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“Before she left the house with you, the next day, for this?”
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Theign
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who declined to see _her_.”<|quote|>“Before she left the house with you, the next day, for this?”</|quote|>--he was entirely reminiscent. “What
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at Dedborough--when it was you who declined to see _her_.”<|quote|>“Before she left the house with you, the next day, for this?”</|quote|>--he was entirely reminiscent. “What I recall is that even
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of which trick you suggest that I should leave the country with no sign of her explaining--?” His hostess raised her head. “She does want to see you, I know; but you must recall the sequel to that bad hour at Dedborough--when it was you who declined to see _her_.”<|quote|>“Before she left the house with you, the next day, for this?”</|quote|>--he was entirely reminiscent. “What I recall is that even if I had condoned--that evening--her deception of _me_ in my folly, I still loathed, for my friend’s sake, her practical joke on poor John.” Lady Sandgate indulged in the shrug conciliatory. “It was your very complaint that your own appeal
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bear much,” he said with more and more of his parental bitterness, “but I don’t know that I’m yet in a funk before my child. Doesn’t she _want_ to see me, with any contrition, after the trick she has played me?” And then as his companion’s answer failed: “In spite of which trick you suggest that I should leave the country with no sign of her explaining--?” His hostess raised her head. “She does want to see you, I know; but you must recall the sequel to that bad hour at Dedborough--when it was you who declined to see _her_.”<|quote|>“Before she left the house with you, the next day, for this?”</|quote|>--he was entirely reminiscent. “What I recall is that even if I had condoned--that evening--her deception of _me_ in my folly, I still loathed, for my friend’s sake, her practical joke on poor John.” Lady Sandgate indulged in the shrug conciliatory. “It was your very complaint that your own appeal to her _became_ an appeal from herself.” “Yes,” he returned, so well he remembered, “she was about as civil to me then--picking a quarrel with me on such a trumped-up ground!--as that devil of a fellow in the newspaper; the taste of whose elegant remarks, for that matter, she must
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affection--and all that these years have been for us: _they_ it is that make me wish you weren’t so proud.” “I’ve a perfect sense, my dear, of what these years have been for us--a very charming matter. But ‘proud’ is it you find me of the daughter who does her best to ruin me, or of the one who does her best to humiliate?” Lady Sandgate, not undiscernibly, took her choice of ignoring the point of this. “Your surrenders to Kitty are your own affair--but are you sure you can really bear to see Grace?” “I seem expected indeed to bear much,” he said with more and more of his parental bitterness, “but I don’t know that I’m yet in a funk before my child. Doesn’t she _want_ to see me, with any contrition, after the trick she has played me?” And then as his companion’s answer failed: “In spite of which trick you suggest that I should leave the country with no sign of her explaining--?” His hostess raised her head. “She does want to see you, I know; but you must recall the sequel to that bad hour at Dedborough--when it was you who declined to see _her_.”<|quote|>“Before she left the house with you, the next day, for this?”</|quote|>--he was entirely reminiscent. “What I recall is that even if I had condoned--that evening--her deception of _me_ in my folly, I still loathed, for my friend’s sake, her practical joke on poor John.” Lady Sandgate indulged in the shrug conciliatory. “It was your very complaint that your own appeal to her _became_ an appeal from herself.” “Yes,” he returned, so well he remembered, “she was about as civil to me then--picking a quarrel with me on such a trumped-up ground!--as that devil of a fellow in the newspaper; the taste of whose elegant remarks, for that matter, she must now altogether enjoy!” His good friend showily balanced and might have been about to reply with weight; but what she in fact brought out was only: “I see you’re right about it: I must let her speak for herself.” “That I shall greatly prefer to her speaking--as she did so extraordinarily, out of the blue, at Dedborough, upon my honour--for the wonderful friends she picks up: the picture-man introduced by her (what was his name?) who regularly ‘cheeked’ me, as I suppose he’d call it, in my own house, and whom I hope, by the way, that under this roof
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that girl.” “I’ll send her to you,” she replied, “if you can’t stay to luncheon.” “I’ve three or four things to do,” he pleaded, “and I lunch with Kitty at one.” She submitted in that case--but disappointedly. “With Berkeley Square then you’ve time. But I confess I don’t quite grasp the so odd inspiration that you’ve set those men to carry out.” He showed surprise and regret, but even greater decision. “Then it needn’t trouble you, dear--it’s enough that I myself go straight.” “Are you so very convinced it’s straight?” --she wouldn’t be a bore to him, but she couldn’t not be a blessing. “What in the world else is it,” he asked, “when, having good reasons, one acts on ‘em?” “You must have an immense array,” she sighed, “to fly so in the face of Opinion!” “‘Opinion’?” he commented-- “I fly in its face? Why, the vulgar thing, as I’m taking my quiet walk, flies in mine! I give it a whack with my umbrella and send it about its business.” To which he added with more reproach: “It’s enough to have been dished by Grace--without _your_ falling away!” Sadly and sweetly she defended herself. “It’s only my great affection--and all that these years have been for us: _they_ it is that make me wish you weren’t so proud.” “I’ve a perfect sense, my dear, of what these years have been for us--a very charming matter. But ‘proud’ is it you find me of the daughter who does her best to ruin me, or of the one who does her best to humiliate?” Lady Sandgate, not undiscernibly, took her choice of ignoring the point of this. “Your surrenders to Kitty are your own affair--but are you sure you can really bear to see Grace?” “I seem expected indeed to bear much,” he said with more and more of his parental bitterness, “but I don’t know that I’m yet in a funk before my child. Doesn’t she _want_ to see me, with any contrition, after the trick she has played me?” And then as his companion’s answer failed: “In spite of which trick you suggest that I should leave the country with no sign of her explaining--?” His hostess raised her head. “She does want to see you, I know; but you must recall the sequel to that bad hour at Dedborough--when it was you who declined to see _her_.”<|quote|>“Before she left the house with you, the next day, for this?”</|quote|>--he was entirely reminiscent. “What I recall is that even if I had condoned--that evening--her deception of _me_ in my folly, I still loathed, for my friend’s sake, her practical joke on poor John.” Lady Sandgate indulged in the shrug conciliatory. “It was your very complaint that your own appeal to her _became_ an appeal from herself.” “Yes,” he returned, so well he remembered, “she was about as civil to me then--picking a quarrel with me on such a trumped-up ground!--as that devil of a fellow in the newspaper; the taste of whose elegant remarks, for that matter, she must now altogether enjoy!” His good friend showily balanced and might have been about to reply with weight; but what she in fact brought out was only: “I see you’re right about it: I must let her speak for herself.” “That I shall greatly prefer to her speaking--as she did so extraordinarily, out of the blue, at Dedborough, upon my honour--for the wonderful friends she picks up: the picture-man introduced by her (what was his name?) who regularly ‘cheeked’ me, as I suppose he’d call it, in my own house, and whom I hope, by the way, that under this roof she’s not able to be quite so thick with!” If Lady Sandgate winced at that vain dream she managed not to betray it, and she had, in any embarrassment on this matter, the support, as we know, of her own tried policy. “She leads her life under this roof very much as under yours; and she’s not of an age, remember, for me to pretend either to watch her movements or to control her contacts.” Leaving him however thus to perform his pleasure the charming woman had before she went an abrupt change of tone. “Whatever your relations with others, dear friend, don’t forget that _I’m_ still here.” Lord Theign accepted the reminder, though, the circumstances being such, it scarce moved him to ecstasy. “That you’re here, thank heaven, is of course a comfort--or would be if you understood.” “Ah,” she submissively sighed, “if I don’t always ‘understand’ a spirit so much higher than mine and a situation so much more complicated, certainly, I at least always defer, I at least always--well, what can I say but worship?” And then as he remained not other than finely passive, “The old altar, Theign,” she went on-- “and a spark of the
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Bender at once anticipated; the wind had suddenly risen for him and he let out sail. “Lady Sand-gate, it’s going, by all that’s--well, interesting, to _be_ one!” Lord Theign took him up with pleasure. “You seize me? We _treat_ it as one!” Lord John eagerly borrowed the emphasis. “We _treat_ it as one!” Mr. Bender meanwhile fed with an opened appetite on the thought--he even gave it back larger. “As the long-lost Number Eight!” Lord Theign happily seized _him_. “That will be it--to a charm!” “It will make them,” Mr. Bender asked, “madder than anything?” His patron--if not his client--put it more nobly. “It will markedly affirm my attitude.” “Which will in turn the more markedly create discussion.” “It may create all it will!” “Well, if _you_ don’t mind it, _I_ don’t!” Mr. Bender concluded. But though bathed in this high serenity he was all for the rapid application of it elsewhere. “You’ll put the thing on view right off?” “As soon as the proper arrangement----” “You put off your journey to _make_ it?” Lady Sand-gate at once broke in. Lord Theign bethought himself--with the effect of a gracious confidence in the others. “Not if these friends will act.” “Oh, I guess we’ll _act!_” Mr. Bender declared. “Ah, _won’t_ we though!” Lord John re-echoed. “You understand then I have an interest?” Mr. Bender went on to Lord Theign. His lordship’s irony met it. “I accept that complication--which so much simplifies!” “And yet also have a liberty?” “Where else would be those you’ve taken? The point is,” said Lord Theign, “that _I_ have a show.” It settled Mr. Bender. “Then I’ll _fix_ your show.” He snatched up his hat. “Lord John, come right round!” Lord John had of himself reached the door, which he opened to let the whirlwind tremendously figured by his friend pass out first. Taking leave of the others he gave it even his applause. “The fellow can do anything anywhere!” And he hastily followed. V Lady Sandgate, left alone with Lord Theign, drew the line at their companion’s enthusiasm. “That may be true of Mr. Bender--for it’s dreadful how he bears one down. But I simply find him a terror.” “Well,” said her friend, who seemed disposed not to fatigue the question, “I dare say a terror will help me.” He had other business to which he at once gave himself. “And now, if you please, for that girl.” “I’ll send her to you,” she replied, “if you can’t stay to luncheon.” “I’ve three or four things to do,” he pleaded, “and I lunch with Kitty at one.” She submitted in that case--but disappointedly. “With Berkeley Square then you’ve time. But I confess I don’t quite grasp the so odd inspiration that you’ve set those men to carry out.” He showed surprise and regret, but even greater decision. “Then it needn’t trouble you, dear--it’s enough that I myself go straight.” “Are you so very convinced it’s straight?” --she wouldn’t be a bore to him, but she couldn’t not be a blessing. “What in the world else is it,” he asked, “when, having good reasons, one acts on ‘em?” “You must have an immense array,” she sighed, “to fly so in the face of Opinion!” “‘Opinion’?” he commented-- “I fly in its face? Why, the vulgar thing, as I’m taking my quiet walk, flies in mine! I give it a whack with my umbrella and send it about its business.” To which he added with more reproach: “It’s enough to have been dished by Grace--without _your_ falling away!” Sadly and sweetly she defended herself. “It’s only my great affection--and all that these years have been for us: _they_ it is that make me wish you weren’t so proud.” “I’ve a perfect sense, my dear, of what these years have been for us--a very charming matter. But ‘proud’ is it you find me of the daughter who does her best to ruin me, or of the one who does her best to humiliate?” Lady Sandgate, not undiscernibly, took her choice of ignoring the point of this. “Your surrenders to Kitty are your own affair--but are you sure you can really bear to see Grace?” “I seem expected indeed to bear much,” he said with more and more of his parental bitterness, “but I don’t know that I’m yet in a funk before my child. Doesn’t she _want_ to see me, with any contrition, after the trick she has played me?” And then as his companion’s answer failed: “In spite of which trick you suggest that I should leave the country with no sign of her explaining--?” His hostess raised her head. “She does want to see you, I know; but you must recall the sequel to that bad hour at Dedborough--when it was you who declined to see _her_.”<|quote|>“Before she left the house with you, the next day, for this?”</|quote|>--he was entirely reminiscent. “What I recall is that even if I had condoned--that evening--her deception of _me_ in my folly, I still loathed, for my friend’s sake, her practical joke on poor John.” Lady Sandgate indulged in the shrug conciliatory. “It was your very complaint that your own appeal to her _became_ an appeal from herself.” “Yes,” he returned, so well he remembered, “she was about as civil to me then--picking a quarrel with me on such a trumped-up ground!--as that devil of a fellow in the newspaper; the taste of whose elegant remarks, for that matter, she must now altogether enjoy!” His good friend showily balanced and might have been about to reply with weight; but what she in fact brought out was only: “I see you’re right about it: I must let her speak for herself.” “That I shall greatly prefer to her speaking--as she did so extraordinarily, out of the blue, at Dedborough, upon my honour--for the wonderful friends she picks up: the picture-man introduced by her (what was his name?) who regularly ‘cheeked’ me, as I suppose he’d call it, in my own house, and whom I hope, by the way, that under this roof she’s not able to be quite so thick with!” If Lady Sandgate winced at that vain dream she managed not to betray it, and she had, in any embarrassment on this matter, the support, as we know, of her own tried policy. “She leads her life under this roof very much as under yours; and she’s not of an age, remember, for me to pretend either to watch her movements or to control her contacts.” Leaving him however thus to perform his pleasure the charming woman had before she went an abrupt change of tone. “Whatever your relations with others, dear friend, don’t forget that _I’m_ still here.” Lord Theign accepted the reminder, though, the circumstances being such, it scarce moved him to ecstasy. “That you’re here, thank heaven, is of course a comfort--or would be if you understood.” “Ah,” she submissively sighed, “if I don’t always ‘understand’ a spirit so much higher than mine and a situation so much more complicated, certainly, I at least always defer, I at least always--well, what can I say but worship?” And then as he remained not other than finely passive, “The old altar, Theign,” she went on-- “and a spark of the old fire!” He had not looked at her on this--it was as if he shrank, with his preoccupations, from a tender passage; but he let her take his left hand. “So I feel!” he was, however, kind enough to answer. “Do feel!” she returned with much concentration. She raised the hand to her pressed lips, dropped it and with a rich “Good-bye!” reached the threshold of the other room. “May I smoke?” he asked before she had disappeared. “Dear, yes!” He had meanwhile taken out his cigarette case and was looking about for a match. But something else occurred to him. “You must come to Victoria.” “Rather!” she said with intensity; and with that she passed away. VI Left alone he had a moment’s meditation where he stood; it found issue in an articulate “Poor dear thing!” --an exclamation marked at once with patience and impatience, with resignation and ridicule. After which, waiting for his daughter, Lord Theign slowly and absently roamed, finding matches at last and lighting his cigarette--all with an air of concern that had settled on him more heavily from the moment of his finding himself alone. His luxury of gloom--if gloom it was--dropped, however, on his taking heed of Lady Grace, who, arriving on the scene through the other room, had had just time to stand and watch him in silence. “Oh!” he jerked out at sight of her--which she had to content herself with as a parental greeting after separation, his next words doing little to qualify its dryness. “I take it for granted that you know I’m within a couple of hours of leaving England under a necessity of health.” And then as drawing nearer, she signified without speaking her possession of this fact: “I’ve thought accordingly that before I go I should--on this first possible occasion since that odious occurrence at Dedborough--like to leave you a little more food for meditation, in my absence, on the painfully false position in which you there placed me.” He carried himself restlessly even perhaps with a shade of awkwardness, to which her stillness was a contrast; she just waited, wholly passive--possibly indeed a trifle portentous. “If you had plotted and planned it in advance,” he none the less firmly pursued, “if you had acted from some uncanny or malignant motive, you couldn’t have arranged more perfectly to incommode, to disconcert and, to all intents and purposes,
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“Lord John, come right round!” Lord John had of himself reached the door, which he opened to let the whirlwind tremendously figured by his friend pass out first. Taking leave of the others he gave it even his applause. “The fellow can do anything anywhere!” And he hastily followed. V Lady Sandgate, left alone with Lord Theign, drew the line at their companion’s enthusiasm. “That may be true of Mr. Bender--for it’s dreadful how he bears one down. But I simply find him a terror.” “Well,” said her friend, who seemed disposed not to fatigue the question, “I dare say a terror will help me.” He had other business to which he at once gave himself. “And now, if you please, for that girl.” “I’ll send her to you,” she replied, “if you can’t stay to luncheon.” “I’ve three or four things to do,” he pleaded, “and I lunch with Kitty at one.” She submitted in that case--but disappointedly. “With Berkeley Square then you’ve time. But I confess I don’t quite grasp the so odd inspiration that you’ve set those men to carry out.” He showed surprise and regret, but even greater decision. “Then it needn’t trouble you, dear--it’s enough that I myself go straight.” “Are you so very convinced it’s straight?” --she wouldn’t be a bore to him, but she couldn’t not be a blessing. “What in the world else is it,” he asked, “when, having good reasons, one acts on ‘em?” “You must have an immense array,” she sighed, “to fly so in the face of Opinion!” “‘Opinion’?” he commented-- “I fly in its face? Why, the vulgar thing, as I’m taking my quiet walk, flies in mine! I give it a whack with my umbrella and send it about its business.” To which he added with more reproach: “It’s enough to have been dished by Grace--without _your_ falling away!” Sadly and sweetly she defended herself. “It’s only my great affection--and all that these years have been for us: _they_ it is that make me wish you weren’t so proud.” “I’ve a perfect sense, my dear, of what these years have been for us--a very charming matter. But ‘proud’ is it you find me of the daughter who does her best to ruin me, or of the one who does her best to humiliate?” Lady Sandgate, not undiscernibly, took her choice of ignoring the point of this. “Your surrenders to Kitty are your own affair--but are you sure you can really bear to see Grace?” “I seem expected indeed to bear much,” he said with more and more of his parental bitterness, “but I don’t know that I’m yet in a funk before my child. Doesn’t she _want_ to see me, with any contrition, after the trick she has played me?” And then as his companion’s answer failed: “In spite of which trick you suggest that I should leave the country with no sign of her explaining--?” His hostess raised her head. “She does want to see you, I know; but you must recall the sequel to that bad hour at Dedborough--when it was you who declined to see _her_.”<|quote|>“Before she left the house with you, the next day, for this?”</|quote|>--he was entirely reminiscent. “What I recall is that even if I had condoned--that evening--her deception of _me_ in my folly, I still loathed, for my friend’s sake, her practical joke on poor John.” Lady Sandgate indulged in the shrug conciliatory. “It was your very complaint that your own appeal to her _became_ an appeal from herself.” “Yes,” he returned, so well he remembered, “she was about as civil to me then--picking a quarrel with me on such a trumped-up ground!--as that devil of a fellow in the newspaper; the taste of whose elegant remarks, for that matter, she must now altogether enjoy!” His good friend showily balanced and might have been about to reply with weight; but what she in fact brought out was only: “I see you’re right about it: I must let her speak for herself.” “That I shall greatly prefer to her speaking--as she did so extraordinarily, out of the blue, at Dedborough, upon my honour--for the wonderful friends she picks up: the picture-man introduced by her (what was his name?) who regularly ‘cheeked’ me, as I suppose he’d call it, in my own house, and whom I hope, by the way, that under this roof she’s not able to be quite so thick with!” If Lady Sandgate winced at that vain dream she managed not to betray it, and she had, in any embarrassment on this matter, the support, as we know, of her own tried policy. “She leads her life under this roof very much as under yours; and she’s not of an age, remember, for me to pretend either to watch her movements or to control her contacts.” Leaving him however thus to perform his pleasure the charming woman had before she went an abrupt change of tone. “Whatever your relations with others, dear friend, don’t forget that _I’m_ still here.” Lord Theign accepted the reminder, though, the circumstances being such, it scarce moved him to ecstasy. “That you’re here, thank heaven, is of course a comfort--or would be if you understood.” “Ah,” she submissively sighed, “if I don’t always ‘understand’ a spirit so much higher than mine and a situation so much more complicated, certainly, I at least always defer, I at least always--well, what can I say but worship?” And then as he remained not other than finely passive, “The old altar, Theign,” she went on-- “and a spark of the old fire!” He had not looked at her on this--it was as if he shrank, with his preoccupations, from a tender
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The Outcry
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"Well, you told me to lower down."
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Mike Bannock
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crushed him like an eggshell."<|quote|>"Well, you told me to lower down."</|quote|>"No, I didn't, stupid." "Yes,
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'nother inch, and you'd ha' crushed him like an eggshell."<|quote|>"Well, you told me to lower down."</|quote|>"No, I didn't, stupid." "Yes, you did." "No, I didn't.
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THE ADVENTURES OF DON LAVINGTON, BY GEORGE MANVILLE FENN. CHAPTER ONE. FOUR FOLK O' BRISTOL CITY. "Mind your head! Crikey! That was near, 'nother inch, and you'd ha' crushed him like an eggshell."<|quote|>"Well, you told me to lower down."</|quote|>"No, I didn't, stupid." "Yes, you did." "No, I didn't. You're half tipsy, or half asleep, or--" "There, there, hold your tongue, Jem. I'm not hurt, and Mike thought you said lower away. That's enough." "No, it arn't enough, Mas' Don. Your uncle said I was to soop'rintend, and a
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THE ADVENTURES OF DON LAVINGTON, BY GEORGE MANVILLE FENN. CHAPTER ONE. FOUR FOLK O' BRISTOL CITY. "Mind your head! Crikey! That was near, 'nother inch, and you'd ha' crushed him like an eggshell."<|quote|>"Well, you told me to lower down."</|quote|>"No, I didn't, stupid." "Yes, you did." "No, I didn't. You're half tipsy, or half asleep, or--" "There, there, hold your tongue, Jem. I'm not hurt, and Mike thought you said lower away. That's enough." "No, it arn't enough, Mas' Don. Your uncle said I was to soop'rintend, and a nice row there'd ha' been when he come back if you hadn't had any head left." "Wouldn't have mattered much, Jem. Nobody would have cared." "Nobody would ha' cared? Come, I like that. What would your mother ha' said to me when I carried you home, and told her your
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THE ADVENTURES OF DON LAVINGTON, BY GEORGE MANVILLE FENN. CHAPTER ONE. FOUR FOLK O' BRISTOL CITY. "Mind your head! Crikey! That was near, 'nother inch, and you'd ha' crushed him like an eggshell."<|quote|>"Well, you told me to lower down."</|quote|>"No, I didn't, stupid." "Yes, you did." "No, I didn't. You're half tipsy, or half asleep, or--" "There, there, hold your tongue, Jem. I'm not hurt, and Mike thought you said lower away. That's enough." "No, it arn't enough, Mas' Don. Your uncle said I was to soop'rintend, and a nice row there'd ha' been when he come back if you hadn't had any head left." "Wouldn't have mattered much, Jem. Nobody would have cared." "Nobody would ha' cared? Come, I like that. What would your mother ha' said to me when I carried you home, and told her your head had been scrunched off by a sugar-cask?" "You're right, Mas' Don. Nobody wouldn't ha' cared. You aren't wanted here. Why don't you strike for liberty, my lad, and go and make your fortun' in furren parts?" "Same as you have, Mike Bannock? Now just you look ye here. If ever I hears you trying to make Master Don unsettled again, and setting him agen his work, I tells Mr Chris'mas, and no begging won't get you back on again. Fortun' indeed! Why, you ragged, penny-hunting, lazy, drunken rub-shoulder, you ought to be ashamed of yourself!" "And I arn't a
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THE ADVENTURES OF DON LAVINGTON, BY GEORGE MANVILLE FENN. CHAPTER ONE. FOUR FOLK O' BRISTOL CITY. "Mind your head! Crikey! That was near, 'nother inch, and you'd ha' crushed him like an eggshell."<|quote|>"Well, you told me to lower down."</|quote|>"No, I didn't, stupid." "Yes, you did." "No, I didn't. You're half tipsy, or half asleep, or--" "There, there, hold your tongue, Jem. I'm not hurt, and Mike thought you said lower away. That's enough." "No, it arn't enough, Mas' Don. Your uncle said I was to soop'rintend, and a nice row there'd ha' been when he come back if you hadn't had any head left." "Wouldn't have mattered much, Jem. Nobody would have cared." "Nobody would ha' cared? Come, I like that. What would your mother ha' said to me when I carried you home, and told her your head had been scrunched off by a sugar-cask?" "You're right, Mas' Don. Nobody wouldn't ha' cared. You aren't wanted here. Why don't you strike for liberty, my lad, and go and make your fortun' in furren parts?" "Same as you have, Mike Bannock? Now just you look ye here. If ever I hears you trying to make Master Don unsettled again, and setting him agen his work, I tells Mr Chris'mas, and no begging won't get you back on again. Fortun' indeed! Why, you ragged, penny-hunting, lazy, drunken rub-shoulder, you ought to be ashamed of yourself!" "And I arn't a bit, Jem Wimble, not a bit. Never you mind him, Master Don, you strike for freedom. Make your uncle give you your father's money, and then off you goes like a man to see life." "Now lookye here," cried the sturdy, broad-faced young fellow who had first spoken, as he picked up a wooden lever used for turning over the great sugar-hogsheads lying in the yard, and hoisting them into a trolly, or beneath the crane which raised them into the warehouse. "Lookye here, Mike Bannock, I never did knock a man down with this here wooden bar, but if you gets stirring Mas' Don again, has it you do, right across the back. Spang!" "Be quiet, Jem, and put the bar down," said LinDon Lavington, a dark, well set-up lad of seventeen, as he sat upon the head of a sugar-hogshead with his arms folded, slowly swinging his legs. "No, I sha'n't put the bar down, Mas' Don. Your uncle left me in charge of the yard, and--what yer sitting on the sugar-barrel for when there's a 'bacco hogshead close by? Now just you feel how sticky you are." Don got off the barrel, and made a face, as
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THE ADVENTURES OF DON LAVINGTON, BY GEORGE MANVILLE FENN. CHAPTER ONE. FOUR FOLK O' BRISTOL CITY. "Mind your head! Crikey! That was near, 'nother inch, and you'd ha' crushed him like an eggshell."<|quote|>"Well, you told me to lower down."</|quote|>"No, I didn't, stupid." "Yes, you did." "No, I didn't. You're half tipsy, or half asleep, or--" "There, there, hold your tongue, Jem. I'm not hurt, and Mike thought you said lower away. That's enough." "No, it arn't enough, Mas' Don. Your uncle said I was to soop'rintend, and a nice row there'd ha' been when he come back if you hadn't had any head left." "Wouldn't have mattered much, Jem. Nobody would have cared." "Nobody would ha' cared? Come, I like that. What would your mother ha' said to me when I carried you home, and told her your head had been scrunched off by a sugar-cask?" "You're right, Mas' Don. Nobody wouldn't ha' cared. You aren't wanted here. Why don't you strike for liberty, my lad, and go and make your fortun' in furren parts?" "Same as you have, Mike Bannock? Now just you look ye here. If ever I hears you trying to make Master Don unsettled again, and setting him agen his work, I tells Mr Chris'mas, and no begging won't get you back on again. Fortun' indeed! Why, you ragged, penny-hunting, lazy, drunken rub-shoulder, you ought to be ashamed of yourself!" "And I arn't a bit, Jem Wimble, not a bit. Never you mind him, Master Don, you strike for freedom. Make your uncle give you your father's money, and then off you goes like a man to see life." "Now lookye here," cried the sturdy, broad-faced young fellow who had first spoken, as he picked up a wooden lever used for turning over the great sugar-hogsheads lying in the yard, and hoisting them into a trolly, or beneath the crane which raised them into the warehouse. "Lookye here, Mike Bannock, I never did knock a man down with this here wooden bar, but if you gets stirring Mas' Don again, has it you do, right across the back. Spang!" "Be quiet, Jem, and put the bar down," said LinDon Lavington, a dark, well set-up lad of seventeen, as he sat upon the head of a sugar-hogshead with his arms folded, slowly swinging his legs. "No, I sha'n't put the bar down, Mas' Don. Your uncle left me in charge of the yard, and--what yer sitting on the sugar-barrel for when there's a 'bacco hogshead close by? Now just you feel how sticky you are." Don got off the barrel, and made a face, as he proved with one hand the truth of the man's words, and then rubbed his treacly fingers against the warehouse wall. "Your mother'll make a row about that, just as my Sally does when I get molasses on my clothes." "You should teach her to lick it off, Jemmy Wimble," said the rough-looking, red-faced labourer, who had lowered down a sugar-hogshead so rapidly, that he had been within an inch of making it unnecessary to write Don Lavington's life, from the fact of there being no life to write. "You mind your own business, Mike," said Jem, indignantly. "That's what I'm a-doing of, and a-waiting for orders, Mr Jem Wimble. He's hen-pecked, Mas' Don, that what's the matter with him. Been married only three months, and he's hen-pecked. Haw-haw-haw! Poor old cock-bird! Hen-pecked! Haw-haw-haw!" Jem Wimble, general worker in the warehouse and yard of Josiah Christmas, West India merchant, of River Street, Bristol, gave Mike the labourer an angry look, as he turned as red as a blushing girl. "Lookye here," he cried angrily, as Don, who had reseated himself, this time on a hogshead crammed full of compressed tobacco-leaves from Baltimore, swung his legs, and looked on in a half-moody, half-amused way; "the best thing that could happen for Christmas' Ward and for Bristol City, would be for the press-gang to get hold o' you, and take you off to sea." "Haw-haw-haw!" laughed the swarthy, red-faced fellow. "Why don't you give 'em the word, and have me pressed?" "No coming back to be begged on then by Miss Kitty and Mas' Don, after being drunk for a week. You're a bad 'un, that's what you are, Mike Bannock, and I wish the master wouldn't have you here." "Not such a hard nut as you are, Jemmy," said the man with a chuckle. "Sailors won't take me--don't want cripples to go aloft. Lookye here, Mas' Don, there's a leg." As he spoke, the great idle-looking fellow limped slowly, with an exaggerated display of lameness, to and fro past the door of the office. "Get out, Mike," said Don, as the man stopped. "I believe that's nearly all sham." "That's a true word, Mas' Don," cried Jem. "He's only lame when he thinks about it. And now do please go on totting up, and let's get these casks shifted 'fore your uncle comes back." "Well, I'm waiting, Jem," cried the lad,
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THE ADVENTURES OF DON LAVINGTON, BY GEORGE MANVILLE FENN. CHAPTER ONE. FOUR FOLK O' BRISTOL CITY. "Mind your head! Crikey! That was near, 'nother inch, and you'd ha' crushed him like an eggshell."<|quote|>"Well, you told me to lower down."</|quote|>"No, I didn't, stupid." "Yes, you did." "No, I didn't. You're half tipsy, or half asleep, or--" "There, there, hold your tongue, Jem. I'm not hurt, and Mike thought you said lower away. That's enough." "No, it arn't enough, Mas' Don. Your uncle said I was to soop'rintend, and a nice row there'd ha' been when he come back if you hadn't had any head left." "Wouldn't have mattered much, Jem. Nobody would have cared." "Nobody would ha' cared? Come, I like that. What would your mother ha' said to me when I carried you home, and told her your head had been scrunched off by a sugar-cask?" "You're right, Mas' Don. Nobody wouldn't ha' cared. You aren't wanted here. Why don't you strike for liberty, my lad, and go and make your fortun' in furren parts?" "Same as you have, Mike Bannock? Now just you look ye here. If ever I hears you trying to make Master Don unsettled again, and setting him agen his work, I tells Mr Chris'mas, and no begging won't get you back on again. Fortun' indeed! Why, you ragged, penny-hunting, lazy, drunken rub-shoulder, you ought to be ashamed of yourself!" "And I arn't a bit, Jem Wimble, not a bit. Never you mind him, Master Don, you strike for freedom. Make your uncle give you your father's money, and then off you goes like a man to see life." "Now lookye here," cried the sturdy, broad-faced young fellow who had first spoken, as he picked up a wooden lever used for turning over the great sugar-hogsheads lying in the yard, and hoisting them into a trolly, or beneath the crane which raised them into the warehouse. "Lookye here, Mike Bannock, I never did knock a man down with this here wooden bar, but if you gets stirring Mas' Don again, has it you do, right across the back. Spang!" "Be quiet, Jem, and put the bar down," said LinDon Lavington, a dark, well set-up lad of seventeen, as he sat upon the head of a sugar-hogshead with his arms folded, slowly swinging his legs. "No, I sha'n't put the bar down, Mas' Don. Your uncle left me in charge of the yard, and--what yer sitting on the sugar-barrel for when there's a 'bacco hogshead close by? Now just you feel how sticky you are." Don got off the barrel, and made a face, as
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Don Lavington
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"_We_ are the serious anarchists, in whom you do not believe."
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Mr. Lucian Gregory
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is quite simple," replied Gregory.<|quote|>"_We_ are the serious anarchists, in whom you do not believe."</|quote|>"Oh!" said Syme shortly. "You
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emptying his champagne glass. "It is quite simple," replied Gregory.<|quote|>"_We_ are the serious anarchists, in whom you do not believe."</|quote|>"Oh!" said Syme shortly. "You do yourselves well in drinks."
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let us say, between the inner arrangements of this excellent hotel and its simple and unpretentious exterior. But that is all our modesty. We are the most modest men that ever lived on earth." "And who are _we?_" asked Syme, emptying his champagne glass. "It is quite simple," replied Gregory.<|quote|>"_We_ are the serious anarchists, in whom you do not believe."</|quote|>"Oh!" said Syme shortly. "You do yourselves well in drinks." "Yes, we are serious about everything," answered Gregory. Then after a pause he added "If in a few moments this table begins to turn round a little, don't put it down to your inroads into the champagne. I don't wish
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to lead to a lobster. It is commonly the other way." "You are not asleep, I assure you," said Gregory. "You are, on the contrary, close to the most actual and rousing moment of your existence. Ah, here comes your champagne! I admit that there may be a slight disproportion, let us say, between the inner arrangements of this excellent hotel and its simple and unpretentious exterior. But that is all our modesty. We are the most modest men that ever lived on earth." "And who are _we?_" asked Syme, emptying his champagne glass. "It is quite simple," replied Gregory.<|quote|>"_We_ are the serious anarchists, in whom you do not believe."</|quote|>"Oh!" said Syme shortly. "You do yourselves well in drinks." "Yes, we are serious about everything," answered Gregory. Then after a pause he added "If in a few moments this table begins to turn round a little, don't put it down to your inroads into the champagne. I don't wish you to do yourself an injustice." "Well, if I am not drunk, I am mad," replied Syme with perfect calm; "but I trust I can behave like a gentleman in either condition. May I smoke?" "Certainly!" said Gregory, producing a cigar-case. "Try one of mine." Syme took the cigar, clipped
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be trusted. Do let me start you with a half-bottle of Pommery at least?" "Thank you!" said the motionless Syme. "You are very good." His further attempts at conversation, somewhat disorganised in themselves, were cut short finally as by a thunderbolt by the actual appearance of the lobster. Syme tasted it, and found it particularly good. Then he suddenly began to eat with great rapidity and appetite. "Excuse me if I enjoy myself rather obviously!" he said to Gregory, smiling. "I don't often have the luck to have a dream like this. It is new to me for a nightmare to lead to a lobster. It is commonly the other way." "You are not asleep, I assure you," said Gregory. "You are, on the contrary, close to the most actual and rousing moment of your existence. Ah, here comes your champagne! I admit that there may be a slight disproportion, let us say, between the inner arrangements of this excellent hotel and its simple and unpretentious exterior. But that is all our modesty. We are the most modest men that ever lived on earth." "And who are _we?_" asked Syme, emptying his champagne glass. "It is quite simple," replied Gregory.<|quote|>"_We_ are the serious anarchists, in whom you do not believe."</|quote|>"Oh!" said Syme shortly. "You do yourselves well in drinks." "Yes, we are serious about everything," answered Gregory. Then after a pause he added "If in a few moments this table begins to turn round a little, don't put it down to your inroads into the champagne. I don't wish you to do yourself an injustice." "Well, if I am not drunk, I am mad," replied Syme with perfect calm; "but I trust I can behave like a gentleman in either condition. May I smoke?" "Certainly!" said Gregory, producing a cigar-case. "Try one of mine." Syme took the cigar, clipped the end off with a cigar-cutter out of his waistcoat pocket, put it in his mouth, lit it slowly, and let out a long cloud of smoke. It is not a little to his credit that he performed these rites with so much composure, for almost before he had begun them the table at which he sat had begun to revolve, first slowly, and then rapidly, as if at an insane seance. "You must not mind it," said Gregory; "it's a kind of screw." "Quite so," said Syme placidly, "a kind of screw. How simple that is!" The next moment
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on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the remark with stolidity, imagining it to be a joke. Accepting the vein of humour, he said, with a well-bred indifference "Oh, bring me some lobster mayonnaise." To his indescribable astonishment, the man only said "Certainly, sir!" and went away apparently to get it. "What will you drink?" resumed Gregory, with the same careless yet apologetic air. "I shall only have a _cr me de menthe_ myself; I have dined. But the champagne can really be trusted. Do let me start you with a half-bottle of Pommery at least?" "Thank you!" said the motionless Syme. "You are very good." His further attempts at conversation, somewhat disorganised in themselves, were cut short finally as by a thunderbolt by the actual appearance of the lobster. Syme tasted it, and found it particularly good. Then he suddenly began to eat with great rapidity and appetite. "Excuse me if I enjoy myself rather obviously!" he said to Gregory, smiling. "I don't often have the luck to have a dream like this. It is new to me for a nightmare to lead to a lobster. It is commonly the other way." "You are not asleep, I assure you," said Gregory. "You are, on the contrary, close to the most actual and rousing moment of your existence. Ah, here comes your champagne! I admit that there may be a slight disproportion, let us say, between the inner arrangements of this excellent hotel and its simple and unpretentious exterior. But that is all our modesty. We are the most modest men that ever lived on earth." "And who are _we?_" asked Syme, emptying his champagne glass. "It is quite simple," replied Gregory.<|quote|>"_We_ are the serious anarchists, in whom you do not believe."</|quote|>"Oh!" said Syme shortly. "You do yourselves well in drinks." "Yes, we are serious about everything," answered Gregory. Then after a pause he added "If in a few moments this table begins to turn round a little, don't put it down to your inroads into the champagne. I don't wish you to do yourself an injustice." "Well, if I am not drunk, I am mad," replied Syme with perfect calm; "but I trust I can behave like a gentleman in either condition. May I smoke?" "Certainly!" said Gregory, producing a cigar-case. "Try one of mine." Syme took the cigar, clipped the end off with a cigar-cutter out of his waistcoat pocket, put it in his mouth, lit it slowly, and let out a long cloud of smoke. It is not a little to his credit that he performed these rites with so much composure, for almost before he had begun them the table at which he sat had begun to revolve, first slowly, and then rapidly, as if at an insane seance. "You must not mind it," said Gregory; "it's a kind of screw." "Quite so," said Syme placidly, "a kind of screw. How simple that is!" The next moment the smoke of his cigar, which had been wavering across the room in snaky twists, went straight up as if from a factory chimney, and the two, with their chairs and table, shot down through the floor as if the earth had swallowed them. They went rattling down a kind of roaring chimney as rapidly as a lift cut loose, and they came with an abrupt bump to the bottom. But when Gregory threw open a pair of doors and let in a red subterranean light, Syme was still smoking with one leg thrown over the other, and had not turned a yellow hair. Gregory led him down a low, vaulted passage, at the end of which was the red light. It was an enormous crimson lantern, nearly as big as a fireplace, fixed over a small but heavy iron door. In the door there was a sort of hatchway or grating, and on this Gregory struck five times. A heavy voice with a foreign accent asked him who he was. To this he gave the more or less unexpected reply, "Mr. Joseph Chamberlain." The heavy hinges began to move; it was obviously some kind of password. Inside the doorway
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serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat. "Your offer," he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the remark with stolidity, imagining it to be a joke. Accepting the vein of humour, he said, with a well-bred indifference "Oh, bring me some lobster mayonnaise." To his indescribable astonishment, the man only said "Certainly, sir!" and went away apparently to get it. "What will you drink?" resumed Gregory, with the same careless yet apologetic air. "I shall only have a _cr me de menthe_ myself; I have dined. But the champagne can really be trusted. Do let me start you with a half-bottle of Pommery at least?" "Thank you!" said the motionless Syme. "You are very good." His further attempts at conversation, somewhat disorganised in themselves, were cut short finally as by a thunderbolt by the actual appearance of the lobster. Syme tasted it, and found it particularly good. Then he suddenly began to eat with great rapidity and appetite. "Excuse me if I enjoy myself rather obviously!" he said to Gregory, smiling. "I don't often have the luck to have a dream like this. It is new to me for a nightmare to lead to a lobster. It is commonly the other way." "You are not asleep, I assure you," said Gregory. "You are, on the contrary, close to the most actual and rousing moment of your existence. Ah, here comes your champagne! I admit that there may be a slight disproportion, let us say, between the inner arrangements of this excellent hotel and its simple and unpretentious exterior. But that is all our modesty. We are the most modest men that ever lived on earth." "And who are _we?_" asked Syme, emptying his champagne glass. "It is quite simple," replied Gregory.<|quote|>"_We_ are the serious anarchists, in whom you do not believe."</|quote|>"Oh!" said Syme shortly. "You do yourselves well in drinks." "Yes, we are serious about everything," answered Gregory. Then after a pause he added "If in a few moments this table begins to turn round a little, don't put it down to your inroads into the champagne. I don't wish you to do yourself an injustice." "Well, if I am not drunk, I am mad," replied Syme with perfect calm; "but I trust I can behave like a gentleman in either condition. May I smoke?" "Certainly!" said Gregory, producing a cigar-case. "Try one of mine." Syme took the cigar, clipped the end off with a cigar-cutter out of his waistcoat pocket, put it in his mouth, lit it slowly, and let out a long cloud of smoke. It is not a little to his credit that he performed these rites with so much composure, for almost before he had begun them the table at which he sat had begun to revolve, first slowly, and then rapidly, as if at an insane seance. "You must not mind it," said Gregory; "it's a kind of screw." "Quite so," said Syme placidly, "a kind of screw. How simple that is!" The next moment the smoke of his cigar, which had been wavering across the room in snaky twists, went straight up as if from a factory chimney, and the two, with their chairs and table, shot down through the floor as if the earth had swallowed them. They went rattling down a kind of roaring chimney as rapidly as a lift cut loose, and they came with an abrupt bump to the bottom. But when Gregory threw open a pair of doors and let in a red subterranean light, Syme was still smoking with one leg thrown over the other, and had not turned a yellow hair. Gregory led him down a low, vaulted passage, at the end of which was the red light. It was an enormous crimson lantern, nearly as big as a fireplace, fixed over a small but heavy iron door. In the door there was a sort of hatchway or grating, and on this Gregory struck five times. A heavy voice with a foreign accent asked him who he was. To this he gave the more or less unexpected reply, "Mr. Joseph Chamberlain." The heavy hinges began to move; it was obviously some kind of password. Inside the doorway the passage gleamed as if it were lined with a network of steel. On a second glance, Syme saw that the glittering pattern was really made up of ranks and ranks of rifles and revolvers, closely packed or interlocked. "I must ask you to forgive me all these formalities," said Gregory; "we have to be very strict here." "Oh, don't apologise," said Syme. "I know your passion for law and order," and he stepped into the passage lined with the steel weapons. With his long, fair hair and rather foppish frock-coat, he looked a singularly frail and fanciful figure as he walked down that shining avenue of death. They passed through several such passages, and came out at last into a queer steel chamber with curved walls, almost spherical in shape, but presenting, with its tiers of benches, something of the appearance of a scientific lecture-theatre. There were no rifles or pistols in this apartment, but round the walls of it were hung more dubious and dreadful shapes, things that looked like the bulbs of iron plants, or the eggs of iron birds. They were bombs, and the very room itself seemed like the inside of a bomb. Syme knocked his cigar ash off against the wall, and went in. "And now, my dear Mr. Syme," said Gregory, throwing himself in an expansive manner on the bench under the largest bomb, "now we are quite cosy, so let us talk properly. Now no human words can give you any notion of why I brought you here. It was one of those quite arbitrary emotions, like jumping off a cliff or falling in love. Suffice it to say that you were an inexpressibly irritating fellow, and, to do you justice, you are still. I would break twenty oaths of secrecy for the pleasure of taking you down a peg. That way you have of lighting a cigar would make a priest break the seal of confession. Well, you said that you were quite certain I was not a serious anarchist. Does this place strike you as being serious?" "It does seem to have a moral under all its gaiety," assented Syme; "but may I ask you two questions? You need not fear to give me information, because, as you remember, you very wisely extorted from me a promise not to tell the police, a promise I shall certainly keep. So it
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in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the remark with stolidity, imagining it to be a joke. Accepting the vein of humour, he said, with a well-bred indifference "Oh, bring me some lobster mayonnaise." To his indescribable astonishment, the man only said "Certainly, sir!" and went away apparently to get it. "What will you drink?" resumed Gregory, with the same careless yet apologetic air. "I shall only have a _cr me de menthe_ myself; I have dined. But the champagne can really be trusted. Do let me start you with a half-bottle of Pommery at least?" "Thank you!" said the motionless Syme. "You are very good." His further attempts at conversation, somewhat disorganised in themselves, were cut short finally as by a thunderbolt by the actual appearance of the lobster. Syme tasted it, and found it particularly good. Then he suddenly began to eat with great rapidity and appetite. "Excuse me if I enjoy myself rather obviously!" he said to Gregory, smiling. "I don't often have the luck to have a dream like this. It is new to me for a nightmare to lead to a lobster. It is commonly the other way." "You are not asleep, I assure you," said Gregory. "You are, on the contrary, close to the most actual and rousing moment of your existence. Ah, here comes your champagne! I admit that there may be a slight disproportion, let us say, between the inner arrangements of this excellent hotel and its simple and unpretentious exterior. But that is all our modesty. We are the most modest men that ever lived on earth." "And who are _we?_" asked Syme, emptying his champagne glass. "It is quite simple," replied Gregory.<|quote|>"_We_ are the serious anarchists, in whom you do not believe."</|quote|>"Oh!" said Syme shortly. "You do yourselves well in drinks." "Yes, we are serious about everything," answered Gregory. Then after a pause he added "If in a few moments this table begins to turn round a little, don't put it down to your inroads into the champagne. I don't wish you to do yourself an injustice." "Well, if I am not drunk, I am mad," replied Syme with perfect calm; "but I trust I can behave like a gentleman in either condition. May I smoke?" "Certainly!" said Gregory, producing a cigar-case. "Try one of mine." Syme took the cigar, clipped the end off with a cigar-cutter out of his waistcoat pocket, put it in his mouth, lit it slowly, and let out a long cloud of smoke. It is not a little to his credit that he performed these rites with so much composure, for almost before he had begun them the table at which he sat had begun to revolve, first slowly, and then rapidly, as if at an insane seance. "You must not mind it," said Gregory; "it's a kind of screw." "Quite so," said Syme placidly, "a kind of screw. How simple that is!" The next moment the smoke of his cigar, which had been wavering across the room in snaky twists, went straight up as if from a factory chimney, and the two, with their chairs and table, shot down through the floor as if the earth had swallowed them. They went rattling down a kind of roaring chimney as rapidly as a lift cut loose, and they came with an abrupt bump to the bottom. But when Gregory threw open a pair of doors and let in a red subterranean light, Syme was still smoking with one leg thrown over the other, and had not turned a yellow hair. Gregory led him down a low, vaulted passage, at the end of which was the red light. It was an enormous crimson lantern, nearly as big as a fireplace, fixed over a small but heavy iron door. In the door there was a sort of hatchway or grating, and on this Gregory struck five times. A heavy voice with a foreign accent asked him who he was. To this he gave the more or less unexpected reply, "Mr. Joseph Chamberlain." The heavy hinges began to move; it was obviously some kind of password. Inside the doorway the passage gleamed as if it were lined with a network of steel. On a second glance, Syme saw that the glittering pattern was really made up of ranks and ranks of rifles and revolvers, closely packed or interlocked. "I must ask you to forgive me all these formalities," said Gregory; "we have to be very strict here." "Oh, don't apologise," said Syme. "I know your passion for law and order," and he stepped into the passage lined with the steel weapons. With his long, fair hair and rather foppish frock-coat, he looked a singularly frail and fanciful figure as he walked down that shining avenue of death. They passed through several such passages, and came out at last into a queer steel chamber with curved walls, almost spherical in shape, but presenting, with its tiers of benches, something of the appearance of a scientific lecture-theatre. There were no rifles or pistols in this apartment, but round the walls of it were hung more dubious and dreadful shapes, things that looked like the bulbs of iron plants, or the eggs of iron birds. They were bombs, and the very room itself seemed
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The Man Who Was Thursday
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she explained.
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No speaker
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It s the new society,"<|quote|>she explained.</|quote|>"I m the secretary. I
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much about my work yet. It s the new society,"<|quote|>she explained.</|quote|>"I m the secretary. I m no longer at Russell
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for he had counted on finding her alone. A young man rose, and said that he knew Ralph by sight. "We were just going through some papers," said Mary. "Mr. Basnett has to help me, because I don t know much about my work yet. It s the new society,"<|quote|>she explained.</|quote|>"I m the secretary. I m no longer at Russell Square." The voice in which she gave this information was so constrained as to sound almost harsh. "What are your aims?" said Ralph. He looked neither at Mary nor at Mr. Basnett. Mr. Basnett thought he had seldom seen a
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and gave him power and authority over all other people. Mary came to the door after a moment s pause. He was perfectly silent, and in the dusk his face looked completely white. He followed her into her room. "Do you know each other?" she said, to his extreme surprise, for he had counted on finding her alone. A young man rose, and said that he knew Ralph by sight. "We were just going through some papers," said Mary. "Mr. Basnett has to help me, because I don t know much about my work yet. It s the new society,"<|quote|>she explained.</|quote|>"I m the secretary. I m no longer at Russell Square." The voice in which she gave this information was so constrained as to sound almost harsh. "What are your aims?" said Ralph. He looked neither at Mary nor at Mr. Basnett. Mr. Basnett thought he had seldom seen a more disagreeable or formidable man than this friend of Mary s, this sarcastic-looking, white-faced Mr. Denham, who seemed to demand, as if by right, an account of their proposals, and to criticize them before he had heard them. Nevertheless, he explained his projects as clearly as he could, and knew
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fastest, and to talk aloud as he walked. He had no doubt where he was going. He was going to find Mary Datchet. The desire to share what he felt, with some one who understood it, was so imperious that he did not question it. He was soon in her street. He ran up the stairs leading to her flat two steps at a time, and it never crossed his mind that she might not be at home. As he rang her bell, he seemed to himself to be announcing the presence of something wonderful that was separate from himself, and gave him power and authority over all other people. Mary came to the door after a moment s pause. He was perfectly silent, and in the dusk his face looked completely white. He followed her into her room. "Do you know each other?" she said, to his extreme surprise, for he had counted on finding her alone. A young man rose, and said that he knew Ralph by sight. "We were just going through some papers," said Mary. "Mr. Basnett has to help me, because I don t know much about my work yet. It s the new society,"<|quote|>she explained.</|quote|>"I m the secretary. I m no longer at Russell Square." The voice in which she gave this information was so constrained as to sound almost harsh. "What are your aims?" said Ralph. He looked neither at Mary nor at Mr. Basnett. Mr. Basnett thought he had seldom seen a more disagreeable or formidable man than this friend of Mary s, this sarcastic-looking, white-faced Mr. Denham, who seemed to demand, as if by right, an account of their proposals, and to criticize them before he had heard them. Nevertheless, he explained his projects as clearly as he could, and knew that he wished Mr. Denham to think well of them. "I see," said Ralph, when he had done. "D you know, Mary," he suddenly remarked, "I believe I m in for a cold. Have you any quinine?" The look which he cast at her frightened her; it expressed mutely, perhaps without his own consciousness, something deep, wild, and passionate. She left the room at once. Her heart beat fast at the knowledge of Ralph s presence; but it beat with pain, and with an extraordinary fear. She stood listening for a moment to the voices in the next room. "Of
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he forgot her absence, he thought it of no account whether she married him or another; nothing mattered, save that she should exist, and that he should love her. Some words of these reflections were uttered aloud, and it happened that among them were the words, "I love her." It was the first time that he had used the word "love" to describe his feeling; madness, romance, hallucination he had called it by these names before; but having, apparently by accident, stumbled upon the word "love," he repeated it again and again with a sense of revelation. "But I m in love with you!" he exclaimed, with something like dismay. He leant against the window-sill, looking over the city as she had looked. Everything had become miraculously different and completely distinct. His feelings were justified and needed no further explanation. But he must impart them to some one, because his discovery was so important that it concerned other people too. Shutting the book of Greek photographs, and hiding his relics, he ran downstairs, snatched his coat, and passed out of doors. The lamps were being lit, but the streets were dark enough and empty enough to let him walk his fastest, and to talk aloud as he walked. He had no doubt where he was going. He was going to find Mary Datchet. The desire to share what he felt, with some one who understood it, was so imperious that he did not question it. He was soon in her street. He ran up the stairs leading to her flat two steps at a time, and it never crossed his mind that she might not be at home. As he rang her bell, he seemed to himself to be announcing the presence of something wonderful that was separate from himself, and gave him power and authority over all other people. Mary came to the door after a moment s pause. He was perfectly silent, and in the dusk his face looked completely white. He followed her into her room. "Do you know each other?" she said, to his extreme surprise, for he had counted on finding her alone. A young man rose, and said that he knew Ralph by sight. "We were just going through some papers," said Mary. "Mr. Basnett has to help me, because I don t know much about my work yet. It s the new society,"<|quote|>she explained.</|quote|>"I m the secretary. I m no longer at Russell Square." The voice in which she gave this information was so constrained as to sound almost harsh. "What are your aims?" said Ralph. He looked neither at Mary nor at Mr. Basnett. Mr. Basnett thought he had seldom seen a more disagreeable or formidable man than this friend of Mary s, this sarcastic-looking, white-faced Mr. Denham, who seemed to demand, as if by right, an account of their proposals, and to criticize them before he had heard them. Nevertheless, he explained his projects as clearly as he could, and knew that he wished Mr. Denham to think well of them. "I see," said Ralph, when he had done. "D you know, Mary," he suddenly remarked, "I believe I m in for a cold. Have you any quinine?" The look which he cast at her frightened her; it expressed mutely, perhaps without his own consciousness, something deep, wild, and passionate. She left the room at once. Her heart beat fast at the knowledge of Ralph s presence; but it beat with pain, and with an extraordinary fear. She stood listening for a moment to the voices in the next room. "Of course, I agree with you," she heard Ralph say, in this strange voice, to Mr. Basnett. "But there s more that might be done. Have you seen Judson, for instance? You should make a point of getting him." Mary returned with the quinine. "Judson s address?" Mr. Basnett inquired, pulling out his notebook and preparing to write. For twenty minutes, perhaps, he wrote down names, addresses, and other suggestions that Ralph dictated to him. Then, when Ralph fell silent, Mr. Basnett felt that his presence was not desired, and thanking Ralph for his help, with a sense that he was very young and ignorant compared with him, he said good-bye. "Mary," said Ralph, directly Mr. Basnett had shut the door and they were alone together. "Mary," he repeated. But the old difficulty of speaking to Mary without reserve prevented him from continuing. His desire to proclaim his love for Katharine was still strong in him, but he had felt, directly he saw Mary, that he could not share it with her. The feeling increased as he sat talking to Mr. Basnett. And yet all the time he was thinking of Katharine, and marveling at his love. The tone in which
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bear no fruit, must be cut off, uprooted, shown to be as visionary and baseless as she had maintained. The best way of achieving this was not to run away from her, but to face her, and having steeped himself in her qualities, to convince his reason that they were, as she assured him, not those that he imagined. She was a practical woman, a domestic wife for an inferior poet, endowed with romantic beauty by some freak of unintelligent Nature. No doubt her beauty itself would not stand examination. He had the means of settling this point at least. He possessed a book of photographs from the Greek statues; the head of a goddess, if the lower part were concealed, had often given him the ecstasy of being in Katharine s presence. He took it down from the shelf and found the picture. To this he added a note from her, bidding him meet her at the Zoo. He had a flower which he had picked at Kew to teach her botany. Such were his relics. He placed them before him, and set himself to visualize her so clearly that no deception or delusion was possible. In a second he could see her, with the sun slanting across her dress, coming towards him down the green walk at Kew. He made her sit upon the seat beside him. He heard her voice, so low and yet so decided in its tone; she spoke reasonably of indifferent matters. He could see her faults, and analyze her virtues. His pulse became quieter, and his brain increased in clarity. This time she could not escape him. The illusion of her presence became more and more complete. They seemed to pass in and out of each other s minds, questioning and answering. The utmost fullness of communion seemed to be theirs. Thus united, he felt himself raised to an eminence, exalted, and filled with a power of achievement such as he had never known in singleness. Once more he told over conscientiously her faults, both of face and character; they were clearly known to him; but they merged themselves in the flawless union that was born of their association. They surveyed life to its uttermost limits. How deep it was when looked at from this height! How sublime! How the commonest things moved him almost to tears! Thus, he forgot the inevitable limitations; he forgot her absence, he thought it of no account whether she married him or another; nothing mattered, save that she should exist, and that he should love her. Some words of these reflections were uttered aloud, and it happened that among them were the words, "I love her." It was the first time that he had used the word "love" to describe his feeling; madness, romance, hallucination he had called it by these names before; but having, apparently by accident, stumbled upon the word "love," he repeated it again and again with a sense of revelation. "But I m in love with you!" he exclaimed, with something like dismay. He leant against the window-sill, looking over the city as she had looked. Everything had become miraculously different and completely distinct. His feelings were justified and needed no further explanation. But he must impart them to some one, because his discovery was so important that it concerned other people too. Shutting the book of Greek photographs, and hiding his relics, he ran downstairs, snatched his coat, and passed out of doors. The lamps were being lit, but the streets were dark enough and empty enough to let him walk his fastest, and to talk aloud as he walked. He had no doubt where he was going. He was going to find Mary Datchet. The desire to share what he felt, with some one who understood it, was so imperious that he did not question it. He was soon in her street. He ran up the stairs leading to her flat two steps at a time, and it never crossed his mind that she might not be at home. As he rang her bell, he seemed to himself to be announcing the presence of something wonderful that was separate from himself, and gave him power and authority over all other people. Mary came to the door after a moment s pause. He was perfectly silent, and in the dusk his face looked completely white. He followed her into her room. "Do you know each other?" she said, to his extreme surprise, for he had counted on finding her alone. A young man rose, and said that he knew Ralph by sight. "We were just going through some papers," said Mary. "Mr. Basnett has to help me, because I don t know much about my work yet. It s the new society,"<|quote|>she explained.</|quote|>"I m the secretary. I m no longer at Russell Square." The voice in which she gave this information was so constrained as to sound almost harsh. "What are your aims?" said Ralph. He looked neither at Mary nor at Mr. Basnett. Mr. Basnett thought he had seldom seen a more disagreeable or formidable man than this friend of Mary s, this sarcastic-looking, white-faced Mr. Denham, who seemed to demand, as if by right, an account of their proposals, and to criticize them before he had heard them. Nevertheless, he explained his projects as clearly as he could, and knew that he wished Mr. Denham to think well of them. "I see," said Ralph, when he had done. "D you know, Mary," he suddenly remarked, "I believe I m in for a cold. Have you any quinine?" The look which he cast at her frightened her; it expressed mutely, perhaps without his own consciousness, something deep, wild, and passionate. She left the room at once. Her heart beat fast at the knowledge of Ralph s presence; but it beat with pain, and with an extraordinary fear. She stood listening for a moment to the voices in the next room. "Of course, I agree with you," she heard Ralph say, in this strange voice, to Mr. Basnett. "But there s more that might be done. Have you seen Judson, for instance? You should make a point of getting him." Mary returned with the quinine. "Judson s address?" Mr. Basnett inquired, pulling out his notebook and preparing to write. For twenty minutes, perhaps, he wrote down names, addresses, and other suggestions that Ralph dictated to him. Then, when Ralph fell silent, Mr. Basnett felt that his presence was not desired, and thanking Ralph for his help, with a sense that he was very young and ignorant compared with him, he said good-bye. "Mary," said Ralph, directly Mr. Basnett had shut the door and they were alone together. "Mary," he repeated. But the old difficulty of speaking to Mary without reserve prevented him from continuing. His desire to proclaim his love for Katharine was still strong in him, but he had felt, directly he saw Mary, that he could not share it with her. The feeling increased as he sat talking to Mr. Basnett. And yet all the time he was thinking of Katharine, and marveling at his love. The tone in which he spoke Mary s name was harsh. "What is it, Ralph?" she asked, startled by his tone. She looked at him anxiously, and her little frown showed that she was trying painfully to understand him, and was puzzled. He could feel her groping for his meaning, and he was annoyed with her, and thought how he had always found her slow, painstaking, and clumsy. He had behaved badly to her, too, which made his irritation the more acute. Without waiting for him to answer, she rose as if his answer were indifferent to her, and began to put in order some papers that Mr. Basnett had left on the table. She hummed a scrap of a tune under her breath, and moved about the room as if she were occupied in making things tidy, and had no other concern. "You ll stay and dine?" she said casually, returning to her seat. "No," Ralph replied. She did not press him further. They sat side by side without speaking, and Mary reached her hand for her work basket, and took out her sewing and threaded a needle. "That s a clever young man," Ralph observed, referring to Mr. Basnett. "I m glad you thought so. It s tremendously interesting work, and considering everything, I think we ve done very well. But I m inclined to agree with you; we ought to try to be more conciliatory. We re absurdly strict. It s difficult to see that there may be sense in what one s opponents say, though they are one s opponents. Horace Basnett is certainly too uncompromising. I mustn t forget to see that he writes that letter to Judson. You re too busy, I suppose, to come on to our committee?" She spoke in the most impersonal manner. "I may be out of town," Ralph replied, with equal distance of manner. "Our executive meets every week, of course," she observed. "But some of our members don t come more than once a month. Members of Parliament are the worst; it was a mistake, I think, to ask them." She went on sewing in silence. "You ve not taken your quinine," she said, looking up and seeing the tabloids upon the mantelpiece. "I don t want it," said Ralph shortly. "Well, you know best," she replied tranquilly. "Mary, I m a brute!" he exclaimed. "Here I come and waste your time,
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no account whether she married him or another; nothing mattered, save that she should exist, and that he should love her. Some words of these reflections were uttered aloud, and it happened that among them were the words, "I love her." It was the first time that he had used the word "love" to describe his feeling; madness, romance, hallucination he had called it by these names before; but having, apparently by accident, stumbled upon the word "love," he repeated it again and again with a sense of revelation. "But I m in love with you!" he exclaimed, with something like dismay. He leant against the window-sill, looking over the city as she had looked. Everything had become miraculously different and completely distinct. His feelings were justified and needed no further explanation. But he must impart them to some one, because his discovery was so important that it concerned other people too. Shutting the book of Greek photographs, and hiding his relics, he ran downstairs, snatched his coat, and passed out of doors. The lamps were being lit, but the streets were dark enough and empty enough to let him walk his fastest, and to talk aloud as he walked. He had no doubt where he was going. He was going to find Mary Datchet. The desire to share what he felt, with some one who understood it, was so imperious that he did not question it. He was soon in her street. He ran up the stairs leading to her flat two steps at a time, and it never crossed his mind that she might not be at home. As he rang her bell, he seemed to himself to be announcing the presence of something wonderful that was separate from himself, and gave him power and authority over all other people. Mary came to the door after a moment s pause. He was perfectly silent, and in the dusk his face looked completely white. He followed her into her room. "Do you know each other?" she said, to his extreme surprise, for he had counted on finding her alone. A young man rose, and said that he knew Ralph by sight. "We were just going through some papers," said Mary. "Mr. Basnett has to help me, because I don t know much about my work yet. It s the new society,"<|quote|>she explained.</|quote|>"I m the secretary. I m no longer at Russell Square." The voice in which she gave this information was so constrained as to sound almost harsh. "What are your aims?" said Ralph. He looked neither at Mary nor at Mr. Basnett. Mr. Basnett thought he had seldom seen a more disagreeable or formidable man than this friend of Mary s, this sarcastic-looking, white-faced Mr. Denham, who seemed to demand, as if by right, an account of their proposals, and to criticize them before he had heard them. Nevertheless, he explained his projects as clearly as he could, and knew that he wished Mr. Denham to think well of them. "I see," said Ralph, when he had done. "D you know, Mary," he suddenly remarked, "I believe I m in for a cold. Have you any quinine?" The look which he cast at her frightened her; it expressed mutely, perhaps without his own consciousness, something deep, wild, and passionate. She left the room at once. Her heart beat fast at the knowledge of Ralph s presence; but it beat with pain, and with an extraordinary fear. She stood listening for a moment to the voices in the next room. "Of course, I agree with you," she heard Ralph say, in this strange voice, to Mr. Basnett. "But there s more that might be done. Have you seen Judson, for instance? You should make a point of getting him." Mary returned with the quinine. "Judson s address?" Mr. Basnett inquired, pulling out his notebook and preparing to write. For twenty minutes, perhaps, he wrote down names, addresses, and other suggestions that Ralph dictated to him. Then, when Ralph fell silent, Mr. Basnett felt that his presence was not desired, and thanking Ralph for his help, with a sense that he was very young and ignorant compared with him, he said good-bye. "Mary," said Ralph, directly Mr. Basnett had shut the door
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Night And Day
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said Freddy, taking up a book.
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No speaker
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a good time?" "Yes, very,"<|quote|>said Freddy, taking up a book.</|quote|>"She and Cecil are thicker
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yesterday." "I suppose she had a good time?" "Yes, very,"<|quote|>said Freddy, taking up a book.</|quote|>"She and Cecil are thicker than ever." "That's good hearing."
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one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very,"<|quote|>said Freddy, taking up a book.</|quote|>"She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe." Mr. Beebe ignored the remark. "Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So
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the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very,"<|quote|>said Freddy, taking up a book.</|quote|>"She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe." Mr. Beebe ignored the remark. "Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think
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had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books. "Are these people great readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very,"<|quote|>said Freddy, taking up a book.</|quote|>"She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe." Mr. Beebe ignored the remark. "Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will
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XII: Twelfth Chapter It was a Saturday afternoon, gay and brilliant after abundant rains, and the spirit of youth dwelt in it, though the season was now autumn. All that was gracious triumphed. As the motorcars passed through Summer Street they raised only a little dust, and their stench was soon dispersed by the wind and replaced by the scent of the wet birches or of the pines. Mr. Beebe, at leisure for life's amenities, leant over his Rectory gate. Freddy leant by him, smoking a pendant pipe. "Suppose we go and hinder those new people opposite for a little." "M'm." "They might amuse you." Freddy, whom his fellow-creatures never amused, suggested that the new people might be feeling a bit busy, and so on, since they had only just moved in. "I suggested we should hinder them," said Mr. Beebe. "They are worth it." Unlatching the gate, he sauntered over the triangular green to Cissie Villa. "Hullo!" he cried, shouting in at the open door, through which much squalor was visible. A grave voice replied, "Hullo!" "I've brought someone to see you." "I'll be down in a minute." The passage was blocked by a wardrobe, which the removal men had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books. "Are these people great readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very,"<|quote|>said Freddy, taking up a book.</|quote|>"She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe." Mr. Beebe ignored the remark. "Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with 'How do you do? Come and have a bathe'? And yet you will tell me that the sexes are equal." "I tell you that they shall be," said Mr. Emerson, who had been slowly descending the stairs. "Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same." "We are to raise ladies to our level?" the clergyman inquired. "The Garden of Eden," pursued Mr. Emerson, still descending, "which you place in the past, is really yet to come. We shall enter it when we no longer despise our bodies." Mr. Beebe disclaimed placing the Garden of Eden anywhere. "In this--not in other things--we men are ahead. We despise the body less than women do. But not until we are comrades shall we enter the garden." "I say, what about this bathe?" murmured Freddy, appalled at the mass of philosophy that was approaching him. "I believed in a return to Nature once. But how can we return to Nature when we have never been with her? To-day, I believe that we must
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discussing her little party with her son. Mrs. Vyse was a nice woman, but her personality, like many another's, had been swamped by London, for it needs a strong head to live among many people. The too vast orb of her fate had crushed her; and she had seen too many seasons, too many cities, too many men, for her abilities, and even with Cecil she was mechanical, and behaved as if he was not one son, but, so to speak, a filial crowd. "Make Lucy one of us," she said, looking round intelligently at the end of each sentence, and straining her lips apart until she spoke again. "Lucy is becoming wonderful--wonderful." "Her music always was wonderful." "Yes, but she is purging off the Honeychurch taint, most excellent Honeychurches, but you know what I mean. She is not always quoting servants, or asking one how the pudding is made." "Italy has done it." "Perhaps," she murmured, thinking of the museum that represented Italy to her. "It is just possible. Cecil, mind you marry her next January. She is one of us already." "But her music!" he exclaimed. "The style of her! How she kept to Schumann when, like an idiot, I wanted Beethoven. Schumann was right for this evening. Schumann was the thing. Do you know, mother, I shall have our children educated just like Lucy. Bring them up among honest country folks for freshness, send them to Italy for subtlety, and then--not till then--let them come to London. I don't believe in these London educations--" He broke off, remembering that he had had one himself, and concluded, "At all events, not for women." "Make her one of us," repeated Mrs. Vyse, and processed to bed. As she was dozing off, a cry--the cry of nightmare--rang from Lucy's room. Lucy could ring for the maid if she liked but Mrs. Vyse thought it kind to go herself. She found the girl sitting upright with her hand on her cheek. "I am so sorry, Mrs. Vyse--it is these dreams." "Bad dreams?" "Just dreams." The elder lady smiled and kissed her, saying very distinctly: "You should have heard us talking about you, dear. He admires you more than ever. Dream of that." Lucy returned the kiss, still covering one cheek with her hand. Mrs. Vyse recessed to bed. Cecil, whom the cry had not awoke, snored. Darkness enveloped the flat. Chapter XII: Twelfth Chapter It was a Saturday afternoon, gay and brilliant after abundant rains, and the spirit of youth dwelt in it, though the season was now autumn. All that was gracious triumphed. As the motorcars passed through Summer Street they raised only a little dust, and their stench was soon dispersed by the wind and replaced by the scent of the wet birches or of the pines. Mr. Beebe, at leisure for life's amenities, leant over his Rectory gate. Freddy leant by him, smoking a pendant pipe. "Suppose we go and hinder those new people opposite for a little." "M'm." "They might amuse you." Freddy, whom his fellow-creatures never amused, suggested that the new people might be feeling a bit busy, and so on, since they had only just moved in. "I suggested we should hinder them," said Mr. Beebe. "They are worth it." Unlatching the gate, he sauntered over the triangular green to Cissie Villa. "Hullo!" he cried, shouting in at the open door, through which much squalor was visible. A grave voice replied, "Hullo!" "I've brought someone to see you." "I'll be down in a minute." The passage was blocked by a wardrobe, which the removal men had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books. "Are these people great readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very,"<|quote|>said Freddy, taking up a book.</|quote|>"She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe." Mr. Beebe ignored the remark. "Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with 'How do you do? Come and have a bathe'? And yet you will tell me that the sexes are equal." "I tell you that they shall be," said Mr. Emerson, who had been slowly descending the stairs. "Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same." "We are to raise ladies to our level?" the clergyman inquired. "The Garden of Eden," pursued Mr. Emerson, still descending, "which you place in the past, is really yet to come. We shall enter it when we no longer despise our bodies." Mr. Beebe disclaimed placing the Garden of Eden anywhere. "In this--not in other things--we men are ahead. We despise the body less than women do. But not until we are comrades shall we enter the garden." "I say, what about this bathe?" murmured Freddy, appalled at the mass of philosophy that was approaching him. "I believed in a return to Nature once. But how can we return to Nature when we have never been with her? To-day, I believe that we must discover Nature. After many conquests we shall attain simplicity. It is our heritage." "Let me introduce Mr. Honeychurch, whose sister you will remember at Florence." "How do you do? Very glad to see you, and that you are taking George for a bathe. Very glad to hear that your sister is going to marry. Marriage is a duty. I am sure that she will be happy, for we know Mr. Vyse, too. He has been most kind. He met us by chance in the National Gallery, and arranged everything about this delightful house. Though I hope I have not vexed Sir Harry Otway. I have met so few Liberal landowners, and I was anxious to compare his attitude towards the game laws with the Conservative attitude. Ah, this wind! You do well to bathe. Yours is a glorious country, Honeychurch!" "Not a bit!" mumbled Freddy. "I must--that is to say, I have to--have the pleasure of calling on you later on, my mother says, I hope." "CALL, my lad? Who taught us that drawing-room twaddle? Call on your grandmother! Listen to the wind among the pines! Yours is a glorious country." Mr. Beebe came to the rescue. "Mr. Emerson, he will call, I shall call; you or your son will return our calls before ten days have elapsed. I trust that you have realized about the ten days' interval. It does not count that I helped you with the stair-eyes yesterday. It does not count that they are going to bathe this afternoon." "Yes, go and bathe, George. Why do you dawdle talking? Bring them back to tea. Bring back some milk, cakes, honey. The change will do you good. George has been working very hard at his office. I can't believe he's well." George bowed his head, dusty and sombre, exhaling the peculiar smell of one who has handled furniture. "Do you really want this bathe?" Freddy asked him. "It is only a pond, don't you know. I dare say you are used to something better." "Yes--I have said 'Yes' already." Mr. Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-woods. How glorious it was! For a little time the voice of old Mr. Emerson pursued them dispensing good wishes and philosophy. It ceased, and they only heard the fair wind blowing the bracken and the trees. Mr.
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the kiss, still covering one cheek with her hand. Mrs. Vyse recessed to bed. Cecil, whom the cry had not awoke, snored. Darkness enveloped the flat. Chapter XII: Twelfth Chapter It was a Saturday afternoon, gay and brilliant after abundant rains, and the spirit of youth dwelt in it, though the season was now autumn. All that was gracious triumphed. As the motorcars passed through Summer Street they raised only a little dust, and their stench was soon dispersed by the wind and replaced by the scent of the wet birches or of the pines. Mr. Beebe, at leisure for life's amenities, leant over his Rectory gate. Freddy leant by him, smoking a pendant pipe. "Suppose we go and hinder those new people opposite for a little." "M'm." "They might amuse you." Freddy, whom his fellow-creatures never amused, suggested that the new people might be feeling a bit busy, and so on, since they had only just moved in. "I suggested we should hinder them," said Mr. Beebe. "They are worth it." Unlatching the gate, he sauntered over the triangular green to Cissie Villa. "Hullo!" he cried, shouting in at the open door, through which much squalor was visible. A grave voice replied, "Hullo!" "I've brought someone to see you." "I'll be down in a minute." The passage was blocked by a wardrobe, which the removal men had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books. "Are these people great readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very,"<|quote|>said Freddy, taking up a book.</|quote|>"She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe." Mr. Beebe ignored the remark. "Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with 'How do you do? Come and have a bathe'? And yet you will tell me that the sexes are equal." "I tell you that they shall be," said Mr. Emerson, who had been slowly descending the stairs. "Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same." "We are to raise ladies to our level?" the clergyman inquired. "The Garden of Eden," pursued Mr. Emerson, still descending, "which you place in the past, is really yet to come. We shall enter it when we no longer despise our bodies." Mr. Beebe disclaimed placing the Garden of Eden anywhere. "In this--not in other things--we men are ahead. We despise the body less
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A Room With A View
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"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."
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Mrs. Vane
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Love is more than money."<|quote|>"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."</|quote|>"He is not a gentleman,
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cried, "what does money matter? Love is more than money."<|quote|>"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."</|quote|>"He is not a gentleman, Mother, and I hate the
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am only happy, Sibyl, when I see you act. You must not think of anything but your acting. Mr. Isaacs has been very good to us, and we owe him money." The girl looked up and pouted. "Money, Mother?" she cried, "what does money matter? Love is more than money."<|quote|>"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."</|quote|>"He is not a gentleman, Mother, and I hate the way he talks to me," said the girl, rising to her feet and going over to the window. "I don t know how we could manage without him," answered the elder woman querulously. Sibyl Vane tossed her head and laughed.
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who, with back turned to the shrill intrusive light, was sitting in the one arm-chair that their dingy sitting-room contained. "I am so happy!" she repeated, "and you must be happy, too!" Mrs. Vane winced and put her thin, bismuth-whitened hands on her daughter s head. "Happy!" she echoed, "I am only happy, Sibyl, when I see you act. You must not think of anything but your acting. Mr. Isaacs has been very good to us, and we owe him money." The girl looked up and pouted. "Money, Mother?" she cried, "what does money matter? Love is more than money."<|quote|>"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."</|quote|>"He is not a gentleman, Mother, and I hate the way he talks to me," said the girl, rising to her feet and going over to the window. "I don t know how we could manage without him," answered the elder woman querulously. Sibyl Vane tossed her head and laughed. "We don t want him any more, Mother. Prince Charming rules life for us now." Then she paused. A rose shook in her blood and shadowed her cheeks. Quick breath parted the petals of her lips. They trembled. Some southern wind of passion swept over her and stirred the dainty
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opposite. The panes glowed like plates of heated metal. The sky above was like a faded rose. He thought of his friend s young fiery-coloured life and wondered how it was all going to end. When he arrived home, about half-past twelve o clock, he saw a telegram lying on the hall table. He opened it and found it was from Dorian Gray. It was to tell him that he was engaged to be married to Sibyl Vane. CHAPTER V. "Mother, Mother, I am so happy!" whispered the girl, burying her face in the lap of the faded, tired-looking woman who, with back turned to the shrill intrusive light, was sitting in the one arm-chair that their dingy sitting-room contained. "I am so happy!" she repeated, "and you must be happy, too!" Mrs. Vane winced and put her thin, bismuth-whitened hands on her daughter s head. "Happy!" she echoed, "I am only happy, Sibyl, when I see you act. You must not think of anything but your acting. Mr. Isaacs has been very good to us, and we owe him money." The girl looked up and pouted. "Money, Mother?" she cried, "what does money matter? Love is more than money."<|quote|>"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."</|quote|>"He is not a gentleman, Mother, and I hate the way he talks to me," said the girl, rising to her feet and going over to the window. "I don t know how we could manage without him," answered the elder woman querulously. Sibyl Vane tossed her head and laughed. "We don t want him any more, Mother. Prince Charming rules life for us now." Then she paused. A rose shook in her blood and shadowed her cheeks. Quick breath parted the petals of her lips. They trembled. Some southern wind of passion swept over her and stirred the dainty folds of her dress. "I love him," she said simply. "Foolish child! foolish child!" was the parrot-phrase flung in answer. The waving of crooked, false-jewelled fingers gave grotesqueness to the words. The girl laughed again. The joy of a caged bird was in her voice. Her eyes caught the melody and echoed it in radiance, then closed for a moment, as though to hide their secret. When they opened, the mist of a dream had passed across them. Thin-lipped wisdom spoke at her from the worn chair, hinted at prudence, quoted from that book of cowardice whose author apes the
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a subject made to his hand, and seemed to promise rich and fruitful results. His sudden mad love for Sibyl Vane was a psychological phenomenon of no small interest. There was no doubt that curiosity had much to do with it, curiosity and the desire for new experiences, yet it was not a simple, but rather a very complex passion. What there was in it of the purely sensuous instinct of boyhood had been transformed by the workings of the imagination, changed into something that seemed to the lad himself to be remote from sense, and was for that very reason all the more dangerous. It was the passions about whose origin we deceived ourselves that tyrannized most strongly over us. Our weakest motives were those of whose nature we were conscious. It often happened that when we thought we were experimenting on others we were really experimenting on ourselves. While Lord Henry sat dreaming on these things, a knock came to the door, and his valet entered and reminded him it was time to dress for dinner. He got up and looked out into the street. The sunset had smitten into scarlet gold the upper windows of the houses opposite. The panes glowed like plates of heated metal. The sky above was like a faded rose. He thought of his friend s young fiery-coloured life and wondered how it was all going to end. When he arrived home, about half-past twelve o clock, he saw a telegram lying on the hall table. He opened it and found it was from Dorian Gray. It was to tell him that he was engaged to be married to Sibyl Vane. CHAPTER V. "Mother, Mother, I am so happy!" whispered the girl, burying her face in the lap of the faded, tired-looking woman who, with back turned to the shrill intrusive light, was sitting in the one arm-chair that their dingy sitting-room contained. "I am so happy!" she repeated, "and you must be happy, too!" Mrs. Vane winced and put her thin, bismuth-whitened hands on her daughter s head. "Happy!" she echoed, "I am only happy, Sibyl, when I see you act. You must not think of anything but your acting. Mr. Isaacs has been very good to us, and we owe him money." The girl looked up and pouted. "Money, Mother?" she cried, "what does money matter? Love is more than money."<|quote|>"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."</|quote|>"He is not a gentleman, Mother, and I hate the way he talks to me," said the girl, rising to her feet and going over to the window. "I don t know how we could manage without him," answered the elder woman querulously. Sibyl Vane tossed her head and laughed. "We don t want him any more, Mother. Prince Charming rules life for us now." Then she paused. A rose shook in her blood and shadowed her cheeks. Quick breath parted the petals of her lips. They trembled. Some southern wind of passion swept over her and stirred the dainty folds of her dress. "I love him," she said simply. "Foolish child! foolish child!" was the parrot-phrase flung in answer. The waving of crooked, false-jewelled fingers gave grotesqueness to the words. The girl laughed again. The joy of a caged bird was in her voice. Her eyes caught the melody and echoed it in radiance, then closed for a moment, as though to hide their secret. When they opened, the mist of a dream had passed across them. Thin-lipped wisdom spoke at her from the worn chair, hinted at prudence, quoted from that book of cowardice whose author apes the name of common sense. She did not listen. She was free in her prison of passion. Her prince, Prince Charming, was with her. She had called on memory to remake him. She had sent her soul to search for him, and it had brought him back. His kiss burned again upon her mouth. Her eyelids were warm with his breath. Then wisdom altered its method and spoke of espial and discovery. This young man might be rich. If so, marriage should be thought of. Against the shell of her ear broke the waves of worldly cunning. The arrows of craft shot by her. She saw the thin lips moving, and smiled. Suddenly she felt the need to speak. The wordy silence troubled her. "Mother, Mother," she cried, "why does he love me so much? I know why I love him. I love him because he is like what love himself should be. But what does he see in me? I am not worthy of him. And yet why, I cannot tell though I feel so much beneath him, I don t feel humble. I feel proud, terribly proud. Mother, did you love my father as I love Prince Charming?" The
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elaborate masterpieces, just as poetry has, or sculpture, or painting. Yes, the lad was premature. He was gathering his harvest while it was yet spring. The pulse and passion of youth were in him, but he was becoming self-conscious. It was delightful to watch him. With his beautiful face, and his beautiful soul, he was a thing to wonder at. It was no matter how it all ended, or was destined to end. He was like one of those gracious figures in a pageant or a play, whose joys seem to be remote from one, but whose sorrows stir one s sense of beauty, and whose wounds are like red roses. Soul and body, body and soul how mysterious they were! There was animalism in the soul, and the body had its moments of spirituality. The senses could refine, and the intellect could degrade. Who could say where the fleshly impulse ceased, or the psychical impulse began? How shallow were the arbitrary definitions of ordinary psychologists! And yet how difficult to decide between the claims of the various schools! Was the soul a shadow seated in the house of sin? Or was the body really in the soul, as Giordano Bruno thought? The separation of spirit from matter was a mystery, and the union of spirit with matter was a mystery also. He began to wonder whether we could ever make psychology so absolute a science that each little spring of life would be revealed to us. As it was, we always misunderstood ourselves and rarely understood others. Experience was of no ethical value. It was merely the name men gave to their mistakes. Moralists had, as a rule, regarded it as a mode of warning, had claimed for it a certain ethical efficacy in the formation of character, had praised it as something that taught us what to follow and showed us what to avoid. But there was no motive power in experience. It was as little of an active cause as conscience itself. All that it really demonstrated was that our future would be the same as our past, and that the sin we had done once, and with loathing, we would do many times, and with joy. It was clear to him that the experimental method was the only method by which one could arrive at any scientific analysis of the passions; and certainly Dorian Gray was a subject made to his hand, and seemed to promise rich and fruitful results. His sudden mad love for Sibyl Vane was a psychological phenomenon of no small interest. There was no doubt that curiosity had much to do with it, curiosity and the desire for new experiences, yet it was not a simple, but rather a very complex passion. What there was in it of the purely sensuous instinct of boyhood had been transformed by the workings of the imagination, changed into something that seemed to the lad himself to be remote from sense, and was for that very reason all the more dangerous. It was the passions about whose origin we deceived ourselves that tyrannized most strongly over us. Our weakest motives were those of whose nature we were conscious. It often happened that when we thought we were experimenting on others we were really experimenting on ourselves. While Lord Henry sat dreaming on these things, a knock came to the door, and his valet entered and reminded him it was time to dress for dinner. He got up and looked out into the street. The sunset had smitten into scarlet gold the upper windows of the houses opposite. The panes glowed like plates of heated metal. The sky above was like a faded rose. He thought of his friend s young fiery-coloured life and wondered how it was all going to end. When he arrived home, about half-past twelve o clock, he saw a telegram lying on the hall table. He opened it and found it was from Dorian Gray. It was to tell him that he was engaged to be married to Sibyl Vane. CHAPTER V. "Mother, Mother, I am so happy!" whispered the girl, burying her face in the lap of the faded, tired-looking woman who, with back turned to the shrill intrusive light, was sitting in the one arm-chair that their dingy sitting-room contained. "I am so happy!" she repeated, "and you must be happy, too!" Mrs. Vane winced and put her thin, bismuth-whitened hands on her daughter s head. "Happy!" she echoed, "I am only happy, Sibyl, when I see you act. You must not think of anything but your acting. Mr. Isaacs has been very good to us, and we owe him money." The girl looked up and pouted. "Money, Mother?" she cried, "what does money matter? Love is more than money."<|quote|>"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."</|quote|>"He is not a gentleman, Mother, and I hate the way he talks to me," said the girl, rising to her feet and going over to the window. "I don t know how we could manage without him," answered the elder woman querulously. Sibyl Vane tossed her head and laughed. "We don t want him any more, Mother. Prince Charming rules life for us now." Then she paused. A rose shook in her blood and shadowed her cheeks. Quick breath parted the petals of her lips. They trembled. Some southern wind of passion swept over her and stirred the dainty folds of her dress. "I love him," she said simply. "Foolish child! foolish child!" was the parrot-phrase flung in answer. The waving of crooked, false-jewelled fingers gave grotesqueness to the words. The girl laughed again. The joy of a caged bird was in her voice. Her eyes caught the melody and echoed it in radiance, then closed for a moment, as though to hide their secret. When they opened, the mist of a dream had passed across them. Thin-lipped wisdom spoke at her from the worn chair, hinted at prudence, quoted from that book of cowardice whose author apes the name of common sense. She did not listen. She was free in her prison of passion. Her prince, Prince Charming, was with her. She had called on memory to remake him. She had sent her soul to search for him, and it had brought him back. His kiss burned again upon her mouth. Her eyelids were warm with his breath. Then wisdom altered its method and spoke of espial and discovery. This young man might be rich. If so, marriage should be thought of. Against the shell of her ear broke the waves of worldly cunning. The arrows of craft shot by her. She saw the thin lips moving, and smiled. Suddenly she felt the need to speak. The wordy silence troubled her. "Mother, Mother," she cried, "why does he love me so much? I know why I love him. I love him because he is like what love himself should be. But what does he see in me? I am not worthy of him. And yet why, I cannot tell though I feel so much beneath him, I don t feel humble. I feel proud, terribly proud. Mother, did you love my father as I love Prince Charming?" The elder woman grew pale beneath the coarse powder that daubed her cheeks, and her dry lips twitched with a spasm of pain. Sybil rushed to her, flung her arms round her neck, and kissed her. "Forgive me, Mother. I know it pains you to talk about our father. But it only pains you because you loved him so much. Don t look so sad. I am as happy to-day as you were twenty years ago. Ah! let me be happy for ever!" "My child, you are far too young to think of falling in love. Besides, what do you know of this young man? You don t even know his name. The whole thing is most inconvenient, and really, when James is going away to Australia, and I have so much to think of, I must say that you should have shown more consideration. However, as I said before, if he is rich ..." "Ah! Mother, Mother, let me be happy!" Mrs. Vane glanced at her, and with one of those false theatrical gestures that so often become a mode of second nature to a stage-player, clasped her in her arms. At this moment, the door opened and a young lad with rough brown hair came into the room. He was thick-set of figure, and his hands and feet were large and somewhat clumsy in movement. He was not so finely bred as his sister. One would hardly have guessed the close relationship that existed between them. Mrs. Vane fixed her eyes on him and intensified her smile. She mentally elevated her son to the dignity of an audience. She felt sure that the _tableau_ was interesting. "You might keep some of your kisses for me, Sibyl, I think," said the lad with a good-natured grumble. "Ah! but you don t like being kissed, Jim," she cried. "You are a dreadful old bear." And she ran across the room and hugged him. James Vane looked into his sister s face with tenderness. "I want you to come out with me for a walk, Sibyl. I don t suppose I shall ever see this horrid London again. I am sure I don t want to." "My son, don t say such dreadful things," murmured Mrs. Vane, taking up a tawdry theatrical dress, with a sigh, and beginning to patch it. She felt a little disappointed that he had not joined the
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It was as little of an active cause as conscience itself. All that it really demonstrated was that our future would be the same as our past, and that the sin we had done once, and with loathing, we would do many times, and with joy. It was clear to him that the experimental method was the only method by which one could arrive at any scientific analysis of the passions; and certainly Dorian Gray was a subject made to his hand, and seemed to promise rich and fruitful results. His sudden mad love for Sibyl Vane was a psychological phenomenon of no small interest. There was no doubt that curiosity had much to do with it, curiosity and the desire for new experiences, yet it was not a simple, but rather a very complex passion. What there was in it of the purely sensuous instinct of boyhood had been transformed by the workings of the imagination, changed into something that seemed to the lad himself to be remote from sense, and was for that very reason all the more dangerous. It was the passions about whose origin we deceived ourselves that tyrannized most strongly over us. Our weakest motives were those of whose nature we were conscious. It often happened that when we thought we were experimenting on others we were really experimenting on ourselves. While Lord Henry sat dreaming on these things, a knock came to the door, and his valet entered and reminded him it was time to dress for dinner. He got up and looked out into the street. The sunset had smitten into scarlet gold the upper windows of the houses opposite. The panes glowed like plates of heated metal. The sky above was like a faded rose. He thought of his friend s young fiery-coloured life and wondered how it was all going to end. When he arrived home, about half-past twelve o clock, he saw a telegram lying on the hall table. He opened it and found it was from Dorian Gray. It was to tell him that he was engaged to be married to Sibyl Vane. CHAPTER V. "Mother, Mother, I am so happy!" whispered the girl, burying her face in the lap of the faded, tired-looking woman who, with back turned to the shrill intrusive light, was sitting in the one arm-chair that their dingy sitting-room contained. "I am so happy!" she repeated, "and you must be happy, too!" Mrs. Vane winced and put her thin, bismuth-whitened hands on her daughter s head. "Happy!" she echoed, "I am only happy, Sibyl, when I see you act. You must not think of anything but your acting. Mr. Isaacs has been very good to us, and we owe him money." The girl looked up and pouted. "Money, Mother?" she cried, "what does money matter? Love is more than money."<|quote|>"Mr. Isaacs has advanced us fifty pounds to pay off our debts and to get a proper outfit for James. You must not forget that, Sibyl. Fifty pounds is a very large sum. Mr. Isaacs has been most considerate."</|quote|>"He is not a gentleman, Mother, and I hate the way he talks to me," said the girl, rising to her feet and going over to the window. "I don t know how we could manage without him," answered the elder woman querulously. Sibyl Vane tossed her head and laughed. "We don t want him any more, Mother. Prince Charming rules life for us now." Then she paused. A rose shook in her blood and shadowed her cheeks. Quick breath parted the petals of her lips. They trembled. Some southern wind of passion swept over her and stirred the dainty folds of her dress. "I love him," she said simply. "Foolish child! foolish child!" was the parrot-phrase flung in answer. The waving of crooked, false-jewelled fingers gave grotesqueness to the words. The girl laughed again. The joy of a caged bird was in her voice. Her eyes caught the melody and echoed it in radiance, then closed for a moment, as though to hide their secret. When they opened, the mist of a dream had passed across them. Thin-lipped wisdom spoke at her from the worn chair, hinted at prudence, quoted from that book of cowardice whose author apes the name of common sense. She did not listen. She was free in her prison of passion. Her prince, Prince Charming, was with her. She had called on memory to remake him. She had sent
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The Picture Of Dorian Gray
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"The first."
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Jake Barnes
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first or the second time?"<|quote|>"The first."</|quote|>"I was very bad," he
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I was all right. "The first or the second time?"<|quote|>"The first."</|quote|>"I was very bad," he said. "The second time I
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did not want to explain after I had made the mistake. "Where did you see me the other time? In Madrid?" "Yes," I lied. I had read the accounts of his two appearances in Madrid in the bull-fight papers, so I was all right. "The first or the second time?"<|quote|>"The first."</|quote|>"I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that
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as a banderillero, but he did not live in this hotel. He lived in a smaller hotel with the other people who worked for Romero. He asked me how many times I had seen him in the ring. I told him only three. It was really only two, but I did not want to explain after I had made the mistake. "Where did you see me the other time? In Madrid?" "Yes," I lied. I had read the accounts of his two appearances in Madrid in the bull-fight papers, so I was all right. "The first or the second time?"<|quote|>"The first."</|quote|>"I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that you like my work," he said. "But you haven't seen it yet. To-morrow, if I get a good bull, I will try and show it to you." When he said this he smiled, anxious that neither the bull-fight critic nor I would think he was boasting. "I am anxious to
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_lidia_ of a _toro_. The Spanish word _corrida_ means in English the running of bulls--the French translation is _Course de taureaux_. The critic put that in. There is no Spanish word for bull-fight. Pedro Romero said he had learned a little English in Gibraltar. He was born in Ronda. That is not far above Gibraltar. He started bull-fighting in Malaga in the bull-fighting school there. He had only been at it three years. The bull-fight critic joked him about the number of _Malague o_ expressions he used. He was nineteen years old, he said. His older brother was with him as a banderillero, but he did not live in this hotel. He lived in a smaller hotel with the other people who worked for Romero. He asked me how many times I had seen him in the ring. I told him only three. It was really only two, but I did not want to explain after I had made the mistake. "Where did you see me the other time? In Madrid?" "Yes," I lied. I had read the accounts of his two appearances in Madrid in the bull-fight papers, so I was all right. "The first or the second time?"<|quote|>"The first."</|quote|>"I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that you like my work," he said. "But you haven't seen it yet. To-morrow, if I get a good bull, I will try and show it to you." When he said this he smiled, anxious that neither the bull-fight critic nor I would think he was boasting. "I am anxious to see it," the critic said. "I would like to be convinced." "He doesn't like my work much." Romero turned to me. He was serious. The critic explained that he liked it very much, but that so far it had been incomplete. "Wait till to-morrow, if a good one comes out." "Have you seen the bulls for to-morrow?" the critic asked me. "Yes. I saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said
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at work and started on Mike's free shoe that shone already in the electric light. "Bill's a yell of laughter," Mike said. I was drinking red wine, and so far behind them that I felt a little uncomfortable about all this shoe-shining. I looked around the room. At the next table was Pedro Romero. He stood up when I nodded, and asked me to come over and meet a friend. His table was beside ours, almost touching. I met the friend, a Madrid bull-fight critic, a little man with a drawn face. I told Romero how much I liked his work, and he was very pleased. We talked Spanish and the critic knew a little French. I reached to our table for my wine-bottle, but the critic took my arm. Romero laughed. "Drink here," he said in English. He was very bashful about his English, but he was really very pleased with it, and as we went on talking he brought out words he was not sure of, and asked me about them. He was anxious to know the English for _Corrida de toros_, the exact translation. Bull-fight he was suspicious of. I explained that bull-fight in Spanish was the _lidia_ of a _toro_. The Spanish word _corrida_ means in English the running of bulls--the French translation is _Course de taureaux_. The critic put that in. There is no Spanish word for bull-fight. Pedro Romero said he had learned a little English in Gibraltar. He was born in Ronda. That is not far above Gibraltar. He started bull-fighting in Malaga in the bull-fighting school there. He had only been at it three years. The bull-fight critic joked him about the number of _Malague o_ expressions he used. He was nineteen years old, he said. His older brother was with him as a banderillero, but he did not live in this hotel. He lived in a smaller hotel with the other people who worked for Romero. He asked me how many times I had seen him in the ring. I told him only three. It was really only two, but I did not want to explain after I had made the mistake. "Where did you see me the other time? In Madrid?" "Yes," I lied. I had read the accounts of his two appearances in Madrid in the bull-fight papers, so I was all right. "The first or the second time?"<|quote|>"The first."</|quote|>"I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that you like my work," he said. "But you haven't seen it yet. To-morrow, if I get a good bull, I will try and show it to you." When he said this he smiled, anxious that neither the bull-fight critic nor I would think he was boasting. "I am anxious to see it," the critic said. "I would like to be convinced." "He doesn't like my work much." Romero turned to me. He was serious. The critic explained that he liked it very much, but that so far it had been incomplete. "Wait till to-morrow, if a good one comes out." "Have you seen the bulls for to-morrow?" the critic asked me. "Yes. I saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said. "Go on, tell him. Tell
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my face down into the bowl and washed it with cold water. Montoya was standing there looking more embarrassed. "Look," he said. "I've just had a message from them at the Grand Hotel that they want Pedro Romero and Marcial Lalanda to come over for coffee to-night after dinner." "Well," I said, "it can't hurt Marcial any." "Marcial has been in San Sebastian all day. He drove over in a car this morning with Marquez. I don't think they'll be back to-night." Montoya stood embarrassed. He wanted me to say something. "Don't give Romero the message," I said. "You think so?" "Absolutely." Montoya was very pleased. "I wanted to ask you because you were an American," he said. "That's what I'd do." "Look," said Montoya. "People take a boy like that. They don't know what he's worth. They don't know what he means. Any foreigner can flatter him. They start this Grand Hotel business, and in one year they're through." "Like Algabeno," I said. "Yes, like Algabeno." "They're a fine lot," I said. "There's one American woman down here now that collects bull-fighters." "I know. They only want the young ones." "Yes," I said. "The old ones get fat." "Or crazy like Gallo." "Well," I said, "it's easy. All you have to do is not give him the message." "He's such a fine boy," said Montoya. "He ought to stay with his own people. He shouldn't mix in that stuff." "Won't you have a drink?" I asked. "No," said Montoya, "I have to go." He went out. I went down-stairs and out the door and took a walk around through the arcades around the square. It was still raining. I looked in at the Iru a for the gang and they were not there, so I walked on around the square and back to the hotel. They were eating dinner in the down-stairs dining-room. They were well ahead of me and it was no use trying to catch them. Bill was buying shoe-shines for Mike. Bootblacks opened the street door and each one Bill called over and started to work on Mike. "This is the eleventh time my boots have been polished," Mike said. "I say, Bill is an ass." The bootblacks had evidently spread the report. Another came in. "Limpia botas?" he said to Bill. "No," said Bill. "For this Se or." The bootblack knelt down beside the one at work and started on Mike's free shoe that shone already in the electric light. "Bill's a yell of laughter," Mike said. I was drinking red wine, and so far behind them that I felt a little uncomfortable about all this shoe-shining. I looked around the room. At the next table was Pedro Romero. He stood up when I nodded, and asked me to come over and meet a friend. His table was beside ours, almost touching. I met the friend, a Madrid bull-fight critic, a little man with a drawn face. I told Romero how much I liked his work, and he was very pleased. We talked Spanish and the critic knew a little French. I reached to our table for my wine-bottle, but the critic took my arm. Romero laughed. "Drink here," he said in English. He was very bashful about his English, but he was really very pleased with it, and as we went on talking he brought out words he was not sure of, and asked me about them. He was anxious to know the English for _Corrida de toros_, the exact translation. Bull-fight he was suspicious of. I explained that bull-fight in Spanish was the _lidia_ of a _toro_. The Spanish word _corrida_ means in English the running of bulls--the French translation is _Course de taureaux_. The critic put that in. There is no Spanish word for bull-fight. Pedro Romero said he had learned a little English in Gibraltar. He was born in Ronda. That is not far above Gibraltar. He started bull-fighting in Malaga in the bull-fighting school there. He had only been at it three years. The bull-fight critic joked him about the number of _Malague o_ expressions he used. He was nineteen years old, he said. His older brother was with him as a banderillero, but he did not live in this hotel. He lived in a smaller hotel with the other people who worked for Romero. He asked me how many times I had seen him in the ring. I told him only three. It was really only two, but I did not want to explain after I had made the mistake. "Where did you see me the other time? In Madrid?" "Yes," I lied. I had read the accounts of his two appearances in Madrid in the bull-fight papers, so I was all right. "The first or the second time?"<|quote|>"The first."</|quote|>"I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that you like my work," he said. "But you haven't seen it yet. To-morrow, if I get a good bull, I will try and show it to you." When he said this he smiled, anxious that neither the bull-fight critic nor I would think he was boasting. "I am anxious to see it," the critic said. "I would like to be convinced." "He doesn't like my work much." Romero turned to me. He was serious. The critic explained that he liked it very much, but that so far it had been incomplete. "Wait till to-morrow, if a good one comes out." "Have you seen the bulls for to-morrow?" the critic asked me. "Yes. I saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said. "Go on, tell him. Tell him I'm ashamed of being a writer." Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began.
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have to go." He went out. I went down-stairs and out the door and took a walk around through the arcades around the square. It was still raining. I looked in at the Iru a for the gang and they were not there, so I walked on around the square and back to the hotel. They were eating dinner in the down-stairs dining-room. They were well ahead of me and it was no use trying to catch them. Bill was buying shoe-shines for Mike. Bootblacks opened the street door and each one Bill called over and started to work on Mike. "This is the eleventh time my boots have been polished," Mike said. "I say, Bill is an ass." The bootblacks had evidently spread the report. Another came in. "Limpia botas?" he said to Bill. "No," said Bill. "For this Se or." The bootblack knelt down beside the one at work and started on Mike's free shoe that shone already in the electric light. "Bill's a yell of laughter," Mike said. I was drinking red wine, and so far behind them that I felt a little uncomfortable about all this shoe-shining. I looked around the room. At the next table was Pedro Romero. He stood up when I nodded, and asked me to come over and meet a friend. His table was beside ours, almost touching. I met the friend, a Madrid bull-fight critic, a little man with a drawn face. I told Romero how much I liked his work, and he was very pleased. We talked Spanish and the critic knew a little French. I reached to our table for my wine-bottle, but the critic took my arm. Romero laughed. "Drink here," he said in English. He was very bashful about his English, but he was really very pleased with it, and as we went on talking he brought out words he was not sure of, and asked me about them. He was anxious to know the English for _Corrida de toros_, the exact translation. Bull-fight he was suspicious of. I explained that bull-fight in Spanish was the _lidia_ of a _toro_. The Spanish word _corrida_ means in English the running of bulls--the French translation is _Course de taureaux_. The critic put that in. There is no Spanish word for bull-fight. Pedro Romero said he had learned a little English in Gibraltar. He was born in Ronda. That is not far above Gibraltar. He started bull-fighting in Malaga in the bull-fighting school there. He had only been at it three years. The bull-fight critic joked him about the number of _Malague o_ expressions he used. He was nineteen years old, he said. His older brother was with him as a banderillero, but he did not live in this hotel. He lived in a smaller hotel with the other people who worked for Romero. He asked me how many times I had seen him in the ring. I told him only three. It was really only two, but I did not want to explain after I had made the mistake. "Where did you see me the other time? In Madrid?" "Yes," I lied. I had read the accounts of his two appearances in Madrid in the bull-fight papers, so I was all right. "The first or the second time?"<|quote|>"The first."</|quote|>"I was very bad," he said. "The second time I was better. You remember?" He turned to the critic. He was not at all embarrassed. He talked of his work as something altogether apart from himself. There was nothing conceited or braggartly about him. "I like it very much that you like my work," he said. "But you haven't seen it yet. To-morrow, if I get a good bull, I will try and show it to you." When he said this he smiled, anxious that neither the bull-fight critic nor I would think he was boasting. "I am anxious to see it," the critic said. "I would like to be convinced." "He doesn't like my work much." Romero turned to me. He was serious. The critic explained that he liked it very much, but that so far it had been incomplete. "Wait till to-morrow, if a good one comes out." "Have you seen the bulls for to-morrow?" the critic asked me. "Yes. I saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said. "Go on, tell him. Tell him I'm ashamed of being a writer." Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett.
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The Sun Also Rises
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says he,
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No speaker
|
your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the
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and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep.
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the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they
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There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged
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by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less
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she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated.
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Hospital," says my father. "In which class?" "Third. We must wait till we know what the operation costs. She wanted to be in the third herself. She said that then she would have some company. And besides it is cheaper." "So she is lying there with all those people. If only she could sleep properly." My father nods. His face is broken and full of furrows. My mother has always been sickly; and though she has only gone to the hospital when she has been compelled to, it has cost a great deal of money, and my father's life has been practically given up to it. "If only I knew how much the operation costs," says he. "Have you not asked?" "Not directly, I cannot do that--the surgeon might take it amiss and that would not do, he must operate on mother." Yes, I think bitterly, that's how it is with us, and with all poor people. They don't dare to ask the price, but worry themselves dreadfully beforehand about it; but the others, for whom it is not important, they settle the price first as a matter of course. And the doctor does not take it amiss from them. "And the dressings afterwards are so expensive," says my father. "Doesn't the Invalid's Fund pay anything toward it, then?" I ask. "Mother has been ill too long." "Have you any money at all?" He shakes his head: "No, but I can do some overtime." I know. He will stand at his desk folding and pasting and cutting until twelve o'clock at night. At eight o'clock in the evening he will eat some of the miserable rubbish they get in exchange for their food tickets, then he will take a powder for his headache and work on. In order to cheer him up a bit I tell him a few stories, soldiers' jokes, and the like, about generals and sergeant-majors. Afterwards I accompany them both to the railway station. They give me a pot of jam and a bag of potato-cakes that my mother has made for me. Then they go off and I return to the camp. In the evening I spread the jam on the cakes and eat some. But I have no taste for them. So I go out to give them to the Russians. Then it occurs to me that my mother cooked them herself and that she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he
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By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good,"<|quote|>says he,</|quote|>"I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?" None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on. "What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to
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All Quiet on the Western Front
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"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."
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Diana Barry
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our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's
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we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly,
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Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I
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affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if
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But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously
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Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their
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really think she could. "I'm positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I'll get used to it, but I'm afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don't believe I'd really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I'm tired. I simply couldn't sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the
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friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana.<|quote|>"Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen."</|quote|>"If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out
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Anne Of Green Gables
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The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .
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No speaker
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India; I am not joking."<|quote|>The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .</|quote|>"I am doing justice here.
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Mrs. Moore, you are in India; I am not joking."<|quote|>The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .</|quote|>"I am doing justice here. A poor widow who has
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else now," he exclaimed. "I wish I lived here. See this beautiful room! Let us admire it together for a little. See those curves at the bottom of the arches. What delicacy! It is the architecture of Question and Answer. Mrs. Moore, you are in India; I am not joking."<|quote|>The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .</|quote|>"I am doing justice here. A poor widow who has been robbed comes along and I give her fifty rupees, to another a hundred, and so on and so on. I should like that." Mrs. Moore smiled, thinking of the modern method as exemplified in her son. "Rupees don't last
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her. His invitation gratified her, and she asked him for his address. Aziz thought of his bungalow with horror. It was a detestable shanty near a low bazaar. There was practically only one room in it, and that infested with small black flies. "Oh, but we will talk of something else now," he exclaimed. "I wish I lived here. See this beautiful room! Let us admire it together for a little. See those curves at the bottom of the arches. What delicacy! It is the architecture of Question and Answer. Mrs. Moore, you are in India; I am not joking."<|quote|>The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .</|quote|>"I am doing justice here. A poor widow who has been robbed comes along and I give her fifty rupees, to another a hundred, and so on and so on. I should like that." Mrs. Moore smiled, thinking of the modern method as exemplified in her son. "Rupees don't last for ever, I'm afraid," she said. "Mine would. God would give me more when he saw I gave. Always be giving, like the Nawab Bahadur. My father was the same, that is why he died poor." And pointing about the room he peopled it with clerks and officials, all benevolent
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in stirring it up, in either case. Aziz and I know well that India's a muddle." "India's Oh, what an alarming idea!" "There'll be no muddle when you come to see me," said Aziz, rather out of his depth. "Mrs. Moore and everyone I invite you all oh, please." The old lady accepted: she still thought the young doctor excessively nice; moreover, a new feeling, half languor, half excitement, bade her turn down any fresh path. Miss Quested accepted out of adventure. She also liked Aziz, and believed that when she knew him better he would unlock his country for her. His invitation gratified her, and she asked him for his address. Aziz thought of his bungalow with horror. It was a detestable shanty near a low bazaar. There was practically only one room in it, and that infested with small black flies. "Oh, but we will talk of something else now," he exclaimed. "I wish I lived here. See this beautiful room! Let us admire it together for a little. See those curves at the bottom of the arches. What delicacy! It is the architecture of Question and Answer. Mrs. Moore, you are in India; I am not joking."<|quote|>The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .</|quote|>"I am doing justice here. A poor widow who has been robbed comes along and I give her fifty rupees, to another a hundred, and so on and so on. I should like that." Mrs. Moore smiled, thinking of the modern method as exemplified in her son. "Rupees don't last for ever, I'm afraid," she said. "Mine would. God would give me more when he saw I gave. Always be giving, like the Nawab Bahadur. My father was the same, that is why he died poor." And pointing about the room he peopled it with clerks and officials, all benevolent because they lived long ago. "So we would sit giving for ever on a carpet instead of chairs, that is the chief change between now and then, but I think we would never punish anyone." The ladies agreed. "Poor criminal, give him another chance. It only makes a man worse to go to prison and be corrupted." His face grew very tender the tenderness of one incapable of administration, and unable to grasp that if the poor criminal is let off he will again rob the poor widow. He was tender to everyone except a few family enemies whom he
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us. We must have made some stupid blunder, we both feel sure." "I wouldn't worry about that." "Exactly what Mr. Heaslop tells me," she retorted, reddening a little. "If one doesn't worry, how's one to understand?" The host was inclined to change the subject, but Aziz took it up warmly, and on learning fragments of the delinquents' name pronounced that they were Hindus. "Slack Hindus they have no idea of society; I know them very well because of a doctor at the hospital. Such a slack, unpunctual fellow! It is as well you did not go to their house, for it would give you a wrong idea of India. Nothing sanitary. I think for my own part they grew ashamed of their house and that is why they did not send." "That's a notion," said the other man. "I do so hate mysteries," Adela announced. "We English do." "I dislike them not because I'm English, but from my own personal point of view," she corrected. "I like mysteries but I rather dislike muddles," said Mrs. Moore. "A mystery is a muddle." "Oh, do you think so, Mr. Fielding?" "A mystery is only a high-sounding term for a muddle. No advantage in stirring it up, in either case. Aziz and I know well that India's a muddle." "India's Oh, what an alarming idea!" "There'll be no muddle when you come to see me," said Aziz, rather out of his depth. "Mrs. Moore and everyone I invite you all oh, please." The old lady accepted: she still thought the young doctor excessively nice; moreover, a new feeling, half languor, half excitement, bade her turn down any fresh path. Miss Quested accepted out of adventure. She also liked Aziz, and believed that when she knew him better he would unlock his country for her. His invitation gratified her, and she asked him for his address. Aziz thought of his bungalow with horror. It was a detestable shanty near a low bazaar. There was practically only one room in it, and that infested with small black flies. "Oh, but we will talk of something else now," he exclaimed. "I wish I lived here. See this beautiful room! Let us admire it together for a little. See those curves at the bottom of the arches. What delicacy! It is the architecture of Question and Answer. Mrs. Moore, you are in India; I am not joking."<|quote|>The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .</|quote|>"I am doing justice here. A poor widow who has been robbed comes along and I give her fifty rupees, to another a hundred, and so on and so on. I should like that." Mrs. Moore smiled, thinking of the modern method as exemplified in her son. "Rupees don't last for ever, I'm afraid," she said. "Mine would. God would give me more when he saw I gave. Always be giving, like the Nawab Bahadur. My father was the same, that is why he died poor." And pointing about the room he peopled it with clerks and officials, all benevolent because they lived long ago. "So we would sit giving for ever on a carpet instead of chairs, that is the chief change between now and then, but I think we would never punish anyone." The ladies agreed. "Poor criminal, give him another chance. It only makes a man worse to go to prison and be corrupted." His face grew very tender the tenderness of one incapable of administration, and unable to grasp that if the poor criminal is let off he will again rob the poor widow. He was tender to everyone except a few family enemies whom he did not consider human: on these he desired revenge. He was even tender to the English; he knew at the bottom of his heart that they could not help being so cold and odd and circulating like an ice stream through his land. "We punish no one, no one," he repeated, "and in the evening we will give a great banquet with a nautch and lovely girls shall shine on every side of the tank with fireworks in their hands, and all shall be feasting and happiness until the next day, when there shall be justice as before fifty rupees, a hundred, a thousand till peace comes. Ah, why didn't we live in that time? But are you admiring Mr. Fielding's house? Do look how the pillars are painted blue, and the verandah's pavilions what do you call them? that are above us inside are blue also. Look at the carving on the pavilions. Think of the hours it took. Their little roofs are curved to imitate bamboo. So pretty and the bamboos waving by the tank outside. Mrs. Moore! Mrs. Moore!" "Well?" she said, laughing. "You remember the water by our mosque? It comes down and fills this tank
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Deccani Brahman!" "He wants the past back too, but not precisely Alamgir." "I should think not. Do you know what Deccani Brahmans say? That England conquered India from them from them, mind, and not from the Moguls. Is not that like their cheek? They have even bribed it to appear in text-books, for they are so subtle and immensely rich. Professor Godbole must be quite unlike all other Deccani Brahmans from all I can hear say. A most sincere chap." "Why don't you fellows run a club in Chandrapore, Aziz?" "Perhaps some day . . . just now I see Mrs. Moore and what's her name coming." How fortunate that it was an "unconventional" party, where formalities are ruled out! On this basis Aziz found the English ladies easy to talk to, he treated them like men. Beauty would have troubled him, for it entails rules of its own, but Mrs. Moore was so old and Miss Quested so plain that he was spared this anxiety. Adela's angular body and the freckles on her face were terrible defects in his eyes, and he wondered how God could have been so unkind to any female form. His attitude towards her remained entirely straightforward in consequence. "I want to ask you something, Dr. Aziz," she began. "I heard from Mrs. Moore how helpful you were to her in the mosque, and how interesting. She learnt more about India in those few minutes' talk with you than in the three weeks since we landed." "Oh, please do not mention a little thing like that. Is there anything else I may tell you about my country?" "I want you to explain a disappointment we had this morning; it must be some point of Indian etiquette." "There honestly is none," he replied. "We are by nature a most informal people." "I am afraid we must have made some blunder and given offence," said Mrs. Moore. "That is even more impossible. But may I know the facts?" "An Indian lady and gentleman were to send their carriage for us this morning at nine. It has never come. We waited and waited and waited; we can't think what happened." "Some misunderstanding," said Fielding, seeing at once that it was the type of incident that had better not be cleared up. "Oh no, it wasn't that," Miss Quested persisted. "They even gave up going to Calcutta to entertain us. We must have made some stupid blunder, we both feel sure." "I wouldn't worry about that." "Exactly what Mr. Heaslop tells me," she retorted, reddening a little. "If one doesn't worry, how's one to understand?" The host was inclined to change the subject, but Aziz took it up warmly, and on learning fragments of the delinquents' name pronounced that they were Hindus. "Slack Hindus they have no idea of society; I know them very well because of a doctor at the hospital. Such a slack, unpunctual fellow! It is as well you did not go to their house, for it would give you a wrong idea of India. Nothing sanitary. I think for my own part they grew ashamed of their house and that is why they did not send." "That's a notion," said the other man. "I do so hate mysteries," Adela announced. "We English do." "I dislike them not because I'm English, but from my own personal point of view," she corrected. "I like mysteries but I rather dislike muddles," said Mrs. Moore. "A mystery is a muddle." "Oh, do you think so, Mr. Fielding?" "A mystery is only a high-sounding term for a muddle. No advantage in stirring it up, in either case. Aziz and I know well that India's a muddle." "India's Oh, what an alarming idea!" "There'll be no muddle when you come to see me," said Aziz, rather out of his depth. "Mrs. Moore and everyone I invite you all oh, please." The old lady accepted: she still thought the young doctor excessively nice; moreover, a new feeling, half languor, half excitement, bade her turn down any fresh path. Miss Quested accepted out of adventure. She also liked Aziz, and believed that when she knew him better he would unlock his country for her. His invitation gratified her, and she asked him for his address. Aziz thought of his bungalow with horror. It was a detestable shanty near a low bazaar. There was practically only one room in it, and that infested with small black flies. "Oh, but we will talk of something else now," he exclaimed. "I wish I lived here. See this beautiful room! Let us admire it together for a little. See those curves at the bottom of the arches. What delicacy! It is the architecture of Question and Answer. Mrs. Moore, you are in India; I am not joking."<|quote|>The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .</|quote|>"I am doing justice here. A poor widow who has been robbed comes along and I give her fifty rupees, to another a hundred, and so on and so on. I should like that." Mrs. Moore smiled, thinking of the modern method as exemplified in her son. "Rupees don't last for ever, I'm afraid," she said. "Mine would. God would give me more when he saw I gave. Always be giving, like the Nawab Bahadur. My father was the same, that is why he died poor." And pointing about the room he peopled it with clerks and officials, all benevolent because they lived long ago. "So we would sit giving for ever on a carpet instead of chairs, that is the chief change between now and then, but I think we would never punish anyone." The ladies agreed. "Poor criminal, give him another chance. It only makes a man worse to go to prison and be corrupted." His face grew very tender the tenderness of one incapable of administration, and unable to grasp that if the poor criminal is let off he will again rob the poor widow. He was tender to everyone except a few family enemies whom he did not consider human: on these he desired revenge. He was even tender to the English; he knew at the bottom of his heart that they could not help being so cold and odd and circulating like an ice stream through his land. "We punish no one, no one," he repeated, "and in the evening we will give a great banquet with a nautch and lovely girls shall shine on every side of the tank with fireworks in their hands, and all shall be feasting and happiness until the next day, when there shall be justice as before fifty rupees, a hundred, a thousand till peace comes. Ah, why didn't we live in that time? But are you admiring Mr. Fielding's house? Do look how the pillars are painted blue, and the verandah's pavilions what do you call them? that are above us inside are blue also. Look at the carving on the pavilions. Think of the hours it took. Their little roofs are curved to imitate bamboo. So pretty and the bamboos waving by the tank outside. Mrs. Moore! Mrs. Moore!" "Well?" she said, laughing. "You remember the water by our mosque? It comes down and fills this tank a skilful arrangement of the Emperors. They stopped here going down into Bengal. They loved water. Wherever they went they created fountains, gardens, hammams. I was telling Mr. Fielding I would give anything to serve them." He was wrong about the water, which no Emperor, however skilful, can cause to gravitate uphill; a depression of some depth together with the whole of Chandrapore lay between the mosque and Fielding's house. Ronny would have pulled him up, Turton would have wanted to pull him up, but restrained himself. Fielding did not even want to pull him up; he had dulled his craving for verbal truth and cared chiefly for truth of mood. As for Miss Quested, she accepted everything Aziz said as true verbally. In her ignorance, she regarded him as "India," and never surmised that his outlook was limited and his method inaccurate, and that no one is India. He was now much excited, chattering away hard, and even saying damn when he got mixed up in his sentences. He told them of his profession, and of the operations he had witnessed and performed, and he went into details that scared Mrs. Moore, though Miss Quested mistook them for proofs of his broad-mindedness; she had heard such talk at home in advanced academic circles, deliberately free. She supposed him to be emancipated as well as reliable, and placed him on a pinnacle which he could not retain. He was high enough for the moment, to be sure, but not on any pinnacle. Wings bore him up, and flagging would deposit him. The arrival of Professor Godbole quieted him somewhat, but it remained his afternoon. The Brahman, polite and enigmatic, did not impede his eloquence, and even applauded it. He took his tea at a little distance from the outcasts, from a low table placed slightly behind him, to which he stretched back, and as it were encountered food by accident; all feigned indifference to Professor Godbole's tea. He was elderly and wizen with a grey moustache and grey-blue eyes, and his complexion was as fair as a European's. He wore a turban that looked like pale purple macaroni, coat, waistcoat, dhoti, socks with clocks. The clocks matched the turban, and his whole appearance suggested harmony as if he had reconciled the products of East and West, mental as well as physical, and could never be discomposed. The ladies were interested
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you than in the three weeks since we landed." "Oh, please do not mention a little thing like that. Is there anything else I may tell you about my country?" "I want you to explain a disappointment we had this morning; it must be some point of Indian etiquette." "There honestly is none," he replied. "We are by nature a most informal people." "I am afraid we must have made some blunder and given offence," said Mrs. Moore. "That is even more impossible. But may I know the facts?" "An Indian lady and gentleman were to send their carriage for us this morning at nine. It has never come. We waited and waited and waited; we can't think what happened." "Some misunderstanding," said Fielding, seeing at once that it was the type of incident that had better not be cleared up. "Oh no, it wasn't that," Miss Quested persisted. "They even gave up going to Calcutta to entertain us. We must have made some stupid blunder, we both feel sure." "I wouldn't worry about that." "Exactly what Mr. Heaslop tells me," she retorted, reddening a little. "If one doesn't worry, how's one to understand?" The host was inclined to change the subject, but Aziz took it up warmly, and on learning fragments of the delinquents' name pronounced that they were Hindus. "Slack Hindus they have no idea of society; I know them very well because of a doctor at the hospital. Such a slack, unpunctual fellow! It is as well you did not go to their house, for it would give you a wrong idea of India. Nothing sanitary. I think for my own part they grew ashamed of their house and that is why they did not send." "That's a notion," said the other man. "I do so hate mysteries," Adela announced. "We English do." "I dislike them not because I'm English, but from my own personal point of view," she corrected. "I like mysteries but I rather dislike muddles," said Mrs. Moore. "A mystery is a muddle." "Oh, do you think so, Mr. Fielding?" "A mystery is only a high-sounding term for a muddle. No advantage in stirring it up, in either case. Aziz and I know well that India's a muddle." "India's Oh, what an alarming idea!" "There'll be no muddle when you come to see me," said Aziz, rather out of his depth. "Mrs. Moore and everyone I invite you all oh, please." The old lady accepted: she still thought the young doctor excessively nice; moreover, a new feeling, half languor, half excitement, bade her turn down any fresh path. Miss Quested accepted out of adventure. She also liked Aziz, and believed that when she knew him better he would unlock his country for her. His invitation gratified her, and she asked him for his address. Aziz thought of his bungalow with horror. It was a detestable shanty near a low bazaar. There was practically only one room in it, and that infested with small black flies. "Oh, but we will talk of something else now," he exclaimed. "I wish I lived here. See this beautiful room! Let us admire it together for a little. See those curves at the bottom of the arches. What delicacy! It is the architecture of Question and Answer. Mrs. Moore, you are in India; I am not joking."<|quote|>The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia de' Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public on exhibition, as it were in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too there was no knowing who might not come in and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged. . . .</|quote|>"I am doing justice here. A poor widow who has been robbed comes along and I give her fifty rupees, to another a hundred, and so on and so on. I should like that." Mrs. Moore smiled, thinking of the modern method as exemplified in her son. "Rupees don't last for ever, I'm afraid," she said. "Mine would. God would give me more when he saw I gave. Always be giving, like the Nawab Bahadur. My father was the same, that is why he died poor." And pointing about the room he peopled it with clerks and officials, all benevolent because they lived long ago. "So we would sit giving for ever on a carpet instead of chairs, that is the chief change between now and then, but I think we would never punish anyone." The ladies agreed. "Poor criminal, give him another chance. It only makes a man worse to go to prison and be corrupted." His face grew very tender the tenderness of one incapable of administration, and unable to grasp that if the poor criminal is let off he will again rob the poor widow. He was tender to everyone except a few family enemies whom he did not consider human: on these he desired revenge. He was even tender to the English; he knew at the bottom of his heart that they could not help being so cold and odd and circulating like an ice stream through his land. "We punish no one, no one," he repeated, "and in the evening we will give a great banquet with a nautch and lovely girls shall shine on every side of the tank with fireworks in their hands, and all shall be feasting and happiness until the next day, when there shall be justice as before fifty rupees, a hundred, a thousand till peace comes. Ah, why didn't we live in that time? But are you admiring Mr. Fielding's house? Do look how the pillars are painted blue, and the verandah's pavilions what do you call them? that are above us inside are blue also. Look at the carving on the pavilions. Think of the hours it took. Their little roofs are curved to imitate bamboo. So pretty and the bamboos waving by the tank outside. Mrs. Moore! Mrs. Moore!" "Well?" she said, laughing. "You remember the water by our mosque? It comes down and fills this tank a skilful arrangement of the Emperors. They stopped here going down into Bengal. They loved water. Wherever they went they created fountains, gardens, hammams. I was telling Mr. Fielding I would give anything to serve them." He was wrong about the water, which no Emperor, however skilful, can cause to gravitate uphill; a depression of some depth together with the whole of Chandrapore lay between the mosque and Fielding's house. Ronny would have pulled him up, Turton would have wanted to pull him up, but restrained himself. Fielding did not even want to pull him up; he had dulled his craving for verbal truth and cared chiefly for truth of mood. As for Miss Quested, she accepted everything Aziz said as true verbally. In her ignorance, she regarded him as "India," and never surmised that his outlook was limited and his method inaccurate, and that no one is India. He was now much excited, chattering away hard, and even saying damn when he got mixed up in his sentences. He told them of his profession, and of the operations he had witnessed and performed, and he went into details that scared Mrs. Moore, though
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A Passage To India
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said Pooh, holding up his paw.
