absolutely frank with you I have
+ 
+
+33
+00:00:36,989 --> 00:00:39,020
+I'll be absolutely frank with you I have
+no business in Moscow I think so too
+
+34
+00:00:39,020 --> 00:00:39,030
+no business in Moscow I think so too
+ 
+
+35
+00:00:39,030 --> 00:00:40,970
+no business in Moscow I think so too
+I want to see a friend of mine a very
+
+36
+00:00:40,970 --> 00:00:40,980
+I want to see a friend of mine a very
+ 
+
+37
+00:00:40,980 --> 00:00:43,130
+I want to see a friend of mine a very
+dear friend it's a personal matter that
+
+38
+00:00:43,130 --> 00:00:43,140
+dear friend it's a personal matter that
+ 
+
+39
+00:00:43,140 --> 00:00:44,779
+dear friend it's a personal matter that
+has no relation to social philosophies
+
+40
+00:00:44,779 --> 00:00:44,789
+has no relation to social philosophies
+ 
+
+41
+00:00:44,789 --> 00:00:47,450
+has no relation to social philosophies
+of politics it's a girl so it is lovely
+
+42
+00:00:47,450 --> 00:00:47,460
+of politics it's a girl so it is lovely
+ 
+
+43
+00:00:47,460 --> 00:00:51,260
+of politics it's a girl so it is lovely
+to direct you to Moscow yes no visa but
+
+44
+00:00:51,260 --> 00:00:51,270
+to direct you to Moscow yes no visa but
+ 
+
+45
+00:00:51,270 --> 00:00:52,880
+to direct you to Moscow yes no visa but
+I must get into that country of you all
+
+46
+00:00:52,880 --> 00:00:52,890
+I must get into that country of you all
+ 
+
+47
+00:00:52,890 --> 00:00:55,369
+I must get into that country of you all
+no no visa but that's impossible you
+
+48
+00:00:55,369 --> 00:00:55,379
+no no visa but that's impossible you
+ 
+
+49
+00:00:55,379 --> 00:00:57,040
+no no visa but that's impossible you
+can't do it you haven't the right door
+
+50
+00:00:57,040 --> 00:00:57,050
+can't do it you haven't the right door
+ 
+
+51
+00:00:57,050 --> 00:00:59,660
+can't do it you haven't the right door
+listen if you don't give me that visa
+
+52
+00:00:59,660 --> 00:00:59,670
+listen if you don't give me that visa
+ 
+
+53
+00:00:59,670 --> 00:01:01,459
+listen if you don't give me that visa
+you're going to force us sir look here
+
+54
+00:01:01,459 --> 00:01:01,469
+you're going to force us sir look here
+ 
+
+55
+00:01:01,469 --> 00:01:03,410
+you're going to force us sir look here
+you advertised all over the world for
+
+56
+00:01:03,410 --> 00:01:03,420
+you advertised all over the world for
+ 
+
+57
+00:01:03,420 --> 00:01:04,670
+you advertised all over the world for
+people to go into your country and then
+
+58
+00:01:04,670 --> 00:01:04,680
+people to go into your country and then
+ 
+
+59
+00:01:04,680 --> 00:01:05,750
+people to go into your country and then
+when somebody tries to get in you won't
+
+60
+00:01:05,750 --> 00:01:05,760
+when somebody tries to get in you won't
+ 
+
+61
+00:01:05,760 --> 00:01:07,399
+when somebody tries to get in you won't
+let them why should I take a chance on
+
+62
+00:01:07,399 --> 00:01:07,409
+let them why should I take a chance on
+ 
+
+63
+00:01:07,409 --> 00:01:09,170
+let them why should I take a chance on
+what how do I know you're gonna want to
+
+64
+00:01:09,170 --> 00:01:09,180
+what how do I know you're gonna want to
+ 
+
+65
+00:01:09,180 --> 00:01:11,420
+what how do I know you're gonna want to
+blow up a factory what for why what a
+
+66
+00:01:11,420 --> 00:01:11,430
+blow up a factory what for why what a
+ 
+
+67
+00:01:11,430 --> 00:01:13,250
+blow up a factory what for why what a
+dónal Lunny breathe no suspicions
+
+68
+00:01:13,250 --> 00:01:13,260
+dónal Lunny breathe no suspicions
+ 
+
+69
+00:01:13,260 --> 00:01:14,330
+dónal Lunny breathe no suspicions
+nothing but suspicions that's the
+
+70
+00:01:14,330 --> 00:01:14,340
+nothing but suspicions that's the
+ 
+
+71
+00:01:14,340 --> 00:01:16,730
+nothing but suspicions that's the
+trouble with you listen if you don't let
+
+72
+00:01:16,730 --> 00:01:16,740
+trouble with you listen if you don't let
+ 
+
+73
+00:01:16,740 --> 00:01:17,149
+trouble with you listen if you don't let
+me in
+
+74
+00:01:17,149 --> 00:01:17,159
+me in
+ 
+
+75
+00:01:17,159 --> 00:01:18,710
+me in
+I'll stand in front of this office of
+
+76
+00:01:18,710 --> 00:01:18,720
+I'll stand in front of this office of
+ 
+
+77
+00:01:18,720 --> 00:01:20,090
+I'll stand in front of this office of
+yours and warn people to keep away from
+
+78
+00:01:20,090 --> 00:01:20,100
+yours and warn people to keep away from
+ 
+
+79
+00:01:20,100 --> 00:01:20,539
+yours and warn people to keep away from
+Russia
+
+80
+00:01:20,539 --> 00:01:20,549
+Russia
+ 
+
+81
+00:01:20,549 --> 00:01:23,539
+Russia
+I'll pick at your old country I'll
+
+82
+00:01:23,539 --> 00:01:23,549
+I'll pick at your old country I'll
+ 
+
+83
+00:01:23,549 --> 00:01:27,200
+I'll pick at your old country I'll
+boycott you that's what I'll do caviar
+
+84
+00:01:27,200 --> 00:01:27,210
+boycott you that's what I'll do caviar
+ 
+
+85
+00:01:27,210 --> 00:01:30,410
+boycott you that's what I'll do caviar
+no more tact offski no more forced wait
+
+86
+00:01:30,410 --> 00:01:30,420
+no more tact offski no more forced wait
+ 
+
+87
+00:01:30,420 --> 00:01:31,520
+no more tact offski no more forced wait
+a minute I've got a better idea than
+
+88
+00:01:31,520 --> 00:01:31,530
+a minute I've got a better idea than
+ 
+
+89
+00:01:31,530 --> 00:01:35,630
+a minute I've got a better idea than
+that what and you can tell the Kremlin
+
+90
+00:01:35,630 --> 00:01:35,640
+that what and you can tell the Kremlin
+ 
+
+91
+00:01:35,640 --> 00:01:39,320
+that what and you can tell the Kremlin
+that's just the beginning no either
+

1939/c8EodW2ossg.en.srt

@@ -0,0 +1,625 @@
+1
+00:00:00,280 --> 00:00:03,110
+
+can it be possible that what be possible
+
+2
+00:00:03,110 --> 00:00:03,120
+can it be possible that what be possible
+ 
+
+3
+00:00:03,120 --> 00:00:06,070
+can it be possible that what be possible
+red that you've grown a woman's heart a
+
+4
+00:00:06,070 --> 00:00:06,080
+red that you've grown a woman's heart a
+ 
+
+5
+00:00:06,080 --> 00:00:11,709
+red that you've grown a woman's heart a
+real woman's heart I have R I know I
+
+6
+00:00:11,709 --> 00:00:11,719
+real woman's heart I have R I know I
+ 
+
+7
+00:00:11,719 --> 00:00:14,110
+real woman's heart I have R I know I
+have you know it's worth being in jail
+
+8
+00:00:14,110 --> 00:00:14,120
+have you know it's worth being in jail
+ 
+
+9
+00:00:14,120 --> 00:00:16,910
+have you know it's worth being in jail
+just to hear you say
+
+10
+00:00:16,910 --> 00:00:16,920
+just to hear you say
+ 
+
+11
+00:00:16,920 --> 00:00:23,189
+just to hear you say
+that is well
+
+12
+00:00:23,189 --> 00:00:23,199
+
+ 
+
+13
+00:00:23,199 --> 00:00:25,390
+
+worth you can drop the Moonlight in
+
+14
+00:00:25,390 --> 00:00:25,400
+worth you can drop the Moonlight in
+ 
+
+15
+00:00:25,400 --> 00:00:27,429
+worth you can drop the Moonlight in
+Magnolia Scarlet so things have been
+
+16
+00:00:27,429 --> 00:00:27,439
+Magnolia Scarlet so things have been
+ 
+
+17
+00:00:27,439 --> 00:00:29,669
+Magnolia Scarlet so things have been
+going well at Tera have they yes what
+
+18
+00:00:29,669 --> 00:00:29,679
+going well at Tera have they yes what
+ 
+
+19
+00:00:29,679 --> 00:00:31,310
+going well at Tera have they yes what
+have you been doing with your hands just
+
+20
+00:00:31,310 --> 00:00:31,320
+have you been doing with your hands just
+ 
+
+21
+00:00:31,320 --> 00:00:32,749
+have you been doing with your hands just
+cuz I went riding last week without my
+
+22
+00:00:32,749 --> 00:00:32,759
+cuz I went riding last week without my
+ 
+
+23
+00:00:32,759 --> 00:00:33,990
+cuz I went riding last week without my
+gloves these don't belong to a lady
+
+24
+00:00:33,990 --> 00:00:34,000
+gloves these don't belong to a lady
+ 
+
+25
+00:00:34,000 --> 00:00:34,950
+gloves these don't belong to a lady
+you've been working with them like a
+
+26
+00:00:34,950 --> 00:00:34,960
+you've been working with them like a
+ 
+
+27
+00:00:34,960 --> 00:00:37,030
+you've been working with them like a
+field hand why did you lie to me and
+
+28
+00:00:37,030 --> 00:00:37,040
+field hand why did you lie to me and
+ 
+
+29
+00:00:37,040 --> 00:00:38,830
+field hand why did you lie to me and
+what are you really up to now red in
+
+30
+00:00:38,830 --> 00:00:38,840
+what are you really up to now red in
+ 
+
+31
+00:00:38,840 --> 00:00:40,029
+what are you really up to now red in
+another minute I'd almost believe you
+
+32
+00:00:40,029 --> 00:00:40,039
+another minute I'd almost believe you
+ 
+
+33
+00:00:40,039 --> 00:00:42,270
+another minute I'd almost believe you
+cared something but I do care suppose we
+
+34
+00:00:42,270 --> 00:00:42,280
+cared something but I do care suppose we
+ 
+
+35
+00:00:42,280 --> 00:00:44,110
+cared something but I do care suppose we
+get down to the truth you want something
+
+36
+00:00:44,110 --> 00:00:44,120
+get down to the truth you want something
+ 
+
+37
+00:00:44,120 --> 00:00:45,430
+get down to the truth you want something
+from me and you want it badly enough to
+
+38
+00:00:45,430 --> 00:00:45,440
+from me and you want it badly enough to
+ 
+
+39
+00:00:45,440 --> 00:00:47,950
+from me and you want it badly enough to
+put on quite a show in your velvet what
+
+40
+00:00:47,950 --> 00:00:47,960
+put on quite a show in your velvet what
+ 
+
+41
+00:00:47,960 --> 00:00:49,310
+put on quite a show in your velvet what
+is it
+
+42
+00:00:49,310 --> 00:00:49,320
+is it
+ 
+
+43
+00:00:49,320 --> 00:00:53,189
+is it
+money I want $300 pay the taxes on Tara
+
+44
+00:00:53,189 --> 00:00:53,199
+money I want $300 pay the taxes on Tara
+ 
+
+45
+00:00:53,199 --> 00:00:54,750
+money I want $300 pay the taxes on Tara
+oh red I did lie to you when I said
+
+46
+00:00:54,750 --> 00:00:54,760
+oh red I did lie to you when I said
+ 
+
+47
+00:00:54,760 --> 00:00:56,470
+oh red I did lie to you when I said
+everything was all right things are just
+
+48
+00:00:56,470 --> 00:00:56,480
+everything was all right things are just
+ 
+
+49
+00:00:56,480 --> 00:00:58,270
+everything was all right things are just
+as bad as they possibly could be and
+
+50
+00:00:58,270 --> 00:00:58,280
+as bad as they possibly could be and
+ 
+
+51
+00:00:58,280 --> 00:01:01,069
+as bad as they possibly could be and
+you've got millions r
+
+52
+00:01:01,069 --> 00:01:01,079
+you've got millions r
+ 
+
+53
+00:01:01,079 --> 00:01:03,509
+you've got millions r
+what collateral are you offering oh my
+
+54
+00:01:03,509 --> 00:01:03,519
+what collateral are you offering oh my
+ 
+
+55
+00:01:03,519 --> 00:01:05,310
+what collateral are you offering oh my
+earbobs not interested mortgage on
+
+56
+00:01:05,310 --> 00:01:05,320
+earbobs not interested mortgage on
+ 
+
+57
+00:01:05,320 --> 00:01:07,350
+earbobs not interested mortgage on
+terror what would I do with a farm you
+
+58
+00:01:07,350 --> 00:01:07,360
+terror what would I do with a farm you
+ 
+
+59
+00:01:07,360 --> 00:01:08,710
+terror what would I do with a farm you
+wouldn't lose I'll pay back out of next
+
+60
+00:01:08,710 --> 00:01:08,720
+wouldn't lose I'll pay back out of next
+ 
+
+61
+00:01:08,720 --> 00:01:10,789
+wouldn't lose I'll pay back out of next
+year's Cotton not good enough maybe
+
+62
+00:01:10,789 --> 00:01:10,799
+year's Cotton not good enough maybe
+ 
+
+63
+00:01:10,799 --> 00:01:13,390
+year's Cotton not good enough maybe
+nothing
+
+64
+00:01:13,390 --> 00:01:13,400
+
+ 
+
+65
+00:01:13,400 --> 00:01:17,149
+
+better you once said you love me if you
+
+66
+00:01:17,149 --> 00:01:17,159
+better you once said you love me if you
+ 
+
+67
+00:01:17,159 --> 00:01:20,069
+better you once said you love me if you
+still love me red you haven't forgotten
+
+68
+00:01:20,069 --> 00:01:20,079
+still love me red you haven't forgotten
+ 
+
+69
+00:01:20,079 --> 00:01:21,510
+still love me red you haven't forgotten
+I'm not a marrying
+
+70
+00:01:21,510 --> 00:01:21,520
+I'm not a marrying
+ 
+
+71
+00:01:21,520 --> 00:01:28,830
+I'm not a marrying
+man no I haven't
+
+72
+00:01:28,830 --> 00:01:28,840
+
+ 
+
+73
+00:01:28,840 --> 00:01:30,350
+
+forgotten
+
+74
+00:01:30,350 --> 00:01:30,360
+forgotten
+ 
+
+75
+00:01:30,360 --> 00:01:31,749
+forgotten
+you're not worth
+
+76
+00:01:31,749 --> 00:01:31,759
+you're not worth
+ 
+
+77
+00:01:31,759 --> 00:01:33,990
+you're not worth
+$300 you'll never mean anything but
+
+78
+00:01:33,990 --> 00:01:34,000
+$300 you'll never mean anything but
+ 
+
+79
+00:01:34,000 --> 00:01:37,230
+$300 you'll never mean anything but
+misery to any man go on ins s me I don't
+
+80
+00:01:37,230 --> 00:01:37,240
+misery to any man go on ins s me I don't
+ 
+
+81
+00:01:37,240 --> 00:01:39,109
+misery to any man go on ins s me I don't
+care what you say only give me the money
+
+82
+00:01:39,109 --> 00:01:39,119
+care what you say only give me the money
+ 
+
+83
+00:01:39,119 --> 00:01:40,990
+care what you say only give me the money
+I won't let Tara go I can't let it go
+
+84
+00:01:40,990 --> 00:01:41,000
+I won't let Tara go I can't let it go
+ 
+
+85
+00:01:41,000 --> 00:01:43,190
+I won't let Tara go I can't let it go
+while there's a breath left in my body
+
+86
+00:01:43,190 --> 00:01:43,200
+while there's a breath left in my body
+ 
+
+87
+00:01:43,200 --> 00:01:46,069
+while there's a breath left in my body
+oh red won't you please give me the
+
+88
+00:01:46,069 --> 00:01:46,079
+oh red won't you please give me the
+ 
+
+89
+00:01:46,079 --> 00:01:48,270
+oh red won't you please give me the
+money I couldn't give you the money if I
+
+90
+00:01:48,270 --> 00:01:48,280
+money I couldn't give you the money if I
+ 
+
+91
+00:01:48,280 --> 00:01:50,550
+money I couldn't give you the money if I
+wanted to my funds are in Liverpool not
+
+92
+00:01:50,550 --> 00:01:50,560
+wanted to my funds are in Liverpool not
+ 
+
+93
+00:01:50,560 --> 00:01:52,510
+wanted to my funds are in Liverpool not
+in Atlanta if I tried drawing a draft
+
+94
+00:01:52,510 --> 00:01:52,520
+in Atlanta if I tried drawing a draft
+ 
+
+95
+00:01:52,520 --> 00:01:53,670
+in Atlanta if I tried drawing a draft
+the Yankees would be on me like a duck
+
+96
+00:01:53,670 --> 00:01:53,680
+the Yankees would be on me like a duck
+ 
+
+97
+00:01:53,680 --> 00:01:56,590
+the Yankees would be on me like a duck
+on a June bun so you see my dear you've
+
+98
+00:01:56,590 --> 00:01:56,600
+on a June bun so you see my dear you've
+ 
+
+99
+00:01:56,600 --> 00:02:03,709
+on a June bun so you see my dear you've
+abased yourself to no purpose oh oh
+
+100
+00:02:03,709 --> 00:02:03,719
+
+ 
+
+101
+00:02:03,719 --> 00:02:06,910
+
+stop y us to see you last take your
+
+102
+00:02:06,910 --> 00:02:06,920
+stop y us to see you last take your
+ 
+
+103
+00:02:06,920 --> 00:02:09,029
+stop y us to see you last take your
+hands on me you skunk you knew what I
+
+104
+00:02:09,029 --> 00:02:09,039
+hands on me you skunk you knew what I
+ 
+
+105
+00:02:09,039 --> 00:02:10,790
+hands on me you skunk you knew what I
+was going to say before I started you
+
+106
+00:02:10,790 --> 00:02:10,800
+was going to say before I started you
+ 
+
+107
+00:02:10,800 --> 00:02:12,030
+was going to say before I started you
+knew you wouldn't let me the money and
+
+108
+00:02:12,030 --> 00:02:12,040
+knew you wouldn't let me the money and
+ 
+
+109
+00:02:12,040 --> 00:02:14,630
+knew you wouldn't let me the money and
+yet and yet you let me go on I enjoyed
+
+110
+00:02:14,630 --> 00:02:14,640
+yet and yet you let me go on I enjoyed
+ 
+
+111
+00:02:14,640 --> 00:02:17,110
+yet and yet you let me go on I enjoyed
+hearing what you had to say cheer up you
+
+112
+00:02:17,110 --> 00:02:17,120
+hearing what you had to say cheer up you
+ 
+
+113
+00:02:17,120 --> 00:02:18,710
+hearing what you had to say cheer up you
+can come to my hanging and I'll remember
+
+114
+00:02:18,710 --> 00:02:18,720
+can come to my hanging and I'll remember
+ 
+
+115
+00:02:18,720 --> 00:02:21,430
+can come to my hanging and I'll remember
+you in my will I'll come to your hanging
+
+116
+00:02:21,430 --> 00:02:21,440
+you in my will I'll come to your hanging
+ 
+
+117
+00:02:21,440 --> 00:02:22,670
+you in my will I'll come to your hanging
+the only thing I'm afraid of is they
+
+118
+00:02:22,670 --> 00:02:22,680
+the only thing I'm afraid of is they
+ 
+
+119
+00:02:22,680 --> 00:02:24,070
+the only thing I'm afraid of is they
+won't hang you in time to pay the taxes
+
+120
+00:02:24,070 --> 00:02:24,080
+won't hang you in time to pay the taxes
+ 
+
+121
+00:02:24,080 --> 00:02:28,750
+won't hang you in time to pay the taxes
+on
+
+122
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+123
+00:02:28,760 --> 00:02:35,920
+
+to
+
+124
+00:02:35,920 --> 00:02:35,930
+
+ 
+
+125
+00:02:35,930 --> 00:02:58,509
+
+[Music]
+