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No speaker
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Reward. Then----" "Just a moment,"<|quote|>said Pooh, holding up his paw.</|quote|>"_What_ do we do to
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as follows. First, Issue a Reward. Then----" "Just a moment,"<|quote|>said Pooh, holding up his paw.</|quote|>"_What_ do we do to this--what you were saying? You
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mean?" said Pooh. "For I am a Bear of Very Little Brain, and long words Bother me." "It means the Thing to Do." "As long as it means that, I don't mind," said Pooh humbly. "The thing to do is as follows. First, Issue a Reward. Then----" "Just a moment,"<|quote|>said Pooh, holding up his paw.</|quote|>"_What_ do we do to this--what you were saying? You sneezed just as you were going to tell me." "I _didn't_ sneeze." "Yes, you did, Owl." "Excuse me, Pooh, I didn't. You can't sneeze without knowing it." "Well, you can't know it without something having been sneezed." "What I _said_
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and Sad," said Pooh, "because Eeyore, who is a friend of mine, has lost his tail. And he's Moping about it. So could you very kindly tell me how to find it for him?" "Well," said Owl, "the customary procedure in such cases is as follows." "What does Crustimoney Proseedcake mean?" said Pooh. "For I am a Bear of Very Little Brain, and long words Bother me." "It means the Thing to Do." "As long as it means that, I don't mind," said Pooh humbly. "The thing to do is as follows. First, Issue a Reward. Then----" "Just a moment,"<|quote|>said Pooh, holding up his paw.</|quote|>"_What_ do we do to this--what you were saying? You sneezed just as you were going to tell me." "I _didn't_ sneeze." "Yes, you did, Owl." "Excuse me, Pooh, I didn't. You can't sneeze without knowing it." "Well, you can't know it without something having been sneezed." "What I _said_ was, 'First _Issue_ a Reward'." "You're doing it again," said Pooh sadly. "A Reward!" said Owl very loudly. "We write a notice to say that we will give a large something to anybody who finds Eeyore's tail." "I see, I see," said Pooh, nodding his head. "Talking about large somethings,"
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able to read and write and spell his own name WOL, yet somehow went all to pieces over delicate words like MEASLES and BUTTEREDTOAST. Winnie-the-Pooh read the two notices very carefully, first from left to right, and afterwards, in case he had missed some of it, from right to left. Then, to make quite sure, he knocked and pulled the knocker, and he pulled and knocked the bell-rope, and he called out in a very loud voice, "Owl! I require an answer! It's Bear speaking." And the door opened, and Owl looked out. "Hallo, Pooh," he said. "How's things?" "Terrible and Sad," said Pooh, "because Eeyore, who is a friend of mine, has lost his tail. And he's Moping about it. So could you very kindly tell me how to find it for him?" "Well," said Owl, "the customary procedure in such cases is as follows." "What does Crustimoney Proseedcake mean?" said Pooh. "For I am a Bear of Very Little Brain, and long words Bother me." "It means the Thing to Do." "As long as it means that, I don't mind," said Pooh humbly. "The thing to do is as follows. First, Issue a Reward. Then----" "Just a moment,"<|quote|>said Pooh, holding up his paw.</|quote|>"_What_ do we do to this--what you were saying? You sneezed just as you were going to tell me." "I _didn't_ sneeze." "Yes, you did, Owl." "Excuse me, Pooh, I didn't. You can't sneeze without knowing it." "Well, you can't know it without something having been sneezed." "What I _said_ was, 'First _Issue_ a Reward'." "You're doing it again," said Pooh sadly. "A Reward!" said Owl very loudly. "We write a notice to say that we will give a large something to anybody who finds Eeyore's tail." "I see, I see," said Pooh, nodding his head. "Talking about large somethings," he went on dreamily, "I generally have a small something about now--about this time in the morning," and he looked wistfully at the cupboard in the corner of Owl's parlour; "just a mouthful of condensed milk or whatnot, with perhaps a lick of honey----" "Well, then," said Owl, "we write out this notice, and we put it up all over the forest." "A lick of honey," murmured Bear to himself, "or--or not, as the case may be." And he gave a deep sigh, and tried very hard to listen to what Owl was saying. But Owl went on and on,
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all the year round seemed old and dowdy now beside the new green lace which the beeches had put on so prettily. Through copse and spinney marched Bear; down open slopes of gorse and heather, over rocky beds of streams, up steep banks of sandstone into the heather again; and so at last, tired and hungry, to the Hundred Acre Wood. For it was in the Hundred Acre Wood that Owl lived. "And if anyone knows anything about anything," said Bear to himself, "it's Owl who knows something about something," he said, "or my name's not Winnie-the-Pooh," he said. "Which it is," he added. "So there you are." Owl lived at The Chestnuts, an old-world residence of great charm, which was grander than anybody else's, or seemed so to Bear, because it had both a knocker _and_ a bell-pull. Underneath the knocker there was a notice which said: PLES RING IF AN RNSER IS REQIRD. Underneath the bell-pull there was a notice which said: PLEZ CNOKE IF AN RNSR IS NOT REQID. These notices had been written by Christopher Robin, who was the only one in the forest who could spell; for Owl, wise though he was in many ways, able to read and write and spell his own name WOL, yet somehow went all to pieces over delicate words like MEASLES and BUTTEREDTOAST. Winnie-the-Pooh read the two notices very carefully, first from left to right, and afterwards, in case he had missed some of it, from right to left. Then, to make quite sure, he knocked and pulled the knocker, and he pulled and knocked the bell-rope, and he called out in a very loud voice, "Owl! I require an answer! It's Bear speaking." And the door opened, and Owl looked out. "Hallo, Pooh," he said. "How's things?" "Terrible and Sad," said Pooh, "because Eeyore, who is a friend of mine, has lost his tail. And he's Moping about it. So could you very kindly tell me how to find it for him?" "Well," said Owl, "the customary procedure in such cases is as follows." "What does Crustimoney Proseedcake mean?" said Pooh. "For I am a Bear of Very Little Brain, and long words Bother me." "It means the Thing to Do." "As long as it means that, I don't mind," said Pooh humbly. "The thing to do is as follows. First, Issue a Reward. Then----" "Just a moment,"<|quote|>said Pooh, holding up his paw.</|quote|>"_What_ do we do to this--what you were saying? You sneezed just as you were going to tell me." "I _didn't_ sneeze." "Yes, you did, Owl." "Excuse me, Pooh, I didn't. You can't sneeze without knowing it." "Well, you can't know it without something having been sneezed." "What I _said_ was, 'First _Issue_ a Reward'." "You're doing it again," said Pooh sadly. "A Reward!" said Owl very loudly. "We write a notice to say that we will give a large something to anybody who finds Eeyore's tail." "I see, I see," said Pooh, nodding his head. "Talking about large somethings," he went on dreamily, "I generally have a small something about now--about this time in the morning," and he looked wistfully at the cupboard in the corner of Owl's parlour; "just a mouthful of condensed milk or whatnot, with perhaps a lick of honey----" "Well, then," said Owl, "we write out this notice, and we put it up all over the forest." "A lick of honey," murmured Bear to himself, "or--or not, as the case may be." And he gave a deep sigh, and tried very hard to listen to what Owl was saying. But Owl went on and on, using longer and longer words, until at last he came back to where he started, and he explained that the person to write out this notice was Christopher Robin. "It was he who wrote the ones on my front door for me. Did you see them, Pooh?" For some time now Pooh had been saying "Yes" and "No" in turn, with his eyes shut, to all that Owl was saying, and having said, "Yes, yes," last time, he said "No, not at all," now, without really knowing what Owl was talking about. "Didn't you see them?" said Owl, a little surprised. "Come and look at them now." So they went outside. And Pooh looked at the knocker and the notice below it, and he looked at the bell-rope and the notice below it, and the more he looked at the bell-rope, the more he felt that he had seen something like it, somewhere else, sometime before. "Handsome bell-rope, isn't it?" said Owl. Pooh nodded. "It reminds me of something," he said, "but I can't think what. Where did you get it?" "I just came across it in the Forest. It was hanging over a bush, and I thought at first
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quite know what he _was_ thinking about. So when Winnie-the-Pooh came stumping along, Eeyore was very glad to be able to stop thinking for a little, in order to say "How do you do?" in a gloomy manner to him. "And how are you?" said Winnie-the-Pooh. Eeyore shook his head from side to side. "Not very how," he said. "I don't seem to have felt at all how for a long time." "Dear, dear," said Pooh, "I'm sorry about that. Let's have a look at you." So Eeyore stood there, gazing sadly at the ground, and Winnie-the-Pooh walked all round him once. "Why, what's happened to your tail?" he said in surprise. "What _has_ happened to it?" said Eeyore. "It isn't there!" "Are you sure?" "Well, either a tail _is_ there or it isn't there. You can't make a mistake about it. And yours _isn't_ there!" "Then what is?" "Nothing." "Let's have a look," said Eeyore, and he turned slowly round to the place where his tail had been a little while ago, and then, finding that he couldn't catch it up, he turned round the other way, until he came back to where he was at first, and then he put his head down and looked between his front legs, and at last he said, with a long, sad sigh, "I believe you're right." "Of course I'm right," said Pooh. "That Accounts for a Good Deal," said Eeyore gloomily. "It Explains Everything. No Wonder." "You must have left it somewhere," said Winnie-the-Pooh. "Somebody must have taken it," said Eeyore. "How Like Them," he added, after a long silence. Pooh felt that he ought to say something helpful about it, but didn't quite know what. So he decided to do something helpful instead. "Eeyore," he said solemnly, "I, Winnie-the-Pooh, will find your tail for you." "Thank you, Pooh," answered Eeyore. "You're a real friend," said he. "Not like Some," he said. So Winnie-the-Pooh went off to find Eeyore's tail. It was a fine spring morning in the forest as he started out. Little soft clouds played happily in a blue sky, skipping from time to time in front of the sun as if they had come to put it out, and then sliding away suddenly so that the next might have his turn. Through them and between them the sun shone bravely; and a copse which had worn its firs all the year round seemed old and dowdy now beside the new green lace which the beeches had put on so prettily. Through copse and spinney marched Bear; down open slopes of gorse and heather, over rocky beds of streams, up steep banks of sandstone into the heather again; and so at last, tired and hungry, to the Hundred Acre Wood. For it was in the Hundred Acre Wood that Owl lived. "And if anyone knows anything about anything," said Bear to himself, "it's Owl who knows something about something," he said, "or my name's not Winnie-the-Pooh," he said. "Which it is," he added. "So there you are." Owl lived at The Chestnuts, an old-world residence of great charm, which was grander than anybody else's, or seemed so to Bear, because it had both a knocker _and_ a bell-pull. Underneath the knocker there was a notice which said: PLES RING IF AN RNSER IS REQIRD. Underneath the bell-pull there was a notice which said: PLEZ CNOKE IF AN RNSR IS NOT REQID. These notices had been written by Christopher Robin, who was the only one in the forest who could spell; for Owl, wise though he was in many ways, able to read and write and spell his own name WOL, yet somehow went all to pieces over delicate words like MEASLES and BUTTEREDTOAST. Winnie-the-Pooh read the two notices very carefully, first from left to right, and afterwards, in case he had missed some of it, from right to left. Then, to make quite sure, he knocked and pulled the knocker, and he pulled and knocked the bell-rope, and he called out in a very loud voice, "Owl! I require an answer! It's Bear speaking." And the door opened, and Owl looked out. "Hallo, Pooh," he said. "How's things?" "Terrible and Sad," said Pooh, "because Eeyore, who is a friend of mine, has lost his tail. And he's Moping about it. So could you very kindly tell me how to find it for him?" "Well," said Owl, "the customary procedure in such cases is as follows." "What does Crustimoney Proseedcake mean?" said Pooh. "For I am a Bear of Very Little Brain, and long words Bother me." "It means the Thing to Do." "As long as it means that, I don't mind," said Pooh humbly. "The thing to do is as follows. First, Issue a Reward. Then----" "Just a moment,"<|quote|>said Pooh, holding up his paw.</|quote|>"_What_ do we do to this--what you were saying? You sneezed just as you were going to tell me." "I _didn't_ sneeze." "Yes, you did, Owl." "Excuse me, Pooh, I didn't. You can't sneeze without knowing it." "Well, you can't know it without something having been sneezed." "What I _said_ was, 'First _Issue_ a Reward'." "You're doing it again," said Pooh sadly. "A Reward!" said Owl very loudly. "We write a notice to say that we will give a large something to anybody who finds Eeyore's tail." "I see, I see," said Pooh, nodding his head. "Talking about large somethings," he went on dreamily, "I generally have a small something about now--about this time in the morning," and he looked wistfully at the cupboard in the corner of Owl's parlour; "just a mouthful of condensed milk or whatnot, with perhaps a lick of honey----" "Well, then," said Owl, "we write out this notice, and we put it up all over the forest." "A lick of honey," murmured Bear to himself, "or--or not, as the case may be." And he gave a deep sigh, and tried very hard to listen to what Owl was saying. But Owl went on and on, using longer and longer words, until at last he came back to where he started, and he explained that the person to write out this notice was Christopher Robin. "It was he who wrote the ones on my front door for me. Did you see them, Pooh?" For some time now Pooh had been saying "Yes" and "No" in turn, with his eyes shut, to all that Owl was saying, and having said, "Yes, yes," last time, he said "No, not at all," now, without really knowing what Owl was talking about. "Didn't you see them?" said Owl, a little surprised. "Come and look at them now." So they went outside. And Pooh looked at the knocker and the notice below it, and he looked at the bell-rope and the notice below it, and the more he looked at the bell-rope, the more he felt that he had seen something like it, somewhere else, sometime before. "Handsome bell-rope, isn't it?" said Owl. Pooh nodded. "It reminds me of something," he said, "but I can't think what. Where did you get it?" "I just came across it in the Forest. It was hanging over a bush, and I thought at first somebody lived there, so I rang it, and nothing happened, and then I rang it again very loudly, and it came off in my hand, and as nobody seemed to want it, I took it home, and----" "Owl," said Pooh solemnly, "you made a mistake. Somebody did want it." "Who?" "Eeyore. My dear friend Eeyore. He was--he was fond of it." "Fond of it?" "Attached to it," said Winnie-the-Pooh sadly. * * * * * So with these words he unhooked it, and carried it back to Eeyore; and when Christopher Robin had nailed it on in its right place again, Eeyore frisked about the forest, waving his tail so happily that Winnie-the-Pooh came over all funny, and had to hurry home for a little snack of something to sustain him. And, wiping his mouth half an hour afterwards, he sang to himself proudly: "_Who found the Tail?_ "I," said Pooh, "At a quarter to two (Only it was quarter to eleven really), _I_ found the Tail!"" CHAPTER V IN WHICH PIGLET MEETS A HEFFALUMP One day, when Christopher Robin and Winnie-the-Pooh and Piglet were all talking together, Christopher Robin finished the mouthful he was eating and said carelessly: "I saw a Heffalump to-day, Piglet." "What was it doing?" asked Piglet. "Just lumping along," said Christopher Robin. "I don't think it saw _me_." "I saw one once," said Piglet. "At least, I think I did," he said. "Only perhaps it wasn't." "So did I," said Pooh, wondering what a Heffalump was like. "You don't often see them," said Christopher Robin carelessly. "Not now," said Piglet. "Not at this time of year," said Pooh. Then they all talked about something else, until it was time for Pooh and Piglet to go home together. At first as they stumped along the path which edged the Hundred Acre Wood, they didn't say much to each other; but when they came to the stream and had helped each other across the stepping stones, and were able to walk side by side again over the heather, they began to talk in a friendly way about this and that, and Piglet said, "If you see what I mean, Pooh," and Pooh said, "It's just what I think myself, Piglet," and Piglet said, "But, on the other hand, Pooh, we must remember," and Pooh said, "Quite true, Piglet, although I had forgotten it for the moment." And
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sliding away suddenly so that the next might have his turn. Through them and between them the sun shone bravely; and a copse which had worn its firs all the year round seemed old and dowdy now beside the new green lace which the beeches had put on so prettily. Through copse and spinney marched Bear; down open slopes of gorse and heather, over rocky beds of streams, up steep banks of sandstone into the heather again; and so at last, tired and hungry, to the Hundred Acre Wood. For it was in the Hundred Acre Wood that Owl lived. "And if anyone knows anything about anything," said Bear to himself, "it's Owl who knows something about something," he said, "or my name's not Winnie-the-Pooh," he said. "Which it is," he added. "So there you are." Owl lived at The Chestnuts, an old-world residence of great charm, which was grander than anybody else's, or seemed so to Bear, because it had both a knocker _and_ a bell-pull. Underneath the knocker there was a notice which said: PLES RING IF AN RNSER IS REQIRD. Underneath the bell-pull there was a notice which said: PLEZ CNOKE IF AN RNSR IS NOT REQID. These notices had been written by Christopher Robin, who was the only one in the forest who could spell; for Owl, wise though he was in many ways, able to read and write and spell his own name WOL, yet somehow went all to pieces over delicate words like MEASLES and BUTTEREDTOAST. Winnie-the-Pooh read the two notices very carefully, first from left to right, and afterwards, in case he had missed some of it, from right to left. Then, to make quite sure, he knocked and pulled the knocker, and he pulled and knocked the bell-rope, and he called out in a very loud voice, "Owl! I require an answer! It's Bear speaking." And the door opened, and Owl looked out. "Hallo, Pooh," he said. "How's things?" "Terrible and Sad," said Pooh, "because Eeyore, who is a friend of mine, has lost his tail. And he's Moping about it. So could you very kindly tell me how to find it for him?" "Well," said Owl, "the customary procedure in such cases is as follows." "What does Crustimoney Proseedcake mean?" said Pooh. "For I am a Bear of Very Little Brain, and long words Bother me." "It means the Thing to Do." "As long as it means that, I don't mind," said Pooh humbly. "The thing to do is as follows. First, Issue a Reward. Then----" "Just a moment,"<|quote|>said Pooh, holding up his paw.</|quote|>"_What_ do we do to this--what you were saying? You sneezed just as you were going to tell me." "I _didn't_ sneeze." "Yes, you did, Owl." "Excuse me, Pooh, I didn't. You can't sneeze without knowing it." "Well, you can't know it without something having been sneezed." "What I _said_ was, 'First _Issue_ a Reward'." "You're doing it again," said Pooh sadly. "A Reward!" said Owl very loudly. "We write a notice to say that we will give a large something to anybody who finds Eeyore's tail." "I see, I see," said Pooh, nodding his head. "Talking about large somethings," he went on dreamily, "I generally have a small something about now--about this time in the morning," and he looked wistfully at the cupboard in the corner of Owl's parlour; "just a mouthful of condensed milk or whatnot, with perhaps a lick of honey----" "Well, then," said Owl, "we write out this notice, and we put it up all over the forest." "A lick of honey," murmured Bear to himself, "or--or not, as the case may be." And he gave a deep sigh, and tried very hard to listen to what Owl was saying. But Owl went on and on, using longer and longer words, until at last he came back to where he started, and he explained that the person to write out this notice was Christopher Robin. "It was he who wrote the ones on my front door for me. Did you see them, Pooh?" For some time now Pooh had been saying "Yes" and "No" in turn, with his eyes shut, to all that Owl was saying, and having said, "Yes, yes," last time, he said "No, not at all," now, without really knowing what Owl was talking about. "Didn't you see them?" said Owl, a little surprised. "Come and look at them now." So they went outside. And Pooh looked at the knocker and the notice below it, and he looked at the bell-rope and the notice below it, and the more he looked
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Winnie The Pooh
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Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.
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No speaker
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course, appearing to be suspicious."<|quote|>Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.</|quote|>"Who s to watch her
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watch her carefully, without, of course, appearing to be suspicious."<|quote|>Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.</|quote|>"Who s to watch her at school, though? She may
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child s morals." She unlocked a drawer, took out the post-card, and regarded it gravely. "He entreats her to send the baby one," was her next remark. "She might do it too!" "I told her not to; but we must watch her carefully, without, of course, appearing to be suspicious."<|quote|>Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.</|quote|>"Who s to watch her at school, though? She may bubble out any moment." "We can but trust to our influence," said Mrs. Herriton. Irma did bubble out, that very day. She was proof against a single post-card, not against two. A new little brother is a valuable sentimental asset
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he guesses the situation--how anxious we are to hush the scandal up?" "That is quite possible. He knows that Irma will worry us about the baby. Perhaps he hopes that we shall adopt it to quiet her." "Hopeful indeed." "At the same time he has the chance of corrupting the child s morals." She unlocked a drawer, took out the post-card, and regarded it gravely. "He entreats her to send the baby one," was her next remark. "She might do it too!" "I told her not to; but we must watch her carefully, without, of course, appearing to be suspicious."<|quote|>Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.</|quote|>"Who s to watch her at school, though? She may bubble out any moment." "We can but trust to our influence," said Mrs. Herriton. Irma did bubble out, that very day. She was proof against a single post-card, not against two. A new little brother is a valuable sentimental asset to a school-girl, and her school was then passing through an acute phase of baby-worship. Happy the girl who had her quiver full of them, who kissed them when she left home in the morning, who had the right to extricate them from mail-carts in the interval, who dangled them
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easy for her daughter to go for six weeks to the Tirol. Then she and Philip began to grapple with Irma alone. Just as they had got things a little quiet the beastly baby sent another picture post-card--a comic one, not particularly proper. Irma received it while they were out, and all the trouble began again. "I cannot think," said Mrs. Herriton, "what his motive is in sending them." Two years before, Philip would have said that the motive was to give pleasure. Now he, like his mother, tried to think of something sinister and subtle. "Do you suppose that he guesses the situation--how anxious we are to hush the scandal up?" "That is quite possible. He knows that Irma will worry us about the baby. Perhaps he hopes that we shall adopt it to quiet her." "Hopeful indeed." "At the same time he has the chance of corrupting the child s morals." She unlocked a drawer, took out the post-card, and regarded it gravely. "He entreats her to send the baby one," was her next remark. "She might do it too!" "I told her not to; but we must watch her carefully, without, of course, appearing to be suspicious."<|quote|>Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.</|quote|>"Who s to watch her at school, though? She may bubble out any moment." "We can but trust to our influence," said Mrs. Herriton. Irma did bubble out, that very day. She was proof against a single post-card, not against two. A new little brother is a valuable sentimental asset to a school-girl, and her school was then passing through an acute phase of baby-worship. Happy the girl who had her quiver full of them, who kissed them when she left home in the morning, who had the right to extricate them from mail-carts in the interval, who dangled them at tea ere they retired to rest! That one might sing the unwritten song of Miriam, blessed above all school-girls, who was allowed to hide her baby brother in a squashy place, where none but herself could find him! How could Irma keep silent when pretentious girls spoke of baby cousins and baby visitors--she who had a baby brother, who wrote her post-cards through his dear papa? She had promised not to tell about him--she knew not why--and she told. And one girl told another, and one girl told her mother, and the thing was out. "Yes, it is all
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allowed her," she replied coldly. "She has a right to mention any one she chooses. But I was annoyed with her this morning, and I fear that I showed it." "And what happened this morning?" "She asked if she could pray for her new father --for the Italian!" "Did you let her?" "I got up without saying anything." "You must have felt just as you did when I wanted to pray for the devil." "He is the devil," cried Harriet. "No, Harriet; he is too vulgar." "I will thank you not to scoff against religion!" was Harriet s retort. "Think of that poor baby. Irma is right to pray for him. What an entrance into life for an English child!" "My dear sister, I can reassure you. Firstly, the beastly baby is Italian. Secondly, it was promptly christened at Santa Deodata s, and a powerful combination of saints watch over--" "Don t, dear. And, Harriet, don t be so serious--I mean not so serious when you are with Irma. She will be worse than ever if she thinks we have something to hide." Harriet s conscience could be quite as tiresome as Philip s unconventionality. Mrs. Herriton soon made it easy for her daughter to go for six weeks to the Tirol. Then she and Philip began to grapple with Irma alone. Just as they had got things a little quiet the beastly baby sent another picture post-card--a comic one, not particularly proper. Irma received it while they were out, and all the trouble began again. "I cannot think," said Mrs. Herriton, "what his motive is in sending them." Two years before, Philip would have said that the motive was to give pleasure. Now he, like his mother, tried to think of something sinister and subtle. "Do you suppose that he guesses the situation--how anxious we are to hush the scandal up?" "That is quite possible. He knows that Irma will worry us about the baby. Perhaps he hopes that we shall adopt it to quiet her." "Hopeful indeed." "At the same time he has the chance of corrupting the child s morals." She unlocked a drawer, took out the post-card, and regarded it gravely. "He entreats her to send the baby one," was her next remark. "She might do it too!" "I told her not to; but we must watch her carefully, without, of course, appearing to be suspicious."<|quote|>Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.</|quote|>"Who s to watch her at school, though? She may bubble out any moment." "We can but trust to our influence," said Mrs. Herriton. Irma did bubble out, that very day. She was proof against a single post-card, not against two. A new little brother is a valuable sentimental asset to a school-girl, and her school was then passing through an acute phase of baby-worship. Happy the girl who had her quiver full of them, who kissed them when she left home in the morning, who had the right to extricate them from mail-carts in the interval, who dangled them at tea ere they retired to rest! That one might sing the unwritten song of Miriam, blessed above all school-girls, who was allowed to hide her baby brother in a squashy place, where none but herself could find him! How could Irma keep silent when pretentious girls spoke of baby cousins and baby visitors--she who had a baby brother, who wrote her post-cards through his dear papa? She had promised not to tell about him--she knew not why--and she told. And one girl told another, and one girl told her mother, and the thing was out. "Yes, it is all very sad," Mrs. Herriton kept saying. "My daughter-in-law made a very unhappy marriage, as I dare say you know. I suppose that the child will be educated in Italy. Possibly his grandmother may be doing something, but I have not heard of it. I do not expect that she will have him over. She disapproves of the father. It is altogether a painful business for her." She was careful only to scold Irma for disobedience--that eighth deadly sin, so convenient to parents and guardians. Harriet would have plunged into needless explanations and abuse. The child was ashamed, and talked about the baby less. The end of the school year was at hand, and she hoped to get another prize. But she also had put her hand to the wheel. It was several days before they saw Miss Abbott. Mrs. Herriton had not come across her much since the kiss of reconciliation, nor Philip since the journey to London. She had, indeed, been rather a disappointment to him. Her creditable display of originality had never been repeated: he feared she was slipping back. Now she came about the Cottage Hospital--her life was devoted to dull acts of charity--and though she got
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mere little vexatious incident--brought it to its close. Irma collected picture post-cards, and Mrs. Herriton or Harriet always glanced first at all that came, lest the child should get hold of something vulgar. On this occasion the subject seemed perfectly inoffensive--a lot of ruined factory chimneys--and Harriet was about to hand it to her niece when her eye was caught by the words on the margin. She gave a shriek and flung the card into the grate. Of course no fire was alight in July, and Irma only had to run and pick it out again. "How dare you!" screamed her aunt. "You wicked girl! Give it here!" Unfortunately Mrs. Herriton was out of the room. Irma, who was not in awe of Harriet, danced round the table, reading as she did so, "View of the superb city of Monteriano--from your lital brother." Stupid Harriet caught her, boxed her ears, and tore the post-card into fragments. Irma howled with pain, and began shouting indignantly, "Who is my little brother? Why have I never heard of him before? Grandmamma! Grandmamma! Who is my little brother? Who is my--" Mrs. Herriton swept into the room, saying, "Come with me, dear, and I will tell you. Now it is time for you to know." Irma returned from the interview sobbing, though, as a matter of fact, she had learnt very little. But that little took hold of her imagination. She had promised secrecy--she knew not why. But what harm in talking of the little brother to those who had heard of him already? "Aunt Harriet!" she would say. "Uncle Phil! Grandmamma! What do you suppose my little brother is doing now? Has he begun to play? Do Italian babies talk sooner than us, or would he be an English baby born abroad? Oh, I do long to see him, and be the first to teach him the Ten Commandments and the Catechism." The last remark always made Harriet look grave. "Really," exclaimed Mrs. Herriton, "Irma is getting too tiresome. She forgot poor Lilia soon enough." "A living brother is more to her than a dead mother," said Philip dreamily. "She can knit him socks." "I stopped that. She is bringing him in everywhere. It is most vexatious. The other night she asked if she might include him in the people she mentions specially in her prayers." "What did you say?" "Of course I allowed her," she replied coldly. "She has a right to mention any one she chooses. But I was annoyed with her this morning, and I fear that I showed it." "And what happened this morning?" "She asked if she could pray for her new father --for the Italian!" "Did you let her?" "I got up without saying anything." "You must have felt just as you did when I wanted to pray for the devil." "He is the devil," cried Harriet. "No, Harriet; he is too vulgar." "I will thank you not to scoff against religion!" was Harriet s retort. "Think of that poor baby. Irma is right to pray for him. What an entrance into life for an English child!" "My dear sister, I can reassure you. Firstly, the beastly baby is Italian. Secondly, it was promptly christened at Santa Deodata s, and a powerful combination of saints watch over--" "Don t, dear. And, Harriet, don t be so serious--I mean not so serious when you are with Irma. She will be worse than ever if she thinks we have something to hide." Harriet s conscience could be quite as tiresome as Philip s unconventionality. Mrs. Herriton soon made it easy for her daughter to go for six weeks to the Tirol. Then she and Philip began to grapple with Irma alone. Just as they had got things a little quiet the beastly baby sent another picture post-card--a comic one, not particularly proper. Irma received it while they were out, and all the trouble began again. "I cannot think," said Mrs. Herriton, "what his motive is in sending them." Two years before, Philip would have said that the motive was to give pleasure. Now he, like his mother, tried to think of something sinister and subtle. "Do you suppose that he guesses the situation--how anxious we are to hush the scandal up?" "That is quite possible. He knows that Irma will worry us about the baby. Perhaps he hopes that we shall adopt it to quiet her." "Hopeful indeed." "At the same time he has the chance of corrupting the child s morals." She unlocked a drawer, took out the post-card, and regarded it gravely. "He entreats her to send the baby one," was her next remark. "She might do it too!" "I told her not to; but we must watch her carefully, without, of course, appearing to be suspicious."<|quote|>Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.</|quote|>"Who s to watch her at school, though? She may bubble out any moment." "We can but trust to our influence," said Mrs. Herriton. Irma did bubble out, that very day. She was proof against a single post-card, not against two. A new little brother is a valuable sentimental asset to a school-girl, and her school was then passing through an acute phase of baby-worship. Happy the girl who had her quiver full of them, who kissed them when she left home in the morning, who had the right to extricate them from mail-carts in the interval, who dangled them at tea ere they retired to rest! That one might sing the unwritten song of Miriam, blessed above all school-girls, who was allowed to hide her baby brother in a squashy place, where none but herself could find him! How could Irma keep silent when pretentious girls spoke of baby cousins and baby visitors--she who had a baby brother, who wrote her post-cards through his dear papa? She had promised not to tell about him--she knew not why--and she told. And one girl told another, and one girl told her mother, and the thing was out. "Yes, it is all very sad," Mrs. Herriton kept saying. "My daughter-in-law made a very unhappy marriage, as I dare say you know. I suppose that the child will be educated in Italy. Possibly his grandmother may be doing something, but I have not heard of it. I do not expect that she will have him over. She disapproves of the father. It is altogether a painful business for her." She was careful only to scold Irma for disobedience--that eighth deadly sin, so convenient to parents and guardians. Harriet would have plunged into needless explanations and abuse. The child was ashamed, and talked about the baby less. The end of the school year was at hand, and she hoped to get another prize. But she also had put her hand to the wheel. It was several days before they saw Miss Abbott. Mrs. Herriton had not come across her much since the kiss of reconciliation, nor Philip since the journey to London. She had, indeed, been rather a disappointment to him. Her creditable display of originality had never been repeated: he feared she was slipping back. Now she came about the Cottage Hospital--her life was devoted to dull acts of charity--and though she got money out of him and out of his mother, she still sat tight in her chair, looking graver and more wooden than ever. "I dare say you have heard," said Mrs. Herriton, well knowing what the matter was. "Yes, I have. I came to ask you; have any steps been taken?" Philip was astonished. The question was impertinent in the extreme. He had a regard for Miss Abbott, and regretted that she had been guilty of it. "About the baby?" asked Mrs. Herriton pleasantly. "Yes." "As far as I know, no steps. Mrs. Theobald may have decided on something, but I have not heard of it." "I was meaning, had you decided on anything?" "The child is no relation of ours," said Philip. "It is therefore scarcely for us to interfere." His mother glanced at him nervously. "Poor Lilia was almost a daughter to me once. I know what Miss Abbott means. But now things have altered. Any initiative would naturally come from Mrs. Theobald." "But does not Mrs. Theobald always take any initiative from you?" asked Miss Abbott. Mrs. Herriton could not help colouring. "I sometimes have given her advice in the past. I should not presume to do so now." "Then is nothing to be done for the child at all?" "It is extraordinarily good of you to take this unexpected interest," said Philip. "The child came into the world through my negligence," replied Miss Abbott. "It is natural I should take an interest in it." "My dear Caroline," said Mrs. Herriton, "you must not brood over the thing. Let bygones be bygones. The child should worry you even less than it worries us. We never even mention it. It belongs to another world." Miss Abbott got up without replying and turned to go. Her extreme gravity made Mrs. Herriton uneasy. "Of course," she added, "if Mrs. Theobald decides on any plan that seems at all practicable--I must say I don t see any such--I shall ask if I may join her in it, for Irma s sake, and share in any possible expenses." "Please would you let me know if she decides on anything. I should like to join as well." "My dear, how you throw about your money! We would never allow it." "And if she decides on nothing, please also let me know. Let me know in any case." Mrs. Herriton made a point of
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Harriet!" she would say. "Uncle Phil! Grandmamma! What do you suppose my little brother is doing now? Has he begun to play? Do Italian babies talk sooner than us, or would he be an English baby born abroad? Oh, I do long to see him, and be the first to teach him the Ten Commandments and the Catechism." The last remark always made Harriet look grave. "Really," exclaimed Mrs. Herriton, "Irma is getting too tiresome. She forgot poor Lilia soon enough." "A living brother is more to her than a dead mother," said Philip dreamily. "She can knit him socks." "I stopped that. She is bringing him in everywhere. It is most vexatious. The other night she asked if she might include him in the people she mentions specially in her prayers." "What did you say?" "Of course I allowed her," she replied coldly. "She has a right to mention any one she chooses. But I was annoyed with her this morning, and I fear that I showed it." "And what happened this morning?" "She asked if she could pray for her new father --for the Italian!" "Did you let her?" "I got up without saying anything." "You must have felt just as you did when I wanted to pray for the devil." "He is the devil," cried Harriet. "No, Harriet; he is too vulgar." "I will thank you not to scoff against religion!" was Harriet s retort. "Think of that poor baby. Irma is right to pray for him. What an entrance into life for an English child!" "My dear sister, I can reassure you. Firstly, the beastly baby is Italian. Secondly, it was promptly christened at Santa Deodata s, and a powerful combination of saints watch over--" "Don t, dear. And, Harriet, don t be so serious--I mean not so serious when you are with Irma. She will be worse than ever if she thinks we have something to hide." Harriet s conscience could be quite as tiresome as Philip s unconventionality. Mrs. Herriton soon made it easy for her daughter to go for six weeks to the Tirol. Then she and Philip began to grapple with Irma alone. Just as they had got things a little quiet the beastly baby sent another picture post-card--a comic one, not particularly proper. Irma received it while they were out, and all the trouble began again. "I cannot think," said Mrs. Herriton, "what his motive is in sending them." Two years before, Philip would have said that the motive was to give pleasure. Now he, like his mother, tried to think of something sinister and subtle. "Do you suppose that he guesses the situation--how anxious we are to hush the scandal up?" "That is quite possible. He knows that Irma will worry us about the baby. Perhaps he hopes that we shall adopt it to quiet her." "Hopeful indeed." "At the same time he has the chance of corrupting the child s morals." She unlocked a drawer, took out the post-card, and regarded it gravely. "He entreats her to send the baby one," was her next remark. "She might do it too!" "I told her not to; but we must watch her carefully, without, of course, appearing to be suspicious."<|quote|>Philip was getting to enjoy his mother s diplomacy. He did not think of his own morals and behaviour any more.</|quote|>"Who s to watch her at school, though? She may bubble out any moment." "We can but trust to our influence," said Mrs. Herriton. Irma did bubble out, that very day. She was proof against a single post-card, not against two. A new little brother is a valuable sentimental asset to a school-girl, and her school was then passing through an acute phase of baby-worship. Happy the girl who had her quiver full of them, who kissed them when she left home in the morning, who had the right to extricate them from mail-carts in the interval, who dangled them at tea ere they retired to rest! That one might sing the unwritten song of Miriam, blessed above all school-girls, who was allowed to hide her baby brother in a squashy place, where none but herself could find him! How could Irma keep silent when pretentious girls spoke of baby cousins and baby visitors--she who had a baby brother, who wrote her post-cards through his dear papa? She had promised not to tell about him--she knew not why--and she told. And one girl told another, and one girl told her mother, and the thing was out. "Yes, it is all very sad," Mrs. Herriton kept saying. "My daughter-in-law made a very unhappy marriage, as I dare say you know. I suppose that the child will be educated in Italy. Possibly his grandmother may be doing something, but I have not heard of it. I do not expect that she will have him over. She disapproves of the father. It is altogether a painful business for her." She was careful only to scold Irma for disobedience--that eighth deadly sin, so convenient to parents and guardians. Harriet would have plunged into needless explanations and abuse. The child was ashamed, and talked about the baby less. The end of the school year was at hand, and she hoped to get another prize. But she also had put her hand to the wheel. It was several days before they saw Miss Abbott. Mrs. Herriton had not come across her much since the kiss of reconciliation, nor Philip since the journey to London. She had, indeed, been rather a disappointment to him. Her creditable display of originality had never been repeated: he feared she was slipping back. Now she came about the Cottage Hospital--her life was devoted to dull acts of charity--and though she got money out of him and out of his mother, she still sat tight in her chair, looking graver and more wooden than ever. "I dare say you have heard," said Mrs. Herriton, well knowing what the matter was. "Yes, I have. I came to ask you; have any steps been taken?" Philip was astonished. The question was impertinent in the extreme. He had a regard for Miss Abbott, and regretted that she had been guilty of it. "About the baby?" asked Mrs. Herriton pleasantly. "Yes." "As far as I know, no steps. Mrs. Theobald may have decided on something, but I have not heard of it." "I was meaning, had you decided on anything?" "The child is no relation of ours," said Philip. "It is therefore scarcely for us to interfere." His mother glanced at him nervously. "Poor Lilia was almost a daughter to me once. I know what Miss Abbott means. But now things have altered. Any initiative would naturally come from Mrs. Theobald." "But does not Mrs. Theobald always take any initiative from you?" asked Miss Abbott. Mrs. Herriton could not
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Where Angels Fear To Tread
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said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.
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No speaker
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It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome
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didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she
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puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat
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answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining
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trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, ?way, ?way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave
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was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde's house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, ?way, ?way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said," ?Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as could be to imagine they were puffed when I was alone in the east gable, but it was awfully hard there among the others who had really truly puffs." "You shouldn't have been thinking about your sleeves in Sunday school. You should have been attending to the lesson. I hope you knew it." "Oh, yes; and I answered a lot of questions. Miss Rogerson asked ever so many. I don't think it was fair for her to do all the asking. There were lots I wanted to ask her, but I didn't like to because I didn't think she was a kindred spirit. Then all the other little girls recited a paraphrase. She asked me if I knew
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The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing." "Oh, I _am_ grateful," protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you our pew. Here's a cent for collection. Don't stare at people and don't fidget. I shall expect you to tell me the text when you come home." Anne started off irreproachable, arrayed in the stiff black-and-white sateen, which, while decent as regards length and certainly not open to the charge of skimpiness, contrived to emphasize every corner and angle of her thin figure. Her hat was a little, flat, glossy, new sailor, the extreme plainness of which had likewise much disappointed Anne, who had permitted herself secret visions of ribbon and flowers. The latter, however, were supplied before Anne reached the main road, for being confronted halfway down the lane with a golden frenzy of wind-stirred buttercups and a glory of wild roses, Anne promptly and liberally garlanded her hat with a heavy wreath of them. Whatever other people might have thought of the result it satisfied Anne, and she tripped gaily down the road, holding her ruddy head with its decoration of pink and yellow very proudly. When she had reached Mrs. Lynde's house she found that lady gone. Nothing daunted, Anne proceeded onward to the church alone. In the porch she found a crowd of little girls, all more or less gaily attired in whites and blues and pinks, and all staring with curious eyes at this stranger in their midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, ?way, ?way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said," ?Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as could be to imagine they were puffed when I was alone in the east gable, but it was awfully hard there among the others who had really truly puffs." "You shouldn't have been thinking about your sleeves in Sunday school. You should have been attending to the lesson. I hope you knew it." "Oh, yes; and I answered a lot of questions. Miss Rogerson asked ever so many. I don't think it was fair for her to do all the asking. There were lots I wanted to ask her, but I didn't like to because I didn't think she was a kindred spirit. Then all the other little girls recited a paraphrase. She asked me if I knew any. I told her I didn't, but I could recite, ?The Dog at His Master's Grave' if she liked. That's in the Third Royal Reader. It isn't a really truly religious piece of poetry, but it's so sad and melancholy that it might as well be. She said it wouldn't do and she told me to learn the nineteenth paraphrase for next Sunday. I read it over in church afterwards and it's splendid. There are two lines in particular that just thrill me." "?Quick as the slaughtered squadrons fell In Midian's evil day.' "I don't know what ?squadrons' means nor ?Midian,' either, but it sounds _so_ tragical. I can hardly wait until next Sunday to recite it. I'll practice it all the week. After Sunday school I asked Miss Rogerson--because Mrs. Lynde was too far away--to show me your pew. I sat just as still as I could and the text was Revelations, third chapter, second and third verses. It was a very long text. If I was a minister I'd pick the short, snappy ones. The sermon was awfully long, too. I suppose the minister had to match it to the text. I didn't think he was a bit interesting. The trouble with him seems to be that he hasn't enough imagination. I didn't listen to him very much. I just let my thoughts run and I thought of the most surprising things." Marilla felt helplessly that all this should be sternly reproved, but she was hampered by the undeniable fact that some of the things Anne had said, especially about the minister's sermons and Mr. Bell's prayers, were what she herself had really thought deep down in her heart for years, but had never given expression to. It almost seemed to her that those secret, unuttered, critical thoughts had suddenly taken visible and accusing shape and form in the person of this outspoken morsel of neglected humanity. CHAPTER XII. A Solemn Vow and Promise |IT was not until the next Friday that Marilla heard the story of the flower-wreathed hat. She came home from Mrs. Lynde's and called Anne to account. "Anne, Mrs. Rachel says you went to church last Sunday with your hat rigged out ridiculous with roses and buttercups. What on earth put you up to such a caper? A pretty-looking object you must have been!" "Oh. I know pink and yellow aren't becoming to me,"
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midst, with her extraordinary head adornment. Avonlea little girls had already heard queer stories about Anne. Mrs. Lynde said she had an awful temper; Jerry Buote, the hired boy at Green Gables, said she talked all the time to herself or to the trees and flowers like a crazy girl. They looked at her and whispered to each other behind their quarterlies. Nobody made any friendly advances, then or later on when the opening exercises were over and Anne found herself in Miss Rogerson's class. Miss Rogerson was a middle-aged lady who had taught a Sunday-school class for twenty years. Her method of teaching was to ask the printed questions from the quarterly and look sternly over its edge at the particular little girl she thought ought to answer the question. She looked very often at Anne, and Anne, thanks to Marilla's drilling, answered promptly; but it may be questioned if she understood very much about either question or answer. She did not think she liked Miss Rogerson, and she felt very miserable; every other little girl in the class had puffed sleeves. Anne felt that life was really not worth living without puffed sleeves. "Well, how did you like Sunday school?" Marilla wanted to know when Anne came home. Her wreath having faded, Anne had discarded it in the lane, so Marilla was spared the knowledge of that for a time. "I didn't like it a bit. It was horrid." "Anne Shirley!"<|quote|>said Marilla rebukingly. Anne sat down on the rocker with a long sigh, kissed one of Bonny's leaves, and waved her hand to a blossoming fuchsia.</|quote|>"They might have been lonesome while I was away," she explained. "And now about the Sunday school. I behaved well, just as you told me. Mrs. Lynde was gone, but I went right on myself. I went into the church, with a lot of other little girls, and I sat in the corner of a pew by the window while the opening exercises went on. Mr. Bell made an awfully long prayer. I would have been dreadfully tired before he got through if I hadn't been sitting by that window. But it looked right out on the Lake of Shining Waters, so I just gazed at that and imagined all sorts of splendid things." "You shouldn't have done anything of the sort. You should have listened to Mr. Bell." "But he wasn't talking to me," protested Anne. "He was talking to God and he didn't seem to be very much inter-ested in it, either. I think he thought God was too far off though. There was a long row of white birches hanging over the lake and the sunshine fell down through them, ?way, ?way down, deep into the water. Oh, Marilla, it was like a beautiful dream! It gave me a thrill and I just said," ?Thank you for it, God,' two or three times." "Not out loud, I hope," said Marilla anxiously. "Oh, no, just under my breath. Well, Mr. Bell did get through at last and they told me to go into the classroom with Miss Rogerson's class. There were nine other girls in it. They all had puffed sleeves. I tried to imagine mine were puffed, too, but I couldn't. Why couldn't I? It was as easy as
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Anne Of Green Gables
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asked Cohn.
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No speaker
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Jake." "How about the next?"<|quote|>asked Cohn.</|quote|>"We're going," Brett said. "We've
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hell of a biblical name, Jake." "How about the next?"<|quote|>asked Cohn.</|quote|>"We're going," Brett said. "We've a date up at Montmartre."
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crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?"<|quote|>asked Cohn.</|quote|>"We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh,
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priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to all of us. Look at Frances there, and Jo." This for Cohn's benefit. "It's in restraint of trade," Brett said. She laughed again. "You're wonderfully sober," I said. "Yes. Aren't I? And when one's with the crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?"<|quote|>asked Cohn.</|quote|>"We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh, well," I said. "I suppose you like to add them up." "Don't talk like a fool." "You do." "Oh, well. What if I do?" "Nothing," I said. We were dancing to the accordion and some one was playing the banjo. It was hot and I felt happy. We passed close
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saw the promised land. Cohn, of course, was much younger. But he had that look of eager, deserving expectation. Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey. "It's a fine crowd you're with, Brett," I said. "Aren't they lovely? And you, my dear. Where did you get it?" "At the Napolitain." "And have you had a lovely evening?" "Oh, priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to all of us. Look at Frances there, and Jo." This for Cohn's benefit. "It's in restraint of trade," Brett said. She laughed again. "You're wonderfully sober," I said. "Yes. Aren't I? And when one's with the crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?"<|quote|>asked Cohn.</|quote|>"We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh, well," I said. "I suppose you like to add them up." "Don't talk like a fool." "You do." "Oh, well. What if I do?" "Nothing," I said. We were dancing to the accordion and some one was playing the banjo. It was hot and I felt happy. We passed close to Georgette dancing with another one of them. "What possessed you to bring her?" "I don't know, I just brought her." "You're getting damned romantic." "No, bored." "Now?" "No, not now." "Let's get out of here. She's well taken care of." "Do you want to?" "Would I ask you if I didn't want to?" We left the floor and I took my coat off a hanger on the wall and put it on. Brett stood by the bar. Cohn was talking to her. I stopped at the bar and asked them for an envelope. The patronne found one. I took
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be careless. "For God's sake," I said, "yes. Don't you?" "Oh, how charmingly you get angry," he said. "I wish I had that faculty." I got up and walked over toward the dancing-floor. Mrs. Braddocks followed me. "Don't be cross with Robert," she said. "He's still only a child, you know." "I wasn't cross," I said. "I just thought perhaps I was going to throw up." "Your fianc e is having a great success," Mrs. Braddocks looked out on the floor where Georgette was dancing in the arms of the tall, dark one, called Lett. "Isn't she?" I said. "Rather," said Mrs. Braddocks. Cohn came up. "Come on, Jake," he said, "have a drink." We walked over to the bar. "What's the matter with you? You seem all worked up over something?" "Nothing. This whole show makes me sick is all." Brett came up to the bar. "Hello, you chaps." "Hello, Brett," I said. "Why aren't you tight?" "Never going to get tight any more. I say, give a chap a brandy and soda." She stood holding the glass and I saw Robert Cohn looking at her. He looked a great deal as his compatriot must have looked when he saw the promised land. Cohn, of course, was much younger. But he had that look of eager, deserving expectation. Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey. "It's a fine crowd you're with, Brett," I said. "Aren't they lovely? And you, my dear. Where did you get it?" "At the Napolitain." "And have you had a lovely evening?" "Oh, priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to all of us. Look at Frances there, and Jo." This for Cohn's benefit. "It's in restraint of trade," Brett said. She laughed again. "You're wonderfully sober," I said. "Yes. Aren't I? And when one's with the crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?"<|quote|>asked Cohn.</|quote|>"We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh, well," I said. "I suppose you like to add them up." "Don't talk like a fool." "You do." "Oh, well. What if I do?" "Nothing," I said. We were dancing to the accordion and some one was playing the banjo. It was hot and I felt happy. We passed close to Georgette dancing with another one of them. "What possessed you to bring her?" "I don't know, I just brought her." "You're getting damned romantic." "No, bored." "Now?" "No, not now." "Let's get out of here. She's well taken care of." "Do you want to?" "Would I ask you if I didn't want to?" We left the floor and I took my coat off a hanger on the wall and put it on. Brett stood by the bar. Cohn was talking to her. I stopped at the bar and asked them for an envelope. The patronne found one. I took a fifty-franc note from my pocket, put it in the envelope, sealed it, and handed it to the patronne. "If the girl I came with asks for me, will you give her this?" I said. "If she goes out with one of those gentlemen, will you save this for me?" "C'est entendu, Monsieur," the patronne said. "You go now? So early?" "Yes," I said. We started out the door. Cohn was still talking to Brett. She said good night and took my arm. "Good night, Cohn," I said. Outside in the street we looked for a taxi. "You're going to lose your fifty francs," Brett said. "Oh, yes." "No taxis." "We could walk up to the Pantheon and get one." "Come on and we'll get a drink in the pub next door and send for one." "You wouldn't walk across the street." "Not if I could help it." We went into the next bar and I sent a waiter for a taxi. "Well," I said, "we're out away from them." We stood against the tall zinc bar and did not talk and looked at each other. The waiter came and said the taxi was outside. Brett pressed my hand hard.
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street. They both stopped in front of the Bal. A crowd of young men, some in jerseys and some in their shirt-sleeves, got out. I could see their hands and newly washed, wavy hair in the light from the door. The policeman standing by the door looked at me and smiled. They came in. As they went in, under the light I saw white hands, wavy hair, white faces, grimacing, gesturing, talking. With them was Brett. She looked very lovely and she was very much with them. One of them saw Georgette and said: "I do declare. There is an actual harlot. I'm going to dance with her, Lett. You watch me." The tall dark one, called Lett, said: "Don't you be rash." The wavy blond one answered: "Don't you worry, dear." And with them was Brett. I was very angry. Somehow they always made me angry. I know they are supposed to be amusing, and you should be tolerant, but I wanted to swing on one, any one, anything to shatter that superior, simpering composure. Instead, I walked down the street and had a beer at the bar at the next Bal. The beer was not good and I had a worse cognac to take the taste out of my mouth. When I came back to the Bal there was a crowd on the floor and Georgette was dancing with the tall blond youth, who danced big-hippily, carrying his head on one side, his eyes lifted as he danced. As soon as the music stopped another one of them asked her to dance. She had been taken up by them. I knew then that they would all dance with her. They are like that. I sat down at a table. Cohn was sitting there. Frances was dancing. Mrs. Braddocks brought up somebody and introduced him as Robert Prentiss. He was from New York by way of Chicago, and was a rising new novelist. He had some sort of an English accent. I asked him to have a drink. "Thanks so much," he said, "I've just had one." "Have another." "Thanks, I will then." We got the daughter of the house over and each had a _fine l'eau_. "You're from Kansas City, they tell me," he said. "Yes." "Do you find Paris amusing?" "Yes." "Really?" I was a little drunk. Not drunk in any positive sense but just enough to be careless. "For God's sake," I said, "yes. Don't you?" "Oh, how charmingly you get angry," he said. "I wish I had that faculty." I got up and walked over toward the dancing-floor. Mrs. Braddocks followed me. "Don't be cross with Robert," she said. "He's still only a child, you know." "I wasn't cross," I said. "I just thought perhaps I was going to throw up." "Your fianc e is having a great success," Mrs. Braddocks looked out on the floor where Georgette was dancing in the arms of the tall, dark one, called Lett. "Isn't she?" I said. "Rather," said Mrs. Braddocks. Cohn came up. "Come on, Jake," he said, "have a drink." We walked over to the bar. "What's the matter with you? You seem all worked up over something?" "Nothing. This whole show makes me sick is all." Brett came up to the bar. "Hello, you chaps." "Hello, Brett," I said. "Why aren't you tight?" "Never going to get tight any more. I say, give a chap a brandy and soda." She stood holding the glass and I saw Robert Cohn looking at her. He looked a great deal as his compatriot must have looked when he saw the promised land. Cohn, of course, was much younger. But he had that look of eager, deserving expectation. Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey. "It's a fine crowd you're with, Brett," I said. "Aren't they lovely? And you, my dear. Where did you get it?" "At the Napolitain." "And have you had a lovely evening?" "Oh, priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to all of us. Look at Frances there, and Jo." This for Cohn's benefit. "It's in restraint of trade," Brett said. She laughed again. "You're wonderfully sober," I said. "Yes. Aren't I? And when one's with the crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?"<|quote|>asked Cohn.</|quote|>"We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh, well," I said. "I suppose you like to add them up." "Don't talk like a fool." "You do." "Oh, well. What if I do?" "Nothing," I said. We were dancing to the accordion and some one was playing the banjo. It was hot and I felt happy. We passed close to Georgette dancing with another one of them. "What possessed you to bring her?" "I don't know, I just brought her." "You're getting damned romantic." "No, bored." "Now?" "No, not now." "Let's get out of here. She's well taken care of." "Do you want to?" "Would I ask you if I didn't want to?" We left the floor and I took my coat off a hanger on the wall and put it on. Brett stood by the bar. Cohn was talking to her. I stopped at the bar and asked them for an envelope. The patronne found one. I took a fifty-franc note from my pocket, put it in the envelope, sealed it, and handed it to the patronne. "If the girl I came with asks for me, will you give her this?" I said. "If she goes out with one of those gentlemen, will you save this for me?" "C'est entendu, Monsieur," the patronne said. "You go now? So early?" "Yes," I said. We started out the door. Cohn was still talking to Brett. She said good night and took my arm. "Good night, Cohn," I said. Outside in the street we looked for a taxi. "You're going to lose your fifty francs," Brett said. "Oh, yes." "No taxis." "We could walk up to the Pantheon and get one." "Come on and we'll get a drink in the pub next door and send for one." "You wouldn't walk across the street." "Not if I could help it." We went into the next bar and I sent a waiter for a taxi. "Well," I said, "we're out away from them." We stood against the tall zinc bar and did not talk and looked at each other. The waiter came and said the taxi was outside. Brett pressed my hand hard. I gave the waiter a franc and we went out. "Where should I tell him?" I asked. "Oh, tell him to drive around." I told the driver to go to the Parc Montsouris, and got in, and slammed the door. Brett was leaning back in the corner, her eyes closed. I got in and sat beside her. The cab started with a jerk. "Oh, darling, I've been so miserable," Brett said. CHAPTER 4 The taxi went up the hill, passed the lighted square, then on into the dark, still climbing, then levelled out onto a dark street behind St. Etienne du Mont, went smoothly down the asphalt, passed the trees and the standing bus at the Place de la Contrescarpe, then turned onto the cobbles of the Rue Mouffetard. There were lighted bars and late open shops on each side of the street. We were sitting apart and we jolted close together going down the old street. Brett's hat was off. Her head was back. I saw her face in the lights from the open shops, then it was dark, then I saw her face clearly as we came out on the Avenue des Gobelins. The street was torn up and men were working on the car-tracks by the light of acetylene flares. Brett's face was white and the long line of her neck showed in the bright light of the flares. The street was dark again and I kissed her. Our lips were tight together and then she turned away and pressed against the corner of the seat, as far away as she could get. Her head was down. "Don't touch me," she said. "Please don't touch me." "What's the matter?" "I can't stand it." "Oh, Brett." "You mustn't. You must know. I can't stand it, that's all. Oh, darling, please understand!" "Don't you love me?" "Love you? I simply turn all to jelly when you touch me." "Isn't there anything we can do about it?" She was sitting up now. My arm was around her and she was leaning back against me, and we were quite calm. She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing
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the glass and I saw Robert Cohn looking at her. He looked a great deal as his compatriot must have looked when he saw the promised land. Cohn, of course, was much younger. But he had that look of eager, deserving expectation. Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that. She was built with curves like the hull of a racing yacht, and you missed none of it with that wool jersey. "It's a fine crowd you're with, Brett," I said. "Aren't they lovely? And you, my dear. Where did you get it?" "At the Napolitain." "And have you had a lovely evening?" "Oh, priceless," I said. Brett laughed. "It's wrong of you, Jake. It's an insult to all of us. Look at Frances there, and Jo." This for Cohn's benefit. "It's in restraint of trade," Brett said. She laughed again. "You're wonderfully sober," I said. "Yes. Aren't I? And when one's with the crowd I'm with, one can drink in such safety, too." The music started and Robert Cohn said: "Will you dance this with me, Lady Brett?" Brett smiled at him. "I've promised to dance this with Jacob," she laughed. "You've a hell of a biblical name, Jake." "How about the next?"<|quote|>asked Cohn.</|quote|>"We're going," Brett said. "We've a date up at Montmartre." Dancing, I looked over Brett's shoulder and saw Cohn, standing at the bar, still watching her. "You've made a new one there," I said to her. "Don't talk about it. Poor chap. I never knew it till just now." "Oh, well," I said. "I suppose you like to add them up." "Don't talk like a fool." "You do." "Oh, well. What if I do?" "Nothing," I said. We were dancing to the accordion and some one was playing the banjo. It was hot and I felt happy. We passed close to Georgette dancing with another one of them. "What possessed you to bring her?" "I don't know, I just brought her." "You're getting damned romantic." "No, bored." "Now?" "No, not now." "Let's get out of here. She's well taken care of." "Do you want to?" "Would I ask you if I didn't want to?" We left the floor and I took my coat off a hanger on the wall and put it on. Brett stood by the bar. Cohn was talking to her. I stopped at the bar and asked them for an envelope. The patronne found one. I took a fifty-franc note from my pocket, put it in the envelope, sealed it, and handed it to the patronne. "If the girl I came with asks for me, will you give her this?" I said. "If she goes out with one of those gentlemen, will you save this for me?" "C'est entendu, Monsieur," the patronne said. "You go now? So early?" "Yes," I said. We started out the door. Cohn was still talking to Brett. She said good night and took my arm. "Good night, Cohn," I said. Outside in the street we looked for a taxi. "You're going to lose your fifty francs," Brett said. "Oh, yes." "No taxis." "We could walk up to the Pantheon and get one." "Come on and we'll get a drink in the pub next door and send
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The Sun Also Rises
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"Bonjour, madame,"
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Mlle. Blanche
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said Madame, with sudden brusquerie.<|quote|>"Bonjour, madame,"</|quote|>replied Mlle. Blanche with an
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never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie.<|quote|>"Bonjour, madame,"</|quote|>replied Mlle. Blanche with an elegant, ceremonious bow as, under
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the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie.<|quote|>"Bonjour, madame,"</|quote|>replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and
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I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie.<|quote|>"Bonjour, madame,"</|quote|>replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I
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is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie.<|quote|>"Bonjour, madame,"</|quote|>replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last
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Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie.<|quote|>"Bonjour, madame,"</|quote|>replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my
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gayest of fashions. Our party was lodging on the third floor. Without knocking at the door, or in any way announcing our presence, I threw open the portals, and the Grandmother was borne through them in triumph. As though of set purpose, the whole party chanced at that moment to be assembled in the General s study. The time was eleven o clock, and it seemed that an outing of some sort (at which a portion of the party were to drive in carriages, and others to ride on horseback, accompanied by one or two extraneous acquaintances) was being planned. The General was present, and also Polina, the children, the latter s nurses, De Griers, Mlle. Blanche (attired in a riding-habit), her mother, the young Prince, and a learned German whom I beheld for the first time. Into the midst of this assembly the lacqueys conveyed Madame in her chair, and set her down within three paces of the General! Good heavens! Never shall I forget the spectacle which ensued! Just before our entry, the General had been holding forth to the company, with De Griers in support of him. I may also mention that, for the last two or three days, Mlle. Blanche and De Griers had been making a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie.<|quote|>"Bonjour, madame,"</|quote|>replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do not know whether" "You do not know _what?_ By heavens, are you _never_ going to drop that roulette of yours? Are you going to whistle all your property away?" This made such an impression upon the General that he almost choked with fury. "Roulette, indeed? _I_ play roulette? Really, in view of my position Recollect what you are saying, my dearest mother. You must still be unwell." "Rubbish, rubbish!" she retorted. "The truth is that you _cannot_ be got away from that roulette. You are simply telling lies. This very day I mean to go and see for myself what roulette is like. Prascovia, tell me what there is to be seen here; and do you, Alexis Ivanovitch, show me everything; and do you, Potapitch, make me a list of excursions. What _is_ there to be seen?" again she inquired of Polina. "There is a ruined
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her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie.<|quote|>"Bonjour, madame,"</|quote|>replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and
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The Gambler
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"No, thankye, sir,"
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Jem Wimble
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women? Come, rouse a bit."<|quote|>"No, thankye, sir,"</|quote|>said Jem, in a miserable
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to play at being old women? Come, rouse a bit."<|quote|>"No, thankye, sir,"</|quote|>said Jem, in a miserable tone. "Bit? I haven't bit
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it. I'm fit to go into a hospital, and that's about all I'm fit for. Sailor? Why, I can't even stand upright on the precious deck." "Well, my lads," said a hearty voice just then; "how long are you going to play at being old women? Come, rouse a bit."<|quote|>"No, thankye, sir,"</|quote|>said Jem, in a miserable tone. "Bit? I haven't bit anything since I've been aboard." "Then rouse up, and bite something now," cried the boatswain. "Come, my lad," he continued, turning to Don, "you've got too much stuff in you to lie about like this. Jump up, and come on
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say is that it serves the captain and the lieutenant and all the rest of 'em jolly well right for press-ganging me." "What do you mean?" said Don, dolefully. "Why, that they took all that trouble to bring me aboard to make a sailor of me, and they'll never do it. I'm fit to go into a hospital, and that's about all I'm fit for. Sailor? Why, I can't even stand upright on the precious deck." "Well, my lads," said a hearty voice just then; "how long are you going to play at being old women? Come, rouse a bit."<|quote|>"No, thankye, sir,"</|quote|>said Jem, in a miserable tone. "Bit? I haven't bit anything since I've been aboard." "Then rouse up, and bite something now," cried the boatswain. "Come, my lad," he continued, turning to Don, "you've got too much stuff in you to lie about like this. Jump up, and come on deck in the fresh air." "I feel so weak, sir; I don't think I could stand." "Oh, yes, you can," said the boatswain. "That's better. If you give way to it, you'll be here for a week." "Are we nearly there, sir?" said Jem, with a groan. "Nearly there? You
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his equally unfortunate companions, and the remarks of Jem, who kept up in his waking moments a running commentary on the miseries of going to sea. "It's wuss than anything I ever felt or saw," he muttered. "I've been ill, and I've been in hospital, but this here's about the most terrible. I say, Mas' Don, how do you feel now?" "As if I'd give anything to have the ship stopped, for us to be set ashore." "No, no, you can't feel like that, Mas' Don, because that's exactly how I feel. I am so ill. Well, all I can say is that it serves the captain and the lieutenant and all the rest of 'em jolly well right for press-ganging me." "What do you mean?" said Don, dolefully. "Why, that they took all that trouble to bring me aboard to make a sailor of me, and they'll never do it. I'm fit to go into a hospital, and that's about all I'm fit for. Sailor? Why, I can't even stand upright on the precious deck." "Well, my lads," said a hearty voice just then; "how long are you going to play at being old women? Come, rouse a bit."<|quote|>"No, thankye, sir,"</|quote|>said Jem, in a miserable tone. "Bit? I haven't bit anything since I've been aboard." "Then rouse up, and bite something now," cried the boatswain. "Come, my lad," he continued, turning to Don, "you've got too much stuff in you to lie about like this. Jump up, and come on deck in the fresh air." "I feel so weak, sir; I don't think I could stand." "Oh, yes, you can," said the boatswain. "That's better. If you give way to it, you'll be here for a week." "Are we nearly there, sir?" said Jem, with a groan. "Nearly there? You yellow-faced lubber. What do you mean?" "Where we're going to," groaned Jem. "Nearly there? No. Why?" "Because I want to go ashore again. I'm no use here." "We'll soon make you of some use. There, get up." "But aren't we soon going ashore?" "If you behave yourself you may get a run ashore at the Cape or at Singapore; but most likely you won't leave the ship till we get to China." "China?" said Jem, sitting up sharply. "China?" "Yes, China. What of that?" "China!" cried Jem. "Why, I thought we were sailing round to Plymouth or Portsmouth, or some
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the deck had suddenly dropped down; and as Don and Jem rolled over into the lee scuppers, they were pretty well doused by the water that came splashing over the bows, and when, amidst a shout of laughter from the sailors, the order was given for them to get up and form in line again, Jem clung tightly to Don, and said, dolefully,-- "It's of no use, Mas' Don; I can't. It's like trying to stand on running barrels; and--oh, dear me!--I do feel so precious bad." Don made no reply, but caught at the side of the vessel, for everything around seemed to be swimming, and a peculiarly faint sensation had attacked him, such as he had never experienced before. "There, send 'em all below," said the officer, who seemed half angry, half-amused. "Pretty way this is, of manning His Majesty's ships. There, down with you. Get 'em all below." Don did not know how he got below. He had some recollection of knocking the skin off his elbows, and being half dragged into a corner of the lower deck, where, for three days, he lay in the most abjectly miserable state, listening to the sighs and groans of his equally unfortunate companions, and the remarks of Jem, who kept up in his waking moments a running commentary on the miseries of going to sea. "It's wuss than anything I ever felt or saw," he muttered. "I've been ill, and I've been in hospital, but this here's about the most terrible. I say, Mas' Don, how do you feel now?" "As if I'd give anything to have the ship stopped, for us to be set ashore." "No, no, you can't feel like that, Mas' Don, because that's exactly how I feel. I am so ill. Well, all I can say is that it serves the captain and the lieutenant and all the rest of 'em jolly well right for press-ganging me." "What do you mean?" said Don, dolefully. "Why, that they took all that trouble to bring me aboard to make a sailor of me, and they'll never do it. I'm fit to go into a hospital, and that's about all I'm fit for. Sailor? Why, I can't even stand upright on the precious deck." "Well, my lads," said a hearty voice just then; "how long are you going to play at being old women? Come, rouse a bit."<|quote|>"No, thankye, sir,"</|quote|>said Jem, in a miserable tone. "Bit? I haven't bit anything since I've been aboard." "Then rouse up, and bite something now," cried the boatswain. "Come, my lad," he continued, turning to Don, "you've got too much stuff in you to lie about like this. Jump up, and come on deck in the fresh air." "I feel so weak, sir; I don't think I could stand." "Oh, yes, you can," said the boatswain. "That's better. If you give way to it, you'll be here for a week." "Are we nearly there, sir?" said Jem, with a groan. "Nearly there? You yellow-faced lubber. What do you mean?" "Where we're going to," groaned Jem. "Nearly there? No. Why?" "Because I want to go ashore again. I'm no use here." "We'll soon make you of some use. There, get up." "But aren't we soon going ashore?" "If you behave yourself you may get a run ashore at the Cape or at Singapore; but most likely you won't leave the ship till we get to China." "China?" said Jem, sitting up sharply. "China?" "Yes, China. What of that?" "China!" cried Jem. "Why, I thought we were sailing round to Plymouth or Portsmouth, or some place like that. China?" "We're going straight away or China, my lad, to be on that station for some time." "And when are we coming back, sir?" "In about three years." "Mas' Don," said Jem, dolefully; "let's get up on deck, sir, and jump overboard, so as to make an end of it." "You'd better not," said the boatswain, laughing at Jem's miserable face. "You're in the king's service now, and you've got to work. There, rouse up, and act like a man." "But can't we send a letter home, sir?" asked Don. "Oh, yes, if you like, at the first port we touch at, or by any ship we speak. But come, my lad, you've been sea-sick for days; don't begin to be home sick. You've been pressed as many a better fellow has been before you. The king wants men, and he must have them. Now, young as you are, show that you can act like a man." Don gave him an agonised look, but the bluff boatswain did not see it. "Here, you fellows," he cried to the rest of the sick men; "we've given you time enough now. You must get up and shake all this
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press-gang, and men being took; but I didn't know it was so bad as this." "Wait till morning, Jem, and I hope we shall get justice done to us." "Then they'll have to do it sharp, for it's morning now, though it's so dark down here, and I thought we were moving; can't you feel?" Jem was quite right; the sloop was under weigh. Morning had broken some time; and at noon that day, the hope of being set at liberty was growing extremely small, for the ship was in full sail, and going due west. CHAPTER EIGHTEEN. JEM IS HUNGRY. The first time the pressed men were mustered Don was well prepared. "You leave it to me, Jem," he whispered. "I'll wait till our turn comes, and then I shall speak out to the officer and tell him how we've been treated." "You'd better make haste, then, Mas' Don, for if the thing keeps on moving like this, I sha'n't be able to stand and hear what you have to say." For a good breeze was blowing from the south coast, sufficient to make the waves curl over, and the sloop behave in rather a lively way; the more so that she had a good deal of canvas spread, and heeled over and dipped her nose sufficiently to admit a great wave from time to time to well splash the forward part of the deck. Don made no reply, for he felt white, but he attributed it to the mental excitement from which he suffered. There were thirty pressed men on deck, for the most part old sailors from the mercantile marine, and these men were drafted off into various watches, the trouble to the officers being that of arranging the fate of the landsmen, who looked wretched in the extreme. "'Pon my word, Jones," said a smart-looking, middle-aged man in uniform, whom Don took to be the first lieutenant, "about as sorry a lot of Bristol sweepings as ever I saw." "Not bad men, sir," said the petty officer addressed. "Wait till they've shaken down into their places." "Now's your time, Mas' Don," whispered Jem. "Now or never." Don was on the alert, but just as the officer neared them the vessel gave a sudden pitch, and of the men standing in a row the minute before, not one remained upon his feet. For it seemed as if the deck had suddenly dropped down; and as Don and Jem rolled over into the lee scuppers, they were pretty well doused by the water that came splashing over the bows, and when, amidst a shout of laughter from the sailors, the order was given for them to get up and form in line again, Jem clung tightly to Don, and said, dolefully,-- "It's of no use, Mas' Don; I can't. It's like trying to stand on running barrels; and--oh, dear me!--I do feel so precious bad." Don made no reply, but caught at the side of the vessel, for everything around seemed to be swimming, and a peculiarly faint sensation had attacked him, such as he had never experienced before. "There, send 'em all below," said the officer, who seemed half angry, half-amused. "Pretty way this is, of manning His Majesty's ships. There, down with you. Get 'em all below." Don did not know how he got below. He had some recollection of knocking the skin off his elbows, and being half dragged into a corner of the lower deck, where, for three days, he lay in the most abjectly miserable state, listening to the sighs and groans of his equally unfortunate companions, and the remarks of Jem, who kept up in his waking moments a running commentary on the miseries of going to sea. "It's wuss than anything I ever felt or saw," he muttered. "I've been ill, and I've been in hospital, but this here's about the most terrible. I say, Mas' Don, how do you feel now?" "As if I'd give anything to have the ship stopped, for us to be set ashore." "No, no, you can't feel like that, Mas' Don, because that's exactly how I feel. I am so ill. Well, all I can say is that it serves the captain and the lieutenant and all the rest of 'em jolly well right for press-ganging me." "What do you mean?" said Don, dolefully. "Why, that they took all that trouble to bring me aboard to make a sailor of me, and they'll never do it. I'm fit to go into a hospital, and that's about all I'm fit for. Sailor? Why, I can't even stand upright on the precious deck." "Well, my lads," said a hearty voice just then; "how long are you going to play at being old women? Come, rouse a bit."<|quote|>"No, thankye, sir,"</|quote|>said Jem, in a miserable tone. "Bit? I haven't bit anything since I've been aboard." "Then rouse up, and bite something now," cried the boatswain. "Come, my lad," he continued, turning to Don, "you've got too much stuff in you to lie about like this. Jump up, and come on deck in the fresh air." "I feel so weak, sir; I don't think I could stand." "Oh, yes, you can," said the boatswain. "That's better. If you give way to it, you'll be here for a week." "Are we nearly there, sir?" said Jem, with a groan. "Nearly there? You yellow-faced lubber. What do you mean?" "Where we're going to," groaned Jem. "Nearly there? No. Why?" "Because I want to go ashore again. I'm no use here." "We'll soon make you of some use. There, get up." "But aren't we soon going ashore?" "If you behave yourself you may get a run ashore at the Cape or at Singapore; but most likely you won't leave the ship till we get to China." "China?" said Jem, sitting up sharply. "China?" "Yes, China. What of that?" "China!" cried Jem. "Why, I thought we were sailing round to Plymouth or Portsmouth, or some place like that. China?" "We're going straight away or China, my lad, to be on that station for some time." "And when are we coming back, sir?" "In about three years." "Mas' Don," said Jem, dolefully; "let's get up on deck, sir, and jump overboard, so as to make an end of it." "You'd better not," said the boatswain, laughing at Jem's miserable face. "You're in the king's service now, and you've got to work. There, rouse up, and act like a man." "But can't we send a letter home, sir?" asked Don. "Oh, yes, if you like, at the first port we touch at, or by any ship we speak. But come, my lad, you've been sea-sick for days; don't begin to be home sick. You've been pressed as many a better fellow has been before you. The king wants men, and he must have them. Now, young as you are, show that you can act like a man." Don gave him an agonised look, but the bluff boatswain did not see it. "Here, you fellows," he cried to the rest of the sick men; "we've given you time enough now. You must get up and shake all this off. You'll all be on deck in a quarter of an hour, so look sharp." "This here's a nice game, Mas' Don. Do you know how I feel?" "No, Jem; but I know how I feel." "How's that, sir?" "That if I had been asked to serve the king I might have joined a ship; but I've been dragged here in a cruel way, and the very first time I can get ashore, I mean to stay." "Well, I felt something like that, Mas' Don; but they'd call it desertion." "Let them call it what they like, Jem. They treated us like dogs, and I will not stand it. I shall leave the ship first chance. You can do as you like, but that's what I mean to do." "Oh, I shall do as you do, Mas' Don. I was never meant for a sailor, and I shall get away as soon as I can." "Shall you?" said a voice that seemed familiar; and they both turned in the direction from which it came, to see a dark figure rise from beside the bulk head, where it had lain unnoticed by the invalids, though if they had noted its presence, they would have taken it for one of their fellow-sufferers. "What's it got to do with you?" said Jem, shortly, as he scowled at the man, who now came forward sufficiently near the dim light for them to recognise the grim, sinister-looking sailor, who had played so unpleasant a part at the _rendez-vous_ where they were taken after being seized. "What's it got to do with me? Everything. So you're goin' to desert, both of you, are you? Do you know what that means?" "No; nor don't want," growled Jem. "Then I'll tell you. Flogging, for sartain, and p'r'aps stringing up at the yard-arm, as an example to others." "Ho!" said Jem; "do it? Well, you look the sort o' man as is best suited for that; and just you look here. Nex' time I ketches you spying and listening to what I say, I shall give you a worse dressing down than I give you last time, so be off." "Mutinous, threatening, and talking about deserting," said the sinister-looking sailor, with a harsh laugh, which sounded as if he had a young watchman's rattle somewhere in his chest. "Nice thing to report. I think this will do." He went
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of Bristol sweepings as ever I saw." "Not bad men, sir," said the petty officer addressed. "Wait till they've shaken down into their places." "Now's your time, Mas' Don," whispered Jem. "Now or never." Don was on the alert, but just as the officer neared them the vessel gave a sudden pitch, and of the men standing in a row the minute before, not one remained upon his feet. For it seemed as if the deck had suddenly dropped down; and as Don and Jem rolled over into the lee scuppers, they were pretty well doused by the water that came splashing over the bows, and when, amidst a shout of laughter from the sailors, the order was given for them to get up and form in line again, Jem clung tightly to Don, and said, dolefully,-- "It's of no use, Mas' Don; I can't. It's like trying to stand on running barrels; and--oh, dear me!--I do feel so precious bad." Don made no reply, but caught at the side of the vessel, for everything around seemed to be swimming, and a peculiarly faint sensation had attacked him, such as he had never experienced before. "There, send 'em all below," said the officer, who seemed half angry, half-amused. "Pretty way this is, of manning His Majesty's ships. There, down with you. Get 'em all below." Don did not know how he got below. He had some recollection of knocking the skin off his elbows, and being half dragged into a corner of the lower deck, where, for three days, he lay in the most abjectly miserable state, listening to the sighs and groans of his equally unfortunate companions, and the remarks of Jem, who kept up in his waking moments a running commentary on the miseries of going to sea. "It's wuss than anything I ever felt or saw," he muttered. "I've been ill, and I've been in hospital, but this here's about the most terrible. I say, Mas' Don, how do you feel now?" "As if I'd give anything to have the ship stopped, for us to be set ashore." "No, no, you can't feel like that, Mas' Don, because that's exactly how I feel. I am so ill. Well, all I can say is that it serves the captain and the lieutenant and all the rest of 'em jolly well right for press-ganging me." "What do you mean?" said Don, dolefully. "Why, that they took all that trouble to bring me aboard to make a sailor of me, and they'll never do it. I'm fit to go into a hospital, and that's about all I'm fit for. Sailor? Why, I can't even stand upright on the precious deck." "Well, my lads," said a hearty voice just then; "how long are you going to play at being old women? Come, rouse a bit."<|quote|>"No, thankye, sir,"</|quote|>said Jem, in a miserable tone. "Bit? I haven't bit anything since I've been aboard." "Then rouse up, and bite something now," cried the boatswain. "Come, my lad," he continued, turning to Don, "you've got too much stuff in you to lie about like this. Jump up, and come on deck in the fresh air." "I feel so weak, sir; I don't think I could stand." "Oh, yes, you can," said the boatswain. "That's better. If you give way to it, you'll be here for a week." "Are we nearly there, sir?" said Jem, with a groan. "Nearly there? You yellow-faced lubber. What do you mean?" "Where we're going to," groaned Jem. "Nearly there? No. Why?" "Because I want to go ashore again. I'm no use here." "We'll soon make you of some use. There, get up." "But aren't we soon going ashore?" "If you behave yourself you may get a run ashore at the Cape or at Singapore; but most likely you won't leave the ship till we get to China." "China?" said Jem, sitting up sharply. "China?" "Yes, China. What of that?" "China!" cried Jem. "Why, I thought we were sailing round to Plymouth or Portsmouth, or some place like that. China?" "We're going straight away or China, my lad, to be on that station for some time." "And when are we coming back, sir?" "In about three years." "Mas' Don," said Jem, dolefully; "let's get up on deck, sir, and jump overboard, so as to
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Don Lavington
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said the valet,
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No speaker
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I remember." "Beg pardon, sir,"<|quote|>said the valet,</|quote|>"Bible also provided for you,"
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saw the moon on Tuesday, I remember." "Beg pardon, sir,"<|quote|>said the valet,</|quote|>"Bible also provided for you," and with a respectful and
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adventures knock me out. Still, I may be allowed to ask why I should be particularly like Thursday in a green frock spotted all over with the sun and moon. Those orbs, I think, shine on other days. I once saw the moon on Tuesday, I remember." "Beg pardon, sir,"<|quote|>said the valet,</|quote|>"Bible also provided for you," and with a respectful and rigid finger he pointed out a passage in the first chapter of Genesis. Syme read it wondering. It was that in which the fourth day of the week is associated with the creation of the sun and moon. Here, however,
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Thursday!" said Syme in meditation. "It doesn't sound a warm costume." "Oh, yes, sir," said the other eagerly, "the Thursday costume is quite warm, sir. It fastens up to the chin." "Well, I don't understand anything," said Syme, sighing. "I have been used so long to uncomfortable adventures that comfortable adventures knock me out. Still, I may be allowed to ask why I should be particularly like Thursday in a green frock spotted all over with the sun and moon. Those orbs, I think, shine on other days. I once saw the moon on Tuesday, I remember." "Beg pardon, sir,"<|quote|>said the valet,</|quote|>"Bible also provided for you," and with a respectful and rigid finger he pointed out a passage in the first chapter of Genesis. Syme read it wondering. It was that in which the fourth day of the week is associated with the creation of the sun and moon. Here, however, they reckoned from a Christian Sunday. "This is getting wilder and wilder," said Syme, as he sat down in a chair. "Who are these people who provide cold pheasant and Burgundy, and green clothes and Bibles? Do they provide everything?" "Yes, sir, everything," said the attendant gravely. "Shall I help
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"and Burgundy is a spanking good thing. But really I do not want either of them so much as I want to know what the devil all this means, and what sort of costume you have got laid out for me. Where is it?" The servant lifted off a kind of ottoman a long peacock-blue drapery, rather of the nature of a domino, on the front of which was emblazoned a large golden sun, and which was splashed here and there with flaming stars and crescents. "You're to be dressed as Thursday, sir," said the valet somewhat affably. "Dressed as Thursday!" said Syme in meditation. "It doesn't sound a warm costume." "Oh, yes, sir," said the other eagerly, "the Thursday costume is quite warm, sir. It fastens up to the chin." "Well, I don't understand anything," said Syme, sighing. "I have been used so long to uncomfortable adventures that comfortable adventures knock me out. Still, I may be allowed to ask why I should be particularly like Thursday in a green frock spotted all over with the sun and moon. Those orbs, I think, shine on other days. I once saw the moon on Tuesday, I remember." "Beg pardon, sir,"<|quote|>said the valet,</|quote|>"Bible also provided for you," and with a respectful and rigid finger he pointed out a passage in the first chapter of Genesis. Syme read it wondering. It was that in which the fourth day of the week is associated with the creation of the sun and moon. Here, however, they reckoned from a Christian Sunday. "This is getting wilder and wilder," said Syme, as he sat down in a chair. "Who are these people who provide cold pheasant and Burgundy, and green clothes and Bibles? Do they provide everything?" "Yes, sir, everything," said the attendant gravely. "Shall I help you on with your costume?" "Oh, hitch the bally thing on!" said Syme impatiently. But though he affected to despise the mummery, he felt a curious freedom and naturalness in his movements as the blue and gold garment fell about him; and when he found that he had to wear a sword, it stirred a boyish dream. As he passed out of the room he flung the folds across his shoulder with a gesture, his sword stood out at an angle, and he had all the swagger of a troubadour. For these disguises did not disguise, but reveal. CHAPTER XV.
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pull his tie straight or to smooth his hair; and there he saw the frightful figure that he was blood running down his face from where the bough had struck him, his hair standing out like yellow rags of rank grass, his clothes torn into long, wavering tatters. At once the whole enigma sprang up, simply as the question of how he had got there, and how he was to get out again. Exactly at the same moment a man in blue, who had been appointed as his valet, said very solemnly "I have put out your clothes, sir." "Clothes!" said Syme sardonically. "I have no clothes except these," and he lifted two long strips of his frock-coat in fascinating festoons, and made a movement as if to twirl like a ballet girl. "My master asks me to say," said the attendant, "that there is a fancy dress ball tonight, and that he desires you to put on the costume that I have laid out. Meanwhile, sir, there is a bottle of Burgundy and some cold pheasant, which he hopes you will not refuse, as it is some hours before supper." "Cold pheasant is a good thing," said Syme reflectively, "and Burgundy is a spanking good thing. But really I do not want either of them so much as I want to know what the devil all this means, and what sort of costume you have got laid out for me. Where is it?" The servant lifted off a kind of ottoman a long peacock-blue drapery, rather of the nature of a domino, on the front of which was emblazoned a large golden sun, and which was splashed here and there with flaming stars and crescents. "You're to be dressed as Thursday, sir," said the valet somewhat affably. "Dressed as Thursday!" said Syme in meditation. "It doesn't sound a warm costume." "Oh, yes, sir," said the other eagerly, "the Thursday costume is quite warm, sir. It fastens up to the chin." "Well, I don't understand anything," said Syme, sighing. "I have been used so long to uncomfortable adventures that comfortable adventures knock me out. Still, I may be allowed to ask why I should be particularly like Thursday in a green frock spotted all over with the sun and moon. Those orbs, I think, shine on other days. I once saw the moon on Tuesday, I remember." "Beg pardon, sir,"<|quote|>said the valet,</|quote|>"Bible also provided for you," and with a respectful and rigid finger he pointed out a passage in the first chapter of Genesis. Syme read it wondering. It was that in which the fourth day of the week is associated with the creation of the sun and moon. Here, however, they reckoned from a Christian Sunday. "This is getting wilder and wilder," said Syme, as he sat down in a chair. "Who are these people who provide cold pheasant and Burgundy, and green clothes and Bibles? Do they provide everything?" "Yes, sir, everything," said the attendant gravely. "Shall I help you on with your costume?" "Oh, hitch the bally thing on!" said Syme impatiently. But though he affected to despise the mummery, he felt a curious freedom and naturalness in his movements as the blue and gold garment fell about him; and when he found that he had to wear a sword, it stirred a boyish dream. As he passed out of the room he flung the folds across his shoulder with a gesture, his sword stood out at an angle, and he had all the swagger of a troubadour. For these disguises did not disguise, but reveal. CHAPTER XV. THE ACCUSER As Syme strode along the corridor he saw the Secretary standing at the top of a great flight of stairs. The man had never looked so noble. He was draped in a long robe of starless black, down the centre of which fell a band or broad stripe of pure white, like a single shaft of light. The whole looked like some very severe ecclesiastical vestment. There was no need for Syme to search his memory or the Bible in order to remember that the first day of creation marked the mere creation of light out of darkness. The vestment itself would alone have suggested the symbol; and Syme felt also how perfectly this pattern of pure white and black expressed the soul of the pale and austere Secretary, with his inhuman veracity and his cold frenzy, which made him so easily make war on the anarchists, and yet so easily pass for one of them. Syme was scarcely surprised to notice that, amid all the ease and hospitality of their new surroundings, this man's eyes were still stern. No smell of ale or orchards could make the Secretary cease to ask a reasonable question. If Syme had
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carriages, and carriages with cushions. They could not conceive who the old man was who had led them; but it was quite enough that he had certainly led them to the carriages. Syme drove through a drifting darkness of trees in utter abandonment. It was typical of him that while he had carried his bearded chin forward fiercely so long as anything could be done, when the whole business was taken out of his hands he fell back on the cushions in a frank collapse. Very gradually and very vaguely he realised into what rich roads the carriage was carrying him. He saw that they passed the stone gates of what might have been a park, that they began gradually to climb a hill which, while wooded on both sides, was somewhat more orderly than a forest. Then there began to grow upon him, as upon a man slowly waking from a healthy sleep, a pleasure in everything. He felt that the hedges were what hedges should be, living walls; that a hedge is like a human army, disciplined, but all the more alive. He saw high elms behind the hedges, and vaguely thought how happy boys would be climbing there. Then his carriage took a turn of the path, and he saw suddenly and quietly, like a long, low, sunset cloud, a long, low house, mellow in the mild light of sunset. All the six friends compared notes afterwards and quarrelled; but they all agreed that in some unaccountable way the place reminded them of their boyhood. It was either this elm-top or that crooked path, it was either this scrap of orchard or that shape of a window; but each man of them declared that he could remember this place before he could remember his mother. When the carriages eventually rolled up to a large, low, cavernous gateway, another man in the same uniform, but wearing a silver star on the grey breast of his coat, came out to meet them. This impressive person said to the bewildered Syme "Refreshments are provided for you in your room." Syme, under the influence of the same mesmeric sleep of amazement, went up the large oaken stairs after the respectful attendant. He entered a splendid suite of apartments that seemed to be designed specially for him. He walked up to a long mirror with the ordinary instinct of his class, to pull his tie straight or to smooth his hair; and there he saw the frightful figure that he was blood running down his face from where the bough had struck him, his hair standing out like yellow rags of rank grass, his clothes torn into long, wavering tatters. At once the whole enigma sprang up, simply as the question of how he had got there, and how he was to get out again. Exactly at the same moment a man in blue, who had been appointed as his valet, said very solemnly "I have put out your clothes, sir." "Clothes!" said Syme sardonically. "I have no clothes except these," and he lifted two long strips of his frock-coat in fascinating festoons, and made a movement as if to twirl like a ballet girl. "My master asks me to say," said the attendant, "that there is a fancy dress ball tonight, and that he desires you to put on the costume that I have laid out. Meanwhile, sir, there is a bottle of Burgundy and some cold pheasant, which he hopes you will not refuse, as it is some hours before supper." "Cold pheasant is a good thing," said Syme reflectively, "and Burgundy is a spanking good thing. But really I do not want either of them so much as I want to know what the devil all this means, and what sort of costume you have got laid out for me. Where is it?" The servant lifted off a kind of ottoman a long peacock-blue drapery, rather of the nature of a domino, on the front of which was emblazoned a large golden sun, and which was splashed here and there with flaming stars and crescents. "You're to be dressed as Thursday, sir," said the valet somewhat affably. "Dressed as Thursday!" said Syme in meditation. "It doesn't sound a warm costume." "Oh, yes, sir," said the other eagerly, "the Thursday costume is quite warm, sir. It fastens up to the chin." "Well, I don't understand anything," said Syme, sighing. "I have been used so long to uncomfortable adventures that comfortable adventures knock me out. Still, I may be allowed to ask why I should be particularly like Thursday in a green frock spotted all over with the sun and moon. Those orbs, I think, shine on other days. I once saw the moon on Tuesday, I remember." "Beg pardon, sir,"<|quote|>said the valet,</|quote|>"Bible also provided for you," and with a respectful and rigid finger he pointed out a passage in the first chapter of Genesis. Syme read it wondering. It was that in which the fourth day of the week is associated with the creation of the sun and moon. Here, however, they reckoned from a Christian Sunday. "This is getting wilder and wilder," said Syme, as he sat down in a chair. "Who are these people who provide cold pheasant and Burgundy, and green clothes and Bibles? Do they provide everything?" "Yes, sir, everything," said the attendant gravely. "Shall I help you on with your costume?" "Oh, hitch the bally thing on!" said Syme impatiently. But though he affected to despise the mummery, he felt a curious freedom and naturalness in his movements as the blue and gold garment fell about him; and when he found that he had to wear a sword, it stirred a boyish dream. As he passed out of the room he flung the folds across his shoulder with a gesture, his sword stood out at an angle, and he had all the swagger of a troubadour. For these disguises did not disguise, but reveal. CHAPTER XV. THE ACCUSER As Syme strode along the corridor he saw the Secretary standing at the top of a great flight of stairs. The man had never looked so noble. He was draped in a long robe of starless black, down the centre of which fell a band or broad stripe of pure white, like a single shaft of light. The whole looked like some very severe ecclesiastical vestment. There was no need for Syme to search his memory or the Bible in order to remember that the first day of creation marked the mere creation of light out of darkness. The vestment itself would alone have suggested the symbol; and Syme felt also how perfectly this pattern of pure white and black expressed the soul of the pale and austere Secretary, with his inhuman veracity and his cold frenzy, which made him so easily make war on the anarchists, and yet so easily pass for one of them. Syme was scarcely surprised to notice that, amid all the ease and hospitality of their new surroundings, this man's eyes were still stern. No smell of ale or orchards could make the Secretary cease to ask a reasonable question. If Syme had been able to see himself, he would have realised that he, too, seemed to be for the first time himself and no one else. For if the Secretary stood for that philosopher who loves the original and formless light, Syme was a type of the poet who seeks always to make the light in special shapes, to split it up into sun and star. The philosopher may sometimes love the infinite; the poet always loves the finite. For him the great moment is not the creation of light, but the creation of the sun and moon. As they descended the broad stairs together they overtook Ratcliffe, who was clad in spring green like a huntsman, and the pattern upon whose garment was a green tangle of trees. For he stood for that third day on which the earth and green things were made, and his square, sensible face, with its not unfriendly cynicism, seemed appropriate enough to it. They were led out of another broad and low gateway into a very large old English garden, full of torches and bonfires, by the broken light of which a vast carnival of people were dancing in motley dress. Syme seemed to see every shape in Nature imitated in some crazy costume. There was a man dressed as a windmill with enormous sails, a man dressed as an elephant, a man dressed as a balloon; the two last, together, seemed to keep the thread of their farcical adventures. Syme even saw, with a queer thrill, one dancer dressed like an enormous hornbill, with a beak twice as big as himself the queer bird which had fixed itself on his fancy like a living question while he was rushing down the long road at the Zoological Gardens. There were a thousand other such objects, however. There was a dancing lamp-post, a dancing apple tree, a dancing ship. One would have thought that the untamable tune of some mad musician had set all the common objects of field and street dancing an eternal jig. And long afterwards, when Syme was middle-aged and at rest, he could never see one of those particular objects a lamppost, or an apple tree, or a windmill without thinking that it was a strayed reveller from that revel of masquerade. On one side of this lawn, alive with dancers, was a sort of green bank, like the terrace in such
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strips of his frock-coat in fascinating festoons, and made a movement as if to twirl like a ballet girl. "My master asks me to say," said the attendant, "that there is a fancy dress ball tonight, and that he desires you to put on the costume that I have laid out. Meanwhile, sir, there is a bottle of Burgundy and some cold pheasant, which he hopes you will not refuse, as it is some hours before supper." "Cold pheasant is a good thing," said Syme reflectively, "and Burgundy is a spanking good thing. But really I do not want either of them so much as I want to know what the devil all this means, and what sort of costume you have got laid out for me. Where is it?" The servant lifted off a kind of ottoman a long peacock-blue drapery, rather of the nature of a domino, on the front of which was emblazoned a large golden sun, and which was splashed here and there with flaming stars and crescents. "You're to be dressed as Thursday, sir," said the valet somewhat affably. "Dressed as Thursday!" said Syme in meditation. "It doesn't sound a warm costume." "Oh, yes, sir," said the other eagerly, "the Thursday costume is quite warm, sir. It fastens up to the chin." "Well, I don't understand anything," said Syme, sighing. "I have been used so long to uncomfortable adventures that comfortable adventures knock me out. Still, I may be allowed to ask why I should be particularly like Thursday in a green frock spotted all over with the sun and moon. Those orbs, I think, shine on other days. I once saw the moon on Tuesday, I remember." "Beg pardon, sir,"<|quote|>said the valet,</|quote|>"Bible also provided for you," and with a respectful and rigid finger he pointed out a passage in the first chapter of Genesis. Syme read it wondering. It was that in which the fourth day of the week is associated with the creation of the sun and moon. Here, however, they reckoned from a Christian Sunday. "This is getting wilder and wilder," said Syme, as he sat down in a chair. "Who are these people who provide cold pheasant and Burgundy, and green clothes and Bibles? Do they provide everything?" "Yes, sir, everything," said the attendant gravely. "Shall I help you on with your costume?" "Oh, hitch the bally thing on!" said Syme impatiently. But though he affected to despise the mummery, he felt a curious freedom and naturalness in his movements as the blue and gold garment fell about him; and when he found that he had to wear a sword, it stirred a boyish dream. As he passed out of the room he flung the folds across his shoulder with a gesture, his sword stood out at an angle, and he had all the swagger of a troubadour. For these disguises did not disguise, but reveal. CHAPTER XV. THE ACCUSER As Syme strode along the corridor he saw the Secretary standing at the top of a great flight of stairs. The man had never looked so noble. He was draped in a long robe of starless black, down the centre of which fell a band or broad stripe of pure white, like a single shaft of light. The whole looked like some very severe ecclesiastical vestment. There was no need for Syme to search his memory or the Bible in order to remember that the first day of creation marked the mere creation of light out of darkness. The vestment itself would alone have suggested the symbol; and Syme felt also how perfectly this pattern of pure white and black expressed the soul of the pale and austere Secretary, with his inhuman veracity and his cold frenzy, which made him so easily make war on the anarchists, and yet so easily pass for one of them. Syme was scarcely surprised to notice that, amid all the ease and hospitality of their new surroundings, this man's eyes were still stern. No smell of ale or orchards could make the Secretary cease to ask a reasonable question. If Syme had been able to see himself, he would have realised that he, too, seemed to be for the first time himself and no one else. For if the Secretary stood for that philosopher who loves the original and formless light, Syme was a type of the poet who seeks always to make the light in special shapes, to split it up into sun and star. The philosopher may sometimes love the infinite; the poet always loves the finite. For him the great moment is not the creation of light, but the creation of the sun and moon. As they descended the broad stairs together they
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The Man Who Was Thursday
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It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.
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No speaker
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best. But he is practical."<|quote|>It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.</|quote|>"Tibby love, what next?" He
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could, but--" "Oh, you know best. But he is practical."<|quote|>It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.</|quote|>"Tibby love, what next?" He replied: "It is extraordinary." "Dear,
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behind footlights is for most people. He had only one suggestion to make, and that was characteristic. "Why don t you tell Mr. Wilcox?" "About Helen?" "Perhaps he has come across that sort of thing." "He would do all he could, but--" "Oh, you know best. But he is practical."<|quote|>It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.</|quote|>"Tibby love, what next?" He replied: "It is extraordinary." "Dear, your judgment s often clearer than mine. Have you any notion what s at the back?" "None, unless it s something mental." "Oh--that!" said Margaret. "Quite impossible." But the suggestion had been uttered, and in a few minutes she took
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age. He had never known young-manliness, that quality which warms the heart till death, and gives Mr. Wilcox an imperishable charm. He was frigid, through no fault of his own, and without cruelty. He thought Helen wrong and Margaret right, but the family trouble was for him what a scene behind footlights is for most people. He had only one suggestion to make, and that was characteristic. "Why don t you tell Mr. Wilcox?" "About Helen?" "Perhaps he has come across that sort of thing." "He would do all he could, but--" "Oh, you know best. But he is practical."<|quote|>It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.</|quote|>"Tibby love, what next?" He replied: "It is extraordinary." "Dear, your judgment s often clearer than mine. Have you any notion what s at the back?" "None, unless it s something mental." "Oh--that!" said Margaret. "Quite impossible." But the suggestion had been uttered, and in a few minutes she took it up herself. Nothing else explained. And London agreed with Tibby. The mask fell off the city, and she saw it for what it really is--a caricature of infinity. The familiar barriers, the streets along which she moved, the houses between which she had made her little journeys for so
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"act for the best" might do Helen good, but would do herself harm, and, at the risk of disaster, she kept her colours flying a little longer. She replied that their aunt was much better, and awaited developments. Tibby approved of her reply. Mellowing rapidly, he was a pleasanter companion than before. Oxford had done much for him. He had lost his peevishness, and could hide his indifference to people and his interest in food. But he had not grown more human. The years between eighteen and twenty-two, so magical for most, were leading him gently from boyhood to middle age. He had never known young-manliness, that quality which warms the heart till death, and gives Mr. Wilcox an imperishable charm. He was frigid, through no fault of his own, and without cruelty. He thought Helen wrong and Margaret right, but the family trouble was for him what a scene behind footlights is for most people. He had only one suggestion to make, and that was characteristic. "Why don t you tell Mr. Wilcox?" "About Helen?" "Perhaps he has come across that sort of thing." "He would do all he could, but--" "Oh, you know best. But he is practical."<|quote|>It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.</|quote|>"Tibby love, what next?" He replied: "It is extraordinary." "Dear, your judgment s often clearer than mine. Have you any notion what s at the back?" "None, unless it s something mental." "Oh--that!" said Margaret. "Quite impossible." But the suggestion had been uttered, and in a few minutes she took it up herself. Nothing else explained. And London agreed with Tibby. The mask fell off the city, and she saw it for what it really is--a caricature of infinity. The familiar barriers, the streets along which she moved, the houses between which she had made her little journeys for so many years, became negligible suddenly. Helen seemed one with grimy trees and the traffic and the slowly-flowing slabs of mud. She had accomplished a hideous act of renunciation and returned to the One. Margaret s own faith held firm. She knew the human soul will be merged, if it be merged at all, with the stars and the sea. Yet she felt that her sister had been going amiss for many years. It was symbolic the catastrophe should come now, on a London afternoon, while rain fell slowly. Henry was the only hope. Henry was definite. He might know of
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love to Aunt Juley. Tell her that I love, and have loved her ever since I can remember. I shall be in London Thursday. "My address will be care of the bankers. I have not yet settled on a hotel, so write or wire to me there and give me detailed news. If Aunt Juley is much better, or if, for a terrible reason, it would be no good my coming down to Swanage, you must not think it odd if I do not come. I have all sorts of plans in my head. I am living abroad at present, and want to get back as quickly as possible. Will you please tell me where our furniture is? I should like to take out one or two books; the rest are for you. "Forgive me, dearest Meg. This must read like rather a tiresome letter, but all letters are from your loving "HELEN." It was a tiresome letter, for it tempted Margaret to tell a lie. If she wrote that Aunt Juley was still in danger her sister would come. Unhealthiness is contagious. We cannot be in contact with those who are in a morbid state without ourselves deteriorating. To "act for the best" might do Helen good, but would do herself harm, and, at the risk of disaster, she kept her colours flying a little longer. She replied that their aunt was much better, and awaited developments. Tibby approved of her reply. Mellowing rapidly, he was a pleasanter companion than before. Oxford had done much for him. He had lost his peevishness, and could hide his indifference to people and his interest in food. But he had not grown more human. The years between eighteen and twenty-two, so magical for most, were leading him gently from boyhood to middle age. He had never known young-manliness, that quality which warms the heart till death, and gives Mr. Wilcox an imperishable charm. He was frigid, through no fault of his own, and without cruelty. He thought Helen wrong and Margaret right, but the family trouble was for him what a scene behind footlights is for most people. He had only one suggestion to make, and that was characteristic. "Why don t you tell Mr. Wilcox?" "About Helen?" "Perhaps he has come across that sort of thing." "He would do all he could, but--" "Oh, you know best. But he is practical."<|quote|>It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.</|quote|>"Tibby love, what next?" He replied: "It is extraordinary." "Dear, your judgment s often clearer than mine. Have you any notion what s at the back?" "None, unless it s something mental." "Oh--that!" said Margaret. "Quite impossible." But the suggestion had been uttered, and in a few minutes she took it up herself. Nothing else explained. And London agreed with Tibby. The mask fell off the city, and she saw it for what it really is--a caricature of infinity. The familiar barriers, the streets along which she moved, the houses between which she had made her little journeys for so many years, became negligible suddenly. Helen seemed one with grimy trees and the traffic and the slowly-flowing slabs of mud. She had accomplished a hideous act of renunciation and returned to the One. Margaret s own faith held firm. She knew the human soul will be merged, if it be merged at all, with the stars and the sea. Yet she felt that her sister had been going amiss for many years. It was symbolic the catastrophe should come now, on a London afternoon, while rain fell slowly. Henry was the only hope. Henry was definite. He might know of some paths in the chaos that were hidden from them, and she determined to take Tibby s advice and lay the whole matter in his hands. They must call at his office. He could not well make it worse. She went for a few moments into St. Paul s, whose dome stands out of the welter so bravely, as if preaching the gospel of form. But within, St. Paul s is as its surroundings--echoes and whispers, inaudible songs, invisible mosaics, wet footmarks, crossing and recrossing the floor. Si monumentum requiris, circumspice; it points us back to London. There was no hope of Helen here. Henry was unsatisfactory at first. That she had expected. He was overjoyed to see her back from Swanage, and slow to admit the growth of a new trouble. When they told him of their search, he only chaffed Tibby and the Schlegels generally, and declared that it was "just like Helen" to lead her relatives a dance. "That is what we all say," replied Margaret. "But why should it be just like Helen? Why should she be allowed to be so queer, and to grow queerer?" "Don t ask me. I m a plain man of
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alarm, Margaret fancied that she could trace the growth of morbidity back in Helen s life for nearly four years. The flight from Oniton; the unbalanced patronage of the Basts; the explosion of grief up on the Downs--all connected with Paul, an insignificant boy whose lips had kissed hers for a fraction of time. Margaret and Mrs. Wilcox had feared that they might kiss again. Foolishly--the real danger was reaction. Reaction against the Wilcoxes had eaten into her life until she was scarcely sane. At twenty-five she had an idee fixe. What hope was there for her as an old woman? The more Margaret thought about it the more alarmed she became. For many months she had put the subject away, but it was too big to be slighted now. There was almost a taint of madness. Were all Helen s actions to be governed by a tiny mishap, such as may happen to any young man or woman? Can human nature be constructed on lines so insignificant? The blundering little encounter at Howards End was vital. It propagated itself where graver intercourse lay barren; it was stronger than sisterly intimacy, stronger than reason or books. In one of her moods Helen had confessed that she still "enjoyed" it in a certain sense. Paul had faded, but the magic of his caress endured. And where there is enjoyment of the past there may also be reaction--propagation at both ends. Well, it is odd and sad that our minds should be such seed-beds, and we without power to choose the seed. But man is an odd, sad creature as yet, intent on pilfering the earth, and heedless of the growths within himself. He cannot be bored about psychology. He leaves it to the specialist, which is as if he should leave his dinner to be eaten by a steam-engine. He cannot be bothered to digest his own soul. Margaret and Helen have been more patient, and it is suggested that Margaret has succeeded--so far as success is yet possible. She does understand herself, she has some rudimentary control over her own growth. Whether Helen has succeeded one cannot say. The day that Mrs. Munt rallied Helen s letter arrived. She had posted it at Munich, and would be in London herself on the morrow. It was a disquieting letter, though the opening was affectionate and sane. "DEAREST MEG, "Give Helen s love to Aunt Juley. Tell her that I love, and have loved her ever since I can remember. I shall be in London Thursday. "My address will be care of the bankers. I have not yet settled on a hotel, so write or wire to me there and give me detailed news. If Aunt Juley is much better, or if, for a terrible reason, it would be no good my coming down to Swanage, you must not think it odd if I do not come. I have all sorts of plans in my head. I am living abroad at present, and want to get back as quickly as possible. Will you please tell me where our furniture is? I should like to take out one or two books; the rest are for you. "Forgive me, dearest Meg. This must read like rather a tiresome letter, but all letters are from your loving "HELEN." It was a tiresome letter, for it tempted Margaret to tell a lie. If she wrote that Aunt Juley was still in danger her sister would come. Unhealthiness is contagious. We cannot be in contact with those who are in a morbid state without ourselves deteriorating. To "act for the best" might do Helen good, but would do herself harm, and, at the risk of disaster, she kept her colours flying a little longer. She replied that their aunt was much better, and awaited developments. Tibby approved of her reply. Mellowing rapidly, he was a pleasanter companion than before. Oxford had done much for him. He had lost his peevishness, and could hide his indifference to people and his interest in food. But he had not grown more human. The years between eighteen and twenty-two, so magical for most, were leading him gently from boyhood to middle age. He had never known young-manliness, that quality which warms the heart till death, and gives Mr. Wilcox an imperishable charm. He was frigid, through no fault of his own, and without cruelty. He thought Helen wrong and Margaret right, but the family trouble was for him what a scene behind footlights is for most people. He had only one suggestion to make, and that was characteristic. "Why don t you tell Mr. Wilcox?" "About Helen?" "Perhaps he has come across that sort of thing." "He would do all he could, but--" "Oh, you know best. But he is practical."<|quote|>It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.</|quote|>"Tibby love, what next?" He replied: "It is extraordinary." "Dear, your judgment s often clearer than mine. Have you any notion what s at the back?" "None, unless it s something mental." "Oh--that!" said Margaret. "Quite impossible." But the suggestion had been uttered, and in a few minutes she took it up herself. Nothing else explained. And London agreed with Tibby. The mask fell off the city, and she saw it for what it really is--a caricature of infinity. The familiar barriers, the streets along which she moved, the houses between which she had made her little journeys for so many years, became negligible suddenly. Helen seemed one with grimy trees and the traffic and the slowly-flowing slabs of mud. She had accomplished a hideous act of renunciation and returned to the One. Margaret s own faith held firm. She knew the human soul will be merged, if it be merged at all, with the stars and the sea. Yet she felt that her sister had been going amiss for many years. It was symbolic the catastrophe should come now, on a London afternoon, while rain fell slowly. Henry was the only hope. Henry was definite. He might know of some paths in the chaos that were hidden from them, and she determined to take Tibby s advice and lay the whole matter in his hands. They must call at his office. He could not well make it worse. She went for a few moments into St. Paul s, whose dome stands out of the welter so bravely, as if preaching the gospel of form. But within, St. Paul s is as its surroundings--echoes and whispers, inaudible songs, invisible mosaics, wet footmarks, crossing and recrossing the floor. Si monumentum requiris, circumspice; it points us back to London. There was no hope of Helen here. Henry was unsatisfactory at first. That she had expected. He was overjoyed to see her back from Swanage, and slow to admit the growth of a new trouble. When they told him of their search, he only chaffed Tibby and the Schlegels generally, and declared that it was "just like Helen" to lead her relatives a dance. "That is what we all say," replied Margaret. "But why should it be just like Helen? Why should she be allowed to be so queer, and to grow queerer?" "Don t ask me. I m a plain man of business. I live and let live. My advice to you both is, don t worry. Margaret, you ve got black marks again under your eyes. You know that s strictly forbidden. First your aunt--then your sister. No, we aren t going to have it. Are we, Theobald?" He rang the bell. "I ll give you some tea, and then you go straight to Ducie Street. I can t have my girl looking as old as her husband." "All the same, you have not quite seen our point," said Tibby. Mr. Wilcox, who was in good spirits, retorted, "I don t suppose I ever shall." He leant back, laughing at the gifted but ridiculous family, while the fire flickered over the map of Africa. Margaret motioned to her brother to go on. Rather diffident, he obeyed her. "Margaret s point is this," he said. "Our sister may be mad." Charles, who was working in the inner room, looked round. "Come in, Charles," said Margaret kindly. "Could you help us at all? We are again in trouble." "I m afraid I cannot. What are the facts? We are all mad more or less, you know, in these days." "The facts are as follows," replied Tibby, who had at times a pedantic lucidity. "The facts are that she has been in England for three days and will not see us. She has forbidden the bankers to give us her address. She refuses to answer questions. Margaret finds her letters colourless. There are other facts, but these are the most striking." "She has never behaved like this before, then?" asked Henry. "Of course not!" said his wife, with a frown. "Well, my dear, how am I to know?" A senseless spasm of annoyance came over her. "You know quite well that Helen never sins against affection," she said. "You must have noticed that much in her, surely." "Oh yes; she and I have always hit it off together." "No, Henry--can t you see?--I don t mean that." She recovered herself, but not before Charles had observed her. Stupid and attentive, he was watching the scene. "I was meaning that when she was eccentric in the past, one could trace it back to the heart in the long-run. She behaved oddly because she cared for some one, or wanted to help them. There s no possible excuse for her now. She is grieving us deeply,
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himself. He cannot be bored about psychology. He leaves it to the specialist, which is as if he should leave his dinner to be eaten by a steam-engine. He cannot be bothered to digest his own soul. Margaret and Helen have been more patient, and it is suggested that Margaret has succeeded--so far as success is yet possible. She does understand herself, she has some rudimentary control over her own growth. Whether Helen has succeeded one cannot say. The day that Mrs. Munt rallied Helen s letter arrived. She had posted it at Munich, and would be in London herself on the morrow. It was a disquieting letter, though the opening was affectionate and sane. "DEAREST MEG, "Give Helen s love to Aunt Juley. Tell her that I love, and have loved her ever since I can remember. I shall be in London Thursday. "My address will be care of the bankers. I have not yet settled on a hotel, so write or wire to me there and give me detailed news. If Aunt Juley is much better, or if, for a terrible reason, it would be no good my coming down to Swanage, you must not think it odd if I do not come. I have all sorts of plans in my head. I am living abroad at present, and want to get back as quickly as possible. Will you please tell me where our furniture is? I should like to take out one or two books; the rest are for you. "Forgive me, dearest Meg. This must read like rather a tiresome letter, but all letters are from your loving "HELEN." It was a tiresome letter, for it tempted Margaret to tell a lie. If she wrote that Aunt Juley was still in danger her sister would come. Unhealthiness is contagious. We cannot be in contact with those who are in a morbid state without ourselves deteriorating. To "act for the best" might do Helen good, but would do herself harm, and, at the risk of disaster, she kept her colours flying a little longer. She replied that their aunt was much better, and awaited developments. Tibby approved of her reply. Mellowing rapidly, he was a pleasanter companion than before. Oxford had done much for him. He had lost his peevishness, and could hide his indifference to people and his interest in food. But he had not grown more human. The years between eighteen and twenty-two, so magical for most, were leading him gently from boyhood to middle age. He had never known young-manliness, that quality which warms the heart till death, and gives Mr. Wilcox an imperishable charm. He was frigid, through no fault of his own, and without cruelty. He thought Helen wrong and Margaret right, but the family trouble was for him what a scene behind footlights is for most people. He had only one suggestion to make, and that was characteristic. "Why don t you tell Mr. Wilcox?" "About Helen?" "Perhaps he has come across that sort of thing." "He would do all he could, but--" "Oh, you know best. But he is practical."<|quote|>It was the student s belief in experts. Margaret demurred for one or two reasons. Presently Helen s answer came. She sent a telegram requesting the address of the furniture, as she would now return at once. Margaret replied, "Certainly not; meet me at the bankers at four." She and Tibby went up to London. Helen was not at the bankers , and they were refused her address. Helen had passed into chaos. Margaret put her arm round her brother. He was all that she had left, and never had he seemed more unsubstantial.</|quote|>"Tibby love, what next?" He replied: "It is extraordinary." "Dear, your judgment s often clearer than mine. Have you any notion what s at the back?" "None, unless it s something mental." "Oh--that!" said Margaret. "Quite impossible." But the suggestion had been uttered, and in a few minutes she took it up herself. Nothing else explained. And London agreed with Tibby. The mask fell off the city, and she saw it for what it really is--a caricature of infinity. The familiar barriers, the streets along which she moved, the houses between which she had made her little journeys for so many years, became negligible suddenly. Helen seemed one with grimy trees and the traffic and the slowly-flowing slabs of mud. She had accomplished a hideous act of renunciation and returned to the One. Margaret s own faith held firm. She knew the human soul will be merged, if it be merged at all, with the stars and the sea. Yet she felt that her sister had been going amiss for many years. It was symbolic the catastrophe should come now, on a London afternoon, while rain fell slowly. Henry was the only hope. Henry was definite. He might know of some paths in the chaos that were hidden from them, and she determined to take Tibby s advice and lay the whole matter in his hands. They must call at his office. He could not well make it worse. She went for a few moments into St. Paul s, whose dome stands out of the welter so bravely, as if preaching the gospel of form. But within, St. Paul s is as its surroundings--echoes and whispers, inaudible songs, invisible mosaics, wet footmarks, crossing and recrossing the floor. Si monumentum requiris, circumspice; it points us back to London. There was no hope of Helen here. Henry was unsatisfactory at first. That she had expected. He was overjoyed to
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Howards End
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Mr. Beebe ignored the remark.
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No speaker
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such a fool, Mr. Beebe."<|quote|>Mr. Beebe ignored the remark.</|quote|>"Lucy used to be nearly
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hearing." "I wish I wasn't such a fool, Mr. Beebe."<|quote|>Mr. Beebe ignored the remark.</|quote|>"Lucy used to be nearly as stupid as I am,
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"The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very," said Freddy, taking up a book. "She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe."<|quote|>Mr. Beebe ignored the remark.</|quote|>"Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is
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that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very," said Freddy, taking up a book. "She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe."<|quote|>Mr. Beebe ignored the remark.</|quote|>"Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy
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readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very," said Freddy, taking up a book. "She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe."<|quote|>Mr. Beebe ignored the remark.</|quote|>"Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with 'How
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was now autumn. All that was gracious triumphed. As the motorcars passed through Summer Street they raised only a little dust, and their stench was soon dispersed by the wind and replaced by the scent of the wet birches or of the pines. Mr. Beebe, at leisure for life's amenities, leant over his Rectory gate. Freddy leant by him, smoking a pendant pipe. "Suppose we go and hinder those new people opposite for a little." "M'm." "They might amuse you." Freddy, whom his fellow-creatures never amused, suggested that the new people might be feeling a bit busy, and so on, since they had only just moved in. "I suggested we should hinder them," said Mr. Beebe. "They are worth it." Unlatching the gate, he sauntered over the triangular green to Cissie Villa. "Hullo!" he cried, shouting in at the open door, through which much squalor was visible. A grave voice replied, "Hullo!" "I've brought someone to see you." "I'll be down in a minute." The passage was blocked by a wardrobe, which the removal men had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books. "Are these people great readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very," said Freddy, taking up a book. "She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe."<|quote|>Mr. Beebe ignored the remark.</|quote|>"Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with 'How do you do? Come and have a bathe'? And yet you will tell me that the sexes are equal." "I tell you that they shall be," said Mr. Emerson, who had been slowly descending the stairs. "Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same." "We are to raise ladies to our level?" the clergyman inquired. "The Garden of Eden," pursued Mr. Emerson, still descending, "which you place in the past, is really yet to come. We shall enter it when we no longer despise our bodies." Mr. Beebe disclaimed placing the Garden of Eden anywhere. "In this--not in other things--we men are ahead. We despise the body less than women do. But not until we are comrades shall we enter the garden." "I say, what about this bathe?" murmured Freddy, appalled at the mass of philosophy that was approaching him. "I believed in a return to Nature once. But how can we return to Nature when we have never been with her? To-day, I believe that we must discover Nature. After many conquests we shall attain simplicity. It is our heritage." "Let me introduce Mr. Honeychurch, whose sister you will remember at
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it needs a strong head to live among many people. The too vast orb of her fate had crushed her; and she had seen too many seasons, too many cities, too many men, for her abilities, and even with Cecil she was mechanical, and behaved as if he was not one son, but, so to speak, a filial crowd. "Make Lucy one of us," she said, looking round intelligently at the end of each sentence, and straining her lips apart until she spoke again. "Lucy is becoming wonderful--wonderful." "Her music always was wonderful." "Yes, but she is purging off the Honeychurch taint, most excellent Honeychurches, but you know what I mean. She is not always quoting servants, or asking one how the pudding is made." "Italy has done it." "Perhaps," she murmured, thinking of the museum that represented Italy to her. "It is just possible. Cecil, mind you marry her next January. She is one of us already." "But her music!" he exclaimed. "The style of her! How she kept to Schumann when, like an idiot, I wanted Beethoven. Schumann was right for this evening. Schumann was the thing. Do you know, mother, I shall have our children educated just like Lucy. Bring them up among honest country folks for freshness, send them to Italy for subtlety, and then--not till then--let them come to London. I don't believe in these London educations--" He broke off, remembering that he had had one himself, and concluded, "At all events, not for women." "Make her one of us," repeated Mrs. Vyse, and processed to bed. As she was dozing off, a cry--the cry of nightmare--rang from Lucy's room. Lucy could ring for the maid if she liked but Mrs. Vyse thought it kind to go herself. She found the girl sitting upright with her hand on her cheek. "I am so sorry, Mrs. Vyse--it is these dreams." "Bad dreams?" "Just dreams." The elder lady smiled and kissed her, saying very distinctly: "You should have heard us talking about you, dear. He admires you more than ever. Dream of that." Lucy returned the kiss, still covering one cheek with her hand. Mrs. Vyse recessed to bed. Cecil, whom the cry had not awoke, snored. Darkness enveloped the flat. Chapter XII: Twelfth Chapter It was a Saturday afternoon, gay and brilliant after abundant rains, and the spirit of youth dwelt in it, though the season was now autumn. All that was gracious triumphed. As the motorcars passed through Summer Street they raised only a little dust, and their stench was soon dispersed by the wind and replaced by the scent of the wet birches or of the pines. Mr. Beebe, at leisure for life's amenities, leant over his Rectory gate. Freddy leant by him, smoking a pendant pipe. "Suppose we go and hinder those new people opposite for a little." "M'm." "They might amuse you." Freddy, whom his fellow-creatures never amused, suggested that the new people might be feeling a bit busy, and so on, since they had only just moved in. "I suggested we should hinder them," said Mr. Beebe. "They are worth it." Unlatching the gate, he sauntered over the triangular green to Cissie Villa. "Hullo!" he cried, shouting in at the open door, through which much squalor was visible. A grave voice replied, "Hullo!" "I've brought someone to see you." "I'll be down in a minute." The passage was blocked by a wardrobe, which the removal men had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books. "Are these people great readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very," said Freddy, taking up a book. "She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe."<|quote|>Mr. Beebe ignored the remark.</|quote|>"Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with 'How do you do? Come and have a bathe'? And yet you will tell me that the sexes are equal." "I tell you that they shall be," said Mr. Emerson, who had been slowly descending the stairs. "Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same." "We are to raise ladies to our level?" the clergyman inquired. "The Garden of Eden," pursued Mr. Emerson, still descending, "which you place in the past, is really yet to come. We shall enter it when we no longer despise our bodies." Mr. Beebe disclaimed placing the Garden of Eden anywhere. "In this--not in other things--we men are ahead. We despise the body less than women do. But not until we are comrades shall we enter the garden." "I say, what about this bathe?" murmured Freddy, appalled at the mass of philosophy that was approaching him. "I believed in a return to Nature once. But how can we return to Nature when we have never been with her? To-day, I believe that we must discover Nature. After many conquests we shall attain simplicity. It is our heritage." "Let me introduce Mr. Honeychurch, whose sister you will remember at Florence." "How do you do? Very glad to see you, and that you are taking George for a bathe. Very glad to hear that your sister is going to marry. Marriage is a duty. I am sure that she will be happy, for we know Mr. Vyse, too. He has been most kind. He met us by chance in the National Gallery, and arranged everything about this delightful house. Though I hope I have not vexed Sir Harry Otway. I have met so few Liberal landowners, and I was anxious to compare his attitude towards the game laws with the Conservative attitude. Ah, this wind! You do well to bathe. Yours is a glorious country, Honeychurch!" "Not a bit!" mumbled Freddy. "I must--that is to say, I have to--have the pleasure of calling on you later on, my mother says, I hope." "CALL, my lad? Who taught us that drawing-room twaddle? Call on your grandmother! Listen to the wind among the pines! Yours is a glorious country." Mr. Beebe came to the rescue. "Mr. Emerson, he will call, I shall call; you or your son will return our calls before ten days have elapsed. I trust that you have realized about the ten days' interval. It does not count that I helped you with the stair-eyes yesterday. It does not count that they are going to bathe this afternoon." "Yes, go and bathe, George. Why do you dawdle talking? Bring them back to tea. Bring back some milk, cakes, honey. The change will do you good. George has been working very hard at his office. I can't believe he's well." George bowed his head, dusty and sombre, exhaling the peculiar smell of one who has handled furniture. "Do you really want this bathe?" Freddy asked him. "It is only a pond, don't you know. I dare say you are used to something better." "Yes--I have said 'Yes' already." Mr. Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-woods. How glorious it was! For a little time the voice of old Mr. Emerson pursued them dispensing good wishes and philosophy. It ceased, and they only heard the fair wind blowing the bracken and the trees. Mr. Beebe, who could be silent, but who could not bear silence, was compelled to chatter, since the expedition looked like a failure, and neither
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shouting in at the open door, through which much squalor was visible. A grave voice replied, "Hullo!" "I've brought someone to see you." "I'll be down in a minute." The passage was blocked by a wardrobe, which the removal men had failed to carry up the stairs. Mr. Beebe edged round it with difficulty. The sitting-room itself was blocked with books. "Are these people great readers?" Freddy whispered. "Are they that sort?" "I fancy they know how to read--a rare accomplishment. What have they got? Byron. Exactly. A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! dear George reads German. Um--um--Schopenhauer, Nietzsche, and so we go on. Well, I suppose your generation knows its own business, Honeychurch." "Mr. Beebe, look at that," said Freddy in awestruck tones. On the cornice of the wardrobe, the hand of an amateur had painted this inscription: "Mistrust all enterprises that require new clothes." "I know. Isn't it jolly? I like that. I'm certain that's the old man's doing." "How very odd of him!" "Surely you agree?" But Freddy was his mother's son and felt that one ought not to go on spoiling the furniture. "Pictures!" the clergyman continued, scrambling about the room. "Giotto--they got that at Florence, I'll be bound." "The same as Lucy's got." "Oh, by-the-by, did Miss Honeychurch enjoy London?" "She came back yesterday." "I suppose she had a good time?" "Yes, very," said Freddy, taking up a book. "She and Cecil are thicker than ever." "That's good hearing." "I wish I wasn't such a fool, Mr. Beebe."<|quote|>Mr. Beebe ignored the remark.</|quote|>"Lucy used to be nearly as stupid as I am, but it'll be very different now, mother thinks. She will read all kinds of books." "So will you." "Only medical books. Not books that you can talk about afterwards. Cecil is teaching Lucy Italian, and he says her playing is wonderful. There are all kinds of things in it that we have never noticed. Cecil says--" "What on earth are those people doing upstairs? Emerson--we think we'll come another time." George ran down-stairs and pushed them into the room without speaking. "Let me introduce Mr. Honeychurch, a neighbour." Then Freddy hurled one of the thunderbolts of youth. Perhaps he was shy, perhaps he was friendly, or perhaps he thought that George's face wanted washing. At all events he greeted him with, "How d'ye do? Come and have a bathe." "Oh, all right," said George, impassive. Mr. Beebe was highly entertained. "'How d'ye do? how d'ye do? Come and have a bathe,'" he chuckled. "That's the best conversational opening I've ever heard. But I'm afraid it will only act between men. Can you picture a lady who has been introduced to another lady by a third lady opening civilities with 'How do you do? Come and have a bathe'? And yet you will tell me that the sexes are equal." "I tell you that they shall be," said Mr. Emerson, who had been slowly descending the stairs. "Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same." "We are to raise ladies to our level?" the clergyman inquired. "The Garden of Eden," pursued Mr. Emerson, still descending, "which you place in the past, is really yet to come. We shall enter it when we no longer despise our bodies." Mr. Beebe disclaimed placing the Garden of Eden anywhere. "In this--not in other things--we men are ahead. We despise the body less than women do. But not until we are comrades shall we enter the garden." "I say, what about this bathe?" murmured Freddy, appalled at the mass of philosophy that was approaching him. "I believed in a return to Nature once. But how can we return to Nature when we have never been with her? To-day, I believe that we must discover Nature. After many conquests we shall attain simplicity. It is our heritage." "Let me introduce Mr. Honeychurch, whose sister you will remember at Florence." "How do you do? Very glad to see you, and that you are taking George for a bathe. Very glad to hear that your sister is going to marry. Marriage is a duty. I am sure that she will be happy,
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A Room With A View
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"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"
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Aunt Juley
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removed. "Margaret!" her aunt called.<|quote|>"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"</|quote|>"Not want," was Margaret s
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would notice. Henry must be removed. "Margaret!" her aunt called.<|quote|>"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"</|quote|>"Not want," was Margaret s prompt reply; "but there is
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day s beginning, followed the Bournemouth steamer with her eyes. She saw that Helen s nerves were exasperated by the unlucky Bast business beyond the bounds of politeness. There might at any minute be a real explosion, which even Henry would notice. Henry must be removed. "Margaret!" her aunt called.<|quote|>"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"</|quote|>"Not want," was Margaret s prompt reply; "but there is so much to be settled, and I do want to see the Charles s." "But going away without taking the Weymouth trip, or even the Lulworth?" said Mrs. Munt, coming nearer. "Without going once more up Nine Barrows Down?" "I
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Meg, what a theory!" "Why should you put things so bitterly, dearie?" "Because I m an old maid," said Helen, biting her lip. "I can t think why I go on like this myself." She shook off her sister s hand and went into the house. Margaret, distressed at the day s beginning, followed the Bournemouth steamer with her eyes. She saw that Helen s nerves were exasperated by the unlucky Bast business beyond the bounds of politeness. There might at any minute be a real explosion, which even Henry would notice. Henry must be removed. "Margaret!" her aunt called.<|quote|>"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"</|quote|>"Not want," was Margaret s prompt reply; "but there is so much to be settled, and I do want to see the Charles s." "But going away without taking the Weymouth trip, or even the Lulworth?" said Mrs. Munt, coming nearer. "Without going once more up Nine Barrows Down?" "I m afraid so." Mr. Wilcox rejoined her with, "Good! I did the breaking of the ice." A wave of tenderness came over her. She put a hand on either shoulder, and looked deeply into the black, bright eyes. What was behind their competent stare? She knew, but was not disquieted.
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men who have reconciled science with religion," said Helen slowly. "I don t like those men. They are scientific themselves, and talk of the survival of the fittest, and cut down the salaries of their clerks, and stunt the independence of all who may menace their comfort, but yet they believe that somehow good--it is always that sloppy somehow will be the outcome, and that in some mystical way the Mr. Basts of the future will benefit because the Mr. Brits of today are in pain." "He is such a man in theory. But oh, Helen, in theory!" "But oh, Meg, what a theory!" "Why should you put things so bitterly, dearie?" "Because I m an old maid," said Helen, biting her lip. "I can t think why I go on like this myself." She shook off her sister s hand and went into the house. Margaret, distressed at the day s beginning, followed the Bournemouth steamer with her eyes. She saw that Helen s nerves were exasperated by the unlucky Bast business beyond the bounds of politeness. There might at any minute be a real explosion, which even Henry would notice. Henry must be removed. "Margaret!" her aunt called.<|quote|>"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"</|quote|>"Not want," was Margaret s prompt reply; "but there is so much to be settled, and I do want to see the Charles s." "But going away without taking the Weymouth trip, or even the Lulworth?" said Mrs. Munt, coming nearer. "Without going once more up Nine Barrows Down?" "I m afraid so." Mr. Wilcox rejoined her with, "Good! I did the breaking of the ice." A wave of tenderness came over her. She put a hand on either shoulder, and looked deeply into the black, bright eyes. What was behind their competent stare? She knew, but was not disquieted. CHAPTER XXIII Margaret had no intention of letting things slide, and the evening before she left Swanage she gave her sister a thorough scolding. She censured her, not for disapproving of the engagement, but for throwing over her disapproval a veil of mystery. Helen was equally frank. "Yes," she said, with the air of one looking inwards, "there is a mystery. I can t help it. It s not my fault. It s the way life has been made." Helen in those days was over-interested in the subconscious self. She exaggerated the Punch and Judy aspect of life, and spoke
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will be. Point me out a time when men have been equal--" "I didn t say--" "Point me out a time when desire for equality has made them happier. No, no. You can t. There always have been rich and poor. I m no fatalist. Heaven forbid! But our civilisation is moulded by great impersonal forces" (his voice grew complacent; it always did when he eliminated the personal), "and there always will be rich and poor. You can t deny it" (and now it was a respectful voice)--" "and you can t deny that, in spite of all, the tendency of civilisation has on the whole been upward." "Owing to God, I suppose," flashed Helen. He stared at her. "You grab the dollars. God does the rest." It was no good instructing the girl if she was going to talk about God in that neurotic modern way. Fraternal to the last, he left her for the quieter company of Mrs. Munt. He thought, "She rather reminds me of Dolly." Helen looked out at the sea. "Don t ever discuss political economy with Henry," advised her sister. "It ll only end in a cry." "But he must be one of those men who have reconciled science with religion," said Helen slowly. "I don t like those men. They are scientific themselves, and talk of the survival of the fittest, and cut down the salaries of their clerks, and stunt the independence of all who may menace their comfort, but yet they believe that somehow good--it is always that sloppy somehow will be the outcome, and that in some mystical way the Mr. Basts of the future will benefit because the Mr. Brits of today are in pain." "He is such a man in theory. But oh, Helen, in theory!" "But oh, Meg, what a theory!" "Why should you put things so bitterly, dearie?" "Because I m an old maid," said Helen, biting her lip. "I can t think why I go on like this myself." She shook off her sister s hand and went into the house. Margaret, distressed at the day s beginning, followed the Bournemouth steamer with her eyes. She saw that Helen s nerves were exasperated by the unlucky Bast business beyond the bounds of politeness. There might at any minute be a real explosion, which even Henry would notice. Henry must be removed. "Margaret!" her aunt called.<|quote|>"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"</|quote|>"Not want," was Margaret s prompt reply; "but there is so much to be settled, and I do want to see the Charles s." "But going away without taking the Weymouth trip, or even the Lulworth?" said Mrs. Munt, coming nearer. "Without going once more up Nine Barrows Down?" "I m afraid so." Mr. Wilcox rejoined her with, "Good! I did the breaking of the ice." A wave of tenderness came over her. She put a hand on either shoulder, and looked deeply into the black, bright eyes. What was behind their competent stare? She knew, but was not disquieted. CHAPTER XXIII Margaret had no intention of letting things slide, and the evening before she left Swanage she gave her sister a thorough scolding. She censured her, not for disapproving of the engagement, but for throwing over her disapproval a veil of mystery. Helen was equally frank. "Yes," she said, with the air of one looking inwards, "there is a mystery. I can t help it. It s not my fault. It s the way life has been made." Helen in those days was over-interested in the subconscious self. She exaggerated the Punch and Judy aspect of life, and spoke of mankind as puppets, whom an invisible showman twitches into love and war. Margaret pointed out that if she dwelt on this she, too, would eliminate the personal. Helen was silent for a minute, and then burst into a queer speech, which cleared the air. "Go on and marry him. I think you re splendid; and if any one can pull it off, you will." Margaret denied that there was anything to "pull off," but she continued: "Yes, there is, and I wasn t up to it with Paul. I can do only what s easy. I can only entice and be enticed. I can t, and won t, attempt difficult relations. If I marry, it will either be a man who s strong enough to boss me or whom I m strong enough to boss. So I shan t ever marry, for there aren t such men. And Heaven help any one whom I do marry, for I shall certainly run away from him before you can say Jack Robinson. There! Because I m uneducated. But you, you re different; you re a heroine." "Oh, Helen! Am I? Will it be as dreadful for poor Henry as all that?"
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keep the public informed stage by stage. The Porphyrion, according to you, was bound to say, I am trying all I can to get into the Tariff Ring. I am not sure that I shall succeed, but it is the only thing that will save me from insolvency, and I am trying. My dear Helen--" "Is that your point? A man who had little money has less--that s mine." "I am grieved for your clerk. But it is all in the day s work. It s part of the battle of life." "A man who had little money--" she repeated, "has less, owing to us. Under these circumstances I consider the battle of life a happy expression." "Oh come, come!" he protested pleasantly, "you re not to blame. No one s to blame." "Is no one to blame for anything?" "I wouldn t say that, but you re taking it far too seriously. Who is this fellow?" "We have told you about the fellow twice already," said Helen. "You have even met the fellow. He is very poor and his wife is an extravagant imbecile. He is capable of better things. We--we, the upper classes--thought we would help him from the height of our superior knowledge--and here s the result!" He raised his finger. "Now, a word of advice." "I require no more advice." "A word of advice. Don t take up that sentimental attitude over the poor. See that she doesn t, Margaret. The poor are poor, and one s sorry for them, but there it is. As civilisation moves forward, the shoe is bound to pinch in places, and it s absurd to pretend that any one is responsible personally. Neither you, nor I, nor my informant, nor the man who informed him, nor the directors of the Porphyrion, are to blame for this clerk s loss of salary. It s just the shoe pinching--no one can help it; and it might easily have been worse." Helen quivered with indignation. "By all means subscribe to charities--subscribe to them largely--but don t get carried away by absurd schemes of Social Reform. I see a good deal behind the scenes, and you can take it from me that there is no Social Question--except for a few journalists who try to get a living out of the phrase. There are just rich and poor, as there always have been and always will be. Point me out a time when men have been equal--" "I didn t say--" "Point me out a time when desire for equality has made them happier. No, no. You can t. There always have been rich and poor. I m no fatalist. Heaven forbid! But our civilisation is moulded by great impersonal forces" (his voice grew complacent; it always did when he eliminated the personal), "and there always will be rich and poor. You can t deny it" (and now it was a respectful voice)--" "and you can t deny that, in spite of all, the tendency of civilisation has on the whole been upward." "Owing to God, I suppose," flashed Helen. He stared at her. "You grab the dollars. God does the rest." It was no good instructing the girl if she was going to talk about God in that neurotic modern way. Fraternal to the last, he left her for the quieter company of Mrs. Munt. He thought, "She rather reminds me of Dolly." Helen looked out at the sea. "Don t ever discuss political economy with Henry," advised her sister. "It ll only end in a cry." "But he must be one of those men who have reconciled science with religion," said Helen slowly. "I don t like those men. They are scientific themselves, and talk of the survival of the fittest, and cut down the salaries of their clerks, and stunt the independence of all who may menace their comfort, but yet they believe that somehow good--it is always that sloppy somehow will be the outcome, and that in some mystical way the Mr. Basts of the future will benefit because the Mr. Brits of today are in pain." "He is such a man in theory. But oh, Helen, in theory!" "But oh, Meg, what a theory!" "Why should you put things so bitterly, dearie?" "Because I m an old maid," said Helen, biting her lip. "I can t think why I go on like this myself." She shook off her sister s hand and went into the house. Margaret, distressed at the day s beginning, followed the Bournemouth steamer with her eyes. She saw that Helen s nerves were exasperated by the unlucky Bast business beyond the bounds of politeness. There might at any minute be a real explosion, which even Henry would notice. Henry must be removed. "Margaret!" her aunt called.<|quote|>"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"</|quote|>"Not want," was Margaret s prompt reply; "but there is so much to be settled, and I do want to see the Charles s." "But going away without taking the Weymouth trip, or even the Lulworth?" said Mrs. Munt, coming nearer. "Without going once more up Nine Barrows Down?" "I m afraid so." Mr. Wilcox rejoined her with, "Good! I did the breaking of the ice." A wave of tenderness came over her. She put a hand on either shoulder, and looked deeply into the black, bright eyes. What was behind their competent stare? She knew, but was not disquieted. CHAPTER XXIII Margaret had no intention of letting things slide, and the evening before she left Swanage she gave her sister a thorough scolding. She censured her, not for disapproving of the engagement, but for throwing over her disapproval a veil of mystery. Helen was equally frank. "Yes," she said, with the air of one looking inwards, "there is a mystery. I can t help it. It s not my fault. It s the way life has been made." Helen in those days was over-interested in the subconscious self. She exaggerated the Punch and Judy aspect of life, and spoke of mankind as puppets, whom an invisible showman twitches into love and war. Margaret pointed out that if she dwelt on this she, too, would eliminate the personal. Helen was silent for a minute, and then burst into a queer speech, which cleared the air. "Go on and marry him. I think you re splendid; and if any one can pull it off, you will." Margaret denied that there was anything to "pull off," but she continued: "Yes, there is, and I wasn t up to it with Paul. I can do only what s easy. I can only entice and be enticed. I can t, and won t, attempt difficult relations. If I marry, it will either be a man who s strong enough to boss me or whom I m strong enough to boss. So I shan t ever marry, for there aren t such men. And Heaven help any one whom I do marry, for I shall certainly run away from him before you can say Jack Robinson. There! Because I m uneducated. But you, you re different; you re a heroine." "Oh, Helen! Am I? Will it be as dreadful for poor Henry as all that?" "You mean to keep proportion, and that s heroic, it s Greek, and I don t see why it shouldn t succeed with you. Go on and fight with him and help him. Don t ask me for help, or even for sympathy. Henceforward I m going my own way. I mean to be thorough, because thoroughness is easy. I mean to dislike your husband, and to tell him so. I mean to make no concessions to Tibby. If Tibby wants to live with me, he must lump me. I mean to love you more than ever. Yes, I do. You and I have built up something real, because it is purely spiritual. There s no veil of mystery over us. Unreality and mystery begin as soon as one touches the body. The popular view is, as usual, exactly the wrong one. Our bothers are over tangible things--money, husbands, house-hunting. But Heaven will work of itself." Margaret was grateful for this expression of affection, and answered, "Perhaps." All vistas close in the unseen--no one doubts it--but Helen closed them rather too quickly for her taste. At every turn of speech one was confronted with reality and the absolute. Perhaps Margaret grew too old for metaphysics, perhaps Henry was weaning her from them, but she felt that there was something a little unbalanced in the mind that so readily shreds the visible. The business man who assumes that this life is everything, and the mystic who asserts that it is nothing, fail, on this side and on that, to hit the truth. "Yes, I see, dear; it s about half-way between," Aunt Juley had hazarded in earlier years. No; truth, being alive, was not half-way between anything. It was only to be found by continuous excursions into either realm, and though proportion is the final secret, to espouse it at the outset is to insure sterility. Helen, agreeing here, disagreeing there, would have talked till midnight, but Margaret, with her packing to do, focussed the conversation on Henry. She might abuse Henry behind his back, but please would she always be civil to him in company? "I definitely dislike him, but I ll do what I can," promised Helen. "Do what you can with my friends in return." This conversation made Margaret easier. Their inner life was so safe that they could bargain over externals in a way that would have
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now it was a respectful voice)--" "and you can t deny that, in spite of all, the tendency of civilisation has on the whole been upward." "Owing to God, I suppose," flashed Helen. He stared at her. "You grab the dollars. God does the rest." It was no good instructing the girl if she was going to talk about God in that neurotic modern way. Fraternal to the last, he left her for the quieter company of Mrs. Munt. He thought, "She rather reminds me of Dolly." Helen looked out at the sea. "Don t ever discuss political economy with Henry," advised her sister. "It ll only end in a cry." "But he must be one of those men who have reconciled science with religion," said Helen slowly. "I don t like those men. They are scientific themselves, and talk of the survival of the fittest, and cut down the salaries of their clerks, and stunt the independence of all who may menace their comfort, but yet they believe that somehow good--it is always that sloppy somehow will be the outcome, and that in some mystical way the Mr. Basts of the future will benefit because the Mr. Brits of today are in pain." "He is such a man in theory. But oh, Helen, in theory!" "But oh, Meg, what a theory!" "Why should you put things so bitterly, dearie?" "Because I m an old maid," said Helen, biting her lip. "I can t think why I go on like this myself." She shook off her sister s hand and went into the house. Margaret, distressed at the day s beginning, followed the Bournemouth steamer with her eyes. She saw that Helen s nerves were exasperated by the unlucky Bast business beyond the bounds of politeness. There might at any minute be a real explosion, which even Henry would notice. Henry must be removed. "Margaret!" her aunt called.<|quote|>"Magsy! It isn t true, surely, what Mr. Wilcox says, that you want to go away early next week?"</|quote|>"Not want," was Margaret s prompt reply; "but there is so much to be settled, and I do want to see the Charles s." "But going away without taking the Weymouth trip, or even the Lulworth?" said Mrs. Munt, coming nearer. "Without going once more up Nine Barrows Down?" "I m afraid so." Mr. Wilcox rejoined her with, "Good! I did the breaking of the ice." A wave of tenderness came over her. She put a hand on either shoulder, and looked deeply into the black, bright eyes. What was behind their competent stare? She knew, but was not disquieted. CHAPTER XXIII Margaret had no intention of letting things slide, and the evening before she left Swanage she gave her sister a thorough scolding. She censured her, not for disapproving of the engagement, but for throwing over her disapproval a veil of mystery. Helen was equally frank. "Yes," she said, with the air of one looking inwards, "there is a mystery. I can t help it. It s not my fault. It s the way life has been made." Helen in those days was over-interested in the subconscious self. She exaggerated the Punch and Judy aspect of life, and spoke of mankind as puppets, whom an invisible showman twitches into love and war. Margaret pointed out that if she dwelt on this she, too, would eliminate the personal. Helen was silent for a minute, and then burst into a queer speech, which cleared the air. "Go on and marry him. I think you re splendid; and if any one can pull it off, you will." Margaret denied that there was anything to "pull off," but she continued: "Yes, there is, and I wasn t up to it with Paul. I can do only what s easy. I can only entice and be enticed. I can t, and won t, attempt difficult relations. If I marry, it will either be a man who s strong enough to boss me or whom I m strong enough to boss. So I shan t ever marry, for there aren t such men. And Heaven help any one whom I do marry, for I shall certainly run away from him before you can say Jack Robinson. There! Because I m uneducated. But you, you re different; you re a heroine." "Oh, Helen! Am I? Will it be as dreadful for poor Henry as all that?" "You mean to keep proportion, and that s heroic, it s Greek, and I don t see why it shouldn t succeed with you. Go on and fight with him and help him. Don t ask me for help, or even for sympathy. Henceforward I m going my own way. I mean to be thorough, because thoroughness is easy. I mean to dislike your husband, and to tell him so. I mean to make no concessions to Tibby. If Tibby wants to live with me, he must lump me. I mean to love you more than ever. Yes, I do. You and I have built up something real, because it is purely spiritual. There s no veil of mystery over us. Unreality and mystery begin as soon as one touches the body. The popular view is, as usual, exactly the wrong one. Our bothers are over tangible things--money,
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Howards End
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he sublimely insisted.
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No speaker
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am. Only give me time!”<|quote|>he sublimely insisted.</|quote|>“How can we prevent your
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much as I believe I am. Only give me time!”<|quote|>he sublimely insisted.</|quote|>“How can we prevent your using it?” Lady Grace again
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“you’ll retort upon me naturally that I promised you the possibility of Pappendick’s veto would be: all on the poor dear old basis, you’ll claim, of the wish father to the thought. Well, I do wish to be right as much as I believe I am. Only give me time!”<|quote|>he sublimely insisted.</|quote|>“How can we prevent your using it?” Lady Grace again interrupted; “or the fact either that if the worst comes to the worst--” “The thing” --he at once pursued-- “will always be at the least the greatest of Morettos? Ah,” he cried so cheerily that there was still a freedom
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laughed, “for milder joys. Of course what I have to consider is the chance--putting it at the _merest_ chance--of Bardi’s own wet blanket! But that’s again so very small--though,” he pulled up with a drop to the comparative dismal, which he offered as an almost familiar tribute to Lord Theign, “you’ll retort upon me naturally that I promised you the possibility of Pappendick’s veto would be: all on the poor dear old basis, you’ll claim, of the wish father to the thought. Well, I do wish to be right as much as I believe I am. Only give me time!”<|quote|>he sublimely insisted.</|quote|>“How can we prevent your using it?” Lady Grace again interrupted; “or the fact either that if the worst comes to the worst--” “The thing” --he at once pursued-- “will always be at the least the greatest of Morettos? Ah,” he cried so cheerily that there was still a freedom in it toward any it might concern, “the worst sha’n’t come to the worst, but the best to the best: my conviction of which it is that supports me in the deep regret I have to express” --and he faced Lord Theign again-- “for any inconvenience I may have caused
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he added, gaining more ease for an eye at Lord Theign: “though we do have our little rubs and disputes, like Pappendick and me now. The thing, you see, is the ripping _interest_ of it all; since,” he developed and explained, for his elder friend’s benefit, with pertinacious cheer and an assurance superficially at least recovered, “when we’re really ‘hit’ over a case we’ll do almost anything in life.” Lady Grace, recklessly throbbing in the breath of it all, immediately appropriated what her father let alone. “It must be so lovely to _feel_ so hit!” “It does spoil one,” Hugh laughed, “for milder joys. Of course what I have to consider is the chance--putting it at the _merest_ chance--of Bardi’s own wet blanket! But that’s again so very small--though,” he pulled up with a drop to the comparative dismal, which he offered as an almost familiar tribute to Lord Theign, “you’ll retort upon me naturally that I promised you the possibility of Pappendick’s veto would be: all on the poor dear old basis, you’ll claim, of the wish father to the thought. Well, I do wish to be right as much as I believe I am. Only give me time!”<|quote|>he sublimely insisted.</|quote|>“How can we prevent your using it?” Lady Grace again interrupted; “or the fact either that if the worst comes to the worst--” “The thing” --he at once pursued-- “will always be at the least the greatest of Morettos? Ah,” he cried so cheerily that there was still a freedom in it toward any it might concern, “the worst sha’n’t come to the worst, but the best to the best: my conviction of which it is that supports me in the deep regret I have to express” --and he faced Lord Theign again-- “for any inconvenience I may have caused you by my abortive undertaking. That, I vow here before Lady Grace, I will yet more than make up!” Lord Theign, after the longest but the blankest contemplation of him, broke hereupon, for the first time, that attitude of completely sustained and separate silence which he had yet made compatible with his air of having deeply noted every element of the scene--so that it was of this full view his participation had effectively consisted, “I haven’t the least idea, sir, what you’re talking about!” And he squarely turned his back, strolling toward the other room, the threshold of which he
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the young man, bearing up, made such head as he could. He offered his next word, that is, equally to the two companions. “It’s not at all impossible--for such curious effects have been!--that the Dedborough picture seen _after_ the Verona will point a different moral from the Verona seen after the Dedborough.” “And so awfully _long_ after--wasn’t it?” Lady Grace asked. “Awfully long after--it was years ago that Pappen-dick, being in this country for such purposes, was kindly admitted to your house when none of you were there, or at least visible.” “Oh of course we don’t see _every one!_” --she heroically kept it up. “You don’t see every one,” Hugh bravely laughed, “and that makes it all the more charming that you did, and that you still do, see me. I shall really get Bardi,” he pursued, “to go again to Verona----” “The last thing before coming here?” --she had guessed before he could say it; and still she sustained it, so that he could shine at her for assent. “How happy they should like so to work for you!” “Ah, we’re a band of brothers,” he returned-- “‘we few, we happy few’--from country to country” ; to which he added, gaining more ease for an eye at Lord Theign: “though we do have our little rubs and disputes, like Pappendick and me now. The thing, you see, is the ripping _interest_ of it all; since,” he developed and explained, for his elder friend’s benefit, with pertinacious cheer and an assurance superficially at least recovered, “when we’re really ‘hit’ over a case we’ll do almost anything in life.” Lady Grace, recklessly throbbing in the breath of it all, immediately appropriated what her father let alone. “It must be so lovely to _feel_ so hit!” “It does spoil one,” Hugh laughed, “for milder joys. Of course what I have to consider is the chance--putting it at the _merest_ chance--of Bardi’s own wet blanket! But that’s again so very small--though,” he pulled up with a drop to the comparative dismal, which he offered as an almost familiar tribute to Lord Theign, “you’ll retort upon me naturally that I promised you the possibility of Pappendick’s veto would be: all on the poor dear old basis, you’ll claim, of the wish father to the thought. Well, I do wish to be right as much as I believe I am. Only give me time!”<|quote|>he sublimely insisted.</|quote|>“How can we prevent your using it?” Lady Grace again interrupted; “or the fact either that if the worst comes to the worst--” “The thing” --he at once pursued-- “will always be at the least the greatest of Morettos? Ah,” he cried so cheerily that there was still a freedom in it toward any it might concern, “the worst sha’n’t come to the worst, but the best to the best: my conviction of which it is that supports me in the deep regret I have to express” --and he faced Lord Theign again-- “for any inconvenience I may have caused you by my abortive undertaking. That, I vow here before Lady Grace, I will yet more than make up!” Lord Theign, after the longest but the blankest contemplation of him, broke hereupon, for the first time, that attitude of completely sustained and separate silence which he had yet made compatible with his air of having deeply noted every element of the scene--so that it was of this full view his participation had effectively consisted, “I haven’t the least idea, sir, what you’re talking about!” And he squarely turned his back, strolling toward the other room, the threshold of which he the next moment had passed, remaining scantily within, however, and in sight of the others, not to say of ourselves; even though averted and ostensibly lost in some scrutiny that might have had for its object the great enshrined Lawrence. There ensued upon his words and movement a vivid mute passage, the richest of commentaries, between his companions; who, deeply divided by the width of the ample room, followed him with their eyes and then used for their own interchange these organs of remark, eloquent now over Hugh’s unmistakable dismissal at short order, on which obviously he must at once act. Lady Grace’s young arms conveyed to him by a despairing contrite motion of surrender that she had done for him all she could do in his presence and that, however sharply doubtful the result, he was to leave the rest to herself. They communicated thus, the strenuous pair, for their full moment, without speaking; only with the prolonged, the charged give and take of their gaze and, it might well have been imagined, of their passion. Hugh had for an instant a show of hesitation--of the arrested impulse, while he kept her father within range, to launch at that
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a still more offensive fool the heated youth would really make of himself. “Yes--you seem indeed remarkably abashed!” Hugh clearly was thrown again, by the cold “cut” of this, colder than any mere social ignoring, upon a sense of the damnably poor figure he did offer; so that, while he straightened himself and kept a mastery of his manner and a control of his reply, we should yet have felt his cheek tingle. “I backed my own judgment strongly, I know--and I’ve got my snub. But I don’t in the least knock under.” “Only the first authority in Europe doesn’t care, I suppose, whether you do or not!” “He isn’t _the_ first authority in Europe, thank God,” the young man returned-- “though he is, I admit, one of the three or four first. And I mean to appeal--I’ve another shot in my locker,” he went on with his rather painfully forced smile to Lady Grace. “I had already written, you see, to dear old Bardi.” “Bardi of Milan?” --she recognised, it was admirably manifest, the appeal of his directness to her generosity, awkward as their predicament was also for her herself, and spoke to him as she might have spoken without her father’s presence. It would have shown for beautiful, on the spot, had there been any one to perceive it, that he devoutly recorded her intelligence. “You know of him?--how delightful of you! For the Italians, I now feel,” he quickly explained, “he must have _most_ the instinct--and it has come over me since that he’d have been more our man. Besides of course his so knowing the Verona picture.” She had fairly hung on his lips. “But does he know ours?” “No--not ours yet. That is” --he consciously and quickly took himself up-- “not yours! But as Pap-pendick went to Verona for us I’ve asked Bardi to do us the great favour to come here--if Lord Theign will be so good,” he said, bethinking himself with a turn, “as to let him examine the Moretto.” He faced again to the personage he mentioned, who, simply standing off and watching, in concentrated interest as well as detachment, this interview of his cool daughter and her still cooler guest, had plainly “elected,” as it were, to give them rope to hang themselves. Staring very hard at Hugh he met his appeal, but in a silence clearly calculated; against which, however, the young man, bearing up, made such head as he could. He offered his next word, that is, equally to the two companions. “It’s not at all impossible--for such curious effects have been!--that the Dedborough picture seen _after_ the Verona will point a different moral from the Verona seen after the Dedborough.” “And so awfully _long_ after--wasn’t it?” Lady Grace asked. “Awfully long after--it was years ago that Pappen-dick, being in this country for such purposes, was kindly admitted to your house when none of you were there, or at least visible.” “Oh of course we don’t see _every one!_” --she heroically kept it up. “You don’t see every one,” Hugh bravely laughed, “and that makes it all the more charming that you did, and that you still do, see me. I shall really get Bardi,” he pursued, “to go again to Verona----” “The last thing before coming here?” --she had guessed before he could say it; and still she sustained it, so that he could shine at her for assent. “How happy they should like so to work for you!” “Ah, we’re a band of brothers,” he returned-- “‘we few, we happy few’--from country to country” ; to which he added, gaining more ease for an eye at Lord Theign: “though we do have our little rubs and disputes, like Pappendick and me now. The thing, you see, is the ripping _interest_ of it all; since,” he developed and explained, for his elder friend’s benefit, with pertinacious cheer and an assurance superficially at least recovered, “when we’re really ‘hit’ over a case we’ll do almost anything in life.” Lady Grace, recklessly throbbing in the breath of it all, immediately appropriated what her father let alone. “It must be so lovely to _feel_ so hit!” “It does spoil one,” Hugh laughed, “for milder joys. Of course what I have to consider is the chance--putting it at the _merest_ chance--of Bardi’s own wet blanket! But that’s again so very small--though,” he pulled up with a drop to the comparative dismal, which he offered as an almost familiar tribute to Lord Theign, “you’ll retort upon me naturally that I promised you the possibility of Pappendick’s veto would be: all on the poor dear old basis, you’ll claim, of the wish father to the thought. Well, I do wish to be right as much as I believe I am. Only give me time!”<|quote|>he sublimely insisted.</|quote|>“How can we prevent your using it?” Lady Grace again interrupted; “or the fact either that if the worst comes to the worst--” “The thing” --he at once pursued-- “will always be at the least the greatest of Morettos? Ah,” he cried so cheerily that there was still a freedom in it toward any it might concern, “the worst sha’n’t come to the worst, but the best to the best: my conviction of which it is that supports me in the deep regret I have to express” --and he faced Lord Theign again-- “for any inconvenience I may have caused you by my abortive undertaking. That, I vow here before Lady Grace, I will yet more than make up!” Lord Theign, after the longest but the blankest contemplation of him, broke hereupon, for the first time, that attitude of completely sustained and separate silence which he had yet made compatible with his air of having deeply noted every element of the scene--so that it was of this full view his participation had effectively consisted, “I haven’t the least idea, sir, what you’re talking about!” And he squarely turned his back, strolling toward the other room, the threshold of which he the next moment had passed, remaining scantily within, however, and in sight of the others, not to say of ourselves; even though averted and ostensibly lost in some scrutiny that might have had for its object the great enshrined Lawrence. There ensued upon his words and movement a vivid mute passage, the richest of commentaries, between his companions; who, deeply divided by the width of the ample room, followed him with their eyes and then used for their own interchange these organs of remark, eloquent now over Hugh’s unmistakable dismissal at short order, on which obviously he must at once act. Lady Grace’s young arms conveyed to him by a despairing contrite motion of surrender that she had done for him all she could do in his presence and that, however sharply doubtful the result, he was to leave the rest to herself. They communicated thus, the strenuous pair, for their full moment, without speaking; only with the prolonged, the charged give and take of their gaze and, it might well have been imagined, of their passion. Hugh had for an instant a show of hesitation--of the arrested impulse, while he kept her father within range, to launch at that personage before going some final remonstrance. It was the girl’s raised hand and gesture of warning that waved away for him such a mistake; he decided, under her pressure, and after a last searching and answering look at her reached the door and let himself out. The stillness was then prolonged a minute by the further wait of the two others, Lord Theign where he had been standing and his daughter on the spot from which she had not moved. It presently ended in his lordship’s turn about as if inferring by the silence that the intruder had withdrawn. “Is that young man your lover?” he said as he drew again near. Lady Grace waited a little, but spoke as quietly as if she had been prepared. “Has the question a bearing on the promise you a short time ago demanded of me?” “It has a bearing on the so extraordinary appearance of your intimacy with him!” “You mean that if he _should_ be--what you ask me about--your exaction would then be modified?” “My request that you break it short off? That request would, on the contrary,” Lord Theign pronounced, “rest on an immense new ground. Therefore I insist on your telling me the truth.” “Won’t the truth be before you, father, if you’ll _think_ a moment--without extravagance?” After which, while, as stiffly as ever--and it probably seemed to her impatience as stupidly--he didn’t rise to it, she went on: “If I _offered_ you not again to see him, does that make for you the appearance--?” “If you offered it, you mean, on your condition--my promising not to sell? I promised,” said Lord Theign, “absolutely nothing at all!” She took him up with all expression. “So I promised as little! But that I should have been able to say what I did sufficiently meets your curiosity.” She might, wronged as she held herself, have felt him stupid not to see _how_ wronged; but he was in any case acute for an evasion. “You risked your offer for the great equivalent over which you’ve so wildly worked yourself up.” “Yes, I’ve worked myself--that, I grant you and don’t blush for! But hardly so much as to renounce my ‘lover’--if,” she prodigiously smiled, “I were so fortunate as to have one!” “You renounced poor John mightily easily--whom you were so fortunate as to have!” Her brows rose as high as his own
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good,” he said, bethinking himself with a turn, “as to let him examine the Moretto.” He faced again to the personage he mentioned, who, simply standing off and watching, in concentrated interest as well as detachment, this interview of his cool daughter and her still cooler guest, had plainly “elected,” as it were, to give them rope to hang themselves. Staring very hard at Hugh he met his appeal, but in a silence clearly calculated; against which, however, the young man, bearing up, made such head as he could. He offered his next word, that is, equally to the two companions. “It’s not at all impossible--for such curious effects have been!--that the Dedborough picture seen _after_ the Verona will point a different moral from the Verona seen after the Dedborough.” “And so awfully _long_ after--wasn’t it?” Lady Grace asked. “Awfully long after--it was years ago that Pappen-dick, being in this country for such purposes, was kindly admitted to your house when none of you were there, or at least visible.” “Oh of course we don’t see _every one!_” --she heroically kept it up. “You don’t see every one,” Hugh bravely laughed, “and that makes it all the more charming that you did, and that you still do, see me. I shall really get Bardi,” he pursued, “to go again to Verona----” “The last thing before coming here?” --she had guessed before he could say it; and still she sustained it, so that he could shine at her for assent. “How happy they should like so to work for you!” “Ah, we’re a band of brothers,” he returned-- “‘we few, we happy few’--from country to country” ; to which he added, gaining more ease for an eye at Lord Theign: “though we do have our little rubs and disputes, like Pappendick and me now. The thing, you see, is the ripping _interest_ of it all; since,” he developed and explained, for his elder friend’s benefit, with pertinacious cheer and an assurance superficially at least recovered, “when we’re really ‘hit’ over a case we’ll do almost anything in life.” Lady Grace, recklessly throbbing in the breath of it all, immediately appropriated what her father let alone. “It must be so lovely to _feel_ so hit!” “It does spoil one,” Hugh laughed, “for milder joys. Of course what I have to consider is the chance--putting it at the _merest_ chance--of Bardi’s own wet blanket! But that’s again so very small--though,” he pulled up with a drop to the comparative dismal, which he offered as an almost familiar tribute to Lord Theign, “you’ll retort upon me naturally that I promised you the possibility of Pappendick’s veto would be: all on the poor dear old basis, you’ll claim, of the wish father to the thought. Well, I do wish to be right as much as I believe I am. Only give me time!”<|quote|>he sublimely insisted.</|quote|>“How can we prevent your using it?” Lady Grace again interrupted; “or the fact either that if the worst comes to the worst--” “The thing” --he at once pursued-- “will always be at the least the greatest of Morettos? Ah,” he cried so cheerily that there was still a freedom in it toward any it might concern, “the worst sha’n’t come to the worst, but the best to the best: my conviction of which it is that supports me in the deep regret I have to express” --and he faced Lord Theign again-- “for any inconvenience I may have caused you by my abortive undertaking. That, I vow here before Lady Grace, I will yet more than make up!” Lord Theign, after the longest but the blankest contemplation of him, broke hereupon, for the first time, that attitude of completely sustained and separate silence which he had yet made compatible with his air of having deeply noted every element of the scene--so that it was of this full view his participation had effectively consisted, “I haven’t the least idea, sir, what you’re talking about!” And he squarely turned his back, strolling toward the other room, the threshold of which he the next moment had passed, remaining scantily within, however, and in sight of the others, not to say of ourselves; even though averted and ostensibly lost in some scrutiny that might have had for its object the great enshrined Lawrence. There ensued upon his words and movement a vivid mute passage, the richest of commentaries, between his companions; who, deeply divided by the width of the ample room, followed him with their eyes and then used for their own interchange these organs of remark, eloquent now over Hugh’s unmistakable dismissal at short order, on which obviously he must at once act. Lady Grace’s young arms conveyed to him by a despairing contrite motion of surrender that she had done for him all she could do in his presence and that, however sharply doubtful the result, he was to leave the rest to herself. They communicated thus, the
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The Outcry
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she pursued,
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No speaker
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this is improper, Mrs. Walker,"<|quote|>she pursued,</|quote|>"then I am all improper,
|
heard anything so stiff! If this is improper, Mrs. Walker,"<|quote|>she pursued,</|quote|>"then I am all improper, and you must give me
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to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker,"<|quote|>she pursued,</|quote|>"then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in
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to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker,"<|quote|>she pursued,</|quote|>"then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and
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carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think," she asked slowly, smiling, throwing back her head, and glancing at him from head to foot, "that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker,"<|quote|>she pursued,</|quote|>"then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and her companion, and, offering the young girl his hand, told her that Mrs. Walker had made an imperious claim upon his society. He expected that in answer she would say something rather free, something to commit herself still further to that "recklessness" from which Mrs. Walker had so charitably endeavored to dissuade her. But she only shook his hand, hardly looking at him, while Mr. Giovanelli bade him farewell with a too emphatic flourish of the hat. Winterbourne was not in the best possible humor as he took his seat in Mrs. Walker s victoria. "That was not clever of
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child, but it is not the custom here," urged Mrs. Walker, leaning forward in her victoria, with her hands devoutly clasped. "Well, it ought to be, then!" said Daisy. "If I didn t walk I should expire." "You should walk with your mother, dear," cried the lady from Geneva, losing patience. "With my mother dear!" exclaimed the young girl. Winterbourne saw that she scented interference. "My mother never walked ten steps in her life. And then, you know," she added with a laugh, "I am more than five years old." "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about." Daisy looked at Mrs. Walker, smiling intensely. "Talked about? What do you mean?" "Come into my carriage, and I will tell you." Daisy turned her quickened glance again from one of the gentlemen beside her to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves and laughing very agreeably; Winterbourne thought it a most unpleasant scene. "I don t think I want to know what you mean," said Daisy presently. "I don t think I should like it." Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think," she asked slowly, smiling, throwing back her head, and glancing at him from head to foot, "that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker,"<|quote|>she pursued,</|quote|>"then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and her companion, and, offering the young girl his hand, told her that Mrs. Walker had made an imperious claim upon his society. He expected that in answer she would say something rather free, something to commit herself still further to that "recklessness" from which Mrs. Walker had so charitably endeavored to dissuade her. But she only shook his hand, hardly looking at him, while Mr. Giovanelli bade him farewell with a too emphatic flourish of the hat. Winterbourne was not in the best possible humor as he took his seat in Mrs. Walker s victoria. "That was not clever of you," he said candidly, while the vehicle mingled again with the throng of carriages. "In such a case," his companion answered, "I don t wish to be clever; I wish to be EARNEST!" "Well, your earnestness has only offended her and put her off." "It has happened very well," said Mrs. Walker. "If she is so perfectly determined to compromise herself, the sooner one knows it the better; one can act accordingly." "I suspect she meant no harm," Winterbourne rejoined. "So I thought a month ago. But she has been going too far." "What has she been doing?" "Everything that is not done here. Flirting with any man she could pick up; sitting in corners with mysterious Italians; dancing all the evening with the same partners; receiving visits at eleven o clock at night. Her mother goes away when visitors come." "But her brother," said Winterbourne, laughing, "sits up till midnight." "He must be edified by what he sees. I m told that at their hotel everyone is talking about her, and that a smile goes round among all the servants when a gentleman comes and asks for Miss Miller." "The servants be hanged!" said Winterbourne angrily. "The poor girl
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vehicle and was beckoning to him. Leaving Miss Miller s side, he hastened to obey her summons. Mrs. Walker was flushed; she wore an excited air. "It is really too dreadful," she said. "That girl must not do this sort of thing. She must not walk here with you two men. Fifty people have noticed her." Winterbourne raised his eyebrows. "I think it s a pity to make too much fuss about it." "It s a pity to let the girl ruin herself!" "She is very innocent," said Winterbourne. "She s very crazy!" cried Mrs. Walker. "Did you ever see anything so imbecile as her mother? After you had all left me just now, I could not sit still for thinking of it. It seemed too pitiful, not even to attempt to save her. I ordered the carriage and put on my bonnet, and came here as quickly as possible. Thank Heaven I have found you!" "What do you propose to do with us?" asked Winterbourne, smiling. "To ask her to get in, to drive her about here for half an hour, so that the world may see she is not running absolutely wild, and then to take her safely home." "I don t think it s a very happy thought," said Winterbourne; "but you can try." Mrs. Walker tried. The young man went in pursuit of Miss Miller, who had simply nodded and smiled at his interlocutor in the carriage and had gone her way with her companion. Daisy, on learning that Mrs. Walker wished to speak to her, retraced her steps with a perfect good grace and with Mr. Giovanelli at her side. She declared that she was delighted to have a chance to present this gentleman to Mrs. Walker. She immediately achieved the introduction, and declared that she had never in her life seen anything so lovely as Mrs. Walker s carriage rug. "I am glad you admire it," said this lady, smiling sweetly. "Will you get in and let me put it over you?" "Oh, no, thank you," said Daisy. "I shall admire it much more as I see you driving round with it." "Do get in and drive with me!" said Mrs. Walker. "That would be charming, but it s so enchanting just as I am!" and Daisy gave a brilliant glance at the gentlemen on either side of her. "It may be enchanting, dear child, but it is not the custom here," urged Mrs. Walker, leaning forward in her victoria, with her hands devoutly clasped. "Well, it ought to be, then!" said Daisy. "If I didn t walk I should expire." "You should walk with your mother, dear," cried the lady from Geneva, losing patience. "With my mother dear!" exclaimed the young girl. Winterbourne saw that she scented interference. "My mother never walked ten steps in her life. And then, you know," she added with a laugh, "I am more than five years old." "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about." Daisy looked at Mrs. Walker, smiling intensely. "Talked about? What do you mean?" "Come into my carriage, and I will tell you." Daisy turned her quickened glance again from one of the gentlemen beside her to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves and laughing very agreeably; Winterbourne thought it a most unpleasant scene. "I don t think I want to know what you mean," said Daisy presently. "I don t think I should like it." Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think," she asked slowly, smiling, throwing back her head, and glancing at him from head to foot, "that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker,"<|quote|>she pursued,</|quote|>"then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and her companion, and, offering the young girl his hand, told her that Mrs. Walker had made an imperious claim upon his society. He expected that in answer she would say something rather free, something to commit herself still further to that "recklessness" from which Mrs. Walker had so charitably endeavored to dissuade her. But she only shook his hand, hardly looking at him, while Mr. Giovanelli bade him farewell with a too emphatic flourish of the hat. Winterbourne was not in the best possible humor as he took his seat in Mrs. Walker s victoria. "That was not clever of you," he said candidly, while the vehicle mingled again with the throng of carriages. "In such a case," his companion answered, "I don t wish to be clever; I wish to be EARNEST!" "Well, your earnestness has only offended her and put her off." "It has happened very well," said Mrs. Walker. "If she is so perfectly determined to compromise herself, the sooner one knows it the better; one can act accordingly." "I suspect she meant no harm," Winterbourne rejoined. "So I thought a month ago. But she has been going too far." "What has she been doing?" "Everything that is not done here. Flirting with any man she could pick up; sitting in corners with mysterious Italians; dancing all the evening with the same partners; receiving visits at eleven o clock at night. Her mother goes away when visitors come." "But her brother," said Winterbourne, laughing, "sits up till midnight." "He must be edified by what he sees. I m told that at their hotel everyone is talking about her, and that a smile goes round among all the servants when a gentleman comes and asks for Miss Miller." "The servants be hanged!" said Winterbourne angrily. "The poor girl s only fault," he presently added, "is that she is very uncultivated." "She is naturally indelicate," Mrs. Walker declared. "Take that example this morning. How long had you known her at Vevey?" "A couple of days." "Fancy, then, her making it a personal matter that you should have left the place!" Winterbourne was silent for some moments; then he said, "I suspect, Mrs. Walker, that you and I have lived too long at Geneva!" And he added a request that she should inform him with what particular design she had made him enter her carriage. "I wished to beg you to cease your relations with Miss Miller--not to flirt with her--to give her no further opportunity to expose herself--to let her alone, in short." "I m afraid I can t do that," said Winterbourne. "I like her extremely." "All the more reason that you shouldn t help her to make a scandal." "There shall be nothing scandalous in my attentions to her." "There certainly will be in the way she takes them. But I have said what I had on my conscience," Mrs. Walker pursued. "If you wish to rejoin the young lady I will put you down. Here, by the way, you have a chance." The carriage was traversing that part of the Pincian Garden that overhangs the wall of Rome and overlooks the beautiful Villa Borghese. It is bordered by a large parapet, near which there are several seats. One of the seats at a distance was occupied by a gentleman and a lady, toward whom Mrs. Walker gave a toss of her head. At the same moment these persons rose and walked toward the parapet. Winterbourne had asked the coachman to stop; he now descended from the carriage. His companion looked at him a moment in silence; then, while he raised his hat, she drove majestically away. Winterbourne stood there; he had turned his eyes toward Daisy and her cavalier. They evidently saw no one; they were too deeply occupied with each other. When they reached the low garden wall, they stood a moment looking off at the great flat-topped pine clusters of the Villa Borghese; then Giovanelli seated himself, familiarly, upon the broad ledge of the wall. The western sun in the opposite sky sent out a brilliant shaft through a couple of cloud bars, whereupon Daisy s companion took her parasol out of her hands
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She immediately achieved the introduction, and declared that she had never in her life seen anything so lovely as Mrs. Walker s carriage rug. "I am glad you admire it," said this lady, smiling sweetly. "Will you get in and let me put it over you?" "Oh, no, thank you," said Daisy. "I shall admire it much more as I see you driving round with it." "Do get in and drive with me!" said Mrs. Walker. "That would be charming, but it s so enchanting just as I am!" and Daisy gave a brilliant glance at the gentlemen on either side of her. "It may be enchanting, dear child, but it is not the custom here," urged Mrs. Walker, leaning forward in her victoria, with her hands devoutly clasped. "Well, it ought to be, then!" said Daisy. "If I didn t walk I should expire." "You should walk with your mother, dear," cried the lady from Geneva, losing patience. "With my mother dear!" exclaimed the young girl. Winterbourne saw that she scented interference. "My mother never walked ten steps in her life. And then, you know," she added with a laugh, "I am more than five years old." "You are old enough to be more reasonable. You are old enough, dear Miss Miller, to be talked about." Daisy looked at Mrs. Walker, smiling intensely. "Talked about? What do you mean?" "Come into my carriage, and I will tell you." Daisy turned her quickened glance again from one of the gentlemen beside her to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves and laughing very agreeably; Winterbourne thought it a most unpleasant scene. "I don t think I want to know what you mean," said Daisy presently. "I don t think I should like it." Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive away, but this lady did not enjoy being defied, as she afterward told him. "Should you prefer being thought a very reckless girl?" she demanded. "Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli, then she turned to Winterbourne. There was a little pink flush in her cheek; she was tremendously pretty. "Does Mr. Winterbourne think," she asked slowly, smiling, throwing back her head, and glancing at him from head to foot, "that, to save my reputation, I ought to get into the carriage?" Winterbourne colored; for an instant he hesitated greatly. It seemed so strange to hear her speak that way of her "reputation." But he himself, in fact, must speak in accordance with gallantry. The finest gallantry, here, was simply to tell her the truth; and the truth, for Winterbourne, as the few indications I have been able to give have made him known to the reader, was that Daisy Miller should take Mrs. Walker s advice. He looked at her exquisite prettiness, and then he said, very gently, "I think you should get into the carriage." Daisy gave a violent laugh. "I never heard anything so stiff! If this is improper, Mrs. Walker,"<|quote|>she pursued,</|quote|>"then I am all improper, and you must give me up. Goodbye; I hope you ll have a lovely ride!" and, with Mr. Giovanelli, who made a triumphantly obsequious salute, she turned away. Mrs. Walker sat looking after her, and there were tears in Mrs. Walker s eyes. "Get in here, sir," she said to Winterbourne, indicating the place beside her. The young man answered that he felt bound to accompany Miss Miller, whereupon Mrs. Walker declared that if he refused her this favor she would never speak to him again. She was evidently in earnest. Winterbourne overtook Daisy and her companion, and, offering the young girl his hand, told her that Mrs. Walker had made an imperious claim upon his society. He expected that in answer she would say something rather free, something to commit herself still further to that "recklessness" from which Mrs. Walker had so charitably endeavored to dissuade her. But she only shook his hand, hardly looking at him, while Mr. Giovanelli bade him farewell with a too emphatic flourish of the hat. Winterbourne was not in the best possible humor as he took his seat in Mrs. Walker s victoria. "That was not clever of you," he said candidly, while the vehicle mingled again with the throng of carriages. "In such a case," his companion answered, "I don t wish to be clever; I wish to be EARNEST!" "Well, your earnestness has only offended her and put her off." "It has happened very well," said Mrs. Walker. "If she is so perfectly determined to compromise herself, the sooner one knows it the better; one can act accordingly." "I suspect she meant no harm," Winterbourne rejoined. "So I thought a month ago. But she has been going too far." "What has she been doing?" "Everything that is not done here. Flirting with any man she could pick up; sitting in corners with mysterious Italians; dancing all the evening with the same partners; receiving visits at eleven o clock at night. Her mother goes away when visitors come." "But her brother," said Winterbourne, laughing, "sits up till midnight." "He must be edified by what he sees. I m told that at their hotel everyone is talking about her, and that a smile goes round among all the servants when a gentleman comes and asks for Miss Miller." "The servants be hanged!" said Winterbourne angrily. "The poor girl s only fault," he presently added, "is that she is very uncultivated." "She is naturally indelicate," Mrs. Walker declared. "Take that example this morning. How long had you known her at Vevey?" "A couple of days." "Fancy, then, her making it a personal matter that you should have left the place!" Winterbourne was silent for some moments; then he said, "I suspect, Mrs. Walker, that you and I have lived too long at Geneva!" And he added a request that she should inform him with what particular design she had made him enter her carriage. "I wished to beg you to cease your relations with Miss Miller--not to flirt with her--to give her no further opportunity to expose herself--to let her alone, in short." "I m afraid I can t do that," said Winterbourne. "I like her extremely." "All the more reason that you shouldn t help her to make a scandal." "There shall be nothing scandalous in my attentions to her."
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Daisy Miller
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"Yes, my dear child?"
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Mrs. Turton
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Mrs. Turton . . ."<|quote|>"Yes, my dear child?"</|quote|>"If I do break down,
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she's a real sport." "But Mrs. Turton . . ."<|quote|>"Yes, my dear child?"</|quote|>"If I do break down, it is of no consequence.
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would fail in ten minutes, but they might profit by it for their drive down into the city. "I am sure to break down," she repeated. "You won't," said the Collector, his voice full of tenderness. "Of course she won't, she's a real sport." "But Mrs. Turton . . ."<|quote|>"Yes, my dear child?"</|quote|>"If I do break down, it is of no consequence. It would matter in some trials, not in this. I put it to myself in the following way: I can really behave as I like, cry, be absurd, I am sure to get my verdict, unless Mr. Das is most
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a headache, it is an echo." Unable to dispel the buzzing in her ears, Major Callendar had diagnosed it as a fancy, which must not be encouraged. So the Turtons changed the subject. The cool little lick of the breeze was passing over the earth, dividing night from day; it would fail in ten minutes, but they might profit by it for their drive down into the city. "I am sure to break down," she repeated. "You won't," said the Collector, his voice full of tenderness. "Of course she won't, she's a real sport." "But Mrs. Turton . . ."<|quote|>"Yes, my dear child?"</|quote|>"If I do break down, it is of no consequence. It would matter in some trials, not in this. I put it to myself in the following way: I can really behave as I like, cry, be absurd, I am sure to get my verdict, unless Mr. Das is most frightfully unjust." "You're bound to win," he said calmly, and did not remind her that there was bound to be an appeal. The Nawab Bahadur had financed the defence, and would ruin himself sooner than let an "innocent Moslem perish," and other interests, less reputable, were in the background too.
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diminish if it were accurately defined. She was afraid of reticence, in case something that she herself did not perceive took shape beneath it, and she had rehearsed with Mr. McBryde in an odd, mincing way her terrible adventure in the cave, how the man had never actually touched her but dragged her about, and so on. Her aim this morning was to announce, meticulously, that the strain was appalling, and she would probably break down under Mr. Amritrao's cross-examination and disgrace her friends. "My echo has come back again badly," she told them. "How about aspirin?" "It is not a headache, it is an echo." Unable to dispel the buzzing in her ears, Major Callendar had diagnosed it as a fancy, which must not be encouraged. So the Turtons changed the subject. The cool little lick of the breeze was passing over the earth, dividing night from day; it would fail in ten minutes, but they might profit by it for their drive down into the city. "I am sure to break down," she repeated. "You won't," said the Collector, his voice full of tenderness. "Of course she won't, she's a real sport." "But Mrs. Turton . . ."<|quote|>"Yes, my dear child?"</|quote|>"If I do break down, it is of no consequence. It would matter in some trials, not in this. I put it to myself in the following way: I can really behave as I like, cry, be absurd, I am sure to get my verdict, unless Mr. Das is most frightfully unjust." "You're bound to win," he said calmly, and did not remind her that there was bound to be an appeal. The Nawab Bahadur had financed the defence, and would ruin himself sooner than let an "innocent Moslem perish," and other interests, less reputable, were in the background too. The case might go up from court to court, with consequences that no official could foresee. Under his very eyes, the temper of Chandrapore was altering. As his car turned out of the compound, there was a tap of silly anger on its paint a pebble thrown by a child. Some larger stones were dropped near the mosque. In the Maidan, a squad of native police on motor cycles waited to escort them through the bazaars. The Collector was irritated and muttered, "McBryde's an old woman" "; but Mrs. Turton said, "Really, after Mohurram a show of force will do
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suffers. In her sadness she said to him, "I bring you nothing but trouble; I was right on the Maidan, we had better just be friends," but he protested, for the more she suffered the more highly he valued her. Did she love him? This question was somehow draggled up with the Marabar, it had been in her mind as she entered the fatal cave. Was she capable of loving anyone? "Miss Quested, Adela, what d'ye call yourself, it's half-past seven; we ought to think of starting for that Court when you feel inclined." "She's saying her prayers," came the Collector's voice. "Sorry, my dear; take your time. . . . Was your chhota hazri all right?" "I can't eat; might I have a little brandy?" she asked, deserting Jehovah. When it was brought, she shuddered, and said she was ready to go. "Drink it up; not a bad notion, a peg." "I don't think it'll really help me, Burra Sahib." "You sent brandy down to the Court, didn't you, Mary?" "I should think I did, champagne too." "I'll thank you this evening, I'm all to pieces now," said the girl, forming each syllable carefully as if her trouble would diminish if it were accurately defined. She was afraid of reticence, in case something that she herself did not perceive took shape beneath it, and she had rehearsed with Mr. McBryde in an odd, mincing way her terrible adventure in the cave, how the man had never actually touched her but dragged her about, and so on. Her aim this morning was to announce, meticulously, that the strain was appalling, and she would probably break down under Mr. Amritrao's cross-examination and disgrace her friends. "My echo has come back again badly," she told them. "How about aspirin?" "It is not a headache, it is an echo." Unable to dispel the buzzing in her ears, Major Callendar had diagnosed it as a fancy, which must not be encouraged. So the Turtons changed the subject. The cool little lick of the breeze was passing over the earth, dividing night from day; it would fail in ten minutes, but they might profit by it for their drive down into the city. "I am sure to break down," she repeated. "You won't," said the Collector, his voice full of tenderness. "Of course she won't, she's a real sport." "But Mrs. Turton . . ."<|quote|>"Yes, my dear child?"</|quote|>"If I do break down, it is of no consequence. It would matter in some trials, not in this. I put it to myself in the following way: I can really behave as I like, cry, be absurd, I am sure to get my verdict, unless Mr. Das is most frightfully unjust." "You're bound to win," he said calmly, and did not remind her that there was bound to be an appeal. The Nawab Bahadur had financed the defence, and would ruin himself sooner than let an "innocent Moslem perish," and other interests, less reputable, were in the background too. The case might go up from court to court, with consequences that no official could foresee. Under his very eyes, the temper of Chandrapore was altering. As his car turned out of the compound, there was a tap of silly anger on its paint a pebble thrown by a child. Some larger stones were dropped near the mosque. In the Maidan, a squad of native police on motor cycles waited to escort them through the bazaars. The Collector was irritated and muttered, "McBryde's an old woman" "; but Mrs. Turton said, "Really, after Mohurram a show of force will do no harm; it's ridiculous to pretend they don't hate us, do give up that farce." He replied in an odd, sad voice, "I don't hate them, I don't know why," and he didn't hate them; for if he did, he would have had to condemn his own career as a bad investment. He retained a contemptuous affection for the pawns he had moved about for so many years, they must be worth his pains. "After all, it's our women who make everything more difficult out here," was his inmost thought, as he caught sight of some obscenities upon a long blank wall, and beneath his chivalry to Miss Quested resentment lurked, waiting its day perhaps there is a grain of resentment in all chivalry. Some students had gathered in front of the City Magistrate's Court hysterical boys whom he would have faced if alone, but he told the driver to work round to the rear of the building. The students jeered, and Rafi (hiding behind a comrade that he might not be identified) called out the English were cowards. They gained Ronny's private room, where a group of their own sort had collected. None were cowardly, all nervy, for queer
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these defences, between a greyish sky and a yellowish earth, clouds of dust moved hesitatingly. In Europe life retreats out of the cold, and exquisite fireside myths have resulted Balder, Persephone but here the retreat is from the source of life, the treacherous sun, and no poetry adorns it because disillusionment cannot be beautiful. Men yearn for poetry though they may not confess it; they desire that joy shall be graceful and sorrow august and infinity have a form, and India fails to accommodate them. The annual helter-skelter of April, when irritability and lust spread like a canker, is one of her comments on the orderly hopes of humanity. Fish manage better; fish, as the tanks dry, wriggle into the mud and wait for the rains to uncake them. But men try to be harmonious all the year round, and the results are occasionally disastrous. The triumphant machine of civilization may suddenly hitch and be immobilized into a car of stone, and at such moments the destiny of the English seems to resemble their predecessors', who also entered the country with intent to refashion it, but were in the end worked into its pattern and covered with its dust. Adela, after years of intellectualism, had resumed her morning kneel to Christianity. There seemed no harm in it, it was the shortest and easiest cut to the unseen, and she could tack her troubles on to it. Just as the Hindu clerks asked Lakshmi for an increase in pay, so did she implore Jehovah for a favourable verdict. God who saves the King will surely support the police. Her deity returned a consoling reply, but the touch of her hands on her face started prickly heat, and she seemed to swallow and expectorate the same insipid clot of air that had weighed on her lungs all the night. Also the voice of Mrs. Turton disturbed her. "Are you ready, young lady?" it pealed from the next room. "Half a minute," she murmured. The Turtons had received her after Mrs. Moore left. Their kindness was incredible, but it was her position not her character that moved them; she was the English girl who had had the terrible experience, and for whom too much could not be done. No one, except Ronny, had any idea of what passed in her mind, and he only dimly, for where there is officialism every human relationship suffers. In her sadness she said to him, "I bring you nothing but trouble; I was right on the Maidan, we had better just be friends," but he protested, for the more she suffered the more highly he valued her. Did she love him? This question was somehow draggled up with the Marabar, it had been in her mind as she entered the fatal cave. Was she capable of loving anyone? "Miss Quested, Adela, what d'ye call yourself, it's half-past seven; we ought to think of starting for that Court when you feel inclined." "She's saying her prayers," came the Collector's voice. "Sorry, my dear; take your time. . . . Was your chhota hazri all right?" "I can't eat; might I have a little brandy?" she asked, deserting Jehovah. When it was brought, she shuddered, and said she was ready to go. "Drink it up; not a bad notion, a peg." "I don't think it'll really help me, Burra Sahib." "You sent brandy down to the Court, didn't you, Mary?" "I should think I did, champagne too." "I'll thank you this evening, I'm all to pieces now," said the girl, forming each syllable carefully as if her trouble would diminish if it were accurately defined. She was afraid of reticence, in case something that she herself did not perceive took shape beneath it, and she had rehearsed with Mr. McBryde in an odd, mincing way her terrible adventure in the cave, how the man had never actually touched her but dragged her about, and so on. Her aim this morning was to announce, meticulously, that the strain was appalling, and she would probably break down under Mr. Amritrao's cross-examination and disgrace her friends. "My echo has come back again badly," she told them. "How about aspirin?" "It is not a headache, it is an echo." Unable to dispel the buzzing in her ears, Major Callendar had diagnosed it as a fancy, which must not be encouraged. So the Turtons changed the subject. The cool little lick of the breeze was passing over the earth, dividing night from day; it would fail in ten minutes, but they might profit by it for their drive down into the city. "I am sure to break down," she repeated. "You won't," said the Collector, his voice full of tenderness. "Of course she won't, she's a real sport." "But Mrs. Turton . . ."<|quote|>"Yes, my dear child?"</|quote|>"If I do break down, it is of no consequence. It would matter in some trials, not in this. I put it to myself in the following way: I can really behave as I like, cry, be absurd, I am sure to get my verdict, unless Mr. Das is most frightfully unjust." "You're bound to win," he said calmly, and did not remind her that there was bound to be an appeal. The Nawab Bahadur had financed the defence, and would ruin himself sooner than let an "innocent Moslem perish," and other interests, less reputable, were in the background too. The case might go up from court to court, with consequences that no official could foresee. Under his very eyes, the temper of Chandrapore was altering. As his car turned out of the compound, there was a tap of silly anger on its paint a pebble thrown by a child. Some larger stones were dropped near the mosque. In the Maidan, a squad of native police on motor cycles waited to escort them through the bazaars. The Collector was irritated and muttered, "McBryde's an old woman" "; but Mrs. Turton said, "Really, after Mohurram a show of force will do no harm; it's ridiculous to pretend they don't hate us, do give up that farce." He replied in an odd, sad voice, "I don't hate them, I don't know why," and he didn't hate them; for if he did, he would have had to condemn his own career as a bad investment. He retained a contemptuous affection for the pawns he had moved about for so many years, they must be worth his pains. "After all, it's our women who make everything more difficult out here," was his inmost thought, as he caught sight of some obscenities upon a long blank wall, and beneath his chivalry to Miss Quested resentment lurked, waiting its day perhaps there is a grain of resentment in all chivalry. Some students had gathered in front of the City Magistrate's Court hysterical boys whom he would have faced if alone, but he told the driver to work round to the rear of the building. The students jeered, and Rafi (hiding behind a comrade that he might not be identified) called out the English were cowards. They gained Ronny's private room, where a group of their own sort had collected. None were cowardly, all nervy, for queer reports kept coming in. The Sweepers had just struck, and half the commodes of Chandrapore remained desolate in consequence only half, and Sweepers from the District, who felt less strongly about the innocence of Dr. Aziz, would arrive in the afternoon, and break the strike, but why should the grotesque incident occur? And a number of Mohammedan ladies had sworn to take no food until the prisoner was acquitted; their death would make little difference, indeed, being invisible, they seemed dead already, nevertheless it was disquieting. A new spirit seemed abroad, a rearrangement, which no one in the stern little band of whites could explain. There was a tendency to see Fielding at the back of it: the idea that he was weak and cranky had been dropped. They abused Fielding vigorously: he had been seen driving up with the two counsels, Amritrao and Mahmoud Ali; he encouraged the Boy Scout movement for seditious reasons; he received letters with foreign stamps on them, and was probably a Japanese spy. This morning's verdict would break the renegade, but he had done his country and the Empire incalculable disservice. While they denounced him, Miss Quested lay back with her hands on the arms of her chair and her eyes closed, reserving her strength. They noticed her after a time, and felt ashamed of making so much noise. "Can we do nothing for you?" Miss Derek said. "I don't think so, Nancy, and I seem able to do nothing for myself." "But you're strictly forbidden to talk like that; you're wonderful." "Yes indeed," came the reverent chorus. "My old Das is all right," said Ronny, starting a new subject in low tones. "Not one of them's all right," contradicted Major Callendar. "Das is, really." "You mean he's more frightened of acquitting than convicting, because if he acquits he'll lose his job," said Lesley with a clever little laugh. Ronny did mean that, but he cherished "illusions" about his own subordinates (following the finer traditions of his service here), and he liked to maintain that his old Das really did possess moral courage of the Public School brand. He pointed out that from one point of view it was good that an Indian was taking the case. Conviction was inevitable; so better let an Indian pronounce it, there would be less fuss in the long run. Interested in the argument, he let Adela become
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easiest cut to the unseen, and she could tack her troubles on to it. Just as the Hindu clerks asked Lakshmi for an increase in pay, so did she implore Jehovah for a favourable verdict. God who saves the King will surely support the police. Her deity returned a consoling reply, but the touch of her hands on her face started prickly heat, and she seemed to swallow and expectorate the same insipid clot of air that had weighed on her lungs all the night. Also the voice of Mrs. Turton disturbed her. "Are you ready, young lady?" it pealed from the next room. "Half a minute," she murmured. The Turtons had received her after Mrs. Moore left. Their kindness was incredible, but it was her position not her character that moved them; she was the English girl who had had the terrible experience, and for whom too much could not be done. No one, except Ronny, had any idea of what passed in her mind, and he only dimly, for where there is officialism every human relationship suffers. In her sadness she said to him, "I bring you nothing but trouble; I was right on the Maidan, we had better just be friends," but he protested, for the more she suffered the more highly he valued her. Did she love him? This question was somehow draggled up with the Marabar, it had been in her mind as she entered the fatal cave. Was she capable of loving anyone? "Miss Quested, Adela, what d'ye call yourself, it's half-past seven; we ought to think of starting for that Court when you feel inclined." "She's saying her prayers," came the Collector's voice. "Sorry, my dear; take your time. . . . Was your chhota hazri all right?" "I can't eat; might I have a little brandy?" she asked, deserting Jehovah. When it was brought, she shuddered, and said she was ready to go. "Drink it up; not a bad notion, a peg." "I don't think it'll really help me, Burra Sahib." "You sent brandy down to the Court, didn't you, Mary?" "I should think I did, champagne too." "I'll thank you this evening, I'm all to pieces now," said the girl, forming each syllable carefully as if her trouble would diminish if it were accurately defined. She was afraid of reticence, in case something that she herself did not perceive took shape beneath it, and she had rehearsed with Mr. McBryde in an odd, mincing way her terrible adventure in the cave, how the man had never actually touched her but dragged her about, and so on. Her aim this morning was to announce, meticulously, that the strain was appalling, and she would probably break down under Mr. Amritrao's cross-examination and disgrace her friends. "My echo has come back again badly," she told them. "How about aspirin?" "It is not a headache, it is an echo." Unable to dispel the buzzing in her ears, Major Callendar had diagnosed it as a fancy, which must not be encouraged. So the Turtons changed the subject. The cool little lick of the breeze was passing over the earth, dividing night from day; it would fail in ten minutes, but they might profit by it for their drive down into the city. "I am sure to break down," she repeated. "You won't," said the Collector, his voice full of tenderness. "Of course she won't, she's a real sport." "But Mrs. Turton . . ."<|quote|>"Yes, my dear child?"</|quote|>"If I do break down, it is of no consequence. It would matter in some trials, not in this. I put it to myself in the following way: I can really behave as I like, cry, be absurd, I am sure to get my verdict, unless Mr. Das is most frightfully unjust." "You're bound to win," he said calmly, and did not remind her that there was bound to be an appeal. The Nawab Bahadur had financed the defence, and would ruin himself sooner than let an "innocent Moslem perish," and other interests, less reputable, were in the background too. The case might go up from court to court, with consequences that no official could foresee. Under his very eyes, the temper of Chandrapore was altering. As his car turned out of the compound, there was a tap of silly anger on its paint a pebble thrown by a child. Some larger stones were dropped near the mosque. In the Maidan, a squad of native police on motor cycles waited to escort them through the bazaars. The Collector was irritated and muttered, "McBryde's an old woman" "; but Mrs. Turton said, "Really, after Mohurram a show of force will do no harm; it's ridiculous to pretend they don't hate us, do give up that farce." He replied in an odd, sad voice, "I don't hate them, I don't know why," and he didn't hate them; for if he did, he would have had to condemn his own career as a bad investment. He retained a contemptuous affection for the pawns he had moved about for so many years, they must be worth his pains. "After all, it's our women who make everything more difficult out here," was his inmost thought, as he caught sight of some obscenities upon a long blank wall, and beneath his chivalry to Miss Quested resentment lurked, waiting its day perhaps there is a grain of resentment in all chivalry. Some students had gathered in front of the City Magistrate's Court hysterical boys whom he would have faced if alone, but he told the driver to work round to the rear of the building. The students jeered, and Rafi (hiding behind a comrade that he might not be identified) called out the English were cowards. They gained Ronny's private room, where a group of their own sort had collected. None were cowardly, all nervy, for queer reports kept coming in. The Sweepers had just struck, and half the commodes of Chandrapore remained desolate in consequence only half, and Sweepers from the District, who felt less
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A Passage To India
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"Nor have I,"
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The Secretary
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any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an
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early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try
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its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his
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dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So
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across the river. Then he took out of his pocket the note from Buttons proving his election, and put it before that sad and beautiful face. Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So in case you don't know, I'd better tell you that he is carrying out his notion of concealing ourselves by not concealing ourselves to the most extraordinary lengths just now. Originally, of course, we met in a cell underground, just as your branch does. Then Sunday made us take a private room at an ordinary restaurant. He said that if you didn't seem to be hiding nobody hunted you out. Well, he is the only man on earth, I know; but sometimes I really think that his huge brain is going a little mad in its old age. For now
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not even move a hair; and Syme could come close enough to notice even in the dim, pale morning light that his face was long, pale and intellectual, and ended in a small triangular tuft of dark beard at the very point of the chin, all else being clean-shaven. This scrap of hair almost seemed a mere oversight; the rest of the face was of the type that is best shaven clear-cut, ascetic, and in its way noble. Syme drew closer and closer, noting all this, and still the figure did not stir. At first an instinct had told Syme that this was the man whom he was meant to meet. Then, seeing that the man made no sign, he had concluded that he was not. And now again he had come back to a certainty that the man had something to do with his mad adventure. For the man remained more still than would have been natural if a stranger had come so close. He was as motionless as a wax-work, and got on the nerves somewhat in the same way. Syme looked again and again at the pale, dignified and delicate face, and the face still looked blankly across the river. Then he took out of his pocket the note from Buttons proving his election, and put it before that sad and beautiful face. Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So in case you don't know, I'd better tell you that he is carrying out his notion of concealing ourselves by not concealing ourselves to the most extraordinary lengths just now. Originally, of course, we met in a cell underground, just as your branch does. Then Sunday made us take a private room at an ordinary restaurant. He said that if you didn't seem to be hiding nobody hunted you out. Well, he is the only man on earth, I know; but sometimes I really think that his huge brain is going a little mad in its old age. For now we flaunt ourselves before the public. We have our breakfast on a balcony on a balcony, if you please overlooking Leicester Square." "And what do the people say?" asked Syme. "It's quite simple what they say," answered his guide. "They say we are a lot of jolly gentlemen who pretend they are anarchists." "It seems to me a very clever idea," said Syme. "Clever! God blast your impudence! Clever!" cried out the other in a sudden, shrill voice which was as startling and discordant as his crooked smile. "When you've seen Sunday for a split second you'll leave off calling him clever." With this they emerged out of a narrow street, and saw the early sunlight filling Leicester Square. It will never be known, I suppose, why this square itself should look so alien and in some ways so continental. It will never be known whether it was the foreign look that attracted the foreigners or the foreigners who gave it the foreign look. But on this particular morning the effect seemed singularly bright and clear. Between the open square and the sunlit leaves and the statue and the Saracenic outlines of the Alhambra, it looked the replica of some
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tools of morbid conspirators, became the expressions of his own more healthy romance. The sword-stick became almost the sword of chivalry, and the brandy the wine of the stirrup-cup. For even the most dehumanised modern fantasies depend on some older and simpler figure; the adventures may be mad, but the adventurer must be sane. The dragon without St. George would not even be grotesque. So this inhuman landscape was only imaginative by the presence of a man really human. To Syme's exaggerative mind the bright, bleak houses and terraces by the Thames looked as empty as the mountains of the moon. But even the moon is only poetical because there is a man in the moon. The tug was worked by two men, and with much toil went comparatively slowly. The clear moon that had lit up Chiswick had gone down by the time that they passed Battersea, and when they came under the enormous bulk of Westminster day had already begun to break. It broke like the splitting of great bars of lead, showing bars of silver; and these had brightened like white fire when the tug, changing its onward course, turned inward to a large landing stage rather beyond Charing Cross. The great stones of the Embankment seemed equally dark and gigantic as Syme looked up at them. They were big and black against the huge white dawn. They made him feel that he was landing on the colossal steps of some Egyptian palace; and, indeed, the thing suited his mood, for he was, in his own mind, mounting to attack the solid thrones of horrible and heathen kings. He leapt out of the boat on to one slimy step, and stood, a dark and slender figure, amid the enormous masonry. The two men in the tug put her off again and turned up stream. They had never spoken a word. CHAPTER V. THE FEAST OF FEAR At first the large stone stair seemed to Syme as deserted as a pyramid; but before he reached the top he had realised that there was a man leaning over the parapet of the Embankment and looking out across the river. As a figure he was quite conventional, clad in a silk hat and frock-coat of the more formal type of fashion; he had a red flower in his buttonhole. As Syme drew nearer to him step by step, he did not even move a hair; and Syme could come close enough to notice even in the dim, pale morning light that his face was long, pale and intellectual, and ended in a small triangular tuft of dark beard at the very point of the chin, all else being clean-shaven. This scrap of hair almost seemed a mere oversight; the rest of the face was of the type that is best shaven clear-cut, ascetic, and in its way noble. Syme drew closer and closer, noting all this, and still the figure did not stir. At first an instinct had told Syme that this was the man whom he was meant to meet. Then, seeing that the man made no sign, he had concluded that he was not. And now again he had come back to a certainty that the man had something to do with his mad adventure. For the man remained more still than would have been natural if a stranger had come so close. He was as motionless as a wax-work, and got on the nerves somewhat in the same way. Syme looked again and again at the pale, dignified and delicate face, and the face still looked blankly across the river. Then he took out of his pocket the note from Buttons proving his election, and put it before that sad and beautiful face. Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So in case you don't know, I'd better tell you that he is carrying out his notion of concealing ourselves by not concealing ourselves to the most extraordinary lengths just now. Originally, of course, we met in a cell underground, just as your branch does. Then Sunday made us take a private room at an ordinary restaurant. He said that if you didn't seem to be hiding nobody hunted you out. Well, he is the only man on earth, I know; but sometimes I really think that his huge brain is going a little mad in its old age. For now we flaunt ourselves before the public. We have our breakfast on a balcony on a balcony, if you please overlooking Leicester Square." "And what do the people say?" asked Syme. "It's quite simple what they say," answered his guide. "They say we are a lot of jolly gentlemen who pretend they are anarchists." "It seems to me a very clever idea," said Syme. "Clever! God blast your impudence! Clever!" cried out the other in a sudden, shrill voice which was as startling and discordant as his crooked smile. "When you've seen Sunday for a split second you'll leave off calling him clever." With this they emerged out of a narrow street, and saw the early sunlight filling Leicester Square. It will never be known, I suppose, why this square itself should look so alien and in some ways so continental. It will never be known whether it was the foreign look that attracted the foreigners or the foreigners who gave it the foreign look. But on this particular morning the effect seemed singularly bright and clear. Between the open square and the sunlit leaves and the statue and the Saracenic outlines of the Alhambra, it looked the replica of some French or even Spanish public place. And this effect increased in Syme the sensation, which in many shapes he had had through the whole adventure, the eerie sensation of having strayed into a new world. As a fact, he had bought bad cigars round Leicester Square ever since he was a boy. But as he turned that corner, and saw the trees and the Moorish cupolas, he could have sworn that he was turning into an unknown Place de something or other in some foreign town. At one corner of the square there projected a kind of angle of a prosperous but quiet hotel, the bulk of which belonged to a street behind. In the wall there was one large French window, probably the window of a large coffee-room; and outside this window, almost literally overhanging the square, was a formidably buttressed balcony, big enough to contain a dining-table. In fact, it did contain a dining-table, or more strictly a breakfast-table; and round the breakfast-table, glowing in the sunlight and evident to the street, were a group of noisy and talkative men, all dressed in the insolence of fashion, with white waistcoats and expensive button-holes. Some of their jokes could almost be heard across the square. Then the grave Secretary gave his unnatural smile, and Syme knew that this boisterous breakfast party was the secret conclave of the European Dynamiters. Then, as Syme continued to stare at them, he saw something that he had not seen before. He had not seen it literally because it was too large to see. At the nearest end of the balcony, blocking up a great part of the perspective, was the back of a great mountain of a man. When Syme had seen him, his first thought was that the weight of him must break down the balcony of stone. His vastness did not lie only in the fact that he was abnormally tall and quite incredibly fat. This man was planned enormously in his original proportions, like a statue carved deliberately as colossal. His head, crowned with white hair, as seen from behind looked bigger than a head ought to be. The ears that stood out from it looked larger than human ears. He was enlarged terribly to scale; and this sense of size was so staggering, that when Syme saw him all the other figures seemed quite suddenly to dwindle and become
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silk hat and frock-coat of the more formal type of fashion; he had a red flower in his buttonhole. As Syme drew nearer to him step by step, he did not even move a hair; and Syme could come close enough to notice even in the dim, pale morning light that his face was long, pale and intellectual, and ended in a small triangular tuft of dark beard at the very point of the chin, all else being clean-shaven. This scrap of hair almost seemed a mere oversight; the rest of the face was of the type that is best shaven clear-cut, ascetic, and in its way noble. Syme drew closer and closer, noting all this, and still the figure did not stir. At first an instinct had told Syme that this was the man whom he was meant to meet. Then, seeing that the man made no sign, he had concluded that he was not. And now again he had come back to a certainty that the man had something to do with his mad adventure. For the man remained more still than would have been natural if a stranger had come so close. He was as motionless as a wax-work, and got on the nerves somewhat in the same way. Syme looked again and again at the pale, dignified and delicate face, and the face still looked blankly across the river. Then he took out of his pocket the note from Buttons proving his election, and put it before that sad and beautiful face. Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong. The spasm of smile was instantaneous, and the man's face dropped at once into its harmonious melancholy. He spoke without further explanation or inquiry, like a man speaking to an old colleague. "If we walk up towards Leicester Square," he said, "we shall just be in time for breakfast. Sunday always insists on an early breakfast. Have you had any sleep?" "No," said Syme.<|quote|>"Nor have I,"</|quote|>answered the man in an ordinary tone. "I shall try to get to bed after breakfast." He spoke with casual civility, but in an utterly dead voice that contradicted the fanaticism of his face. It seemed almost as if all friendly words were to him lifeless conveniences, and that his only life was hate. After a pause the man spoke again. "Of course, the Secretary of the branch told you everything that can be told. But the one thing that can never be told is the last notion of the President, for his notions grow like a tropical forest. So in case you don't know, I'd better tell you that he is carrying out his notion of concealing ourselves by not concealing ourselves to the most extraordinary lengths just now. Originally, of course, we met in a cell underground, just as your branch does. Then Sunday made us take a private room at an ordinary restaurant. He said that if you didn't seem to be hiding nobody hunted you out. Well, he is the only man on earth, I know; but sometimes I really think that his huge brain is going a little mad in its old age. For now we flaunt ourselves before the public. We have our breakfast on a balcony on a balcony, if you please overlooking Leicester Square." "And what do the people say?" asked Syme. "It's quite simple what they say," answered his guide. "They say we are a lot of jolly gentlemen who pretend they are anarchists." "It seems to me a very clever idea," said Syme. "Clever! God blast your impudence! Clever!" cried out the other in a sudden, shrill voice which was as startling and discordant as his crooked smile. "When you've seen Sunday for a split second you'll leave off calling him clever." With this they emerged out of a narrow street, and saw the early sunlight filling Leicester Square. It will never be known, I suppose, why this square itself should look so alien and in some ways so continental. It will never be known whether it was the foreign look that attracted the foreigners or the foreigners who gave it the foreign look. But on this particular morning the effect seemed singularly bright and clear. Between the open square and the sunlit leaves and the statue and the Saracenic outlines of the Alhambra, it looked the replica of some French or even Spanish public place. And this effect increased in Syme the sensation, which in many shapes he had had through the whole adventure, the eerie sensation of having strayed into a new world. As a fact, he had bought bad cigars round Leicester Square ever since he was a boy. But as he turned that corner, and saw the trees and the Moorish cupolas, he could have sworn that he was turning into an unknown Place de something or other in some foreign town. At one corner of the square there projected a kind of angle of a prosperous but quiet hotel, the bulk of which belonged to a street behind. In the wall there was one large French window, probably the window of a large coffee-room; and outside
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The Man Who Was Thursday
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"you say,"
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Brenda
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didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time
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the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it.
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advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage
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heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had
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to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French
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things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French eighteenth-century poets, a massage apparatus, and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception
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"but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened," said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French eighteenth-century poets, a massage apparatus, and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception of her sister's, opinion was greatly in favour of Brenda's adventure. The morning telephone buzzed with news of her; even people with whom she had the barest acquaintance were delighted to relate that they had seen her and Beaver the evening before at a restaurant or cinema. It had been an autumn of very sparse and meagre romance; only the most obvious people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone. For them her circumstances shed peculiar glamour; for five years she had been a legendary, almost ghostly name, the imprisoned princess of fairy story, and now that she had emerged there was more enchantment in the occurrence than in the mere change of habit of any other circumspect wife. Her very choice of partner gave the affair an appropriate touch of fantasy; Beaver, the joke figure they had all known and despised, suddenly caught up to her among the luminous clouds of deity. If, after seven years looking neither to right or left, she had at last broken away with Jock Grant-Menzies or Robin Beaseley or any other young buck with whom nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything.
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began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened," said Tony. "We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night,"<|quote|>"you say,"</|quote|>"instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French eighteenth-century poets, a massage apparatus, and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception of her sister's, opinion was greatly in favour of Brenda's adventure. The morning telephone buzzed with news of her; even people with whom she had the barest acquaintance were delighted to relate that they had seen her and Beaver the evening before at a restaurant or cinema. It had been an autumn of very sparse and meagre romance; only the most obvious people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone. For them her circumstances shed peculiar glamour; for five years she had
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A Handful Of Dust
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"Is he going to drown me, Mas' Don?"
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Jem Wimble
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him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know:
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the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your
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woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's
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gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool,
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describing the shape of a moderate-sized oval pumpkin. Then, rising erect, he raised one hand to the full extent of his arm, bending the fingers so as to imitate the shape of a bird's head, pressed his head against his arm, placed the left arm close to his body and a little forward, and then began to stalk about slowly. "Moa, moa," he said, dropping his arm again, and pointing to the eggs, "Kiwi, kiwi." "Kiwi, kiwi," said Jem. "Can't make out what he means, Mas' Don; but it don't matter. Shall we suck the eggs raw?" He made a gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, and, pulling up some moss, Don bathed a couple of ugly gashes and a stab, that was roughly plugged with fibre. The wounds were so bad that it was a wonder to both that the great fellow could keep about; but he appeared to bear them patiently enough, smiling with satisfaction as his attendant carefully washed them, and in imitation of what he had seen, applied bruised leaves and moss, and finally bound them up with native flax. Don shuddered more than once as he performed his task, and was glad when it was over, Jem looking on calmly the
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in search. He uttered a cry of satisfaction the next minute, though, as he stooped down and took a couple of eggs from a nest upon the ground. "Good--good!" he exclaimed, eagerly; and he gave them to Don to carry, while he once more resumed his search, which this time was successful, for he found a young tree, and stripped from its branches a large number of its olive-like berries. "There now," said Jem. "Why, it's all right, Mas' Don; 'tarn't tea and coffee, and bread and butter, but it's salad and eggs and fruit. Why, fighting cocks'll be nothing to it. We shall live like princes, see if we don't. What's them things like?" "Like very ripe apples, Jem, or medlars," replied Don, who had been tasting the fruit carefully. "That'll do, then. Pity we can't find some more of them eggs, and don't light a fire to cook 'em. I say, Ngati." The Maori looked at him inquiringly. "More, more," said Jem, holding up one of the eggs, and pointing to the ferny thicket. "No, no," said Ngati, shaking his head. "Moa, moa." He stooped down and held his hands apart in different directions, as if he were describing the shape of a moderate-sized oval pumpkin. Then, rising erect, he raised one hand to the full extent of his arm, bending the fingers so as to imitate the shape of a bird's head, pressed his head against his arm, placed the left arm close to his body and a little forward, and then began to stalk about slowly. "Moa, moa," he said, dropping his arm again, and pointing to the eggs, "Kiwi, kiwi." "Kiwi, kiwi," said Jem. "Can't make out what he means, Mas' Don; but it don't matter. Shall we suck the eggs raw?" He made a gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, and, pulling up some moss, Don bathed a couple of ugly gashes and a stab, that was roughly plugged with fibre. The wounds were so bad that it was a wonder to both that the great fellow could keep about; but he appeared to bear them patiently enough, smiling with satisfaction as his attendant carefully washed them, and in imitation of what he had seen, applied bruised leaves and moss, and finally bound them up with native flax. Don shuddered more than once as he performed his task, and was glad when it was over, Jem looking on calmly the while. "Why, Mas' Don, a chap at home would want to go into hospital for less than that." "Yes, Jem; but these men seem so healthy and well, they heal up quickly, and bear their hurts as if nothing was wrong." "Sleep," said Ngati, suddenly; and he signed to Don to lie down and to Jem to keep watch, while he lay down at once in the mossy nook close to the river, and hidden by overhanging canopies of ferns. "Oh, all right, Mas' Don, I don't mind," said Jem; "only I was just as tired as him." "Let me take the first watch, Jem." "No, no; it's all right, Mas' Don. I meant you to lie down and rest, only he might ha' offered to toss for first go." "Call me then, at the end of an hour." "All right, Mas' Don," said Jem, going through the business of taking out an imaginary watch, winding it up, and then looking at its face. "Five and twenty past seven, Mas' Don, but I'm afraid I'm a little slow. These here baths don't do one's watch any good." "You'll keep a good look out, Jem." "Just so, Mas' Don. Moment I
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salutation that, in spite of weariness and trouble, Don laughed till he saw the great chiefs countenance cloud. But it cleared at once as Don caught his hand, pressed it warmly, and looked gratefully in his face. "Hah!" cried Ngati, grasping the hand he held with painful energy. "My pakeha, morning. Want eat?" "Yes, yes!" cried Jem, eagerly. "Yes, yes," said Ngati; and then he stood, looking puzzled, as he tried to remember. At last, shaking his head sadly, he said, "No, no," in a helpless, dissatisfied tone. "Want Tomati. Tomati--" He closed his eyes, and laid his head sidewise, to suggest that Tomati was dead, and his countenance, in spite of his grotesque tattooing, wore an aspect of sadness that touched Don. "Tomati dead," he said slowly, and the chiefs eyes brightened. "Dead," he said; "Tomati dead--dead--all--dead." "Yes, poor fellows, all but the prisoners," said Don, speaking slowly, in the hope that the chief might grasp some of his words. But he did not understand a syllable, though he seemed to feel that Don was sympathising with him, and he shook hands again gravely. "My pakeha," he said, pressing Don's hand. Then turning to Jem, he held out his other hand, and said slowly, "Jemmeree. Good boy." "Well, that's very kind of you," said Jem, quietly. "We don't understand one another much, but I do think you a good fellow, Ngati; so I shake hands hearty; and I'll stand by you, mate, as you've stood by me." "Good, good," said Ngati, smiling, as if he understood all. Then, looking grave and pained again, he pointed over the mountain. "Maori kill," he said. "Want eat?" "Yes; eat, eat," said Jem, making signs with his mouth. "Pig--meat." "No pig; no meat," said Ngati, grasping the meaning directly; and going to a palm-like tree, he broke out some of its tender growth and handed it to his companions. "Eat," he said; and he began to munch some of it himself. "Look at that now," said Jem. "I should ha' gone by that tree a hundred times without thinking it was good to eat. What's it like, Mas' Don?" "Something like stalky celery, or nut, or pear, all mixed up together." "Yes; 'tarn't bad," said Jem. "What's he doing now?" Ngati was busily hunting about for something, peering amongst the trees, but he did not seem to find that of which he was in search. He uttered a cry of satisfaction the next minute, though, as he stooped down and took a couple of eggs from a nest upon the ground. "Good--good!" he exclaimed, eagerly; and he gave them to Don to carry, while he once more resumed his search, which this time was successful, for he found a young tree, and stripped from its branches a large number of its olive-like berries. "There now," said Jem. "Why, it's all right, Mas' Don; 'tarn't tea and coffee, and bread and butter, but it's salad and eggs and fruit. Why, fighting cocks'll be nothing to it. We shall live like princes, see if we don't. What's them things like?" "Like very ripe apples, Jem, or medlars," replied Don, who had been tasting the fruit carefully. "That'll do, then. Pity we can't find some more of them eggs, and don't light a fire to cook 'em. I say, Ngati." The Maori looked at him inquiringly. "More, more," said Jem, holding up one of the eggs, and pointing to the ferny thicket. "No, no," said Ngati, shaking his head. "Moa, moa." He stooped down and held his hands apart in different directions, as if he were describing the shape of a moderate-sized oval pumpkin. Then, rising erect, he raised one hand to the full extent of his arm, bending the fingers so as to imitate the shape of a bird's head, pressed his head against his arm, placed the left arm close to his body and a little forward, and then began to stalk about slowly. "Moa, moa," he said, dropping his arm again, and pointing to the eggs, "Kiwi, kiwi." "Kiwi, kiwi," said Jem. "Can't make out what he means, Mas' Don; but it don't matter. Shall we suck the eggs raw?" He made a gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, and, pulling up some moss, Don bathed a couple of ugly gashes and a stab, that was roughly plugged with fibre. The wounds were so bad that it was a wonder to both that the great fellow could keep about; but he appeared to bear them patiently enough, smiling with satisfaction as his attendant carefully washed them, and in imitation of what he had seen, applied bruised leaves and moss, and finally bound them up with native flax. Don shuddered more than once as he performed his task, and was glad when it was over, Jem looking on calmly the while. "Why, Mas' Don, a chap at home would want to go into hospital for less than that." "Yes, Jem; but these men seem so healthy and well, they heal up quickly, and bear their hurts as if nothing was wrong." "Sleep," said Ngati, suddenly; and he signed to Don to lie down and to Jem to keep watch, while he lay down at once in the mossy nook close to the river, and hidden by overhanging canopies of ferns. "Oh, all right, Mas' Don, I don't mind," said Jem; "only I was just as tired as him." "Let me take the first watch, Jem." "No, no; it's all right, Mas' Don. I meant you to lie down and rest, only he might ha' offered to toss for first go." "Call me then, at the end of an hour." "All right, Mas' Don," said Jem, going through the business of taking out an imaginary watch, winding it up, and then looking at its face. "Five and twenty past seven, Mas' Don, but I'm afraid I'm a little slow. These here baths don't do one's watch any good." "You'll keep a good look out, Jem." "Just so, Mas' Don. Moment I hear or see anything I calls you up. What time would you like your shaving water, sir? Boots or shoes this morning?" "Ah, Jem," said Don, smiling, "I'm too tired to laugh." And he lay back and dropped off to sleep directly, Ngati's eyes having already closed. "Too tired to laugh," said Jem to himself. "Poor dear lad, and him as brave as a young lion. Think of our coming to this. Shall we ever see old England again, and if we do, shall I be a cripple in this arm? Well, if I am, I won't grumble, but bear it all like a man; and," he added reverently, "please God save us and bring us back, if it's only for my poor Sally's sake, for I said I'd love her and cherish her, and keep her; and here am I one side o' the world, and she's t'other; and such is life." CHAPTER FORTY SIX. AN UNTIRING ENEMY. Jem kept careful watch and ward as he stood leaning on his spear. He was very weary, and could not help feeling envious of those who were sleeping so well. But he heard no sound of pursuit, and after a time the wondrous beauty of the glen in which they had halted, with its rushing waters and green lacing ferns, had so composing an effect upon his spirits, that he began to take an interest in the flowers that hung here and there, while the song of a finch sounded pleasant and homelike. Then the delicious melody of the bell-bird fell upon his ear; and while he was listening to this, he became interested in a beautiful blackbird, which came and hopped about him. Jem laughed, for his visitor had some white feathers just below the beak, and they suggested an idea to him as the bird bobbed and bowed and chattered. "Well," he said, "if I was naming birds, I should call you the parson, for you look like one, with that white thing about your neck." The bird looked at him knowingly, and flitted away. Directly after, as he turned his eyes in the direction where the uneaten fruit was lying, he saw that they had a visitor in the shape of one of the curious rails. The bird was already investigating the fruit, and after satisfying itself that the berries were of the kind that it could find
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to carry, while he once more resumed his search, which this time was successful, for he found a young tree, and stripped from its branches a large number of its olive-like berries. "There now," said Jem. "Why, it's all right, Mas' Don; 'tarn't tea and coffee, and bread and butter, but it's salad and eggs and fruit. Why, fighting cocks'll be nothing to it. We shall live like princes, see if we don't. What's them things like?" "Like very ripe apples, Jem, or medlars," replied Don, who had been tasting the fruit carefully. "That'll do, then. Pity we can't find some more of them eggs, and don't light a fire to cook 'em. I say, Ngati." The Maori looked at him inquiringly. "More, more," said Jem, holding up one of the eggs, and pointing to the ferny thicket. "No, no," said Ngati, shaking his head. "Moa, moa." He stooped down and held his hands apart in different directions, as if he were describing the shape of a moderate-sized oval pumpkin. Then, rising erect, he raised one hand to the full extent of his arm, bending the fingers so as to imitate the shape of a bird's head, pressed his head against his arm, placed the left arm close to his body and a little forward, and then began to stalk about slowly. "Moa, moa," he said, dropping his arm again, and pointing to the eggs, "Kiwi, kiwi." "Kiwi, kiwi," said Jem. "Can't make out what he means, Mas' Don; but it don't matter. Shall we suck the eggs raw?" He made a gesture as if to break one, but Ngati snatched it away. "No, no!" he cried sharply, and snatched the other away. "Pig!" ejaculated Jem. "Well, I do call that greedy." But if the chief was greedy over the eggs, which he secured in a roughly-made bag, of palm strips, ingeniously woven, he was generous enough over the fruit and palm, upon which they made a fair breakfast; after which Ngati examined Jem's wounds, and then signed to him to come down to the side of the stream, seizing him by the wrist, and half dragging him in his energetic way.<|quote|>"Is he going to drown me, Mas' Don?"</|quote|>"No, no, Jem. I know: he wants to bathe your wound." So it proved, for Ngati made him lie down by a pool, and tenderly washed the injuries, ending by applying some cool bruised leaves to the places, and binding them up with wild flax. This done, he examined Don's head, smiling with satisfaction because it was no worse. "Say, Mas' Don, it do feel comf'table. Why, he's quite a doctor, eh?" "What?" continued Jem, staring, as Ngati made signs. "He wants you to bathe his wounds. Your arm's painful, Jem; I'll do it." Ngati lay down by the pool, and, pulling up some moss, Don bathed a couple of ugly gashes and a stab, that was roughly plugged with fibre. The wounds were so bad that it was a wonder to both that the great fellow could keep about; but he appeared to bear them patiently enough, smiling with satisfaction as his attendant carefully washed them, and in imitation of what he had seen, applied bruised leaves and moss, and finally bound them up with native flax. Don shuddered more than once as he performed his task, and was glad when it was over, Jem looking on calmly the while. "Why, Mas' Don, a chap at home would want to go into hospital for less than that." "Yes, Jem; but these men seem so
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Don Lavington
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said Mr. van der Luyden firmly.
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No speaker
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not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and
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to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed
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seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and
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of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came
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lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak. "You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr.