1939/dbH4Amzn-Rk.description

@@ -0,0 +1,38 @@
+Mr. Smith Goes to Washington movie clips: http://j.mp/1JaLRWs
+BUY THE MOVIE: http://amzn.to/u7g6YE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Senator Paine (Claude Rains) describes to Jefferson (James Stewart) how good politicians sometimes compromise their ideals.
+
+FILM DESCRIPTION:
+Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said."
+
+CREDITS:
+TM & © Sony (1939)
+Cast: Claude Rains, James Stewart
+Director: Frank Capra
+Producer: Frank Capra
+Screenwriters: Sidney Buchman, Lewis R. Foster, Myles Connolly
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/dbH4Amzn-Rk.en.srt

@@ -0,0 +1,545 @@
+1
+00:00:01,839 --> 00:00:03,790
+
+carel I got to see Senator pay is he in
+
+2
+00:00:03,790 --> 00:00:03,800
+carel I got to see Senator pay is he in
+ 
+
+3
+00:00:03,800 --> 00:00:06,430
+carel I got to see Senator pay is he in
+Senator Payne is out of town out of town
+
+4
+00:00:06,430 --> 00:00:06,440
+Senator Payne is out of town out of town
+ 
+
+5
+00:00:06,440 --> 00:00:08,870
+Senator Payne is out of town out of town
+he couldn't
+
+6
+00:00:08,870 --> 00:00:08,880
+he couldn't
+ 
+
+7
+00:00:08,880 --> 00:00:10,830
+he couldn't
+be
+
+8
+00:00:10,830 --> 00:00:10,840
+be
+ 
+
+9
+00:00:10,840 --> 00:00:13,509
+be
+oh hello Jeff come
+
+10
+00:00:13,509 --> 00:00:13,519
+oh hello Jeff come
+ 
+
+11
+00:00:13,519 --> 00:00:16,550
+oh hello Jeff come
+in well have a talk with
+
+12
+00:00:16,550 --> 00:00:16,560
+in well have a talk with
+ 
+
+13
+00:00:16,560 --> 00:00:18,550
+in well have a talk with
+Taylor he said he'd been telling you
+
+14
+00:00:18,550 --> 00:00:18,560
+Taylor he said he'd been telling you
+ 
+
+15
+00:00:18,560 --> 00:00:21,630
+Taylor he said he'd been telling you
+what to do for 20 years I call him a
+
+16
+00:00:21,630 --> 00:00:21,640
+what to do for 20 years I call him a
+ 
+
+17
+00:00:21,640 --> 00:00:24,230
+what to do for 20 years I call him a
+liar listen son come over here and sit
+
+18
+00:00:24,230 --> 00:00:24,240
+liar listen son come over here and sit
+ 
+
+19
+00:00:24,240 --> 00:00:27,150
+liar listen son come over here and sit
+down you I don't feel like sitting down
+
+20
+00:00:27,150 --> 00:00:27,160
+down you I don't feel like sitting down
+ 
+
+21
+00:00:27,160 --> 00:00:30,550
+down you I don't feel like sitting down
+well I know how you feel Jeff
+
+22
+00:00:30,550 --> 00:00:30,560
+well I know how you feel Jeff
+ 
+
+23
+00:00:30,560 --> 00:00:32,709
+well I know how you feel Jeff
+I was hoping you'd be spared all
+
+24
+00:00:32,709 --> 00:00:32,719
+I was hoping you'd be spared all
+ 
+
+25
+00:00:32,719 --> 00:00:36,150
+I was hoping you'd be spared all
+this I was hoping that youd see the
+
+26
+00:00:36,150 --> 00:00:36,160
+this I was hoping that youd see the
+ 
+
+27
+00:00:36,160 --> 00:00:38,110
+this I was hoping that youd see the
+sights absorb a lot of history and go
+
+28
+00:00:38,110 --> 00:00:38,120
+sights absorb a lot of history and go
+ 
+
+29
+00:00:38,120 --> 00:00:39,670
+sights absorb a lot of history and go
+back to your boys now you've been living
+
+30
+00:00:39,670 --> 00:00:39,680
+back to your boys now you've been living
+ 
+
+31
+00:00:39,680 --> 00:00:41,350
+back to your boys now you've been living
+in a boy's World Jeff and For Heaven's
+
+32
+00:00:41,350 --> 00:00:41,360
+in a boy's World Jeff and For Heaven's
+ 
+
+33
+00:00:41,360 --> 00:00:44,190
+in a boy's World Jeff and For Heaven's
+Sake stay there this is a man's world
+
+34
+00:00:44,190 --> 00:00:44,200
+Sake stay there this is a man's world
+ 
+
+35
+00:00:44,200 --> 00:00:45,709
+Sake stay there this is a man's world
+it's a brutal World Jeff and you've no
+
+36
+00:00:45,709 --> 00:00:45,719
+it's a brutal World Jeff and you've no
+ 
+
+37
+00:00:45,719 --> 00:00:48,310
+it's a brutal World Jeff and you've no
+place in it you only get hurt now take
+
+38
+00:00:48,310 --> 00:00:48,320
+place in it you only get hurt now take
+ 
+
+39
+00:00:48,320 --> 00:00:50,229
+place in it you only get hurt now take
+my advice forget Taylor and what he said
+
+40
+00:00:50,229 --> 00:00:50,239
+my advice forget Taylor and what he said
+ 
+
+41
+00:00:50,239 --> 00:00:51,830
+my advice forget Taylor and what he said
+forget you ever heard of the Willet cig
+
+42
+00:00:51,830 --> 00:00:51,840
+forget you ever heard of the Willet cig
+ 
+
+43
+00:00:51,840 --> 00:00:53,670
+forget you ever heard of the Willet cig
+Dam but you still haven't answered me
+
+44
+00:00:53,670 --> 00:00:53,680
+Dam but you still haven't answered me
+ 
+
+45
+00:00:53,680 --> 00:00:56,630
+Dam but you still haven't answered me
+sir can a man like Taylor tell you and
+
+46
+00:00:56,630 --> 00:00:56,640
+sir can a man like Taylor tell you and
+ 
+
+47
+00:00:56,640 --> 00:00:58,189
+sir can a man like Taylor tell you and
+those other men what to
+
+48
+00:00:58,189 --> 00:00:58,199
+those other men what to
+ 
+
+49
+00:00:58,199 --> 00:01:00,590
+those other men what to
+do no
+
+50
+00:01:00,590 --> 00:01:00,600
+do no
+ 
+
+51
+00:01:00,600 --> 00:01:04,350
+do no
+listen Jeff please and and try to
+
+52
+00:01:04,350 --> 00:01:04,360
+listen Jeff please and and try to
+ 
+
+53
+00:01:04,360 --> 00:01:06,550
+listen Jeff please and and try to
+understand I know it's tough to run head
+
+54
+00:01:06,550 --> 00:01:06,560
+understand I know it's tough to run head
+ 
+
+55
+00:01:06,560 --> 00:01:08,990
+understand I know it's tough to run head
+on into facts but well as I said this is
+
+56
+00:01:08,990 --> 00:01:09,000
+on into facts but well as I said this is
+ 
+
+57
+00:01:09,000 --> 00:01:10,710
+on into facts but well as I said this is
+a man's world Jeff and you got to check
+
+58
+00:01:10,710 --> 00:01:10,720
+a man's world Jeff and you got to check
+ 
+
+59
+00:01:10,720 --> 00:01:12,390
+a man's world Jeff and you got to check
+your ideals outside the door like you do
+
+60
+00:01:12,390 --> 00:01:12,400
+your ideals outside the door like you do
+ 
+
+61
+00:01:12,400 --> 00:01:13,550
+your ideals outside the door like you do
+your
+
+62
+00:01:13,550 --> 00:01:13,560
+your
+ 
+
+63
+00:01:13,560 --> 00:01:15,990
+your
+rubbers now 30 years
+
+64
+00:01:15,990 --> 00:01:16,000
+rubbers now 30 years
+ 
+
+65
+00:01:16,000 --> 00:01:18,190
+rubbers now 30 years
+ago I had your
+
+66
+00:01:18,190 --> 00:01:18,200
+ago I had your
+ 
+
+67
+00:01:18,200 --> 00:01:21,910
+ago I had your
+ideals I was you I had to make the same
+
+68
+00:01:21,910 --> 00:01:21,920
+ideals I was you I had to make the same
+ 
+
+69
+00:01:21,920 --> 00:01:24,590
+ideals I was you I had to make the same
+decision you were asked to make today
+
+70
+00:01:24,590 --> 00:01:24,600
+decision you were asked to make today
+ 
+
+71
+00:01:24,600 --> 00:01:26,069
+decision you were asked to make today
+and I made
+
+72
+00:01:26,069 --> 00:01:26,079
+and I made
+ 
+
+73
+00:01:26,079 --> 00:01:30,350
+and I made
+it I compromised yes so so that all
+
+74
+00:01:30,350 --> 00:01:30,360
+it I compromised yes so so that all
+ 
+
+75
+00:01:30,360 --> 00:01:32,030
+it I compromised yes so so that all
+those years I could sit in that Senate
+
+76
+00:01:32,030 --> 00:01:32,040
+those years I could sit in that Senate
+ 
+
+77
+00:01:32,040 --> 00:01:33,670
+those years I could sit in that Senate
+and serve the people in a thousand
+
+78
+00:01:33,670 --> 00:01:33,680
+and serve the people in a thousand
+ 
+
+79
+00:01:33,680 --> 00:01:37,190
+and serve the people in a thousand
+honest ways you got to face facts Jeff
+
+80
+00:01:37,190 --> 00:01:37,200
+honest ways you got to face facts Jeff
+ 
+
+81
+00:01:37,200 --> 00:01:39,469
+honest ways you got to face facts Jeff
+I've served our state well haven't I we
+
+82
+00:01:39,469 --> 00:01:39,479
+I've served our state well haven't I we
+ 
+
+83
+00:01:39,479 --> 00:01:40,830
+I've served our state well haven't I we
+have the lowest unemployment and the
+
+84
+00:01:40,830 --> 00:01:40,840
+have the lowest unemployment and the
+ 
+
+85
+00:01:40,840 --> 00:01:44,350
+have the lowest unemployment and the
+highest federal grants but well I've had
+
+86
+00:01:44,350 --> 00:01:44,360
+highest federal grants but well I've had
+ 
+
+87
+00:01:44,360 --> 00:01:46,709
+highest federal grants but well I've had
+to compromise I've had to play ball you
+
+88
+00:01:46,709 --> 00:01:46,719
+to compromise I've had to play ball you
+ 
+
+89
+00:01:46,719 --> 00:01:48,950
+to compromise I've had to play ball you
+can't count on people voting half the
+
+90
+00:01:48,950 --> 00:01:48,960
+can't count on people voting half the
+ 
+
+91
+00:01:48,960 --> 00:01:51,429
+can't count on people voting half the
+time they don't vote anyway that's how
+
+92
+00:01:51,429 --> 00:01:51,439
+time they don't vote anyway that's how
+ 
+
+93
+00:01:51,439 --> 00:01:53,109
+time they don't vote anyway that's how
+States and empires have been built since
+
+94
+00:01:53,109 --> 00:01:53,119
+States and empires have been built since
+ 
+
+95
+00:01:53,119 --> 00:01:58,190
+States and empires have been built since
+time began don't you
+
+96
+00:01:58,190 --> 00:01:58,200
+
+ 
+
+97
+00:01:58,200 --> 00:02:01,350
+
+understand well Jeff
+
+98
+00:02:01,350 --> 00:02:01,360
+understand well Jeff
+ 
+
+99
+00:02:01,360 --> 00:02:02,990
+understand well Jeff
+you can take my word for it that's how
+
+100
+00:02:02,990 --> 00:02:03,000
+you can take my word for it that's how
+ 
+
+101
+00:02:03,000 --> 00:02:05,190
+you can take my word for it that's how
+things
+
+102
+00:02:05,190 --> 00:02:05,200
+things
+ 
+
+103
+00:02:05,200 --> 00:02:06,789
+things
+are
+
+104
+00:02:06,789 --> 00:02:06,799
+are
+ 
+
+105
+00:02:06,799 --> 00:02:09,710
+are
+now I've told you all this
+
+106
+00:02:09,710 --> 00:02:09,720
+now I've told you all this
+ 
+
+107
+00:02:09,720 --> 00:02:20,900
+now I've told you all this
+because well I've grown very fond of you
+
+108
+00:02:20,900 --> 00:02:20,910
+
+ 
+
+109
+00:02:20,910 --> 00:02:43,500
+
+[Music]
+

1939/dzkjnPSbxJw.description

@@ -0,0 +1,38 @@
+Ninotchka movie clips: http://j.mp/17HLmQu
+BUY THE MOVIE: http://j.mp/17HLmQo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ninotchka (Greta Garbo) arrives on the train and makes a strict impression on her comrades.
+
+FILM DESCRIPTION:
+"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Felix Bressart, Alexander Granach, Sig Ruman, Greta Garbo
+Director: Ernst Lubitsch
+Producers: Ernst Lubitsch, Sidney Franklin
+Screenwriters: Charles Brackett, Melchior Lengyel, Walter Reisch, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/i7hk-TupE5g.description

@@ -0,0 +1,38 @@
+Mr. Smith Goes to Washington movie clips: http://j.mp/1JaLRWs
+BUY THE MOVIE: http://amzn.to/u7g6YE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Saunders (Jean Arthur) offers advice to a depressed Jefferson (James Stewart).
+
+FILM DESCRIPTION:
+Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said."
+
+CREDITS:
+TM & © Sony (1939)
+Cast: James Stewart, Jean Arthur
+Director: Frank Capra
+Producer: Frank Capra
+Screenwriters: Sidney Buchman, Lewis R. Foster, Myles Connolly
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/i7hk-TupE5g.en.srt

@@ -0,0 +1,545 @@
+1
+00:00:00,280 --> 00:00:02,270
+
+you sure had the right idea about me
+
+2
+00:00:02,270 --> 00:00:02,280
+you sure had the right idea about me
+ 
+
+3
+00:00:02,280 --> 00:00:04,670
+you sure had the right idea about me
+Saunders you told me to go back home and
+
+4
+00:00:04,670 --> 00:00:04,680
+Saunders you told me to go back home and
+ 
+
+5
+00:00:04,680 --> 00:00:06,710
+Saunders you told me to go back home and
+keep filling those kids full of
+
+6
+00:00:06,710 --> 00:00:06,720
+keep filling those kids full of
+ 
+
+7
+00:00:06,720 --> 00:00:10,350
+keep filling those kids full of
+Hoy yeah just a simple guy you said
+
+8
+00:00:10,350 --> 00:00:10,360
+Hoy yeah just a simple guy you said
+ 
+
+9
+00:00:10,360 --> 00:00:12,310
+Hoy yeah just a simple guy you said
+still wet behind the ears a lot of junk
+
+10
+00:00:12,310 --> 00:00:12,320
+still wet behind the ears a lot of junk
+ 
+
+11
+00:00:12,320 --> 00:00:14,990
+still wet behind the ears a lot of junk
+about American
+
+12
+00:00:14,990 --> 00:00:15,000
+about American
+ 
+
+13
+00:00:15,000 --> 00:00:18,310
+about American
+ideals certainly a lot of junk all right
+
+14
+00:00:18,310 --> 00:00:18,320
+ideals certainly a lot of junk all right
+ 
+
+15
+00:00:18,320 --> 00:00:21,630
+ideals certainly a lot of junk all right
+now look Senator I don't know this it's
+
+16
+00:00:21,630 --> 00:00:21,640
+now look Senator I don't know this it's
+ 
+
+17
+00:00:21,640 --> 00:00:23,550
+now look Senator I don't know this it's
+a whole new world to
+
+18
+00:00:23,550 --> 00:00:23,560
+a whole new world to
+ 
+
+19
+00:00:23,560 --> 00:00:25,029
+a whole new world to
+[Music]
+
+20
+00:00:25,029 --> 00:00:25,039
+[Music]
+ 
+
+21
+00:00:25,039 --> 00:00:27,910
+[Music]
+me what are you going to believe
+
+22
+00:00:27,910 --> 00:00:27,920
+me what are you going to believe
+ 
+
+23
+00:00:27,920 --> 00:00:31,150
+me what are you going to believe
+in not a man like pain Senator Joseph
+
+24
+00:00:31,150 --> 00:00:31,160
+in not a man like pain Senator Joseph
+ 
+
+25
+00:00:31,160 --> 00:00:33,110
+in not a man like pain Senator Joseph
+Payne gets up and swears that I've been
+
+26
+00:00:33,110 --> 00:00:33,120
+Payne gets up and swears that I've been
+ 
+
+27
+00:00:33,120 --> 00:00:36,110
+Payne gets up and swears that I've been
+robbing kids of nickels and
+
+28
+00:00:36,110 --> 00:00:36,120
+robbing kids of nickels and
+ 
+
+29
+00:00:36,120 --> 00:00:39,030
+robbing kids of nickels and
+dimes and I've admired and worshiped all
+
+30
+00:00:39,030 --> 00:00:39,040
+dimes and I've admired and worshiped all
+ 
+
+31
+00:00:39,040 --> 00:00:43,029
+dimes and I've admired and worshiped all
+my life I don't know I a lot of fancy
+
+32
+00:00:43,029 --> 00:00:43,039
+my life I don't know I a lot of fancy
+ 
+
+33
+00:00:43,039 --> 00:00:44,630
+my life I don't know I a lot of fancy
+words around this town some of them are
+
+34
+00:00:44,630 --> 00:00:44,640
+words around this town some of them are
+ 
+
+35
+00:00:44,640 --> 00:00:47,350
+words around this town some of them are
+carved in stone some of I guess the
+
+36
+00:00:47,350 --> 00:00:47,360
+carved in stone some of I guess the
+ 
+
+37
+00:00:47,360 --> 00:00:49,110
+carved in stone some of I guess the
+tailor and pays put them up there so
+
+38
+00:00:49,110 --> 00:00:49,120
+tailor and pays put them up there so
+ 
+
+39
+00:00:49,120 --> 00:00:51,069
+tailor and pays put them up there so
+suckers like me could read
+
+40
+00:00:51,069 --> 00:00:51,079
+suckers like me could read
+ 
+
+41
+00:00:51,079 --> 00:00:53,229
+suckers like me could read
+them then when you find out what men
+
+42
+00:00:53,229 --> 00:00:53,239
+them then when you find out what men
+ 
+
+43
+00:00:53,239 --> 00:00:54,310
+them then when you find out what men
+actually
+
+44
+00:00:54,310 --> 00:00:54,320
+actually
+ 
+
+45
+00:00:54,320 --> 00:00:57,349
+actually
+do well I'm getting out of this town so
+
+46
+00:00:57,349 --> 00:00:57,359
+do well I'm getting out of this town so
+ 
+
+47
+00:00:57,359 --> 00:01:00,310
+do well I'm getting out of this town so
+fast away from all the words and the m
+
+48
+00:01:00,310 --> 00:01:00,320
+fast away from all the words and the m
+ 
+
+49
+00:01:00,320 --> 00:01:01,990
+fast away from all the words and the m
+on the whole rotten
+
+50
+00:01:01,990 --> 00:01:02,000
+on the whole rotten
+ 
+
+51
+00:01:02,000 --> 00:01:04,390
+on the whole rotten
+show I
+
+52
+00:01:04,390 --> 00:01:04,400
+show I
+ 
+
+53
+00:01:04,400 --> 00:01:06,750
+show I
+see when you get home what are you going
+
+54
+00:01:06,750 --> 00:01:06,760
+see when you get home what are you going
+ 
+
+55
+00:01:06,760 --> 00:01:09,070
+see when you get home what are you going
+to tell those kids well I'll tell them
+
+56
+00:01:09,070 --> 00:01:09,080
+to tell those kids well I'll tell them
+ 
+
+57
+00:01:09,080 --> 00:01:11,830
+to tell those kids well I'll tell them
+the truth might as well find it out now
+
+58
+00:01:11,830 --> 00:01:11,840
+the truth might as well find it out now
+ 
+
+59
+00:01:11,840 --> 00:01:13,469
+the truth might as well find it out now
+as
+
+60
+00:01:13,469 --> 00:01:13,479
+as
+ 
+
+61
+00:01:13,479 --> 00:01:16,350
+as
+later I don't think they'll believe you
+
+62
+00:01:16,350 --> 00:01:16,360
+later I don't think they'll believe you
+ 
+
+63
+00:01:16,360 --> 00:01:18,550
+later I don't think they'll believe you
+Jeff you know they're liable to look up
+
+64
+00:01:18,550 --> 00:01:18,560
+Jeff you know they're liable to look up
+ 
+
+65
+00:01:18,560 --> 00:01:21,670
+Jeff you know they're liable to look up
+at you with hurt faces and say Jeff what
+
+66
+00:01:21,670 --> 00:01:21,680
+at you with hurt faces and say Jeff what
+ 
+
+67
+00:01:21,680 --> 00:01:24,630
+at you with hurt faces and say Jeff what
+did you do quit didn't you do something
+
+68
+00:01:24,630 --> 00:01:24,640
+did you do quit didn't you do something
+ 
+
+69
+00:01:24,640 --> 00:01:27,749
+did you do quit didn't you do something
+about it well what do you expect me to
+
+70
+00:01:27,749 --> 00:01:27,759
+about it well what do you expect me to
+ 
+
+71
+00:01:27,759 --> 00:01:31,230
+about it well what do you expect me to
+do an honorary St like me against the
+
+72
+00:01:31,230 --> 00:01:31,240
+do an honorary St like me against the
+ 
+
+73
+00:01:31,240 --> 00:01:35,069
+do an honorary St like me against the
+tailor and pains and machines and lies
+
+74
+00:01:35,069 --> 00:01:35,079
+tailor and pains and machines and lies
+ 
+
+75
+00:01:35,079 --> 00:01:36,910
+tailor and pains and machines and lies
+your friend Mr Lincoln had his tailor
+
+76
+00:01:36,910 --> 00:01:36,920
+your friend Mr Lincoln had his tailor
+ 
+
+77
+00:01:36,920 --> 00:01:39,429
+your friend Mr Lincoln had his tailor
+and pains so did every other man whoever
+
+78
+00:01:39,429 --> 00:01:39,439
+and pains so did every other man whoever
+ 
+
+79
+00:01:39,439 --> 00:01:41,230
+and pains so did every other man whoever
+tried to lift his thought up off the
+
+80
+00:01:41,230 --> 00:01:41,240
+tried to lift his thought up off the
+ 
+
+81
+00:01:41,240 --> 00:01:43,670
+tried to lift his thought up off the
+ground odds against him didn't stop
+
+82
+00:01:43,670 --> 00:01:43,680
+ground odds against him didn't stop
+ 
+
+83
+00:01:43,680 --> 00:01:46,190
+ground odds against him didn't stop
+those men they were fools that way all
+
+84
+00:01:46,190 --> 00:01:46,200
+those men they were fools that way all
+ 
+
+85
+00:01:46,200 --> 00:01:47,709
+those men they were fools that way all
+the good that ever came into this world
+
+86
+00:01:47,709 --> 00:01:47,719
+the good that ever came into this world
+ 
+
+87
+00:01:47,719 --> 00:01:49,510
+the good that ever came into this world
+came from Fools with faith like that you
+
+88
+00:01:49,510 --> 00:01:49,520
+came from Fools with faith like that you
+ 
+
+89
+00:01:49,520 --> 00:01:50,510
+came from Fools with faith like that you
+know that
+
+90
+00:01:50,510 --> 00:01:50,520
+know that
+ 
+
+91
+00:01:50,520 --> 00:01:55,270
+know that
+Jeff you can't quit now not you they
+
+92
+00:01:55,270 --> 00:01:55,280
+Jeff you can't quit now not you they
+ 
+
+93
+00:01:55,280 --> 00:01:56,870
+Jeff you can't quit now not you they
+aren't all tailor and pains in
+
+94
+00:01:56,870 --> 00:01:56,880
+aren't all tailor and pains in
+ 
+
+95
+00:01:56,880 --> 00:01:58,789
+aren't all tailor and pains in
+Washington that kind just throw big
+
+96
+00:01:58,789 --> 00:01:58,799
+Washington that kind just throw big
+ 
+
+97
+00:01:58,799 --> 00:02:01,310
+Washington that kind just throw big
+Shadows that's all
+
+98
+00:02:01,310 --> 00:02:01,320
+Shadows that's all
+ 
+
+99
+00:02:01,320 --> 00:02:03,789
+Shadows that's all
+you didn't just have faith in pain or
+
+100
+00:02:03,789 --> 00:02:03,799
+you didn't just have faith in pain or
+ 
+
+101
+00:02:03,799 --> 00:02:05,830
+you didn't just have faith in pain or
+any other living man you had faith in
+
+102
+00:02:05,830 --> 00:02:05,840
+any other living man you had faith in
+ 
+
+103
+00:02:05,840 --> 00:02:08,389
+any other living man you had faith in
+something bigger than that you had plain
+
+104
+00:02:08,389 --> 00:02:08,399
+something bigger than that you had plain
+ 
+
+105
+00:02:08,399 --> 00:02:11,790
+something bigger than that you had plain
+decent everyday common rightness and
+
+106
+00:02:11,790 --> 00:02:11,800
+decent everyday common rightness and
+ 
+
+107
+00:02:11,800 --> 00:02:21,900
+decent everyday common rightness and
+this country could use some of that
+
+108
+00:02:21,900 --> 00:02:21,910
+
+ 
+
+109
+00:02:21,910 --> 00:02:44,490
+
+[Music]
+

1939/jU6nB-uJh68.description

@@ -0,0 +1,38 @@
+Ninotchka movie clips: http://j.mp/17HLmQu
+BUY THE MOVIE: http://j.mp/17HLmQo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Leon (Melvin Douglas) is intent upon making Ninotchka (Greta Garbo) laugh, despite the fact that she is unamused by any of his jokes.
+
+FILM DESCRIPTION:
+"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Melvyn Douglas, Greta Garbo
+Director: Ernst Lubitsch
+Producers: Ernst Lubitsch, Sidney Franklin
+Screenwriters: Charles Brackett, Melchior Lengyel, Walter Reisch, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/jU6nB-uJh68.en.srt