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morning papers till after dinner," said Mrs. Archer responsively. "Yes: my good father abhorred hurry. But now we live in a constant rush," said Mr. van der Luyden in measured tones, looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners. "But I hope you HAD finished your reading, Henry?" his wife interposed. "Quite--quite," he reassured her. "Then I should like Adeline to tell you--" "Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott. "Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry OUGHT TO KNOW." "Ah--" said Mr. van der Luyden, drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak. "You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. van der Luyden continued, "that things had come to such a pass." He paused, and looked at his wife again. "It occurs to me, my dear, that the Countess Olenska is already a sort of relation--through Medora Manson's first husband. At any rate, she will be when Newland marries." He turned toward the young man. "Have you read this morning's Times, Newland?" "Why, yes, sir," said Archer, who usually tossed off half a dozen papers with his morning coffee. Husband and wife looked at each other again. Their pale eyes clung together in prolonged and serious consultation; then a faint smile fluttered over Mrs. van der Luyden's face. She had evidently guessed and approved. Mr. van der Luyden turned to Mrs. Archer. "If Louisa's health allowed her to dine out--I wish you would say to Mrs. Lovell Mingott--she and I would have been happy to--er--fill the places of the Lawrence Leffertses at her dinner." He paused to let the irony of this sink in. "As you know, this is impossible." Mrs. Archer sounded a sympathetic assent. "But Newland tells me he has read this morning's Times; therefore he has probably seen that Louisa's relative, the Duke of St. Austrey, arrives
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the almost invariable reply: "I shall first have to talk this over with my husband." She and Mr. van der Luyden were so exactly alike that Archer often wondered how, after forty years of the closest conjugality, two such merged identities ever separated themselves enough for anything as controversial as a talking-over. But as neither had ever reached a decision without prefacing it by this mysterious conclave, Mrs. Archer and her son, having set forth their case, waited resignedly for the familiar phrase. Mrs. van der Luyden, however, who had seldom surprised any one, now surprised them by reaching her long hand toward the bell-rope. "I think," she said, "I should like Henry to hear what you have told me." A footman appeared, to whom she gravely added: "If Mr. van der Luyden has finished reading the newspaper, please ask him to be kind enough to come." She said "reading the newspaper" in the tone in which a Minister's wife might have said: "Presiding at a Cabinet meeting"--not from any arrogance of mind, but because the habit of a life-time, and the attitude of her friends and relations, had led her to consider Mr. van der Luyden's least gesture as having an almost sacerdotal importance. Her promptness of action showed that she considered the case as pressing as Mrs. Archer; but, lest she should be thought to have committed herself in advance, she added, with the sweetest look: "Henry always enjoys seeing you, dear Adeline; and he will wish to congratulate Newland." The double doors had solemnly reopened and between them appeared Mr. Henry van der Luyden, tall, spare and frock-coated, with faded fair hair, a straight nose like his wife's and the same look of frozen gentleness in eyes that were merely pale grey instead of pale blue. Mr. van der Luyden greeted Mrs. Archer with cousinly affability, proffered to Newland low-voiced congratulations couched in the same language as his wife's, and seated himself in one of the brocade armchairs with the simplicity of a reigning sovereign. "I had just finished reading the Times," he said, laying his long finger-tips together. "In town my mornings are so much occupied that I find it more convenient to read the newspapers after luncheon." "Ah, there's a great deal to be said for that plan--indeed I think my uncle Egmont used to say he found it less agitating not to read the morning papers till after dinner," said Mrs. Archer responsively. "Yes: my good father abhorred hurry. But now we live in a constant rush," said Mr. van der Luyden in measured tones, looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners. "But I hope you HAD finished your reading, Henry?" his wife interposed. "Quite--quite," he reassured her. "Then I should like Adeline to tell you--" "Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott. "Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry OUGHT TO KNOW." "Ah--" said Mr. van der Luyden, drawing a deep breath. There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak. "You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. van der Luyden continued, "that things had come to such a pass." He paused, and looked at his wife again. "It occurs to me, my dear, that the Countess Olenska is already a sort of relation--through Medora Manson's first husband. At any rate, she will be when Newland marries." He turned toward the young man. "Have you read this morning's Times, Newland?" "Why, yes, sir," said Archer, who usually tossed off half a dozen papers with his morning coffee. Husband and wife looked at each other again. Their pale eyes clung together in prolonged and serious consultation; then a faint smile fluttered over Mrs. van der Luyden's face. She had evidently guessed and approved. Mr. van der Luyden turned to Mrs. Archer. "If Louisa's health allowed her to dine out--I wish you would say to Mrs. Lovell Mingott--she and I would have been happy to--er--fill the places of the Lawrence Leffertses at her dinner." He paused to let the irony of this sink in. "As you know, this is impossible." Mrs. Archer sounded a sympathetic assent. "But Newland tells me he has read this morning's Times; therefore he has probably seen that Louisa's relative, the Duke of St. Austrey, arrives next week on the Russia. He is coming to enter his new sloop, the Guinevere, in next summer's International Cup Race; and also to have a little canvasback shooting at Trevenna." Mr. van der Luyden paused again, and continued with increasing benevolence: "Before taking him down to Maryland we are inviting a few friends to meet him here--only a little dinner--with a reception afterward. I am sure Louisa will be as glad as I am if Countess Olenska will let us include her among our guests." He got up, bent his long body with a stiff friendliness toward his cousin, and added: "I think I have Louisa's authority for saying that she will herself leave the invitation to dine when she drives out presently: with our cards--of course with our cards." Mrs. Archer, who knew this to be a hint that the seventeen-hand chestnuts which were never kept waiting were at the door, rose with a hurried murmur of thanks. Mrs. van der Luyden beamed on her with the smile of Esther interceding with Ahasuerus; but her husband raised a protesting hand. "There is nothing to thank me for, dear Adeline; nothing whatever. This kind of thing must not happen in New York; it shall not, as long as I can help it," he pronounced with sovereign gentleness as he steered his cousins to the door. Two hours later, every one knew that the great C-spring barouche in which Mrs. van der Luyden took the air at all seasons had been seen at old Mrs. Mingott's door, where a large square envelope was handed in; and that evening at the Opera Mr. Sillerton Jackson was able to state that the envelope contained a card inviting the Countess Olenska to the dinner which the van der Luydens were giving the following week for their cousin, the Duke of St. Austrey. Some of the younger men in the club box exchanged a smile at this announcement, and glanced sideways at Lawrence Lefferts, who sat carelessly in the front of the box, pulling his long fair moustache, and who remarked with authority, as the soprano paused: "No one but Patti ought to attempt the Sonnambula." VIII. It was generally agreed in New York that the Countess Olenska had "lost her looks." She had appeared there first, in Newland Archer's boyhood, as a brilliantly pretty little girl of nine or ten, of whom people
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ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings. Mr. van der Luyden was the first to speak. "You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer. "I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before." "The LEFFERTSES!--" said Mrs. van der Luyden. "The LEFFERTSES!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to." "We'll hope it has not quite come to that,"<|quote|>said Mr. van der Luyden firmly.</|quote|>"Ah, if only you and Louisa went out more!" sighed Mrs. Archer. But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health. Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you." Mrs. van der Luyden glanced at her husband, who glanced back at her. "It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final." "It seems so to me," said his wife, as if she were producing a new thought. "I had no idea," Mr. van der Luyden continued, "that things had come
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The Age Of Innocence
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she proceeded,
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No speaker
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thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn
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frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if
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"Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great
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so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I
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live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence
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going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--" "Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming, but how deucedly sociable! Was she simply a pretty girl from New York State? Were they all like that, the pretty girls who had a good deal of gentlemen s society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt--a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here
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real name is Annie P. Miller," the boy went on. "Ask him HIS name," said his sister, indicating Winterbourne. But on this point Randolph seemed perfectly indifferent; he continued to supply information with regard to his own family. "My father s name is Ezra B. Miller," he announced. "My father ain t in Europe; my father s in a better place than Europe." Winterbourne imagined for a moment that this was the manner in which the child had been taught to intimate that Mr. Miller had been removed to the sphere of celestial reward. But Randolph immediately added, "My father s in Schenectady. He s got a big business. My father s rich, you bet!" "Well!" ejaculated Miss Miller, lowering her parasol and looking at the embroidered border. Winterbourne presently released the child, who departed, dragging his alpenstock along the path. "He doesn t like Europe," said the young girl. "He wants to go back." "To Schenectady, you mean?" "Yes; he wants to go right home. He hasn t got any boys here. There is one boy here, but he always goes round with a teacher; they won t let him play." "And your brother hasn t any teacher?" Winterbourne inquired. "Mother thought of getting him one, to travel round with us. There was a lady told her of a very good teacher; an American lady--perhaps you know her--Mrs. Sanders. I think she came from Boston. She told her of this teacher, and we thought of getting him to travel round with us. But Randolph said he didn t want a teacher traveling round with us. He said he wouldn t have lessons when he was in the cars. And we ARE in the cars about half the time. There was an English lady we met in the cars--I think her name was Miss Featherstone; perhaps you know her. She wanted to know why I didn t give Randolph lessons--give him instruction, she called it. I guess he could give me more instruction than I could give him. He s very smart." "Yes," said Winterbourne; "he seems very smart." "Mother s going to get a teacher for him as soon as we get to Italy. Can you get good teachers in Italy?" "Very good, I should think," said Winterbourne. "Or else she s going to find some school. He ought to learn some more. He s only nine. He s going to college." And in this way Miss Miller continued to converse upon the affairs of her family and upon other topics. She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of Winterbourne, now wandering over the garden, the people who passed by, and the beautiful view. She talked to Winterbourne as if she had known him a long time. He found it very pleasant. It was many years since he had heard a young girl talk so much. It might have been said of this unknown young lady, who had come and sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--" "Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming, but how deucedly sociable! Was she simply a pretty girl from New York State? Were they all like that, the pretty girls who had a good deal of gentlemen s society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt--a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here in Europe, two or three women--persons older than Miss Daisy Miller, and provided, for respectability s sake, with husbands--who were great coquettes--dangerous, terrible women, with whom one s relations were liable to take a serious turn. But this young girl was not a coquette in that sense; she was very unsophisticated; she was only a pretty American flirt. Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller. He leaned back in his seat; he remarked to himself that she had the most charming nose he had ever seen; he wondered what were the regular conditions and limitations of one s intercourse with a pretty American flirt. It presently became apparent that he was on the way to learn. "Have you been to that old castle?" asked the young girl, pointing with her parasol to the far-gleaming walls of the Chateau de Chillon. "Yes, formerly, more than once," said Winterbourne. "You too, I suppose, have seen it?" "No; we haven t been there. I want to go there dreadfully. Of course I mean to go there. I wouldn t go away from here without having seen that old castle." "It s a very pretty excursion," said Winterbourne, "and very easy to make. You can drive, you know, or you can go by the little steamer." "You can go in the cars," said Miss Miller. "Yes; you can go in the cars," Winterbourne assented. "Our courier says they take you right up to the castle," the young girl continued. "We were going last week, but my mother gave out. She suffers dreadfully from dyspepsia. She said she couldn t go. Randolph wouldn t go either; he says he doesn t think much of old castles. But I guess we ll go this week, if we can get Randolph." "Your brother is not interested in ancient monuments?" Winterbourne inquired, smiling. "He says he don t care much about old castles. He s only nine. He wants to stay at the hotel. Mother s afraid to leave him alone, and the courier won t stay with him; so we haven t been to many places. But it will be too bad if we don t go up there." And Miss Miller pointed again at the Chateau de Chillon. "I should think it might be arranged," said Winterbourne. "Couldn t you get some one to stay for the afternoon
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sat down beside him upon a bench, that she chattered. She was very quiet; she sat in a charming, tranquil attitude; but her lips and her eyes were constantly moving. She had a soft, slender, agreeable voice, and her tone was decidedly sociable. She gave Winterbourne a history of her movements and intentions and those of her mother and brother, in Europe, and enumerated, in particular, the various hotels at which they had stopped. "That English lady in the cars," she said--" "Miss Featherstone--asked me if we didn t all live in hotels in America. I told her I had never been in so many hotels in my life as since I came to Europe. I have never seen so many--it s nothing but hotels." But Miss Miller did not make this remark with a querulous accent; she appeared to be in the best humor with everything. She declared that the hotels were very good, when once you got used to their ways, and that Europe was perfectly sweet. She was not disappointed--not a bit. Perhaps it was because she had heard so much about it before. She had ever so many intimate friends that had been there ever so many times. And then she had had ever so many dresses and things from Paris. Whenever she put on a Paris dress she felt as if she were in Europe. "It was a kind of a wishing cap," said Winterbourne. "Yes," said Miss Miller without examining this analogy; "it always made me wish I was here. But I needn t have done that for dresses. I am sure they send all the pretty ones to America; you see the most frightful things here. The only thing I don t like,"<|quote|>she proceeded,</|quote|>"is the society. There isn t any society; or, if there is, I don t know where it keeps itself. Do you? I suppose there is some society somewhere, but I haven t seen anything of it. I m very fond of society, and I have always had a great deal of it. I don t mean only in Schenectady, but in New York. I used to go to New York every winter. In New York I had lots of society." "Last winter I had seventeen dinners given me; and three of them were by gentlemen," added Daisy Miller. "I have more friends in New York than in Schenectady--more gentleman friends; and more young lady friends too," she resumed in a moment. She paused again for an instant; she was looking at Winterbourne with all her prettiness in her lively eyes and in her light, slightly monotonous smile. "I have always had," she said, "a great deal of gentlemen s society." Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a young girl express herself in just this fashion; never, at least, save in cases where to say such things seemed a kind of demonstrative evidence of a certain laxity of deportment. And yet was he to accuse Miss Daisy Miller of actual or potential inconduite, as they said at Geneva? He felt that he had lived at Geneva so long that he had lost a good deal; he had become dishabituated to the American tone. Never, indeed, since he had grown old enough to appreciate things, had he encountered a young American girl of so pronounced a type as this. Certainly she was very charming, but how deucedly sociable! Was she simply a pretty girl from New York State? Were they all like that, the pretty girls who had a good deal of gentlemen s society? Or was she also a designing, an audacious, an unscrupulous young person? Winterbourne had lost his instinct in this matter, and his reason could not help him. Miss Daisy Miller looked extremely innocent. Some people had told him that, after all, American girls were exceedingly innocent; and others had told him that, after all, they were not. He was inclined to think Miss Daisy Miller was a flirt--a pretty American flirt. He had never, as yet, had any relations with young ladies of this category. He had known, here in Europe, two or three women--persons older than Miss Daisy Miller, and provided, for respectability s sake, with husbands--who were great coquettes--dangerous, terrible women, with whom one s relations were liable to take a serious turn. But this young girl was not a coquette in that sense; she was very unsophisticated; she was only a pretty American flirt. Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller. He leaned back in his seat; he remarked to himself that she had the most charming nose he had ever seen; he wondered what were the regular conditions and limitations of one s intercourse with a pretty American flirt. It presently became apparent that he was on the way to learn. "Have you been to that old castle?" asked the young girl, pointing with
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Daisy Miller
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Her body asserted itself with a restless movement of her knee, and she stood up.
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No speaker
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“in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently
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the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the
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hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out
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bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.”
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Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her
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Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter. “I suppose she talks, and—eats, and everything.” “Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her family.” “Her family is one aunt about a thousand years old. Besides, Nick’s going to look after her, aren’t you, Nick? She’s going to spend lots of weekends out here this summer. I think the home influence will be very good for her.” Daisy and Tom looked at each other for a moment in silence. “Is she from New York?” I asked quickly. “From Louisville. Our white girlhood was passed together there. Our beautiful white—” “Did you give Nick a little heart to heart talk on the veranda?” demanded Tom suddenly. “Did I?” She looked at me. “I can’t seem to remember, but I think we talked about the Nordic race. Yes, I’m sure we did. It sort of crept up on us and first thing you know—” “Don’t believe everything you hear, Nick,” he advised me. I said lightly that I had heard nothing at all, and a few minutes later I got up to go home. They came to the door with me and stood side by side in a cheerful square of light. As I started my motor Daisy peremptorily called: “Wait! “I forgot to ask you something, and it’s important. We heard you were engaged to
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grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table. “It couldn’t be helped!” cried Daisy with tense gaiety. She sat down, glanced searchingly at Miss Baker and then at me, and continued: “I looked outdoors for a minute, and it’s very romantic outdoors. There’s a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He’s singing away—” Her voice sang: “It’s romantic, isn’t it, Tom?” “Very romantic,” he said, and then miserably to me: “If it’s light enough after dinner, I want to take you down to the stables.” The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at everyone, and yet to avoid all eyes. I couldn’t guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy scepticism, was able utterly to put this fifth guest’s shrill metallic urgency out of mind. To a certain temperament the situation might have seemed intriguing—my own instinct was to telephone immediately for the police. The horses, needless to say, were not mentioned again. Tom and Miss Baker, with several feet of twilight between them, strolled back into the library, as if to a vigil beside a perfectly tangible body, while, trying to look pleasantly interested and a little deaf, I followed Daisy around a chain of connecting verandas to the porch in front. In its deep gloom we sat down side by side on a wicker settee. Daisy took her face in her hands as if feeling its lovely shape, and her eyes moved gradually out into the velvet dusk. I saw that turbulent emotions possessed her, so I asked what I thought would be some sedative questions about her little girl. “We don’t know each other very well, Nick,” she said suddenly. “Even if we are cousins. You didn’t come to my wedding.” “I wasn’t back from the war.” “That’s true.” She hesitated. “Well, I’ve had a very bad time, Nick, and I’m pretty cynical about everything.” Evidently she had reason to be. I waited but she didn’t say any more, and after a moment I returned rather feebly to the subject of her daughter. “I suppose she talks, and—eats, and everything.” “Oh, yes.” She looked at me absently. “Listen, Nick; let me tell you what I said when she was born. Would you like to hear?” “Very much.” “It’ll show you how I’ve gotten to feel about—things. Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her family.” “Her family is one aunt about a thousand years old. Besides, Nick’s going to look after her, aren’t you, Nick? She’s going to spend lots of weekends out here this summer. I think the home influence will be very good for her.” Daisy and Tom looked at each other for a moment in silence. “Is she from New York?” I asked quickly. “From Louisville. Our white girlhood was passed together there. Our beautiful white—” “Did you give Nick a little heart to heart talk on the veranda?” demanded Tom suddenly. “Did I?” She looked at me. “I can’t seem to remember, but I think we talked about the Nordic race. Yes, I’m sure we did. It sort of crept up on us and first thing you know—” “Don’t believe everything you hear, Nick,” he advised me. I said lightly that I had heard nothing at all, and a few minutes later I got up to go home. They came to the door with me and stood side by side in a cheerful square of light. As I started my motor Daisy peremptorily called: “Wait! “I forgot to ask you something, and it’s important. We heard you were engaged to a girl out West.” “That’s right,” corroborated Tom kindly. “We heard that you were engaged.” “It’s a libel. I’m too poor.” “But we heard it,” insisted Daisy, surprising me by opening up again in a flower-like way. “We heard it from three people, so it must be true.” Of course I knew what they were referring to, but I wasn’t even vaguely engaged. The fact that gossip had published the banns was one of the reasons I had come East. You can’t stop going with an old friend on account of rumours, and on the other hand I had no intention of being rumoured into marriage. Their interest rather touched me and made them less remotely rich—nevertheless, I was confused and a little disgusted as I drove away. It seemed to me that the thing for Daisy to do was to rush out of the house, child in arms—but apparently there were no such intentions in her head. As for Tom, the fact that he “had some woman in New York” was really less surprising than that he had been depressed by a book. Something was making him nibble at the edge of stale ideas as if his sturdy physical egotism no longer nourished his peremptory heart. Already it was deep summer on roadhouse roofs and in front of wayside garages, where new red petrol-pumps sat out in pools of light, and when I reached my estate at West Egg I ran the car under its shed and sat for a while on an abandoned grass roller in the yard. The wind had blown off, leaving a loud, bright night, with wings beating in the trees and a persistent organ sound as the full bellows of the earth blew the frogs full of life. The silhouette of a moving cat wavered across the moonlight, and, turning my head to watch it, I saw that I was not alone—fifty feet away a figure had emerged from the shadow of my neighbour’s mansion and was standing with his hands in his pockets regarding the silver pepper of the stars. Something in his leisurely movements and the secure position of his feet upon the lawn suggested that it was Mr. Gatsby himself, come out to determine what share was his of our local heavens. I decided to call to him. Miss Baker had mentioned him at dinner, and that would do for an
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a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’ “You see I think everything’s terrible anyhow,” she went on in a convinced way. “Everybody thinks so—the most advanced people. And I know. I’ve been everywhere and seen everything and done everything.” Her eyes flashed around her in a defiant way, rather like Tom’s, and she laughed with thrilling scorn. “Sophisticated—God, I’m sophisticated!” The instant her voice broke off, ceasing to compel my attention, my belief, I felt the basic insincerity of what she had said. It made me uneasy, as though the whole evening had been a trick of some sort to exact a contributory emotion from me. I waited, and sure enough, in a moment she looked at me with an absolute smirk on her lovely face, as if she had asserted her membership in a rather distinguished secret society to which she and Tom belonged. ------------------------------------------------------------------------ Inside, the crimson room bloomed with light. Tom and Miss Baker sat at either end of the long couch and she read aloud to him from the Saturday Evening Post—the words, murmurous and uninflected, running together in a soothing tune. The lamplight, bright on his boots and dull on the autumn-leaf yellow of her hair, glinted along the paper as she turned a page with a flutter of slender muscles in her arms. When we came in she held us silent for a moment with a lifted hand. “To be continued,” she said, tossing the magazine on the table, “in our very next issue.”<|quote|>Her body asserted itself with a restless movement of her knee, and she stood up.</|quote|>“Ten o’clock,” she remarked, apparently finding the time on the ceiling. “Time for this good girl to go to bed.” “Jordan’s going to play in the tournament tomorrow,” explained Daisy, “over at Westchester.” “Oh—you’re Jordan Baker.” I knew now why her face was familiar—its pleasing contemptuous expression had looked out at me from many rotogravure pictures of the sporting life at Asheville and Hot Springs and Palm Beach. I had heard some story of her too, a critical, unpleasant story, but what it was I had forgotten long ago. “Good night,” she said softly. “Wake me at eight, won’t you.” “If you’ll get up.” “I will. Good night, Mr. Carraway. See you anon.” “Of course you will,” confirmed Daisy. “In fact I think I’ll arrange a marriage. Come over often, Nick, and I’ll sort of—oh—fling you together. You know—lock you up accidentally in linen closets and push you out to sea in a boat, and all that sort of thing—” “Good night,” called Miss Baker from the stairs. “I haven’t heard a word.” “She’s a nice girl,” said Tom after a moment. “They oughtn’t to let her run around the country this way.” “Who oughtn’t to?” inquired Daisy coldly. “Her family.” “Her family is one aunt about a thousand years old. Besides, Nick’s going to look after her, aren’t you, Nick? She’s going to spend lots of weekends out here this summer. I think the home influence
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The Great Gatsby
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"You re right,"
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William Rodney
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of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a
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longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles
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tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A
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Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added,
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herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled
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cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection. "Yes, yes, yes," he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled up in Cassandra s heart. Had she done wrong in listening? Why did Aunt Celia blame her? Did Katharine think her right? Above all, did William really love her, for ever and ever, better than any one? "I must be first with him, Katharine!" she exclaimed. "I can t share him even with you." "I shall never ask that," said Katharine. She moved a little away from where they sat and began half-consciously sorting her flowers. "But you ve shared with me," Cassandra said. "Why can t I share with you? Why am I so mean? I know why it is," she added. "We understand each other, William and I. You ve never understood each other. You re too different." "I ve never admired anybody more," William interposed. "It s not that" Cassandra tried to enlighten him "it s understanding." "Have I never understood you, Katharine? Have I been very selfish?" "Yes," Cassandra interposed. "You ve asked her for sympathy, and she s not sympathetic; you ve wanted her to be practical, and she s not practical. You ve been selfish; you ve been exacting and so has Katharine but it wasn t anybody s fault." Katharine had listened to
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him, too; he was inflamed by jealousy. His tentative offer of affection had been rudely and, as he thought, completely repulsed by Cassandra on the preceding day. Denham s confession was in his mind. And ultimately, Katharine s dominion over him was of the sort that the fevers of the night cannot exorcise. "I was as much to blame as you were yesterday," she said gently, disregarding his question. "I confess, William, the sight of you and Cassandra together made me jealous, and I couldn t control myself. I laughed at you, I know." "You jealous!" William exclaimed. "I assure you, Katharine, you ve not the slightest reason to be jealous. Cassandra dislikes me, so far as she feels about me at all. I was foolish enough to try to explain the nature of our relationship. I couldn t resist telling her what I supposed myself to feel for her. She refused to listen, very rightly. But she left me in no doubt of her scorn." Katharine hesitated. She was confused, agitated, physically tired, and had already to reckon with the violent feeling of dislike aroused by her aunt which still vibrated through all the rest of her feelings. She sank into a chair and dropped her flowers upon her lap. "She charmed me," Rodney continued. "I thought I loved her. But that s a thing of the past. It s all over, Katharine. It was a dream an hallucination. We were both equally to blame, but no harm s done if you believe how truly I care for you. Say you believe me!" He stood over her, as if in readiness to seize the first sign of her assent. Precisely at that moment, owing, perhaps, to her vicissitudes of feeling, all sense of love left her, as in a moment a mist lifts from the earth. And when the mist departed a skeleton world and blankness alone remained a terrible prospect for the eyes of the living to behold. He saw the look of terror in her face, and without understanding its origin, took her hand in his. With the sense of companionship returned a desire, like that of a child for shelter, to accept what he had to offer her and at that moment it seemed that he offered her the only thing that could make it tolerable to live. She let him press his lips to her cheek, and leant her head upon his arm. It was the moment of his triumph. It was the only moment in which she belonged to him and was dependent upon his protection. "Yes, yes, yes," he murmured, "you accept me, Katharine. You love me." For a moment she remained silent. He then heard her murmur: "Cassandra loves you more than I do." "Cassandra?" he whispered. "She loves you," Katharine repeated. She raised herself and repeated the sentence yet a third time. "She loves you." William slowly raised himself. He believed instinctively what Katharine said, but what it meant to him he was unable to understand. Could Cassandra love him? Could she have told Katharine that she loved him? The desire to know the truth of this was urgent, unknown though the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled up in Cassandra s heart. Had she done wrong in listening? Why did Aunt Celia blame her? Did Katharine think her right? Above all, did William really love her, for ever and ever, better than any one? "I must be first with him, Katharine!" she exclaimed. "I can t share him even with you." "I shall never ask that," said Katharine. She moved a little away from where they sat and began half-consciously sorting her flowers. "But you ve shared with me," Cassandra said. "Why can t I share with you? Why am I so mean? I know why it is," she added. "We understand each other, William and I. You ve never understood each other. You re too different." "I ve never admired anybody more," William interposed. "It s not that" Cassandra tried to enlighten him "it s understanding." "Have I never understood you, Katharine? Have I been very selfish?" "Yes," Cassandra interposed. "You ve asked her for sympathy, and she s not sympathetic; you ve wanted her to be practical, and she s not practical. You ve been selfish; you ve been exacting and so has Katharine but it wasn t anybody s fault." Katharine had listened to this attempt at analysis with keen attention. Cassandra s words seemed to rub the old blurred image of life and freshen it so marvelously that it looked new again. She turned to William. "It s quite true," she said. "It was nobody s fault." "There are many things that he ll always come to you for," Cassandra continued, still reading from her invisible book. "I accept that, Katharine. I shall never dispute it. I want to be generous as you ve been generous. But being in love makes it more difficult for me." They were silent. At length William broke the silence. "One thing I beg of you both," he said, and the old nervousness of manner returned as he glanced at Katharine. "We will never discuss these matters again. It s not that I m timid and conventional, as you think, Katharine. It s that it spoils things to discuss them; it unsettles people s minds; and now we re all so happy" Cassandra ratified this conclusion so far as she was concerned, and William, after receiving the exquisite pleasure of her glance, with its absolute affection and trust, looked anxiously at Katharine. "Yes, I m happy," she assured him. "And I agree. We will never talk about it again." "Oh, Katharine, Katharine!" Cassandra cried, holding out her arms while the tears ran down her cheeks. CHAPTER XXX The day was so different from other days to three people in the house that the common routine of household life the maid waiting at table, Mrs. Hilbery writing a letter, the clock striking, and the door opening, and all the other signs of long-established civilization appeared suddenly to have no meaning save as they lulled Mr. and Mrs. Hilbery into the belief that nothing unusual had taken place. It chanced that Mrs. Hilbery was depressed without visible cause, unless a certain crudeness verging upon coarseness in the temper of her favorite Elizabethans could be held responsible for the mood. At any rate, she had shut up "The Duchess of Malfi" with a sigh, and wished to know, so she told Rodney at dinner, whether there wasn t some young writer with a touch of the great spirit somebody who made you believe that life was _beautiful?_ She got little help from Rodney, and after singing her plaintive requiem for the death of poetry by herself, she charmed herself into good
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the consequences might be. The thrill of excitement associated with the thought of Cassandra once more took possession of him. No longer was it the excitement of anticipation and ignorance; it was the excitement of something greater than a possibility, for now he knew her and had measure of the sympathy between them. But who could give him certainty? Could Katharine, Katharine who had lately lain in his arms, Katharine herself the most admired of women? He looked at her, with doubt, and with anxiety, but said nothing. "Yes, yes," she said, interpreting his wish for assurance, "it s true. I know what she feels for you." "She loves me?" Katharine nodded. "Ah, but who knows what I feel? How can I be sure of my feeling myself? Ten minutes ago I asked you to marry me. I still wish it I don t know what I wish" He clenched his hands and turned away. He suddenly faced her and demanded: "Tell me what you feel for Denham." "For Ralph Denham?" she asked. "Yes!" she exclaimed, as if she had found the answer to some momentarily perplexing question. "You re jealous of me, William; but you re not in love with me. I m jealous of you. Therefore, for both our sakes, I say, speak to Cassandra at once." He tried to compose himself. He walked up and down the room; he paused at the window and surveyed the flowers strewn upon the floor. Meanwhile his desire to have Katharine s assurance confirmed became so insistent that he could no longer deny the overmastering strength of his feeling for Cassandra.<|quote|>"You re right,"</|quote|>he exclaimed, coming to a standstill and rapping his knuckles sharply upon a small table carrying one slender vase. "I love Cassandra." As he said this, the curtains hanging at the door of the little room parted, and Cassandra herself stepped forth. "I have overheard every word!" she exclaimed. A pause succeeded this announcement. Rodney made a step forward and said: "Then you know what I wish to ask you. Give me your answer" She put her hands before her face; she turned away and seemed to shrink from both of them. "What Katharine said," she murmured. "But," she added, raising her head with a look of fear from the kiss with which he greeted her admission, "how frightfully difficult it all is! Our feelings, I mean yours and mine and Katharine s. Katharine, tell me, are we doing right?" "Right of course we re doing right," William answered her, "if, after what you ve heard, you can marry a man of such incomprehensible confusion, such deplorable" "Don t, William," Katharine interposed; "Cassandra has heard us; she can judge what we are; she knows better than we could tell her." But, still holding William s hand, questions and desires welled up in Cassandra s heart. Had she done wrong in listening? Why did Aunt Celia blame her? Did Katharine think her right? Above all, did William really love her, for ever and ever, better than any one? "I must be first with him, Katharine!" she exclaimed. "I can t share him even with you." "I shall never ask that," said Katharine. She moved a little away from where they sat and began half-consciously sorting her flowers. "But you ve shared with me," Cassandra said. "Why can t I share with you? Why am
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Night And Day
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thought Gurov as he left the platform.
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No speaker
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for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home
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a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in
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All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had
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would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a
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of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory.... He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains. Gurov was Moscow born; he arrived in Moscow on a fine frosty day, and when he put on his fur coat and warm gloves, and walked along Petrovka, and when on Saturday evening he heard the ringing of the bells, his recent trip and the places he had seen lost all charm for him. Little by little he became absorbed in Moscow life, greedily read three newspapers a day, and declared he did
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waterfall; and the expedition was always a success, the scenery invariably impressed them as grand and beautiful. They were expecting her husband to come, but a letter came from him, saying that there was something wrong with his eyes, and he entreated his wife to come home as quickly as possible. Anna Sergeyevna made haste to go. "It's a good thing I am going away," she said to Gurov. "It's the finger of destiny!" She went by coach and he went with her. They were driving the whole day. When she had got into a compartment of the express, and when the second bell had rung, she said: "Let me look at you once more ... look at you once again. That's right." She did not shed tears, but was so sad that she seemed ill, and her face was quivering. "I shall remember you ... think of you," she said. "God be with you; be happy. Don't remember evil against me. We are parting forever--it must be so, for we ought never to have met. Well, God be with you." The train moved off rapidly, its lights soon vanished from sight, and a minute later there was no sound of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory.... He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains. Gurov was Moscow born; he arrived in Moscow on a fine frosty day, and when he put on his fur coat and warm gloves, and walked along Petrovka, and when on Saturday evening he heard the ringing of the bells, his recent trip and the places he had seen lost all charm for him. Little by little he became absorbed in Moscow life, greedily read three newspapers a day, and declared he did not read the Moscow papers on principle! He already felt a longing to go to restaurants, clubs, dinner-parties, anniversary celebrations, and he felt flattered at entertaining distinguished lawyers and artists, and at playing cards with a professor at the doctors' club. He could already eat a whole plateful of salt fish and cabbage. In another month, he fancied, the image of Anna Sergeyevna would be shrouded in a mist in his memory, and only from time to time would visit him in his dreams with a touching smile as others did. But more than a month passed, real winter had come, and everything was still clear in his memory as though he had parted with Anna Sergeyevna only the day before. And his memories glowed more and more vividly. When in the evening stillness he heard from his study the voices of his children, preparing their lessons, or when he listened to a song or the organ at the restaurant, or the storm howled in the chimney, suddenly everything would rise up in his memory: what had happened on the groyne, and the early morning with the mist on the mountains, and the steamer coming from Theodosia, and the kisses.
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sea rising up from below, spoke of the peace, of the eternal sleep awaiting us. So it must have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it will sound as indifferently and monotonously when we are all no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies hid, perhaps, a pledge of our eternal salvation, of the unceasing movement of life upon earth, of unceasing progress towards perfection. Sitting beside a young woman who in the dawn seemed so lovely, soothed and spellbound in these magical surroundings--the sea, mountains, clouds, the open sky--Gurov thought how in reality everything is beautiful in this world when one reflects: everything except what we think or do ourselves when we forget our human dignity and the higher aims of our existence. A man walked up to them--probably a keeper--looked at them and walked away. And this detail seemed mysterious and beautiful, too. They saw a steamer come from Theodosia, with its lights out in the glow of dawn. "There is dew on the grass," said Anna Sergeyevna, after a silence. "Yes. It's time to go home." They went back to the town. Then they met every day at twelve o'clock on the sea-front, lunched and dined together, went for walks, admired the sea. She complained that she slept badly, that her heart throbbed violently; asked the same questions, troubled now by jealousy and now by the fear that he did not respect her sufficiently. And often in the square or gardens, when there was no one near them, he suddenly drew her to him and kissed her passionately. Complete idleness, these kisses in broad daylight while he looked round in dread of some one's seeing them, the heat, the smell of the sea, and the continual passing to and fro before him of idle, well-dressed, well-fed people, made a new man of him; he told Anna Sergeyevna how beautiful she was, how fascinating. He was impatiently passionate, he would not move a step away from her, while she was often pensive and continually urged him to confess that he did not respect her, did not love her in the least, and thought of her as nothing but a common woman. Rather late almost every evening they drove somewhere out of town, to Oreanda or to the waterfall; and the expedition was always a success, the scenery invariably impressed them as grand and beautiful. They were expecting her husband to come, but a letter came from him, saying that there was something wrong with his eyes, and he entreated his wife to come home as quickly as possible. Anna Sergeyevna made haste to go. "It's a good thing I am going away," she said to Gurov. "It's the finger of destiny!" She went by coach and he went with her. They were driving the whole day. When she had got into a compartment of the express, and when the second bell had rung, she said: "Let me look at you once more ... look at you once again. That's right." She did not shed tears, but was so sad that she seemed ill, and her face was quivering. "I shall remember you ... think of you," she said. "God be with you; be happy. Don't remember evil against me. We are parting forever--it must be so, for we ought never to have met. Well, God be with you." The train moved off rapidly, its lights soon vanished from sight, and a minute later there was no sound of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory.... He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains. Gurov was Moscow born; he arrived in Moscow on a fine frosty day, and when he put on his fur coat and warm gloves, and walked along Petrovka, and when on Saturday evening he heard the ringing of the bells, his recent trip and the places he had seen lost all charm for him. Little by little he became absorbed in Moscow life, greedily read three newspapers a day, and declared he did not read the Moscow papers on principle! He already felt a longing to go to restaurants, clubs, dinner-parties, anniversary celebrations, and he felt flattered at entertaining distinguished lawyers and artists, and at playing cards with a professor at the doctors' club. He could already eat a whole plateful of salt fish and cabbage. In another month, he fancied, the image of Anna Sergeyevna would be shrouded in a mist in his memory, and only from time to time would visit him in his dreams with a touching smile as others did. But more than a month passed, real winter had come, and everything was still clear in his memory as though he had parted with Anna Sergeyevna only the day before. And his memories glowed more and more vividly. When in the evening stillness he heard from his study the voices of his children, preparing their lessons, or when he listened to a song or the organ at the restaurant, or the storm howled in the chimney, suddenly everything would rise up in his memory: what had happened on the groyne, and the early morning with the mist on the mountains, and the steamer coming from Theodosia, and the kisses. He would pace a long time about his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in dreams, but followed him about everywhere like a shadow and haunted him. When he shut his eyes he saw her as though she were living before him, and she seemed to him lovelier, younger, tenderer than she was; and he imagined himself finer than he had been in Yalta. In the evenings she peeped out at him from the bookcase, from the fireplace, from the corner--he heard her breathing, the caressing rustle of her dress. In the street he watched the women, looking for some one like her. He was tormented by an intense desire to confide his memories to some one. But in his home it was impossible to talk of his love, and he had no one outside; he could not talk to his tenants nor to any one at the bank. And what had he to talk of? Had he been in love, then? Had there been anything beautiful, poetical, or edifying or simply interesting in his relations with Anna Sergeyevna? And there was nothing for him but to talk vaguely of love, of woman, and no one guessed what it meant; only his wife twitched her black eyebrows, and said: "The part of a lady-killer does not suit you at all, Dimitri." One evening, coming out of the doctors' club with an official with whom he had been playing cards, he could not resist saying: "If only you knew what a fascinating woman I made the acquaintance of in Yalta!" The official got into his sledge and was driving away, but turned suddenly and shouted: "Dmitri Dmitritch!" "What?" "You were right this evening: the sturgeon was a bit too strong!" These words, so ordinary, for some reason moved Gurov to indignation, and struck him as degrading and unclean. What savage manners, what people! What senseless nights, what uninteresting, uneventful days! The rage for card-playing, the gluttony, the drunkenness, the continual talk always about the same thing. Useless pursuits and conversations always about the same things absorb the better part of one's time, the better part of one's strength, and in the end there is left a life grovelling and curtailed, worthless and trivial, and there is
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the least, and thought of her as nothing but a common woman. Rather late almost every evening they drove somewhere out of town, to Oreanda or to the waterfall; and the expedition was always a success, the scenery invariably impressed them as grand and beautiful. They were expecting her husband to come, but a letter came from him, saying that there was something wrong with his eyes, and he entreated his wife to come home as quickly as possible. Anna Sergeyevna made haste to go. "It's a good thing I am going away," she said to Gurov. "It's the finger of destiny!" She went by coach and he went with her. They were driving the whole day. When she had got into a compartment of the express, and when the second bell had rung, she said: "Let me look at you once more ... look at you once again. That's right." She did not shed tears, but was so sad that she seemed ill, and her face was quivering. "I shall remember you ... think of you," she said. "God be with you; be happy. Don't remember evil against me. We are parting forever--it must be so, for we ought never to have met. Well, God be with you." The train moved off rapidly, its lights soon vanished from sight, and a minute later there was no sound of it, as though everything had conspired together to end as quickly as possible that sweet delirium, that madness. Left alone on the platform, and gazing into the dark distance, Gurov listened to the chirrup of the grasshoppers and the hum of the telegraph wires, feeling as though he had only just waked up. And he thought, musing, that there had been another episode or adventure in his life, and it, too, was at an end, and nothing was left of it but a memory.... He was moved, sad, and conscious of a slight remorse. This young woman whom he would never meet again had not been happy with him; he was genuinely warm and affectionate with her, but yet in his manner, his tone, and his caresses there had been a shade of light irony, the coarse condescension of a happy man who was, besides, almost twice her age. All the time she had called him kind, exceptional, lofty; obviously he had seemed to her different from what he really was, so he had unintentionally deceived her.... Here at the station was already a scent of autumn; it was a cold evening. "It's time for me to go north,"<|quote|>thought Gurov as he left the platform.</|quote|>"High time!" III At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains. Gurov was Moscow born; he arrived in Moscow on a fine frosty day, and when he put on his fur coat and warm gloves, and walked along Petrovka, and when on Saturday evening he heard the ringing of the bells, his recent trip and the places he had seen lost all charm for him. Little by little he became absorbed in Moscow life, greedily read three newspapers a day, and declared he did not read the Moscow papers on principle! He already felt a longing to go to restaurants, clubs, dinner-parties, anniversary celebrations, and he felt flattered at entertaining distinguished lawyers and artists, and at playing cards with a professor at the doctors' club. He could already eat a whole plateful of salt fish and cabbage. In another month, he fancied, the image of Anna Sergeyevna would be shrouded in a mist in his memory, and only from time to time would visit him in his dreams with a touching smile as others did. But more than a month passed, real winter had come, and everything was still clear in his memory as though he had parted with Anna Sergeyevna only the day before. And his memories glowed more and more vividly. When in the evening stillness he heard from his study the voices of his children, preparing their lessons, or when he listened to a song or the organ at the restaurant, or the storm howled in the chimney, suddenly everything would rise up in his memory: what had happened on the groyne, and the early morning with the mist on the mountains, and the steamer coming from Theodosia, and the kisses. He would pace a long time about his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in dreams, but followed him about everywhere like a shadow and haunted him. When he shut his eyes he saw her as though she were living before him, and she seemed
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The Lady and the Dog and Other Stories (1)
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"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."
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Charles Wilcox
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at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it
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is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind
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unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The
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Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on
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the note. Charles looked at his father for permission, who said abstractedly, "Give it her." She seized it, and at once exclaimed: "Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the
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enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her." She seized it, and at once exclaimed: "Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the tree stems, extraordinarily solid, fell like trenches of purple across the frosted lawn. It was a glorious winter morning. Evie s fox terrier, who had passed for white, was only a dirty grey dog now, so intense was the purity that surrounded him. He was discredited, but the blackbirds that he was chasing glowed with Arabian darkness, for all the conventional colouring of life had been altered. Inside, the clock struck ten with a rich and confident note. Other clocks confirmed it, and the discussion moved towards its close. To follow it is unnecessary. It is rather a moment when the commentator should step forward. Ought the Wilcoxes to have offered their home to Margaret? I think not. The appeal was too flimsy. It was not legal; it had been written in illness, and under the spell of a sudden friendship; it was contrary to the dead woman s intentions in the past, contrary to her very nature, so far as that nature was understood by them. To them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir. And--pushing one step farther in these mists--may
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asked what they wanted. Want was to him the only cause of action. And the question in this case was correct, for his wife replied, "She wants Howards End." "Howards End? Now, Crane, just don t forget to put on the Stepney wheel." "No, sir." "Now, mind you don t forget, for I--Come, little woman." When they were out of the chauffeur s sight he put his arm round her waist and pressed her against him. All his affection and half his attention--it was what he granted her throughout their happy married life. "But you haven t listened, Charles." "What s wrong?" "I keep on telling you--Howards End. Miss Schlegel s got it." "Got what?" said Charles, unclasping her. "What the dickens are you talking about?" "Now, Charles, you promised not to say those naughty--" "Look here, I m in no mood for foolery. It s no morning for it either." "I tell you--I keep on telling you--Miss Schlegel--she s got it--your mother s left it to her--and you ve all got to move out!" "HOWARDS END?" "HOWARDS END!" she screamed, mimicking him, and as she did so Evie came dashing out of the shubbery. "Dolly, go back at once! My father s much annoyed with you. Charles" "--she hit herself wildly--" "come in at once to father. He s had a letter that s too awful." Charles began to run, but checked himself, and stepped heavily across the gravel path. There the house was with the nine windows, the unprolific vine. He exclaimed, "Schlegels again!" and as if to complete chaos, Dolly said, "Oh no, the matron of the nursing home has written instead of her." "Come in, all three of you!" cried his father, no longer inert. "Dolly, why have you disobeyed me?" "Oh, Mr. Wilcox--" "I told you not to go out to the garage. I ve heard you all shouting in the garden. I won t have it. Come in." He stood in the porch, transformed, letters in his hand. "Into the dining-room, every one of you. We can t discuss private matters in the middle of all the servants. Here, Charles, here; read these. See what you make." Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her." She seized it, and at once exclaimed: "Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the tree stems, extraordinarily solid, fell like trenches of purple across the frosted lawn. It was a glorious winter morning. Evie s fox terrier, who had passed for white, was only a dirty grey dog now, so intense was the purity that surrounded him. He was discredited, but the blackbirds that he was chasing glowed with Arabian darkness, for all the conventional colouring of life had been altered. Inside, the clock struck ten with a rich and confident note. Other clocks confirmed it, and the discussion moved towards its close. To follow it is unnecessary. It is rather a moment when the commentator should step forward. Ought the Wilcoxes to have offered their home to Margaret? I think not. The appeal was too flimsy. It was not legal; it had been written in illness, and under the spell of a sudden friendship; it was contrary to the dead woman s intentions in the past, contrary to her very nature, so far as that nature was understood by them. To them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir. And--pushing one step farther in these mists--may they not have decided even better than they supposed? Is it credible that the possessions of the spirit can be bequeathed at all? Has the soul offspring? A wych-elm tree, a vine, a wisp of hay with dew on it--can passion for such things be transmitted where there is no bond of blood? No; the Wilcoxes are not to be blamed. The problem is too terrific, and they could not even perceive a problem. No; it is natural and fitting that after due debate they should tear the note up and throw it on to their dining-room fire. The practical moralist may acquit them absolutely. He who strives to look deeper may acquit them--almost. For one hard fact remains. They did neglect a personal appeal. The woman who had died did say to them, "Do this," and they answered, "We will not." The incident made a most painful impression on them. Grief mounted into the brain and worked there disquietingly. Yesterday they had lamented: "She was a dear mother, a true wife; in our absence she neglected her health and died." To-day they thought: "She was not as true, as dear, as we supposed." The desire for a more inward light had found expression at last, the unseen had impacted on the seen, and all that they could say was "Treachery." Mrs. Wilcox had been treacherous to the family, to the laws of property, to her own written word. How did she expect Howards End to be conveyed to Miss Schlegel? Was her husband, to whom it legally belonged, to make it over to her as a free gift? Was the said Miss Schlegel to have a life interest in it, or to own it absolutely? Was there to be no compensation for the garage and other improvements that they had made under the assumption that all would be theirs some day? Treacherous! treacherous and absurd! When we think the dead both treacherous and absurd, we have gone far towards reconciling ourselves to their departure. That note, scribbled in pencil, sent through the matron, was unbusinesslike as well as cruel, and decreased at once the value of the woman who had written it. "Ah, well!" said Mr. Wilcox, rising from the table. "I shouldn t have thought it possible." "Mother couldn t have meant it," said Evie, still frowning. "No, my girl, of course not." "Mother believed so in ancestors
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Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let s sit down." "Come, Evie, don t waste time, sit--down." In silence they drew up to the breakfast-table. The events of yesterday--indeed, of this morning suddenly receded into a past so remote that they seemed scarcely to have lived in it. Heavy breathings were heard. They were calming themselves. Charles, to steady them further, read the enclosure out loud: "A note in my mother s handwriting, in an envelope addressed to my father, sealed. Inside:" I should like Miss Schlegel (Margaret) to have Howards End. "No date, no signature. Forwarded through the matron of that nursing home. Now, the question is--" Dolly interrupted him. "But I say that note isn t legal. Houses ought to be done by a lawyer, Charles, surely." Her husband worked his jaw severely. Little lumps appeared in front of either ear--a symptom that she had not yet learnt to respect, and she asked whether she might see the note. Charles looked at his father for permission, who said abstractedly, "Give it her." She seized it, and at once exclaimed: "Why, it s only in pencil! I said so. Pencil never counts." "We know that it is not legally binding, Dolly," said Mr. Wilcox, speaking from out of his fortress. "We are aware of that. Legally, I should be justified in tearing it up and throwing it into the fire. Of course, my dear, we consider you as one of the family, but it will be better if you do not interfere with what you do not understand." Charles, vexed both with his father and his wife, then repeated: "The question is--" He had cleared a space of the breakfast-table from plates and knives, so that he could draw patterns on the tablecloth. "The question is whether Miss Schlegel, during the fortnight we were all away, whether she unduly--" He stopped. "I don t think that," said his father, whose nature was nobler than his son s. "Don t think what?" "That she would have--that it is a case of undue influence. No, to my mind the question is the--the invalid s condition at the time she wrote."<|quote|>"My dear father, consult an expert if you like, but I don t admit it is my mother s writing."</|quote|>"Why, you just said it was!" cried Dolly. "Never mind if I did," he blazed out; "and hold your tongue." The poor little wife coloured at this, and, drawing her handkerchief from her pocket, shed a few tears. No one noticed her. Evie was scowling like an angry boy. The two men were gradually assuming the manner of the committee-room. They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. Caligraphy was the item before them now, and on it they turned their well-trained brains. Charles, after a little demur, accepted the writing as genuine, and they passed on to the next point. It is the best--perhaps the only--way of dodging emotion. They were the average human article, and had they considered the note as a whole it would have driven them miserable or mad. Considered item by item, the emotional content was minimised, and all went forward smoothly. The clock ticked, the coals blazed higher, and contended with the white radiance that poured in through the windows. Unnoticed, the sun occupied his sky, and the shadows of the tree stems, extraordinarily solid, fell like trenches of purple across the frosted lawn. It was a glorious winter morning. Evie s fox terrier, who had passed for white, was only a dirty grey dog now, so intense was the purity that surrounded him. He was discredited, but the blackbirds that he was chasing glowed with Arabian darkness, for all the conventional colouring of life had been altered. Inside, the clock struck ten with a rich and confident note. Other clocks confirmed it, and the discussion moved towards its close. To follow it is unnecessary. It is rather a moment when the commentator should step forward. Ought the Wilcoxes to have offered their home to Margaret? I think not. The appeal was too flimsy. It was not legal; it had been written in illness, and under the spell of a sudden friendship; it was contrary to the dead woman s intentions in the past, contrary to her very nature, so far as that nature was understood by them. To them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir. And--pushing one step farther in these mists--may they not have decided even better than they supposed? Is it credible that the possessions of the spirit can be bequeathed at all? Has the soul offspring? A
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Howards End
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"How delightful that will be!"
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Isabella Thorpe
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tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My
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will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy
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no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take
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the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of
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more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could, with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject by a question which had been long uppermost in her thoughts; it was, "Have you ever read Udolpho, Mr. Thorpe?" "Udolpho! Oh, Lord! Not I; I never read novels; I have something else to do." Catherine, humbled and ashamed, was going
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cash." "That was very good-natured of you," said Catherine, quite pleased. "Oh! D it, when one has the means of doing a kind thing by a friend, I hate to be pitiful." An inquiry now took place into the intended movements of the young ladies; and, on finding whither they were going, it was decided that the gentlemen should accompany them to Edgar s Buildings, and pay their respects to Mrs. Thorpe. James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring to ensure a pleasant walk to him who brought the double recommendation of being her brother s friend, and her friend s brother, so pure and uncoquettish were her feelings, that, though they overtook and passed the two offending young men in Milsom Street, she was so far from seeking to attract their notice, that she looked back at them only three times. John Thorpe kept of course with Catherine, and, after a few minutes silence, renewed the conversation about his gig. "You will find, however, Miss Morland, it would be reckoned a cheap thing by some people, for I might have sold it for ten guineas more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could, with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject by a question which had been long uppermost in her thoughts; it was, "Have you ever read Udolpho, Mr. Thorpe?" "Udolpho! Oh, Lord! Not I; I never read novels; I have something else to do." Catherine, humbled and ashamed, was going to apologize for her question, but he prevented her by saying, "Novels are all so full of nonsense and stuff; there has not been a tolerably decent one come out since Tom Jones, except The Monk; I read that t other day; but as for all the others, they are the stupidest things in creation." "I think you must like Udolpho, if you were to read it; it is so very interesting." "Not I, faith! No, if I read any, it shall be Mrs. Radcliffe s; her novels are amusing enough; they are worth reading; some fun and nature in _them_." "Udolpho was written by Mrs. Radcliffe," said Catherine, with some hesitation, from the fear of mortifying him. "No sure; was it? Aye, I remember, so it was; I was thinking of that other stupid book, written by that woman they make such a fuss about, she who married the French emigrant." "I suppose you mean Camilla?" "Yes, that s the book; such unnatural stuff! An old man playing at see-saw, I took up the first volume once and looked it over, but I soon found it would not do; indeed I guessed what sort of stuff it must be
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lost an hour," said Morland; "it was only ten o clock when we came from Tetbury." "Ten o clock! It was eleven, upon my soul! I counted every stroke. This brother of yours would persuade me out of my senses, Miss Morland; do but look at my horse; did you ever see an animal so made for speed in your life?" (The servant had just mounted the carriage and was driving off.) "Such true blood! Three hours and and a half indeed coming only three and twenty miles! Look at that creature, and suppose it possible if you can." "He _does_ look very hot, to be sure." "Hot! He had not turned a hair till we came to Walcot Church; but look at his forehand; look at his loins; only see how he moves; that horse _cannot_ go less than ten miles an hour: tie his legs and he will get on. What do you think of my gig, Miss Morland? A neat one, is not it? Well hung; town-built; I have not had it a month. It was built for a Christchurch man, a friend of mine, a very good sort of fellow; he ran it a few weeks, till, I believe, it was convenient to have done with it. I happened just then to be looking out for some light thing of the kind, though I had pretty well determined on a curricle too; but I chanced to meet him on Magdalen Bridge, as he was driving into Oxford, last term: Ah! Thorpe, said he, do you happen to want such a little thing as this? It is a capital one of the kind, but I am cursed tired of it. Oh! D , said I; I am your man; what do you ask? And how much do you think he did, Miss Morland?" "I am sure I cannot guess at all." "Curricle-hung, you see; seat, trunk, sword-case, splashing-board, lamps, silver moulding, all you see complete; the iron-work as good as new, or better. He asked fifty guineas; I closed with him directly, threw down the money, and the carriage was mine." "And I am sure," said Catherine, "I know so little of such things that I cannot judge whether it was cheap or dear." "Neither one nor t other; I might have got it for less, I dare say; but I hate haggling, and poor Freeman wanted cash." "That was very good-natured of you," said Catherine, quite pleased. "Oh! D it, when one has the means of doing a kind thing by a friend, I hate to be pitiful." An inquiry now took place into the intended movements of the young ladies; and, on finding whither they were going, it was decided that the gentlemen should accompany them to Edgar s Buildings, and pay their respects to Mrs. Thorpe. James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring to ensure a pleasant walk to him who brought the double recommendation of being her brother s friend, and her friend s brother, so pure and uncoquettish were her feelings, that, though they overtook and passed the two offending young men in Milsom Street, she was so far from seeking to attract their notice, that she looked back at them only three times. John Thorpe kept of course with Catherine, and, after a few minutes silence, renewed the conversation about his gig. "You will find, however, Miss Morland, it would be reckoned a cheap thing by some people, for I might have sold it for ten guineas more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could, with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject by a question which had been long uppermost in her thoughts; it was, "Have you ever read Udolpho, Mr. Thorpe?" "Udolpho! Oh, Lord! Not I; I never read novels; I have something else to do." Catherine, humbled and ashamed, was going to apologize for her question, but he prevented her by saying, "Novels are all so full of nonsense and stuff; there has not been a tolerably decent one come out since Tom Jones, except The Monk; I read that t other day; but as for all the others, they are the stupidest things in creation." "I think you must like Udolpho, if you were to read it; it is so very interesting." "Not I, faith! No, if I read any, it shall be Mrs. Radcliffe s; her novels are amusing enough; they are worth reading; some fun and nature in _them_." "Udolpho was written by Mrs. Radcliffe," said Catherine, with some hesitation, from the fear of mortifying him. "No sure; was it? Aye, I remember, so it was; I was thinking of that other stupid book, written by that woman they make such a fuss about, she who married the French emigrant." "I suppose you mean Camilla?" "Yes, that s the book; such unnatural stuff! An old man playing at see-saw, I took up the first volume once and looked it over, but I soon found it would not do; indeed I guessed what sort of stuff it must be before I saw it: as soon as I heard she had married an emigrant, I was sure I should never be able to get through it." "I have never read it." "You had no loss, I assure you; it is the horridest nonsense you can imagine; there is nothing in the world in it but an old man s playing at see-saw and learning Latin; upon my soul there is not." This critique, the justness of which was unfortunately lost on poor Catherine, brought them to the door of Mrs. Thorpe s lodgings, and the feelings of the discerning and unprejudiced reader of Camilla gave way to the feelings of the dutiful and affectionate son, as they met Mrs. Thorpe, who had descried them from above, in the passage. "Ah, Mother! How do you do?" said he, giving her a hearty shake of the hand. "Where did you get that quiz of a hat? It makes you look like an old witch. Here is Morland and I come to stay a few days with you, so you must look out for a couple of good beds somewhere near." And this address seemed to satisfy all the fondest wishes of the mother s heart, for she received him with the most delighted and exulting affection. On his two younger sisters he then bestowed an equal portion of his fraternal tenderness, for he asked each of them how they did, and observed that they both looked very ugly. These manners did not please Catherine; but he was James s friend and Isabella s brother; and her judgment was further bought off by Isabella s assuring her, when they withdrew to see the new hat, that John thought her the most charming girl in the world, and by John s engaging her before they parted to dance with him that evening. Had she been older or vainer, such attacks might have done little; but, where youth and diffidence are united, it requires uncommon steadiness of reason to resist the attraction of being called the most charming girl in the world, and of being so very early engaged as a partner; and the consequence was that, when the two Morlands, after sitting an hour with the Thorpes, set off to walk together to Mr. Allen s, and James, as the door was closed on them, said, "Well, Catherine, how do you like my friend
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thing by a friend, I hate to be pitiful." An inquiry now took place into the intended movements of the young ladies; and, on finding whither they were going, it was decided that the gentlemen should accompany them to Edgar s Buildings, and pay their respects to Mrs. Thorpe. James and Isabella led the way; and so well satisfied was the latter with her lot, so contentedly was she endeavouring to ensure a pleasant walk to him who brought the double recommendation of being her brother s friend, and her friend s brother, so pure and uncoquettish were her feelings, that, though they overtook and passed the two offending young men in Milsom Street, she was so far from seeking to attract their notice, that she looked back at them only three times. John Thorpe kept of course with Catherine, and, after a few minutes silence, renewed the conversation about his gig. "You will find, however, Miss Morland, it would be reckoned a cheap thing by some people, for I might have sold it for ten guineas more the next day; Jackson, of Oriel, bid me sixty at once; Morland was with me at the time." "Yes," said Morland, who overheard this; "but you forget that your horse was included." "My horse! Oh, d it! I would not sell my horse for a hundred. Are you fond of an open carriage, Miss Morland?" "Yes, very; I have hardly ever an opportunity of being in one; but I am particularly fond of it." "I am glad of it; I will drive you out in mine every day." "Thank you," said Catherine, in some distress, from a doubt of the propriety of accepting such an offer. "I will drive you up Lansdown Hill tomorrow." "Thank you; but will not your horse want rest?" "Rest! He has only come three and twenty miles today; all nonsense; nothing ruins horses so much as rest; nothing knocks them up so soon. No, no; I shall exercise mine at the average of four hours every day while I am here." "Shall you indeed!" said Catherine very seriously. "That will be forty miles a day." "Forty! Aye, fifty, for what I care. Well, I will drive you up Lansdown tomorrow; mind, I am engaged."<|quote|>"How delightful that will be!"</|quote|>cried Isabella, turning round. "My dearest Catherine, I quite envy you; but I am afraid, brother, you will not have room for a third." "A third indeed! No, no; I did not come to Bath to drive my sisters about; that would be a good joke, faith! Morland must take care of you." This brought on a dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion s discourse now sunk from its hitherto animated pitch to nothing more than a short decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could, with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject by a question which had been long uppermost in her thoughts; it was, "Have you ever read Udolpho, Mr. Thorpe?" "Udolpho! Oh, Lord! Not I; I never read novels; I have something else to do." Catherine, humbled and ashamed, was going to apologize for her question, but he prevented her by saying, "Novels are all so full of nonsense and stuff; there has not been a tolerably decent one come out since Tom Jones, except The Monk; I read that t other day; but as for all the others, they are the stupidest things in creation." "I think you must like Udolpho, if you were to read it; it is so very interesting." "Not I, faith! No, if I read any, it
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Northanger Abbey
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“It isn’t a Rubens?”
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Grace
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‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a
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he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose
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laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good
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of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before
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it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its
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“Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a
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the character under discussion could after all be summed up without searching analysis. “I consider nevertheless that there’s plenty in him.” It was a moderate claim, to which Lady Grace might assent. “He strikes me as naturally quick and--well, nice. But I agree with you than he hasn’t had a chance.” “Then if you can see your way by sympathy and confidence to help him to one I dare say you’ll find your reward.” For a third time she considered, as if a certain curtness in her companion’s manner rather hindered, in such a question, than helped. Didn’t he simplify too much, you would have felt her ask, and wasn’t his visible wish for brevity of debate a sign of his uncomfortable and indeed rather irritated sense of his not making a figure in it? “Do you desire it very particularly?” was, however, all she at last brought out. “I should like it exceedingly--if you act from conviction. Then of course only; but of one thing I’m myself convinced--of what he thinks of yourself and feels for you.” “Then would you mind my waiting a little?” she asked. “I mean to be absolutely sure of myself.” After which, on his delaying to agree, she added frankly, as to help her case: “Upon my word, father, I should like to do what would please you.” But it determined in him a sharper impatience. “Ah, what would please _me!_ Don’t put it off on ‘me’! Judge absolutely for yourself” --he slightly took himself up-- “in the light of my having consented to do for him what I always _hate_ to do: deviate from my normal practice of never intermeddling. If I’ve deviated now you can judge. But to do so all round, of course, take--in reason!--your time.” “May I ask then,” she said, “for still a little more?” He looked for this, verily, as if it was not in reason. “You know,” he then returned, “what he’ll feel that a sign of.” “Well, I’ll tell him what I mean.” “Then I’ll send him to you.” He glanced at his watch and was going, but after a “Thanks, father,” she had stopped him. “There’s one thing more.” An embarrassment showed in her manner, but at the cost of some effect of earnest abruptness she surmounted it. “What does your American--Mr. Bender--want?” Lord Theign plainly felt the challenge. “‘My’ American? He’s none of mine!” “Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.” “Well, it _was_, to me, half an hour ago,” she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains of others too. She throws herself all on our father.” “And he _has_ to
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in him a sharper impatience. “Ah, what would please _me!_ Don’t put it off on ‘me’! Judge absolutely for yourself” --he slightly took himself up-- “in the light of my having consented to do for him what I always _hate_ to do: deviate from my normal practice of never intermeddling. If I’ve deviated now you can judge. But to do so all round, of course, take--in reason!--your time.” “May I ask then,” she said, “for still a little more?” He looked for this, verily, as if it was not in reason. “You know,” he then returned, “what he’ll feel that a sign of.” “Well, I’ll tell him what I mean.” “Then I’ll send him to you.” He glanced at his watch and was going, but after a “Thanks, father,” she had stopped him. “There’s one thing more.” An embarrassment showed in her manner, but at the cost of some effect of earnest abruptness she surmounted it. “What does your American--Mr. Bender--want?” Lord Theign plainly felt the challenge. “‘My’ American? He’s none of mine!” “Well then Lord John’s.” “He’s none of his either--more, I mean, than any one else’s. He’s every one’s American, literally--to all appearance; and I’ve not to tell _you_, surely, with the freedom of your own visitors, how people stalk in and out here.” “No, father--certainly,” she said. “You’re splendidly generous.” His eyes seemed rather sharply to ask her then how he could improve on that; but he added as if it were enough: “What the man must by this time want more than anything else is his car.” “Not then anything of ours?” she still insisted. “Of ‘ours’?” he echoed with a frown. “Are you afraid he has an eye to something of _yours?_” “Why, if we’ve a new treasure--which we certainly have if we possess a Mantovano--haven’t we all, even I, an immense interest in it?” And before he could answer, “Is _that_ exposed?” she asked. Lord Theign, a little unready, cast about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.”<|quote|>“It isn’t a Rubens?”</|quote|>“No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it
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The Outcry
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"He did, sir,"
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Mr. Bumble
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supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will
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after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman
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your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the
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aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced
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was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: "Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear. "What!" said the master at length, in a faint voice. "Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung." As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no. CHAPTER III. RELATES
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been cast thereon. Boys have generally excellent appetites. Oliver Twist and his companions suffered the tortures of slow starvation for three months: at last they got so voracious and wild with hunger, that one boy, who was tall for his age, and hadn't been used to that sort of thing (for his father had kept a small cook-shop), hinted darkly to his companions, that unless he had another basin of gruel per diem, he was afraid he might some night happen to eat the boy who slept next him, who happened to be a weakly youth of tender age. He had a wild, hungry eye; and they implicitly believed him. A council was held; lots were cast who should walk up to the master after supper that evening, and ask for more; and it fell to Oliver Twist. The evening arrived; the boys took their places. The master, in his cook's uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: "Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear. "What!" said the master at length, in a faint voice. "Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung." As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no. CHAPTER III. RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy of the board. It appears, at first sight not unreasonable to suppose, that, if he had entertained a becoming feeling of respect for the prediction of the gentleman in the white waistcoat, he would have established that sage individual's prophetic character, once and for ever, by tying one end of his pocket-handkerchief to a hook in the wall, and attaching himself to the other. To the performance of this feat, however, there was one obstacle: namely, that pocket-handkerchiefs being decided articles of luxury, had been, for all future times and ages, removed from the noses of paupers by the express order of the board, in council assembled: solemnly given and pronounced under their hands and seals. There was a still greater obstacle in Oliver's youth and childishness. He only cried bitterly all day; and, when the long, dismal night came on, spread his little hands before
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water-works to lay on an unlimited supply of water; and with a corn-factor to supply periodically small quantities of oatmeal; and issued three meals of thin gruel a day, with an onion twice a week, and half a roll of Sundays. They made a great many other wise and humane regulations, having reference to the ladies, which it is not necessary to repeat; kindly undertook to divorce poor married people, in consequence of the great expense of a suit in Doctors' Commons; and, instead of compelling a man to support his family, as they had theretofore done, took his family away from him, and made him a bachelor! There is no saying how many applicants for relief, under these last two heads, might have started up in all classes of society, if it had not been coupled with the workhouse; but the board were long-headed men, and had provided for this difficulty. The relief was inseparable from the workhouse and the gruel; and that frightened people. For the first six months after Oliver Twist was removed, the system was in full operation. It was rather expensive at first, in consequence of the increase in the undertaker's bill, and the necessity of taking in the clothes of all the paupers, which fluttered loosely on their wasted, shrunken forms, after a week or two's gruel. But the number of workhouse inmates got thin as well as the paupers; and the board were in ecstasies. The room in which the boys were fed, was a large stone hall, with a copper at one end: out of which the master, dressed in an apron for the purpose, and assisted by one or two women, ladled the gruel at mealtimes. Of this festive composition each boy had one porringer, and no more except on occasions of great public rejoicing, when he had two ounces and a quarter of bread besides. The bowls never wanted washing. The boys polished them with their spoons till they shone again; and when they had performed this operation (which never took very long, the spoons being nearly as large as the bowls), they would sit staring at the copper, with such eager eyes, as if they could have devoured the very bricks of which it was composed; employing themselves, meanwhile, in sucking their fingers most assiduously, with the view of catching up any stray splashes of gruel that might have been cast thereon. Boys have generally excellent appetites. Oliver Twist and his companions suffered the tortures of slow starvation for three months: at last they got so voracious and wild with hunger, that one boy, who was tall for his age, and hadn't been used to that sort of thing (for his father had kept a small cook-shop), hinted darkly to his companions, that unless he had another basin of gruel per diem, he was afraid he might some night happen to eat the boy who slept next him, who happened to be a weakly youth of tender age. He had a wild, hungry eye; and they implicitly believed him. A council was held; lots were cast who should walk up to the master after supper that evening, and ask for more; and it fell to Oliver Twist. The evening arrived; the boys took their places. The master, in his cook's uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: "Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear. "What!" said the master at length, in a faint voice. "Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung." As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no. CHAPTER III. RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy of the board. It appears, at first sight not unreasonable to suppose, that, if he had entertained a becoming feeling of respect for the prediction of the gentleman in the white waistcoat, he would have established that sage individual's prophetic character, once and for ever, by tying one end of his pocket-handkerchief to a hook in the wall, and attaching himself to the other. To the performance of this feat, however, there was one obstacle: namely, that pocket-handkerchiefs being decided articles of luxury, had been, for all future times and ages, removed from the noses of paupers by the express order of the board, in council assembled: solemnly given and pronounced under their hands and seals. There was a still greater obstacle in Oliver's youth and childishness. He only cried bitterly all day; and, when the long, dismal night came on, spread his little hands before his eyes to shut out the darkness, and crouching in the corner, tried to sleep: ever and anon waking with a start and tremble, and drawing himself closer and closer to the wall, as if to feel even its cold hard surface were a protection in the gloom and loneliness which surrounded him. Let it not be supposed by the enemies of "the system," that, during the period of his solitary incarceration, Oliver was denied the benefit of exercise, the pleasure of society, or the advantages of religious consolation. As for exercise, it was nice cold weather, and he was allowed to perform his ablutions every morning under the pump, in a stone yard, in the presence of Mr. Bumble, who prevented his catching cold, and caused a tingling sensation to pervade his frame, by repeated applications of the cane. As for society, he was carried every other day into the hall where the boys dined, and there sociably flogged as a public warning and example. And so far from being denied the advantages of religious consolation, he was kicked into the same apartment every evening at prayer-time, and there permitted to listen to, and console his mind with, a general supplication of the boys, containing a special clause, therein inserted by authority of the board, in which they entreated to be made good, virtuous, contented, and obedient, and to be guarded from the sins and vices of Oliver Twist: whom the supplication distinctly set forth to be under the exclusive patronage and protection of the powers of wickedness, and an article direct from the manufactory of the very Devil himself. It chanced one morning, while Oliver's affairs were in this auspicious and comfortable state, that Mr. Gamfield, chimney-sweep, went his way down the High Street, deeply cogitating in his mind his ways and means of paying certain arrears of rent, for which his landlord had become rather pressing. Mr. Gamfield's most sanguine estimate of his finances could not raise them within full five pounds of the desired amount; and, in a species of arithmetical desperation, he was alternately cudgelling his brains and his donkey, when passing the workhouse, his eyes encountered the bill on the gate. "Wo o!" said Mr. Gamfield to the donkey. The donkey was in a state of profound abstraction: wondering, probably, whether he was destined to be regaled with a cabbage-stalk or two when he
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took their places. The master, in his cook's uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: "Please, sir, I want some more." The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear. "What!" said the master at length, in a faint voice. "Please, sir," replied Oliver, "I want some more." The master aimed a blow at Oliver's head with the ladle; pinioned him in his arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said, "Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!" There was a general start. Horror was depicted on every countenance. "For _more_!" said Mr. Limbkins. "Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?"<|quote|>"He did, sir,"</|quote|>replied Bumble. "That boy will be hung," said the gentleman in the white waistcoat. "I know that boy will be hung." Nobody controverted the prophetic gentleman's opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish. In other words, five pounds and Oliver Twist were offered to any man or woman who wanted an apprentice to any trade, business, or calling. "I never was more convinced of anything in my life," said the gentleman in the white waistcoat, as he knocked at the gate and read the bill next morning: "I never was more convinced of anything in my life, than I am that that boy will come to be hung." As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no. CHAPTER III. RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy of the board. It appears, at first sight not unreasonable to suppose, that, if he had entertained a becoming feeling of respect for the prediction of the gentleman in the white waistcoat, he would have established that sage individual's prophetic character, once and for ever, by tying one end of his pocket-handkerchief to a hook in the wall, and attaching himself to the other. To the performance of this feat, however, there was one obstacle: namely, that pocket-handkerchiefs being decided articles of luxury, had been, for all future times and ages, removed from the noses of paupers by the express order of the board, in council assembled: solemnly given and pronounced under their hands and seals. There was a still greater obstacle in Oliver's youth and childishness. He only cried bitterly all day; and, when the long, dismal night came on, spread his little hands before his eyes to shut out the darkness, and crouching in the corner, tried to sleep: ever and anon waking with a start and tremble, and drawing himself closer and closer to the wall, as if to feel even its cold hard surface were a protection in the gloom and loneliness which surrounded him. Let it not be supposed by the enemies of "the system," that, during the period of his solitary incarceration, Oliver was denied the benefit of exercise, the pleasure of society, or the advantages of religious consolation. As for exercise, it was nice cold weather, and he was allowed to perform his ablutions every morning under the pump, in a stone yard, in the presence of Mr. Bumble, who prevented his catching cold,
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Oliver Twist
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"Nothing. Here,"
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Pedro Romero
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"Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett
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you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the
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when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very
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was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed.
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a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me."
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to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said
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arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you do." "I will. I'll get you one to-night." I stood up. Romero rose, too. "Sit down," I said. "I must go and find our friends and bring them here." He looked at me. It was a final look to ask if it were understood. It was understood all right. "Sit down," Brett said to him. "You must teach me Spanish." He sat down and looked at her across the table. I went out. The hard-eyed people at the bull-fighter table watched me go. It was not pleasant. When I came back and looked in the caf , twenty minutes later, Brett and Pedro Romero were gone. The coffee-glasses and our three empty cognac-glasses were on the table. A waiter came with a cloth and picked up the glasses and mopped off the table. CHAPTER 17 Outside the Bar Milano I found Bill and Mike and Edna. Edna was the girl's name. "We've been thrown out," Edna said. "By the police," said Mike. "There's some people in there that don't like me." "I've kept them out of four fights," Edna said. "You've got to help me." Bill's face was red. "Come back in, Edna," he said. "Go on in there and dance with Mike." "It's silly," Edna said. "There'll just be another row." "Damned Biarritz swine," Bill said. "Come on," Mike said. "After all, it's a pub. They can't occupy a whole pub." "Good old Mike," Bill said. "Damned English swine come here and insult Mike and try and spoil the fiesta." "They're so bloody," Mike said. "I hate the English." "They can't insult Mike," Bill said. "Mike is a swell fellow. They can't insult Mike. I won't stand it. Who cares if he is a damn bankrupt?" His voice broke. "Who cares?" Mike said. "I don't care. Jake doesn't care. Do _you_ care?" "No," Edna said. "Are you a bankrupt?" "Of course I am. You don't care, do you, Bill?" Bill put his arm around Mike's shoulder. "I wish to hell I was a bankrupt. I'd show those bastards." "They're just English," Mike said. "It never makes any difference what the English say." "The dirty swine," Bill said. "I'm going to clean them out." "Bill," Edna looked at me. "Please don't go in again, Bill. They're so stupid." "That's it," said Mike. "They're stupid. I knew that was what it was." "They can't say things like that about Mike," Bill said. "Do you know them?" I asked Mike. "No. I never saw them. They say they know me." "I won't stand it," Bill said. "Come on. Let's go over to the Suizo," I said. "They're a bunch of Edna's friends from Biarritz," Bill said. "They're simply stupid," Edna said. "One of them's Charley
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Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head.<|quote|>"Nothing. Here,"</|quote|>he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his
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The Sun Also Rises
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On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.
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No speaker
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oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what
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to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried
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his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You
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how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come
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coats hanging on pegs; the draughts blew on them, bringing a smell of stale tobacco. And Gurov, whose heart was beating violently, thought: "Oh, heavens! Why are these people here and this orchestra!..." And at that instant he recalled how when he had seen Anna Sergeyevna off at the station he had thought that everything was over and they would never meet again. But how far they were still from the end! On the narrow, gloomy staircase over which was written "To the Amphitheatre," she stopped. "How you have frightened me!" she said, breathing hard, still pale and overwhelmed. "Oh, how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come to Moscow. But now let us part. My precious, good, dear one, we must part!" She pressed his hand and began rapidly going downstairs, looking round at him, and from her eyes he could see that she really was unhappy. Gurov stood for a little while, listened, then, when all sound had died away, he found his coat and left the theatre. IV And Anna Sergeyevna began coming to see him in Moscow. Once in two or three months she left S----, telling her husband that she was going to consult a doctor about an internal complaint--and her husband believed
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and the small bald patch on his head, something of the flunkey's obsequiousness; his smile was sugary, and in his buttonhole there was some badge of distinction like the number on a waiter. During the first interval the husband went away to smoke; she remained alone in her stall. Gurov, who was sitting in the stalls, too, went up to her and said in a trembling voice, with a forced smile: "Good-evening." She glanced at him and turned pale, then glanced again with horror, unable to believe her eyes, and tightly gripped the fan and the lorgnette in her hands, evidently struggling with herself not to faint. Both were silent. She was sitting, he was standing, frightened by her confusion and not venturing to sit down beside her. The violins and the flute began tuning up. He felt suddenly frightened; it seemed as though all the people in the boxes were looking at them. She got up and went quickly to the door; he followed her, and both walked senselessly along passages, and up and down stairs, and figures in legal, scholastic, and civil service uniforms, all wearing badges, flitted before their eyes. They caught glimpses of ladies, of fur coats hanging on pegs; the draughts blew on them, bringing a smell of stale tobacco. And Gurov, whose heart was beating violently, thought: "Oh, heavens! Why are these people here and this orchestra!..." And at that instant he recalled how when he had seen Anna Sergeyevna off at the station he had thought that everything was over and they would never meet again. But how far they were still from the end! On the narrow, gloomy staircase over which was written "To the Amphitheatre," she stopped. "How you have frightened me!" she said, breathing hard, still pale and overwhelmed. "Oh, how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come to Moscow. But now let us part. My precious, good, dear one, we must part!" She pressed his hand and began rapidly going downstairs, looking round at him, and from her eyes he could see that she really was unhappy. Gurov stood for a little while, listened, then, when all sound had died away, he found his coat and left the theatre. IV And Anna Sergeyevna began coming to see him in Moscow. Once in two or three months she left S----, telling her husband that she was going to consult a doctor about an internal complaint--and her husband believed her, and did not believe her. In Moscow she stayed at the Slaviansky Bazaar hotel, and at once sent a man in a red cap to Gurov. Gurov went to see her, and no one in Moscow knew of it. Once he was going to see her in this way on a winter morning (the messenger had come the evening before when he was out). With him walked his daughter, whom he wanted to take to school: it was on the way. Snow was falling in big wet flakes. "It's three degrees above freezing-point, and yet it is snowing," said Gurov to his daughter. "The thaw is only on the surface of the earth; there is quite a different temperature at a greater height in the atmosphere." "And why are there no thunderstorms in the winter, father?" He explained that, too. He talked, thinking all the while that he was going to see her, and no living soul knew of it, and probably never would know. He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another
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nap. "How stupid and worrying it is!" he thought when he woke and looked at the dark windows: it was already evening. "Here I've had a good sleep for some reason. What shall I do in the night?" He sat on the bed, which was covered by a cheap grey blanket, such as one sees in hospitals, and he taunted himself in his vexation: "So much for the lady with the dog ... so much for the adventure.... You're in a nice fix...." That morning at the station a poster in large letters had caught his eye. "The Geisha" was to be performed for the first time. He thought of this and went to the theatre. "It's quite possible she may go to the first performance," he thought. The theatre was full. As in all provincial theatres, there was a fog above the chandelier, the gallery was noisy and restless; in the front row the local dandies were standing up before the beginning of the performance, with their hands behind them; in the Governor's box the Governor's daughter, wearing a boa, was sitting in the front seat, while the Governor himself lurked modestly behind the curtain with only his hands visible; the orchestra was a long time tuning up; the stage curtain swayed. All the time the audience were coming in and taking their seats Gurov looked at them eagerly. Anna Sergeyevna, too, came in. She sat down in the third row, and when Gurov looked at her his heart contracted, and he understood clearly that for him there was in the whole world no creature so near, so precious, and so important to him; she, this little woman, in no way remarkable, lost in a provincial crowd, with a vulgar lorgnette in her hand, filled his whole life now, was his sorrow and his joy, the one happiness that he now desired for himself, and to the sounds of the inferior orchestra, of the wretched provincial violins, he thought how lovely she was. He thought and dreamed. A young man with small side-whiskers, tall and stooping, came in with Anna Sergeyevna and sat down beside her; he bent his head at every step and seemed to be continually bowing. Most likely this was the husband whom at Yalta, in a rush of bitter feeling, she had called a flunkey. And there really was in his long figure, his side-whiskers, and the small bald patch on his head, something of the flunkey's obsequiousness; his smile was sugary, and in his buttonhole there was some badge of distinction like the number on a waiter. During the first interval the husband went away to smoke; she remained alone in her stall. Gurov, who was sitting in the stalls, too, went up to her and said in a trembling voice, with a forced smile: "Good-evening." She glanced at him and turned pale, then glanced again with horror, unable to believe her eyes, and tightly gripped the fan and the lorgnette in her hands, evidently struggling with herself not to faint. Both were silent. She was sitting, he was standing, frightened by her confusion and not venturing to sit down beside her. The violins and the flute began tuning up. He felt suddenly frightened; it seemed as though all the people in the boxes were looking at them. She got up and went quickly to the door; he followed her, and both walked senselessly along passages, and up and down stairs, and figures in legal, scholastic, and civil service uniforms, all wearing badges, flitted before their eyes. They caught glimpses of ladies, of fur coats hanging on pegs; the draughts blew on them, bringing a smell of stale tobacco. And Gurov, whose heart was beating violently, thought: "Oh, heavens! Why are these people here and this orchestra!..." And at that instant he recalled how when he had seen Anna Sergeyevna off at the station he had thought that everything was over and they would never meet again. But how far they were still from the end! On the narrow, gloomy staircase over which was written "To the Amphitheatre," she stopped. "How you have frightened me!" she said, breathing hard, still pale and overwhelmed. "Oh, how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come to Moscow. But now let us part. My precious, good, dear one, we must part!" She pressed his hand and began rapidly going downstairs, looking round at him, and from her eyes he could see that she really was unhappy. Gurov stood for a little while, listened, then, when all sound had died away, he found his coat and left the theatre. IV And Anna Sergeyevna began coming to see him in Moscow. Once in two or three months she left S----, telling her husband that she was going to consult a doctor about an internal complaint--and her husband believed her, and did not believe her. In Moscow she stayed at the Slaviansky Bazaar hotel, and at once sent a man in a red cap to Gurov. Gurov went to see her, and no one in Moscow knew of it. Once he was going to see her in this way on a winter morning (the messenger had come the evening before when he was out). With him walked his daughter, whom he wanted to take to school: it was on the way. Snow was falling in big wet flakes. "It's three degrees above freezing-point, and yet it is snowing," said Gurov to his daughter. "The thaw is only on the surface of the earth; there is quite a different temperature at a greater height in the atmosphere." "And why are there no thunderstorms in the winter, father?" He explained that, too. He talked, thinking all the while that he was going to see her, and no living soul knew of it, and probably never would know. He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another life running its course in secret. And through some strange, perhaps accidental, conjunction of circumstances, everything that was essential, of interest and of value to him, everything in which he was sincere and did not deceive himself, everything that made the kernel of his life, was hidden from other people; and all that was false in him, the sheath in which he hid himself to conceal the truth--such, for instance, as his work in the bank, his discussions at the club, his "lower race," his presence with his wife at anniversary festivities--all that was open. And he judged of others by himself, not believing in what he saw, and always believing that every man had his real, most interesting life under the cover of secrecy and under the cover of night. All personal life rested on secrecy, and possibly it was partly on that account that civilised man was so nervously anxious that personal privacy should be respected. After leaving his daughter at school, Gurov went on to the Slaviansky Bazaar. He took off his fur coat below, went upstairs, and softly knocked at the door. Anna Sergeyevna, wearing his favourite grey dress, exhausted by the journey and the suspense, had been expecting him since the evening before. She was pale; she looked at him, and did not smile, and he had hardly come in when she fell on his breast. Their kiss was slow and prolonged, as though they had not met for two years. "Well, how are you getting on there?" he asked. "What news?" "Wait; I'll tell you directly.... I can't talk." She could not speak; she was crying. She turned away from him, and pressed her handkerchief to her eyes. "Let her have her cry out. I'll sit down and wait," he thought, and he sat down in an arm-chair. Then he rang and asked for tea to be brought him, and while he drank his tea she remained standing at the window with her back to him. She was crying from emotion, from the miserable consciousness that their life was so hard for them; they could only meet in secret, hiding themselves from people, like thieves! Was not their life shattered? "Come, do stop!" he said. It was evident to him that this love of theirs would not soon be over, that he could not see the end of it. Anna Sergeyevna grew more and
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sounds of the inferior orchestra, of the wretched provincial violins, he thought how lovely she was. He thought and dreamed. A young man with small side-whiskers, tall and stooping, came in with Anna Sergeyevna and sat down beside her; he bent his head at every step and seemed to be continually bowing. Most likely this was the husband whom at Yalta, in a rush of bitter feeling, she had called a flunkey. And there really was in his long figure, his side-whiskers, and the small bald patch on his head, something of the flunkey's obsequiousness; his smile was sugary, and in his buttonhole there was some badge of distinction like the number on a waiter. During the first interval the husband went away to smoke; she remained alone in her stall. Gurov, who was sitting in the stalls, too, went up to her and said in a trembling voice, with a forced smile: "Good-evening." She glanced at him and turned pale, then glanced again with horror, unable to believe her eyes, and tightly gripped the fan and the lorgnette in her hands, evidently struggling with herself not to faint. Both were silent. She was sitting, he was standing, frightened by her confusion and not venturing to sit down beside her. The violins and the flute began tuning up. He felt suddenly frightened; it seemed as though all the people in the boxes were looking at them. She got up and went quickly to the door; he followed her, and both walked senselessly along passages, and up and down stairs, and figures in legal, scholastic, and civil service uniforms, all wearing badges, flitted before their eyes. They caught glimpses of ladies, of fur coats hanging on pegs; the draughts blew on them, bringing a smell of stale tobacco. And Gurov, whose heart was beating violently, thought: "Oh, heavens! Why are these people here and this orchestra!..." And at that instant he recalled how when he had seen Anna Sergeyevna off at the station he had thought that everything was over and they would never meet again. But how far they were still from the end! On the narrow, gloomy staircase over which was written "To the Amphitheatre," she stopped. "How you have frightened me!" she said, breathing hard, still pale and overwhelmed. "Oh, how you have frightened me! I am half dead. Why have you come? Why?" "But do understand, Anna, do understand ..." he said hastily in a low voice. "I entreat you to understand...." She looked at him with dread, with entreaty, with love; she looked at him intently, to keep his features more distinctly in her memory. "I am so unhappy," she went on, not heeding him. "I have thought of nothing but you all the time; I live only in the thought of you. And I wanted to forget, to forget you; but why, oh, why, have you come?"<|quote|>On the landing above them two schoolboys were smoking and looking down, but that was nothing to Gurov; he drew Anna Sergeyevna to him, and began kissing her face, her cheeks, and her hands.</|quote|>"What are you doing, what are you doing!" she cried in horror, pushing him away. "We are mad. Go away to-day; go away at once.... I beseech you by all that is sacred, I implore you.... There are people coming this way!" Some one was coming up the stairs. "You must go away," Anna Sergeyevna went on in a whisper. "Do you hear, Dmitri Dmitritch? I will come and see you in Moscow. I have never been happy; I am miserable now, and I never, never shall be happy, never! Don't make me suffer still more! I swear I'll come to Moscow. But now let us part. My precious, good, dear one, we must part!" She pressed his hand and began rapidly going downstairs, looking round at him, and from her eyes he could see that she really was unhappy. Gurov stood for a little while, listened, then, when all sound had died away, he found his coat and left the theatre. IV And Anna Sergeyevna began coming to see him in Moscow. Once in two or three months she left S----, telling her husband that she was going to consult a doctor about an internal complaint--and her husband believed her, and did not believe her. In Moscow she stayed at the Slaviansky Bazaar hotel, and at once sent a man in a red cap to Gurov. Gurov went to see her, and no one in Moscow knew of it. Once he was going to see her in this way on a winter morning (the messenger had come the evening before when he was out). With him walked his daughter, whom he wanted to take to school: it was on the way. Snow was falling in big wet flakes. "It's three degrees above freezing-point, and yet it is snowing," said Gurov to his daughter. "The thaw is only on the surface of the earth; there is quite a different temperature at a greater height in the atmosphere." "And why are there no thunderstorms in the winter, father?" He explained
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The Lady and the Dog and Other Stories (1)
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“Traviata,”
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No speaker
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would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the
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saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play.
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and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had
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watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena
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now, and she would n’t have a schoolboy spending his money on her. I liked to watch a play with Lena; everything was wonderful to her, and everything was true. It was like going to revival meetings with some one who was always being converted. She handed her feelings over to the actors with a kind of fatalistic resignation. Accessories of costume and scene meant much more to her than to me. She sat entranced through “Robin Hood” and hung upon the lips of the contralto who sang, “Oh, Promise Me!” Toward the end of April, the billboards, which I watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena and I. Our excitement began with the rise of the curtain, when the moody Varville, seated before the fire, interrogated Nanine. Decidedly, there was a new tang about this dialogue. I had never heard in the theater lines that were alive, that presupposed and took for granted, like those which passed between Varville and Marguerite in the brief encounter before her friends entered. This introduced the most brilliant, worldly, the most enchantingly gay scene I had ever looked upon. I had never seen champagne bottles opened on the stage before—indeed, I had never seen them opened anywhere. The memory of
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all laughing—the Danish laundry girls and the three Bohemian Marys. Lena had brought them all back to me. It came over me, as it had never done before, the relation between girls like those and the poetry of Virgil. If there were no girls like them in the world, there would be no poetry. I understood that clearly, for the first time. This revelation seemed to me inestimably precious. I clung to it as if it might suddenly vanish. As I sat down to my book at last, my old dream about Lena coming across the harvest field in her short skirt seemed to me like the memory of an actual experience. It floated before me on the page like a picture, and underneath it stood the mournful line: Optima dies … prima fugit. III IN Lincoln the best part of the theatrical season came late, when the good companies stopped off there for one-night stands, after their long runs in New York and Chicago. That spring Lena went with me to see Joseph Jefferson in “Rip Van Winkle,” and to a war play called “Shenandoah.” She was inflexible about paying for her own seat; said she was in business now, and she would n’t have a schoolboy spending his money on her. I liked to watch a play with Lena; everything was wonderful to her, and everything was true. It was like going to revival meetings with some one who was always being converted. She handed her feelings over to the actors with a kind of fatalistic resignation. Accessories of costume and scene meant much more to her than to me. She sat entranced through “Robin Hood” and hung upon the lips of the contralto who sang, “Oh, Promise Me!” Toward the end of April, the billboards, which I watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena and I. Our excitement began with the rise of the curtain, when the moody Varville, seated before the fire, interrogated Nanine. Decidedly, there was a new tang about this dialogue. I had never heard in the theater lines that were alive, that presupposed and took for granted, like those which passed between Varville and Marguerite in the brief encounter before her friends entered. This introduced the most brilliant, worldly, the most enchantingly gay scene I had ever looked upon. I had never seen champagne bottles opened on the stage before—indeed, I had never seen them opened anywhere. The memory of that supper makes me hungry now; the sight of it then, when I had only a students’ boarding-house dinner behind me, was delicate torment. I seem to remember gilded chairs and tables (arranged hurriedly by footmen in white gloves and stockings), linen of dazzling whiteness, glittering glass, silver dishes, a great bowl of fruit, and the reddest of roses. The room was invaded by beautiful women and dashing young men, laughing and talking together. The men were dressed more or less after the period in which the play was written; the women were not. I saw no inconsistency. Their talk seemed to open to one the brilliant world in which they lived; every sentence made one older and wiser, every pleasantry enlarged one’s horizon. One could experience excess and satiety without the inconvenience of learning what to do with one’s hands in a drawing-room! When the characters all spoke at once and I missed some of the phrases they flashed at each other, I was in misery. I strained my ears and eyes to catch every exclamation. The actress who played Marguerite was even then old-fashioned, though historic. She had been a member of Daly’s famous New York company, and
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there. Don’t you just love a good play, Jim? I can’t stay at home in the evening if there’s one in town. I’d be willing to work like a slave, it seems to me, to live in a place where there are theaters.” “Let’s go to a show together sometime. You are going to let me come to see you, are n’t you?” “Would you like to? I’d be ever so pleased. I’m never busy after six o’clock, and I let my sewing girls go at half-past five. I board, to save time, but sometimes I cook a chop for myself, and I’d be glad to cook one for you. Well,” —she began to put on her white gloves,— “it’s been awful good to see you, Jim.” “You need n’t hurry, need you? You’ve hardly told me anything yet.” “We can talk when you come to see me. I expect you don’t often have lady visitors. The old woman downstairs did n’t want to let me come up very much. I told her I was from your home town, and had promised your grandmother to come and see you. How surprised Mrs. Burden would be!” Lena laughed softly as she rose. When I caught up my hat she shook her head. “No, I don’t want you to go with me. I’m to meet some Swedes at the drug-store. You would n’t care for them. I wanted to see your room so I could write Tony all about it, but I must tell her how I left you right here with your books. She’s always so afraid some one will run off with you!” Lena slipped her silk sleeves into the jacket I held for her, smoothed it over her person, and buttoned it slowly. I walked with her to the door. “Come and see me sometimes when you’re lonesome. But maybe you have all the friends you want. Have you?” She turned her soft cheek to me. “Have you?” she whispered teasingly in my ear. In a moment I watched her fade down the dusky stairway. When I turned back to my room the place seemed much pleasanter than before. Lena had left something warm and friendly in the lamplight. How I loved to hear her laugh again! It was so soft and unexcited and appreciative—gave a favorable interpretation to everything. When I closed my eyes I could hear them all laughing—the Danish laundry girls and the three Bohemian Marys. Lena had brought them all back to me. It came over me, as it had never done before, the relation between girls like those and the poetry of Virgil. If there were no girls like them in the world, there would be no poetry. I understood that clearly, for the first time. This revelation seemed to me inestimably precious. I clung to it as if it might suddenly vanish. As I sat down to my book at last, my old dream about Lena coming across the harvest field in her short skirt seemed to me like the memory of an actual experience. It floated before me on the page like a picture, and underneath it stood the mournful line: Optima dies … prima fugit. III IN Lincoln the best part of the theatrical season came late, when the good companies stopped off there for one-night stands, after their long runs in New York and Chicago. That spring Lena went with me to see Joseph Jefferson in “Rip Van Winkle,” and to a war play called “Shenandoah.” She was inflexible about paying for her own seat; said she was in business now, and she would n’t have a schoolboy spending his money on her. I liked to watch a play with Lena; everything was wonderful to her, and everything was true. It was like going to revival meetings with some one who was always being converted. She handed her feelings over to the actors with a kind of fatalistic resignation. Accessories of costume and scene meant much more to her than to me. She sat entranced through “Robin Hood” and hung upon the lips of the contralto who sang, “Oh, Promise Me!” Toward the end of April, the billboards, which I watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena and I. Our excitement began with the rise of the curtain, when the moody Varville, seated before the fire, interrogated Nanine. Decidedly, there was a new tang about this dialogue. I had never heard in the theater lines that were alive, that presupposed and took for granted, like those which passed between Varville and Marguerite in the brief encounter before her friends entered. This introduced the most brilliant, worldly, the most enchantingly gay scene I had ever looked upon. I had never seen champagne bottles opened on the stage before—indeed, I had never seen them opened anywhere. The memory of that supper makes me hungry now; the sight of it then, when I had only a students’ boarding-house dinner behind me, was delicate torment. I seem to remember gilded chairs and tables (arranged hurriedly by footmen in white gloves and stockings), linen of dazzling whiteness, glittering glass, silver dishes, a great bowl of fruit, and the reddest of roses. The room was invaded by beautiful women and dashing young men, laughing and talking together. The men were dressed more or less after the period in which the play was written; the women were not. I saw no inconsistency. Their talk seemed to open to one the brilliant world in which they lived; every sentence made one older and wiser, every pleasantry enlarged one’s horizon. One could experience excess and satiety without the inconvenience of learning what to do with one’s hands in a drawing-room! When the characters all spoke at once and I missed some of the phrases they flashed at each other, I was in misery. I strained my ears and eyes to catch every exclamation. The actress who played Marguerite was even then old-fashioned, though historic. She had been a member of Daly’s famous New York company, and afterward a “star” under his direction. She was a woman who could not be taught, it is said, though she had a crude natural force which carried with people whose feelings were accessible and whose taste was not squeamish. She was already old, with a ravaged countenance and a physique curiously hard and stiff. She moved with difficulty—I think she was lame—I seem to remember some story about a malady of the spine. Her Armand was disproportionately young and slight, a handsome youth, perplexed in the extreme. But what did it matter? I believed devoutly in her power to fascinate him, in her dazzling loveliness. I believed her young, ardent, reckless, disillusioned, under sentence, feverish, avid of pleasure. I wanted to cross the footlights and help the slim-waisted Armand in the frilled shirt to convince her that there was still loyalty and devotion in the world. Her sudden illness, when the gayety was at its height, her pallor, the handkerchief she crushed against her lips, the cough she smothered under the laughter while Gaston kept playing the piano lightly—it all wrung my heart. But not so much as her cynicism in the long dialogue with her lover which followed. How far was I from questioning her unbelief! While the charmingly sincere young man pleaded with her—accompanied by the orchestra in the old “Traviata” duet, “misterioso, misterioso!” —she maintained her bitter skepticism, and the curtain fell on her dancing recklessly with the others, after Armand had been sent away with his flower. Between the acts we had no time to forget. The orchestra kept sawing away at the “Traviata” music, so joyous and sad, so thin and far-away, so clap-trap and yet so heart-breaking. After the second act I left Lena in tearful contemplation of the ceiling, and went out into the lobby to smoke. As I walked about there I congratulated myself that I had not brought some Lincoln girl who would talk during the waits about the Junior dances, or whether the cadets would camp at Plattsmouth. Lena was at least a woman, and I was a man. Through the scene between Marguerite and the elder Duval, Lena wept unceasingly, and I sat helpless to prevent the closing of that chapter of idyllic love, dreading the return of the young man whose ineffable happiness was only to be the measure of his fall. I suppose no woman could have
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my room the place seemed much pleasanter than before. Lena had left something warm and friendly in the lamplight. How I loved to hear her laugh again! It was so soft and unexcited and appreciative—gave a favorable interpretation to everything. When I closed my eyes I could hear them all laughing—the Danish laundry girls and the three Bohemian Marys. Lena had brought them all back to me. It came over me, as it had never done before, the relation between girls like those and the poetry of Virgil. If there were no girls like them in the world, there would be no poetry. I understood that clearly, for the first time. This revelation seemed to me inestimably precious. I clung to it as if it might suddenly vanish. As I sat down to my book at last, my old dream about Lena coming across the harvest field in her short skirt seemed to me like the memory of an actual experience. It floated before me on the page like a picture, and underneath it stood the mournful line: Optima dies … prima fugit. III IN Lincoln the best part of the theatrical season came late, when the good companies stopped off there for one-night stands, after their long runs in New York and Chicago. That spring Lena went with me to see Joseph Jefferson in “Rip Van Winkle,” and to a war play called “Shenandoah.” She was inflexible about paying for her own seat; said she was in business now, and she would n’t have a schoolboy spending his money on her. I liked to watch a play with Lena; everything was wonderful to her, and everything was true. It was like going to revival meetings with some one who was always being converted. She handed her feelings over to the actors with a kind of fatalistic resignation. Accessories of costume and scene meant much more to her than to me. She sat entranced through “Robin Hood” and hung upon the lips of the contralto who sang, “Oh, Promise Me!” Toward the end of April, the billboards, which I watched anxiously in those days, bloomed out one morning with gleaming white posters on which two names were impressively printed in blue Gothic letters: the name of an actress of whom I had often heard, and the name “Camille.” I called at the Raleigh Block for Lena on Saturday evening, and we walked down to the theater. The weather was warm and sultry and put us both in a holiday humor. We arrived early, because Lena liked to watch the people come in. There was a note on the programme, saying that the “incidental music” would be from the opera<|quote|>“Traviata,”</|quote|>which was made from the same story as the play. We had neither of us read the play, and we did not know what it was about—though I seemed to remember having heard it was a piece in which great actresses shone. “The Count of Monte Cristo,” which I had seen James O’Neill play that winter, was by the only Alexandre Dumas I knew. This play, I saw, was by his son, and I expected a family resemblance. A couple of jack-rabbits, run in off the prairie, could not have been more innocent of what awaited them than were Lena and I. Our excitement began with the rise of the curtain, when the moody Varville, seated before the fire, interrogated Nanine. Decidedly, there was a new tang about this dialogue. I had never heard in the theater lines that were alive, that presupposed and took for granted, like those which passed between Varville and Marguerite in the brief encounter before her friends entered. This introduced the most brilliant, worldly, the most enchantingly gay scene I had ever looked upon. I had never seen champagne bottles opened on the stage before—indeed, I had never seen them opened anywhere. The memory of that supper makes me hungry now; the sight of it then, when I had only a students’ boarding-house dinner behind me, was delicate torment. I seem to remember gilded chairs and tables (arranged hurriedly by footmen in white gloves and stockings), linen of dazzling whiteness, glittering glass, silver dishes, a great bowl of fruit, and the reddest of roses. The room was invaded by beautiful women and dashing young men, laughing and talking together. The men were dressed more or less after the period in which the play was written; the women were not. I saw no inconsistency. Their talk seemed to open to one the brilliant world in which they lived; every sentence made one older and wiser, every pleasantry enlarged one’s horizon. One could experience excess and satiety without the inconvenience of learning what to do with one’s hands in a drawing-room! When the characters all spoke at once and I missed some of the phrases they flashed at each other, I was in misery. I strained my ears and eyes to catch every exclamation. The actress who played Marguerite was even then old-fashioned, though historic. She had been a member of Daly’s famous New York company, and afterward a “star” under his direction. She was a woman who could not be taught, it is said, though she had a crude natural force which carried with people whose feelings were accessible and whose taste was not squeamish. She was already old, with a ravaged countenance and a physique curiously hard and stiff. She moved with difficulty—I think she was lame—I seem to remember some story about a malady of the spine. Her Armand was disproportionately young and slight, a handsome youth, perplexed in the extreme. But what did it matter? I believed devoutly in her power to fascinate him, in her dazzling loveliness. I believed her young, ardent, reckless, disillusioned, under sentence, feverish, avid of pleasure. I wanted
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My Antonia
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"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."
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John Middleton
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"Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not
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a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain
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of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already
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Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the
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appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person. Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of
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relations, and this was enough for Sir John to invite them directly to the park, as soon as their present engagements at Exeter were over. Their engagements at Exeter instantly gave way before such an invitation, and Lady Middleton was thrown into no little alarm on the return of Sir John, by hearing that she was very soon to receive a visit from two girls whom she had never seen in her life, and of whose elegance, whose tolerable gentility even, she could have no proof; for the assurances of her husband and mother on that subject went for nothing at all. Their being her relations too made it so much the worse; and Mrs. Jennings s attempts at consolation were therefore unfortunately founded, when she advised her daughter not to care about their being so fashionable; because they were all cousins and must put up with one another. As it was impossible, however, now to prevent their coming, Lady Middleton resigned herself to the idea of it, with all the philosophy of a well-bred woman, contenting herself with merely giving her husband a gentle reprimand on the subject five or six times every day. The young ladies arrived: their appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person. Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of their time as could be spared from the importunate demands which this politeness made on it, was spent in admiration of whatever her ladyship was doing, if she happened to be doing any thing, or in taking patterns of some elegant new dress, in which her appearance the day before had thrown them into unceasing delight. Fortunately for those who pay their court through such foibles, a fond mother, though, in pursuit of praise for her children, the most rapacious of human beings, is likewise the most credulous; her demands are exorbitant; but she will swallow any thing; and the excessive affection and endurance of the Miss Steeles towards her offspring were viewed therefore by Lady Middleton without the smallest surprise or distrust. She saw with maternal complacency all the impertinent encroachments and mischievous tricks to which her cousins submitted. She saw their sashes untied, their hair pulled about their ears, their work-bags searched, and their knives and scissors stolen away, and felt no doubt of its being a reciprocal enjoyment. It suggested no other surprise than that Elinor and Marianne should sit so composedly by, without claiming a share in what was passing. "John is in such spirits today!"
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own it last night." Mrs. Palmer s information respecting Willoughby was not very material; but any testimony in his favour, however small, was pleasing to her. "I am so glad we are got acquainted at last," continued Charlotte. "And now I hope we shall always be great friends. You can t think how much I longed to see you! It is so delightful that you should live at the cottage! Nothing can be like it, to be sure! And I am so glad your sister is going to be well married! I hope you will be a great deal at Combe Magna. It is a sweet place, by all accounts." "You have been long acquainted with Colonel Brandon, have not you?" "Yes, a great while; ever since my sister married. He was a particular friend of Sir John s. I believe," she added in a low voice, "he would have been very glad to have had me, if he could. Sir John and Lady Middleton wished it very much. But mama did not think the match good enough for me, otherwise Sir John would have mentioned it to the Colonel, and we should have been married immediately." "Did not Colonel Brandon know of Sir John s proposal to your mother before it was made? Had he never owned his affection to yourself?" "Oh, no; but if mama had not objected to it, I dare say he would have liked it of all things. He had not seen me then above twice, for it was before I left school. However, I am much happier as I am. Mr. Palmer is the kind of man I like." CHAPTER XXI. The Palmers returned to Cleveland the next day, and the two families at Barton were again left to entertain each other. But this did not last long; Elinor had hardly got their last visitors out of her head, had hardly done wondering at Charlotte s being so happy without a cause, at Mr. Palmer s acting so simply, with good abilities, and at the strange unsuitableness which often existed between husband and wife, before Sir John s and Mrs. Jennings s active zeal in the cause of society, procured her some other new acquaintance to see and observe. In a morning s excursion to Exeter, they had met with two young ladies, whom Mrs. Jennings had the satisfaction of discovering to be her relations, and this was enough for Sir John to invite them directly to the park, as soon as their present engagements at Exeter were over. Their engagements at Exeter instantly gave way before such an invitation, and Lady Middleton was thrown into no little alarm on the return of Sir John, by hearing that she was very soon to receive a visit from two girls whom she had never seen in her life, and of whose elegance, whose tolerable gentility even, she could have no proof; for the assurances of her husband and mother on that subject went for nothing at all. Their being her relations too made it so much the worse; and Mrs. Jennings s attempts at consolation were therefore unfortunately founded, when she advised her daughter not to care about their being so fashionable; because they were all cousins and must put up with one another. As it was impossible, however, now to prevent their coming, Lady Middleton resigned herself to the idea of it, with all the philosophy of a well-bred woman, contenting herself with merely giving her husband a gentle reprimand on the subject five or six times every day. The young ladies arrived: their appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person. Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of their time as could be spared from the importunate demands which this politeness made on it, was spent in admiration of whatever her ladyship was doing, if she happened to be doing any thing, or in taking patterns of some elegant new dress, in which her appearance the day before had thrown them into unceasing delight. Fortunately for those who pay their court through such foibles, a fond mother, though, in pursuit of praise for her children, the most rapacious of human beings, is likewise the most credulous; her demands are exorbitant; but she will swallow any thing; and the excessive affection and endurance of the Miss Steeles towards her offspring were viewed therefore by Lady Middleton without the smallest surprise or distrust. She saw with maternal complacency all the impertinent encroachments and mischievous tricks to which her cousins submitted. She saw their sashes untied, their hair pulled about their ears, their work-bags searched, and their knives and scissors stolen away, and felt no doubt of its being a reciprocal enjoyment. It suggested no other surprise than that Elinor and Marianne should sit so composedly by, without claiming a share in what was passing. "John is in such spirits today!" said she, on his taking Miss Steeles s pocket handkerchief, and throwing it out of window "He is full of monkey tricks." And soon afterwards, on the second boy s violently pinching one of the same lady s fingers, she fondly observed, "How playful William is!" "And here is my sweet little Annamaria," she added, tenderly caressing a little girl of three years old, who had not made a noise for the last two minutes; "And she is always so gentle and quiet Never was there such a quiet little thing!" But unfortunately in bestowing these embraces, a pin in her ladyship s head dress slightly scratching the child s neck, produced from this pattern of gentleness such violent screams, as could hardly be outdone by any creature professedly noisy. The mother s consternation was excessive; but it could not surpass the alarm of the Miss Steeles, and every thing was done by all three, in so critical an emergency, which affection could suggest as likely to assuage the agonies of the little sufferer. She was seated in her mother s lap, covered with kisses, her wound bathed with lavender-water, by one of the Miss Steeles, who was on her knees to attend her, and her mouth stuffed with sugar plums by the other. With such a reward for her tears, the child was too wise to cease crying. She still screamed and sobbed lustily, kicked her two brothers for offering to touch her, and all their united soothings were ineffectual till Lady Middleton luckily remembering that in a scene of similar distress last week, some apricot marmalade had been successfully applied for a bruised temple, the same remedy was eagerly proposed for this unfortunate scratch, and a slight intermission of screams in the young lady on hearing it, gave them reason to hope that it would not be rejected. She was carried out of the room therefore in her mother s arms, in quest of this medicine, and as the two boys chose to follow, though earnestly entreated by their mother to stay behind, the four young ladies were left in a quietness which the room had not known for many hours. "Poor little creatures!" said Miss Steele, as soon as they were gone. "It might have been a very sad accident." "Yet I hardly know how," cried Marianne, "unless it had been under totally different circumstances. But this
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whom she had never seen in her life, and of whose elegance, whose tolerable gentility even, she could have no proof; for the assurances of her husband and mother on that subject went for nothing at all. Their being her relations too made it so much the worse; and Mrs. Jennings s attempts at consolation were therefore unfortunately founded, when she advised her daughter not to care about their being so fashionable; because they were all cousins and must put up with one another. As it was impossible, however, now to prevent their coming, Lady Middleton resigned herself to the idea of it, with all the philosophy of a well-bred woman, contenting herself with merely giving her husband a gentle reprimand on the subject five or six times every day. The young ladies arrived: their appearance was by no means ungenteel or unfashionable. Their dress was very smart, their manners very civil, they were delighted with the house, and in raptures with the furniture, and they happened to be so doatingly fond of children that Lady Middleton s good opinion was engaged in their favour before they had been an hour at the Park. She declared them to be very agreeable girls indeed, which for her ladyship was enthusiastic admiration. Sir John s confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. Sir John wanted the whole family to walk to the Park directly and look at his guests. Benevolent, philanthropic man! It was painful to him even to keep a third cousin to himself. "Do come now," said he<|quote|>"pray come you must come I declare you shall come You can t think how you will like them. Lucy is monstrous pretty, and so good humoured and agreeable! The children are all hanging about her already, as if she was an old acquaintance. And they both long to see you of all things, for they have heard at Exeter that you are the most beautiful creatures in the world; and I have told them it is all very true, and a great deal more. You will be delighted with them I am sure. They have brought the whole coach full of playthings for the children. How can you be so cross as not to come? Why they are your cousins, you know, after a fashion. _You_ are my cousins, and they are my wife s, so you must be related."</|quote|>But Sir John could not prevail. He could only obtain a promise of their calling at the Park within a day or two, and then left them in amazement at their indifference, to walk home and boast anew of their attractions to the Miss Steeles, as he had been already boasting of the Miss Steeles to them. When their promised visit to the Park and consequent introduction to these young ladies took place, they found in the appearance of the eldest, who was nearly thirty, with a very plain and not a sensible face, nothing to admire; but in the other, who was not more than two or three and twenty, they acknowledged considerable beauty; her features were pretty, and she had a sharp quick eye, and a smartness of air, which though it did not give actual elegance or grace, gave distinction to her person. Their manners were particularly civil, and Elinor soon allowed them credit for some kind of sense, when she saw with what constant and judicious attention they were making themselves agreeable to Lady Middleton. With her children they were in continual raptures, extolling their beauty, courting their notice, and humouring their whims; and such of their time as could be spared from the importunate demands which this politeness made on it, was spent in admiration of whatever her ladyship was doing, if she happened to be doing any thing, or in taking patterns of some elegant new dress, in which her appearance the day before had thrown them into unceasing delight. Fortunately for those who pay their court through such foibles, a fond mother, though, in pursuit of praise for her children, the
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Sense And Sensibility
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Daisy looked desperately from one to the other.
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No speaker
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“He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please
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last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!”
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“Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at
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I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big
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detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr.
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rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved you, do you hear?” he cried. “She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!” At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain—as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions. “Sit down, Daisy,” Tom’s voice groped unsuccessfully for the paternal note. “What’s been going on? I want to hear all about it.” “I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.” Tom turned to Daisy sharply. “You’ve been seeing this fellow for five years?” “Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes” —but there was no laughter
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“Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered. “Louisville in June! Somebody fainted. Who was it fainted, Tom?” “Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved you, do you hear?” he cried. “She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!” At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain—as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions. “Sit down, Daisy,” Tom’s voice groped unsuccessfully for the paternal note. “What’s been going on? I want to hear all about it.” “I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.” Tom turned to Daisy sharply. “You’ve been seeing this fellow for five years?” “Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes” —but there was no laughter in his eyes— “to think that you didn’t know.” “Oh—that’s all.” Tom tapped his thick fingers together like a clergyman and leaned back in his chair. “You’re crazy!” he exploded. “I can’t speak about what happened five years ago, because I didn’t know Daisy then—and I’ll be damned if I see how you got within a mile of her unless you brought the groceries to the back door. But all the rest of that’s a God damned lie. Daisy loved me when she married me and she loves me now.” “No,” said Gatsby, shaking his head. “She does, though. The trouble is that sometimes she gets foolish ideas in her head and doesn’t know what she’s doing.” He nodded sagely. “And what’s more, I love Daisy too. Once in a while I go off on a spree and make a fool of myself, but I always come back, and in my heart I love her all the time.” “You’re revolting,” said Daisy. She turned to me, and her voice, dropping an octave lower, filled the room with thrilling scorn: “Do you know why we left Chicago? I’m surprised that they didn’t treat you to the story of that little spree.” Gatsby walked over and stood beside her. “Daisy, that’s all over now,” he said earnestly. “It doesn’t matter any more. Just tell him the truth—that you never loved him—and it’s all wiped out forever.” She looked at him blindly. “Why—how could I love him—possibly?” “You never loved him.” She hesitated. Her eyes fell on Jordan and me with a sort of appeal, as though she realized at last what she was doing—and as though she had never, all along, intended doing anything at all. But it was done now. It was too late. “I never loved him,” she said, with perceptible reluctance. “Not at Kapiolani?” demanded Tom suddenly. “No.” From the ballroom beneath, muffled and suffocating chords were drifting up on hot waves of air. “Not that day I carried you down from the Punch Bowl to keep your shoes dry?” There was a husky tenderness in his tone … “Daisy?” “Please don’t.” Her voice was cold, but the rancour was gone from it. She looked at Gatsby. “There, Jay,” she said—but her hand as she tried to light a cigarette was trembling. Suddenly she threw the cigarette and the burning match on the carpet. “Oh, you want too much!”
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have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,”<|quote|>Daisy looked desperately from one to the other.</|quote|>“You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved you, do you hear?” he cried. “She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved anyone except me!” At this point Jordan and I tried to go, but Tom and Gatsby insisted with competitive firmness that we remain—as though neither of them had anything to conceal and it would be a privilege to partake vicariously of their emotions. “Sit down, Daisy,” Tom’s voice groped unsuccessfully for the paternal note. “What’s been going on? I want to hear all about it.” “I told you what’s been going on,” said Gatsby. “Going on for five years—and you didn’t know.” Tom turned to Daisy sharply. “You’ve been seeing this fellow for five years?” “Not seeing,” said Gatsby. “No, we couldn’t meet. But both of us loved each other all that time, old sport, and you didn’t know. I used to laugh sometimes” —but there was no laughter in his eyes— “to think that you didn’t know.” “Oh—that’s all.” Tom tapped his thick fingers
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The Great Gatsby
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"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"
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Mr. Mace
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his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot
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by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a
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his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips,
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Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows,
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man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in
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"That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on my shoulder. His physiognomy underwent a complete change. Tears came into his eyes.
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his wife would be poisoned last night, he would certainly have arranged to be away from the house. His excuse was an obviously trumped up one. That leaves us two possibilities: either he knew what was going to happen or he had a reason of his own for his absence." "And that reason?" I asked sceptically. Poirot shrugged his shoulders. "How should I know? Discreditable, without doubt. This Mr. Inglethorp, I should say, is somewhat of a scoundrel but that does not of necessity make him a murderer." I shook my head, unconvinced. "We do not agree, eh?" said Poirot. "Well, let us leave it. Time will show which of us is right. Now let us turn to other aspects of the case. What do you make of the fact that all the doors of the bedroom were bolted on the inside?" "Well" I considered. "One must look at it logically." "True." "I should put it this way. The doors _were_ bolted our own eyes have told us that yet the presence of the candle grease on the floor, and the destruction of the will, prove that during the night someone entered the room. You agree so far?" "Perfectly. Put with admirable clearness. Proceed." "Well," I said, encouraged, "as the person who entered did not do so by the window, nor by miraculous means, it follows that the door must have been opened from inside by Mrs. Inglethorp herself. That strengthens the conviction that the person in question was her husband. She would naturally open the door to her own husband." Poirot shook his head. "Why should she? She had bolted the door leading into his room a most unusual proceeding on her part she had had a most violent quarrel with him that very afternoon. No, he was the last person she would admit." "But you agree with me that the door must have been opened by Mrs. Inglethorp herself?" "There is another possibility. She may have forgotten to bolt the door into the passage when she went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement. He was so tremendously sure of himself. As though he read my thoughts, he nodded gently. "Oh, yes, _mon ami_, I would do what I say." He got up and laid his hand on my shoulder. His physiognomy underwent a complete change. Tears came into his eyes. "In all this, you see, I think of that poor Mrs. Inglethorp who is dead. She was not extravagantly loved no. But she was very good to us Belgians I owe her a debt." I endeavoured to interrupt, but Poirot swept on. "Let me tell you this, Hastings. She would never forgive me if I let Alfred Inglethorp, her husband, be arrested _now_ when a word from me could save him!" CHAPTER VI. THE INQUEST In the interval before the inquest, Poirot was unfailing in his activity. Twice he was closeted with Mr. Wells. He also took long walks into the country. I rather resented his not taking me into his confidence, the more so as I could not in the least guess what he was driving at. It occurred to me that he might have been making inquiries at Raikes's farm; so, finding him out when I called at Leastways Cottage on Wednesday evening, I walked over there by the fields, hoping to meet him. But there was no sign of him, and I hesitated to go right up to the farm itself. As I walked away, I met an aged rustic, who leered at me cunningly. "You'm from the Hall, bain't you?" he asked. "Yes. I'm looking for a friend of mine whom I thought might have walked this way." "A little chap? As waves his hands when he talks? One of them Belgies from the village?" "Yes," I said eagerly. "He has been here, then?" "Oh, ay, he's been here, right enough. More'n once too. Friend of yours, is he? Ah, you gentlemen from the Hall you'm a pretty lot!" And he leered more jocosely than ever. "Why, do the gentlemen from the Hall come here often?" I asked, as carelessly as I could. He winked at me knowingly. "_One_ does, mister. Naming no names, mind. And a very liberal gentleman too! Oh, thank you, sir, I'm sure." I walked on sharply. Evelyn Howard had been right then, and I experienced a sharp twinge of disgust, as I thought of Alfred Inglethorp's liberality with another woman's money. Had that piquant gipsy face been at the bottom of the crime, or was it the baser mainspring of money? Probably a judicious mixture of both. On one point, Poirot seemed to have a curious obsession. He once or twice observed to me that he thought Dorcas must have made
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went to bed, and have got up later, towards morning, and bolted it then." "Poirot, is that seriously your opinion?" "No, I do not say it is so, but it might be. Now, to turn to another feature, what do you make of the scrap of conversation you overheard between Mrs. Cavendish and her mother-in-law?" "I had forgotten that," I said thoughtfully. "That is as enigmatical as ever. It seems incredible that a woman like Mrs. Cavendish, proud and reticent to the last degree, should interfere so violently in what was certainly not her affair." "Precisely. It was an astonishing thing for a woman of her breeding to do." "It is certainly curious," I agreed. "Still, it is unimportant, and need not be taken into account." A groan burst from Poirot. "What have I always told you? Everything must be taken into account. If the fact will not fit the theory let the theory go." "Well, we shall see," I said, nettled. "Yes, we shall see." We had reached Leastways Cottage, and Poirot ushered me upstairs to his own room. He offered me one of the tiny Russian cigarettes he himself occasionally smoked. I was amused to notice that he stowed away the used matches most carefully in a little china pot. My momentary annoyance vanished. Poirot had placed our two chairs in front of the open window which commanded a view of the village street. The fresh air blew in warm and pleasant. It was going to be a hot day. Suddenly my attention was arrested by a weedy looking young man rushing down the street at a great pace. It was the expression on his face that was extraordinary a curious mingling of terror and agitation. "Look, Poirot!" I said. He leant forward. "_Tiens!_" he said. "It is Mr. Mace, from the chemist's shop. He is coming here." The young man came to a halt before Leastways Cottage, and, after hesitating a moment, pounded vigorously at the door. "A little minute," cried Poirot from the window. "I come." Motioning to me to follow him, he ran swiftly down the stairs and opened the door. Mr. Mace began at once. "Oh, Mr. Poirot, I'm sorry for the inconvenience, but I heard that you'd just come back from the Hall?" "Yes, we have." The young man moistened his dry lips. His face was working curiously. "It's all over the village about old Mrs. Inglethorp dying so suddenly. They do say" he lowered his voice cautiously "that it's poison?" Poirot's face remained quite impassive. "Only the doctors can tell us that, Mr. Mace." "Yes, exactly of course" The young man hesitated, and then his agitation was too much for him. He clutched Poirot by the arm, and sank his voice to a whisper:<|quote|>"Just tell me this, Mr. Poirot, it isn't it isn't strychnine, is it?"</|quote|>I hardly heard what Poirot replied. Something evidently of a non-committal nature. The young man departed, and as he closed the door Poirot's eyes met mine. "Yes," he said, nodding gravely. "He will have evidence to give at the inquest." We went slowly upstairs again. I was opening my lips, when Poirot stopped me with a gesture of his hand. "Not now, not now, _mon ami_. I have need of reflection. My mind is in some disorder which is not well." For about ten minutes he sat in dead silence, perfectly still, except for several expressive motions of his eyebrows, and all the time his eyes grew steadily greener. At last he heaved a deep sigh. "It is well. The bad moment has passed. Now all is arranged and classified. One must never permit confusion. The case is not clear yet no. For it is of the most complicated! It puzzles _me_. _Me_, Hercule Poirot! There are two facts of significance." "And what are they?" "The first is the state of the weather yesterday. That is very important." "But it was a glorious day!" I interrupted. "Poirot, you're pulling my leg!" "Not at all. The thermometer registered 80 degrees in the shade. Do not forget that, my friend. It is the key to the whole riddle!" "And the second point?" I asked. "The important fact that Monsieur Inglethorp wears very peculiar clothes, has a black beard, and uses glasses." "Poirot, I cannot believe you are serious." "I am absolutely serious, my friend." "But this is childish!" "No, it is very momentous." "And supposing the Coroner's jury returns a verdict of Wilful Murder against Alfred Inglethorp. What becomes of your theories, then?" "They would not be shaken because twelve stupid men had happened to make a mistake! But that will not occur. For one thing, a country jury is not anxious to take responsibility upon itself, and Mr. Inglethorp stands practically in the position of local squire. Also," he added placidly, "_I_ should not allow it!" "_You_ would not allow it?" "No." I looked at the extraordinary little man, divided between annoyance and amusement.