@@ -0,0 +1,555 @@
+1
+00:00:01,120 --> 00:00:02,149
+
+well how's this
+
+2
+00:00:02,149 --> 00:00:02,159
+well how's this
+ 
+
+3
+00:00:02,159 --> 00:00:05,349
+well how's this
+one two men are looking at the moon one
+
+4
+00:00:05,349 --> 00:00:05,359
+one two men are looking at the moon one
+ 
+
+5
+00:00:05,359 --> 00:00:07,230
+one two men are looking at the moon one
+of them asking the other is it true that
+
+6
+00:00:07,230 --> 00:00:07,240
+of them asking the other is it true that
+ 
+
+7
+00:00:07,240 --> 00:00:09,230
+of them asking the other is it true that
+a lot of people live on the moon the
+
+8
+00:00:09,230 --> 00:00:09,240
+a lot of people live on the moon the
+ 
+
+9
+00:00:09,240 --> 00:00:11,030
+a lot of people live on the moon the
+other one says sure it's true about 500
+
+10
+00:00:11,030 --> 00:00:11,040
+other one says sure it's true about 500
+ 
+
+11
+00:00:11,040 --> 00:00:13,789
+other one says sure it's true about 500
+minutes and the first one
+
+12
+00:00:13,789 --> 00:00:13,799
+minutes and the first one
+ 
+
+13
+00:00:13,799 --> 00:00:16,230
+minutes and the first one
+says they must be pretty crowded when
+
+14
+00:00:16,230 --> 00:00:16,240
+says they must be pretty crowded when
+ 
+
+15
+00:00:16,240 --> 00:00:17,030
+says they must be pretty crowded when
+it's half
+
+16
+00:00:17,030 --> 00:00:17,040
+it's half
+ 
+
+17
+00:00:17,040 --> 00:00:23,670
+it's half
+[Laughter]
+
+18
+00:00:23,670 --> 00:00:23,680
+
+ 
+
+19
+00:00:23,680 --> 00:00:27,710
+
+moon so you don't think that's funny no
+
+20
+00:00:27,710 --> 00:00:27,720
+moon so you don't think that's funny no
+ 
+
+21
+00:00:27,720 --> 00:00:29,230
+moon so you don't think that's funny no
+it seemed funny to me when I first heard
+
+22
+00:00:29,230 --> 00:00:29,240
+it seemed funny to me when I first heard
+ 
+
+23
+00:00:29,240 --> 00:00:30,669
+it seemed funny to me when I first heard
+it
+
+24
+00:00:30,669 --> 00:00:30,679
+it
+ 
+
+25
+00:00:30,679 --> 00:00:32,549
+it
+maybe the trouble isn't with the joke
+
+26
+00:00:32,549 --> 00:00:32,559
+maybe the trouble isn't with the joke
+ 
+
+27
+00:00:32,559 --> 00:00:35,150
+maybe the trouble isn't with the joke
+maybe it's with you I don't think
+
+28
+00:00:35,150 --> 00:00:35,160
+maybe it's with you I don't think
+ 
+
+29
+00:00:35,160 --> 00:00:37,910
+maybe it's with you I don't think
+so I'll give you one more
+
+30
+00:00:37,910 --> 00:00:37,920
+so I'll give you one more
+ 
+
+31
+00:00:37,920 --> 00:00:40,869
+so I'll give you one more
+chance here goes when I first heard this
+
+32
+00:00:40,869 --> 00:00:40,879
+chance here goes when I first heard this
+ 
+
+33
+00:00:40,879 --> 00:00:44,110
+chance here goes when I first heard this
+joke I laughed myself
+
+34
+00:00:44,110 --> 00:00:44,120
+
+ 
+
+35
+00:00:44,120 --> 00:00:47,430
+
+sick here goes a man comes into a
+
+36
+00:00:47,430 --> 00:00:47,440
+sick here goes a man comes into a
+ 
+
+37
+00:00:47,440 --> 00:00:49,549
+sick here goes a man comes into a
+restaurant he sits down at the table and
+
+38
+00:00:49,549 --> 00:00:49,559
+restaurant he sits down at the table and
+ 
+
+39
+00:00:49,559 --> 00:00:51,670
+restaurant he sits down at the table and
+he says waiter bring me a cup of coffee
+
+40
+00:00:51,670 --> 00:00:51,680
+he says waiter bring me a cup of coffee
+ 
+
+41
+00:00:51,680 --> 00:00:54,029
+he says waiter bring me a cup of coffee
+without cream 5 minutes later the waiter
+
+42
+00:00:54,029 --> 00:00:54,039
+without cream 5 minutes later the waiter
+ 
+
+43
+00:00:54,039 --> 00:00:55,670
+without cream 5 minutes later the waiter
+comes back and says I'm sorry sir we
+
+44
+00:00:55,670 --> 00:00:55,680
+comes back and says I'm sorry sir we
+ 
+
+45
+00:00:55,680 --> 00:01:07,590
+comes back and says I'm sorry sir we
+have no cream can it be without milk
+
+46
+00:01:07,590 --> 00:01:07,600
+
+ 
+
+47
+00:01:07,600 --> 00:01:10,630
+
+not funny huh no well it is funny
+
+48
+00:01:10,630 --> 00:01:10,640
+not funny huh no well it is funny
+ 
+
+49
+00:01:10,640 --> 00:01:12,310
+not funny huh no well it is funny
+everybody else thought it was
+
+50
+00:01:12,310 --> 00:01:12,320
+everybody else thought it was
+ 
+
+51
+00:01:12,320 --> 00:01:14,710
+everybody else thought it was
+funny maybe you didn't get the
+
+52
+00:01:14,710 --> 00:01:14,720
+funny maybe you didn't get the
+ 
+
+53
+00:01:14,720 --> 00:01:17,950
+funny maybe you didn't get the
+point I'll tell it to you again a man
+
+54
+00:01:17,950 --> 00:01:17,960
+point I'll tell it to you again a man
+ 
+
+55
+00:01:17,960 --> 00:01:20,670
+point I'll tell it to you again a man
+comes into a restaurant did you get that
+
+56
+00:01:20,670 --> 00:01:20,680
+comes into a restaurant did you get that
+ 
+
+57
+00:01:20,680 --> 00:01:23,149
+comes into a restaurant did you get that
+yes all right he sits down at the table
+
+58
+00:01:23,149 --> 00:01:23,159
+yes all right he sits down at the table
+ 
+
+59
+00:01:23,159 --> 00:01:24,910
+yes all right he sits down at the table
+and he says to the waiter did you get
+
+60
+00:01:24,910 --> 00:01:24,920
+and he says to the waiter did you get
+ 
+
+61
+00:01:24,920 --> 00:01:27,190
+and he says to the waiter did you get
+that yes all right it isn't funny so far
+
+62
+00:01:27,190 --> 00:01:27,200
+that yes all right it isn't funny so far
+ 
+
+63
+00:01:27,200 --> 00:01:28,990
+that yes all right it isn't funny so far
+but wait a minute he says to the waiter
+
+64
+00:01:28,990 --> 00:01:29,000
+but wait a minute he says to the waiter
+ 
+
+65
+00:01:29,000 --> 00:01:31,109
+but wait a minute he says to the waiter
+waiter bring me a c cup of coffee and 5
+
+66
+00:01:31,109 --> 00:01:31,119
+waiter bring me a c cup of coffee and 5
+ 
+
+67
+00:01:31,119 --> 00:01:32,389
+waiter bring me a c cup of coffee and 5
+minutes later the waiter comes back and
+
+68
+00:01:32,389 --> 00:01:32,399
+minutes later the waiter comes back and
+ 
+
+69
+00:01:32,399 --> 00:01:33,870
+minutes later the waiter comes back and
+says I'm sorry sir we're all out of
+
+70
+00:01:33,870 --> 00:01:33,880
+says I'm sorry sir we're all out of
+ 
+
+71
+00:01:33,880 --> 00:01:36,149
+says I'm sorry sir we're all out of
+coffee oh no no you've got me all mixed
+
+72
+00:01:36,149 --> 00:01:36,159
+coffee oh no no you've got me all mixed
+ 
+
+73
+00:01:36,159 --> 00:01:38,109
+coffee oh no no you've got me all mixed
+up now just on the table wait bring me a
+
+74
+00:01:38,109 --> 00:01:38,119
+up now just on the table wait bring me a
+ 
+
+75
+00:01:38,119 --> 00:01:39,670
+up now just on the table wait bring me a
+cup of coffee and 5 minutes later that's
+
+76
+00:01:39,670 --> 00:01:39,680
+cup of coffee and 5 minutes later that's
+ 
+
+77
+00:01:39,680 --> 00:01:41,149
+cup of coffee and 5 minutes later that's
+it he says waiter bring me a cup of
+
+78
+00:01:41,149 --> 00:01:41,159
+it he says waiter bring me a cup of
+ 
+
+79
+00:01:41,159 --> 00:01:43,389
+it he says waiter bring me a cup of
+coffee without cream and 5 minutes later
+
+80
+00:01:43,389 --> 00:01:43,399
+coffee without cream and 5 minutes later
+ 
+
+81
+00:01:43,399 --> 00:01:44,950
+coffee without cream and 5 minutes later
+the waiter comes back and says I'm sorry
+
+82
+00:01:44,950 --> 00:01:44,960
+the waiter comes back and says I'm sorry
+ 
+
+83
+00:01:44,960 --> 00:01:46,870
+the waiter comes back and says I'm sorry
+sir we have no cream can it be a glass
+
+84
+00:01:46,870 --> 00:01:46,880
+sir we have no cream can it be a glass
+ 
+
+85
+00:01:46,880 --> 00:01:50,389
+sir we have no cream can it be a glass
+of milk oh you have no sense of
+
+86
+00:01:50,389 --> 00:01:50,399
+of milk oh you have no sense of
+ 
+
+87
+00:01:50,399 --> 00:01:53,870
+of milk oh you have no sense of
+humor none whatsoever a grain of humor
+
+88
+00:01:53,870 --> 00:01:53,880
+humor none whatsoever a grain of humor
+ 
+
+89
+00:01:53,880 --> 00:01:55,789
+humor none whatsoever a grain of humor
+in you there's not a laugh in you
+
+90
+00:01:55,789 --> 00:01:55,799
+in you there's not a laugh in you
+ 
+
+91
+00:01:55,799 --> 00:01:58,370
+in you there's not a laugh in you
+everybody else laughs at it but not you
+
+92
+00:01:58,370 --> 00:01:58,380
+everybody else laughs at it but not you
+ 
+
+93
+00:01:58,380 --> 00:01:59,680
+everybody else laughs at it but not you
+[Laughter]
+
+94
+00:01:59,680 --> 00:01:59,690
+[Laughter]
+ 
+
+95
+00:01:59,690 --> 00:02:03,370
+[Laughter]
+[Applause]
+
+96
+00:02:03,370 --> 00:02:03,380
+[Applause]
+ 
+
+97
+00:02:03,380 --> 00:02:09,589
+[Applause]
+[Laughter]
+
+98
+00:02:09,589 --> 00:02:09,599
+
+ 
+
+99
+00:02:09,599 --> 00:02:12,980
+
+what's so funny about this
+
+100
+00:02:12,980 --> 00:02:12,990
+what's so funny about this
+ 
+
+101
+00:02:12,990 --> 00:02:19,580
+what's so funny about this
+[Laughter]
+
+102
+00:02:19,580 --> 00:02:19,590
+[Laughter]
+ 
+
+103
+00:02:19,590 --> 00:02:30,070
+[Laughter]
+[Applause]
+
+104
+00:02:30,070 --> 00:02:30,080
+
+ 
+
+105
+00:02:30,080 --> 00:02:35,300
+
+oh
+
+106
+00:02:35,300 --> 00:02:35,310
+
+ 
+
+107
+00:02:35,310 --> 00:02:36,990
+
+[Laughter]
+
+108
+00:02:36,990 --> 00:02:37,000
+[Laughter]
+ 
+
+109
+00:02:37,000 --> 00:02:44,990
+[Laughter]
+[Applause]
+
+110
+00:02:44,990 --> 00:02:45,000
+[Applause]
+ 
+
+111
+00:02:45,000 --> 00:03:16,720
+[Applause]
+[Music]
+

1939/lKh7qSp6zIc.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:04,370 --> 00:00:06,440
+
+what is this armistice they've been
+
+2
+00:00:06,440 --> 00:00:06,450
+what is this armistice they've been
+ 
+
+3
+00:00:06,450 --> 00:00:07,900
+what is this armistice they've been
+talking about for the past four days
+
+4
+00:00:07,900 --> 00:00:07,910
+talking about for the past four days
+ 
+
+5
+00:00:07,910 --> 00:00:10,459
+talking about for the past four days
+just another rumor this broads gonna go
+
+6
+00:00:10,459 --> 00:00:10,469
+just another rumor this broads gonna go
+ 
+
+7
+00:00:10,469 --> 00:00:13,039
+just another rumor this broads gonna go
+on forever if I ever get back I'm gonna
+
+8
+00:00:13,039 --> 00:00:13,049
+on forever if I ever get back I'm gonna
+ 
+
+9
+00:00:13,049 --> 00:00:14,419
+on forever if I ever get back I'm gonna
+have a swell law office in the Woolworth
+
+10
+00:00:14,419 --> 00:00:14,429
+have a swell law office in the Woolworth
+ 
+
+11
+00:00:14,429 --> 00:00:16,129
+have a swell law office in the Woolworth
+Building have it all picked out on the
+
+12
+00:00:16,129 --> 00:00:16,139
+Building have it all picked out on the
+ 
+
+13
+00:00:16,139 --> 00:00:19,160
+Building have it all picked out on the
+28th floor see the whole city hey
+
+14
+00:00:19,160 --> 00:00:19,170
+28th floor see the whole city hey
+ 
+
+15
+00:00:19,170 --> 00:00:21,470
+28th floor see the whole city hey
+Brooklyn what do you want to look at
+
+16
+00:00:21,470 --> 00:00:21,480
+Brooklyn what do you want to look at
+ 
+
+17
+00:00:21,480 --> 00:00:23,870
+Brooklyn what do you want to look at
+Brooklyn what are you going to do George
+
+18
+00:00:23,870 --> 00:00:23,880
+Brooklyn what are you going to do George
+ 
+
+19
+00:00:23,880 --> 00:00:29,720
+Brooklyn what are you going to do George
+yes that man jump three feet in the air
+
+20
+00:00:29,720 --> 00:00:29,730
+yes that man jump three feet in the air
+ 
+
+21
+00:00:29,730 --> 00:00:31,900
+yes that man jump three feet in the air
+and come down stiff as a board
+
+22
+00:00:31,900 --> 00:00:31,910
+and come down stiff as a board
+ 
+
+23
+00:00:31,910 --> 00:00:34,910
+and come down stiff as a board
+me I'll still be in this alone business
+
+24
+00:00:34,910 --> 00:00:34,920
+me I'll still be in this alone business
+ 
+
+25
+00:00:34,920 --> 00:00:37,160
+me I'll still be in this alone business
+the prohibition law goes in next year
+
+26
+00:00:37,160 --> 00:00:37,170
+the prohibition law goes in next year
+ 
+
+27
+00:00:37,170 --> 00:00:38,420
+the prohibition law goes in next year
+yeah well there's one thing to pass
+
+28
+00:00:38,420 --> 00:00:38,430
+yeah well there's one thing to pass
+ 
+
+29
+00:00:38,430 --> 00:00:39,799
+yeah well there's one thing to pass
+along another thing to make it wait
+
+30
+00:00:39,799 --> 00:00:39,809
+along another thing to make it wait
+ 
+
+31
+00:00:39,809 --> 00:00:42,020
+along another thing to make it wait
+there'll always be guys wanting a drink
+
+32
+00:00:42,020 --> 00:00:42,030
+there'll always be guys wanting a drink
+ 
+
+33
+00:00:42,030 --> 00:00:44,510
+there'll always be guys wanting a drink
+don't force that law they haven't got a
+
+34
+00:00:44,510 --> 00:00:44,520
+don't force that law they haven't got a
+ 
+
+35
+00:00:44,520 --> 00:00:45,080
+don't force that law they haven't got a
+chance
+
+36
+00:00:45,080 --> 00:00:45,090
+chance
+ 
+
+37
+00:00:45,090 --> 00:00:48,020
+chance
+how about you Eddie I'm gonna get my old
+
+38
+00:00:48,020 --> 00:00:48,030
+how about you Eddie I'm gonna get my old
+ 
+
+39
+00:00:48,030 --> 00:00:49,940
+how about you Eddie I'm gonna get my old
+job back in that garage save my money
+
+40
+00:00:49,940 --> 00:00:49,950
+job back in that garage save my money
+ 
+
+41
+00:00:49,950 --> 00:00:52,130
+job back in that garage save my money
+and somebody ever shot on my own it's my
+
+42
+00:00:52,130 --> 00:00:52,140
+and somebody ever shot on my own it's my
+ 
+
+43
+00:00:52,140 --> 00:00:54,290
+and somebody ever shot on my own it's my
+idea having boys a grease bucket
+
+44
+00:00:54,290 --> 00:00:54,300
+idea having boys a grease bucket
+ 
+
+45
+00:00:54,300 --> 00:00:57,740
+idea having boys a grease bucket
+arranging a cracked cylinder you want to
+
+46
+00:00:57,740 --> 00:00:57,750
+arranging a cracked cylinder you want to
+ 
+
+47
+00:00:57,750 --> 00:00:59,869
+arranging a cracked cylinder you want to
+make a live in a hard way all I know is
+
+48
+00:00:59,869 --> 00:00:59,879
+make a live in a hard way all I know is
+ 
+
+49
+00:00:59,879 --> 00:01:01,639
+make a live in a hard way all I know is
+I don't want any more trouble I've had
+
+50
+00:01:01,639 --> 00:01:01,649
+I don't want any more trouble I've had
+ 
+
+51
+00:01:01,649 --> 00:01:05,900
+I don't want any more trouble I've had
+something
+
+52
+00:01:05,900 --> 00:01:05,910
+
+ 
+
+53
+00:01:05,910 --> 00:01:07,830
+
+what's the matter how did you lose the
+
+54
+00:01:07,830 --> 00:01:07,840
+what's the matter how did you lose the
+ 
+
+55
+00:01:07,840 --> 00:01:08,160
+what's the matter how did you lose the
+heinie
+
+56
+00:01:08,160 --> 00:01:08,170
+heinie
+ 
+
+57
+00:01:08,170 --> 00:01:10,440
+heinie
+no but he looks like a kid about 15
+
+58
+00:01:10,440 --> 00:01:10,450
+no but he looks like a kid about 15
+ 
+
+59
+00:01:10,450 --> 00:01:20,940
+no but he looks like a kid about 15
+years old he won't be 16 Hey it's all
+
+60
+00:01:20,940 --> 00:01:20,950
+years old he won't be 16 Hey it's all
+ 
+
+61
+00:01:20,950 --> 00:01:22,770
+years old he won't be 16 Hey it's all
+over boys cease firing the Armistice has
+
+62
+00:01:22,770 --> 00:01:22,780
+over boys cease firing the Armistice has
+ 
+
+63
+00:01:22,780 --> 00:01:33,930
+over boys cease firing the Armistice has
+been signed you know I like this I think
+
+64
+00:01:33,930 --> 00:01:33,940
+been signed you know I like this I think
+ 
+
+65
+00:01:33,940 --> 00:01:35,000
+been signed you know I like this I think
+I'll take it with me
+
+66
+00:01:35,000 --> 00:01:35,010
+I'll take it with me
+ 
+
+67
+00:01:35,010 --> 00:01:48,440
+I'll take it with me
+[Music]
+