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The Mysterious Affair At Styles
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The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:
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No speaker
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voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything
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began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things
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as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm
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in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure
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one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the
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feet, they seemed to be almost out of sight, they were getting so far off). "Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!" "I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting
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the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. "Come, there's no use in crying like that!" said Alice to herself, rather sharply; "I advise you to leave off this minute!" She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. "But it's no use now," thought poor Alice, "to pretend to be two people! Why, there's hardly enough of me left to make _one_ respectable person!" Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words "EAT ME" were beautifully marked in currants. "Well, I'll eat it," said Alice, "and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I'll get into the garden, and I don't care which happens!" She ate a little bit, and said anxiously to herself, "Which way? Which way?" ", holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way. So she set to work, and very soon finished off the cake. * * * * * * * * * * * * * * * * * * * * CHAPTER II. The Pool of Tears "Curiouser and curiouser!" cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); "now I'm opening out like the largest telescope that ever was! Good-bye, feet!" (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). "Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!" "I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether. "That _was_ a narrow escape!" said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet
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myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--"<|quote|>The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking:</|quote|>"Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden
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Alices Adventures In Wonderland
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"Sleep now,"
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Margaret
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passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of
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seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into
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a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and
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"Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear
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long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out,
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She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists." "We shall be that everywhere, and for ever." "But affectionate tourists." "But tourists who pretend each hotel is their home." "I can t pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out, "Brute--you brute, I couldn t have--" and be rent into two people who held dialogues. Or brown rain would descend, blotting out faces and the sky. Even Jacky noticed the change in him. Most terrible were his sufferings when he awoke from sleep. Sometimes he was happy at first, but grew conscious of a burden hanging to him and weighing down his thoughts when they would move. Or little irons scorched his body. Or a sword stabbed him. He would sit at the edge of his bed, holding his heart and moaning, "Oh what SHALL I do, whatever SHALL I do?" Nothing brought ease. He could put distance between him and the trespass, but it grew in his soul. Remorse is not among the eternal verities. The Greeks were right to dethrone her. Her action is too capricious, as though the Erinyes selected for punishment only certain men and certain sins. And of all means to regeneration Remorse is surely the most wasteful. It cuts away healthy tissues with the poisoned. It is a knife that probes far deeper than the evil. Leonard was driven straight through its torments and emerged pure, but enfeebled--a better man, who would never lose
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time--and Mrs. Bast was upstairs. I had not seen her, and had talked for a long time to Leonard--I had snubbed him for no reason, and that should have warned me I was in danger. So when the notes came I wanted us to go to you for an explanation. He said that he guessed the explanation--he knew of it, and you mustn t know. I pressed him to tell me. He said no one must know; it was something to do with his wife. Right up to the end we were Mr. Bast and Miss Schlegel. I was going to tell him that he must be frank with me when I saw his eyes, and guessed that Mr. Wilcox had ruined him in two ways, not one. I drew him to me. I made him tell me. I felt very lonely myself. He is not to blame. He would have gone on worshipping me. I want never to see him again, though it sounds appalling. I wanted to give him money and feel finished. Oh, Meg, the little that is known about these things!" She laid her face against the tree. "The little, too, that is known about growth! Both times it was loneliness, and the night, and panic afterwards. Did Leonard grow out of Paul?" Margaret did not speak for a moment. So tired was she that her attention had actually wandered to the teeth--the teeth that had been thrust into the tree s bark to medicate it. From where she sat she could see them gleam. She had been trying to count them. "Leonard is a better growth than madness," she said. "I was afraid that you would react against Paul until you went over the verge." "I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because in death--I agree." "Not quite. I feel that you and I and Henry are only fragments of that woman s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists." "We shall be that everywhere, and for ever." "But affectionate tourists." "But tourists who pretend each hotel is their home." "I can t pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out, "Brute--you brute, I couldn t have--" and be rent into two people who held dialogues. Or brown rain would descend, blotting out faces and the sky. Even Jacky noticed the change in him. Most terrible were his sufferings when he awoke from sleep. Sometimes he was happy at first, but grew conscious of a burden hanging to him and weighing down his thoughts when they would move. Or little irons scorched his body. Or a sword stabbed him. He would sit at the edge of his bed, holding his heart and moaning, "Oh what SHALL I do, whatever SHALL I do?" Nothing brought ease. He could put distance between him and the trespass, but it grew in his soul. Remorse is not among the eternal verities. The Greeks were right to dethrone her. Her action is too capricious, as though the Erinyes selected for punishment only certain men and certain sins. And of all means to regeneration Remorse is surely the most wasteful. It cuts away healthy tissues with the poisoned. It is a knife that probes far deeper than the evil. Leonard was driven straight through its torments and emerged pure, but enfeebled--a better man, who would never lose control of himself again, but also a smaller man, who had less to control. Nor did purity mean peace. The use of the knife can become a habit as hard to shake off as passion itself, and Leonard continued to start with a cry out of dreams. He built up a situation that was far enough from the truth. It never occurred to him that Helen was to blame. He forgot the intensity of their talk, the charm that had been lent him by sincerity, the magic of Oniton under darkness and of the whispering river. Helen loved the absolute. Leonard had been ruined absolutely, and had appeared to her as a man apart, isolated from the world. A real man, who cared for adventure and beauty, who desired to live decently and pay his way, who could have travelled more gloriously through life than the juggernaut car that was crushing him. Memories of Evie s wedding had warped her, the starched servants, the yards of uneaten food, the rustle of overdressed women, motor-cars oozing grease on the gravel, a pretentious band. She had tasted the lees of this on her arrival; in the darkness, after failure, they intoxicated her. She and the victim seemed alone in a world of unreality, and she loved him absolutely, perhaps for half an hour. In the morning she was gone. The note that she left, tender and hysterical in tone, and intended to be most kind, hurt her lover terribly. It was as if some work of art had been broken by him, some picture in the National Gallery slashed out of its frame. When he recalled her talents and her social position, he felt that the first passer-by had a right to shoot him down. He was afraid of the waitress and the porters at the railway-station. He was afraid at first of his wife, though later he was to regard her with a strange new tenderness, and to think, "There is nothing to choose between us, after all." The expedition to Shropshire crippled the Basts permanently. Helen in her flight forgot to settle the hotel bill, and took their return tickets away with her; they had to pawn Jacky s bangles to get home, and the smash came a few days afterwards. It is true that Helen offered him five thousand pounds, but such a sum meant nothing to him. He
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"I did react until I found poor Leonard. I am steady now. I shan t ever like your Henry, dearest Meg, or even speak kindly about him, but all that blinding hate is over. I shall never rave against Wilcoxes any more. I understand how you married him, and you will now be very happy." Margaret did not reply. "Yes," repeated Helen, her voice growing more tender, "I do at last understand." "Except Mrs. Wilcox, dearest, no one understands our little movements." "Because in death--I agree." "Not quite. I feel that you and I and Henry are only fragments of that woman s mind. She knows everything. She is everything. She is the house, and the tree that leans over it. People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness. I cannot believe that knowledge such as hers will perish with knowledge such as mine. She knew about realities. She knew when people were in love, though she was not in the room. I don t doubt that she knew when Henry deceived her." "Good-night, Mrs. Wilcox," called a voice. "Oh, good-night, Miss Avery." "Why should Miss Avery work for us?" Helen murmured. "Why, indeed?" Miss Avery crossed the lawn and merged into the hedge that divided it from the farm. An old gap, which Mr. Wilcox had filled up, had reappeared, and her track through the dew followed the path that he had turfed over, when he improved the garden and made it possible for games. "This is not quite our house yet," said Helen. "When Miss Avery called, I felt we are only a couple of tourists." "We shall be that everywhere, and for ever." "But affectionate tourists." "But tourists who pretend each hotel is their home." "I can t pretend very long," said Helen. "Sitting under this tree one forgets, but I know that to-morrow I shall see the moon rise out of Germany. Not all your goodness can alter the facts of the case. Unless you will come with me." Margaret thought for a moment. In the past year she had grown so fond of England that to leave it was a real grief. Yet what detained her? No doubt Henry would pardon her outburst, and go on blustering and muddling into a ripe old age. But what was the good? She had just as soon vanish from his mind. "Are you serious in asking me, Helen? Should I get on with your Monica?" "You would not, but I am serious in asking you." "Still, no more plans now. And no more reminiscences." They were silent for a little. It was Helen s evening. The present flowed by them like a stream. The tree rustled. It had made music before they were born, and would continue after their deaths, but its song was of the moment. The moment had passed. The tree rustled again. Their senses were sharpened, and they seemed to apprehend life. Life passed. The tree rustled again.<|quote|>"Sleep now,"</|quote|>said Margaret. The peace of the country was entering into her. It has no commerce with memory, and little with hope. Least of all is it concerned with the hopes of the next five minutes. It is the peace of the present, which passes understanding. Its murmur came "now," and "now" once more as they trod the gravel, and "now," as the moonlight fell upon their father s sword. They passed upstairs, kissed, and amidst the endless iterations fell asleep. The house had enshadowed the tree at first, but as the moon rose higher the two disentangled, and were clear for a few moments at midnight. Margaret awoke and looked into the garden. How incomprehensible that Leonard Bast should have won her this night of peace! Was he also part of Mrs. Wilcox s mind? CHAPTER XLI Far different was Leonard s development. The months after Oniton, whatever minor troubles they might bring him, were all overshadowed by Remorse. When Helen looked back she could philosophise, or she could look into the future and plan for her child. But the father saw nothing beyond his own sin. Weeks afterwards, in the midst of other occupations, he would suddenly cry out,
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Howards End
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cried Mrs. Jennings,
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No speaker
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assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should
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out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed
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been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her
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a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would
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Elinor s heart wrung for the feelings of Edward, while braving his mother s threats, for a woman who could not reward him. "Well, sir," said Mrs. Jennings, "and how did it end?" "I am sorry to say, ma am, in a most unhappy rupture: Edward is dismissed for ever from his mother s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for _we_ of course can make no inquiry." "Poor young man! and what is to become of him?" "What, indeed, ma am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody s power to assist him. And there is one thing more preparing against him, which must be worse than all his mother has determined, with a very natural kind of spirit, to settle _that_ estate upon Robert immediately, which might have been Edward s, on proper conditions. I left her this morning with her lawyer, talking over the business." "Well!" said Mrs. Jennings, "that is _her_ revenge. Everybody has a way of their own. But I don t think mine would be, to make one son
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not a better kind of girl in the world, nor one who more deserves a good husband." John Dashwood was greatly astonished; but his nature was calm, not open to provocation, and he never wished to offend anybody, especially anybody of good fortune. He therefore replied, without any resentment, "I would by no means speak disrespectfully of any relation of yours, madam. Miss Lucy Steele is, I dare say, a very deserving young woman, but in the present case you know, the connection must be impossible. And to have entered into a secret engagement with a young man under her uncle s care, the son of a woman especially of such very large fortune as Mrs. Ferrars, is perhaps, altogether a little extraordinary. In short, I do not mean to reflect upon the behaviour of any person whom you have a regard for, Mrs. Jennings. We all wish her extremely happy; and Mrs. Ferrars s conduct throughout the whole, has been such as every conscientious, good mother, in like circumstances, would adopt. It has been dignified and liberal. Edward has drawn his own lot, and I fear it will be a bad one." Marianne sighed out her similar apprehension; and Elinor s heart wrung for the feelings of Edward, while braving his mother s threats, for a woman who could not reward him. "Well, sir," said Mrs. Jennings, "and how did it end?" "I am sorry to say, ma am, in a most unhappy rupture: Edward is dismissed for ever from his mother s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for _we_ of course can make no inquiry." "Poor young man! and what is to become of him?" "What, indeed, ma am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody s power to assist him. And there is one thing more preparing against him, which must be worse than all his mother has determined, with a very natural kind of spirit, to settle _that_ estate upon Robert immediately, which might have been Edward s, on proper conditions. I left her this morning with her lawyer, talking over the business." "Well!" said Mrs. Jennings, "that is _her_ revenge. Everybody has a way of their own. But I don t think mine would be, to make one son independent, because another had plagued me." Marianne got up and walked about the room. "Can anything be more galling to the spirit of a man," continued John, "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely." A few minutes more spent in the same kind of effusion, concluded his visit; and with repeated assurances to his sisters that he really believed there was no material danger in Fanny s indisposition, and that they need not therefore be very uneasy about it, he went away; leaving the three ladies unanimous in their sentiments on the present occasion, as far at least as it regarded Mrs. Ferrars s conduct, the Dashwoods , and Edward s. Marianne s indignation burst forth as soon as he quitted the room; and as her vehemence made reserve impossible in Elinor, and unnecessary in Mrs. Jennings, they all joined in a very spirited critique upon the party. CHAPTER XXXVIII. Mrs. Jennings was very warm in her praise of Edward s conduct, but only Elinor and Marianne understood its true merit. _They_ only knew how little he had had to tempt him to
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never have entered her head! If she suspected _any_ prepossession elsewhere, it could not be in _that_ quarter." _There_, to be sure, "said she," I might have thought myself safe. "She was quite in an agony. We consulted together, however, as to what should be done, and at last she determined to send for Edward. He came. But I am sorry to relate what ensued. All that Mrs. Ferrars could say to make him put an end to the engagement, assisted too as you may well suppose by my arguments, and Fanny s entreaties, was of no avail. Duty, affection, every thing was disregarded. I never thought Edward so stubborn, so unfeeling before. His mother explained to him her liberal designs, in case of his marrying Miss Morton; told him she would settle on him the Norfolk estate, which, clear of land-tax, brings in a good thousand a-year; offered even, when matters grew desperate, to make it twelve hundred; and in opposition to this, if he still persisted in this low connection, represented to him the certain penury that must attend the match. His own two thousand pounds she protested should be his all; she would never see him again; and so far would she be from affording him the smallest assistance, that if he were to enter into any profession with a view of better support, she would do all in her power to prevent him advancing in it."" Here Marianne, in an ecstasy of indignation, clapped her hands together, and cried, "Gracious God! can this be possible!" "Well may you wonder, Marianne," replied her brother, "at the obstinacy which could resist such arguments as these. Your exclamation is very natural." Marianne was going to retort, but she remembered her promises, and forbore. "All this, however," he continued, "was urged in vain. Edward said very little; but what he did say, was in the most determined manner. Nothing should prevail on him to give up his engagement. He would stand to it, cost him what it might." "Then," cried Mrs. Jennings with blunt sincerity, no longer able to be silent, "he has acted like an honest man! I beg your pardon, Mr. Dashwood, but if he had done otherwise, I should have thought him a rascal. I have some little concern in the business, as well as yourself, for Lucy Steele is my cousin, and I believe there is not a better kind of girl in the world, nor one who more deserves a good husband." John Dashwood was greatly astonished; but his nature was calm, not open to provocation, and he never wished to offend anybody, especially anybody of good fortune. He therefore replied, without any resentment, "I would by no means speak disrespectfully of any relation of yours, madam. Miss Lucy Steele is, I dare say, a very deserving young woman, but in the present case you know, the connection must be impossible. And to have entered into a secret engagement with a young man under her uncle s care, the son of a woman especially of such very large fortune as Mrs. Ferrars, is perhaps, altogether a little extraordinary. In short, I do not mean to reflect upon the behaviour of any person whom you have a regard for, Mrs. Jennings. We all wish her extremely happy; and Mrs. Ferrars s conduct throughout the whole, has been such as every conscientious, good mother, in like circumstances, would adopt. It has been dignified and liberal. Edward has drawn his own lot, and I fear it will be a bad one." Marianne sighed out her similar apprehension; and Elinor s heart wrung for the feelings of Edward, while braving his mother s threats, for a woman who could not reward him. "Well, sir," said Mrs. Jennings, "and how did it end?" "I am sorry to say, ma am, in a most unhappy rupture: Edward is dismissed for ever from his mother s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for _we_ of course can make no inquiry." "Poor young man! and what is to become of him?" "What, indeed, ma am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody s power to assist him. And there is one thing more preparing against him, which must be worse than all his mother has determined, with a very natural kind of spirit, to settle _that_ estate upon Robert immediately, which might have been Edward s, on proper conditions. I left her this morning with her lawyer, talking over the business." "Well!" said Mrs. Jennings, "that is _her_ revenge. Everybody has a way of their own. But I don t think mine would be, to make one son independent, because another had plagued me." Marianne got up and walked about the room. "Can anything be more galling to the spirit of a man," continued John, "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely." A few minutes more spent in the same kind of effusion, concluded his visit; and with repeated assurances to his sisters that he really believed there was no material danger in Fanny s indisposition, and that they need not therefore be very uneasy about it, he went away; leaving the three ladies unanimous in their sentiments on the present occasion, as far at least as it regarded Mrs. Ferrars s conduct, the Dashwoods , and Edward s. Marianne s indignation burst forth as soon as he quitted the room; and as her vehemence made reserve impossible in Elinor, and unnecessary in Mrs. Jennings, they all joined in a very spirited critique upon the party. CHAPTER XXXVIII. Mrs. Jennings was very warm in her praise of Edward s conduct, but only Elinor and Marianne understood its true merit. _They_ only knew how little he had had to tempt him to be disobedient, and how small was the consolation, beyond the consciousness of doing right, that could remain to him in the loss of friends and fortune. Elinor gloried in his integrity; and Marianne forgave all his offences in compassion for his punishment. But though confidence between them was, by this public discovery, restored to its proper state, it was not a subject on which either of them were fond of dwelling when alone. Elinor avoided it upon principle, as tending to fix still more upon her thoughts, by the too warm, too positive assurances of Marianne, that belief of Edward s continued affection for herself which she rather wished to do away; and Marianne s courage soon failed her, in trying to converse upon a topic which always left her more dissatisfied with herself than ever, by the comparison it necessarily produced between Elinor s conduct and her own. She felt all the force of that comparison; but not as her sister had hoped, to urge her to exertion now; she felt it with all the pain of continual self-reproach, regretted most bitterly that she had never exerted herself before; but it brought only the torture of penitence, without the hope of amendment. Her mind was so much weakened that she still fancied present exertion impossible, and therefore it only dispirited her more. Nothing new was heard by them, for a day or two afterwards, of affairs in Harley Street, or Bartlett s Buildings. But though so much of the matter was known to them already, that Mrs. Jennings might have had enough to do in spreading that knowledge farther, without seeking after more, she had resolved from the first to pay a visit of comfort and inquiry to her cousins as soon as she could; and nothing but the hindrance of more visitors than usual, had prevented her going to them within that time. The third day succeeding their knowledge of the particulars, was so fine, so beautiful a Sunday as to draw many to Kensington Gardens, though it was only the second week in March. Mrs. Jennings and Elinor were of the number; but Marianne, who knew that the Willoughbys were again in town, and had a constant dread of meeting them, chose rather to stay at home, than venture into so public a place. An intimate acquaintance of Mrs. Jennings joined them soon after they entered the
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wished to offend anybody, especially anybody of good fortune. He therefore replied, without any resentment, "I would by no means speak disrespectfully of any relation of yours, madam. Miss Lucy Steele is, I dare say, a very deserving young woman, but in the present case you know, the connection must be impossible. And to have entered into a secret engagement with a young man under her uncle s care, the son of a woman especially of such very large fortune as Mrs. Ferrars, is perhaps, altogether a little extraordinary. In short, I do not mean to reflect upon the behaviour of any person whom you have a regard for, Mrs. Jennings. We all wish her extremely happy; and Mrs. Ferrars s conduct throughout the whole, has been such as every conscientious, good mother, in like circumstances, would adopt. It has been dignified and liberal. Edward has drawn his own lot, and I fear it will be a bad one." Marianne sighed out her similar apprehension; and Elinor s heart wrung for the feelings of Edward, while braving his mother s threats, for a woman who could not reward him. "Well, sir," said Mrs. Jennings, "and how did it end?" "I am sorry to say, ma am, in a most unhappy rupture: Edward is dismissed for ever from his mother s notice. He left her house yesterday, but where he is gone, or whether he is still in town, I do not know; for _we_ of course can make no inquiry." "Poor young man! and what is to become of him?" "What, indeed, ma am! It is a melancholy consideration. Born to the prospect of such affluence! I cannot conceive a situation more deplorable. The interest of two thousand pounds how can a man live on it? and when to that is added the recollection, that he might, but for his own folly, within three months have been in the receipt of two thousand, five hundred a-year (for Miss Morton has thirty thousand pounds,) I cannot picture to myself a more wretched condition. We must all feel for him; and the more so, because it is totally out of our power to assist him." "Poor young man!"<|quote|>cried Mrs. Jennings,</|quote|>"I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns." Elinor s heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it. "If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody s power to assist him. And there is one thing more preparing against him, which must be worse than all his mother has determined, with a very natural kind of spirit, to settle _that_ estate upon Robert immediately, which might have been Edward s, on proper conditions. I left her this morning with her lawyer, talking over the business." "Well!" said Mrs. Jennings, "that is _her_ revenge. Everybody has a way of their own. But I don t think mine would be, to make one son independent, because another had plagued me." Marianne got up and walked about the room. "Can anything be more galling to the spirit of a man," continued John, "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely." A few minutes more spent in the same kind of effusion, concluded his visit; and with repeated assurances to
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Sense And Sensibility
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"I'm going to bed."
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Matthew Cuthbert
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and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And
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course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had
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"I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up
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her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then
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exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight.
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Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were
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a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne's beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It's time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn't it wonderful?" she said, waving her hand comprehensively at the good world outside. "It's a big tree," said Marilla, "and it blooms great, but the fruit don't amount to much never--small and wormy." "Oh, I don't mean just the tree; of course it's lovely--yes, it's _radiantly_ lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don't you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They're always laughing. Even in winter-time I've heard them under the ice. I'm so glad there's a brook near Green Gables. Perhaps you think it doesn't make any difference to me when you're not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn't a brook I'd be _haunted_ by the uncomfortable feeling that there ought to be one. I'm not in the depths of despair this morning. I never can be in the morning. Isn't it a splendid thing that there are mornings? But I feel very sad. I've just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You'd better
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down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away.<|quote|>"I'm going to bed."</|quote|>To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its
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Anne Of Green Gables
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put in Mr. Wilcox slyly.
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No speaker
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"He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was
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t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you
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YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading
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of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his
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office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A
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wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the
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"Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind." "Yes, indeed," nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a bastion to the world. "Miss Schlegel, you re a pair of dear creatures, but you really MUST be careful in this uncharitable world. What does your brother say?" "I forget." "Surely he has some opinion?" "He laughs, if I remember correctly." "He s very clever, isn t he?" said Evie, who had met and detested Tibby at Oxford. "Yes, pretty well--but I wonder what Helen s doing." "She is very young to undertake this sort of thing," said Mr. Wilcox. Margaret went out to the landing. She heard no sound, and Mr. Bast s topper was missing from the hall. "Helen!" she called. "Yes!" replied a voice from the library. "You in there?" "Yes--he s gone some time." Margaret went to her. "Why, you re all alone," she said. "Yes--it s all right, Meg. Poor, poor creature--" "Come back to the Wilcoxes and tell me later--Mr. W much concerned, and slightly titillated." "Oh, I ve no patience with him. I hate him. Poor dear Mr. Bast! he wanted to talk literature, and we would talk business. Such a muddle of a man, and yet so worth pulling through. I like him extraordinarily." "Well done," said Margaret, kissing her, "but come into the drawing-room now, and don t talk about him to the Wilcoxes. Make light of the whole thing." Helen came and behaved with a cheerfulness that reassured their visitor--this hen at all events was fancy-free. "He s gone with my blessing," she cried, "and now for puppies." As they drove away, Mr. Wilcox said to his daughter: "I am really concerned at the way those girls go on. They are as clever as you make em, but unpractical--God bless me! One of these days they ll go too far. Girls like that oughtn t to live alone in London. Until they marry, they ought to have some one to look after them. We must look in more often--we re better than no one. You like them, don t you, Evie?" Evie replied: "Helen s right enough, but I can t stand the toothy one. And I shouldn t have called either of them girls." Evie had grown up handsome. Dark-eyed, with the glow of youth under sunburn, built firmly and firm-lipped, she was the best the Wilcoxes could do in the way of feminine beauty. For the present, puppies and her father were the only things she loved, but the net of matrimony was being prepared for her, and a few days later she was attracted to a Mr. Percy Cahill, an uncle of Mrs. Charles s, and he was attracted to her. CHAPTER XVII The Age of Property holds bitter moments even for a proprietor. When a move is imminent, furniture becomes ridiculous, and Margaret now lay awake at nights wondering where, where on earth they and all their belongings would be deposited in September next. Chairs, tables, pictures, books, that had rumbled down to them through the generations, must rumble forward again like a slide of
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that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them,"<|quote|>put in Mr. Wilcox slyly.</|quote|>"Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and prospects, but not about a thing of that sort." He shook his head. "Miss Schlegel, excuse me, but I know the type." "I said before--he isn t a type. He cares about adventures rightly. He s certain that our smug existence isn t all. He s vulgar and hysterical and bookish, but don t think that sums him up. There s manhood in him as well. Yes, that s what I m trying to say. He s a real man." As she spoke their eyes met, and it was as if Mr. Wilcox s defences fell. She saw back to the real man in him. Unwittingly she had touched his emotions. A woman and two men--they had formed the magic triangle of sex, and the male was thrilled to jealousy, in case the female was attracted by another male. Love, say the ascetics, reveals our shameful kinship with the beasts. Be it so: one can bear that; jealousy is the real shame. It is jealousy, not love, that connects us with the farmyard intolerably, and calls up visions of two angry cocks and a complacent hen. Margaret crushed complacency down because she was civilised. Mr. Wilcox, uncivilised, continued to feel anger long after he had rebuilt his defences, and was again presenting a
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Howards End
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Clatter, clatter, clatter!
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No speaker
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mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier
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you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children?
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in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was
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Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the
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mont e_, with a temper which invited violence and a will which no ax could break. "Whenever you say the word I'm ready to thrash any amount of reason into him that he's able to hold." "If your father had only lived!" Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life. "What do you hear from Montel?" Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf. It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the
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He took a book from his pocket and began energetically to read it, judging by the precision and frequency with which he turned the leaves. The sewing-machine made a resounding clatter in the room; it was of a ponderous, by-gone make. In the lulls, Robert and his mother exchanged bits of desultory conversation. "Where is Mrs. Pontellier?" "Down at the beach with the children." "I promised to lend her the Goncourt. Don't forget to take it down when you go; it's there on the bookshelf over the small table." Clatter, clatter, clatter, bang! for the next five or eight minutes. "Where is Victor going with the rockaway?" "The rockaway? Victor?" "Yes; down there in front. He seems to be getting ready to drive away somewhere." "Call him." Clatter, clatter! Robert uttered a shrill, piercing whistle which might have been heard back at the wharf. "He won't look up." Madame Lebrun flew to the window. She called "Victor!" She waved a handkerchief and called again. The young fellow below got into the vehicle and started the horse off at a gallop. Madame Lebrun went back to the machine, crimson with annoyance. Victor was the younger son and brother a _t te mont e_, with a temper which invited violence and a will which no ax could break. "Whenever you say the word I'm ready to thrash any amount of reason into him that he's able to hold." "If your father had only lived!" Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life. "What do you hear from Montel?" Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf. It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the hall, and the chairs ranged about in rows and in clusters. Each little family group had had its say and exchanged its domestic gossip earlier in the evening. There was now an apparent disposition to relax; to widen the circle of confidences and give a more general tone to the conversation. Many of the children had been permitted to sit up beyond their usual bedtime. A small band of them were lying on their stomachs on the floor looking at the colored sheets of the comic papers which Mr. Pontellier had brought down. The little Pontellier boys were permitting them to do so, and making their authority felt. Music, dancing, and a recitation or two were the entertainments furnished, or rather, offered. But there was nothing systematic about the programme, no appearance of prearrangement nor even premeditation. At an early hour in the evening the Farival twins were prevailed upon to play the piano. They were girls of fourteen, always clad in the Virgin's colors, blue and white, having been dedicated to the Blessed Virgin at their baptism. They played a duet from "Zampa," and at the earnest solicitation of every one present followed it with the overture to "The
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impatience he called it rudeness with which he had received her well-meant caution. "You made one mistake, Ad le," he said, with a light smile; "there is no earthly possibility of Mrs. Pontellier ever taking me seriously. You should have warned me against taking myself seriously. Your advice might then have carried some weight and given me subject for some reflection. _Au revoir_. But you look tired," he added, solicitously. "Would you like a cup of bouillon? Shall I stir you a toddy? Let me mix you a toddy with a drop of Angostura." She acceded to the suggestion of bouillon, which was grateful and acceptable. He went himself to the kitchen, which was a building apart from the cottages and lying to the rear of the house. And he himself brought her the golden-brown bouillon, in a dainty S vres cup, with a flaky cracker or two on the saucer. She thrust a bare, white arm from the curtain which shielded her open door, and received the cup from his hands. She told him he was a _bon gar on_, and she meant it. Robert thanked her and turned away toward "the house." The lovers were just entering the grounds of the _pension_. They were leaning toward each other as the water-oaks bent from the sea. There was not a particle of earth beneath their feet. Their heads might have been turned upside-down, so absolutely did they tread upon blue ether. The lady in black, creeping behind them, looked a trifle paler and more jaded than usual. There was no sign of Mrs. Pontellier and the children. Robert scanned the distance for any such apparition. They would doubtless remain away till the dinner hour. The young man ascended to his mother's room. It was situated at the top of the house, made up of odd angles and a queer, sloping ceiling. Two broad dormer windows looked out toward the Gulf, and as far across it as a man's eye might reach. The furnishings of the room were light, cool, and practical. Madame Lebrun was busily engaged at the sewing-machine. A little black girl sat on the floor, and with her hands worked the treadle of the machine. The Creole woman does not take any chances which may be avoided of imperiling her health. Robert went over and seated himself on the broad sill of one of the dormer windows. He took a book from his pocket and began energetically to read it, judging by the precision and frequency with which he turned the leaves. The sewing-machine made a resounding clatter in the room; it was of a ponderous, by-gone make. In the lulls, Robert and his mother exchanged bits of desultory conversation. "Where is Mrs. Pontellier?" "Down at the beach with the children." "I promised to lend her the Goncourt. Don't forget to take it down when you go; it's there on the bookshelf over the small table." Clatter, clatter, clatter, bang! for the next five or eight minutes. "Where is Victor going with the rockaway?" "The rockaway? Victor?" "Yes; down there in front. He seems to be getting ready to drive away somewhere." "Call him." Clatter, clatter! Robert uttered a shrill, piercing whistle which might have been heard back at the wharf. "He won't look up." Madame Lebrun flew to the window. She called "Victor!" She waved a handkerchief and called again. The young fellow below got into the vehicle and started the horse off at a gallop. Madame Lebrun went back to the machine, crimson with annoyance. Victor was the younger son and brother a _t te mont e_, with a temper which invited violence and a will which no ax could break. "Whenever you say the word I'm ready to thrash any amount of reason into him that he's able to hold." "If your father had only lived!" Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life. "What do you hear from Montel?" Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf. It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the hall, and the chairs ranged about in rows and in clusters. Each little family group had had its say and exchanged its domestic gossip earlier in the evening. There was now an apparent disposition to relax; to widen the circle of confidences and give a more general tone to the conversation. Many of the children had been permitted to sit up beyond their usual bedtime. A small band of them were lying on their stomachs on the floor looking at the colored sheets of the comic papers which Mr. Pontellier had brought down. The little Pontellier boys were permitting them to do so, and making their authority felt. Music, dancing, and a recitation or two were the entertainments furnished, or rather, offered. But there was nothing systematic about the programme, no appearance of prearrangement nor even premeditation. At an early hour in the evening the Farival twins were prevailed upon to play the piano. They were girls of fourteen, always clad in the Virgin's colors, blue and white, having been dedicated to the Blessed Virgin at their baptism. They played a duet from "Zampa," and at the earnest solicitation of every one present followed it with the overture to "The Poet and the Peasant." "_Allez vous-en! Sapristi!_" shrieked the parrot outside the door. He was the only being present who possessed sufficient candor to admit that he was not listening to these gracious performances for the first time that summer. Old Monsieur Farival, grandfather of the twins, grew indignant over the interruption, and insisted upon having the bird removed and consigned to regions of darkness. Victor Lebrun objected; and his decrees were as immutable as those of Fate. The parrot fortunately offered no further interruption to the entertainment, the whole venom of his nature apparently having been cherished up and hurled against the twins in that one impetuous outburst. Later a young brother and sister gave recitations, which every one present had heard many times at winter evening entertainments in the city. A little girl performed a skirt dance in the center of the floor. The mother played her accompaniments and at the same time watched her daughter with greedy admiration and nervous apprehension. She need have had no apprehension. The child was mistress of the situation. She had been properly dressed for the occasion in black tulle and black silk tights. Her little neck and arms were bare, and her hair, artificially crimped, stood out like fluffy black plumes over her head. Her poses were full of grace, and her little black-shod toes twinkled as they shot out and upward with a rapidity and suddenness which were bewildering. But there was no reason why every one should not dance. Madame Ratignolle could not, so it was she who gaily consented to play for the others. She played very well, keeping excellent waltz time and infusing an expression into the strains which was indeed inspiring. She was keeping up her music on account of the children, she said; because she and her husband both considered it a means of brightening the home and making it attractive. Almost every one danced but the twins, who could not be induced to separate during the brief period when one or the other should be whirling around the room in the arms of a man. They might have danced together, but they did not think of it. The children were sent to bed. Some went submissively; others with shrieks and protests as they were dragged away. They had been permitted to sit up till after the ice-cream, which naturally marked the limit of human
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light, cool, and practical. Madame Lebrun was busily engaged at the sewing-machine. A little black girl sat on the floor, and with her hands worked the treadle of the machine. The Creole woman does not take any chances which may be avoided of imperiling her health. Robert went over and seated himself on the broad sill of one of the dormer windows. He took a book from his pocket and began energetically to read it, judging by the precision and frequency with which he turned the leaves. The sewing-machine made a resounding clatter in the room; it was of a ponderous, by-gone make. In the lulls, Robert and his mother exchanged bits of desultory conversation. "Where is Mrs. Pontellier?" "Down at the beach with the children." "I promised to lend her the Goncourt. Don't forget to take it down when you go; it's there on the bookshelf over the small table." Clatter, clatter, clatter, bang! for the next five or eight minutes. "Where is Victor going with the rockaway?" "The rockaway? Victor?" "Yes; down there in front. He seems to be getting ready to drive away somewhere." "Call him." Clatter, clatter! Robert uttered a shrill, piercing whistle which might have been heard back at the wharf. "He won't look up." Madame Lebrun flew to the window. She called "Victor!" She waved a handkerchief and called again. The young fellow below got into the vehicle and started the horse off at a gallop. Madame Lebrun went back to the machine, crimson with annoyance. Victor was the younger son and brother a _t te mont e_, with a temper which invited violence and a will which no ax could break. "Whenever you say the word I'm ready to thrash any amount of reason into him that he's able to hold." "If your father had only lived!" Clatter, clatter, clatter, clatter, bang! It was a fixed belief with Madame Lebrun that the conduct of the universe and all things pertaining thereto would have been manifestly of a more intelligent and higher order had not Monsieur Lebrun been removed to other spheres during the early years of their married life. "What do you hear from Montel?" Montel was a middle-aged gentleman whose vain ambition and desire for the past twenty years had been to fill the void which Monsieur Lebrun's taking off had left in the Lebrun household. Clatter, clatter, bang, clatter! "I have a letter somewhere," looking in the machine drawer and finding the letter in the bottom of the workbasket. "He says to tell you he will be in Vera Cruz the beginning of next month," clatter, clatter! "and if you still have the intention of joining him" bang! clatter, clatter, bang! "Why didn't you tell me so before, mother? You know I wanted"<|quote|>Clatter, clatter, clatter!</|quote|>"Do you see Mrs. Pontellier starting back with the children? She will be in late to luncheon again. She never starts to get ready for luncheon till the last minute." Clatter, clatter! "Where are you going?" "Where did you say the Goncourt was?" IX Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf. It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the hall, and the chairs ranged about in rows and in clusters. Each little family group had had its say and exchanged its domestic gossip earlier in the evening. There was now an apparent disposition to relax; to widen the circle of confidences and give a more general tone to the conversation. Many of the children had been permitted to sit up beyond their usual bedtime. A small band of them were lying on their stomachs on the floor looking at the colored sheets of the comic papers which Mr. Pontellier had brought down. The little Pontellier boys were permitting them to do so, and making their authority felt. Music, dancing, and a recitation or two were the entertainments furnished, or rather, offered. But there was nothing systematic about the programme, no appearance of prearrangement nor even premeditation. At an early hour in the evening the Farival twins were prevailed upon to play the piano. They
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The Awakening
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Woolsey said.
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No speaker
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Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well,
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are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day
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know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some
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and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece
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over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant
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their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work. I got on an S bus and rode down to the Madeleine, standing on the back platform. From the Madeleine I walked along the Boulevard des Capucines to the Op ra, and up to my office. I passed the man with the jumping frogs and the man with the boxer toys. I stepped aside to avoid walking into the thread with which his girl assistant manipulated the boxers. She was standing looking away, the thread in her folded hands. The man was urging two tourists to buy. Three more tourists had stopped and were watching. I walked on behind a man who was pushing a roller that printed the name CINZANO on the sidewalk in damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and
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look like that," she said. "Told him I was in love with you. True, too. Don't look like that. He was damn nice about it. Wants to drive us out to dinner to-morrow night. Like to go?" "Why not?" "I'd better go now." "Why?" "Just wanted to see you. Damned silly idea. Want to get dressed and come down? He's got the car just up the street." "The count?" "Himself. And a chauffeur in livery. Going to drive me around and have breakfast in the Bois. Hampers. Got it all at Zelli's. Dozen bottles of Mumms. Tempt you?" "I have to work in the morning," I said. "I'm too far behind you now to catch up and be any fun." "Don't be an ass." "Can't do it." "Right. Send him a tender message?" "Anything. Absolutely." "Good night, darling." "Don't be sentimental." "You make me ill." We kissed good night and Brett shivered. "I'd better go," she said. "Good night, darling." "You don't have to go." "Yes." We kissed again on the stairs and as I called for the cordon the concierge muttered something behind her door. I went back up-stairs and from the open window watched Brett walking up the street to the big limousine drawn up to the curb under the arc-light. She got in and it started off. I turned around. On the table was an empty glass and a glass half-full of brandy and soda. I took them both out to the kitchen and poured the half-full glass down the sink. I turned off the gas in the dining-room, kicked off my slippers sitting on the bed, and got into bed. This was Brett, that I had felt like crying about. Then I thought of her walking up the street and stepping into the car, as I had last seen her, and of course in a little while I felt like hell again. It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing. CHAPTER 5 In the morning I walked down the Boulevard to the rue Soufflot for coffee and brioche. It was a fine morning. The horse-chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early-morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The flower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work. I got on an S bus and rode down to the Madeleine, standing on the back platform. From the Madeleine I walked along the Boulevard des Capucines to the Op ra, and up to my office. I passed the man with the jumping frogs and the man with the boxer toys. I stepped aside to avoid walking into the thread with which his girl assistant manipulated the boxers. She was standing looking away, the thread in her folded hands. The man was urging two tourists to buy. Three more tourists had stopped and were watching. I walked on behind a man who was pushing a roller that printed the name CINZANO on the sidewalk in damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said. "You're really about the best friend I have, Jake." God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the
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damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off,"<|quote|>Woolsey said.</|quote|>"Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring. "What do you know about Lady Brett Ashley, Jake?" "Her name's Lady Ashley. Brett's her own name. She's
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The Sun Also Rises
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Lucy at once re-entered daily life.
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No speaker
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for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing!
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will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the
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he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it.
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her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said
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the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was
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desire. Mr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish, under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was "Miss Honeychurch. Piano. Beethoven," and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss
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wonderful church." She joined her cousin. Chapter III: Music, Violets, and the Letter "S" It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave. The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions. Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never. She was no dazzling executante; her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer's evening with the window open. Passion was there, but it could not be easily labelled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what--that is more than the words of daily life can tell us. But that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph. A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case. Like every true performer, she was intoxicated by the mere feel of the notes: they were fingers caressing her own; and by touch, not by sound alone, did she come to her desire. Mr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish, under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was "Miss Honeychurch. Piano. Beethoven," and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when the whole world was singing and the air ran into the mouth, like wine, she would refuse to stir from the drawing-room, saying that she was an old thing, and no fit companion for a hearty girl. "Miss Lavish has led your cousin astray. She hopes to find the true Italy in the wet I believe." "Miss Lavish is so original," murmured Lucy. This was a stock remark, the supreme achievement of the Pension Bertolini in the way of definition. Miss Lavish was so original. Mr. Beebe had his doubts, but they would have been put down to clerical narrowness. For that, and for other reasons, he held his peace. "Is it true," continued Lucy in awe-struck tone, "that Miss Lavish is writing a book?" "They do say so." "What is it about?" "It will be a novel," replied Mr. Beebe, "dealing with modern Italy. Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than any one I know." "I wish Miss Lavish would tell me herself. We started such friends. But I don't think she ought to have run away with Baedeker that morning in Santa Croce. Charlotte was most annoyed at finding me practically alone, and so I couldn't help being a little annoyed with Miss Lavish." "The two ladies, at all events, have made it up." He was interested in the sudden friendship between women so apparently dissimilar as Miss Bartlett and Miss Lavish. They were always in each other's company, with Lucy a slighted third. Miss Lavish he believed he understood, but Miss Bartlett might reveal unknown depths of strangeness, though not perhaps, of meaning. Was Italy deflecting her from the path of prim chaperon, which he had assigned to her at Tunbridge Wells? All his life he had loved to study maiden ladies; they were his specialty, and his profession had provided him with ample opportunities for the work. Girls like Lucy were charming to look at, but Mr. Beebe was, from rather profound reasons, somewhat chilly in his attitude towards the other sex, and preferred to be interested rather than enthralled. Lucy, for the third time, said that poor Charlotte would be sopped. The Arno was rising in flood, washing away the traces of the little carts upon the foreshore. But in the south-west there had appeared a dull haze of yellow, which might mean better weather if it did not mean worse. She opened the window to inspect, and a cold blast entered the room, drawing a plaintive cry from Miss Catharine Alan, who entered at the same moment by the door. "Oh, dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here besides. Who would suppose this is Italy? There is my sister actually nursing the hot-water can; no comforts or proper provisions." She sidled towards them and sat down, self-conscious as she always was on entering a room which contained one man, or a man and one woman. "I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. And one person catches it from another." Lucy answered suitably. Mr. Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in upon him in his bath, exclaiming cheerfully, "Fa niente, sono
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going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr. Beebe who started the stamping; it was all that one could do. "Who is she?" he asked the vicar afterwards. "Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs." "Introduce me." "She will be delighted. She and Miss Bartlett are full of the praises of your sermon." "My sermon?" cried Mr. Beebe. "Why ever did she listen to it?" When he was introduced he understood why, for Miss Honeychurch, disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him: "If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her."<|quote|>Lucy at once re-entered daily life.</|quote|>"Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet." "Doesn't Mrs. Honeychurch like music?" "She doesn't mind it. But she doesn't like one to get excited over anything; she thinks I am silly about it. She thinks--I can't make out. Once, you know, I said that I liked my own playing better than any one's. She has never got over it. Of course, I didn't mean that I played well; I only meant--" "Of course," said he, wondering why she bothered to explain. "Music--" said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty grey, and the hills were dirty purple. Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit the Torre del Gallo. "What about music?" said Mr. Beebe. "Poor Charlotte will be sopped," was Lucy's reply. The expedition was typical of Miss Bartlett, who would return cold, tired, hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a tickling cough in her throat. On another day, when
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A Room With A View
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"More than likely, sir,"
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First Lieutenant
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Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The
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such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his
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and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run
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could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his
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sea appeared to grow more dense. At last there was a hail about a hundred yards away, and the officer in the first boat answered the captain's eager inquiry. "No, sir; no luck. Not a sign of any one. I'm afraid--" "They have got ashore and escaped?" "No, sir," said the lieutenant, gravely; "I don't think a man could swim ashore in this darkness and escape." "Why, the distance is very short!" "Yes, sir; but there are obstacles in the way." "Obstacles?" "Well, sir, I've seen some tremendous sharks about in the clear water; and I don't think any one could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his warrant officer reached the deck to report himself. "No, sir," said the boatswain, sadly; "but I heard a sound, and one of my men heard it too." "A sound? What sound?" "Like a faint cry of distress, sir." "Yes; and what did you make of that?" The boatswain was silent a moment. "The harbour here swarms with sharks, sir, and the cry sounded to me like that of a man being drawn under water." "No, no; no, no; not so bad as that," said the captain, rather excitedly. "They've got to shore, and we will have them back to-morrow. The
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"I wish I had thought of this before. Now go." Mr Bosun Jones was in command of this boat, and he gave orders to his men, the oars splashed, and away they went into the darkness, their lights growing fainter and fainter, till they seemed to be mere specks in the distance; but they did not die out, and as those left on deck watched the progress, they saw the lanthorns of the last boat become stationary, and knew that the men had reached the shore, while the lanthorns of the second cutter were faintly visible, moving slowly far away to the south. The captain rubbed his hands with satisfaction, and kept walking to the gangway and using his night-glass without any greater result than that of seeing a couple of faint specks of light, when he got the boats' lanthorns into the field. Then he listened in the hope of hearing shouts, which would suggest the capture of the fugitives; but half an hour--an hour--glided by, and all was still. The buzz and cries which had arisen from the collection of huts had ceased, and the lights shown there had been extinguished, while the darkness which hung over the sea appeared to grow more dense. At last there was a hail about a hundred yards away, and the officer in the first boat answered the captain's eager inquiry. "No, sir; no luck. Not a sign of any one. I'm afraid--" "They have got ashore and escaped?" "No, sir," said the lieutenant, gravely; "I don't think a man could swim ashore in this darkness and escape." "Why, the distance is very short!" "Yes, sir; but there are obstacles in the way." "Obstacles?" "Well, sir, I've seen some tremendous sharks about in the clear water; and I don't think any one could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his warrant officer reached the deck to report himself. "No, sir," said the boatswain, sadly; "but I heard a sound, and one of my men heard it too." "A sound? What sound?" "Like a faint cry of distress, sir." "Yes; and what did you make of that?" The boatswain was silent a moment. "The harbour here swarms with sharks, sir, and the cry sounded to me like that of a man being drawn under water." "No, no; no, no; not so bad as that," said the captain, rather excitedly. "They've got to shore, and we will have them back to-morrow. The people will give them up either by threats or bribes." "I hope so, sir," said the boatswain, coldly. And, then, as he went below, "Poor lad! I'd have given a year of my life rather than it should have happened. This pressing is like a curse to the service." By this time the officer in the last boat had reported himself, the crews were dismissed, the watch set, and all was silence and darkness again. About dawn the captain, after an uneasy night, came on deck, glass in hand, to search the shore, and try to make out some sign of the fugitives; but just as he had focussed his glass, he caught sight of some one doing the very same thing, and going softly to the bows he found that the officer busy with the glass was Bosun Jones, who rose and saluted his superior. "See anything, Mr Jones?" the captain said. "No, sir; only the regular number of canoes drawn up on the beach." "Have you thought any more about what you said you heard last night?" "Yes, sir, a great deal." "But you don't think the poor lad met such a fate as you hinted at?" "Yes,
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that?" cried the captain. "A cry for help!" "No, sir." "What was it, then?" "Beg pardon, sir; but I think it was one on 'em a-larfin'." The captain gave the speaker--one of the warrant officers--a furious look. "Now, then, is that boat going to be all night?" he shouted. "All ready, sir. Lower away." The boat kissed the sea with a faint splash; she was thrust off; and as the oars dropped and the men gave way the cutter went rapidly through the water, at a rate which would have soon made the fugitives prisoners but for the fact that boat and swimmers were taking different directions, and the distance between them increased at every stroke. "They've taken no lanthorn!" cried the captain. "Surely no one's orders were ever worse obeyed." "Shall I call them back, sir?" said the second lieutenant. "No, no; let them find it out for themselves. Here, marines, ten of you load. Quick, my lads, clear the way from up here." "Make ready, take good aim at the scoundrels--present--fire!" This time the whole of the pieces went off with a loud rattle, which brought lights out in the New Zealand village, and a buzz of excitement came from the men. "More lanthorns there!" cried the captain. "See them?" he cried, to the officer in the boat. "Not yet, sir." "Take a sweep round to the southward. They're more there." "Ay, ay, sir!" came faintly out of the darkness; and the dull rattle of the oars reached those on deck. "I'll have those two back, dead or alive!" cried the captain, stamping about in his rage. "Pipe down the second cutter." His orders were obeyed, and in a short time, with a lanthorn in bow and stern, the second boat touched the water, and rowed off, the officer in command receiving instructions to bear off more still to the southward, and finally sweep round so as to meet the first boat. Directly this was started a happy thought seemed to strike the captain, who had a third boat lowered, with instructions to row right ashore, land the men, and divide them in two parties, which would strike off to right and left, stationing a man at every fifty yards; and these were to patrol the beach to and fro, keeping watch and a sharp look out for the fugitives. "That will checkmate them, Mr Jones," he said. "I wish I had thought of this before. Now go." Mr Bosun Jones was in command of this boat, and he gave orders to his men, the oars splashed, and away they went into the darkness, their lights growing fainter and fainter, till they seemed to be mere specks in the distance; but they did not die out, and as those left on deck watched the progress, they saw the lanthorns of the last boat become stationary, and knew that the men had reached the shore, while the lanthorns of the second cutter were faintly visible, moving slowly far away to the south. The captain rubbed his hands with satisfaction, and kept walking to the gangway and using his night-glass without any greater result than that of seeing a couple of faint specks of light, when he got the boats' lanthorns into the field. Then he listened in the hope of hearing shouts, which would suggest the capture of the fugitives; but half an hour--an hour--glided by, and all was still. The buzz and cries which had arisen from the collection of huts had ceased, and the lights shown there had been extinguished, while the darkness which hung over the sea appeared to grow more dense. At last there was a hail about a hundred yards away, and the officer in the first boat answered the captain's eager inquiry. "No, sir; no luck. Not a sign of any one. I'm afraid--" "They have got ashore and escaped?" "No, sir," said the lieutenant, gravely; "I don't think a man could swim ashore in this darkness and escape." "Why, the distance is very short!" "Yes, sir; but there are obstacles in the way." "Obstacles?" "Well, sir, I've seen some tremendous sharks about in the clear water; and I don't think any one could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his warrant officer reached the deck to report himself. "No, sir," said the boatswain, sadly; "but I heard a sound, and one of my men heard it too." "A sound? What sound?" "Like a faint cry of distress, sir." "Yes; and what did you make of that?" The boatswain was silent a moment. "The harbour here swarms with sharks, sir, and the cry sounded to me like that of a man being drawn under water." "No, no; no, no; not so bad as that," said the captain, rather excitedly. "They've got to shore, and we will have them back to-morrow. The people will give them up either by threats or bribes." "I hope so, sir," said the boatswain, coldly. And, then, as he went below, "Poor lad! I'd have given a year of my life rather than it should have happened. This pressing is like a curse to the service." By this time the officer in the last boat had reported himself, the crews were dismissed, the watch set, and all was silence and darkness again. About dawn the captain, after an uneasy night, came on deck, glass in hand, to search the shore, and try to make out some sign of the fugitives; but just as he had focussed his glass, he caught sight of some one doing the very same thing, and going softly to the bows he found that the officer busy with the glass was Bosun Jones, who rose and saluted his superior. "See anything, Mr Jones?" the captain said. "No, sir; only the regular number of canoes drawn up on the beach." "Have you thought any more about what you said you heard last night?" "Yes, sir, a great deal." "But you don't think the poor lad met such a fate as you hinted at?" "Yes, sir, I do," said the boatswain sternly; "and I feel as if I had helped to bring him to such a death." "Mr Jones," said the captain, haughtily, "you merely did your duty as a warrant officer in the king's service. If that unfortunate boy met such a disastrous fate, it was in an attempt to desert." The captain closed his glass with a loud snap, and walked away, while Bosun Jones stood with his brow knit and his lips compressed, gazing straight before him as the sun rose and shed a flood of light over the glorious prospect. But to the bluff petty officer everything seemed sad and gloomy, and he went below seeing nothing but the frank, manly features of young Don Lavington, as he muttered to himself,-- "Not a chance of escape. Poor boy! Poor boy!" CHAPTER TWENTY SEVEN. THE FUGITIVES. Don and Jem plunged almost simultaneously into the black, cold water, and felt the sea thundering in their ears. Then Jem, being broader and stouter than his companion, rose to the surface and looked round for Don; but a few seconds of agony ensued before the water parted and the lad's head shot up into the faint light shed by the lanthorns. "Now for it, Mas' Don," whispered Jem; "think as it's a race, and we're going to win a cup at a 'gatta. Slow and sure, sir; slow and sure, long, steady strokes, and keep together." "They're calling to us to stop, Jem," whispered Don. "Let 'em call, Mas' Don. Somebody else seems a-calling of me, and that's my Sally. Oh, don't I wish I hadn't got any clothes." "Can they see us?" whispered Don, as they swam steadily on. "I don't believe they can, sir; and if they can, they won't see us long. Shouldn't be surprised if they lowered a boat." "Ah! Look out!" whispered Don. "Shall we dive?" For he heard the clicking of the muskets as they missed fire. "Well, I do call that cowardly," said Jem, as he heard the order to load; "shooting at a couple of poor fellows just as if they was wild duck." "Swim faster, Jem," said Don, as he gazed back over his shoulders at the lights as the shots rang out. "No, no; swim slower, my lad. They can't see us; and if they could, I don't believe as the men would try and
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seemed to be mere specks in the distance; but they did not die out, and as those left on deck watched the progress, they saw the lanthorns of the last boat become stationary, and knew that the men had reached the shore, while the lanthorns of the second cutter were faintly visible, moving slowly far away to the south. The captain rubbed his hands with satisfaction, and kept walking to the gangway and using his night-glass without any greater result than that of seeing a couple of faint specks of light, when he got the boats' lanthorns into the field. Then he listened in the hope of hearing shouts, which would suggest the capture of the fugitives; but half an hour--an hour--glided by, and all was still. The buzz and cries which had arisen from the collection of huts had ceased, and the lights shown there had been extinguished, while the darkness which hung over the sea appeared to grow more dense. At last there was a hail about a hundred yards away, and the officer in the first boat answered the captain's eager inquiry. "No, sir; no luck. Not a sign of any one. I'm afraid--" "They have got ashore and escaped?" "No, sir," said the lieutenant, gravely; "I don't think a man could swim ashore in this darkness and escape." "Why, the distance is very short!" "Yes, sir; but there are obstacles in the way." "Obstacles?" "Well, sir, I've seen some tremendous sharks about in the clear water; and I don't think any one could get any distance without having some of the brutes after him." A terrible silence followed this declaration, and the captain drew his breath hard. "Come aboard," he said. "It is too dark for further search to be made." The boat was rowed alongside, the falls lowered, the hooks adjusted, and she was hoisted up and swung inboard. "I'd give anything to capture the scoundrels," said the captain, after walking up and down for a few minutes with the lieutenant; "but I don't want the poor fellows to meet with such a fate as that. Do you think it likely?"<|quote|>"More than likely, sir,"</|quote|>said the lieutenant, coldly. The captain turned aft, made his way to the quarter-deck, and remained there attentively watching shoreward to where he could faintly see the lights of the last boat. "We must leave further search till morning," muttered the captain; and giving his order, signal lamps were run up to recall the boats; and before very long they were answered, and the lanthorns of Bosun Jones' boat could soon after be seen heading slowly for the ship, the second boat following her example a few minutes later. "No signs of them, Mr Jones?" said the captain, as his warrant officer reached the deck to report himself. "No, sir," said the boatswain, sadly; "but I heard a sound, and one of my men heard it too." "A sound? What sound?" "Like a faint cry of distress, sir." "Yes; and what did you make of that?" The boatswain was silent a moment. "The harbour here swarms with sharks, sir, and the cry sounded to me like that of a man being drawn under water." "No, no; no, no; not so bad as that," said the captain, rather excitedly. "They've got to shore, and we will have them back to-morrow. The people will give them up either by threats or bribes." "I hope so, sir," said the boatswain, coldly. And, then, as he went below, "Poor lad! I'd have given a year of my life rather than it should have happened. This pressing is like a curse to the service." By this time the officer in the last boat had reported himself, the crews were dismissed, the watch set, and all was silence and darkness again. About dawn the captain, after an uneasy night, came on deck, glass in hand, to search the shore, and try to make out some sign of the fugitives; but just as he had focussed his glass, he caught sight of some one doing the very same thing, and going softly to the bows he found that the officer busy with the glass was Bosun Jones, who rose and saluted his superior. "See anything, Mr Jones?" the captain said. "No, sir; only the regular number of canoes drawn up on the beach." "Have you thought any more about what you said you heard last night?" "Yes, sir, a great deal." "But you don't think the poor lad met such a fate as you hinted at?" "Yes, sir, I do," said the boatswain sternly; "and I feel as if I had helped to bring him to such a death." "Mr Jones," said the captain, haughtily, "you merely did your duty as a warrant officer in the king's service. If that unfortunate boy met such a disastrous fate, it was in an attempt to desert." The captain closed his glass with a loud snap, and walked away, while Bosun Jones stood with his brow knit and his lips compressed, gazing straight before him as the sun rose and shed a flood of light over the glorious prospect. But to the bluff petty officer everything seemed sad and gloomy, and he went below seeing nothing but the frank, manly features of
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Don Lavington
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"Oui, madame,"
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Marqis De Griers
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Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez,
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here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant !
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Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_"
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she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges.
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a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow
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been making a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your
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leave her chair, one felt, the moment that one first looked at her, that she was also tall of stature. Her back was as straight as a board, and never did she lean back in her seat. Also, her large grey head, with its keen, rugged features, remained always erect as she glanced about her in an imperious, challenging sort of way, with looks and gestures that clearly were unstudied. Though she had reached her seventy-sixth year, her face was still fresh, and her teeth had not decayed. Lastly, she was dressed in a black silk gown and white mobcap. "She interests me tremendously," whispered Mr. Astley as, still smoking, he walked by my side. Meanwhile I was reflecting that probably the old lady knew all about the telegrams, and even about De Griers, though little or nothing about Mlle. Blanche. I said as much to Mr. Astley. But what a frail creature is man! No sooner was my first surprise abated than I found myself rejoicing in the shock which we were about to administer to the General. So much did the thought inspire me that I marched ahead in the gayest of fashions. Our party was lodging on the third floor. Without knocking at the door, or in any way announcing our presence, I threw open the portals, and the Grandmother was borne through them in triumph. As though of set purpose, the whole party chanced at that moment to be assembled in the General s study. The time was eleven o clock, and it seemed that an outing of some sort (at which a portion of the party were to drive in carriages, and others to ride on horseback, accompanied by one or two extraneous acquaintances) was being planned. The General was present, and also Polina, the children, the latter s nurses, De Griers, Mlle. Blanche (attired in a riding-habit), her mother, the young Prince, and a learned German whom I beheld for the first time. Into the midst of this assembly the lacqueys conveyed Madame in her chair, and set her down within three paces of the General! Good heavens! Never shall I forget the spectacle which ensued! Just before our entry, the General had been holding forth to the company, with De Griers in support of him. I may also mention that, for the last two or three days, Mlle. Blanche and De Griers had been making a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my
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uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?"<|quote|>"Oui, madame,"</|quote|>assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_." She indicated her little finger. "And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange
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The Gambler
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"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"
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Lucy
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protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--"
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myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for
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came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious
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finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is
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that even eluded art. His brain recovered from the shock, and, in a burst of genuine devotion, he cried: "But I love you, and I did think you loved me!" "I did not," she said. "I thought I did at first. I am sorry, and ought to have refused you this last time, too." He began to walk up and down the room, and she grew more and more vexed at his dignified behaviour. She had counted on his being petty. It would have made things easier for her. By a cruel irony she was drawing out all that was finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is true." "True on the whole," she corrected, full of some vague shame. "True, every word. It is a revelation. It is--I." "Anyhow, those are my reasons for not being your wife." He repeated: "'The sort that can know no one intimately.' "It is true. I fell to pieces the very first day we were engaged. I behaved like a cad to Beebe and to your brother. You are even greater than I thought." She withdrew a step. "I'm not going to worry you. You are far too good to me. I shall never forget your insight; and, dear, I only
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think you were right," said Cecil gently. "I cannot tell why, but though all that you say sounds true, I feel that you are not treating me fairly. It's all too horrible." "What's the good of a scene?" "No good. But surely I have a right to hear a little more." He put down his glass and opened the window. From where she knelt, jangling her keys, she could see a slit of darkness, and, peering into it, as if it would tell him that "little more," his long, thoughtful face. "Don't open the window; and you'd better draw the curtain, too; Freddy or any one might be outside." He obeyed. "I really think we had better go to bed, if you don't mind. I shall only say things that will make me unhappy afterwards. As you say it is all too horrible, and it is no good talking." But to Cecil, now that he was about to lose her, she seemed each moment more desirable. He looked at her, instead of through her, for the first time since they were engaged. From a Leonardo she had become a living woman, with mysteries and forces of her own, with qualities that even eluded art. His brain recovered from the shock, and, in a burst of genuine devotion, he cried: "But I love you, and I did think you loved me!" "I did not," she said. "I thought I did at first. I am sorry, and ought to have refused you this last time, too." He began to walk up and down the room, and she grew more and more vexed at his dignified behaviour. She had counted on his being petty. It would have made things easier for her. By a cruel irony she was drawing out all that was finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is true." "True on the whole," she corrected, full of some vague shame. "True, every word. It is a revelation. It is--I." "Anyhow, those are my reasons for not being your wife." He repeated: "'The sort that can know no one intimately.' "It is true. I fell to pieces the very first day we were engaged. I behaved like a cad to Beebe and to your brother. You are even greater than I thought." She withdrew a step. "I'm not going to worry you. You are far too good to me. I shall never forget your insight; and, dear, I only blame you for this: you might have warned me in the early stages, before you felt you wouldn't marry me, and so have given me a chance to improve. I have never known you till this evening. I have just used you as a peg for my silly notions of what a woman should be. But this evening you are a different person: new thoughts--even a new voice--" "What do you mean by a new voice?" she asked, seized with incontrollable anger. "I mean that a new person seems speaking through you," said he. Then she lost her balance. She cried: "If you think I am in love with someone else, you are very much mistaken." "Of course I don't think that. You are not that kind, Lucy." "Oh, yes, you do think it. It's your old idea, the idea that has kept Europe back--I mean the idea that women are always thinking of men. If a girl breaks off her engagement, everyone says:" 'Oh, she had some one else in her mind; she hopes to get someone else.' "It's disgusting, brutal! As if a girl can't break it off for the sake of freedom." He answered reverently: "I may
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You always think women don't mean what they say." "Well, you sound tired, as if something has worried you." "What if I do? It doesn't prevent me from realizing the truth. I can't marry you, and you will thank me for saying so some day." "You had that bad headache yesterday--All right" "--for she had exclaimed indignantly: "I see it's much more than headaches. But give me a moment's time." He closed his eyes. "You must excuse me if I say stupid things, but my brain has gone to pieces. Part of it lives three minutes back, when I was sure that you loved me, and the other part--I find it difficult--I am likely to say the wrong thing." It struck her that he was not behaving so badly, and her irritation increased. She again desired a struggle, not a discussion. To bring on the crisis, she said: "There are days when one sees clearly, and this is one of them. Things must come to a breaking-point some time, and it happens to be to-day. If you want to know, quite a little thing decided me to speak to you--when you wouldn't play tennis with Freddy." "I never do play tennis," said Cecil, painfully bewildered; "I never could play. I don't understand a word you say." "You can play well enough to make up a four. I thought it abominably selfish of you." "No, I can't--well, never mind the tennis. Why couldn't you--couldn't you have warned me if you felt anything wrong? You talked of our wedding at lunch--at least, you let me talk." "I knew you wouldn't understand," said Lucy quite crossly. "I might have known there would have been these dreadful explanations. Of course, it isn't the tennis--that was only the last straw to all I have been feeling for weeks. Surely it was better not to speak until I felt certain." She developed this position. "Often before I have wondered if I was fitted for your wife--for instance, in London; and are you fitted to be my husband? I don't think so. You don't like Freddy, nor my mother. There was always a lot against our engagement, Cecil, but all our relations seemed pleased, and we met so often, and it was no good mentioning it until--well, until all things came to a point. They have to-day. I see clearly. I must speak. That's all." "I cannot think you were right," said Cecil gently. "I cannot tell why, but though all that you say sounds true, I feel that you are not treating me fairly. It's all too horrible." "What's the good of a scene?" "No good. But surely I have a right to hear a little more." He put down his glass and opened the window. From where she knelt, jangling her keys, she could see a slit of darkness, and, peering into it, as if it would tell him that "little more," his long, thoughtful face. "Don't open the window; and you'd better draw the curtain, too; Freddy or any one might be outside." He obeyed. "I really think we had better go to bed, if you don't mind. I shall only say things that will make me unhappy afterwards. As you say it is all too horrible, and it is no good talking." But to Cecil, now that he was about to lose her, she seemed each moment more desirable. He looked at her, instead of through her, for the first time since they were engaged. From a Leonardo she had become a living woman, with mysteries and forces of her own, with qualities that even eluded art. His brain recovered from the shock, and, in a burst of genuine devotion, he cried: "But I love you, and I did think you loved me!" "I did not," she said. "I thought I did at first. I am sorry, and ought to have refused you this last time, too." He began to walk up and down the room, and she grew more and more vexed at his dignified behaviour. She had counted on his being petty. It would have made things easier for her. By a cruel irony she was drawing out all that was finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is true." "True on the whole," she corrected, full of some vague shame. "True, every word. It is a revelation. It is--I." "Anyhow, those are my reasons for not being your wife." He repeated: "'The sort that can know no one intimately.' "It is true. I fell to pieces the very first day we were engaged. I behaved like a cad to Beebe and to your brother. You are even greater than I thought." She withdrew a step. "I'm not going to worry you. You are far too good to me. I shall never forget your insight; and, dear, I only blame you for this: you might have warned me in the early stages, before you felt you wouldn't marry me, and so have given me a chance to improve. I have never known you till this evening. I have just used you as a peg for my silly notions of what a woman should be. But this evening you are a different person: new thoughts--even a new voice--" "What do you mean by a new voice?" she asked, seized with incontrollable anger. "I mean that a new person seems speaking through you," said he. Then she lost her balance. She cried: "If you think I am in love with someone else, you are very much mistaken." "Of course I don't think that. You are not that kind, Lucy." "Oh, yes, you do think it. It's your old idea, the idea that has kept Europe back--I mean the idea that women are always thinking of men. If a girl breaks off her engagement, everyone says:" 'Oh, she had some one else in her mind; she hopes to get someone else.' "It's disgusting, brutal! As if a girl can't break it off for the sake of freedom." He answered reverently: "I may have said that in the past. I shall never say it again. You have taught me better." She began to redden, and pretended to examine the windows again. "Of course, there is no question of 'someone else' in this, no 'jilting' or any such nauseous stupidity. I beg your pardon most humbly if my words suggested that there was. I only meant that there was a force in you that I hadn't known of up till now." "All right, Cecil, that will do. Don't apologize to me. It was my mistake." "It is a question between ideals, yours and mine--pure abstract ideals, and yours are the nobler. I was bound up in the old vicious notions, and all the time you were splendid and new." His voice broke. "I must actually thank you for what you have done--for showing me what I really am. Solemnly, I thank you for showing me a true woman. Will you shake hands?" "Of course I will," said Lucy, twisting up her other hand in the curtains. "Good-night, Cecil. Good-bye. That's all right. I'm sorry about it. Thank you very much for your gentleness." "Let me light your candle, shall I?" They went into the hall. "Thank you. Good-night again. God bless you, Lucy!" "Good-bye, Cecil." She watched him steal up-stairs, while the shadows from three banisters passed over her face like the beat of wings. On the landing he paused strong in his renunciation, and gave her a look of memorable beauty. For all his culture, Cecil was an ascetic at heart, and nothing in his love became him like the leaving of it. She could never marry. In the tumult of her soul, that stood firm. Cecil believed in her; she must some day believe in herself. She must be one of the women whom she had praised so eloquently, who care for liberty and not for men; she must forget that George loved her, that George had been thinking through her and gained her this honourable release, that George had gone away into--what was it?--the darkness. She put out the lamp. It did not do to think, nor, for the matter of that, to feel. She gave up trying to understand herself, and joined the vast armies of the benighted, who follow neither the heart nor the brain, and march to their destiny by catch-words. The armies are full of pleasant and
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think so. You don't like Freddy, nor my mother. There was always a lot against our engagement, Cecil, but all our relations seemed pleased, and we met so often, and it was no good mentioning it until--well, until all things came to a point. They have to-day. I see clearly. I must speak. That's all." "I cannot think you were right," said Cecil gently. "I cannot tell why, but though all that you say sounds true, I feel that you are not treating me fairly. It's all too horrible." "What's the good of a scene?" "No good. But surely I have a right to hear a little more." He put down his glass and opened the window. From where she knelt, jangling her keys, she could see a slit of darkness, and, peering into it, as if it would tell him that "little more," his long, thoughtful face. "Don't open the window; and you'd better draw the curtain, too; Freddy or any one might be outside." He obeyed. "I really think we had better go to bed, if you don't mind. I shall only say things that will make me unhappy afterwards. As you say it is all too horrible, and it is no good talking." But to Cecil, now that he was about to lose her, she seemed each moment more desirable. He looked at her, instead of through her, for the first time since they were engaged. From a Leonardo she had become a living woman, with mysteries and forces of her own, with qualities that even eluded art. His brain recovered from the shock, and, in a burst of genuine devotion, he cried: "But I love you, and I did think you loved me!" "I did not," she said. "I thought I did at first. I am sorry, and ought to have refused you this last time, too." He began to walk up and down the room, and she grew more and more vexed at his dignified behaviour. She had counted on his being petty. It would have made things easier for her. By a cruel irony she was drawing out all that was finest in his disposition. "You don't love me, evidently. I dare say you are right not to. But it would hurt a little less if I knew why." "Because" "--a phrase came to her, and she accepted it--" "you're the sort who can't know any one intimately." A horrified look came into his eyes. "I don't mean exactly that. But you will question me, though I beg you not to, and I must say something. It is that, more or less. When we were only acquaintances, you let me be myself, but now you're always protecting me." Her voice swelled.<|quote|>"I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place! You despise my mother--I know you do--because she's conventional and bothers over puddings; but, oh goodness!"</|quote|>"--she rose to her feet--" "conventional, Cecil, you're that, for you may understand beautiful things, but you don't know how to use them; and you wrap yourself up in art and books and music, and would try to wrap up me. I won't be stifled, not by the most glorious music, for people are more glorious, and you hide them from me. That's why I break off my engagement. You were all right as long as you kept to things, but when you came to people--" She stopped. There was a pause. Then Cecil said with great emotion: "It is true." "True on the whole," she corrected, full of some vague shame. "True, every word. It is a revelation. It is--I." "Anyhow, those are my reasons for not being your wife." He repeated: "'The sort that can know no one intimately.' "It is true. I fell to pieces the very first day we were engaged. I behaved like a cad to Beebe and to your brother. You are even greater than I thought." She withdrew a step. "I'm not going to worry you. You are far too good to me. I shall never forget your insight; and, dear, I only blame you for this: you might have warned me in the early stages, before you felt you wouldn't marry me, and so have given me a chance to improve. I have never known you till this evening. I have just used you as a peg for my silly notions of what a woman should be. But this evening you are a different person: new thoughts--even a new voice--" "What do you mean by a new voice?" she asked, seized with incontrollable anger. "I mean that a new person seems speaking through you," said he. Then she lost her balance. She cried: "If you think I am in love with someone else, you are very much mistaken." "Of course I don't think that. You are not that kind, Lucy." "Oh, yes, you do think it. It's your old idea, the idea that has kept Europe back--I mean the idea that women are always thinking of men. If a girl breaks off her engagement, everyone says:" 'Oh, she had some one else in her mind; she hopes to get someone else.' "It's disgusting, brutal! As if a girl can't break it off for the sake of freedom." He answered reverently: "I may have said that in the past. I shall never say it again. You have taught me better." She began to redden, and pretended to examine the windows again. "Of course, there is no question of 'someone else' in this, no 'jilting' or any such nauseous stupidity. I beg your pardon most humbly if my words suggested that there was. I only meant that there was a force in you that I hadn't known of up till now." "All right, Cecil, that will
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A Room With A View
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said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.
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No speaker
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never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much
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laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose,"
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Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing.
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oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s
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said to be five hundred years old. A few rugs and a sprinkling of arm-chairs had made this ancient kitchen into a sitting-room. Elizabeth, after pointing out the gun-racks, and the hooks for smoking hams, and other evidence of incontestable age, and explaining that Mary had had the idea of turning the room into a sitting-room otherwise it was used for hanging out the wash and for the men to change in after shooting considered that she had done her duty as hostess, and sat down in an upright chair directly beneath the lamp, beside a very long and narrow oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s about the best place in England," Ralph replied. They were all gratified by this praise of their native county; and Mary now had the pleasure of hearing these short questions and answers lose their undertone of suspicious inspection, so far as her brothers were concerned, and develop into a genuine conversation about the habits of birds which afterwards turned to a discussion as to the habits of solicitors, in which it was scarcely necessary for her to take part. She was pleased to see that her brothers liked Ralph, to the extent, that is, of wishing to secure his good
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forth. After dinner, parish business took the Rector to his study, and Mary proposed that they should sit in the kitchen. "It s not the kitchen really," Elizabeth hastened to explain to her guest, "but we call it so" "It s the nicest room in the house," said Edward. "It s got the old rests by the side of the fireplace, where the men hung their guns," said Elizabeth, leading the way, with a tall brass candlestick in her hand, down a passage. "Show Mr. Denham the steps, Christopher.... When the Ecclesiastical Commissioners were here two years ago they said this was the most interesting part of the house. These narrow bricks prove that it is five hundred years old five hundred years, I think they may have said six." She, too, felt an impulse to exaggerate the age of the bricks, as her father had exaggerated the number of trucks. A big lamp hung down from the center of the ceiling and, together with a fine log fire, illuminated a large and lofty room, with rafters running from wall to wall, a floor of red tiles, and a substantial fireplace built up of those narrow red bricks which were said to be five hundred years old. A few rugs and a sprinkling of arm-chairs had made this ancient kitchen into a sitting-room. Elizabeth, after pointing out the gun-racks, and the hooks for smoking hams, and other evidence of incontestable age, and explaining that Mary had had the idea of turning the room into a sitting-room otherwise it was used for hanging out the wash and for the men to change in after shooting considered that she had done her duty as hostess, and sat down in an upright chair directly beneath the lamp, beside a very long and narrow oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s about the best place in England," Ralph replied. They were all gratified by this praise of their native county; and Mary now had the pleasure of hearing these short questions and answers lose their undertone of suspicious inspection, so far as her brothers were concerned, and develop into a genuine conversation about the habits of birds which afterwards turned to a discussion as to the habits of solicitors, in which it was scarcely necessary for her to take part. She was pleased to see that her brothers liked Ralph, to the extent, that is, of wishing to secure his good opinion. Whether or not he liked them it was impossible to tell from his kind but experienced manner. Now and then she fed the fire with a fresh log, and as the room filled with the fine, dry heat of burning wood, they all, with the exception of Elizabeth, who was outside the range of the fire, felt less and less anxious about the effect they were making, and more and more inclined for sleep. At this moment a vehement scratching was heard on the door. "Piper! oh, damn! I shall have to get up," murmured Christopher. "It s not Piper, it s Pitch," Edward grunted. "All the same, I shall have to get up," Christopher grumbled. He let in the dog, and stood for a moment by the door, which opened into the garden, to revive himself with a draught of the black, starlit air. "Do come in and shut the door!" Mary cried, half turning in her chair. "We shall have a fine day to-morrow," said Christopher with complacency, and he sat himself on the floor at her feet, and leant his back against her knees, and stretched out his long stockinged legs to the fire all signs
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they sat round the dinner-table, but nevertheless he looked very strange among the others. A country life and breeding had preserved in them all a look which Mary hesitated to call either innocent or youthful, as she compared them, now sitting round in an oval, softly illuminated by candlelight; and yet it was something of the kind, yes, even in the case of the Rector himself. Though superficially marked with lines, his face was a clear pink, and his blue eyes had the long-sighted, peaceful expression of eyes seeking the turn of the road, or a distant light through rain, or the darkness of winter. She looked at Ralph. He had never appeared to her more concentrated and full of purpose; as if behind his forehead were massed so much experience that he could choose for himself which part of it he would display and which part he would keep to himself. Compared with that dark and stern countenance, her brothers faces, bending low over their soup-plates, were mere circles of pink, unmolded flesh. "You came by the 3.10, Mr. Denham?" said the Reverend Wyndham Datchet, tucking his napkin into his collar, so that almost the whole of his body was concealed by a large white diamond. "They treat us very well, on the whole. Considering the increase of traffic, they treat us very well indeed. I have the curiosity sometimes to count the trucks on the goods trains, and they re well over fifty well over fifty, at this season of the year." The old gentleman had been roused agreeably by the presence of this attentive and well-informed young man, as was evident by the care with which he finished the last words in his sentences, and his slight exaggeration in the number of trucks on the trains. Indeed, the chief burden of the talk fell upon him, and he sustained it to-night in a manner which caused his sons to look at him admiringly now and then; for they felt shy of Denham, and were glad not to have to talk themselves. The store of information about the present and past of this particular corner of Lincolnshire which old Mr. Datchet produced really surprised his children, for though they knew of its existence, they had forgotten its extent, as they might have forgotten the amount of family plate stored in the plate-chest, until some rare celebration brought it forth. After dinner, parish business took the Rector to his study, and Mary proposed that they should sit in the kitchen. "It s not the kitchen really," Elizabeth hastened to explain to her guest, "but we call it so" "It s the nicest room in the house," said Edward. "It s got the old rests by the side of the fireplace, where the men hung their guns," said Elizabeth, leading the way, with a tall brass candlestick in her hand, down a passage. "Show Mr. Denham the steps, Christopher.... When the Ecclesiastical Commissioners were here two years ago they said this was the most interesting part of the house. These narrow bricks prove that it is five hundred years old five hundred years, I think they may have said six." She, too, felt an impulse to exaggerate the age of the bricks, as her father had exaggerated the number of trucks. A big lamp hung down from the center of the ceiling and, together with a fine log fire, illuminated a large and lofty room, with rafters running from wall to wall, a floor of red tiles, and a substantial fireplace built up of those narrow red bricks which were said to be five hundred years old. A few rugs and a sprinkling of arm-chairs had made this ancient kitchen into a sitting-room. Elizabeth, after pointing out the gun-racks, and the hooks for smoking hams, and other evidence of incontestable age, and explaining that Mary had had the idea of turning the room into a sitting-room otherwise it was used for hanging out the wash and for the men to change in after shooting considered that she had done her duty as hostess, and sat down in an upright chair directly beneath the lamp, beside a very long and narrow oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s about the best place in England," Ralph replied. They were all gratified by this praise of their native county; and Mary now had the pleasure of hearing these short questions and answers lose their undertone of suspicious inspection, so far as her brothers were concerned, and develop into a genuine conversation about the habits of birds which afterwards turned to a discussion as to the habits of solicitors, in which it was scarcely necessary for her to take part. She was pleased to see that her brothers liked Ralph, to the extent, that is, of wishing to secure his good opinion. Whether or not he liked them it was impossible to tell from his kind but experienced manner. Now and then she fed the fire with a fresh log, and as the room filled with the fine, dry heat of burning wood, they all, with the exception of Elizabeth, who was outside the range of the fire, felt less and less anxious about the effect they were making, and more and more inclined for sleep. At this moment a vehement scratching was heard on the door. "Piper! oh, damn! I shall have to get up," murmured Christopher. "It s not Piper, it s Pitch," Edward grunted. "All the same, I shall have to get up," Christopher grumbled. He let in the dog, and stood for a moment by the door, which opened into the garden, to revive himself with a draught of the black, starlit air. "Do come in and shut the door!" Mary cried, half turning in her chair. "We shall have a fine day to-morrow," said Christopher with complacency, and he sat himself on the floor at her feet, and leant his back against her knees, and stretched out his long stockinged legs to the fire all signs that he felt no longer any restraint at the presence of the stranger. He was the youngest of the family, and Mary s favorite, partly because his character resembled hers, as Edward s character resembled Elizabeth s. She made her knees a comfortable rest for his head, and ran her fingers through his hair. "I should like Mary to stroke my head like that," Ralph thought to himself suddenly, and he looked at Christopher, almost affectionately, for calling forth his sister s caresses. Instantly he thought of Katharine, the thought of her being surrounded by the spaces of night and the open air; and Mary, watching him, saw the lines upon his forehead suddenly deepen. He stretched out an arm and placed a log upon the fire, constraining himself to fit it carefully into the frail red scaffolding, and also to limit his thoughts to this one room. Mary had ceased to stroke her brother s head; he moved it impatiently between her knees, and, much as though he were a child, she began once more to part the thick, reddish-colored locks this way and that. But a far stronger passion had taken possession of her soul than any her brother could inspire in her, and, seeing Ralph s change of expression, her hand almost automatically continued its movements, while her mind plunged desperately for some hold upon slippery banks. CHAPTER XVI Into that same black night, almost, indeed, into the very same layer of starlit air, Katharine Hilbery was now gazing, although not with a view to the prospects of a fine day for duck shooting on the morrow. She was walking up and down a gravel path in the garden of Stogdon House, her sight of the heavens being partially intercepted by the light leafless hoops of a pergola. Thus a spray of clematis would completely obscure Cassiopeia, or blot out with its black pattern myriads of miles of the Milky Way. At the end of the pergola, however, there was a stone seat, from which the sky could be seen completely swept clear of any earthly interruption, save to the right, indeed, where a line of elm-trees was beautifully sprinkled with stars, and a low stable building had a full drop of quivering silver just issuing from the mouth of the chimney. It was a moonless night, but the light of the stars was sufficient to show
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fell upon him, and he sustained it to-night in a manner which caused his sons to look at him admiringly now and then; for they felt shy of Denham, and were glad not to have to talk themselves. The store of information about the present and past of this particular corner of Lincolnshire which old Mr. Datchet produced really surprised his children, for though they knew of its existence, they had forgotten its extent, as they might have forgotten the amount of family plate stored in the plate-chest, until some rare celebration brought it forth. After dinner, parish business took the Rector to his study, and Mary proposed that they should sit in the kitchen. "It s not the kitchen really," Elizabeth hastened to explain to her guest, "but we call it so" "It s the nicest room in the house," said Edward. "It s got the old rests by the side of the fireplace, where the men hung their guns," said Elizabeth, leading the way, with a tall brass candlestick in her hand, down a passage. "Show Mr. Denham the steps, Christopher.... When the Ecclesiastical Commissioners were here two years ago they said this was the most interesting part of the house. These narrow bricks prove that it is five hundred years old five hundred years, I think they may have said six." She, too, felt an impulse to exaggerate the age of the bricks, as her father had exaggerated the number of trucks. A big lamp hung down from the center of the ceiling and, together with a fine log fire, illuminated a large and lofty room, with rafters running from wall to wall, a floor of red tiles, and a substantial fireplace built up of those narrow red bricks which were said to be five hundred years old. A few rugs and a sprinkling of arm-chairs had made this ancient kitchen into a sitting-room. Elizabeth, after pointing out the gun-racks, and the hooks for smoking hams, and other evidence of incontestable age, and explaining that Mary had had the idea of turning the room into a sitting-room otherwise it was used for hanging out the wash and for the men to change in after shooting considered that she had done her duty as hostess, and sat down in an upright chair directly beneath the lamp, beside a very long and narrow oak table. She placed a pair of horn spectacles upon her nose, and drew towards her a basketful of threads and wools. In a few minutes a smile came to her face, and remained there for the rest of the evening. "Will you come out shooting with us to-morrow?" said Christopher, who had, on the whole, formed a favorable impression of his sister s friend. "I won t shoot, but I ll come with you," said Ralph. "Don t you care about shooting?" asked Edward, whose suspicions were not yet laid to rest. "I ve never shot in my life,"<|quote|>said Ralph, turning and looking him in the face, because he was not sure how this confession would be received.</|quote|>"You wouldn t have much chance in London, I suppose," said Christopher. "But won t you find it rather dull just watching us?" "I shall watch birds," Ralph replied, with a smile. "I can show you the place for watching birds," said Edward, "if that s what you like doing. I know a fellow who comes down from London about this time every year to watch them. It s a great place for the wild geese and the ducks. I ve heard this man say that it s one of the best places for birds in the country." "It s about the best place in England," Ralph replied. They were all gratified by this praise of their native county; and Mary now had the pleasure of hearing these short questions and answers lose their undertone of suspicious inspection, so far as her brothers were concerned, and develop into a genuine conversation about the habits of birds which afterwards turned to a discussion as to the habits of solicitors, in which it was scarcely necessary for her to take part. She was pleased to see that her brothers liked Ralph, to the extent, that is, of wishing to secure his good opinion. Whether or not he liked them it was impossible to tell from his kind but experienced manner. Now and then she fed the fire with a fresh log, and as the room filled with the fine, dry heat of burning wood, they all, with the exception of Elizabeth, who was outside the range of the fire, felt less and less anxious about the effect they were making, and more and more inclined for sleep. At this moment a vehement scratching was heard on the door. "Piper! oh, damn! I shall have to get up," murmured Christopher. "It s not Piper, it s Pitch," Edward grunted. "All the same, I shall have to get up," Christopher grumbled. He let in the dog, and stood for a moment by the door, which opened into the garden, to revive himself with a draught of the black, starlit air. "Do come in and shut the door!" Mary cried, half turning in her chair. "We shall have a fine day to-morrow," said Christopher with complacency, and he sat himself on the floor at her feet, and leant his back against her knees, and stretched out his long stockinged legs to the fire all signs that he felt no longer any restraint at the presence of the stranger. He was the youngest
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Night And Day
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"You are most welcome, ladies."
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Dr. Aziz
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went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being
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the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs.
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the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat
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message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying
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told to approach more suitably only one case among thousands of visits to hundreds of officials, but its fame spread wide. The young man shrank from a repetition of it. He compromised, and stopped the driver just outside the flood of light that fell across the verandah. The Civil Surgeon was out. "But the sahib has left me some message?" The servant returned an indifferent "No." Aziz was in despair. It was a servant whom he had forgotten to tip, and he could do nothing now because there were people in the hall. He was convinced that there was a message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying nothing?" He had as a matter of fact said, "Damn Aziz" words that the servant understood, but was too polite to repeat. One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted. "Then I will write him a letter." He was offered the use of the house, but was too dignified to enter it. Paper and ink were brought on to the verandah. He began: "Dear Sir, At your express command I have hastened as a subordinate should " and then stopped. "Tell him I have called,
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adjuncts in a land where the cyclist's only hope is to coast from face to face, and just before he collides with each it vanishes? And the city was fairly empty at this hour. When his tyre went flat, he leapt off and shouted for a tonga. He did not at first find one, and he had also to dispose of his bicycle at a friend's house. He dallied furthermore to clean his teeth. But at last he was rattling towards the civil lines, with a vivid sense of speed. As he entered their arid tidiness, depression suddenly seized him. The roads, named after victorious generals and intersecting at right angles, were symbolic of the net Great Britain had thrown over India. He felt caught in their meshes. When he turned into Major Callendar's compound he could with difficulty restrain himself from getting down from the tonga and approaching the bungalow on foot, and this not because his soul was servile but because his feelings the sensitive edges of him feared a gross snub. There had been a "case" last year an Indian gentleman had driven up to an official's house and been turned back by the servants and been told to approach more suitably only one case among thousands of visits to hundreds of officials, but its fame spread wide. The young man shrank from a repetition of it. He compromised, and stopped the driver just outside the flood of light that fell across the verandah. The Civil Surgeon was out. "But the sahib has left me some message?" The servant returned an indifferent "No." Aziz was in despair. It was a servant whom he had forgotten to tip, and he could do nothing now because there were people in the hall. He was convinced that there was a message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying nothing?" He had as a matter of fact said, "Damn Aziz" words that the servant understood, but was too polite to repeat. One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted. "Then I will write him a letter." He was offered the use of the house, but was too dignified to enter it. Paper and ink were brought on to the verandah. He began: "Dear Sir, At your express command I have hastened as a subordinate should " and then stopped. "Tell him I have called, that is sufficient," he said, tearing the protest up. "Here is my card. Call me a tonga." "Huzoor, all are at the club." "Then telephone for one down to the railway station." And since the man hastened to do this he said, "Enough, enough, I prefer to walk." He commandeered a match and lit a cigarette. These attentions, though purchased, soothed him. They would last as long as he had rupees, which is something. But to shake the dust of Anglo-India off his feet! To escape from the net and be back among manners and gestures that he knew! He began a walk, an unwonted exercise. He was an athletic little man, daintily put together, but really very strong. Nevertheless walking fatigued him, as it fatigues everyone in India except the new-comer. There is something hostile in that soil. It either yields, and the foot sinks into a depression, or else it is unexpectedly rigid and sharp, pressing stones or crystals against the tread. A series of these little surprises exhausts; and he was wearing pumps, a poor preparation for any country. At the edge of the civil station he turned into a mosque to rest. He had always liked
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bankrupt. His wife led a similar existence some hundreds of miles away he did not visit her, owing to the expense of the railway ticket. Presently Aziz chaffed him, also the servants, and then began quoting poetry, Persian, Urdu, a little Arabic. His memory was good, and for so young a man he had read largely; the themes he preferred were the decay of Islam and the brevity of love. They listened delighted, for they took the public view of poetry, not the private which obtains in England. It never bored them to hear words, words; they breathed them with the cool night air, never stopping to analyse; the name of the poet, Hafiz, Hali, Iqbal, was sufficient guarantee. India a hundred Indias whispered outside beneath the indifferent moon, but for the time India seemed one and their own, and they regained their departed greatness by hearing its departure lamented, they felt young again because reminded that youth must fly. A servant in scarlet interrupted him; he was the chuprassi of the Civil Surgeon, and he handed Aziz a note. "Old Callendar wants to see me at his bungalow," he said, not rising. "He might have the politeness to say why." "Some case, I daresay." "I daresay not, I daresay nothing. He has found out our dinner hour, that's all, and chooses to interrupt us every time, in order to show his power." "On the one hand he always does this, on the other it may be a serious case, and you cannot know," said Hamidullah, considerately paving the way towards obedience. "Had you not better clean your teeth after pan?" "If my teeth are to be cleaned, I don't go at all. I am an Indian, it is an Indian habit to take pan. The Civil Surgeon must put up with it. Mohammed Latif, my bike, please." The poor relation got up. Slightly immersed in the realms of matter, he laid his hand on the bicycle's saddle, while a servant did the actual wheeling. Between them they took it over a tintack. Aziz held his hands under the ewer, dried them, fitted on his green felt hat, and then with unexpected energy whizzed out of Hamidullah's compound. "Aziz, Aziz, imprudent boy. . . ." But he was far down the bazaar, riding furiously. He had neither light nor bell nor had he a brake, but what use are such adjuncts in a land where the cyclist's only hope is to coast from face to face, and just before he collides with each it vanishes? And the city was fairly empty at this hour. When his tyre went flat, he leapt off and shouted for a tonga. He did not at first find one, and he had also to dispose of his bicycle at a friend's house. He dallied furthermore to clean his teeth. But at last he was rattling towards the civil lines, with a vivid sense of speed. As he entered their arid tidiness, depression suddenly seized him. The roads, named after victorious generals and intersecting at right angles, were symbolic of the net Great Britain had thrown over India. He felt caught in their meshes. When he turned into Major Callendar's compound he could with difficulty restrain himself from getting down from the tonga and approaching the bungalow on foot, and this not because his soul was servile but because his feelings the sensitive edges of him feared a gross snub. There had been a "case" last year an Indian gentleman had driven up to an official's house and been turned back by the servants and been told to approach more suitably only one case among thousands of visits to hundreds of officials, but its fame spread wide. The young man shrank from a repetition of it. He compromised, and stopped the driver just outside the flood of light that fell across the verandah. The Civil Surgeon was out. "But the sahib has left me some message?" The servant returned an indifferent "No." Aziz was in despair. It was a servant whom he had forgotten to tip, and he could do nothing now because there were people in the hall. He was convinced that there was a message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying nothing?" He had as a matter of fact said, "Damn Aziz" words that the servant understood, but was too polite to repeat. One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted. "Then I will write him a letter." He was offered the use of the house, but was too dignified to enter it. Paper and ink were brought on to the verandah. He began: "Dear Sir, At your express command I have hastened as a subordinate should " and then stopped. "Tell him I have called, that is sufficient," he said, tearing the protest up. "Here is my card. Call me a tonga." "Huzoor, all are at the club." "Then telephone for one down to the railway station." And since the man hastened to do this he said, "Enough, enough, I prefer to walk." He commandeered a match and lit a cigarette. These attentions, though purchased, soothed him. They would last as long as he had rupees, which is something. But to shake the dust of Anglo-India off his feet! To escape from the net and be back among manners and gestures that he knew! He began a walk, an unwonted exercise. He was an athletic little man, daintily put together, but really very strong. Nevertheless walking fatigued him, as it fatigues everyone in India except the new-comer. There is something hostile in that soil. It either yields, and the foot sinks into a depression, or else it is unexpectedly rigid and sharp, pressing stones or crystals against the tread. A series of these little surprises exhausts; and he was wearing pumps, a poor preparation for any country. At the edge of the civil station he turned into a mosque to rest. He had always liked this mosque. It was gracious, and the arrangement pleased him. The courtyard entered through a ruined gate contained an ablution tank of fresh clear water, which was always in motion, being indeed part of a conduit that supplied the city. The courtyard was paved with broken slabs. The covered part of the mosque was deeper than is usual; its effect was that of an English parish church whose side has been taken out. Where he sat, he looked into three arcades whose darkness was illuminated by a small hanging lamp and by the moon. The front in full moonlight had the appearance of marble, and the ninety-nine names of God on the frieze stood out black, as the frieze stood out white against the sky. The contest between this dualism and the contention of shadows within pleased Aziz, and he tried to symbolize the whole into some truth of religion or love. A mosque by winning his approval let loose his imagination. The temple of another creed, Hindu, Christian, or Greek, would have bored him and failed to awaken his sense of beauty. Here was Islam, his own country, more than a Faith, more than a battle-cry, more, much more . . . Islam, an attitude towards life both exquisite and durable, where his body and his thoughts found their home. His seat was the low wall that bounded the courtyard on the left. The ground fell away beneath him towards the city, visible as a blur of trees, and in the stillness he heard many small sounds. On the right, over in the club, the English community contributed an amateur orchestra. Elsewhere some Hindus were drumming he knew they were Hindus, because the rhythm was uncongenial to him, and others were bewailing a corpse he knew whose, having certified it in the afternoon. There were owls, the Punjab mail . . . and flowers smelt deliciously in the station-master's garden. But the mosque that alone signified, and he returned to it from the complex appeal of the night, and decked it with meanings the builder had never intended. Some day he too would build a mosque, smaller than this but in perfect taste, so that all who passed by should experience the happiness he felt now. And near it, under a low dome, should be his tomb, with a Persian inscription: Alas, without me for thousands of years The
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his bicycle at a friend's house. He dallied furthermore to clean his teeth. But at last he was rattling towards the civil lines, with a vivid sense of speed. As he entered their arid tidiness, depression suddenly seized him. The roads, named after victorious generals and intersecting at right angles, were symbolic of the net Great Britain had thrown over India. He felt caught in their meshes. When he turned into Major Callendar's compound he could with difficulty restrain himself from getting down from the tonga and approaching the bungalow on foot, and this not because his soul was servile but because his feelings the sensitive edges of him feared a gross snub. There had been a "case" last year an Indian gentleman had driven up to an official's house and been turned back by the servants and been told to approach more suitably only one case among thousands of visits to hundreds of officials, but its fame spread wide. The young man shrank from a repetition of it. He compromised, and stopped the driver just outside the flood of light that fell across the verandah. The Civil Surgeon was out. "But the sahib has left me some message?" The servant returned an indifferent "No." Aziz was in despair. It was a servant whom he had forgotten to tip, and he could do nothing now because there were people in the hall. He was convinced that there was a message, and that the man was withholding it out of revenge. While they argued, the people came out. Both were ladies. Aziz lifted his hat. The first, who was in evening dress, glanced at the Indian and turned instinctively away. "Mrs. Lesley, it _is_ a tonga," she cried. "Ours?" enquired the second, also seeing Aziz, and doing likewise. "Take the gifts the gods provide, anyhow," she screeched, and both jumped in. "O Tonga wallah, club, club. Why doesn't the fool go?" "Go, I will pay you to-morrow," said Aziz to the driver, and as they went off he called courteously,<|quote|>"You are most welcome, ladies."</|quote|>They did not reply, being full of their own affairs. So it had come, the usual thing just as Mahmoud Ali said. The inevitable snub his bow ignored, his carriage taken. It might have been worse, for it comforted him somehow that Mesdames Callendar and Lesley should both be fat and weigh the tonga down behind. Beautiful women would have pained him. He turned to the servant, gave him a couple of rupees, and asked again whether there was a message. The man, now very civil, returned the same answer. Major Callendar had driven away half an hour before. "Saying nothing?" He had as a matter of fact said, "Damn Aziz" words that the servant understood, but was too polite to repeat. One can tip too much as well as too little, indeed the coin that buys the exact truth has not yet been minted. "Then I will write him a letter." He was offered the use of the house, but was too dignified to enter it. Paper and ink were brought on to the verandah. He began: "Dear Sir, At your express command I have hastened as a subordinate should " and then stopped. "Tell him I have called, that is sufficient," he said, tearing the protest up. "Here is my card. Call me a tonga." "Huzoor, all are at the club." "Then telephone for one down to the railway station." And since the man hastened to do this he said, "Enough, enough, I prefer to walk." He commandeered a match and lit a cigarette. These attentions, though purchased, soothed him. They would last as long as he had rupees, which is something. But to shake the dust of Anglo-India off his feet! To escape from the net and be back among manners and gestures that he knew! He began a walk, an unwonted exercise. He
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A Passage To India
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"I know it,"
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Fagin
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crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a
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they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and
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seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was
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and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We
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unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward,
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young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To judge from appearances, Toby was by no means in a hurry to open the conversation. At first, the Jew contented himself with patiently watching his countenance, as if to gain from its expression some clue to the intelligence he brought; but in vain. He looked tired and worn, but there was the same complacent repose upon his features that they always wore: and through dirt, and beard, and whisker, there still shone, unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward, in the same wild and disordered manner, when the sudden dashing past of a carriage: and a boisterous cry from the foot passengers, who saw his danger: drove him back upon the pavement. Avoiding, as much as was possible, all the main streets, and skulking only through the by-ways and alleys, he at length emerged on Snow Hill. Here he walked even faster than before; nor did he linger until he had again turned into a court; when, as if conscious that he was now in his proper element, he fell into his usual shuffling pace, and seemed to breathe more freely. Near to the spot on which Snow Hill and Holborn Hill meet, opens, upon the right hand as you come out of the City, a narrow and dismal alley, leading to Saffron Hill. In its filthy shops are exposed for sale huge bunches of second-hand silk handkerchiefs, of all sizes and patterns; for here reside the traders who purchase them from pick-pockets. Hundreds of these handkerchiefs hang dangling from pegs outside the windows or flaunting from the door-posts; and the shelves, within, are piled with them. Confined as the limits of Field Lane are, it has its barber,
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appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room. "Yes," said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To judge from appearances, Toby was by no means in a hurry to open the conversation. At first, the Jew contented himself with patiently watching his countenance, as if to gain from its expression some clue to the intelligence he brought; but in vain. He looked tired and worn, but there was the same complacent repose upon his features that they always wore: and through dirt, and beard, and whisker, there still shone, unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward, in the same wild and disordered manner, when the sudden dashing past of a carriage: and a boisterous cry from the foot passengers, who saw his danger: drove him back upon the pavement. Avoiding, as much as was possible, all the main streets, and skulking only through the by-ways and alleys, he at length emerged on Snow Hill. Here he walked even faster than before; nor did he linger until he had again turned into a court; when, as if conscious that he was now in his proper element, he fell into his usual shuffling pace, and seemed to breathe more freely. Near to the spot on which Snow Hill and Holborn Hill meet, opens, upon the right hand as you come out of the City, a narrow and dismal alley, leading to Saffron Hill. In its filthy shops are exposed for sale huge bunches of second-hand silk handkerchiefs, of all sizes and patterns; for here reside the traders who purchase them from pick-pockets. Hundreds of these handkerchiefs hang dangling from pegs outside the windows or flaunting from the door-posts; and the shelves, within, are piled with them. Confined as the limits of Field Lane are, it has its barber, its coffee-shop, its beer-shop, and its fried-fish warehouse. It is a commercial colony of itself: the emporium of petty larceny: visited at early morning, and setting-in of dusk, by silent merchants, who traffic in dark back-parlours, and who go as strangely as they come. Here, the clothesman, the shoe-vamper, and the rag-merchant, display their goods, as sign-boards to the petty thief; here, stores of old iron and bones, and heaps of mildewy fragments of woollen-stuff and linen, rust and rot in the grimy cellars. It was into this place that the Jew turned. He was well known to the sallow denizens of the lane; for such of them as were on the look-out to buy or sell, nodded, familiarly, as he passed along. He replied to their salutations in the same way; but bestowed no closer recognition until he reached the further end of the alley; when he stopped, to address a salesman of small stature, who had squeezed as much of his person into a child's chair as the chair would hold, and was smoking a pipe at his warehouse door. "Why, the sight of you, Mr. Fagin, would cure the hoptalmy!" said this respectable trader, in acknowledgment of the Jew's inquiry after his health. "The neighbourhood was a little too hot, Lively," said Fagin, elevating his eyebrows, and crossing his hands upon his shoulders. "Well, I've heerd that complaint of it, once or twice before," replied the trader; "but it soon cools down again; don't you find it so?" Fagin nodded in the affirmative. Pointing in the direction of Saffron Hill, he inquired whether any one was up yonder to-night. "At the Cripples?" inquired the man. The Jew nodded. "Let me see," pursued the merchant, reflecting. "Yes, there's some half-dozen of 'em gone in, that I knows. I don't think your friend's there." "Sikes is not, I suppose?" inquired the Jew, with a disappointed countenance. "_Non istwentus_, as the lawyers say," replied the little man, shaking his head, and looking amazingly sly. "Have you got anything in my line to-night?" "Nothing to-night," said the Jew, turning away. "Are you going up to the Cripples, Fagin?" cried the little man, calling after him. "Stop! I don't mind if I have a drop there with you!" But as the Jew, looking back, waved his hand to intimate that he preferred being alone; and, moreover, as the little man could not
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descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his leisure. To judge from appearances, Toby was by no means in a hurry to open the conversation. At first, the Jew contented himself with patiently watching his countenance, as if to gain from its expression some clue to the intelligence he brought; but in vain. He looked tired and worn, but there was the same complacent repose upon his features that they always wore: and through dirt, and beard, and whisker, there still shone, unimpaired, the self-satisfied smirk of flash Toby Crackit. Then the Jew, in an agony of impatience, watched every morsel he put into his mouth; pacing up and down the room, meanwhile, in irrepressible excitement. It was all of no use. Toby continued to eat with the utmost outward indifference, until he could eat no more; then, ordering the Dodger out, he closed the door, mixed a glass of spirits and water, and composed himself for talking. "First and foremost, Faguey," said Toby. "Yes, yes!" interposed the Jew, drawing up his chair. Mr. Crackit stopped to take a draught of spirits and water, and to declare that the gin was excellent; then placing his feet against the low mantelpiece, so as to bring his boots to about the level of his eye, he quietly resumed. "First and foremost, Faguey," said the housebreaker, "how's Bill?" "What!" screamed the Jew, starting from his seat. "Why, you don't mean to say" began Toby, turning pale. "Mean!" cried the Jew, stamping furiously on the ground. "Where are they? Sikes and the boy! Where are they? Where have they been? Where are they hiding? Why have they not been here?" "The crack failed," said Toby faintly.<|quote|>"I know it,"</|quote|>replied the Jew, tearing a newspaper from his pocket and pointing to it. "What more?" "They fired and hit the boy. We cut over the fields at the back, with him between us straight as the crow flies through hedge and ditch. They gave chase. Damme! the whole country was awake, and the dogs upon us." "The boy!" "Bill had him on his back, and scudded like the wind. We stopped to take him between us; his head hung down, and he was cold. They were close upon our heels; every man for himself, and each from the gallows! We parted company, and left the youngster lying in a ditch. Alive or dead, that's all I know about him." The Jew stopped to hear no more; but uttering a loud yell, and twining his hands in his hair, rushed from the room, and from the house. CHAPTER XXVI. IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED The old man had gained the street corner, before he began to recover the effect of Toby Crackit's intelligence. He had relaxed nothing of his unusual speed; but was still pressing onward, in the same wild and disordered manner, when the sudden dashing past of a carriage: and a boisterous cry from the foot passengers, who saw his danger: drove him back upon the pavement. Avoiding, as much as was possible, all the main streets, and skulking only through the by-ways and alleys, he at length emerged on Snow Hill. Here he walked even faster than before; nor did he linger until he had again turned into a court; when, as if conscious that he was now in his proper element, he fell into his usual shuffling pace, and seemed to breathe more freely. Near to the spot on which Snow Hill and Holborn Hill meet, opens, upon the right hand as you come out of the City, a narrow and dismal alley, leading to Saffron Hill. In its filthy shops are exposed for sale huge bunches of second-hand silk handkerchiefs, of all sizes and patterns; for here reside the traders who purchase them from pick-pockets. Hundreds of these handkerchiefs hang dangling from pegs outside the windows or flaunting from the door-posts; and the shelves, within, are piled with them. Confined as the limits of Field Lane are, it has its barber, its coffee-shop, its beer-shop, and its fried-fish warehouse. It is a commercial colony of itself: the emporium of petty
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Oliver Twist
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"It's cold."
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Brett Ashley
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straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through
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and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down.
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mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm
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cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it?
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the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please
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only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at
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this." "Let's go and look at the English," Mike said. "I love to look at the English." "They're awful," Bill said. "Where did they all come from?" "They come from Biarritz," Mike said, "They come to see the last day of the quaint little Spanish fiesta." "I'll festa them," Bill said. "You're an extraordinarily beautiful girl." Mike turned to Bill's friend. "When did you come here?" "Come off it, Michael." "I say, she _is_ a lovely girl. Where have I been? Where have I been looking all this while? You're a lovely thing. _Have_ we met? Come along with me and Bill. We're going to festa the English." "I'll festa them," Bill said, "What the hell are they doing at this fiesta?" "Come on," Mike said. "Just us three. We're going to festa the bloody English. I hope you're not English? I'm Scotch. I hate the English. I'm going to festa them. Come on, Bill." Through the window we saw them, all three arm in arm, going toward the caf . Rockets were going up in the square. "I'm going to sit here," Brett said. "I'll stay with you," Cohn said. "Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?" "I didn't," Cohn said. "I thought I'd sit here because I felt a little tight." "What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed." "Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!" "He doesn't add much to the gayety." "He depresses me so." "He's behaved very badly." "Damned badly. He had a chance to behave so well." "He's probably waiting just outside the door now." "Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything." "I know." "Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too." "It's been damned hard on Mike." "Yes. But he didn't need to be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be
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only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered.<|quote|>"It's cold."</|quote|>"Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at
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The Sun Also Rises
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"What do you know about Lady Brett Ashley, Jake?"
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Robert Cohn
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and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's
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shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a
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I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to
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"No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in
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on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean
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dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn
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morning I walked down the Boulevard to the rue Soufflot for coffee and brioche. It was a fine morning. The horse-chestnut trees in the Luxembourg gardens were in bloom. There was the pleasant early-morning feeling of a hot day. I read the papers with the coffee and then smoked a cigarette. The flower-women were coming up from the market and arranging their daily stock. Students went by going up to the law school, or down to the Sorbonne. The Boulevard was busy with trams and people going to work. I got on an S bus and rode down to the Madeleine, standing on the back platform. From the Madeleine I walked along the Boulevard des Capucines to the Op ra, and up to my office. I passed the man with the jumping frogs and the man with the boxer toys. I stepped aside to avoid walking into the thread with which his girl assistant manipulated the boxers. She was standing looking away, the thread in her folded hands. The man was urging two tourists to buy. Three more tourists had stopped and were watching. I walked on behind a man who was pushing a roller that printed the name CINZANO on the sidewalk in damp letters. All along people were going to work. It felt pleasant to be going to work. I walked across the avenue and turned in to my office. Up-stairs in the office I read the French morning papers, smoked, and then sat at the typewriter and got off a good morning's work. At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said. "You're really about the best friend I have, Jake." God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I held him off it. We talked about one thing and another, and I left him to come to the office. CHAPTER 6 At five o'clock I was in the Hotel Crillon waiting for Brett. She was not there, so I sat down and wrote some letters. They were not very good letters but I hoped their being on Crillon stationery would help them. Brett did not turn up, so about quarter to six I went down to the bar and had a Jack Rose with George the barman. Brett had not been in the bar either, and so I looked for her up-stairs on my way out, and took a taxi to the Caf Select. Crossing the Seine I saw a string of barges being towed empty down the current, riding high, the bargemen at the sweeps as they came toward the bridge. The river looked nice. It was always pleasant crossing bridges in Paris. The taxi rounded the statue of the inventor of the semaphore engaged in doing same, and turned up the Boulevard Raspail, and I sat back to let that part of the ride pass. The Boulevard Raspail always made dull riding. It was like a certain stretch on the P. L. M. between Fontainebleau and Montereau that always made me feel bored and dead and dull until it was over. I suppose it is some association of ideas that makes those dead places in a journey. There are other streets in Paris as ugly as the Boulevard Raspail. It is a street I do not mind walking down at all. But I cannot stand to ride along it. Perhaps I had read something about it once. That was the way Robert Cohn was about all of Paris. I wondered where Cohn got that incapacity to enjoy Paris. Possibly from Mencken. Mencken hates Paris, I believe. So many young men get their likes and dislikes from Mencken. The taxi stopped in front of the
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At eleven o'clock I went over to the Quai d'Orsay in a taxi and went in and sat with about a dozen correspondents, while the foreign-office mouthpiece, a young Nouvelle Revue Fran aise diplomat in horn-rimmed spectacles, talked and answered questions for half an hour. The President of the Council was in Lyons making a speech, or, rather he was on his way back. Several people asked questions to hear themselves talk and there were a couple of questions asked by news service men who wanted to know the answers. There was no news. I shared a taxi back from the Quai d'Orsay with Woolsey and Krum. "What do you do nights, Jake?" asked Krum. "I never see you around." "Oh, I'm over in the Quarter." "I'm coming over some night. The Dingo. That's the great place, isn't it?" "Yes. That, or this new dive, The Select." "I've meant to get over," said Krum. "You know how it is, though, with a wife and kids." "Playing any tennis?" Woolsey asked. "Well, no," said Krum. "I can't say I've played any this year. I've tried to get away, but Sundays it's always rained, and the courts are so damned crowded." "The Englishmen all have Saturday off," Woolsey said. "Lucky beggars," said Krum. "Well, I'll tell you. Some day I'm not going to be working for an agency. Then I'll have plenty of time to get out in the country." "That's the thing to do. Live out in the country and have a little car." "I've been thinking some about getting a car next year." I banged on the glass. The chauffeur stopped. "Here's my street," I said. "Come in and have a drink." "Thanks, old man," Krum said. Woolsey shook his head. "I've got to file that line he got off this morning." I put a two-franc piece in Krum's hand. "You're crazy, Jake," he said. "This is on me." "It's all on the office, anyway." "Nope. I want to get it." I waved good-by. Krum put his head out. "See you at the lunch on Wednesday." "You bet." I went to the office in the elevator. Robert Cohn was waiting for me. "Hello, Jake," he said. "Going out to lunch?" "Yes. Let me see if there is anything new." "Where will we eat?" "Anywhere." I was looking over my desk. "Where do you want to eat?" "How about Wetzel's? They've got good hors d'oeuvres." In the restaurant we ordered hors d'oeuvres and beer. The sommelier brought the beer, tall, beaded on the outside of the steins, and cold. There were a dozen different dishes of hors d'oeuvres. "Have any fun last night?" I asked. "No. I don't think so." "How's the writing going?" "Rotten. I can't get this second book going." "That happens to everybody." "Oh, I'm sure of that. It gets me worried, though." "Thought any more about going to South America?" "I mean that." "Well, why don't you start off?" "Frances." "Well," I said, "take her with you." "She wouldn't like it. That isn't the sort of thing she likes. She likes a lot of people around." "Tell her to go to hell." "I can't. I've got certain obligations to her." He shoved the sliced cucumbers away and took a pickled herring.<|quote|>"What do you know about Lady Brett Ashley, Jake?"</|quote|>"Her name's Lady Ashley. Brett's her own name. She's a nice girl," I said. "She's getting a divorce and she's going to marry Mike Campbell. He's over in Scotland now. Why?" "She's a remarkably attractive woman." "Isn't she?" "There's a certain quality about her, a certain fineness. She seems to be absolutely fine and straight." "She's very nice." "I don't know how to describe the quality," Cohn said. "I suppose it's breeding." "You sound as though you liked her pretty well." "I do. I shouldn't wonder if I were in love with her." "She's a drunk," I said. "She's in love with Mike Campbell, and she's going to marry him. He's going to be rich as hell some day." "I don't believe she'll ever marry him." "Why not?" "I don't know. I just don't believe it. Have you known her a long time?" "Yes," I said. "She was a V. A. D. in a hospital I was in during the war." "She must have been just a kid then." "She's thirty-four now." "When did she marry Ashley?" "During the war. Her own true love had just kicked off with the dysentery." "You talk sort of bitter." "Sorry. I didn't mean to. I was just trying to give you the facts." "I don't believe she would marry anybody she didn't love." "Well," I said. "She's done it twice." "I don't believe it." "Well," I said, "don't ask me a lot of fool questions if you don't like the answers." "I didn't ask you that." "You asked me what I knew about Brett Ashley." "I didn't ask you to insult her." "Oh, go to hell." He stood up from the table his face white, and stood there white and angry behind the little plates of hors d'oeuvres. "Sit down," I said. "Don't be a fool." "You've got to take that back." "Oh, cut out the prep-school stuff." "Take it back." "Sure. Anything. I never heard of Brett Ashley. How's that?" "No. Not that. About me going to hell." "Oh, don't go to hell," I said. "Stick around. We're just starting lunch." Cohn smiled again and sat down. He seemed glad to sit down. What the hell would he have done if he hadn't sat down? "You say such damned insulting things, Jake." "I'm sorry. I've got a nasty tongue. I never mean it when I say nasty things." "I know it," Cohn said. "You're really about the best friend I have, Jake." God help you, I thought. "Forget what I said," I said out loud. "I'm sorry." "It's all right. It's fine. I was just sore for a minute." "Good. Let's get something else to eat." After we finished the lunch we walked up to the Caf de la Paix and had coffee. I could feel Cohn wanted to bring up Brett again, but I
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The Sun Also Rises
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and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the
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No speaker
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good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured
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homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure,
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three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian
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put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house,
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on the soft dust of the farmyard. Grandmother came to the door and said it was late, and we would get wet out there. “In a minute we come,” Ántonia called back to her. “I like your grandmother, and all things here,” she sighed. “I wish my papa live to see this summer. I wish no winter ever come again.” “It will be summer a long while yet,” I reassured her. “Why are n’t you always nice like this, Tony?” “How nice?” “Why, just like this; like yourself. Why do you all the time try to be like Ambrosch?” She put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, made shelves and cupboards for grandmother’s kitchen, and seemed loath to leave us. But at last they went, without warning. Those two fellows had been faithful to us through sun and storm, had given us things that cannot be bought in any market in the world. With me they had been like older brothers; had restrained their speech and manners out of care for me, and given me so much good comradeship. Now they got on the west-bound train one morning, in their Sunday clothes, with their oilcloth valises—and I never saw them again. Months afterward we got a card
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play softly along the horizon, or looking up at the gaunt frame of the windmill against the blue night sky. One night there was a beautiful electric storm, though not enough rain fell to damage the cut grain. The men went down to the barn immediately after supper, and when the dishes were washed Ántonia and I climbed up on the slanting roof of the chicken-house to watch the clouds. The thunder was loud and metallic, like the rattle of sheet iron, and the lightning broke in great zigzags across the heavens, making everything stand out and come close to us for a moment. Half the sky was checkered with black thunderheads, but all the west was luminous and clear: in the lightning-flashes it looked like deep blue water, with the sheen of moonlight on it; and the mottled part of the sky was like marble pavement, like the quay of some splendid sea-coast city, doomed to destruction. Great warm splashes of rain fell on our upturned faces. One black cloud, no bigger than a little boat, drifted out into the clear space unattended, and kept moving westward. All about us we could hear the felty beat of the raindrops on the soft dust of the farmyard. Grandmother came to the door and said it was late, and we would get wet out there. “In a minute we come,” Ántonia called back to her. “I like your grandmother, and all things here,” she sighed. “I wish my papa live to see this summer. I wish no winter ever come again.” “It will be summer a long while yet,” I reassured her. “Why are n’t you always nice like this, Tony?” “How nice?” “Why, just like this; like yourself. Why do you all the time try to be like Ambrosch?” She put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, made shelves and cupboards for grandmother’s kitchen, and seemed loath to leave us. But at last they went, without warning. Those two fellows had been faithful to us through sun and storm, had given us things that cannot be bought in any market in the world. With me they had been like older brothers; had restrained their speech and manners out of care for me, and given me so much good comradeship. Now they got on the west-bound train one morning, in their Sunday clothes, with their oilcloth valises—and I never saw them again. Months afterward we got a card from Otto, saying that Jake had been down with mountain fever, but now they were both working in the Yankee Girl mine, and were doing well. I wrote to them at that address, but my letter was returned to me, “unclaimed.” After that we never heard from them. Black Hawk, the new world in which we had come to live, was a clean, well-planted little prairie town, with white fences and good green yards about the dwellings, wide, dusty streets, and shapely little trees growing along the wooden sidewalks. In the center of the town there were two rows of new brick “store” buildings, a brick schoolhouse, the courthouse, and four white churches. Our own house looked down over the town, and from our upstairs windows we could see the winding line of the river bluffs, two miles south of us. That river was to be my compensation for the lost freedom of the farming country. We came to Black Hawk in March, and by the end of April we felt like town people. Grandfather was a deacon in the new Baptist Church, grandmother was busy with church suppers and missionary societies, and I was quite another boy, or thought
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the heat regulated by a thermometer, it could not have been better for the yellow tassels that were ripening and fertilizing each other day by day. The cornfields were far apart in those times, with miles of wild grazing land between. It took a clear, meditative eye like my grandfather’s to foresee that they would enlarge and multiply until they would be, not the Shimerdas’ cornfields, or Mr. Bushy’s, but the world’s cornfields; that their yield would be one of the great economic facts, like the wheat crop of Russia, which underlie all the activities of men, in peace or war. The burning sun of those few weeks, with occasional rains at night, secured the corn. After the milky ears were once formed, we had little to fear from dry weather. The men were working so hard in the wheatfields that they did not notice the heat,—though I was kept busy carrying water for them,—and grandmother and Ántonia had so much to do in the kitchen that they could not have told whether one day was hotter than another. Each morning, while the dew was still on the grass, Ántonia went with me up to the garden to get early vegetables for dinner. Grandmother made her wear a sunbonnet, but as soon as we reached the garden she threw it on the grass and let her hair fly in the breeze. I remember how, as we bent over the pea-vines, beads of perspiration used to gather on her upper lip like a little mustache. “Oh, better I like to work out of doors than in a house!” she used to sing joyfully. “I not care that your grandmother say it makes me like a man. I like to be like a man.” She would toss her head and ask me to feel the muscles swell in her brown arm. We were glad to have her in the house. She was so gay and responsive that one did not mind her heavy, running step, or her clattery way with pans. Grandmother was in high spirits during the weeks that Ántonia worked for us. [Illustration: Jim and Ántonia in the garden] All the nights were close and hot during that harvest season. The harvesters slept in the hayloft because it was cooler there than in the house. I used to lie in my bed by the open window, watching the heat lightning play softly along the horizon, or looking up at the gaunt frame of the windmill against the blue night sky. One night there was a beautiful electric storm, though not enough rain fell to damage the cut grain. The men went down to the barn immediately after supper, and when the dishes were washed Ántonia and I climbed up on the slanting roof of the chicken-house to watch the clouds. The thunder was loud and metallic, like the rattle of sheet iron, and the lightning broke in great zigzags across the heavens, making everything stand out and come close to us for a moment. Half the sky was checkered with black thunderheads, but all the west was luminous and clear: in the lightning-flashes it looked like deep blue water, with the sheen of moonlight on it; and the mottled part of the sky was like marble pavement, like the quay of some splendid sea-coast city, doomed to destruction. Great warm splashes of rain fell on our upturned faces. One black cloud, no bigger than a little boat, drifted out into the clear space unattended, and kept moving westward. All about us we could hear the felty beat of the raindrops on the soft dust of the farmyard. Grandmother came to the door and said it was late, and we would get wet out there. “In a minute we come,” Ántonia called back to her. “I like your grandmother, and all things here,” she sighed. “I wish my papa live to see this summer. I wish no winter ever come again.” “It will be summer a long while yet,” I reassured her. “Why are n’t you always nice like this, Tony?” “How nice?” “Why, just like this; like yourself. Why do you all the time try to be like Ambrosch?” She put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, made shelves and cupboards for grandmother’s kitchen, and seemed loath to leave us. But at last they went, without warning. Those two fellows had been faithful to us through sun and storm, had given us things that cannot be bought in any market in the world. With me they had been like older brothers; had restrained their speech and manners out of care for me, and given me so much good comradeship. Now they got on the west-bound train one morning, in their Sunday clothes, with their oilcloth valises—and I never saw them again. Months afterward we got a card from Otto, saying that Jake had been down with mountain fever, but now they were both working in the Yankee Girl mine, and were doing well. I wrote to them at that address, but my letter was returned to me, “unclaimed.” After that we never heard from them. Black Hawk, the new world in which we had come to live, was a clean, well-planted little prairie town, with white fences and good green yards about the dwellings, wide, dusty streets, and shapely little trees growing along the wooden sidewalks. In the center of the town there were two rows of new brick “store” buildings, a brick schoolhouse, the courthouse, and four white churches. Our own house looked down over the town, and from our upstairs windows we could see the winding line of the river bluffs, two miles south of us. That river was to be my compensation for the lost freedom of the farming country. We came to Black Hawk in March, and by the end of April we felt like town people. Grandfather was a deacon in the new Baptist Church, grandmother was busy with church suppers and missionary societies, and I was quite another boy, or thought I was. Suddenly put down among boys of my own age, I found I had a great deal to learn. Before the spring term of school was over I could fight, play “keeps,” tease the little girls, and use forbidden words as well as any boy in my class. I was restrained from utter savagery only by the fact that Mrs. Harling, our nearest neighbor, kept an eye on me, and if my behavior went beyond certain bounds I was not permitted to come into her yard or to play with her jolly children. We saw more of our country neighbors now than when we lived on the farm. Our house was a convenient stopping-place for them. We had a big barn where the farmers could put up their teams, and their women-folk more often accompanied them, now that they could stay with us for dinner, and rest and set their bonnets right before they went shopping. The more our house was like a country hotel, the better I liked it. I was glad, when I came home from school at noon, to see a farm wagon standing in the back yard, and I was always ready to run downtown to get beefsteak or baker’s bread for unexpected company. All through that first spring and summer I kept hoping that Ambrosch would bring Ántonia and Yulka to see our new house. I wanted to show them our red plush furniture, and the trumpet-blowing cherubs the German paper-hanger had put on our parlor ceiling. When Ambrosch came to town, however, he came alone, and though he put his horses in our barn, he would never stay for dinner, or tell us anything about his mother and sisters. If we ran out and questioned him as he was slipping through the yard, he would merely work his shoulders about in his coat and say, “They all right, I guess.” Mrs. Steavens, who now lived on our farm, grew as fond of Ántonia as we had been, and always brought us news of her. All through the wheat season, she told us, Ambrosch hired his sister out like a man, and she went from farm to farm, binding sheaves or working with the thrashers. The farmers liked her and were kind to her; said they would rather have her for a hand than Ambrosch. When fall came she was to husk corn for
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glad to have her in the house. She was so gay and responsive that one did not mind her heavy, running step, or her clattery way with pans. Grandmother was in high spirits during the weeks that Ántonia worked for us. [Illustration: Jim and Ántonia in the garden] All the nights were close and hot during that harvest season. The harvesters slept in the hayloft because it was cooler there than in the house. I used to lie in my bed by the open window, watching the heat lightning play softly along the horizon, or looking up at the gaunt frame of the windmill against the blue night sky. One night there was a beautiful electric storm, though not enough rain fell to damage the cut grain. The men went down to the barn immediately after supper, and when the dishes were washed Ántonia and I climbed up on the slanting roof of the chicken-house to watch the clouds. The thunder was loud and metallic, like the rattle of sheet iron, and the lightning broke in great zigzags across the heavens, making everything stand out and come close to us for a moment. Half the sky was checkered with black thunderheads, but all the west was luminous and clear: in the lightning-flashes it looked like deep blue water, with the sheen of moonlight on it; and the mottled part of the sky was like marble pavement, like the quay of some splendid sea-coast city, doomed to destruction. Great warm splashes of rain fell on our upturned faces. One black cloud, no bigger than a little boat, drifted out into the clear space unattended, and kept moving westward. All about us we could hear the felty beat of the raindrops on the soft dust of the farmyard. Grandmother came to the door and said it was late, and we would get wet out there. “In a minute we come,” Ántonia called back to her. “I like your grandmother, and all things here,” she sighed. “I wish my papa live to see this summer. I wish no winter ever come again.” “It will be summer a long while yet,” I reassured her. “Why are n’t you always nice like this, Tony?” “How nice?” “Why, just like this; like yourself. Why do you all the time try to be like Ambrosch?” She put her arms under her head and lay back, looking up at the sky. “If I live here, like you, that is different. Things will be easy for you. But they will be hard for us.” BOOK II—THE HIRED GIRLS I I HAD been living with my grandfather for nearly three years when he decided to move to Black Hawk. He and grandmother were getting old for the heavy work of a farm, and as I was now thirteen they thought I ought to be going to school. Accordingly our homestead was rented to “that good woman, the Widow Steavens,”<|quote|>and her bachelor brother, and we bought Preacher White’s house, at the north end of Black Hawk. This was the first town house one passed driving in from the farm, a landmark which told country people their long ride was over. We were to move to Black Hawk in March, and as soon as grandfather had fixed the date he let Jake and Otto know of his intention. Otto said he would not be likely to find another place that suited him so well; that he was tired of farming and thought he would go back to what he called the</|quote|>“wild West.” Jake Marpole, lured by Otto’s stories of adventure, decided to go with him. We did our best to dissuade Jake. He was so handicapped by illiteracy and by his trusting disposition that he would be an easy prey to sharpers. Grandmother begged him to stay among kindly, Christian people, where he was known; but there was no reasoning with him. He wanted to be a prospector. He thought a silver mine was waiting for him in Colorado. Jake and Otto served us to the last. They moved us into town, put down the carpets in our new house, made shelves and cupboards for grandmother’s kitchen, and seemed loath to leave us. But at last they went, without warning. Those two fellows had been faithful to us through sun and storm, had given us things that cannot be bought in any market in the world. With me they had been like older brothers; had restrained their speech and manners out of care for me, and given me so much good comradeship. Now they got on the west-bound train one morning, in their Sunday clothes, with their oilcloth valises—and I never saw them again. Months afterward we got a card from Otto, saying that Jake had been down with mountain fever, but now they were both working in the Yankee Girl mine, and were doing well. I wrote to them at that address, but my letter was returned to me, “unclaimed.” After that we never heard from them. Black Hawk, the new world in which we had come to live, was a clean, well-planted little prairie town, with white fences and good green yards about the dwellings, wide, dusty streets, and shapely little trees growing along the wooden sidewalks. In the center of the town there were two rows of new brick “store” buildings, a brick schoolhouse, the courthouse, and four white churches. Our own house looked down over the town, and from our upstairs windows we could see the winding line of the river bluffs, two miles south of us. That river was to be my compensation for the lost freedom of the farming country. We came to Black Hawk in March, and by the end of April we felt like town people. Grandfather was a deacon in the new Baptist Church, grandmother was busy with church suppers and missionary societies, and I was quite another boy, or thought I was. Suddenly put down among boys of my own age, I found I had a great deal to learn. Before the spring term of school was over I could fight, play “keeps,” tease the little girls, and use forbidden words as well as any boy in my class. I was restrained from utter savagery only by the fact that Mrs. Harling, our nearest neighbor, kept an eye on me, and if my behavior went beyond certain bounds I was not permitted to come into her yard or to play with her jolly children. We saw more of our country neighbors now than when we lived on the farm.
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My Antonia
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"We re not going to interrupt you,"
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Katharine Hilbery
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encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the
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effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front
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not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of
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share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in
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moreover, left them exposed to interruptions which almost destroyed their pleasure in being alone together. The rainy evening made it impossible to go out; and, indeed, according to William s code, it was considerably more damning to be seen out of doors than surprised within. They were so much at the mercy of bells and doors that they could hardly talk of Macaulay with any conviction, and William preferred to defer the second act of his tragedy until another day. Under these circumstances Cassandra showed herself at her best. She sympathized with William s anxieties and did her utmost to share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in to bring a message that Mr. Hilbery would not be home for dinner. It was true that there was no need that Katharine should be informed, but William began to inquire Cassandra s opinion in such a way as to show that, with or without reason, he wished very much to speak to her. From motives of her own Cassandra dissuaded him. "But don t you think it s a little unsociable?" he hazarded. "Why not do something amusing? go to the play, for instance? Why not ask Katharine and Ralph, eh?" The coupling of their names in this manner
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had just passed Katharine in the street and she had failed to recognize him. "That doesn t matter with me, of course, but suppose it happened with somebody else? What would they think? They would suspect something merely from her expression. She looked she looked" he hesitated "like some one walking in her sleep." To Cassandra the significant thing was that Katharine had gone out without telling her, and she interpreted this to mean that she had gone out to meet Ralph Denham. But to her surprise William drew no comfort from this probability. "Once throw conventions aside," he began, "once do the things that people don t do" and the fact that you are going to meet a young man is no longer proof of anything, except, indeed, that people will talk. Cassandra saw, not without a pang of jealousy, that he was extremely solicitous that people should not talk about Katharine, as if his interest in her were still proprietary rather than friendly. As they were both ignorant of Ralph s visit the night before they had not that reason to comfort themselves with the thought that matters were hastening to a crisis. These absences of Katharine s, moreover, left them exposed to interruptions which almost destroyed their pleasure in being alone together. The rainy evening made it impossible to go out; and, indeed, according to William s code, it was considerably more damning to be seen out of doors than surprised within. They were so much at the mercy of bells and doors that they could hardly talk of Macaulay with any conviction, and William preferred to defer the second act of his tragedy until another day. Under these circumstances Cassandra showed herself at her best. She sympathized with William s anxieties and did her utmost to share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in to bring a message that Mr. Hilbery would not be home for dinner. It was true that there was no need that Katharine should be informed, but William began to inquire Cassandra s opinion in such a way as to show that, with or without reason, he wished very much to speak to her. From motives of her own Cassandra dissuaded him. "But don t you think it s a little unsociable?" he hazarded. "Why not do something amusing? go to the play, for instance? Why not ask Katharine and Ralph, eh?" The coupling of their names in this manner caused Cassandra s heart to leap with pleasure. "Don t you think they must be ?" she began, but William hastily took her up. "Oh, I know nothing about that. I only thought we might amuse ourselves, as your uncle s out." He proceeded on his embassy with a mixture of excitement and embarrassment which caused him to turn aside with his hand on the curtain, and to examine intently for several moments the portrait of a lady, optimistically said by Mrs. Hilbery to be an early work of Sir Joshua Reynolds. Then, with some unnecessary fumbling, he drew aside the curtain, and with his eyes fixed upon the ground, repeated his message and suggested that they should all spend the evening at the play. Katharine accepted the suggestion with such cordiality that it was strange to find her of no clear mind as to the precise spectacle she wished to see. She left the choice entirely to Ralph and William, who, taking counsel fraternally over an evening paper, found themselves in agreement as to the merits of a music-hall. This being arranged, everything else followed easily and enthusiastically. Cassandra had never been to a music-hall. Katharine instructed her in
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realized that this was a moment which would never come again. Perhaps, for a second, it seemed to her that no reality could equal the imagination she had formed. Perhaps she was restrained by some vague fear or anticipation, which made her dread any exchange or interruption. But if these doubts and fears or this supreme bliss restrained her, it was only for a moment. In another second she had turned the handle and, biting her lip to control herself, she opened the door upon Ralph Denham. An extraordinary clearness of sight seemed to possess her on beholding him. So little, so single, so separate from all else he appeared, who had been the cause of these extreme agitations and aspirations. She could have laughed in his face. But, gaining upon this clearness of sight against her will, and to her dislike, was a flood of confusion, of relief, of certainty, of humility, of desire no longer to strive and to discriminate, yielding to which, she let herself sink within his arms and confessed her love. CHAPTER XXXII Nobody asked Katharine any questions next day. If cross-examined she might have said that nobody spoke to her. She worked a little, wrote a little, ordered the dinner, and sat, for longer than she knew, with her head on her hand piercing whatever lay before her, whether it was a letter or a dictionary, as if it were a film upon the deep prospects that revealed themselves to her kindling and brooding eyes. She rose once, and going to the bookcase, took out her father s Greek dictionary and spread the sacred pages of symbols and figures before her. She smoothed the sheets with a mixture of affectionate amusement and hope. Would other eyes look on them with her one day? The thought, long intolerable, was now just bearable. She was quite unaware of the anxiety with which her movements were watched and her expression scanned. Cassandra was careful not to be caught looking at her, and their conversation was so prosaic that were it not for certain jolts and jerks between the sentences, as if the mind were kept with difficulty to the rails, Mrs. Milvain herself could have detected nothing of a suspicious nature in what she overheard. William, when he came in late that afternoon and found Cassandra alone, had a very serious piece of news to impart. He had just passed Katharine in the street and she had failed to recognize him. "That doesn t matter with me, of course, but suppose it happened with somebody else? What would they think? They would suspect something merely from her expression. She looked she looked" he hesitated "like some one walking in her sleep." To Cassandra the significant thing was that Katharine had gone out without telling her, and she interpreted this to mean that she had gone out to meet Ralph Denham. But to her surprise William drew no comfort from this probability. "Once throw conventions aside," he began, "once do the things that people don t do" and the fact that you are going to meet a young man is no longer proof of anything, except, indeed, that people will talk. Cassandra saw, not without a pang of jealousy, that he was extremely solicitous that people should not talk about Katharine, as if his interest in her were still proprietary rather than friendly. As they were both ignorant of Ralph s visit the night before they had not that reason to comfort themselves with the thought that matters were hastening to a crisis. These absences of Katharine s, moreover, left them exposed to interruptions which almost destroyed their pleasure in being alone together. The rainy evening made it impossible to go out; and, indeed, according to William s code, it was considerably more damning to be seen out of doors than surprised within. They were so much at the mercy of bells and doors that they could hardly talk of Macaulay with any conviction, and William preferred to defer the second act of his tragedy until another day. Under these circumstances Cassandra showed herself at her best. She sympathized with William s anxieties and did her utmost to share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in to bring a message that Mr. Hilbery would not be home for dinner. It was true that there was no need that Katharine should be informed, but William began to inquire Cassandra s opinion in such a way as to show that, with or without reason, he wished very much to speak to her. From motives of her own Cassandra dissuaded him. "But don t you think it s a little unsociable?" he hazarded. "Why not do something amusing? go to the play, for instance? Why not ask Katharine and Ralph, eh?" The coupling of their names in this manner caused Cassandra s heart to leap with pleasure. "Don t you think they must be ?" she began, but William hastily took her up. "Oh, I know nothing about that. I only thought we might amuse ourselves, as your uncle s out." He proceeded on his embassy with a mixture of excitement and embarrassment which caused him to turn aside with his hand on the curtain, and to examine intently for several moments the portrait of a lady, optimistically said by Mrs. Hilbery to be an early work of Sir Joshua Reynolds. Then, with some unnecessary fumbling, he drew aside the curtain, and with his eyes fixed upon the ground, repeated his message and suggested that they should all spend the evening at the play. Katharine accepted the suggestion with such cordiality that it was strange to find her of no clear mind as to the precise spectacle she wished to see. She left the choice entirely to Ralph and William, who, taking counsel fraternally over an evening paper, found themselves in agreement as to the merits of a music-hall. This being arranged, everything else followed easily and enthusiastically. Cassandra had never been to a music-hall. Katharine instructed her in the peculiar delights of an entertainment where Polar bears follow directly upon ladies in full evening dress, and the stage is alternately a garden of mystery, a milliner s band-box, and a fried-fish shop in the Mile End Road. Whatever the exact nature of the program that night, it fulfilled the highest purposes of dramatic art, so far, at least, as four of the audience were concerned. No doubt the actors and the authors would have been surprised to learn in what shape their efforts reached those particular eyes and ears; but they could not have denied that the effect as a whole was tremendous. The hall resounded with brass and strings, alternately of enormous pomp and majesty, and then of sweetest lamentation. The reds and creams of the background, the lyres and harps and urns and skulls, the protuberances of plaster, the fringes of scarlet plush, the sinking and blazing of innumerable electric lights, could scarcely have been surpassed for decorative effect by any craftsman of the ancient or modern world. Then there was the audience itself, bare-shouldered, tufted and garlanded in the stalls, decorous but festal in the balconies, and frankly fit for daylight and street life in the galleries. But, however they differed when looked at separately, they shared the same huge, lovable nature in the bulk, which murmured and swayed and quivered all the time the dancing and juggling and love-making went on in front of it, slowly laughed and reluctantly left off laughing, and applauded with a helter-skelter generosity which sometimes became unanimous and overwhelming. Once William saw Katharine leaning forward and clapping her hands with an abandonment that startled him. Her laugh rang out with the laughter of the audience. For a second he was puzzled, as if this laughter disclosed something that he had never suspected in her. But then Cassandra s face caught his eye, gazing with astonishment at the buffoon, not laughing, too deeply intent and surprised to laugh at what she saw, and for some moments he watched her as if she were a child. The performance came to an end, the illusion dying out first here and then there, as some rose to put on their coats, others stood upright to salute "God Save the King," the musicians folded their music and encased their instruments, and the lights sank one by one until the house was empty, silent, and
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revealed themselves to her kindling and brooding eyes. She rose once, and going to the bookcase, took out her father s Greek dictionary and spread the sacred pages of symbols and figures before her. She smoothed the sheets with a mixture of affectionate amusement and hope. Would other eyes look on them with her one day? The thought, long intolerable, was now just bearable. She was quite unaware of the anxiety with which her movements were watched and her expression scanned. Cassandra was careful not to be caught looking at her, and their conversation was so prosaic that were it not for certain jolts and jerks between the sentences, as if the mind were kept with difficulty to the rails, Mrs. Milvain herself could have detected nothing of a suspicious nature in what she overheard. William, when he came in late that afternoon and found Cassandra alone, had a very serious piece of news to impart. He had just passed Katharine in the street and she had failed to recognize him. "That doesn t matter with me, of course, but suppose it happened with somebody else? What would they think? They would suspect something merely from her expression. She looked she looked" he hesitated "like some one walking in her sleep." To Cassandra the significant thing was that Katharine had gone out without telling her, and she interpreted this to mean that she had gone out to meet Ralph Denham. But to her surprise William drew no comfort from this probability. "Once throw conventions aside," he began, "once do the things that people don t do" and the fact that you are going to meet a young man is no longer proof of anything, except, indeed, that people will talk. Cassandra saw, not without a pang of jealousy, that he was extremely solicitous that people should not talk about Katharine, as if his interest in her were still proprietary rather than friendly. As they were both ignorant of Ralph s visit the night before they had not that reason to comfort themselves with the thought that matters were hastening to a crisis. These absences of Katharine s, moreover, left them exposed to interruptions which almost destroyed their pleasure in being alone together. The rainy evening made it impossible to go out; and, indeed, according to William s code, it was considerably more damning to be seen out of doors than surprised within. They were so much at the mercy of bells and doors that they could hardly talk of Macaulay with any conviction, and William preferred to defer the second act of his tragedy until another day. Under these circumstances Cassandra showed herself at her best. She sympathized with William s anxieties and did her utmost to share them; but still, to be alone together, to be running risks together, to be partners in the wonderful conspiracy, was to her so enthralling that she was always forgetting discretion, breaking out into exclamations and admirations which finally made William believe that, although deplorable and upsetting, the situation was not without its sweetness. When the door did open, he started, but braved the forthcoming revelation. It was not Mrs. Milvain, however, but Katharine herself who entered, closely followed by Ralph Denham. With a set expression which showed what an effort she was making, Katharine encountered their eyes, and saying,<|quote|>"We re not going to interrupt you,"</|quote|>she led Denham behind the curtain which hung in front of the room with the relics. This refuge was none of her willing, but confronted with wet pavements and only some belated museum or Tube station for shelter, she was forced, for Ralph s sake, to face the discomforts of her own house. Under the street lamps she had thought him looking both tired and strained. Thus separated, the two couples remained occupied for some time with their own affairs. Only the lowest murmurs penetrated from one section of the room to the other. At length the maid came in to bring a message that Mr. Hilbery would not be home for dinner. It was true that there was no need that Katharine should be informed, but William began to inquire Cassandra s opinion in such a way as to show that, with or without reason, he wished very much to speak to her. From motives of her own Cassandra dissuaded him. "But don t you think it s a little unsociable?" he hazarded. "Why not do something amusing? go to the play, for instance? Why not ask Katharine and Ralph, eh?" The coupling of their names in this manner caused Cassandra s heart to leap with pleasure. "Don t you think they must be ?" she began, but William hastily took her up. "Oh, I know nothing about that. I only thought we might amuse ourselves, as your uncle s out." He proceeded on his embassy with a mixture of excitement and embarrassment which caused him to turn aside with his hand on the curtain, and to examine intently for several moments the portrait of a lady, optimistically said by Mrs. Hilbery to be an early work of Sir Joshua Reynolds. Then, with some unnecessary fumbling, he drew aside the curtain, and with his eyes fixed upon the ground, repeated his message and suggested that they should all spend the evening at the play. Katharine accepted the suggestion with such cordiality that it was strange to find her of no clear mind as to the precise spectacle she wished to see. She left the choice entirely to Ralph and William, who, taking counsel fraternally over an evening paper, found themselves in agreement as to the merits of a music-hall. This being arranged, everything else followed easily and enthusiastically. Cassandra had never been to a music-hall. Katharine instructed her in the peculiar delights of an entertainment where Polar bears follow directly upon ladies in full evening dress, and the stage is alternately a garden of mystery, a milliner s band-box, and a fried-fish shop in the Mile End Road. Whatever the exact nature of the program that
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Night And Day
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"In that case it is far too sudden."
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Aunt Juley
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hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who
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all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I
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can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my
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do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know--
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fighting-cocks, and Charles takes us out every day in the motor--a tomb with trees in it, a hermit s house, a wonderful road that was made by the Kings of Mercia--tennis--a cricket match--bridge and at night we squeeze up in this lovely house. The whole clan s here now--it s like a rabbit warren. Evie is a dear. They want me to stop over Sunday--I suppose it won t matter if I do. Marvellous weather and the views marvellous--views westward to the high ground. Thank you for your letter. Burn this." "Your affectionate" "HELEN." "Howards End," "Sunday." "Dearest, dearest Meg,--I do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- Speyer, Maintz, and Koln. Those three sees once commanded the Rhine Valley and got it the name of Priest Street." "I still feel quite uneasy about this business, Margaret." "The train crossed by a bridge of boats, and at first sight it looked quite fine. But oh, in five minutes we had seen the whole thing. The cathedral had been ruined, absolutely ruined, by restoration; not an inch left of the original structure. We wasted a whole day, and came across the Wilcoxes as we were eating our sandwiches in the public gardens. They too, poor things, had been taken
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are the very happiest, jolliest family that you can imagine. I do really feel that we are making friends. The fun of it is that they think me a noodle, and say so--at least, Mr. Wilcox does--and when that happens, and one doesn t mind, it s a pretty sure test, isn t it? He says the most horrid things about woman s suffrage so nicely, and when I said I believed in equality he just folded his arms and gave me such a setting down as I ve never had. Meg, shall we ever learn to talk less? I never felt so ashamed of myself in my life. I couldn t point to a time when men had been equal, nor even to a time when the wish to be equal had made them happier in other ways. I couldn t say a word. I had just picked up the notion that equality is good from some book--probably from poetry, or you. Anyhow, it s been knocked into pieces, and, like all people who are really strong, Mr. Wilcox did it without hurting me. On the other hand, I laugh at them for catching hay fever. We live like fighting-cocks, and Charles takes us out every day in the motor--a tomb with trees in it, a hermit s house, a wonderful road that was made by the Kings of Mercia--tennis--a cricket match--bridge and at night we squeeze up in this lovely house. The whole clan s here now--it s like a rabbit warren. Evie is a dear. They want me to stop over Sunday--I suppose it won t matter if I do. Marvellous weather and the views marvellous--views westward to the high ground. Thank you for your letter. Burn this." "Your affectionate" "HELEN." "Howards End," "Sunday." "Dearest, dearest Meg,--I do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- Speyer, Maintz, and Koln. Those three sees once commanded the Rhine Valley and got it the name of Priest Street." "I still feel quite uneasy about this business, Margaret." "The train crossed by a bridge of boats, and at first sight it looked quite fine. But oh, in five minutes we had seen the whole thing. The cathedral had been ruined, absolutely ruined, by restoration; not an inch left of the original structure. We wasted a whole day, and came across the Wilcoxes as we were eating our sandwiches in the public gardens. They too, poor things, had been taken in--they were actually stopping at Speyer--and they rather liked Helen s insisting that they must fly with us to Heidelberg. As a matter of fact, they did come on next day. We all took some drives together. They knew us well enough to ask Helen to come and see them--at least, I was asked too, but Tibby s illness prevented me, so last Monday she went alone. That s all. You know as much as I do now. It s a young man out of the unknown. She was to have come back Saturday, but put off till Monday, perhaps on account of--I don t know." She broke off, and listened to the sounds of a London morning. Their house was in Wickham Place, and fairly quiet, for a lofty promontory of buildings separated it from the main thoroughfare. One had the sense of a backwater, or rather of an estuary, whose waters flowed in from the invisible sea, and ebbed into a profound silence while the waves without were still beating. Though the promontory consisted of flats--expensive, with cavernous entrance halls, full of concierges and palms--it fulfilled its purpose, and gained for the older houses opposite a certain measure
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just see. Trail, trail, went her long dress over the sopping grass, and she came back with her hands full of the hay that was cut yesterday--I suppose for rabbits or something, as she kept on smelling it. The air here is delicious. Later on I heard the noise of croquet balls, and looked out again, and it was Charles Wilcox practising; they are keen on all games. Presently he started sneezing and had to stop. Then I hear more clicketing, and it is Mr. Wilcox practising, and then, a-tissue, a-tissue : he has to stop too. Then Evie comes out, and does some calisthenic exercises on a machine that is tacked on to a green-gage-tree--they put everything to use--and then she says a-tissue, and in she goes. And finally Mrs. Wilcox reappears, trail, trail, still smelling hay and looking at the flowers. I inflict all this on you because once you said that life is sometimes life and sometimes only a drama, and one must learn to distinguish tother from which, and up to now I have always put that down as Meg s clever nonsense. But this morning, it really does seem not life but a play, and it did amuse me enormously to watch the W s. Now Mrs. Wilcox has come in." "I am going to wear [omission]. Last night Mrs. Wilcox wore an [omission], and Evie [omission]. So it isn t exactly a go-as-you-please place, and if you shut your eyes it still seems the wiggly hotel that we expected. Not if you open them. The dog-roses are too sweet. There is a great hedge of them over the lawn--magnificently tall, so that they fall down in garlands, and nice and thin at the bottom, so that you can see ducks through it and a cow. These belong to the farm, which is the only house near us. There goes the breakfast gong. Much love. Modified love to Tibby. Love to Aunt Juley; how good of her to come and keep you company, but what a bore. Burn this. Will write again Thursday." "HELEN." "Howards End" "Friday" "Dearest Meg," "I am having a glorious time. I like them all. Mrs. Wilcox, if quieter than in Germany, is sweeter than ever, and I never saw anything like her steady unselfishness, and the best of it is that the others do not take advantage of her. They are the very happiest, jolliest family that you can imagine. I do really feel that we are making friends. The fun of it is that they think me a noodle, and say so--at least, Mr. Wilcox does--and when that happens, and one doesn t mind, it s a pretty sure test, isn t it? He says the most horrid things about woman s suffrage so nicely, and when I said I believed in equality he just folded his arms and gave me such a setting down as I ve never had. Meg, shall we ever learn to talk less? I never felt so ashamed of myself in my life. I couldn t point to a time when men had been equal, nor even to a time when the wish to be equal had made them happier in other ways. I couldn t say a word. I had just picked up the notion that equality is good from some book--probably from poetry, or you. Anyhow, it s been knocked into pieces, and, like all people who are really strong, Mr. Wilcox did it without hurting me. On the other hand, I laugh at them for catching hay fever. We live like fighting-cocks, and Charles takes us out every day in the motor--a tomb with trees in it, a hermit s house, a wonderful road that was made by the Kings of Mercia--tennis--a cricket match--bridge and at night we squeeze up in this lovely house. The whole clan s here now--it s like a rabbit warren. Evie is a dear. They want me to stop over Sunday--I suppose it won t matter if I do. Marvellous weather and the views marvellous--views westward to the high ground. Thank you for your letter. Burn this." "Your affectionate" "HELEN." "Howards End," "Sunday." "Dearest, dearest Meg,--I do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- Speyer, Maintz, and Koln. Those three sees once commanded the Rhine Valley and got it the name of Priest Street." "I still feel quite uneasy about this business, Margaret." "The train crossed by a bridge of boats, and at first sight it looked quite fine. But oh, in five minutes we had seen the whole thing. The cathedral had been ruined, absolutely ruined, by restoration; not an inch left of the original structure. We wasted a whole day, and came across the Wilcoxes as we were eating our sandwiches in the public gardens. They too, poor things, had been taken in--they were actually stopping at Speyer--and they rather liked Helen s insisting that they must fly with us to Heidelberg. As a matter of fact, they did come on next day. We all took some drives together. They knew us well enough to ask Helen to come and see them--at least, I was asked too, but Tibby s illness prevented me, so last Monday she went alone. That s all. You know as much as I do now. It s a young man out of the unknown. She was to have come back Saturday, but put off till Monday, perhaps on account of--I don t know." She broke off, and listened to the sounds of a London morning. Their house was in Wickham Place, and fairly quiet, for a lofty promontory of buildings separated it from the main thoroughfare. One had the sense of a backwater, or rather of an estuary, whose waters flowed in from the invisible sea, and ebbed into a profound silence while the waves without were still beating. Though the promontory consisted of flats--expensive, with cavernous entrance halls, full of concierges and palms--it fulfilled its purpose, and gained for the older houses opposite a certain measure of peace. These, too, would be swept away in time, and another promontory would arise upon their site, as humanity piled itself higher and higher on the precious soil of London. Mrs. Munt had her own method of interpreting her nieces. She decided that Margaret was a little hysterical, and was trying to gain time by a torrent of talk. Feeling very diplomatic, she lamented the fate of Speyer, and declared that never, never should she be so misguided as to visit it, and added of her own accord that the principles of restoration were ill understood in Germany. "The Germans," she said, "are too thorough, and this is all very well sometimes, but at other times it does not do." "Exactly," said Margaret; "Germans are too thorough." And her eyes began to shine. "Of course I regard you Schlegels as English," said Mrs. Munt hastily--" "English to the backbone." Margaret leaned forward and stroked her hand. "And that reminds me--Helen s letter." "Oh yes, Aunt Juley, I am thinking all right about Helen s letter. I know--I must go down and see her. I am thinking about her all right. I am meaning to go down." "But go with some plan," said Mrs. Munt, admitting into her kindly voice a note of exasperation. "Margaret, if I may interfere, don t be taken by surprise. What do you think of the Wilcoxes? Are they our sort? Are they likely people? Could they appreciate Helen, who is to my mind a very special sort of person? Do they care about Literature and Art? That is most important when you come to think of it. Literature and Art. Most important. How old would the son be? She says younger son. Would he be in a position to marry? Is he likely to make Helen happy? Did you gather--" "I gathered nothing." They began to talk at once. "Then in that case--" "In that case I can make no plans, don t you see." "On the contrary--" "I hate plans. I hate lines of action. Helen isn t a baby." "Then in that case, my dear, why go down?" Margaret was silent. If her aunt could not see why she must go down, she was not going to tell her. She was not going to say, "I love my dear sister; I must be near her at this crisis of her life." The
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made them happier in other ways. I couldn t say a word. I had just picked up the notion that equality is good from some book--probably from poetry, or you. Anyhow, it s been knocked into pieces, and, like all people who are really strong, Mr. Wilcox did it without hurting me. On the other hand, I laugh at them for catching hay fever. We live like fighting-cocks, and Charles takes us out every day in the motor--a tomb with trees in it, a hermit s house, a wonderful road that was made by the Kings of Mercia--tennis--a cricket match--bridge and at night we squeeze up in this lovely house. The whole clan s here now--it s like a rabbit warren. Evie is a dear. They want me to stop over Sunday--I suppose it won t matter if I do. Marvellous weather and the views marvellous--views westward to the high ground. Thank you for your letter. Burn this." "Your affectionate" "HELEN." "Howards End," "Sunday." "Dearest, dearest Meg,--I do not know what you will say: Paul and I are in love--the younger son who only came here Wednesday." CHAPTER II Margaret glanced at her sister s note and pushed it over the breakfast-table to her aunt. There was a moment s hush, and then the flood-gates opened. "I can tell you nothing, Aunt Juley. I know no more than you do. We met--we only met the father and mother abroad last spring. I know so little that I didn t even know their son s name. It s all so--" She waved her hand and laughed a little.<|quote|>"In that case it is far too sudden."</|quote|>"Who knows, Aunt Juley, who knows?" "But, Margaret, dear, I mean, we mustn t be unpractical now that we ve come to facts. It is too sudden, surely." "Who knows!" "But, Margaret, dear--" "I ll go for her other letters," said Margaret. "No, I won t, I ll finish my breakfast. In fact, I haven t them. We met the Wilcoxes on an awful expedition that we made from Heidelberg to Speyer. Helen and I had got it into our heads that there was a grand old cathedral at Speyer--the Archbishop of Speyer was one of the seven electors--you know-- Speyer, Maintz, and Koln. Those three sees once commanded the Rhine Valley and got it the name of Priest Street." "I still feel quite uneasy about this business, Margaret." "The train crossed by a bridge of boats, and at first sight it looked quite fine. But oh, in five minutes we had seen the whole thing. The cathedral had been ruined, absolutely ruined, by restoration; not an inch left of the original structure. We wasted a whole day, and came across the Wilcoxes as we were eating our sandwiches in the public gardens. They too, poor things, had been taken in--they were actually stopping at Speyer--and they rather liked Helen s insisting that they must fly with us to Heidelberg. As a matter of fact, they did come on next day. We all took some drives together. They knew us well enough to ask Helen to come and see them--at least, I was asked too, but Tibby s illness prevented me, so last Monday she went alone. That s all. You know as much as I do now. It s a young man out of the unknown. She was to have come back Saturday, but put off till Monday, perhaps on account of--I don t know." She broke off, and listened to the sounds of a London morning. Their house was in Wickham Place, and fairly quiet, for a lofty promontory of buildings separated it from the main thoroughfare. One had the sense of a backwater, or rather of an estuary, whose waters flowed in from the invisible sea, and ebbed into a profound silence while the waves without were still beating. Though the promontory consisted of flats--expensive, with cavernous entrance halls, full of concierges and palms--it fulfilled its purpose, and gained for the older houses opposite a certain measure of peace. These, too, would be swept away in time, and another promontory would arise upon their site, as humanity piled itself higher and higher on the precious soil of London. Mrs. Munt had her own method of interpreting her nieces. She decided that Margaret was a little hysterical, and was trying to gain time by a torrent of talk. Feeling very diplomatic, she lamented the fate of Speyer, and declared that never, never should she be so misguided as to visit it, and added of her own accord that the principles of restoration were ill understood in Germany. "The Germans," she said, "are too thorough, and this is all very well sometimes, but at other times it does not do." "Exactly," said Margaret; "Germans are too thorough." And her eyes began to
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Howards End
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"Back to land again, and that's all the first figure,"
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The Mock Turtle
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the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly
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again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the
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"The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a
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some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing
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lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you,
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in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said
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Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should
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back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice.<|quote|>"Back to land again, and that's all the first figure,"</|quote|>said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out
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Alices Adventures In Wonderland
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"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."
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The Invisible Man
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up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered
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for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student
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to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do
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struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m
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Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp,
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"Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is this must be hypnotism. You have suggested you are invisible." "Nonsense," said the Voice. "It s frantic." "Listen to me." "I demonstrated conclusively this morning," began Kemp, "that invisibility" "Never mind what you ve demonstrated! I m starving," said the Voice, "and the night is chilly to a man without clothes." "Food?" said Kemp. The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you a dressing-gown?" Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered
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observant man, and as he recrossed the hall, he noticed a dark spot on the linoleum near the mat at the foot of the stairs. He went on upstairs, and then it suddenly occurred to him to ask himself what the spot on the linoleum might be. Apparently some subconscious element was at work. At any rate, he turned with his burden, went back to the hall, put down the syphon and whiskey, and bending down, touched the spot. Without any great surprise he found it had the stickiness and colour of drying blood. He took up his burden again, and returned upstairs, looking about him and trying to account for the blood-spot. On the landing he saw something and stopped astonished. The door-handle of his own room was blood-stained. He looked at his own hand. It was quite clean, and then he remembered that the door of his room had been open when he came down from his study, and that consequently he had not touched the handle at all. He went straight into his room, his face quite calm perhaps a trifle more resolute than usual. His glance, wandering inquisitively, fell on the bed. On the counterpane was a mess of blood, and the sheet had been torn. He had not noticed this before because he had walked straight to the dressing-table. On the further side the bedclothes were depressed as if someone had been recently sitting there. Then he had an odd impression that he had heard a low voice say, "Good Heavens! Kemp!" But Dr. Kemp was no believer in voices. He stood staring at the tumbled sheets. Was that really a voice? He looked about again, but noticed nothing further than the disordered and blood-stained bed. Then he distinctly heard a movement across the room, near the wash-hand stand. All men, however highly educated, retain some superstitious inklings. The feeling that is called "eerie" came upon him. He closed the door of the room, came forward to the dressing-table, and put down his burdens. Suddenly, with a start, he perceived a coiled and blood-stained bandage of linen rag hanging in mid-air, between him and the wash-hand stand. He stared at this in amazement. It was an empty bandage, a bandage properly tied but quite empty. He would have advanced to grasp it, but a touch arrested him, and a voice speaking quite close to him. "Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is this must be hypnotism. You have suggested you are invisible." "Nonsense," said the Voice. "It s frantic." "Listen to me." "I demonstrated conclusively this morning," began Kemp, "that invisibility" "Never mind what you ve demonstrated! I m starving," said the Voice, "and the night is chilly to a man without clothes." "Food?" said Kemp. The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you a dressing-gown?" Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered weirdly, stood full and decorous buttoning itself, and sat down in his chair. "Drawers, socks, slippers would be a comfort," said the Unseen, curtly. "And food." "Anything. But this is the insanest thing I ever was in, in my life!" He turned out his drawers for the articles, and then went downstairs to ransack his larder. He came back with some cold cutlets and bread, pulled up a light table, and placed them before his guest. "Never mind knives," said his visitor, and a cutlet hung in mid-air, with a sound of gnawing. "Invisible!" said Kemp, and sat down on a bedroom chair. "I always like to get something about me before I eat," said the Invisible Man, with a full mouth, eating greedily. "Queer fancy!" "I suppose that wrist is all right," said Kemp. "Trust me," said the Invisible Man. "Of all the strange and wonderful" "Exactly. But it s odd I should blunder into _your_ house to get my bandaging. My first stroke of luck! Anyhow I meant to sleep in this house to-night. You must stand that! It s a filthy nuisance, my blood showing, isn t it? Quite a clot over there. Gets visible as it coagulates, I see. It s only the living tissue I ve changed, and only for as long as I m alive.... I ve been in the house three hours." "But how s it done?" began Kemp, in a tone of exasperation. "Confound it! The whole business it s unreasonable from beginning to end." "Quite reasonable," said the Invisible Man. "Perfectly reasonable." He reached over and secured the whiskey bottle. Kemp stared at the devouring dressing gown. A ray of candle-light penetrating a torn patch in the right shoulder, made a triangle of light under the left ribs. "What were the shots?" he asked. "How did the shooting begin?" "There was a real fool of a man a sort of confederate of mine curse him! who tried to steal my money. _Has_ done so." "Is _he_ invisible too?" "No." "Well?" "Can t I have some more to eat before I tell you all that? I m hungry in pain. And you want me to tell stories!" Kemp got up. "_You_ didn t do any shooting?" he asked. "Not me," said his visitor. "Some fool I d never seen fired at random. A lot of them got scared. They all got scared
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close to him. "Kemp!" said the Voice. "Eh?" said Kemp, with his mouth open. "Keep your nerve," said the Voice. "I m an Invisible Man." Kemp made no answer for a space, simply stared at the bandage. "Invisible Man," he said. "I am an Invisible Man," repeated the Voice. The story he had been active to ridicule only that morning rushed through Kemp s brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later. "I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked. "Yes," said the Invisible Man. "Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It s some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers. He recoiled at the touch and his colour changed. "Keep steady, Kemp, for God s sake! I want help badly. Stop!" The hand gripped his arm. He struck at it. "Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip tightened. A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely. "Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you ll madden me in a minute!" "Lie still, you fool!" bawled the Invisible Man in Kemp s ear. Kemp struggled for another moment and then lay still. "If you shout, I ll smash your face," said the Invisible Man, relieving his mouth. "I m an Invisible Man. It s no foolishness, and no magic. I really am an Invisible Man. And I want your help. I don t want to hurt you, but if you behave like a frantic rustic, I must. Don t you remember me, Kemp? Griffin, of University College?" "Let me get up," said Kemp. "I ll stop where I am. And let me sit quiet for a minute." He sat up and felt his neck.<|quote|>"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man a man you have known made invisible."</|quote|>"Griffin?" said Kemp. "Griffin," answered the Voice. "A younger student than you were, almost an albino, six feet high, and broad, with a pink and white face and red eyes, who won the medal for chemistry." "I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?" "I _am_ Griffin." Kemp thought. "It s horrible," he said. "But what devilry must happen to make a man invisible?" "It s no devilry. It s a process, sane and intelligible enough" "It s horrible!" said Kemp. "How on earth ?" "It s horrible enough. But I m wounded and in pain, and tired ... Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here." Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly. "That s better. Thank Heaven, you re getting sensible!" "Or silly," said Kemp, and knuckled his eyes. "Give me some whiskey. I m near dead." "It didn t feel so. Where are you? If I get up shall I run into you? _There_! all right. Whiskey? Here. Where shall I give it to you?" The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is this must be hypnotism. You have suggested you are invisible." "Nonsense," said the Voice. "It s frantic." "Listen to me." "I demonstrated conclusively this morning," began Kemp, "that invisibility" "Never mind what you ve demonstrated! I m starving," said the Voice, "and the night is chilly to a man without clothes." "Food?" said Kemp. The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you a dressing-gown?" Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered weirdly, stood full and decorous buttoning itself, and sat down in his chair. "Drawers, socks, slippers would be a comfort," said the Unseen, curtly. "And food." "Anything. But this is the insanest thing I ever was in, in my life!" He turned out his drawers for the articles, and then went downstairs to ransack his larder. He came back with some cold cutlets and bread, pulled up a light table, and placed them before his guest. "Never mind knives," said his visitor, and a cutlet hung in mid-air, with a sound of gnawing. "Invisible!" said Kemp, and sat down on a bedroom chair.
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The Invisible Man
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“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”
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Sybylla Melvyn
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the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very
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could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk
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clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,”
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than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living.
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up the home altogether. It’s no use; your father has no idea of making a living. I regret the day I ever saw him. Since he has taken to drink he has no more idea of how to make a living than a cat. I will have to give the little ones to some of the relatives; the bigger ones will have to go out to service, and so will your father and I. That’s all I can see ahead of us. Poor little Gertie is too young to go out in the world (she was not twelve months younger than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. What would they say about having to support such a big girl as you are?” “I will go and earn my own living, and when you get me weeded out of the family you will have a perfect paradise. Having no evil to copy, the children will grow up saints,” I said bitterly. “Now, Sybylla, it is foolish to talk like that, for you know that you take no interest in your work. If you’d turn to and help me rear poultry and make dresses—and why don’t you take to cooking?” “Take to cooking!” I retorted with scorn. “The fire
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bishop’s name, the approaching sale of our goods had been duly advertised in the local papers, and my father received several letters of sympathy from the clergy deploring the conduct of the bishop. These letters were from men unknown to father, who were unaware that Richard Melvyn was being sold off for a debt already paid. By the generosity of relatives and the goodness of neighbours as kind as ever breathed, our furniture was our own again, but what were we to do for a living? Our crops were withering in the fields for want of rain, and we had but five cows—not an over-bright outlook. As I was getting to bed one night my mother came into my room and said seriously, “Sybylla, I want to have a talk with you.” “Talk away,” I responded rather sullenly, for I expected a long sing-song about my good-for-nothingness in general—a subject of which I was heartily tired. “Sybylla, I’ve been studying the matter over a lot lately. It’s no use, we cannot afford to keep you at home. You’ll have to get something to do.” I made no reply, and my mother continued, “I am afraid we will have to break up the home altogether. It’s no use; your father has no idea of making a living. I regret the day I ever saw him. Since he has taken to drink he has no more idea of how to make a living than a cat. I will have to give the little ones to some of the relatives; the bigger ones will have to go out to service, and so will your father and I. That’s all I can see ahead of us. Poor little Gertie is too young to go out in the world (she was not twelve months younger than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. What would they say about having to support such a big girl as you are?” “I will go and earn my own living, and when you get me weeded out of the family you will have a perfect paradise. Having no evil to copy, the children will grow up saints,” I said bitterly. “Now, Sybylla, it is foolish to talk like that, for you know that you take no interest in your work. If you’d turn to and help me rear poultry and make dresses—and why don’t you take to cooking?” “Take to cooking!” I retorted with scorn. “The fire that a fellow has to endure on that old oven would kill a horse, and the grit and dirt of clearing it up grinds on my very nerves. Besides, if I ever do want to do any extra fancy cooking, we either can’t afford the butter or the currants, or else the eggs are too scarce! Cook, be grannied!” “Sybylla! Sybylla, you are getting very vulgar!” “Yes, I once was foolish enough to try and be polite, but I’ve given it up. My style of talk is quite good enough for my company. What on earth does it matter whether I’m vulgar or not. I can feed calves and milk and grind out my days here just as well vulgar as unvulgar,” I answered savagely. “There, you see you are always discontented about your home. It’s no use; the only thing is for you to earn your own living.” “I will earn my own living.” “What will you do? Will you be examined for a pupil-teacher? That is a very nice occupation for girls.” “What chance would I have in a competitive exam. against Goulburn girls? They all have good teachers and give up their time to study. I only
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money borrowed from the bishop, and keep bread in our mouths. Unfortunately for us, at this time the bishop’s agent proved a scoundrel and absconded. My father held receipts to show that to this agent he had regularly paid the interest of the money borrowed; but through some finicking point of law, because we had not money to contend with him, his lordship the bishop now refused to acknowledge his agent and one-time pillar of the cathedral, and, having law on his side, served a writ on us. In the face of our misfortunes this was too much: we begged for time, which plea he answered by putting in the bailiff and selling everything we possessed. Our five cows, two horses, our milk separator, plough, cart, dray, buggy, even our cooking utensils, books, pictures, furniture, father’s watch—our very beds, pillows, and blankets. Not a thing besides what we stood up in was left us, and this was money for the payment of which my father held receipts. But for the generosity of our relatives we would have been in a pretty plight. They sent us sufficient means to buy in everything, and our neighbours came to our rescue with enthusiasm and warm-hearted genuine sympathy. The bailiff—a gentleman to the core—seeing how matters stood, helped us to the utmost of his power. Our goods were disposed of on the premises, and the neighbours arranged a mock sale, at which the bailiff winked. Our friends had sent the money, and the neighbours did the bidding—none bidding against each other—and thus our belongings went for a mere trifle. Every cloud has its silver lining, and the black cloud of poverty has a very bright silver lining. In poverty you can get at the real heart of people as you can never do if rich. People are your friends from pure friendship and love, not from sponging self-interestedness. It is worth being poor once or twice in a lifetime just to experience the blessing and heartrestfulness of a little genuine reality in the way of love and friendship. Not that it is impossible for opulence to have genuine friends, but rich people, I fear, must ever have at their heart cankering suspicion to hint that the friendship and love lavished upon them is merely self-interestedness and sham, the implements of trade used by the fawning toadies who swarm around wealth. In conjunction with the bishop’s name, the approaching sale of our goods had been duly advertised in the local papers, and my father received several letters of sympathy from the clergy deploring the conduct of the bishop. These letters were from men unknown to father, who were unaware that Richard Melvyn was being sold off for a debt already paid. By the generosity of relatives and the goodness of neighbours as kind as ever breathed, our furniture was our own again, but what were we to do for a living? Our crops were withering in the fields for want of rain, and we had but five cows—not an over-bright outlook. As I was getting to bed one night my mother came into my room and said seriously, “Sybylla, I want to have a talk with you.” “Talk away,” I responded rather sullenly, for I expected a long sing-song about my good-for-nothingness in general—a subject of which I was heartily tired. “Sybylla, I’ve been studying the matter over a lot lately. It’s no use, we cannot afford to keep you at home. You’ll have to get something to do.” I made no reply, and my mother continued, “I am afraid we will have to break up the home altogether. It’s no use; your father has no idea of making a living. I regret the day I ever saw him. Since he has taken to drink he has no more idea of how to make a living than a cat. I will have to give the little ones to some of the relatives; the bigger ones will have to go out to service, and so will your father and I. That’s all I can see ahead of us. Poor little Gertie is too young to go out in the world (she was not twelve months younger than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. What would they say about having to support such a big girl as you are?” “I will go and earn my own living, and when you get me weeded out of the family you will have a perfect paradise. Having no evil to copy, the children will grow up saints,” I said bitterly. “Now, Sybylla, it is foolish to talk like that, for you know that you take no interest in your work. If you’d turn to and help me rear poultry and make dresses—and why don’t you take to cooking?” “Take to cooking!” I retorted with scorn. “The fire that a fellow has to endure on that old oven would kill a horse, and the grit and dirt of clearing it up grinds on my very nerves. Besides, if I ever do want to do any extra fancy cooking, we either can’t afford the butter or the currants, or else the eggs are too scarce! Cook, be grannied!” “Sybylla! Sybylla, you are getting very vulgar!” “Yes, I once was foolish enough to try and be polite, but I’ve given it up. My style of talk is quite good enough for my company. What on earth does it matter whether I’m vulgar or not. I can feed calves and milk and grind out my days here just as well vulgar as unvulgar,” I answered savagely. “There, you see you are always discontented about your home. It’s no use; the only thing is for you to earn your own living.” “I will earn my own living.” “What will you do? Will you be examined for a pupil-teacher? That is a very nice occupation for girls.” “What chance would I have in a competitive exam. against Goulburn girls? They all have good teachers and give up their time to study. I only have old Harris, and he is the most idiotic old animal alive; besides, I loathe the very thought of teaching. I’d as soon go on the wallaby.” “You are not old enough to be a general servant or a cook; you have not experience enough to be a housemaid; you don’t take to sewing, and there is no chance of being accepted as a hospital nurse: you must confess there is nothing you can do. You are really a very useless girl for your age.” “There are heaps of things I could do.” “Tell me a few of them.” I was silent. The professions at which I felt I had the latent power to excel, were I but given a chance, were in a sphere far above us, and to mention my feelings and ambitions to my matter-of-fact practical mother would bring upon me worse ridicule than I was already forced to endure day by day. “Mention a few of the things you could do.” I might as well have named flying as the professions I was thinking of. Music was the least unmentionable of them, so I brought it forward. “Music! But it would take years of training and great expense before you could earn anything at that! It is quite out of the question. The only thing for you to do is to settle down and take interest in your work, and help make a living at home, or else go out as a nurse-girl, and work your way up. If you have any ability in you it would soon show. If you think you could do such strokes, and the home work is not good enough for you, go out and show the world what a wonderful creature you are.” “Mother, you are unjust and cruel!” I exclaimed. “You do not understand one at all. I never thought I could do strokes. I cannot help being constituted so that grimy manual labour is hateful to me, for it is hateful to me, and I hate it more and more every day, and you can preach and preach till you go black in the face, and still I’ll hate it more than ever. If I have to do it all my life, and if I’m cursed with a long life, I’ll hate it just as much at the end as I do now. I’m sure it’s not any
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bailiff—a gentleman to the core—seeing how matters stood, helped us to the utmost of his power. Our goods were disposed of on the premises, and the neighbours arranged a mock sale, at which the bailiff winked. Our friends had sent the money, and the neighbours did the bidding—none bidding against each other—and thus our belongings went for a mere trifle. Every cloud has its silver lining, and the black cloud of poverty has a very bright silver lining. In poverty you can get at the real heart of people as you can never do if rich. People are your friends from pure friendship and love, not from sponging self-interestedness. It is worth being poor once or twice in a lifetime just to experience the blessing and heartrestfulness of a little genuine reality in the way of love and friendship. Not that it is impossible for opulence to have genuine friends, but rich people, I fear, must ever have at their heart cankering suspicion to hint that the friendship and love lavished upon them is merely self-interestedness and sham, the implements of trade used by the fawning toadies who swarm around wealth. In conjunction with the bishop’s name, the approaching sale of our goods had been duly advertised in the local papers, and my father received several letters of sympathy from the clergy deploring the conduct of the bishop. These letters were from men unknown to father, who were unaware that Richard Melvyn was being sold off for a debt already paid. By the generosity of relatives and the goodness of neighbours as kind as ever breathed, our furniture was our own again, but what were we to do for a living? Our crops were withering in the fields for want of rain, and we had but five cows—not an over-bright outlook. As I was getting to bed one night my mother came into my room and said seriously, “Sybylla, I want to have a talk with you.” “Talk away,” I responded rather sullenly, for I expected a long sing-song about my good-for-nothingness in general—a subject of which I was heartily tired. “Sybylla, I’ve been studying the matter over a lot lately. It’s no use, we cannot afford to keep you at home. You’ll have to get something to do.” I made no reply, and my mother continued, “I am afraid we will have to break up the home altogether. It’s no use; your father has no idea of making a living. I regret the day I ever saw him. Since he has taken to drink he has no more idea of how to make a living than a cat. I will have to give the little ones to some of the relatives; the bigger ones will have to go out to service, and so will your father and I. That’s all I can see ahead of us. Poor little Gertie is too young to go out in the world (she was not twelve months younger than I); she must go to your grandmother, I think.” I still made no reply, so my mother inquired, “Well, Sybylla, what do you think of the matter?” “Do you think it absolutely necessary to break up the home?” I said. “Well, you suggest something better if you are so clever,” said mother, crossly. “That is always the way; if I suggest a thing it is immediately put down, yet there is never any one to think of things but me. What would you do? I suppose you think you could make a living on the place for us yourself.”<|quote|>“Why can’t we live at home? Blackshaw and Jansen have no bigger places than we, and families just as large, and yet they make a living. It would be terrible for the little ones to grow up separated; they would be no more to each other than strangers.”</|quote|>“Yes; it is all very well for you to talk like that, but how is your father to start again with only five cows in the world? It’s no use, you never talk sense. You’ll find my way is always the best in the end.” “Would it not be easier,” I replied, “for our relations to each give a little towards setting us up again, than to be burdened with the whole responsibility of rearing a child? I’m sure they’d much prefer it.” “Yes, perhaps it would be better, but I think _you_ will have to get your own living. What would they say about having to support such a big girl as you are?” “I will go and earn my own living, and when you get me weeded out of the family you will have a perfect paradise. Having no evil to copy, the children will grow up saints,” I said bitterly. “Now, Sybylla, it is foolish to talk like that, for you know that you take no interest in your work. If you’d turn to and help me rear poultry and make dresses—and why don’t you take to cooking?” “Take to cooking!” I retorted with scorn. “The fire that a fellow has to endure on that old oven would kill a horse, and the grit and dirt of clearing it up grinds on my very nerves. Besides, if I ever do want to do any extra fancy cooking, we either can’t afford the butter or the currants, or else the eggs are too scarce! Cook, be grannied!” “Sybylla! Sybylla, you are getting very vulgar!” “Yes, I once was foolish enough to try and be polite, but I’ve given it up. My style of talk is quite good enough for my company. What on earth does it matter whether I’m vulgar or not. I can feed calves and milk and grind out my days here just as well vulgar as unvulgar,” I answered savagely. “There, you see you are always discontented about your home. It’s no use; the only thing is for you to earn your own living.” “I will earn my own living.” “What will you do? Will you be examined for a pupil-teacher? That is a very nice occupation for girls.” “What chance would I have in a competitive exam. against Goulburn girls? They all have good teachers and give up their time to study. I only have old Harris, and he is the most idiotic old animal alive; besides, I loathe the very thought of teaching. I’d as soon go on the wallaby.” “You are not old enough to be a general servant or a cook; you have not experience enough to be a housemaid; you don’t take to sewing, and there is no chance of being accepted as a hospital nurse: you must confess there is nothing you can do. You are really a very useless girl for your age.” “There are heaps of things I could do.” “Tell me a few of them.” I was silent. The professions at which I felt I had the latent power to excel, were I but given a chance, were in a sphere far above us, and to mention my feelings and ambitions to my matter-of-fact practical mother would bring upon
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My Brilliant Career
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Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.
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No speaker
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of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get
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path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she
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there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining
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out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you
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is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the
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a sort of jealousy, a mutual suspicion. He tried to goad her enthusiasm; she scarcely spoke. Aziz fetched them to breakfast. "It is quite natural about Miss Quested," he remarked, for he had been working the incident a little in his mind, to get rid of its roughnesses. "We were having an interesting talk with our guide, then the car was seen, so she decided to go down to her friend." Incurably inaccurate, he already thought that this was what had occurred. He was inaccurate because he was sensitive. He did not like to remember Miss Quested's remark about polygamy, because it was unworthy of a guest, so he put it from his mind, and with it the knowledge that he had bolted into a cave to get away from her. He was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, he listens is far the worst of all." "I told you he's no good." "He is plenty of good for himself; his dishonesty will ruin me." "Aziz, how monstrous!" "I am delighted with him really, he has made my guests comfortable; besides, it is my duty to employ him, he is my cousin. If money goes, money
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luck, but chin-chin I do refuse," laughed Fielding, who detested the phrase. "Here's to India!" "Here's luck, and here's to England!" Miss Derek's chauffeur stopped the cavalcade which was starting to escort his mistress up, and informed it that she had gone back with the other young lady to Chandrapore; she had sent him to say so. She was driving herself. "Oh yes, that's quite likely," said Aziz. "I knew they'd gone for a spin." "Chandrapore? The man's made a mistake," Fielding exclaimed. "Oh no, why?" He was disappointed, but made light of it; no doubt the two young ladies were great friends. He would prefer to give breakfast to all four; still, guests must do as they wish, or they become prisoners. He went away cheerfully to inspect the porridge and the ice. "What's happened?" asked Fielding, who felt at once that something had gone queer. All the way out Miss Derek had chattered about the picnic, called it an unexpected treat, and said that she preferred Indians who didn't invite her to their entertainments to those who did it. Mrs. Moore sat swinging her foot, and appeared sulky and stupid. She said: "Miss Derek is most unsatisfactory and restless, always in a hurry, always wanting something new; she will do anything in the world except go back to the Indian lady who pays her." Fielding, who didn't dislike Miss Derek, replied: "She wasn't in a hurry when I left her. There was no question of returning to Chandrapore. It looks to me as if Miss Quested's in the hurry." "Adela? she's never been in a hurry in her life," said the old lady sharply. "I say it'll prove to be Miss Quested's wish, in fact I know it is," persisted the schoolmaster. He was annoyed chiefly with himself. He had begun by missing a train a sin he was never guilty of and now that he did arrive it was to upset Aziz' arrangements for the second time. He wanted someone to share the blame, and frowned at Mrs. Moore rather magisterially. "Aziz is a charming fellow," he announced. "I know," she answered, with a yawn. "He has taken endless trouble to make a success of our picnic." They knew one another very little, and felt rather awkward at being drawn together by an Indian. The racial problem can take subtle forms. In their case it had induced a sort of jealousy, a mutual suspicion. He tried to goad her enthusiasm; she scarcely spoke. Aziz fetched them to breakfast. "It is quite natural about Miss Quested," he remarked, for he had been working the incident a little in his mind, to get rid of its roughnesses. "We were having an interesting talk with our guide, then the car was seen, so she decided to go down to her friend." Incurably inaccurate, he already thought that this was what had occurred. He was inaccurate because he was sensitive. He did not like to remember Miss Quested's remark about polygamy, because it was unworthy of a guest, so he put it from his mind, and with it the knowledge that he had bolted into a cave to get away from her. He was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, he listens is far the worst of all." "I told you he's no good." "He is plenty of good for himself; his dishonesty will ruin me." "Aziz, how monstrous!" "I am delighted with him really, he has made my guests comfortable; besides, it is my duty to employ him, he is my cousin. If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned countrymen, certainly; but if they'll let me get on with my profession and not be too rude to me officially, I really don't ask for more." "But you do; you take them to a picnic." "This picnic is nothing to do with English or Indian; it is an expedition of friends." So the cavalcade ended, partly pleasant, partly not; the Brahman cook was picked up, the train arrived, pushing its burning throat over the plain, and the twentieth century took over from the sixteenth. Mrs. Moore entered her carriage, the three men went to theirs, adjusted the shutters, turned on the electric fan and tried to get some sleep. In the twilight, all resembled corpses, and the train itself seemed dead though it moved a coffin from the scientific north which troubled the scenery four times a day. As it left the Marabars, their nasty little cosmos disappeared, and gave place to the Marabars seen from a distance, finite and rather romantic. The train halted once under a pump, to drench the stock of coal in its tender. Then it caught sight of the main line in the distance, took courage, and bumped forward, rounded the civil station, surmounted the level-crossing (the rails were scorching now), and clanked to a stand-still. Chandrapore, Chandrapore! The expedition was over. And as it ended, as they sat up in the gloom and prepared to enter ordinary life, suddenly the long drawn strangeness of the morning snapped. Mr. Haq, the Inspector of Police, flung open the door of their carriage and said in shrill tones: "Dr. Aziz, it is my highly painful duty to arrest you." "Hullo, some mistake," said Fielding, at once taking charge of the situation. "Sir, they are my instructions. I know nothing." "On what charge do you arrest him?" "I am under instructions not
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knew one another very little, and felt rather awkward at being drawn together by an Indian. The racial problem can take subtle forms. In their case it had induced a sort of jealousy, a mutual suspicion. He tried to goad her enthusiasm; she scarcely spoke. Aziz fetched them to breakfast. "It is quite natural about Miss Quested," he remarked, for he had been working the incident a little in his mind, to get rid of its roughnesses. "We were having an interesting talk with our guide, then the car was seen, so she decided to go down to her friend." Incurably inaccurate, he already thought that this was what had occurred. He was inaccurate because he was sensitive. He did not like to remember Miss Quested's remark about polygamy, because it was unworthy of a guest, so he put it from his mind, and with it the knowledge that he had bolted into a cave to get away from her. He was inaccurate because he desired to honour her, and facts being entangled he had to arrange them in her vicinity, as one tidies the ground after extracting a weed. Before breakfast was over, he had told a good many lies. "She ran to her friend, I to mine," he went on, smiling. "And now I am with my friends and they are with me and each other, which is happiness." Loving them both, he expected them to love each other. They didn't want to. Fielding thought with hostility, "I knew these women would make trouble," and Mrs. Moore thought, "This man, having missed the train, tries to blame us" "; but her thoughts were feeble; since her faintness in the cave she was sunk in apathy and cynicism. The wonderful India of her opening weeks, with its cool nights and acceptable hints of infinity, had vanished. Fielding ran up to see one cave. He wasn't impressed. Then they got on the elephant and the picnic began to unwind out of the corridor and escaped under the precipice towards the railway station, pursued by stabs of hot air. They came to the place where he had quitted the car. A disagreeable thought now struck him, and he said: "Aziz, exactly where and how did you leave Miss Quested?" "Up there." He indicated the Kawa Dol cheerfully. "But how" A gully, or rather a crease, showed among the rocks at this place; it was scurfy with cactuses. "I suppose the guide helped her." "Oh, rather, most helpful." "Is there a path off the top?" "Millions of paths, my dear fellow."<|quote|>Fielding could see nothing but the crease. Everywhere else the glaring granite plunged into the earth.</|quote|>"But you saw them get down safe?" "Yes, yes, she and Miss Derek, and go off in the car." "Then the guide came back to you?" "Exactly. Got a cigarette?" "I hope she wasn't ill," pursued the Englishman. The crease continued as a nullah across the plain, the water draining off this way towards the Ganges. "She would have wanted me, if she was ill, to attend her." "Yes, that sounds sense." "I see you're worrying, let's talk of other things," he said kindly. "Miss Quested was always to do what she wished, it was our arrangement. I see you are worrying on my account, but really I don't mind, I never notice trifles." "I do worry on your account. I consider they have been impolite!" said Fielding, lowering his voice. "She had no right to dash away from your party, and Miss Derek had no right to abet her." So touchy as a rule, Aziz was unassailable. The wings that uplifted him did not falter, because he was a Mogul emperor who had done his duty. Perched on his elephant, he watched the Marabar Hills recede, and saw again, as provinces of his kingdom, the grim untidy plain, the frantic and feeble movements of the buckets, the white shrines, the shallow graves, the suave sky, the snake that looked like a tree. He had given his guests as good a time as he could, and if they came late or left early that was not his affair. Mrs. Moore slept, swaying against the rods of the howdah, Mohammed Latif embraced her with efficiency and respect, and by his own side sat Fielding, whom he began to think of as "Cyril." "Aziz, have you figured out what this picnic will cost you?" "Sh! my dear chap, don't mention that part. Hundreds and hundreds of rupees. The completed account will be too awful; my friends' servants have robbed me right and left, and as for an elephant, she apparently eats gold. I can trust you not to repeat this. And M.L. please employ initials, he listens is far the worst of all." "I told you he's no good." "He is plenty of good for himself; his dishonesty will ruin me." "Aziz, how monstrous!" "I am delighted with him really, he has made my guests comfortable; besides, it is my duty to employ him, he is my cousin. If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned
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A Passage To India
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"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"
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Mary Cavendish
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as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given
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that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what
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I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his
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on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far
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Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot led the way back to the morning-room. "See you, one should not ask for outside proof no, reason should be enough. But the flesh is weak, it is consolation to find that one is on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far before she stopped me authoritatively. "You are an excellent advocate, I have no doubt, Mr. Hastings, but in this case your talents are quite thrown away. Cynthia will run no risk of encountering any unkindness from me." I began to stammer feebly that I hoped she hadn't thought But again she stopped me, and her words were so unexpected that they quite drove Cynthia, and her troubles, out of my mind. "Mr. Hastings," she said, "do you think I and my husband are happy together?" I was considerably taken aback, and murmured something about it's not being my business to
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confirms a surmise of mine. Having deduced its existence, I set Miss Howard to search for it, and, as you see, she has been successful." "What did she mean by" On the top of the wardrobe'?" "She meant," replied Poirot promptly, "that she found it on top of a wardrobe." "A funny place for a piece of brown paper," I mused. "Not at all. The top of a wardrobe is an excellent place for brown paper and cardboard boxes. I have kept them there myself. Neatly arranged, there is nothing to offend the eye." "Poirot," I asked earnestly, "have you made up your mind about this crime?" "Yes that is to say, I believe I know how it was committed." "Ah!" "Unfortunately, I have no proof beyond my surmise, unless" With sudden energy, he caught me by the arm, and whirled me down the hall, calling out in French in his excitement: "Mademoiselle Dorcas, Mademoiselle Dorcas, _un moment, s'il vous pla t!_" Dorcas, quite flurried by the noise, came hurrying out of the pantry. "My good Dorcas, I have an idea a little idea if it should prove justified, what magnificent chance! Tell me, on Monday, not Tuesday, Dorcas, but Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot led the way back to the morning-room. "See you, one should not ask for outside proof no, reason should be enough. But the flesh is weak, it is consolation to find that one is on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far before she stopped me authoritatively. "You are an excellent advocate, I have no doubt, Mr. Hastings, but in this case your talents are quite thrown away. Cynthia will run no risk of encountering any unkindness from me." I began to stammer feebly that I hoped she hadn't thought But again she stopped me, and her words were so unexpected that they quite drove Cynthia, and her troubles, out of my mind. "Mr. Hastings," she said, "do you think I and my husband are happy together?" I was considerably taken aback, and murmured something about it's not being my business to think anything of the sort. "Well," she said quietly, "whether it is your business or not, I will tell you that we are _not_ happy." I said nothing, for I saw that she had not finished. She began slowly, walking up and down the room, her head a little bent, and that slim, supple figure of hers swaying gently as she walked. She stopped suddenly, and looked up at me. "You don't know anything about me, do you?" she asked. "Where I come from, who I was before I married John anything, in fact? Well, I will tell you. I will make a father confessor of you. You are kind, I think yes, I am sure you are kind." Somehow, I was not quite as elated as I might have been. I remembered that Cynthia had begun her confidences in much the same way. Besides, a father confessor should be elderly, it is not at all the role for a young man. "My father was English," said Mrs. Cavendish, "but my mother was a Russian." "Ah," I said, "now I understand" "Understand what?" "A hint of something foreign different that there has always been about you." "My mother was very
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way. "And this is the man with whom Mrs. Cavendish has been wandering about all over the country!" I cried indignantly. "Yes. I should fancy he had found her very useful," remarked Poirot. "So long as gossip busied itself in coupling their names together, any other vagaries of the doctor's passed unobserved." "Then you think he never really cared for her?" I asked eagerly rather too eagerly, perhaps, under the circumstances. "That, of course, I cannot say, but shall I tell you my own private opinion, Hastings?" "Yes." "Well, it is this: that Mrs. Cavendish does not care, and never has cared one little jot about Dr. Bauerstein!" "Do you really think so?" I could not disguise my pleasure. "I am quite sure of it. And I will tell you why." "Yes?" "Because she cares for someone else, _mon ami_." "Oh!" What did he mean? In spite of myself, an agreeable warmth spread over me. I am not a vain man where women are concerned, but I remembered certain evidences, too lightly thought of at the time, perhaps, but which certainly seemed to indicate My pleasing thoughts were interrupted by the sudden entrance of Miss Howard. She glanced round hastily to make sure there was no one else in the room, and quickly produced an old sheet of brown paper. This she handed to Poirot, murmuring as she did so the cryptic words: "On top of the wardrobe." Then she hurriedly left the room. Poirot unfolded the sheet of paper eagerly, and uttered an exclamation of satisfaction. He spread it out on the table. "Come here, Hastings. Now tell me, what is that initial J. or L.?" It was a medium sized sheet of paper, rather dusty, as though it had lain by for some time. But it was the label that was attracting Poirot's attention. At the top, it bore the printed stamp of Messrs. Parkson's, the well-known theatrical costumiers, and it was addressed to " (the debatable initial) Cavendish, Esq., Styles Court, Styles St. Mary, Essex." "It might be T., or it might be L.," I said, after studying the thing for a minute or two. "It certainly isn't a J." "Good," replied Poirot, folding up the paper again. "I, also, am of your way of thinking. It is an L., depend upon it!" "Where did it come from?" I asked curiously. "Is it important?" "Moderately so. It confirms a surmise of mine. Having deduced its existence, I set Miss Howard to search for it, and, as you see, she has been successful." "What did she mean by" On the top of the wardrobe'?" "She meant," replied Poirot promptly, "that she found it on top of a wardrobe." "A funny place for a piece of brown paper," I mused. "Not at all. The top of a wardrobe is an excellent place for brown paper and cardboard boxes. I have kept them there myself. Neatly arranged, there is nothing to offend the eye." "Poirot," I asked earnestly, "have you made up your mind about this crime?" "Yes that is to say, I believe I know how it was committed." "Ah!" "Unfortunately, I have no proof beyond my surmise, unless" With sudden energy, he caught me by the arm, and whirled me down the hall, calling out in French in his excitement: "Mademoiselle Dorcas, Mademoiselle Dorcas, _un moment, s'il vous pla t!_" Dorcas, quite flurried by the noise, came hurrying out of the pantry. "My good Dorcas, I have an idea a little idea if it should prove justified, what magnificent chance! Tell me, on Monday, not Tuesday, Dorcas, but Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot led the way back to the morning-room. "See you, one should not ask for outside proof no, reason should be enough. But the flesh is weak, it is consolation to find that one is on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far before she stopped me authoritatively. "You are an excellent advocate, I have no doubt, Mr. Hastings, but in this case your talents are quite thrown away. Cynthia will run no risk of encountering any unkindness from me." I began to stammer feebly that I hoped she hadn't thought But again she stopped me, and her words were so unexpected that they quite drove Cynthia, and her troubles, out of my mind. "Mr. Hastings," she said, "do you think I and my husband are happy together?" I was considerably taken aback, and murmured something about it's not being my business to think anything of the sort. "Well," she said quietly, "whether it is your business or not, I will tell you that we are _not_ happy." I said nothing, for I saw that she had not finished. She began slowly, walking up and down the room, her head a little bent, and that slim, supple figure of hers swaying gently as she walked. She stopped suddenly, and looked up at me. "You don't know anything about me, do you?" she asked. "Where I come from, who I was before I married John anything, in fact? Well, I will tell you. I will make a father confessor of you. You are kind, I think yes, I am sure you are kind." Somehow, I was not quite as elated as I might have been. I remembered that Cynthia had begun her confidences in much the same way. Besides, a father confessor should be elderly, it is not at all the role for a young man. "My father was English," said Mrs. Cavendish, "but my mother was a Russian." "Ah," I said, "now I understand" "Understand what?" "A hint of something foreign different that there has always been about you." "My mother was very beautiful, I believe. I don't know, because I never saw her. She died when I was quite a little child. I believe there was some tragedy connected with her death she took an overdose of some sleeping draught by mistake. However that may be, my father was broken-hearted. Shortly afterwards, he went into the Consular Service. Everywhere he went, I went with him. When I was twenty-three, I had been nearly all over the world. It was a splendid life I loved it." There was a smile on her face, and her head was thrown back. She seemed living in the memory of those old glad days. "Then my father died. He left me very badly off. I had to go and live with some old aunts in Yorkshire." She shuddered. "You will understand me when I say that it was a deadly life for a girl brought up as I had been. The narrowness, the deadly monotony of it, almost drove me mad." She paused a minute, and added in a different tone: "And then I met John Cavendish." "Yes?" "You can imagine that, from my aunts' point of view, it was a very good match for me. But I can honestly say it was not this fact which weighed with me. No, he was simply a way of escape from the insufferable monotony of my life." I said nothing, and after a moment, she went on: "Don't misunderstand me. I was quite honest with him. I told him, what was true, that I liked him very much, that I hoped to come to like him more, but that I was not in any way what the world calls in love' with him. He declared that that satisfied him, and so we were married." She waited a long time, a little frown had gathered on her forehead. She seemed to be looking back earnestly into those past days. "I think I am sure he cared for me at first. But I suppose we were not well matched. Almost at once, we drifted apart. He it is not a pleasing thing for my pride, but it is the truth tired of me very soon." I must have made some murmur of dissent, for she went on quickly: "Oh, yes, he did! Not that it matters now now that we've come to the parting of the ways." "What do you mean?"
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the sheet of paper eagerly, and uttered an exclamation of satisfaction. He spread it out on the table. "Come here, Hastings. Now tell me, what is that initial J. or L.?" It was a medium sized sheet of paper, rather dusty, as though it had lain by for some time. But it was the label that was attracting Poirot's attention. At the top, it bore the printed stamp of Messrs. Parkson's, the well-known theatrical costumiers, and it was addressed to " (the debatable initial) Cavendish, Esq., Styles Court, Styles St. Mary, Essex." "It might be T., or it might be L.," I said, after studying the thing for a minute or two. "It certainly isn't a J." "Good," replied Poirot, folding up the paper again. "I, also, am of your way of thinking. It is an L., depend upon it!" "Where did it come from?" I asked curiously. "Is it important?" "Moderately so. It confirms a surmise of mine. Having deduced its existence, I set Miss Howard to search for it, and, as you see, she has been successful." "What did she mean by" On the top of the wardrobe'?" "She meant," replied Poirot promptly, "that she found it on top of a wardrobe." "A funny place for a piece of brown paper," I mused. "Not at all. The top of a wardrobe is an excellent place for brown paper and cardboard boxes. I have kept them there myself. Neatly arranged, there is nothing to offend the eye." "Poirot," I asked earnestly, "have you made up your mind about this crime?" "Yes that is to say, I believe I know how it was committed." "Ah!" "Unfortunately, I have no proof beyond my surmise, unless" With sudden energy, he caught me by the arm, and whirled me down the hall, calling out in French in his excitement: "Mademoiselle Dorcas, Mademoiselle Dorcas, _un moment, s'il vous pla t!_" Dorcas, quite flurried by the noise, came hurrying out of the pantry. "My good Dorcas, I have an idea a little idea if it should prove justified, what magnificent chance! Tell me, on Monday, not Tuesday, Dorcas, but Monday, the day before the tragedy, did anything go wrong with Mrs. Inglethorp's bell?" Dorcas looked very surprised. "Yes, sir, now you mention it, it did; though I don't know how you came to hear of it. A mouse, or some such, must have nibbled the wire through. The man came and put it right on Tuesday morning." With a long drawn exclamation of ecstasy, Poirot led the way back to the morning-room. "See you, one should not ask for outside proof no, reason should be enough. But the flesh is weak, it is consolation to find that one is on the right track. Ah, my friend, I am like a giant refreshed. I run! I leap!" And, in very truth, run and leap he did, gambolling wildly down the stretch of lawn outside the long window. "What is your remarkable little friend doing?" asked a voice behind me, and I turned to find Mary Cavendish at my elbow. She smiled, and so did I. "What is it all about?" "Really, I can't tell you. He asked Dorcas some question about a bell, and appeared so delighted with her answer that he is capering about as you see!" Mary laughed.<|quote|>"How ridiculous! He's going out of the gate. Isn't he coming back to-day?"</|quote|>"I don't know. I've given up trying to guess what he'll do next." "Is he quite mad, Mr. Hastings?" "I honestly don't know. Sometimes, I feel sure he is as mad as a hatter; and then, just as he is at his maddest, I find there is method in his madness." "I see." In spite of her laugh, Mary was looking thoughtful this morning. She seemed grave, almost sad. It occurred to me that it would be a good opportunity to tackle her on the subject of Cynthia. I began rather tactfully, _I_ thought, but I had not gone far before she stopped me authoritatively. "You are an excellent advocate, I have no doubt, Mr. Hastings, but in this case your talents are quite thrown away. Cynthia will run no risk of encountering any unkindness from me." I began to stammer feebly that I hoped she hadn't thought But again she stopped me, and her words were so unexpected that they quite drove Cynthia, and her troubles, out of my mind. "Mr. Hastings," she said, "do you think I and my husband are happy together?" I was considerably taken aback, and murmured something about it's not being my business to think anything of the sort. "Well," she said quietly, "whether it is your business or not, I will tell you that we are _not_ happy." I said nothing, for I saw that she had not finished. She began slowly, walking up and down the room, her head a little bent, and that slim, supple figure of hers swaying gently as she walked. She stopped suddenly, and looked up at me. "You don't know anything about me, do you?" she asked. "Where I come from, who I was before I married John anything, in fact? Well, I will tell you. I will make a father confessor of you. You are kind, I think yes, I am sure you are kind." Somehow, I was not quite as elated as I might have been. I remembered that Cynthia had begun her confidences in much the same way. Besides, a father confessor should be elderly, it is not at all the role for a young man. "My father was English," said Mrs. Cavendish, "but my mother was a Russian." "Ah," I said, "now I understand" "Understand what?" "A hint of something foreign different that there has always been about you." "My mother was very beautiful, I believe. I don't know, because I never saw her. She died when I was quite a little child. I believe there was some tragedy connected with her death she took an overdose of some sleeping draught by mistake. However that may be, my father was broken-hearted. Shortly afterwards, he went into the Consular Service. Everywhere he went, I went with him. When I was twenty-three, I had been nearly all over the world. It was a splendid life I loved it." There was a smile on her face, and her head was thrown back. She seemed living in the memory of those old glad days. "Then my father died. He left me very badly off. I had to go and live with some old aunts in Yorkshire." She shuddered. "You will understand me when I say that it was a deadly life for a girl brought up as I had been. The narrowness, the deadly monotony of it, almost drove me mad." She paused
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The Mysterious Affair At Styles
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I said.
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No speaker
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crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You
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gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice."
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tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it
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"They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though."
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the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let
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Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let up on that, Mike. I said I was sorry I said it." "He was, you know. He was positively green." "Oh, shove it along, Michael." "You mustn't ever get bored at your first bull-fight, Robert," Mike said. "It might make such a mess." "Oh, shove it along, Michael," Brett said. "He said Brett was a sadist," Mike said. "Brett's not a sadist. She's just a lovely, healthy wench." "Are you a sadist, Brett?" I asked. "Hope not." "He said Brett was a sadist just because she has a good, healthy stomach." "Won't be healthy long." Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. "Did you really like it?" Bill asked Cohn. "No, I can't say I liked it. I think it's a wonderful show." "Gad, yes! What a spectacle!" Brett said. "I wish they didn't have the horse part," Cohn said. "They're not important," Bill said. "After a while you never notice anything disgusting." "It is a bit strong just at the start," Brett said. "There's a dreadful moment for me just when the bull starts for the horse." "The bulls were fine," Cohn said. "They were very good," Mike said. "I want
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stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type." "He's a fine boy." "We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let up on that, Mike. I said I was sorry I said it." "He was, you know. He was positively green." "Oh, shove it along, Michael." "You mustn't ever get bored at your first bull-fight, Robert," Mike said. "It might make such a mess." "Oh, shove it along, Michael," Brett said. "He said Brett was a sadist," Mike said. "Brett's not a sadist. She's just a lovely, healthy wench." "Are you a sadist, Brett?" I asked. "Hope not." "He said Brett was a sadist just because she has a good, healthy stomach." "Won't be healthy long." Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. "Did you really like it?" Bill asked Cohn. "No, I can't say I liked it. I think it's a wonderful show." "Gad, yes! What a spectacle!" Brett said. "I wish they didn't have the horse part," Cohn said. "They're not important," Bill said. "After a while you never notice anything disgusting." "It is a bit strong just at the start," Brett said. "There's a dreadful moment for me just when the bull starts for the horse." "The bulls were fine," Cohn said. "They were very good," Mike said. "I want to sit down below, next time." Brett drank from her glass of absinthe. "She wants to see the bull-fighters close by," Mike said. "They are something," Brett said. "That Romero lad is just a child." "He's a damned good-looking boy," I said. "When we were up in his room I never saw a better-looking kid." "How old do you suppose he is?" "Nineteen or twenty." "Just imagine it." The bull-fight on the second day was much better than on the first. Brett sat between Mike and me at the barrera, and Bill and Cohn went up above. Romero was the whole show. I do not think Brett saw any other bull-fighter. No one else did either, except the hard-shelled technicians. It was all Romero. There were two other matadors, but they did not count. I sat beside Brett and explained to Brett what it was all about. I told her about watching the bull, not the horse, when the bulls charged the picadors, and got her to watching the picador place the point of his pic so that she saw what it was all about, so that it became more something that was going on with a definite end, and less of a spectacle with unexplained horrors. I had her watch how Romero took the bull away from a fallen horse with his cape, and how he held him with the cape and turned him, smoothly and suavely, never wasting the bull. She saw how Romero avoided every brusque movement and saved his bulls for the last when he wanted them, not winded and discomposed but smoothly worn down. She saw how close Romero always worked to the bull, and I pointed out to her the tricks the other bull-fighters used to make it look as though they were working closely. She saw why she liked Romero's cape-work and why she did not like the others. Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like corkscrews, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. Romero's bull-fighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each
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was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men,"<|quote|>I said.</|quote|>"Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let up on that, Mike. I said I was sorry I said it." "He was, you know. He was positively green." "Oh, shove it along, Michael." "You mustn't ever get bored at your first bull-fight, Robert," Mike said. "It might make such a mess." "Oh, shove it along, Michael," Brett said. "He said Brett was a sadist," Mike said. "Brett's not a sadist. She's just a lovely, healthy wench." "Are you a sadist, Brett?" I asked. "Hope not." "He said Brett was a sadist just because she has a good, healthy stomach." "Won't be healthy long." Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. "Did you really like it?" Bill asked Cohn. "No, I can't say I liked it. I think it's a wonderful show." "Gad, yes! What a spectacle!" Brett said. "I wish they didn't have the horse part," Cohn said. "They're not important," Bill said. "After a while you never notice anything disgusting." "It is a bit strong just at the start," Brett said. "There's a dreadful moment for me just when the bull starts for the horse." "The bulls were fine," Cohn said. "They were very good," Mike said. "I want to sit down below,
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The Sun Also Rises
|
replied Nancy.
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No speaker
|
of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man.
|
say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined
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Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a
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of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and
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and looked back, surprised at her undiminished speed; but they fell off one by one; and when she neared her place of destination, she was alone. It was a family hotel in a quiet but handsome street near Hyde Park. As the brilliant light of the lamp which burnt before its door, guided her to the spot, the clock struck eleven. She had loitered for a few paces as though irresolute, and making up her mind to advance; but the sound determined her, and she stepped into the hall. The porter's seat was vacant. She looked round with an air of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and who stepped forward to interfere. "Take it up for her, Joe; can't you?" said this person. "What's the good?" replied the man. "You don't suppose the young lady will see such as her; do you?" This allusion to Nancy's doubtful character, raised a vast quantity of chaste wrath in the bosoms of four housemaids, who remarked, with great fervour, that the creature was a disgrace to her sex; and strongly advocated her being thrown, ruthlessly, into the kennel. "Do what you like with me," said the girl, turning to the men again; "but do what I ask you first, and
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to pass, in gaining the main thoroughfare. "Has it long gone the half-hour?" asked the girl. "It'll strike the hour in another quarter," said the man: raising his lantern to her face. "And I cannot get there in less than an hour or more," muttered Nancy: brushing swiftly past him, and gliding rapidly down the street. Many of the shops were already closing in the back lanes and avenues through which she tracked her way, in making from Spitalfields towards the West-End of London. The clock struck ten, increasing her impatience. She tore along the narrow pavement: elbowing the passengers from side to side; and darting almost under the horses' heads, crossed crowded streets, where clusters of persons were eagerly watching their opportunity to do the like. "The woman is mad!" said the people, turning to look after her as she rushed away. When she reached the more wealthy quarter of the town, the streets were comparatively deserted; and here her headlong progress excited a still greater curiosity in the stragglers whom she hurried past. Some quickened their pace behind, as though to see whither she was hastening at such an unusual rate; and a few made head upon her, and looked back, surprised at her undiminished speed; but they fell off one by one; and when she neared her place of destination, she was alone. It was a family hotel in a quiet but handsome street near Hyde Park. As the brilliant light of the lamp which burnt before its door, guided her to the spot, the clock struck eleven. She had loitered for a few paces as though irresolute, and making up her mind to advance; but the sound determined her, and she stepped into the hall. The porter's seat was vacant. She looked round with an air of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and who stepped forward to interfere. "Take it up for her, Joe; can't you?" said this person. "What's the good?" replied the man. "You don't suppose the young lady will see such as her; do you?" This allusion to Nancy's doubtful character, raised a vast quantity of chaste wrath in the bosoms of four housemaids, who remarked, with great fervour, that the creature was a disgrace to her sex; and strongly advocated her being thrown, ruthlessly, into the kennel. "Do what you like with me," said the girl, turning to the men again; "but do what I ask you first, and I ask you to give this message for God Almighty's sake." The soft-hearted cook added his intercession, and the result was that the man who had first appeared undertook its delivery. "What's it to be?" said the man, with one foot on the stairs. "That a young woman earnestly asks to speak to Miss Maylie alone," said Nancy; "and that if the lady will only hear the first word she has to say, she will know whether to hear her business, or to have her turned out of doors as an impostor." "I say," said the man, "you're coming it strong!" "You give the message," said the girl firmly; "and let me hear the answer." The man ran upstairs. Nancy remained, pale and almost breathless, listening with quivering lip to the very audible expressions of scorn, of which the chaste housemaids were very prolific; and of which they became still more so, when the man returned, and said the young woman was to walk upstairs. "It's no good being proper in this world," said the first housemaid. "Brass can do better than the gold what has stood the fire," said the second. The third contented herself with wondering "what ladies
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tone of forced gaiety in which the last words were spoken, seemed to produce a deeper impression on Sikes than the wild and rigid look which had preceded them. "I tell you wot it is," said Sikes; "if you haven't caught the fever, and got it comin' on, now, there's something more than usual in the wind, and something dangerous too. You're not a-going to . No, damme! you wouldn't do that!" "Do what?" asked the girl. "There ain't," said Sikes, fixing his eyes upon her, and muttering the words to himself; "there ain't a stauncher-hearted gal going, or I'd have cut her throat three months ago. She's got the fever coming on; that's it." Fortifying himself with this assurance, Sikes drained the glass to the bottom, and then, with many grumbling oaths, called for his physic. The girl jumped up, with great alacrity; poured it quickly out, but with her back towards him; and held the vessel to his lips, while he drank off the contents. "Now," said the robber, "come and sit aside of me, and put on your own face; or I'll alter it so, that you won't know it agin when you do want it." The girl obeyed. Sikes, locking her hand in his, fell back upon the pillow: turning his eyes upon her face. They closed; opened again; closed once more; again opened. He shifted his position restlessly; and, after dozing again, and again, for two or three minutes, and as often springing up with a look of terror, and gazing vacantly about him, was suddenly stricken, as it were, while in the very attitude of rising, into a deep and heavy sleep. The grasp of his hand relaxed; the upraised arm fell languidly by his side; and he lay like one in a profound trance. "The laudanum has taken effect at last," murmured the girl, as she rose from the bedside. "I may be too late, even now." She hastily dressed herself in her bonnet and shawl: looking fearfully round, from time to time, as if, despite the sleeping draught, she expected every moment to feel the pressure of Sikes's heavy hand upon her shoulder; then, stooping softly over the bed, she kissed the robber's lips; and then opening and closing the room-door with noiseless touch, hurried from the house. A watchman was crying half-past nine, down a dark passage through which she had to pass, in gaining the main thoroughfare. "Has it long gone the half-hour?" asked the girl. "It'll strike the hour in another quarter," said the man: raising his lantern to her face. "And I cannot get there in less than an hour or more," muttered Nancy: brushing swiftly past him, and gliding rapidly down the street. Many of the shops were already closing in the back lanes and avenues through which she tracked her way, in making from Spitalfields towards the West-End of London. The clock struck ten, increasing her impatience. She tore along the narrow pavement: elbowing the passengers from side to side; and darting almost under the horses' heads, crossed crowded streets, where clusters of persons were eagerly watching their opportunity to do the like. "The woman is mad!" said the people, turning to look after her as she rushed away. When she reached the more wealthy quarter of the town, the streets were comparatively deserted; and here her headlong progress excited a still greater curiosity in the stragglers whom she hurried past. Some quickened their pace behind, as though to see whither she was hastening at such an unusual rate; and a few made head upon her, and looked back, surprised at her undiminished speed; but they fell off one by one; and when she neared her place of destination, she was alone. It was a family hotel in a quiet but handsome street near Hyde Park. As the brilliant light of the lamp which burnt before its door, guided her to the spot, the clock struck eleven. She had loitered for a few paces as though irresolute, and making up her mind to advance; but the sound determined her, and she stepped into the hall. The porter's seat was vacant. She looked round with an air of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and who stepped forward to interfere. "Take it up for her, Joe; can't you?" said this person. "What's the good?" replied the man. "You don't suppose the young lady will see such as her; do you?" This allusion to Nancy's doubtful character, raised a vast quantity of chaste wrath in the bosoms of four housemaids, who remarked, with great fervour, that the creature was a disgrace to her sex; and strongly advocated her being thrown, ruthlessly, into the kennel. "Do what you like with me," said the girl, turning to the men again; "but do what I ask you first, and I ask you to give this message for God Almighty's sake." The soft-hearted cook added his intercession, and the result was that the man who had first appeared undertook its delivery. "What's it to be?" said the man, with one foot on the stairs. "That a young woman earnestly asks to speak to Miss Maylie alone," said Nancy; "and that if the lady will only hear the first word she has to say, she will know whether to hear her business, or to have her turned out of doors as an impostor." "I say," said the man, "you're coming it strong!" "You give the message," said the girl firmly; "and let me hear the answer." The man ran upstairs. Nancy remained, pale and almost breathless, listening with quivering lip to the very audible expressions of scorn, of which the chaste housemaids were very prolific; and of which they became still more so, when the man returned, and said the young woman was to walk upstairs. "It's no good being proper in this world," said the first housemaid. "Brass can do better than the gold what has stood the fire," said the second. The third contented herself with wondering "what ladies was made of" "; and the fourth took the first in a quartette of "Shameful!" with which the Dianas concluded. Regardless of all this: for she had weightier matters at heart: Nancy followed the man, with trembling limbs, to a small ante-chamber, lighted by a lamp from the ceiling. Here he left her, and retired. CHAPTER XL. A STRANGE INTERVIEW, WHICH IS A SEQUEL TO THE LAST CHAMBER The girl's life had been squandered in the streets, and among the most noisome of the stews and dens of London, but there was something of the woman's original nature left in her still; and when she heard a light step approaching the door opposite to that by which she had entered, and thought of the wide contrast which the small room would in another moment contain, she felt burdened with the sense of her own deep shame, and shrunk as though she could scarcely bear the presence of her with whom she had sought this interview. But struggling with these better feelings was pride, the vice of the lowest and most debased creatures no less than of the high and self-assured. The miserable companion of thieves and ruffians, the fallen outcast of low haunts, the associate of the scourings of the jails and hulks, living within the shadow of the gallows itself, even this degraded being felt too proud to betray a feeble gleam of the womanly feeling which she thought a weakness, but which alone connected her with that humanity, of which her wasting life had obliterated so many, many traces when a very child. She raised her eyes sufficiently to observe that the figure which presented itself was that of a slight and beautiful girl; then, bending them on the ground, she tossed her head with affected carelessness as she said: "It's a hard matter to get to see you, lady. If I had taken offence, and gone away, as many would have done, you'd have been sorry for it one day, and not without reason either." "I am very sorry if any one has behaved harshly to you," replied Rose. "Do not think of that. Tell me why you wished to see me. I am the person you inquired for." The kind tone of this answer, the sweet voice, the gentle manner, the absence of any accent of haughtiness or displeasure, took the girl completely by surprise, and
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the girl, as she rose from the bedside. "I may be too late, even now." She hastily dressed herself in her bonnet and shawl: looking fearfully round, from time to time, as if, despite the sleeping draught, she expected every moment to feel the pressure of Sikes's heavy hand upon her shoulder; then, stooping softly over the bed, she kissed the robber's lips; and then opening and closing the room-door with noiseless touch, hurried from the house. A watchman was crying half-past nine, down a dark passage through which she had to pass, in gaining the main thoroughfare. "Has it long gone the half-hour?" asked the girl. "It'll strike the hour in another quarter," said the man: raising his lantern to her face. "And I cannot get there in less than an hour or more," muttered Nancy: brushing swiftly past him, and gliding rapidly down the street. Many of the shops were already closing in the back lanes and avenues through which she tracked her way, in making from Spitalfields towards the West-End of London. The clock struck ten, increasing her impatience. She tore along the narrow pavement: elbowing the passengers from side to side; and darting almost under the horses' heads, crossed crowded streets, where clusters of persons were eagerly watching their opportunity to do the like. "The woman is mad!" said the people, turning to look after her as she rushed away. When she reached the more wealthy quarter of the town, the streets were comparatively deserted; and here her headlong progress excited a still greater curiosity in the stragglers whom she hurried past. Some quickened their pace behind, as though to see whither she was hastening at such an unusual rate; and a few made head upon her, and looked back, surprised at her undiminished speed; but they fell off one by one; and when she neared her place of destination, she was alone. It was a family hotel in a quiet but handsome street near Hyde Park. As the brilliant light of the lamp which burnt before its door, guided her to the spot, the clock struck eleven. She had loitered for a few paces as though irresolute, and making up her mind to advance; but the sound determined her, and she stepped into the hall. The porter's seat was vacant. She looked round with an air of incertitude, and advanced towards the stairs. "Now, young woman!" said a smartly-dressed female, looking out from a door behind her, "who do you want here?" "A lady who is stopping in this house," answered the girl. "A lady!" was the reply, accompanied with a scornful look. "What lady?" "Miss Maylie," said Nancy. The young woman, who had by this time, noted her appearance, replied only by a look of virtuous disdain; and summoned a man to answer her. To him, Nancy repeated her request. "What name am I to say?" asked the waiter. "It's of no use saying any,"<|quote|>replied Nancy.</|quote|>"Nor business?" said the man. "No, nor that neither," rejoined the girl. "I must see the lady." "Come!" said the man, pushing her towards the door. "None of this. Take yourself off." "I shall be carried out if I go!" said the girl violently; "and I can make that a job that two of you won't like to do. Isn't there anybody here," she said, looking round, "that will see a simple message carried for a poor wretch like me?" This appeal produced an effect on a good-tempered-faced man-cook, who with some of the other servants was looking on, and who stepped forward to interfere. "Take it up for her, Joe; can't you?" said this person. "What's the good?" replied the man. "You don't suppose the young lady will see such as her; do you?" This allusion to Nancy's doubtful character, raised a vast quantity of chaste wrath in the bosoms of four housemaids, who remarked, with great fervour, that the creature was a disgrace to her sex; and strongly advocated her being thrown, ruthlessly, into the kennel. "Do what you like with me," said the girl, turning to the men again; "but do what I ask you first, and I ask you to give this message for God Almighty's sake." The soft-hearted cook added his intercession, and the result was that the man who had first appeared undertook its delivery. "What's it to be?" said the man, with one foot on the stairs. "That a young woman earnestly asks to speak to Miss Maylie alone," said Nancy; "and that if the lady will only hear the first word she has to say, she will know whether to hear her business, or to have her turned out of doors as an impostor." "I say," said the man, "you're coming it strong!" "You give the message," said the girl firmly; "and let me hear the answer." The man ran upstairs. Nancy remained, pale and almost breathless, listening with quivering lip to the very audible expressions of scorn, of which the chaste housemaids were very prolific; and of which they became still more so, when the man returned, and said the young woman was to walk upstairs. "It's no good being proper in this world," said the first housemaid. "Brass can do better than the gold what has stood the fire," said the second. The third contented herself with wondering "what ladies was made of" "; and the fourth took the first in a quartette of "Shameful!" with which the Dianas concluded. Regardless of all this: for she had weightier matters at heart: Nancy followed the man, with trembling limbs, to a small ante-chamber, lighted by a lamp from the ceiling. Here he left her, and retired. CHAPTER XL. A STRANGE INTERVIEW, WHICH IS A SEQUEL TO THE LAST CHAMBER The girl's life had been squandered in the streets, and among the most noisome of the stews and dens of London, but there was something of the woman's original nature left in her still; and when she heard a light step approaching the door opposite to that by which she had entered, and thought of the wide contrast which the small room would in another moment contain, she felt burdened with the sense of her own deep shame, and shrunk as though she could scarcely bear the presence of her with whom she had sought this interview. But struggling with these better feelings was pride, the vice of the lowest
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Oliver Twist
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"We have been calling at Randalls,"
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Mrs. Elton
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Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them
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and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very
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my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that
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Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite
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an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so
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any sacrifice of that description. Certainly I had been accustomed to every luxury at Maple Grove; but I did assure him that two carriages were not necessary to my happiness, nor were spacious apartments." 'But,' "said I," 'to be quite honest, I do not think I can live without something of a musical society. I condition for nothing else; but without music, life would be a blank to me.'" "We cannot suppose," said Emma, smiling, "that Mr. Elton would hesitate to assure you of there being a _very_ musical society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man." Happily, it was now time to be gone. They were off; and Emma could breathe. "Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much
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her going into public under the auspices of a friend of Mrs. Elton's--probably some vulgar, dashing widow, who, with the help of a boarder, just made a shift to live!--The dignity of Miss Woodhouse, of Hartfield, was sunk indeed! She restrained herself, however, from any of the reproofs she could have given, and only thanked Mrs. Elton coolly; "but their going to Bath was quite out of the question; and she was not perfectly convinced that the place might suit her better than her father." And then, to prevent farther outrage and indignation, changed the subject directly. "I do not ask whether you are musical, Mrs. Elton. Upon these occasions, a lady's character generally precedes her; and Highbury has long known that you are a superior performer." "Oh! no, indeed; I must protest against any such idea. A superior performer!--very far from it, I assure you. Consider from how partial a quarter your information came. I am doatingly fond of music--passionately fond;--and my friends say I am not entirely devoid of taste; but as to any thing else, upon my honour my performance is _mediocre_ to the last degree. You, Miss Woodhouse, I well know, play delightfully. I assure you it has been the greatest satisfaction, comfort, and delight to me, to hear what a musical society I am got into. I absolutely cannot do without music. It is a necessary of life to me; and having always been used to a very musical society, both at Maple Grove and in Bath, it would have been a most serious sacrifice. I honestly said as much to Mr. E. when he was speaking of my future home, and expressing his fears lest the retirement of it should be disagreeable; and the inferiority of the house too--knowing what I had been accustomed to--of course he was not wholly without apprehension. When he was speaking of it in that way, I honestly said that _the_ _world_ I could give up--parties, balls, plays--for I had no fear of retirement. Blessed with so many resources within myself, the world was not necessary to _me_. I could do very well without it. To those who had no resources it was a different thing; but my resources made me quite independent. And as to smaller-sized rooms than I had been used to, I really could not give it a thought. I hoped I was perfectly equal to any sacrifice of that description. Certainly I had been accustomed to every luxury at Maple Grove; but I did assure him that two carriages were not necessary to my happiness, nor were spacious apartments." 'But,' "said I," 'to be quite honest, I do not think I can live without something of a musical society. I condition for nothing else; but without music, life would be a blank to me.'" "We cannot suppose," said Emma, smiling, "that Mr. Elton would hesitate to assure you of there being a _very_ musical society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man." Happily, it was now time to be gone. They were off; and Emma could breathe. "Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so glibly through her thoughts, that by the time her father had arranged himself, after the bustle of the Eltons' departure, and was ready to speak, she was very tolerably capable of attending. "Well, my dear," he deliberately began, "considering we never saw her before, she seems a very pretty sort of young lady; and I dare say she was very much pleased with you. She speaks a little too quick. A little quickness of voice there is which rather hurts the ear. But I believe I am nice; I do not like strange voices; and nobody speaks like you and poor Miss Taylor. However, she seems a very obliging, pretty-behaved young lady, and no doubt will make him a very good wife. Though I think he had better not have married. I made the best excuses I could for not having been able to wait on him and Mrs. Elton on this happy occasion; I said that I hoped I _should_ in the course of the summer. But I ought to have gone before. Not to wait upon a bride is very remiss. Ah! it shews what a sad invalid I am! But I do not like the corner into Vicarage Lane." "I dare say your apologies were accepted, sir. Mr. Elton knows you." "Yes: but a young lady--a bride--I ought to have paid my respects to her if possible. It was being very deficient." "But, my dear papa, you are no friend to matrimony; and therefore why should you be so anxious to pay your respects to a _bride_? It ought to be no recommendation to _you_. It is encouraging people to marry if you make so much of them." "No, my dear, I never encouraged any body to marry, but I would always wish to pay every proper attention to a lady--and a bride, especially, is never to be neglected. More is avowedly due to _her_. A bride, you know, my dear, is always the first in company, let the others be who they may." "Well,
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the house too--knowing what I had been accustomed to--of course he was not wholly without apprehension. When he was speaking of it in that way, I honestly said that _the_ _world_ I could give up--parties, balls, plays--for I had no fear of retirement. Blessed with so many resources within myself, the world was not necessary to _me_. I could do very well without it. To those who had no resources it was a different thing; but my resources made me quite independent. And as to smaller-sized rooms than I had been used to, I really could not give it a thought. I hoped I was perfectly equal to any sacrifice of that description. Certainly I had been accustomed to every luxury at Maple Grove; but I did assure him that two carriages were not necessary to my happiness, nor were spacious apartments." 'But,' "said I," 'to be quite honest, I do not think I can live without something of a musical society. I condition for nothing else; but without music, life would be a blank to me.'" "We cannot suppose," said Emma, smiling, "that Mr. Elton would hesitate to assure you of there being a _very_ musical society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject.<|quote|>"We have been calling at Randalls,"</|quote|>said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be
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Emma
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"Oh, we talk a lot of nonsense,"
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Katharine Hilbery
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the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip
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had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother
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touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you
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to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the
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and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed "to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it.
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dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed "to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s coming to tea." "Well, that s better than nothing, and I promise to leave you alone." "There s no need for you to do that," said Katharine.
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childhood, as Mrs. Hilbery had been, to disport themselves now in the Saxon plainness, now in the Latin splendor of the tongue, and stored with memories, as she was, of old poets exuberating in an infinity of vocables. Even Katharine was slightly affected against her better judgment by her mother s enthusiasm. Not that her judgment could altogether acquiesce in the necessity for a study of Shakespeare s sonnets as a preliminary to the fifth chapter of her grandfather s biography. Beginning with a perfectly frivolous jest, Mrs. Hilbery had evolved a theory that Anne Hathaway had a way, among other things, of writing Shakespeare s sonnets; the idea, struck out to enliven a party of professors, who forwarded a number of privately printed manuals within the next few days for her instruction, had submerged her in a flood of Elizabethan literature; she had come half to believe in her joke, which was, she said, at least as good as other people s facts, and all her fancy for the time being centered upon Stratford-on-Avon. She had a plan, she told Katharine, when, rather later than usual, Katharine came into the room the morning after her walk by the river, for visiting Shakespeare s tomb. Any fact about the poet had become, for the moment, of far greater interest to her than the immediate present, and the certainty that there was existing in England a spot of ground where Shakespeare had undoubtedly stood, where his very bones lay directly beneath one s feet, was so absorbing to her on this particular occasion that she greeted her daughter with the exclamation: "D you think he ever passed this house?" The question, for the moment, seemed to Katharine to have reference to Ralph Denham. "On his way to Blackfriars, I mean," Mrs. Hilbery continued, "for you know the latest discovery is that he owned a house there." Katharine still looked about her in perplexity, and Mrs. Hilbery added: "Which is a proof that he wasn t as poor as they ve sometimes said. I should like to think that he had enough, though I don t in the least want him to be rich." Then, perceiving her daughter s expression of perplexity, Mrs. Hilbery burst out laughing. "My dear, I m not talking about _your_ William, though that s another reason for liking him. I m talking, I m thinking, I m dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed "to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s coming to tea." "Well, that s better than nothing, and I promise to leave you alone." "There s no need for you to do that," said Katharine. She swept her hand over the faded sheet, and drew herself up squarely to the table as if she refused to waste time any longer. The gesture was not lost upon her mother. It hinted at the existence of something stern and unapproachable in her daughter s character, which struck chill upon her, as the sight of poverty, or drunkenness, or the logic with which Mr. Hilbery sometimes thought good to demolish her certainty of an approaching millennium struck chill upon her. She went back to her own table, and putting on her spectacles with a curious expression of quiet humility, addressed herself for the first time that morning to the task before her. The shock with an unsympathetic world had a sobering effect on her. For once, her industry surpassed her daughter s. Katharine could not reduce the world to that particular perspective in which Harriet Martineau, for instance, was a figure of solid importance, and possessed of a genuine relationship to this figure or to that date. Singularly enough, the sharp call of the telephone-bell still echoed in her ear, and her body and mind were in a state of tension, as if, at any moment, she might hear another summons of greater interest to her than the whole of the nineteenth century. She did not clearly realize what this call was to be; but when the ears have got into the habit of listening, they go on listening involuntarily, and thus Katharine spent the greater part of the morning in listening to a variety of sounds in the back streets of Chelsea. For the first time in her life, probably, she wished that Mrs. Hilbery would not keep so closely to her work. A quotation from Shakespeare would not have come amiss. Now and again she heard a sigh from her mother s table, but that was the only proof she gave of her existence, and Katharine did not think of connecting it with the square aspect of her own position at the table, or, perhaps, she would have thrown her pen down and told her mother the reason of her restlessness. The only writing she managed to accomplish in the course of the morning was one letter, addressed to her cousin, Cassandra Otway a rambling letter, long, affectionate, playful and commanding all at once. She bade Cassandra put her creatures in the charge of a groom,
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value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed "to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!" she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before.<|quote|>"Oh, we talk a lot of nonsense,"</|quote|>said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but
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Night And Day
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She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.
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No speaker
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good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course
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call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in
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shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd
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it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend
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. . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after
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you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after another pause. "He he has not been capable of thought in his misery, naturally he's very bitter," said Fielding, a little awkward, because such remarks as Aziz had made were not merely bitter, they were foul. The underlying notion was, "It disgraces me to have been mentioned in connection with such a hag." It enraged him that he had been accused by a woman who had no personal beauty; sexually, he was a snob. This had puzzled and worried Fielding. Sensuality, as long as it is straight-forward, did not repel him, but this derived sensuality the sort that classes a mistress among motor-cars if she is beautiful, and among eye-flies if she isn't was alien to his own emotions, and he felt a barrier between himself and Aziz whenever it arose. It was, in a new form, the old, old trouble that eats the heart out of every civilization: snobbery, the desire for possessions, creditable appendages; and it is to escape this rather than the lusts of the flesh that saints retreat into the Himalayas. To change the subject, he said, "But let me conclude my analysis. We are agreed that he is not a villain and that you are
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Amritrao, and to discover whether the latter will require special food. The others will keep with me. We shall not go out to Dilkusha until the cool of the evening, of course. I do not know the feelings of other gentlemen; for my own part, I have a slight headache, and I wish I had thought to ask our good Panna Lal for aspirin." For the heat was claiming its own. Unable to madden, it stupefied, and before long most of the Chandrapore combatants were asleep. Those in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?" "Not much." "I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after another pause. "He he has not been capable of thought in his misery, naturally he's very bitter," said Fielding, a little awkward, because such remarks as Aziz had made were not merely bitter, they were foul. The underlying notion was, "It disgraces me to have been mentioned in connection with such a hag." It enraged him that he had been accused by a woman who had no personal beauty; sexually, he was a snob. This had puzzled and worried Fielding. Sensuality, as long as it is straight-forward, did not repel him, but this derived sensuality the sort that classes a mistress among motor-cars if she is beautiful, and among eye-flies if she isn't was alien to his own emotions, and he felt a barrier between himself and Aziz whenever it arose. It was, in a new form, the old, old trouble that eats the heart out of every civilization: snobbery, the desire for possessions, creditable appendages; and it is to escape this rather than the lusts of the flesh that saints retreat into the Himalayas. To change the subject, he said, "But let me conclude my analysis. We are agreed that he is not a villain and that you are not one, and we aren't really sure that it was an hallucination. There's a fourth possibility which we must touch on: was it somebody else?" "The guide." "Exactly, the guide. I often think so. Unluckily Aziz hit him on the face, and he got a fright and disappeared. It is most unsatisfactory, and we hadn't the police to help us, the guide was of no interest to them." "Perhaps it was the guide," she said quietly; the question had lost interest for her suddenly. "Or could it have been one of that gang of Pathans who have been drifting through the district?" "Someone who was in another cave, and followed me when the guide was looking away? Possibly." At that moment Hamidullah joined them, and seemed not too pleased to find them closeted together. Like everyone else in Chandrapore, he could make nothing of Miss Quested's conduct. He had overheard their last remark. "Hullo, my dear Fielding," he said. "So I run you down at last. Can you come out at once to Dilkusha?" "At once?" "I hope to leave in a moment, don't let me interrupt," said Adela. "The telephone has been broken; Miss Quested can't ring up her friends," he explained. "A great deal has been broken, more than will ever be mended," said the other. "Still, there should be some way of transporting this lady back to the civil lines. The resources of civilization are numerous." He spoke without looking at Miss Quested, and he ignored the slight movement she made towards him with her hand. Fielding, who thought the meeting might as well be friendly, said, "Miss Quested has been explaining a little about her conduct of this morning." "Perhaps the age of miracles has returned. One must be prepared for everything, our philosophers say." "It must have seemed a miracle to the onlookers," said Adela, addressing him nervously. "The fact is that I realized before it was too late that I had made a mistake, and had just enough presence of mind to say so. That is all my extraordinary conduct amounts to." "All it amounts to, indeed," he retorted, quivering with rage but keeping himself in hand, for he felt she might be setting another trap. "Speaking as a private individual, in a purely informal conversation, I admired your conduct, and I was delighted when our warm-hearted students garlanded you. But, like Mr. Fielding,
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make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?" "Not much." "I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly."<|quote|>She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all.</|quote|>"My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after another pause. "He he has not been capable of thought in his misery, naturally he's very bitter," said Fielding, a little awkward, because such remarks as Aziz had made were not merely bitter, they were foul. The underlying notion was, "It disgraces me to have been mentioned in connection with such a hag." It enraged him that he had been accused by a woman who had no personal beauty; sexually, he was a snob. This had puzzled and worried Fielding. Sensuality, as long as it is straight-forward, did not repel him, but this derived sensuality the sort that classes a mistress among motor-cars if she is beautiful, and among eye-flies if she isn't was alien to his own emotions, and he felt a barrier between himself and Aziz whenever it arose. It was, in a new form, the old, old trouble that eats the heart out of every civilization: snobbery, the desire for possessions, creditable appendages; and it is to escape this rather than the lusts of the flesh that saints retreat
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A Passage To India
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“Oh, let’s have fun,”
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Daisy
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“Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too
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anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t
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to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the
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to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,”
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and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High
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the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.” We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale. “What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms. “Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from
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“I don’t care!” cried Daisy, and began to clog on the brick fireplace. Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room. “Bles-sed pre-cious,” she crooned, holding out her arms. “Come to your own mother that loves you.” The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother’s dress. “The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do.” Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don’t think he had ever really believed in its existence before. “I got dressed before luncheon,” said the child, turning eagerly to Daisy. “That’s because your mother wanted to show you off.” Her face bent into the single wrinkle of the small white neck. “You dream, you. You absolute little dream.” “Yes,” admitted the child calmly. “Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.” We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale. “What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms. “Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?” “About Gatsby.” “About Gatsby! No, I haven’t. I said I’d been making a small investigation of his past.” “And you found he was an Oxford man,” said Jordan helpfully. “An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.” “Nevertheless he’s an Oxford man.” “Oxford, New Mexico,” snorted Tom contemptuously, “or something like that.” “Listen, Tom. If you’re such a snob, why did you invite him to lunch?” demanded Jordan crossly. “Daisy invited him; she knew him before we were married—God knows where!” We were all irritable now with the fading ale, and aware of it we drove for a while in silence. Then as Doctor T. J. Eckleburg’s faded eyes came into sight down the road, I remembered Gatsby’s caution about gasoline. “We’ve got enough to get us to town,” said Tom. “But there’s a garage right here,” objected Jordan. “I don’t want to get stalled in this baking heat.” Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson’s sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car. “Let’s have some gas!” cried Tom roughly. “What do you think we stopped for—to admire the view?” “I’m sick,” said Wilson without moving. “Been sick all day.” “What’s the matter?” “I’m all run down.” “Well, shall I
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of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.” We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale. “What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.”<|quote|>“Oh, let’s have fun,”</|quote|>she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms. “Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at
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The Great Gatsby
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continued Marilla when Matthew had gone out.