1939/louBM-Mix7s.description

@@ -0,0 +1,38 @@
+The Wizard of Oz movie clips: http://j.mp/1L5gtKP
+BUY THE MOVIE: http://bit.ly/2cmiEyC
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dorothy (Judy Garland) meets The Tin Man (Jack Haley) and oils him up so he can move again, but she quickly learns that he's missing a heart.
+
+FILM DESCRIPTION:
+Not to be confused with the cinematic classic starring Judy Garland that would follow six years later, this animated short film is one of countless other celluloid adaptations of L. Frank Baum's best-loved story, The Wizard of Oz. Directed by Ted Eshbaugh, the Canadian film features no dialogue and tells the story of Dorothy, Toto, Scarecrow, and Tin Man's adventures in Oz with a mix of black & white and color animation.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Ray Bolger, Jack Haley, Judy Garland, Terry
+Directors: George Cukor, Victor Fleming, Mervyn LeRoy, Norman Taurog, King Vidor
+Producers: Mervyn LeRoy, Arthur Freed
+Screenwriters: Noel Langley, Florence Ryerson, Edgar Allan Woolf, L. Frank Baum, Irving Brecher, William H. Cannon, Herbert Fields, Arthur Freed, Jack Haley, E.Y. Harburg, Samuel Hoffenstein, Bert Lahr, John Lee Mahin, Herman J. Mankiewicz, Jack Mintz, Ogden Nash, Robert Pirosh, George Seaton, Sid Silvers
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/n7l2RLvI7Ss.en.srt

@@ -0,0 +1,645 @@
+1
+00:00:00,000 --> 00:00:01,160
+
+Jeanne and I often used to talk about
+
+2
+00:00:01,160 --> 00:00:01,170
+Jeanne and I often used to talk about
+ 
+
+3
+00:00:01,170 --> 00:00:03,530
+Jeanne and I often used to talk about
+you and at night we pray for you we
+
+4
+00:00:03,530 --> 00:00:03,540
+you and at night we pray for you we
+ 
+
+5
+00:00:03,540 --> 00:00:05,269
+you and at night we pray for you we
+thought almost as though you're a member
+
+6
+00:00:05,269 --> 00:00:05,279
+thought almost as though you're a member
+ 
+
+7
+00:00:05,279 --> 00:00:05,960
+thought almost as though you're a member
+of the family
+
+8
+00:00:05,960 --> 00:00:05,970
+of the family
+ 
+
+9
+00:00:05,970 --> 00:00:08,030
+of the family
+sometimes Gina play the piano she's very
+
+10
+00:00:08,030 --> 00:00:08,040
+sometimes Gina play the piano she's very
+ 
+
+11
+00:00:08,040 --> 00:00:10,820
+sometimes Gina play the piano she's very
+talented we'd sing hymns she's got a
+
+12
+00:00:10,820 --> 00:00:10,830
+talented we'd sing hymns she's got a
+ 
+
+13
+00:00:10,830 --> 00:00:14,060
+talented we'd sing hymns she's got a
+voice for me I get some more
+
+14
+00:00:14,060 --> 00:00:14,070
+voice for me I get some more
+ 
+
+15
+00:00:14,070 --> 00:00:15,890
+voice for me I get some more
+oh no thanks is good enough away don't
+
+16
+00:00:15,890 --> 00:00:15,900
+oh no thanks is good enough away don't
+ 
+
+17
+00:00:15,900 --> 00:00:22,460
+oh no thanks is good enough away don't
+be bashful I'll be right there if I
+
+18
+00:00:22,460 --> 00:00:22,470
+be bashful I'll be right there if I
+ 
+
+19
+00:00:22,470 --> 00:00:24,200
+be bashful I'll be right there if I
+drink another glass of lemonade it's
+
+20
+00:00:24,200 --> 00:00:24,210
+drink another glass of lemonade it's
+ 
+
+21
+00:00:24,210 --> 00:00:25,900
+drink another glass of lemonade it's
+gonna run out of my ears
+
+22
+00:00:25,900 --> 00:00:25,910
+gonna run out of my ears
+ 
+
+23
+00:00:25,910 --> 00:00:28,279
+gonna run out of my ears
+watch he think to offer us a sandwich or
+
+24
+00:00:28,279 --> 00:00:28,289
+watch he think to offer us a sandwich or
+ 
+
+25
+00:00:28,289 --> 00:00:29,660
+watch he think to offer us a sandwich or
+something you're probably building up to
+
+26
+00:00:29,660 --> 00:00:29,670
+something you're probably building up to
+ 
+
+27
+00:00:29,670 --> 00:00:31,669
+something you're probably building up to
+that I'm beginning to wonder if this
+
+28
+00:00:31,669 --> 00:00:31,679
+that I'm beginning to wonder if this
+ 
+
+29
+00:00:31,679 --> 00:00:33,680
+that I'm beginning to wonder if this
+trip was worthwhile let me be the judge
+
+30
+00:00:33,680 --> 00:00:33,690
+trip was worthwhile let me be the judge
+ 
+
+31
+00:00:33,690 --> 00:00:34,160
+trip was worthwhile let me be the judge
+of that
+
+32
+00:00:34,160 --> 00:00:34,170
+of that
+ 
+
+33
+00:00:34,170 --> 00:00:36,799
+of that
+hey Eddie find out right away if she's
+
+34
+00:00:36,799 --> 00:00:36,809
+hey Eddie find out right away if she's
+ 
+
+35
+00:00:36,809 --> 00:00:38,060
+hey Eddie find out right away if she's
+got a friend if she has give me that
+
+36
+00:00:38,060 --> 00:00:38,070
+got a friend if she has give me that
+ 
+
+37
+00:00:38,070 --> 00:00:39,500
+got a friend if she has give me that
+great big build up one thing at a time
+
+38
+00:00:39,500 --> 00:00:39,510
+great big build up one thing at a time
+ 
+
+39
+00:00:39,510 --> 00:00:42,410
+great big build up one thing at a time
+now look when this gal gets here you
+
+40
+00:00:42,410 --> 00:00:42,420
+now look when this gal gets here you
+ 
+
+41
+00:00:42,420 --> 00:00:43,940
+now look when this gal gets here you
+watch what you're saying do the way I
+
+42
+00:00:43,940 --> 00:00:43,950
+watch what you're saying do the way I
+ 
+
+43
+00:00:43,950 --> 00:00:45,110
+watch what you're saying do the way I
+figured his situation she's got plenty
+
+44
+00:00:45,110 --> 00:00:45,120
+figured his situation she's got plenty
+ 
+
+45
+00:00:45,120 --> 00:00:46,639
+figured his situation she's got plenty
+of class you know when her mother said
+
+46
+00:00:46,639 --> 00:00:46,649
+of class you know when her mother said
+ 
+
+47
+00:00:46,649 --> 00:00:49,459
+of class you know when her mother said
+she goes to school sings and dances that
+
+48
+00:00:49,459 --> 00:00:49,469
+she goes to school sings and dances that
+ 
+
+49
+00:00:49,469 --> 00:00:51,650
+she goes to school sings and dances that
+mean she's no mug now that kind of
+
+50
+00:00:51,650 --> 00:00:51,660
+mean she's no mug now that kind of
+ 
+
+51
+00:00:51,660 --> 00:00:52,790
+mean she's no mug now that kind of
+material needs plenty of delicate
+
+52
+00:00:52,790 --> 00:00:52,800
+material needs plenty of delicate
+ 
+
+53
+00:00:52,800 --> 00:00:55,069
+material needs plenty of delicate
+handling as a matter of fact the more I
+
+54
+00:00:55,069 --> 00:00:55,079
+handling as a matter of fact the more I
+ 
+
+55
+00:00:55,079 --> 00:00:57,319
+handling as a matter of fact the more I
+think about this the more I become
+
+56
+00:00:57,319 --> 00:00:57,329
+think about this the more I become
+ 
+
+57
+00:00:57,329 --> 00:00:58,459
+think about this the more I become
+convinced you want to take a nice long
+
+58
+00:00:58,459 --> 00:00:58,469
+convinced you want to take a nice long
+ 
+
+59
+00:00:58,469 --> 00:01:10,460
+convinced you want to take a nice long
+walk hello Wow are you waiting for
+
+60
+00:01:10,460 --> 00:01:10,470
+walk hello Wow are you waiting for
+ 
+
+61
+00:01:10,470 --> 00:01:12,440
+walk hello Wow are you waiting for
+somebody yeah waiting for your big
+
+62
+00:01:12,440 --> 00:01:12,450
+somebody yeah waiting for your big
+ 
+
+63
+00:01:12,450 --> 00:01:15,499
+somebody yeah waiting for your big
+sister my big sister why I've got any
+
+64
+00:01:15,499 --> 00:01:15,509
+sister my big sister why I've got any
+ 
+
+65
+00:01:15,509 --> 00:01:20,179
+sister my big sister why I've got any
+big sister huh no big sister wait a
+
+66
+00:01:20,179 --> 00:01:20,189
+big sister huh no big sister wait a
+ 
+
+67
+00:01:20,189 --> 00:01:20,800
+big sister huh no big sister wait a
+minute
+
+68
+00:01:20,800 --> 00:01:20,810
+minute
+ 
+
+69
+00:01:20,810 --> 00:01:23,030
+minute
+don't tell me you're Eddie Eddie
+
+70
+00:01:23,030 --> 00:01:23,040
+don't tell me you're Eddie Eddie
+ 
+
+71
+00:01:23,040 --> 00:01:28,850
+don't tell me you're Eddie Eddie
+Bartlett yeah gee my dream soldier oh I
+
+72
+00:01:28,850 --> 00:01:28,860
+Bartlett yeah gee my dream soldier oh I
+ 
+
+73
+00:01:28,860 --> 00:01:30,710
+Bartlett yeah gee my dream soldier oh I
+wondered if I was ever gonna get to see
+
+74
+00:01:30,710 --> 00:01:30,720
+wondered if I was ever gonna get to see
+ 
+
+75
+00:01:30,720 --> 00:01:32,960
+wondered if I was ever gonna get to see
+you Oh mr. Bartlett you look just like I
+
+76
+00:01:32,960 --> 00:01:32,970
+you Oh mr. Bartlett you look just like I
+ 
+
+77
+00:01:32,970 --> 00:01:36,550
+you Oh mr. Bartlett you look just like I
+pictured you brave strong romantic and
+
+78
+00:01:36,550 --> 00:01:36,560
+pictured you brave strong romantic and
+ 
+
+79
+00:01:36,560 --> 00:01:40,969
+pictured you brave strong romantic and
+handsome mm-hmm speaking of looks how
+
+80
+00:01:40,969 --> 00:01:40,979
+handsome mm-hmm speaking of looks how
+ 
+
+81
+00:01:40,979 --> 00:01:45,200
+handsome mm-hmm speaking of looks how
+about this that was taken when I was in
+
+82
+00:01:45,200 --> 00:01:45,210
+about this that was taken when I was in
+ 
+
+83
+00:01:45,210 --> 00:01:47,749
+about this that was taken when I was in
+our high school play it was the fortune
+
+84
+00:01:47,749 --> 00:01:47,759
+our high school play it was the fortune
+ 
+
+85
+00:01:47,759 --> 00:01:52,340
+our high school play it was the fortune
+teller by Victor Herbert but you said
+
+86
+00:01:52,340 --> 00:01:52,350
+teller by Victor Herbert but you said
+ 
+
+87
+00:01:52,350 --> 00:01:53,780
+teller by Victor Herbert but you said
+you'll notice that you sang and danced I
+
+88
+00:01:53,780 --> 00:01:53,790
+you'll notice that you sang and danced I
+ 
+
+89
+00:01:53,790 --> 00:01:58,219
+you'll notice that you sang and danced I
+do oh wait when I sing in a choir every
+
+90
+00:01:58,219 --> 00:01:58,229
+do oh wait when I sing in a choir every
+ 
+
+91
+00:01:58,229 --> 00:01:59,959
+do oh wait when I sing in a choir every
+Sunday and I had to leave my house go
+
+92
+00:01:59,959 --> 00:01:59,969
+Sunday and I had to leave my house go
+ 
+
+93
+00:01:59,969 --> 00:02:01,609
+Sunday and I had to leave my house go
+play too and every once in a while I
+
+94
+00:02:01,609 --> 00:02:01,619
+play too and every once in a while I
+ 
+
+95
+00:02:01,619 --> 00:02:02,870
+play too and every once in a while I
+sing and dance for the Elks Club
+
+96
+00:02:02,870 --> 00:02:02,880
+sing and dance for the Elks Club
+ 
+
+97
+00:02:02,880 --> 00:02:05,330
+sing and dance for the Elks Club
+everybody says I'm pretty good would you
+
+98
+00:02:05,330 --> 00:02:05,340
+everybody says I'm pretty good would you
+ 
+
+99
+00:02:05,340 --> 00:02:07,310
+everybody says I'm pretty good would you
+like to hear me how can it come oh no no
+
+100
+00:02:07,310 --> 00:02:07,320
+like to hear me how can it come oh no no
+ 
+
+101
+00:02:07,320 --> 00:02:08,930
+like to hear me how can it come oh no no
+no thanks dad I've absolutely nowhere
+
+102
+00:02:08,930 --> 00:02:08,940
+no thanks dad I've absolutely nowhere
+ 
+
+103
+00:02:08,940 --> 00:02:11,720
+no thanks dad I've absolutely nowhere
+for music well it was nice to see you
+
+104
+00:02:11,720 --> 00:02:11,730
+for music well it was nice to see you
+ 
+
+105
+00:02:11,730 --> 00:02:13,200
+for music well it was nice to see you
+you aren't really leaving
+
+106
+00:02:13,200 --> 00:02:13,210
+you aren't really leaving
+ 
+
+107
+00:02:13,210 --> 00:02:14,700
+you aren't really leaving
+you oh yes we got to get back to town I
+
+108
+00:02:14,700 --> 00:02:14,710
+you oh yes we got to get back to town I
+ 
+
+109
+00:02:14,710 --> 00:02:15,840
+you oh yes we got to get back to town I
+got a very important gauging with the
+
+110
+00:02:15,840 --> 00:02:15,850
+got a very important gauging with the
+ 
+
+111
+00:02:15,850 --> 00:02:17,670
+got a very important gauging with the
+general well aren't you gonna tell me
+
+112
+00:02:17,670 --> 00:02:17,680
+general well aren't you gonna tell me
+ 
+
+113
+00:02:17,680 --> 00:02:20,780
+general well aren't you gonna tell me
+about the war and how you suffered honey
+
+114
+00:02:20,780 --> 00:02:20,790
+about the war and how you suffered honey
+ 
+
+115
+00:02:20,790 --> 00:02:24,060
+about the war and how you suffered honey
+you'll never know how I've suffered so
+
+116
+00:02:24,060 --> 00:02:24,070
+you'll never know how I've suffered so
+ 
+
+117
+00:02:24,070 --> 00:02:26,970
+you'll never know how I've suffered so
+long well when I see you again I'll call
+
+118
+00:02:26,970 --> 00:02:26,980
+long well when I see you again I'll call
+ 
+
+119
+00:02:26,980 --> 00:02:28,620
+long well when I see you again I'll call
+you when Oh
+
+120
+00:02:28,620 --> 00:02:28,630
+you when Oh
+ 
+
+121
+00:02:28,630 --> 00:02:30,060
+you when Oh
+one box two or three years when you get
+
+122
+00:02:30,060 --> 00:02:30,070
+one box two or three years when you get
+ 
+
+123
+00:02:30,070 --> 00:02:33,450
+one box two or three years when you get
+to be a great big girl come on fine you
+
+124
+00:02:33,450 --> 00:02:33,460
+to be a great big girl come on fine you
+ 
+
+125
+00:02:33,460 --> 00:02:34,710
+to be a great big girl come on fine you
+should have stayed and helped her with
+
+126
+00:02:34,710 --> 00:02:34,720
+should have stayed and helped her with
+ 
+
+127
+00:02:34,720 --> 00:02:36,820
+should have stayed and helped her with
+her homework
+
+128
+00:02:36,820 --> 00:02:36,830
+her homework
+ 
+
+129
+00:02:36,830 --> 00:02:48,159
+her homework
+[Music]
+

1939/nauLgZISozs.description

@@ -0,0 +1,41 @@
+The Wizard of Oz movie clips: http://j.mp/1L5gtKP
+BUY THE MOVIE: http://bit.ly/2cmiEyC
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+Watch more Family and Animation videos to get all the best content that's fun for all ages:
+Best Animated Movie Clips http://bit.ly/2a9DaSm
+Best Family Movie Clips http://bit.ly/2a18bZK
+
+CLIP DESCRIPTION:
+The Scarecrow (Ray Bolger) tells Dorothy (Judy Garland) through a song all about what he would do if he only had a brain.
+
+FILM DESCRIPTION:
+Not to be confused with the cinematic classic starring Judy Garland that would follow six years later, this animated short film is one of countless other celluloid adaptations of L. Frank Baum's best-loved story, The Wizard of Oz. Directed by Ted Eshbaugh, the Canadian film features no dialogue and tells the story of Dorothy, Toto, Scarecrow, and Tin Man's adventures in Oz with a mix of black & white and color animation.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Ray Bolger, Judy Garland, Terry
+Directors: George Cukor, Victor Fleming, Mervyn LeRoy, Norman Taurog, King Vidor
+Producers: Mervyn LeRoy, Arthur Freed
+Screenwriters: Noel Langley, Florence Ryerson, Edgar Allan Woolf, L. Frank Baum, Irving Brecher, William H. Cannon, Herbert Fields, Arthur Freed, Jack Haley, E.Y. Harburg, Samuel Hoffenstein, Bert Lahr, John Lee Mahin, Herman J. Mankiewicz, Jack Mintz, Ogden Nash, Robert Pirosh, George Seaton, Sid Silvers
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/nauLgZISozs.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:00,060 --> 00:00:02,149
+
+what would you do as a brain if you had
+
+2
+00:00:02,149 --> 00:00:02,159
+what would you do as a brain if you had
+ 
+
+3
+00:00:02,159 --> 00:00:05,499
+what would you do as a brain if you had
+one do why if I had a brain I could I
+
+4
+00:00:05,499 --> 00:00:05,509
+one do why if I had a brain I could I
+ 
+
+5
+00:00:05,509 --> 00:00:08,960
+one do why if I had a brain I could I
+could wile away the hours confirm and
+
+6
+00:00:08,960 --> 00:00:08,970
+could wile away the hours confirm and
+ 
+
+7
+00:00:08,970 --> 00:00:12,820
+could wile away the hours confirm and
+with the flowers consulted with the rain
+
+8
+00:00:12,820 --> 00:00:12,830
+with the flowers consulted with the rain
+ 
+
+9
+00:00:12,830 --> 00:00:15,919
+with the flowers consulted with the rain
+and by him I'd be scratchin while my
+
+10
+00:00:15,919 --> 00:00:15,929
+and by him I'd be scratchin while my
+ 
+
+11
+00:00:15,929 --> 00:00:18,470
+and by him I'd be scratchin while my
+thoughts were busy Hatchin if I only had
+
+12
+00:00:18,470 --> 00:00:18,480
+thoughts were busy Hatchin if I only had
+ 
+
+13
+00:00:18,480 --> 00:00:20,200
+thoughts were busy Hatchin if I only had
+a brain
+
+14
+00:00:20,200 --> 00:00:20,210
+a brain
+ 
+
+15
+00:00:20,210 --> 00:00:24,349
+a brain
+I'd unravel every riddle for nd in the
+
+16
+00:00:24,349 --> 00:00:24,359
+I'd unravel every riddle for nd in the
+ 
+
+17
+00:00:24,359 --> 00:00:28,970
+I'd unravel every riddle for nd in the
+middle in trouble or in pain with the
+
+18
+00:00:28,970 --> 00:00:28,980
+middle in trouble or in pain with the
+ 
+
+19
+00:00:28,980 --> 00:00:31,099
+middle in trouble or in pain with the
+thoughts you'll be thinkin you could be
+
+20
+00:00:31,099 --> 00:00:31,109
+thoughts you'll be thinkin you could be
+ 
+
+21
+00:00:31,109 --> 00:00:35,740
+thoughts you'll be thinkin you could be
+another Lincoln if you only had a brain
+
+22
+00:00:35,740 --> 00:00:35,750
+another Lincoln if you only had a brain
+ 
+
+23
+00:00:35,750 --> 00:00:39,400
+another Lincoln if you only had a brain
+[Music]
+
+24
+00:00:39,400 --> 00:00:39,410
+
+ 
+
+25
+00:00:39,410 --> 00:00:44,299
+
+the oceans near the shore I could think
+
+26
+00:00:44,299 --> 00:00:44,309
+the oceans near the shore I could think
+ 
+
+27
+00:00:44,309 --> 00:00:46,819
+the oceans near the shore I could think
+of things I never thought before and
+
+28
+00:00:46,819 --> 00:00:46,829
+of things I never thought before and
+ 
+
+29
+00:00:46,829 --> 00:00:51,529
+of things I never thought before and
+then I'd sit and think some more I would
+
+30
+00:00:51,529 --> 00:00:51,539
+then I'd sit and think some more I would
+ 
+
+31
+00:00:51,539 --> 00:00:54,290
+then I'd sit and think some more I would
+not be just a number Michael all full of
+
+32
+00:00:54,290 --> 00:00:54,300
+not be just a number Michael all full of
+ 
+
+33
+00:00:54,300 --> 00:00:58,000
+not be just a number Michael all full of
+stuffin my heart all full of pain I
+
+34
+00:00:58,000 --> 00:00:58,010
+stuffin my heart all full of pain I
+ 
+
+35
+00:00:58,010 --> 00:01:01,130
+stuffin my heart all full of pain I
+would dance and be merry life would be a
+
+36
+00:01:01,130 --> 00:01:01,140
+would dance and be merry life would be a
+ 
+
+37
+00:01:01,140 --> 00:01:03,620
+would dance and be merry life would be a
+pinga dairy if I only had a brain
+
+38
+00:01:03,620 --> 00:01:03,630
+pinga dairy if I only had a brain
+ 
+
+39
+00:01:03,630 --> 00:01:09,070
+pinga dairy if I only had a brain
+[Music]
+
+40
+00:01:09,070 --> 00:01:09,080
+
+ 
+
+41
+00:01:09,080 --> 00:01:12,170
+
+why fire scarecrow Beth and Kansas could
+
+42
+00:01:12,170 --> 00:01:12,180
+why fire scarecrow Beth and Kansas could
+ 
+
+43
+00:01:12,180 --> 00:01:14,030
+why fire scarecrow Beth and Kansas could
+do that the crows would be scared to
+
+44
+00:01:14,030 --> 00:01:14,040
+do that the crows would be scared to
+ 
+
+45
+00:01:14,040 --> 00:01:17,510
+do that the crows would be scared to
+pieces they would where's Kansas that's
+
+46
+00:01:17,510 --> 00:01:17,520
+pieces they would where's Kansas that's
+ 
+
+47
+00:01:17,520 --> 00:01:19,460
+pieces they would where's Kansas that's
+where I live and I want to get back
+
+48
+00:01:19,460 --> 00:01:19,470
+where I live and I want to get back
+ 
+
+49
+00:01:19,470 --> 00:01:21,020
+where I live and I want to get back
+there so badly I'm going all the way to
+
+50
+00:01:21,020 --> 00:01:21,030
+there so badly I'm going all the way to
+ 
+
+51
+00:01:21,030 --> 00:01:22,700
+there so badly I'm going all the way to
+Emerald City to get the Wizard of Oz to
+
+52
+00:01:22,700 --> 00:01:22,710
+Emerald City to get the Wizard of Oz to
+ 
+
+53
+00:01:22,710 --> 00:01:27,230
+Emerald City to get the Wizard of Oz to
+help me you're going to see a wizard do
+
+54
+00:01:27,230 --> 00:01:27,240
+help me you're going to see a wizard do
+ 
+
+55
+00:01:27,240 --> 00:01:28,700
+help me you're going to see a wizard do
+you think if I went with you this wizard
+
+56
+00:01:28,700 --> 00:01:28,710
+you think if I went with you this wizard
+ 
+
+57
+00:01:28,710 --> 00:01:31,130
+you think if I went with you this wizard
+would give me some brains I couldn't say
+
+58
+00:01:31,130 --> 00:01:31,140
+would give me some brains I couldn't say
+ 
+
+59
+00:01:31,140 --> 00:01:33,980
+would give me some brains I couldn't say
+but even if he didn't you be no worse
+
+60
+00:01:33,980 --> 00:01:33,990
+but even if he didn't you be no worse
+ 
+
+61
+00:01:33,990 --> 00:01:38,090
+but even if he didn't you be no worse
+off than you are now yes that's true but
+
+62
+00:01:38,090 --> 00:01:38,100
+off than you are now yes that's true but
+ 
+
+63
+00:01:38,100 --> 00:01:40,130
+off than you are now yes that's true but
+maybe you better not I've got a witch
+
+64
+00:01:40,130 --> 00:01:40,140
+maybe you better not I've got a witch
+ 
+
+65
+00:01:40,140 --> 00:01:41,450
+maybe you better not I've got a witch
+mad at me and you might get into trouble
+
+66
+00:01:41,450 --> 00:01:41,460
+mad at me and you might get into trouble
+ 
+
+67
+00:01:41,460 --> 00:01:45,050
+mad at me and you might get into trouble
+which I'm not afraid of a witch I'm not
+
+68
+00:01:45,050 --> 00:01:45,060
+which I'm not afraid of a witch I'm not
+ 
+
+69
+00:01:45,060 --> 00:01:49,310
+which I'm not afraid of a witch I'm not
+afraid of anything except a lighted
+
+70
+00:01:49,310 --> 00:01:49,320
+afraid of anything except a lighted
+ 
+
+71
+00:01:49,320 --> 00:01:51,620
+afraid of anything except a lighted
+match I don't blame you for that
+
+72
+00:01:51,620 --> 00:01:51,630
+match I don't blame you for that
+ 
+
+73
+00:01:51,630 --> 00:01:53,690
+match I don't blame you for that
+but I'd face a whole box full of them
+
+74
+00:01:53,690 --> 00:01:53,700
+but I'd face a whole box full of them
+ 
+
+75
+00:01:53,700 --> 00:01:55,330
+but I'd face a whole box full of them
+for the chance of getting some brains
+
+76
+00:01:55,330 --> 00:01:55,340
+for the chance of getting some brains
+ 
+
+77
+00:01:55,340 --> 00:01:59,780
+for the chance of getting some brains
+look I won't be any trouble because they
+
+78
+00:01:59,780 --> 00:01:59,790
+look I won't be any trouble because they
+ 
+
+79
+00:01:59,790 --> 00:02:01,609
+look I won't be any trouble because they
+don't eat a thing and I won't try to
+
+80
+00:02:01,609 --> 00:02:01,619
+don't eat a thing and I won't try to
+ 
+
+81
+00:02:01,619 --> 00:02:04,240
+don't eat a thing and I won't try to
+manage things because I can't think
+
+82
+00:02:04,240 --> 00:02:04,250
+manage things because I can't think
+ 
+
+83
+00:02:04,250 --> 00:02:07,760
+manage things because I can't think
+won't you take me with you why of course
+
+84
+00:02:07,760 --> 00:02:07,770
+won't you take me with you why of course
+ 
+
+85
+00:02:07,770 --> 00:02:09,169
+won't you take me with you why of course
+I will
+
+86
+00:02:09,169 --> 00:02:09,179
+I will
+ 
+
+87
+00:02:09,179 --> 00:02:12,430
+I will
+all right
+
+88
+00:02:12,430 --> 00:02:12,440
+
+ 
+
+89
+00:02:12,440 --> 00:02:43,509
+
+[Music]
+

1939/qFOp7gSiC0I.description

@@ -0,0 +1,38 @@
+Ninotchka movie clips: http://j.mp/17HLmQu
+BUY THE MOVIE: http://j.mp/17HLmQo
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Leon (Melvyn Douglas) is fascinated by Ninotchka and her unconventional ideals.
+
+FILM DESCRIPTION:
+"Garbo Laughs!" declared the ads for Ninotchka. In the face of dwindling foreign revenues, MGM decided to put Greta Garbo, a bigger draw in Europe than the US, in a box-office-savvy comedy, engaging the services of master farceur Ernst Lubitsch to direct. The film opens in Paris during the aftermath of the Russian revolution. A trio of Russian delegates (Sig Rumann, Felix Bressart, and Alexander Granach) are sent to Paris to sell the Imperial Jewels for ready cash. Grand Duchess Swana (Ina Claire), who once owned the jewels, sends her boyfriend Count Leon (Melvyn Douglas) to retrieve the diamonds, and he turns the trio into full-fledged capitalists, wining and dining them all through Paris. Moscow then dispatches the humorless, doggedly loyal Comrade Ninotchka (Garbo) to retrieve both the prodigal Soviets and the gems. When Leon turns his charm on Ninotchka, she regards him coldly, informing him that love is merely a "chemical reaction." Even his kisses fail to weaken her resolve. Leon finally wins her over by taking an accidental fall in a restaurant, whereupon Ninotchka laughs for the first time in her life. She goes on a shopping spree and gets drunk, while Leon begins falling in love with her in earnest. As a bonus to the frothy script, by Billy Wilder and others, and its surefire star power, Ninotchka features what is perhaps Bela Lugosi's most likeable and relaxed performance.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Richard Carle, Melvyn Douglas, Greta Garbo
+Director: Ernst Lubitsch
+Producers: Ernst Lubitsch, Sidney Franklin
+Screenwriters: Charles Brackett, Melchior Lengyel, Walter Reisch, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/qFOp7gSiC0I.en.srt