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No speaker
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bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for
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come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five
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hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of
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couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked
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much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand
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on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat
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was only _her_." He nodded at the child, remembering that he had never even asked her name. "No boy! But there _must_ have been a boy," insisted Marilla. "We sent word to Mrs. Spencer to bring a boy." "Well, she didn't. She brought _her_. I asked the station-master. And I had to bring her home. She couldn't be left there, no matter where the mistake had come in." "Well, this is a pretty piece of business!" ejaculated Marilla. During this dialogue the child had remained silent, her eyes roving from one to the other, all the animation fading out of her face. Suddenly she seemed to grasp the full meaning of what had been said. Dropping her precious carpet-bag she sprang forward a step and clasped her hands. "You don't want me!" she cried. "You don't want me because I'm not a boy! I might have expected it. Nobody ever did want me. I might have known it was all too beautiful to last. I might have known nobody really did want me. Oh, what shall I do? I'm going to burst into tears!" Burst into tears she did. Sitting down on a chair by the table, flinging her arms out upon it, and burying her face in them, she proceeded to cry stormily. Marilla and Matthew looked at each other deprecatingly across the stove. Neither of them knew what to say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed. "Good night," she said, a little awkwardly, but not unkindly.
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say or do. Finally Marilla stepped lamely into the breach. "Well, well, there's no need to cry so about it." "Yes, there _is_ need!" The child raised her head quickly, revealing a tear-stained face and trembling lips. "_You_ would cry, too, if you were an orphan and had come to a place you thought was going to be home and found that they didn't want you because you weren't a boy. Oh, this is the most _tragical_ thing that ever happened to me!" Something like a reluctant smile, rather rusty from long disuse, mellowed Marilla's grim expression. "Well, don't cry any more. We're not going to turn you out-of-doors to-night. You'll have to stay here until we investigate this affair. What's your name?" The child hesitated for a moment. "Will you please call me Cordelia?" she said eagerly. "_Call_ you Cordelia? Is that your name?" "No-o-o, it's not exactly my name, but I would love to be called Cordelia. It's such a perfectly elegant name." "I don't know what on earth you mean. If Cordelia isn't your name, what is?" "Anne Shirley," reluctantly faltered forth the owner of that name, "but, oh, please do call me Cordelia. It can't matter much to you what you call me if I'm only going to be here a little while, can it? And Anne is such an unromantic name." "Unromantic fiddlesticks!" said the unsympathetic Marilla. "Anne is a real good plain sensible name. You've no need to be ashamed of it." "Oh, I'm not ashamed of it," explained Anne, "only I like Cordelia better. I've always imagined that my name was Cordelia--at least, I always have of late years. When I was young I used to imagine it was Geraldine, but I like Cordelia better now. But if you call me Anne please call me Anne spelled with an E." "What difference does it make how it's spelled?" asked Marilla with another rusty smile as she picked up the teapot. "Oh, it makes _such_ a difference. It _looks_ so much nicer. When you hear a name pronounced can't you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. If you'll only call me Anne spelled with an E I shall try to reconcile myself to not being called Cordelia." "Very well, then, Anne spelled with an E, can you tell us how this mistake came to be made? We sent word to Mrs. Spencer to bring us a boy. Were there no boys at the asylum?" "Oh, yes, there was an abundance of them. But Mrs. Spencer said _distinctly_ that you wanted a girl about eleven years old. And the matron said she thought I would do. You don't know how delighted I was. I couldn't sleep all last night for joy. Oh," she added reproachfully, turning to Matthew, "why didn't you tell me at the station that you didn't want me and leave me there? If I hadn't seen the White Way of Delight and the Lake of Shining Waters it wouldn't be so hard." "What on earth does she mean?" demanded Marilla, staring at Matthew. "She--she's just referring to some conversation we had on the road," said Matthew hastily. "I'm going out to put the mare in, Marilla. Have tea ready when I come back." "Did Mrs. Spencer bring anybody over besides you?"<|quote|>continued Marilla when Matthew had gone out.</|quote|>"She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of
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Anne Of Green Gables
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"Yes, indeed,"
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Evie
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Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously.
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his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well
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warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at
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speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room.
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t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly.
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a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a
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that a very rude remark. What do you want to turn on me like that for?" and suddenly the drawing-room re-echoed to a vulgar row. "You ask me why I turn on you?" "Yes." "What do you want to have me here for?" "To help you, you silly boy!" cried Helen. "And don t shout." "I don t want your patronage. I don t want your tea. I was quite happy. What do you want to unsettle me for?" He turned to Mr. Wilcox. "I put it to this gentleman. I ask you, sir, am I to have my brain picked?" Mr. Wilcox turned to Margaret with the air of humorous strength that he could so well command. "Are we intruding, Miss Schlegel? Can we be of any use, or shall we go?" But Margaret ignored him. "I m connected with a leading insurance company, sir. I receive what I take to be an invitation from these--ladies" (he drawled the word). "I come, and it s to have my brain picked. I ask you, is it fair?" "Highly unfair," said Mr. Wilcox, drawing a gasp from Evie, who knew that her father was becoming dangerous. "There, you hear that? Most unfair, the gentleman says. There! Not content with" "--pointing at Margaret--" "you can t deny it." His voice rose; he was falling into the rhythm of a scene with Jacky. "But as soon as I m useful it s a very different thing. Oh yes, send for him. Cross-question him. Pick his brains. Oh yes. Now, take me on the whole, I m a quiet fellow: I m law-abiding, I don t wish any unpleasantness; but I--I--" "You," said Margaret--" "you--you--" Laughter from Evie as at a repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull, but I don t know what s going on beneath. So, by the way, with London. I have heard you rail against London, Miss Schlegel, and it seems a funny thing to say but I was very angry with you. What do you know about London? You only see civilisation from the outside. I don t say in your case, but in too many cases that attitude leads to morbidity, discontent, and Socialism." She admitted the strength of his position, though it undermined imagination. As he spoke, some outposts of poetry and perhaps of sympathy fell ruining, and she retreated to what she called her "second line"--to the special facts of the case. "His wife is an old bore," she said simply. "He never came home last Saturday night because he wanted to be alone, and she thought he was with us." "With YOU?" "Yes." Evie tittered. "He hasn t got the cosy home that you assumed. He needs outside interests." "Naughty young man!" cried the girl. "Naughty?" said Margaret, who hated naughtiness more than sin. "When you re married Miss Wilcox, won t you want outside interests?" "He has apparently got them," put in Mr. Wilcox slyly. "Yes, indeed, father." "He was tramping in Surrey, if you mean that," said Margaret, pacing away rather crossly. "Oh, I dare say!" "Miss Wilcox, he was!" "M--m--m--m!" from Mr. Wilcox, who thought the episode amusing, if risque. With most ladies he would not have discussed it, but he was trading on Margaret s reputation as an emancipated woman. "He said so, and about such a thing he wouldn t lie." They both began to laugh. "That s where I differ from you. Men lie about their positions and
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repartee. "You are the man who tried to walk by the Pole Star." More laughter. "You saw the sunrise." Laughter. "You tried to get away from the fogs that are stifling us all--away past books and houses to the truth. You were looking for a real home." "I fail to see the connection," said Leonard, hot with stupid anger. "So do I." There was a pause. "You were that last Sunday--you are this to-day. Mr. Bast! I and my sister have talked you over. We wanted to help you; we also supposed you might help us. We did not have you here out of charity--which bores us--but because we hoped there would be a connection between last Sunday and other days. What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives? They have never entered into mine, but into yours, we thought--Haven t we all to struggle against life s daily greyness, against pettiness, against mechanical cheerfulness, against suspicion? I struggle by remembering my friends; others I have known by remembering some place--some beloved place or tree--we thought you one of these." "Of course, if there s been any misunderstanding," mumbled Leonard, "all I can do is to go. But I beg to state--" He paused. Ahab and Jezebel danced at his boots and made him look ridiculous. "You were picking my brain for official information--I can prove it--I--" He blew his nose and left them. "Can I help you now?" said Mr. Wilcox, turning to Margaret. "May I have one quiet word with him in the hall?" "Helen, go after him--do anything--anything--to make the noodle understand." Helen hesitated. "But really--" said their visitor. "Ought she to?" At once she went. He resumed. "I would have chimed in, but I felt that you could polish him off for yourselves--I didn t interfere. You were splendid, Miss Schlegel--absolutely splendid. You can take my word for it, but there are very few women who could have managed him." "Oh yes," said Margaret distractedly. "Bowling him over with those long sentences was what fetched me," cried Evie. "Yes, indeed," chuckled her father; "all that part about mechanical cheerfulness --oh, fine!" "I m very sorry," said Margaret, collecting herself. "He s a nice creature really. I cannot think what set him off. It has been most unpleasant for you." "Oh, I didn t mind." Then he changed his mood. He asked if he might speak as an old friend, and, permission given, said: "Oughtn t you really to be more careful?" Margaret laughed, though her thoughts still strayed after Helen. "Do you realise that it s all your fault?" she said. "You re responsible." "I?" "This is the young man whom we were to warn against the Porphyrion. We warn him, and--look!" Mr. Wilcox was annoyed. "I hardly consider that a fair deduction," he said. "Obviously unfair," said Margaret. "I was only thinking how tangled things are. It s our fault mostly--neither yours nor his." "Not his?" "No." "Miss Schlegel, you are too kind."<|quote|>"Yes, indeed,"</|quote|>nodded Evie, a little contemptuously. "You behave much too well to people, and then they impose on you. I know the world and that type of man, and as soon as I entered the room I saw you had not been treating him properly. You must keep that type at a distance. Otherwise they forget themselves. Sad, but true. They aren t our sort, and one must face the fact." "Ye--es." "Do admit that we should never have had the outburst if he was a gentleman." "I admit it willingly," said Margaret, who was pacing up and down the room. "A gentleman would have kept his suspicions to himself." Mr. Wilcox watched her with a vague uneasiness. "What did he suspect you of?" "Of wanting to make money out of him." "Intolerable brute! But how were you to benefit?" "Exactly. How indeed! Just horrible, corroding suspicion. One touch of thought or of goodwill would have brushed it away. Just the senseless fear that does make men intolerable brutes." "I come back to my original point. You ought to be more careful, Miss Schlegel. Your servants ought to have orders not to let such people in." She turned to him frankly. "Let me explain exactly why we like this man, and want to see him again." "That s your clever way of talking. I shall never believe you like him." "I do. Firstly, because he cares for physical adventure, just as you do. Yes, you go motoring and shooting; he would like to go camping out. Secondly, he cares for something special IN adventure. It is quickest to call that special something poetry--" "Oh, he s one of that writer sort." "No--oh no! I mean he may be, but it would be loathsome stuff. His brain is filled with the husks of books, culture--horrible; we want him to wash out his brain and go to the real thing. We want to show him how he may get upsides with life. As I said, either friends or the country, some" "--she hesitated--" "either some very dear person or some very dear place seems necessary to relieve life s daily grey, and to show that it is grey. If possible, one should have both." Some of her words ran past Mr. Wilcox. He let them run past. Others he caught and criticised with admirable lucidity. "Your mistake is this, and it is a very common mistake. This young bounder has a life of his own. What right have you to conclude it is an unsuccessful life, or, as you call it, grey ?" "Because--" "One minute. You know nothing about him. He probably has his own joys and interests--wife, children, snug little home. That s where we practical fellows" he smiled--" "are more tolerant than you intellectuals. We live and let live, and assume that things are jogging on fairly well elsewhere, and that the ordinary plain man may be trusted to look after his own affairs. I quite grant--I look at the faces of the clerks in my own office, and observe them to be dull,
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Howards End
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cried Thorpe,
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No speaker
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like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come
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say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my
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cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were
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he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts
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cannot stand out any longer now. The sacrifice is not much; and to oblige such a friend I shall think you quite unkind, if you still refuse." This was the first time of her brother s openly siding against her, and anxious to avoid his displeasure, she proposed a compromise. If they would only put off their scheme till Tuesday, which they might easily do, as it depended only on themselves, she could go with them, and everybody might then be satisfied. But "No, no, no!" was the immediate answer; "that could not be, for Thorpe did not know that he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts were at war. At one moment she was softened, at another irritated; always distressed, but always steady. "I did not think you had been so obstinate, Catherine," said James; "you were not used to be so hard to persuade; you once were the kindest, best-tempered of my sisters." "I hope I am not less so now," she replied, very feelingly; "but indeed I cannot go. If I am wrong, I am doing what I believe to be right." "I suspect," said Isabella, in a low voice, "there is no great struggle." Catherine s heart swelled; she drew away her arm,
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Isabella then tried another method. She reproached her with having more affection for Miss Tilney, though she had known her so little a while, than for her best and oldest friends, with being grown cold and indifferent, in short, towards herself. "I cannot help being jealous, Catherine, when I see myself slighted for strangers, I, who love you so excessively! When once my affections are placed, it is not in the power of anything to change them. But I believe my feelings are stronger than anybody s; I am sure they are too strong for my own peace; and to see myself supplanted in your friendship by strangers does cut me to the quick, I own. These Tilneys seem to swallow up everything else." Catherine thought this reproach equally strange and unkind. Was it the part of a friend thus to expose her feelings to the notice of others? Isabella appeared to her ungenerous and selfish, regardless of everything but her own gratification. These painful ideas crossed her mind, though she said nothing. Isabella, in the meanwhile, had applied her handkerchief to her eyes; and Morland, miserable at such a sight, could not help saying, "Nay, Catherine. I think you cannot stand out any longer now. The sacrifice is not much; and to oblige such a friend I shall think you quite unkind, if you still refuse." This was the first time of her brother s openly siding against her, and anxious to avoid his displeasure, she proposed a compromise. If they would only put off their scheme till Tuesday, which they might easily do, as it depended only on themselves, she could go with them, and everybody might then be satisfied. But "No, no, no!" was the immediate answer; "that could not be, for Thorpe did not know that he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts were at war. At one moment she was softened, at another irritated; always distressed, but always steady. "I did not think you had been so obstinate, Catherine," said James; "you were not used to be so hard to persuade; you once were the kindest, best-tempered of my sisters." "I hope I am not less so now," she replied, very feelingly; "but indeed I cannot go. If I am wrong, I am doing what I believe to be right." "I suspect," said Isabella, in a low voice, "there is no great struggle." Catherine s heart swelled; she drew away her arm, and Isabella made no opposition. Thus passed a long ten minutes, till they were again joined by Thorpe, who, coming to them with a gayer look, said, "Well, I have settled the matter, and now we may all go tomorrow with a safe conscience. I have been to Miss Tilney, and made your excuses." "You have not!" cried Catherine. "I have, upon my soul. Left her this moment. Told her you had sent me to say that, having just recollected a prior engagement of going to Clifton with us tomorrow, you could not have the pleasure of walking with her till Tuesday. She said very well, Tuesday was just as convenient to her; so there is an end of all our difficulties. A pretty good thought of mine hey?" Isabella s countenance was once more all smiles and good humour, and James too looked happy again. "A most heavenly thought indeed! Now, my sweet Catherine, all our distresses are over; you are honourably acquitted, and we shall have a most delightful party." "This will not do," said Catherine; "I cannot submit to this. I must run after Miss Tilney directly and set her right." Isabella, however, caught hold of one
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the latter no less anxiously placed his upon pleasing her, it was agreed that, provided the weather were fair, the party should take place on the following morning; and they were to set off very early, in order to be at home in good time. The affair thus determined, and Thorpe s approbation secured, Catherine only remained to be apprised of it. She had left them for a few minutes to speak to Miss Tilney. In that interval the plan was completed, and as soon as she came again, her agreement was demanded; but instead of the gay acquiescence expected by Isabella, Catherine looked grave, was very sorry, but could not go. The engagement which ought to have kept her from joining in the former attempt would make it impossible for her to accompany them now. She had that moment settled with Miss Tilney to take their proposed walk tomorrow; it was quite determined, and she would not, upon any account, retract. But that she _must_ and _should_ retract, was instantly the eager cry of both the Thorpes; they must go to Clifton tomorrow, they would not go without her, it would be nothing to put off a mere walk for one day longer, and they would not hear of a refusal. Catherine was distressed, but not subdued. "Do not urge me, Isabella. I am engaged to Miss Tilney. I cannot go." This availed nothing. The same arguments assailed her again; she must go, she should go, and they would not hear of a refusal. "It would be so easy to tell Miss Tilney that you had just been reminded of a prior engagement, and must only beg to put off the walk till Tuesday." "No, it would not be easy. I could not do it. There has been no prior engagement." But Isabella became only more and more urgent, calling on her in the most affectionate manner, addressing her by the most endearing names. She was sure her dearest, sweetest Catherine would not seriously refuse such a trifling request to a friend who loved her so dearly. She knew her beloved Catherine to have so feeling a heart, so sweet a temper, to be so easily persuaded by those she loved. But all in vain; Catherine felt herself to be in the right, and though pained by such tender, such flattering supplication, could not allow it to influence her. Isabella then tried another method. She reproached her with having more affection for Miss Tilney, though she had known her so little a while, than for her best and oldest friends, with being grown cold and indifferent, in short, towards herself. "I cannot help being jealous, Catherine, when I see myself slighted for strangers, I, who love you so excessively! When once my affections are placed, it is not in the power of anything to change them. But I believe my feelings are stronger than anybody s; I am sure they are too strong for my own peace; and to see myself supplanted in your friendship by strangers does cut me to the quick, I own. These Tilneys seem to swallow up everything else." Catherine thought this reproach equally strange and unkind. Was it the part of a friend thus to expose her feelings to the notice of others? Isabella appeared to her ungenerous and selfish, regardless of everything but her own gratification. These painful ideas crossed her mind, though she said nothing. Isabella, in the meanwhile, had applied her handkerchief to her eyes; and Morland, miserable at such a sight, could not help saying, "Nay, Catherine. I think you cannot stand out any longer now. The sacrifice is not much; and to oblige such a friend I shall think you quite unkind, if you still refuse." This was the first time of her brother s openly siding against her, and anxious to avoid his displeasure, she proposed a compromise. If they would only put off their scheme till Tuesday, which they might easily do, as it depended only on themselves, she could go with them, and everybody might then be satisfied. But "No, no, no!" was the immediate answer; "that could not be, for Thorpe did not know that he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts were at war. At one moment she was softened, at another irritated; always distressed, but always steady. "I did not think you had been so obstinate, Catherine," said James; "you were not used to be so hard to persuade; you once were the kindest, best-tempered of my sisters." "I hope I am not less so now," she replied, very feelingly; "but indeed I cannot go. If I am wrong, I am doing what I believe to be right." "I suspect," said Isabella, in a low voice, "there is no great struggle." Catherine s heart swelled; she drew away her arm, and Isabella made no opposition. Thus passed a long ten minutes, till they were again joined by Thorpe, who, coming to them with a gayer look, said, "Well, I have settled the matter, and now we may all go tomorrow with a safe conscience. I have been to Miss Tilney, and made your excuses." "You have not!" cried Catherine. "I have, upon my soul. Left her this moment. Told her you had sent me to say that, having just recollected a prior engagement of going to Clifton with us tomorrow, you could not have the pleasure of walking with her till Tuesday. She said very well, Tuesday was just as convenient to her; so there is an end of all our difficulties. A pretty good thought of mine hey?" Isabella s countenance was once more all smiles and good humour, and James too looked happy again. "A most heavenly thought indeed! Now, my sweet Catherine, all our distresses are over; you are honourably acquitted, and we shall have a most delightful party." "This will not do," said Catherine; "I cannot submit to this. I must run after Miss Tilney directly and set her right." Isabella, however, caught hold of one hand, Thorpe of the other, and remonstrances poured in from all three. Even James was quite angry. When everything was settled, when Miss Tilney herself said that Tuesday would suit her as well, it was quite ridiculous, quite absurd, to make any further objection. "I do not care. Mr. Thorpe had no business to invent any such message. If I had thought it right to put it off, I could have spoken to Miss Tilney myself. This is only doing it in a ruder way; and how do I know that Mr. Thorpe has He may be mistaken again perhaps; he led me into one act of rudeness by his mistake on Friday. Let me go, Mr. Thorpe; Isabella, do not hold me." Thorpe told her it would be in vain to go after the Tilneys; they were turning the corner into Brock Street, when he had overtaken them, and were at home by this time. "Then I will go after them," said Catherine; "wherever they are I will go after them. It does not signify talking. If I could not be persuaded into doing what I thought wrong, I never will be tricked into it." And with these words she broke away and hurried off. Thorpe would have darted after her, but Morland withheld him. "Let her go, let her go, if she will go." "She is as obstinate as" Thorpe never finished the simile, for it could hardly have been a proper one. Away walked Catherine in great agitation, as fast as the crowd would permit her, fearful of being pursued, yet determined to persevere. As she walked, she reflected on what had passed. It was painful to her to disappoint and displease them, particularly to displease her brother; but she could not repent her resistance. Setting her own inclination apart, to have failed a second time in her engagement to Miss Tilney, to have retracted a promise voluntarily made only five minutes before, and on a false pretence too, must have been wrong. She had not been withstanding them on selfish principles alone, she had not consulted merely her own gratification; _that_ might have been ensured in some degree by the excursion itself, by seeing Blaize Castle; no, she had attended to what was due to others, and to her own character in their opinion. Her conviction of being right, however, was not enough to restore her
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to change them. But I believe my feelings are stronger than anybody s; I am sure they are too strong for my own peace; and to see myself supplanted in your friendship by strangers does cut me to the quick, I own. These Tilneys seem to swallow up everything else." Catherine thought this reproach equally strange and unkind. Was it the part of a friend thus to expose her feelings to the notice of others? Isabella appeared to her ungenerous and selfish, regardless of everything but her own gratification. These painful ideas crossed her mind, though she said nothing. Isabella, in the meanwhile, had applied her handkerchief to her eyes; and Morland, miserable at such a sight, could not help saying, "Nay, Catherine. I think you cannot stand out any longer now. The sacrifice is not much; and to oblige such a friend I shall think you quite unkind, if you still refuse." This was the first time of her brother s openly siding against her, and anxious to avoid his displeasure, she proposed a compromise. If they would only put off their scheme till Tuesday, which they might easily do, as it depended only on themselves, she could go with them, and everybody might then be satisfied. But "No, no, no!" was the immediate answer; "that could not be, for Thorpe did not know that he might not go to town on Tuesday." Catherine was sorry, but could do no more; and a short silence ensued, which was broken by Isabella, who in a voice of cold resentment said, "Very well, then there is an end of the party. If Catherine does not go, I cannot. I cannot be the only woman. I would not, upon any account in the world, do so improper a thing." "Catherine, you must go," said James. "But why cannot Mr. Thorpe drive one of his other sisters? I dare say either of them would like to go." "Thank ye,"<|quote|>cried Thorpe,</|quote|>"but I did not come to Bath to drive my sisters about, and look like a fool. No, if you do not go, d me if I do. I only go for the sake of driving you." "That is a compliment which gives me no pleasure." But her words were lost on Thorpe, who had turned abruptly away. The three others still continued together, walking in a most uncomfortable manner to poor Catherine; sometimes not a word was said, sometimes she was again attacked with supplications or reproaches, and her arm was still linked within Isabella s, though their hearts were at war. At one moment she was softened, at another irritated; always distressed, but always steady. "I did not think you had been so obstinate, Catherine," said James; "you were not used to be so hard to persuade; you once were the kindest, best-tempered of my sisters." "I hope I am not less so now," she replied, very feelingly; "but indeed I cannot go. If I am wrong, I am doing what I believe to be right." "I suspect," said Isabella, in a low voice, "there is no great struggle." Catherine s heart swelled; she drew away her arm, and Isabella made no opposition. Thus passed a long ten minutes, till they were again joined by Thorpe, who, coming to them with a gayer look, said, "Well, I have settled the matter, and now we may all go tomorrow with a safe conscience. I have been to Miss Tilney, and made your excuses." "You have not!" cried Catherine. "I have, upon my soul. Left her this moment. Told her you had sent me to say that, having just recollected a prior engagement of going to Clifton with us tomorrow, you could not have the pleasure of walking with her till Tuesday. She said very well, Tuesday was just as convenient to her; so there is an end of all our difficulties. A pretty good thought of mine hey?" Isabella s countenance was once more all smiles and good humour, and James too looked happy again. "A most heavenly thought indeed! Now, my sweet Catherine, all our distresses are over; you are honourably acquitted, and we shall have a most delightful party." "This will not do," said Catherine; "I cannot submit to this. I must run after Miss Tilney directly and set her right." Isabella, however, caught hold of one hand, Thorpe of the other, and remonstrances poured in from all three. Even James was quite angry. When everything was settled, when Miss Tilney herself said that Tuesday would suit her as well, it was quite ridiculous, quite absurd, to make any further objection. "I do not care. Mr. Thorpe had no business to invent any such message. If I had thought it right to put it off, I could have spoken to Miss Tilney myself. This is only doing it in a ruder way; and how do I know that
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Northanger Abbey
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"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."
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Emma
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of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections
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more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the
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have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was
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attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by
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too much for her, that Harriet had a right to all her ingenuity and all her patience; but it was heavy work to be for ever convincing without producing any effect, for ever agreed to, without being able to make their opinions the same. Harriet listened submissively, and said "it was very true--it was just as Miss Woodhouse described--it was not worth while to think about them--and she would not think about them any longer" but no change of subject could avail, and the next half-hour saw her as anxious and restless about the Eltons as before. At last Emma attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by every thing that look and manner could do, made Emma feel that she had never loved Harriet so well, nor valued her affection so highly before. "There is no charm equal to tenderness of heart," said she afterwards to herself. "There is nothing to be compared to it. Warmth and tenderness of heart, with an affectionate, open manner, will beat all the clearness of head in the world, for attraction, I am sure it will. It is tenderness of heart which makes my dear father so generally beloved--which gives Isabella all her popularity.--I have it not--but I know how to
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it seldom; for evil in that quarter was at hand. As Frank Churchill's arrival had succeeded Mr. Elton's engagement in the conversation of Highbury, as the latest interest had entirely borne down the first, so now upon Frank Churchill's disappearance, Mr. Elton's concerns were assuming the most irresistible form.--His wedding-day was named. He would soon be among them again; Mr. Elton and his bride. There was hardly time to talk over the first letter from Enscombe before "Mr. Elton and his bride" was in every body's mouth, and Frank Churchill was forgotten. Emma grew sick at the sound. She had had three weeks of happy exemption from Mr. Elton; and Harriet's mind, she had been willing to hope, had been lately gaining strength. With Mr. Weston's ball in view at least, there had been a great deal of insensibility to other things; but it was now too evident that she had not attained such a state of composure as could stand against the actual approach--new carriage, bell-ringing, and all. Poor Harriet was in a flutter of spirits which required all the reasonings and soothings and attentions of every kind that Emma could give. Emma felt that she could not do too much for her, that Harriet had a right to all her ingenuity and all her patience; but it was heavy work to be for ever convincing without producing any effect, for ever agreed to, without being able to make their opinions the same. Harriet listened submissively, and said "it was very true--it was just as Miss Woodhouse described--it was not worth while to think about them--and she would not think about them any longer" but no change of subject could avail, and the next half-hour saw her as anxious and restless about the Eltons as before. At last Emma attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by every thing that look and manner could do, made Emma feel that she had never loved Harriet so well, nor valued her affection so highly before. "There is no charm equal to tenderness of heart," said she afterwards to herself. "There is nothing to be compared to it. Warmth and tenderness of heart, with an affectionate, open manner, will beat all the clearness of head in the world, for attraction, I am sure it will. It is tenderness of heart which makes my dear father so generally beloved--which gives Isabella all her popularity.--I have it not--but I know how to prize and respect it.--Harriet is my superior in all the charm and all the felicity it gives. Dear Harriet!--I would not change you for the clearest-headed, longest-sighted, best-judging female breathing. Oh! the coldness of a Jane Fairfax!--Harriet is worth a hundred such--And for a wife--a sensible man's wife--it is invaluable. I mention no names; but happy the man who changes Emma for Harriet!" CHAPTER XIV Mrs. Elton was first seen at church: but though devotion might be interrupted, curiosity could not be satisfied by a bride in a pew, and it must be left for the visits in form which were then to be paid, to settle whether she were very pretty indeed, or only rather pretty, or not pretty at all. Emma had feelings, less of curiosity than of pride or propriety, to make her resolve on not being the last to pay her respects; and she made a point of Harriet's going with her, that the worst of the business might be gone through as soon as possible. She could not enter the house again, could not be in the same room to which she had with such vain artifice retreated three months ago, to lace up her
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own name was not wanting. _Miss_ _Woodhouse_ appeared more than once, and never without a something of pleasing connexion, either a compliment to her taste, or a remembrance of what she had said; and in the very last time of its meeting her eye, unadorned as it was by any such broad wreath of gallantry, she yet could discern the effect of her influence and acknowledge the greatest compliment perhaps of all conveyed. Compressed into the very lowest vacant corner were these words--"I had not a spare moment on Tuesday, as you know, for Miss Woodhouse's beautiful little friend. Pray make my excuses and adieus to her." This, Emma could not doubt, was all for herself. Harriet was remembered only from being _her_ friend. His information and prospects as to Enscombe were neither worse nor better than had been anticipated; Mrs. Churchill was recovering, and he dared not yet, even in his own imagination, fix a time for coming to Randalls again. Gratifying, however, and stimulative as was the letter in the material part, its sentiments, she yet found, when it was folded up and returned to Mrs. Weston, that it had not added any lasting warmth, that she could still do without the writer, and that he must learn to do without her. Her intentions were unchanged. Her resolution of refusal only grew more interesting by the addition of a scheme for his subsequent consolation and happiness. His recollection of Harriet, and the words which clothed it, the "beautiful little friend," suggested to her the idea of Harriet's succeeding her in his affections. Was it impossible?--No.--Harriet undoubtedly was greatly his inferior in understanding; but he had been very much struck with the loveliness of her face and the warm simplicity of her manner; and all the probabilities of circumstance and connexion were in her favour.--For Harriet, it would be advantageous and delightful indeed. "I must not dwell upon it," said she.--" "I must not think of it. I know the danger of indulging such speculations. But stranger things have happened; and when we cease to care for each other as we do now, it will be the means of confirming us in that sort of true disinterested friendship which I can already look forward to with pleasure." It was well to have a comfort in store on Harriet's behalf, though it might be wise to let the fancy touch it seldom; for evil in that quarter was at hand. As Frank Churchill's arrival had succeeded Mr. Elton's engagement in the conversation of Highbury, as the latest interest had entirely borne down the first, so now upon Frank Churchill's disappearance, Mr. Elton's concerns were assuming the most irresistible form.--His wedding-day was named. He would soon be among them again; Mr. Elton and his bride. There was hardly time to talk over the first letter from Enscombe before "Mr. Elton and his bride" was in every body's mouth, and Frank Churchill was forgotten. Emma grew sick at the sound. She had had three weeks of happy exemption from Mr. Elton; and Harriet's mind, she had been willing to hope, had been lately gaining strength. With Mr. Weston's ball in view at least, there had been a great deal of insensibility to other things; but it was now too evident that she had not attained such a state of composure as could stand against the actual approach--new carriage, bell-ringing, and all. Poor Harriet was in a flutter of spirits which required all the reasonings and soothings and attentions of every kind that Emma could give. Emma felt that she could not do too much for her, that Harriet had a right to all her ingenuity and all her patience; but it was heavy work to be for ever convincing without producing any effect, for ever agreed to, without being able to make their opinions the same. Harriet listened submissively, and said "it was very true--it was just as Miss Woodhouse described--it was not worth while to think about them--and she would not think about them any longer" but no change of subject could avail, and the next half-hour saw her as anxious and restless about the Eltons as before. At last Emma attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by every thing that look and manner could do, made Emma feel that she had never loved Harriet so well, nor valued her affection so highly before. "There is no charm equal to tenderness of heart," said she afterwards to herself. "There is nothing to be compared to it. Warmth and tenderness of heart, with an affectionate, open manner, will beat all the clearness of head in the world, for attraction, I am sure it will. It is tenderness of heart which makes my dear father so generally beloved--which gives Isabella all her popularity.--I have it not--but I know how to prize and respect it.--Harriet is my superior in all the charm and all the felicity it gives. Dear Harriet!--I would not change you for the clearest-headed, longest-sighted, best-judging female breathing. Oh! the coldness of a Jane Fairfax!--Harriet is worth a hundred such--And for a wife--a sensible man's wife--it is invaluable. I mention no names; but happy the man who changes Emma for Harriet!" CHAPTER XIV Mrs. Elton was first seen at church: but though devotion might be interrupted, curiosity could not be satisfied by a bride in a pew, and it must be left for the visits in form which were then to be paid, to settle whether she were very pretty indeed, or only rather pretty, or not pretty at all. Emma had feelings, less of curiosity than of pride or propriety, to make her resolve on not being the last to pay her respects; and she made a point of Harriet's going with her, that the worst of the business might be gone through as soon as possible. She could not enter the house again, could not be in the same room to which she had with such vain artifice retreated three months ago, to lace up her boot, without _recollecting_. A thousand vexatious thoughts would recur. Compliments, charades, and horrible blunders; and it was not to be supposed that poor Harriet should not be recollecting too; but she behaved very well, and was only rather pale and silent. The visit was of course short; and there was so much embarrassment and occupation of mind to shorten it, that Emma would not allow herself entirely to form an opinion of the lady, and on no account to give one, beyond the nothing-meaning terms of being "elegantly dressed, and very pleasing." She did not really like her. She would not be in a hurry to find fault, but she suspected that there was no elegance;--ease, but not elegance.-- She was almost sure that for a young woman, a stranger, a bride, there was too much ease. Her person was rather good; her face not unpretty; but neither feature, nor air, nor voice, nor manner, were elegant. Emma thought at least it would turn out so. As for Mr. Elton, his manners did not appear--but no, she would not permit a hasty or a witty word from herself about his manners. It was an awkward ceremony at any time to be receiving wedding visits, and a man had need be all grace to acquit himself well through it. The woman was better off; she might have the assistance of fine clothes, and the privilege of bashfulness, but the man had only his own good sense to depend on; and when she considered how peculiarly unlucky poor Mr. Elton was in being in the same room at once with the woman he had just married, the woman he had wanted to marry, and the woman whom he had been expected to marry, she must allow him to have the right to look as little wise, and to be as much affectedly, and as little really easy as could be. "Well, Miss Woodhouse," said Harriet, when they had quitted the house, and after waiting in vain for her friend to begin; "Well, Miss Woodhouse," (with a gentle sigh,) "what do you think of her?--Is not she very charming?" There was a little hesitation in Emma's answer. "Oh! yes--very--a very pleasing young woman." "I think her beautiful, quite beautiful." "Very nicely dressed, indeed; a remarkably elegant gown." "I am not at all surprized that he should have fallen in love." "Oh! no--there is
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in view at least, there had been a great deal of insensibility to other things; but it was now too evident that she had not attained such a state of composure as could stand against the actual approach--new carriage, bell-ringing, and all. Poor Harriet was in a flutter of spirits which required all the reasonings and soothings and attentions of every kind that Emma could give. Emma felt that she could not do too much for her, that Harriet had a right to all her ingenuity and all her patience; but it was heavy work to be for ever convincing without producing any effect, for ever agreed to, without being able to make their opinions the same. Harriet listened submissively, and said "it was very true--it was just as Miss Woodhouse described--it was not worth while to think about them--and she would not think about them any longer" but no change of subject could avail, and the next half-hour saw her as anxious and restless about the Eltons as before. At last Emma attacked her on another ground. "Your allowing yourself to be so occupied and so unhappy about Mr. Elton's marrying, Harriet, is the strongest reproach you can make _me_. You could not give me a greater reproof for the mistake I fell into. It was all my doing, I know. I have not forgotten it, I assure you.--Deceived myself, I did very miserably deceive you--and it will be a painful reflection to me for ever. Do not imagine me in danger of forgetting it." Harriet felt this too much to utter more than a few words of eager exclamation. Emma continued,<|quote|>"I have not said, exert yourself Harriet for my sake; think less, talk less of Mr. Elton for my sake; because for your own sake rather, I would wish it to be done, for the sake of what is more important than my comfort, a habit of self-command in you, a consideration of what is your duty, an attention to propriety, an endeavour to avoid the suspicions of others, to save your health and credit, and restore your tranquillity. These are the motives which I have been pressing on you. They are very important--and sorry I am that you cannot feel them sufficiently to act upon them. My being saved from pain is a very secondary consideration. I want you to save yourself from greater pain. Perhaps I may sometimes have felt that Harriet would not forget what was due--or rather what would be kind by me."</|quote|>This appeal to her affections did more than all the rest. The idea of wanting gratitude and consideration for Miss Woodhouse, whom she really loved extremely, made her wretched for a while, and when the violence of grief was comforted away, still remained powerful enough to prompt to what was right and support her in it very tolerably. "You, who have been the best friend I ever had in my life--Want gratitude to you!--Nobody is equal to you!--I care for nobody as I do for you!--Oh! Miss Woodhouse, how ungrateful I have been!" Such expressions, assisted as they were by every thing that look and manner could do, made Emma feel that she had never loved Harriet so well, nor valued her affection so highly before. "There is no charm equal to tenderness of heart," said she afterwards to herself. "There is nothing to be compared to it. Warmth and tenderness of heart, with an affectionate, open manner, will beat all the clearness of head in the world, for attraction, I am sure it will. It is tenderness of heart which makes my dear father so generally beloved--which gives Isabella all her popularity.--I have it not--but I know how to prize and respect it.--Harriet is my superior in all the charm and all the felicity it gives. Dear Harriet!--I would not change you for the clearest-headed, longest-sighted, best-judging female breathing. Oh! the coldness of a Jane Fairfax!--Harriet is worth a hundred such--And for a wife--a sensible man's wife--it is invaluable. I mention no names; but happy
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Emma
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"I hope you re not disposing of somebody s fortune in a hurry,"
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Mrs. Hilbery
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The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the
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that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or
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time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey
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further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic
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whole this conclusion appeared to him to justify their relationship. But the conclusion was mystical; it plunged him into thought. The difficulty with which even this amount was written, the inadequacy of the words, and the need of writing under them and over them others which, after all, did no better, led him to leave off before he was at all satisfied with his production, and unable to resist the conviction that such rambling would never be fit for Katharine s eye. He felt himself more cut off from her than ever. In idleness, and because he could do nothing further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic affairs that have arisen in my absence. I ve been to Stratford-on-Avon (I must tell you all about that one of these days), and there I got a letter from my sister-in-law, a dear kind goose who likes interfering with other people s children because she s got none of her own. (We re dreadfully afraid that she s going to lose the sight of one of her eyes, and I always feel that our physical ailments are so apt to turn into mental ailments. I think Matthew Arnold says something of the same kind about Lord Byron.) But that
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the composition of a letter which, he vowed before he began it, should be sent that same evening. It was a difficult matter to put into words; poetry would have done it better justice, but he must abstain from poetry. In an infinite number of half-obliterated scratches he tried to convey to her the possibility that although human beings are woefully ill-adapted for communication, still, such communion is the best we know; moreover, they make it possible for each to have access to another world independent of personal affairs, a world of law, of philosophy, or more strangely a world such as he had had a glimpse of the other evening when together they seemed to be sharing something, creating something, an ideal a vision flung out in advance of our actual circumstances. If this golden rim were quenched, if life were no longer circled by an illusion (but was it an illusion after all?), then it would be too dismal an affair to carry to an end; so he wrote with a sudden spurt of conviction which made clear way for a space and left at least one sentence standing whole. Making every allowance for other desires, on the whole this conclusion appeared to him to justify their relationship. But the conclusion was mystical; it plunged him into thought. The difficulty with which even this amount was written, the inadequacy of the words, and the need of writing under them and over them others which, after all, did no better, led him to leave off before he was at all satisfied with his production, and unable to resist the conviction that such rambling would never be fit for Katharine s eye. He felt himself more cut off from her than ever. In idleness, and because he could do nothing further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic affairs that have arisen in my absence. I ve been to Stratford-on-Avon (I must tell you all about that one of these days), and there I got a letter from my sister-in-law, a dear kind goose who likes interfering with other people s children because she s got none of her own. (We re dreadfully afraid that she s going to lose the sight of one of her eyes, and I always feel that our physical ailments are so apt to turn into mental ailments. I think Matthew Arnold says something of the same kind about Lord Byron.) But that s neither here nor there." The effect of these parentheses, whether they were introduced for that purpose or represented a natural instinct on Mrs. Hilbery s part to embellish the bareness of her discourse, gave Ralph time to perceive that she possessed all the facts of their situation and was come, somehow, in the capacity of ambassador. "I didn t come here to talk about Lord Byron," Mrs. Hilbery continued, with a little laugh, "though I know that both you and Katharine, unlike other young people of your generation, still find him worth reading." She paused. "I m so glad you ve made Katharine read poetry, Mr. Denham!" she exclaimed, "and feel poetry, and look poetry! She can t talk it yet, but she will oh, she will!" Ralph, whose hand was grasped and whose tongue almost refused to articulate, somehow contrived to say that there were moments when he felt hopeless, utterly hopeless, though he gave no reason for this statement on his part. "But you care for her?" Mrs. Hilbery inquired. "Good God!" he exclaimed, with a vehemence which admitted of no question. "It s the Church of England service you both object to?" Mrs. Hilbery inquired innocently.
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to receive any pittance at all. But the appeal to Ralph s humanity had little chance of being heard to-day; he was no longer a model of concentration. The partition so carefully erected between the different sections of his life had been broken down, with the result that though his eyes were fixed upon the last Will and Testament, he saw through the page a certain drawing-room in Cheyne Walk. He tried every device that had proved effective in the past for keeping up the partitions of the mind, until he could decently go home; but a little to his alarm he found himself assailed so persistently, as if from outside, by Katharine, that he launched forth desperately into an imaginary interview with her. She obliterated a bookcase full of law reports, and the corners and lines of the room underwent a curious softening of outline like that which sometimes makes a room unfamiliar at the moment of waking from sleep. By degrees, a pulse or stress began to beat at regular intervals in his mind, heaping his thoughts into waves to which words fitted themselves, and without much consciousness of what he was doing, he began to write on a sheet of draft paper what had the appearance of a poem lacking several words in each line. Not many lines had been set down, however, before he threw away his pen as violently as if that were responsible for his misdeeds, and tore the paper into many separate pieces. This was a sign that Katharine had asserted herself and put to him a remark that could not be met poetically. Her remark was entirely destructive of poetry, since it was to the effect that poetry had nothing whatever to do with her; all her friends spent their lives in making up phrases, she said; all his feeling was an illusion, and next moment, as if to taunt him with his impotence, she had sunk into one of those dreamy states which took no account whatever of his existence. Ralph was roused by his passionate attempts to attract her attention to the fact that he was standing in the middle of his little private room in Lincoln s Inn Fields at a considerable distance from Chelsea. The physical distance increased his desperation. He began pacing in circles until the process sickened him, and then took a sheet of paper for the composition of a letter which, he vowed before he began it, should be sent that same evening. It was a difficult matter to put into words; poetry would have done it better justice, but he must abstain from poetry. In an infinite number of half-obliterated scratches he tried to convey to her the possibility that although human beings are woefully ill-adapted for communication, still, such communion is the best we know; moreover, they make it possible for each to have access to another world independent of personal affairs, a world of law, of philosophy, or more strangely a world such as he had had a glimpse of the other evening when together they seemed to be sharing something, creating something, an ideal a vision flung out in advance of our actual circumstances. If this golden rim were quenched, if life were no longer circled by an illusion (but was it an illusion after all?), then it would be too dismal an affair to carry to an end; so he wrote with a sudden spurt of conviction which made clear way for a space and left at least one sentence standing whole. Making every allowance for other desires, on the whole this conclusion appeared to him to justify their relationship. But the conclusion was mystical; it plunged him into thought. The difficulty with which even this amount was written, the inadequacy of the words, and the need of writing under them and over them others which, after all, did no better, led him to leave off before he was at all satisfied with his production, and unable to resist the conviction that such rambling would never be fit for Katharine s eye. He felt himself more cut off from her than ever. In idleness, and because he could do nothing further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic affairs that have arisen in my absence. I ve been to Stratford-on-Avon (I must tell you all about that one of these days), and there I got a letter from my sister-in-law, a dear kind goose who likes interfering with other people s children because she s got none of her own. (We re dreadfully afraid that she s going to lose the sight of one of her eyes, and I always feel that our physical ailments are so apt to turn into mental ailments. I think Matthew Arnold says something of the same kind about Lord Byron.) But that s neither here nor there." The effect of these parentheses, whether they were introduced for that purpose or represented a natural instinct on Mrs. Hilbery s part to embellish the bareness of her discourse, gave Ralph time to perceive that she possessed all the facts of their situation and was come, somehow, in the capacity of ambassador. "I didn t come here to talk about Lord Byron," Mrs. Hilbery continued, with a little laugh, "though I know that both you and Katharine, unlike other young people of your generation, still find him worth reading." She paused. "I m so glad you ve made Katharine read poetry, Mr. Denham!" she exclaimed, "and feel poetry, and look poetry! She can t talk it yet, but she will oh, she will!" Ralph, whose hand was grasped and whose tongue almost refused to articulate, somehow contrived to say that there were moments when he felt hopeless, utterly hopeless, though he gave no reason for this statement on his part. "But you care for her?" Mrs. Hilbery inquired. "Good God!" he exclaimed, with a vehemence which admitted of no question. "It s the Church of England service you both object to?" Mrs. Hilbery inquired innocently. "I don t care a damn what service it is," Ralph replied. "You would marry her in Westminster Abbey if the worst came to the worst?" Mrs. Hilbery inquired. "I would marry her in St. Paul s Cathedral," Ralph replied. His doubts upon this point, which were always roused by Katharine s presence, had vanished completely, and his strongest wish in the world was to be with her immediately, since every second he was away from her he imagined her slipping farther and farther from him into one of those states of mind in which he was unrepresented. He wished to dominate her, to possess her. "Thank God!" exclaimed Mrs. Hilbery. She thanked Him for a variety of blessings: for the conviction with which the young man spoke; and not least for the prospect that on her daughter s wedding-day the noble cadences, the stately periods, the ancient eloquence of the marriage service would resound over the heads of a distinguished congregation gathered together near the very spot where her father lay quiescent with the other poets of England. The tears filled her eyes; but she remembered simultaneously that her carriage was waiting, and with dim eyes she walked to the door. Denham followed her downstairs. It was a strange drive. For Denham it was without exception the most unpleasant he had ever taken. His only wish was to go as straightly and quickly as possible to Cheyne Walk; but it soon appeared that Mrs. Hilbery either ignored or thought fit to baffle this desire by interposing various errands of her own. She stopped the carriage at post-offices, and coffee-shops, and shops of inscrutable dignity where the aged attendants had to be greeted as old friends; and, catching sight of the dome of St. Paul s above the irregular spires of Ludgate Hill, she pulled the cord impulsively, and gave directions that Anderson should drive them there. But Anderson had reasons of his own for discouraging afternoon worship, and kept his horse s nose obstinately towards the west. After some minutes, Mrs. Hilbery realized the situation, and accepted it good-humoredly, apologizing to Ralph for his disappointment. "Never mind," she said, "we ll go to St. Paul s another day, and it may turn out, though I can t promise that it _will_, that he ll take us past Westminster Abbey, which would be even better." Ralph was scarcely aware of
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his desperation. He began pacing in circles until the process sickened him, and then took a sheet of paper for the composition of a letter which, he vowed before he began it, should be sent that same evening. It was a difficult matter to put into words; poetry would have done it better justice, but he must abstain from poetry. In an infinite number of half-obliterated scratches he tried to convey to her the possibility that although human beings are woefully ill-adapted for communication, still, such communion is the best we know; moreover, they make it possible for each to have access to another world independent of personal affairs, a world of law, of philosophy, or more strangely a world such as he had had a glimpse of the other evening when together they seemed to be sharing something, creating something, an ideal a vision flung out in advance of our actual circumstances. If this golden rim were quenched, if life were no longer circled by an illusion (but was it an illusion after all?), then it would be too dismal an affair to carry to an end; so he wrote with a sudden spurt of conviction which made clear way for a space and left at least one sentence standing whole. Making every allowance for other desires, on the whole this conclusion appeared to him to justify their relationship. But the conclusion was mystical; it plunged him into thought. The difficulty with which even this amount was written, the inadequacy of the words, and the need of writing under them and over them others which, after all, did no better, led him to leave off before he was at all satisfied with his production, and unable to resist the conviction that such rambling would never be fit for Katharine s eye. He felt himself more cut off from her than ever. In idleness, and because he could do nothing further with words, he began to draw little figures in the blank spaces, heads meant to resemble her head, blots fringed with flames meant to represent perhaps the entire universe. From this occupation he was roused by the message that a lady wished to speak to him. He had scarcely time to run his hands through his hair in order to look as much like a solicitor as possible, and to cram his papers into his pocket, already overcome with shame that another eye should behold them, when he realized that his preparations were needless. The lady was Mrs. Hilbery.<|quote|>"I hope you re not disposing of somebody s fortune in a hurry,"</|quote|>she remarked, gazing at the documents on his table, "or cutting off an entail at one blow, because I want to ask you to do me a favor. And Anderson won t keep his horse waiting. (Anderson is a perfect tyrant, but he drove my dear father to the Abbey the day they buried him.) I made bold to come to you, Mr. Denham, not exactly in search of legal assistance (though I don t know who I d rather come to, if I were in trouble), but in order to ask your help in settling some tiresome little domestic affairs that have arisen in my absence. I ve been to Stratford-on-Avon (I must tell you all about that one of these days), and there I got a letter from my sister-in-law, a dear kind goose who likes interfering with other people s children because she s got none of her own. (We re dreadfully afraid that she s going to lose the sight of one of her eyes, and I always feel that our physical ailments are so apt to turn into mental ailments. I think Matthew Arnold says something of the same kind about Lord Byron.) But that s neither here nor there." The effect of these parentheses, whether they were introduced for that purpose or represented a natural instinct on Mrs. Hilbery s part to embellish the bareness of her discourse, gave Ralph time to perceive that she possessed all the facts of their situation and was come, somehow, in the capacity of ambassador. "I didn t come here to talk about Lord Byron," Mrs. Hilbery continued, with a little laugh, "though I know that both you and Katharine, unlike other young people of your generation, still find him worth reading." She paused. "I m so glad you ve made Katharine read poetry,
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Night And Day
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"it is very uncomfortable indeed."
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Mrs. Allen
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Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The
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here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this
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"would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would
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which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more
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people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them. They saw nothing of Mr. Allen; and after looking about them in vain for a more eligible situation, were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more there are, indeed. How very provoking! But I think we had better sit still, for one gets so tumbled in such a crowd! How is my head, my dear? Somebody gave me a push that has hurt it, I am afraid." "No, indeed, it looks very nice. But, dear Mrs. Allen, are you sure there is nobody you know in all this multitude of people? I think you _must_ know somebody." "I don t, upon my word I wish I did. I wish I had a large acquaintance here with all my heart, and then I should get you a
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and ingenuity they found themselves at last in the passage behind the highest bench. Here there was something less of crowd than below; and hence Miss Morland had a comprehensive view of all the company beneath her, and of all the dangers of her late passage through them. It was a splendid sight, and she began, for the first time that evening, to feel herself at a ball: she longed to dance, but she had not an acquaintance in the room. Mrs. Allen did all that she could do in such a case by saying very placidly, every now and then, "I wish you could dance, my dear I wish you could get a partner." For some time her young friend felt obliged to her for these wishes; but they were repeated so often, and proved so totally ineffectual, that Catherine grew tired at last, and would thank her no more. They were not long able, however, to enjoy the repose of the eminence they had so laboriously gained. Everybody was shortly in motion for tea, and they must squeeze out like the rest. Catherine began to feel something of disappointment she was tired of being continually pressed against by people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them. They saw nothing of Mr. Allen; and after looking about them in vain for a more eligible situation, were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more there are, indeed. How very provoking! But I think we had better sit still, for one gets so tumbled in such a crowd! How is my head, my dear? Somebody gave me a push that has hurt it, I am afraid." "No, indeed, it looks very nice. But, dear Mrs. Allen, are you sure there is nobody you know in all this multitude of people? I think you _must_ know somebody." "I don t, upon my word I wish I did. I wish I had a large acquaintance here with all my heart, and then I should get you a partner. I should be so glad to have you dance. There goes a strange-looking woman! What an odd gown she has got on! How old-fashioned it is! Look at the back." After some time they received an offer of tea from one of their neighbours; it was thankfully accepted, and this introduced a light conversation with the gentleman who offered it, which was the only time that anybody spoke to them during the evening, till they were discovered and joined by Mr. Allen when the dance was over. "Well, Miss Morland," said he, directly, "I hope you have had an agreeable ball." "Very agreeable indeed," she replied, vainly endeavouring to hide a great yawn. "I wish she had been able to dance," said his wife; "I wish we could have got a partner for her. I have been saying how glad I should be if the Skinners were here this winter instead of last; or if the Parrys had come, as they talked of once, she might have danced with George Parry. I am so sorry she has not had a partner!" "We shall do better another evening I hope," was Mr. Allen s consolation. The company began to disperse
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introduce a young lady into public, being as fond of going everywhere and seeing everything herself as any young lady could be. Dress was her passion. She had a most harmless delight in being fine; and our heroine s entree into life could not take place till after three or four days had been spent in learning what was mostly worn, and her chaperone was provided with a dress of the newest fashion. Catherine too made some purchases herself, and when all these matters were arranged, the important evening came which was to usher her into the Upper Rooms. Her hair was cut and dressed by the best hand, her clothes put on with care, and both Mrs. Allen and her maid declared she looked quite as she should do. With such encouragement, Catherine hoped at least to pass uncensured through the crowd. As for admiration, it was always very welcome when it came, but she did not depend on it. Mrs. Allen was so long in dressing that they did not enter the ballroom till late. The season was full, the room crowded, and the two ladies squeezed in as well as they could. As for Mr. Allen, he repaired directly to the card-room, and left them to enjoy a mob by themselves. With more care for the safety of her new gown than for the comfort of her protegee, Mrs. Allen made her way through the throng of men by the door, as swiftly as the necessary caution would allow; Catherine, however, kept close at her side, and linked her arm too firmly within her friend s to be torn asunder by any common effort of a struggling assembly. But to her utter amazement she found that to proceed along the room was by no means the way to disengage themselves from the crowd; it seemed rather to increase as they went on, whereas she had imagined that when once fairly within the door, they should easily find seats and be able to watch the dances with perfect convenience. But this was far from being the case, and though by unwearied diligence they gained even the top of the room, their situation was just the same; they saw nothing of the dancers but the high feathers of some of the ladies. Still they moved on something better was yet in view; and by a continued exertion of strength and ingenuity they found themselves at last in the passage behind the highest bench. Here there was something less of crowd than below; and hence Miss Morland had a comprehensive view of all the company beneath her, and of all the dangers of her late passage through them. It was a splendid sight, and she began, for the first time that evening, to feel herself at a ball: she longed to dance, but she had not an acquaintance in the room. Mrs. Allen did all that she could do in such a case by saying very placidly, every now and then, "I wish you could dance, my dear I wish you could get a partner." For some time her young friend felt obliged to her for these wishes; but they were repeated so often, and proved so totally ineffectual, that Catherine grew tired at last, and would thank her no more. They were not long able, however, to enjoy the repose of the eminence they had so laboriously gained. Everybody was shortly in motion for tea, and they must squeeze out like the rest. Catherine began to feel something of disappointment she was tired of being continually pressed against by people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them. They saw nothing of Mr. Allen; and after looking about them in vain for a more eligible situation, were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more there are, indeed. How very provoking! But I think we had better sit still, for one gets so tumbled in such a crowd! How is my head, my dear? Somebody gave me a push that has hurt it, I am afraid." "No, indeed, it looks very nice. But, dear Mrs. Allen, are you sure there is nobody you know in all this multitude of people? I think you _must_ know somebody." "I don t, upon my word I wish I did. I wish I had a large acquaintance here with all my heart, and then I should get you a partner. I should be so glad to have you dance. There goes a strange-looking woman! What an odd gown she has got on! How old-fashioned it is! Look at the back." After some time they received an offer of tea from one of their neighbours; it was thankfully accepted, and this introduced a light conversation with the gentleman who offered it, which was the only time that anybody spoke to them during the evening, till they were discovered and joined by Mr. Allen when the dance was over. "Well, Miss Morland," said he, directly, "I hope you have had an agreeable ball." "Very agreeable indeed," she replied, vainly endeavouring to hide a great yawn. "I wish she had been able to dance," said his wife; "I wish we could have got a partner for her. I have been saying how glad I should be if the Skinners were here this winter instead of last; or if the Parrys had come, as they talked of once, she might have danced with George Parry. I am so sorry she has not had a partner!" "We shall do better another evening I hope," was Mr. Allen s consolation. The company began to disperse when the dancing was over enough to leave space for the remainder to walk about in some comfort; and now was the time for a heroine, who had not yet played a very distinguished part in the events of the evening, to be noticed and admired. Every five minutes, by removing some of the crowd, gave greater openings for her charms. She was now seen by many young men who had not been near her before. Not one, however, started with rapturous wonder on beholding her, no whisper of eager inquiry ran round the room, nor was she once called a divinity by anybody. Yet Catherine was in very good looks, and had the company only seen her three years before, they would _now_ have thought her exceedingly handsome. She _was_ looked at, however, and with some admiration; for, in her own hearing, two gentlemen pronounced her to be a pretty girl. Such words had their due effect; she immediately thought the evening pleasanter than she had found it before her humble vanity was contented she felt more obliged to the two young men for this simple praise than a true-quality heroine would have been for fifteen sonnets in celebration of her charms, and went to her chair in good humour with everybody, and perfectly satisfied with her share of public attention. CHAPTER 3 Every morning now brought its regular duties shops were to be visited; some new part of the town to be looked at; and the pump-room to be attended, where they paraded up and down for an hour, looking at everybody and speaking to no one. The wish of a numerous acquaintance in Bath was still uppermost with Mrs. Allen, and she repeated it after every fresh proof, which every morning brought, of her knowing nobody at all. They made their appearance in the Lower Rooms; and here fortune was more favourable to our heroine. The master of the ceremonies introduced to her a very gentlemanlike young man as a partner; his name was Tilney. He seemed to be about four or five and twenty, was rather tall, had a pleasing countenance, a very intelligent and lively eye, and, if not quite handsome, was very near it. His address was good, and Catherine felt herself in high luck. There was little leisure for speaking while they danced; but when they were seated at tea, she found him
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room was by no means the way to disengage themselves from the crowd; it seemed rather to increase as they went on, whereas she had imagined that when once fairly within the door, they should easily find seats and be able to watch the dances with perfect convenience. But this was far from being the case, and though by unwearied diligence they gained even the top of the room, their situation was just the same; they saw nothing of the dancers but the high feathers of some of the ladies. Still they moved on something better was yet in view; and by a continued exertion of strength and ingenuity they found themselves at last in the passage behind the highest bench. Here there was something less of crowd than below; and hence Miss Morland had a comprehensive view of all the company beneath her, and of all the dangers of her late passage through them. It was a splendid sight, and she began, for the first time that evening, to feel herself at a ball: she longed to dance, but she had not an acquaintance in the room. Mrs. Allen did all that she could do in such a case by saying very placidly, every now and then, "I wish you could dance, my dear I wish you could get a partner." For some time her young friend felt obliged to her for these wishes; but they were repeated so often, and proved so totally ineffectual, that Catherine grew tired at last, and would thank her no more. They were not long able, however, to enjoy the repose of the eminence they had so laboriously gained. Everybody was shortly in motion for tea, and they must squeeze out like the rest. Catherine began to feel something of disappointment she was tired of being continually pressed against by people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them. They saw nothing of Mr. Allen; and after looking about them in vain for a more eligible situation, were obliged to sit down at the end of a table, at which a large party were already placed, without having anything to do there, or anybody to speak to, except each other. Mrs. Allen congratulated herself, as soon as they were seated, on having preserved her gown from injury. "It would have been very shocking to have it torn," said she, "would not it? It is such a delicate muslin. For my part I have not seen anything I like so well in the whole room, I assure you." "How uncomfortable it is," whispered Catherine, "not to have a single acquaintance here!" "Yes, my dear," replied Mrs. Allen, with perfect serenity,<|quote|>"it is very uncomfortable indeed."</|quote|>"What shall we do? The gentlemen and ladies at this table look as if they wondered why we came here we seem forcing ourselves into their party." "Aye, so we do. That is very disagreeable. I wish we had a large acquaintance here." "I wish we had _any;_ it would be somebody to go to." "Very true, my dear; and if we knew anybody we would join them directly. The Skinners were here last year I wish they were here now." "Had not we better go away as it is? Here are no tea-things for us, you see." "No more there are, indeed. How very provoking! But I think we had better sit still, for one gets so tumbled in such a crowd! How is my head, my dear? Somebody gave me a push that has hurt it, I am afraid." "No, indeed, it looks very nice. But, dear Mrs. Allen, are you sure there is nobody you know in all this multitude of people? I think you _must_ know somebody." "I don t, upon my word I wish I did. I wish I had a large acquaintance here with all my heart, and then I should get you a partner. I should be so glad to have you dance. There goes a strange-looking woman! What an odd gown she has got on! How old-fashioned
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Northanger Abbey
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“with Grace and Mr. Crimble.”
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Theign
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just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity
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said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone
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thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but
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apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the
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Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street
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girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like a gentleman; but it didn’t thereby follow that I acted--or spoke--like a demagogue; and
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curt but resonant “Thank you!” While the others awaited his further pleasure he again bethought himself--then he addressed Lady Grace. “I must let Mr. Bender know----” “Mr. Bender,” Hugh interposed, “does know. He’s at the present moment with the author of that note at Long’s Hotel.” “Then I must now write him” --and his lordship, while he spoke and from where he stood, looked in refined disconnectedness out of the window. “Will you write _there?_” --and his daughter indicated Lady Sandgate’s desk, at which we have seen Mr. Bender so importantly seated. Lord Theign had a start at her again speaking to him; but he bent his view on the convenience awaiting him and then, as to have done with so tiresome a matter, took advantage of it. He went and placed himself, and had reached for paper and a pen when, struck apparently with the display of some incongruous object, he uttered a sharp “Hallo!” “You don’t find things?” Lady Grace asked--as remote from him in one quarter of the room as Hugh was in another. “On the contrary!” he oddly replied. But plainly suppressing any further surprise he committed a few words to paper and put them into an envelope, which he addressed and brought away. “If you like,” said Hugh urbanely, “I’ll carry him that myself.” “But how do you know what it consists of?” “I don’t know. But I risk it.” His lordship weighed the proposition in a high impersonal manner--he even nervously weighed his letter, shaking it with one hand upon the finger-tips of the other; after which, as finally to acquit himself of any measurable obligation, he allowed Hugh, by a surrender of the interesting object, to redeem his offer of service. “Then you’ll learn,” he simply said. “And may _I_ learn?” asked Lady Grace. “You?” The tone made so light of her that it was barely interrogative. “May I go _with_ him?” Her father looked at the question as at some cup of supreme bitterness--a nasty and now quite regular dose with which his lips were familiar, but before which their first movement was always tightly to close. “_With_ me, my lord,” said Hugh at last, thoroughly determined they should open and intensifying the emphasis. He had his effect, and Lord Theign’s answer, addressed to Lady Grace, made indifference very comprehensive. “You may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like a gentleman; but it didn’t thereby follow that I acted--or spoke--like a demagogue; and my mind’s a complete blank on the subject of my having done so.” “So that there only flushes through your conscience,” she suggested, “the fact that he has forced your hand?” Fevered with the sore sense of it his lordship wiped his brow. “He has played me, for spite, his damned impertinent trick!” She found but after a minute--for it wasn’t easy--the right word, or the least wrong, for the situation. “Well, even if he did so diabolically commit you, you still don’t want--do you?--to back out?” Resenting the suggestion, which restored all his nobler form, Lord Theign fairly drew himself up. “When did I ever in all my life back out?” “Never, never in all your life of course!” --she dashed a bucketful at the flare. “And the picture after all----!” “The picture after all” --he took her up in cold grim gallant despair-- “has just been pronounced definitely priceless.” And then to meet her gaping ignorance: “By Mr. Crimble’s latest and apparently greatest adviser, who strongly stamps it a Mantovano and whose practical affidavit I now possess.” Poor Lady Sandgate gaped but the more--she wondered and yearned. “Definitely priceless?” “Definitely priceless.” After which he took from its place of lurking, considerately unfolding it, the goodly slip he had removed from her blotting-book. “Worth even more therefore than what Bender so blatantly offers.” Her attention fell with interest, from the distance at which she stood, on this confirmatory document, her recognition of which was not immediate. “And is that the affidavit?” “This is a cheque to your order, my lady, for ten thousand pounds.” “Ten thousand?” --she echoed it with a shout. “Drawn by some hand unknown,” he went on quietly. “Unknown?” --again, in her muffled joy, she let it sound out. “Which I found there at your desk a moment ago, and thought best, in your interest, to rescue from accident or neglect; even though it be, save for the single stroke of a name begun,” he wound up with his look like a playing searchlight, “unhappily unsigned.” “Unsigned?” --the exhibition of her design, of her defeat, kept shaking her. “Then it isn’t good--?” “It’s a Barmecide feast, my dear!” --he had still, her kind friend, his note of grimness and also his penetration of eye. “But who is it writes you colossal cheques?” “And then leaves them lying about?” Her case was so bad that you would
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proposition in a high impersonal manner--he even nervously weighed his letter, shaking it with one hand upon the finger-tips of the other; after which, as finally to acquit himself of any measurable obligation, he allowed Hugh, by a surrender of the interesting object, to redeem his offer of service. “Then you’ll learn,” he simply said. “And may _I_ learn?” asked Lady Grace. “You?” The tone made so light of her that it was barely interrogative. “May I go _with_ him?” Her father looked at the question as at some cup of supreme bitterness--a nasty and now quite regular dose with which his lips were familiar, but before which their first movement was always tightly to close. “_With_ me, my lord,” said Hugh at last, thoroughly determined they should open and intensifying the emphasis. He had his effect, and Lord Theign’s answer, addressed to Lady Grace, made indifference very comprehensive. “You may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,” she said. “But you’re alone?” “I’ve just parted,” her friend replied,<|quote|>“with Grace and Mr. Crimble.”</|quote|>“‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like a gentleman; but it didn’t thereby follow that I acted--or spoke--like a demagogue;
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The Outcry
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"H'm,"
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John Cavendish
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into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have
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hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but
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said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I
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he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's
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One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about
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business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known to poison. And suddenly I remembered that first conversation at tea on the day of my arrival, and the gleam in her eyes as she had said that poison was a woman's weapon. How agitated she had been on that fatal Tuesday evening! Had Mrs. Inglethorp
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enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice. "Am I to understand that you will continue to see Bauerstein against my express wishes?" "If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known to poison. And suddenly I remembered that first conversation at tea on the day of my arrival, and the gleam in her eyes as she had said that poison was a woman's weapon. How agitated she had been on that fatal Tuesday evening! Had Mrs. Inglethorp discovered something between her and Bauerstein, and threatened to tell her husband? Was it to stop that denunciation that the crime had been committed? Then I remembered that enigmatical conversation between Poirot and Evelyn Howard. Was this what they had meant? Was this the monstrous possibility that Evelyn had tried not to believe? Yes, it all fitted in. No wonder Miss Howard had suggested "hushing it up." Now I understood that unfinished sentence of hers: "Emily herself " And in my heart I agreed with her. Would not Mrs. Inglethorp have preferred to go unavenged rather than have such terrible dishonour fall upon the name of Cavendish. "There's another thing," said John suddenly, and the unexpected sound of his voice made me start guiltily. "Something which makes me doubt if what you say can be true." "What's that?" I asked, thankful that he had gone away from the subject of how the poison could have been introduced into the cocoa. "Why, the fact that Bauerstein demanded a post-mortem. He needn't have done so. Little Wilkins would have been quite content to let it go at heart disease." "Yes," I said doubtfully. "But we don't know. Perhaps he thought it safer in the long run. Someone might have talked afterwards. Then the Home Office might have ordered exhumation. The whole thing would have come out, then, and he would have been in an awkward position, for no one would have believed that a man of his reputation could have been deceived into calling it heart disease." "Yes, that's possible," admitted John. "Still," he added, "I'm blest if I can see what his motive could have been." I trembled. "Look here," I said, "I may be altogether wrong. And, remember, all this is in confidence." "Oh, of course that goes without saying." We had walked, as we talked, and now we passed through the little gate into the garden. Voices rose near at hand, for tea was spread out under the sycamore-tree, as it had been on the day of my arrival. Cynthia was back from the hospital, and I placed my chair beside her, and told her of Poirot's wish to visit the dispensary. "Of course! I'd love him to see it. He'd better come to tea there one day. I must fix it up with him. He's such a dear little man! But he _is_ funny. He made me take
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Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?"<|quote|>"H'm,"</|quote|>said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known to poison. And suddenly I remembered that first conversation at tea on the day of my arrival, and the gleam in her eyes as she had said that poison was a woman's weapon. How agitated she had been on that fatal Tuesday evening! Had Mrs. Inglethorp discovered something between her and Bauerstein, and threatened to tell her husband? Was it to stop that denunciation that the crime had been committed? Then I remembered that enigmatical conversation between Poirot and Evelyn Howard. Was this what they had meant? Was this the monstrous possibility that Evelyn had tried not to believe? Yes, it all fitted in. No wonder Miss Howard had suggested "hushing it up." Now I understood that unfinished sentence of hers: "Emily herself " And in my heart I agreed with her. Would not Mrs. Inglethorp have
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The Mysterious Affair At Styles
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"Here we all are!"
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Margaret
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since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him
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who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her
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but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back
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replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint,
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bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my
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belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that he stopped, and asked her a little sharply what she wanted. "You said on Chelsea Embankment, surely, that it was a bad concern, so we advised this clerk to clear out. He writes this morning that he s taken our advice, and now you say it s not a bad concern." "A clerk who clears out of any concern, good or bad,
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hold of Howards End, and, thanks to you, she s got it." "I call the way you twist things round and make them hang together most unfair. You couldn t have been nastier if you d caught me flirting. Could he, diddums?" "We re in a bad hole, and must make the best of it. I shall answer the pater s letter civilly. He s evidently anxious to do the decent thing. But I do not intend to forget these Schlegels in a hurry. As long as they re on their best behaviour--Dolly, are you listening?--we ll behave, too. But if I find them giving themselves airs or monopolising my father, or at all ill-treating him, or worrying him with their artistic beastliness, I intend to put my foot down, yes, firmly. Taking my mother s place! Heaven knows what poor old Paul will say when the news reaches him." The interlude closes. It has taken place in Charles s garden at Hilton. He and Dolly are sitting in deckchairs, and their motor is regarding them placidly from its garage across the lawn. A short-frocked edition of Charles also regards them placidly; a perambulator edition is squeaking; a third edition is expected shortly. Nature is turning out Wilcoxes in this peaceful abode, so that they may inherit the earth. CHAPTER XXII Margaret greeted her lord with peculiar tenderness on the morrow. Mature as he was, she might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going. It was hard-going in the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that he stopped, and asked her a little sharply what she wanted. "You said on Chelsea Embankment, surely, that it was a bad concern, so we advised this clerk to clear out. He writes this morning that he s taken our advice, and now you say it s not a bad concern." "A clerk who clears out of any concern, good or bad, without securing a berth somewhere else first, is a fool, and I ve no pity for him." "He has not done that. He s going into a bank in Camden Town, he says. The salary s much lower, but he hopes to manage--a branch of Dempster s Bank. Is that all right?" "Dempster! Why goodness me, yes." "More right than the Porphyrion?" "Yes, yes, yes; safe as houses--safer." "Very many thanks. I m sorry--if you sublet--?" "If he sublets, I shan t have the same control. In theory there should be no more damage done at Howards End; in practice there will be. Things may be done for which no money can compensate. For instance, I shouldn t want that fine wych-elm spoilt. It hangs--Margaret, we must go and see the old place some time. It s pretty in its way. We ll motor down and have lunch with Charles." "I should enjoy that," said Margaret bravely. "What about next Wednesday?" "Wednesday? No, I couldn t well do that. Aunt Juley expects us to stop here another week at least." "But you can give that up now." "Er--no," said Margaret, after a moment s thought. "Oh, that ll be all right. I ll speak to her." "This visit is a high solemnity. My aunt counts on it year after year. She turns the house upside down for us; she invites our special friends--she scarcely knows Frieda, and we can t leave her on her hands. I missed one day, and she would be so hurt if I didn t stay the full ten." "But I ll say a word to her. Don t you bother." "Henry, I won t go. Don t bully me." "You want to see the house, though?" "Very much--I ve heard so much about it, one way or the other. Aren t there pigs teeth in the wych-elm?" "PIGS TEETH?" "And you chew the bark for toothache." "What a rum notion! Of course not!" "Perhaps I have confused it with some other tree. There are still a great number of sacred trees in England, it seems." But he left her to intercept Mrs. Munt, whose voice could be heard in the distance; to be intercepted himself by Helen. "Oh. Mr. Wilcox, about the Porphyrion--" she began and went scarlet all over her face. "It s all right," called Margaret, catching them up. "Dempster s Bank s
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find easy-going. It was hard-going in the roads of Mr. Wilcox s soul. From boyhood he had neglected them. "I am not a fellow who bothers about my own inside." Outwardly he was cheerful, reliable, and brave; but within, all had reverted to chaos, ruled, so far as it was ruled at all, by an incomplete asceticism. Whether as boy, husband, or widower, he had always the sneaking belief that bodily passion is bad, a belief that is desirable only when held passionately. Religion had confirmed him. The words that were read aloud on Sunday to him and to other respectable men were the words that had once kindled the souls of St. Catherine and St. Francis into a white-hot hatred of the carnal. He could not be as the saints and love the Infinite with a seraphic ardour, but he could be a little ashamed of loving a wife. Amabat, amare timebat. And it was here that Margaret hoped to help him. It did not seem so difficult. She need trouble him with no gift of her own. She would only point out the salvation that was latent in his own soul, and in the soul of every man. Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect and the beast and the monk, robbed of the isolation that is life to either, will die. Nor was the message difficult to give. It need not take the form of a good "talking." By quiet indications the bridge would be built and span their lives with beauty. But she failed. For there was one quality in Henry for which she was never prepared, however much she reminded herself of it: his obtuseness. He simply did not notice things, and there was no more to be said. He never noticed that Helen and Frieda were hostile, or that Tibby was not interested in currant plantations; he never noticed the lights and shades that exist in the greyest conversation, the finger-posts, the milestones, the collisions, the illimitable views. Once--on another occasion--she scolded him about it. He was puzzled, but replied with a laugh: "My motto is Concentrate. I ve no intention of frittering away my strength on that sort of thing." "It isn t frittering away the strength," she protested. "It s enlarging the space in which you may be strong." He answered: "You re a clever little woman, but my motto s Concentrate." And this morning he concentrated with a vengeance. They met in the rhododendrons of yesterday. In the daylight the bushes were inconsiderable and the path was bright in the morning sun. She was with Helen, who had been ominously quiet since the affair was settled.<|quote|>"Here we all are!"</|quote|>she cried, and took him by one hand, retaining her sister s in the other. "Here we are. Good-morning, Helen." Helen replied, "Good-morning, Mr. Wilcox." "Henry, she has had such a nice letter from the queer, cross boy. Do you remember him? He had a sad moustache, but the back of his head was young." "I have had a letter too. Not a nice one--I want to talk it over with you" "; for Leonard Bast was nothing to him now that she had given him her word; the triangle of sex was broken for ever. "Thanks to your hint, he s clearing out of the Porphyrion." "Not a bad business that Porphyrion," he said absently, as he took his own letter out of his pocket. "Not a BAD--" she exclaimed, dropping his hand. "Surely, on Chelsea Embankment--" "Here s our hostess. Good-morning, Mrs. Munt. Fine rhododendrons. Good-morning, Frau Liesecke; we manage to grow flowers in England, don t we?" "Not a BAD business?" "No. My letter s about Howards End. Bryce has been ordered abroad, and wants to sublet it--I am far from sure that I shall give him permission. There was no clause in the agreement. In my opinion, subletting is a mistake. If he can find me another tenant, whom I consider suitable, I may cancel the agreement. Morning, Schlegel. Don t you think that s better than subletting?" Helen had dropped her hand now, and he had steered her past the whole party to the seaward side of the house. Beneath them was the bourgeois little bay, which must have yearned all through the centuries for just such a watering-place as Swanage to be built on its margin. The waves were colourless, and the Bournemouth steamer gave a further touch of insipidity, drawn up against the pier and hooting wildly for excursionists. "When there is a sublet I find that damage--" "Do excuse me, but about the Porphyrion. I don t feel easy--might I just bother you, Henry?" Her manner was so serious that he stopped, and asked her a little sharply what she wanted. "You said on Chelsea Embankment, surely, that it was a bad concern, so we advised this clerk to clear out. He writes this morning that he s taken our advice, and now you say it s not a bad concern." "A clerk who clears out of any concern, good or bad, without securing a berth somewhere else first, is a fool, and I ve no pity for him." "He has not done that. He s going into a bank in Camden Town, he says. The salary s much lower, but he hopes to manage--a branch of Dempster s Bank. Is that all right?" "Dempster! Why goodness me, yes." "More right than the Porphyrion?" "Yes, yes, yes; safe as houses--safer." "Very many thanks. I m sorry--if you sublet--?" "If he sublets, I shan t have the same control. In theory there should be no more damage done at Howards End; in practice there will be. Things may be done
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Howards End
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"Now girl number twenty,"
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Thomas Gradgrind
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Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know
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known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She
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Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering
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something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too),
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beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was
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"If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room
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of facts poured into them until they were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman.
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me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time.
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Hard Times
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"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"
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Mrs. Hilbery
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observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved
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again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction,
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the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently,
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with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged
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was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their
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which had been in abeyance for the past week or two, still failed her, and she could only ask, "But where s your luggage?" in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their discomfort, or chose to ignore it, or thought it high time that the subject was changed, for she did nothing but talk about Shakespeare s tomb. "So much earth and so much water and that sublime spirit brooding over it all," she mused, and went on to sing her strange, half-earthly song of dawns and sunsets, of great poets, and the unchanged spirit of noble loving which they had taught, so that nothing changes, and one age is linked with another, and no one dies, and we all meet in spirit, until she appeared oblivious of any one in the room. But suddenly her remarks seemed to contract the enormously wide circle in which they were soaring and to alight, airily and temporarily, upon matters of more immediate moment. "Katharine and Ralph," she said, as if to try the sound. "William and Cassandra." "I feel myself in an entirely false position," said William desperately, thrusting himself into this breach in her reflections. "I ve no right to be sitting here. Mr. Hilbery told me yesterday to leave the house. I d no intention of coming back again. I shall now" "I feel the same too," Cassandra interrupted. "After what Uncle
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of fire which gave its red tint to the atmosphere and crowded the scene with shadows so deep and dark that one could fancy pushing farther into their density and still farther, exploring indefinitely. Whether there was any correspondence between the two prospects now opening before them they shared the same sense of the impending future, vast, mysterious, infinitely stored with undeveloped shapes which each would unwrap for the other to behold; but for the present the prospect of the future was enough to fill them with silent adoration. At any rate, their further attempts to communicate articulately were interrupted by a knock on the door, and the entrance of a maid who, with a due sense of mystery, announced that a lady wished to see Miss Hilbery, but refused to allow her name to be given. When Katharine rose, with a profound sigh, to resume her duties, Ralph went with her, and neither of them formulated any guess, on their way downstairs, as to who this anonymous lady might prove to be. Perhaps the fantastic notion that she was a little black hunchback provided with a steel knife, which she would plunge into Katharine s heart, appeared to Ralph more probable than another, and he pushed first into the dining-room to avert the blow. Then he exclaimed "Cassandra!" with such heartiness at the sight of Cassandra Otway standing by the dining-room table that she put her finger to her lips and begged him to be quiet. "Nobody must know I m here," she explained in a sepulchral whisper. "I missed my train. I have been wandering about London all day. I can bear it no longer. Katharine, what am I to do?" Katharine pushed forward a chair; Ralph hastily found wine and poured it out for her. If not actually fainting, she was very near it. "William s upstairs," said Ralph, as soon as she appeared to be recovered. "I ll go and ask him to come down to you." His own happiness had given him a confidence that every one else was bound to be happy too. But Cassandra had her uncle s commands and anger too vividly in her mind to dare any such defiance. She became agitated and said that she must leave the house at once. She was not in a condition to go, had they known where to send her. Katharine s common sense, which had been in abeyance for the past week or two, still failed her, and she could only ask, "But where s your luggage?" in the vague belief that to take lodgings depended entirely upon a sufficiency of luggage. Cassandra s reply, "I ve lost my luggage," in no way helped her to a conclusion. "You ve lost your luggage," she repeated. Her eyes rested upon Ralph, with an expression which seemed better fitted to accompany a profound thanksgiving for his existence or some vow of eternal devotion than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their discomfort, or chose to ignore it, or thought it high time that the subject was changed, for she did nothing but talk about Shakespeare s tomb. "So much earth and so much water and that sublime spirit brooding over it all," she mused, and went on to sing her strange, half-earthly song of dawns and sunsets, of great poets, and the unchanged spirit of noble loving which they had taught, so that nothing changes, and one age is linked with another, and no one dies, and we all meet in spirit, until she appeared oblivious of any one in the room. But suddenly her remarks seemed to contract the enormously wide circle in which they were soaring and to alight, airily and temporarily, upon matters of more immediate moment. "Katharine and Ralph," she said, as if to try the sound. "William and Cassandra." "I feel myself in an entirely false position," said William desperately, thrusting himself into this breach in her reflections. "I ve no right to be sitting here. Mr. Hilbery told me yesterday to leave the house. I d no intention of coming back again. I shall now" "I feel the same too," Cassandra interrupted. "After what Uncle Trevor said to me last night" "I have put you into a most odious position," Rodney went on, rising from his seat, in which movement he was imitated simultaneously by Cassandra. "Until I have your father s consent I have no right to speak to you let alone in this house, where my conduct" he looked at Katharine, stammered, and fell silent "where my conduct has been reprehensible and inexcusable in the extreme," he forced himself to continue. "I have explained everything to your mother. She is so generous as to try and make me believe that I have done no harm you have convinced her that my behavior, selfish and weak as it was selfish and weak" he repeated, like a speaker who has lost his notes. Two emotions seemed to be struggling in Katharine; one the desire to laugh at the ridiculous spectacle of William making her a formal speech across the tea-table, the other a desire to weep at the sight of something childlike and honest in him which touched her inexpressibly. To every one s surprise she rose, stretched out her hand, and said: "You ve nothing to reproach yourself with you ve been always" but here her voice died away, and the tears forced themselves into her eyes, and ran down her cheeks, while William, equally moved, seized her hand and pressed it to his lips. No one perceived that the drawing-room door had opened itself sufficiently to admit at least half the person of Mr. Hilbery, or saw him gaze at the scene round the tea-table with an expression of the utmost disgust and expostulation. He withdrew unseen. He paused outside on the landing trying to recover his self-control and to decide what course he might with most dignity pursue. It was obvious to him that his wife had entirely confused the meaning of his instructions. She had plunged them all into the most odious confusion. He waited a moment, and then, with much preliminary rattling of the handle, opened the door a second time. They had all regained their places; some incident of an absurd nature had now set them laughing and looking under the table, so that his entrance passed momentarily unperceived. Katharine, with flushed cheeks, raised her head and said: "Well, that s my last attempt at the dramatic." "It s astonishing what a distance they roll," said Ralph, stooping to
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than a question about luggage. Cassandra perceived the look, and saw that it was returned; her eyes filled with tears. She faltered in what she was saying. She began bravely again to discuss the question of lodging when Katharine, who seemed to have communicated silently with Ralph, and obtained his permission, took her ruby ring from her finger and giving it to Cassandra, said: "I believe it will fit you without any alteration." These words would not have been enough to convince Cassandra of what she very much wished to believe had not Ralph taken the bare hand in his and demanded: "Why don t you tell us you re glad?" Cassandra was so glad that the tears ran down her cheeks. The certainty of Katharine s engagement not only relieved her of a thousand vague fears and self-reproaches, but entirely quenched that spirit of criticism which had lately impaired her belief in Katharine. Her old faith came back to her. She seemed to behold her with that curious intensity which she had lost; as a being who walks just beyond our sphere, so that life in their presence is a heightened process, illuminating not only ourselves but a considerable stretch of the surrounding world. Next moment she contrasted her own lot with theirs and gave back the ring. "I won t take that unless William gives it me himself," she said. "Keep it for me, Katharine." "I assure you everything s perfectly all right," said Ralph. "Let me tell William" He was about, in spite of Cassandra s protest, to reach the door, when Mrs. Hilbery, either warned by the parlor-maid or conscious with her usual prescience of the need for her intervention, opened the door and smilingly surveyed them. "My dear Cassandra!" she exclaimed. "How delightful to see you back again! What a coincidence!" she observed, in a general way.<|quote|>"William is upstairs. The kettle boils over. Where s Katharine, I say? I go to look, and I find Cassandra!"</|quote|>She seemed to have proved something to her own satisfaction, although nobody felt certain what thing precisely it was. "I find Cassandra," she repeated. "She missed her train," Katharine interposed, seeing that Cassandra was unable to speak. "Life," began Mrs. Hilbery, drawing inspiration from the portraits on the wall apparently, "consists in missing trains and in finding" But she pulled herself up and remarked that the kettle must have boiled completely over everything. To Katharine s agitated mind it appeared that this kettle was an enormous kettle, capable of deluging the house in its incessant showers of steam, the enraged representative of all those household duties which she had neglected. She ran hastily up to the drawing-room, and the rest followed her, for Mrs. Hilbery put her arm round Cassandra and drew her upstairs. They found Rodney observing the kettle with uneasiness but with such absence of mind that Katharine s catastrophe was in a fair way to be fulfilled. In putting the matter straight no greetings were exchanged, but Rodney and Cassandra chose seats as far apart as possible, and sat down with an air of people making a very temporary lodgment. Either Mrs. Hilbery was impervious to their discomfort, or chose to ignore it, or thought it high time that the subject was changed, for she did nothing but talk about Shakespeare s tomb. "So much earth and so much water and that sublime spirit brooding over it all," she mused, and went on to sing her strange, half-earthly song of dawns and sunsets, of great poets, and the unchanged spirit of noble loving which they had taught, so that nothing changes, and one age is linked with another, and no one dies, and we all meet in spirit, until she appeared oblivious of any one in the room. But suddenly her remarks seemed to contract the enormously wide circle in which they were soaring and to alight, airily
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Night And Day
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"You are the very wickedest girl I ever heard of."
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Marilla Cuthbert
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said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am,"
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"Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I
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do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to
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brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That
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how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne's clinging hands stonily. "You needn't plead, Anne. You are not going to the picnic and that's final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment
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shut the door. Wednesday morning dawned as bright and fair as if expressly made to order for the picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I'm ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; but her success was very bitter to her. "Let me hear what you have to say then, Anne." "I took the amethyst brooch," said Anne, as if repeating a lesson she had learned. "I took it just as you said. I didn't mean to take it when I went in. But it did look so beautiful, Marilla, when I pinned it on my breast that I was overcome by an irresistible temptation. I imagined how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne's clinging hands stonily. "You needn't plead, Anne. You are not going to the picnic and that's final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment of disappointment and despair. "For the land's sake!" gasped Marilla, hastening from the room. "I believe the child is crazy. No child in her senses would behave as she does. If she isn't she's utterly bad. Oh dear, I'm afraid Rachel was right from the first. But I've put my hand to the plow and I won't look back." That was a dismal morning. Marilla worked fiercely and scrubbed the porch floor and the dairy shelves when she could find nothing else to do. Neither the shelves nor the porch needed it--but Marilla did. Then she went out and raked the yard. When dinner was ready she went to the stairs and called Anne. A tear-stained face appeared, looking tragically over the banisters. "Come down to your dinner, Anne." "I don't want any dinner, Marilla," said Anne, sobbingly. "I couldn't eat anything. My heart is broken. You'll feel remorse of conscience someday, I expect, for breaking it, Marilla, but I forgive you. Remember when the time comes that I forgive you. But please don't ask me to eat anything, especially boiled pork and greens. Boiled pork and greens are so unromantic when one is in affliction." Exasperated, Marilla returned to
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that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She'll stay in her room until she confesses," said Marilla grimly, remembering the success of this method in the former case. "Then we'll see. Perhaps we'll be able to find the brooch if she'll only tell where she took it; but in any case she'll have to be severely punished, Matthew." "Well now, you'll have to punish her," said Matthew, reaching for his hat. "I've nothing to do with it, remember. You warned me off yourself." Marilla felt deserted by everyone. She could not even go to Mrs. Lynde for advice. She went up to the east gable with a very serious face and left it with a face more serious still. Anne steadfastly refused to confess. She persisted in asserting that she had not taken the brooch. The child had evidently been crying and Marilla felt a pang of pity which she sternly repressed. By night she was, as she expressed it, "beat out." "You'll stay in this room until you confess, Anne. You can make up your mind to that," she said firmly. "But the picnic is tomorrow, Marilla," cried Anne. "You won't keep me from going to that, will you? You'll just let me out for the afternoon, won't you? Then I'll stay here as long as you like _afterwards_ cheerfully. But I _must_ go to the picnic." "You'll not go to picnics nor anywhere else until you've confessed, Anne." "Oh, Marilla," gasped Anne. But Marilla had gone out and shut the door. Wednesday morning dawned as bright and fair as if expressly made to order for the picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I'm ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; but her success was very bitter to her. "Let me hear what you have to say then, Anne." "I took the amethyst brooch," said Anne, as if repeating a lesson she had learned. "I took it just as you said. I didn't mean to take it when I went in. But it did look so beautiful, Marilla, when I pinned it on my breast that I was overcome by an irresistible temptation. I imagined how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne's clinging hands stonily. "You needn't plead, Anne. You are not going to the picnic and that's final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment of disappointment and despair. "For the land's sake!" gasped Marilla, hastening from the room. "I believe the child is crazy. No child in her senses would behave as she does. If she isn't she's utterly bad. Oh dear, I'm afraid Rachel was right from the first. But I've put my hand to the plow and I won't look back." That was a dismal morning. Marilla worked fiercely and scrubbed the porch floor and the dairy shelves when she could find nothing else to do. Neither the shelves nor the porch needed it--but Marilla did. Then she went out and raked the yard. When dinner was ready she went to the stairs and called Anne. A tear-stained face appeared, looking tragically over the banisters. "Come down to your dinner, Anne." "I don't want any dinner, Marilla," said Anne, sobbingly. "I couldn't eat anything. My heart is broken. You'll feel remorse of conscience someday, I expect, for breaking it, Marilla, but I forgive you. Remember when the time comes that I forgive you. But please don't ask me to eat anything, especially boiled pork and greens. Boiled pork and greens are so unromantic when one is in affliction." Exasperated, Marilla returned to the kitchen and poured out her tale of woe to Matthew, who, between his sense of justice and his unlawful sympathy with Anne, was a miserable man. "Well now, she shouldn't have taken the brooch, Marilla, or told stories about it," he admitted, mournfully surveying his plateful of unromantic pork and greens as if he, like Anne, thought it a food unsuited to crises of feeling, "but she's such a little thing--such an interesting little thing. Don't you think it's pretty rough not to let her go to the picnic when she's so set on it?" "Matthew Cuthbert, I'm amazed at you. I think I've let her off entirely too easy. And she doesn't appear to realize how wicked she's been at all--that's what worries me most. If she'd really felt sorry it wouldn't be so bad. And you don't seem to realize it, neither; you're making excuses for her all the time to yourself--I can see that." "Well now, she's such a little thing," feebly reiterated Matthew. "And there should be allowances made, Marilla. You know she's never had any bringing up." "Well, she's having it now" retorted Marilla. The retort silenced Matthew if it did not convince him. That dinner was a very dismal meal. The only cheerful thing about it was Jerry Buote, the hired boy, and Marilla resented his cheerfulness as a personal insult. When her dishes were washed and her bread sponge set and her hens fed Marilla remembered that she had noticed a small rent in her best black lace shawl when she had taken it off on Monday afternoon on returning from the Ladies' Aid. She would go and mend it. The shawl was in a box in her trunk. As Marilla lifted it out, the sunlight, falling through the vines that clustered thickly about the window, struck upon something caught in the shawl--something that glittered and sparkled in facets of violet light. Marilla snatched at it with a gasp. It was the amethyst brooch, hanging to a thread of the lace by its catch! "Dear life and heart," said Marilla blankly, "what does this mean? Here's my brooch safe and sound that I thought was at the bottom of Barry's pond. Whatever did that girl mean by saying she took it and lost it? I declare I believe Green Gables is bewitched. I remember now that when I took off my shawl
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picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I'm ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; but her success was very bitter to her. "Let me hear what you have to say then, Anne." "I took the amethyst brooch," said Anne, as if repeating a lesson she had learned. "I took it just as you said. I didn't mean to take it when I went in. But it did look so beautiful, Marilla, when I pinned it on my breast that I was overcome by an irresistible temptation. I imagined how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly.<|quote|>"You are the very wickedest girl I ever heard of."</|quote|>"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll have to be punished. It'll be your duty to punish me, Marilla. Won't you please get it over right off because I'd like to go to the picnic with nothing on my mind." "Picnic, indeed! You'll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn't half severe enough either for what you've done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla's hand. "But you _promised_ me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne's clinging hands stonily. "You needn't plead, Anne. You are not going to the picnic and that's final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment of disappointment and despair. "For the land's sake!" gasped Marilla, hastening from the room. "I believe the child is crazy. No child
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Anne Of Green Gables
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"I believe it is very true, my dear, indeed,"
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Mr. Woodhouse
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my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a
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you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I
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any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault
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you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was
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very damp and dirty. I wish you may not catch cold." "Dirty, sir! Look at my shoes. Not a speck on them." "Well! that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding." "By the bye--I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by every body. "Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on any body. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer." "Well," said Emma, willing to let it pass--" "you want to hear about the wedding; and I shall be
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immediately afterwards walked in and made it unnecessary. Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connexions in London. He had returned to a late dinner, after some days' absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed, "It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk." "Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire." "But you must have found it very damp and dirty. I wish you may not catch cold." "Dirty, sir! Look at my shoes. Not a speck on them." "Well! that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding." "By the bye--I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by every body. "Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on any body. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer." "Well," said Emma, willing to let it pass--" "you want to hear about the wedding; and I shall be happy to tell you, for we all behaved charmingly. Every body was punctual, every body in their best looks: not a tear, and hardly a long face to be seen. Oh no; we all felt that we were going to be only half a mile apart, and were sure of meeting every day." "Dear Emma bears every thing so well," said her father. "But, Mr. Knightley, she is really very sorry to lose poor Miss Taylor, and I am sure she _will_ miss her more than she thinks for." Emma turned away her head, divided between tears and smiles. "It is impossible that Emma should not miss such a companion," said Mr. Knightley. "We should not like her so well as we do, sir, if we could suppose it; but she knows how much the marriage is to Miss Taylor's advantage; she knows how very acceptable it must be, at Miss Taylor's time of life, to be settled in a home of her own, and how important to her to be secure of a comfortable provision, and therefore cannot allow herself to feel so much pain as pleasure. Every friend of Miss Taylor must be glad to have her so
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of a house of her own? This is three times as large.--And you have never any odd humours, my dear." "How often we shall be going to see them, and they coming to see us!--We shall be always meeting! _We_ must begin; we must go and pay wedding visit very soon." "My dear, how am I to get so far? Randalls is such a distance. I could not walk half so far." "No, papa, nobody thought of your walking. We must go in the carriage, to be sure." "The carriage! But James will not like to put the horses to for such a little way;--and where are the poor horses to be while we are paying our visit?" "They are to be put into Mr. Weston's stable, papa. You know we have settled all that already. We talked it all over with Mr. Weston last night. And as for James, you may be very sure he will always like going to Randalls, because of his daughter's being housemaid there. I only doubt whether he will ever take us anywhere else. That was your doing, papa. You got Hannah that good place. Nobody thought of Hannah till you mentioned her--James is so obliged to you!" "I am very glad I did think of her. It was very lucky, for I would not have had poor James think himself slighted upon any account; and I am sure she will make a very good servant: she is a civil, pretty-spoken girl; I have a great opinion of her. Whenever I see her, she always curtseys and asks me how I do, in a very pretty manner; and when you have had her here to do needlework, I observe she always turns the lock of the door the right way and never bangs it. I am sure she will be an excellent servant; and it will be a great comfort to poor Miss Taylor to have somebody about her that she is used to see. Whenever James goes over to see his daughter, you know, she will be hearing of us. He will be able to tell her how we all are." Emma spared no exertions to maintain this happier flow of ideas, and hoped, by the help of backgammon, to get her father tolerably through the evening, and be attacked by no regrets but her own. The backgammon-table was placed; but a visitor immediately afterwards walked in and made it unnecessary. Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connexions in London. He had returned to a late dinner, after some days' absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed, "It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk." "Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire." "But you must have found it very damp and dirty. I wish you may not catch cold." "Dirty, sir! Look at my shoes. Not a speck on them." "Well! that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding." "By the bye--I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by every body. "Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on any body. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer." "Well," said Emma, willing to let it pass--" "you want to hear about the wedding; and I shall be happy to tell you, for we all behaved charmingly. Every body was punctual, every body in their best looks: not a tear, and hardly a long face to be seen. Oh no; we all felt that we were going to be only half a mile apart, and were sure of meeting every day." "Dear Emma bears every thing so well," said her father. "But, Mr. Knightley, she is really very sorry to lose poor Miss Taylor, and I am sure she _will_ miss her more than she thinks for." Emma turned away her head, divided between tears and smiles. "It is impossible that Emma should not miss such a companion," said Mr. Knightley. "We should not like her so well as we do, sir, if we could suppose it; but she knows how much the marriage is to Miss Taylor's advantage; she knows how very acceptable it must be, at Miss Taylor's time of life, to be settled in a home of her own, and how important to her to be secure of a comfortable provision, and therefore cannot allow herself to feel so much pain as pleasure. Every friend of Miss Taylor must be glad to have her so happily married." "And you have forgotten one matter of joy to me," said Emma, "and a very considerable one--that I made the match myself. I made the match, you know, four years ago; and to have it take place, and be proved in the right, when so many people said Mr. Weston would never marry again, may comfort me for any thing." Mr. Knightley shook his head at her. Her father fondly replied, "Ah! my dear, I wish you would not make matches and foretell things, for whatever you say always comes to pass. Pray do not make any more matches." "I promise you to make none for myself, papa; but I must, indeed, for other people. It is the greatest amusement in the world! And after such success, you know!--Every body said that Mr. Weston would never marry again. Oh dear, no! Mr. Weston, who had been a widower so long, and who seemed so perfectly comfortable without a wife, so constantly occupied either in his business in town or among his friends here, always acceptable wherever he went, always cheerful--Mr. Weston need not spend a single evening in the year alone if he did not like it. Oh no! Mr. Weston certainly would never marry again. Some people even talked of a promise to his wife on her deathbed, and others of the son and the uncle not letting him. All manner of solemn nonsense was talked on the subject, but I believed none of it." "Ever since the day--about four years ago--that Miss Taylor and I met with him in Broadway Lane, when, because it began to drizzle, he darted away with so much gallantry, and borrowed two umbrellas for us from Farmer Mitchell's, I made up my mind on the subject. I planned the match from that hour; and when such success has blessed me in this instance, dear papa, you cannot think that I shall leave off match-making." "I do not understand what you mean by 'success,'" said Mr. Knightley. "Success supposes endeavour. Your time has been properly and delicately spent, if you have been endeavouring for the last four years to bring about this marriage. A worthy employment for a young lady's mind! But if, which I rather imagine, your making the match, as you call it, means only your planning it, your saying to yourself one idle day, 'I think it would be
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be an excellent servant; and it will be a great comfort to poor Miss Taylor to have somebody about her that she is used to see. Whenever James goes over to see his daughter, you know, she will be hearing of us. He will be able to tell her how we all are." Emma spared no exertions to maintain this happier flow of ideas, and hoped, by the help of backgammon, to get her father tolerably through the evening, and be attacked by no regrets but her own. The backgammon-table was placed; but a visitor immediately afterwards walked in and made it unnecessary. Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connexions in London. He had returned to a late dinner, after some days' absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed, "It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk." "Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire." "But you must have found it very damp and dirty. I wish you may not catch cold." "Dirty, sir! Look at my shoes. Not a speck on them." "Well! that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding." "By the bye--I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?" "Ah! poor Miss Taylor! 'Tis a sad business." "Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say" 'poor Miss Taylor.' "I have a great regard for you and Emma; but when it comes to the question of dependence or independence!--At any rate, it must be better to have only one to please than two." "Especially when _one_ of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know--and what you would certainly say if my father were not by."<|quote|>"I believe it is very true, my dear, indeed,"</|quote|>said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome." "My dearest papa! You do not think I could mean _you_, or suppose Mr. Knightley to mean _you_. What a horrible idea! Oh no! I meant only myself. Mr. Knightley loves to find fault with me, you know--in a joke--it is all a joke. We always say what we like to one another." Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them: and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by every body. "Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on any body. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer." "Well," said Emma, willing to let it pass--" "you want to hear about the wedding; and I shall be happy to tell you, for we all behaved charmingly. Every body was punctual, every body in their best looks: not a tear, and hardly a long face to be seen. Oh no; we all felt that we were going to be only half a mile apart, and were sure of meeting every day." "Dear Emma bears every thing so well," said her father. "But, Mr. Knightley, she is really very sorry to lose poor Miss Taylor, and I am sure she _will_ miss her more than she thinks for." Emma turned away her head, divided between tears and smiles. "It is impossible that Emma should not miss such a companion," said Mr. Knightley. "We should not like her so well as we do, sir, if we could suppose it; but she knows how much the marriage is to Miss Taylor's advantage; she knows how very acceptable it must be, at Miss Taylor's time of life, to be settled in a home of her own, and how important to her to be secure of a comfortable provision, and therefore cannot allow herself to feel so much pain as pleasure. Every friend of Miss Taylor must be glad to have her so happily married." "And you have forgotten one matter of joy to me," said Emma, "and a very considerable one--that I made the match myself. I made the match, you know, four years ago; and to have it take place, and be proved in the right, when so many
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Emma
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"We are all unanimous in that wish, I suppose,"
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Elinor
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delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of
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her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh
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Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs.
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extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers,
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competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I
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"But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than
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here? Are the Middletons pleasant people?" "No, not all," answered Marianne; "we could not be more unfortunately situated." "Marianne," cried her sister, "how can you say so? How can you be so unjust? They are a very respectable family, Mr. Ferrars; and towards us have behaved in the friendliest manner. Have you forgot, Marianne, how many pleasant days we have owed to them?" "No," said Marianne, in a low voice, "nor how many painful moments." Elinor took no notice of this; and directing her attention to their visitor, endeavoured to support something like discourse with him, by talking of their present residence, its conveniences, &c. extorting from him occasional questions and remarks. His coldness and reserve mortified her severely; she was vexed and half angry; but resolving to regulate her behaviour to him by the past rather than the present, she avoided every appearance of resentment or displeasure, and treated him as she thought he ought to be treated from the family connection. CHAPTER XVII. Mrs. Dashwood was surprised only for a moment at seeing him; for his coming to Barton was, in her opinion, of all things the most natural. Her joy and expression of regard long outlived her wonder. He received the kindest welcome from her; and shyness, coldness, reserve could not stand against such a reception. They had begun to fail him before he entered the house, and they were quite overcome by the captivating manners of Mrs. Dashwood. Indeed a man could not very well be in love with either of her daughters, without extending the passion to her; and Elinor had the satisfaction of seeing him soon become more like himself. His affections seemed to reanimate towards them all, and his interest in their welfare again became perceptible. He was not in spirits, however; he praised their house, admired its prospect, was attentive, and kind; but still he was not in spirits. The whole family perceived it, and Mrs. Dashwood, attributing it to some want of liberality in his mother, sat down to table indignant against all selfish parents. "What are Mrs. Ferrars s views for you at present, Edward?" said she, when dinner was over and they had drawn round the fire; "are you still to be a great orator in spite of yourself?" "No. I hope my mother is now convinced that I have no more talents than inclination for a public life!" "But how is your fame to be established? for famous you must be to satisfy all your family; and with no inclination for expense, no affection for strangers, no profession, and no assurance, you may find it a difficult matter." "I shall not attempt it. I have no wish to be distinguished; and have every reason to hope I never shall. Thank Heaven! I cannot be forced into genius and eloquence." "You have no ambition, I well know. Your wishes are all moderate." "As moderate as those of the rest of the world, I believe. I wish as well as every body else to be perfectly happy; but, like every body else it must be in my own way. Greatness will not make me so." "Strange that it would!" cried Marianne. "What have wealth or grandeur to do with happiness?" "Grandeur has but little," said Elinor, "but wealth has much to do with it." "Elinor, for shame!" said Marianne, "money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "_you_ need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of _my_ character." "Nor do I think it a part of Marianne s," said Elinor; "I should hardly call her a lively girl she is very earnest, very eager in all she does sometimes talks a great deal and always with animation but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than they really are, and I can hardly tell why or in what the deception originated. Sometimes one is guided by what they say of themselves, and very frequently by what other people say of them, without giving oneself time to deliberate and judge." "But I thought it was right, Elinor," said Marianne, "to be guided wholly by the opinion of other people. I thought our judgments were given us merely to be subservient to those of neighbours. This has always been your doctrine, I am sure." "No, Marianne, never. My doctrine has never aimed at the subjection of the understanding. All I have ever attempted to influence has been the behaviour. You must not confound my meaning. I am guilty, I confess, of having often wished you to treat our acquaintance in general with greater attention; but when have I advised you to adopt their sentiments or to conform to their judgment in serious matters?" "You have not been able to bring your sister over to your plan of general civility," said Edward to Elinor, "Do you gain no ground?" "Quite the contrary," replied Elinor, looking expressively at Marianne. "My judgment," he returned, "is all on your side of the question; but I am afraid my practice is much more on your sister s. I never wish to offend, but I am so foolishly shy, that I often seem negligent, when I am only kept back by my natural awkwardness. I have frequently thought that I must have been intended by nature to be fond of low company, I am so little at
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else to give it. Beyond a competence, it can afford no real satisfaction, as far as mere self is concerned." "Perhaps," said Elinor, smiling, "we may come to the same point. _Your_ competence and _my_ wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?" "About eighteen hundred or two thousand a year; not more than _that_." Elinor laughed. "_two_ thousand a year! _one_ is my wealth! I guessed how it would end." "And yet two thousand a-year is a very moderate income," said Marianne. "A family cannot well be maintained on a smaller. I am sure I am not extravagant in my demands. A proper establishment of servants, a carriage, perhaps two, and hunters, cannot be supported on less." Elinor smiled again, to hear her sister describing so accurately their future expenses at Combe Magna. "Hunters!" repeated Edward "but why must you have hunters? Every body does not hunt." Marianne coloured as she replied, "But most people do." "I wish," said Margaret, striking out a novel thought, "that somebody would give us all a large fortune apiece!" "Oh that they would!" cried Marianne, her eyes sparkling with animation, and her cheeks glowing with the delight of such imaginary happiness.<|quote|>"We are all unanimous in that wish, I suppose,"</|quote|>said Elinor, "in spite of the insufficiency of wealth." "Oh dear!" cried Margaret, "how happy I should be! I wonder what I should do with it!" Marianne looked as if she had no doubt on that point. "I should be puzzled to spend so large a fortune myself," said Mrs. Dashwood, "if my children were all to be rich without my help." "You must begin your improvements on this house," observed Elinor, "and your difficulties will soon vanish." "What magnificent orders would travel from this family to London," said Edward, "in such an event! What a happy day for booksellers, music-sellers, and print-shops! You, Miss Dashwood, would give a general commission for every new print of merit to be sent you and as for Marianne, I know her greatness of soul, there would not be music enough in London to content her. And books! Thomson, Cowper, Scott she would buy them all over and over again: she would buy up every copy, I believe, to prevent their falling into unworthy hands; and she would have every book that tells her how to admire an old twisted tree. Should not you, Marianne? Forgive me, if I am very saucy. But I was willing to show you that I had not forgot our old disputes." "I love to be reminded of the past, Edward whether it be melancholy or gay, I love to recall it and you will never offend me by talking of former times. You are very right in supposing how my money would be spent some of it, at least my loose cash would certainly be employed in improving my collection of music and books." "And the bulk of your fortune would be laid out in annuities on the authors or their heirs." "No, Edward, I should have something else to do with it." "Perhaps, then, you would bestow it as a reward on that person who wrote the ablest defence of your favourite maxim, that no one can ever be in love more than once in their life your opinion on that point is unchanged, I presume?" "Undoubtedly. At my time of life opinions are tolerably fixed. It is not likely that I should now see or hear any thing to change them." "Marianne is as steadfast as ever, you see," said Elinor, "she is not at all altered." "She is only grown a little more grave than she was." "Nay, Edward," said Marianne, "_you_ need not reproach me. You are not very gay yourself." "Why should you think so!" replied he, with a sigh. "But gaiety never was a part of _my_ character." "Nor do I think it a part of Marianne s," said Elinor; "I should hardly call her a lively girl she is very earnest, very eager in all she does sometimes talks a great deal and always with animation but she is not often really merry." "I believe you are right," he replied, "and yet I have always set her down as a lively girl." "I have frequently detected myself in such kind of mistakes," said Elinor, "in a total misapprehension of character in some point or other: fancying people so much more gay or grave, or ingenious or stupid than
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Sense And Sensibility
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He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.
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No speaker
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"Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he
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ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with
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his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees,
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dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked
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wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked Hubert. "That boy's just crazy till he can get in the water," his mother said. "It's pretty hard on youngsters travelling." "There's good swimming," I said. "But it's dangerous when it's rough." "Did you get a meal?" Bill asked. "We sure did. We set right there when they started to come in, and they must have just thought we were in the party. One of the waiters said something to us in French, and then they just sent three of them back." "They thought we were snappers, all right," the man said. "It certainly shows you the power of the
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had to wait a while." "You could have come over ten years ago, if you'd wanted to," the wife said. "What you always said was:" 'See America first!' "I will say we've seen a good deal, take it one way and another." "Say, there's plenty of Americans on this train," the husband said. "They've got seven cars of them from Dayton, Ohio. They've been on a pilgrimage to Rome, and now they're going down to Biarritz and Lourdes." "So, that's what they are. Pilgrims. Goddam Puritans," Bill said. "What part of the States you boys from?" "Kansas City," I said. "He's from Chicago." "You both going to Biarritz?" "No. We're going fishing in Spain." "Well, I never cared for it, myself. There's plenty that do out where I come from, though. We got some of the best fishing in the State of Montana. I've been out with the boys, but I never cared for it any." "Mighty little fishing you did on them trips," his wife said. He winked at us. "You know how the ladies are. If there's a jug goes along, or a case of beer, they think it's hell and damnation." "That's the way men are," his wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked Hubert. "That boy's just crazy till he can get in the water," his mother said. "It's pretty hard on youngsters travelling." "There's good swimming," I said. "But it's dangerous when it's rough." "Did you get a meal?" Bill asked. "We sure did. We set right there when they started to come in, and they must have just thought we were in the party. One of the waiters said something to us in French, and then they just sent three of them back." "They thought we were snappers, all right," the man said. "It certainly shows you the power of the Catholic Church. It's a pity you boys ain't Catholics. You could get a meal, then, all right." "I am," I said. "That's what makes me so sore." Finally at a quarter past four we had lunch. Bill had been rather difficult at the last. He buttonholed a priest who was coming back with one of the returning streams of pilgrims. "When do us Protestants get a chance to eat, father?" "I don't know anything about it. Haven't you got tickets?" "It's enough to make a man join the Klan," Bill said. The priest looked back at him. Inside the dining-car the waiters served the fifth successive table d'h te meal. The waiter who served us was soaked through. His white jacket was purple under the arms. "He must drink a lot of wine." "Or wear purple undershirts." "Let's ask him." "No. He's too tired." The train stopped for half an hour at Bordeaux and we went out through the station for a little walk. There was not time to get in to the town. Afterward we passed through the Landes and watched the sun set. There were wide fire-gaps cut through the pines, and you could look up them like
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did not see Brett again until the night of the 24th of June. "Did you hear from Cohn?" "Rather. He's keen about it." "My God!" "I thought it was rather odd myself." "Says he can't wait to see me." "Does he think you're coming alone?" "No. I told him we were all coming down together. Michael and all." "He's wonderful." "Isn't he?" They expected their money the next day. We arranged to meet at Pamplona. They would go directly to San Sebastian and take the train from there. We would all meet at the Montoya in Pamplona. If they did not turn up on Monday at the latest we would go on ahead up to Burguete in the mountains, to start fishing. There was a bus to Burguete. I wrote out an itinerary so they could follow us. Bill and I took the morning train from the Gare d'Orsay. It was a lovely day, not too hot, and the country was beautiful from the start. We went back into the diner and had breakfast. Leaving the dining-car I asked the conductor for tickets for the first service. "Nothing until the fifth." "What's this?" There were never more than two servings of lunch on that train, and always plenty of places for both of them. "They're all reserved," the dining-car conductor said. "There will be a fifth service at three-thirty." "This is serious," I said to Bill. "Give him ten francs." "Here," I said. "We want to eat in the first service." The conductor put the ten francs in his pocket. "Thank you," he said. "I would advise you gentlemen to get some sandwiches. All the places for the first four services were reserved at the office of the company." "You'll go a long way, brother," Bill said to him in English. "I suppose if I'd given you five francs you would have advised us to jump off the train." "_Comment?_" "Go to hell!" said Bill. "Get the sandwiches made and a bottle of wine. You tell him, Jake." "And send it up to the next car." I described where we were. In our compartment were a man and his wife and their young son. "I suppose you're Americans, aren't you?" the man asked. "Having a good trip?" "Wonderful," said Bill. "That's what you want to do. Travel while you're young. Mother and I always wanted to get over, but we had to wait a while." "You could have come over ten years ago, if you'd wanted to," the wife said. "What you always said was:" 'See America first!' "I will say we've seen a good deal, take it one way and another." "Say, there's plenty of Americans on this train," the husband said. "They've got seven cars of them from Dayton, Ohio. They've been on a pilgrimage to Rome, and now they're going down to Biarritz and Lourdes." "So, that's what they are. Pilgrims. Goddam Puritans," Bill said. "What part of the States you boys from?" "Kansas City," I said. "He's from Chicago." "You both going to Biarritz?" "No. We're going fishing in Spain." "Well, I never cared for it, myself. There's plenty that do out where I come from, though. We got some of the best fishing in the State of Montana. I've been out with the boys, but I never cared for it any." "Mighty little fishing you did on them trips," his wife said. He winked at us. "You know how the ladies are. If there's a jug goes along, or a case of beer, they think it's hell and damnation." "That's the way men are," his wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked Hubert. "That boy's just crazy till he can get in the water," his mother said. "It's pretty hard on youngsters travelling." "There's good swimming," I said. "But it's dangerous when it's rough." "Did you get a meal?" Bill asked. "We sure did. We set right there when they started to come in, and they must have just thought we were in the party. One of the waiters said something to us in French, and then they just sent three of them back." "They thought we were snappers, all right," the man said. "It certainly shows you the power of the Catholic Church. It's a pity you boys ain't Catholics. You could get a meal, then, all right." "I am," I said. "That's what makes me so sore." Finally at a quarter past four we had lunch. Bill had been rather difficult at the last. He buttonholed a priest who was coming back with one of the returning streams of pilgrims. "When do us Protestants get a chance to eat, father?" "I don't know anything about it. Haven't you got tickets?" "It's enough to make a man join the Klan," Bill said. The priest looked back at him. Inside the dining-car the waiters served the fifth successive table d'h te meal. The waiter who served us was soaked through. His white jacket was purple under the arms. "He must drink a lot of wine." "Or wear purple undershirts." "Let's ask him." "No. He's too tired." The train stopped for half an hour at Bordeaux and we went out through the station for a little walk. There was not time to get in to the town. Afterward we passed through the Landes and watched the sun set. There were wide fire-gaps cut through the pines, and you could look up them like avenues and see wooded hills way off. About seven-thirty we had dinner and watched the country through the open window in the diner. It was all sandy pine country full of heather. There were little clearings with houses in them, and once in a while we passed a sawmill. It got dark and we could feel the country hot and sandy and dark outside of the window, and about nine o'clock we got into Bayonne. The man and his wife and Hubert all shook hands with us. They were going on to LaNegresse to change for Biarritz. "Well, I hope you have lots of luck," he said. "Be careful about those bull-fights." "Maybe we'll see you at Biarritz," Hubert said. We got off with our bags and rod-cases and passed through the dark station and out to the lights and the line of cabs and hotel buses. There, standing with the hotel runners, was Robert Cohn. He did not see us at first. Then he started forward. "Hello, Jake. Have a good trip?" "Fine," I said. "This is Bill Gorton." "How are you?" "Come on," said Robert. "I've got a cab." He was a little near-sighted. I had never noticed it before. He was looking at Bill, trying to make him out. He was shy, too. "We'll go up to my hotel. It's all right. It's quite nice." We got into the cab, and the cabman put the bags up on the seat beside him and climbed up and cracked his whip, and we drove over the dark bridge and into the town. "I'm awfully glad to meet you," Robert said to Bill. "I've heard so much about you from Jake and I've read your books. Did you get my line, Jake?" The cab stopped in front of the hotel and we all got out and went in. It was a nice hotel, and the people at the desk were very cheerful, and we each had a good small room. CHAPTER 10 In the morning it was bright, and they were sprinkling the streets of the town, and we all had breakfast in a caf . Bayonne is a nice town. It is like a very clean Spanish town and it is on a big river. Already, so early in the morning, it was very hot on the bridge across the river. We walked out on the bridge and then
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there's plenty of Americans on this train," the husband said. "They've got seven cars of them from Dayton, Ohio. They've been on a pilgrimage to Rome, and now they're going down to Biarritz and Lourdes." "So, that's what they are. Pilgrims. Goddam Puritans," Bill said. "What part of the States you boys from?" "Kansas City," I said. "He's from Chicago." "You both going to Biarritz?" "No. We're going fishing in Spain." "Well, I never cared for it, myself. There's plenty that do out where I come from, though. We got some of the best fishing in the State of Montana. I've been out with the boys, but I never cared for it any." "Mighty little fishing you did on them trips," his wife said. He winked at us. "You know how the ladies are. If there's a jug goes along, or a case of beer, they think it's hell and damnation." "That's the way men are," his wife said to us. She smoothed her comfortable lap. "I voted against prohibition to please him, and because I like a little beer in the house, and then he talks that way. It's a wonder they ever find any one to marry them." "Say," said Bill, "do you know that gang of Pilgrim Fathers have cornered the dining-car until half past three this afternoon?" "How do you mean? They can't do a thing like that." "You try and get seats." "Well, mother, it looks as though we better go back and get another breakfast." She stood up and straightened her dress. "Will you boys keep an eye on our things? Come on, Hubert." They all three went up to the wagon restaurant. A little while after they were gone a steward went through announcing the first service, and pilgrims, with their priests, commenced filing down the corridor. Our friend and his family did not come back. A waiter passed in the corridor with our sandwiches and the bottle of Chablis, and we called him in. "You're going to work to-day," I said. He nodded his head. "They start now, at ten-thirty." "When do we eat?" "Huh! When do I eat?"<|quote|>He left two glasses for the bottle, and we paid him for the sandwiches and tipped him.</|quote|>"I'll get the plates," he said, "or bring them with you." We ate the sandwiches and drank the Chablis and watched the country out of the window. The grain was just beginning to ripen and the fields were full of poppies. The pastureland was green, and there were fine trees, and sometimes big rivers and chateaux off in the trees. At Tours we got off and bought another bottle of wine, and when we got back in the compartment the gentleman from Montana and his wife and his son, Hubert, were sitting comfortably. "Is there good swimming in Biarritz?" asked Hubert. "That boy's just crazy till he can get in the water," his mother said. "It's pretty hard on youngsters travelling." "There's good swimming," I said. "But it's dangerous when it's rough." "Did you get a meal?" Bill asked. "We sure did. We set right there when they started to come in, and they must have just thought we were in the party. One of the waiters said something to us in French, and then they just sent three of them back." "They thought we were snappers, all right," the man said. "It certainly shows you the power of the Catholic Church. It's a pity you boys ain't Catholics. You could get a meal, then, all right." "I am," I said. "That's what makes me so sore." Finally at a quarter past four we had lunch. Bill had been rather difficult at the last. He buttonholed a priest who was coming back with one of the returning streams of pilgrims. "When do us Protestants get a chance to eat, father?" "I don't know anything about it. Haven't you got tickets?" "It's enough to make a man join the Klan," Bill said. The priest looked back
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The Sun Also Rises
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Mrs. Gradgrind cried, with unexpected quickness.