@@ -0,0 +1,635 @@
+1
+00:00:00,000 --> 00:00:01,880
+
+is this what you call the butler yes
+
+2
+00:00:01,880 --> 00:00:01,890
+is this what you call the butler yes
+ 
+
+3
+00:00:01,890 --> 00:00:05,269
+is this what you call the butler yes
+good evening comrade this man is very
+
+4
+00:00:05,269 --> 00:00:05,279
+good evening comrade this man is very
+ 
+
+5
+00:00:05,279 --> 00:00:08,059
+good evening comrade this man is very
+old you shouldn't make him work he takes
+
+6
+00:00:08,059 --> 00:00:08,069
+old you shouldn't make him work he takes
+ 
+
+7
+00:00:08,069 --> 00:00:10,310
+old you shouldn't make him work he takes
+good care of that he looks sad do you
+
+8
+00:00:10,310 --> 00:00:10,320
+good care of that he looks sad do you
+ 
+
+9
+00:00:10,320 --> 00:00:12,259
+good care of that he looks sad do you
+whip him nope it to me I thought makes
+
+10
+00:00:12,259 --> 00:00:12,269
+whip him nope it to me I thought makes
+ 
+
+11
+00:00:12,269 --> 00:00:12,890
+whip him nope it to me I thought makes
+my mouth water
+
+12
+00:00:12,890 --> 00:00:12,900
+my mouth water
+ 
+
+13
+00:00:12,900 --> 00:00:14,990
+my mouth water
+but they will come when you'll be free
+
+14
+00:00:14,990 --> 00:00:15,000
+but they will come when you'll be free
+ 
+
+15
+00:00:15,000 --> 00:00:17,840
+but they will come when you'll be free
+you go to bed little father we want to
+
+16
+00:00:17,840 --> 00:00:17,850
+you go to bed little father we want to
+ 
+
+17
+00:00:17,850 --> 00:00:21,370
+you go to bed little father we want to
+be alone please
+
+18
+00:00:21,370 --> 00:00:21,380
+
+ 
+
+19
+00:00:21,380 --> 00:00:23,900
+
+come down go through several telephone
+
+20
+00:00:23,900 --> 00:00:23,910
+come down go through several telephone
+ 
+
+21
+00:00:23,910 --> 00:00:42,410
+come down go through several telephone
+calls on the bed little father
+
+22
+00:00:42,410 --> 00:00:42,420
+
+ 
+
+23
+00:00:42,420 --> 00:00:44,759
+
+now we are after your drink
+
+24
+00:00:44,759 --> 00:00:44,769
+now we are after your drink
+ 
+
+25
+00:00:44,769 --> 00:00:46,889
+now we are after your drink
+thank you I'm not thirsty perhaps
+
+26
+00:00:46,889 --> 00:00:46,899
+thank you I'm not thirsty perhaps
+ 
+
+27
+00:00:46,899 --> 00:00:48,270
+thank you I'm not thirsty perhaps
+something do we I've had all the
+
+28
+00:00:48,270 --> 00:00:48,280
+something do we I've had all the
+ 
+
+29
+00:00:48,280 --> 00:00:50,819
+something do we I've had all the
+calories necessary for today the
+
+30
+00:00:50,819 --> 00:00:50,829
+calories necessary for today the
+ 
+
+31
+00:00:50,829 --> 00:00:55,410
+calories necessary for today the
+calories what do we do now shall we have
+
+32
+00:00:55,410 --> 00:00:55,420
+calories what do we do now shall we have
+ 
+
+33
+00:00:55,420 --> 00:00:59,160
+calories what do we do now shall we have
+some music is that customary hmm it
+
+34
+00:00:59,160 --> 00:00:59,170
+some music is that customary hmm it
+ 
+
+35
+00:00:59,170 --> 00:01:02,160
+some music is that customary hmm it
+helps it has ever since King David would
+
+36
+00:01:02,160 --> 00:01:02,170
+helps it has ever since King David would
+ 
+
+37
+00:01:02,170 --> 00:01:04,469
+helps it has ever since King David would
+bet Shiva with his heart not being so
+
+38
+00:01:04,469 --> 00:01:04,479
+bet Shiva with his heart not being so
+ 
+
+39
+00:01:04,479 --> 00:01:06,149
+bet Shiva with his heart not being so
+fortunate to have my Hobbit hand off
+
+40
+00:01:06,149 --> 00:01:06,159
+fortunate to have my Hobbit hand off
+ 
+
+41
+00:01:06,159 --> 00:01:17,230
+fortunate to have my Hobbit hand off
+turn on the radio
+
+42
+00:01:17,230 --> 00:01:17,240
+
+ 
+
+43
+00:01:17,240 --> 00:01:19,580
+
+if there's anything you'd like to study
+
+44
+00:01:19,580 --> 00:01:19,590
+if there's anything you'd like to study
+ 
+
+45
+00:01:19,590 --> 00:01:21,139
+if there's anything you'd like to study
+please go ahead are nothing to conceal
+
+46
+00:01:21,139 --> 00:01:21,149
+please go ahead are nothing to conceal
+ 
+
+47
+00:01:21,149 --> 00:01:23,690
+please go ahead are nothing to conceal
+this is my desk these are my books and
+
+48
+00:01:23,690 --> 00:01:23,700
+this is my desk these are my books and
+ 
+
+49
+00:01:23,700 --> 00:01:24,800
+this is my desk these are my books and
+here am I
+
+50
+00:01:24,800 --> 00:01:24,810
+here am I
+ 
+
+51
+00:01:24,810 --> 00:01:27,410
+here am I
+where shall we begin I would start with
+
+52
+00:01:27,410 --> 00:01:27,420
+where shall we begin I would start with
+ 
+
+53
+00:01:27,420 --> 00:01:30,800
+where shall we begin I would start with
+you excellent now let's see 35 years old
+
+54
+00:01:30,800 --> 00:01:30,810
+you excellent now let's see 35 years old
+ 
+
+55
+00:01:30,810 --> 00:01:33,649
+you excellent now let's see 35 years old
+just over 6 feet tall and weigh 182
+
+56
+00:01:33,649 --> 00:01:33,659
+just over 6 feet tall and weigh 182
+ 
+
+57
+00:01:33,659 --> 00:01:36,730
+just over 6 feet tall and weigh 182
+pounds Tripp what is your profession
+
+58
+00:01:36,730 --> 00:01:36,740
+pounds Tripp what is your profession
+ 
+
+59
+00:01:36,740 --> 00:01:40,850
+pounds Tripp what is your profession
+profession keeping my body fit keeping
+
+60
+00:01:40,850 --> 00:01:40,860
+profession keeping my body fit keeping
+ 
+
+61
+00:01:40,860 --> 00:01:42,919
+profession keeping my body fit keeping
+my mind alert and keeping the landlord a
+
+62
+00:01:42,919 --> 00:01:42,929
+my mind alert and keeping the landlord a
+ 
+
+63
+00:01:42,929 --> 00:01:44,660
+my mind alert and keeping the landlord a
+piece that's a full-time job and what
+
+64
+00:01:44,660 --> 00:01:44,670
+piece that's a full-time job and what
+ 
+
+65
+00:01:44,670 --> 00:01:49,370
+piece that's a full-time job and what
+you do for mankind for mankind yes
+
+66
+00:01:49,370 --> 00:01:49,380
+you do for mankind for mankind yes
+ 
+
+67
+00:01:49,380 --> 00:01:53,389
+you do for mankind for mankind yes
+not so much for mankind before womankind
+
+68
+00:01:53,389 --> 00:01:53,399
+not so much for mankind before womankind
+ 
+
+69
+00:01:53,399 --> 00:01:56,359
+not so much for mankind before womankind
+my record isn't quite so bleak you are
+
+70
+00:01:56,359 --> 00:01:56,369
+my record isn't quite so bleak you are
+ 
+
+71
+00:01:56,369 --> 00:01:59,029
+my record isn't quite so bleak you are
+something we do not have in Russia thank
+
+72
+00:01:59,029 --> 00:01:59,039
+something we do not have in Russia thank
+ 
+
+73
+00:01:59,039 --> 00:01:59,419
+something we do not have in Russia thank
+you
+
+74
+00:01:59,419 --> 00:01:59,429
+you
+ 
+
+75
+00:01:59,429 --> 00:02:01,699
+you
+that's why I believe in the future of my
+
+76
+00:02:01,699 --> 00:02:01,709
+that's why I believe in the future of my
+ 
+
+77
+00:02:01,709 --> 00:02:07,490
+that's why I believe in the future of my
+country here
+
+78
+00:02:07,490 --> 00:02:07,500
+
+ 
+
+79
+00:02:07,500 --> 00:02:09,540
+
+I'm beginning to believe in it myself
+
+80
+00:02:09,540 --> 00:02:09,550
+I'm beginning to believe in it myself
+ 
+
+81
+00:02:09,550 --> 00:02:13,470
+I'm beginning to believe in it myself
+since I met you I still don't quite know
+
+82
+00:02:13,470 --> 00:02:13,480
+since I met you I still don't quite know
+ 
+
+83
+00:02:13,480 --> 00:02:14,870
+since I met you I still don't quite know
+what it's all about
+
+84
+00:02:14,870 --> 00:02:14,880
+what it's all about
+ 
+
+85
+00:02:14,880 --> 00:02:20,130
+what it's all about
+confuses me frightens me it fascinates
+
+86
+00:02:20,130 --> 00:02:20,140
+confuses me frightens me it fascinates
+ 
+
+87
+00:02:20,140 --> 00:02:25,560
+confuses me frightens me it fascinates
+me not true you like me just a little
+
+88
+00:02:25,560 --> 00:02:25,570
+me not true you like me just a little
+ 
+
+89
+00:02:25,570 --> 00:02:29,010
+me not true you like me just a little
+bit your general appearance is not
+
+90
+00:02:29,010 --> 00:02:29,020
+bit your general appearance is not
+ 
+
+91
+00:02:29,020 --> 00:02:33,840
+bit your general appearance is not
+distasteful thank you the whites of your
+
+92
+00:02:33,840 --> 00:02:33,850
+distasteful thank you the whites of your
+ 
+
+93
+00:02:33,850 --> 00:02:40,190
+distasteful thank you the whites of your
+eyes are clear your cornea is excellent
+
+94
+00:02:40,190 --> 00:02:40,200
+
+ 
+
+95
+00:02:40,200 --> 00:02:44,940
+
+your cornea is terrific you know to tell
+
+96
+00:02:44,940 --> 00:02:44,950
+your cornea is terrific you know to tell
+ 
+
+97
+00:02:44,950 --> 00:02:48,630
+your cornea is terrific you know to tell
+me you're so expert on things can it be
+
+98
+00:02:48,630 --> 00:02:48,640
+me you're so expert on things can it be
+ 
+
+99
+00:02:48,640 --> 00:02:50,460
+me you're so expert on things can it be
+that I'm falling in love with you why
+
+100
+00:02:50,460 --> 00:02:50,470
+that I'm falling in love with you why
+ 
+
+101
+00:02:50,470 --> 00:02:53,400
+that I'm falling in love with you why
+must you bring in wrong values love is a
+
+102
+00:02:53,400 --> 00:02:53,410
+must you bring in wrong values love is a
+ 
+
+103
+00:02:53,410 --> 00:02:55,610
+must you bring in wrong values love is a
+romantic designation for a most ordinary
+
+104
+00:02:55,610 --> 00:02:55,620
+romantic designation for a most ordinary
+ 
+
+105
+00:02:55,620 --> 00:02:57,870
+romantic designation for a most ordinary
+biological or shall we say chemical
+
+106
+00:02:57,870 --> 00:02:57,880
+biological or shall we say chemical
+ 
+
+107
+00:02:57,880 --> 00:03:00,180
+biological or shall we say chemical
+process a lot of nonsense is talked and
+
+108
+00:03:00,180 --> 00:03:00,190
+process a lot of nonsense is talked and
+ 
+
+109
+00:03:00,190 --> 00:03:03,660
+process a lot of nonsense is talked and
+written about it oh I see what you use
+
+110
+00:03:03,660 --> 00:03:03,670
+written about it oh I see what you use
+ 
+
+111
+00:03:03,670 --> 00:03:06,360
+written about it oh I see what you use
+instead I acknowledge the existence of a
+
+112
+00:03:06,360 --> 00:03:06,370
+instead I acknowledge the existence of a
+ 
+
+113
+00:03:06,370 --> 00:03:10,500
+instead I acknowledge the existence of a
+natural impulse common to all what can I
+
+114
+00:03:10,500 --> 00:03:10,510
+natural impulse common to all what can I
+ 
+
+115
+00:03:10,510 --> 00:03:12,330
+natural impulse common to all what can I
+possibly do to encourage such an impulse
+
+116
+00:03:12,330 --> 00:03:12,340
+possibly do to encourage such an impulse
+ 
+
+117
+00:03:12,340 --> 00:03:14,810
+possibly do to encourage such an impulse
+in you you don't have to do a thing
+
+118
+00:03:14,810 --> 00:03:14,820
+in you you don't have to do a thing
+ 
+
+119
+00:03:14,820 --> 00:03:16,860
+in you you don't have to do a thing
+chemically we're already quite
+
+120
+00:03:16,860 --> 00:03:16,870
+chemically we're already quite
+ 
+
+121
+00:03:16,870 --> 00:03:20,250
+chemically we're already quite
+sympathetic you're the most incredible
+
+122
+00:03:20,250 --> 00:03:20,260
+sympathetic you're the most incredible
+ 
+
+123
+00:03:20,260 --> 00:03:22,800
+sympathetic you're the most incredible
+creature I've ever met in our children
+
+124
+00:03:22,800 --> 00:03:22,810
+creature I've ever met in our children
+ 
+
+125
+00:03:22,810 --> 00:03:38,140
+creature I've ever met in our children
+name Oscar you'll repeat yourself
+
+126
+00:03:38,140 --> 00:03:38,150
+
+ 
+
+127
+00:03:38,150 --> 00:03:40,209
+
+you
+

1939/z2itQkiQUOE.description

@@ -0,0 +1,38 @@
+The Wizard of Oz movie clips: http://j.mp/1L5gtKP
+BUY THE MOVIE: http://bit.ly/2cmiEyC
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+As they make their way down the yellow brick road, the group finds The Cowardly Lion (Bert Lahr) and he joins their journey to see The Wizard.
+
+FILM DESCRIPTION:
+Not to be confused with the cinematic classic starring Judy Garland that would follow six years later, this animated short film is one of countless other celluloid adaptations of L. Frank Baum's best-loved story, The Wizard of Oz. Directed by Ted Eshbaugh, the Canadian film features no dialogue and tells the story of Dorothy, Toto, Scarecrow, and Tin Man's adventures in Oz with a mix of black & white and color animation.
+
+CREDITS:
+TM & © Warner Bros. (1939)
+Cast: Ray Bolger, Jack Haley, Bert Lahr, Judy Garland, Terry
+Directors: George Cukor, Victor Fleming, Mervyn LeRoy, Norman Taurog, King Vidor
+Producers: Mervyn LeRoy, Arthur Freed
+Screenwriters: Noel Langley, Florence Ryerson, Edgar Allan Woolf, L. Frank Baum, Irving Brecher, William H. Cannon, Herbert Fields, Arthur Freed, Jack Haley, E.Y. Harburg, Samuel Hoffenstein, Bert Lahr, John Lee Mahin, Herman J. Mankiewicz, Jack Mintz, Ogden Nash, Robert Pirosh, George Seaton, Sid Silvers
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/z2itQkiQUOE.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:03,080 --> 00:00:22,790
+
+oh come on yes get up and teach him a
+
+2
+00:00:22,790 --> 00:00:22,800
+oh come on yes get up and teach him a
+ 
+
+3
+00:00:22,800 --> 00:01:08,600
+oh come on yes get up and teach him a
+lesson when you go around picking on
+
+4
+00:01:08,600 --> 00:01:08,610
+lesson when you go around picking on
+ 
+
+5
+00:01:08,610 --> 00:01:11,510
+lesson when you go around picking on
+things weaker than you are why you're
+
+6
+00:01:11,510 --> 00:01:11,520
+things weaker than you are why you're
+ 
+
+7
+00:01:11,520 --> 00:01:13,130
+things weaker than you are why you're
+nothing but a great big coward
+
+8
+00:01:13,130 --> 00:01:13,140
+nothing but a great big coward
+ 
+
+9
+00:01:13,140 --> 00:01:19,760
+nothing but a great big coward
+I haven't any courage at all I even
+
+10
+00:01:19,760 --> 00:01:19,770
+I haven't any courage at all I even
+ 
+
+11
+00:01:19,770 --> 00:01:24,230
+I haven't any courage at all I even
+scare myself look at the cycles under my
+
+12
+00:01:24,230 --> 00:01:24,240
+scare myself look at the cycles under my
+ 
+
+13
+00:01:24,240 --> 00:01:27,530
+scare myself look at the cycles under my
+eyes I haven't slept at wigs why don't
+
+14
+00:01:27,530 --> 00:01:27,540
+eyes I haven't slept at wigs why don't
+ 
+
+15
+00:01:27,540 --> 00:01:30,020
+eyes I haven't slept at wigs why don't
+you try counting sheep that doesn't do
+
+16
+00:01:30,020 --> 00:01:30,030
+you try counting sheep that doesn't do
+ 
+
+17
+00:01:30,030 --> 00:01:33,310
+you try counting sheep that doesn't do
+any good I'm afraid of a mother oh
+
+18
+00:01:33,310 --> 00:01:33,320
+any good I'm afraid of a mother oh
+ 
+
+19
+00:01:33,320 --> 00:01:35,679
+any good I'm afraid of a mother oh
+that's too bad
+
+20
+00:01:35,679 --> 00:01:35,689
+that's too bad
+ 
+
+21
+00:01:35,689 --> 00:01:37,910
+that's too bad
+don't you think the wizard could help
+
+22
+00:01:37,910 --> 00:01:37,920
+don't you think the wizard could help
+ 
+
+23
+00:01:37,920 --> 00:01:41,690
+don't you think the wizard could help
+him too I don't see why not why don't
+
+24
+00:01:41,690 --> 00:01:41,700
+him too I don't see why not why don't
+ 
+
+25
+00:01:41,700 --> 00:01:42,830
+him too I don't see why not why don't
+you come along with us
+
+26
+00:01:42,830 --> 00:01:42,840
+you come along with us
+ 
+
+27
+00:01:42,840 --> 00:01:44,389
+you come along with us
+we're on our way to see the wizard now
+
+28
+00:01:44,389 --> 00:01:44,399
+we're on our way to see the wizard now
+ 
+
+29
+00:01:44,399 --> 00:01:47,179
+we're on our way to see the wizard now
+to get him a heart and him a brain I'm
+
+30
+00:01:47,179 --> 00:01:47,189
+to get him a heart and him a brain I'm
+ 
+
+31
+00:01:47,189 --> 00:01:49,190
+to get him a heart and him a brain I'm
+sure he could give you some courage well
+
+32
+00:01:49,190 --> 00:01:49,200
+sure he could give you some courage well
+ 
+
+33
+00:01:49,200 --> 00:01:51,830
+sure he could give you some courage well
+wouldn't you feel degraded to be seen in
+
+34
+00:01:51,830 --> 00:01:51,840
+wouldn't you feel degraded to be seen in
+ 
+
+35
+00:01:51,840 --> 00:01:54,080
+wouldn't you feel degraded to be seen in
+the company of a Cowardly Lion
+
+36
+00:01:54,080 --> 00:01:54,090
+the company of a Cowardly Lion
+ 
+
+37
+00:01:54,090 --> 00:02:04,580
+the company of a Cowardly Lion
+I would nice of you my life has been
+
+38
+00:02:04,580 --> 00:02:04,590
+I would nice of you my life has been
+ 
+
+39
+00:02:04,590 --> 00:02:09,960
+I would nice of you my life has been
+simply unbearable it's all right now
+
+40
+00:02:09,960 --> 00:02:09,970
+simply unbearable it's all right now
+ 
+
+41
+00:02:09,970 --> 00:02:11,430
+simply unbearable it's all right now
+fix everything
+
+42
+00:02:11,430 --> 00:02:11,440
+fix everything
+ 
+
+43
+00:02:11,440 --> 00:02:42,509
+fix everything
+[Music]
+

1939/zPv0S1-ETdI.description

@@ -0,0 +1,38 @@
+Mr. Smith Goes to Washington movie clips: http://j.mp/1JaLRWs
+BUY THE MOVIE: http://amzn.to/u7g6YE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Senator Jefferson Smith (James Stewart) finally attacks the political corruption on the Senate floor.
+
+FILM DESCRIPTION:
+Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said."
+
+CREDITS:
+TM & © Sony (1939)
+Cast: Harry Carey, Claude Rains, James Stewart
+Director: Frank Capra
+Producer: Frank Capra
+Screenwriters: Sidney Buchman, Lewis R. Foster, Myles Connolly
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1939/zPv0S1-ETdI.en.srt

@@ -0,0 +1,615 @@
+1
+00:00:00,080 --> 00:00:02,110
+
+Mr person I wish to ask my distinguished
+
+2
+00:00:02,110 --> 00:00:02,120
+Mr person I wish to ask my distinguished
+ 
+
+3
+00:00:02,120 --> 00:00:04,190
+Mr person I wish to ask my distinguished
+colleague has he once crep of evidence
+
+4
+00:00:04,190 --> 00:00:04,200
+colleague has he once crep of evidence
+ 
+
+5
+00:00:04,200 --> 00:00:06,110
+colleague has he once crep of evidence
+to add now to the defense he did not
+
+6
+00:00:06,110 --> 00:00:06,120
+to add now to the defense he did not
+ 
+
+7
+00:00:06,120 --> 00:00:07,349
+to add now to the defense he did not
+give and could not give her that same
+
+8
+00:00:07,349 --> 00:00:07,359
+give and could not give her that same
+ 
+
+9
+00:00:07,359 --> 00:00:09,150
+give and could not give her that same
+hearing I have no defense against forged
+
+10
+00:00:09,150 --> 00:00:09,160
+hearing I have no defense against forged
+ 
+
+11
+00:00:09,160 --> 00:00:11,390
+hearing I have no defense against forged
+papers committee ruled otherwise the
+
+12
+00:00:11,390 --> 00:00:11,400
+papers committee ruled otherwise the
+ 
+
+13
+00:00:11,400 --> 00:00:14,990
+papers committee ruled otherwise the
+gentleman stands guilty as charged and I
+
+14
+00:00:14,990 --> 00:00:15,000
+gentleman stands guilty as charged and I
+ 
+
+15
+00:00:15,000 --> 00:00:16,990
+gentleman stands guilty as charged and I
+believe I speak for every member when I
+
+16
+00:00:16,990 --> 00:00:17,000
+believe I speak for every member when I
+ 
+
+17
+00:00:17,000 --> 00:00:18,830
+believe I speak for every member when I
+say that no one cares to hear what a man
+
+18
+00:00:18,830 --> 00:00:18,840
+say that no one cares to hear what a man
+ 
+
+19
+00:00:18,840 --> 00:00:20,750
+say that no one cares to hear what a man
+of his condemned character has to say
+
+20
+00:00:20,750 --> 00:00:20,760
+of his condemned character has to say
+ 
+
+21
+00:00:20,760 --> 00:00:22,349
+of his condemned character has to say
+about any section of any legislation
+
+22
+00:00:22,349 --> 00:00:22,359
+about any section of any legislation
+ 
+
+23
+00:00:22,359 --> 00:00:25,589
+about any section of any legislation
+before this house right order order gent
+
+24
+00:00:25,589 --> 00:00:25,599
+before this house right order order gent
+ 
+
+25
+00:00:25,599 --> 00:00:28,509
+before this house right order order gent
+Mr President I stand Gilly as framed
+
+26
+00:00:28,509 --> 00:00:28,519
+Mr President I stand Gilly as framed
+ 
+
+27
+00:00:28,519 --> 00:00:30,470
+Mr President I stand Gilly as framed
+because section 40 is GRA
+
+28
+00:00:30,470 --> 00:00:30,480
+because section 40 is GRA
+ 
+
+29
+00:00:30,480 --> 00:00:32,389
+because section 40 is GRA
+and I was ready to say so I was ready to
+
+30
+00:00:32,389 --> 00:00:32,399
+and I was ready to say so I was ready to
+ 
+
+31
+00:00:32,399 --> 00:00:34,470
+and I was ready to say so I was ready to
+tell you that a certain man in my state
+
+32
+00:00:34,470 --> 00:00:34,480
+tell you that a certain man in my state
+ 
+
+33
+00:00:34,480 --> 00:00:36,670
+tell you that a certain man in my state
+a Mr James Taylor wanted to put through
+
+34
+00:00:36,670 --> 00:00:36,680
+a Mr James Taylor wanted to put through
+ 
+
+35
+00:00:36,680 --> 00:00:38,869
+a Mr James Taylor wanted to put through
+this damn for his own profit a man who
+
+36
+00:00:38,869 --> 00:00:38,879
+this damn for his own profit a man who
+ 
+
+37
+00:00:38,879 --> 00:00:41,670
+this damn for his own profit a man who
+controls a political machine and
+
+38
+00:00:41,670 --> 00:00:41,680
+controls a political machine and
+ 
+
+39
+00:00:41,680 --> 00:00:42,950
+controls a political machine and
+controls everything else worth
+
+40
+00:00:42,950 --> 00:00:42,960
+controls everything else worth
+ 
+
+41
+00:00:42,960 --> 00:00:44,750
+controls everything else worth
+controlling in my state yes and a man
+
+42
+00:00:44,750 --> 00:00:44,760
+controlling in my state yes and a man
+ 
+
+43
+00:00:44,760 --> 00:00:46,229
+controlling in my state yes and a man
+even powerful enough to control
+
+44
+00:00:46,229 --> 00:00:46,239
+even powerful enough to control
+ 
+
+45
+00:00:46,239 --> 00:00:48,110
+even powerful enough to control
+congressman and I saw three of them in
+
+46
+00:00:48,110 --> 00:00:48,120
+congressman and I saw three of them in
+ 
+
+47
+00:00:48,120 --> 00:00:49,709
+congressman and I saw three of them in
+his room the day I went up to see him
+
+48
+00:00:49,709 --> 00:00:49,719
+his room the day I went up to see him
+ 
+
+49
+00:00:49,719 --> 00:00:54,910
+his room the day I went up to see him
+the Senor Yi no sir I will not
+
+50
+00:00:54,910 --> 00:00:54,920
+
+ 
+
+51
+00:00:54,920 --> 00:00:57,670
+
+yield and this same man Mr James Taylor
+
+52
+00:00:57,670 --> 00:00:57,680
+yield and this same man Mr James Taylor
+ 
+
+53
+00:00:57,680 --> 00:00:59,229
+yield and this same man Mr James Taylor
+came down here and offered me a seat in
+
+54
+00:00:59,229 --> 00:00:59,239
+came down here and offered me a seat in
+ 
+
+55
+00:00:59,239 --> 00:01:01,630
+came down here and offered me a seat in
+this senate for the 20 years if I voted
+
+56
+00:01:01,630 --> 00:01:01,640
+this senate for the 20 years if I voted
+ 
+
+57
+00:01:01,640 --> 00:01:04,310
+this senate for the 20 years if I voted
+for a dam that he knew and I knew was a
+
+58
+00:01:04,310 --> 00:01:04,320
+for a dam that he knew and I knew was a
+ 
+
+59
+00:01:04,320 --> 00:01:06,510
+for a dam that he knew and I knew was a
+fraud but if I Dar to open my mouth
+
+60
+00:01:06,510 --> 00:01:06,520
+fraud but if I Dar to open my mouth
+ 
+
+61
+00:01:06,520 --> 00:01:08,749
+fraud but if I Dar to open my mouth
+against that Dam he promised to break me
+
+62
+00:01:08,749 --> 00:01:08,759
+against that Dam he promised to break me
+ 
+
+63
+00:01:08,759 --> 00:01:10,789
+against that Dam he promised to break me
+into two all right I got up here and I
+
+64
+00:01:10,789 --> 00:01:10,799
+into two all right I got up here and I
+ 
+
+65
+00:01:10,799 --> 00:01:12,830
+into two all right I got up here and I
+started to open my mouth and the long
+
+66
+00:01:12,830 --> 00:01:12,840
+started to open my mouth and the long
+ 
+
+67
+00:01:12,840 --> 00:01:14,910
+started to open my mouth and the long
+and Powerful arm of Mr James Taylor
+
+68
+00:01:14,910 --> 00:01:14,920
+and Powerful arm of Mr James Taylor
+ 
+
+69
+00:01:14,920 --> 00:01:17,070
+and Powerful arm of Mr James Taylor
+reached into this sacred chamber and
+
+70
+00:01:17,070 --> 00:01:17,080
+reached into this sacred chamber and
+ 
+
+71
+00:01:17,080 --> 00:01:18,710
+reached into this sacred chamber and
+grabbed me by the scrap of the neck
+
+72
+00:01:18,710 --> 00:01:18,720
+grabbed me by the scrap of the neck
+ 
+
+73
+00:01:18,720 --> 00:01:21,310
+grabbed me by the scrap of the neck
+president a point of order Mr President
+
+74
+00:01:21,310 --> 00:01:21,320
+president a point of order Mr President
+ 
+
+75
+00:01:21,320 --> 00:01:23,630
+president a point of order Mr President
+Senator pay will state it it was I Who
+
+76
+00:01:23,630 --> 00:01:23,640
+Senator pay will state it it was I Who
+ 
+
+77
+00:01:23,640 --> 00:01:25,670
+Senator pay will state it it was I Who
+Rose in this chamber to accuse him he's
+
+78
+00:01:25,670 --> 00:01:25,680
+Rose in this chamber to accuse him he's
+ 
+
+79
+00:01:25,680 --> 00:01:27,030
+Rose in this chamber to accuse him he's
+saying that I was carrying out criminal
+
+80
+00:01:27,030 --> 00:01:27,040
+saying that I was carrying out criminal
+ 
+
+81
+00:01:27,040 --> 00:01:28,870
+saying that I was carrying out criminal
+orders on falsified evidence no Mr
+
+82
+00:01:28,870 --> 00:01:28,880
+orders on falsified evidence no Mr
+ 
+
+83
+00:01:28,880 --> 00:01:30,310
+orders on falsified evidence no Mr
+President he has imputed to me conduct
+
+84
+00:01:30,310 --> 00:01:30,320
+President he has imputed to me conduct
+ 
+
+85
+00:01:30,320 --> 00:01:32,190
+President he has imputed to me conduct
+unworthy as Senator and I demand that he
+
+86
+00:01:32,190 --> 00:01:32,200
+unworthy as Senator and I demand that he
+ 
+
+87
+00:01:32,200 --> 00:01:33,990
+unworthy as Senator and I demand that he
+be made to yield the flaw Mr President I
+
+88
+00:01:33,990 --> 00:01:34,000
+be made to yield the flaw Mr President I
+ 
+
+89
+00:01:34,000 --> 00:01:35,510
+be made to yield the flaw Mr President I
+did not say that Senator PL was one of
+
+90
+00:01:35,510 --> 00:01:35,520
+did not say that Senator PL was one of
+ 
+
+91
+00:01:35,520 --> 00:01:37,069
+did not say that Senator PL was one of
+the congressmen in that room I was in
+
+92
+00:01:37,069 --> 00:01:37,079
+the congressmen in that room I was in
+ 
+
+93
+00:01:37,079 --> 00:01:39,350
+the congressmen in that room I was in
+that
+
+94
+00:01:39,350 --> 00:01:39,360
+
+ 
+
+95
+00:01:39,360 --> 00:01:41,710
+
+room
+
+96
+00:01:41,710 --> 00:01:41,720
+room
+ 
+
+97
+00:01:41,720 --> 00:01:45,270
+room
+gentl gentlemen I accuse this man by his
+
+98
+00:01:45,270 --> 00:01:45,280
+gentl gentlemen I accuse this man by his
+ 
+
+99
+00:01:45,280 --> 00:01:47,830
+gentl gentlemen I accuse this man by his
+tone by his careful denials he is
+
+100
+00:01:47,830 --> 00:01:47,840
+tone by his careful denials he is
+ 
+
+101
+00:01:47,840 --> 00:01:49,389
+tone by his careful denials he is
+deliberately trying to plan damaging
+
+102
+00:01:49,389 --> 00:01:49,399
+deliberately trying to plan damaging
+ 
+
+103
+00:01:49,399 --> 00:01:51,709
+deliberately trying to plan damaging
+impressions of my conduct I'll tell you
+
+104
+00:01:51,709 --> 00:01:51,719
+impressions of my conduct I'll tell you
+ 
+
+105
+00:01:51,719 --> 00:01:53,749
+impressions of my conduct I'll tell you
+why we were in that room because Mr
+
+106
+00:01:53,749 --> 00:01:53,759
+why we were in that room because Mr
+ 
+
+107
+00:01:53,759 --> 00:01:56,510
+why we were in that room because Mr
+Taylor a respected citizen of our state
+
+108
+00:01:56,510 --> 00:01:56,520
+Taylor a respected citizen of our state
+ 
+
+109
+00:01:56,520 --> 00:01:57,870
+Taylor a respected citizen of our state
+had brought with him the evidence
+
+110
+00:01:57,870 --> 00:01:57,880
+had brought with him the evidence
+ 
+
+111
+00:01:57,880 --> 00:01:59,510
+had brought with him the evidence
+against this man and we were urging him
+
+112
+00:01:59,510 --> 00:01:59,520
+against this man and we were urging him
+ 
+
+113
+00:01:59,520 --> 00:02:02,670
+against this man and we were urging him
+to Res dine why you avoid bringing
+
+114
+00:02:02,670 --> 00:02:02,680
+to Res dine why you avoid bringing
+ 
+
+115
+00:02:02,680 --> 00:02:04,429
+to Res dine why you avoid bringing
+disgrace upon a clean and honorable
+
+116
+00:02:04,429 --> 00:02:04,439
+disgrace upon a clean and honorable
+ 
+
+117
+00:02:04,439 --> 00:02:07,029
+disgrace upon a clean and honorable
+state but he refused Mr President have I
+
+118
+00:02:07,029 --> 00:02:07,039
+state but he refused Mr President have I
+ 
+
+119
+00:02:07,039 --> 00:02:08,710
+state but he refused Mr President have I
+fin there was only one answer to a man
+
+120
+00:02:08,710 --> 00:02:08,720
+fin there was only one answer to a man
+ 
+
+121
+00:02:08,720 --> 00:02:11,949
+fin there was only one answer to a man
+like him the tooth which I Rose and gave
+
+122
+00:02:11,949 --> 00:02:11,959
+like him the tooth which I Rose and gave
+ 
+
+123
+00:02:11,959 --> 00:02:15,319
+like him the tooth which I Rose and gave
+to this body
+

1940/-Ot948zIr0s.description

@@ -0,0 +1,38 @@
+The Philadelphia Story movie clips: http://j.mp/1zgE8BD
+BUY THE MOVIE: http://j.mp/12OlLle
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dexter (Cary Grant) tells Mr. Connor (James Stewart) more than he wants to know about his ex-wife Tracy (Katharine Hepburn).
+
+FILM DESCRIPTION:
+We open on Philadelphia socialite C.K. Dexter Haven (Cary Grant) as he's being tossed out of his palatial home by his wife, Tracy Lord (Katharine Hepburn). Adding insult to injury, Tracy breaks one of C.K.'s precious golf clubs. He gallantly responds by knocking her down on her million-dollar keester. A couple of years after the breakup, Tracy is about to marry George Kittridge (John Howard), a wealthy stuffed shirt whose principal recommendation is that he's not a Philadelphia "mainliner," as C.K. was. Still holding a torch for Tracy, C.K. is galvanized into action when he learns that Sidney Kidd (Henry Daniell), the publisher of Spy Magazine, plans to publish an expos concerning Tracy's philandering father (John Halliday). To keep Kidd from spilling the beans, C.K. agrees to smuggle Spy reporter Macauley Connor (James Stewart) and photographer Elizabeth Imbrie (Ruth Hussey) into the exclusive Lord-Kittridge wedding ceremony. How could C.K. have foreseen that Connor would fall in love with Tracy, thereby nearly lousing up the nuptials? As it turns out, of course, it is C.K. himself who pulls the "louse-up," reclaiming Tracy as his bride. A consistently bright, bubbly, witty delight, The Philadelphia Story could just as well have been titled "The Revenge of Katharine Hepburn." Having been written off as "box-office poison" in 1938, Hepburn returned to Broadway in a vehicle tailor-made for her talents by playwright Philip Barry. That property, of course, was The Philadelphia Story; and when MGM bought the rights to this sure-fire box-office success, it had to take Hepburn along with the package -- and also her veto as to who her producer, director, and co-stars would be. Her strategy paid off: after the film's release, Hepburn was back on top of the Hollywood heap. While she didn't win the Oscar that many thought she richly deserved, the little gold statuette was bestowed upon her co-star Stewart, perhaps as compensation for his non-win for 1939's Mr. Smith Goes to Washington. Donald Ogden Stewart (no relation to Jimmy) also copped an Oscar for Best Adapted Screenplay. The Philadelphia Story was remade in 1956 with a Cole Porter musical score as High Society.
+
+CREDITS:
+TM & © Warner Bros. (1940)
+Cast: Cary Grant, James Stewart, Katharine Hepburn
+Director: George Cukor
+Producer: Joseph L. Mankiewicz
+Screenwriters: Waldo Salt, Donald Ogden Stewart, Philip Barry
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7