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No speaker
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Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I
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her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to
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She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a
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silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw
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I hope you are going on satisfactorily to yourself. It was all your father's doing. He set his heart upon it. And he ought to know." "I want to hear of you, mother; not of myself." "You want to hear of me, my dear? That's something new, I am sure, when anybody wants to hear of me. Not at all well, Louisa. Very faint and giddy." "Are you in pain, dear mother?" "I think there's a pain somewhere in the room," said Mrs. Gradgrind, "but I couldn't positively say that I have got it." After this strange speech, she lay silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw her lying with an awful lull upon her face, like one who was floating away upon some great water, all resistance over, content to be carried down the stream. She put the shadow of a hand to her lips again, and recalled her. "You were going to speak to me, mother." "Eh? Yes, to be sure, my dear. You know your father is almost always away now, and therefore I must write to him about it." "About what, mother? Don't be troubled. About what?" "You must remember, my dear, that whenever I have said anything, on any subject, I have
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as nearly in her old usual attitude, as anything so helpless could be kept in. She had positively refused to take to her bed; on the ground that if she did, she would never hear the last of it. Her feeble voice sounded so far away in her bundle of shawls, and the sound of another voice addressing her seemed to take such a long time in getting down to her ears, that she might have been lying at the bottom of a well. The poor lady was nearer Truth than she ever had been: which had much to do with it. On being told that Mrs. Bounderby was there, she replied, at cross-purposes, that she had never called him by that name since he married Louisa; that pending her choice of an objectionable name, she had called him J; and that she could not at present depart from that regulation, not being yet provided with a permanent substitute. Louisa had sat by her for some minutes, and had spoken to her often, before she arrived at a clear understanding who it was. She then seemed to come to it all at once. "Well, my dear," said Mrs. Gradgrind, "and I hope you are going on satisfactorily to yourself. It was all your father's doing. He set his heart upon it. And he ought to know." "I want to hear of you, mother; not of myself." "You want to hear of me, my dear? That's something new, I am sure, when anybody wants to hear of me. Not at all well, Louisa. Very faint and giddy." "Are you in pain, dear mother?" "I think there's a pain somewhere in the room," said Mrs. Gradgrind, "but I couldn't positively say that I have got it." After this strange speech, she lay silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw her lying with an awful lull upon her face, like one who was floating away upon some great water, all resistance over, content to be carried down the stream. She put the shadow of a hand to her lips again, and recalled her. "You were going to speak to me, mother." "Eh? Yes, to be sure, my dear. You know your father is almost always away now, and therefore I must write to him about it." "About what, mother? Don't be troubled. About what?" "You must remember, my dear, that whenever I have said anything, on any subject, I have never heard the last of it: and consequently, that I have long left off saying anything." "I can hear you, mother." But, it was only by dint of bending down to her ear, and at the same time attentively watching the lips as they moved, that she could link such faint and broken sounds into any chain of connexion. "You learnt a great deal, Louisa, and so did your brother. Ologies of all kinds from morning to night. If there is any Ology left, of any description, that has not been worn to rags in this house, all I can say is, I hope I shall never hear its name." "I can hear you, mother, when you have strength to go on." This, to keep her from floating away. "But there is something not an Ology at all that your father has missed, or forgotten, Louisa. I don't know what it is. I have often sat with Sissy near me, and thought about it. I shall never get its name now. But your father may. It makes me restless. I want to write to him, to find out for God's sake, what it is. Give me a pen, give me
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felt herself all unfit for; Sissy she had never softened to again, since the night when the stroller's child had raised her eyes to look at Mr. Bounderby's intended wife. She had no inducements to go back, and had rarely gone. Neither, as she approached her old home now, did any of the best influences of old home descend upon her. The dreams of childhood its airy fables; its graceful, beautiful, humane, impossible adornments of the world beyond: so good to be believed in once, so good to be remembered when outgrown, for then the least among them rises to the stature of a great Charity in the heart, suffering little children to come into the midst of it, and to keep with their pure hands a garden in the stony ways of this world, wherein it were better for all the children of Adam that they should oftener sun themselves, simple and trustful, and not worldly-wise what had she to do with these? Remembrances of how she had journeyed to the little that she knew, by the enchanted roads of what she and millions of innocent creatures had hoped and imagined; of how, first coming upon Reason through the tender light of Fancy, she had seen it a beneficent god, deferring to gods as great as itself; not a grim Idol, cruel and cold, with its victims bound hand to foot, and its big dumb shape set up with a sightless stare, never to be moved by anything but so many calculated tons of leverage what had she to do with these? Her remembrances of home and childhood were remembrances of the drying up of every spring and fountain in her young heart as it gushed out. The golden waters were not there. They were flowing for the fertilization of the land where grapes are gathered from thorns, and figs from thistles. She went, with a heavy, hardened kind of sorrow upon her, into the house and into her mother's room. Since the time of her leaving home, Sissy had lived with the rest of the family on equal terms. Sissy was at her mother's side; and Jane, her sister, now ten or twelve years old, was in the room. There was great trouble before it could be made known to Mrs. Gradgrind that her eldest child was there. She reclined, propped up, from mere habit, on a couch: as nearly in her old usual attitude, as anything so helpless could be kept in. She had positively refused to take to her bed; on the ground that if she did, she would never hear the last of it. Her feeble voice sounded so far away in her bundle of shawls, and the sound of another voice addressing her seemed to take such a long time in getting down to her ears, that she might have been lying at the bottom of a well. The poor lady was nearer Truth than she ever had been: which had much to do with it. On being told that Mrs. Bounderby was there, she replied, at cross-purposes, that she had never called him by that name since he married Louisa; that pending her choice of an objectionable name, she had called him J; and that she could not at present depart from that regulation, not being yet provided with a permanent substitute. Louisa had sat by her for some minutes, and had spoken to her often, before she arrived at a clear understanding who it was. She then seemed to come to it all at once. "Well, my dear," said Mrs. Gradgrind, "and I hope you are going on satisfactorily to yourself. It was all your father's doing. He set his heart upon it. And he ought to know." "I want to hear of you, mother; not of myself." "You want to hear of me, my dear? That's something new, I am sure, when anybody wants to hear of me. Not at all well, Louisa. Very faint and giddy." "Are you in pain, dear mother?" "I think there's a pain somewhere in the room," said Mrs. Gradgrind, "but I couldn't positively say that I have got it." After this strange speech, she lay silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw her lying with an awful lull upon her face, like one who was floating away upon some great water, all resistance over, content to be carried down the stream. She put the shadow of a hand to her lips again, and recalled her. "You were going to speak to me, mother." "Eh? Yes, to be sure, my dear. You know your father is almost always away now, and therefore I must write to him about it." "About what, mother? Don't be troubled. About what?" "You must remember, my dear, that whenever I have said anything, on any subject, I have never heard the last of it: and consequently, that I have long left off saying anything." "I can hear you, mother." But, it was only by dint of bending down to her ear, and at the same time attentively watching the lips as they moved, that she could link such faint and broken sounds into any chain of connexion. "You learnt a great deal, Louisa, and so did your brother. Ologies of all kinds from morning to night. If there is any Ology left, of any description, that has not been worn to rags in this house, all I can say is, I hope I shall never hear its name." "I can hear you, mother, when you have strength to go on." This, to keep her from floating away. "But there is something not an Ology at all that your father has missed, or forgotten, Louisa. I don't know what it is. I have often sat with Sissy near me, and thought about it. I shall never get its name now. But your father may. It makes me restless. I want to write to him, to find out for God's sake, what it is. Give me a pen, give me a pen." Even the power of restlessness was gone, except from the poor head, which could just turn from side to side. She fancied, however, that her request had been complied with, and that the pen she could not have held was in her hand. It matters little what figures of wonderful no-meaning she began to trace upon her wrappers. The hand soon stopped in the midst of them; the light that had always been feeble and dim behind the weak transparency, went out; and even Mrs. Gradgrind, emerged from the shadow in which man walketh and disquieteth himself in vain, took upon her the dread solemnity of the sages and patriarchs. CHAPTER X MRS. SPARSIT'S STAIRCASE MRS. SPARSIT'S nerves being slow to recover their tone, the worthy woman made a stay of some weeks in duration at Mr. Bounderby's retreat, where, notwithstanding her anchorite turn of mind based upon her becoming consciousness of her altered station, she resigned herself with noble fortitude to lodging, as one may say, in clover, and feeding on the fat of the land. During the whole term of this recess from the guardianship of the Bank, Mrs. Sparsit was a pattern of consistency; continuing to take such pity on Mr. Bounderby to his face, as is rarely taken on man, and to call his portrait a Noodle to _its_ face, with the greatest acrimony and contempt. Mr. Bounderby, having got it into his explosive composition that Mrs. Sparsit was a highly superior woman to perceive that he had that general cross upon him in his deserts (for he had not yet settled what it was), and further that Louisa would have objected to her as a frequent visitor if it had comported with his greatness that she should object to anything he chose to do, resolved not to lose sight of Mrs. Sparsit easily. So when her nerves were strung up to the pitch of again consuming sweetbreads in solitude, he said to her at the dinner-table, on the day before her departure, "I tell you what, ma'am; you shall come down here of a Saturday, while the fine weather lasts, and stay till Monday." To which Mrs. Sparsit returned, in effect, though not of the Mahomedan persuasion: "To hear is to obey." Now, Mrs. Sparsit was not a poetical woman; but she took an idea in the nature of an allegorical fancy, into
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every spring and fountain in her young heart as it gushed out. The golden waters were not there. They were flowing for the fertilization of the land where grapes are gathered from thorns, and figs from thistles. She went, with a heavy, hardened kind of sorrow upon her, into the house and into her mother's room. Since the time of her leaving home, Sissy had lived with the rest of the family on equal terms. Sissy was at her mother's side; and Jane, her sister, now ten or twelve years old, was in the room. There was great trouble before it could be made known to Mrs. Gradgrind that her eldest child was there. She reclined, propped up, from mere habit, on a couch: as nearly in her old usual attitude, as anything so helpless could be kept in. She had positively refused to take to her bed; on the ground that if she did, she would never hear the last of it. Her feeble voice sounded so far away in her bundle of shawls, and the sound of another voice addressing her seemed to take such a long time in getting down to her ears, that she might have been lying at the bottom of a well. The poor lady was nearer Truth than she ever had been: which had much to do with it. On being told that Mrs. Bounderby was there, she replied, at cross-purposes, that she had never called him by that name since he married Louisa; that pending her choice of an objectionable name, she had called him J; and that she could not at present depart from that regulation, not being yet provided with a permanent substitute. Louisa had sat by her for some minutes, and had spoken to her often, before she arrived at a clear understanding who it was. She then seemed to come to it all at once. "Well, my dear," said Mrs. Gradgrind, "and I hope you are going on satisfactorily to yourself. It was all your father's doing. He set his heart upon it. And he ought to know." "I want to hear of you, mother; not of myself." "You want to hear of me, my dear? That's something new, I am sure, when anybody wants to hear of me. Not at all well, Louisa. Very faint and giddy." "Are you in pain, dear mother?" "I think there's a pain somewhere in the room," said Mrs. Gradgrind, "but I couldn't positively say that I have got it." After this strange speech, she lay silent for some time. Louisa, holding her hand, could feel no pulse; but kissing it, could see a slight thin thread of life in fluttering motion. "You very seldom see your sister," said Mrs. Gradgrind. "She grows like you. I wish you would look at her. Sissy, bring her here." She was brought, and stood with her hand in her sister's. Louisa had observed her with her arm round Sissy's neck, and she felt the difference of this approach. "Do you see the likeness, Louisa?" "Yes, mother. I should think her like me. But" "Eh! Yes, I always say so,"<|quote|>Mrs. Gradgrind cried, with unexpected quickness.</|quote|>"And that reminds me. I I want to speak to you, my dear. Sissy, my good girl, leave us alone a minute." Louisa had relinquished the hand: had thought that her sister's was a better and brighter face than hers had ever been: had seen in it, not without a rising feeling of resentment, even in that place and at that time, something of the gentleness of the other face in the room; the sweet face with the trusting eyes, made paler than watching and sympathy made it, by the rich dark hair. Left alone with her mother, Louisa saw her lying with an awful lull upon her face, like one who was floating away upon some great water, all resistance over, content to be carried down the stream. She put the shadow of a hand to her lips again, and recalled her. "You were going to speak to me, mother." "Eh? Yes, to be sure, my dear. You know your father is almost always away now, and therefore I must write to him about it." "About what, mother? Don't be troubled. About what?" "You must remember, my dear, that whenever I have said anything, on any subject, I have never heard
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Hard Times
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Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.
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No speaker
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now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to
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in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I
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really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will
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manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be
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peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must _not_ believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little scarcely any doubt of his preference. But there are other points to be considered besides
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any account, and yet to say what she did not believe was impossible. At length she replied: "Do not be offended, Elinor, if my praise of him is not in every thing equal to your sense of his merits. I have not had so many opportunities of estimating the minuter propensities of his mind, his inclinations and tastes, as you have; but I have the highest opinion in the world of his goodness and sense. I think him every thing that is worthy and amiable." "I am sure," replied Elinor, with a smile, "that his dearest friends could not be dissatisfied with such commendation as that. I do not perceive how you could express yourself more warmly." Marianne was rejoiced to find her sister so easily pleased. "Of his sense and his goodness," continued Elinor, "no one can, I think, be in doubt, who has seen him often enough to engage him in unreserved conversation. The excellence of his understanding and his principles can be concealed only by that shyness which too often keeps him silent. You know enough of him to do justice to his solid worth. But of his minuter propensities, as you call them you have from peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must _not_ believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little scarcely any doubt of his preference. But there are other points to be considered besides his inclination. He is very far from being independent. What his mother really is we cannot know; but, from Fanny s occasional mention of her conduct and opinions, we have never been disposed to think her amiable; and I am very much mistaken if Edward is not himself aware that there would be many difficulties in his way, if he were to wish to marry a woman who had not either a great fortune or high rank." Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth. "And you really are not engaged to him!" said she. "Yet it certainly soon will happen. But two advantages will proceed from this delay. _I_ shall not lose you so soon, and Edward will have greater opportunity of improving that natural taste for your favourite pursuit which must be so indispensably necessary to your future felicity. Oh! if he should be so far stimulated by your genius as to learn to draw himself, how delightful it would be!" Elinor had given her real opinion to her sister. She could not consider her partiality for Edward in so prosperous a state as Marianne had believed it.
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if he is not to be animated by Cowper! but we must allow for difference of taste. Elinor has not my feelings, and therefore she may overlook it, and be happy with him. But it would have broke _my_ heart, had I loved him, to hear him read with so little sensibility. Mama, the more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much! He must have all Edward s virtues, and his person and manners must ornament his goodness with every possible charm." "Remember, my love, that you are not seventeen. It is yet too early in life to despair of such a happiness. Why should you be less fortunate than your mother? In one circumstance only, my Marianne, may your destiny be different from hers!" CHAPTER IV. "What a pity it is, Elinor," said Marianne, "that Edward should have no taste for drawing." "No taste for drawing!" replied Elinor, "why should you think so? He does not draw himself, indeed, but he has great pleasure in seeing the performances of other people, and I assure you he is by no means deficient in natural taste, though he has not had opportunities of improving it. Had he ever been in the way of learning, I think he would have drawn very well. He distrusts his own judgment in such matters so much, that he is always unwilling to give his opinion on any picture; but he has an innate propriety and simplicity of taste, which in general direct him perfectly right." Marianne was afraid of offending, and said no more on the subject; but the kind of approbation which Elinor described as excited in him by the drawings of other people, was very far from that rapturous delight, which, in her opinion, could alone be called taste. Yet, though smiling within herself at the mistake, she honoured her sister for that blind partiality to Edward which produced it. "I hope, Marianne," continued Elinor, "you do not consider him as deficient in general taste. Indeed, I think I may say that you cannot, for your behaviour to him is perfectly cordial, and if _that_ were your opinion, I am sure you could never be civil to him." Marianne hardly knew what to say. She would not wound the feelings of her sister on any account, and yet to say what she did not believe was impossible. At length she replied: "Do not be offended, Elinor, if my praise of him is not in every thing equal to your sense of his merits. I have not had so many opportunities of estimating the minuter propensities of his mind, his inclinations and tastes, as you have; but I have the highest opinion in the world of his goodness and sense. I think him every thing that is worthy and amiable." "I am sure," replied Elinor, with a smile, "that his dearest friends could not be dissatisfied with such commendation as that. I do not perceive how you could express yourself more warmly." Marianne was rejoiced to find her sister so easily pleased. "Of his sense and his goodness," continued Elinor, "no one can, I think, be in doubt, who has seen him often enough to engage him in unreserved conversation. The excellence of his understanding and his principles can be concealed only by that shyness which too often keeps him silent. You know enough of him to do justice to his solid worth. But of his minuter propensities, as you call them you have from peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must _not_ believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little scarcely any doubt of his preference. But there are other points to be considered besides his inclination. He is very far from being independent. What his mother really is we cannot know; but, from Fanny s occasional mention of her conduct and opinions, we have never been disposed to think her amiable; and I am very much mistaken if Edward is not himself aware that there would be many difficulties in his way, if he were to wish to marry a woman who had not either a great fortune or high rank." Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth. "And you really are not engaged to him!" said she. "Yet it certainly soon will happen. But two advantages will proceed from this delay. _I_ shall not lose you so soon, and Edward will have greater opportunity of improving that natural taste for your favourite pursuit which must be so indispensably necessary to your future felicity. Oh! if he should be so far stimulated by your genius as to learn to draw himself, how delightful it would be!" Elinor had given her real opinion to her sister. She could not consider her partiality for Edward in so prosperous a state as Marianne had believed it. There was, at times, a want of spirits about him which, if it did not denote indifference, spoke of something almost as unpromising. A doubt of her regard, supposing him to feel it, need not give him more than inquietude. It would not be likely to produce that dejection of mind which frequently attended him. A more reasonable cause might be found in the dependent situation which forbade the indulgence of his affection. She knew that his mother neither behaved to him so as to make his home comfortable at present, nor to give him any assurance that he might form a home for himself, without strictly attending to her views for his aggrandizement. With such a knowledge as this, it was impossible for Elinor to feel easy on the subject. She was far from depending on that result of his preference of her, which her mother and sister still considered as certain. Nay, the longer they were together the more doubtful seemed the nature of his regard; and sometimes, for a few painful minutes, she believed it to be no more than friendship. But, whatever might really be its limits, it was enough, when perceived by his sister, to make her uneasy, and at the same time, (which was still more common,) to make her uncivil. She took the first opportunity of affronting her mother-in-law on the occasion, talking to her so expressively of her brother s great expectations, of Mrs. Ferrars s resolution that both her sons should marry well, and of the danger attending any young woman who attempted to _draw him in;_ that Mrs. Dashwood could neither pretend to be unconscious, nor endeavor to be calm. She gave her an answer which marked her contempt, and instantly left the room, resolving that, whatever might be the inconvenience or expense of so sudden a removal, her beloved Elinor should not be exposed another week to such insinuations. In this state of her spirits, a letter was delivered to her from the post, which contained a proposal particularly well timed. It was the offer of a small house, on very easy terms, belonging to a relation of her own, a gentleman of consequence and property in Devonshire. The letter was from this gentleman himself, and written in the true spirit of friendly accommodation. He understood that she was in need of a dwelling; and though the house he
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that he is always unwilling to give his opinion on any picture; but he has an innate propriety and simplicity of taste, which in general direct him perfectly right." Marianne was afraid of offending, and said no more on the subject; but the kind of approbation which Elinor described as excited in him by the drawings of other people, was very far from that rapturous delight, which, in her opinion, could alone be called taste. Yet, though smiling within herself at the mistake, she honoured her sister for that blind partiality to Edward which produced it. "I hope, Marianne," continued Elinor, "you do not consider him as deficient in general taste. Indeed, I think I may say that you cannot, for your behaviour to him is perfectly cordial, and if _that_ were your opinion, I am sure you could never be civil to him." Marianne hardly knew what to say. She would not wound the feelings of her sister on any account, and yet to say what she did not believe was impossible. At length she replied: "Do not be offended, Elinor, if my praise of him is not in every thing equal to your sense of his merits. I have not had so many opportunities of estimating the minuter propensities of his mind, his inclinations and tastes, as you have; but I have the highest opinion in the world of his goodness and sense. I think him every thing that is worthy and amiable." "I am sure," replied Elinor, with a smile, "that his dearest friends could not be dissatisfied with such commendation as that. I do not perceive how you could express yourself more warmly." Marianne was rejoiced to find her sister so easily pleased. "Of his sense and his goodness," continued Elinor, "no one can, I think, be in doubt, who has seen him often enough to engage him in unreserved conversation. The excellence of his understanding and his principles can be concealed only by that shyness which too often keeps him silent. You know enough of him to do justice to his solid worth. But of his minuter propensities, as you call them you have from peculiar circumstances been kept more ignorant than myself. He and I have been at times thrown a good deal together, while you have been wholly engrossed on the most affectionate principle by my mother. I have seen a great deal of him, have studied his sentiments and heard his opinion on subjects of literature and taste; and, upon the whole, I venture to pronounce that his mind is well-informed, enjoyment of books exceedingly great, his imagination lively, his observation just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person. At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived. At present, I know him so well, that I think him really handsome; or at least, almost so. What say you, Marianne?" "I shall very soon think him handsome, Elinor, if I do not now. When you tell me to love him as a brother, I shall no more see imperfection in his face, than I now do in his heart."<|quote|>Elinor started at this declaration, and was sorry for the warmth she had been betrayed into, in speaking of him. She felt that Edward stood very high in her opinion. She believed the regard to be mutual; but she required greater certainty of it to make Marianne s conviction of their attachment agreeable to her. She knew that what Marianne and her mother conjectured one moment, they believed the next that with them, to wish was to hope, and to hope was to expect. She tried to explain the real state of the case to her sister.</|quote|>"I do not attempt to deny," said she, "that I think very highly of him that I greatly esteem, that I like him." Marianne here burst forth with indignation "Esteem him! Like him! Cold-hearted Elinor! Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she; "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings. Believe them to be stronger than I have declared; believe them, in short, to be such as his merit, and the suspicion the hope of his affection for me may warrant, without imprudence or folly. But farther than this you must _not_ believe. I am by no means assured of his regard for me. There are moments when the extent of it seems doubtful; and till his sentiments are fully known, you cannot wonder at my wishing to avoid any encouragement of my own partiality, by believing or calling it more than it is. In my heart I feel little scarcely any doubt of his preference. But there are other points to be considered besides his inclination. He is very far from being independent. What his mother really is we cannot know; but, from Fanny s occasional mention of her conduct and opinions, we have never been disposed to think her amiable; and I am very much mistaken if Edward is not himself aware that there would be many difficulties in his way, if he were to wish to marry a woman who had not either a great fortune or high rank." Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth. "And you really are not engaged to him!" said she. "Yet it certainly soon will happen. But two advantages will proceed from this delay. _I_ shall not lose you so soon, and Edward will have greater opportunity of improving that natural taste for your favourite pursuit which must be so indispensably necessary to your future felicity. Oh! if he should be so far stimulated by your genius as to learn to draw himself, how delightful it would be!" Elinor had given her real opinion to her sister. She could not consider her partiality for Edward in so prosperous a state as Marianne had believed it. There was, at times, a want of spirits about him which, if it did not denote indifference, spoke of something almost as unpromising. A doubt of her regard, supposing him to feel it, need not give him more than inquietude. It would not be likely to produce that dejection of mind which frequently attended him. A more reasonable cause might be found in the dependent situation which forbade the indulgence of his affection. She knew
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Sense And Sensibility
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said Mrs. Maylie,
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No speaker
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a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and
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scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so
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girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was
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serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed
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England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the
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"Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he
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were mingled in the cup; but there were no bitter tears: for even grief itself arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain. They were a long, long time alone. A soft tap at the door, at length announced that some one was without. Oliver opened it, glided away, and gave place to Harry Maylie. "I know it all," he said, taking a seat beside the lovely girl. "Dear Rose, I know it all." "I am not here by accident," he added after a lengthened silence; "nor have I heard all this to-night, for I knew it yesterday only yesterday. Do you guess that I have come to remind you of a promise?" "Stay," said Rose. "You _do_ know all." "All. You gave me leave, at any time within a year, to renew the subject of our last discourse." "I did." "Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose. "That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he should be condemned. As he saw all this in one bewildered glance, the deathlike stillness came again, and looking back he saw that the jurymen had turned towards the judge. Hush! They only sought permission to retire. He looked, wistfully, into their faces, one by one when they passed out, as though to see which way the greater number leant; but that was fruitless. The jailer touched him on the shoulder. He followed mechanically to the end of the dock, and sat down on a chair. The man pointed it out, or he would not have seen it. He looked up into the gallery again. Some of the people were eating, and some fanning themselves with handkerchiefs; for the crowded place was very hot. There was one young man sketching his face in a little note-book. He wondered whether it was like, and looked on when the artist broke his pencil-point, and made another with his knife, as any idle spectator might have done. In the same way, when he turned his eyes towards the judge, his mind began to busy itself with the fashion of his dress, and what it cost, and how he put it on. There was an old fat gentleman on the bench, too, who had gone out, some half an hour before, and now come back. He wondered within himself whether this man had been to get his dinner, what he had had, and where he had had it; and pursued this train of careless thought until some new object caught his eye and roused another. Not that, all this time, his mind was, for an instant, free from one oppressive overwhelming sense of the grave that opened at his feet; it was ever present to him, but in a vague and general way, and he could not fix his thoughts upon it. Thus, even while he trembled, and turned burning hot at the idea of speedy death, he fell to counting the iron spikes before him, and wondering how the head of one had been broken off, and whether they would mend it, or leave it as it was. Then, he thought of all the horrors of the gallows and the scaffold and stopped to watch a man sprinkling the floor to cool it and then went on to think again. At length there was a cry of silence, and a breathless look from
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between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig, "for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be." Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child,"<|quote|>said Mrs. Maylie,</|quote|>"where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the
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Oliver Twist
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Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.
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No speaker
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the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!"
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again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper,
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quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a
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not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It
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remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at
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"How horrid all this is!" said he. "Such weather makes every thing and every body disgusting. Dullness is as much produced within doors as without, by rain. It makes one detest all one s acquaintance. What the devil does Sir John mean by not having a billiard room in his house? How few people know what comfort is! Sir John is as stupid as the weather." The rest of the company soon dropt in. "I am afraid, Miss Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said
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they were gone. "The rent of this cottage is said to be low; but we have it on very hard terms, if we are to dine at the park whenever any one is staying either with them, or with us." "They mean no less to be civil and kind to us now," said Elinor, "by these frequent invitations, than by those which we received from them a few weeks ago. The alteration is not in them, if their parties are grown tedious and dull. We must look for the change elsewhere." CHAPTER XX. As the Miss Dashwoods entered the drawing-room of the park the next day, at one door, Mrs. Palmer came running in at the other, looking as good humoured and merry as before. She took them all most affectionately by the hand, and expressed great delight in seeing them again. "I am so glad to see you!" said she, seating herself between Elinor and Marianne, "for it is so bad a day I was afraid you might not come, which would be a shocking thing, as we go away again tomorrow. We must go, for the Westons come to us next week you know. It was quite a sudden thing our coming at all, and I knew nothing of it till the carriage was coming to the door, and then Mr. Palmer asked me if I would go with him to Barton. He is so droll! He never tells me any thing! I am so sorry we cannot stay longer; however we shall meet again in town very soon, I hope." They were obliged to put an end to such an expectation. "Not go to town!" cried Mrs. Palmer, with a laugh, "I shall be quite disappointed if you do not. I could get the nicest house in the world for you, next door to ours, in Hanover-square. You must come, indeed. I am sure I shall be very happy to chaperon you at any time till I am confined, if Mrs. Dashwood should not like to go into public." They thanked her; but were obliged to resist all her entreaties. "Oh, my love," cried Mrs. Palmer to her husband, who just then entered the room "you must help me to persuade the Miss Dashwoods to go to town this winter." Her love made no answer; and after slightly bowing to the ladies, began complaining of the weather. "How horrid all this is!" said he. "Such weather makes every thing and every body disgusting. Dullness is as much produced within doors as without, by rain. It makes one detest all one s acquaintance. What the devil does Sir John mean by not having a billiard room in his house? How few people know what comfort is! Sir John is as stupid as the weather." The rest of the company soon dropt in. "I am afraid, Miss Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him." Elinor could hardly keep her countenance as she assented to the hardship of such an obligation. "How charming it will be," said Charlotte, "when he is in Parliament! won t it? How I shall laugh! It will be so ridiculous to see all his letters directed to him with an M.P. But do you know, he says, he will never frank for me? He declares he won t. Don t you, Mr. Palmer?" Mr. Palmer took no notice of her. "He cannot bear writing, you know," she continued "he says it is quite shocking." "No," said he, "I never said any thing so irrational. Don t palm all your abuses of language upon me." "There now; you see how droll he is. This is always the way with him! Sometimes he won t speak to me for half a day together, and then he comes out with something so droll all about any thing in the world." She surprised Elinor very much as they returned into the drawing-room, by asking her whether she did not like Mr. Palmer excessively. "Certainly," said Elinor; "he seems very agreeable." "Well I am so glad you do. I thought you would, he is so pleasant; and Mr. Palmer is excessively pleased with you and your sisters I can tell you, and you can t think how disappointed he will be if you don t come to Cleveland. I can t imagine why you should object to it." Elinor was again obliged to decline her invitation; and by changing the subject, put a stop to her entreaties. She thought it probable that as they lived in the same county, Mrs. Palmer might be able to give some more particular account of Willoughby s general character, than could be gathered from the Middletons partial acquaintance with him; and she was eager to gain from any one, such a confirmation of his merits as might remove the possibility of fear from Marianne. She began by inquiring if they saw much of Mr. Willoughby at Cleveland, and whether they were intimately acquainted with him. "Oh dear, yes; I know him extremely well," replied Mrs. Palmer; "Not that I ever spoke to him, indeed; but I have seen him for ever in town. Somehow or other I never happened to be staying at Barton while he was at Allenham. Mama saw him here once before; but I was with my uncle at Weymouth. However, I dare say we should have seen a great deal of him in Somersetshire, if it had
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Marianne," said Sir John, "you have not been able to take your usual walk to Allenham today." Marianne looked very grave and said nothing. "Oh, don t be so sly before us," said Mrs. Palmer; "for we know all about it, I assure you; and I admire your taste very much, for I think he is extremely handsome. We do not live a great way from him in the country, you know. Not above ten miles, I dare say." "Much nearer thirty," said her husband. "Ah, well! there is not much difference. I never was at his house; but they say it is a sweet pretty place." "As vile a spot as I ever saw in my life," said Mr. Palmer. Marianne remained perfectly silent, though her countenance betrayed her interest in what was said. "Is it very ugly?" continued Mrs. Palmer "then it must be some other place that is so pretty I suppose." When they were seated in the dining room, Sir John observed with regret that they were only eight all together. "My dear," said he to his lady, "it is very provoking that we should be so few. Why did not you ask the Gilberts to come to us today?" "Did not I tell you, Sir John, when you spoke to me about it before, that it could not be done? They dined with us last." "You and I, Sir John," said Mrs. Jennings, "should not stand upon such ceremony." "Then you would be very ill-bred," cried Mr. Palmer. "My love you contradict every body," said his wife with her usual laugh. "Do you know that you are quite rude?" "I did not know I contradicted any body in calling your mother ill-bred." "Ay, you may abuse me as you please," said the good-natured old lady, "you have taken Charlotte off my hands, and cannot give her back again. So there I have the whip hand of you."<|quote|>Charlotte laughed heartily to think that her husband could not get rid of her; and exultingly said, she did not care how cross he was to her, as they must live together. It was impossible for any one to be more thoroughly good-natured, or more determined to be happy than Mrs. Palmer. The studied indifference, insolence, and discontent of her husband gave her no pain; and when he scolded or abused her, she was highly diverted.</|quote|>"Mr. Palmer is so droll!" said she, in a whisper, to Elinor. "He is always out of humour." Elinor was not inclined, after a little observation, to give him credit for being so genuinely and unaffectedly ill-natured or ill-bred as he wished to appear. His temper might perhaps be a little soured by finding, like many others of his sex, that through some unaccountable bias in favour of beauty, he was the husband of a very silly woman but she knew that this kind of blunder was too common for any sensible man to be lastingly hurt by it. It was rather a wish of distinction, she believed, which produced his contemptuous treatment of every body, and his general abuse of every thing before him. It was the desire of appearing superior to other people. The motive was too common to be wondered at; but the means, however they might succeed by establishing his superiority in ill-breeding, were not likely to attach any one to him except his wife. "Oh, my dear Miss Dashwood," said Mrs. Palmer soon afterwards, "I have got such a favour to ask of you and your sister. Will you come and spend some time at Cleveland this Christmas? Now, pray do, and come while the Westons are with us. You cannot think how happy I shall be! It will be quite delightful! My love," applying to her husband, "don t you long to have the Miss Dashwoods come to Cleveland?" "Certainly," he replied, with a sneer "I came into Devonshire with no other view." "There now," said his lady, "you see Mr. Palmer expects you; so you cannot refuse to come." They both eagerly and resolutely declined her invitation. "But indeed you must and shall come. I am sure you will like it of all things. The Westons will be with us, and it will be quite delightful. You cannot think what a sweet place Cleveland is; and we are so gay now, for Mr. Palmer is always going about the country canvassing against the election; and so many people came to dine with us that I never saw before, it is quite charming! But, poor fellow! it is very fatiguing to him! for he is forced to make every body like him."
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Sense And Sensibility
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"Did you speak from your own observation,"
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Elizabeth
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manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told
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help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved
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believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I
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a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not
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home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was
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receive _more_ than my due." "My object _then_," replied Darcy, "was to shew you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you." He then told her of Georgiana's delight in her acquaintance, and of her disappointment at its sudden interruption; which naturally leading to the cause of that interruption, she soon learnt that his resolution of following her from Derbyshire in quest of her sister, had been formed before he quitted the inn, and that his gravity and thoughtfulness there, had arisen from no other struggles than what such a purpose must comprehend. She expressed her gratitude again, but it was too painful a subject to each, to be dwelt on farther. After walking several miles in a leisurely manner, and too busy to know any thing about it, they found at last, on examining their watches, that it was time to be at home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened a suspicion of the truth. The evening passed quietly, unmarked by any thing extraordinary. The acknowledged lovers talked and laughed, the unacknowledged were silent. Darcy was not of a disposition in which happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the
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of the past as its remembrance gives you pleasure." "I cannot give you credit for any philosophy of the kind. _Your_ retrospections must be so totally void of reproach, that the contentment arising from them, is not of philosophy, but what is much better, of ignorance. But with _me_, it is not so. Painful recollections will intrude, which cannot, which ought not to be repelled. I have been a selfish being all my life, in practice, though not in principle. As a child I was taught what was _right_, but I was not taught to correct my temper. I was given good principles, but left to follow them in pride and conceit. Unfortunately an only son, (for many years an only _child_) I was spoilt by my parents, who though good themselves, (my father particularly, all that was benevolent and amiable,) allowed, encouraged, almost taught me to be selfish and overbearing, to care for none beyond my own family circle, to think meanly of all the rest of the world, to _wish_ at least to think meanly of their sense and worth compared with my own. Such I was, from eight to eight and twenty; and such I might still have been but for you, dearest, loveliest Elizabeth! What do I not owe you! You taught me a lesson, hard indeed at first, but most advantageous. By you, I was properly humbled. I came to you without a doubt of my reception. You shewed me how insufficient were all my pretensions to please a woman worthy of being pleased." "Had you then persuaded yourself that I should?" "Indeed I had. What will you think of my vanity? I believed you to be wishing, expecting my addresses." "My manners must have been in fault, but not intentionally I assure you. I never meant to deceive you, but my spirits might often lead me wrong. How you must have hated me after _that_ evening?" "Hate you! I was angry perhaps at first, but my anger soon began to take a proper direction." "I am almost afraid of asking what you thought of me; when we met at Pemberley. You blamed me for coming?" "No indeed; I felt nothing but surprise." "Your surprise could not be greater than _mine_ in being noticed by you. My conscience told me that I deserved no extraordinary politeness, and I confess that I did not expect to receive _more_ than my due." "My object _then_," replied Darcy, "was to shew you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you." He then told her of Georgiana's delight in her acquaintance, and of her disappointment at its sudden interruption; which naturally leading to the cause of that interruption, she soon learnt that his resolution of following her from Derbyshire in quest of her sister, had been formed before he quitted the inn, and that his gravity and thoughtfulness there, had arisen from no other struggles than what such a purpose must comprehend. She expressed her gratitude again, but it was too painful a subject to each, to be dwelt on farther. After walking several miles in a leisurely manner, and too busy to know any thing about it, they found at last, on examining their watches, that it was time to be at home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened a suspicion of the truth. The evening passed quietly, unmarked by any thing extraordinary. The acknowledged lovers talked and laughed, the unacknowledged were silent. Darcy was not of a disposition in which happiness overflows in mirth; and Elizabeth, agitated and confused, rather _knew_ that she was happy, than _felt_ herself to be so; for, besides the immediate embarrassment, there were other evils before her. She anticipated what would be felt in the family when her situation became known; she was aware that no one liked him but Jane; and even feared that with the others it was a _dislike_ which not all his fortune and consequence might do away. At night she opened her heart to Jane. Though suspicion was very far from Miss Bennet's general habits, she was absolutely incredulous here. "You are joking, Lizzy. This cannot be!--engaged to Mr. Darcy! No, no, you shall not deceive me. I know it to be impossible." "This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. Yet, indeed, I am in earnest. I speak nothing but the truth. He still loves me, and we are engaged." Jane looked at her doubtingly. "Oh, Lizzy! it cannot be. I know how much you dislike him." "You know nothing of the matter. _That_ is all to be forgot. Perhaps I did not always love him so well as I do now. But in such cases as these, a good memory is unpardonable. This is the last time I shall ever remember it myself." Miss Bennet still looked all amazement. Elizabeth again, and more seriously assured her of its truth. "Good Heaven! can it be really so! Yet now I must believe you," cried Jane. "My dear, dear Lizzy, I would--I do congratulate you--but are you certain? forgive the question--are you quite certain that you can be happy with him?" "There can be no doubt of that. It is settled between us already, that we are to be the happiest couple in the world. But are you pleased, Jane? Shall you like to have such a brother?" "Very, very much. Nothing could give either Bingley or myself more delight. But we considered it, we talked of it as impossible. And do you really love him quite well enough? Oh, Lizzy! do any thing rather than marry without affection. Are you quite sure that you feel what you ought to do?" "Oh, yes! You will only think I feel _more_ than I ought to do, when I tell you all." "What do you mean?" "Why, I must confess, that I love him better than I do Bingley. I am afraid you will be angry." "My dearest sister, now _be_ be serious. I want to talk very seriously. Let me know every thing that I am to know, without delay. Will you tell me how long you have loved him?" "It has been coming on so
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being pleased." "Had you then persuaded yourself that I should?" "Indeed I had. What will you think of my vanity? I believed you to be wishing, expecting my addresses." "My manners must have been in fault, but not intentionally I assure you. I never meant to deceive you, but my spirits might often lead me wrong. How you must have hated me after _that_ evening?" "Hate you! I was angry perhaps at first, but my anger soon began to take a proper direction." "I am almost afraid of asking what you thought of me; when we met at Pemberley. You blamed me for coming?" "No indeed; I felt nothing but surprise." "Your surprise could not be greater than _mine_ in being noticed by you. My conscience told me that I deserved no extraordinary politeness, and I confess that I did not expect to receive _more_ than my due." "My object _then_," replied Darcy, "was to shew you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves I can hardly tell, but I believe in about half an hour after I had seen you." He then told her of Georgiana's delight in her acquaintance, and of her disappointment at its sudden interruption; which naturally leading to the cause of that interruption, she soon learnt that his resolution of following her from Derbyshire in quest of her sister, had been formed before he quitted the inn, and that his gravity and thoughtfulness there, had arisen from no other struggles than what such a purpose must comprehend. She expressed her gratitude again, but it was too painful a subject to each, to be dwelt on farther. After walking several miles in a leisurely manner, and too busy to know any thing about it, they found at last, on examining their watches, that it was time to be at home. "What could become of Mr. Bingley and Jane!" was a wonder which introduced the discussion of _their_ affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it. "I must ask whether you were surprised?" said Elizabeth. "Not at all. When I went away, I felt that it would soon happen." "That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case. "On the evening before my going to London," said he "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs, absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together." Elizabeth could not help smiling at his easy manner of directing his friend.<|quote|>"Did you speak from your own observation,"</|quote|>said she, "when you told him that my sister loved him, or merely from my information last spring?" "From the former. I had narrowly observed her during the two visits which I had lately made her here; and I was convinced of her affection." "And your assurance of it, I suppose, carried immediate conviction to him." "It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine, made every thing easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now." Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laught at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted. CHAPTER XVII. "My dear Lizzy, where can you have been walking to?" was a question which Elizabeth received from Jane as soon as she entered the room, and from all the others when they sat down to table. She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke; but neither that, nor any thing else, awakened
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Pride And Prejudice
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"Have you ever talked to Vyse without feeling tired?"
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George Emerson
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new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No,
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a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He
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"You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any
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can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great
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started on her Sunday writing. She's in the drawing-room." "That's all right. You go away." He went off singing. Lucy sat down at the table. Miss Bartlett, who was thoroughly frightened, took up a book and pretended to read. She would not be drawn into an elaborate speech. She just said: "I can't have it, Mr. Emerson. I cannot even talk to you. Go out of this house, and never come into it again as long as I live here--" flushing as she spoke and pointing to the door. "I hate a row. Go please." "What--" "No discussion." "But I can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over--playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for YOU to settle whether you were shocked or no. Cecil all over again. He daren't let a woman decide. He's the type who's kept Europe back for a thousand years. Every moment of his life he's forming you,
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felt, over the rubbish, the sloppy thoughts, the furtive yearnings that were beginning to cumber her soul. Her anger faded at the sight of him. Ah! The Emersons were fine people in their way. She had to subdue a rush in her blood before saying: "Freddy has taken him into the dining-room. The others are going down the garden. Come. Let us get this over quickly. Come. I want you in the room, of course." "Lucy, do you mind doing it?" "How can you ask such a ridiculous question?" "Poor Lucy--" She stretched out her hand. "I seem to bring nothing but misfortune wherever I go." Lucy nodded. She remembered their last evening at Florence--the packing, the candle, the shadow of Miss Bartlett's toque on the door. She was not to be trapped by pathos a second time. Eluding her cousin's caress, she led the way downstairs. "Try the jam," Freddy was saying. "The jam's jolly good." George, looking big and dishevelled, was pacing up and down the dining-room. As she entered he stopped, and said: "No--nothing to eat." "You go down to the others," said Lucy; "Charlotte and I will give Mr. Emerson all he wants. Where's mother?" "She's started on her Sunday writing. She's in the drawing-room." "That's all right. You go away." He went off singing. Lucy sat down at the table. Miss Bartlett, who was thoroughly frightened, took up a book and pretended to read. She would not be drawn into an elaborate speech. She just said: "I can't have it, Mr. Emerson. I cannot even talk to you. Go out of this house, and never come into it again as long as I live here--" flushing as she spoke and pointing to the door. "I hate a row. Go please." "What--" "No discussion." "But I can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over--playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for YOU to settle whether you were shocked or no. Cecil all over again. He daren't let a woman decide. He's the type who's kept Europe back for a thousand years. Every moment of his life he's forming you, telling you what's charming or amusing or ladylike, telling you what a man thinks womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the Rectory, when I met you both again; so it has been the whole of this afternoon. Therefore--not" 'therefore I kissed you,' "because the book made me do that, and I wish to goodness I had more self-control. I'm not ashamed. I don't apologize. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore--therefore I settled to fight him." Lucy thought of a very good remark. "You say Mr. Vyse wants me to listen to him, Mr. Emerson. Pardon me for suggesting that you have caught the habit." And he took the shoddy reproof and touched it into immortality. He said: "Yes, I have," and sank down as if suddenly weary. "I'm the same kind of brute at bottom. This desire to govern a woman--it lies very deep, and men and women must fight it together before they shall enter the garden. But
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clasped hands while the girl worked herself into the necessary rage. "He must--that man must have such a setting down that he won't forget. And who's to give it him? I can't tell mother now--owing to you. Nor Cecil, Charlotte, owing to you. I am caught up every way. I think I shall go mad. I have no one to help me. That's why I've sent for you. What's wanted is a man with a whip." Miss Bartlett agreed: one wanted a man with a whip. "Yes--but it's no good agreeing. What's to be DONE. We women go maundering on. What DOES a girl do when she comes across a cad?" "I always said he was a cad, dear. Give me credit for that, at all events. From the very first moment--when he said his father was having a bath." "Oh, bother the credit and who's been right or wrong! We've both made a muddle of it. George Emerson is still down the garden there, and is he to be left unpunished, or isn't he? I want to know." Miss Bartlett was absolutely helpless. Her own exposure had unnerved her, and thoughts were colliding painfully in her brain. She moved feebly to the window, and tried to detect the cad's white flannels among the laurels. "You were ready enough at the Bertolini when you rushed me off to Rome. Can't you speak again to him now?" "Willingly would I move heaven and earth--" "I want something more definite," said Lucy contemptuously. "Will you speak to him? It is the least you can do, surely, considering it all happened because you broke your word." "Never again shall Eleanor Lavish be a friend of mine." Really, Charlotte was outdoing herself. "Yes or no, please; yes or no." "It is the kind of thing that only a gentleman can settle." George Emerson was coming up the garden with a tennis ball in his hand. "Very well," said Lucy, with an angry gesture. "No one will help me. I will speak to him myself." And immediately she realized that this was what her cousin had intended all along. "Hullo, Emerson!" called Freddy from below. "Found the lost ball? Good man! Want any tea?" And there was an irruption from the house on to the terrace. "Oh, Lucy, but that is brave of you! I admire you--" They had gathered round George, who beckoned, she felt, over the rubbish, the sloppy thoughts, the furtive yearnings that were beginning to cumber her soul. Her anger faded at the sight of him. Ah! The Emersons were fine people in their way. She had to subdue a rush in her blood before saying: "Freddy has taken him into the dining-room. The others are going down the garden. Come. Let us get this over quickly. Come. I want you in the room, of course." "Lucy, do you mind doing it?" "How can you ask such a ridiculous question?" "Poor Lucy--" She stretched out her hand. "I seem to bring nothing but misfortune wherever I go." Lucy nodded. She remembered their last evening at Florence--the packing, the candle, the shadow of Miss Bartlett's toque on the door. She was not to be trapped by pathos a second time. Eluding her cousin's caress, she led the way downstairs. "Try the jam," Freddy was saying. "The jam's jolly good." George, looking big and dishevelled, was pacing up and down the dining-room. As she entered he stopped, and said: "No--nothing to eat." "You go down to the others," said Lucy; "Charlotte and I will give Mr. Emerson all he wants. Where's mother?" "She's started on her Sunday writing. She's in the drawing-room." "That's all right. You go away." He went off singing. Lucy sat down at the table. Miss Bartlett, who was thoroughly frightened, took up a book and pretended to read. She would not be drawn into an elaborate speech. She just said: "I can't have it, Mr. Emerson. I cannot even talk to you. Go out of this house, and never come into it again as long as I live here--" flushing as she spoke and pointing to the door. "I hate a row. Go please." "What--" "No discussion." "But I can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over--playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for YOU to settle whether you were shocked or no. Cecil all over again. He daren't let a woman decide. He's the type who's kept Europe back for a thousand years. Every moment of his life he's forming you, telling you what's charming or amusing or ladylike, telling you what a man thinks womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the Rectory, when I met you both again; so it has been the whole of this afternoon. Therefore--not" 'therefore I kissed you,' "because the book made me do that, and I wish to goodness I had more self-control. I'm not ashamed. I don't apologize. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore--therefore I settled to fight him." Lucy thought of a very good remark. "You say Mr. Vyse wants me to listen to him, Mr. Emerson. Pardon me for suggesting that you have caught the habit." And he took the shoddy reproof and touched it into immortality. He said: "Yes, I have," and sank down as if suddenly weary. "I'm the same kind of brute at bottom. This desire to govern a woman--it lies very deep, and men and women must fight it together before they shall enter the garden. But I do love you surely in a better way than he does." He thought. "Yes--really in a better way. I want you to have your own thoughts even when I hold you in my arms." He stretched them towards her. "Lucy, be quick--there's no time for us to talk now--come to me as you came in the spring, and afterwards I will be gentle and explain. I have cared for you since that man died. I cannot live without you," 'No good,' "I thought;" 'she is marrying someone else'; "but I meet you again when all the world is glorious water and sun. As you came through the wood I saw that nothing else mattered. I called. I wanted to live and have my chance of joy." "And Mr. Vyse?" said Lucy, who kept commendably calm. "Does he not matter? That I love Cecil and shall be his wife shortly? A detail of no importance, I suppose?" But he stretched his arms over the table towards her. "May I ask what you intend to gain by this exhibition?" He said: "It is our last chance. I shall do all that I can." And as if he had done all else, he turned to Miss Bartlett, who sat like some portent against the skies of the evening. "You wouldn't stop us this second time if you understood," he said. "I have been into the dark, and I am going back into it, unless you will try to understand." Her long, narrow head drove backwards and forwards, as though demolishing some invisible obstacle. She did not answer. "It is being young," he said quietly, picking up his racquet from the floor and preparing to go. "It is being certain that Lucy cares for me really. It is that love and youth matter intellectually." In silence the two women watched him. His last remark, they knew, was nonsense, but was he going after it or not? Would not he, the cad, the charlatan, attempt a more dramatic finish? No. He was apparently content. He left them, carefully closing the front door; and when they looked through the hall window, they saw him go up the drive and begin to climb the slopes of withered fern behind the house. Their tongues were loosed, and they burst into stealthy rejoicings. "Oh, Lucia--come back here--oh, what an awful man!" Lucy had no reaction--at least, not yet.
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you! I admire you--" They had gathered round George, who beckoned, she felt, over the rubbish, the sloppy thoughts, the furtive yearnings that were beginning to cumber her soul. Her anger faded at the sight of him. Ah! The Emersons were fine people in their way. She had to subdue a rush in her blood before saying: "Freddy has taken him into the dining-room. The others are going down the garden. Come. Let us get this over quickly. Come. I want you in the room, of course." "Lucy, do you mind doing it?" "How can you ask such a ridiculous question?" "Poor Lucy--" She stretched out her hand. "I seem to bring nothing but misfortune wherever I go." Lucy nodded. She remembered their last evening at Florence--the packing, the candle, the shadow of Miss Bartlett's toque on the door. She was not to be trapped by pathos a second time. Eluding her cousin's caress, she led the way downstairs. "Try the jam," Freddy was saying. "The jam's jolly good." George, looking big and dishevelled, was pacing up and down the dining-room. As she entered he stopped, and said: "No--nothing to eat." "You go down to the others," said Lucy; "Charlotte and I will give Mr. Emerson all he wants. Where's mother?" "She's started on her Sunday writing. She's in the drawing-room." "That's all right. You go away." He went off singing. Lucy sat down at the table. Miss Bartlett, who was thoroughly frightened, took up a book and pretended to read. She would not be drawn into an elaborate speech. She just said: "I can't have it, Mr. Emerson. I cannot even talk to you. Go out of this house, and never come into it again as long as I live here--" flushing as she spoke and pointing to the door. "I hate a row. Go please." "What--" "No discussion." "But I can't--" She shook her head. "Go, please. I do not want to call in Mr. Vyse." "You don't mean," he said, absolutely ignoring Miss Bartlett--" "you don't mean that you are going to marry that man?" The line was unexpected. She shrugged her shoulders, as if his vulgarity wearied her. "You are merely ridiculous," she said quietly. Then his words rose gravely over hers: "You cannot live with Vyse. He's only for an acquaintance. He is for society and cultivated talk. He should know no one intimately, least of all a woman." It was a new light on Cecil's character.<|quote|>"Have you ever talked to Vyse without feeling tired?"</|quote|>"I can scarcely discuss--" "No, but have you ever? He is the sort who are all right so long as they keep to things--books, pictures--but kill when they come to people. That's why I'll speak out through all this muddle even now. It's shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over--playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for YOU to settle whether you were shocked or no. Cecil all over again. He daren't let a woman decide. He's the type who's kept Europe back for a thousand years. Every moment of his life he's forming you, telling you what's charming or amusing or ladylike, telling you what a man thinks womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the Rectory, when I met you both again; so it has been the whole of this afternoon. Therefore--not" 'therefore I kissed you,' "because the book made me do that, and I wish to goodness I had more self-control. I'm not ashamed. I don't apologize. But it has frightened you, and you may not have noticed that I
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A Room With A View
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"All presentable people say I."
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Helen
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did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not
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was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know
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was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him
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to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But
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t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had
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sitting with her in the empty coffee-room. "If we told him it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out of the middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to
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He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying more. "So what?" asked Colonel Fussell, who was getting ready to start in the hall. "We were saying--Henry and I were just having the fiercest argument, my point being--" Seizing his fur coat from a footman, she offered to help him on. He protested, and there was a playful little scene. "No, let me do that," said Henry, following. "Thanks so much! You see--he has forgiven me!" The Colonel said gallantly: "I don t expect there s much to forgive." He got into the car. The ladies followed him after an interval. Maids, courier, and heavier luggage had been sent on earlier by the branch-line. Still chattering, still thanking their host and patronising their future hostess, the guests were borne away. Then Margaret continued: "So that woman has been your mistress?" "You put it with your usual delicacy," he replied. "When, please?" "Why?" "When, please?" "Ten years ago." She left him without a word. For it was not her tragedy; it was Mrs. Wilcox s. CHAPTER XXVII Helen began to wonder why she had spent a matter of eight pounds in making some people ill and others angry. Now that the wave of excitement was ebbing, and had left her, Mr. Bast, and Mrs. Bast stranded for the night in a Shropshire hotel, she asked herself what forces had made the wave flow. At all events, no harm was done. Margaret would play the game properly now, and though Helen disapproved of her sister s methods, she knew that the Basts would benefit by them in the long-run. "Mr. Wilcox is so illogical," she explained to Leonard, who had put his wife to bed, and was sitting with her in the empty coffee-room. "If we told him it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out of the middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her." "How long have you been married?" "Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I think I have guessed now," said Helen very gravely. "I don t think so, Miss Schlegel; I hope not." "We must be honest, even over these things. I have guessed. I am frightfully, dreadfully sorry, but it does not make the least difference to me. I shall feel just the same to both of you. I blame, not your wife for these things, but men." Leonard left it at that--so long as she did not guess the man. She stood at the window and slowly pulled up
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it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out of the middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed.<|quote|>"All presentable people say I."</|quote|>"But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and
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Howards End
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"Exactly eleven days,"
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Caroline Abbott
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elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How
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can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?"
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been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain
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in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald
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dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply. "May I be told his name?" Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old
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Why she had ever wished to leave them was surprising; but as she truly said, "I am John Bull to the backbone, yet I do want to see Italy, just once. Everybody says it is marvellous, and that one gets no idea of it from books at all." The curate suggested that a year was a long time; and Miss Abbott, with decorous playfulness, answered him, "Oh, but you must let me have my fling! I promise to have it once, and once only. It will give me things to think about and talk about for the rest of my life." The curate had consented; so had Mr. Abbott. And here she was in a legno, solitary, dusty, frightened, with as much to answer and to answer for as the most dashing adventuress could desire. They shook hands without speaking. She made room for Philip and his luggage amidst the loud indignation of the unsuccessful driver, whom it required the combined eloquence of the station-master and the station beggar to confute. The silence was prolonged until they started. For three days he had been considering what he should do, and still more what he should say. He had invented a dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply. "May I be told his name?" Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at
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the letter remained, disfiguring the tidy ground. Chapter 2 When the bewildered tourist alights at the station of Monteriano, he finds himself in the middle of the country. There are a few houses round the railway, and many more dotted over the plain and the slopes of the hills, but of a town, mediaeval or otherwise, not the slightest sign. He must take what is suitably termed a "legno"--a piece of wood--and drive up eight miles of excellent road into the middle ages. For it is impossible, as well as sacrilegious, to be as quick as Baedeker. It was three in the afternoon when Philip left the realms of commonsense. He was so weary with travelling that he had fallen asleep in the train. His fellow-passengers had the usual Italian gift of divination, and when Monteriano came they knew he wanted to go there, and dropped him out. His feet sank into the hot asphalt of the platform, and in a dream he watched the train depart, while the porter who ought to have been carrying his bag, ran up the line playing touch-you-last with the guard. Alas! he was in no humour for Italy. Bargaining for a legno bored him unutterably. The man asked six lire; and though Philip knew that for eight miles it should scarcely be more than four, yet he was about to give what he was asked, and so make the man discontented and unhappy for the rest of the day. He was saved from this social blunder by loud shouts, and looking up the road saw one cracking his whip and waving his reins and driving two horses furiously, and behind him there appeared the swaying figure of a woman, holding star-fish fashion on to anything she could touch. It was Miss Abbott, who had just received his letter from Milan announcing the time of his arrival, and had hurried down to meet him. He had known Miss Abbott for years, and had never had much opinion about her one way or the other. She was good, quiet, dull, and amiable, and young only because she was twenty-three: there was nothing in her appearance or manner to suggest the fire of youth. All her life had been spent at Sawston with a dull and amiable father, and her pleasant, pallid face, bent on some respectable charity, was a familiar object of the Sawston streets. Why she had ever wished to leave them was surprising; but as she truly said, "I am John Bull to the backbone, yet I do want to see Italy, just once. Everybody says it is marvellous, and that one gets no idea of it from books at all." The curate suggested that a year was a long time; and Miss Abbott, with decorous playfulness, answered him, "Oh, but you must let me have my fling! I promise to have it once, and once only. It will give me things to think about and talk about for the rest of my life." The curate had consented; so had Mr. Abbott. And here she was in a legno, solitary, dusty, frightened, with as much to answer and to answer for as the most dashing adventuress could desire. They shook hands without speaking. She made room for Philip and his luggage amidst the loud indignation of the unsuccessful driver, whom it required the combined eloquence of the station-master and the station beggar to confute. The silence was prolonged until they started. For three days he had been considering what he should do, and still more what he should say. He had invented a dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply. "May I be told his name?" Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at the time: he was thinking what to say next. But his eyes had registered the beauty, and next March he did not forget that the road to Monteriano must traverse innumerable flowers. "As far as I have seen him, I do like him," repeated Miss Abbott, after a pause. He thought she sounded a little defiant, and crushed her at once. "What is he, please? You haven t told me that. What s his position?" She opened her mouth to speak, and no sound came from it. Philip waited patiently. She tried to be audacious, and failed pitiably. "No position at all. He is kicking his heels, as my father would say. You see, he has only just finished his military service." "As a private?" "I suppose so. There is general conscription. He was in the Bersaglieri, I think. Isn t that the crack regiment?" "The men in it must be short and broad. They must also be able to walk six miles an hour." She looked at him wildly, not understanding all that he said, but feeling that he was very clever. Then she continued her defence of Signor Carella. "And now, like most young men, he is looking out for something to do." "Meanwhile?" "Meanwhile, like most young men, he lives with his people--father, mother, two sisters, and a tiny tot of a brother." There was a grating sprightliness about her that drove him nearly mad. He determined to silence her at last. "One more question, and only one more. What is his father?" "His father," said Miss Abbott. "Well, I don t suppose you ll think it a good match. But that s not the point. I mean the point is not--I mean that social differences--love, after all--not but what--I--" Philip ground his teeth together and said nothing. "Gentlemen sometimes judge hardly. But I feel that you, and at all events your mother--so really good in every sense, so really unworldly--after all, love-marriages are made in heaven." "Yes, Miss Abbott, I know. But I am anxious to hear heaven s choice. You arouse my curiosity. Is my sister-in-law to marry an angel?" "Mr. Herriton, don t--please, Mr. Herriton--a dentist. His father s a dentist." Philip gave a cry of personal disgust and pain. He shuddered all over, and edged away from his companion. A dentist! A dentist at Monteriano. A dentist in fairyland! False teeth and laughing
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rest of the day. He was saved from this social blunder by loud shouts, and looking up the road saw one cracking his whip and waving his reins and driving two horses furiously, and behind him there appeared the swaying figure of a woman, holding star-fish fashion on to anything she could touch. It was Miss Abbott, who had just received his letter from Milan announcing the time of his arrival, and had hurried down to meet him. He had known Miss Abbott for years, and had never had much opinion about her one way or the other. She was good, quiet, dull, and amiable, and young only because she was twenty-three: there was nothing in her appearance or manner to suggest the fire of youth. All her life had been spent at Sawston with a dull and amiable father, and her pleasant, pallid face, bent on some respectable charity, was a familiar object of the Sawston streets. Why she had ever wished to leave them was surprising; but as she truly said, "I am John Bull to the backbone, yet I do want to see Italy, just once. Everybody says it is marvellous, and that one gets no idea of it from books at all." The curate suggested that a year was a long time; and Miss Abbott, with decorous playfulness, answered him, "Oh, but you must let me have my fling! I promise to have it once, and once only. It will give me things to think about and talk about for the rest of my life." The curate had consented; so had Mr. Abbott. And here she was in a legno, solitary, dusty, frightened, with as much to answer and to answer for as the most dashing adventuress could desire. They shook hands without speaking. She made room for Philip and his luggage amidst the loud indignation of the unsuccessful driver, whom it required the combined eloquence of the station-master and the station beggar to confute. The silence was prolonged until they started. For three days he had been considering what he should do, and still more what he should say. He had invented a dozen imaginary conversations, in all of which his logic and eloquence procured him certain victory. But how to begin? He was in the enemy s country, and everything--the hot sun, the cold air behind the heat, the endless rows of olive-trees, regular yet mysterious--seemed hostile to the placid atmosphere of Sawston in which his thoughts took birth. At the outset he made one great concession. If the match was really suitable, and Lilia were bent on it, he would give in, and trust to his influence with his mother to set things right. He would not have made the concession in England; but here in Italy, Lilia, however wilful and silly, was at all events growing to be a human being. "Are we to talk it over now?" he asked. "Certainly, please," said Miss Abbott, in great agitation. "If you will be so very kind." "Then how long has she been engaged?" Her face was that of a perfect fool--a fool in terror. "A short time--quite a short time," she stammered, as if the shortness of the time would reassure him. "I should like to know how long, if you can remember." She entered into elaborate calculations on her fingers.<|quote|>"Exactly eleven days,"</|quote|>she said at last. "How long have you been here?" More calculations, while he tapped irritably with his foot. "Close on three weeks." "Did you know him before you came?" "No." "Oh! Who is he?" "A native of the place." The second silence took place. They had left the plain now and were climbing up the outposts of the hills, the olive-trees still accompanying. The driver, a jolly fat man, had got out to ease the horses, and was walking by the side of the carriage. "I understood they met at the hotel." "It was a mistake of Mrs. Theobald s." "I also understand that he is a member of the Italian nobility." She did not reply. "May I be told his name?" Miss Abbott whispered, "Carella." But the driver heard her, and a grin split over his face. The engagement must be known already. "Carella? Conte or Marchese, or what?" "Signor," said Miss Abbott, and looked helplessly aside. "Perhaps I bore you with these questions. If so, I will stop." "Oh, no, please; not at all. I am here--my own idea--to give all information which you very naturally--and to see if somehow--please ask anything you like." "Then how old is he?" "Oh, quite young. Twenty-one, I believe." There burst from Philip the exclamation, "Good Lord!" "One would never believe it," said Miss Abbott, flushing. "He looks much older." "And is he good-looking?" he asked, with gathering sarcasm. She became decisive. "Very good-looking. All his features are good, and he is well built--though I dare say English standards would find him too short." Philip, whose one physical advantage was his height, felt annoyed at her implied indifference to it. "May I conclude that you like him?" She replied decisively again, "As far as I have seen him, I do." At that moment the carriage entered a little wood, which lay brown and sombre across the cultivated hill. The trees of the wood were small and leafless, but noticeable for this--that their stems stood in violets as rocks stand in the summer sea. There are such violets in England, but not so many. Nor are there so many in Art, for no painter has the courage. The cart-ruts were channels, the hollow lagoons; even the dry white margin of the road was splashed, like a causeway soon to be submerged under the advancing tide of spring. Philip paid no attention at the time: he was thinking what to say next. But his eyes had registered the beauty, and next March
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Where Angels Fear To Tread
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"No,"
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Anne Shirley
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"have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are
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on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla
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her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and
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her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away
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all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green
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brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted
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work first and talk afterwards." CHAPTER XXVII. Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he
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home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?"<|quote|>"No,"</|quote|>was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with
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Anne Of Green Gables
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He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"
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No speaker
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honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher
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"it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice,
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it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green
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on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing
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further ... and a little further ... and then just a little further. By that time he had thought of another song. "It's a very funny thought that, if Bears were Bees, They'd build their nests at the _bottom_ of trees. And that being so (if the Bees were Bears), We shouldn't have to climb up all these stairs." He was getting rather tired by this time, so that is why he sang a Complaining Song. He was nearly there now, and if he just stood on that branch ... _Crack!_ "Oh, help!" said Pooh, as he dropped ten feet on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing as a balloon about him?' I just said it to myself, thinking of balloons, and wondering." "What do you want a balloon for?" you said. Winnie-the-Pooh looked round to see that nobody was listening, put his paw to his mouth, and said in a deep whisper: "_Honey!_" "But you don't get honey with balloons!" "_I_ do," said Pooh. Well, it just happened that you had been to a party the day before at the house of your friend Piglet, and you had balloons at the party. You had had a big green balloon; and one of Rabbit's relations had had
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he came to an open place in the middle of the forest, and in the middle of this place was a large oak-tree, and, from the top of the tree, there came a loud buzzing-noise. Winnie-the-Pooh sat down at the foot of the tree, put his head between his paws and began to think. First of all he said to himself: "That buzzing-noise means something. You don't get a buzzing-noise like that, just buzzing and buzzing, without its meaning something. If there's a buzzing-noise, somebody's making a buzzing-noise, and the only reason for making a buzzing-noise that _I_ know of is because you're a bee." Then he thought another long time, and said: "And the only reason for being a bee that I know of is making honey." And then he got up, and said: "And the only reason for making honey is so as _I_ can eat it." So he began to climb the tree. He climbed and he climbed and he climbed, and as he climbed he sang a little song to himself. It went like this: "Isn't it funny How a bear likes honey? Buzz! Buzz! Buzz! I wonder why he does?" Then he climbed a little further ... and a little further ... and then just a little further. By that time he had thought of another song. "It's a very funny thought that, if Bears were Bees, They'd build their nests at the _bottom_ of trees. And that being so (if the Bees were Bears), We shouldn't have to climb up all these stairs." He was getting rather tired by this time, so that is why he sang a Complaining Song. He was nearly there now, and if he just stood on that branch ... _Crack!_ "Oh, help!" said Pooh, as he dropped ten feet on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing as a balloon about him?' I just said it to myself, thinking of balloons, and wondering." "What do you want a balloon for?" you said. Winnie-the-Pooh looked round to see that nobody was listening, put his paw to his mouth, and said in a deep whisper: "_Honey!_" "But you don't get honey with balloons!" "_I_ do," said Pooh. Well, it just happened that you had been to a party the day before at the house of your friend Piglet, and you had balloons at the party. You had had a big green balloon; and one of Rabbit's relations had had a big blue one, and had left it behind, being really too young to go to a party at all; and so you had brought the green one _and_ the blue one home with you. "Which one would you like?" you asked Pooh. He put his head between his paws and thought very carefully. "It's like this," he said. "When you go after honey with a balloon, the great thing is not to let the bees know you're coming. Now, if you have a green balloon, they might think you were only part of the tree, and not notice you, and, if you have a blue balloon, they might think you were only part of the sky, and not notice you, and the question is: Which is most likely?" "Wouldn't they notice _you_ underneath the balloon?" you asked. "They might or they might not," said Winnie-the-Pooh. "You never can tell with bees." He thought for a moment and said: "I shall try to look like a small black cloud. That will deceive them." "Then you had better have the blue balloon," you said; and so it was decided. Well, you both went out with the blue balloon, and you took
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WINNIE-THE-POOH _BY A. A. MILNE_ CHAPTER I IN WHICH WE ARE INTRODUCED TO WINNIE-THE-POOH AND SOME BEES, AND THE STORIES BEGIN Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin. It is, as far as he knows, the only way of coming downstairs, but sometimes he feels that there really is another way, if only he could stop bumping for a moment and think of it. And then he feels that perhaps there isn't. Anyhow, here he is at the bottom, and ready to be introduced to you. Winnie-the-Pooh. When I first heard his name, I said, just as you are going to say, "But I thought he was a boy?" "So did I," said Christopher Robin. "Then you can't call him Winnie?" "I don't." "But you said----" "He's Winnie-ther-Pooh. Don't you know what '_ther_' means?" "Ah, yes, now I do," I said quickly; and I hope you do too, because it is all the explanation you are going to get. Sometimes Winnie-the-Pooh likes a game of some sort when he comes downstairs, and sometimes he likes to sit quietly in front of the fire and listen to a story. This evening---- "What about a story?" said Christopher Robin. "_What_ about a story?" I said. "Could you very sweetly tell Winnie-the-Pooh one?" "I suppose I could," I said. "What sort of stories does he like?" "About himself. Because he's _that_ sort of Bear." "Oh, I see." "So could you very sweetly?" "I'll try," I said. So I tried. * * * * * Once upon a time, a very long time ago now, about last Friday, Winnie-the-Pooh lived in a forest all by himself under the name of Sanders. (_" "What does 'under the name' mean?" asked Christopher Robin._ "_It means he had the name over the door in gold letters, and lived under it._" _" "Winnie-the-Pooh wasn't quite sure," said Christopher Robin._ _" "Now I am," said a growly voice._ _" "Then I will go on," said I._) One day when he was out walking, he came to an open place in the middle of the forest, and in the middle of this place was a large oak-tree, and, from the top of the tree, there came a loud buzzing-noise. Winnie-the-Pooh sat down at the foot of the tree, put his head between his paws and began to think. First of all he said to himself: "That buzzing-noise means something. You don't get a buzzing-noise like that, just buzzing and buzzing, without its meaning something. If there's a buzzing-noise, somebody's making a buzzing-noise, and the only reason for making a buzzing-noise that _I_ know of is because you're a bee." Then he thought another long time, and said: "And the only reason for being a bee that I know of is making honey." And then he got up, and said: "And the only reason for making honey is so as _I_ can eat it." So he began to climb the tree. He climbed and he climbed and he climbed, and as he climbed he sang a little song to himself. It went like this: "Isn't it funny How a bear likes honey? Buzz! Buzz! Buzz! I wonder why he does?" Then he climbed a little further ... and a little further ... and then just a little further. By that time he had thought of another song. "It's a very funny thought that, if Bears were Bees, They'd build their nests at the _bottom_ of trees. And that being so (if the Bees were Bears), We shouldn't have to climb up all these stairs." He was getting rather tired by this time, so that is why he sang a Complaining Song. He was nearly there now, and if he just stood on that branch ... _Crack!_ "Oh, help!" said Pooh, as he dropped ten feet on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing as a balloon about him?' I just said it to myself, thinking of balloons, and wondering." "What do you want a balloon for?" you said. Winnie-the-Pooh looked round to see that nobody was listening, put his paw to his mouth, and said in a deep whisper: "_Honey!_" "But you don't get honey with balloons!" "_I_ do," said Pooh. Well, it just happened that you had been to a party the day before at the house of your friend Piglet, and you had balloons at the party. You had had a big green balloon; and one of Rabbit's relations had had a big blue one, and had left it behind, being really too young to go to a party at all; and so you had brought the green one _and_ the blue one home with you. "Which one would you like?" you asked Pooh. He put his head between his paws and thought very carefully. "It's like this," he said. "When you go after honey with a balloon, the great thing is not to let the bees know you're coming. Now, if you have a green balloon, they might think you were only part of the tree, and not notice you, and, if you have a blue balloon, they might think you were only part of the sky, and not notice you, and the question is: Which is most likely?" "Wouldn't they notice _you_ underneath the balloon?" you asked. "They might or they might not," said Winnie-the-Pooh. "You never can tell with bees." He thought for a moment and said: "I shall try to look like a small black cloud. That will deceive them." "Then you had better have the blue balloon," you said; and so it was decided. Well, you both went out with the blue balloon, and you took your gun with you, just in case, as you always did, and Winnie-the-Pooh went to a very muddy place that he knew of, and rolled and rolled until he was black all over; and then, when the balloon was blown up as big as big, and you and Pooh were both holding on to the string, you let go suddenly, and Pooh Bear floated gracefully up into the sky, and stayed there--level with the top of the tree and about twenty feet away from it. "Hooray!" you shouted. "Isn't that fine?" shouted Winnie-the-Pooh down to you. "What do I look like?" "You look like a Bear holding on to a balloon," you said. "Not," said Pooh anxiously, "--not like a small black cloud in a blue sky?" "Not very much." "Ah, well, perhaps from up here it looks different. And, as I say, you never can tell with bees." There was no wind to blow him nearer to the tree, so there he stayed. He could see the honey, he could smell the honey, but he couldn't quite reach the honey. After a little while he called down to you. "Christopher Robin!" he said in a loud whisper. "Hallo!" "I think the bees _suspect_ something!" "What sort of thing?" "I don't know. But something tells me that they're _suspicious_!" "Perhaps they think that you're after their honey." "It may be that. You never can tell with bees." There was another little silence, and then he called down to you again. "Christopher Robin!" "Yes?" "Have you an umbrella in your house?" "I think so." "I wish you would bring it out here, and walk up and down with it, and look up at me every now and then, and say 'Tut-tut, it looks like rain.' I think, if you did that, it would help the deception which we are practising on these bees." Well, you laughed to yourself, "Silly old Bear!" but you didn't say it aloud because you were so fond of him, and you went home for your umbrella. "Oh, there you are!" called down Winnie-the-Pooh, as soon as you got back to the tree. "I was beginning to get anxious. I have discovered that the bees are now definitely Suspicious." "Shall I put my umbrella up?" you said. "Yes, but wait a moment. We must be practical. The important bee to deceive is the Queen Bee. Can you
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he climbed and he climbed, and as he climbed he sang a little song to himself. It went like this: "Isn't it funny How a bear likes honey? Buzz! Buzz! Buzz! I wonder why he does?" Then he climbed a little further ... and a little further ... and then just a little further. By that time he had thought of another song. "It's a very funny thought that, if Bears were Bees, They'd build their nests at the _bottom_ of trees. And that being so (if the Bees were Bears), We shouldn't have to climb up all these stairs." He was getting rather tired by this time, so that is why he sang a Complaining Song. He was nearly there now, and if he just stood on that branch ... _Crack!_ "Oh, help!" said Pooh, as he dropped ten feet on the branch below him. "If only I hadn't----" he said, as he bounced twenty feet on to the next branch. "You see, what I _meant_ to do," he explained, as he turned head-over-heels, and crashed on to another branch thirty feet below, "what I _meant_ to do----" "Of course, it _was_ rather----" he admitted, as he slithered very quickly through the next six branches. "It all comes, I suppose," he decided, as he said good-bye to the last branch, spun round three times, and flew gracefully into a gorse-bush, "it all comes of _liking_ honey so much. Oh, help!"<|quote|>He crawled out of the gorse-bush, brushed the prickles from his nose, and began to think again. And the first person he thought of was Christopher Robin. (_"</|quote|>"Was that me?" said Christopher Robin in an awed voice, hardly daring to believe it._ "_That was you._" _Christopher Robin said nothing, but his eyes got larger and larger, and his face got pinker and pinker._) So Winnie-the-Pooh went round to his friend Christopher Robin, who lived behind a green door in another part of the forest. "Good morning, Christopher Robin," he said. "Good morning, Winnie-_ther_-Pooh," said you. "I wonder if you've got such a thing as a balloon about you?" "A balloon?" "Yes, I just said to myself coming along: 'I wonder if Christopher Robin has such a thing as a balloon about him?' I just said it to myself, thinking of balloons, and wondering." "What do you want a balloon for?" you said. Winnie-the-Pooh looked round to see that nobody was listening, put his paw to his mouth, and said in a deep whisper: "_Honey!_" "But you don't get honey with balloons!" "_I_ do," said Pooh. Well, it just happened that you had been to a party the day before at the house of your friend Piglet, and you had balloons at the party. You had had a big green balloon; and one of Rabbit's relations had had a big blue one, and had left it behind, being really too young to go to a party at all; and so you had brought the green one _and_ the blue one home with you. "Which one would you like?" you asked Pooh. He put his head between his paws and thought very carefully. "It's like this," he said. "When you go after honey with a balloon, the great thing is not to let the bees know you're coming. Now, if you have a green balloon, they might think you were only part of the tree, and not notice you, and, if you have a blue balloon, they might think you were only part of the sky, and not notice you, and the question is: Which is most likely?" "Wouldn't they notice _you_ underneath the balloon?" you asked. "They might or they might not," said Winnie-the-Pooh. "You never can tell with bees." He thought for a moment and said: "I shall try to look like a small black cloud. That will deceive them." "Then you had better have the blue balloon," you said; and so it was decided. Well, you both went out with the blue balloon, and you took your gun with you, just in case, as you always did, and Winnie-the-Pooh went to a very muddy place that he knew of, and rolled and rolled until he was black all over; and then, when the balloon was blown up as big as big, and you and Pooh were both holding on to the string, you let go suddenly, and Pooh Bear floated gracefully up into the sky, and stayed there--level with the top of the tree and about twenty feet away from it. "Hooray!" you shouted. "Isn't that fine?" shouted Winnie-the-Pooh down to you. "What do I look like?" "You look like a Bear holding on to a balloon," you
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Winnie The Pooh
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said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.
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No speaker
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into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip
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all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer,
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you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after
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purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino
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on her knee. It shone now with health and beauty: it seemed to reflect light, like a copper vessel. Just such a baby Bellini sets languid on his mother s lap, or Signorelli flings wriggling on pavements of marble, or Lorenzo di Credi, more reverent but less divine, lays carefully among flowers, with his head upon a wisp of golden straw. For a time Gino contemplated them standing. Then, to get a better view, he knelt by the side of the chair, with his hands clasped before him. So they were when Philip entered, and saw, to all intents and purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino told her to watch the baby. Then he offered Philip a cigar, and they proceeded to the business. Chapter 8 "Mad!" screamed Harriet,--" "absolutely stark, staring, raving mad!" Philip judged it better not to contradict her. "What s she here for? Answer me that. What s she doing in Monteriano in August? Why isn t she in Normandy? Answer that. She won t. I can: she s come to thwart us; she s betrayed us--got hold of mother s plans. Oh, goodness, my head!" He was unwise enough to reply, "You mustn t accuse her of that. Though she is
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little babies from long experience in a district, and Gino soon ceased to give her directions, and only gave her thanks. "It is very kind of you," he murmured, "especially in your beautiful dress. He is nearly clean already. Why, I take the whole morning! There is so much more of a baby than one expects. And Perfetta washes him just as she washes clothes. Then he screams for hours. My wife is to have a light hand. Ah, how he kicks! Has he splashed you? I am very sorry." "I am ready for a soft towel now," said Miss Abbott, who was strangely exalted by the service. "Certainly! certainly!" He strode in a knowing way to a cupboard. But he had no idea where the soft towel was. Generally he dabbed the baby on the first dry thing he found. "And if you had any powder." He struck his forehead despairingly. Apparently the stock of powder was just exhausted. She sacrificed her own clean handkerchief. He put a chair for her on the loggia, which faced westward, and was still pleasant and cool. There she sat, with twenty miles of view behind her, and he placed the dripping baby on her knee. It shone now with health and beauty: it seemed to reflect light, like a copper vessel. Just such a baby Bellini sets languid on his mother s lap, or Signorelli flings wriggling on pavements of marble, or Lorenzo di Credi, more reverent but less divine, lays carefully among flowers, with his head upon a wisp of golden straw. For a time Gino contemplated them standing. Then, to get a better view, he knelt by the side of the chair, with his hands clasped before him. So they were when Philip entered, and saw, to all intents and purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino told her to watch the baby. Then he offered Philip a cigar, and they proceeded to the business. Chapter 8 "Mad!" screamed Harriet,--" "absolutely stark, staring, raving mad!" Philip judged it better not to contradict her. "What s she here for? Answer me that. What s she doing in Monteriano in August? Why isn t she in Normandy? Answer that. She won t. I can: she s come to thwart us; she s betrayed us--got hold of mother s plans. Oh, goodness, my head!" He was unwise enough to reply, "You mustn t accuse her of that. Though she is exasperating, she hasn t come here to betray us." "Then why has she come here? Answer me that." He made no answer. But fortunately his sister was too much agitated to wait for one. "Bursting in on me--crying and looking a disgusting sight--and says she has been to see the Italian. Couldn t even talk properly; pretended she had changed her opinions. What are her opinions to us? I was very calm. I said: Miss Abbott, I think there is a little misapprehension in this matter. My mother, Mrs. Herriton-- Oh, goodness, my head! Of course you ve failed--don t trouble to answer--I know you ve failed. Where s the baby, pray? Of course you haven t got it. Dear sweet Caroline won t let you. Oh, yes, and we re to go away at once and trouble the father no more. Those are her commands. Commands! COMMANDS!" And Harriet also burst into tears. Philip governed his temper. His sister was annoying, but quite reasonable in her indignation. Moreover, Miss Abbott had behaved even worse than she supposed. "I ve not got the baby, Harriet, but at the same time I haven t exactly failed. I and Signor Carella are
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the baby, and, holding his cigar between his teeth, began to unwrap it. Miss Abbott turned to go. "But why are you going? Excuse me if I wash him while we talk." "I have nothing more to say," said Miss Abbott. All she could do now was to find Philip, confess her miserable defeat, and bid him go in her stead and prosper better. She cursed her feebleness; she longed to expose it, without apologies or tears. "Oh, but stop a moment!" he cried. "You have not seen him yet." "I have seen as much as I want, thank you." The last wrapping slid off. He held out to her in his two hands a little kicking image of bronze. "Take him!" She would not touch the child. "I must go at once," she cried; for the tears--the wrong tears--were hurrying to her eyes. "Who would have believed his mother was blonde? For he is brown all over--brown every inch of him. Ah, but how beautiful he is! And he is mine; mine for ever. Even if he hates me he will be mine. He cannot help it; he is made out of me; I am his father." It was too late to go. She could not tell why, but it was too late. She turned away her head when Gino lifted his son to his lips. This was something too remote from the prettiness of the nursery. The man was majestic; he was a part of Nature; in no ordinary love scene could he ever be so great. For a wonderful physical tie binds the parents to the children; and--by some sad, strange irony--it does not bind us children to our parents. For if it did, if we could answer their love not with gratitude but with equal love, life would lose much of its pathos and much of its squalor, and we might be wonderfully happy. Gino passionately embracing, Miss Abbott reverently averting her eyes--both of them had parents whom they did not love so very much. "May I help you to wash him?" she asked humbly. He gave her his son without speaking, and they knelt side by side, tucking up their sleeves. The child had stopped crying, and his arms and legs were agitated by some overpowering joy. Miss Abbott had a woman s pleasure in cleaning anything--more especially when the thing was human. She understood little babies from long experience in a district, and Gino soon ceased to give her directions, and only gave her thanks. "It is very kind of you," he murmured, "especially in your beautiful dress. He is nearly clean already. Why, I take the whole morning! There is so much more of a baby than one expects. And Perfetta washes him just as she washes clothes. Then he screams for hours. My wife is to have a light hand. Ah, how he kicks! Has he splashed you? I am very sorry." "I am ready for a soft towel now," said Miss Abbott, who was strangely exalted by the service. "Certainly! certainly!" He strode in a knowing way to a cupboard. But he had no idea where the soft towel was. Generally he dabbed the baby on the first dry thing he found. "And if you had any powder." He struck his forehead despairingly. Apparently the stock of powder was just exhausted. She sacrificed her own clean handkerchief. He put a chair for her on the loggia, which faced westward, and was still pleasant and cool. There she sat, with twenty miles of view behind her, and he placed the dripping baby on her knee. It shone now with health and beauty: it seemed to reflect light, like a copper vessel. Just such a baby Bellini sets languid on his mother s lap, or Signorelli flings wriggling on pavements of marble, or Lorenzo di Credi, more reverent but less divine, lays carefully among flowers, with his head upon a wisp of golden straw. For a time Gino contemplated them standing. Then, to get a better view, he knelt by the side of the chair, with his hands clasped before him. So they were when Philip entered, and saw, to all intents and purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino told her to watch the baby. Then he offered Philip a cigar, and they proceeded to the business. Chapter 8 "Mad!" screamed Harriet,--" "absolutely stark, staring, raving mad!" Philip judged it better not to contradict her. "What s she here for? Answer me that. What s she doing in Monteriano in August? Why isn t she in Normandy? Answer that. She won t. I can: she s come to thwart us; she s betrayed us--got hold of mother s plans. Oh, goodness, my head!" He was unwise enough to reply, "You mustn t accuse her of that. Though she is exasperating, she hasn t come here to betray us." "Then why has she come here? Answer me that." He made no answer. But fortunately his sister was too much agitated to wait for one. "Bursting in on me--crying and looking a disgusting sight--and says she has been to see the Italian. Couldn t even talk properly; pretended she had changed her opinions. What are her opinions to us? I was very calm. I said: Miss Abbott, I think there is a little misapprehension in this matter. My mother, Mrs. Herriton-- Oh, goodness, my head! Of course you ve failed--don t trouble to answer--I know you ve failed. Where s the baby, pray? Of course you haven t got it. Dear sweet Caroline won t let you. Oh, yes, and we re to go away at once and trouble the father no more. Those are her commands. Commands! COMMANDS!" And Harriet also burst into tears. Philip governed his temper. His sister was annoying, but quite reasonable in her indignation. Moreover, Miss Abbott had behaved even worse than she supposed. "I ve not got the baby, Harriet, but at the same time I haven t exactly failed. I and Signor Carella are to have another interview this afternoon, at the Caffe Garibaldi. He is perfectly reasonable and pleasant. Should you be disposed to come with me, you would find him quite willing to discuss things. He is desperately in want of money, and has no prospect of getting any. I discovered that. At the same time, he has a certain affection for the child." For Philip s insight, or perhaps his opportunities, had not been equal to Miss Abbott s. Harriet would only sob, and accuse her brother of insulting her; how could a lady speak to such a horrible man? That, and nothing else, was enough to stamp Caroline. Oh, poor Lilia! Philip drummed on the bedroom window-sill. He saw no escape from the deadlock. For though he spoke cheerfully about his second interview with Gino, he felt at the bottom of his heart that it would fail. Gino was too courteous: he would not break off negotiations by sharp denial; he loved this civil, half-humorous bargaining. And he loved fooling his opponent, and did it so nicely that his opponent did not mind being fooled. "Miss Abbott has behaved extraordinarily," he said at last; "but at the same time--" His sister would not hear him. She burst forth again on the madness, the interference, the intolerable duplicity of Caroline. "Harriet, you must listen. My dear, you must stop crying. I have something quite important to say." "I shall not stop crying," said she. But in time, finding that he would not speak to her, she did stop. "Remember that Miss Abbott has done us no harm. She said nothing to him about the matter. He assumes that she is working with us: I gathered that." "Well, she isn t." "Yes; but if you re careful she may be. I interpret her behaviour thus: She went to see him, honestly intending to get the child away. In the note she left me she says so, and I don t believe she d lie." "I do." "When she got there, there was some pretty domestic scene between him and the baby, and she has got swept off in a gush of sentimentalism. Before very long, if I know anything about psychology, there will be a reaction. She ll be swept back." "I don t understand your long words. Say plainly--" "When she s swept back, she ll be invaluable. For she has
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had any powder." He struck his forehead despairingly. Apparently the stock of powder was just exhausted. She sacrificed her own clean handkerchief. He put a chair for her on the loggia, which faced westward, and was still pleasant and cool. There she sat, with twenty miles of view behind her, and he placed the dripping baby on her knee. It shone now with health and beauty: it seemed to reflect light, like a copper vessel. Just such a baby Bellini sets languid on his mother s lap, or Signorelli flings wriggling on pavements of marble, or Lorenzo di Credi, more reverent but less divine, lays carefully among flowers, with his head upon a wisp of golden straw. For a time Gino contemplated them standing. Then, to get a better view, he knelt by the side of the chair, with his hands clasped before him. So they were when Philip entered, and saw, to all intents and purposes, the Virgin and Child, with Donor. "Hullo!" he exclaimed; for he was glad to find things in such cheerful trim. She did not greet him, but rose up unsteadily and handed the baby to his father. "No, do stop!" whispered Philip. "I got your note. I m not offended; you re quite right. I really want you; I could never have done it alone." No words came from her, but she raised her hands to her mouth, like one who is in sudden agony. "Signorina, do stop a little--after all your kindness." She burst into tears. "What is it?"<|quote|>said Philip kindly. She tried to speak, and then went away weeping bitterly. The two men stared at each other. By a common impulse they ran on to the loggia. They were just in time to see Miss Abbott disappear among the trees.</|quote|>"What is it?" asked Philip again. There was no answer, and somehow he did not want an answer. Some strange thing had happened which he could not presume to understand. He would find out from Miss Abbott, if ever he found out at all. "Well, your business," said Gino, after a puzzled sigh. "Our business--Miss Abbott has told you of that." "No." "But surely--" "She came for business. But she forgot about it; so did I." Perfetta, who had a genius for missing people, now returned, loudly complaining of the size of Monteriano and the intricacies of its streets. Gino told her to watch the baby. Then he offered Philip a cigar, and they proceeded to the business. Chapter 8 "Mad!" screamed Harriet,--" "absolutely stark, staring, raving mad!" Philip judged it better not to contradict her. "What s she here for? Answer me that. What s she doing in Monteriano in August? Why isn t she in Normandy? Answer that. She won t. I can: she s come to thwart us; she s betrayed us--got hold of mother s plans. Oh, goodness, my head!" He was unwise enough to reply, "You mustn t accuse her of that. Though she is exasperating, she hasn t come here
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Where Angels Fear To Tread
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his eyes wandered round the room
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No speaker
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There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more
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have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did
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was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently
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it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders.
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is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He
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That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?" "It might have been salt," replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He laughed with apparent enjoyment, raising his arms to heaven in mock despair, in what I could not but consider the worst possible taste. "And, anyway," I said, with increasing coldness, "as Mrs. Inglethorp took her coffee upstairs with her, I do not see what you expect to find, unless you consider it likely that we shall discover a packet of strychnine on the coffee tray!" Poirot was sobered at once. "Come, come, my friend," he said, slipping his arms through mine. "_Ne vous f chez pas!_ Allow me to interest myself in my coffee-cups, and I will respect your cocoa. There! Is it a bargain?" He was so quaintly humorous that I was forced to laugh; and we went together to the drawing-room, where the coffee-cups and tray remained undisturbed as we had left them. Poirot made me recapitulate the scene of the night before, listening very carefully, and verifying the position of the various cups. "So Mrs. Cavendish stood by the tray and poured out. Yes. Then she came across to the window where you sat with Mademoiselle Cynthia. Yes. Here are the three cups. And the cup on the mantelpiece, half drunk, that would be Mr. Lawrence Cavendish's.
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"Seeing it on the tray, sir." "You saw some salt on the tray?" "Yes. Coarse kitchen salt, it looked. I never noticed it when I took the tray up, but when I came to take it into the mistress's room I saw it at once, and I suppose I ought to have taken it down again, and asked cook to make some fresh. But I was in a hurry, because Dorcas was out, and I thought maybe the cocoa itself was all right, and the salt had only gone on the tray. So I dusted it off with my apron, and took it in." I had the utmost difficulty in controlling my excitement. Unknown to herself, Annie had provided us with an important piece of evidence. How she would have gaped if she had realized that her "coarse kitchen salt" was strychnine, one of the most deadly poisons known to mankind. I marvelled at Poirot's calm. His self-control was astonishing. I awaited his next question with impatience, but it disappointed me. "When you went into Mrs. Inglethorp's room, was the door leading into Miss Cynthia's room bolted?" "Oh! Yes, sir; it always was. It had never been opened." "And the door into Mr. Inglethorp's room? Did you notice if that was bolted too?" Annie hesitated. "I couldn't rightly say, sir; it was shut but I couldn't say whether it was bolted or not." "When you finally left the room, did Mrs. Inglethorp bolt the door after you?" "No, sir, not then, but I expect she did later. She usually did lock it at night. The door into the passage, that is." "Did you notice any candle grease on the floor when you did the room yesterday?" "Candle grease? Oh, no, sir. Mrs. Inglethorp didn't have a candle, only a reading-lamp." "Then, if there had been a large patch of candle grease on the floor, you think you would have been sure to have seen it?" "Yes, sir, and I would have taken it out with a piece of blotting-paper and a hot iron." Then Poirot repeated the question he had put to Dorcas: "Did your mistress ever have a green dress?" "No, sir." "Nor a mantle, nor a cape, nor a how do you call it? a sports coat?" "Not green, sir." "Nor anyone else in the house?" Annie reflected. "No, sir." "You are sure of that?" "Quite sure." "_Bien!_ That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?" "It might have been salt," replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He laughed with apparent enjoyment, raising his arms to heaven in mock despair, in what I could not but consider the worst possible taste. "And, anyway," I said, with increasing coldness, "as Mrs. Inglethorp took her coffee upstairs with her, I do not see what you expect to find, unless you consider it likely that we shall discover a packet of strychnine on the coffee tray!" Poirot was sobered at once. "Come, come, my friend," he said, slipping his arms through mine. "_Ne vous f chez pas!_ Allow me to interest myself in my coffee-cups, and I will respect your cocoa. There! Is it a bargain?" He was so quaintly humorous that I was forced to laugh; and we went together to the drawing-room, where the coffee-cups and tray remained undisturbed as we had left them. Poirot made me recapitulate the scene of the night before, listening very carefully, and verifying the position of the various cups. "So Mrs. Cavendish stood by the tray and poured out. Yes. Then she came across to the window where you sat with Mademoiselle Cynthia. Yes. Here are the three cups. And the cup on the mantelpiece, half drunk, that would be Mr. Lawrence Cavendish's. And the one on the tray?" "John Cavendish's. I saw him put it down there." "Good. One, two, three, four, five but where, then, is the cup of Mr. Inglethorp?" "He does not take coffee." "Then all are accounted for. One moment, my friend." With infinite care, he took a drop or two from the grounds in each cup, sealing them up in separate test tubes, tasting each in turn as he did so. His physiognomy underwent a curious change. An expression gathered there that I can only describe as half puzzled, and half relieved. "_Bien!_" he said at last. "It is evident! I had an idea but clearly I was mistaken. Yes, altogether I was mistaken. Yet it is strange. But no matter!" And, with a characteristic shrug, he dismissed whatever it was that was worrying him from his mind. I could have told him from the beginning that this obsession of his over the coffee was bound to end in a blind alley, but I restrained my tongue. After all, though he was old, Poirot had been a great man in his day. "Breakfast is ready," said John Cavendish, coming in from the hall. "You will breakfast with us, Monsieur Poirot?" Poirot acquiesced. I observed John. Already he was almost restored to his normal self. The shock of the events of the last night had upset him temporarily, but his equable poise soon swung back to the normal. He was a man of very little imagination, in sharp contrast with his brother, who had, perhaps, too much. Ever since the early hours of the morning, John had been hard at work, sending telegrams one of the first had gone to Evelyn Howard writing notices for the papers, and generally occupying himself with the melancholy duties that a death entails. "May I ask how things are proceeding?" he said. "Do your investigations point to my mother having died a natural death or or must we prepare ourselves for the worst?" "I think, Mr. Cavendish," said Poirot gravely, "that you would do well not to buoy yourself up with any false hopes. Can you tell me the views of the other members of the family?" "My brother Lawrence is convinced that we are making a fuss over nothing. He says that everything points to its being a simple case of heart failure." "He does, does he? That is very interesting
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"Not green, sir." "Nor anyone else in the house?" Annie reflected. "No, sir." "You are sure of that?" "Quite sure." "_Bien!_ That is all I want to know. Thank you very much." With a nervous giggle, Annie took herself creakingly out of the room. My pent-up excitement burst forth. "Poirot," I cried, "I congratulate you! This is a great discovery." "What is a great discovery?" "Why, that it was the cocoa and not the coffee that was poisoned. That explains everything! Of course it did not take effect until the early morning, since the cocoa was only drunk in the middle of the night." "So you think that the cocoa mark well what I say, Hastings, the _cocoa_ contained strychnine?" "Of course! That salt on the tray, what else could it have been?" "It might have been salt," replied Poirot placidly. I shrugged my shoulders. If he was going to take the matter that way, it was no good arguing with him. The idea crossed my mind, not for the first time, that poor old Poirot was growing old. Privately I thought it lucky that he had associated with him someone of a more receptive type of mind. Poirot was surveying me with quietly twinkling eyes. "You are not pleased with me, _mon ami?_" "My dear Poirot," I said coldly, "it is not for me to dictate to you. You have a right to your own opinion, just as I have to mine." "A most admirable sentiment," remarked Poirot, rising briskly to his feet. "Now I have finished with this room. By the way, whose is the smaller desk in the corner?" "Mr. Inglethorp's." "Ah!" He tried the roll top tentatively. "Locked. But perhaps one of Mrs. Inglethorp's keys would open it." He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. "_Voil !_ It is not the key, but it will open it at a pinch." He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: "Decidedly, he is a man of method, this Mr. Inglethorp!" A "man of method" was, in Poirot's estimation, the highest praise that could be bestowed on any individual. I felt that my friend was not what he had been as he rambled on disconnectedly: "There were no stamps in his desk, but there might have been, eh, _mon ami?_ There might have been? Yes"<|quote|>his eyes wandered round the room</|quote|>"this boudoir has nothing more to tell us. It did not yield much. Only this." He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it. [Illustration] CHAPTER V. "IT ISN'T STRYCHNINE, IS IT?" "Where did you find this?" I asked Poirot, in lively curiosity. "In the waste-paper basket. You recognise the handwriting?" "Yes, it is Mrs. Inglethorp's. But what does it mean?" Poirot shrugged his shoulders. "I cannot say but it is suggestive." A wild idea flashed across me. Was it possible that Mrs. Inglethorp's mind was deranged? Had she some fantastic idea of demoniacal possession? And, if that were so, was it not also possible that she might have taken her own life? I was about to expound these theories to Poirot, when his own words distracted me. "Come," he said, "now to examine the coffee-cups!" "My dear Poirot! What on earth is the good of that, now that we know about the cocoa?" "Oh, _l l !_ That miserable cocoa!" cried Poirot flippantly. He laughed with apparent enjoyment, raising his arms to heaven in mock despair, in what I could not but consider the worst possible taste. "And, anyway," I said, with increasing coldness, "as Mrs. Inglethorp took her coffee upstairs with her, I do not see what you expect to find, unless you consider it likely that we shall discover a packet of strychnine on the coffee tray!" Poirot was sobered at once. "Come, come, my friend," he said, slipping his arms through mine. "_Ne vous f chez pas!_ Allow me to interest myself in my coffee-cups, and I will respect your cocoa. There! Is it a bargain?" He was so quaintly humorous that I was forced to laugh; and we went
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The Mysterious Affair At Styles
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"Thank God. I've been pretty ill, haven't I? I can't remember much."
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Tony Last
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"You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something
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he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had
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were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony,
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have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly
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ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a
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He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed for an hour or so. When he awoke, Dr Messinger was cutting back the bush farther. "I'm going to fix up the tarpaulin as a roof." (He had marked this place on his map _Temporary Emergency Base Camp_.) Tony watched him listlessly. Presently he said, "Look here, why don't you leave me here and go down the river for help?" "I thought of that. It's too big a risk." That afternoon Brenda was back at Tony's side and he
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drink on the opposite bank; an hour later he was shivering so violently that he had to lay down his paddle; his head was flaming with heat, his body and limbs were frigid; by sunset he was slightly delirious. Dr Messinger took his temperature and found that it was a hundred and four degrees, Fahrenheit. He gave him twenty-five grains of quinine and lit a fire so close to his hammock that by morning it was singed and blacked with smoke. He told Tony to keep wrapped up in his blanket, but at intervals throughout that night he woke from sleep to find himself running with sweat; he was consumed with thirst and drank mug after mug of river water. Neither that evening nor next morning was he able to eat anything. But next morning his temperature was down again. He felt weak and exhausted but he was able to keep steady in his place and paddle a little. "It was just a passing attack, wasn't it?" he said. "I shall be perfectly fit to-morrow, shan't I?" "I hope so," said Dr Messinger. At mid-day Tony drank some cocoa and ate a cupful of rice. "I feel grand," he said. "Good." That night the fever came on again. They were camping on a sand bank. Dr Messinger heated stones and put them under Tony's feet and in the small of his back. He was awake most of the night fuelling the fire and refilling Tony's mug with water. At dawn Tony slept for an hour and woke feeling slightly better; he was taking frequent doses of quinine and his ears were filled with a muffled sound as though he were holding those shells to them in which, he had been told in childhood, one could hear the beat of the sea. "We've got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed for an hour or so. When he awoke, Dr Messinger was cutting back the bush farther. "I'm going to fix up the tarpaulin as a roof." (He had marked this place on his map _Temporary Emergency Base Camp_.) Tony watched him listlessly. Presently he said, "Look here, why don't you leave me here and go down the river for help?" "I thought of that. It's too big a risk." That afternoon Brenda was back at Tony's side and he was shivering and tossing in his hammock. * * * * * When he was next able to observe things, Tony noted that there was a tarpaulin over his head, slung to the tree-trunks. He asked, "How long have we been here?" "Only three days." "What time is it now?" "Getting on for ten in the morning." "I feel awful." Dr Messinger gave him some soup. "I am going downstream for the day," he said, "to see if there's any sign of a village. I hate leaving you but it's a chance worth taking. I shall be able to get a long way in the canoe now it's empty. Lie quiet. Don't move from the hammock. I shall be back before night. I hope with some Indians to help." "All right," said Tony and fell asleep. Dr Messinger went down to the river's edge and untied the canoe; he brought with him a rifle, a drinking cup and a day's provisions. He sat in the stern and pushed out from the bank; the current carried the bows down and in a few strokes of the paddle he was in midstream. The sun was high and its reflection in the water dazzled and scorched him; he paddled on with regular, leisurely strokes; he was travelling fast. For a mile's stretch the river narrowed and the water raced so that all he had to do was to trail the blade of the paddle as a rudder; then the walls of forest on either side of him fell back and he drifted into a great open lake, where he had to work heavily to keep in motion; all the time he watched keenly to right and left for the column of smoke, the thatched dome, the sly brown figure in the undergrowth, the drinking cattle, that would disclose the village he sought. But there was no sign. In the open water he took up his field-glasses and studied the whole wooded margin. But there was no sign. Later the river narrowed once more and the canoe shot forward in the swift current. Ahead of him the surface was broken by rapids; the smooth water seethed and eddied; a low monotone warned him that beyond the rapids was a fall. Dr Messinger began to steer for the bank. The current was running strongly and he exerted his full strength; ten yards from the beginning
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sand bank. Dr Messinger heated stones and put them under Tony's feet and in the small of his back. He was awake most of the night fuelling the fire and refilling Tony's mug with water. At dawn Tony slept for an hour and woke feeling slightly better; he was taking frequent doses of quinine and his ears were filled with a muffled sound as though he were holding those shells to them in which, he had been told in childhood, one could hear the beat of the sea. "We've got to go on," said Dr Messinger. "We can't be far from a village now." "I feel awful. Wouldn't it be better to wait a day till I am perfectly fit again?" "It's no good waiting. We've got to get on. D'you think you can manage to get into the canoe?" Dr Messinger knew that Tony was in for a long bout. For the first few hours of that day Tony lay limp in the bows. They had shifted the stores so that he could lie full length. Then the fever came on again and his teeth chattered. He sat up and crouched with his head in his knees, shaking all over; only his forehead and cheeks were burning hot under the noon sun. There was still no sign of a village. * * * * * It was late in the afternoon when he first saw Brenda. For some time he had been staring intently at the odd shape amidships where the stores had been piled; then he realized that it was a human being. "So the Indians came back?" he said. "Yes." "I knew they would. Silly of them to be scared by a toy. I suppose the others are following." "Yes, I expect so. Try and sit still." "Damned fool, being frightened of a toy mouse," Tony said derisively to the woman amidships. Then he saw that it was Brenda. "I'm sorry," he said. "I didn't see it was you. You wouldn't be frightened of a toy mouse." But she did not answer him. She sat as she used often to sit when she came back from London, huddled over her bowl of bread and milk. Dr Messinger steered the boat in to the side. They nearly capsized as he helped Tony out. Brenda got ashore without assistance. She stepped out in her delicate, competent way, keeping the balance of the boat. "That's what poise means," said Tony. "D'you know, I once saw a questionnaire that people had to fill in when they applied for a job in an American firm, and one of the things they had to answer was "Have you poise?"" Brenda was at the top of the bank waiting for him. "What was so absurd about the question was that they only had the applicant's word for it," he explained laboriously. "I mean--is it a sign of poise to think you have it?" "Just sit quiet here while I sling your hammock." "Yes, I'll sit here with Brenda. I am so glad she could come. She must have caught the three-eighteen." She was with him all that night and all the next day. He talked to her ceaselessly but her replies were rare and enigmatic. On the succeeding evening he had another fit of sweating. Dr Messinger kept a large fire burning by the hammock and wrapped Tony in his own blanket. An hour before dawn Tony fell asleep and when he awoke Brenda had gone. "You're down to normal again."<|quote|>"Thank God. I've been pretty ill, haven't I? I can't remember much."</|quote|>Dr Messinger had made something of a camp. He had chopped a square clear of undergrowth, the size of a small room. Their two hammocks hung on opposite sides of it. The stores were all ashore, arranged in an orderly pile on the tarpaulin. "How d'you feel?" "Grand," said Tony, but when he got out of his hammock he found he could not stand without help. "Of course, I haven't eaten anything. I expect it will be a day or two before I'm really well." Dr Messinger said nothing, but strained the tea clear of leaves by pouring it slowly from one mug into another; he stirred into it a large spoonful of condensed milk. "See if you can drink this." Tony drank it with pleasure and ate some biscuits. "Are we going on to-day?" he asked. "We'll think about it." He took the mugs down to the bank and washed them in the river. When he came back he said, "I think I'd better explain things. It's no use your thinking you are cured because you are out of fever for one day. That's the way it goes. One day fever and one day normal. It may take a week or it may take much longer. That's a thing we've got to face. I can't risk taking you in the canoe. You nearly upset us several times the day before yesterday." "I thought there was someone there I knew." "You thought a lot of things. It'll go on like that. Meanwhile we've provisions for about ten days. There's no immediate anxiety there but it's a thing to remember. Besides, what you need is a roof over your head and constant nursing. If only we were at a village...." "I'm afraid I'm being a great nuisance." "That's not the point. The thing is to find what is best for us to do." But Tony felt too tired to think; he dozed
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A Handful Of Dust
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was the answer,
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No speaker
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the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my
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done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I
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barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew
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time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad."
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rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long
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him, and he wondered if the ruin of that young life was really to be laid at his door, as Basil Hallward had said to him with such infamy of insult. He bit his lip, and for a few seconds his eyes grew sad. Yet, after all, what did it matter to him? One s days were too brief to take the burden of another s errors on one s shoulders. Each man lived his own life and paid his own price for living it. The only pity was one had to pay so often for a single fault. One had to pay over and over again, indeed. In her dealings with man, destiny never closed her accounts. There are moments, psychologists tell us, when the passion for sin, or for what the world calls sin, so dominates a nature that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled back. "My God! my God!" he cried, "and I would have murdered you!" Dorian Gray drew a long breath. "You have been on the brink of committing a terrible crime, my
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his shoulders. "I am sick of women who love one. Women who hate one are much more interesting. Besides, the stuff is better." "Much the same." "I like it better. Come and have something to drink. I must have something." "I don t want anything," murmured the young man. "Never mind." Adrian Singleton rose up wearily and followed Dorian to the bar. A half-caste, in a ragged turban and a shabby ulster, grinned a hideous greeting as he thrust a bottle of brandy and two tumblers in front of them. The women sidled up and began to chatter. Dorian turned his back on them and said something in a low voice to Adrian Singleton. A crooked smile, like a Malay crease, writhed across the face of one of the women. "We are very proud to-night," she sneered. "For God s sake don t talk to me," cried Dorian, stamping his foot on the ground. "What do you want? Money? Here it is. Don t ever talk to me again." Two red sparks flashed for a moment in the woman s sodden eyes, then flickered out and left them dull and glazed. She tossed her head and raked the coins off the counter with greedy fingers. Her companion watched her enviously. "It s no use," sighed Adrian Singleton. "I don t care to go back. What does it matter? I am quite happy here." "You will write to me if you want anything, won t you?" said Dorian, after a pause. "Perhaps." "Good night, then." "Good night," answered the young man, passing up the steps and wiping his parched mouth with a handkerchief. Dorian walked to the door with a look of pain in his face. As he drew the curtain aside, a hideous laugh broke from the painted lips of the woman who had taken his money. "There goes the devil s bargain!" she hiccoughed, in a hoarse voice. "Curse you!" he answered, "don t call me that." She snapped her fingers. "Prince Charming is what you like to be called, ain t it?" she yelled after him. The drowsy sailor leaped to his feet as she spoke, and looked wildly round. The sound of the shutting of the hall door fell on his ear. He rushed out as if in pursuit. Dorian Gray hurried along the quay through the drizzling rain. His meeting with Adrian Singleton had strangely moved him, and he wondered if the ruin of that young life was really to be laid at his door, as Basil Hallward had said to him with such infamy of insult. He bit his lip, and for a few seconds his eyes grew sad. Yet, after all, what did it matter to him? One s days were too brief to take the burden of another s errors on one s shoulders. Each man lived his own life and paid his own price for living it. The only pity was one had to pay so often for a single fault. One had to pay over and over again, indeed. In her dealings with man, destiny never closed her accounts. There are moments, psychologists tell us, when the passion for sin, or for what the world calls sin, so dominates a nature that every fibre of the body, as every cell of the brain, seems to be instinct with fearful impulses. Men and women at such moments lose the freedom of their will. They move to their terrible end as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled back. "My God! my God!" he cried, "and I would have murdered you!" Dorian Gray drew a long breath. "You have been on the brink of committing a terrible crime, my man," he said, looking at him sternly. "Let this be a warning to you not to take vengeance into your own hands." "Forgive me, sir," muttered James Vane. "I was deceived. A chance word I heard in that damned den set me on the wrong track." "You had better go home and put that pistol away, or you may get into trouble," said Dorian, turning on his heel and going slowly down the street. James Vane stood on the pavement in horror. He was trembling from head to foot. After a little while, a black shadow that had been creeping along the dripping wall moved out into the light and came close to him with stealthy footsteps. He felt a hand laid on his arm and looked round with a start. It was one of the women who had been drinking at the bar. "Why didn t you kill him?" she hissed out, putting haggard face quite close to his. "I knew you were following him when you rushed out from Daly s. You fool! You should have killed him. He has lots of money, and he s as bad as bad." "He is not the man I am looking for," he answered, "and I want no man s money. I want a man s life. The man whose life I want must be nearly forty now. This one is little more than a boy. Thank God, I have not got his blood upon my hands." The woman gave a bitter laugh. "Little more than a boy!" she sneered. "Why, man, it s nigh on eighteen years since Prince Charming made me what I am." "You lie!" cried James Vane. She raised her hand up to heaven. "Before God I am telling the truth," she cried. "Before God?" "Strike me dumb if it ain t so. He is the worst one that comes here. They say he has sold himself to the devil for a pretty face. It s nigh on eighteen years since I met him. He hasn t changed much since then. I have, though," she added, with a sickly leer. "You swear this?" "I swear it," came in hoarse echo from her flat mouth. "But don t give me away to him," she whined; "I am afraid of him. Let me have some money for my night s lodging." He broke from her with an oath and
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as automatons move. Choice is taken from them, and conscience is either killed, or, if it lives at all, lives but to give rebellion its fascination and disobedience its charm. For all sins, as theologians weary not of reminding us, are sins of disobedience. When that high spirit, that morning star of evil, fell from heaven, it was as a rebel that he fell. Callous, concentrated on evil, with stained mind, and soul hungry for rebellion, Dorian Gray hastened on, quickening his step as he went, but as he darted aside into a dim archway, that had served him often as a short cut to the ill-famed place where he was going, he felt himself suddenly seized from behind, and before he had time to defend himself, he was thrust back against the wall, with a brutal hand round his throat. He struggled madly for life, and by a terrible effort wrenched the tightening fingers away. In a second he heard the click of a revolver, and saw the gleam of a polished barrel, pointing straight at his head, and the dusky form of a short, thick-set man facing him. "What do you want?" he gasped. "Keep quiet," said the man. "If you stir, I shoot you." "You are mad. What have I done to you?" "You wrecked the life of Sibyl Vane,"<|quote|>was the answer,</|quote|>"and Sibyl Vane was my sister. She killed herself. I know it. Her death is at your door. I swore I would kill you in return. For years I have sought you. I had no clue, no trace. The two people who could have described you were dead. I knew nothing of you but the pet name she used to call you. I heard it to-night by chance. Make your peace with God, for to-night you are going to die." Dorian Gray grew sick with fear. "I never knew her," he stammered. "I never heard of her. You are mad." "You had better confess your sin, for as sure as I am James Vane, you are going to die." There was a horrible moment. Dorian did not know what to say or do. "Down on your knees!" growled the man. "I give you one minute to make your peace no more. I go on board to-night for India, and I must do my job first. One minute. That s all." Dorian s arms fell to his side. Paralysed with terror, he did not know what to do. Suddenly a wild hope flashed across his brain. "Stop," he cried. "How long ago is it since your sister died? Quick, tell me!" "Eighteen years," said the man. "Why do you ask me? What do years matter?" "Eighteen years," laughed Dorian Gray, with a touch of triumph in his voice. "Eighteen years! Set me under the lamp and look at my face!" James Vane hesitated for a moment, not understanding what was meant. Then he seized Dorian Gray and dragged him from the archway. Dim and wavering as was the wind-blown light, yet it served to show him the hideous error, as it seemed, into which he had fallen, for the face of the man he had sought to kill had all the bloom of boyhood, all the unstained purity of youth. He seemed little more than a lad of twenty summers, hardly older, if older indeed at all, than his sister had been when they had parted so many years ago. It was obvious that this was not the man who had destroyed her life. He loosened his hold and reeled back. "My God! my God!" he cried, "and I would have murdered you!" Dorian Gray drew a long breath. "You have been on the brink of committing a terrible crime, my man," he said, looking at him sternly. "Let this be a warning to you not to take vengeance into
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The Picture Of Dorian Gray
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